American film director, producer, and screenwriter
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Ce dimanche on parle du frisson mou et de prémonitions, visions, images mentales, hallucinations... les trucs qu'on voit dans la tête quoi.Les films de l'épisode :- 2'40" Oddity [Damian McCarthy]- 25'37" Abre los ojos [Alejandro Amenábar]- 45'00" Strange days [Kathryn Bigelow]- 67'07" Sucker Punch [Zack Snyder]Quelques recos (108'00")- Lola recommande la série norvégienne Harry Hole créée par Jo Nesbø- Léo recommande le dernier album de JPEGMAFIA, Experimental Rap- Thomas recommande l'album Blue angel sparkling silver 2, de l'artiste Quiet Light, & le premier album Book of love du groupe du même nom- Camille recommande les sorbets, notamment ceux au sésame noir, miam.⚠️ Attention aux spoilers ⚠️Réalisation et musique : Brice ThierionIdentité visuelle : Noah BallulPour nous aider n'hésitez pas à nous suivre @lhorreurdudimanche, à vous abonner et à mettre des étoiles sur Apple Podcasts, Spotify, Deezer, Podcast Addict, ...
Happy Pride! This Pride Month, we're talking movies that involve the love that dare not speak its name...but come really, really close. First up in our homoerotic quartet is Kathryn Bigelow's Point Break (1991), starring Keanu Reeves and Patrick Swayze as two dudes from opposite sides (one an undercover FBI agent, the other a surfer and possible criminal) who come together over their love of adrenaline and increasingly intense (but largely unspoken) passion for each other. Way fewer people would've died if these dudes had just kissed. Next up: Westerns are totally gay, and Vera Cruz among the gayest.
Hannah Murray found fame when she was just 17, playing the self-destructive Cassie in E4's Skins. She juggled an English degree at Cambridge University alongside playing Gilly in HBO's Game Of Thrones and went on to film Detroit, directed by Kathryn Bigelow. When the physical and mental stress required from these roles began to take its toll, Murray sought treatment from a reiki healer. From there, her life began to spiral as she became heavily involved with a ‘healing' organisation whose promises of real-life magic and enlightenment were increasingly seductive. She ended up being sectioned after a psychotic break and was diagnosed with bipolar disorder. Now, she has written her first book. The Make-Believe: A Memoir of Magic and Madness is a deeply personal account of these events, written with compulsive lyricism. It takes readers on a journey to the edges of reality, where magic is possible, and where the liminal space between what is real and what is imagined becomes ever more porous. In this episode we delve into Hannah's breakdown and what it taught her. We discuss living with BPD, her decision to quit acting and why, as a society, it's so important to talk about severe mental health conditions - even if it makes us uncomfortable. Plus: when does our modern obsession with ‘wellness' go too far? ✨ IN THIS EPISODE: 00:00 Introduction 04:30 Acting Roles and Emotional Toll 07:51 The Memoir 09:17 Traumatic Filming and Aftermath 11:57 Failure to Be Happy Always 16:06 Rapture Highs and Bipolar 18:14 Reiki Rabbit Hole and Cult Questions 28:50 Wellness as Addiction 30:25 Hotel Breakdown Begins 32:17 Exorcism and Delusions 33:26 Realizing You're Sectioned 35:18 Medication and Coming Back 36:12 Shame to Compassion 42:55 Bipolar Mania Explained 48:41 Leaving Acting and Moving On
We're going back to the relatively pleasant times of the mid-90s for Kathryn Bigelow's dystopian sci-fi thriller STRANGE DAYSSTRANGE DAYSDIRECTED BY: Kathryn BigelowRELEASED: October 13, 1995STARRING: Ralph Fiennes, Angela Bassett, Juliette Lewis, Michael Wincott, Tom SizemoreBUDGET: $42MBOX OFFICE: $17MESTIMATED LOSS: TotalNEXT EPISODE: In anticipation of this fall's STREET FIGHTER, we're covering the hilariously misguided punchline of 2009, STREET FIGHTER: THE LEGEND OF CHUN-LI 0:00 Intro 4:30 Show & tell10:03 This week's movie
Tune in as Rolo Tony (@PoorOldRoloTony and These Guys Got Juice) hops back onto the podcast to navigate Strange Days, the 1995 tech-noir thriller that follows the last two days of 1999 as an LAPD vice cop-turned-black marketeer and a bodyguard/limo driver rush to uncover a criminal conspiracy involving illegal technology that records your memories and physical sensations for other people to viscerally experience. Comparing this to movies like Reminiscence and Alfred Hitchcock's work, the lib-coded commentary on the police system and its racist violence, the unnerving rape sequence that somehow manages to be respectfully handled, and showering praise onto Angela Bassett's Mace pop up as some of the topics for this episode.Directed by Kathryn Bigelow, Strange Days stars Ralph Fiennes, Angela Bassett, Tom Sizemore, Juliette Lewis, Michael Wincott, Richard Edson, Glenn Plummer, Vincent D'Onofrio, William Fichtner, Brigitte Bako, Josef Sommer, Michael Jace, Nicky Katt, Louise LeCavalier, David Carrera, Jim Ishida, Todd Graff, Joe Urla, and Anais Munoz.Spoilers start at 36:25James Cameron's scriptment for Strange DaysLos Angeles Times | Rave Party Extras Are ‘Dee-Lited': Drug overdoses mar otherwise orderly concert for 10,000 who also are filmed for movie sceneCreate your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Rolo Tony: Cyberpunk 2077• Arthur: Too Old to Die YoungReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree
Grab your surfboards and pull on your ex-president masks—this week on the Hollywood Hangout, Boxman is diving headfirst into the ultimate 90s action masterpiece: Point Break (1991)!In this episode, Boxman breaks down the iconic, star-studded cast that made this high-octane thriller a cult classic. We're talking about Keanu Reeves as the brilliantly named FBI rookie Johnny Utah, Patrick Swayze in his peak charismatic glory as the philosophical surf-guru Bodhi, and the ever-chaotic Gary Busey.But we aren't just riding the surface waves. Boxman digs deep into the ocean of cinema history to bring you tons of mind-blowing movie facts, behind-the-scenes trivia, and production secrets you probably never knew.What's on the Agenda:The Cast Chemistry: How Keanu and Swayze turned a wild premise into pure onscreen magic.Behind-the-Scenes Trivia: Which actors actually did their own skydiving and surfing? (The answers might surprise you!)Director Spotlight: A look at how Kathryn Bigelow revolutionized 90s action filmmaking.The Verdict: Does Point Break still hold up as a 100% pure adrenaline rush today?Whether you're a lifelong fan of the Ex-Presidents or watching it for the first time, hang out with Boxman for the ultimate movie breakdown.Check us out every Thursday at 9:30 PM Eastern. Live on YouTube.YouTube: https://www.youtube.com/@hollywoodhangoutpodcastSpotify: https://open.spotify.com/show/1ymX0HRkWB45ja11B2I6fmApple Podcasts: https://podcasts.apple.com/ca/podcast/hollywood-hangout/id1132940251Castbox: https://castbox.fm/channel/4647345?country=usFacebook: https://www.facebook.com/HollywoodHangout/
We're on the hunt for Silver Lake's mysterious dog killer in this week's episode, as we dissect David Robert Mitchell's 2019 paranoid odyssey UNDER THE SILVER LAKEUNDER THE SILVER LAKEDIRECTED BY: David Robert MitchellRELEASED: April 19, 2019STARRING: Andrew Garfield, Riley Keough, Topher Grace, Callie HernandezBUDGET: $8MBOX OFFICE: $2MESTIMATED LOSS: TotalNEXT EPISODE: We dive into dystopian Los Angeles with Kathryn Bigelow's 1995 cyberpunk neo-noir STRANGE DAYS. 0:00 Intro 3:11 Show & tell7:06 This week's movie
This week on Unglossy, the fellas sit down with Mark Isham — Grammy-nominated composer and trumpeter behind some of Hollywood's most iconic scores, including Crash, A River Runs Through It, Point Break, and 42. Mark traces the journey from San Francisco's jazz scene to landing a $35 million Disney film with no formal training and 90 bucks in the bank — and how a home-duplicated cassette changed everything. He breaks down what it's really like to score films for Jodie Foster, Robert Redford, and Kathryn Bigelow, the night he rewrote the entire Point Break score, and why silencing self-doubt has been as important as any musical skill. Plus: where film scoring is heading, a new series about the Irish gangs of Brooklyn, and a new album in the works Unglossy is hosted by Bun B, Jeffrey Sledge, and Tom Frank. The show is produced and distributed by Merrick Studios. For early access, live recordings and more, join us on Merrick Studios+
LexG with some mini "lightning rounds" on a few formative faves, from David Cronenberg to Kathryn Bigelow to Walter Hill, with a few shorter riffs on Paul Verhoeven, Peter Hyams, and John Badham. Not meant to be comprehensive or scholarly, just freeform riffing about some favorite filmmakers, in what might become an ongoing occasional series or segment.
This week Gary and Iain review and discuss, Strange Days (1995) by Director, Kathryn Bigelow. Starring, Ralph Fiennes, Angela Bassett and Juliette Lewis. For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf
"I am a F.B.I. Agent!" This week, we're paddling out into the 50-year storm to revisit the 1991 adrenaline-fueled masterpiece, Point Break. It's a film that shouldn't work on paper—a Zen-philosophical surfing heist movie—yet it somehow redefined the action genre. From the high-stakes "Ex-Presidents" bank robberies to Gary Busey's unhinged energy, we're breaking down why this Kathryn Bigelow classic remains the ultimate high-octane trip through early 90s cinema. The Movie Hound joins Dave and Rob to dive into the wild casting rumors, the "less than nothing" philosophy of the script, and the legendary stunts that made this a cult favorite. We explore the bromance between Johnny Utah and Bodhi and discuss how a movie this absurd managed to become a genuine masterpiece. Grab your board and join us as we decide if this is a spiritual experience or just life's sick sense of humor. Vaya con Dios, brah! Chapters 00:00 - Unpacking the Zen of Point Break 3:20 - Critics and Fans Reaction to Point Break 12:57 - Point Break and it's Link to Fast & Furious 18:57 - Behind the Scenes: Who Almost Starred in Point Break 26:24 - Groundbreaking Techniques that Made Point Break Iconic 36:38 - Diving Deep into Point Break's Most Quotable Moments 49:52 - Unpacking the Wildest Scenes and Nostalgic Elements 59:39 - The Best Over the Top and Profound Quotes of the Film 1:05:20 - Coolest Characters, Favorite Songs, and Aspen Moments 1:13:24 - Listener Shout-Outs, Rewatchability, and Next Episode Preview Connect with Totally 80s and 90s Recall Website: https://bleav.com/shows/totally-80s-and-90s-recall/ Email: 80s90srecall@gmail.com Voicemail: (509) 426-4542 Linktree: https://linktr.ee/80s90srecall Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This week Dave takes in THE DRAMA (4:17), writer-director Kristoffer Borgli's uneasy drama (with lots of comedy) about an engaged couple, Emma and Charlie (Zendaya and Robert Pattinson). When Emma tells Charlie about the worst thing she's ever done, it sparks a crisis that builds in the week leading up to their wedding. (And it was shot in Massachusetts!) Then Evan and Dave come down on opposite sides of the fence for PRETTY LETHAL (24:39), and action-thriller featuring a group of ballerinas battling their way out of a mob-owned hotel in rural Hungary. Uma Thurman has a lot of fun chewing the scene as the heavy. Over on Patreon, we talk about the 1990 action-thriller BLUE STEEL starring Jamie Lee Curtis and directed by Kathryn Bigelow.
On this episode of THE HOT MIC, John Rocha and Jeff Sneider talk the reports that Sadie Sink's Jean Grey is set to lead the MCU's Mutant Saga, a judge guts almost all of Blake Lively's sexual harassment suit against Justin Baldoni, the Super Mario Galaxy Movie sparking debates between fans and critics, Weapons prequel gets a writer, Blair Witch reboot gets a director, Scream 8 gets a writer, Kathryn Bigelow in talks for new film, Supergirl, MOTU, Backrooms, Cape Fear and Mother Mary trailers, The Drama review, Laura Dern in Jeffrey Epstein film, the former Amazon Executive piece about the fear of offending Hollywood is driving down profits, OpenI still in talks with Disney, Super Mario box office and more!#marvel #avengers #Netflix #Disney #MCU #avengers #supermario #mariobros #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown3:48 Judge Guts Blake Lively's Sexual Harassment Lawsuit Against Justin Baldoni9:06 Matt Reeves to Direct 'Bonfire of the Vanities' Adaptation for Apple TV12:14 Meryl Streep to Star in 'Corrections' Series from Jonathan Franzen14:43 Ryan Gosling Leaves The Daniels $150M Sci Fi Movie22:05 Sadie Sink To Be Center of the MCU's Mutant Saga, Signs 5 Movie Deal35:38 Super Mario Galaxy Movie Divides Fans37:36 'The Drama" Review39:41 Weapons Prequel 'Gladys' Hires Zach Shields as Writer41:58 'Scream 8' Hires Zuckerman Sisters to Write Script48:58 'Blair Witch Project' Reboot Hires Director50:39 Jamie Bell to Lead New 'Peaky Blinders' Series53:20 Laura Dern To Lead Jeffrey Epstein Series Based on Investigative Book58:46 OpenAI and Disney to Keep Working Together1:04:20 Former Amazon Exec Says Box Office Failed Playing it Too Safe1:11:12 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.
On this episode of Remainders we talk about 1987's Near Dark as part of our Degenerate Vampire double-feature. A blend of horror and western genres, one of Kathryn Bigelow's first movies has gained appreciation in the years since it's release. With a haunting score by Tangerine Dream and a collection of James Cameron character actor staples, Near Dark remains one of the dirtiest vampire movies ever to come out of the late 80s boom.Other topics include Cameron connections, the influence of Dracula on vampire movies, new artwork and shows, and the Scream franchise.Songs of the WeekMystery by Tom LaverackRiptides by Death Cab For CutieRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter
We review A House of Dynamite (2025) on movie podcast The Collector's Cut. A House of Dynamite is directed Kathryn Bigelow and stars Idris Elba, Rebecca Ferguson, Gabriel Basso, Jared Harris, Tracy Letts, Anthony Ramos patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/ Join this channel to get access to perks: https://www.youtube.com/channel/UCfE6iWzdHzDn8_MF-n9Pxtg/join
We had some fun rewriting Oscar history and deciding who would have been nominated and who would have won the Best Director Academy Award from 2011-present if only women were eligible. Nominees/winners Kathryn Bigelow, Greta Gerwig, Chloe Zhao, Emerald Fennell, Sophia Coppola, and Jane Campion aren't the only ladies getting the spotlight here. We look at the movies of Emma Seligman, Scarlet Johan, Scarlett Johansson, Lulu Wang, Ava DuVernay, and many more.Hosted by Brad Garoon & Jake Ziegler0:00 Introduction, 3:00 2011, 6:33 2012, 9:35 2013, 12:03 2014, 14:56 2015, 17:27 2016, 19:23 2017, 22:30 2018, 25:37 2019, 29:34 2020, 34:12 2021, 37:50 2022, 40:13 2023, 43:22 2024, 47:09 2025#barbie #zerodarkthirty #powerofthedog
Original Release Date: Monday 16 March 2026 Description: This week's show begins with Dean and Phil discussing the World Baseball Classic and sharing (and answering) an email from a loyal listener who wanted to celebrate the recent 25th Anniversary of Dean's series “The Lone Gunmen”. Recorded on Sunday morning before the Oscars (and before the big “Firefly” announcement), the bulk of the discussion surrounds what Dean and Phil are looking for at Hollywood's big night. They discuss how talented filmmaker and entertaining video host Ryan Casselman might just have devised scientific formulae for “decoding” Oscar voting. The controversy surrounding Timothée Hal Chalamet's comments regarding ballet and opera get full analysis. Then, five films go under the microscope, including two by classic thriller director Henri-Georges Clouzot, two tales of nuclear paranoia from Oscar-winner Kathryn Bigelow, and the multi-Oscar-winning 1983 classic Tender Mercies
"I believe I was spared so I could finish the job."
Arrest your father and meet us at the convenience store as we chat about stock market bros, dreamy detectives, and big gun energy in Kathryn Bigelow's Blue Steel. Pod is the best kick of all. If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts: Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Rachel: @thevinylgrrrl on Instagram and Threads @vinylgrrrl on Bluesky and Letterboxd Shelby: @shelbybnovak on Instagram and Bluesky Art: Rachel Reeves (@thevinylgrrrl) Music: McKenzie Gerber (@wolfman_mac_gerber) Learn more about your ad choices. Visit megaphone.fm/adchoices
Our journey looking at a century of the movies directed by women brings us to a turning point. The 1990s saw a huge upswing in women-directed films. We take a look at Jane Campion's "The Piano", Kathryn Bigelow's "Strange Days", Beeban Kidron's "To Wong Fu, Thanks For Everything! Julie Newmar", and Kasi Lemmons' "Eve's Bayou". Hosted by Brad Garoon and Jake Ziegler0:00 Introduction |0:38 The Piano |11:26 Strange Days |22:40 To Wong Foo, Thanks for Everything! Julie Newmar |30:42 Eve's Bayou |40:08 Top Women-Directed Movies of the 1990s
In 1995, a film predicted POV recording technology, VR experiences you can buy on the black market, deepfake manipulation, police brutality caught on camera, and a society addicted to experiencing other people's lives through a screen. It starred Ralph Fiennes, Angela Bassett, and was written by James Cameron. Almost nobody saw it. Strange Days bombed at the box office, nearly destroyed Kathryn Bigelow's career, and has been virtually impossible to find ever since, as right now no streaming service carries it. But everything it warned us about has come true, and somehow the reality is worse than the fiction. MonteCristo, Thorin, and Richard Lewis make the case for why this is one of the most important sci-fi films ever made. We get into the SQUID tech that directly inspired Cyberpunk 2077's Braindances, the darkest plot device in sci-fi, Ralph Fiennes as the perfect cyberpunk noir anti-hero, Angela Bassett's tragically wasted career as an action star, the Rodney King and OJ parallels baked into the script, and a long conversation about how AI, social media, and surveillance culture have made this film more relevant than ever. Roger Ebert gave it 4 stars in 1995 and called it a future cult classic. He was right. Again. Control Body Odor ANYWHERE with Mando and get 20% off + free shipping with promo code FOURPLAY at https://shopmando.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
“At the end of the Cold War, global powers reached the consensus that the world would be better off with fewer nuclear weapons. That era is now over.” It's gripping cinema. It also feels like Obama fan fiction, and it ignores the basic tenants of nuclear strategy. It's Kathryn Bigelow's A House of Dynamite.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media
The shocking cliffhanger of Netflix's A House Of Dynamite has left audiences divided, but most viewers are completely missing the hidden message buried in the final frames. Director Kathryn Bigelow didn't just run out of time; she intentionally trapped the audience in the same "What If" scenario facing the characters, forcing us to confront the terrifying fragility of our global systems. This breakdown explores the systemic horror, the procedural dread of the situation room, and why the ending you hated is actually the most brilliant part of the film.
CW: Police brutality, racism, and sexual assault discussed in relation to the plot and themes of the film. After an extended (and accidental) hiatus, Masie & Stuart are finally back with a new monthly schedule to dissect the unfortunately topical 1995 Kathryn Bigelow cyberpunk action film Strange Days. Starring Ralph Fiennes as the most pathetic ex-cop ever dealing street illegal VR-esque tech on New Year's Eve in the near future 1999, Strange Days is a shockingly prescient film in its portrayal of the evils of police brutality and racism. Does it nail its conclusions on these topics though? And does Angela Bassett slay so hard that its easy to overlook those faults? Tune in to find out! Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram and Letterboxd for podcast updates. Additional Reading/Sources: Kathryn Bigelow's Commentary on Filming the POV Sequences FilmScouts Interview with Bigelow and Co-Screenwriter Jay Cocks Juliette Lewis, PJ Harvey Article from LA Times LA Time's Article about New Year's Eve Party Created during the Film's Production Christian Science Monitor Article on Strange Days Featuring Comments from Bigelow
emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Will Poulter, originally episode 167 from 2017-10-17.Original writeup below:In the midst of his current promo run for Kathryn Bigelow's 'Detroit', Will takes time to sit down with Pip for a long overdue chat covering - as you will have come to expect from the DPP - a crazy large number of bases... From the issues raised in portraying a violently racist policeman in 'Detroit' (and the poignancy of the film itself), a powerful back and forth is triggered with Pip and Will, which is the beauty of films like this and how an open discussion can be had which leads into so much more besides - race, politics, society, it's all here. On top of that, you'll hear his tale from the very early days back in 'School Of Comedy' and how his young foot in the acting world's door gave him the necessary inspiration for a full on career, Will drops some gems from his unique perspective on his experience with acting and his ascent from those younger days right up to 'Son Of Rambow', 'The Maze Runner' and 'The Revenant', the latter of which had him up alongside Leonardo Di Caprio and Tom Hardy no less. A rich and diverse filmography right there, which has in many ways freed him from his somewhat reductive nickname of 'that Weird Eyebrow Actor'. Get yourself involved, it's a goodie and as interesting as it is entertaining.PIP'S PATREON PAGE if you're of a supporting natureINSTAGRAMIMDBPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.
Hello, Hello, Hello!This third and final (for the time being) English-Language Features Round-Up is mainly focused on covering films featuring ensemble casts (look we needed a category for the remaining films we had to cover, okay). This includes fairly in-depth discussions on James Cameron's "Avatar: Fire and Ash," Rian Johnson's "Wake Up Dead Man: A Knives Out Mystery," Jared Bush and Byron Howard's "Zootopia 2," Kathryn Bigelow's "A House of Dynamite," Luca Guadagnino's "After the Hunt," and Richard Linklater's "Nouvelle Vague."Listen to the full episode to hear more about (only) Ashwin's love for "Avatar," our thoughts on prayer and power in "Wake Up Dead Man," the dynamite of discourse that is "After the Hunt," the (un)remarkable undertaking that is "Nouvelle Vague," and more!TIME CODESIntroduction – [00:00 - 06:47]“Avatar: Fire and Ash” – [06:47 - 33:15]“Wake Up Dead Man” – [33:15 - 01:04:20]“Zootopia 2” – [01:04:20 - 01:27:07]“A House of Dynamite” – [01:27:07 - 01:49:55]“After the Hunt” – [01:49:55 - 02:31:14]"Nouvelle Vague" – [02:31:14 - 03:16:02]Outro (aka More Recommendations!) - [03:16:02 - 03:24:48]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcastSupport this podcast: https://anchor.fm/queenisdead/supportYou can also follow us on Letterboxd at -CRIS: https://letterboxd.com/crislim/.ASHWIN: https://letterboxd.com/ashwindev/.VARUN: https://letterboxd.com/varunoakbhakay/. Audio Excerpts are taken from the respective trailers (promotional material) of Avatar: Fire and Ash, Wake Up Dead Man, Zootopia 2, A House of Dynamite, After the Hunt, and Nouvelle Vague.
The teaming of Kathryn Bigelow and James Cameron is always a potent proposition, as the former married couple are both heavyweight directors in their own right. This should have made their 1995 collaboration Strange Days--a dystopian cyberthriller set on the eve of Y2K starring Ralph Fiennes, Angela Bassett and Juliette Lewis--a surefire smash. Unfortunately, the movie's hot button political themes and pitch black tone didn't translate to boffo box office, and to this day it remains frustratingly unavailable stateside in a high definition format. Join Sebastian and Jennifer as they jack in, fire up some playback and ring in the new year with this underappreciated and chillingly topical sci fi classic.
Hello and welcome to episode 128 of the Still Spinning Podcast. You can watch the live taping next Monday at 7 PM on Facebook, YouTube or Instagram OR wait until the official podcast release on Wednesday morning. Visit your usual podcast subscription service to add us to your list. Visit our website for more details on becoming a sponsor and buying merch. All of this at stillspinningpodcast.com. Have you ever watched a movie that just stuck with you? Whether it was so bad you could not get it out of your mind or so good, you feel it is your job to share it with the world, it just sticks with you? Well Nicole watched one over the weekend called “A House of Dynamite” that stuck with her in the “this could really happen” kind of way and she and Dan talk about the movie and the director, Kathryn Bigelow. A thief made off with two musical instruments from a store over the holidays but returned them with a note. The note really is one for the books and Dan reads it verbatim to Nicole. A marketing opportunity is mentioned. The USPS has a new rule about postmarks as of 1.1.2026 so everybody better pay attention, especially if you mail anything that needs to be postmarked by a certain date (rent, ballot, taxes etc). It is not being talked about a lot and we think it is important to know. We also talk about the country that is the very first to eliminate its post office. Does anything really need to be mailed these days?? Lastly Dan shares that the “Oscars of the Adult Film World” are being held in Las Vegas this month and you will not even believe where they are holding them. This kicks off a whole slew of puns that you have to hear to really get the full impact. Thanks for checking out episode 128!
In Episode 362 of Jay Movie Talk, I present the Full Tilt Film Awards. my personal award show celebrating the films, performances, and filmmakers that defined the year.These awards aren't about box office numbers or industry politics. They're about impact, craft, performances, and the movies that actually stayed with us. From Best Picture and Best Director to breakout performances and unforgettable villains. This episode breaks down each category, the nominees, and why each winner earned their moment.This episode also features two special honors* The Full Tilt Lifetime Achievement Award, celebrating the legendary career of Denzel Washington.*The Full Tilt Icon Award, honoring filmmaker Kathryn Bigelow for her lasting influence on cinema.Let me know which winners you agree with and which ones you'd argue for instead.
Join Nick and Sonja as they ring in the New Year the best way they know how - by going back to the 1990s. In this episode, we visit '90s New Year's films!We start with the 1999 MTV Films production of 200 Cigarettes. Sure, it takes place in 1981, but the film is still oozing with all of the '90s tropes and charm you can't get enough of. Second, we visit the anthology film by Quentin Tarantino, Robert Rodriguez, Alexandre Rockwell, and Allison Anders, in which Tim Roth stars. Four Rooms.Finally, we look at the dystopian action thriller that's co-written by James Cameron and directed by Kathryn Bigelow: the underappreciated masterpiece, Strange Days. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.
For December's Movie Monday, I chose a film that's as camp as Christmas. Mike Hodges' 1980 cult classic space fantasy Flash Gordon starring Sam J. Jones, Melody Anderson, Topol, Max von Sydow, Ornella Muti, Timothy Dalton, Brian Blessed, Mariangela Melato, Peter Wynguarde, with music by Queen and Howard Blake. This episode features contributions from: (in order of appearance) James V. West (https://www.jvwest.art) Jason Connerley of Nerd's RPG Variety Cast (podcast, blog) Karl Rodriguez of The GMologist presents… (podcast, YouTube) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew James and Judy of the South Pacific Sofa Joe Richter of Hindsighless (podcast) Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/The movie to kick off 2026 is dark fantasy action comedy The Golden Child from 1986. Directed by Michael Ritchie and starring Eddie Murphy. That episode will air on January 26th, so please send your submissions by the 24th if you'd like to be included in the show. Also, be sure not to miss the new podcast I'm involved with, entitled With Wife and I. My wife, Isla, suggested we take turns to choose movies to watch together, then share our thoughts with anyone who cares to listen. Our second episode is already available, pitting Neil Jordan's Byzantium against Kathryn Bigelow's Near Dark, and can be found wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via https://www.speakpipe.com/KeepOffTheBorderlands You can email me at spencer.freethrall@gmail.com or look me up on Discord as FreeThrall. You can find me in a bunch of other places here https://freethrall.carrd.co This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com
Happy Holidays, folks! Hope you have all enjoyed Fire and Ash after your 5th watch. We're here to talk about the movies of November and December we enjoyed. ☃️❄️✨ November Bugonia - dir. Yorgos Lanthimos; Emma Stone, Jesse Plemons, Aidan Delbis, Alicia Silverstone Predator: Badlands - dir. Dan Trachtenberg; Elle Fanning Dimitrius Schuster-Koloamatangi Die My Love- dir. Lynne Ramsay; Jenifer Lawrence, Robert Pattinson, Sissy Spacek, LaKeith Stanfield Keeper - dir. Osgood Perkins; Tatiana Maslany, Rossif Sutherland Birkett Turton, Eden Weiss The Running Man - dir. Edgar Wright; Glen Powell, Josh Brolin, Colman Domingo, Lee Pace, Michael Cera, Emilia Jones, William H. Macy Wicked: For Good - dir. Jon M. Chu; Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Michelle Yeoh, Jeff Goldblum, Marissa Bode, Bowen Yang, apparently Coleman Domingo was the lion in this? Wake Up Dead Man - dir. Rian Johnson; Daniel Craig, Josh O'Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, Thomas Haden Church, Jeffrey Wright Karrie saw Splitsville and Lurker if she wants to talk about em December Jay Kelly - dir. Noah Baumbach; George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Grace Edwards, Stacy Keach, Jim Broadbent, Patrick Wilson, Eve Hewson, Greta Gerwig Jurge note - Hey did you know Netflix also released a Kathryn Bigelow and Richard Linklater movie this year? Can you name them? Sentimental Value - dir. Joachim Trier; Renate Reinsve Stellan Skarsgård Inga Ibsdotter Lilleaas Elle Fanning Dust Bunny - dir. Bryan Fuller; Sophie Sloan, Mads Mikkelsen, Sigourney Weaver, David Dastmalchian Silent Night, Deadly Night - dir. Mike P. Nelson; Rohan Campbell, Ruby Modine, Mark Acheson, David Lawrence Brown, David Tomlinson Avatar: Fire and Ash- dir. James Cameron; Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, Oona Chaplin , Jack Champion, Kate Winslet, Cliff Curtis, CCH Pounder, Edie Falco, Brendan Cowell, Jemaine Clement, Giovanni Ribisi December (what we have not seen that we might) The Housemaid Marty Supreme Resurrection Anaconda Song Sung Blue Hamnet? No Other Choice? January: Greenland 2: Migration We Bury the Dead Primate 28 Years Later: The Bone Temple All You Need Is Kill A Private Life Iron Lung Return to Silent Hill Mercy Send Help The Moment (?) --------------------------------------------------- iTunes: podcasts.apple.com/us/podcast/movi…el/id1082173626 Spotify: open.spotify.com/show/2VE15E5fS0Z…75eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/
We're very excited to be bringing you this latest episode, recorded in front of an audience as part of our Everyman Soundtracking film club. Edith was joined on stage by Kathryn Bigelow, Noah Oppenheim, Greg Shapiro, Rebecca Ferguson and Volker Bertelmann after a screening of Kathryn's Netflix film, A House Of Dynamite. Told non-chronologically and from multiple perspectives, the narrative follows the responses of different US government and military officials after an unknown adversary launches a single intercontinental ballistic missile at a North American city.
This bonus Out Now with Aaron & Abe features another trio of reviews for 2025's prestige films. Aaron and Abe spend this episode focusing on these Fall 2025 releases from Kathryn Bigelow, Richard Linklater, and Chloé Zhao, with plans for at least one more triple-header bonus. Tune in to hear reviews for A House of Dynamite (4:37), Nouvelle Vague (40:38), and Hamnet (1:00:58). So now, if you've got an hour or so to kill… Get yourself a free audiobook and help out the show at AudibleTrial.com/OutNowPodcast! Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose Check out all of our sites, podcasts, and blogs: TheCodeIsZeek.substack.com, Why So Blu?, We Live Entertainment Check out Aaron's reviews for A House of Dynamite and Hamnet. Next Week's Show: Ella McCay
You can read today's edition of The 7 newsletter here. While The 7 podcast takes a break today, we wanted to share this Post Reports episode from earlier this month. It's about the movie, “A House of Dynamite,” a new thriller on Netflix about nuclear war. Kathryn Bigelow has been thinking about the threat of nuclear war ever since she was a kid. “I come from the era of duck and cover,” she says, “where when I was very little, we had to hide under the desk in the event of an atomic bomb blast.”Over the last 40 years, she's been directing tightly-paced thrillers such as “The Hurt Locker” (which won her the Academy Award for best director) and “Zero Dark Thirty.” Her latest film, “A House of Dynamite,” takes on a question that has been on her mind for decades: What would happen if the U.S. were targeted by a nuclear missile? The film, which is out on Netflix, has struck a nerve with audiences, becoming the streamer's most-watched movie in the world and igniting conversation about the accuracy of its depiction of the U.S. missile defense system. Today on Post Reports, Elahe Izadi speaks with Kathryn Bigelow and with the film's screenwriter, Noah Oppenheim, about why they chose to make this film in this moment, and about how they responded when they saw news that the U.S. could restart nuclear testing for the first time in decades. Today's show was produced by Peter Bresnan and Josh Carroll, with help from Emma Talkoff. It was edited by Reena Flores and mixed by Sean Carter. Subscribe to The Washington Post here. And watch us on YouTube here.
For the first episode of NukeTalk's new season, Nuclear Movie Club, we are joined by Noah Oppenheim, screenwriter of A House of Dynamite—a new Netflix film by Kathryn Bigelow—and former president of NBC News. The Nuclear Movie Club will cover 10 defining movies in the nuclear film canon that represent a breadth of plot, theme, tone, and cultural impact. What do these films get right, and wrong, about depictions of nuclear threat? And what are the lasting impacts nuclear films can have on culture, policy, and public opinion? We will explore these questions, themes, and lots of fun facts on this season of NukeTalk. Follow NukeTalk on X @nuke_talk and Instagram @nuke_talk. Learn more about how you can contribute to global nuclear threat reduction by visiting Ploughshares at: ploughshares.org and signing up for our newsletter. This season of NukeTalk is produced and hosted by Rebecka Green. Editing done by Ryan Kuhfeld.
Kathryn Bigelow has been thinking about the threat of nuclear war ever since she was a kid. “I come from the era of duck and cover,” she says, “where when I was very little, we had to hide under the desk in the event of an atomic bomb blast.”Over the last 40 years, she's been directing tightly-paced thrillers such as “The Hurt Locker” (which won her the Academy Award for best director) and “Zero Dark Thirty.” Her latest film, “A House of Dynamite,” takes on a question that has been on her mind for decades: What would happen if the U.S. were targeted by a nuclear missile? The film, which is out on Netflix, has struck a nerve with audiences, becoming the streamer's most-watched movie in the world and igniting conversation about the accuracy of its depiction of the U.S. missile defense system. Today on Post Reports, Elahe Izadi speaks with Kathryn Bigelow and with the film's screenwriter, Noah Oppenheim, about why they chose to make this film in this moment, and about how they responded when they saw news that the U.S. could restart nuclear testing for the first time in decades. Today's show was produced by Peter Bresnan and Josh Carroll, with help from Emma Talkoff. It was edited by Reena Flores and mixed by Sean Carter. Subscribe to The Washington Post here. And watch us on YouTube here.
Welcome back to Movie Boi! This podcast will feature discussions on movies, new and old alike, as well as some broader movie topics and conversations.In this episode:(00:00) - Gareth and I discuss A House of Dynamite, the newest film from Kathryn Bigelow that is streaming now on Netflix(17:00) - We breakdown Bugonia, the black comedy thriller from Yorgos Lanthimos starring Emma Stone & Jesse Plemons If you want to share your thoughts on the movie(s) or send in a mailbag question, contact MovieBoyJack@gmail.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
House Speaker Mike Johnson (R-Louisiana) discusses the prolonged government shutdown, as well as the future of the filibuster and bipartisanship on Capitol Hill. Because of the shutdown, Transportation Secretary Sean Duffy announced a reduction in flight capacity by 10% at 40 major airports starting on Friday, a move that will affect roughly 3,500-4,000 flights per day. American Airlines Pilot Dennis Tajer represents the Allied Pilots Association, and he's urging lawmakers to pass a clean CR, just so his crews can get back to paid work. Nvidia CEO Jensen Huang is softening his comments that “China will win the AI race,” and Doordash stock is sinking. Plus, director Kathryn Bigelow and writer Noah Oppenheim discuss their latest movie for Netflix, “A House of Dynamite,” exploring what a nuclear launch crisis might look like in today's geopolitical climate. Dennis Tajer - 19:59Speaker Mike Johnson - 25:43Kathryn Bigelow & Noah Oppenheim - 42:50 In this episode:Mike Johnson, @SpeakerJohnsonJoe Kernen, @JoeSquawk Andrew Ross Sorkin, @andrewrsorkinKatie Kramer, @Kramer_Katie Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Kathryn Bigelow returns with a Netflix Original film. Does it live up to her potential? Let's get a sense of what HOUSE OF DYNAMITE brought before diving into some Weekly Recs. Become a MAM VIP for hundreds more episodes in your feed
With BACK TO THE FUTURE back in theaters for its 40th anniversary, Adam and Josh take the opportunity to give it Sacred Cow consideration. Plus, reviews of the Bruce Springsteen biopic DELIVER ME FROM NOWHERE, Richard Linklater's BLUE MOON, and Kathryn Bigelow's nuclear thriller A HOUSE OF DYNAMITE. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:00:56) Back to the Future at 40 (00:00:57-00:46:31) Filmspotting Family (00:46:32-00:51:07) Blue Moon (00:51:08-01:08:36) Deliver Me From Nowhere (01:08:37-01:19:01) Notes / Next Week (01:19:02-01:26:01) Polls (01:26:02-01:34:17) A House of Dynamite (01:34:18-01:45:43) Spoilers: A House of Dynamite (01:45:44-01:56:17) Credits / New Releases (01:56:18-02:00:45) Links: -Poll: 2nd Best Zemeckis https://poll.fm/16177171 -50 Years of Siskel & Ebert: "Lone Star" https://luma.com/pwlqid75 -The Mastermind Prize Pack Email us your favorite Reichardt character Feedback: -Email us at feedback@filmspotting.net. -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. http://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop. https://www.filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://facebook.com/filmspotting https://twitter.com/filmspotting https://letterboxd.com/larsenonfilm https://www.instagram.com/larsenonfilm https://bsky.app/profile/larsenonfilm.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Dana is joined by fellow movie critics Amy Nicholson of The Los Angeles Times and Slate's Sam Adams for an all-film edition of the Gabfest. First up, they enter A House of Dynamite, Kathryn Bigelow's tense procedural about a nuclear catastrophe. Whether or not this grim thriller has any spark is up for debate. Next, they step into the raucous party of Hedda Gabler in Nia DaCosta's Henrik Ibsen adaptation Hedda, starring Tessa Thompson as the scheming hostess. Finally, they examine the documentary The Perfect Neighbor which offers an alarming portrait of one Florida community compiled primarily through police body cam footage. In an exclusive Slate Plus bonus episode, the movie talk continues with an all-spoiler special about all three films. Endorsements Amy: The Man in the Tuskhut, an animatronic, AI theater piece by the writer and director Jason Woliner. Sam: The band Belly's album Star and the play Liberation by Bess Wohl. Dana: Spike Jonze's music video of Bjork's cover of “It's Oh So Quiet.” Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Dana is joined by fellow movie critics Amy Nicholson of The Los Angeles Times and Slate's Sam Adams for an all-film edition of the Gabfest. First up, they enter A House of Dynamite, Kathryn Bigelow's tense procedural about a nuclear catastrophe. Whether or not this grim thriller has any spark is up for debate. Next, they step into the raucous party of Hedda Gabler in Nia DaCosta's Henrik Ibsen adaptation Hedda, starring Tessa Thompson as the scheming hostess. Finally, they examine the documentary The Perfect Neighbor which offers an alarming portrait of one Florida community compiled primarily through police body cam footage. In an exclusive Slate Plus bonus episode, the movie talk continues with an all-spoiler special about all three films. Endorsements Amy: The Man in the Tuskhut, an animatronic, AI theater piece by the writer and director Jason Woliner. Sam: The band Belly's album Star and the play Liberation by Bess Wohl. Dana: Spike Jonze's music video of Bjork's cover of “It's Oh So Quiet.” Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 335 - We're approaching the end of the first batch of Eastman/Laird issues on Teenage Mutant Ninja Turtles. This issue is an action packed issue-long battle between the full team of Turtles/Splinter/April versus the newly-returned Shredder!!! Very fun! In Loose Screws, Kevin discusses the book Project Hail Mary and the Enforcers card in the Marvel themed Magic card deck. And Will starts an episode of Screw It, We're Just Gonna Talk About War Games to discuss the new Kathryn Bigelow movie A House Of Dynamite. --- For bonus monthly episodes, subscribe at screwitpodcasts.com Email us at screwitcomics@gmail.com
A HOUSE OF DYNAMITE is built on an undeniably hooky premise — a nuclear missile originating from an unknown source is heading right for us — but is that premise enough to support a successful movie? We're joined once again by critic and author Jason Bailey to unpack that question, particularly as it applies to the film's triptych structure and nervy ending gambit. That ending comes back into play when we reintroduce 1964's FAIL SAFE for Connections, to see how Sidney Lumet's Cold War thriller compares to Kathryn Bigelow's modern-day nuclear scenario in their respective depictions of human connection — personal, professional, and adversarial —amid humanity-threatening catastrophe. Then we keep it in the nuclear family for Your Next Picture Show, with a recommendation for the 1983 TV movie THE DAY AFTER, as well as some of its pop-cultural fallout. Please share your thoughts about FAIL SAFE, A HOUSE OF DYNAMITE, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Radu Jude's DRACULA and Federico Fellini's 8 1/2 Intro: 00:00:00-00:02:33 A House of Dynamite discussion: 00:02:33 - 00:24:41 A House of Dynamite/Fail Safe Connections: 00:24:41-47:56 Your Next Picture Show and goodbyes: 00:47:56-end Learn more about your ad choices. Visit megaphone.fm/adchoices
Sean and Amanda start the show by covering the major box office success of ‘Chainsaw Man,' reacting to the news that Cinemark is opening myriad new 70 mm IMAX screens across the country, and discussing what it represents for the future of moviegoing (2:00). Then, they deep dive into Kathryn Bigelow's new film, ‘A House of Dynamite,' starring Rebecca Ferguson. They unpack their very complicated feelings by highlighting what they found successful, including a titillating first act and some strong performances, and they address its major flaws, most notably a wild third act that features a deeply unsuccessful performance from Idris Elba (12:59). Finally, Adam Nayman joins the show to discuss Kelly Reichardt's new film, ‘The Mastermind,' starring Josh O'Connor as an outcast loner (1:07:46). They talk about Reichardt's ability to identify this type of character and give credit to her and O'Connor for crafting such a wonderful performance. Hosts: Sean Fennessey and Amanda Dobbins Guest: Adam Nayman Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices
Kathryn Bigelow is back. But are WE so back? Not quite. The gang discusses the recent release A House of Dynamite, a film in which the president listens to podcasts, Tracy Letts loves the Mets, and the city of Chicago may or may not be completely leveled by an atomic bomb. Do we kind of miss Mark Boal now? Are we praying Kathryn Bigelow directs something a little more in line with Strange Days or Point Break next? Would Ethan Hunt have saved this movie? Yes, yes, and yes. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook! Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This week's Empire Podcast sees Chris Hewitt struggle with the enunciation of one word in particular (you'll have to listen to find out which). Incredibly, it's not 'Howl-o-ween', which is just one of the many things discussed by Chris and his three colleagues of such lethal cunning, Helen O'Hara, James Dyer, and Ben Travis. They get their teeth into movies in which a main character is ill, talk about the shock revelation that Adam Driver and Steven Soderbergh had developed a literal Solo movie for Kylo Ren, and review Springsteen: Deliver Me From Nowhere, Nia DaCosta's Hedda, and Kelly Reichardt's The Mastermind. Guest-wise, we have a veritable bounty as Helen has a lovely chat with Nia DaCosta, and Chris talks to Jeremy Strong, star of the Springsteen flick; and has a joyous natter about the end of the world with Rebecca Ferguson and Kathryn Bigelow, star and director respectively of A House Of Dynamite, which is now out on Netflix. No timecodes yet, as the guy who writes this blurb has to leg it to a screening. But they're roughly 23 minutes, one hour and three minutes in, and one hour and 38 minutes in. Enjoy!
Kathryn Bigelow's new A HOUSE OF DYNAMITE games out a scenario that filmmakers have been grappling with since the mid-20th century, in particular the year 1964, which saw the release of two very different classics of the nuclear-catastrophe genre: DR. STRANGELOVE, followed a few months later by the other half of this week's pairing, FAIL SAFE. If the bleak realism of Sidney Lumet's nuclear thriller made it a tougher sell to audiences back then, though, it also makes FAIL SAFE feel like a more fitting companion to Bigelow's film than its satirical predecessor. We're joined this week by critic and author Jason Bailey to discuss why FAIL SAFE still feels so immediately chilling decades removed from its Cold War context, and how Lumet makes a story that plays out mainly in a series of small rooms feel both grand in scope and human in focus. Then, in honor of our second Lumet feature in a row on this show, we turn Feedback over to a discussion of some of the prolific filmmaker's lesser-known works. Please share your thoughts about FAIL SAFE, A HOUSE OF DYNAMITE, or anything else in the world of film by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Intro: 00:00:00-00:03:56 Fail Safe Keynote: 00:03:56-00:08:47 Fail Safe Discussion: 00:08:47-00:44:03 Feedback/outro: 00:44:03-end Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we're remembering renowned primatologist Jane Goodall, known for her work researching the behavior of chimpanzees and protecting their habitats. She died last week at the age of 91. "Every time somebody discovers an animal doing something that we used to think was unique to us, there is this scientific uproar, because we [humans] have to keep our uniqueness. And of course the chimps have challenged this belief again and again and again," Goodall told Terry Gross in 1999. John Powers reviews the Netflix thriller film A House of Dynamite, directed by Kathryn Bigelow. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy