Podcasts about he's so fine

Txarly Brown abandona su zona de confort para atravesar el umbral del rock andaluz en viaje lisérgico sin parangón. Achilitime psicodélico e hipnótico que se aleja de la rumba para caer en la marmita del laberinto guitarrero alucinógeno. A partir del éxito populista de los sevillanos Derby Motoreta's Burrito Kachimba, nuestro prescriptor indaga en una escena oscura, que nace en las probetas de Bandcamp y se amplifica en la radio nacional. Lejos quedan los fanzines y la militancia de tribu urbana en la que uno se documentaba con fundamento o, en su defecto, los textos del maestro Luis Clemente. En este potaje cabe todo a modo de muestrario panegírico. De la psicodelia extenuante algecireña editada en Suecia de Atavismo, al pop rock garagero de los almerienses Compro Oro. La influencia no sólo se limita a Triana, Gualberto, Smash, Storm y todo el rock andaluz de hace 40 años. Aquí también encontramos trazas de krautrock en Melange, brotes de mercadotecnia multinacional epatante en Fuerza Nueva (Planetas + Niño de Elche) y hasta gipsy rock deconstruido de Grecas en Pony Bravo. También se adscriben a este viaje Hijos del Trueno, neorumbismo santanero barcelonés despachando versión krishna rock de George Harrison, My Sweet Lord (1970), o He's So Fine de The Chiffons (1962), tanto monta. ¿Existe un puente entre RumbaTarumba e Hijos del Trueno? Aún hay más. The Knack resucitan en Los Estanques madrileños con Joder, y la sesión acaba con el techno punkrock raver andalusí que lo peta en redes: Califato 3/4. Por el camino también escuchamos a los sevillanos Quentin Gas, a los madrileños Mohama Saz, o a los vigueses Cró! En otros tiempos los reunirían a todos ellos en un festival de tres días en Chaouen bajo el lema "Nueva Goma: el mileranismo achilifunkil kinkidelico va a llegar". ¡Fumemos!

The PaintingLoft Podcast is about the "Dark Art" community. Exhibitions, Artists, Techniques, Ideas, Scandals & Crimes and all the things worth talking about in the realm the two host participate in.   Jessica Perner and Scott Holloway are both artists exhibiting their work globally in the field of art that doesn't truly have a title but is widely accepted as "Dark Art".   In this episode we read the comments from the previous episode about Kanye West ripping off Zelda music. George Harrison being sued for "My Sweet Lord" being plagiarized from "He's So Fine". A mural of Greta Thunberg defaced not once but twice. A girl dressed as Steven Kings "Carrie" gets into a car accident and shocks first responders.   Other things we talked about were Samurai armor, a documentary about death, a famous YouTube boy that does makeup tutorials, Keanu Reeves girlfriend and more.

Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region. This week, old time fiddler, composer, actress, singer, Grand Ole Opry star, and country music royalty Ramona Jones performs live at the Ozark Folk Center State Park. Also, interviews with Ramona and her talented progeny. Mark Jones offers an archival recording of Ozark original Onis Morrison singing the traditional Ozark song “Dry & Dusty.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Ramona Jones through the lens of archivist Bill McNeil. Ramona Jones was a musician, actress, and composer known for Hee Haw (1969,) R.I.O.T.: The Movie (1996,) and He's So Fine (1993.) Born Ramona Riggins in Indiana, Jones met her first husband, country entertainer Louis Marshall "Grandpa" Jones while both were working at Cincinnati radio station WLW. They moved to Nashville in 1947. Grandpa Jones was a member of the Country Music Hall of Fame and a longtime Grand Ole Opry member. They were married 52 years until his death in 1998. A musician from a young age, Jones learned the fiddle from her father, then taught herself several other stringed instruments, competing in (and winning) several amateur contests during high school. She made her solo debut on the Opry in 1947, and performed all over the world with Jones, including shows for service members on the front lines during the Korean War. They later toured U.S. military bases in Italy, Austria, and Germany. In the mid-Fifties, the couple regularly appeared on the Washington, D.C.-based TV series Town and Country Time. She would go on to record numerous duets with her husband as well as a handful of solo singles for Monument Records, and albums that spotlighted her fiddle work. From its 1969 debut — and for the next 25 years — the couple appeared on TV's Hee Haw. In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Onis Morrison performing the traditional Ozark song “Dry & Dusty,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Ramona Jones through the lens of legendary archivist Bill McNeil.

He's So Fine, la que tuvo el problema con "My Sweet Lord".30 de marzo de 1963 4 semanas en 1° lugar, pero...

He's So Fine, la que tuvo el problema con "My Sweet Lord".30 de marzo de 1963 4 semanas en 1° lugar, pero...