Podcast appearances and mentions of Martin Scorsese

What a treat to speak to legendary actor/producer/director/writer Griffin Dunne who shared stories from working with Martin Scorsese and Catherine O'Hara on After Hours, his experience on Johnny Dangerously and his wonderful memoir The Friday Afternoon Club. Then Tim's neighbors Dylan Redford and Harrison Fishman stopped by to complain and to talk about their new HBO doc series "Neighbors" and Shannon Shaw did a barn-burning rendition of "Cryin' My Eyes Out."Support Office Hours, watch or listen to another hour of today's episode with more Shannon and the whole gang, Vic's investigation of Trump's pink hair with OFFICE HOURS+ and get tons of additional content at patreon.com/officehourslive with a FREE seven-day trial.Shop our new merch items at officehours.merchtable.com.Watch the latest season of On Cinema at the Cinema and get tickets to The Certified Five Bags of Popcorn tour before it sells out at heinetwork.tv.Follow Office Hours Live at instagram.com/officialofficehours tiktok.com/@officehourslive & youtube.com/officehoursliveFind everything else officialofficehours.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is the polls portion of episode 235. In this section, the Movie Toasters go over poll results surrounding the sale of Warner Brothers, and the Toasties favorite Martin Scorsese film.Stay Toasty!!!

Eric Roth is an Academy Award-winning screenwriter best known for adapting Forrest Gump, for which he won the Oscar for Best Adapted Screenplay. He has received additional Academy Award nominations for The Curious Case of Benjamin Button, A Star Is Born, and Dune: Part One, and is widely regarded as one of Hollywood's most sought-after writers. Roth co-wrote Killers of the Flower Moon with Martin Scorsese and continues to work on major studio projects, including the 2025 film The President's Cake. ------ Thank you to the sponsors that fuel our podcast and our team: AG1 https://DrinkAG1.com/tetra ------ Squarespace https://Squarespace.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.AthleticNicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

After a rather... interesting Super Bowl spot, Lucasfilm has finally released THE MANDALORIAN AND GROGU official trailer!A helmet-less Din! X-Wings over a sunset! Sigourney Weaver! Zeb! EMBO! Jeremy Allen White is STINKY (Rotta The Hutt)?! Martin Scorsese?! Wait... was that MARK HAMILL?! Did this trailer live up to the hype? Did it make up for some of the perceived shortcoming from the Super Bowl spot?We discuss this trailer, speculate a little bit, and consider wondering if this film still feels like the right choice for Star Wars' triumphant return to the big screen! • • •TRIAD Of The FORCE is a STAR WARS+ podcast hosted by Gus, Nani, & Chase—Puerto Rican and queer creators sharing deep dives, and heartfelt conversations from a galaxy far, far away. Featured on the STAR WARS CELEBRATION Podcast Stage (2022 & 2023), we explore STAR WARS, fantasy, comic books, and other POP-culture media honestly. We engage in inclusive commentary across film, TV, books, comics, and beyond with humor, critical analysis, and cultural perspective (without the toxicity).Follow TRIAD Of The FORCE at:BlueSky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/triadoftheforce.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/triadoftheforce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TriadoftheForce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like us, get some merch and help the channel:TeePublic: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/triad-of-the-force⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• • •Acknowledgement: The Intro and Outro music is the Triad of the Force Theme, composed and performed by Grushkov with full permission for use by Grushkov (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Grushkov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).• • •This channel is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.

Aspiring screenwriter Max Frye wrote a spec script in film school about a straitlaced yuppie's "best worst night ever," which his agent later told him would be perfect for either Martin Scorsese or Jonathan Demme to direct. Since Scorsese was busy on another "yuppie's best worst night ever" movie, After Hours, Demme ended up getting the nod. Demme cast Jeff Daniels as the yuppie Charlie Driggs, with Melanie Griffith as the proto-Manic Pixie Dream Girl Lulu, who sweeps him up for a weekend that starts with sex and ends in terror at the hands of her jealous ex, played by Ray Liotta. This sex-comedy/thriller mashup boasts a fantastic soundtrack and character actor cameos galore, but is the fun worth the hangover? Join us as we get outside our comfort zones with Something Wild!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

Welcome back! The "Mandalorian and Grogu" trailer has finally hit YouTube, and the crew is here to analyze every frame like a pack of hungry Jawas. After a year of waiting, the Razorcrest is back (with some snazzy new yellow accents!), and the hype is reaching lightspeed. A Cinematic Cameo?: Is that legendary director Martin Scorsese we hear as an alien? We debate the surprising (and hilarious) possibility of this Hollywood titan joining the Star Wars universe. Bogan's Advocate: The Empire Strikes Back: It's time to tap into the Dark Side. We take on the impossible task of finding "nitpicks" in what many consider the greatest Star Wars film ever made. The Wampa Debate: Why the original horror-inspired cut might be superior to the Special Edition. That Infamous Kiss: Our crew weighs in on the Luke and Leia moment that aged... interestingly. The Masterpiece: We celebrate the stop-motion magic of Phil Tippett and the timeless score that defines the saga.   Check out the Star Wars Archives link in our description for a database of all 400+ episodes! Orbitkey Disney Collection Add a sprinkle of Disney magic to your everyday carry. The Disney x Orbitkey Collection features fun, functional accessories inspired by Disney characters, designed to make staying organised feel like magic. https://www.orbitkey.com/pages/disney?srsltid=AfmBOorl0UJrj6Skr7fWecL5ZzpxJ6tt757WShCMY3XcCGsLaXPwzBUw Kirk is on YouTube: @kirkmihelakos https://www.youtube.com/designedbykirk Darian is on YouTube: @TheManDarian https://www.youtube.com/@TheManDarian ———————————————————————— Star Wars Escape Pod

Is your brain on books, or is it just running a marathon without your permission? In this unfiltered edition of Put Your Books Down, Angela opens up about her recent adult ADHD diagnosis and how it has completely shifted her perspective on productivity and self-worth. Natalie and Angela also dive into a deep film analysis of the 1982 Martin Scorsese classic The King of Comedy, exploring its eerie themes of celebrity culture, entitlement, and the frightening reality of parasocial obsession. They even offer a crucial PSA: never watch the new Wuthering Heights at noon unless you want to be emotionally inconsolable for the rest of the day.     Subscribe to the podcast, leave a review, visit us at www.putyourbooksdown.com, and follow @putyourbooksdown on social media for more pop culture meditation!    

*Bu bölüm Hiwell hakkında reklam içerir.Hiwell'e ulaşmak için tıklayın.https://hiwell.app/merdivenaltiterapi6

Pope Leo XIV highlights the ethical challenges of AI-generated art, warning that automated creativity risks devaluing human experience and replacing authentic authorship with soulless algorithms that simulate rather than create. Jesuit priest Antonio Spadaro observes in his regular column WayPoints. Read the story here: The challenges of AI-powered art: the lesson of Leo XIV- UCA News Produced by Binu Alex About the Speaker: Jesuit Father Antonio Spadaro is the undersecretary of the Dicastery for Culture and Education of the Holy See. He is a member of the board of directors of Georgetown University and a full member of the Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon. Spadaro has served as editor-in-chief of La Civiltà Cattolica, the oldest and most respected Catholic journal published in Italian from Rome, now also available in seven other languages, including English. In the summer of 2013, Pope Francis, for the first time, gave three extended interviews to Spadaro, in which the late pontiff discussed his background, faith, and vision for the Catholic Church. The complete collection of these interviews was compiled and published as a book: My Door Is Always Open. Spadaro is the author of numerous books on contemporary culture, art, and literature. He has co-authored a book, Conversations on Faith, with legendary film director Martin Scorsese. For news in and about the Church in Asia, visit www.ucanews.comTo contribute please visit www.ucanews.com/donateOn Twitter Follow Or Connect through DM at : twitter.com/ucanewsTo view Video features please visit https://www.youtube.com/@ucanews

Frankenstein Created Woman (1967) | Hammer Horror & Peter Cushing Deep DiveWelcome to another atmospheric installment of the General Witchfinders podcast. In this episode, we are throwing chronology to the wind and jumping straight into the heart of the Hammer Films oeuvre. Having previously explored the Baron's first experiment in The Curse of Frankenstein and his final bow in Frankenstein and the Monster From Hell, we now settle into the middle of the franchise with the 1967 cult classic: Frankenstein Created Woman.Directed by the undisputed master of gothic cinema, Terence Fisher, and featuring a career-defining performance by Peter Cushing, this film stands as one of the most intellectually provocative entries in the Hammer Horror canon. Interestingly, this is famously cited as one of Martin Scorsese's favorite films, proving that the brilliance of the Baron transcends the "B-movie" label.The Soul of Science: Baron Victor FrankensteinIn Frankenstein Created Woman, Peter Cushing returns as Baron Victor Frankenstein. Unlike earlier iterations where the focus was on the stitching of limbs and the reanimation of dead tissue, the screenplay by Anthony Hinds (writing as John Elder) takes a metaphysical turn. Here, the Baron is obsessed with the soul.The plot follows the wrongful execution of Hans Werner (Robert Morris), the lover of the physically scarred Christina Kleve (Susan Denberg). After Christina takes her own life in grief, the Baron captures Hans's soul and traps it within Christina's surgically repaired body. This results in a "soul-swapping" revenge thriller that remains unique within the Frankenstein series. Cushing's performance is refined, showing a Baron who is less of a graverobber and more of a cold, calculated philosopher of the macabre.The Legend of Susan Denberg and Nikki van der ZylThe casting of Susan Denberg is central to the film's legacy. A German-Austrian model and 1966 Playboy Miss August Playmate, Denberg was already known to sci-fi fans for her appearance in the Star Trek episode "Mudd's Women." While her visual presence is striking, the production decided her Austrian accent was too strong for the character.Enter the legendary Nikki van der Zyl. If you have watched a James Bond film, you have likely heard her voice. She famously dubbed Honey Ryder in Dr. No and provided dialogue for countless Bond girls and even Gert Fröbe in Goldfinger. Her work on Frankenstein Created Woman adds a layer of polished professional mystery to Christina's character, bridging the gap between Hammer Horror and the 1960s spy-fi aesthetic.The Hammer Character Actor NexusAs we always do at General Witchfinders, we track the "mother nexus" of British character actors who populated the halls of Bray Studios. This film is a treasure trove for genre enthusiasts:Thorley Walters (Dr. Hertz): A close personal friend of director Terence Fisher, Walters brings a much-needed warmth to the role of the Baron's assistant. Fans will recognize him as a recurring Doctor Watson in various Sherlock Holmes adaptations, including Sherlock Holmes and the Deadly Necklace.Duncan Lamont (Werner): A veteran of the Hammer stable, Lamont appeared in the original Quatermass Experiment and returned for the 1967 film version of Quatermass and the Pit. He is also a favorite of ours from The Creeping Flesh.Robert Morris (Hans Werner): Another Quatermass alum who brings a tragic weight to the first half of the film.Derek Fowlds (Johann): Long before he was a household name in Yes Minister and Heartbeat, Fowlds was a RADA scholar cutting his teeth in the world of horror.Production History: From Bray Studios to the ScreenThe road to Frankenstein Created Woman was long. It was originally mooted as a follow-up to The Revenge of Frankenstein in 1958, capitalizing on the popularity of Roger Vadim's And God Created Woman. By the time it went into production at Bray Studios in July 1966, it was one of the penultimate productions at that iconic location.Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Estamos vivendo um momento paradoxal no cinema. Ao mesmo tempo em que filmes brasileiros chamam a atenção do público e da crítica internacional, está difícil para se produzir cinema no país.“Temos um momento muito bom de visibilidade, mas não de produção ou de incentivo à produção", afirma Marina Person, cineasta e apresentadora a Gama. Ela é a entrevistada do Podcast da Semana, da edição sobre o atual momento do cinema brasileiro."O governo Lula não conseguiu ainda colocar de volta os tijolos na casinha do Ministério da Cultura, da Secretaria do Audiovisual, do fundo setorial. Os editais não estão acontecendo, o dinheiro não está saindo”, diz.“A gente tem muita coisa boa para mostrar, somos um país enorme, o único país da América Latina que fala outra língua. Tem uma música que é incrível, o carnaval, a Amazônia. Então o reconhecimento para mim é algo que você fala ‘bom, que bom que agora tão vendo'. Mas a gente já sabia”, ela diz no podcast.Person é roteirista, diretora, atriz e uma estudiosa do cinema. Ela acaba de voltar do Festival de Berlim, onde foi exibido o filme “Isabel”, protagonizado por ela. Também está viajando pelo Brasil para apresentar a cópia restaurada em 4K do filme “São Paulo Sociedade Anônima” (1965), escrito e dirigido por seu pai, Luis Sergio Person, há 60 anos. A cópia foi restaurada pela Film Foundation, instituto de preservação da memória do cinema de Martin Scorsese.Ao Podcast da Semana, a cineasta reflete sobre o atual momento do cinema nacional no exterior, sobre a corrida pelo Oscar e sobre as chances do Brasil no prêmio, além da importância de contar e preservar as nossas histórias brasileiras.Roteiro e apresentação: Isabelle Moreira Lima

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Absolute Cinema: es geht um MARTIN SCORSESE. Der wurde letzten November 83. Das wollen wir feiern. Mit unserer ultimativen Top 10, kondensiert durch Eddie, Andi und Schröck, anhand einer jeweils persönlichen Bestenliste aus 10 Filmen. Also cruisen wir noch einmal mit dem TAXI DRIVER über die Memory Lane, mitten rein in den HEXENKESSEL oder die MEAN STREETS in Richtung KAP DER ANGST und SHUTTER ISLAND. Mit Zwischenstopp im CASINO, wo sich THE KING OF COMEDY auf seinen Auftritt für DIE ZEIT NACH MITTERNACHT und weitere anstrengende AFTER HOURS vorbereitet. Das Auto: randvoll mit den GANGS OF NEW YORK. Angefangen bei der Crew um THE IRISHMAN, gefolgt von den KILLERS OF THE FLOWER MOON, abgerundet durch THE WOLF OF WALL STREET und sein Rudel von gierigen Nachwuchs-Spekulanten, die alle DIE FARBE DES GELDES riechen können. Alles GOODFELLAS – DREI JAHRZEHNTE IN DER MAFIA müssen sich ja schließlich auch irgendwie bezahlt machen, wenn schon ein AVIATOR mit seinem Geld WIE EIN WILDER STIER oder RAGING BULL um sich wirft. Doch fühlen wir uns deswegen DEPARTED – UNTER FEINDEN? Nicht im Geringsten. Viel mehr das Gegenteil davon. Und wir hoffen, es geht Euch auch so mit diesem kleinen, lauschigen Talk über einen der besten Regisseure unsere Gegenwart. In diesem Sinne: er lebe hoch und bleibt bitte alle so gesund wie gut drauf. It is what it is. Goodbye. Rocket Beans wird unterstützt von HBADA. *Werbung* Weniger suchen, mehr schauen: Entdecke jetzt das riesige Angebot an Serien, Dokus und Filmen von ⁠⁠HBO Max⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Adam and Josh share their Top 5 Catherine O’Hara Characters, revisiting the brilliance, range, and heart she brought to every role — from Delia and Cookie to Moira Rose and Mickey. A heartfelt tribute to a performer whose presence defined some of cinema and TV’s most hilarious moments. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:59) Top 5 Catherine O’Hara Characters (00:02:59-01:08:17) Filmspotting Family (01:08:18-01:14:18) Next Week, Notes (01:14:19-01:21:07) Massacre Theatre (01:21:08-01:29:08) Credits / New Releases (01:29:08-01:32:37) Notes/Links: -O’Hara On the “Wiser Than Me” Podcasthttps://lemonadamedia.com/podcast/julia-gets-wise-with-catherine-ohara/ -Catherine O’Hara’s 10 Best Roles | Consequence of Soundhttps://consequence.net/list/catherine-ohara-10-best-roles/after-hours/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Ray Romano built one of the biggest sitcoms of the 1990s, made hundreds of millions of dollars, and still somehow feels underrated. In this episode, we break down Ray Romano's stand-up roots, his rise to Everybody Loves Raymond, and why his legacy deserves more respect.In this episode of Why Are You Laughing?, we go back to Ray Romano's early struggles in stand-up comedy, when he was grinding it out in clubs long before network fame. We talk about how David Letterman played a major role in helping Everybody Loves Raymond get on the air, and how Romano's low-key delivery and relatable writing style separated him from flashier comedians of his era.We also dig into the parts of his career that don't get talked about enough. From the criminally underrated Men of a Certain Age, to working with Martin Scorsese on Vinyl and The Irishman, to his more recent independent film Somewhere in Queens, Romano's post-sitcom work shows range and depth that often gets overlooked.Was he overshadowed by shows like Seinfeld and Friends? Has his stand-up been underappreciated? And why does a comic this successful still feel like a “quiet legend” in comedy history?This is a full career deep dive into Ray Romano's stand-up, sitcom fame, and underrated legacy.0:00 Intro3:02 Family background7:25 Stand-Up comedy roots17:45 Newsradio firing24:01 David Letterman influence27:36 Everybody Loves Raymond36:19 Other work41:15 Martin Scorsese45:52 Netflix special50:34 Somewhere in Queens58:26 Norm MacdonaldFOR ALL THINGS BLIND MIKEhttp://blindmike.netFOR ALL THINGS CRAIGGERShttp://www.verygoodshow.orgFOR ALL THINGS HACKRIDEhttp://hackridethedemon.comFOR ALL THINGS DJ ELECTRA FRYhttp://djelectrafry.com

The Night of the Hunter was chosen by Martin Scorsese as the companion film for his own Cape Fear, and we were HYPED to talk about this 1955 masterpiece. Joining Sarah and MJ is the man who (quite literally) wrote the book on Cape Fear, Rob Daniel.

Adam Westlund De La Torre är tillbaka i den reguljära Nördigt-panelen! Vi snackar också lite TV och förstås om säsongsavslutningen av A Knight of the Seven Kingdoms. Vi börjar som vanligt i nyhetssvängen där det hänt en hel del, särskilt i spelsfären. Vi pratar bland annat om att Xbox-legenden Phil Spencer har gått i pension, att Sony lägger ned sin inhouse-studio Bluepoint games, att Insomniac Games jobbar på ett Wolverine-spel, köpet av HBO Max, BAFTA-galans vinnare, att det planeras en filmatisering av den moderna spelklassikern Bioshock, att Mads Mikkelsen ska medverka i Martin Scorseses nya film What happens at night, och mycket mera. Adam har med sig en lista på det bästa han har nördat sedan han var gäst sist, allt från rollspel till böcker och TV-serier och brädspel. Tove har i sin tur sett Netflix-thrillern The Beast in Me med Claire Danes och Matthew Rhys. Sist så blir det en Westerosrapport på säsongsavslutningen av A Knight of the Seven Kingdoms, avsnitt 6: The Morrow. Så är det! Tack & Förlåt! Puss Hej!

Nineteen Seventy-Six. America's bicentennial was a great year for cinema, with films like A Star is Born, King Kong, All the President's Men, Carrie, and The Omen heating up the box office, and instant classics Rocky and Network earning the most accolades. After a six-decade career in the director's chair, Alfred Hitchcock released his last film, Family Plot, around the same time that an up-and-coming young director by the name of Martin Scorsese released his breakout hit, the fifth film of his budding career. Centered on a disillusioned New York cabbie played by Robert De Niro, this rain-and-neon-soaked meditation on summer in the city proved to be a defining outing by both actor and director. With a cast including Cybill Shephard, Albert Brooks, Peter Boyle, Harvey Keitel, and a very young Jodie Foster, the film racked up awards, including the Palme d'Or at Cannes and four nominations at the Academy Awards, including Best Picture, Best Actor for De Niro, and Best Supporting Actress for Foster. Despite controversies over its content, the film was hailed as a hit. Now, fifty years later, we're catching a ride with Taxi Driver and talking to you about it!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Mita is on a mission to watch Martin Scorsese's entire filmography and wanted "...options for the best Martin Scorsese films from the 2000's". Chat GPT had some opinions and suggested "Shutter Island" from 2010 for the next movie review. Nadeem finally lists his top 10 films of 2025. 

This week on Movie Mistrial, we dive into the wild excess, dizzying ambition, and unrestrained debauchery of Martin Scorsese's The Wolf of Wall Street.The Wolf of Wall Street is a high-octane blast of filmmaking, powered by Leonardo DiCaprio's ferocious performance and Scorsese's razor-sharp direction. Its electric energy, dark humor, and satirical bite make it an unforgettable ride through the corrupt heart of American capitalism, exposing greed with both style and swagger.While undeniably entertaining, the film's relentless excess and provocative tone have sparked debate. Some argue it glamorizes the very behavior it critiques, and its lengthy runtime can feel indulgent—mirroring the characters' own over-the-top lifestyles.Join us as we break down the madness and morality of The Wolf of Wall Street. Is it a brilliant satire with something to say—or an exercise in cinematic hedonism that gets lost in the party?Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitter

The Mandalorian & Grogu trailer is finally here and we have SO many thoughts. This week on Skytalkers, we break down everything the first trailer needed to accomplish and why it immediately made us excited for Star Wars' next theatrical adventure. On this episode: Speculation on Din and Grogu's future The reveals (major and minor) in the trailer: The Hutts, Martin Scorsese, Zeb, Embo! Is Sigourney Weaver's character friend or foe? Animation-to-live action pipeline commentary Symbolism speculation + the Hero's Journey … and so much more! Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

We discuss the hottest topics from the week! Auction Draft Recap GOAT Takes Box Office Toy Story 5 Trailer Martin Scorsese in Star Wars? Steven Soderbergh Wasted Stars Wars Time Funk Movie Development 'Man of Tomorrow' Title Stays Venom Animated Movie? Brand New Day Timeline Dune 3 Biggest Swing Pokémon 30 Reveal Grace McKenna Joins Scooby Doo Teenage Mutant Ninja Turtles News Sonic 4 Casting Radcliffe Says to Leave the Kids Alone & SO MUCH MORE Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

Latest on the horrific Lindsey Vonn leg injury, MBB and David Harbour celebrating Millie's B-day and the cast of Season 22 of the Bachelorette is here and NO ONE CARES!Plus what in the world is up with Martin Scorsese and Liza Minnelli!? Also Kendall says LEAVE Kylie ALONE! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mostly Film — Goats, Bone Temples, and MercyThis week on Mostly Film, we're back in trailer court for another round of LIST IT or NIX IT — deciding what earns a spot on the watchlist and what gets left behind.On the docket:Pressure, Toy Story 5, Peaky Blinders, Over Your Dead Body, Lee Cronin's The Mummy, Slanted, Normal, Is God Is, and Beast. Some immediate adds. Some firm passes. A few heated debates.Then we dive into What We've Been Watching. Jonathan checks in with GOAT, Mercy, and 28 Years Later: The Bone Temple, plus TV time with The Pitt. JP brings a mix of rewatches and first-timers — The Goblet of Fire, L.A. Confidential, and Mercy — alongside TV staples like Industry, A Knight of the Seven Kingdoms, Sons of Anarchy, and yes, more Pitt. We talk about performances, tone, and what's actually sticking with us right now.And then… The News.It's a packed one:Tributes to Tom Noonan and Eric DaneScary Movie 6 parody targets revealed (including A Quiet Place)Guillermo del Toro's Frankenstein and KPOP: Demon Hunters heading to the Criterion CollectionMarty Supreme tying a BAFTA record (and not the good kind)Netflix's potential Warner Bros. acquisition plan (and what it would mean for theaters)Plane 2 officially groundedBad Bunny's first lead roleBill Hader writing/directing a new horror filmMcKenna Grace as Daphne in live-action Scooby-DooAnd yes… Martin Scorsese joining The Mandalorian & GroguIt's prestige, pulp, industry shakeups, and franchise chaos all in one episode.Subscribe, follow us on Letterboxd, and let us know — what are you listing… and what are you nixing?

Aussi loin qu'il se souvienne, John Gotti a toujours voulu être un gangster. L'introduction de ce personnage important dans l'Histoire de la mafia aux Etats-Unis est une référence volontaire à la réplique de Ray Liotta dans le film de Martin Scorsese « Les Affranchis ». Car l'histoire de John Gotti et de la famille Gambino a tous les codes d'un bon film de gangster. Quoi de plus logique, puisque souvent, les personnages hauts en couleur qui nous sont présentés au cinéma et à la télévision sont directement inspirés de véritables membres ou de dirigeants de la mafia. Au sein d'une famille, lorsqu'il s'agit de gérer les affaires, on n'hésite pas à se tirer dans les pattes pour arriver premier à cette ascension vers le pouvoir...Crimes • Histoires Vraies est une production Minuit. Notre collection s'agrandit avec Crimes en Bretagne, Montagne et Provence.

Reposting our episode on Martin Scorsese's comedy After Hours with guest Robbie Sherman of Conversations with Robbie ShermanThe movie is about a guy who meets a girl and gets involved with a night he won't ever forget.Ad Spots It's Time To Rewind

Drop your "R"s kids, it's time to head back to Boston and remind ourselves of that overplayed Dropkick Murphy's song as we revisit Martin Scorsese's, The Departed. Our opinions differ a bunch on this Oscar winner but we both left it feeling like it was one of our best discussions, so we hope you agree. Thank you for listening to the greatest nostalgic movie podcast in the world, according to our Moms. Make sure you're subscribed free on your favorite podcast app and as always, be kind, rewind, relax, and enjoy the show!

Hello there! Welcome to Force Ghost Conversations. This podcast is your home for cozy, deep dives into all things Star Wars and Lucasfilm-adjacent properties. Each week, our host will be joined by fans, creators, and believers in the principles from the Galaxy far, far away to discuss the thematic elements from our favorite Lucasfilm properties. Without further adieu, it is time to gather around the campfire for some Force Ghost Conversations.Some podcasts are more evergreen than others. As soon as you release an episode on the Super Bowl tv spot and ponder when a new trailer will release, you manifest it! Greg McLaughlin from the Rebel Base Card podcast rejoins the show to discuss the official trailer from the Mandalorian and Grogu. We chat about the fun, the wacky, and the pulpy adventure.Topics Discussed Include:1. The Brilliance of the Marketing Strategy2. What Makes this Adventure Worthy of the Big Screen?3. Was that Martin Scorsese?Support the show on ⁠⁠⁠⁠Patreon⁠⁠⁠⁠!If you want to continue the conversation, please follow us at the following websites:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blue Sky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merchandise⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Today's guest is Greg from the Rebel Base Card podcast. Be sure to support their work wherever you get your podcasts.

Today on another encore episode of the Rarified Heir Podcast we are talking to Christopher Lewis, son of comedian, writer, director & auteur Jerry Lewis. Ostensibly, we spoke to Christopher to talk about the publication of the book he shepherded from his father's archive, Jerry Lewis On Being a Person. But what we got was quite a bit more as we had hoped. Christopher sat down with us for quite some time to talk about his father and what it was like being the son of "The King of Comedy" which we learned, became his monicker after the Martin Scorsese film was released. We also learned about – and you knew this was coming, how could it not? – the unreleased film, The Day The Clown Cried. Perhaps the most talked about film no one has ever seen, heard from Christopher what is holding up its release to this day & why he thought it was never released. We also dug into some fantastic things like the films his dad made for himself and not a studio with stars of the day which was totally fascinating. We spoke about his time in Vegas as part of the MDA Telethon, the Jerry Lewis donation to the Library of Congress, the forgotten TV show of the 70s Pink Lady and Jeff (trust me, it's a corker) and which comedian made him laugh. And without further adieu, we bring you Christopher Lewis about "Le Roi du Crazy," his dad, Jerry Lewis.

Leonardo DiCaprio says a Frank Sinatra biopic directed my Martin Scorsese is still in the works, why talking less makes you more likeable and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Cineversary podcast episode #91, host ⁠Erik J. Martin⁠ sends 50th birthday wishes to Taxi Driver, directed by Martin Scorsese. Accompanying him on this anniversary cab ride is TCM host and Film Noir Foundation president Eddie Muller. Erik and Eddie examine how Taxi Driver has stood the test of time, why it's worthy of celebration five decades later, its impact on cinema, key thematic takeaways, and much more. Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

Uma antologia meio esquecida de Francis Ford Coppola, Martin Scorsese e Woody Allen. Falamos do segmento de Woody Allen, "Oedipus Wrecks"

To celebrated the 50th Anniversary of director Martin Scorsese's classic, Taxi Driver, Welcome To The Party Pal expounds upon the perpetual greatness of the neo-noir psychological drama written by Paul Schrader. Set in a decaying New York City following the Vietnam War, it stars Robert De Niro as taxi driver Travis Bickle, whose mental state deteriorates as he works nights in the city. The film also features Jodie Foster, Cybill Shepherd, Harvey Keitel, Peter Boyle, and Albert Brooks. In this episode hosts Michael Shields and Douglas Grant discuss the themes found in Taxi Driver which still resonate today, the haunting score composed by Bernard Herrmann, the brilliant screenplay crafted by Schrader, the stunning acting in the film, its enduring legacy, and so much more. Hosted on Acast. See acast.com/privacy for more information.

We've been busy preparing a slate of episodes to pay tribute to some of the giants of New Hollywood who have recently left us. First on the “in memoriam” docket is no less than Robert Redford. Arguably the first true multi-hyphenate, with his directorial debut Ordinary People, Redford established an impressively new take on the “issues film”. Elena and Sam enjoy digging in and trying to untangle its thorny reputation as an Oscar spoiler for Raging Bull and Martin Scorsese. Topics include: the 92nd st Y, the origins of the Brat Pack, and what Mary Tyler Moore is really like.

On the latest episode of A Life In Movies, the movie interview podcast by All The Right Movies, we're talking to legendary actor James Woods.With a career spanning five decades, James has built a reputation as one of cinema's most compelling performers. An actor drawn to morally complex characters and unafraid to inhabit the darkest corners of human nature. A two-time Academy Award nominee with multiple Emmy wins to his name, his filmography reads like a masterclass in intensity.Speaking to us from Los Angeles, James takes us through the key moments that shaped his remarkable career. From his early days studying Political Science at MIT before the pull of acting proved too strong, to his film debut working with the legendary Elia Kazan. We dive deep into five landmark films: David Cronenberg's prophetic body-horror Videodrome, Sergio Leone's epic Once Upon a Time in America opposite Robert De Niro, Oliver Stone's raw and urgent Salvador (which earned him his first Oscar nomination), the action-comedy The Hard Way with Michael J. Fox, and Martin Scorsese's Casino where he brought the slippery Lester Diamond to unforgettable life.James also shares insights into his approach to those morally ambiguous characters that have become his trademark, his acclaimed television work, the compelling story behind his Executive Producer credit on Christopher Nolan's Oppenheimer and his most recent artistic endeavour in music. A fascinating conversation with one of American cinema's most distinctive talents.Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠

GREED, EXCESS, & THE UGLINESS OF THE HUMAN SOUL!! With Leonardo DiCaprio receiving his 7th Best Actor Nomination for Paul Thomas Anderson's One Battle After Another, John & Aaron RETURN to give their Wolf of Wall Street reaction, recap, commentary, breakdown, & spoiler review! Download Cash App Today: https://click.cash.app/ui6m/4sigm8c0 #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-.... Discounts and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. The Wolf of Wall Street Full Movie Reaction Watch Along:   / thereelrejects   Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 John Humphrey and Aaron Alexander react to The Wolf of Wall Street (2013), Martin Scorsese's outrageous crime thriller and biographical dark comedy based on the real-life rise and fall of stockbroker Jordan Belfort. Starring Leonardo DiCaprio (The Departed, Inception) in one of his most unhinged and charismatic performances, the film chronicles Belfort's meteoric ascent from ambitious penny-stock hustler to obscenely wealthy Wall Street kingpin — and the excess, corruption, and self-destruction that followed. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Martin Scorsese's masterpiece about loneliness, urban decay, and vigilantism is 50 years old this month. We're revisiting archival interviews about ‘Taxi Driver' with Scorsese, screenwriter Paul Schrader and actors Harvey Keitel, Cybill Shepherd, Jodie Foster, and Al Brooks.Also, film critic Justin Chang reviews 'Pillion.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode, we do a rewatchable review of the classic 1976 Martin Scorsese film Taxi Driver, starring Robert De Niro, Jodie Foster, and Albert Brooks. We discuss whether the film still holds up as one of the best psychological dramas of the last 50 years, and we debate whether Robert De Niro should have won the Oscar for Best Actor for his performance.See omnystudio.com/listener for privacy information.

Daniel and Harry welcome Nabil Ayers - music industry entrepreneur, podcaster, musician, and author to discuss Martin Scorsese's 1985 dark comedy "After Hours" starring Griffin Dunne, Rosanna Arquette, and Linda Fiorentino.They discuss SoHo in the 1980s, Scorsese's exploration of temptation and punishment, how this film fits into the "Yuppie Nightmare" canon of films alongside others like "Fatal Attraction" and "American Psycho,” and how tough it was to get into a walkup apartment when the buzzer wasn't working.As always, they end the episode by ranking the film's Jewishness in terms of its cast & crew, content, and themes.IMDb - https://www.imdb.com/title/tt0088680/Trailer - https://youtu.be/LQRawYZl-lsJoe Frank's NPR Monologue that partially inspired "After Hours"- https://youtu.be/MIG636ri4r8Check out Nabil's podcast, IdentifiedCheck out Nabil's book - My Life in The SunshineConnect with Jews on Film online:Instagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube- https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

Welcome back to another episode of the GGtMC!!!This week Sammy and Will discuss The Color of Money (1986) directed by Martin Scorsese and White Star (1983) directed by Roland Klick!!!Emails to midnitecinema@gmail.comAdios!!!

EPISODE #475-- To celebrate Black History Month, we talk about the Easy Rawlins adaptation DEVIL IN A BLUE DRESS (1995), staring Denzel Washington. It's a good little picture. You got some LA. You got some Pasadena. You got Denzel. You got a gunfight. What more could you want? We also chat about NO COUNTRY FOR OLD MEN (2007, dir. Coen Bros) and MEAN STREETS (1971, dir. Martin Scorsese). LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

In this BBC radio documentary for the 50th anniversary of Martin Scorsese's film Taxi Driver, FRDH host Michael Goldfarb's look at New York as it was then , when Travis Bickle drove the night-shift, and as it is now.

Aujourd'hui, je reçois l'acteur Pierre Niney qui revient en salles le 28 janvier 2026 avec le film “Gourou”.Pour suivre l'actualité au quotidien, RDV sur notre chaîne dédiée : @hugodecrypteactus‬ 00:00 Introduction02:18 Jouer le rôle d'un orateur03:48 Les coachs en développement personnel 06:21 La préparation du rôle 08:05 Être un bon acteur, c'est être un bon orateur ?09:40 Jeu : Philosophe ou Gourou ?14:30 Les séminaires et le mécanisme de l'addiction18:25 L'importance du théâtre19:44 Une rencontre clé : son premier agent 21:27 Les castings 25:41 La nostalgie de l'enfance27:23 L'importance de jouer29:51 La nouvelle générations d'acteurs 31:50 Être producteur 33:57 Le travail d'écriture36:35 Pierre Niney et YouTube38:18 Le rapport aux réseaux sociaux Vidéo produite par HugoDécrypteEntretien écrit et mené par Hugo TraversAvec la participation de Pierre NineyJournalistes : Julie Baheux, Benjamin Alberteau, Hugo TraversProductrice exécutive : Clara LesageDirectrice de production : Marie DelvalléeChargés de production : Clément Chaulet, Fiona GouzeAssistante de production : Amandine BarAdministratrice de production : Sterenn HallCadreurs : Noé Périquet, Vanon BorgetIngénieure du son : Inês Dos SantosMaquilleuse : Kim DesnoyersMonteur : Alexandre SouberyandÉtalonnage : Vanon BorgetMixage : Florent SimonMiniature : Doryan HinckerCrédits musiques : ArtlistCrédits images : Abaca - Gourou, Yann Gozlan (2026) - Boîte noire, Yann Gozlan (2021) - Five, Igor Gotesman (2016) - LOL, Lisa Azuelos (2009) - Le Comte de Monte-Cristo, Alexandre de La Patellière et Matthieu Delaporte (2024) - Yves Saint Laurent, Jalil Lespert (2014) - 20 ans d'écart, David Moreau (2013) - Un homme idéal, Yann Gozlan (2015) - Mascarade, Nicolas Bedos (2022) - Sauver ou périr, Frédéric Tellier (2018) - La Flamme, Jonathan Cohen, Jérémie Galan et Florent Bernard (2020) - OSS 117 3, Nicolas Bedos (2021) - Goliath, Frédéric Tellier (2022) - Casting(s), Pierre Niney et Ali Marhyar (2013) - Le loup de Wall Street, Martin Scorsese (2013) - Magnolia, Paul Thomas Anderson (1999) - Grandeur et Décadence, Buster Keaton (1922) - Madame Doubtfire, Chris Columbus (1993) ) Face Cachée, HugoDécrypte (2022) - @Tony Robbins - PathePLANIPRESSE HD MEDIA / UNFOLD PRODUCTION 2026 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us a textIn this conversation, the "King of Hallmark" himself, Christopher Polaha, sits down to discuss his expansive career, his artistic philosophy, and the future of the fan-favorite series, Mystery 101.Chris dives deep into his approach to acting, explaining why he treats every Hallmark script with the same intensity as a Martin Scorsese film. He shares the "secret sauce" behind his on-screen chemistry with co-stars like Jill Wagner and Amelia Dell, and provides a rare look into his directorial debut with the indie thriller, Mimics.Whether you're a die-hard "Polaha-holic," a mystery buff, or an aspiring actor, this conversation offers profound insights into the entertainment industry and the importance of storytelling in a divided world. Chris also opens up about his family, his son Caleb's rising music career, and why he views Hallmark movies as "holistic entertainment" for the soul.Key Topics Include:The status of Mystery 101 and the infamous cliffhanger.Working with Meghan Markle in Dater's Handbook.The transition from stage acting (Eugene O'Neill) to television.Behind-the-scenes stories from Jurassic World: Dominion and Wonder Woman 1984.The making of his new movie, Mimics.Follow us on social media: Instagram and TikTok: @hallmarkmysteriesandmoreYoutubeOr visit our website. This podcast was created by fans for fans and is NOT affiliated with or sponsored by Hallmark or the Hallmark Channel.

Martin Scorsese's TAXI DRIVER arrived in theaters 50 years ago this February, so for this week's archive episode, we're sharing two reviews of the '77 Best Picture nominee: Adam and Josh's ⁠7 From '76—Best Year Ever⁠ review from 2021; and, from 2011, Adam with Slate critic Dana Stevens on the occasion of its 35th anniversary re-release. For full access to the Filmspotting Archive, ⁠⁠consider joining the Filmspotting Family⁠⁠. Membership also gives you an exclusive feed to ad-free and monthly bonus episodes, a weekly newsletter, access to the Filmspotting Discord, event pre-sales, and more. For 20% a monthly or annual membership, use the code "supreme" before Jan. 31.See omnystudio.com/listener for privacy information.

(0:00) Are the AVN's the lede today? Doug's soy boy and beta male friends left him hangin' yesterday. Man it's frigid in St. Louis this morning. Barge guy's working from home. Doug wants flame thrower trucks to clear the streets. They're not happy that Jackson's dad drove him to work today. A wet nurse to take you home. Doug binge watched Landman. Mt. Rushmore of Martin Scorsese movies. Doug's not cut out for the oil business. No foot rubs shall be given.(27:00) John Vaughn's not doing well today after the Broncos loss. Broncos Patriots under seemed like a lock with the weather. Sean Payton's questionable 4th down decision. Teams going for it on 4th down. Drake Maye and Mike Vrabel on the play that iced it for the Patriots. Jackson's BBL and new lips.(42:00) - Getting past the Rams hate. Kinda like a hot ex girlfriend. Les Snead. Kroenke may have been right about downtown St. Louis. TMA Night with the Billikens. Mizzou with a couple of buzzer beaters to win over Oklahoma. Illinois impressive at Purdue. This true freshman is the real deal. Some interesting audio. SLU was in on Wagler.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.