Podcast appearances and mentions of Martin Scorsese

For much of August, we will be taking a break to get our proverbial batteries recharged - we'll be back to releasing new episodes before the end of the month.In the meantime, enjoy this special episode going back through our catalog of mor20 episodes to rank THE  TOP TEN SEQUELS OF ALL TIME!Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonLinks to Episodes Cited (alphabetical order by title):https://livingforthecinema.buzzsprout.com/1764842/episodes/12843457-aliens-1986-re-releasehttps://livingforthecinema.buzzsprout.com/1764842/episodes/9697001-batman-returns-1992-living-for-the-batman-serieshttps://livingforthecinema.buzzsprout.com/1764842/episodes/13310394-blade-1998-blade-ii-2002https://livingforthecinema.buzzsprout.com/1764842/episodes/12653515-the-color-of-money-1986-living-for-the-cruise-serieshttps://livingforthecinema.buzzsprout.com/1764842/episodes/14580697-dune-part-ii-2024https://livingforthecinema.buzzsprout.com/1764842/episodes/17048990-the-empire-strikes-back-1980https://livingforthecinema.buzzsprout.com/1764842/episodes/16187307-the-godfather-part-ii-1974https://livingforthecinema.buzzsprout.com/1764842/episodes/15139326-lethal-weapon-2-1989https://livingforthecinema.buzzsprout.com/1764842/episodes/14534986-the-road-warrior-1981-living-for-the-max-serieshttps://livingforthecinema.buzzsprout.com/1764842/episodes/10591791-star-trek-ii-the-wrath-of-khan-1982https://livingforthecinema.buzzsprout.com/1764842/episodes/8718061-terminator-2-judgment-day-1991https://livingforthecinema.buzzsprout.com/1764842/episodes/10698821-top-gun-maverick-2022Send us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

In this episode of Spitball Media Podcast, we dive deep into the unsettling world of Weapons, unpack the first season of FX's sci-fi drama Alien Earth, and compare the directorial styles of Zach Cregger and Osgood Perkins. We also catch up on what we've been watching lately and break down the trailers for some highly anticipated films and documentaries, including AKA Charlie Sheen, Mr. Scorsese, Dreameater, Marty Supreme, Witchboard, and Americana. Whether you're into horror, sci-fi, or cinematic deep cuts, this episode is for you.

This week Tyler Anbinder joins in to talk about his experiences advising on Gangs of New York as well as his work tracing the Irish diaspora.About our guest:Tyler Anbinder is a specialist in nineteenth-century America and the history of immigration and ethnicity in American life. His latest book, published in March 2024 by Little, Brown, is entitled Plentiful Country: The Great Potato Famine and the Making of Irish New York. That project's digital history component, created with research assistance from more than two dozen GW students, can be found at http://beyondragstoriches.org. His most recent book before Plentiful Country was City of Dreams (2016), a history of immigrant life in New York City from the early 1600s to the present.  And prior to that, in 2001, he published Five Points, a history of nineteenth-century America's most infamous immigrant neighborhood, focusing in particular on tenement life, inter-ethnic relations, and ethnic politics.  His first book, Nativism and Slavery (1992), analyzed the role of the anti-immigrant, anti-Catholic Know Nothing party in the political crisis that led to the Civil War. Professor Anbinder has won fellowships from the National Endowment for the Humanities and held the Fulbright Thomas Jefferson Chair in American History at the University of Utrecht. He has received awards for his scholarship from the Organization of American Historians, the Columbia University School of Journalism, and the journal Civil War History. He also served as a historical consultant to Martin Scorsese for the making of The Gangs of New York.

In this episode, AKAPAD The Film Buff explores why he ranks Martin Scorsese as the third greatest filmmaker of all time, diving into the iconic director's legendary contributions to cinema.

Our summer tradition at Here’s the Thing continues, as staff members choose their favorite conversations from the archives for our Summer Staff Pick series. This week, we revisit Alec’s conversation with Thelma Schoonmaker, the legendary editor behind every Martin Scorsese film since Raging Bull. Known for her warm, unassuming presence, Schoonmaker has shaped some of cinema’s most intense and iconic moments—earning three Academy Awards and seven nominations along the way. She talks to Here’s the Thing host Alec Baldwin about Scorsese’s pet peeves, what it’s like to “create” violence, and the woman she credits with giving her the “greatest life in the world.”See omnystudio.com/listener for privacy information.

Tim Gallin began his quest to perform in feature films and TV after attending CW Post College on Long Island, NY. His first professional job came by way of the Gong Show in August of 1978. He was a contestant on an Elvis Presley special because Chuck Barris was a fan of The King. After seeing his old high school football coach, Vic Magnotta performing in Taxi Driver, Tim picked up the phone and gave him a call. Magnotta was a stuntman, retired special forces soldier, and Vietnam veteran who became close friends with Martin Scorsese while attending NYU. That fateful phone call created for Tim an opportunity to play football in the film The Wanderers. Through Magnotta's continued offers to perform stunts, Tim met many of the people he would collaborate with over the next 45+ years. When asked about a favorite fight scene he performed in, the Marked for Death fight from the classic film F/X (1986) was Tim's immediate response – and is the starting point of this interview that covers some of Tim's epic experiences in the industry including stunt doubling Tom hanks on Splash and Steve Martin on Only Murders in the Building. Tim's IMDB: https://www.imdb.com/name/nm0302941/?ref_=ext_shr_lnkMENTIONSF/X Trailer: https://youtu.be/ihsrN34WkME?si=EtOWzJFZos2zeCsQ Marked For Death fight scene from F/X: https://youtu.be/_KzpueROmto?si=70ABXgw4BnPfTqO5 The absurd life of a 61-year-old veteran Hollywood stuntman: https://www.northjersey.com/story/news/columnists/christopher-maag/2017/12/07/veteran-hollywood-stuntman/762876001/Vic Magnotta imdb: https://www.imdb.com/name/nm0536312/?ref_=ext_shr_lnkTAMMFF Film Freeway: https://filmfreeway.com/TAMMFFFILM FIGHTS WITH FRIENDSDo you listen to our show as an audio podcast? Give video atry. Subscribe to our Youtube for the video version with awesome behind thescenes pics and video! https://www.youtube.com/@FilmFightsFriendsPod?sub_confirmation=1 Dig the show? Consider supporting our Patreon. There are somecool perks! http://patreon.com/FilmFightsFriendsPodcast Join our e-mail list! Hit us up here: fightingwithfriendspod@gmail.comInstagram: http://instagram.com/FilmFightsFriendsPodFacebook: http://facebook.com/FilmFightsFriendsPod Steve's Instagram: Instagram.com/sambosteve Steve's IMDB: http://imdb.me/stephenkoepferPaul's on Instagram: http://Instagram.com/KravMagaChefPaul's IMDB:

Welcome back to Movie Boy! This podcast will feature discussions on movies, new and old alike, as well as some broader movie topics and conversations.In this episode:(00:00) - Intro: Some new ideas for Movie Boy segments and a brief discussion about the movie Together starring Alison Brie and Dave Franco. Also, go see Weapons!! (11:30) - A deep dive on streaming movies in 2025. This conversation features my mother, Ellen Futterman. My mom, a former movie critic and active journalist, helps me explore the history of original movies on streaming services, along with some of our favorites and new ones to watch. (1:10:00) - Mailbag! This mailbag includes my (attempted) Mount Rushmore of Martin Scorsese movies (it's harder than you think), along with my favorite part of Shawshank. This segment also features some movie news about the state of Heat 2. Plus, some new theme song ideas submitted by listener Mike! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The ultimate bar crawl of Old New York continues through a survey of classic bars and taverns that trace their origins from the 1850s through the 1880s.And this time we're recording within two of America's most famous establishments, joined by the people who know that history the best.In Part One, we introduced you to the origin story of New York City tavern life in the Dutch and colonial periods, and we ventured into Fraunces Tavern to witness the creation of the United States itself. Then we headed out to Queens and to Neir's Tavern, which quenched the thirsts of horse-racing fans in the early 19th century -- and reinvented itself in the 20th century thanks to Mae West and Martin Scorsese's Goodfellas.For part two, we fill out our list of the most historic bars and taverns still serving customers in the 21st century -- from SoHo to Williamsburg, from Midtown Manhattan to Red Hook, Brooklyn.But we center our adventure within two classic Manhattan bars, which wear their histories proudly upon the walls:-- McSorley's Old Ale House is the most famous Irish saloon in New York City (and dare we even say, the whole country?), and its stacked, cluttered walls -- every strange piece tells a story -- welcome you inside to become a part of its history.  Historian Will Wander and long-time bartender Shane Buggy provide a most intoxicating tour of the joint.-- Pete's Tavern has become famous as one of America's most enduring literary bars thanks to its long-time association with O. Henry. But there are so many more secrets awaiting you -- from its association with Tammany Hall to its curious transformation into a "flower shop" during Prohibition.  General manager Gary Egan and owner Steve Troy reveal many surprising twists in Pete's own history.This episode was edited and produced by Kieran Gannon. Visit the website for more images of the famous bars mentioned in this week's show.

Old Cinema! New Cinema! Here they are, together! Ellis and Corbs talk about "Hugo," Martin Scorsese's honestly conspicously excellent family movie about a an orphan, a great filmmaker, and the open wounds of World War One. Topics: how exactly is Scorsese so good at making a special effects extravaganza, the 3D moment, fated to fail, color, and Scorsese's ability to bring a wide range of techniques to the table.  Read a fascinting article about Rave Culture in Britain here. Corbin  Rec. Matt rec. Next episode is about Leviathan. Watch here. 

Brian not only writes but also illustrates his incredibly popular books—this epic interview will blow you away! Brian Selznick's books have sold millions of copies, garnered countless awards worldwide, and have been translated into more than 35 languages. He broke open the novel form with his genre-breaking thematic trilogy, beginning with the Caldecott Medal-winning #1 New York Times bestseller The Invention of Hugo Cabret, adapted into Martin Scorsese's Oscar-winning movie Hugo. In praising his body of work, The Washington Post said, “Brian Selznick proves to be that rare creator capable of following one masterpiece with another.” The Associated Press called Selznick “one of publishing's most imaginative storytellers.” He and his husband Dr. David Serlin divide their time between Brooklyn, New York and La Jolla, California.

(Airdaate: 8.7.25) Lindsay Lohan wants to trade in teen comedies for a shot at Scorsese—because Mean Girls to Martin is totally a natural jump. Meanwhile, J.Lo's Vegas residency isn't exactly selling like hotcakes, unless those hotcakes are $1,300 a seat and still available. And Jamie Lee Curtis drops a hilariously unfiltered red carpet greeting on Allison Janney that proves even Hollywood legends have no chill—in the best way. Voted 6th Best Entertainment News Podcast! Because being #1 is soooo overrated. And @HalleBerry Listen to the daily Van Camp and Morgan radio show at: https://vancampandmorgan.com/stations buy us a coffee      

This week on The WatchTower Film Podcast, we're officially launching The Brow Month—our deep dive into the wild, legendary world of Martin Scorsese. And there's no better place to start than Goodfellas—the mob movie that redefined the genre (and the tracking shot).We break down the film's electric style, unforgettable characters, cocaine-fueled chaos, and why Scorsese's fingerprints are all over modern cinema. From freeze frames to mob betrayals, it's fast, funny, brutal, and endlessly rewatchable.Just don't ask how many takes the Copacabana shot took. We're talkin' here.

CON-TESTI CREATIVI: parliamo di un libro consigliato a tutti gli appassionati di cinema, regia e storytelling visivo. “L'occhio del regista” raccoglie interviste a 25 maestri del cinema, da Martin Scorsese a Tim Burton, da Oliver Stone a Lars Von Trier, ognuno con il proprio approccio personale alla regia. Un libro pieno di spunti pratici e visioni variegate. Una lettura perfetta per chi vuole capire non “come si fa” un film, ma come pensano i registi.- link (affiliato) al libro: https://amzn.to/4kOKqnv☞ SOCIAL ⤷ Instagram: https://www.instagram.com/wonderlandproduction/⤷ Facebook: https://www.facebook.com/WonderlandVideoProduction⤷ Sito: https://www.wonderlandproduction.com✉ info@wonderlandproduction.com

Holidays often mean we post a listicle...and so the Civic Holiday brings about our breakdown of the American Film Institute's greatest movies that DIDN'T make their 1998 or 2007 Top 100 lists. So there's no Citizen Kane, Godfather, Jaws action here. These are nominees that were shunned both times, such as Dog Day Afternoon, Ghostbusters, L.A. Confidential...and so many more. Bev listed her #100 down to #11 alphabetically while Ryan came up with categories in groups of 10. Then we each did a more thorough analysis of our Top 10 lists. So get cozy on this first Monday of August as the 679th edition of Have You Ever Seen highlights 100+ choices of outstanding American movies on this AFI's Not Quite 100 listicle. Well, Actually: Brad Pitt IS in 3 movies between our 2 lists, but one of them was just a tiny cameo in Being John Malkovich. Also, it appears that Martin Scorsese should not have been listed with the directors who have 3 movies on one or both of our lists (it's just 2). Also also, Sigourney Weaver WAS in an AFI movie, but her 3 seconds in Annie Hall was a cameo at the very end where you can barely tell it's her. Sparkplug Coffee? Why, they sponsor us. Use our "HYES" promo code and enjoy a onetime 20% discount. The website is "sparkplug.coffee/hyes". You should subscribe to Have You Ever Seen and then you'll never miss an episode again. Subscribe on YouTube too (@hyesellis in your browser). Rate the show, write a review, follow, you know the drill.  And offer up your own thoughts on social media (we're ryan-ellis and bevellisellis on Bluesky and @moviefiend51 and @bevellisellis on Twi-X) or with an email (haveyoueverseenpodcast@gmail.com).

Today on What's My Frame I'm joined by Casting Director, Betsy Ware Fippinger. Betsy has trained under some of the best Casting Directors in New York, including Meredith Tucker and Ellen Lewis. As a Casting Associate and Assistant she worked on projects directed by Steven Spielberg, Martin Scorsese, Bo Burnham, Greg Mottola, and Lynn Shelton. Betsy won an Artios Award for her work as the Casting Associate on the pilot episode of ‘The Marvelous Mrs. Maisel'. As a Casting Director, Betsy cast Sarah Friedland's ‘Familiar Touch' (in theaters now, and winner of three awards at the 2024 Venice Film Festival, including Best Debut Film) and co-cast Nicholas Colia's ‘Griffin in Summer' (winner of three awards at the 2024 Tribeca Film Festival, including Best Narrative Feature). She also cast the lead youth roles for Kelly Fremon Craig's ‘Are You There God? It's Me, Margaret,' for which she won her second Artios Award. Before entering casting, Betsy worked at HBO and The William Morris Agency, and taught at Indiana University. She graduated with a BA in Film from Wesleyan University in 2003. Betsy's openness and heart for actors is evident in this conversation. We chat about creative process and a few of her recent projects. One of my favorite quotes from this episode is "doing what you love regardless of the outcome". Now let's get to the conversation. FAMILIAR TOUCHIMDb--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

El último episodio antes de irnos de vacaciones comentamos muchas cosas de Apple en realidad, pero empezamos hablando de una boda súperlujosa, lo rica que está la langosta en Maine, y cuando Ángel se cruzó en un ascensor con Martin Scorsese.Comentamos la filtración de un prototipo del iPhone 16 con un nuevo diseño de cámaras y la reincorporación del "Liquid Glass" en las betas de iOS. Analizamos la llegada de Cyberpunk 2077 a Mac, evaluando el rendimiento de los chips Apple Silicon para gaming y la prometedora optimización de juegos. También discutimos el curioso rumor sobre dos cámaras frontales en los futuros iPad Pro y celebramos el importante anuncio de la versión nativa de Blender para iPad.Explicamos la demanda de Apple contra el youtuber Jon Prosser por espionaje industrial, aclarando que la causa es el acceso ilegal a un dispositivo de un empleado. También examinamos el acuerdo de la Comisión Europea con Corning (Gorilla Glass) sobre prácticas anticompetitivas, concluyendo que, debido a los acuerdos personalizados de Apple, no debería afectar a sus productos. Analizamos el impresionante éxito de Apple TV+ en las nominaciones a los premios Emmy, alcanzando un récord de 81 candidaturas, y compartimos nuestras opiniones personales sobre adaptaciones de ciencia ficción como Foundation y Dark Matter, así como la vuelta de Ted Lasso. The Great Lobster Roll Road Trip - The Maine Mag Maine's Unofficial 'Lobster Crawl' Is A Delicious Coastal Trail Through Scenic Towns And Seafood Shacks Mucho lujo y pocas fotos en la otra gran boda del verano, la de la heredera de Apple: las hijas de Bruce Springsteen y Bill Gates, entre los invitados Xiaomi-Lámpara antimosquitos, trampa para insectos y moscas, linterna de Camping con sincronización USB, matamoscas eléctrico, repelente de insectos para exteriores - AliExpress 39 Apple sigue probando cómo será realmente 'Liquid Glass': da marcha atrás y vuelve a dar más transparencia al diseño Apple's next iPad Pro will reportedly get two front-facing cameras Jon Prosser, demandado por Apple por filtrar iOS 26 Apple v. Ramacciotti and Prosser PDF Trade Secret Legal Remedy Blender prepara su llegada a tablets: primera parada, iPad Blender para iPad Pro en desarrollo, compatible con Apple Pencil - Faq-mac Corning abre el mercado del vidrio para móviles: Compromisos vinculantes con la UE Zonamovilidad.es Apple Walks Away Unscathed As EU Forces Corning To Dismantle Exclusive Glass Deals, Opening The Door For Rivals And Shaking Up The Smartphone Supply Chain Apple rompe un récord con 81 nominaciones a los premios Emmy, con Severance a la cabeza - Apple Foundation: Season 3 Rotten Tomatoes Murderbot Rotten Tomatoes Tim Cook on X: "From biscuits to BBQ: Ted Lasso Season 4 kicks off production in Kansas City! ⚽️ https://t.co/UDKgXqw68d" / X Of Comparing Murderbot TV Series to the Book – Becoming The Muse

On episode 300 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson alongside AwardsWatch contributors Karen Peterson and Josh Parham to go back 35 years and take a look at the 63rd Academy Awards, covering the films of 1990. On this retrospective, the AW team take a trip to 1990, where actor Kevin Costner rode off the with multiple Oscars, winning Best Picture for his western Dances With Wolves. While a massive hit at the time, history has not been kind to the winner here as it has become one of the biggest mistakes in Best Picture history, with many believing this was the right time to give Martin Scorsese his due with his masterpiece, Goodfellas. Alongside talking about that, the team explores a turning point of cinema, where the big Hollywood hits made or released from the 1980s were starting to blend with the independent cinema that would dominate the 1990s. It's a fascinating year at the intersection of Hollywood's biggest night. In their in-depth discussion, the AW team talked about the film year of 1990, briefly discuss talk about Dances With Wolves as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h07m. We will be back in next week for a review of the latest horror, Weapons. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Episode 143: Tom, Evan & Marcus go deep deep deep on the next installment of their One Fucking Summer Crimetime series with One F'ing Hour on CASINO (1995), the Scorsese film that gave them violent nightmares!! Sign up for the OFH Patreon: ⁠https://www.patreon.com/onefuckinghour⁠

This month we're diving into the fresh and relevant debate of Martin Scorsese versus Marvel/Superheroes/Thrill Rides and deciding a definitive winner. See the video here: https://youtu.be/w_nDobUe9ogSupport us on http://www.patreon.com/reactionshots

In Las Vegas, two best friends compete for the mob's multi-million dollar casino operation where fortunes and lives are made and lost with a roll of the dice. They had it all, they ran the show, and it was paradise while it lasted. Unfortunately, no one stays at the top forever. Michael and Eric--with special guest Eric (another?!)--go for broke with Casino (1995), directed by Martin Scorsese.   Casual Gamer 4K: YouTube   Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news! Linktree | Instagram | Facebook | YouTube | Merch

Black-circle sunken red-webbed sclera, eyes of hang dog priest begging for a slim chance at peace. To walk away from bleeding streets, plastic-bagged men who reek the wretched stench of milk, the dying, and the dead. "What the hell kind of name is I.B. Bangin'?"

We've put together the ultimate New York City historic bar crawl, a celebration of the city's old taverns, pubs, and ale houses with 18th- and 19th-century connections. And along the way, you'll learn so much about the city's overall history — from its changing shoreline to the everyday lives of its working-class immigrant populations.Being an old historic bar isn't just a novel curiosity for history lovers. It can be good for business and many of the most popular landmark pubs literally wear their stories on the walls — framed newspapers and photographs, memorabilia, old clocks, sailors' caps and fedoras.The history of old bars is a little like a ghost story, where a legend has grown up around a historic place, and decades or centuries later, it can be hard to determine the pure truth. In many ways, the myths are as powerful and as interesting as the actual history itself.In this episode, the first of two parts, Greg and Kieran visit two very different establishments representing the colonial and rustic world of Old New York:— Fraunces Tavern, one of the most important American landmarks of the Revolutionary War, remains a vibrant spot over 250 years after its stools and tables were occupied with rebellious colonists. Today, its history lovers and workers from the Financial District who enjoy its labyrinthine bar and dining rooms, while upstairs an impressive museum celebrates the tavern's many eras of greatness.— Neir's Tavern, in the quiet residential neighborhood of Woodhaven, Queens, once sat next to the popular Union Race Course, one of the key American sports venues of the early 19th century. Horse-racing remains in the bar's DNA — in its insignia and on its walls. But this surprising spot may be better known for its connections to sassy queen of comedy Mae West and to the iconic Martin Scorsese film Goodfellas, which was filmed here.PLUS: The Ear Inn! And we tell you with absolute certainty the location of the oldest tavern structure in New York City. You can't drink beer there anymore, but next to it, you can grab a coffee and a croissant.This episode was produced and edited by Kieran Gannon.The Bowery Boys Podcast is proud to be sponsored by FOUNDED BY NYC, celebrating New York City's 400th anniversary in 2025 and the 250th anniversary of the United States in 2026. Read about all the exciting events and world class institutions commemorating the five boroughs legacy of groundbreaking achievements, and find ways to celebrate the city that's always making history.  foundedbynyc.com

This week in the After Party, Jake looks further into the CASSM (Corporate Algorithmic Studio Storytelling Machine) and explores the reasons behind the sanitized versions of music history that are served up everywhere but in Disgraceland. Plus, an update on the developments in the California wildfire benefit story, and your voicemails and DMs! On Tuesday, we're bringing you part 2 of our story on hip hop legends Run-DMC and Jake wants to know: Who is the most influential rap group of all time? Share your thoughts at 617-906-6638, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or on socials @disgracelandpod. To listen to an extended version of the After Party and hear Jake's thoughts on the truth behind Bob Dylan's motorcycle accident, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 178- ⁠Bob Dylan pt 1 Episode 227 Bob Dylan pt 2 Episode 209 - Martin Scorsese and the Band To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Severance" from Apple TV+ earned 27 nominations for the 77th annual Primetime Emmy Awards, while HBO Max's "The Penguin" and "The White Lotus" weren't far behind. "The Studio" and "The Bear" were also high on the list, and Harrison Ford picked up an acting nomination for "Shrinking." On this episode, the co-hosts go through some of the notable selections — and snubs — following the release of the nominations. Review the full list below: Outstanding drama series"Andor" (Disney+)"The Diplomat" (Netflix)"The Last of Us" (HBO Max)"Paradise" (Hulu)"The Pitt" (HBO Max)"Severance" (Apple TV+)"Slow Horses" (Apple TV+)"The White Lotus" (HBO Max)Outstanding comedy series"Abbott Elementary" (ABC)"The Bear" (FX)"Hacks" (HBO Max)"Nobody Wants This" (Netflix)"Only Murders in the Building" (Hulu)"Shrinking" (Apple TV+)"The Studio" (Apple TV+)"What We Do in the Shadows" (FX)Outstanding limited or anthology series"Adolescence" (Netflix)"Black Mirror" (Netflix)"Dying for Sex" (FX)"Monsters: The Lyle and Erik Menendez Story" (Netflix)"The Penguin" (HBO Max)Outstanding television movie"Bridget Jones: Mad About the Boy" (Peacock)"The Gorge" (Apple TV+)"Mountainhead" (HBO Max)"Nonnas" (Netflix)"Rebel Ridge" (Netflix)Outstanding reality competition program"The Amazing Race" (CBS)"RuPaul's Drag Race" (MTV)"Survivor" (CBS)"Top Chef" (Bravo)"The Traitors" (Peacock)Outstanding talk series"The Daily Show" (Comedy Central)"Jimmy Kimmel Live!" (ABC)"The Late Show with Stephen Colbert" (CBS)Outstanding scripted variety series"Last Week Tonight with John Oliver" (HBO Max)"Saturday Night Live" (NBC)Outstanding variety special (live)"The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar" (Fox)"Beyoncé Bowl" (Netflix)"The Oscars" (ABC)"SNL50: The Anniversary Special" (NBC)"SNL50: The Homecoming Concert" (Peacock)Outstanding variety special (pre-recorded)"Adam Sandler: Love You" (Netflix)"Ali Wong: Single Lady" (Netflix)"Bill Burr: Drop Dead Years" (Hulu)"Conan O'Brien: The Kennedy Center Mark Twain Prize For American Humor" (Netflix)"Sarah Silverman: Postmortem" (Netflix)"Your Friend, Nate Bargatze" (Netflix)Outstanding game show"Celebrity Family Feud" (ABC)"Jeopardy" (ABC)"The Price is Right" (CBS)"Wheel of Fortune" (ABC)"Who Wants to Be a Millionaire" (ABC)Outstanding lead actress in a drama seriesKathy Bates, "Matlock"Sharon Horgan, "Bad Sisters"Britt Lower, "Severance"Bella Ramsey, "The Last of Us"Keri Russell, "The Diplomat"Outstanding lead actor in a drama seriesSterling K. Brown, "Paradise"Gary Oldman, "Slow Horses"Pedro Pascal, "The Last of Us"Adam Scott, "Severance"Noah Wyle, "The Pitt"Outstanding lead actress in a comedy seriesUzo Aduba, "The Residence"Kristen Bell, "Nobody Wants This"Quinta Brunson, "Abbott Elementary"Ayo Edebiri, "The Bear"Jean Smart, "Hacks"Outstanding lead actor in a comedy seriesAdam Brody, "Nobody Wants This"Seth Rogen, "The Studio"Jason Segel, "Shrinking"Martin Short, "Only Murders in the Building"Jeremy Allen White, "The Bear"Outstanding lead actress in a limited or anthology series or movieCate Blanchett, "Disclaimer"Meghann Fahy, "Sirens"Rashida Jones, "Black Mirror"Cristin Milloti, "The Penguin"Michelle Williams, "Dying for Sex"Outstanding lead actor in a limited or anthology series or movieColin Farrell, "The Penguin"Stephen Graham, "Adolescence"Jake Gyllenhaal, "Presumed Innocent"Brian Tyree Henry, "Dope Thief"Cooper Koch, "Monsters: The Lyle and Erik Menendez Story"Outstanding supporting actress in a drama seriesPatricia Arquette, "Severance"Carrie Coon, "The White Lotus"Katherine LaNasa, "The Pitt"Julianne Nicholson, "Paradise"Parker Posey, "The White Lotus"Natasha Rothwell, "The White Lotus"Aimee Lou Wood, "The White Lotus"Outstanding supporting actor in a drama seriesZach Cherry, "Severance"Walton Goggins, "The White Lotus"Jason Isaacs, "The White Lotus"James Marsden, "Paradise"Sam Rockwell, "The White Lotus"Tramell Tillman, "Severance"John Turturro, "Severance"Outstanding supporting actress in a comedy seriesLiza Colón-Zayas, "The Bear"Hannah Einbinder, "Hacks"Kathryn Hahn, "The Studio"Janelle James, "Abbott Elementary"Catherine O'Hara, "The Studio"Sheryl Lee Ralph, "Abbott Elementary"Jessica Williams, "Shrinking"Outstanding supporting actor in a comedy seriesIke Barinholtz, "The Studio"Colman Domingo, "The Four Seasons"Harrison Ford, "Shrinking"Jeff Hiller, "Somebody Somewhere"Ebon Moss-Bachrach, "The Bear"Michael Urie, "Shrinking"Bowen Yang, "Saturday Night Live"Outstanding supporting actress in a limited or anthology series or movieErin Doherty, "Adolescence"Ruth Negga, "Presumed Innocent"Deirdre O'Connell, "The Penguin"Chloë Sevigny, "Monsters: The Lyle and Erik Menendez Story"Jenny Slate, "Dying for Sex"Christine Tremarco, "Adolescence"Outstanding supporting actor in a limited or anthology series or movieJavier Bardem, "Monsters: The Lyle and Erik Menendez Story"Bill Camp, "Presumed Innocent"Owen Cooper, "Adolescence"Rob Delaney, "Dying for Sex"Peter Sarsgaard, "Presumed Innocent"Ashley Walters, "Adolescence"Outstanding guest actress in a drama seriesJane Alexander, "Severance"Gwendoline Christie, "Severance"Kaitlyn Dever, "The Last of Us"Cherry Jones, "The Handmaid's Tale"Catherine O'Hara, "The Last of Us"Merritt Wever, "Severance"Outstanding guest actor in a drama seriesGiancarlo Esposito, "The Boys"Scott Glenn, "The White Lotus"Shawn Hatosy, "The Pitt"Joe Pantoliano, "The Last of Us"Forest Whitaker, "Andor"Jeffrey Wright, "The Last of Us"Outstanding guest actress in a comedy seriesOlivia Colman, "The Bear"Jamie Lee Curtis, "The Bear"Cynthia Erivo, "Poker Face"Robby Hoffman, "Hacks"Zoë Kravitz, "The Studio"Julianne Nicholson, "Hacks"Outstanding guest actor in a comedy seriesJon Bernthal, "The Bear"Bryan Cranston, "The Studio"Dave Franco, "The Studio"Ron Howard, "The Studio"Anthony Mackie, "The Studio"Martin Scorsese, "The Studio"Outstanding directing for a drama series"Andor," Janus Metz ("Who Are You?")"The Pitt," Amanda Marsalis ("6 P.M.")"The Pitt," John Wells ("7 A.M.")"Severance," Jessica Lee Gagné ("Chikhai Bardo")"Severance," Ben Stiller ("Gold Harbor)"Slow Horses," Adam Randall ("Hello Goodbye")"The White Lotus," Mike White ("Amor Fati")Outstanding directing for a comedy series"The Bear," Ayo Edebiri ("Napkins")"Hacks," Lucia Aniello ("A Slippery Slope")"Mid-Century Modern," James Burrows ("Here's To You, Mrs. Schneiderman")"The Rehearsal," Nathan Fielder ("Pilot's Code")"The Studio," Seth Rogen & Evan Goldberg ("The Oner")Outstanding directing for a limited or anthology series or movie"Adolescence," Philip Barantini"Dying for Sex," Shannon Murphy ("It's Not That Serious")"The Penguin," Helen Shaver ("Cent'anni")"The Penguin," Jennifer Getzinger ("A Great or Little Thing")"Sirens," Nicole Kassell ("Exile")"Zero Day," Leslie Linka GlatterOutstanding writing for a drama series"Andor," Dan Gilroy ("Welcome to the Rebellion")"The Pitt," Joe Sachs ("2 P.M.")"The Pitt," R. Scott Gemmill ("7 A.M.")"Severance," Dan Erickson ("Cold Harbor")"Slow Horses," Will Smith ("Hello Goodbye")"The White Lotus," Mike White ("Full-Moon Party")Outstanding writing for a comedy series"Abbott Elementary," Quinta Brunson ("Back To School")"Hacks," Lucia Aniello, Paul W. Downs and Jen Statsky ("A Slippery Slope")"The Rehearsal," Nathan Fielder, Carrie Kemper, Adam Lock-Norton and Eric Notarnicola ("Pilot's Code")"Somebody Somewhere," Hanna Bos, Paul Thureen and Bridget Everett ("AGG")"The Studio," Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory and Frida Perez ("The Promotion")"What We Do in the Shadows," Sam Johnson, Sarah Naftalis and Paul Simms ("The Finale")Outstanding writing for a limited or anthology series or movie"Adolescence," Jack Thorne and Stephen Graham"Black Mirror," Charlie Brooker and Bisha K. Ali ("Common People")"Dying for Sex," Kim Rosenstock and Elizabeth Meriwether ("Good Value Diet Soda")"The Penguin," Lauren LeFranc ("A Great or Little Thing")"Say Nothing," Joshua Zetumer ("The People in the Dirt")Outstanding writing for a variety series"The Daily Show""Last Week Tonight with John Oliver""Saturday Night Live" About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

On the forty- seventh episode of All the Film Things, I had the pleasure of interviewing educator Art Smith jr.! Art Smith jr. has been working in the industry for over 50 years and has mentored over 400 individuals and counting. He has worked behind the camera in various roles such as a production assistant, project manager, and prop master for well- known feature films such The Way We Were, Good Morning, Vietnam, and The Bucket List and also under the direction of acclaimed filmmakers including Brian de Palma, and Martin Scorsese. Art is a member of several prestigious organizations in the industry including the American Film Institute and the Academy of Motion Picture Arts and Sciences TV. He is also the owner of the production company No Budget Movie Company and is a producing partner of Code7 Films. Art has worked in several different mediums including film, television, and music videos, one of which, for the song “Talking to the Wall”, earned him both a Telly Award and Aurora Award in 1999. Just last month, Art was awarded the Lifetime Achievement Award at the Orlando International Film Festival. Aside from his work on set, Art is a proud retired veteran who served in the US Army for 30 years. Art has been the Principal Secretary and on the Board of Directors of the Florida chapter of the non- profit organization Women in Film and Television (WIFT) for nearly twenty years and three exciting new programs, the Veterans program, Handicapped program, and Screening program, were recently launched. Go to WomeninFilmFL.org to learn more about the organization as well as grants, programs, and upcoming events. And if you're not in Florida, go to https://www.wifti.net to find your local WIFT chapter!This is Art's first time on ATFT! I've known Art for nearly three years now through attending WIFT events. At the first event I met him at, he stayed back for a few hours to chat with students answering their questions. Not long after meeting him, we had a phone call that lasted over three hours. I always look forward to seeing and talking with him at WIFT events because I always learn so much and have greatly benefited from his advice. Last spring, I asked Art if he'd be interested in coming on ATFT and he said yes instantly. Even so, this episode came together quickly but I was thrilled to finally have him on!  This episode was originally 2 hours and 22 minutes so I unfortunately had to trim it down. I apologize if the audio quality is not like previous episodes, it was a challenging edit to complete in less than two weeks. This episode was recorded on July 9, 2025. In this episode, Art tells unbelievable star- studded stories from his career, from Sean Connery tracking him down to what happened when Jack Nicholson heard Art's impression of him to his friendship James Brolin, as well as the incredible opportunities Art gave his TV production students through the years. Art also talks about the business behind filmmaking at length including deals that fell through and guiding young filmmakers to success. All this and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

Griffin Dunne is an actor, producer, director, and author of his recent memoir The Friday Afternoon Club. Dunne is known for his memorable roles in cult films such as An American Werewolf in London and Martin Scorsese's After Hours, which Dunne also produced. Dunne is also known for his roles in popular TV series such as This Is Us and Succession. His directing credits include films Practical Magic, Fierce People, and the documentary The Center Will Not Hold about his aunt, Joan Didion. Dunne tells more stories about his family and his unconventional Hollywood upbringing in his memoir The Friday Afternoon Club: A Family Memoir.See omnystudio.com/listener for privacy information.

Please join us as we stay up late and get some overtime working After Hours. Yes,it's the 1985 Martin Scorsese directed film starring Griffin Dunn and a slew of other actors that you will recognize even if you don't remember their names. Our good friend Shawna West joins us for the fun!  

Like a seashell to your ear, we are here. In this extra special episode of To the White Sea we are thrilled and honored to welcome Academy Award-winning sound editor Skip Lievsay, who has worked on more Coen brothers movies than the Coen brothers themselves! This paradox wrapped in an enigma will be unraveled along with so much more. Together we listen closely to scenes of “perfect quiet” when the volume of the soundtrack drops down to almost zero, yet it's in this zone where a whole galaxy of perception may be unlocked. We explore how these quiet scenes build tension, intimacy, tactility, and subjectivity. We also discuss Skip's fascinating working relationship with the Coens, as well as Martin Scorsese, Terrence Malick, and Darren Aronofsky. Immense thanks to Skip Lievsay, Kyle Miller, Mitchell Wareham, and Nina Leitenberg for their time and effort. Mega special thanks to Kate Sanford making this connection. Coens Covered: Blood Simple, The Big Lebowski, The Man Who Wasn't There, No Country for Old Men, The Ballad of Buster Scruggs Plus: The New World Want to join the study group? Follow TTWS on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord too!

RKO needed money fast in 1943 and they brought on David O Selznick protege Val Lewton to head a unit devoted to cheapie horror movies. The rules-use their titles like Cat People, I Walked with a Zombie, The Leopard Man-then figure out the rest. Lewton miraculously created a cycle of incredible atmospheric literate horror movies, several masterfully directed by genre master Jacques Tourneur, that helped revive the career of Boris Karloff, introduce subtexts like repressed sexuality, acceptance of death, compulsion, and influence many artists like Martin Scorsese and Harlan Ellison. Secret Movie Club founder.programmer Craig Hammill takes a deep dive into a cycle of movies that prove you can make greatness if you accept your limitations and turn that into the engine of your creativity. 

In this episode of Terror Talk Podcast, we're diving deep into the wild, weird, and wonderfully low-budget world of Roger Corman, the godfather of indie horror and cult cinema. From gothic Edgar Allan Poe adaptations to biker gangs and blood-soaked exploitation flicks, Corman did it all—and on a shoestring budget.We chat about Corman's signature filmmaking style, his unapologetically fast shooting schedules, and the way he could turn a dime into dread. We explore his most iconic horror films, his love of dramatic lighting and moody monologues, and how he shaped the future of horror by mentoring legends like Francis Ford Coppola, Martin Scorsese, and James Cameron.

With special guests Lisa and Dustin Morrow of The Long Rewind podcast, Anna and Derek chat about illusions of reality, why '80s SoHo is the perfect setting to feel trapped, and much more during their discussion of Martin Scorsese's After Hours (1985).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.Learn more about the hosts of The Long Rewind!Dustin Morrow is an Emmy-winning filmmaker, bestselling author, programmer, podcaster and educator. He is a tenured Professor in the School of Film at Portland State University in Portland, Oregon, where he teaches courses in digital cinema production and film studies. He previously taught at Temple University, Monmouth College and the University of Iowa. Before re-entering academia, Morrow was an editor and director of short-form projects and series television in Los Angeles, creating work for MTV, the Discovery Channel, FoxSports, Sony Pictures and many others. Learn more about his work at www.dustinmorrow.com.Lisa Morrow has a Masters in Library Science from Simmons College and a BA in English and Women's Studies from Bucknell University. She has several years of experience working in publishing and libraries. Lisa's passions include: reading, writing, accessibility, user experience and usability, information architecture, and instructional technology. Lisa also finds etymology fascinating and loves British costume dramas and scifi.We'd love to hear from you! Send us a text message.

Roughly 100 years ago, in Oklahoma, dozens of Osage people were murdered in cold blood in an attempt to steal their wealth and land. That horrific period of time is referred to as the Reign of Terror and is the focus of the true crime book “Killers of the Flower Moon” by David Grann.  In this fascinating episode we compare the 2017 nonfiction book with the 2023 movie, also called “Killers of the Flower Moon.” Though different in approach, both center around an Osage woman named Mollie Kyle whose family was systematically killed in the early 1920s.  What photograph inspired David Grann to write the best-selling book? How did speaking with Mollie's granddaughter inspire Martin Scorsese to change the film's script? In what ways does the movie differ from the book? And what happened to Mollie, Ernest, and Bill Hale after the trials?  We hope you will join us as we discuss not only these two acclaimed works, but also this important historical occurrence of which many people still remain unaware. Listen (and follow!) on your favorite app or Scandal Water Podcast Youtube channel.  How to support Scandal Water: Rate, review and subscribe! Send your shoutouts to scandalwaterpodcast@gmail.com. Give a gift through buymeacoffee.com/scandalwaterpod or patreon.com/ScandalWaterPodcast– which will also grant you access to fabulous bonus content! #killersoftheflowermoon #davidgrann #martinscorsese #osage #reignofterror #molliekyle #leodicaprio #lilygladstone western #wildwest #oldwest #truecrime #movies #westerns #cowboys #okcorral #unforgiven #tombstone #truegrit #GoWestYoungMan #TheWildWest #Film #Movie #ScandalWaterPodcast #Podcast  

Rob Fraboni is a Grammy-winning record producer, a legendary sound engineer, a studio designer, and creator of RealFeel™ sound technology. On this episode we have a conversation with Rob about some of the history of where and how he started his career working in the music business as well as his RealFeel sound technology which he touches on at the end of the show. Rob also has some stories that any music fan will enjoy!Rob is well known for his work with Bob Dylan, The Band, Eric Clapton, The Rolling Stones, Tim Hardin, The Beach Boys, Joe Cocker, and Bonnie Raitt, and as Vice President at Island Records where he oversaw the remastering of the entire Bob Marley catalog. He produced the soundtrack on Martin Scorsese's groundbreaking concert movie, The Last Waltz, which included an all-star cast of famous rock and roll performers. He built and designed the legendary Shangri-La studios in Malibu to the specification of Bob Dylan and The Band. 

In this episode, we cover Bringing Out the Dead, Martin Scorsese's overlooked gem that dives into the life of a New York City paramedic. Join The Dale, Cea, and Twan as we explore how Scorsese turns burnout into spiritual warfare and chaos into dark poetry. Nicolas Cage stars as Frank Pierce, a man unraveling under the weight of lives he couldn't save and ghosts he can't shake. Set in the drug-fueled streets of 1990s Hell's Kitchen, the film pulses with exhaustion, guilt, and hallucinatory dread.

https://notesonfilm1.com/2025/07/21/jose-arroyo-in-conversation-with-daniel-bird-on-the-fall-of-otrar-ardak-amirkulov-1991/ My choice for must-see film of this year's Cinema Rediscovered is Ardak Amirkulov's THE FALL OF OTRAR (USSR, 1991), which will have its UK Premiere in Bristol's old IMAX cinema, now called the Bristol Megascreen, on Sat 26th of July. As Daniel Bird says in the podcast, ‘it's a once in a lifetime occasion'. I wanted to talk to Daniel about the film because he knows more about it than anyone I know, because he speaks so articulately and with such an expansive frame of reference and because he's the one who proposed the restoration to Cecilia Cenciarelli, one of the four artistic directors of Bologna's Il Cinema Ritrovato and part of The World Cinema Project, whose goal is to restore great film from around the world. Such as this one. THE FALL OF OTRAR is an epic set in the 13th Century where an obedient servant of the state Undzhu (Dokhdurbek Kydyraliyev) is persecuted for telling Kaiyrkahn (Tungyshpai Zhamankulov), his ruler, what he doesn't want to hear, which is that Otrar is soon to be invaded by Genghis Kahn. The film is an extraordinary aesthetic experience, a film of great style, structured in two halves, with the last part depicting the siege of Otrar and battles sequences that clearly use Kurosawa's KAGEMUSHA (1980) as a reference point whilst transforming before our eyes into something else altogether. The film has crane shots that rival Leone's, poetic compositions that recall John Ford's, and a selective use of sepia and colour that recall some of the masters of the late Soviet era. A beautiful film that feels epic and yet very intimate as well. In the accompanying podcast Daniel tells me of THE FALL OF OTRAR's fascinating production history (it was part of a national search for ‘new blood' from the ‘regions'; it began filming just as the Soviet Union was unravelling, it started off as Amirkulov's graduation project, it is now one of the key works of Kazahkstan cinema); his own involvement with the project; how the film can be seen as the result of a Russian influence in the dramaturgy and an East Asian, particularly Japanese, influence in the visual aesthetic. We talk too of the film's initial distribution at home and in New York, Martin Scorsese's involvement, and how this new release is demonstrating how the film is also one that speaks to our times, and the various ways it does so. There are digressions (Russian Formalism, Deleuze and Guattari's A THOUSAND PLATEAUS: CAPITALISM AND SCHIZOPHRENIA, showing vs telling in cinema….and much more. It can be listened to below:

Ian speaks with Susan Lacy and Jessica Levin, directors of HBO's new Billy Joel documentary And So It Goes, about telling the story of the Piano Man, Billy's relationships with critics and women, Susan's experience making No Direction Home with Bob Dylan and Martin Scorsese, and more. WATCH "AND SO IT GOES" TONIGHT ON HBO

UnHerd's Florence Read sits down with Todd McGowan – philosopher, film theorist, and author of Pure Excess, Capitalism and the Commodity – to dissect the new Superman film and its deeper political, philosophical, and psychoanalytic currents.As Hollywood leans heavily on superhero franchises, and remakes and adaptations of all sorts, they question whether Superman embodies a "stuck culture," where studios' risk-averse, profit-driven strategies stifle cinematic innovation. Todd probes whether this trend signals a decline in bold, original art, contrasting it with the provocative visions of directors like David Lynch, Stanley Kubrick, Spike Lee, and Martin Scorsese, the latter of which criticised superhero films as “not cinema”, they explore if genres, like horror, have taken up the mantle, delivering the confrontational, cathartic experiences superhero films often lack.Todd finds merit in the new Superman, praising its execution and thematic depth, and reveals why superhero films reflect broader cultural tensions, what's at stake for cinema's future, and whether bold auteurs can still break through the noise. Hosted on Acast. See acast.com/privacy for more information.

Hello, media consumers! Bryan is joined by GQ's Zach Baron to discuss every aspect of celebrity profiling: how they are “brokered”; the process of interviewing; some of his past subjects, including Martin Scorsese, Brendan Fraser, and Tilda Swinton; and more. Then Bryan asks the following question: “Is the celebrity profile dead or dying?” Host: Bryan CurtisGuest: Zach BaronProducer: Kyle Crichton Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this fantastic episode of The Artists podcast, we are joined by the legendary Sir David Sterritt—renowned film critic and scholar, celebrated for his extensive writings on Alfred Hitchcock, Jean-Luc Godard, and more recently, Martin Scorsese. Sterritt, who previously appeared in Episode 89 where we explored Hitchcock, Godard, and Kiarostami (a must-listen if you haven’t already!), returns to unpack the essence of Pure Cinema—a term often used but rarely understood in its full cinematic depth. He’s written for esteemed publications like MovieMaker, Sight and Sound, and Cinéaste, and his insights offer a compelling journey through both classic and modern film thinking.

In this episode, we dive into The Wolf of Wall Street and break down how Martin Scorsese uses brilliant filmmaking to distract the audience from just how terrible these characters really are. We explore how the film mirrors the lifestyle it portrays—fast, loud, and reckless—and how that chaos makes it easy to ignore the darkness underneath. We also analyze Jordan Belfort's character, the outrageous tone, and the psychological tricks Scorsese uses to keep you entertained while showing you the truth.Chapters:00:00:00 How Scorsese distracts you from the debauchery00:05:41 How the beginning sets the stage for insane story00:10:56 Stratton Oakmont's recruitment 00:12:27 The metaphor Scorsese used in penny stock phone call00:15:53 The Jonah Hill scene that reveals the thought process of everyone00:18:41 How Scorsese uses the frame to show Jordan's "superior" life00:20:04 DiCaprio is the only man to pull this movie off00:24:29 The fight against being an ordinary man00:27:40 The amount of iconic scenes in incredible00:29:02 The genius use of a real event as a thematic moment00:30:49 The collapse of Jordan Belfort00:37:15 What was Scorsese trying to say at the end?00:40:43 Last point on distracting you from Jordan's losses00:41:51 The ending00:44:10 Jonah Hill took a pay cut to make this movie00:46:20 Our official rating00:53:34 Cool behind the scenes story of Margot Robbie00:56:41 Final thoughts01:00:29 Cue the music

Executing a well-timed oner is hard. Building a whole show around long, continuous takes? That's another level. This week on Below the Line, Skid is joined by First Assistant Director Donald Murphy and Camera Operator Mark Goellnicht to go behind the scenes of The Studio, the Apple TV+ comedy that blends big laughs with an ambitious visual style. Directed by Seth Rogen and Evan Goldberg, the show follows the fictional chaos of Continental Studios — and brings that chaos to life through long takes, handheld choreography, and camera work that pulls the audience into the scene. Topics include: Shooting single-camera, continuous-take scenes for nearly every episode How the “oner” for Episode 2 was planned, rehearsed, and executed with an eye towards golden hour Building camera choreography around comedy timing and live dialogue Collaborating with actors and stand-ins on complex blocking Stitching shots using natural movement, practical transitions, and VFX Pulling off production in real-world locations like the Las Vegas strip and the Golden Globes Utilizing crew members as additional “background” for added realism Managing on-set tone and morale with Seth Rogen's laid-back leadership Donald and Mark also reflect on how The Studio pulled off its most ambitious sequences — from passing a camera mid-shot between operators to filming in working casinos with minimal control. And yes, they name names: Martin Scorsese, Sarah Polley, Zac Efron, and Ron Howard all make appearances (on set and in the story).

In this deep dive episode of 'That Was Pretty Scary,' host Jon Lee Brody takes listeners back over a century to explore the groundbreaking silent film, 'The Cabinet of Dr. Caligari' (1920). Often overlooked in discussions of cinematic history, this German Expressionist masterpiece quietly laid the foundation for the horror genre and influenced a multitude of iconic filmmakers such as Tim Burton, Guillermo Del Toro, and Martin Scorsese. This episode delves into how Dr. Caligari redefined storytelling by painting dreamlike landscapes and twisting narratives, setting the stage for modern psychological thrillers. Don't miss this illuminating exploration of cinema's first true nightmare!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Ringer's Bill Simmons and Sean Fennessey really want to see a Plaster of that Paris bagel and cream cheese paperweight before rewatching Martin Scorsese's 1985 neo-noir black comedy film, ‘After Hours' starring Griffin Dunne and Rosanna Arquette.  Producers: Jack Sanders and Ronak Nair This episode is sponsored by State Farm®. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Following Films, where we explore the creative journeys behind the films that inspire us. I'm your host, Chris Maynard.Today's guest is Steven Martini—an award-winning screenwriter, actor, musician, and the director of the deeply personal new indie film BitterSweet.This film is more than just a story—it's Steven's story. BitterSweet is based on his own real-life breakdown, a turning point that led to his late autism diagnosis and forced him to reexamine everything: his identity, his creative process, and his role as a father.Steven not only wrote and directed the film—he also stars in it alongside his wife, actress and producer Gabriela Kulaif. You might know his earlier work, including Lymelife and Smiling Fish and Goat on Fire, both of which earned acclaim and were executive produced by Martin Scorsese.BitterSweet is an unflinching look at undiagnosed autism, toxic masculinity, and the trials of early parenthood. It opens in select theaters June 11 and hits VOD worldwide July 3.In our conversation, Steven opens up about the emotional and artistic journey behind the film, the challenges of telling such a personal story, and the catharsis of turning pain into art.Let's jump into it.

Willie gets together with Billy Crystal in NYU Tisch's "Jack Crystal Theater" named for his late father.  Billy opens up about his time in film school at NYU and about his professor, the legendary film director Martin Scorsese. They chat about the enduring legacy of "When Harry Met Sally" and about his acclaimed new series, "Before."  (Original broadcast date December 15, 2024)

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comPaul is a writer, an editor, and an old friend. He's a regular contributor to The New Yorker and a senior fellow in Georgetown's Berkley Center for Religion, Peace, and World Affairs. He's the author of The Life You Save May Be Your Own and Reinventing Bach, and his new book is The Last Supper: Art, Faith, Sex, and Controversy in the 1980s.For two clips of our convo — on Martin Scorsese's extraordinary religious films, and the strikingly resilient Catholicism of Andy Warhol — head to our YouTube page.Other topics: Paul raised in upstate NY as a child of Vatican II; his great-uncle was the bishop of Burlington who attended the 2nd Council; Thomas Merton and Flannery O'Connor as formative influences; working in publishing with McPhee and Wolfe; Cullen Murphy on the historical Christ; Jesus as tetchy; Czesław Miłosz; Leonard Cohen making it cool to be religious; the row over The Last Temptation of Christ and Scorsese's response with Silence; Bill Donahue the South Park caricature; Bono and U2; The Smiths; The Velvet Underground; Madonna and her Catholic upbringing; “Like A Prayer” and “Papa Don't Preach”; her campaign for condom use; when I accidentally met her at a party; Camille Paglia; Warhol the iconographer; his near-death experience that led to churchgoing; Robert Mapplethorpe; S&M culture in NYC; Andres Serrano's “Piss Christ”; Jesse Helms' crusade against the NEA; Sinead O'Connor's refusal to get an abortion; tearing up the JP II photo on SNL; the sex-abuse crisis; Cardinal O'Connor; the AIDS crisis; ACT-UP's antics at St. Patrick's Cathedral; the AIDS quilt as a cathedral; and Paul's gobsmacking omission of the Pet Shop Boys.Coming up: Edward Luce on the war with Iran, Walter Isaacson on Ben Franklin, Tara Zahra on the revolt against globalization after WWI, Thomas Mallon on the AIDS crisis, and Johann Hari turning the tables to interview me. (NS Lyons indefinitely postponed a pod appearance — and his own substack — because he just accepted an appointment at the State Department; and the Arthur Brooks pod is postponed because of calendar conflicts.) Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

GGACP's celebration of Pride Month continues with this look back at a 2015 interview with the daughter of horror icon Vincent Price, author and public speaker Victoria Price. In this episode, Victoria talks about her father's run-ins with the Hollywood blacklist, his distaste for slasher films, his lifelong friendships with Christopher Lee and Peter Lorre and his rumored bisexuality. Also, Victoria lauds horror movie fans, deconstructs “The Abominable Dr. Phibes”, and visits the set of “Theater of Blood”! PLUS: The wonder of Emergo! Vincent Price meets Jack Benny! Martin Scorsese praises “House of Wax”! And the return of “The Tingler”! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is The Zone of Disruption! This is the I AM RAPAPORT: STEREO PODCAST! His name is Michael Rapaport aka The Gringo Mandingo aka Captain Colitis aka The Disruptive Warrior aka Mr. NY aka The Inflamed Ashkenazi aka The Sultan of Sniff is here to today with legendary actor/podcaster Alec Baldwin to discuss: Why he's even online & the ultra famous who use it, new journalism and being taken out of context through the years, how things change, his affinity for other actors & their performances, how he feels about his work, rear view mirror acting, becoming self directing, favorite directors to work with & what makes a great director, working with Woody Allen & Martin Scorsese, how he roots in sports, The actors that he has worked with & loves, being in awe shooting a movie, filming Glengarry Glen Ross, working on 30 Rock, having a "F*ck Off" & a whole lotta mo'! This episode is not to be missed! Stand Up Comedy Tickets on sale at: MichaelRapaportComedy.com Follow on YouTube at: https://www.youtube.com/@MichaelRapaport If you are interested in NBA, NFL, MLB, Soccer, Golf, Tennis & UFC Picks/Parlays Follow @TheCaptainPicks on Instagram & subscribe to packages at www.Winible.com/CaptainPicks www.dbpodcasts.com Produced by DBPodcasts.comFollow @dbpodcasts, @iamrapaport, @michaelrapaport on TikTok, Twitter & InstagramMusic by Jansport J (Follow @JansportJ) www.JansportJMusic.comSee omnystudio.com/listener for privacy information.