Podcast appearances and mentions of Kathryn Bigelow

Virtual reality, Y2K paranoia, and noir-drenched chaos—it's all wired into Kathryn Bigelow's Strange Days (1995). Ralph Fiennes plays a black-market memory dealer caught in a web of murder, conspiracy, and past trauma, while Angela Bassett brings the fire as a bodyguard with a conscience (and some serious action chops). Set in the final hours of 1999, the film is a pulsing, POV-shot thrill ride through a dystopian Los Angeles, where technology lets you feel someone else's memories—and the truth is more dangerous than anything on tape. It's messy, bold, and weirdly ahead of its time.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Vuelve un clásico, vuelve la ilusión, vuelve la carrera al Oscar. No te pierdas el estreno de la decimocuarta temporada de La Sexta Nominada, una introducción a las películas que protagonizarán la próxima carrera por el Oscar en su 98 edición. Dani Mantilla y Juan Sanguino hablan en la primera parte de este espacial de las películas de Yorgos Lanthimos, Joachim Trier, Luca Guadagnino, Paul Thomas Anderson, Noah Baumbach, Hikari, Chloé Zhao, Guillermo del Toro, Kathryn Bigelow, Ryan Coogler, Jon M. Chu, Josh Safdie, Richard Linklater, Scott Cooper, Kleber Mendonça Filho y Jafar Panahi. Escucha este episodio completo y accede a todo el contenido exclusivo de La Sexta Nominada . Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/46194

Kathryn Bigelow is a trailblazing filmmaker who shattered glass ceilings in Hollywood. From her early days as a painter and experimental filmmaker to becoming the first woman to win an Academy Award for Best Director, Kathryn's journey is one of ambition, creativity, and resilience. We explore her groundbreaking films, including The Hurt Locker and Zero Dark Thirty, and her dramatic connection to James Cameron.  Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com  

La Mostra internazionale d'arte cinematografica di Venezia si è chiusa il 6 settembre 2025 con il suo carico di premi, proteste, controversie, bellocci e bellocce. Ne parliamo con Chiara Guida, presente per tutta la durata della manifestazione per la testata che dirige, Cinefilos. Parliamo di Hind Rajab, Jim Jarmusch, Park chan-wook e il suo bellissimo No Other Choice, Del Toro e Frankenstein, La Grazia di Sorrentino e il premio a Toni Servillo, gli italiani in laguna e Kathryn Bigelow. In più non mancano il premio Meglio Figo del Bigonzo e il Premio Margot Robbie. Buon ascolto. Seguiteci su YouTube e iscrivetevi al canale, iscrivetevi al podcast, cliccate sulla campanella per ricevere gli aggiornamenti, condividetelo con gli amici e (in)seguiteci su Spotify, Apple Podcasts e tutte le app di ascolto gratuite per podcast.Link diretto allo show⬇️⬇️⬇️ https://open.spotify.com/show/06wRlaUWQ5NdWusO25uqZk?si=4PkqQwHCT86xZaWk5pDiHA Link su Audiblehttps://www.audible.it/pd?asin=B0BL9FP3QJ&source_code=AITtm161101121020J&share_location=podcast_show_detail➡️PAGINA FACEBOOK: https://www.facebook.com/ilbruttoilcattivo2.0

In front of a live audience at the TIFF Industry conference, I was joined onstage by Joel Edgerton, the star and executive producer of the lyrical new Netflix film Train Dreams. We talked about that gorgeous movie but also so much more, from how he and his brother Nash started making movies together at home in Australia to what it felt like to be a "stowaway" on a Star Wars set early in his career to what he's learned from working for Kathryn Bigelow, Baz Luhrmann, Barry Jenkins and many more directing luminaries. Though he may be most famous as an actor, Joel frequently works as a writer, director and producer, continuing to collaborate with his friends from his early days in Australia and even his brother — five days before our conversation, Nash was on set as his brother's stunt double.  Prestige Junkie After Party paid subscribers can watch the full video version of our conversation, which also includes some truly excellent audience questions at the end. Thanks to TIFF for partnering with us to make this happen, and thanks to everyone who could be there in person! ⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

The moment we've all been waiting for is finally here: We're announcing the director we'll be studying, one movie at a time, throughout our second season! Is it a 70s trailblazer like Peter Bogdanovich? A modern auteur such as Kathryn Bigelow? A Golden Age icon like John Ford? You'll have to listen to find out! Catch our first full Season 2 episode on September 16th! We're upping our Patreon in a major way for Season 2, so be sure to join today! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Kathryn Bigelow, reżyserka „Wroga numer jeden” i „The Hurt Locker. W pułapce wojny”, pokazała na festiwalu filmowym w Wenecji thriller polityczny „Dom pełen dynamitu”. Trzymający w napięciu film o zagrożeniu wojną nuklearną już 24 października trafi na Netflixa. Autorka: Anna Prodeus Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/dom-pelen-dynamitu-recenzja-filmu-netflix

This week, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our sixth episode from the city of canals, Film Comment Editor Devika Girish invited critics Guy Lodge and and Öykü Sofuoğlu to discuss some recent festival premieres, including Pietro Marcello's Duse (2:45), Ross McElwee's Remake (12:39), Kaouther Ben Hania's The Voice of Hind Rajab (21:42), and Kathryn Bigelow's A House of Dynamite (41:32). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Vu politeschen Analyse vun eiser Welt bis zu engem minimalistische Familljen-Triptychon: De Marc Trappendreher ass weider fir eis zu Venedeg a verréit, wéi sech déi nei Filmer vum Olivier Assayas, der Kathryn Bigelow a vum Jim Jarmusch an der Competitioun schloen. Am Jarmusch sengem "Father Mother Sister Brother" spillt ënner anerem och d'Vicky Krieps mat.

One of my favourite film critics Bilge Ebiri from Vulture joins me to talk about Olivier Assayas' The Wizard of the Kremlin, Kathryn Bigelow's A House of Dynamite, and Kaouther ben Hania's The Voice of Hind Rajab. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 345: Venice 2025: Chloe Lizotte on A House of Dynamite, Dead Man's Wire, Claire Simon, Wayne McGregor, Le Souffleur, More Late Fame Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I have been busily watching movies at the 2025 Venice Film Festival, and for my latest episode, I sit down with Chloe Lizotte, the deputy editor of MUBI's film journal Notebook, and the Event Horizon columnist at Reverse Shot. Among the movies we discuss are A House of Dynamite (directed by Kathryn Bigelow), Dead Man's Wire (Gus Van Sant), Writing Life (Claire Simon), and Le Souffleur (Gaston Solnicki), with some more words on Late Fame (Kent Jones). Lizotte also shares impressions from her visit to Wayne McGregor's 3D choreographic installation On the Other Earth, in the Dance Biennale. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Quedan tres días, apurando ya los últimos días en la maravillosa Venecia, Carlos Rollero nos trae otra cónica. Habla de François Ozon y su última película El Extranjero. También de Una casa llena de dinamita de Kathryn Bigelow con Idris Elba, Rebecca Ferguson, Gabriel Basso y Jared Harris.

Welcome to this season's Halloween Series! To kick things off, Anna and Derek chat about the rules of vampirism, the criminal under usage of Jenette Goldstein, and much more during their discussion of Kathryn Bigelow's Near Dark (1987).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Leweke, Anke www.deutschlandfunkkultur.de, Fazit

Il cinema muscolare di Kathryn Bigelow arriva in concorso all'82esima edizione del Festival di Venezia: la catastrofe nucleare è imminente e la gestione dell'emergenza è umana, disastrosa, impossibile.

On part à Venise, en Italie, où se tient jusqu'à samedi 6 septembre la 82ème Mostra. Le plus ancien festival de cinéma au monde fait la part belle aux productions américaines, notamment en compétition. On se souvient qu'en 2016, La La Land ouvrait le festival vénitien, Emma Stone remportait le prix d'interprétation féminine quelques mois avant la razzia aux Oscars. Les majors et les plateformes de streaming profitent du rendez-vous vénitien pour faire la promotion de leurs productions. De notre envoyée spéciale à Venise,  Moins exposée que le festival de Cannes, idéalement programmée pour lancer la campagne des Oscars, la Mostra est devenue ces dernières années l'écrin rêvé pour les productions hollywoodiennes de prestige. Et notamment les films de plateformes qui peuvent ici concourir en compétition. Parmi les blockbusters d'auteurs en lice pour le Lion d'or : Frankenstein. Netflix a accordé un budget faramineux, 120 millions de dollars à Guillermo del Toro, pour revisiter ce classique de Mary Shelley : la création contre-nature d'un être humain à partir de cadavres. « On vit dans une époque de terreur et d'intimidation. Et pour moi la réponse, c'est l'amour et l'art en fait partie. La question que pose le roman, c'est : qu'est-ce qu'un être humain ? Il n'y a pas de tâche plus urgente que de préserver notre humanité. Mon film montre des personnages imparfaits et le droit d'être imparfaits », explique Guillermo del Toro. Ces films hollywoodiens questionnent tous la perte ou la quête de sens. Dans Jay Kelly, le réalisateur Noah Baumbach met en scène George Clooney en mégastar se rendant compte, à 60 ans passés, qu'il est bien seul dans la vie. « Quand vous faites un film sur un acteur, vous faites en réalité un film sur l'identité et la représentation, finalement la quête de soi, raconte le réalisateur. C'est ce que nous éprouvons tous : nous ne sommes pas les mêmes avec notre famille, nos amis ou nos collègues. Nous sommes différents personnages selon les situations. » Plus radical, mêlant science-fiction et satire de l'époque, Bugonia de Yorgos Lanthimos montre une Amérique en perte de sens. Deux Américains complotistes kidnappent une cheffe d'entreprise, campée par Emma Stone, qu'ils prennent pour une extraterrestre. Pour le réalisateur, déjà primé à Venise il y a deux ans, le propos est plus réaliste que dystopique : « Mon film reflète le monde réel. Tout ce que l'on voit dans le monde, l'intelligence artificielle, les guerres, le dérèglement climatique, c'est ce qui se passe en ce moment. » La Mostra doit encore présenter plusieurs gros calibres américains en compétition, comme le nouveau film de Kathryn Bigelow avec notamment Idris Elba, ou The Smashing Machine avec Dwayne Johnson, alias The Rock, dans un rôle à transformation comme les adore l'Académie des Oscars. À lire aussiCinéma: une 82e Mostra de Venise très politique qui déroule aussi le tapis rouge au septième art américain

On part à Venise, en Italie, où se tient jusqu'à samedi 6 septembre la 82ème Mostra. Le plus ancien festival de cinéma au monde fait la part belle aux productions américaines, notamment en compétition. On se souvient qu'en 2016, La La Land ouvrait le festival vénitien, Emma Stone remportait le prix d'interprétation féminine quelques mois avant la razzia aux Oscars. Les majors et les plateformes de streaming profitent du rendez-vous vénitien pour faire la promotion de leurs productions. De notre envoyée spéciale à Venise,  Moins exposée que le festival de Cannes, idéalement programmée pour lancer la campagne des Oscars, la Mostra est devenue ces dernières années l'écrin rêvé pour les productions hollywoodiennes de prestige. Et notamment les films de plateformes qui peuvent ici concourir en compétition. Parmi les blockbusters d'auteurs en lice pour le Lion d'or : Frankenstein. Netflix a accordé un budget faramineux, 120 millions de dollars à Guillermo del Toro, pour revisiter ce classique de Mary Shelley : la création contre-nature d'un être humain à partir de cadavres. « On vit dans une époque de terreur et d'intimidation. Et pour moi la réponse, c'est l'amour et l'art en fait partie. La question que pose le roman, c'est : qu'est-ce qu'un être humain ? Il n'y a pas de tâche plus urgente que de préserver notre humanité. Mon film montre des personnages imparfaits et le droit d'être imparfaits », explique Guillermo del Toro. Ces films hollywoodiens questionnent tous la perte ou la quête de sens. Dans Jay Kelly, le réalisateur Noah Baumbach met en scène George Clooney en mégastar se rendant compte, à 60 ans passés, qu'il est bien seul dans la vie. « Quand vous faites un film sur un acteur, vous faites en réalité un film sur l'identité et la représentation, finalement la quête de soi, raconte le réalisateur. C'est ce que nous éprouvons tous : nous ne sommes pas les mêmes avec notre famille, nos amis ou nos collègues. Nous sommes différents personnages selon les situations. » Plus radical, mêlant science-fiction et satire de l'époque, Bugonia de Yorgos Lanthimos montre une Amérique en perte de sens. Deux Américains complotistes kidnappent une cheffe d'entreprise, campée par Emma Stone, qu'ils prennent pour une extraterrestre. Pour le réalisateur, déjà primé à Venise il y a deux ans, le propos est plus réaliste que dystopique : « Mon film reflète le monde réel. Tout ce que l'on voit dans le monde, l'intelligence artificielle, les guerres, le dérèglement climatique, c'est ce qui se passe en ce moment. » La Mostra doit encore présenter plusieurs gros calibres américains en compétition, comme le nouveau film de Kathryn Bigelow avec notamment Idris Elba, ou The Smashing Machine avec Dwayne Johnson, alias The Rock, dans un rôle à transformation comme les adore l'Académie des Oscars. À lire aussiCinéma: une 82e Mostra de Venise très politique qui déroule aussi le tapis rouge au septième art américain

Oglašamo se z Beneškega Lida, kjer se je pričel 82. mednarodni filmski festival, najstarejši filmski festival na svetu. Na rdeči preprogi so se že zvrstila prva zvezdniška imena iz sveta filma: Julia Roberts, Emma Stone, Cate Blanchett, Francis Ford Coppola in Werner Herzog, ki je na odprtju iz njegovih rok prejel nagrado za življenjsko delo. To so podelili tudi ameriški igralki Kim Novak. Prvi filmi, o katerih bo žirija odločala, so bili že na sporedu: Jay Kelly Noama Baumbacha, Bugonia Jorgosa Lantimosa, Sirota Lászla Nemesa – pa seveda film, ki je letošnjo Mostro odprl, La Grazia Paola Sorrentina. V prihodnjih dneh bodo prikazali še filme Jima Jarmuscha, Kathryn Bigelow in številnih drugih zvenečih imen iz sveta filma. Z eno izmed žirantk na nedavno končanem festivalu FeKK, Živo Emeršič, smo se pogovarjali o najboljših kratkih filmih festivala. V kinu pa na redni spored prihaja norveški film Seks, del Trilogije iz Osla, ki jo podpisuje Norvežan Dag Johan Haugerud in dokumentarec z Dalajlamo, Modrost sreče. Ta je ob svojem 90. rojstnem dnevu strnil nekaj misli za mirno, srečno življenje v 21. stoletju, v času globalnih nemirov in kriz.

The night has its price. Join Reneé, John Paul, and Travis as they discuss Kathryn Bigelow's 1987 neo-Western horror film "Near Dark." Please consider supporting the show on Patreon: https://www.patreon.com/thepodmortem  Pod Mortem / Stairhole Productions Merch: https://www.teepublic.com/user/thepodmortem Pod Mortem would like to thank Original CINematic for sponsoring this week's episode! https://www.ogcinpro.com/  Feel free to contact: William Rush: wrush@ogcinpro.com Xxena Rush: xrush@ogcinpro.com    Where to listen to the podcast and follow us on social media: https://allmylinks.com/thepodmortem Follow us on Instagram: https://www.instagram.com/thepodmortem https://www.instagram.com/travismwh https://www.instagram.com/bloodandsmoke https://www.instagram.com/juggalodaddy84 Follow us on Twitter: https://twitter.com/thepodmortem https://twitter.com/bloodandsmoke https://twitter.com/realstreeter84 https://twitter.com/travismwh What would you rate Near Dark and what should we watch next? Email us at thepodmortem@gmail.com    "Pod Mortem Theme" written and performed by Travis Hunter-Sayapin. https://youtube.com/travismwh

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2009 retrospective has come to an end with our final review, that year's Best Picture Oscar winner, Kathryn Bigelow's "The Hurt Locker" starring Jeremy Renner, Anthony Mackie, Brian Geraghty, Evangeline Lilly, Ralph Fiennes, David Morse & Guy Pearce. The film received a massive wave of critical support after its long film festival run, which led to industry recognition, a historic Best Director win for Bigelow, making her the first female winner of the category, and Best Picture itself. The film follows an Iraq War Explosive Ordnance Disposal team who are targeted by insurgents and shows their psychological reactions to the stress of combat. Oscar-winning screenwriter Marc Boal drew on his experience during embedded access to write the screenplay. How does it hold up 16 years later? Please join Lauren LaMagna, Dan Bayer, Alyssa Christian, Giovanni Lago, and me as we discuss the performances, direction, writing, craftsmanship, its awards season run, and more in our SPOILER-FILLED review. You can view the winners of the 2009 NBP Film Community Awards here, and we'll announce our internal winners next week. Thank you so much for your support through this entire retrospective. Please check out our past reviews for "Crazy Heart," "The Blind Side," "A Serious Man," "An Education," "Up," "Inglourious Basterds," "District 9," "Star Trek," "Precious," "Up In The Air," and "The Secret In Their Eyes." We appreciate your support and hope you enjoy our review! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Na letošnji Sarajevski filmski festival se je uvrstilo kar deset filmov in ena serija s slovensko udeležbo – med temi tudi filmska adaptacija romana Bronje Žakelj Belo se pere na devetdeset v režiji Marka Naberšnika. Kaj pa lahko pričakujemo od 82. beneškega filmskega festivala? Med drugim nove filme Kathryn Bigelow, Gusa Van Santa, Jima Jarmuscha in Yorgosa Lanthimosa. V oddaji se posvečamo tudi festivalu kratkega filma FeKK, ki ima letos močan poudarek na palestinski kinematografiji, in Sanjam – enemu od filmskih poglavij trilogije Seks, Ljubezen, Sanje Norvežana Daga Johana Haugeruda, ki je zanj prejel glavno nagrado na letošnjem Berlinalu.

Fall 2025 is shaping up to be a goldmine for film lovers, with new releases from top directors like Spike Lee, Kathryn Bigelow, Paul Thomas Anderson, and the Safdie brothers. We preview the most anticipated movies of 2025 still to come. Learn More: https://viewpointsradio.org/culture-crash-from-kurosawa-remakes-to-stephen-king-revivals-the-fall-film-lineup Learn more about your ad choices. Visit megaphone.fm/adchoices

“Memories are meant to fade. They're designed that way for a reason.” In the second half of our STRANGE DAYS deep dive, we pick up with the music—both on screen and behind the scenes—that gives the film its pulse. We explore how a soundtrack packed with industrial rock helps build the film's atmosphere, and how composer Graeme Revell stepped in at the eleventh hour to pull it all together. Then we dig into the film's release, its disastrous box office performance, and the confused marketing campaign that helped sink it. We look at how critics received it at the time and how STRANGE DAYS slowly earned a second life as a cult classic in the years that followed. Finally, we reflect on the film's legacy—how it predicted everything from reality TV and social media to police body cams and memory-as-entertainment. We talk about what it gets right, what still makes us uncomfortable, and why it might just be Kathryn Bigelow's most visionary film. This is STRANGE DAYS, Part 2: the downfall, the rediscovery, and the relevance that still hits hard thirty years later.

We discuss Kathryn Bigelow's Strange Days (1995) to explore its chillingly relevant themes of police brutality, surveillance, and AI-created fake memories. Drawing parallels to our real world — from the L.A. riots to Midjourney — we ask why this dystopian sci‑fi noir feels more relevant and unsettling than ever and how its ideas connect to today's anxieties about over-policing, propaganda, and the way AI technology may soon reshape both our private memories and public histories. 

“This is your life. Right here. Right now.” Before it became one of the most underrated sci-fi films of the 1990s, STRANGE DAYS was just a few scribbles in a notebook. In Part 1 of our deep dive, we trace the film's journey from James Cameron's original 1985 concept through its years in development and the real-world chaos that helped inspire Kathryn Bigelow's vision of a crumbling millennium. We explore how Cameron and Bigelow collaborated with screenwriter Jay Cocks to shape the film's story, how Ralph Fiennes and Angela Bassett were cast, and how Bigelow brought the gritty streets of Los Angeles to life—shooting almost entirely on location and inventing new camera rigs to create groundbreaking first-person POV sequences. We'll take you all the way through the final days of production, including the now-legendary New Year's Eve shoot involving 10,000 extras, 50 cops, and at least a few rave casualties. This is Strange Days, Part 1: the story of how a bold, unclassifiable, and wildly ahead-of-its-time film came to be.

Author and critic John Bleasdale joins Christina to discuss his excellent new book, Darkness Visible: The Cinema of Jonathan Glazer—a deep dive into the work of the visionary director behind Sexy Beast, Birth, Under the Skin, and The Zone of Interest.They also break down the exciting 2025 Venice Film Festival line-up, featuring Luca Guadagnino's After the Hunt starring Julia Roberts, Kathryn Bigelow's latest, Guillermo del Toro's Frankenstein, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Plongée dans les coulisses de Blue Steel Dans cet épisode, nous vous emmenons dans les coulisses du thriller électrisant Blue Steel, réalisé par Kathryn Bigelow en 1990. Porté par une Jamie Lee Curtis à contre-emploi, le film explore les tensions entre justice, violence et pouvoir au féminin, dans une Amérique où la figure du flic est à la fois mythifiée et mise en doute.- Comment Bigelow, l'une des rares réalisatrices à Hollywood à l'époque, a-t-elle imposé sa vision dans un univers aussi codifié que celui du polar ?- Quels choix artistiques et techniques ont façonné cette œuvre à la croisée du cinéma de genre et du commentaire social ?- Comment Jamie Lee Curtis s'est-elle préparée pour ce rôle intense et physique ?Des anecdotes de tournage aux partis pris esthétiques, on vous raconte tout : la genèse du scénario, les inspirations de Bigelow, le travail avec les acteurs et les défis de la production. Un regard affûté sur un film parfois sous-estimé, mais essentiel dans la filmographie de sa réalisatrice.

This week on Drive-In Double Feature, Nathan and Ryan lock and load for Kathryn Bigelow's Blue Steel (1990), a slick, gritty psychological thriller that's equal parts neo-noir and cop drama. Jamie Lee Curtis stars as a rookie NYPD officer who faces off against a Wall Street sociopath obsessed with her—and her service weapon. The hosts dive into Bigelow's stylish direction, the film's gender politics, and how Blue Steel stands out in a sea of '90s thrillers with its unnerving atmosphere and explosive performances. Prepare for some serious firepower.

On episode 299 of the AwardsWatch Podcast, it's an all editors show as Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the wealth of fall festival lineup announcements that came in this week from Venice and Toronto. In the pod, the trio start with Venice, which will be the kickoff of no less than three Netflix titles: Guillermo del Toro's Frankenstein, Noah Baumbach's Jay Kelly and the return of Kathryn Bigelow with A House of Dynamite. With a few other Netflix titles rolling around, we talk about the impact of these three titles starting off here and where else we'll see them this season. Yorgos Lanthimos' newest collab with Emma Stone, Bugonia, will also bow at Venice, leaving Focus Features' other top title Hamnet, rip for Telluride. Mona Fastvold, fresh off The Brutalist last year (with her partner Brady Corbet), has The Testament of Ann Lee with Amanda Seyfried, something has all of us buzzing. Then there's The Smashing Machine from Benny Safdie and starring Dwayne Johnson and Emily Blunt. We also dig into the Out of Competition titles, specifically Luca Guadagnino's After the Hunt, which has some internet folks thinking it means something more than it does. Onto TIFF, always the most helpful as specific designations are listed for each film, we talk about Rental Family starring Brendan Fraser, Sydney Sweeney in Christy and where the big Cannes winners from NEON and MUBI, like Sentimental Value, It Was Just an Accident, The Secret Agent, Sirāt and Sound of Falling landed. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h14m. We'll be back next week with an Oscar retrospective of the 63rd Academy Awards, covering the films of 1990. Till then, let's get into it.

The story so far: Aside from being trapped in the magical movie hole for so long, nothing crazy's been going on! We used to find magical boxes and go through portals into the afterlife, but today we're just burning up because this July has been SO HOT.Hello! I hope you're well. How's your dog? Oh my god, I'm so sorry I had no idea. Anyway, this week we watched Kathryn Bigelow's 1987 vampire classic Near Dark. Join us as we break down a young country boy's decent into a violent hell-on-earth while also asking important questions like: Do hot women need support, too? What are horse girls? Should Eric be a leather daddie baddie? When can't you drink on the job when you're a trucker? Why shouldn't more fights break out at farmer's markets? You get the idea, it's an episode of Stabby Stabby. It's all movies and fun and just hit the play button before the MP3 gets cold we've been working on it all day.Leave us a 30 second voicemail and if we like it we'll play it on the show: (949) 4-STABBY (949-478-2229)Next movie announced every Wednesday. New episodes every Monday. Follow us on the things:Website: https://www.stabbypod.com Linktree: https://www.linktr.ee/stabbystabby Instagram:  @stabbypod  https://www.instagram.com/stabbypod/ Letterboxd:   https://boxd.it/dp1AC Merch: https://www.big-other.com/shop/stabby-stabbySend us a text

Oscar-winning director Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty, Point Break) joined forces with writer James Cameron (Titanic, Terminator 2, Avatar) to craft a dark vision of the future....this was released in '95 and the story takes place four years in the future on the eve of New Year's Eve '99.  This particular story takes place in a beleaguered Los Angeles beset with violence where the latest vice of choice are "squids" which are virtual reality discs that can deliver any number of visceral experiences for those who get "jacked" into experiencing them.  Lennny (Ralph Fiennes) is a purveyor of such squids as he sells them around the LA underworld....until one night, he is provided a mysterious one which portrays something horrible occuring to some one he knows.  Is it real?  Why did he receive it? And where does it lead?  And this kicks off a tense mystery thriller not only involving Lenny but his best friend Mace (Angela Bassett) and his former love Faith (Juliette Lewis) among several others....the stacked cast also includes Michael Wincott, Glenn Plummer, Vincent D'Onofrio, William Fichtner, and the late, great Tom Sizemore.      Host & Editor: Geoff GershonEditor: Ella GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Before she was compared to Leni Riefenstahl, Kathryn Bigelow was making her own brand of action films - none more iconic than POINT BREAK.SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

Send us a textAfter an inconsistent hiatus, Let's Taco ‘Bout returns. Why not bring it back with a Summer Miniseries? This year, we're looking at a bunch of the best heist or espionage movies for The Summer Swindle! To kick things off, Parker Magnuson returns to the show to discuss Kathryn Bigelow's 1991 banger, Point Break. We taco ‘bout Patrick Swayze's awesomeness, why the foot chase endures, and how Keanu Reeves's line delivery is always perfect!Parker can be found on Instagram and Letterboxd @theparkercut.Follow Fat Dude Digs Flicks across social media:Facebook - Fat Dude Digs FlicksInstagram - FatDudeDigsFlicksTwitter - FatDudeFlicksTikTok - FatDudeDigsFlicksLetterboxd - FatDudeFlicksSubscribe to this podcast on Apple Podcasts, Spotify, Amazon Music, Goodpods, or wherever you get your podcasts. Search for Fat Dude Digs Flicks and click on that subscribe button. Please take a second to rate and review the show, while you're at it!Subscribe to the Fat Dude Digs Flicks YouTube channel and send a thumbs up or two my way!If you'd like to contact me for any recommendations, questions, comments, concerns, or to be a future guest, you can send an email to FatDudeDigsFlicks@gmail.com.And now the call to action:The fight for Women's Reproductive Rights continues. If you are interested in supporting a woman's right to choose, please look into the following organizations:Planned ParenthoodCenter for Reproductive RightsPathfinder InternationalNational Women's Law CenterNARAL Pro-Choice AmericaReligious Coalition for Reproductive ChoiceEquality NowEvery Mother CountsGlobal Fund For WomenGun violence in the United States has reached epidemic proportions. Join the fight for better gun laws and regulations by looking into or contributing to:Coalition to Stop Gun ViolenceEverytown for Gun SafetyThe Brady CampaignNewtown Action AllianceMoms Demand Action for Gun Sense in AmericaAmericans for Responsible SolutionsLaw Center to Prevent Gun ViolenceHelp protect, defend, and support our LGBTQ+ brothers, sisters, and non-binary spiritual siblings by checking out:Transformation Project SDGLAADTrans LifelineThe Trevor ProjectThe Center of Excellence for Transgender HealthGender DiversityHuman Rights CampainIt Gets Better ProjectThe Transgender Law CenterFORGEGLSENThe Matthew Shepard FoundationPride FoundationTransgender Legal Defense and Education FundTrans Women of Color CollectiveTrans Youth Equality FoundationNational Center For Transgender EqualityTrue Colors FundThe Trans Culture District Support the show

The place to get all the biggest stories of the week in the world of streaming and movies is Bottom of the Stream with Adam and Nick! This week we talk about a historic deal sealed by Netflix; an update on Kathryn Bigelow's first Netflix project; another video game adaptation and we consider entering the show for the Golden Podcast awards. We answer the question of the week, play a game and discuss what we have been watching at the top of the stream!   Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also have a discord so join us to hang out https://discord.gg/wJ3Bfqt

Two Oscar winning directors find new projects while Tom Cruise finally takes to the Oscar stage.

In the forty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with actor Ben McGinley to discuss the maximalist style and absurdly earnest tropes of Kathryn Bigelow's dedicated and slick embodiment of the American actioner with its weirdly existential clashing between authoritarian stability and reckless freedom in Point Break (1991).

Kingcast and The Spiel host Eric Vespe returns to the draft table, this time competitively / collaboratively ranking the entire filmography of Oscar winner KATHRYN BIGELOW with author, podcaster, and Screen Drafts rookie Mallory O'Meara (Daughter of Daring: The Trick-Riding, Train-Leaping, Road-Racing Life of Helen Gibson, Hollywood's First Stuntwoman)! Dedicated to the memory of the late, great, Scott Wampler Become a Screen Drafts Booster! Visit www.patreon.com/screendrafts

Film Club for May is Zero Dark Thirty, Kathryn Bigelow's controversial film of the hunt for Osama Bin Laden. Next week it's The Report, on the CIA's torture program but sit back and enjoy Roger Tim and me on discussing Zero Dark Thirty. Links Ollie on X Tim on X Roger on X Latest Issue out - Annual Subscription to Aspects of History Magazine only $9.99/£9.99 Aspects of History on Instagram Get in touch: history@aspectsofhistory.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's "Vaya con Dios!" and "Utah, get me two!" as NostalgiaCast continues its '90s Bucket List season with a look back at POINT BREAK, directed by Kathryn Bigelow and starring Patrick Swayze, Keanu Reeves, and Gary Busey. Join Jonny and Darin for a zen-filled discussion of all the wave-riding, high-flying, bank-robbing thrills that shape this bona fide cult classic. But is it still 100% pure adrenaline after 30+ years, brah? Or a bummer in between action scenes?

Zo is at the end of the twentieth century in Las Angeles as it promises to be the grandest place to celebrate the coming of the year 2000. It is a time to be careful as the people are on the edge of rioting and there is a constant police presence. Whole squads of police in riot gear and police helicopters are everywhere. Among all of this carefully controlled chaos is a guy that tried to sell Zo on the idea of using this high tech device to jack someone's real life memories straight into Zo's brain. The salesman, a man named Lenny, drives a hard sell, and his offer is tempting, but Zo is weary and the whole thing feels like a drug deal. Lenny moves on and Zo considers . . . Jacking someone's thoughts straight into his brain? These are Strange Days indeed. Episode Segments00:04:01 - Opening Credits for Strange Days Starring: Ralph Fiennes, Angela Bassett, and Juliette Lewis00:18:13 - Favorite Parts of the 1995 film: Strange Days00:56:13 - Trivia from the Sci-Fi Action Thriller Film Strange Days01:04:24 - Critics' Thoughts on Kathryn Bigelow's Strange Days This is a link that you may use to stream hard to find movies and TV shows. I can't vouch for the quality or the security, but the website seems to be secured with https, so please use this link at your own risk:HD Today - https://hdtoday.to/ Please leave a comment, suggestion or question on our social media: Back Look Cinema: The Podcast Links:Website: www.backlookcinema.comEmail: fanmail@backlookcinema.comYouTube: https://www.youtube.com/@backlookcinemaTwitter: https://twitter.com/backlookcinemaFacebook: https://www.facebook.com/BackLookCinemaInstagram: https://instagram.com/backlookcinemaThreads: https://www.threads.net/@backlookcinemaTikTok: https://www.tiktok.com/@backlookcinemaTwitch https://www.twitch.tv/backlookcinemaBlue Sky: https://bsky.app/profile/backlookcinema.bsky.socialMastodon: https://mstdn.party/@backlookcinemaBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com Again, thanks for listening.

Will and Matt step into the bold and dark future of 1999, as presented by Kathryn Bigelow (Point Break) and James Cameron (Piranha 2, that one that was like Ferngully but with Smurfs?)... DISCLAIMER: Language and Spoilers!  - ALSO, the film discussed does include some very graphic and trigger warning worthy content. Please be advised.STRANGE DAYSdir. Kathryn Bigelowstarring: Ralph Fiennes; Angela Bassett; Tom Sizemore

For women's herstory month Sarah will choose from three movies directed by women. Slumber Party Massacre 1982 by Amy Holden Jones, Humanoids from the Deep 1980 by Barbra Peeters or Near Dark 1987 by Kathryn Bigelow. Also Carlos goes down a Vanderbeek rabbit holeTW: infanticide, cultural insensitivity and Nickelodeon Music by Karl Casey

Out on her first night on the beat, rookie NYPD cop Megan Turner (Jamie Lee Curtis) comes upon a robbery in a grocery store and takes down the perpetrator.  However as soon as she takes him down, things take a strange turn as one witness flees the scene with that perp's weapon.  Soon after, Megan meets a mysterious commodies trader named Eugene played by Ron Silver (Timecop, Reversal of Fortune, The West Wing) and....things get even stranger from there. :o These events kick off a slick, violent action thriller directed by Oscar-winner Kathryn Bigelow (The Hurt Locker, Point Break, Zero Dark Thirty) relatively earlier in her career.  Back in the spring of 1990, this film underperformed but has since garnered a cult following....also included in the cast are Clancy Brown, Elizabeth Pena, Louise Fletcher, and Kevin Dunn. Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Strange Days, Kathryn Bigelow y su cyberpunk: 30 años Todo ocurre en el salto del siglo XX al XXI. Una droga cibernética inunda las calles de Los Angeles y un activista afroamericano acaba de ser asesinado provocando levantamientos en toda la ciudad. Un poco íntegro ex policía se ve atrapado en este enredo. Kathryn Bigelow, cuya película anterior había sido Punto de quiebra -otro clásico- levanta desde aquí un thriller futurista y emocionante pero que, desde el 2025, a 30 años de su estreno, nos sabe tremenda y preocupantemente actual. Strange Days (con Ralph Fiennes, Angela Basset y Juliette Lewis) está basada en las revueltas angelinas de 1992 y es uno de los cyberpunk que mayor culto ha desarrollado con los años. Pero es también una película que parece vaticinar mucho de lo que ocurre hoy en Estados Unidos, ya sea que hablemos de política, de economía o de problemas sociales. Mientras eso se confirma, en este episodio del podcast Cinegarage tenemos muchas y variadas razones para que se decidan a ver Strange Days, un clásico incomprendido, un presente alterno: una película sci fi dura y emocionante, con uno de los mejores soundtracks de la época. Strange Days cumple 30 años. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah and Will are back, ready to chat about this week's highlights. They kick things off with Netflix's "Adolescence," which Sarah binged. You don't want to miss this! (0:00) Next, they dive into the puzzling film "Anora," which won Best Picture. Sarah's scratching her head, while Will shares his spicy takes on the buzz. Get ready for some hot takes! (3:45) In honor of Women's History Month, Sarah highlights some amazing female filmmakers like Rita Moreno and Kathryn Bigelow. Their contributions to cinema are inspiring! (10:15) And when you thought it couldn't get better, they break down the latest episode of "Daredevil: Born Again." The Punisher is back, and it's a wild ride! (13:00) Plus, they chat about the "Invincible" season 3 finale (37:00) and start their discussions about "Your Friendly Neighborhood Spider-Man." (50:00) So, what are you waiting for? Join the fun and connect with us on X @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram, and Threads @scene_n_nerd. Check out our website at www.scenennerdpodcast.com. If you love what we do, drop us a rating on Apple Podcasts, Spotify, or wherever you tune in. We can't wait to hear from you!  

Ben and Rob conclude the Swayze Trilogy with ‘Point Break', Kathryn Bigelow's perfect blockbuster from the golden days of 1991. Starring Patrick Swayze, Keanu Reeves and Gary Busey, ‘Point Break' tells the tale of Johnny Utah and Bohdi as their dangerous cat and mouse relationship as cop and robber takes a radical turn. But why is Bohdi's past never discussed? How is he so physically capable and intellectually pretentious? Perhaps because he's lived a full life as first a dancer, and then a bouncer? Could it be that Bohdi is James Dalton who is in fact Johnny Castle!?CONSUUUME to find out all this and much MUCH more!PLUS! We have a Patreon with EXCLUSIVE content just for you starting at just ONE POUND a month - click the link below!Find us on your socials of choice or WATCH this episode at www.linktr.ee/everymovieeverpodcast

Abubakr Ali starred in Anything's Possible (MGM/Orion Pictures) dir. Billy Porter, and was the titular lead in Netflix/Dark Horse's series “Grendel.” He recently finished working on Kathryn Bigelow's upcoming untitled Netflix feature film. Other credits include “Law & Order: Organized Crime” (NBC), “Walking Dead: World Beyond” (AMC), “Power Book II: Ghost” (Starz) and “Katy Keene” (CW). Theatre credits include Toros (Second Stage), Inherit the Wind (Pasadena Playhouse), We Live in Cairo (A.R.T.), Kiss (Yale Rep), Twelfth Night (Yale Rep) and work with The 24 Hour Plays, Roundabout Theatre Company, NYTW, Atlantic Theater Com­ pany, The Public and others. MFA: Yale School of Drama. @theabubakrali Learn more about your ad choices. Visit podcastchoices.com/adchoices