Podcasts about Academy Awards

"Wake Up Dead Man: A Knives Out Mystery" had its world premiere at the 2025 Toronto International Film Festival, where it received just as strong reviews as the first two entries in the franchise, "Knives Out" and "Glass Onion," with praise directed at Rian Johnson's direction, writing, and the performances of the cast. Johnson, along with members of the cast and crew, were all kind enough to spend some time speaking with Next Best Picture over the past few weeks, and you can listen to those conversations below. First, we have my interview with Rian Johnson and Josh O'Connor, followed by Dan Bayer's interview with Johnson and Benoit Blanc himself, Daniel Craig. Then we have Cody Dericks's interview with Academy Award-nominee and on-screen legend Glenn Close, followed by my chat with Mila Kunis and Cailee Spaeny, then Brendan Hodges's discussion with cinematographer Steve Yedlin, and finally my interview with composer Nathan Johnson. Please be sure to check out the film, which is now available to stream on Netflix, and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Shane Black (Lethal Weapon, The Nice Guys)  Jim Herzfeld (Meet The Parents/Fockers), Fred Dekker (Preditor), & David Silverman (The Simpsons) reminisce about their college hangout that became the social group that supported their life and art for the rest of their lives.  They describe a house full of UCLA film nerds with a 24 hour open house policy.  It was young guys finding themselves and their drive and their fun by making a scene in the early 1980's. Movie watching, game playing, movie making, and joking around led to a group of people that has made some of the biggest films of the last 30 years.  Bio: JIM HERZFELD is an American film and television screenwriter who has also done work as a television producer. Herzfeld graduated from UCLA's School of Theater, Film and Television (TFT) and his earliest TV credit – on the ground breaking “It's Garry Shandling's Show” -- was followed by almost 10 years of writing and producing episodes on dozens of sitcom staffs, including the Fox TV classic "Married... With Children." Herzfeld's earliest feature film work was a writing credit on the cult comedy “Tapeheads“ in 1988. His most successful work was writing the screenplay for the 2000 film” Meet the Parents” as well as writing the story and screenplay for its 2004 sequel “Meet the Fockers.” To date, both those films remain on the list of the 20 Highest Grossest Comedies. More recently, in 2015 his screenplay for “Meet the Parents” was selected by the Writer's Guild of America's as one of the “101 Funniest Screenplays” of all time. Herzfeld was also the writer of the canceled Circle 7 Animation version of Toy Story 3 and has done countless punch-up and rewrites on dozens of big budget comedies and animated films for virtually every major studio.  Herzfeld has also guest lectured about screenwriting at several major universities, including NYU, UCLA and AFI along with appearing on writer panels at various film festivals, most notably the Austin Film Festival where Jim was a judge for their Comedy Screenplay Competition. Currently, Herzfeld continues to write and develop comedy screenplays and recently became an advisor for Scripthop, a software startup focused on revolutionizing how screenplays are both presented and circulated throughout the entertainment industry. FRED DEKKER - Pursuing a movie career, he moved to Los Angeles where his fledgling screenwriting efforts led to a Hollywood agent and a job writing Godzilla: King of the Monsters for director Steve Miner. Although the film went unproduced, Dekker provided the story for Miner's 1985 horror-comedy House, starring William Katt (screenplay by Ethan Wiley). The film was recognized by the Fantasporto and the Avoriaz Film Festivals, and spawned several sequels. Dekker made his directorial debut with Night of the Creeps, an homage to B-movies that eventually developed a devoted cult following. He went on to direct another cult favorite, The Monster Squad, co-written with his UCLA friend Shane Black. He subsequently wrote five episodes of Tales From The Crypt, including the first episode, directed by Robert Zemeckis. In 1991, Dekker conceived the Denzel Washington starrer Ricochet and the spy spoof If Looks Could Kill, both for Warner Bros. He then returned to the director's chair for the third RoboCop film, co-written with comic book legend Frank Miller. As a script doctor, Dekker made uncredited contributions to films including Titan A.E. and Lethal Weapon 4. He then served as Consulting Producer and wrote three episodes of Star Trek: Enterprise. In 2015, he reteamed with Shane Black on a western TV pilot for Amazon Studios, entitled Edge. The two went on to co-write the 2018 release The Predator, which Black also directed. Dekker's international awards include the Silver Raven from the Brussels International Festival of Fantasy Film; the Estrella de Fantastico Award from the 2019 Bilbao Fantasy Film Festival; and the 2024 Honorary Time Machine Award (Premi Màquina del Temps) at the Sitges Film Festival for his contributions to horror and fantasy cinema. He is currently developing a true crime limited series for Amazon based on a murder which occurred in his hometown.SHANE BLACK is a writer/director whose writing credits include such films as Lethal Weapon, The Last Boy Scout, The Long Kiss Goodnight and The Monster Squad.  He began as a director in 2005 with Kiss Kiss Bang Bang and receives increasingly strident sequel requests for 2016's The Nice Guys.  He is currently writing a spec original and trying to lose some weight by New Years'.  Not that he's fat -- he's just old, and being careful.DAVID SILVERMAN After graduating from UCLA in 1983, David Silverman worked as a freelance illustrator and animator until, in 1987, he landed a job animating on The Tracey Ullman Show — where The Simpsons began. Animating on all 48 shorts led to David directing the first shows of The Simpsons. Starting with the Christmas Special in December 1989, and then the premiere episode the following month, David soon became Supervising Animation Director and a producer on The Simpsons. All told, he has directed 24 episodes and has won 4 Emmys along the way.  When no one was looking, David snuck away from The Simpsons to work at DreamWorks (The Road to El Dorado – co-director), Pixar (Monsters, Inc. – co-director), and Blue Sky (Ice Age, Robots – writing and boarding). But, he came back to the show full-time at the end of 2003 and directed The Simpsons Movie. In 2012, David directed and co-wrote the short film The Longest Daycare about Maggie Simpson, which earned him an Academy Award nomination.And since the Disney acquisition of The Simpsons (via the purchase of Fox), David has directed 10 Simpsons shorts especially for Disney+, as well as several promotional pieces.Editing Notes: There are many verbal cuts on the show we directed to Dan. Also after the show, Shane Black emailed and ask we cut out this.  I say “It's nice your place was a rape free environment” and Shane says something like: “But not rape free for guys,”. He wants his comment cut.

This week on Fostering Change, Rob welcomes a cherished friend and longtime champion of Comfort Cases — actress, producer, author, and foster care advocate Jen Lilley.While millions know Jen from her work in television and film, her most meaningful role has been off-camera: as a foster and adoptive mother deeply committed to supporting children and families in crisis. Jen recently served as emcee for the 2025 Fostering Futures Gala — her second time hosting Comfort Cases' signature event — and continues to use her platform to elevate foster care awareness nationwide.In this heartfelt conversation, Rob and Jen dive into themes of faith, courage, storytelling, and the transformational impact fostering has had on Jen's life. They also explore her book, Wake Up Your Faith, and her upcoming 2026 release, Called to Foster?In this episode, Rob and Jen discuss: • Why Jen remains deeply committed to Comfort Cases and the foster care community • Her book Wake Up Your Faith and the message she hopes readers embrace • Called to Foster?, a forthcoming guide for prospective foster parents • What fostering and adopting two children taught her about love, patience, and identity • How Jen balances motherhood, advocacy, and a thriving entertainment career • The responsibility and privilege of using her platform to inspire compassion • Practical encouragement for anyone considering fostering or adoption⸻Guest BioJen Lilley is an award-winning actress, producer, author, and passionate child welfare advocate. She has appeared in an Academy Award–winning film, starred in multiple Emmy-winning series, and featured in a wide range of beloved movies. Off-screen, Jen is a devoted mother to two children adopted from foster care and a powerful voice for families navigating the child welfare system. She is the author of Wake Up Your Faith and the upcoming Called to Foster?, arriving May 2026. Jen is also a treasured supporter of Comfort Cases and recently served as emcee for the 2025 Fostering Futures Gala.⸻Connect with JenWebsite: www.jenlilley.comFacebook: facebook.com/JenLilleyOfficialInstagram: @Jen_LilleyX (Twitter): @Jen_Lilley

In this episode of Editors on Editing, Glenn is joined by Olivier Bugge Coutté.  Olivier, an editor based in Denmark is a graduate of the National Film and Television School where he studied alongside his longtime collaborator, Joachim Trier. While some of his other credits include Thelma, The Apprentice, The Promised Land, Beginners and Copenhagen Does Not Exist, Olivier has cut all of Trier's films, including The Worst Person in The World which was nominated for the Academy Award for Best International feature, and the most recent film, Sentimental Value, which won the grand prize at the Cannes Film Festival this year.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!  

The boys head to prison on Devil's Island to discuss 1973's “Papillon”! One of the highest-grossing movies of the year, this true-story account of Steve McQueen's character befriending Dustin Hoffman's character to help keep each other alive and prepare their escape from the no-chance-of-return prison, a world away from their native France. Made by the team behind Oscar-winner “Patton” from 1971, shot very much on location, some call this McQueen's best performance. Before we get into it, John gives us a mini-review of “Hamnet”, the romantic drama film by Chloé Zhao starring Paul Mescal and Jessie Buckley, based on the book based on the play. Grab a beer and join in!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:41 John's “Hamnet” mini-review; 15:08 1973 Year in Review; 41:21 Films of 1973: “Papillon”; 1:24:21 What You Been Watching?; 1:29:08 Next Week's Episode Teaser Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Cast & Crew: Chloé Zhao, Maggie O'Farrell, Paul Mescal, Jessie Buckley, Fred J Koenekamp, Henri Charriere, Dalton Trumbo, Lorenzo Semple Jr., William Goldman, Franklin J. Schaffner. Recommendations: Hamnet, Welcome to Derry, The Witcher, Slow Horses, Home Alone, The Righteous Gemstones, Sisu 2, Pluribus, The Exorcist, Enter The Dragon, Live and Let Die, The Sting, American Graffiti, Soylent Green. Additional Tags: French Guyana, Paris, Honduras, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

My guest this week is Nathan Krieger, head of Dimensional Fund Advisors' global client group in Australia. We discuss the documentary "Tune Out the Noise," directed by Academy Award winner Errol Morris. The film highlights revolutionary ideas from 1960s University of Chicago academics that challenged Wall Street norms and led to index funds and efficient market theory.Blog post available at: https://www.sharesforbeginners.com/blog/tune-out-the-noiseWatch on YouTube right here.

Josh Brolin is an Academy Award-nominated actor whose 40-year career spans the cult classic The Goonies, acclaimed turns in No Country for Old Men and Milk, and Marvel's billion-dollar Avengers franchise. Brolin joins Willie Geist at Hotel Chelsea to discuss his intense work in Weapons, Running Man, and the third Knives Out film, his resistance to believing his own hype, and how decades of struggle shaped his instincts. Plus, he opens up about the uncomfortable process of writing his memoir and the drive that pushes him to take on demanding roles. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For this week's main podcast review, Katie Johnson, Dan Bayer, Daniel Howat, and Brendan Hodges join me to discuss the latest film from Academy Award-nominee Rian Johnson in the "Knives Out" franchise "Wake Up Dead Man: A Knives Out Mystery," starring Daniel Craig, Josh O'Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church. The second film to premiere on Netflix following "Glass Onion" and the third in the franchise overall, this latest murder-mystery sees Craig's Benoit Blanc return in a case that will take him to religious highs and devilish lows, with another electric cast of characters and plenty of twists and turns. What did we think of it? Please tune in as we discuss the story, performances, characters, cinematography, the blending of spiritual drama, mystery thriller, and playful humor, the future of the franchise, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Merry Month of Debts-cember!Part 2 - 8 Lazy Nights VI - On this week's show, because I just didn't have it in me to pull off another extended show, we're dialing it back with one of our shortest episodes of the year! 8 songs (one for each night of Chanukah) plus a bonus track to represent the starter candle.  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Jason Faunt is an accomplished American actor, born on November 20, 1974, in the Chicago suburb of McHenry, Illinois. Initially pursuing a career in professional baseball due to his athletic background, he transitioned to acting after relocating to Los Angeles. He holds a Bachelor of Science degree in Business Management and Marketing from the University of North Carolina at Asheville. Faunt is most widely recognized for his portrayal of Wesley Collins, the Red Time Force Ranger, as well as the character's descendant Alex, in the television series Power Rangers Time Force (2001). This role established him as a prominent figure in the science fiction and action genres, cultivating a dedicated and enduring fan base.He has demonstrated versatility across various film, television, and voice acting projects throughout his career. A recent highlight is his performance in the acclaimed short film An Old Friend (2024), directed by Emmy Award-winning filmmaker Nuk Suwanchote and produced by Kris Flink and Rishi Raj. Faunt portrays Calvin, an imaginary friend who returns to fulfill his purpose of bringing happiness to his childhood companion, only to find the individual played by veteran actor Tom Skerritt now a 90-year-old man confronting the end of life. The film thoughtfully explores themes of nostalgia, companionship, and the inexorable passage of time through a fantastical narrative, combining emotional depth with compelling performances. It has received substantial recognition, including over 50 festival selections and awards, and has qualified for consideration in the Live Action Short Film category for the 2025 Academy Awards, with availability in the Academy Screening Room as of December 8, 2025. This achievement underscores its significant impact within independent cinema.

Known for her roles in Marvel's The Avengers, Captain America: The Winter Soldier, and Black Widow, Scarlett Johansson is a Tony-winning and Academy Award-nominated actress who has spent the last three years building her skincare line, The Outset. In this conversation from June 2023, Johansson joins Willie Geist at The Outset's New York offices to discuss starring in Wes Anderson's Asteroid City, balancing blockbuster films and family life, and her husband Colin Jost's unlikely eye cream obsession. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Joining us today on RNL- Fun Friday! we have Academy Award and Golden Globe nominated actress, Patty McCormack; & Dan Lauria, best known for his portrayal of the stern, but loving, money-conscious father on the TV series The Wonder Years.  Dan Lauria wrote and starred in his new play, 'Just Another Day,' with Patty McCormack. Dan and Patty are finishing up their run of the show at the New Jersey Repertory Company.

This time we watched the 1973 British horror film Psychomania, a cult biker horror oddity originally filmed as The Living Dead before the title changed. In the United States it appeared as The Death Wheelers. Not to be confused with the 1963 American film Psychomania, also known as Violent Midnight. The film was produced by Benmar Productions, better known for Spaghetti Westerns shot in Spain. They also made Horror Express later the same year with the same writers, which we covered back in episode 7. Psychomania was created in association with Scotia Bar Distributors who had director Don Sharp under long term contract.Don Sharp was born in Tasmania and began as an actor before becoming a director in the mid 1950s. He turned out low and medium budget films including the Tommy Steele musical It's All Happening, then Hammer Films hired him and he made several well received thrillers. He also worked as second unit director on Those Magnificent Men in Their Flying Machines. Quiz time for Jon. Sharp directed BigChrisLee six times. Name them. Beryl Reid plays psychic medium Mrs Latham. She left school at 16 and debuted in 1936 as a music hall performer at the Floral Hall in Bridlington. She became famous on BBC radio in Educating Archie as Monica and as the Brummie Marlene. She later worked for the National Theatre and the Royal Shakespeare Company. She made the very first challenge on Just A Minute in the 1967 pilot. In the late 1970s and early 1980s she played Connie Sachs in Tinker Tailor Soldier Spy and Smiley's People, earning two British Academy Television Award nominations and winning for Smiley's People. Doctor Who fans will know her as Captain Briggs in Earthshock. The same year as Psychomania she appeared in Dr Phibes Rises Again. Ross will always remember her as Grandma in the Adrian Mole TV adaptation. Nicky Henson plays lead biker Tom Latham. A familiar face across British television, he excelled at playing cultivated gents, snobs and playboys. His many guest roles included several appearances in The Bill, A Touch of Frost, Pie in the Sky, Fawlty Towers and Witchfinder General as Trooper Swallow. His first wife was Una Stubbs, with whom he later appeared in EastEnders. Despite living with cancer for twenty years he continued acting on screen until 2018. Robert Hardy plays Chief Inspector Hesseltine. We discussed him fully in episode 41a when we covered The Stalls of Barchester from the BBC Ghost Stories for Christmas series. Academy Award winner George Sanders plays Shadwell. Born in Russia to an English horticulturist mother and a rope maker father, he became a British subject when the family fled during the revolution. His smooth voice and upper class accent made him perfect for polished villains. His roles included Jack Favell in Rebecca, Scott Folliott in Foreign Correspondent, the Saran of Gaza in Samson and Delilah and Addison DeWitt in All About Eve which won him the Oscar for Best Supporting Actor. He voiced Shere Khan in Disney's The Jungle Book and played Simon Templar in several films in The Saint series. British horror fans may know him from the Doomwatch movie as The Admiral. There are brief appearances by June Brown as Mrs Pettibone, John Levene from Doctor Who and Bill Pertwee as a publican. Levene worked with Jon Pertwee who was Bill's second cousin. The soundtrack by John Cameron was released in 2003 by Trunk Records. Cameron said they needed something spooky and different with a rock feeling, all pre synthesizer. They recorded at Shepperton's studios which had not been updated since before the war. He described hooligan musicians scratching inside pianos while the engineer sat there in suit and tie, completely anachronistic.Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

"The Tale Of Silyan" is a Macedonian documentary film produced, written and directed by Tamara Kotevska. It follows Macedonian farmer Nikola Conev and his family against the backdrop of the country's economic instability. While Conev forms a bond with an injured white stork, his daughter and wife move to Germany in search of a better life. The film had its world premiere out of competition at the 82nd Venice International Film Festival and has been selected as the Macedonian entry for the Best International Feature Film at the 98th Academy Awards. Director Tamara Kotevska and cinematographer Jean Dakar were both kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing at the IFC Center in New York from National Geographic Documentary Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The Joe Piscopo Show 12-12-25Hogan Gidley, Former National Press Secretary for the Trump campaign and former White House Deputy Press SecretaryTopic: Trump executive order on federal unions challenged in the House, other Washington and White House news Lt. Col. Robert Maginnis, a retired U.S. Army officer and an experienced military analyst with on-the-ground experience inside Russia and Ukraine and the author of "Preparing for World War III"Topic: Israel laser, Venezuela, other military news Chazz Palminteri, Academy Award-nominated actor, screenwriter, producer, and playwright, best known for “A Bronx Tale”Topic: Frank Sinatra's 110th Birthday Deana Martin, Singer, Actress, Entertainer, daughter of Dean Martin, and the star of the "Deana Martin LIVE! Show" every Friday at 4 p.m. ET on DeanaMartin.com, Facebook, Roku, X & YouTube Topic: Frank Sinatra's 110th Birthday Gregg Jarrett, Legal and political analyst for Fox News Channel and the author of "The Trial Of The Century"Topic: Accused Charlie Kirk assassin in court yesterday Tom Dreesen, stand-up comedian who opened for Frank Sinatra for 13 yearsTopic: Frank Sinatra's 110th BirthdaySee omnystudio.com/listener for privacy information.

Send us a textToday's episode is my conversation about the 1930 film Sarah and Son. I'm joined by Matthew Carlson from the What Am I Making newsletter and we talk about whether the film would even survive today if not for Chatterton's Academy Award nomination for her performance as Sarah, compare lost films to what it would be like if our music catalog was missing dozens of Elvis or Beatles recordings, and learn about interesting familial connections and an actress who was a bit of a daredevil in her spare time. You can watch Sarah and Son online for yourself and be sure to check out Matt's newsletter.Other films mentioned in this episode include:Anna Christie directed by Clarence Leon Brown"The Arrival of a Train at La Ciotat Station" directed by the Lumière BrothersThe Devil's Holiday directed by Edmund GouldingAll Quiet on the Western Front directed by Lewis MilestoneGone With the Wind directed by Victor FlemingMetropolis directed by Fritz LangDr. Jekyll and Mr. Hyde (1931) directed by Rouben MamoulianThe Best Years of Our Lives directed by William WylerInherit the Wind directed by Stanley KramerDeath of a Salesman directed by László BenedekThe Fighting Lady directed by Edward SteichenRaising Arizona directed by Joel CoenThe Divorcee directed by Robert Z. LeonardOther referenced topics:Roseanne (series)The Big Bang Theory (series)Young Sheldon (series)New York Times review of the filmCatherine writing on obscurecinemamagicHomeward Bound (book) by Ruth ChattertonSupport the show

Green Book (2018) at first glance seems like a twist ... a retelling of another Best Picture winner ... Driving Miss Daisy.  It's not. This movie is mostly about the connection between two men from different worlds who learn to understand each other during a road trip.  It's a very entertaining film ... but looking back, did the Academy get it right and award the right film the top award at the Oscars Listen to film critic Jack Ferdman's take on it as he analyzes everything about Green Book as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 2018?Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

A group of troubled teenage boys are kidnapped from their homes and taken deep into the unforgiving Utah desert, where they are forced into a brutal and secretive "Wilderness Therapy" program. With no contact with the outside world, their only way home is to earn the approval of the enigmatic program director-whose motives are far from therapeutic. As the line between rehabilitation and manipulation blurs, the boys must decide whether to survive the program or escape it.THE WILDERNESS is written and directed by Spencer King (Nickels, Time Now) and produced by Emmy-winning actor Aaron Paul ("Breaking Bad") alongside Academy Award-nominee Amy Berg (It's Never Over, Jeff Buckley).Here's the trailer:Https://www.youtube.com/watch?v=8_IEFPnFGAc Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Join host Manya Brachear Pashman for a powerful conversation about Red Alert, the Critics Choice Award-nominated Paramount+ docu-series that confronts the October 7 Hamas massacre with unflinching honesty. Producer Lawrence Bender (Pulp Fiction, Good Will Hunting) shares why this project couldn't wait—launched in real time to push back against denial, disinformation, and a world struggling to absorb the scale of the tragedy. Bender reflects on the courage and trauma of the ordinary Israelis whose stories anchor the series, including survivors like Batsheva Olami, whose resilience changed the production team forever. Hear how filming during an active war shaped the storytelling, the emotional toll on everyone involved, and why capturing these true accounts is essential to ensuring October 7 is neither minimized nor forgotten. Key Resources: AJC.org/Donate: Please consider supporting AJC's work with a year-end gift today. Right now, your gift will be matched, dollar-for-dollar, making double the impact. Every gift matters. Every dollar makes a difference in the fight for a strong and secure Jewish future. Listen – AJC Podcasts: Architects of Peace The Forgotten Exodus People of the Pod Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: [Clip from Red Alert] Manya Brachear Pashman:   Academy Award nominated film producer Lawrence Bender has quite a repertoire for both feature films and documentaries: Pulp Fiction, Inglorious Bastards, Good Will Hunting and Inconvenient Truth. In fact, his works have earned 36 Academy Award nominations.  His most recent TV miniseries is a more personal project on the second anniversary of the October 7 Hamas terror attacks on Israel, Paramount Plus began streaming a four episode series called red alert about the attack on festival goers, innocent passers by and families waking up to terrorists inside their Israeli homes that day, a tragedy that many of us, either on this podcast or listening have watched with overwhelming grief for the last two years. Lawrence is with us now to talk about how he grappled with this attack on Israel and the rise of antisemitism that followed.  Lawrence, welcome to People of the Pod. Lawrence Bender:   Thank you, Manya, it's good to be here.  Manya Brachear Pashman:   So that clip that we played at the top of this episode, it's one of the few clips in English. Most of the dialog in this show is in Hebrew with subtitles. But that scene is a woman, Bathsheba and her two daughters. They're walking across a field trying to return home, and her son has been taken. Her husband is gone. This series weaves together her story and three or four other ordinary civilians fighting for their lives on October 7, 2023. You know, as someone personally who's been immersed in this subject matter for two years, to be honest, I had to muster the energy to watch this, and I'm so glad that I did. But why are, I mean, as we're still waiting for the last hostage to be returned, why was it important for this show to air now? Lawrence Bender:   Well, thank you so much for doing this with me, and thank you for playing that clip. I have to tell you first, I love that clip. I love that scene because one of the things about the show and the stories that we portrayed is that even with the horrific things that happened on that day, people still were able to fight back. People were still able to be strong. A mother with her daughter and her infant stood in the face of a terrorist and stood him down in real life, this happened.  Now, not everybody was so fortunate, and her husband Ohad was not fortunate, and her son was taken hostage, as you mentioned, but it does show her personal power in this horrific situation. And I just thought, you know, this woman is a real hero. I've spent a lot of time with her, Batsheva Olami, she's really an extraordinary human in all ways. So thank you for playing that clip.  So in terms of the show, I felt on October 8, it's just amazing how quickly, before Israel did anything, the entire world quickly turned against the very people who were the victims and having spent subsequently, a lot of time with people on the set, because, as you mentioned, this show was about real people, and those real people spent a lot of time on the set with us. And the very people that were traumatized, felt isolated, they felt alone, and they're the very ones that need to be loved, that need to be hugged, they need to be supported. Anyway, I just felt like I needed to do something fast to try to show the world what really happened. AndRed Alert is the result of that. Manya Brachear Pashman:   Do you fear that the world has already moved on? Lawrence Bender:   Oh, that's a good question. It feels like we've passed a tipping point, actually, in terms of Jew hatred and anti-Israel and antisemitism. Even as we are now trying to have a peace process, right, that somehow we are stumbling forward, and if that's going to happen, people need to understand why we're here and why we're here happened on October 7. And if you watch the show, hopefully you're pulled into the show, and you have a, you know, you have an emotional journey, and then you understand, oh, this really happened. And you understand that's the truth. And only when you really understand the truth of October 7 do I really think that you can really get some sort of peace. Manya Brachear Pashman:   So is this different from other historical events? You know, a lot of movies and television shows commemorate historical events, like the Holocaust, for example, but they happen years later. They're made years later. I kind of call it the never forget genre. But is October 7 unique in that it's not a question of whether people will forget or move on. It's a question of whether they believe that this present is actually true. Lawrence Bender:   That's right, there's the deniers. There's people that just don't know. There's people that forgot, maybe you know, there are people who I know that I had to explain. Like, you know, it's interesting. As an example, when you see the show and you see all these Hamas terrorists invading the kibbutz, and Ohad says to her, his wife, Bathsheva, he whispers in her ear, I just saw about 20 terrorists, and someone said to me, who's not unintelligent, I didn't realize there are that many. I didn't realize that. And if you're not really paying attention, maybe you don't really know. And look, they're the haters, haters which are never going to change. But I think there's a large group of people that just don't really understand, and they're the ones that I feel we have a shot at showing this to and having a conversation with. Manya Brachear Pashman:   In fact, are you actually introducing or experimenting with a new genre of truth or facts in the face of fiction. Lawrence Bender:   I guess that's true. I mean, this just happened. And some people ask over this last, you know, when I released, and we were paramount, released the show. You know, I've been asked a question, is it too soon? And my answer is, I feel like it's not soon enough. And I felt like immediately I needed to work on something, and this is the result of that. For me, personally, there are many collaborators of people on this show that incredible Israeli partners, my American partners. I mean, there's a lot of amazing people that came together to work on this, to make this show, but we really felt like time was of the essence, because the world was shifting so quickly, we wanted this to get out there, to show the world what really happened. Manya Brachear Pashman:   One of the reasons I'm pressing you on this, this was not a fiction film. This was based in reality. You said you met Bathsheba, the actors prepared for their roles by meeting with the very real people who they were portraying in this show whose stories they were recreating. I'm curious what some of the takeaways were for you, for your colleagues, from your encounters with these victims, with these survivors, and did anything about the production ever change after they got involved? Lawrence Bender:   It was truly a life changing experience for myself, but really for everyone involved, of course, myself and my partner, Kevin Brown and Jordana Rubin, and we were basically the only non Israelis that were full time producing the show. And everyone else was a citizen of the country. Everyone else, you know, was affected dramatically, everything but from like our key grips brother ran the kibbutz Raim, where we filmed that area that was a kibbutz overrun by terrorists, right? His brother survived. So it was really like every single person at some point, you know, we call it triggered, but it really happened quite often where you have a scene and people just have to stop for a second and take a moment, whether it's an actor finishing a scene or a crew member, you know, partaking in the making of the scene. But lots of things happen. I'll tell you one story which was, you know, quite interesting. We're working at the Nova festival scene, and one of the actors, Moran, her niece, was on vacation in Greece, and her niece told her, if a red headed police woman shows up on the set, she's the one who saved my life. And indeed, her name was Bat, she showed up, and we said, we need you to meet somebody. And we FaceTimed Moran's niece with Bat, and the young lady she's like in her early 20s, said, You're the one who saved my life. You're the one I was hiding by your feet while you were firing. And we asked, Did you remember the people that you saved? And she said, I really only remember the people I didn't save. You really felt the pain that she is still at that point a year and a half later, this is. In April, May, suffering from what she went through. RPG hit nearby her. She went flying through the air. She had had half reconstructive surgery, on and on and on. It was obviously an extremely traumatic day for her to you know, a moment where there's a woman on the set whose daughter was murdered, and someone on my crew, actually, Mya Fisher, has said, you know, there's someone here I want to introduce you to. It's after lunch. And I spent some time with her, and I asked her, you know, like, how do you go? Fine, I can't, you know, I can't imagine losing my son in this way. It's just unimaginable. And I asked her, do you have a rabbi? What do you do to survive?  And it was a very difficult emotional exchange. And sometime later, she had sort of retold that encounter to somebody else on the set who came to me and said, you know that woman you're talking to. She told me what happened, you know this conversation? And she said, You know this Hollywood producer came all the way from California, she doesn't know me, from Adam, and sat down with me for an hour to hear my story, and it clearly meant a lot to her. And again, you realize that the very people who are traumatized directly are not getting the love, are so isolated and people are against them, and it made me feel even more determined to tell these stories for the world to understand.  Every day we had these type of difficult, emotional and to be honest, I was extremely honored every time I met someone. I spent every Saturday night at Hostage Square because we were making the show, I got to spend time backstage with all the families who had loved ones in the tunnels. There was a deep dive into this. Now, I have to tell you, on the other hand, the filming while a war is still going on is quite it's like things you don't have to think about normally, right? So, as an example, we were in a town and we're shooting a shootout. We're filming a shootout between the IDF actors and the Hamas actor. They're actors. I keep saying they're actors, right? Because they are actors. But the mayor and the chief of police in the town were extremely worried, because they look real, right? They look like real people. And unfortunately, the cemetery is littered with people who have been murdered and killed by the Hamas. And all the other men who are there, they have guns, they carry, and if something's happening, they're going to run towards the problem. So he's worried, what if someone walks by, or someone's up in a building. He looks down and they see an actor who looks like Hamas, they are going to shoot him. So we literally had speakers every 10 yards, like all up and down the street, and every like 15-20 minutes, saying, don't worry, in Hebrew, of course, this is a movie, everything's okay. We had a drone up in the air, never coming down, on a tether with a police officer. They're a full big screen watching case someone walks down the street.  We dressed up the Hamas actors as they're walking from the holding area to the area where they're filming, we put them in these kind of white hazmat-like suits so that they couldn't confuse them, and when they got done filming, we put them right back in these hazmat white suits and brought them back to the holding area. We all had to dress up, and we had to wear these very, very light blue shirts the entire crew, so nobody looked like anything but a crew member. It was something, right?  Manya Brachear Pashman:   I did not even think about that. I mean, I knew that you had filmed on location in Israel, and I knew you had filmed during the war. In fact, I was going to explain to listeners who don't know Red Alert is what Israelis call the sirens and the phone alerts when there are rockets being fired upon Israel and they have time to seek shelter. I was going to ask you if you had been there during a red alert and had to seek shelter, but I didn't even think about the possibility of people confusing the filming with actual war activity. I imagine you were there during a red alert, and did have to seek shelter, yes? Lawrence Bender:   so there's different types of alerts in the south. We did shoot in the guys called the Gaza envelope. We shot within less than a mile away from the Gaza border. So a scene that comes soon after the one that you showed. They're resting under a tree, and we are in the Gaza envelope. And this is a scene where they're running from the Hamas. They're running, they're bare feet, and they're out of breath, and they stop under this tree that's hot, and so forth. And you can hear, just a mile away, the war going on in Gaza. Hear the bombs and everything, and we weren't worried about we're going to be attacked, but it was eerie hearing a war go on, and we're filming a scene where they're running from that war, right?  So it was dramatic every week or so still at that point, the Hamas would lob a missile bomb into southern Israel and an alert would go off. You have 15 seconds to. Get into. So we had to bring these portable concrete safe rooms with us so that crew, at any given moment can run quickly into one of these concrete things. We couldn't always do it. So there's always this conversation, and by the way, it costs a lot of money, so everything you're always carrying these things. There's a lot of planning that went on. But I have to tell you, as an American showing up in Israel for the first time after October 7, I wasn't used to these alarms going off, so we were fortunate that while we were filming in the south, no missiles were lobbed at us. However, my first day there, I'm in a meeting on the eighth floor. It was a Friday morning. I got in there on a Thursday evening, 10 o'clock in the morning, the alarm goes up. I mean, just like that, right? And it's loud.  And you have these buzzers. Everyone's phone is buzzing, not like the Amber Alerts we have, like, really buzzing loud. And everyone stops and looks at me, and they apologize to me. They apologize and they go, Oh, we're really sorry, but it's an alert. We have to go into a safe room. Oh, don't worry, it's just from the Houthis. It takes eight minutes to get here. Now it's an intercontinental ballistic missile. These are real big missiles. They can really do bad damage. Don't worry, the Iron Dome usually gets them. It's really okay. So we go, you know, we go into and they pick up their danish and their coffee, and of course, I take out my cell phone and I'm videotaping. And then we go in there, and when it's off, we go back to the meeting. The meeting starts as if it never happened. And then they stop, and they go, Oh, how was that for you? And then I just didn't realize, what with the emotion that was going on because we're not used to having missiles shot at us. It's not normal. And I started to bubble up with emotion, and I had to, like, stop myself, I didn't want to cry in front of all these people that I barely knew. So I had to suppress my feelings. Like, don't worry, it's okay. You're having a normal reaction, right? And that happened quite often while I was there.  Now, you do get used to it. And the last night I was there, I was having dinner outside, tables outside, you know, in restaurants everywhere. So we're having a typical outside dinner, and they're handing the fish, and the alarm goes off, and we go, let's eat. And we don't go into the restaurant where they're called maamads. You don't go into the safe room. So that's kind of the quote, unquote normal life. Now you imagine here in the United States we get a missile from Mexico or Canada or wherever. No one's going to put up with that. That's just insane. It's insane what people in Israel have to go through. Manya Brachear Pashman:   it really is. But it's interesting that you've kind of adopted the nonchalance that your colleagues had at the very beginning of the trip, and wow, certainly no apologies. I want to know if there's a missile headed my way. Thank you. It does sound like October 7 changed you personally. And I'd like to know as a progressive Jew, on what level did it change you as a human being. I mean, how did it change you the most? Lawrence Bender:   I've been an active Jewish person for maybe 20, somewhere, 2025, years. I went to Israel My first time. I was ready. As far as I'm concerned. I was too old already to go for the first time. It was like 2003 I went with the Israeli policy forum, and we met with a lot of people there, and we ended up going to Ramallah, met with Abu Mazen, we went to Cairo and met with the president there, Barak, and met with a lot of people in Israel and so forth. And I've been involved one way or another for quite a while. But of course, October 7 was dramatic. Of course, I was safe in my house in Los Angeles, but I still watched in horror. And of course, October 8, it's just hard to understand what happened. It was the latent antisemitism, Jew hatred, that sits there. I still don't quite understand that.  It feels like antisemitism never went away, but it was underneath, and it just gave a good excuse to come out, and now the world is where it is. So yeah, for me, I became much more active than I was before. It became much more important to me, my Jewishness, my relationship to Israel. I want to protect Israel as much as I have that power to you know, whatever my ability is, like a lot of people, I know it's become a really important part of my existence, and it's like a new chapter in my life. I'm absolutely looking for more Jewish or Israeli projects. You know, I'm looking to do as much as possible in this area. Manya Brachear Pashman:   A number of your colleagues in Hollywood have proposed boycotting Israeli film festivals, institutions, projects, they're going the opposite direction that you are. And I'm curious if you had difficulty finding an American network to air this series, and what do you say when you confront colleagues who do want to boycott and are hostile toward Israel? Lawrence Bender:   You know, there's different groups of people. They're the true haters. I don't think that you can ever even have a conversation with them. There are people who just don't understand, and there's people you can and there are people who you know they're trying to be good people. They're trying to understand, like, What don't you understand about women being brutally raped and murdered? It's a little hard for me to understand that, actually. But there are a lot of good people who just are either confused or got too much of the wrong message.  But the one thing I would say straight up is, let's take an analogy. You know, there's very few people that I know that you see on TV, on any news show, that is very empathetic with the regime in Iran as an example, right? That means a brutal regime. If you're a liberal or if you're a conservative, there's very few people who support that regime here in this country, right? But they don't boycott their filmmakers, right? They actually give their filmmakers Academy Awards. So why is that with Israel? I feel like there's something very misguided here in Hollywood. Now, we got really lucky when it came to distribution. I just have to say, because we were supposed to go out to sell the show like it was fully financed from equity and from Keshet, who's the local Israeli. This is the biggest network in Israel, by the way. It's the biggest drama in Israel in the last decade. It really performed well there. But now we're going to go sell it here in the United States and the rest of the world, and it's early September, which is our deadline to do that, and Israel bombs Qatar, and then this boycott letter is signed. And I have to tell the investors. You know, it's like, this is not a good time. We cannot go sell. We're just gonna fail, and there's no second chances.  And you know, I was getting into dramatic arguments with my investors because they really felt strong. You got to be like that character in your show, the police officer is going to save his wife and you know, nothing's going to stop you. And I said, Yes, I'm with you. I developed that character I know in the Middle East arguments. I was at Skip Brittenham's memorial. Skip is like this beautiful man who was like the Mount Rushmore of lawyers here in LA. He's just a great human and one of those guys that wants to make deals, not just take everything and have the other guy get nothing. He was just like a he's just a real mensch, right? And well, loved anyway. Unfortunately, he passed, but I was at his memorial, and I ran into David Ellison. Now, I know David a little bit, not well, but I know him a little bit, and I also know that, you know, he loves Israel, from what I've read and so forth. And so I went up to him and said, Hey, man, we talked. I said, you got to know what I'm doing. And it probably got three words out of my mouth, and you can see him go, I'd love to see this. This sounds amazing, and sounds like it's exactly the timing we need.  And we sent him the material, and he watched every episode himself, and then he gave it to Cindy Holland, who runs paramount, plus his main person. And you know, they said, we do this. We want this. It would be an honor to be your partner in this is actually quite humbling. And it was an incredible moment for us to have David Ellison, Cindy Holland, say, hey. You know, we want this now. Then they said, We need to drop it. We want to drop all the episodes on October 7? Well, by the time they got those episodes, it was like two weeks to go before October 7, or a couple days before, because we couldn't give it to them in the midnight before October 7, obviously. And they had pretty much final picture edit, but we had temporary sound, temporary music, temporary effects, and so we had to work double triple shifts to get it done. But of course, we did. Manya Brachear Pashman:   This actually reminds me of a conversation I had with playwright, screenwriter, Oren softy for the Forgotten Exodus, which is a podcast series we did about Jews from the Middle East. He spoke about his father's side of the family, which hails from Aleppo, Syria, and he shared a lot of his frustrations with the modern anti Israel movement and sentiments in Hollywood, the protests which he's been trying to combat in theater and on the stage. And he actually said that investors had pulled out of a film project about Israel when tensions flared. So it's interesting to hear your investors took the opposite approach, but he told me in our conversations, he told me that being Jewish is about stepping up. That's how he sees it. It's about stepping up. And I'm curious if that rings true to you, and do you feel like this series and your plans to do more, is that your way of stepping up? Lawrence Bender:   Hmm, that's beautiful, and I'm so glad to hear you recount that story with him. I'd love to talk to him about that I feel like, without really understanding that it's built into me genetically, right? My grandparents, far as you go back, my family is Jewish, right? From Romania, from Hungary, from Minsk Belarus. So it's the way that you're brought up as a Jew. It's just always been a part of our lives, and we're pretty much taught that that's part of being Jewish, right? So, you know, I've always felt like it's important for me.  Now I tell you, you know, it's interesting, and I think about as we're talking so in the 90s, when I was getting started, and I was actually doing pretty well this one year, I had Good Will Hunting and Jackie Brown and a price above Rubens, those three movies, and things were going well, but I felt like something was missing in my life. And then we screened Good Will Hunting and Camp David in 1998 and it was an amazing moment. And that was like one of these light bulb moments for me. You know, I met the President and Mrs. Clinton and Madeleine Albright, Secretary of State, and Secretary of Defense, Sandy Berger and the Chief of Staff and Senate Majority Leader, and on and on, right? They're all there.    And it was Matt Damon, Ban Affleck, Gus Van Zant, Robin Williams, et cetera, et cetera, right? And I felt like these guys are making a difference, and that's what was missing in my life. And so since 1998 I've been always looking for ways that I'm and that's that's that becomes like a more of a fulfilling way of living right for myself. So yes, I would answer that. That's a long way to get to yes. Manya Brachear Pashman:   Wow, Camp David, that's awesome. Lawrence, thank you so much for joining us and for talking about the impetus behind this series. I encourage everyone to take some time, brace yourself emotionally, but do sit down and watch Red Alert. It is really quite worthwhile. Thank you so much. Lawrence Bender: Thank you. Manya Brachear Pashman:   If you missed last week's episode, be sure to tune in for my conversation with AJC colleague, Dr Alexandra Herzog, the granddaughter of Chaim Herzog, Israel's Irish born sixth president. She shared how an attempt by Dublin officials to strip her grandfather's name from a community park illustrates how criticism of Israel can veer into an effort to erase Jewish memory. As I mentioned in my conversation with Lawrence, it took some degree of wherewithal to watch Red Alert, as we've spent the last two years on this podcast speaking with the families of hostages, former hostages themselves, and survivors of the October 7 massacre. I've wanted nothing more than to make sure their voices are heard. We end this week's episode with the voice of Orna Neutra, the mother of Omer Neutra. Orna recently spoke at the AJC Long Island meeting, shortly after the return of her son's remains more than two years after his death, followed by a word from AJC Long Island Director Eric Post. Orna Neutra: When Omer was taken, our world collapsed. But something else happened too. People stood up. People showed up. And many of you here showed up. This community, the broader Long Island Jewish community, AJC, our friends, colleagues, neighbors, complete strangers, carried us. You wrote, you marched, you advocated, you pressured you called you consoled and refused to let the world look away. To our personal friends and honorees here tonight, Veronica, Laurie, and Michael, your leadership has not been symbolic. It has been practical, steady and deeply felt by our family.  Like you said, Veronica, on the first days when we were barely understanding what was going on, you connected us to Senator Schumer's office, and Michael, you helped us write a letter to the White House on October 8, and that was the first sign from hostage families that the White House received. We know that Secretary Blinken had the letter in his hands on October 8, indicating that Omer was probably a hostage.  And AJC as an organization, beyond your many actions and advocacy, I want to specifically acknowledge your DC team. It was mentioned here tonight, throughout our many, many, many visits to Capitol Hill, AJC professionals were instrumental. They arranged meetings, they walked us through endless hallways, opened doors, prepared us and stood beside us, and they're still doing that for us, and we will see them this week. Always professional, with purpose and humanity, and we will never forget that. Over these two years, we learned something essential: that when Jewish families are in danger, the responsibility belongs to all of us, across movements, across generations, across continents. This work is the work that AJC does every day. This is the work that everyone here in this room understands. Eric Post:  Since the horrors of October 7, AJC has been empowering leaders around the world to take action against antisemitism and stand with Israel. But we cannot succeed alone. Please consider supporting AJC's work with a year-end gift today. Right now, your gift will be matched, dollar-for-dollar, making double the impact.  Every gift matters. Every dollar makes a difference in the fight for a strong and secure Jewish future. Donate at AJC.org/donate – that's www - dot - AJC - dot org  slash donate.

For episode 269, I'm joined once again by my co-host Myles Hughes, with producer Steve Prusakowski working behind the scenes. This episode features us going over the Golden Globe nominations, as well as a quick mention of the Critics Choice nominations. The Globe nods are where we focus a lot, given how it's the highest profile precursor so far, if not the most Oscar related. Speaking of the Academy Awards, Myles has caught up with both Hamnet (reviewed by yours truly here out of the Telluride Film Festival) and Jay Kelly (which I raved about here out of Telluride), so we debate those films, one of which he's far more a fan of than the other. Plus, he's chimed in on Eternity (my review out of the Toronto International Film Festival is here), giving us a host of movies to talk about. Throw in some of your questions, as well as an opening rant about the whole Netflix/Warner Bros. Discovery purchase, and we have a full episode for you all.As always my friends and faithful listeners/readers, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our 269th one to date (here's to many more). Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening! 

Hollywood legend Robert Redford didn't just make movies. He also spoke at the National Press Club. Where he talked about his movies. Like "All the President's Men." "We had some people within the Post that were unflagging in their cooperation, like Bob Woodward. He was -- you know he may have had something to gain in it, but he was incredibly cooperative, even against the heat of his own paper. And it was through Bob and Carl -- their notes, we were able to construct a lot of the screenplay from because I wasn't able to get enough information from the original screenplay. So, we went back with them and just took all their notes and constructed a lot of the dramatic scenes from their notes." That was Robert Redford at the National Press Club in September 1994. The actor's recent death had many media and political junkies remembering that movie about the Washington Post and Watergate. And likely a few questions came to mind: • What did Bob Woodward and his colleagues say "All the President's Men" got right - and what did the movie get wrong? • What else did Robert Redford himself say about the Washington Post, Bob Woodward — and his Academy Award-winning movie? • And a question few Americans ever have had the chance to consider: What did Bob Woodward think of Robert Redford playing him? Learn more about your ad choices. Visit megaphone.fm/adchoices

"My mother thanks you, my father thanks you, my sister thanks you, and I thank you." Dr. Vaughn Joy joins us on the show to talk about the musical biopic that won James Cagney his Academy Award, the patriotic propaganda piece Yankee Doodle Dandy. We talk George M. Cohan's cultural significance, the film's seemingly waning place in the consensus cinematic canon, and how the film laid the groundwork for the type of Hollywood pro-American propaganda films of the Cold War (the subject of Dr. Joy's new book, Selling Out Santa: Hollywood Christmas Films in the Age of McCarthy). Buy Selling Out Santa: Hollywood Christmas Films in the Age of McCarthy here, or wherever you buy your books. Follow the Show:TwitterInstagramWebsite Music by Mike Natale

A group of troubled teenage boys are kidnapped from their homes and taken deep into the unforgiving Utah desert, where they are forced into a brutal and secretive "Wilderness Therapy" program. With no contact with the outside world, their only way home is to earn the approval of the enigmatic program director-whose motives are far from therapeutic. As the line between rehabilitation and manipulation blurs, the boys must decide whether to survive the program or escape it.THE WILDERNESS is written and directed by Spencer King (Nickels, Time Now) and produced by Emmy-winning actor Aaron Paul ("Breaking Bad") alongside Academy Award-nominee Amy Berg (It's Never Over, Jeff Buckley).Here's the trailer:Https://www.youtube.com/watch?v=8_IEFPnFGAc Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In this episode, Kenneth Lonergan moderates a conversation about Stereophonic, David Adjmi's Tony Award-winning play. Set in mid-1970s Sausalito, the story takes us inside a recording studio where a rock band on the brink of superstardom struggles to create their sophomore album. Fueled by booze, sleep deprivation, and a giant bag of cocaine, the band's relationships are pushed to the breaking point as a process meant to last weeks stretches indefinitely. With original songs by Arcade Fire's Will Butler, Adjmi's epic play offers an electrifying portrait of creative tension, division, and the pursuit of a masterpiece. David Adjmi's other works include Stunning, Marie Antoinette, 3C, Elective Affinities, and The Evildoers. He is a Guggenheim Fellow, Whiting Writers' Award recipient, and Steinberg Playwright Award winner, and his memoir Lot Six was published by HarperCollins. Kenneth Lonergan, celebrated as a playwright and filmmaker, co-wrote Gangs of New York and wrote and directed You Can Count on Me, Margaret, and Manchester by the Sea, for which he won the Academy Award and BAFTA for Best Original Screenplay. Lonergan's best-known plays include This Is Our Youth, Lobby Hero, and The Waverly Gallery. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ken Burns has been making documentary films for almost fifty years. Since the Academy Award nominated Brooklyn Bridge in 1981, he has gone on to direct and produce some of the most acclaimed historical documentaries ever made, including The Civil War; Baseball; Jazz; The War; The National Parks: America's Best Idea; Prohibition; The Roosevelts: An Intimate History; The Vietnam War; Country Music; The U.S. and the Holocaust; The American Buffalo; and Leonardo da Vinci. Future film projects include Emancipation to Exodus, and LBJ & the Great Society, among others. Ken's films have been honored with dozens of major awards, including seventeen Emmy Awards, two Grammy Awards and two Oscar nominations. In September of 2008, at the News & Documentary Emmy Awards, Ken was honored by the Academy of Television Arts & Sciences with a Lifetime Achievement Award. In November of 2022, Ken was inducted into the Television Academy Hall of Fame. And we're thrilled to have Ken with us to discuss his latest masterpiece, The American Revolution. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Tom Sleigh is a multiple award winning poet, dramatist and essayist. He's written eleven books of poetry. His most recent is “The King's Touch”, which won the Paterson Poetry Prize. His other works include “Army Cats”, winner of the John Updike Award, “Space Walk”, winner of the Kingsley Tufts Award, and “Far Side Of The Earth”, which won an Academy Award from the American Academy of Arts and Letters. His poems and prose have appeared in The New Yorker, American Poetry Review, Yale Review and The Village Voice. He is a Professor (Emeritus) at Hunter College. And he has also worked as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya. In the PoetryFest portion of this episode Tom will read his poem "A Man Plays Debussy for a Blind, Eighty-Four-Year-Old Elephant" from “The King's Touch”.My featured song is my version of Thelonious Monk's “Well, You Needn't” from my debut 1994 album Miles Behind. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH TOM:www.tomsleigh.com—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

This week, the boys head to the supernatural- or is it a psychological drama?- and watch Jeff Nichols' second feature film, 2011's “Take Shelter”. Co-starring Jessica Chastain and Shea Whigham, Michael Shannon starts to experience vivid dreams that lead him to think they may be premonitions- or are they symptoms that his mother experienced when she was diagnosed with manic schizophrenia?? John also has a mini-review of Joachim Trier's "Sentimental Value". We crack open some beers and discuss! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:34 John's “Sentimental Value” mini-review; 14:41 2011 Year in Review; 35:16 Films of 2011: “Take Shelter”; 57:19 SPOILERS; 1:19:05 What You Been Watching?; 1:25:22 Next Week's Episode Teaser Additional Cast/Crew: Eskil Vogt, Renate Reinsve, Stelan Skarsgård, Inga Ibsdotter Lilleaas, Elle Fanning. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Welcome to Derry, Stranger Things, Sisu 2, Possession, The Beast In Me, Pluribus. Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Philippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

What if the secret to leading creative teams wasn't control — but curiosity? Rob Sharenow shares the leadership philosophy behind decades of award-winning programming.   In this episode of The Heartbeat for Hire Podcast, host Lyndsay Dowd sits down with Rob Sharenow, President of Programming for A+E Networks, overseeing the creative vision behind A&E, HISTORY, Lifetime, A&E Indie Films, and Home.Made.Nation.   Rob is one of the most respected creative executives in modern media — an award-winning writer and producer, Emmy and Peabody–recognized leader, and a guiding force behind some of the most impactful storytelling and programming in the industry.   But his career? Anything but linear. Rob takes us through his unexpected path: ➡️ an unhappy academic in a PhD program ➡️ a risk-taking pivot into screenwriting ➡️ a bold 30–40% pay cut to pursue passion ➡️ and finally, rising to the top of a major media organization   This powerful conversation offers a rare inside look at what it really takes to lead creative teams, navigate volatility, and shape culture in one of the most competitive industries in the world.   This episode is a must-listen for creators, leaders, media professionals, entrepreneurs, and anyone who wants to understand the DNA of great storytelling and extraordinary leadership.  

Our December show is a double-sized end of the year special!  On Saturday December 6th, we spoke with filmmakers from the Anchorage International Film Festival to talk about their work, two different local theater productions, and the organizers for an alternative music festival in Anchorage. Playwright Kristen Ritter and actress Danielle Rabinovitch spoke about their play Overland! which tells the story of Blanche Stuart Scott who set out to be the first woman in history to drive across the entire United States.  Organizers Deven Lind and Robbie Raychel talked about Dog Daze, an alternative music festival happening in Anchorage December 11-14. Writer/director Chelsea Christer talked about her short film "Out For Delivery," which is an official selection of the 2025 Anchorage International Film Festival. Members of the Alaska Theatre of Youth spoke about their upcoming production of 13, Jr. Writer/director Richie James Follin talked about his feature film "Crystal Cross," which is an official selection of the 2025 Anchorage International Film Festival. Alaskan filmmaker Emilio Torres spoke about his feature film "The Ladder" which he filmed in Ketchikan. It is an official selection of the 2025 Anchorage International Film Festival. Academy Award-nominated Belgian filmmaker Tom Van Avermaet talked about his short film "Hearts of Stone" which is an official selection of the 2025 Anchorage International Film Festival. Hosts: Kaylee LaTocha, Wren Crockett, Rhys James, Nathan Pobieglo, and Jay St. John News: Vermillion Reed Events: Deacon Laurance Producer: Quinn White This episode originally aired on KNBA 90.3 FM on December 6th, 2025. This Arts, Health and Well-Being in Alaska project is supported, in part, by a grant from the Alaska State Council on the Arts with funding from Rasmuson Foundation. Additional support from Vision Maker Media.

On this episode William J. Hammon (ActuallyPaid.com) and host Jason Godbey review films from this year's AFI Fet including: Kokuho - Japan's submission to the Academy Awards this year, Train Dreams - starring Joel Edgerton, Ghost Elephants- directed by Werner Herzog.Sponsored by BlackMagic DesignTonkawa Film FestivalDehancer.comShow theme & Music by Christopher GillardWritten by William J. HammonJason GodbeyProduced & Created by Jason Godbey

DO YOU SEE THAT I AM YOUR FRIEND?! Dances With Wolves Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Start your online business with a $1 per-month trial when you visit ⁠https://www.shopify.com/rejects⁠! With Kevin Costner Presents The First Christmas, it's time for Dances With Wolves (1990) Reaction, Recap, Commentary, Analysis & Spoiler Review! Greg Alba & Aaron Alexander sit down for the legendary 3-hour epic from director Kevin Costner (Yellowstone, The Bodyguard, JFK) — a film that redefined Westerns and won 7 Academy Awards, including Best Picture. We dive deep into every iconic moment, emotional beat, and unforgettable quote from this masterpiece. If you're watching Dances With Wolves for the first time or revisiting it decades later, this commentary breaks down the filmmaking, historical themes, production value, character work, and why the movie remains one of the most important Westerns ever made. Follow Aaron On Instagram: ⁠https://www.instagram.com/therealaaronalexander/?hl=en⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This year marked a hundred years since the birth of The New Yorker, and a documentary about the magazine's past and present, “The New Yorker at 100,” is now streaming on Netflix. The director is the Academy Award winner Marshall Curry, and Judd Apatow served as an executive producer. They sat down to talk about the process behind the film with Jelani Cobb, a longtime staff writer for the magazine and the dean of the Columbia Journalism School. The trio discussed how they approached depicting a century of journalism history on film, their own relationships to The New Yorker, and what makes David Remnick so hard to interview. This interview took place at the 2025 New Yorker Festival.  

"The Secret Agent" is a historical political thriller film written and directed by Kleber Mendonça Filho that follows Armando (NYFCC Best Actor winner Wagner Moura), a former professor caught in the political turmoil of the final years of the Brazilian military dictatorship, attempting to flee persecution and resist an authoritarian, deceitful regime. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received widespread acclaim and was the festival's most awarded film, winning the Best Actor award for Moura, the Best Director award for Mendonça Filho, the Art House Cinema Award, and the FIPRESCI Prize for Best Film. At the 83rd Golden Globe Awards, it became the first Brazilian film nominated for Best Motion Picture – Drama and Best Actor in a Motion Picture – Drama (Moura), and it also received a nomination for Best Foreign Language Film. It has been selected as Brazil's official entry for Best International Feature Film at the 98th Academy Awards. Kleber Mendonça Filho and Wagner Moura were kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"No Other Choice" is a 2025 South Korean satirical black comedy thriller film co-written, produced, and directed by Park Chan-wook and based on "The Ax" by Donald Westlake. The film stars Lee Byung-hun as a desperate paper industry expert who decides to kill his competitors to secure the job he seeks and maintain his way of life. The film had its world premiere in the main competition of the 82nd Venice International Film Festival, where it received universal critical acclaim for its writing, direction, editing and lead performance from Lee Byung-hun. At the 83rd Golden Globe Awards, it was nominated for Best Motion Picture – Musical or Comedy, Best Foreign Language Film, and Best Actor in a Motion Picture – Musical or Comedy (Lee Byung-hun). It was also selected as South Korea's entry for the Best International Feature Film category at the 98th Academy Awards and the Golden Globes. Park Chan-wook and Lee Byung-hun were kind enough to spend some time talking with Giovanni Lago about their work and experiences making the film, followed by Dan Bayer's conversation with the film's editors Kim Sang-bum and Kim Ho-bin, which you can watch or listen to below. Please be sure to check out the film, which will open in limited release on December 25th and nationwide this January from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Elvis Costello. ABOUT ELVIS COSTELLOReleased between 1977 and 1979, Elvis Costello's first three albums—My Aim is True, This Year's Model, and Armed Forces—were all included in Rolling Stone magazine's list of the 500 Greatest Albums of All Time. That early period of his recording career yielded now-classic singles such as “Alison,” “Watching the Detectives,” “Pump it Up,” “Radio Radio,” “Oliver's Army,” “Accidents Will Happen,” and others.Though he established his career as a rock artist and reached commercial heights in the US with the pop hit “Everyday I Write the Book,” Costello's more than thirty studio albums cover a breathtaking range of stylistic ground, from Almost Blue, his early 1980s album of country covers, to The Juliet Letters, his 1993 collaboration with The Brodsky Quartet, to North, an album of ballads partially inspired by his wife Diana Krall that topped Billboard's Jazz chart in 2003, to Il Sogno, his first full-length orchestral work, which was performed by the London Symphony Orchestra, and topped Billboard's classical chart in 2004, to Wise Up Ghost, a 2013 collaboration with Questlove and The Roots. In between, he's continued to release albums both solo and with his bands The Attractions, The Imposters, and The Sugarcanes. Always an adventurous collaborator, Costello entered into a fruitful songwriting partnership with Paul McCartney that yielded more than a dozen songs, including Costello's Top 10 single “Veronica” and McCartney's “My Brave Face.” He went on to release entire collaborative albums with Richard Harvey, Burt Bacharach, Allen Toussaint, and others. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson, as well as musical settings for lyrics by Johnny Cash and Bob Dylan. His songs have been covered by a range of artists including George Jones, Chet Baker, Dusty Springfield, and Solomon Burke. Costello has been nominated for fourteen Grammy awards, two of which he won, as well as an Academy Award for co-writing “The Scarlet Tide” with T-Bone Burnett for the film Cold Mountain. He has received two Ivor Novello awards for Songwriting, the Americana Music Association's Lifetime Achievement in Songwriting award, and the ASCAP Founder's Award, which was presented by Burt Bacharach. He was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame, and was named one of the 100 Greatest Songwriters of All Time by Rolling Stone magazine. His genre-stretching new album, Hey Clockface, was recorded in Helsinki and Paris, and was released on October 30.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Marriage Story Thanks to our monthly supporters akai Jordyn Nevarez

Actor and filmmaker, Jim Klock joined the show to talk about his recent project on season 23 of NCIS. Jim has had a lot of success acting in projects such as, the Academy Award-winning film "Green Book" , "The Whole Truth", opposite Keanu Reeves and Renee Zellweger, "Deepwater Horizon", with Mark Wahlberg, "True Detective", with Matthew McConaughey and Woody Harrelson among several other projects over the more than two decades in the industry.Jim is also a decorated veteran in law enforcement. A field in which he still serves today. We discuss his process, not only as an actor, but also as an accomplished producer and how he pulls from his experience as a producer and law enforcement professional to help him prepare for his roles as an actor. Jim also gives great things to consider for new actors and as a sought-after acting coach, you will get a lot of great advice from listening to Jim on this show!

Academy Award®-winning composer Volker Bertelmann joins guest host Jon Burlingame to explore his gripping and sonically inventive score for “A House of Dynamite.” Their conversation delves into his use of unconventional textures, low-frequency resonance, and layered instrumental techniques to create a sense of mounting dread throughout the film. And as Bertelmann explains, embracing irregular and unexpected sounds became central to building the score's tension and character.“I learned that when I was working a lot with prepared piano sounds, there were a lot of random sounds that just somehow did what they want. The material was just jumping somewhere and was landing somewhere and just created a noise. Which you normally would say, ‘oh sorry, that is a mistake.' But when you leave that in there, suddenly this mistake becomes a part of the texture that is a part of the music. I recognize that this is very helpful with tension. Because once you drop something that is irregular, somehow the brain wants to have an answer to that. And also you get thrown out of your normal listening habits. And then suddenly, you are back into the film and you just say, ‘oh, what was that?'”—Volker Bertelmann, Composer, “A House of Dynamite”Be sure to check out “A House of Dynamite,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®.And check out our other episode with Director Kathryn Bigelow and the creative team behind “A House of Dynamite” on YouTube!Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

This episode I am joined by two-time Academy Award nominee, film editor Pamela Martin. She edited the recent Springsteen biopic “Deliver Me From Nowhere”. The film was directed Scott Cooper, adapted from Warren Zanes' book documenting the making of Springsteen's stark classic “Nebraska”. Pam has worked on movies including King Richard, Little Miss Sunshine, Battle Of The Sexes, Free State Of Jones, Hitchcock, and many more. If you're listening to this as a Springsteen fan I think you'll find it fascinating, but even if you're interested more broadly in film making, I think this is the first time I've had an editor on the show, so it was interesting for me to learn more about the parameters and responsibilities of the role, and Pamela was fantastic company and had so much to say. Her passion for her work really comes through. I hope you enjoy it. I certainly did. I also give a run-down of my favourite albums and events of the year. Find me on Instagram @sendingsignalspodcast

DO YOU SEE THAT I AM YOUR FRIEND?! Dances With Wolves Full Movie Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! With Kevin Costner Presents The First Christmas, it's time for Dances With Wolves (1990) Reaction, Recap, Commentary, Analysis & Spoiler Review! Greg Alba & Aaron Alexander sit down for the legendary 3-hour epic from director Kevin Costner (Yellowstone, The Bodyguard, JFK) — a film that redefined Westerns and won 7 Academy Awards, including Best Picture. We dive deep into every iconic moment, emotional beat, and unforgettable quote from this masterpiece. If you're watching Dances With Wolves for the first time or revisiting it decades later, this commentary breaks down the filmmaking, historical themes, production value, character work, and why the movie remains one of the most important Westerns ever made. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Nathan Krieger, head of Dimensional Fund Advisors' global client group in Australia. We discuss the documentary "Tune Out the Noise," directed by Academy Award winner Errol Morris. The film highlights revolutionary ideas from 1960s University of Chicago academics that challenged Wall Street norms and led to index funds and efficient market theory.Blog post available at: https://www.sharesforbeginners.com/blog/tune-out-the-noiseWatch on YouTube right here.

Sean and Amanda have an action-packed show today, and they start with the biggest piece of news: Netflix's $82.7 billion acquisition of Warner Bros. Discovery. They talk through their initial gut reactions to the news; cover the additional information that came through over the weekend, including Paramount's hostile bid; and hypothesize whether or not the sale will go through (1:57). Then, they react to the Golden Globe nominations and try to make sense of what they mean for the Academy Awards (1:00:11). Finally, they briefly discuss Jafar Panahi's ‘It Was Just an Accident' (1:20:29) before Sean is joined by Panahi himself to discuss how he casts his actors, why he prioritized balancing a humorous tone and serious drama, and why he feels that his next film has to be about war (1:26:51). Hosts: Sean Fennessey and Amanda Dobbins Guests: Jafar Panahi and Sheida Dayani Producer: Jack Sanders Shopping. Streaming. Celebrating. It's on Prime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today on another encore episode of the Rarified Heir Podcast we are talking to Katherine Kramer, daughter of producer/director Stanley Kramer. Our chat with Katherine or Kat was both edifying and easy as we had familial connections and we learned a few things in the process. Such as? Well how about what famous actress was she named after, where in the Western United States did her family move to once they left Hollywood and what films made her father a bankable director while he was still producing. We also spoke about some of his films, many of them 'message' films such as Guess Who's Coming To Dinner, Judgement at Nuremberg, The Defiant Ones and a small, off-beat comedy called It's A Mad, Mad, Mad, Mad World which co-starred Edie Adams, our host's Josh Mills's mother. In all, Stanley Kramer's films garnered 80 Academy Awards and starred everyone from Spencer Tracy to Sidney Pointier, Marlon Brando and so many, many more. Kat talked to us about her work as well – in terms of both her charity events and her film festivals, her one woman show about Rolling Stones frontman Mick Jagger, her creepy house growing up, The Kennedy Assassination and much more. This is the Rarified Heir Podcast and everyone has a story. Kat Kramer's is coming right up!  

On this week's show, we spend quality time with the records that sparked joy, inspired us to get out of bed, face the day & conquer the world as the world continued to rage like a dumpster fire. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Jamie Lee Curtis is an Academy Award and Emmy winning actress, author, and producer best known for Everything Everywhere All at Once, the Halloween franchise and her acclaimed guest role in The Bear. Curtis sits down with Willie Geist to discuss her late career hot streak, embracing aging and authenticity, and her role as Aunt Helen in James L. Brooks's new film Ella McCay. Plus, she reflects on the woman who first saw her potential, the hustle behind building her Comet Pictures production company, and why she believes the most important moments in life hinge on a few unexpected seconds. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A new week means new questions! Hope you have fun with these!What word is shared between some sports uniforms and a band's percussion setup?Ghosts that are said to appear on roadsides at night, usually in the form of a sad woman that disappears, are oftern said to be wearing clothes of what color?Which actor won an Academy Award for Best Supporting Actor for his role in A Fish Called Wanda?What is the term for the processes that result in the structure and properties of Earth's crust and its evolution?The Madison and the omnium are Olympic events in what summer sport?Which Shakespeare play has a Duke of Athens marrying the Queen of the Amazons?What video game holds the record for the highest selling single platform exclusive of all time?Which French city gained noteriety for a British retreat that Churchill called a miracle during WWII?In Star Trek: The Original Series, which character was the Enterprise's chief engineer?What is a sumo ring made from?Chemicals that are secreted or excreted by an organism, which trigger a social response in members of the same species, are known as what?A house having a low, broad, single or double-story frame building with a moderately-steep-pitched gabled roof, a large central chimney, and very little ornamentation is known as what New England location-inspired style?How many independant countries and territories are in North America?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

For this week's main podcast review, Megan Lachinski, Josh Parham, Dan Bayer, and Brendan Hodges join me to discuss the latest film from Academy Award-winner Chloé Zhao, "Hamnet," starring Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, and Noah Jupe. The historical drama film co-written by Maggie O'Farrell, the author of the title novel this film is based on is a largely fictional story dramatizing the marriage between Anne Hathaway (Agnes Hathaway in the novel and film) and William Shakespeare, and the impact of the tragic death of their 11-year-old son Hamnet on their relationship, which inspired Shakespeare's iconic play "Hamlet." The film had its world premiere at the Telluride Film Festival and has been drawing tears from audiences everywhere it plays, including the Toronto International Film Festival, where it won the People's Choice Award. What did we think of it, though? Please tune in as we discuss the story, performances, cinematography, score, whether it made us as emotional as intended, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Jay Kelly" had its world premiere at the 2025 Venice International Film Festival and later screened at the Telluride Film Festival, the New York Film Festival, and the AFI Film Festival. It received positive reviews for its casting and performances, particularly from George Clooney, Adam Sandler, Laura Dern, and Billy Crudup; the direction and writing by Noah Baumbach (co-written with Emily Mortimer); and the score by Nicholas Britell. Members of the cast and crew were kind enough to spend some time speaking with Next Best Picture over the past few weeks, and you can listen to those conversations below. First, we have my interviews with Clooney, Sandler, Dern, Crudup, Baumbach, Mortimer, and Britell. Then, we have Will Mavity's interview with the film's casting directors, Nina Gold and Doug Aibel. Please be sure to check out the film, which is now available to stream on Netflix, and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

How do we ever know what is enough – or feel like enough – in a world that pushes us to incessantly perform, perfect, collect, and earn?  The extraordinary duo Suleika Jaouad and Jon Batiste are here for one of the richest conversations we've had about art, love, ambition, spirituality, and what it takes to remain ourselves.  Together, we explore:  - The “beast” we all carry: fear, perfectionism, control, or ambition—and how facing it is the only way out;  - How we can all begin to alchemize our pain into creativity; and  - How to hold onto the integrity of art, beauty, and love in a world that's always searching for “more.”  This conversation will help you take a deep breath and finally feel like it's all enough – including you.  .  And check out our prior conversations we had with Suleika, the brilliant author of The Book of Alchemy: How to Stay Human; and How to Turn a Mistake into Magic.  About Jon Batiste:  Jon Batiste is a seven-time Grammy and Academy Award–winning artist whose music moves between jazz, soul, classical, and pop.  His ninth studio album, Big Money, was released on August 22nd, and is supported by a national headlining tour with more than 30 stops. Audiences also know Jon from his Oscar-winning score for his chart-topping album Beethoven Blues and the acclaimed documentary American Symphony, which celebrates his artistry, resilience, and love with his wife Suleika at the height of his creative powers.  About Suleika Jaouad: Suleika Jaouad is the author of the New York Times bestselling memoirs The Book of Alchemy and Between Two Kingdoms. She writes The Isolation Journals, the #1 Literature newsletter on Substack, and wrote the New York Times “Life, Interrupted” column. A three-time cancer survivor and visual artist, she appears with her husband Jon Batiste in the Oscar-nominated documentary American Symphony.

James L. Brooks (Ella McCay, The Simpsons, Taxi) is an Emmy, Golden Globe, and Academy Award-winning screenwriter, director, and producer. James joins the Armchair Expert to discuss being an industrious high school reporter interviewing Louis Armstrong and Anne Bancroft, his lucky break as a studio page bringing Edward R. Murrow coffee, and co-creating the Mary Tyler Moore Show with Alan Burns. James and Dax talk about why there's no better job in the world than on a television show that's working, seeing Andy Kaufman perform as the vile Tony Clifton for the first time, and that he thinks you go legally insane when directing. James explains what it was like giving notes to Jack Nicholson, starting The Simpsons which is still the longest-running scripted show in history, and what makes a contemporary female heroine in his new screwball comedy Ella McCay.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.