Podcast appearances and mentions of Kathryn Bigelow

In 1995, a film predicted POV recording technology, VR experiences you can buy on the black market, deepfake manipulation, police brutality caught on camera, and a society addicted to experiencing other people's lives through a screen. It starred Ralph Fiennes, Angela Bassett, and was written by James Cameron. Almost nobody saw it.   Strange Days bombed at the box office, nearly destroyed Kathryn Bigelow's career, and has been virtually impossible to find ever since, as right now no streaming service carries it. But everything it warned us about has come true, and somehow the reality is worse than the fiction.   MonteCristo, Thorin, and Richard Lewis make the case for why this is one of the most important sci-fi films ever made. We get into the SQUID tech that directly inspired Cyberpunk 2077's Braindances, the darkest plot device in sci-fi, Ralph Fiennes as the perfect cyberpunk noir anti-hero, Angela Bassett's tragically wasted career as an action star, the Rodney King and OJ parallels baked into the script, and a long conversation about how AI, social media, and surveillance culture have made this film more relevant than ever.   Roger Ebert gave it 4 stars in 1995 and called it a future cult classic. He was right. Again.   Control Body Odor ANYWHERE with Mando and get 20% off + free shipping with promo code FOURPLAY at https://shopmando.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Alessandro und Christian sprechen über eine Mini-Serie im Fahrwasser von Twin Peaks mit ganz viel Cyberpunk und noch dazu basierend auf einem Comic. Eine Serie, die viel zu wenige Leute kennen, aber die allein wegen der Menschen vor und hinter den Kulissen hochkarätig daher kommt: James Belushi, Ernie Hudson, Kim Cattrall, Kathryn Bigelow und Oliver Stone, um nur einige zu nennen!

 “At the end of the Cold War, global powers reached the consensus that the world would be better off with fewer nuclear weapons. That era is now over.” It's gripping cinema. It also feels like Obama fan fiction, and it ignores the basic tenants of nuclear strategy. It's Kathryn Bigelow's A House of Dynamite.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

The shocking cliffhanger of Netflix's A House Of Dynamite has left audiences divided, but most viewers are completely missing the hidden message buried in the final frames. Director Kathryn Bigelow didn't just run out of time; she intentionally trapped the audience in the same "What If" scenario facing the characters, forcing us to confront the terrifying fragility of our global systems. This breakdown explores the systemic horror, the procedural dread of the situation room, and why the ending you hated is actually the most brilliant part of the film.

Donde se prosigue con el ciclo dedicado a Kathryn Bigelow con este neo-noir hibridado de slasher clásico. Cabecera: colorclash.bandcamp.com Cierre: Nyarlatupé

Kathryn Bigelow, es la primera directora en la historia en ganar un Óscar, cuya cinematografía se distingue por una estética de pura adrenalina y un trasfondo bélico que tradicionalmente se asocia a una vertiente más "testosterónica", según José Egea. A través de obras como Zero Dark Thirty (conocida en España como La noche más oscura), "Bigelow propone una narrativa de estilo documental y cámara en mano que huye de los clichés del espionaje tipo 007 para centrarse en el trabajo pausado y real de oficina que llevó a la localización de Bin Laden-".La película destaca por el personaje de Jessica Chastain, una investigadora aparentemente frágil que se mantiene implacable en entornos de alta presión y sesiones de tortura, reflejando además cómo las políticas nacionales de las eras de Bush y Obama modificaron el comportamiento de la CIA. Finalmente, Egea subraya que el cine de Bigelow no busca ofrecer respuestas masticadas ni discursos morales, sino que traslada los dilemas éticos sobre la justicia y la seguridad directamente a la audiencia, permitiendo que el espectador genere su propio debate tras la visualización.

CW: Police brutality, racism, and sexual assault discussed in relation to the plot and themes of the film. After an extended (and accidental) hiatus, Masie & Stuart are finally back with a new monthly schedule to dissect the unfortunately topical 1995 Kathryn Bigelow cyberpunk action film Strange Days. Starring Ralph Fiennes as the most pathetic ex-cop ever dealing street illegal VR-esque tech on New Year's Eve in the near future 1999, Strange Days is a shockingly prescient film in its portrayal of the evils of police brutality and racism. Does it nail its conclusions on these topics though? And does Angela Bassett slay so hard that its easy to overlook those faults? Tune in to find out!   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram and Letterboxd for podcast updates.   Additional Reading/Sources: Kathryn Bigelow's Commentary on Filming the POV Sequences FilmScouts Interview with Bigelow and Co-Screenwriter Jay Cocks Juliette Lewis, PJ Harvey Article from LA Times LA Time's Article about New Year's Eve Party Created during the Film's Production Christian Science Monitor Article on Strange Days Featuring Comments from Bigelow  

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Will Poulter, originally episode 167 from 2017-10-17.Original writeup below:In the midst of his current promo run for Kathryn Bigelow's 'Detroit', Will takes time to sit down with Pip for a long overdue chat covering - as you will have come to expect from the DPP - a crazy large number of bases... From the issues raised in portraying a violently racist policeman in 'Detroit' (and the poignancy of the film itself), a powerful back and forth is triggered with Pip and Will, which is the beauty of films like this and how an open discussion can be had which leads into so much more besides - race, politics, society, it's all here. On top of that, you'll hear his tale from the very early days back in 'School Of Comedy' and how his young foot in the acting world's door gave him the necessary inspiration for a full on career, Will drops some gems from his unique perspective on his experience with acting and his ascent from those younger days right up to 'Son Of Rambow', 'The Maze Runner' and 'The Revenant', the latter of which had him up alongside Leonardo Di Caprio and Tom Hardy no less. A rich and diverse filmography right there, which has in many ways freed him from his somewhat reductive nickname of 'that Weird Eyebrow Actor'. Get yourself involved, it's a goodie and as interesting as it is entertaining.PIP'S PATREON PAGE if you're of a supporting natureINSTAGRAMIMDBPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Hello, Hello, Hello!This third and final (for the time being) English-Language Features Round-Up is mainly focused on covering films featuring ensemble casts (look we needed a category for the remaining films we had to cover, okay). This includes fairly in-depth discussions on James Cameron's "Avatar: Fire and Ash," Rian Johnson's "Wake Up Dead Man: A Knives Out Mystery," Jared Bush and Byron Howard's "Zootopia 2," Kathryn Bigelow's "A House of Dynamite," Luca Guadagnino's "After the Hunt," and Richard Linklater's "Nouvelle Vague."Listen to the full episode to hear more about (only) Ashwin's love for "Avatar," our thoughts on prayer and power in "Wake Up Dead Man," the dynamite of discourse that is "After the Hunt," the (un)remarkable undertaking that is "Nouvelle Vague," and more!TIME CODESIntroduction – [00:00 - 06:47]“Avatar: Fire and Ash” – [06:47 - 33:15]“Wake Up Dead Man” – [33:15 - 01:04:20]“Zootopia 2” – [01:04:20 - 01:27:07]“A House of Dynamite” – [01:27:07 - 01:49:55]“After the Hunt” – [01:49:55 - 02:31:14]"Nouvelle Vague" – [02:31:14 - 03:16:02]Outro (aka More Recommendations!) - [03:16:02 - 03:24:48]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcastSupport this podcast: https://anchor.fm/queenisdead/supportYou can also follow us on Letterboxd at -CRIS: https://letterboxd.com/crislim/.ASHWIN: https://letterboxd.com/ashwindev/.VARUN: https://letterboxd.com/varunoakbhakay/. Audio Excerpts are taken from the respective trailers (promotional material) of Avatar: Fire and Ash, Wake Up Dead Man, Zootopia 2, A House of Dynamite, After the Hunt, and Nouvelle Vague.

The teaming of Kathryn Bigelow and James Cameron is always a potent proposition, as the former married couple are both heavyweight directors in their own right. This should have made their 1995 collaboration Strange Days--a dystopian cyberthriller set on the eve of Y2K starring Ralph Fiennes, Angela Bassett and Juliette Lewis--a surefire smash. Unfortunately, the movie's hot button political themes and pitch black tone didn't translate to boffo box office, and to this day it remains frustratingly unavailable stateside in a high definition format. Join Sebastian and Jennifer as they jack in, fire up some playback and ring in the new year with this underappreciated and chillingly topical sci fi classic.

Nuclear weapons have been with us for 80 years.  There are fewer today than was the case at the height of the Cold War, but there are more countries with nukes than ever before.  Some heads of state have been, of late, threatening to use them.  If you've seen Kathryn Bigelow's recent film, “House of Dynamite,” you'll know that human psychology is the linchpin on which the entire system of nuclear deterrence rests: would the President (or Premier or whatever) exchange their capitals for others?  Trade Washington, DC for Moscow or Beijing?There is reason to be concerned about this question: The United States is planning a $1.7 trillion overhaul of its entire nuclear arsenal, designing new warheads and investing in new bombers, missiles, and submarines to carry them, all in the name of “modernization.”  It's not that the current generations of platforms and warheads won't work; it's more that Admirals, Generals and Presidents don't trust devices put into operation when they were very young and that there is a lot of money and prestige in having the latest generation of gadgets and lording that over the competing services.  Oh, and new weapons are “manlier” than the old ones.Join host Ronnie Lipschutz for a conversation with Dr. Dylan K. Spaulding a senior scientist in the Global Security Program of the Union of Concerned Scientists. His work focuses on technical issues related to nuclear stockpile stewardship and policies that can reduce the threat posed by nuclear weapons.  He recently authored a UCS report entitled “Plutonium Pit Production--The Risks and Costs of US Plans to Build New Nuclear Weapons.”  Its focus is on the stuff that makes warheads go “boom” but along the way, Spaulding covers a lot of other ground and the report is a good primer on nuclear weapons.

Days of future past - in the total utopia of 2026, we can now look back and laugh fondly at the dystopic cyberpunk visions of the 1990's... OR CAN WE??? Nick Langdon drops in this week to check out a pair of high-tech / low life visions from the mid-90s, when William Gibson's words weighed heavy on the sci-fi genre. We start with Strange Days (1995) directed by Kathryn Bigelow, and follow it up with Johnny Mnemonic (1995) directed by Robert Longo. Download, plug your SQUID in, and tune out... It's not really possible to spoil Johnny Mnemonic, but we will call out Spoiler Territory for Strange Days (although it's possible Rob does heavily hint who the killer is early on). If you want to skip ahead from that point, you can rejoin the conversation at the 1:31:37 mark to avoid spoilers. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp "Wires" by Athlete

Hello and welcome to episode 128 of the Still Spinning Podcast. You can watch the live taping next Monday at 7 PM on Facebook, YouTube or Instagram OR wait until the official podcast release on Wednesday morning. Visit your usual podcast subscription service to add us to your list. Visit our website for more details on becoming a sponsor and buying merch. All of this at stillspinningpodcast.com. Have you ever watched a movie that just stuck with you? Whether it was so bad you could not get it out of your mind or so good, you feel it is your job to share it with the world, it just sticks with you? Well Nicole watched one over the weekend called “A House of Dynamite” that stuck with her in the “this could really happen” kind of way and she and Dan talk about the movie and the director, Kathryn Bigelow. A thief made off with two musical instruments from a store over the holidays but returned them with a note. The note really is one for the books and Dan reads it verbatim to Nicole. A marketing opportunity is mentioned. The USPS has a new rule about postmarks as of 1.1.2026 so everybody better pay attention, especially if you mail anything that needs to be postmarked by a certain date (rent, ballot, taxes etc). It is not being talked about a lot and we think it is important to know. We also talk about the country that is the very first to eliminate its post office. Does anything really need to be mailed these days?? Lastly Dan shares that the “Oscars of the Adult Film World” are being held in Las Vegas this month and you will not even believe where they are holding them. This kicks off a whole slew of puns that you have to hear to really get the full impact.  Thanks for checking out episode 128!

Die Welt wirkt instabiler denn je: Krieg in Europa, Machtverschiebungen zwischen den Großmächten, technologische und klimatische Umbrüche. Viele Menschen haben das Gefühl, die Zukunft entgleite ihnen. Die Politikwissenschaftlerin und Zukunftsforscherin Florence Gaub hält dagegen: Zukunft ist kein Schicksal, sondern das Ergebnis von Entscheidungen. In ihrem neuen Buch „Szenario – Die Zukunft steht auf dem Spiel“ entwirft Gaub ein interaktives geopolitisches Szenario, das im Jahr 2030 beginnt – mit einem rätselhaften Zwischenfall in der Arktis. Als Lesender entscheidet man selbst, wie man mit diesem Zwischenfall umgeht. Im Gespräch mit Anne Will erklärt Florence Gaub, warum gerade Deutschland Schwierigkeiten hat, mit Unsicherheit umzugehen. Sie diskutieren über den besten Umgang mit der Wehrpflicht und warum Länder wie Schweden und Finnland hier mehr Erfolg haben. Die Folge beleuchtet, wie real die Gefahr einer Ausweitung des Krieges mit Russland ist, wie wichtig die Beziehungen zu China sind und wie unsere Welt im Jahre 2030 aussehen könnte. Redaktionsschluss für diese Folge war Montag, der 08.12.25 um 14 Uhr. WERBUNG UND RABATTE: https://linktr.ee/werbungannewill Sie möchten Werbung in unserem Podcast schalten? Dann schreiben Sie eine Mail an: dirk@mitvergnuegen.com Politik mit Anne Will geht auf Live-Tour - jetzt Tickets sichern: https://tix.to/politik-mit-anne-will-podcast-live-2026 06.05.26 Stuttgart 17.06.26 München 06.10.26 Hannover 03.11.26 Berlin WICHTIGE QUELLEN: Süddeutsche Zeitung: „Ungewissheit ist für das Gehirn das Allerschlimmste“, 13.11.25 ZEIT: In den Nullerjahren verschwand die Zukunft, 27.11.25 STERN: Wofür sind wir bereit zu sterben? Darauf hat Deutschland keine Antwort, 11.11.25 Linkbeschreibung SPIEGEL: Deutschlands Verteidigungswille wird unterschätzt, 31.07.25 SPIEGEL: Könnte Russland auf Spitzbergen die NATO überfallen?, 08.11.25 EMPFEHLUNGEN: Florence spricht in dieser Folge über den Film “House of Dynamite” von Kathryn Bigelow. Der Thriller erzählt aus verschiedenen Perspektiven, wie die USA auf eine unerwarteten Angriff Russlands reagieren würden. Er ist seit Oktober auf Netflix zu sehen. Impressum: Redaktion: Florian Barnikel Executive Producerin: Marie Schiller Producer: Lukas Hambach, Patrick Zahn Sounddesign: Hannes Husten Wenn ihr Werbung schalten wollt, wendet euch gerne an die: Mit Vergnügen GmbH Eine Produktion der Will Media GmbH Learn more about your ad choices. Visit megaphone.fm/adchoices

The squad gets their dusters on and rides into the new year with Mike's pick, NEAR DARK (1987)! Just how influential is this western vampire flick? Does Bill Paxton give the performance of a lifetime? And, is this just an ALIENS reunion tour? Tune in to find out if we have this film a NAY, OKAY, YAY, or SLAY! CHAPTERS:Theme/Intro (00:00:00)What We Been Consuming?/Why We Picked It (00:02:27)Trailer (00:47:45)Synopsis/First Experiences (00:48:15)Review (00:51:52)Rating/What Did You Think? (01:27:27)Horrific Hotline (01:33:55)Promotions (Horrific Hotline/Social Media/Patreon/It Slays Podcast's Horrific Playlist/Events) (01:37:31)Upcoming Episode/Outro (01:38:57)Follow us on all social media:FacebookTwitterInstagramTumblrYoutubeTikTokSlasherThreadsBlueskyWant some official Merch?!SHOP HERE!*Intro & Outro Music by Dylan Bailey (IG: @thedylanbailey)*Support the show

In Episode 362 of Jay Movie Talk, I present the Full Tilt Film Awards. my personal award show celebrating the films, performances, and filmmakers that defined the year.These awards aren't about box office numbers or industry politics. They're about impact, craft, performances, and the movies that actually stayed with us. From Best Picture and Best Director to breakout performances and unforgettable villains. This episode breaks down each category, the nominees, and why each winner earned their moment.This episode also features two special honors* The Full Tilt Lifetime Achievement Award, celebrating the legendary career of Denzel Washington.*The Full Tilt Icon Award, honoring filmmaker Kathryn Bigelow for her lasting influence on cinema.Let me know which winners you agree with and which ones you'd argue for instead.

Join Nick and Sonja as they ring in the New Year the best way they know how - by going back to the 1990s. In this episode, we visit '90s New Year's films!We start with the 1999 MTV Films production of 200 Cigarettes. Sure, it takes place in 1981, but the film is still oozing with all of the '90s tropes and charm you can't get enough of. Second, we visit the anthology film by Quentin Tarantino, Robert Rodriguez, Alexandre Rockwell, and Allison Anders, in which Tim Roth stars. Four Rooms.Finally, we look at the dystopian action thriller that's co-written by James Cameron and directed by Kathryn Bigelow: the underappreciated masterpiece, Strange Days. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

For December's Movie Monday, I chose a film that's as camp as Christmas. Mike Hodges' 1980 cult classic space fantasy Flash Gordon starring Sam J. Jones, Melody Anderson, Topol, Max von Sydow, Ornella Muti, Timothy Dalton, Brian Blessed, Mariangela Melato, Peter Wynguarde, with music by Queen and Howard Blake. This episode features contributions from: (in order of appearance) James V. West (https://www.jvwest.art) Jason Connerley of Nerd's RPG Variety Cast (podcast, blog) Karl Rodriguez of The GMologist presents… (podcast, YouTube) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew James and Judy of the South Pacific Sofa Joe Richter of Hindsighless (podcast) Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/The movie to kick off 2026 is dark fantasy action comedy The Golden Child from 1986. Directed by Michael Ritchie and starring Eddie Murphy. That episode will air on January 26th, so please send your submissions by the 24th if you'd like to be included in the show. Also, be sure not to miss the new podcast I'm involved with, entitled With Wife and I. My wife, Isla, suggested we take turns to choose movies to watch together, then share our thoughts with anyone who cares to listen. Our second episode is already available, pitting Neil Jordan's Byzantium against Kathryn Bigelow's Near Dark, and can be found wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall. You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Happy Holidays, folks! Hope you have all enjoyed Fire and Ash after your 5th watch. We're here to talk about the movies of November and December we enjoyed. ☃️❄️✨ November Bugonia - dir. Yorgos Lanthimos; Emma Stone, Jesse Plemons, Aidan Delbis, Alicia Silverstone Predator: Badlands - dir. Dan Trachtenberg; Elle Fanning Dimitrius Schuster-Koloamatangi Die My Love- dir. Lynne Ramsay; Jenifer Lawrence, Robert Pattinson, Sissy Spacek, LaKeith Stanfield Keeper - dir. Osgood Perkins; Tatiana Maslany, Rossif Sutherland Birkett Turton, Eden Weiss The Running Man - dir. Edgar Wright; Glen Powell, Josh Brolin, Colman Domingo, Lee Pace, Michael Cera, Emilia Jones, William H. Macy Wicked: For Good - dir. Jon M. Chu; Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Michelle Yeoh, Jeff Goldblum, Marissa Bode, Bowen Yang, apparently Coleman Domingo was the lion in this? Wake Up Dead Man - dir. Rian Johnson; Daniel Craig, Josh O'Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, Thomas Haden Church, Jeffrey Wright Karrie saw Splitsville and Lurker if she wants to talk about em December Jay Kelly - dir. Noah Baumbach; George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Grace Edwards, Stacy Keach, Jim Broadbent, Patrick Wilson, Eve Hewson, Greta Gerwig Jurge note - Hey did you know Netflix also released a Kathryn Bigelow and Richard Linklater movie this year? Can you name them? Sentimental Value - dir. Joachim Trier; Renate Reinsve Stellan Skarsgård Inga Ibsdotter Lilleaas Elle Fanning Dust Bunny - dir. Bryan Fuller; Sophie Sloan, Mads Mikkelsen, Sigourney Weaver, David Dastmalchian Silent Night, Deadly Night - dir. Mike P. Nelson; Rohan Campbell, Ruby Modine, Mark Acheson, David Lawrence Brown, David Tomlinson Avatar: Fire and Ash- dir. James Cameron; Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, Oona Chaplin , Jack Champion, Kate Winslet, Cliff Curtis, CCH Pounder, Edie Falco, Brendan Cowell, Jemaine Clement, Giovanni Ribisi December (what we have not seen that we might) The Housemaid Marty Supreme Resurrection Anaconda Song Sung Blue Hamnet? No Other Choice? January: Greenland 2: Migration We Bury the Dead Primate 28 Years Later: The Bone Temple All You Need Is Kill A Private Life Iron Lung Return to Silent Hill Mercy Send Help The Moment (?) --------------------------------------------------- iTunes: podcasts.apple.com/us/podcast/movi…el/id1082173626 Spotify: open.spotify.com/show/2VE15E5fS0Z…75eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

We're very excited to be bringing you this latest episode, recorded in front of an audience as part of our Everyman Soundtracking film club. Edith was joined on stage by Kathryn Bigelow, Noah Oppenheim, Greg Shapiro, Rebecca Ferguson and Volker Bertelmann after a screening of Kathryn's Netflix film, A House Of Dynamite. Told non-chronologically and from multiple perspectives, the narrative follows the responses of different US government and military officials after an unknown adversary launches a single intercontinental ballistic missile at a North American city.

The debate continues. Jason Hobbs (Random Screed, Hobbs & Friends podcast) and MW Lewis (The Worlds of MW Lewis podcast) call in to convince me that Nausicaä is mooning us all. See the case for the defence below… Exhibit A: https://www.reddit.com/r/ghibli/comments/q9z5j6/is_anybody_else_bothered_by_all_the_gratuitous/ Exhibit B: https://anime.stackexchange.com/questions/32328/does-nausica%C3%A4-wear-underpants-and-if-not-what-outside-universe-reason-is-there Exhibit C: https://nausicaa.fandom.com/f/p/3083158488613143982 Exhibit D: https://discuss.panzerdragoonlegacy.com/t/nausicaas-ass/774 Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ The movie for December is Mike Hodges' 1980s camp classic Flash Gordon. That episode will air on December 29th, so please send your submissions by the 27th if you'd like to be included in the show. Also, be sure not to miss the new podcast I'm involved with, entitled With Wife and I. My wife, Isla, suggested we take turns to choose movies to watch together, then share our thoughts with anyone who cares to listen. Our second episode is already available, pitting Neil Jordan's Byzantium against Kathryn Bigelow's Near Dark. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

In this episode, we welcome Barry Ackroyd, BSC. Barry is an Oscar-nominated cinematographer who has shot films including A House of Dynamite, The Big Short, The Hurt Locker, Captain Phillips, Bombshell, Detroit, Jason Bourne, Green Zone, and United 93. In our chat, he shares on his incredible career, about working with director Kathryn Bigelow on multiple films, and about making A House of Dynamite. Barry also lends priceless insights about cinematography and filmmaking in general.“The Making Of” is presented by AJA:ICYMI: AJA's biggest product releases in 2025From multi-channel HD and 4K/UltraHD IP video solutions, to Mini-Converters for bridging between resolutions, connectivity types, protocols, and codecs, a Mini-Converter frame, and a high-capacity 12G-SDI router, AJA announced several new products in 2025 that address emerging workflow needs across broadcast, production, post, and proAV.Get the full rundown hereShoot. Store. Secure. Smile.The OWC Guardian is a bus‑powered, portable NVMe SSD featuring 256‑bit AES OPAL hardware encryption and a color touch‑screen for intuitive, secure access. With up to 1,000 MB/s real‑world transfer speeds, platform‑agnostic operation (Mac, PC, iPad Pro), and a rugged anodized aluminum enclosure, it's built to protect audit‑sensitive media and projects anytime, anywhere.Learn more hereSkip Lievsay CAS to be Honored with the 2026 Career Achievement Award by the Cinema Audio SocietyZEISS Holiday Special:Save 25% on ZEISS Nano PrimesThere's a whole world of exceptional moments to be captured out there. Make sure you are prepared and save big during the ZEISS Holiday event! Save up to $6,400 off the list price on select ZEISS Nano Prime lenses.Check out the Nano Primes hereMeet Stream Deck Studio:Meet Stream Deck Studio, the ultimate control surface designed for professional broadcast and live production environments. Built on the iconic Elgato hardware and powered by Bitfocus software, it offers a hyper-customizable experience that simplifies even the most complex workflows. With compatibility across hundreds of devices from the industry's top vendors, Stream Deck Studio gives you complete command over your production setup, making it easier than ever to create seamless, high-quality broadcasts. Call Videoguys at 800-323-2325 to learn more and take your production control to the next level today!Explore herePodcast Rewind:Dec. 2025 - Ep. 107…Advertise in “The Making Of” to reach 250K film, TV and video industry pros each week. For more information, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

This bonus Out Now with Aaron & Abe features another trio of reviews for 2025's prestige films. Aaron and Abe spend this episode focusing on these Fall 2025 releases from Kathryn Bigelow, Richard Linklater, and Chloé Zhao, with plans for at least one more triple-header bonus. Tune in to hear reviews for A House of Dynamite (4:37), Nouvelle Vague (40:38), and Hamnet (1:00:58). So now, if you've got an hour or so to kill… Get yourself a free audiobook and help out the show at AudibleTrial.com/OutNowPodcast! Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose Check out all of our sites, podcasts, and blogs:  TheCodeIsZeek.substack.com, Why So Blu?, We Live Entertainment Check out Aaron's reviews for A House of Dynamite and Hamnet. Next Week's Show: Ella McCay

Welcome to another episode of Keep off the Borderlands, wherein I answer some calls, open some boxes, and chat about solo tabletop roleplaying games. Featuring calls from Karl Rodriguez of The GMologist presents…, Jason Connerley of Nerd's RPG Variety Cast, Joe Richter of Hindsightless and Mirke of Mirke the Meek podcast. We talk about getting older, Miyazaki's Nausicaa of the Valley of the Wind, and Mothership hack Cloud Empress. Cloud Empress by Watt can be found here: https://www.drivethrurpg.com/en/product/454022/cloud-empress-rulebook?src=hottest_filtered I open some parcels containing such delights as Carved in Stone by Brian Tyrell and Lizy Simenon… Astroprism by Camila Mera of Crescent Chimera… Scarred For Life: Volume III by Stephen Brotherstone & Dave Lawrence and The Feast of Tegney Wood by Yochai Gal. The Feast of Tegny Wood PDF is available for free here: https://www.drivethrurpg.com/en/product/541026/cas-3-the-feast-of-tegny-wood I then talk about a few solo role-playing games that have piqued my interest: Solo D6 Fantasy Expanded by sceptr, which can be found here: https://cseptr.itch.io/solo-d6-fantasy-expanded Star Borg by JP Coovert, which can be found here: https://jpcoovert.com and TREY - Solo Roleplaying by Mattias Peterburg & Clarence Redd, which can be found here: https://www.drivethrurpg.com/en/product/469224/trey-solo-roleplaying Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ The movie for December is Mike Hodges' 1980s camp classic Flash Gordon. That episode will air on December 29th, so please send your submissions by the 27th if you'd like to be included in the show. Also, be sure not to miss the new podcast entitled With Wife and I. My wife, Isla, suggested we take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. Our second episode is another vampire double-bill, pitting Neil Jordan's Byzantium against Kathryn Bigelow's Near Dark. “Warning” by Lieren of Updates From the Middle of Nowhere You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ Follow me on BlueSky @freethrall.bsky.social or look me up on Discord by searching for freethrall You can also hear me in actual plays on Grizzly Peaks Radio This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

In this episode, we walk slowly but carefully into Kathryn Bigelow's Oscar-winning film, "The Hurt Locker." We explore the film's gripping portrayal of the Iraq War, its intense cinematography, and the nuanced performances by Jeremy Renner and Anthony Mackie. With a mix of admiration and critique, we discuss the film's lasting impact and its place in cinematic history. Whether you're a fan of war dramas or just curious about what makes this film a standout, this episode offers a thoughtful analysis that will leave you with a new appreciation for Bigelow's work.

You can read today's edition of The 7 newsletter here. While The 7 podcast takes a break today, we wanted to share this Post Reports episode from earlier this month. It's about the movie, “A House of Dynamite,” a new thriller on Netflix about nuclear war. Kathryn Bigelow has been thinking about the threat of nuclear war ever since she was a kid. “I come from the era of duck and cover,” she says, “where when I was very little, we had to hide under the desk in the event of an atomic bomb blast.”Over the last 40 years, she's been directing tightly-paced thrillers such as “The Hurt Locker” (which won her the Academy Award for best director) and “Zero Dark Thirty.” Her latest film, “A House of Dynamite,” takes on a question that has been on her mind for decades: What would happen if the U.S. were targeted by a nuclear missile? The film, which is out on Netflix, has struck a nerve with audiences, becoming the streamer's most-watched movie in the world and igniting conversation about the accuracy of its depiction of the U.S. missile defense system. Today on Post Reports, Elahe Izadi speaks with Kathryn Bigelow and with the film's screenwriter, Noah Oppenheim, about why they chose to make this film in this moment, and about how they responded when they saw news that the U.S. could restart nuclear testing for the first time in decades. Today's show was produced by Peter Bresnan and Josh Carroll, with help from Emma Talkoff. It was edited by Reena Flores and mixed by Sean Carter. Subscribe to The Washington Post here. And watch us on YouTube here.

This is the polls section of episode 228. In this section, The Movie Toasters go over poll results surrounding Adam Sandler and Kathryn Bigelow.Stay Toasty!!!

Eric watched a movie Ben didn't watch. Ben watched one Eric didn't watch. And together they watched a TV series that they both thought had a fake president in it, but didn't. Or did it?  In this Thanksiving potluck of an episode where each host is bringing something to feast on, we've got Stephen Colbert as "The President" in Dreamworks' 2009 animated movie MONSTERS VS. ALIENS. We've got another round of Idris Elba, this time as "The President" in Kathryn Bigelow's new Netflix original HOUSE OF DYNAMITE. And we also talk a little about what Apple TV's new Vince Gilligan sci-fi series PLURIBUS may or may not have to say about presidential politics. Find us on most social networks at Fake_Presidents or email us at fakepresidents [at] gmail.com. 00:00 Intro 02:23 Monsters Vs. Aliens 20:00 Pluribus 28:42 House of Dynamite 45:00 Closing 45:57 Post-Credits Bit

In this episode of Houselights, we navigate through Kathryn Bigelow's "K-19: The Widowmaker," focusing on its technical brilliance and narrative challenges. We discuss the film's claustrophobic cinematography, the nuanced performances of Harrison Ford and Liam Neeson, and the historical context that frames this gripping submarine drama. While the film excels in its technical execution, the emotional connection with the characters remains elusive, leaving us with a complex yet compelling cinematic experience.

For the first episode of NukeTalk's new season, Nuclear Movie Club, we are joined by Noah Oppenheim, screenwriter of A House of Dynamite—a new Netflix film by Kathryn Bigelow—and former president of NBC News.  The Nuclear Movie Club will cover 10 defining movies in the nuclear film canon that represent a breadth of plot, theme, tone, and cultural impact. What do these films get right, and wrong, about depictions of nuclear threat? And what are the lasting impacts nuclear films can have on culture, policy, and public opinion? We will explore these questions, themes, and lots of fun facts on this season of NukeTalk. Follow NukeTalk on X @nuke_talk and Instagram @nuke_talk. Learn more about how you can contribute to global nuclear threat reduction by visiting Ploughshares at: ploughshares.org and signing up for our newsletter. This season of NukeTalk is produced and hosted by Rebecka Green. Editing done by Ryan Kuhfeld.

Kathryn Bigelow has been thinking about the threat of nuclear war ever since she was a kid. “I come from the era of duck and cover,” she says, “where when I was very little, we had to hide under the desk in the event of an atomic bomb blast.”Over the last 40 years, she's been directing tightly-paced thrillers such as “The Hurt Locker” (which won her the Academy Award for best director) and “Zero Dark Thirty.” Her latest film, “A House of Dynamite,” takes on a question that has been on her mind for decades: What would happen if the U.S. were targeted by a nuclear missile? The film, which is out on Netflix, has struck a nerve with audiences, becoming the streamer's most-watched movie in the world and igniting conversation about the accuracy of its depiction of the U.S. missile defense system. Today on Post Reports, Elahe Izadi speaks with Kathryn Bigelow and with the film's screenwriter, Noah Oppenheim, about why they chose to make this film in this moment, and about how they responded when they saw news that the U.S. could restart nuclear testing for the first time in decades. Today's show was produced by Peter Bresnan and Josh Carroll, with help from Emma Talkoff. It was edited by Reena Flores and mixed by Sean Carter. Subscribe to The Washington Post here. And watch us on YouTube here.

Ana and Dan also have loved ones in Chicago, why do you ask? Kathryn Bigelow's return to cinema gifts us a meticulously shot and expertly acted mess of a movie that's underwhelming in every respect. It is fun to think about President Stringer Bell, though. If I told you there was no IR in this movie, would you believe me? Hosted on Acast. See acast.com/privacy for more information.

On the 486th episode of Piecing It Together, Michael Klug joins me to talk about A House Of Dynamite. This thriller from Kathryn Bigelow is a look at a dozen people's response to an impending nuclear theat. Puzzle pieces include The War of the Worlds, WarGames, Dunkirk and Independence Day.As always, SPOILER ALERT for A House Of Dynamite and the movies we discuss!Written by Noah OppenheimDirected by Kathryn BigelowStarring Idris Elba, Rebecca Ferguson, Jared Harris, Tracy Letts, Gabriel BassoNetflixMichael Klug is a screenwriter, filmmaker and author.Check out Michael's website at http://www.klugiverse.com/And follow Michael on Facebook at https://www.facebook.com/michael.klug.463085My latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or

Welcome back to Movie Boi! This podcast will feature discussions on movies, new and old alike, as well as some broader movie topics and conversations.In this episode:(00:00) - Gareth and I discuss A House of Dynamite, the newest film from Kathryn Bigelow that is streaming now on Netflix(17:00) - We breakdown Bugonia, the black comedy thriller from Yorgos Lanthimos starring Emma Stone & Jesse Plemons If you want to share your thoughts on the movie(s) or send in a mailbag question, contact MovieBoyJack@gmail.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The #1 movie on Netflix, 'A House of Dynamite', imagines the unthinkable: a ballistic missile headed straight for Chicago. Michael Smerconish sits down with screenwriter Noah Oppenheim and former White House national security advisor Richard Clarke to separate cinematic fiction from terrifying fact. Oppenheim, who co-wrote 'Zero Day' and once led NBC News, reveals how his collaboration with director Kathryn Bigelow turned a 20-minute nuclear countdown into the most intense film of the year—and why the Pentagon actually responded to it. Then Clarke, who served under Presidents Bush, Clinton, and Bush, explains how much of the movie mirrors his real-life experience in the Situation Room on 9/11, and why America's nuclear defenses may not be as foolproof as we'd like to think. Can the U.S. really stop an incoming missile? Would the President have only minutes to decide the fate of the world? And how close are we, right now, to midnight on the doomsday clock? Listen here, and please rate, review and share this podcast. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

House Speaker Mike Johnson (R-Louisiana) discusses the prolonged government shutdown, as well as the future of the filibuster and bipartisanship on Capitol Hill. Because of the shutdown, Transportation Secretary Sean Duffy announced a reduction in flight capacity by 10% at 40 major airports starting on Friday, a move that will affect roughly 3,500-4,000 flights per day. American Airlines Pilot Dennis Tajer represents the Allied Pilots Association, and he's urging lawmakers to pass a clean CR, just so his crews can get back to paid work. Nvidia CEO Jensen Huang is softening his comments that “China will win the AI race,” and Doordash stock is sinking. Plus, director Kathryn Bigelow and writer Noah Oppenheim discuss their latest movie for Netflix, “A House of Dynamite,” exploring what a nuclear launch crisis might look like in today's geopolitical climate.  Dennis Tajer - 19:59Speaker Mike Johnson - 25:43Kathryn Bigelow & Noah Oppenheim - 42:50 In this episode:Mike Johnson, @SpeakerJohnsonJoe Kernen, @JoeSquawk Andrew Ross Sorkin, @andrewrsorkinKatie Kramer, @Kramer_Katie Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Kathryn Bigelow returns with a Netflix Original film. Does it live up to her potential? Let's get a sense of what HOUSE OF DYNAMITE brought before diving into some Weekly Recs. Become a MAM VIP for hundreds more episodes in your feed

With BACK TO THE FUTURE back in theaters for its 40th anniversary, Adam and Josh take the opportunity to give it Sacred Cow consideration. Plus, reviews of the Bruce Springsteen biopic DELIVER ME FROM NOWHERE, Richard Linklater's BLUE MOON, and Kathryn Bigelow's nuclear thriller A HOUSE OF DYNAMITE.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:00:56) Back to the Future at 40 (00:00:57-00:46:31) Filmspotting Family (00:46:32-00:51:07) Blue Moon (00:51:08-01:08:36) Deliver Me From Nowhere (01:08:37-01:19:01) Notes / Next Week (01:19:02-01:26:01) Polls (01:26:02-01:34:17) A House of Dynamite (01:34:18-01:45:43) Spoilers: A House of Dynamite (01:45:44-01:56:17) Credits / New Releases (01:56:18-02:00:45) Links: -Poll: 2nd Best Zemeckis https://poll.fm/16177171 -50 Years of Siskel & Ebert: "Lone Star" https://luma.com/pwlqid75 -The Mastermind Prize Pack Email us your favorite Reichardt character Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ https://www.instagram.com/larsenonfilm ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, I'm joined by Tom Nichols—staff writer at the Atlantic, professor emeritus at the U.S. Naval War College, and all-around nuclear arms expert—to discuss Kathryn Bigelow's new nuclear war film A House of Dynamite. On this episode, we discuss how his students reacted to previous nuclear panic films like The Day After and Threads, what the new film from Bigelow and writer Noah Oppenheim gets right about the current state of our nuclear preparedness, and what keeps Tom up at night about the current White House's nuclear posture.  You can read Tom's pieces on A House of Dynamite here and here, and he has another up about what the Trump White House doesn't understand about nuclear weapons here. You can read my review of the film here. And if you have thoughts, please sound off in the comments or share this episode with a friend!

On this week's show, Dana is joined by fellow movie critics Amy Nicholson of The Los Angeles Times and Slate's Sam Adams for an all-film edition of the Gabfest. First up, they enter A House of Dynamite, Kathryn Bigelow's tense procedural about a nuclear catastrophe. Whether or not this grim thriller has any spark is up for debate. Next, they step into the raucous party of Hedda Gabler in Nia DaCosta's Henrik Ibsen adaptation Hedda, starring Tessa Thompson as the scheming hostess. Finally, they examine the documentary The Perfect Neighbor which offers an alarming portrait of one Florida community compiled primarily through police body cam footage. In an exclusive Slate Plus bonus episode, the movie talk continues with an all-spoiler special about all three films. Endorsements Amy: The Man in the Tuskhut, an animatronic, AI theater piece by the writer and director Jason Woliner. Sam: The band Belly's album Star and the play Liberation by Bess Wohl. Dana: Spike Jonze's music video of Bjork's cover of “It's Oh So Quiet.” Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dana is joined by fellow movie critics Amy Nicholson of The Los Angeles Times and Slate's Sam Adams for an all-film edition of the Gabfest. First up, they enter A House of Dynamite, Kathryn Bigelow's tense procedural about a nuclear catastrophe. Whether or not this grim thriller has any spark is up for debate. Next, they step into the raucous party of Hedda Gabler in Nia DaCosta's Henrik Ibsen adaptation Hedda, starring Tessa Thompson as the scheming hostess. Finally, they examine the documentary The Perfect Neighbor which offers an alarming portrait of one Florida community compiled primarily through police body cam footage. In an exclusive Slate Plus bonus episode, the movie talk continues with an all-spoiler special about all three films. Endorsements Amy: The Man in the Tuskhut, an animatronic, AI theater piece by the writer and director Jason Woliner. Sam: The band Belly's album Star and the play Liberation by Bess Wohl. Dana: Spike Jonze's music video of Bjork's cover of “It's Oh So Quiet.” Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 335 - We're approaching the end of the first batch of Eastman/Laird issues on Teenage Mutant Ninja Turtles. This issue is an action packed issue-long battle between the full team of Turtles/Splinter/April versus the newly-returned Shredder!!! Very fun! In Loose Screws, Kevin discusses the book Project Hail Mary and the Enforcers card in the Marvel themed Magic card deck. And Will starts an episode of Screw It, We're Just Gonna Talk About War Games to discuss the new Kathryn Bigelow movie A House Of Dynamite. --- For bonus monthly episodes, subscribe at screwitpodcasts.com Email us at screwitcomics@gmail.com

On this week's episode, Sonny, Peter, and Alyssa discuss the Ellison family's (literal) trump card in its pursuit of Warner Bros.-Discovery. Then they review A House of Dynamite, Kathryn Bigelow's star-studded nuclear panic movie for Netflix. Sweet dreams, kiddos! Make sure to swing by movieaisle.substack.com for our bonus episode on this genius and harrowing feature piece on a niche internet subculture that … well, you're just going to need to read about them. It's a trip. You are definitely going to want to watch that episode on Thursday. Sonny makes some faces. Buy some merch! Our Dashery store is “lit.” And if you enjoyed this episode, share it with a friend! 

A HOUSE OF DYNAMITE is built on an undeniably hooky premise — a nuclear missile originating from an unknown source is heading right for us — but is that premise enough to support a successful movie? We're joined once again by critic and author Jason Bailey to unpack that question, particularly as it applies to the film's triptych structure and nervy ending gambit. That ending comes back into play when we reintroduce 1964's FAIL SAFE for Connections, to see how Sidney Lumet's Cold War thriller compares to Kathryn Bigelow's modern-day nuclear scenario in their respective depictions of human connection — personal, professional, and adversarial —amid humanity-threatening catastrophe. Then we keep it in the nuclear family for Your Next Picture Show, with a recommendation for the 1983 TV movie THE DAY AFTER, as well as some of its pop-cultural fallout. Please share your thoughts about FAIL SAFE, A HOUSE OF DYNAMITE, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Radu Jude's DRACULA and Federico Fellini's 8 1/2 Intro: 00:00:00-00:02:33 A House of Dynamite discussion: 00:02:33 - 00:24:41 A House of Dynamite/Fail Safe Connections: 00:24:41-47:56 Your Next Picture Show and goodbyes: 00:47:56-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda start the show by covering the major box office success of ‘Chainsaw Man,' reacting to the news that Cinemark is opening myriad new 70 mm IMAX screens across the country, and discussing what it represents for the future of moviegoing (2:00). Then, they deep dive into Kathryn Bigelow's new film, ‘A House of Dynamite,' starring Rebecca Ferguson. They unpack their very complicated feelings by highlighting what they found successful, including a titillating first act and some strong performances, and they address its major flaws, most notably a wild third act that features a deeply unsuccessful performance from Idris Elba (12:59). Finally, Adam Nayman joins the show to discuss Kelly Reichardt's new film, ‘The Mastermind,' starring Josh O'Connor as an outcast loner (1:07:46). They talk about Reichardt's ability to identify this type of character and give credit to her and O'Connor for crafting such a wonderful performance. Hosts: Sean Fennessey and Amanda Dobbins Guest: Adam Nayman Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kathryn Bigelow is back. But are WE so back? Not quite. The gang discusses the recent release A House of Dynamite, a film in which the president listens to podcasts, Tracy Letts loves the Mets, and the city of Chicago may or may not be completely leveled by an atomic bomb. Do we kind of miss Mark Boal now? Are we praying Kathryn Bigelow directs something a little more in line with Strange Days or Point Break next? Would Ethan Hunt have saved this movie? Yes, yes, and yes. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's Empire Podcast sees Chris Hewitt struggle with the enunciation of one word in particular (you'll have to listen to find out which). Incredibly, it's not 'Howl-o-ween', which is just one of the many things discussed by Chris and his three colleagues of such lethal cunning, Helen O'Hara, James Dyer, and Ben Travis. They get their teeth into movies in which a main character is ill, talk about the shock revelation that Adam Driver and Steven Soderbergh had developed a literal Solo movie for Kylo Ren, and review Springsteen: Deliver Me From Nowhere, Nia DaCosta's Hedda, and Kelly Reichardt's The Mastermind. Guest-wise, we have a veritable bounty as Helen has a lovely chat with Nia DaCosta, and Chris talks to Jeremy Strong, star of the Springsteen flick; and has a joyous natter about the end of the world with Rebecca Ferguson and Kathryn Bigelow, star and director respectively of A House Of Dynamite, which is now out on Netflix. No timecodes yet, as the guy who writes this blurb has to leg it to a screening. But they're roughly 23 minutes, one hour and three minutes in, and one hour and 38 minutes in. Enjoy!

Nick welcomes film critics Erik Childress and Steve Prokopy for a special extended edition of their movie review segment, packed with more films than ever. The trio dives into an eclectic lineup of new releases, including Emma Stone's wild new odyssey “Bugonia,” the Springsteen biopic “Deliver Me from Nowhere,” George Romero's daughter's zombie comedy “Queens of the Dead,” and Kathryn Bigelow's explosive thriller “A House of Dynamite.” They also review “The Mastermind,” “Regretting You,” and plenty more fresh titles hitting theaters. The conversation then shifts to the 61st Chicago International Film Festival, as Erik and Steve share highlights and reactions from the event. They cover festival favorites like “Dead Man's Wire,” “We Are Pat,” “Rental Family,” Guillermo del Toro's “Frankenstein,” and “One Golden Summer.” With Esmeralda Leon off this week, Nick and the critics go full film nerd — from blockbusters to indie gems — in a jam-packed, movie-lover's dream episode. [Ep 397]

Kathryn Bigelow's new A HOUSE OF DYNAMITE games out a scenario that filmmakers have been grappling with since the mid-20th century, in particular the year 1964, which saw the release of two very different classics of the nuclear-catastrophe genre: DR. STRANGELOVE, followed a few months later by the other half of this week's pairing, FAIL SAFE. If the bleak realism of Sidney Lumet's nuclear thriller made it a tougher sell to audiences back then, though, it also makes FAIL SAFE feel like a more fitting companion to Bigelow's film than its satirical predecessor. We're joined this week by critic and author Jason Bailey to discuss why FAIL SAFE still feels so immediately chilling decades removed from its Cold War context, and how Lumet makes a story that plays out mainly in a series of small rooms feel both grand in scope and human in focus. Then, in honor of our second Lumet feature in a row on this show, we turn Feedback over to a discussion of some of the prolific filmmaker's lesser-known works. Please share your thoughts about FAIL SAFE, A HOUSE OF DYNAMITE, or anything else in the world of film by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Intro: 00:00:00-00:03:56 Fail Safe Keynote: 00:03:56-00:08:47 Fail Safe Discussion: 00:08:47-00:44:03 Feedback/outro: 00:44:03-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we're remembering renowned primatologist Jane Goodall, known for her work researching the behavior of chimpanzees and protecting their habitats. She died last week at the age of 91. "Every time somebody discovers an animal doing something that we used to think was unique to us, there is this scientific uproar, because we [humans] have to keep our uniqueness. And of course the chimps have challenged this belief again and again and again," Goodall told Terry Gross in 1999. John Powers reviews the Netflix thriller film A House of Dynamite, directed by Kathryn Bigelow. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy