Podcast appearances and mentions of George Harrison

First broadcast on October 26, 1983. A master at playing the sitar, Ravi Shankar, also composed the music for the soundtrack of "Gandi". According to Shankar, there are 72 scales in Indian music and when he plays music, 90% of it is improvisation. Younger people became interested in playing the instrument after Shankar announced he was teaching George Harrison of the Beatles how to play the sitar. There is an excerpt of an interview with Shankar from 22 years ago, to the date of this program.

Presenta Albert Segura. EL LLEN

Presenta Albert Segura. EL LLEN

Presenta Albert Segura. EL LLEN

Presenta Albert Segura. EL LLEN

Presenta Albert Segura. EL LLEN

Presenta Albert Segura. EL LLEN

Presenta Albert Segura. EL LLEN

We get Beatles-archaeology from the top by uncovering the genius of the McCartney '71 tapes.  From there we investigate AI culture as we let our robot overlords write out introductions.  Finally getting into a normal episode, we discuss how much fun Mikey Erg is, our recent appearance on the Fans on the Run podcast with our friend Ethan Alexanian, Becker's New Year's resolution to be a SteelyButt (the common term for a Steely Dan fan), Scotty's traffic copter work, and the only way to start Rubber Soul - Drive My Car.As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can also drunk dial us (tel:+18572339793)  or leave us a tip in our new tip jar (don't forget to include a message telling us what drinks we should drink with the money).See the canonical, argument-ending list of Beatles songs we are assembling here: https://www.blottobeatles.com/list; listen to it on Spotify here.Please remember to enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyExecutive Producer: Scotty C.Additional Musical Supervision: RB (@ryanobrooks)Associate Musical Supervision: Tim Clark (@nodisassemble)#PeteBestGetThatCheck

Daniel Donato is one of the best guitar players in today's music scene. He's 27 years old and his musical style has been said to blend the best of Nashville honky-tonks with an improvisational spirit rooted in the ethos of the Grateful Dead. Daniel tours with his band playing cosmic country music to an ever-growing audience and plays with some of the world's most famous musicians, such as Bob Weir. One band that inspired Daniel is The Beatles - and that's what Jack and Daniel are going to talk about on this episode. How they inspired him, what they represent as creative forces, his favorite George Harrison songs, and how they made timeless music.   Check out Daniel's website: https://danieldonato.com/ Daniel's YouTube page: https://www.youtube.com/@danieldonato Follow Daniel on Instagram: https://www.instagram.com/thedanieldonato/   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to. When people first meet Daniel Donato, they're not fully braced for this walking tornado of creative energy. “They think there's something that tips the scale in ways they don't understand,” says Donato about his over-the-top, slightly manic vibe. “But what actual-ly tips the scale is the amount of thought and analysis I put into my work and art, all of which is taken from the lessons of my life.” Donato, a 27-year-old Nashville native, has distilled those life lessons into his debut album, A Young Man's Country, his proper introduction to the general musical audience. Recorded at Nashville's Sound Emporium in a mere two days and produced by guitar-ace Robben Ford, the record weaves outlaw country, Grateful Dead-style Americana, and first-rate songwriting into a singular form Donato calls “21st-century cosmic country.” It might surprise some that the Telecaster-wielding wunderkind, who at 16 became the youngest musician to regularly play the iconic honky tonk Robert's Western World while gigging with the Don Kelley Band, began his musical journey in a purely millen-nial fashion. Before he ever picked up a guitar, he discovered he had an aptitude for music via the video game Guitar Hero. At the time, he didn't feel compelled to try his hand at the real thing until one day, about the age of 12, he heard the electric perfection of Guns ‘N' Roses' “Paradise City” blast from a set of speakers and his world was changed forever. “It was the first time I ever had a vision for my life,” says Donato, who was partly drawn to music because he sucked royally at skateboarding. “I then took one of my dad's old guitars . . . and I literally fell in love with it.” From then on, Donato lived and breathed music, practicing his chops around the clock. He'd play before school, during his lunch break, and in the evenings at home, sometimes falling asleep with the six-string in his hands. It wasn't long before he was busking on lower Broadway in Nashville, playing eight hours a day on weekends for tips. It was after one of those day's sessions that he got a wild hair and snuck into Robert's on a night when house act the Don Kelley Band was playing and his wig-dome was blown. “It was the first time I ever saw a band that was that good up close,” Donato said. “So I'm literally watching them play and I'm crying. I decided right then that I wanted to be the best guitar player in the world.” Donato continued busking outside arenas before John Mayer and Phish concerts and on the streets of Nashville and it was then, while playing on Broadway, that he'd give Don Kelley his business card every Saturday night, hoping for a chance to audition. One day, while still a junior in high school, he got the call to come play. Donato was more than ready, and he delivered the goods in spades. He was so good, in fact, that he became a regular member of the band, performing four nights a week for more than 450 shows with the group. Playing nightly with the Don Kelley Band was a formidable education for the young musician. Jamming regularly with Nashville's most seasoned players, stalwart pickers who may have played in Buck Owens' band, or Dolly Parton's, or Alan Jackson's, ex-panded his musical vocabulary while honing his stage presence. Along the way he was soaking up stories of adventures on the road and learning about the ups and downs of the music business. In short, he was gaining priceless life lessons and a mu-sical education from wells that run deep into the musical history of Nashville. Around the time he turned 18, one of Donato's high-school teachers, a serious music lover who had seen his student play at Robert's, gave him a Grateful Dead box set. It was another eureka moment for the guitarist. His love for the Dead may have been ig-nited much earlier by virtue of the fact that his mother was a bona fide Deadhead who followed the group on tour when she was pregnant with the future guitarist, but it was that collection that changed the way he looked at music. “It gave me a tie to all of the classic country gold I'd been working down at the honky-tonks each weekend,” he said. “Grateful Dead and Merle Haggard had always lived in my heart, but now, the link was made, and I had a vision on how to keep it alive for this generation that I am coming from.” During the days of his Robert's residency, Donato continued to busk at various locales, even playing the Grand Ole Opry, and it is the sum of all these gigs, experiences any teenage musician would kill for, that inform the sounds on A Young Man's Coun-try. “Ain't Living Long Like This,” one of three covers on the album, is a song by Waylon Jennings, who was recording at the Sound Emporium the day Donato was born. “Angel From Montgomery,” a song Donato learned on the fly while busking for tourists, pays tribute to the late John Prine. Donato recorded his unique take on the tune before Prine's death. The Grateful Dead's “Fire On The Mountain” is tacked on to “Meet Me In Dallas,” a tune Donato wrote while on the road with Paul Cauthen. The other seven songs, all originals, showcase the promise of a young songwriter coming into his own, one of the highlights being “Luck of the Draw.” The message of these songs contain the central tenet of Donato's “Cosmic Country” ethos, which is about finding the courage to blaze your own path. As such, it is an ethos the artist extends beyond music into the channels of social media, where he's built up a huge following of devoted “DD Heads,” as his fans call themselves. His pod-cast, “Daniel Donato's Lost Highway,” brings together like-minded creatives to get at the heart of what makes artists tick, for which he's interviewed Brothers Osborne, Brent Cobb, Orville Peck, and Garry Talent of Bruce Springsteen's E Street Band. Incubated to the sounds of the Dead, educated by some of Nashville's finest players, and having more than 2,000 shows under his belt and a social media presence, Dan-iel Donato is indeed a millennial whirligig of creative fire. He's been dabbling in pro-fessional music since the age of 14 and yet he's just getting started. A Young Man's Country is the portrait of a restless artist as a young man, one whose story is singular and is still in its exciting, early chapters — and as this effort shows, the future is indeed cosmic.  

Rundown -   Intro with Troubadour Dave Gunders - 00:36   "Do What I Say" by Dave Gunders - 19:13   Paul Pazen - 24:38   Paul Pazen is a Denver cop, through and through. Born and raised in Denver in the shadow of District One, Pazen attended North High School and then joined the Marines where he served in the first Gulf War. He returned to join the Denver Police Department in January 1995.   Pazen took on one top assignment after another. He rose through the ranks to become Denver's police chief from 2018 through 2022. Retiring last October, Pazen is poised at age 52 for his next public service challenge. We discuss what's next.   Public service was instilled in Pazen at an early age by his grandmother Lola Trujillo. Pazen only wants to succeed in Colorado and has no plans to move. Although he seriously considered a run for Denver mayor, listen as he explains his family reasons for not running now.   Pazen initiated successful law enforcement programs and had crime going down pre-pandemic. This former Denver police chief created and implemented the STAR (Support Team Assisted Response) program which sends mental health professionals, not cops, to certain non-violent calls.   Pazen responds to controversies occurring during his tenure. There was a $14 million judgment in federal court for DPD civil rights violations responding in 2020 to George Floyd protests. Former Chief Pazen brings up that 81 police officers were injured in that terrible week of downtown violence. We also discuss the Lodo shooting incident in which a DPD officer is now indicted.   Chief Pazen explains his fear of mass murder and preparation therefor. We review horrific crime sprees that went down on his watch. We remember the tattoo parlor victims and others in Lakewood and Denver, slain by a gunman who wrote it all down. Could DPD have stopped him? Could prosecutors? We discuss.   We also discussed the tragic murder of Shmuel Silverberg at Yeshivah Toras Chaim in August of 2021 and how his five assailants have still not been arraigned in Denver's congested criminal court system. Chief Pazen showed up at that murder scene and countless others.   Pazen provides behind the scenes details, including how these crimes affected him personally. Discussed also is the tragic murder of Isabella Thallas and the critical wounding of Darian Simon on June 10, 2020. We try to further solve the mystery of the AK-47 murder weapon which belonged to DPD Sgt. Dan Politica.   We talk about Denver and Colorado's crime problems and their solutions, including how to combat car thefts and fentanyl deaths. Murder is not at record levels in Denver, but Colorado is setting murder records. What is going on? Pazen has wisdom.   Troubadour Dave Gunders has abundant wisdom, as displayed in his magnificent song, "Do What I Say." Dave Gunders contributes to a lively introduction, discussing current events, including the Biden classified documents investigation, Governor Jared Polis' inaugural and possible run for president, as well as guitar greats, the late George Harrison and Jeff Beck. GoGo's Belinda Carlisle talk too.

Just like Laila, Skylar, and Katie, Anna is interested in analyzing the Beatles. However, as a classical musician, Anna approaches the group (and our boy George especially) from a unique point of view. Listen to our interview with Anna and learn about how George can rightfully be compared to some of the great composers of history. You can follow Anna on Twitter or Instagram @harrisonologist! We will also keep you all updated on when her article is released sometime this year. And thank you to our great editor, Fizz! Check out her duo Lola's new single, "The Stars Go Home and Cry." Connect with the Scruffs! Twitter: @applescruffspod Instagram: @applescruffspodcast Anna's references: Bowling, D. L. (2013). A vocal basis for the affective character of musical mode in melody. Frontiers in Psychology, 4. https://doi.org/10.3389/fpsyg.2013.00464 Gould, J. (2008). Can't buy me love: The Beatles, Britain and America. Piatkus. Harrison, G., Harrison, O., & Taylor, D. (2017). I, Me, Mine. Genesis Publications. Juslin, P. N., & Sloboda, J. A. (2012). Handbook of Music and Emotion: Theory, research, applications. Oxford Univ. Press. Leng, S. (2006). While My Guitar Gently Weeps: The Music of George Harrison. Hal Leonard. Petridis, A. (2018, October 3). Geoff Emerick Threw himself Into the Beatles' experiments. The Guardian. Retrieved January 12, 2023, from https://www.theguardian.com/music/2018/oct/03/geoff-emerick-beatles-recording-engineer-experiments Pollack, A. W. (1994). Notes on "Taxman". Alan W. Pollack's Notes on "Taxman". Retrieved January 12, 2023, from https://www.icce.rug.nl/~soundscapes/DATABASES/AWP/t.shtml Rodriguez, R. (2012). Revolver: How the Beatles Re-imagined Rock 'n' roll. Backbeat Books. Torkelson Weber, E. (2016, July 23). The "Normal" Version of Beatles history. The Historian and The Beatles. Retrieved January 12, 2023, from https://beatlebioreview.wordpress.com/2016/06/23/the-normal-version-of-beatles-history/#more-197 Turner, S. (2016). Beatles '66: The revolutionary year. Ecco. Wagner, R., & Ellis, W. A. (1994). The Art-Work of the Future and Other Works. University of Nebraska Press. Wayback Machine. (2019, February 2). Words With Beatles Recording Engineer Geoff Emmerick. Interview with Geof Emerick - 1979. Retrieved January 12, 2023, from https://web.archive.org/web/20190202015920/https://www.angelfire.com/planet/beatlesrecording/GeoffEmerick1979.html Zhang, H., Qiu, M., Li, L., Lu, Y., & Zhang, J. (2021). Exploring the dimensions of everyday soundscapes perception in Spatiotemporal View: A qualitative approach. Applied Acoustics, 181, 108149. https://doi.org/10.1016/j.apacoust.2021.108149

THE RASCALS were the pinnacle of '60s blue-eyed soul. It's been said that they were the first rock band in the world. Led by FELIX CAVALIERE, the band drew much of its inspiration from British Invasion bands, psychedelic rock, gospel, and even a bit of jazz and Latin music. They were at their best on classic singles like "Good Lovin'," "How Can I Be Sure," "Groovin'," and "People Got to Be Free." This week my special guest is keyboardist/singer Felix Cavaliere who shares tales of his musical journey. Felix talks about starting out with Joey Dee and the Starlighters, how the Beatles opened the door for musicians to write their own songs and about his and George Harrison's involvement with gurus who kept them grounded. It's a fascinating story that highlights the fact that while others in his profession became synonymous with sex, drugs and anything goes, Felix Cavaliere reached the highest peaks on a message of peace, love and understanding. This songwriter could have been made for A Breath of Fresh Air … he promises to make you feel great. To learn more about Felix and his Rascals head for https://www.felixcavalieremusic.com/ To contact me with feedback or suggestions for who you'd like to hear interviewed, send me a message through my website https://abreathoffreshair.com.au/

Morgan Enos is a professional songwriter, journalist, essayist, and reporter currently working as a staff writer at Grammy.com. He makes music as Other Houses and has written for Fortune, Discogs, Jazztimes, Billboard, Tidal Magazine, Bandcamp Daily, Consequence and more. Morgan's life has been influenced by the Beatles in a fascinating way, and on today's podcast, Morgan and Jack talk about that, his favorite Beatles songs and albums, and the brand new remixes of Revolver.    Check out Morgan's website: https://www.morganenos.com/ Morgan's review of the 2022 "Revolver" remix: https://www.talkhouse.com/eleanor-rigby-remains-a-shocking-work-of-art-and-i-dont-care-if-youre-tired-of-it/   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

In this two-part episode, Diana and Dr. Duncan Driver explore Cleave's profile on George Harrison. In part two they explore the second half of the interview which focuses on George's home, his home life with Pattie, and his thoughts on war, the old guard, and religion. As in part one, George is amusingly blunt, witty, and endearingly earnest. These exceptional interviews, originally posted in the Evening Standard, provide rare intimate glimpses of the Beatles in 1966, sometimes countering the traditional view of them at this time. Many thanks to the fabulous Dr. Duncan Driver! @drduncd Learn more about your ad choices. Visit megaphone.fm/adchoices

If you would like to work with me to help you thrive in any economy, click on the link below to book a free Wealth Accelerator Discovery Call - https://calendly.com/charleskelly/wealth-accelerator-discovery-call The world's economies are in turmoil. Even the mighty German economy drag the EU into a long recession according to the EC. But what about YOUR economy? What are you doing right now in your ‘U'conomy'? Migrants do very well in a recession. Why? Because they don't watch the news! Brian Tracy. Watch video on YouTube - https://youtu.be/USSP2m6xYmw I want to work with a small group of people to help you not only survive but THRIVE in the recession. In the meantime, here are 7 quick money tips: Cash flow – do whatever it takes (legally) to keep cash coming in. Keep working - As the late Zig Ziglar said, you don't have to “join the recession”. He was selling pots and pans in a recession, but doubled his sales because he worked while everyone gave up and said “nobody's got any money, don't you know we are in a recession”. Manage money – you must get control of your finances and budget. See my free new training to help you get control of your finances in 28 days! Look for opportunities – there are millions of opportunities to make money in any economy. Get around the right people – stay away from the people who drag you down with negative talk. Stay positive and realise that winters pass – “all things must pass”, George Harrison wrote. Winters follow summers and spring follows winter. Recessions are inevitable and come and go in most decades. Get a mentor – getting a mentor, coach, mastermind group or training are the smartest things you can do, especially in an economic downturn. I have space now for a small group of people I can work with to mentor them to success in any economy. If you would like to work with me to help you thrive in any economy, click on the link below to book a free Wealth Accelerator Discovery Call - https://calendly.com/charleskelly/wealth-accelerator-discovery-call #recession #money #economy #freetraining #moneytraining #coaching #mentor #positive #makemoney #managemoney #briantracy #zigziglar #jimrohnSee omnystudio.com/listener for privacy information.

Fecha de Grabación: Lunes 2 de enero de 2023.Algunos temas comentados:James Gunn afirma que DC Studios no cederá a presiones en línea del fandom tóxico. Secuelas en cómic de Fight Club (El Club de la Pelea), de Chuck Palahniuk. De Punisher a Depredador, los más curiosos y mejores crossovers de Archie. Enredos de continuidad: ¿Superman fue Superboy? ¿cuándo? Artistas de cómic que además resultaron ser buenos escritores. Las series de Scott Snyder publicadas a través de ComiXology Originals. Algunos buenos cómics de horror/ciencia ficción. Además: First Comics, lo mejor de Walter Simonson, el Swamp Thing de Rick Veitch, Eightball de Daniel Clowes, Batwoman de JH Williams III, The Royal Flush Gang, las distintas versiones de Bizarro, ¡...y mucho más!Comentario de cómics:Blood Stained Teeth, cómic escrito por Christian Ward y dibujado por Patric Reynolds, con color de Heather Moore y rótulos de Hassan Otsmane-Elhaou. (Image Comics)The Flash Vol. 7: Perfect Storm, cómic escrito por Joshua Williamson con arte de Carmine Di Giandomenico, Carlos D'Anda, Dan Panosian y Christian Duce, color de Ivan Plascencia, Luis Guerrero y Hi-Fi Design, y rótulos de Steve Wands. (DC Comics)The Flash Vol. 8: Flash War, cómic escrito por Joshua Williamson y dibujado por Scott Kolins y Howard Porter, con color de Luis Guerrero y Hi-Fi Design y rótulos de Steve Wands. (DC Comics)The Flash Vol. 9: Reckoning of the Forces, cómic escrito por Joshua Williamson, dibujado por Christian Duce y Scott Kolins, con color de Luis Guerrero y rótulos de Steve Wands. (DC Comics)Comentario de series y películas:Kamen Rider: Black Sun, serie tokusatsu dirigida por Kazuya Shiraishi y protagonizada por Hidetoshi Nishijima y Tomoya Nakamura. (Prime Video)Prey (Depredador: Presa), película de Dan Trachtenberg protagonizada por Amber Midthunder, Dakota Beavers y Dane DiLiegro, parte de la franquicia de Predator. (Hulu/Star+)Pueden escuchar el podcast en este reproductor:Descarga Directa MP3 (Botón derecho del mouse y "guardar enlace como"). Peso: 90.6 MB; Calidad: 128 Kbps.El episodio tiene una duración de 1:38:42 y la canción de cierre es "Wah-Wah" de George Harrison.Además de nuestras redes sociales (Twitter, Facebook, Instagram), ahora tenemos una nueva forma de interactuar con nosotros: un servidor en Discord. Es un espacio para compartir recomendaciones, dudas, memes y más, y la conversación gira alrededor de muchos temas además de cómics, y es una forma más inmediata de mantenerse en contacto con Esteban y Alberto. ¡Únete a nuestro servidor en Discord!También tenemos un Patreon. Cada episodio del podcast se publica allí al menos 24 horas antes que en los canales habituales, y realizamos un especial mensual exclusivo para nuestros suscriptores en esa plataforma. Tú también puedes convertirte en uno de nuestros patreoncinadores™ con aportaciones desde 1 dólar, que puede ser cada mes, o por el tiempo que tú lo decidas, incluyendo aportaciones de una sola vez.También puedes encontrar nuestro podcast en los siguientes agregadores y servicios especializados:Comicverso en Spotify Comicverso en iVoox Comicverso en Apple Podcasts Comicverso en Google Podcasts Comicverso en Amazon Music Comicverso en Archive.org Comicverso en I Heart Radio Comicverso en Overcast.fm Comicverso en Pocket Casts Comicverso en RadioPublic Comicverso en CastBox.fm¿Usas alguna app o servicio que no tiene a Comicverso? En la parte alta de la barra lateral está el feed del podcast, el cual puedes agregar al servicio de tu preferencia.Nos interesa conocer opiniones y críticas para seguir mejorando. Si te gusta nuestro trabajo, por favor ayúdanos compartiendo el enlace a esta entrada, cuéntale a tus amigos sobre nuestro podcast, y recomiéndalo a quien creas que pueda interesarle.Deja tus comentarios o escríbenos directamente a comicverso@gmail.com

Jim Berkendstadt is an international authority on rock and roll and founder of the firm, Rock And Roll Detective®. The firm offers a number of specialized and confidential services to music artists, record labels, music download sites, TV and Film productions, auction houses, and museums.Jim has served as historical consultant to The Beatles' Company Apple Corps and the Estate of George Harrison. He's also an award-winning, best-selling author of "The Beatle Who Vanished," "Black Market Beatles" and "Classic Rock Albums: Nirvana - Nevermind.” All three books have been inducted into The Rock And Roll Hall of Fame Library and Archives.His latest book "Mysteries in the Music: Case Closed" examines the secrets, myths, legends, hoaxes, conspiracies, and the wildly inexplicable events that are such an intriguing part of rock and roll history. Through Jim's investigations of primary source evidence, he challenges some of rock's most enduring legends. In this episode, we'll delve into a number of the compelling chapters that investigate and ultimately solve some of rock's great mysteries: Who really discovered Elvis Presley? Did the CIA kill Bob Marley? Did The Beach Boys steal a song from Charles Manson? We'll also discuss The Secrets Concealed within Nirvana's Nevermind album and The Mythology of the Traveling Wilburys. For you rock fans that love a good mystery, this is a book you need to read.Purchase a copy of "Mysteries in the Music: Case Closed" through Amazon: www.amazon.com/Mysteries-Music-Closed-Jim-Berkenstadt/dp/1947521799Listen to Jim Berkenstadt's playlist of the music covered in his book "Mysteries In The Music: Case Closed: https://open.spotify.com/playlist/0PayiRXLkT5P0MxvpYbhy7 Other links to note:“Mysteries in the Music: Case Closed” website: www.musicmysterybook.com“The Beatle Who Vanished” book: www.thebeatlewhovanished.comThe Rock and Roll Detective website: https://rockandrolldetective.comThe Rock and Roll Detective Blog: http://rocknrolldetective.blogspot.comThe Rock and Roll Detective/Twitter page (@rockdetective): https://mobile.twitter.com/RockDetectiveThe Rock and Roll Detective/Facebook page: www.facebook.com/RockAndRollDetectiveThe Rock and Roll Detective/Instagram page (@rockandrolldetective): www.instagram.com/rockandrolldetective/?hl=en

We begin by reviewing Tommy's Beatles fortune cookies before we read some fan mail; offer an a-PAUL-ogy, Becker's Papa's feelings on our weak ability to crack nuts and Tommy in general; Tommy's feelings on Papa's inability to restart a modem; our amazing guest and punk rock stalwart, Mikey Erg; recording records with Steve Albini; mastering records at Abbey Road; missed connections with Robert Plant and Giles Martin; pubs in the basement of Abbey Road; bullying Donovan; homework from Jeff Tweedy; RB blowing our minds, as usual; Tommy bringing up Shakespeare...again; and the royally-themed White Album gem, "Cry Baby Cry."Make sure to check out Mikey's new record, Love at Leeds! Need one song as a starting place?  Mikey suggests "Almost Like Judee Still." As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can also drunk dial us (tel:+18572339793)  or leave us a tip in our new tip jar (don't forget to include a message telling us what drinks we should drink with the money).See the canonical, argument-ending list of Beatles songs we are assembling here: https://www.blottobeatles.com/list; listen to it on Spotify here.Please remember to enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyGuest: Mikey Erg (IG: @mikeyerg; Twitter: @mikeyerg) Executive Producer: Scotty C.Additional Musical Supervision: RB (@ryanobrooks)Associate Musical Supervision: Tim Clark (@nodisassemble)#PeteBestGetThatCheck

Hi! I am doing the stand up comedy in southeast PA on Friday Jan 13. Get tickets !  Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more   See John Fugelsang in Garrison NY on Jan 21    He's been murdered on CSI, interviewed 2 Beatles on separate continents in the same week, and famously once got Mitt Romney's advisor to call Governor Romney an 'etch a sketch' on CNN. Actor, comedian & broadcaster John Fugelsang hosts 'Tell Me Everything" weekdays on SiriusXM Insight #121. He recently performed in 'The Bill of Rights Concert" alongside Lewis Black & Dick Gregory which aired on AXS.   He's also appeared at Montreal's ‘Just for Laughs' Festival, HBO's U.S Comedy Arts Festival in Aspen, hosted America's Funniest Home Videos for ABC and Bill Maher called him ‘one of my favorite comedians'.   Film/TV credits include 'Price Check' opposite Parker Posey, "Becker," "Providence," "Coyote Ugly,"  the religious standup performance film "The Coexist Comedy Tour" (which won Best Documentary at the NYC Vision Fest film festival).  He appears in the upcoming features "The Girl On The Train," "Maggie Black," and he plays two roles in the romantic comedy ‘The Whole Truth' starring Elisabeth Rohm and Eric Roberts.   He's interviewed Paul McCartney, Bruce Springsteen, Pete Townshend, Brian Wilson, Yoko Ono, Willie Nelson, Tony Bennett, Alan Rickman, Joey Ramone, Carlos Santana, James Taylor, Bo Diddley, Stevie Nicks, Robbie Robertson, Ravi Shankar, Beyonce Knowles, Olivia Harrison, Garth Brooks, William Hurt, Helen Hunt, Ashanti, John Fogerty, William Shatner, Sen. Trent Lott, Sen. Tom Daschle, Sen. Bernie Sanders, Ed Asner, Nile Rogers, Michael Moore, JK Simmons, Valerie Plame, Ethan Hawke, Brian Dennehy, Mavis Staples, Joel Grey, David Crosby, Graham Nash, Lily Tomlin,  Dave Matthews, Terrence McNally, Stanley Tucci, Michael Shannon, Noel Gallagher,  Jeff Daniels, Rita Moreno, & Carl Reiner.  His interview with George Harrison included JF persuading George to play several songs on acoustic guitar.  This proved to be George's final televised appearance and was broadcast as "The Last Performance."   His new film "Dream On," a road trip in search of the American Dream, was named "Best Documentary" at the NY Independent Film Festival.   Directed by 2 time Oscar nominee Roger Weisberg, the film examines the current state of the American Dream while retracing the journey Alexis de Tocqueville made while writing 'Democracy in America.'   The film features 200 interviews in 55 cities in 17 states, including Mike Huckabee, Barney Frank & Paul Krugman and premieres on PBS Election Day Eve.   Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page

Happy New Year! On this edition of The Movie Podcast, Daniel is joined by Photographer, Director, Food Writer, and TV Presenter MARY McCARTNEY to discuss their Disney Original Documentary IF THESE WALLS COULD SING. In this personal film of memory and discovery, Mary McCartney (Daughter of Sir Paul McCartney) guides us through nine decades to see and experience the creative magic that makes Abbey Road Studios the most famous and longest-running studio in the world. Featuring conversations with Paul McCartney, Ringo Starr, Elton John, Roger Waters, Liam Gallagher, John Williams, Celeste and Sheku Kanneh-Mason, among others. If These Walls Could Sing premieres January 6, 2023 on Disney+ in Canada and is now streaming on Hulu in the United States. Listen to The Movie Podcast interview now on all podcast feeds, YouTube, and TheMoviePodcast.caContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

The Beatles are one of the most successful bands of all time in numerous ways. One could argue that many of those successes can be traced back to a moment in their musical history before John Lennon, Paul McCartney, and George Harrison brought in Ringo Starr aka Richard Starkey. When their drummer was still Pete Best and Brian Epstein was hoping that he could deliver what he had promised when he signed on as their manager: A recording contract with Decca Records. This watershed moment took place on their New Years Day Audition 1962. They would be rejected then in what might have felt like a failure of what they set out to do, but in the big picture, it was in fact this “failure” that paved the way for their incredible success. JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess

Oz Premiers on HBO, George Harrison has his final Television appearance, Win Ben Stein's Money Primers on Comedy Central and a new issue of Teenage Mutant Ninja Turtles is printed by Image Comics! -Find Us!- Twitter: https://twitter.com/TMNTNerds Instagram: https://www.instagram.com/tmntnerds/ Email: TMNTNerds@Gmail.com

As we're in the period between Christmas and New Year, the gap between episodes is going to be longer than normal, and the podcast proper is going to be back on January the ninth. So nobody has to wait around for another fortnight for a new episode, I thought I'd upload some old Patreon bonus episodes to fill the gap. Every year around Christmas the bonus episodes I do tend to be on Christmas songs and so this week I'm uploading three of those. These are older episodes, so don't have the same production values as more recent episodes, and are also shorter than more recent bonuses, but I hope they're still worth listening to. Hello, and welcome to this week's second Patreon bonus episode. I'm recording this on December the twenty-third, so whether you hear this before Christmas is largely down to how quickly we can get the main episode edited and uploaded. Hopefully, this is going up on Christmas Eve and you're all feeling appropriately festive. Normally for the Patreon bonuses in the last week of December I choose a particularly Christmassy record from the time period we're covering in the main podcast -- usually a perennial Christmas hit like something off the Phil Spector Christmas album or the Elvis Christmas album. However, this year we're in the mid sixties, a period when none of the big hits of US or UK Christmas music were released, because it's after the peak of US Christmas music and before the peak of UK Christmas music. There were Christmas albums by people like James Brown, but they weren't major parts of the discography. So today, we're going to have a brief run-through of the Beatles' Christmas records. These were flexi-discs -- which for those of you who are too young to remember them were records pressed on very, very, thin, cheap plastic, which used to be attached to things like kids' comics or cereal boxes as promotional gimmicks -- sent out to members of the group's fan club. In a way, these were the Beatles' very own Patreon bonuses, sent out to fans and supporters, and not essential works, but hopefully interesting and fun. They very rarely had anything like a full song, being mostly made up of sketches and recorded messages, and other than a limited-edition vinyl reissue a few years back they've never been put on general release -- though one song from the discs, "Christmas Time is Here Again", *was* released as a B-side of the CD single of "Free as A Bird" in 1995: [Excerpt: The Beatles, "Christmas Time is Here Again"] Other than that, the Christmas records remain one of those parts of the Beatles catalogue which have never seen a proper widespread release. The first record was made on October the 17th 1963, at the same recording session as "I Want to Hold Your Hand", at the instigation of Tony Barrow, the group's publicist, who also came up with a script for the group to depart from: [Excerpt, the Beatles' first Christmas record] Barrow apparently edited the recording himself, using scissors and tape, and much of that was just taking out the swearing. Incidentally, I've seen some American sources talking about the word "Crimble" being a word that the Beatles made up themselves, but it's actually a fairly standard bit of Scouse slang. The second Christmas record was recorded at the end of the sessions for Beatles For Sale and was much the same kind of thing, though this time they incorporated sound effects: [Excerpt: The Beatles' Second Christmas Record] That was never sent to American fans. Instead, they got a cardboard copy of an edited version of the first record (it's possible to make records out of cardboard, but they can only be played a handful of times). They wouldn't get another Christmas record until 1968, though British fans kept receiving them. The third record sees the group parodying other people's hits, including a brief rendition of "It's the Same Old Song" interrupted by George Harrison saying they can't sing it because of copyright, and an attempt to sing Barry McGuire's "Eve of Destruction" and "Auld Lang Syne" at the same time: [Excerpt: The Beatles' Third Christmas Record] The fourth record, from 1966, was recorded during the early sessions for "Strawberry Fields Forever", and titled "Pantomime: Everywhere It's Christmas". For those outside the UK and its sphere of cultural influence, pantomime is a British Xmas stage tradition which is very hard to explain if you've not experienced it, involving performances that are ostensibly of fairy stories like Cinderella or Snow White, but also usually involving drag performances -- the male lead is usually played by a young woman, while there's usually an old woman character played by a man in drag -- with audience participation, songs, and old jokes of the "I do declare, the Prince's balls get bigger every year!" type. As the title suggests, then, the 1966 Christmas record is an attempt at an actual narrative of sorts, though a surreal, incoherent one. It comes across very much like the Goon show -- though like one of the later episodes where Milligan has lost all sense of narrative coherence: [Excerpt: The Beatles, "Pantomime: Everywhere It's Christmas"] it's probably the best of the group's Christmas efforts, and certainly the most fully realised to this point. The 1967 Christmas record, "Christmas Time is Here Again", is even more ambitious. It's another narrative, which sees the group playing a fictitious group called the Ravellers, auditioning for the BBC: [Excerpt: The Beatles, "Christmas Time is Here Again"] It also features parodies of broadcasting formats, which I've seen a few people suggest were inspired by the Bonzo Dog Band's then-recent Craig Torso Show radio performances, but which seem to me more indicative just of a general shared sense of humour: [Excerpt: The Beatles, "Christmas Time is Here Again"] But that record has become most famous for having one of the closest things on any of these records to a full song, the title track "Christmas Time is Here Again": [Excerpt: The Beatles, "Christmas Time is Here Again"] As well as later being issued as the B-side of a CD single, that was also remade by Ringo as a solo record: [Excerpt: Ringo Starr, "Christmas Time is Here Again"] Although my favourite use of the song is actually as an interpolation, with slightly altered lyrics, in "Xmas Again" by Stew of the Negro Problem, one of my favourite current songwriters: [Excerpt: Stew, "Xmas Again"] "Christmas Time is Here Again" would be the last Christmas record the group would make together. For their final two Christmas releases, they recorded their parts separately and got their friend, the DJ Kenny Everett, who was known at this point for his tricks with tape editing, and who shared their sense of humour (he later went on to become a successful TV comedian) to collage them together into something listenable. The highlight of the 1968 record comes from George's contribution. George, a lover of the ukulele, got Tiny Tim to record his version of "Nowhere Man" for the record: [Excerpt: Tiny Tim, "Nowhere Man"] And for the seventh and final Christmas single, recorded after the group had split up but before the split was announced, Everett once again cobbled it together from separate recordings, this time a chat between John and Yoko, Ringo improvising a song and plugging his new film, and Paul singing an original Christmas song: [Excerpt: Paul McCartney, "Merry, Merry, Year"] George's contribution was a single sentence. In 1970, the fan club members got one final record -- an actual vinyl album, compiling all the previous Christmas records in one place. All the Beatles would in future record solo Christmas singles, some of which became perennial classics, but there would never be another Beatles Christmas record [Excerpt, the end of the third Beatles Christmas record]

Tomo Fujita is a professional guitarist and an esteemed professor at Berklee College of Music. As a professor, he's taught students, such as John Mayer, and has played with legendary musicians such as Steve Jordan, Susan Tedeschi, Phil Colins, and Steve Gadd. In this episode, Tomo and Jack discuss the intricacies of George Harrison's guitar solos, Tomo's favorite Beatles songs, and how The Beatles composed their songs - and how it makes their music timeless.   Check out Tomo's website: https://tomojustfunky.com/ Tomo's YouTube page: https://www.youtube.com/watch?v=5LklK7nlFYU   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.   Tomo Fujita has been a professional guitarist for over thirty years and a faculty member at Berklee College of Music since 1993.  Tomo's philosophy, distilled into a one-liner, is that music is not just about playing; it's about emotional expression.  He teaches students to inject emotion into every phrase, whether the style is blues, jazz, funk or rock. Although he has resided in the United States for three decades, Tomo remains closely connected with musicians and the music business in his native Japan. He visits for a quick tour two or three times each year. Japanese guitar players have bought more than 160,000 copies of his (Japanese language) instructional books and videos. Tomo has performed with some of the best, including Will Lee, Steve Gadd, Bernard Purdie, Steve Jordan, Susan Tedeschi, Phil Collins, John Mayer, James Gadson, Travis Carlton, James Genus, Kenwood Dennard, Darryl Jones, Lemar Carter, Paul Jackson and Janek Gwizdala. When he is not performing on his own, Tomo likes to sit in with others, like Ronnie Earl, Coco Montoya, Eric Gales, Josh Smith, Kirk Fletcher, and Matt Schofield. Tomo has been an instructor to many great players over the years. The most famous of his former students is John Mayer. Tomo and John stay in touch to this day. Pictured above is a guitar that John signed for Tomo, next to the factory signature. Check out the video of these guys playing together during John's 2008 visit to Berklee, in the sidebar. Tomo also taught Eric Krasno of “Soulive” and Adam (“Shmeeans”) Smirnoff of “Lettuce” at Berklee. And there are three entertaining videos in the sidebar on this page featuring another former Berklee student: Tyler Larson, a shredder who has become an impressive teacher of guitar and music theory.

In part 2 of 2, Greg Phillinganes talks more about his time with Michael Jackson, and some of the other artists he's worked with including George Harrison, Lionel Ritchie and Quincy Jones.See omnystudio.com/listener for privacy information.

Christmas Day :What does a Choreographer do? Why isn't there a union to protect (them) us? How does a choreographer work with a director ? Actors? Icons? From MJ to Madonna Vincent Paterson has experienced a myriad of emotions on set - taking care of delicate egos. He has set iconic movement on dancers and singers and celebrities. He has won accolades and toured the globe. But for me, it was the meeting of the minds of artists and their “process” that struck a chord. #work #Passiontopower #podcast #dance #camera #film #television #choreography #moveit #star Vince's journey and how his real life informed his creative life. Opera, theatre, features and many many commercials- and some we did together! #creative #host Bio: Vincent Paterson is a world-renowned director and choreographer whose career includes film, theatre, Broadway, concert tours, opera, music videos, television and commercials. He has worked with a star-studded list of musicians: Madonna, Michael Jackson, Van Halen, George Harrison, Ringo Starr, Paul McCartney, Lee Ann Rimes, Diana Ross, Lionel Ritchie, David Lee Roth, Slash, Whitney Houston, to name a few. Vincent directed and choreographed Berlin's first original production of the musical CABARET at Bar Jeder-Vernunft. As choreographer, Vincent has created many works for Madonna and Michael Jackson, including Madonna's BLOND AMBITION TOUR, and her legendary VOGUE performance for MTV. For Michael Jackson. Vincent created the BAD TOUR, as well multiple other Jackson tours, music videos and live performances, from Michael's Grammy Award appearance to the SUPERBOWL halftime show. For more on Michelle Zeitlin see Passion-Power and MoreZap.com

Matt Goss joins Nikki Bedi and Peter Curran. The singer-songwriter and actor will perform Santa Baby and talk about his life, career and what it means to be living back in the UK after over a decade in America. Matt first shot to international stardom as one half of 1980s band Bros but has carved out a successful solo career, his latest single is The Beautiful Unknown. He's touring next year with The Matt Goss Experience which starts in Croydon on the 27th February and finishes on the 16th April in Dublin. Lucinda Hawksley is an author and art historian with a love of the environment: cetaceans are one of her passions. As a great-great-great granddaughter of Charles and Catherine Dickens, Lucinda has grown up with an interest in her family history. She's a patron of the Charles Dickens Museum in London and the Norwegian Pickwick Club. Emma Smith will be offering top festive tips, using her own experiences which include running a nursey and cooking school. Now a mother of three, after her first child died aged 10 weeks Emma changed her life and now she's trying to make the most of everything and fill life with joy. Tom Felton shares his Inheritance Tracks: Bohemian Rhapsody by Queen and All Things Must Pass by George Harrison. Tom's memoir Beyond the Wand is out now. Darren Harriott grew up in the West Midlands and found drama and comedy after being beaten up by fellow gang members aged 15, and finding himself in hospital on New Year's Eve. 2023 looks set to pose new challenges as Darren's about to take part in ITVs Dancing on Ice and undertake his first UK tour ‘Roadman', which starts on Wednesday 13th September at Glasgow's Glee Club and culminates on 25th October at Salford's Lowry. Producer: Claire Bartleet

Bohemian Rhapsody by Queen and All Things Must Pass by George Harrison.

Scottish musician DAVID PATON led the band Pilot to huge success in the 70s, with two major hits, Magic and January. David talks about how he came up with the idea for both songs, what it was like working with Kate Bush and Elton John and how he gets a buzz each time his grandson reacts to hearing them. We all know MELANIE SAFKA as the singer who became famous for her performance at the Woodstock Music Festival in 1969. She went in unknown and emerged a celebrity. Melanie joins me this week to tell us how terrified she was at the time. She talks about her song writing process, her frustration with the music industry and how one of her best loved songs was inspired by her experience with fasting and a vegetarian diet. Lauded as one of the greatest guitarists of the 60s and best known for his work with the English band Traffic, DAVE MASON discusses his work both with the band, and on his own. He tells us about his friendship with Jimi Hendrix, his experience playing with Paul McCartney, George Harrison, the Rolling Stones and Eric Clapton and about his song writing today. Would you like to suggest a guest? All you have to do is send me your request through the website https://www.abreathoffreshair.com.au If you like what you're hearing join me on my facebook page? https://www.facebook.com/SandyKayePresents or on my twitter account https://twitter.com/sandykpresents You can also connect with me on instagram https://www.instagram.com/sandykayepresents/ or on linkedin https://www.linkedin.com/in/sandy-kaye-7b35a317/ Like to know more about David Paton and Pilot? https://www.davidpaton.com/ To learn more about Melanie check out her page https://www.melaniesafka.com/ And to find out what Dave Mason is up to today, head for https://www.davemasonmusic.com/ I hope you enjoy this weeks' show! Warm regards Sandy

Mick Foley is a legendary professional wrestler, who is widely regarded as one of the greatest wrestlers in the history of the WWE. One of the cornerstones of WWE's meteoric rise in the late 90's, Foley has wrestled under his real name and the personas: Cactus Jack, Mankind, and Dude Love. Foley is a four-time world champion, an 11-time world tag-team champion, a one-time TNA Legends Champion, and the inaugural WWF Hardcore Champion. In this episode, Jack and Mick talk about Mick's love for The Beatles, his favorite Beatles albums, thoughts on the "Get Back" documentary, and how Mick is connected to The Beatles' world.   Check out Mick's website: https://www.realmickfoley.com/ Mick's Cameo page: https://www.cameo.com/mickfoley   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.  

Boo! Wait, that's not right... HO HO HO! Therrre we go. Hey there! Welcome to our big KC holiday special. It's a two-parter don'tcha know? In this week's ep, we're looking back at a bonafide Christmas classic as re-envisioned by Idaho's top industrial act. And once again, we're back on all kinds of B.S., such as impersonating the Beatles, talking about Mitch Hedberg and negging Michael Bolton's "Little Drummer Boy." We also get into the story of how one time Alex was "saved" by a friend's weird church when he was young? It's a cautionary tale for the ages. It's all HERE, in part one of our *surprise* holiday series. The mood is right... the spirit's up... we've got some nog... why not join us? Follow us on Twitter: @KastingCuzzins / @KeefHerbin

Vamos llegando a la noche más especial de todo el año.... Navidad.... mientras tanto las noticias tecno no paran, hoy hablamos del activismo digital en Colombia que se incrementó cerca del 20% durante el 2022, además en navidad 100 toneladas de alimento llegarán a animales sin hogar, tambien SpaceX, de récord: uno de sus Falcon 9 ha ido y vuelto del espacio 15 veces, lanza tres cohetes en 33 horas y supera los 200 lanzamientos, buena música y más información.