Podcast appearances and mentions of Linda Hamilton

It's nothing personal. Awesome August continues! Huge '90s sci-fi blockbusters. The flavor of blockbuster nonsense you just don't get anymore.  Each week we will answer the question: AWESOME or AWFUL? Next up:TERMINATOR 2: JUDGEMENT DAY (1991). When an advanced killing machine travels back in time to hunt John Connor, the future leader of the human resistance, a familiar cyborg arrives with a very different mission.   And that's not all! This week we are joined by the unspeakable Blake O'Donnell of BPO films.   Also this week: New Weird Candy returns, Salute Your Shorts, Kenner toys, and Eddie's short-lived singing career. All this--and a whole lot more--on this week's episode of NEON BRAINIACS!! "Hasta La Vista, Baby." ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- Terminator 2: Judgemnet Day (1991) Directed by James Cameron Written by James Cameron & William Wisher Starring Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Joe Morton, and Robert Patrick ----- 00:00 - Intro & Opening Banter 27:26 - "The Shpiel" 01:00:04 - Film Breakdown 02:34:21 - 90s Nugget & Outro

This episode of Welcome To The Party Pal dissects Terminator 2 : Judgement Day, the 1991 American science fiction action film directed by James Cameron. Starring Arnold Schwarzenegger, Linda Hamilton, and Robert Patrick, it is the sequel to The Terminator (1984) and is the second installment in the Terminator franchise. In the film, the malevolent artificial intelligence Skynet sends a Terminator — a highly advanced killing machine — back in time to 1995 to kill the future leader of the human resistance, John Connor, when he is a child. The resistance sends back a less advanced, reprogrammed Terminator to protect Connor and ensure the future of humanity. Join in as hosts Michael Shields and Douglas Grant celebrate T2's 35th Anniversary by expounding on what made the film so ahead of its time and also so emphatically relevant today. Hosted on Acast. See acast.com/privacy for more information.

Hi! My name is Terry J. Aman, marking my 110th episode of VideoFuzzy titled "Sweet Spot," reporting the progress I've made in cataloging thousands of VHS transfers and digital recordings in a personal media collection stretching back decades. [1:42] This time I'm reviewing the third installment in author and fellow podcaster Kemper Donovan's ghostwriter mystery series "Sweet Spot," [IG] written as an impossible crime and set in my new home state of Utah. [10:35] I'm then joined by Kemper Donovan himself https://kemperdonovan.com/ for a fun chat about the book, his ongoing tour and I count down the top ten authors I've been introduced to by his podcast "All About Agatha." https://bit.ly/3RO4Owr  [57:43] Since this episode is fairly book centric, I go on to comment on Jane Austen's works "Sense and Sensibility," "Pride and Prejudice" and "Emma," Agatha Christie's short story "The Edge," Felicia Day's "Third Eye" and J. W. Zimmerman's "Blind in Love." [1:09:16] My Fuzzy Feature identifies "Psych" [IG] as the fifth mystical center of my media catalog on the strength of Cary Elwes-fueled fifth-season entry "Extradition 2: The Actual Extradition Part," in which Shawn and Juliet become Shuliet. And 110 episodes in I step back and discuss the relative significance of mystical centrality. [1:20:29] In Cross Connections, I trace connections for Cary Elwes, Jean Smart, Debra Jo Rupp, Jennifer Finnegan, Hurt Fuller, Ana Gasteyer, Timothy Dalton, Linda Hamilton, Missi Pyle, David Dean Bottrell, Eliza Dushku, Robert Knepper, Ernie Hudson, Carl Lumbly, Mandy Moore, Ryan Devlin, John Lacy, Amber Benson, Ethan Phillips, Ray Wise, Danny Trejo, Ethan Suplee, Silas Weir Mitchell, Wayne Knight, Michael Westen, Jere Burns, Ed Begley Jr., Michael Westen, Hal Holbrook, Monique Gabriela Curnen, Stephen King [IG], Wil Wheaton, Rob Riggle, Summer Glau, Gwyneth Paltrow, Darren Criss, John Mahoney, Tim Bagley and Sam Pancake [IG], identifying Jean Smart and Sam Pancake as new Golden Threads through my media collection.  [1:38:55] In my Classic Collection [VHS-to-DVD transfers], I cataloged discs 2026 through 2050. Comments on "Criminal Minds," "The Rocky Horror Picture Show" and bluray DVD extras, "The Walking Dead," "Sons of Anarchy," "Grey's Anatomy," 2010 election highlights, "Castle" [IG] and "Raising Hope." [1:53:16] In my Current Collection [direct to digital], comments on "Sunset Boulevard" [IG], "The Postman Always Rings Twice," "The Late Show with Stephen Colbert" final episode, "The Triplets of Bellville" and "Queens of Mystery." [1:59:55] Also, my By the Numbers segment explores the show so far with my cataloging efforts. SPREADING THE WORD! "VideoFuzzy: The Video - Celebrating 100 Episodes!" is posted at https://youtu.be/eWfcCDiOZ2I. Please share as you're able to with anyone you feel might enjoy this production. For PROMOS, scroll all the way down at https://videofuzzy.libsyn.com. Also, there's a "Top Fifteen" episode guide for people looking for a quick read-in on this blog and podcast effort at: https://videofuzzy.libsyn.com/about. Enjoy! [IG]=reference featured on VideoFuzzy's Instagram page.

In Linda Hamilton's The Fourth Wife, Hazel Russon finds herself in an arranged marriage to Jacob Manwaring, a man who lives in the Utah wilderness in the crumbling Manwaring manor with his three other wives and their children. Hazel doesn't know what to expect of her new life, but she never expected a manor home full of mysterious sounds, specters of women, and a terrifying attic that holds too many secrets.  For more from author Linda Hamilton, including her research into Mormon history, check out her Substack. Recommended in this episode: Neil McRobert's Good Boy and Pretty Evil by Rebekah and David Ian McKendry  NEWS: We have a Bookshop.org shop now! Find all of our favorite books at our shop–and help out small businesses.  UP NEXT: An interview with author Jennifer McMahon! Buy our books here, including Monster, She Wrote and our newest Toil and Trouble.   

"Volveré." Hay pocas frases más icónicas en la historia del cine. El problema es que Terminator volvió tantas veces que acabó entrando en un bucle temporal del que ni Skynet sabía cómo salir. En esta nueva entrega de La Guarida del Sith nos enfrentamos a dos de las secuelas más polémicas de toda la franquicia: Terminator Genisys y Terminator: Dark Fate. Dos películas que intentaron reiniciar, continuar y reescribir la saga creada por James Cameron... con resultados que siguen dividiendo a los aficionados. Analizamos qué pretendía hacer cada una de ellas, qué ideas funcionaban, cuáles descarrilaron por el camino y por qué Terminator parece condenado a reiniciar su propia línea temporal cada pocos años. Hablamos del regreso de Arnold Schwarzenegger, de la vuelta de Linda Hamilton en Destino Oscuro, de los nuevos personajes, de la acción, de los efectos visuales y de las decisiones narrativas que más debate han generado entre los seguidores de la saga. Pero este programa guarda una sorpresa muy especial. En la parte central tenemos el enorme privilegio de entrevistar a Carolina Jiménez, una de las grandes profesionales españolas de los efectos visuales en Hollywood, que trabajó en Terminator: Destino Oscuro tanto en la creación de efectos digitales como apareciendo delante de las cámaras. Con ella hablamos sobre el proceso de producción de la película, cómo se construyen algunos de sus espectaculares efectos visuales, cómo es trabajar en una superproducción de este calibre y compartimos multitud de anécdotas desde dentro de la industria. Una conversación imprescindible para cualquier amante del cine y de los efectos especiales. Junto a Frikilandias, Miguel Ángel y Asier Huarte, repasamos dos películas que intentaron mantener viva una de las franquicias más importantes de la ciencia ficción mientras debatimos sobre una pregunta inevitable: ¿Necesitaba Terminator continuar... o la historia ya había encontrado su final perfecto en Terminator 2? Un programa lleno de nostalgia, análisis, humor, viajes temporales, T-800, Rev-9, líneas temporales imposibles y una entrevista exclusiva que nos permite conocer cómo se vive el cine desde el otro lado de la pantalla. Porque el futuro nunca está escrito... ...pero las paradojas temporales de Terminator parecen inevitables. Escucha el resto de programas de la saga aquí https://go.ivoox.com/bk/11166859

"Volveré." Hay pocas frases más icónicas en la historia del cine. El problema es que Terminator volvió tantas veces que acabó entrando en un bucle temporal del que ni Skynet sabía cómo salir. En esta nueva entrega de La Guarida del Sith nos enfrentamos a dos de las secuelas más polémicas de toda la franquicia: Terminator Genisys y Terminator: Dark Fate. Dos películas que intentaron reiniciar, continuar y reescribir la saga creada por James Cameron... con resultados que siguen dividiendo a los aficionados. Analizamos qué pretendía hacer cada una de ellas, qué ideas funcionaban, cuáles descarrilaron por el camino y por qué Terminator parece condenado a reiniciar su propia línea temporal cada pocos años. Hablamos del regreso de Arnold Schwarzenegger, de la vuelta de Linda Hamilton en Destino Oscuro, de los nuevos personajes, de la acción, de los efectos visuales y de las decisiones narrativas que más debate han generado entre los seguidores de la saga. Pero este programa guarda una sorpresa muy especial. En la parte central tenemos el enorme privilegio de entrevistar a Carolina Jiménez, una de las grandes profesionales españolas de los efectos visuales en Hollywood, que trabajó en Terminator: Destino Oscuro tanto en la creación de efectos digitales como apareciendo delante de las cámaras. Con ella hablamos sobre el proceso de producción de la película, cómo se construyen algunos de sus espectaculares efectos visuales, cómo es trabajar en una superproducción de este calibre y compartimos multitud de anécdotas desde dentro de la industria. Una conversación imprescindible para cualquier amante del cine y de los efectos especiales. Junto a Frikilandias, Miguel Ángel y Asier Huarte, repasamos dos películas que intentaron mantener viva una de las franquicias más importantes de la ciencia ficción mientras debatimos sobre una pregunta inevitable: ¿Necesitaba Terminator continuar... o la historia ya había encontrado su final perfecto en Terminator 2? Un programa lleno de nostalgia, análisis, humor, viajes temporales, T-800, Rev-9, líneas temporales imposibles y una entrevista exclusiva que nos permite conocer cómo se vive el cine desde el otro lado de la pantalla. Porque el futuro nunca está escrito... ...pero las paradojas temporales de Terminator parecen inevitables. Escucha el resto de programas de la saga aquí https://go.ivoox.com/bk/11166859

Any time Trump or one of his supporters brings up the 2020 election, insisting he didn't lose it, we hear the usual chorus of groans: why can't he get over it? He lost. Move on. The thing is, I can't get over it either. 2020 was the year everything changed. My entire world was turned upside down because I could see, for the first time, that I was in a bubble, a feedback loop that had shaped my perception of reality. It's just that it wasn't actual reality. It was a curated, hysteria-inducing delusion. It wasn't just me. Go on YouTube, and you'll find hundreds, if not thousands, of people whose lives were fundamentally transformed that year in one way or another. COVID made them quit their job and move into a van. COVID made them decide to divorce. COVID made them learn how to bake sourdough. And a lot of us were red-pilled. It was as though someone pressed the pause button and all of us froze in place for a time. Like in the movie Weapons where the kids suddenly wake up one day…Isolated and shut in, we all turned to social media and the internet, which meant more people were connected than ever before at a time when there were more people alive than ever before. We've never really fully processed what happened to all of us that year.It was the year we stopped trusting the science, the schools, Hollywood, the legacy media, and the government. Children were locked down and staring at their screens, with many of the lost boys finding their way into the dark corners of the internet and would emerge years later fumbling their way toward a rifle and a rooftop.That isn't all of it, or even half of it. None of us would emerge from that year unscathed. We can't talk about it as a country or a people because we are still so divided. The big things divide us, like the vaccine, the masks, the lockdowns, and most especially, the 2020 election.We were stepping into something we did not understand and weren't prepared for. Things have changed enough now that it will be hard to remember just how bad things got after Trump won in 2016. I remember because I was on the inside. I lived it with the Democrats and what would become a Doomsday Cult.We called ourselves “the resistance” even though we had all of the power. Trump and MAGA, they were the real resistance, or at least the revolutionaries going up against the most powerful machine in American history, maybe ever.All I knew was that I had to fight for my side. I woke up every day like a good soldier for the cause and went to battle online, wasting precious time with my daughter, or doing anything else except sitting and staring at a screen and fighting with people I didn't even know over issues that didn't matter with arguments that had no end and went nowhere.Inside the Doomsday Cult, we were awash with mass hysteria because every single day, every time Trump tweeted, the legacy media sent out more waves of hysteria that pulsed through the hive mind and kept reinfecting anyone who scrolled Twitter or Facebook. It was a new emergency every day. We were stuck in an unending state of trauma.The legacy media desperately wants to forget what happened, how they lied and gaslit the public. The consequences for these moral crimes have been minimal. A slap on the wrist for ignoring Joe Biden's cognitive decline, but there has never been a reckoning for what they did to all of us, people who trusted them, in 2020.What Happened to MeMy daughter had to leave her senior year at college to have her graduation on my balcony, but we did it because we were doing our part to help save the country during this once-in-a-generation pandemic.Mobilizing for the cause meant sewing our own masks, displaying them proudly on Instagram. It meant mixing our own hand sanitizer because it was all out at the drug store. Some people were wearing face shields. We were living in fear. We were cowed into silence. Half the country fell into Mass Formation Psychosis. We weren't allowed to attend weddings, churches, or schools, but somehow on Memorial Day, the George Floyd protests became the most important thing in America for months.Systemic racism, they told us, was more urgent than COVID. Really? Bringing the whole country — the whole world — to its knees was less serious than George Floyd dying at the hands of a police officer in Minneapolis? Yes. That's what they were telling us, and everyone was mandated to go along with everything that came next.These were our idols, we were told. It was the new state religion, even if Trump was still the president. This is the ideology we're allowed to gather for. This is worth tear ing down statues, burning buildings, carving out “autonomous zones” and demanding everyone put a black square on Instagram, capitalize the word Black and raise their fists to Black Lives Matter. The madness unfolding on the streets meant Democrats could actually lose in November, I believed. So why wasn't anyone trying to stop them? Why were the Democrats encouraging them? I started wondering what the hell was going on. It felt like unseen hands were manipulating events behind the scenes, and we were all expected to just go along with it.As I began to speak out and ask questions, I was turned into an enemy. “You've changed,” wrote Neera Tanden on Twitter. She was right. I had. By the time Twitter pressured the New York Times to back off their Tom Cotton essay, Send in the Troops, I was done. Maybe I was naive. I didn't understand the assignment. I'd seen too many Frank Capra movies. I'd begun to believe politics was like an Aaron Sorkin screenplay. I thought we were the good guys. We are the side with ethics and decency and fairness.I was like Linda Hamilton in Terminator 2 when Arnold Schwarzenegger shows up, and she thinks he's a bad guy, but when he says, “Come with me if you want to live, she realizes that everything is backward. The people she thought were the good guys weren't. The guy she thought was there to kill her was actually there to save her. By the end of 2020, I was as black-pilled as Jack Nicholson in Chinatown, disillusioned and wide awake. Forget it, Jake. It's Chinatown.But what I saw them do - how we were all manipulated, how they rigged the election to be too big to fail - I could see for the first time that my side had too much power. So much power that American democracy was now beside the point.It didn't matter how the people voted, because we would decide who was allowed to win and who would become an existential threat to the world we were building, the utopia we were building online.When I left the party, I knew I couldn't be fully honest about what I believed happened, though I did say that the election had been rigged. I also couldn't be honest about what I knew about January 6th, at least not in the beginning. When I saw the riot break out, my first thought was, that's not MAGA. They don't do that.And anyway, even if they did, why couldn't the Democrats chalk it up to months of lockdowns and highly enraged, radicalized people on the Right just as there were on the Left that Summer. Why couldn't they? Because it was all still part of the long con, the mass delusion. These ideas were dangerous to hold for anyone in America but especially someone of the Left, and yet, I could not stop it. The truth began knocking. I ignored it as long as I could, but eventually, the knocking became a banging, and I had no choice but to open the door.How to Rig An ElectionOnce you start tugging on the question of why Twitter and Facebook censored the Hunter Biden laptop, you begin to unravel the bigger picture of just how deep the conspiracy went. But you don't need the whole story. You just need to know this: The FBI and the CIA worked against the sitting president to lie to the public that the laptop was “Russian Disinformation.” It was just a standard run-of-the-mill October surprise, timed to help ignite a scandal before the election. But it was also information the public had a right to know, as we would find out later. So anyone who shames Trump for calling the election rigged and denying it was legit will have to answer for this. But if you keep pulling on that string, you'll find the why of it. They were trying to fix all of the problems they believed caused Hillary Clinton's loss. This would be payback for the email scandal that hit her campaign, which she called “Russian Disinformation.” That would also turn out to be untrue.But there were other problems that needed correcting, like lazy voters who assumed Hillary would win because she was so far ahead in the polls and didn't bother turning out. They would fix this problem using COVID as the pretext to change everything about how people vote and how those votes are collected.They knew they had Pennsylvania won long before Election Day and it would only be a matter of convincing the public not to get too excited about a “red mirage.” To all of them, that's the right way to win an election.Trump won Iowa, Ohio and Florida, not to mention the bellwether counties that have decided our elections. The only other time anything like this happened was in 1960, when JFK won in a squeaker. Compare that to 2020, and you can see that something was very off about the numbers. Since the Democrats believed Mark Zuckerberg's Facebook had handed Trump the win in 2016 by using their marketing machine (the Clinton campaign refused their help), it was time for Zuckerberg to undo that damage, which came in the form of a $400 million slush fund used to “fortify” the election but mostly in the heavily blue districts. Had all of this been shared with the whole country as a way to improve our elections overall, that would have been one thing. But it was all done behind the scenes, in the shadows, far from the reach of anyone who might dissent. It was anything but ethical and anything but fair.It was all part of a grand scheme to stay one step ahead of Trump. If they already knew he would claim it was rigged, why not just rig it? Who would the people believe? Trump or the “bipartisan cabal” of unelected bureaucrats hiding in the shadows?The truth is that Trump was pulling ahead because the Left was losing its mind, and Trump picked up on it. He changed his campaign; no matter how many ways they tried to keep him from his rallies, he got the word out anyway. That would explain why he won those key states but lost so much in the popular vote. Our elections should not be decided months before Election Day. Candidates should have to make their case to the people, not hide in the basement and let the system do the work. It's the candidate's job to inspire the voters to vote for the kind of government they want, and it's the voters responsibility to be motivated enough to turn out to the polls and cast their vote. But with an easily manipulated hive mind like the Democrats had cultivated for ten years they didn't need any of it.The Year That Broke AmericaI've never been able to convince anyone of what I believed happened in 2020. If you were on the Left, chances are, you wouldn't be able to see it either. You would have trusted the same people I used to trust: CNN, New York Times, MSNBC, your social media feed.You would have come out of that year thinking Joe Biden won the 2020 election fair and square and that Donald Trump refused to lose, so he led a dangerous assault on the Capitol, putting our democracy under threat. Yet, after everything they did to Trump that year and for the four years prior, what else could he have done except protest? It was just a little too convenient that there happened to be a riot at the same time, a Reichstag Fire that handed absolute power to Team Blue.If you were still trapped inside the Doomsday Cult, you'd have been primed and ready to go to war on your fellow Americans because Vice President Kamala Harris would tell you January 6th was like 9/11 and Pearl Harbor. You would have thought Liz Cheney and the Prime Time Show Trial was legit. What an easy mark you'd be.If you never escaped, as I did, you'd still be trapped inside the Doomsday Cult and never have any idea that none of this is your fault. You were put into a kind of trance in 2020, even before, like the kids in the movie Weapons, frozen in place and used as an army to do the bidding of the Democratic Party.They made you believe, like they made me believe, that every day really was the end of the world as long as Donald Trump was in power. But it was never true, none of it. All the Democrats ever had to do was offer the people something better. If everything Molly Ball wrote about the election the “Secret Bi-Partisan Cabal” supposedly saved, how did Trump win again? In Weapons, the children are put under a spell and aimed at the enemies of the witch. Once the spell is broken, the children wake up and realize the person they should be mad at isn't the one she made them attack, but instead the witch herself for robbing them of their ability to think for themselves. And so it goes with the Democrats.// This is a public episode. 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We cover real classics on this show. Ones everyone remembers and that somehow Jake hasn't seen. Tommy Lee Jones. Linda Hamilton. Robert Vaughn. Nick Cassavetes. A true 80's classic that no one forgot. But for real, this is a fun, wild movie about shadow governments, sci-fi cars, high-level thieves, heists, and so much more. Adam Steele joins us for the first time ever to talk film, and also music. Go check out his music in all the places!

On Episode 154 of the Film '89 Podcast, Steve and Skye are joined by returning co-host, Becky D'Anna. A veteran of Hollywood movie marketing and a seasoned podcaster, Becky now has her very own podcast, the brilliant Hanging with Becky Podcast. The topic of this episode is a film that's not only one of the Film '89 team's all-time favourites, it's also become the most requested film for the team to cover, but moreover, it's Becky's all-time favourite film; from 1991, director James Cameron re-teams with superstar Arnold Schwarzenegger; it is of course, Terminator 2: Judgment Day. Also starring Linda Hamilton, Robert Patrick and Edward Furlong, T2 was not only the most expensive film ever made upon its release in July 1991, but it would go on to be a critical and commercial smash hit and the highest-grossing film that year. But more than that, it was a film so groundbreaking in its use of cutting-edge special effects technology that it would forever change the face of cinema. More than just an action-science-fiction blockbuster, T2 is a superbly written and impeccably directed film, and easily one of the greatest movies ever made and more than worthy of the usual in-depth Film '89 treatment. 

Today Griffey and Dandino pray to He Who Walks Behind the Rows in Children of the Corn. They dig into the dirt of what this new/old God is doing with these children, they way that the fevor of these children for their new religion can rapidly turn them against each other, and what our adult couple protaganist help illuminate as they enter this corn fueled nightmare. Of all the MESSED UP Stephen King adapations this is a personal favorite of ours.  Synopsis: A young couple is trapped in a remote town where a dangerous religious cult of children believes that everyone over age 18 must be killed. Starring: Peter Horton, Linda Hamilton, John Franklin, Courtney Gains Directed by Fritz Kiersch Youtube: https://youtu.be/0SBzC5773TA Help us make our first feature length Messed Up Movie:  https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod  

Forrest, Conan Neutron, and Kristina Oakes talk about Terminator 2: Judgement Day with Sean McGrath of Unkind Rewind and CineQuote Last week, we covered The Terminator, James Cameron's 1984 science fiction slasher classic.This week, we are talking about Terminator 2!!! Starring Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick, and Joe Morton. #terminator #arnoldschwarzenegger #filmpodcast #podcast #jamescameron #sciencefiction #lindahamilton #sarahconnor #1984 #ai #artificialintelligence #robotics #robotics #theterminator #scifi #livestream #livestreaming #arnold #arnoldclassic #robertpatrick #johnconnor #edwardfurlong #terminator2 #judgmentday #judgment #1991

Forrest, Conan Neutron, and Kristina Oakes discuss James Cameron's 1984 sci-fi action film The Terminator! Beginning an entire franchise, the Terminator was James Cameron's first film idea after Piranha II: The Spawning, his directorial debut. Starring Arnold Schwarzenegger, Linda Hamilton, Michael Biehn, Bess Motta, Paul Winfield A human and a Hunter-Killer robot called a Terminator go back to the past, to find Sarah Connor, whose going to end up being the mother of the future resistance leader John Connor. #terminator #arnoldschwarzenegger #filmpodcast #podcast #jamescameron #sciencefiction #lindahamilton #sarahconnor #1984 #ai #artificialintelligence #robotics #robot #theterminator #scifi #livestream #livestreaming #arnold #arnoldclassic

Terminator 2: Judgment Day isn't just one of the greatest action movies ever made—it's one of the greatest sequels ever made. Instead of simply repeating the formula from the first film, it flips the entire story on its head by turning the original villain into the hero. That single decision completely changes the dynamic of the movie while raising the stakes, and it's a big reason why the sequel feels fresh rather than familiar. It's also another reminder that James Cameron has a knack for making movies that continue to hold up decades later, thanks to strong storytelling, memorable characters, and groundbreaking effects.The Terminator franchise works because of more than just Arnold Schwarzenegger. As iconic as Arnold is, Linda Hamilton is every bit as essential to the series. Her transformation from the vulnerable Sarah Connor in the first film to the hardened warrior in T2 is one of the best character evolutions in action movie history. Together, Arnold and Linda create the heart of the franchise, and it wouldn't have become the classic series we know without both of them.Stick around for a round of Movie 20 Questions at the end of the episode!Safe travels, nomads

Send us Fan MailHasta la vista, bad sequels.Welcome back to Entertain This!, where we're dissecting Terminator 2: Judgment Day the rare sci-fi blockbuster that gets smarter the more things explode. We're planting our flag early: as far as we're concerned, the franchise ended right here.We're breaking down James Cameron's airtight direction, Linda Hamilton's terrifying intensity, and why Robert Patrick's unblinking T-1000 remains the absolute gold standard for movie villains. We also tackle the heavy hitters:- Does Arnold's "no killing" rule actually hold up when he's shooting out kneecaps?- Can we politely ignore the time travel plot holes?- And why do modern franchises insist on over-explaining perfectly good lore?Stick around after the rating for Mitch's rapid-fire news blitz, dropping quick updates on Metal Gear Solid Master Collection Vol. 2, Star Wars Zero Company, a Code Veronica remake, and Cyberpunk Edgerunners Season 2.Share this episode with your one friend who still does a terrible Arnold impression.I Need Your Clothes, Your Boots, and Your 5-Star Review! Support the show

NYT Best Selling Author and Kingcast favorite guest Stephen Graham Jones (The Only Good Indians, The Buffalo Hunter Hunter) makes his triumphant return to the show to delve into the rural weirdness of Stephen King's Children of the Corn. Discussion flickers between the original King short story and the not-that-great 1984 film adaptation of the same name starring Linda Hamilton and Peter Horton. How many Corn Children could Stephen Graham Jones take out before they overwhelm him? Is there's a good movie that could be made out of this admittedly pulpy source material? What were the Corn Children up to during the events of The Stand? All those questions are answered plus you get another patented Stephen Graham Jones wild animal encounter story, this one involving a skunk.

Dana and Tom with 5x Club member, Sara Shea (Host and Creator of Shea Cinema), discuss T2: Judgment Day (1991) for its 35th anniversary: written and directed by James Cameron, cinematography by Adam Greenberg, music by Brad Fiedel, editing by Conrad Buff, Mark Goldblatt, and Richard A. Harris, starring Arnold Schwarzenegger, Linda Hamilton, and Robert Patrick.Plot Summary: In Terminator 2: Judgment Day, a killer machine from the future is reprogrammed to protect the very boy he was once sent to destroy. Arnold Schwarzenegger returns as the T-800, but this time he's the good guy — and he's up against something far more terrifying: the T-1000, a shape-shifting liquid-metal assassin who can become anyone or anything. Young John Connor, the future leader of humanity, is the target, and his only hope is the machine that once hunted his mother.Guest:Sara SheaHost and Creator of Shea Cinema; @sheacinema on X, IGCo-Host of First Watch/RewatchPreviously on 12 Angry Men (1957) Revisit, Barry Lyndon (1975), Shampoo (1975), 2025 Post Oscars Reaction Show, Patton (1970), One Flew Over the Cuckoo's Nest (1975), Dracula (1931), The Public Enemy (1931)Chapters:00:00 Introduction, Cast, and Background for T205:12 Welcome Back, Sara Shea07:33 Relationship(s) with T214:04 Dana's Noted Struggles with Sci-Fi15:32 James Cameron's Best Film?19:32 Is T2 the Best Arnold Schwarzeneggar Movie?24:20 Plot Summary for T225:03 What is T2 About?29:58 Did You Know?32:55 First Break33:32 What's Happening with Sara Shea?37:46 Best Performance(s)45:57 Best Scene(s)53:10 Second Break53:49 In Memoriam56:35 Best Line(s)01:01:38 The Stanley Rubric - Legacy01:08:47 The Stanley Rubric - Impact/Significance01:09:10 The Stanley Rubric - Novelty01:12:21 The Stanley Rubric - Classicness01:17:20 The Stanley Rubric - Rewatchability01:19:13 The Stanley Rubric - Audience Score and Final Total01:21:04 Remaining Questions for T201:26:51 Thank You to Sara and Final Thoughts01:34:27 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/terminator-2-judgment-day-1991-ft-sara-sheaFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Terminator 2, James Cameron, Arnold Schwarzenegger, Sarah Connor, T-1000, film analysis, movie legacy, special effects, sci-fi classics, T2, Judgment Day, Linda Hamilton, Robert Patrick, Skynet, T-800, sci-fi, movie legacy, special effects, franchise, AI, podcast, podcasting, movies, film, classicRonny Duncan Studios

This week on Big Trouble Little Podcast, we finish Terminator Month with a review of Terminator: Dark Fate.Topics include:

"Stranger Things" is an American television series created by the Duffer Brothers for Netflix. The fifth and final season was released in three volumes, including the finale, in November and December 2025. The show combines elements of horror, science fiction, mystery, coming-of-age, and drama. Set in the 1980s, the series centers on the residents of the fictional town of Hawkins, Indiana, after a young girl with psychokinetic abilities named Eleven inadvertently creates a wormhole known as the Upside Down at a nearby secretive government research facility, connecting Earth to a hostile realm called the Abyss. The ensemble cast includes Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, Matthew Modine, Noah Schnapp, Sadie Sink, Joe Keery, Dacre Montgomery, Sean Astin, Paul Reiser, Maya Hawke, Priah Ferguson, Brett Gelman, Linda Hamilton, Jamie Campbell Bower, and Nell Fisher. The Duffer Brothers developed Stranger Things as a blend of investigative drama and supernatural horror, infused with childlike wonder and references to the popular culture of the 1980s. Several thematic and directorial elements were inspired by the works of Steven Spielberg, John Carpenter, David Lynch, Stephen King, Wes Craven, H. P. Lovecraft, and FromSoftware.The show also drew inspiration from Cold War-era experiments and conspiracy theories involving secret government programs. The series has received positive reviews throughout its run, with praise for its characterization, atmosphere, acting, direction, writing, and homage to 1980s cinema, making it a touchstone of 1980s nostalgia. It has garnered many accolades and is widely regarded as one of the greatest television shows of all time. Jamie Campbell Bower was kind enough to spend some time talking with us about his work and experience making the show, which you can listen to below. Please be sure to check out the show, which is available to watch in full on Netflix and is up for your consideration for this year's Emmy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Friday 6/12/26 — The MCU'S Bleeding Edge is back with another throwback movie review as we discuss the 1986 sci-fi action film Black Moon Rising. Starring Tommy Lee Jones and Linda Hamilton, the film was directed by Harley Cokeliss and released by New World Pictures. Co-host and veteran movie creator Cyberneticshark takes over moderating duties for this review, joined by co-host Jeff S ($TrueKnowledge), Andres The Pop Culture Guy, and Tim from the Middle Age Movie Reviews YouTube channel on the guest panel. We'll be breaking down the film with live reactions, analysis, and discussion. If you caught this movie review, please consider rating and following the podcast, subscribing to the channel, and leaving a comment to join the conversation.#BlackMoonRising #TommyLeeJones #LindaHamilton #80sMovies #SciFiMovies #MovieReview #LiveStream #Podcast #FilmDiscussion #RetroCinema

We're back, and just in time for summer blockbuster season! Join Chad Perman and new co-host Elizabeth Cantwell as they talk their way through one of the biggest/best summer blockbusters of all time, James Cameron's Terminator 2: Judgment Day, on the occasion of its 35th anniversary next month.

Linda Hamilton shares THE FOURTH WIFE, an affecting historical drama and gothic horror novel with deep roots in Mormon history, culture, and folklore.

Send us a message! Let us know what you think?Mark and Jason are back with another Action Zone here on the United Nations of Horror! In this episode, we'll take a detailed looked at Arnold Schwarzenegger's break-out sci-fi horror film, The Terminator! From Arnold Schwarzenegger's unstoppable killing machine to Linda Hamilton's iconic performance as Sarah Connor, we break down the film that changed action and horror forever. We talk brutal practical effects, neon-soaked 80s atmosphere, legendary one-liners, and why this low-budget classic still hits harder than most modern blockbusters.Come with us if you want to live.Listen now and join the resistance.

To close out our Not-So-Terrible-2s month, we're covering what could be a perfect sequel: Terminator 2: Judgment Day. Written and Directed by James Cameron, he brings what he learned on Aliens and blew it up, even bigger. Starring Arnold Schwarzenegger, Linda Hamilton, Robert Patrick, Edward Furlong, Earl Boen, and Joe Morton.

The Great Volcano Movie War of 1997 brought us both Volcano (obviously), which we've covered before, and Dante's Peak, starring Pierce Brosnan and Linda Hamilton and, if you ask us, is the superior winner of this studio battle. Come find out way we feel that way in our latest episode!

Some of us were still doing a side chat and we decided to focus on the Action Star/Scream Queen Badass herself: Katee Sackhoff!   What is her best voice-over role that we can all still quote?   Why is she the Linda Hamilton of her generation?   And why does she give 1000% in every role?         AUDIO CLIP INTRO:  "KATEE SACKHOFF on Playing the Voice & Live Action of Bo-Katan in STAR WARS" (Inside of You with Michael Rosenbaum Podcast)

Charles Skaggs & Xan Sprouse watch The Terminator, the 1984 science fiction action film written and directed by James Cameron, introducing Arnold Schwarzenegger as the Terminator, Linda Hamilton as Sarah Connor, Earl Boen as Dr. Peter Silberman, and featuring Michael Biehn as Kyle Reese! Find us here:X/Twitter:  @DrunkCinemaCast, @CharlesSkaggs, @udanax19 Facebook:  @DrunkCinema Bluesky:  @charlesskaggs.bsky.social, @udanax19.bsky.social Email:  DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

Terminator Cast - Linda Hamilton, Michael Biehn and Edward Furlong - September 2024 Recorded live at FanX Salt Lake in 2024, this special episode of CONversations with Craig brings together three icons from the Terminator franchise: Linda Hamilton, Michael Biehn and Edward Furlong. The panel looks back at the legacy of Sarah Connor, the genius and intensity of James Cameron, the practical stunt work behind The Terminator and Terminator 2: Judgment Day, and how a movie about killer machines somehow feels even more relevant in the age of AI. Linda Hamilton reflects on Sarah Connor's legacy, calling the role a “lucky accident” while recognizing the staying power of one of cinema's most iconic action heroes. Michael Biehn talks about James Cameron's work ethic and vision, including how Cameron's storytelling about the future still feels unsettlingly accurate decades later. Edward Furlong shares what it was like starting his career on Terminator 2, working with Cameron, Hamilton and Arnold Schwarzenegger before fully understanding how massive the movie would become. “Technology knows that I'm the enemy. And they treat me like the enemy. Go figure.” - Linda Hamilton Want more exclusive interviews and behind-the-scenes stories from the people who bring your favorite characters to life? Subscribe to our podcast on Apple Podcasts, Spotify, or on your favorite podcasting platform for more behind-the-scenes stories and exclusive interviews.

Three takes on lava-driven disaster, each reflecting its moment in Hollywood. In 1997, Dante's Peak (directed by Roger Donaldson, starring Pierce Brosnan and Linda Hamilton) leaned on scientific realism and modest character drama, earning solid box office returns and a reputation as the more grounded of the twin volcano films. That same year, Volcano (Mick Jackson, with Tommy Lee Jones and Anne Heche) went bigger and more chaotic, dropping lava into Los Angeles for a spectacle-first hit that performed well commercially and remains a cable staple. By 2003, The Core (Jon Amiel, starring Aaron Eckhart, Hilary Swank, and Stanley Tucci) pushed the concept to its extreme—less lava, more planetary meltdown—failing at the box office but gaining cult status for its ambition. Together, they chart lava's evolution from scientific threat to cinematic excess.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

There must be a shift in the Zeitgeist of the publishing world, because after a long drought in Gothic novels, this is the second one I've encountered in little more than a month. The Fourth Wife (Kensington, 2026) takes place near Salt Lake City, Utah, during the years when the Mormon community there still practiced polygamy but was coming under increasing pressure from the US government to abandon the practice, pressure that included a law making multiple, simultaneous marriages a criminal offense. It's 1882. Twenty-year-old Hazel Russon, a talented pianist, has grown up in a polygamous family, but she has a secret agreement with her childhood friend Elijah Crowther that they will become each other's only spouse once they are permitted to marry. When Elijah's father, a powerful figure in Salt Lake City society, summons Hazel and informs her that Elijah has rejected her in favor of a return to the fundamental principles of Mormon life—the most fundamental of which is polygamy, known only as the Principle—she is shattered by her love's betrayal. As a result, she allows Elder Crowther to talk her into becoming the fourth wife of Brother Jacob Manwaring, a wealthy older man who promises Hazel a home of her own, including a piano. Hazel has long struggled with what most of us in the twenty-first century would categorize as an anxiety disorder, in part caused by the difficulty she has in meeting the extreme demands of her religion for female submissiveness. And although initially attracted to Jacob, she soon discovers that not everything Elder Crowder told her about her husband-to-be was the truth….  It's all delightfully creepy and fast-paced, and the interactions among Jacob's wives are even more interesting than those between them and Jacob.  Linda Hamilton studies and writes about nineteenth-century Mormon life as both a historian and a novelist—including, most recently, The Fourth Wife. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Silk Weaver, will appear in the summer of 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There must be a shift in the Zeitgeist of the publishing world, because after a long drought in Gothic novels, this is the second one I've encountered in little more than a month. The Fourth Wife (Kensington, 2026) takes place near Salt Lake City, Utah, during the years when the Mormon community there still practiced polygamy but was coming under increasing pressure from the US government to abandon the practice, pressure that included a law making multiple, simultaneous marriages a criminal offense. It's 1882. Twenty-year-old Hazel Russon, a talented pianist, has grown up in a polygamous family, but she has a secret agreement with her childhood friend Elijah Crowther that they will become each other's only spouse once they are permitted to marry. When Elijah's father, a powerful figure in Salt Lake City society, summons Hazel and informs her that Elijah has rejected her in favor of a return to the fundamental principles of Mormon life—the most fundamental of which is polygamy, known only as the Principle—she is shattered by her love's betrayal. As a result, she allows Elder Crowther to talk her into becoming the fourth wife of Brother Jacob Manwaring, a wealthy older man who promises Hazel a home of her own, including a piano. Hazel has long struggled with what most of us in the twenty-first century would categorize as an anxiety disorder, in part caused by the difficulty she has in meeting the extreme demands of her religion for female submissiveness. And although initially attracted to Jacob, she soon discovers that not everything Elder Crowder told her about her husband-to-be was the truth….  It's all delightfully creepy and fast-paced, and the interactions among Jacob's wives are even more interesting than those between them and Jacob.  Linda Hamilton studies and writes about nineteenth-century Mormon life as both a historian and a novelist—including, most recently, The Fourth Wife. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Silk Weaver, will appear in the summer of 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

There must be a shift in the Zeitgeist of the publishing world, because after a long drought in Gothic novels, this is the second one I've encountered in little more than a month. The Fourth Wife (Kensington, 2026) takes place near Salt Lake City, Utah, during the years when the Mormon community there still practiced polygamy but was coming under increasing pressure from the US government to abandon the practice, pressure that included a law making multiple, simultaneous marriages a criminal offense. It's 1882. Twenty-year-old Hazel Russon, a talented pianist, has grown up in a polygamous family, but she has a secret agreement with her childhood friend Elijah Crowther that they will become each other's only spouse once they are permitted to marry. When Elijah's father, a powerful figure in Salt Lake City society, summons Hazel and informs her that Elijah has rejected her in favor of a return to the fundamental principles of Mormon life—the most fundamental of which is polygamy, known only as the Principle—she is shattered by her love's betrayal. As a result, she allows Elder Crowther to talk her into becoming the fourth wife of Brother Jacob Manwaring, a wealthy older man who promises Hazel a home of her own, including a piano. Hazel has long struggled with what most of us in the twenty-first century would categorize as an anxiety disorder, in part caused by the difficulty she has in meeting the extreme demands of her religion for female submissiveness. And although initially attracted to Jacob, she soon discovers that not everything Elder Crowder told her about her husband-to-be was the truth….  It's all delightfully creepy and fast-paced, and the interactions among Jacob's wives are even more interesting than those between them and Jacob.  Linda Hamilton studies and writes about nineteenth-century Mormon life as both a historian and a novelist—including, most recently, The Fourth Wife. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Silk Weaver, will appear in the summer of 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

Terminator 3: Rise of the Machines (2003)Directed By: Jonathan MostowStarring: Arnold Schwarzenegger, Nick Stahl, Kristanna Loken, That lady with a so-called life.It's another theme month, and we're calling this one "April in the 3" - meaning we're looking at the third movie in a franchise each episode this month. This month, as you can probably guess from the title, we're looking the influential Terminator 3: Rise of the Machines. Arnold said "I'll be back", but Eddie Furlong, Linda Hamilton and James Cameron sadly missed the memo, which may explain some things about this movie. IMDB.com describes "Terminator 3: Rise of the Machines" as: "John Connor must face a female Terminator with power over all the machines. But a new Terminator unit, a T-850, is sent back through time to help guide him through the coming battle."We Also Talked About:Demonwarp (Youtube)The Rise of the Red Hot Chili Peppers: Our Brother Hillel (Netflix)Street Wars (Youtube)Titanic 2000 (Tubi)Titanic 2 (Tubi)Burial Ground (Tubi)Jackie Brown (Amazon)Our True Romance EpisodeLike what you hear here? Check out our new Patreon! Help support the channel by checking out ⁠⁠⁠⁠⁠https://patreon.com/deweypodmonster⁠⁠⁠⁠⁠ where we've got lots of perks and a tier that's right for you!We're also on the youtubes now with our entire new back catalog and some upcoming exclusive content available at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/@deweypodmonster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(Some of the above links are affiliate links, if you purchase through these affiliate links we do get a small kickback, and it's the best way to support this show!).Rate and Review us on the podcast platform of your choice!As always, remember, you can always find the latest goings on at our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Crap.Town⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our fellow podcast network members at https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Yourunpodcast.com⁠⁠⁠

Many years in the making, The Fangirls were finally able to welcome long-time friend and debut author Linda Hamilton to the podcast to chat about her novel, THE FOURTH WIFE, and Mormon history and folklore. Stay up to date with Linda by visiting her website.Click here to read the extended show notes, which includes where to find a list of all the books mentioned in this episode, how to contact us, where to find us on social media, how to support the show and The Fangirls, and all our internet besties and associated coupon codes: http://theincoherentfangirl.com/show-notes

In this Terminator 2: Judgment Day Review, the Born to Watch crew dives headfirst into what many consider the greatest sequel ever made. James Cameron didn't just follow up the original Terminator… he reinvented the blockbuster. Released in 1991, Terminator 2: Judgment Day changed action movies forever with groundbreaking visual effects, unforgettable characters, and one of Arnold Schwarzenegger's most iconic roles.This week the full team is back, and the discussion kicks off with a simple but loaded question, is Terminator 2 the greatest sequel of all time? From the opening future-war battlefield to the legendary showdown between the T-800 and the liquid-metal T-1000, the boys break down why this film still holds up more than three decades later.Arnold Schwarzenegger returns as the Terminator, but this time the formula is flipped. Instead of hunting Sarah Connor, he's protecting her son, John Connor, the future leader of the human resistance. It's a twist that audiences in 1991 didn't see coming, and it gives the film its emotional core.The crew digs into Schwarzenegger at the absolute peak of his powers. After dominating the 80s with films like Predator, The Running Man and the original Terminator, Arnie was arguably the biggest movie star on the planet when T2 arrived. The famous bar scene, the sunglasses moment, and of course the immortal line "Hasta la vista, baby" all get the Born to Watch treatment.Linda Hamilton also gets her flowers in this episode. Her transformation from the vulnerable Sarah Connor of the first film into the hardened warrior of Judgment Day is one of the most dramatic character evolutions in action movie history. The boys discuss her intense performance, the physical transformation she underwent, and why her portrayal still feels authentic today.Edward Furlong's debut as John Connor sparks plenty of debate, too. Some love his rebellious street-kid energy, others question whether he's the most annoying teenager ever put in charge of humanity's future. Either way, he plays a crucial role in the film's emotional arc, and the developing bond between John and the T-800 is one of the movie's biggest surprises.Then there's Robert Patrick's T-1000. With his cold stare, relentless pursuit, and shape-shifting liquid metal body, he created one of the most terrifying villains of the 1990s. The guys break down why the T-1000 works so well and how the visual effects still look incredible today.Of course, no discussion of Terminator 2 would be complete without talking about the action set pieces. The LA River chase, the motorcycle-and-truck pursuit, the hospital escape, and the steel mill finale are all analysed in classic Born to Watch fashion. These scenes helped redefine what audiences expected from blockbuster filmmaking.The episode also dives into the film's massive cultural footprint. From the Guns N' Roses track "You Could Be Mine" to the revolutionary CGI that brought the T-1000 to life, Terminator 2 pushed cinema technology forward and influenced action movies for decades.But the big question remains: Does Terminator 2 actually surpass the original?That's the debate the Born to Watch crew finally settles.So slide into your leathers, fire up the Harley, and join the boys as they revisit one of the biggest and most influential action films ever made.JOIN THE CONVERSATIONIs Terminator 2 the greatest sequel of all time?T-800 or T-1000 — which Terminator wins the showdown?Does Judgment Day beat the original Terminator?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts.#BornToWatch #Terminator2 #JudgmentDay #ArnoldSchwarzenegger #JamesCameron #90sAction #MoviePodcast #SciFiMovies #T1000 #HastaLaVistaBaby

We're joined by REAL LIFE Volcanologist Dr. Vanessa Swenton, the Lead Field Geologist at the Oregon Department of Geology and Mineral Industries to talk Dante's Peak, the 1997 disaster classic starring Pierce Brosnan & Linda Hamilton, recently released on 4K UHD from Kino Lorber. Find us on Instagram!

Diana and Renee break down the Dark Winds Season 4 premiere, including Joe Leaphorn's surprising announcement about his future, a missing girl case tied to a boarding school, and a dangerous new threat emerging on the reservation. They explore Leaphorn's grief, Bernadette's growing leadership, and the emotional and cultural depth that makes the series so compelling. Plus, rapid-fire reactions, standout moments, and what this premiere sets up for the rest of the season. They also share TV and Movie recommendations.  00:00 Dark Winds S4 Premiere Kickoff + Question of the Day (Is Leaphorn Ready to Retire?) 01:21 First Impressions: Music, '70s Vibe, and Linda Hamilton's Surprise Cameo 03:51 Joe Leaphorn's Grief Without Emma: Separation, Guilt, and That Quiet Montage 05:53 Retirement Bombshell: Leaphorn Taps Bernadette to Lead 06:36 Bernadette & Chee Finally Together (and Everyone at Work Knows) 07:29 Linda Hamilton's Dementia Tribute + Why the Cameo Hits So Hard 08:32 Opening Van Assassin & the Diner Massacre: Fargo Vibes and Rising Stakes 11:32 Who Stood Out: Joe/Emma Status, Showrunner Notes, and Relationship Fallout 15:03 Chee & Bernadette's New Dynamic + Gordo Friendship Moments 19:56 Breaking Down the Leaphorn–Bernadette Talk: Why She's the Right Choice 23:14 Albert, Billy, "That's Not Your Milkshake": The Mystery Thread and The Assassin's Target 25:56 Bigger Conspiracy Brewing: Missing Cousin, Hitman Money & a New City Ahead 26:35 Music Spotlight: Bad Company's "Seagull" and Why the Lyrics Fit Joe's Montage 29:26 Grounding Traditions: Joe's Navajo Balance, Family Rituals & Bernadette's Connection to Land 30:50 Culture Meets the Badge: Why Bernadette Is Best Positioned to Lead 31:53 Hard History & Awareness: Boarding Schools and Missing & Murdered Indigenous Women 32:56 Easter Eggs & Production Notes: Linda Hamilton, Robert Redford Tribute, and the Bubble Gum Clue 35:16 Rapid-Fire Reactions: One-Word Joe, Biggest Surprise, and What's Next This Season 39:11 Question of the Day: Is Leaphorn Really Ready to Walk Away? 42:24 TV & Movie Recommendations: What We're Watching Right Now 50:07 Final Wrap-Up: Thanks for Listening, Share the Show & See You Next Time Renee Hansen:  https://linktr.ee/renee.hansen  https://reneehansen.journoportfolio.com Follow and subscribe to Screens in Focus. Website: www.screensinfocus.comEmail: screensinfocus@gmail.com Instagram: @screensinfocuspodcast Facebook: Screens in FocusTikTok: Screens in FocusYouTube: Screens in Focus Feedback and TV/Movie Recommendations: Google Voice: (669) 223-8542 Free background music from JewelBeat.com: www.jewelbeat.com  

Episode 348: “The Terminator” (1984): Movie Review Chris and Derek go back to 1984 to review the James Cameron science-fiction film, “The Terminator” starring Arnold Schwarzenegger and Linda Hamilton. The guys discuss the director, the cast, box office, scenes, themes, special effects and more. For the “Fun with Caveman” segment of the show, Chris asks Derek trivia questions about dystopian future films. You can contact Chris & Derek here: Email: chris@popgoesyourworld.com derek@popgoesyourworld.com Theme song – “Fantasy Life” by H-Beam provided by Music Alley. “Top of the Pops” theme – “Warm Up” by Alain Galarneau provided by Music Alley.

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 From Wikipedia, the free encyclopedia Stranger Things Season 5 Promotional poster Showrunners Matt Duffer Ross Duffer Starring Winona Ryder David Harbour Millie Bobby Brown Finn Wolfhard Gaten Matarazzo Caleb McLaughlin Noah Schnapp Sadie Sink Natalia Dyer Charlie Heaton Joe Keery Maya Hawke Brett Gelman Priah Ferguson Linda Hamilton Cara Buono Jamie Campbell Bower Nell Fisher No. of episodes 8 Release Original network Netflix Original release November 26 – December 31, 2025 Season chronology ← Previous Season 4 List of episodes The fifth and final season of the American science fiction horror drama television series Stranger Things, marketed as Stranger Things 5, was released on the streaming service Netflix in two volumes and the finale. The first set of four episodes was released on November 26, 2025, the second set of three episodes was released on December 25, and the finale was released on December 31. It was produced by the show's creators, the Duffer Brothers, along with Shawn Levy and Dan Cohen. The season stars Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Maya Hawke, Brett Gelman, Priah Ferguson, Linda Hamilton, Cara Buono, Jamie Campbell Bower, and Nell Fisher. Joe Chrest, Sherman Augustus, Alex Breaux, Jake Connelly, Amybeth McNulty, Randy Havens, and Linnea Berthelsen appear in recurring roles. The season received positive reviews from critics. Premise Set in November 1987, a year and seven months after the events of the fourth season, the group seeks to find and kill Vecna following the opening of rifts throughout Hawkins. Their mission becomes complicated when the military establishes a quarantine in town and begins hunting Eleven. As the anniversary of Will Byers' disappearance approaches, the group must unite for a final battle against the forces of the Upside Down. Cast and characters Main article: List of Stranger Things characters Main Winona Ryder as Joyce Byers Birdy as young Joyce David Harbour as Jim Hopper Millie Bobby Brown as Eleven / Jane Hopper Finn Wolfhard as Mike Wheeler Max Rackenberg as young Mike Gaten Matarazzo as Dustin Henderson Caleb McLaughlin as Lucas Sinclair Noah Schnapp as Will Byers Luke Kokotek as 12-year-old Will Miles Marthaller as kindergarten-age Will Sadie Sink as Max Mayfield Natalia Dyer as Nancy Wheeler Charlie Heaton as Jonathan Byers Graham Harvey as young Jonathan Joe Keery as Steve Harrington Maya Hawke as Robin Buckley Brett Gelman as Murray Bauman Priah Ferguson as Erica Sinclair Linda Hamilton as Dr. Kay[1] Cara Buono as Karen Wheeler Jamie Campbell Bower as Henry Creel / Vecna / One / Mr. Whatsit Raphael Luce as teenage Henry Maksime Blatt as young Henry Nell Fisher as Holly Wheeler[a] Also starring Sherman Augustus as Lt. Colonel Jack Sullivan[2] Emanuel Borria as Sergeant Luis Ramirez Alex Breaux as Lt. Robert Akers Joe Chrest as Ted Wheeler[3] Jake Connelly as Derek Turnbow Amybeth McNulty as Vickie Dunne Randy Havens as Scott Clarke Linnea Berthelsen as Kali Prasad / Eight Recurring Calista Craig as Mary Hope Hynes Love as Miss Harris Eden Stephens as Debbie Miller Gianlucca Gazzo as Glenn Carson Minniear as Thomas Anthony B. Jenkins as Joshua Birdie Borria as Rebecca Alyse Elna Lewis as Wendy Guest Clayton Royal Johnson as Andy[4] Hunter Romanillos as Chance[4] Chantell D. Christopher as Doris Caroline Elle Abrams as Tina Turnbow Gray Hawks as Mr. Turnbow Kelly Collins Lintz as Mrs. Turnbow Aiden Armstrong as Danny Harrington Kyle Riggs as Private Chapman Callaway Corrick as Ashley Klein Frederick Koehler as a scientist Karen Ceesay as Sue Sinclair Catherine Curtin as Claudia Henderson Arnell Powell as Charles Sinclair Sydney Bullock as Stacey Tilly Morris as Sara Hopper

Listen to this PREVIEW of the 30th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Lauren LaMagna about two performances from sci-fi films that weren't nominated for Oscars: Linda Hamilton ("Terminator 2: Judgment Day") and Charlize Theron ("Mad Max: Fury Road"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Terminator 2: Judgment Day" - TriStar Pictures

Part One | Part Two | Part Three“If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.”― Sun Tzu, The Art of WarBecause Donald Trump understands this fundamental rule of The Art of War, he reached a compromise in Minneapolis. It was an easy shift for him because he knows himself and he knows the enemy.He knows all they wanted was months of warfare and chaos between ICE agents and the citizen army on the ground, who are now becoming an organized militia, some of them even arming themselves, all in hopes of producing viral content for the churn to keep the hearts and minds of their voters activated and mobilized ahead of the midterms.They wanted him to show up as the dictator, to crack down on protests like the United States had suddenly become Iran. But Trump is too smart for that. He knows once he becomes the version of him they invented, the war is over. He also knows they will ignore the important news of his presidency. The economy is strengthening, crime is declining, and Trump continues to make big moves on the global stage.By contrast, the left is losing but thinks it's winning because they don't know themselves. If they did, they would understand that the clever game they're playing only takes them so far. Creating chaos throughout 2020 meant they scared Americans into voting Trump out and putting the Obama coalition back in power. But they were the dog that caught the car. They had no idea what to do once Joe Biden took office.It was worse than that. Biden failed in his first major move as president with the botched exit from Afghanistan that left 13 soldiers dead and sparked two wars, as world leaders laughed in our faces at the man in the White House.As Biden's numbers began to fall, and America woke up from the haze of fear from 2020, they wondered why they ever voted out the guy with the strong economy to begin with, and why they were now stuck with a whole new set of rules we were all meant to follow.In truth? Biden was the face of normalcy for the fanatical cult that has now consumed the Democratic Party. They are the socialist socialites who are both the ruling class and the oppressor/oppressed fundamentalists who have no place for America's silent majority anymore. When the story of this moment is told by their ever-reliable unreliable narrators, they will cast themselves as the Underground Railroad to free the slaves or the Kindertransport to save Jewish children from the Nazis.So we have to ask them and make them answer: who is it they're liberating now? What are they fighting for? Mass migration? Open borders? True, they want to keep the 10-20 million who crossed over under Biden and will vote blue no matter who, but what is the endgame here? Do they even know?Trump's greatest blessing and his tragic flaw is that he cannot lose. That's what makes him a great leader; whether he's leading a family, a business, or a country, he wants to win. When you're standing behind him, you get to be a winner too.Some in his base want him to step on the gas, to crack down on protesters and not back off from Minneapolis, but as with so many hard calls Trump has had to make in his second term, he has to somehow find his way through the storm as a guy who, in the end, trusts only himself because he knows himself. If he became the dictator now just to please those in his base, he'd be eaten alive by the empire.They Don't Understand ThemselvesThe chaos in Minneapolis was designed for the legacy media. It was resistance theater that played well on the Nightly News and on social media. The objective, as we now know from the Signal chats and the ongoing soldier training for activists, was to push ICE agents into acting out, to capture those viral moments to paint a picture in the minds of social media users—ICE are violent thugs, they will conclude.If you see enough video of ICE agents pushing women to the ground and detaining children, well, what is a normal person to think? How could the polls not result in the Left's favor? What you don't see is everything that led up to it. You don't see how many times ICE agents are assaulted, obstructed, body slammed, screamed at, spat on, with whistles blaring in their ears, stalked, harassed, and doxxed.But on the Left, they don't see that side of the story, just like they didn't see that side of the story in 2020. The mob terrorizes citizens, and law enforcement and the media call it mostly peaceful protests. I was on the Left. I know that no one was allowed to talk about the violence lest they'd be called a racist. But not being able to say the truth, let alone know the truth, meant we were all walking around in a constant state of confusion. We all knew that Derek Chauvin did not murder George Floyd, but we had to say he did. We knew Trump wasn't bragging about sexual assault on the Access Hollywood tape, but we had to say we did. We knew that many of the Me Too cases were either made up or greatly exagerrated but we would be punished if we questioned any of it.Each side gets its own version of events, but these were never two equal sides. The Left still has most of the media power, says Megyn Kelly:But they have become too comfortable with confirmation bias and their ability to control the narrative that they no longer even know what is true.Important words have lost all meaning: Fascist, racist, dictator, resistance, democracy, racist, rapist, pedophile, man, woman, boy, girl, abortion is healthcare, trans women are women. Every time someone blurts out “regime,” or “occupation,” “insurrectionist,” “election denier,” “anti-vaxxer,” or “anti-masker” we are conditioned to snap to attention. Once the words are gone, and the Newspeak implemented, it's easy to lie in headlines for the same reasons. An image is even more powerful than words. Those lies meant we could not know ourselves or the enemy. We were led around by hyperbole and caught up in a dreamscape where nothing is entirely real. That meant comedians, Hollywood, and politicians couldn't really read the room, but they had to mirror that delusion, lest they get booted out of utopia too.Recently, Scott Bessent gifted Gavin Newsom with a nickname that will stick. “Sparkle Beach, Ken.” It's funny because it's true. When Newsom then tried to play on Trump's level with the knee-pads joke, it fell flat because it isn't true. Trump isn't that guy. If they knew themselves, they would understand that they are not the working-class poor who have any business marching around with No Kings posters. If they knew themselves, they would shut up about the Epstein Files because they know it's way worse on the Democrat side. If they knew themselves, they would not shout “fascist” because they would know that they are, at heart, the real fascists.If they knew themselves, they would understand why, even now, they are still the crazier side, and no matter the smoke and mirrors, the chaos, the viral videos, the mass hysteria, they can't do the one thing they would need to do to win this war: offer the people something better.If they knew themselves, they would understand that the Boy Who Cried Wolf was not just a children's story. It is a deeply profound statement about people who scream about everything until their screams fall on indifferent ears. The only reason they've gotten this far with their madness is that Trump isn't a fascist or a dictator, because if he wanted to, he could crush all of these folks like bugs as the Commander in Chief of the most powerful military in the world. They also don't seem to realize that a handful of granola crunchers arming themselves is no match for MAGA, either, should it ever come to that. The only reason the Right hasn't yet taken up arms reminds me of that scene in Grizzly Man where the bears think there might be something wrong with Timothy Treadwell, so they leave him alone, at least for a little while.But when one bear gets frustrated and hungry enough, we see just how easy it was for the bear to eat Timothy and his girlfriend in the Grizzly Maze.They don't know TrumpThe Democrats have been fighting a villain they created, but who never existed. I was one of those who sobbed on my couch after 2016, donated to Jill Stein, marched in protest, and felt myself part of the resistance. I would take to the treadmill at the gym to the Styx song Come Sail Away and I would imagine making a video to rally the troops on the Left. I would think those MAGA “racists” are not prepared for the strength of our battlestation. We have all of this power, and they have none of it. And yet, even as I imagined this, I didn't realize what I was saying because I didn't know myself, or my side, and I most certainly didn't know Trump and MAGA. What would snap me out of it was seeing what we eventually did with our power. It wasn't a grassroots uprising. It was one political party becoming more powerful than any other and then using that power to demonize, dehumanize, and marginalize half the country. When we decided we had the right to take over the 2020 election to “save Democracy” that was when I began to pull back.I was like Linda Hamilton in Terminator 2, who sees the guy she thinks is there to kill her, but instead, he's the guy who has come to save her.Because we didn't know ourselves back in 2016, we had to cover up our failures with lies about Trump. We concocted a false World War II fantasy where we were the “resistance.” Once we started that big lie, we were doomed because there was no way out of it, and there still isn't.I would find out in 2020 that all I got from the legacy media was the worst things Trump said, extracted from a much longer speech to paint a picture of someone who did not exist. I had to find that out all on my own, knowing that to do so would cost me everything. Why should just humanizing the other half of the country cost me everything? Because that is what the Left has become. Here is Chamath Palihapitiya on the Katie Miller podcast:Recently, Washington Examiner writer Kimberly Ross tried it on X with the following tweet:But of course, the truth is not something they're ready for. There is no way out for them, not because of who Trump is, but because of who they are. They just haven't figured it out.In my very wealthy, very white, and very Liberal town, there is a shop with a Buddha fountain outside, with shelves lined with spirituality and self-help. Outside, a red sign of rage. If you keep walking toward the Buddha fountain, you'll also see this sign, stabbed into the dirt on the other side.Their lawn sign isn't just an admission of how little they know themselves; it is also a manifesto. Just as they demand yet another impeachment of Trump, they also demand that you see the world the way they do, or else. But just remember, love wins.// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Steve and Anthony talk about Ted's masculinity and about Jonathan's wig. Steve has a few theories that prove unconvincing to Anthony. Anthony is still holding a flame for Linda Hamilton. Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  book@baldmove.com  | Discord | Reddit | Forums Follow us:  Instagram | LeDonneBooks.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim and A.Ron are back to cover the latest season of Stranger Things on Netflix! The Duffer Brothers are serving up another season of sci-fi, action, and nostalgia. To really spur the nostalgia, Linda Hamilton joins the cast as the probable big bad. Jump into Dungeons and Demogorgons for all things strange! Send your feedback to strangerthings@baldmove.com. Hey there!  If you were a Bald Move Club member, you'd see a video embedded in this page. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim and A.Ron are back to cover the latest season of Stranger Things on Netflix! The Duffer Brothers are serving up another season of sci-fi, action, and nostalgia. To really spur the nostalgia, Linda Hamilton joins the cast as the probable big bad. Jump into Dungeons and Demogorgons for all things strange! Send your feedback to strangerthings@baldmove.com. Hey there!  If you were a Bald Move Club member, you'd see a video embedded in this page. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

We saw stranger things!The fifth and final season of the American science fiction horror drama television series Stranger Things, marketed as Stranger Things 5, was released on the streaming service Netflix. The season, which will consist of eight episodes, is set to be released in three parts. The first volume premiered on November 26, 2025, with the second slated for December 25, and the finale on December 31. The season was produced by the show's creators, the Duffer Brothers, along with Shawn Levy and Dan Cohen.The season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Maya Hawke, Priah Ferguson, Brett Gelman, Cara Buono, Linda Hamilton, and Jamie Campbell Bower. Joe Chrest, Jake Connelly, Amybeth McNulty, Nell Fisher, Sherman Augustus, Alex Breaux, and Linnea Berthelsen appear in recurring roles. ★ Support this podcast on Patreon ★

Steve saw Zootopia 2 with the family, Simon Cowell apologized for being a jerk on American Idol and Linda Hamilton doesn't care about chasing youthful looks.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dan, Manny, & Billy invite friend & fan of the pod Meghan P. Nolan back to put the 1984 sci-fi/action classic The Terminator to the ultimate test—THE NOSTALGIA TEST!   “There was no purpose to [Linda Hamilton's] boobs being out.” -Meghan   What a way to kick off the Holiday Season! If there was an episode that defines the what The Nostalgia Test Podcast is all about, it's this one! There is more conversation about Arnold Schwarzenegger's naked ass, awkward sex scenes with useless boobs, how this whole movie is just about a son from the future getting there time traveling virgin father laid, and what's wrong with people that have lizards as pets in a movie where a murderous cyborg kills more people than has spoken words of dialogue. Oh! And let's not forget the gang trying to figure out how anyone in the future is having sex at all on top of and underneath skulls and sheets of metal. And sure, they talk about Arnold, the explosions, the guns, and try to solve the time traveling paradoxes of this film. Grab your favorite beverage for the AI takeover, book your Waymo, and order a pizza to be delivered by a robot and settle in because The Nostalgia Test Podcast is going there!   Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!     Approximate Rundown 00:00 Introduction and Nostalgia Test Setup 00:54 Happy Gilmore Controversy 01:47 Guest Introduction: Megan P. Nolan 02:07 Stephen Colbert and The Goonies 03:24 Terminator 1984 Overview 06:12 James Cameron's Fever Dream 06:44 AI Takeover and Movie Logic 19:52 Practical Effects and 80s Nostalgia 26:26 Casting Choices and Character Analysis 30:17 80s Police Stereotypes 31:43 The Payphone Dilemma 32:15 Character Names and Actors 33:32 Ginger's Creepy Boyfriend 34:16 Age Perception in the 80s 36:57 The Lizard Pet Mystery 38:31 Terminator's Shooting Spree 44:48 The Awkward Sex Scene 54:07 Time Travel Paradoxes 59:19 AI and Future Predictions 01:01:47 Foreshadowing and Missing Elements 01:01:54 Mexico Ending and Child Negotiation 01:02:55 Running from Authorities and Disbelief 01:03:42 Factory Showdowns and Eighties Action Tropes 01:05:00 Casting What-Ifs and Arnold's Seriousness 01:06:27 Awkward Sex Scene and Deleted Scenes 01:07:40 Convenient Explosions and Pipe Bombs 01:22:55 Nostalgia Test and Final Thoughts     Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!       Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

The fifth and final season of the American science fiction horror drama television series Stranger Things, marketed as Stranger Things 5, will be released on the streaming service Netflix. The season, which will consist of eight episodes, is set to be released in three parts, with two volumes on November 26 and December 25, 2025, and the finale on December 31. The season will be produced by the show's creators, the Duffer Brothers, along with Shawn Levy and Dan Cohen.Returning as series regulars are Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Maya Hawke, Priah Ferguson, Brett Gelman, Cara Buono, and Jamie Campbell Bower. They are joined by Amybeth McNulty, who is promoted to the main cast after appearing as Vicky in the the previous season, and newcomers Nell Fisher, Jake Connelly, Alex Breaux and Linda Hamilton.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Send us a textKathy, Mark and Burk react to the Stranger Things Season 5 Trailer! The fifth and final season of the American science fiction horror drama television series Stranger Things, marketed as Stranger Things 5, will be released on the streaming service Netflix. The season, which will consist of eight episodes, is set to be released in three parts, with two volumes on November 26 and December 25, 2025, and the finale on December 31. The season will be produced by the show's creators, the Duffer Brothers, along with Shawn Levy and Dan Cohen. Returning as series regulars are Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Maya Hawke, Priah Ferguson, Brett Gelman, Cara Buono, and Jamie Campbell Bower. They are joined by Amybeth McNulty, who is promoted to the main cast after appearing as a guest in the previous season, and newcomers Nell Fisher, Jake Connelly, Alex Breaux and Linda Hamilton.Support the show

Though Section 89 of the Doctrine & Covenants describes itself as a "principle with promise," "to be sent by greeting, not by commandment or constraint," contemporary Church leadership has elevated some of its prohibitions to the level of requirement for temple worship. Other suggestions this section contains seem to be completely ignored. To complicate things, current medical research hasn't always supported the specific tenets that have been designated "commandments." No wonder lots of Latter-day Saints have lots of feelings about the Word of Wisdom and its application in our daily lives and choices! In Episode 244, Cynthia and Susan are joined by historian Linda Hamilton for a conversation unpacking it all. What do you think about the Word of Wisdom? What aspects of it feel relevant to your faith life? What are the narratives of women we find in its history and practice? And what parts of Word of Wisdom lore actually hold up to historical scrutiny?