Podcasts about fifties

An oft-repeated phrase is “It was better back in my time.” I used to debate that, but not any longer. Many that came before us did have it better even without all the “Modern” technology. Perhaps being too connected has been a major factor in our moral downfall. There is also now a massive, dangerous, and potentially deadly spiritual warfare taking place in our midst. Sadly, to many churches can't see it as they try to be consumer-oriented with Effeminate Pastors at the helm. It's a fast-paced program you need to hear. Now, do you believe in this ministry? If you do, you can keep us on the air as a radio program and podcast by visiting our website, It is vastly more urgent than ever that you do. https://truth2ponder.com/support. You can also mail a check payable to Ancient Word Radio, P.O. Box 510, Chilhowie, VA 24319. Thank you in advance for your faithfulness to this ministry.

Gabby Reece– former pro volleyball player, Nike's first female signature athlete, co-founder of Laird Superfood, host of The Gabby Reece Show joins Danielle to talk about the real work of building a meaningful life. From the emotional tightrope of motherhood and ambition to the realities of aging, marriage, leadership, and letting go of people-pleasing, Gabby shares the lessons she's learned at every stage. What you'll hear in this episode: How to build a life that won't leave you full of regret What it means to “go first”—and how that philosophy shaped her life and career Her thoughts on Simone Biles, Naomi Osaka, and mental health in sports Her honest take on feminism, sport, and the sexualization of women's bodies The quiet lie women are told about ambition—and how to design a life that actually fits What her volleyball career taught her about winning, feelings and how to take up space Why women in their 50s are calling it the “F.U. Fifties”—and what that really means What she teaches her daughters about ambition, self-trust, and body image. A behind-the-scenes look at her Nike shoe deal (the first of its kind for a woman) Wellness hacks she swears by (including the real reason she started drinking coffee at 45) The feminist contradiction she's still wrestling with How marriage to Laird Hamilton has challenged and inspired her The quiet power of consistency, mentorship, and saying no without apology Follow Gabby here Listen to The Gabby Reece Show here.

In this episode, the Agony Aunties address a listener's concern about feeling invisible in their mid-fifties due to ageism in both work and social spaces. Reflecting on their own experiences, the Agony Aunties discuss the psychological challenges and societal biases that come with aging, particularly for women. They emphasise the importance of valuing oneself, embracing inner strengths, and finding liberation in this new phase of life. They also touch upon the cultural obsession with anti-aging and all the benefits of reaching one's fifties. Please subscribe and leave a review—it truly makes all the difference! Follow Julia at @juliasamuelmbe for more insights, tips, and conversations on life's challenges and how to improve your mental well-being. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bio By Richard ChuterI'm Richard. 57 years old. 2 children, one son who is 22 and a daughter who is 14. Married to Natalie. Live in Norfolk, UK. Never really bothered about the fact that mid-life with gain was happening. Took it as part of life, and the expanding belly was just something to live with. Lockdown brought a realisation that I was overweight and unfit. Health problems had started with knee pain and fluid building up around the knee.The doctor didn't suggest that it was a weight issue causing this, but lockdown walks with my family were painful and quite humiliating. My son commented about my weight jokingly, but that was part of the drive for change. Could not shift the weight with exercise and had not considered diet, as I didn't think they worked from what I knew. Xmas 2020/21 was when I found Graeme Curries book The Fasting Highway and podcast. I'm not sure what internet search brought me to you, but the front cover was exactly what I needed to see. Dramatic change was possible.Read The Fasting Highway daily and stick religiously to your suggested 16:8 routine with black coffee. It was probably 17:7 for the most part, but the change was dramatic.People noticed, and work colleagues who were struggling with weight joined in. Some are still fasting. 2025... I've been playing county sports events for over 50 years in racketball. I'm an indoor cycling fanatic, and it's great for my knees. I'm maintaining at 176 lbs. I have never felt so good about my health and weight.I do suggest fasting to people if they ask about how I lost weight and how I live now, but I wish more people knew that you don't have to live an unhappy life with obesity related health issues.Our Patreon Supporters Community - An Invitation to Join Us!Please consider joining the Fasting Highway Patreon community. The feedback has been great for all who have joined. I strongly recommend joining, as I am passionate about helping others find great health. Try it out for a month, and stay for a year, as most who join do. It has become an excellent addition to our Patreon members' IF lifestyle. These members enjoy a lot of bonus content to support them in living an IF life for as little as 0.16 cents a day. For less than a cup of coffee a month, you can join and support your health goals, meet like-minded people and get a lot of support.Graeme hosts Zoom meetings four times a month in the Northern and Southern hemispheres for members to come and get support for their IF lifestyle, which has proven very popular with our Patreon members.You will not find anywhere that provides that kind of support and accountability for just 0.16 cents a day. Over 100 exclusive pieces of audio content are available for Patreon members to help you navigate your IF journey and gain more accountability and support. Please go to www.patreon.com/thefastinghighway to see the benefits you get back and how to join.Graeme's best-selling book, The Fasting Highway, about his journey and how he did it, is available in paperback and Kindle at your local Amazon store. It is also available on audio at Apple Books, Kobo, Spotify, and many other audiobook platforms. Graeme can also be booked for one-on-one mentoring and coaching by going to www.thefastinghighway.com, clicking on get help, get coaching, and booking a time. All times you see are your local time zone.Disclaimer: Nothing in this podcast should be taken as medical advice. The opinions expressed herein are those of the host and guest only.

The Beach Boys lät som solen själv.. men bakom harmonierna låg splittring, sorg och en hel del studioångest. Vi följer vågorna från hawaiianska prinsar och surfens kungliga rötter, genom Kaliforniens tonårsdrömmar, till basebollens barndom och Vietnamkrigets strandpauser. På vägen möter vi Brian Wilsons inre värld, Duvall med surfbräda i helikopter – och den märkliga kraften i att sjunga trestämmigt om att bara... chilla lite.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Böcker:White, Timothy. The Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern California Experience (1994, Henry Holt and Co.)↳ Den här boken har varit fundamental för förståelsen av både Brian Wilsons kreativa drivkrafter och Kaliforniens kulturella bakgrund. En ovärderlig källa genom hela arbetet med podden.Granata, Charles L. Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds (2003, Chicago Review Press)↳ En djupdykning i skapandet av Pet Sounds – med både tekniska detaljer och emotionellt innehåll.Holcomb, Mark. The Beach Boys (2003, Lucent Books)↳ En mer översiktlig biografi, men bra för kontext och struktur.Surfkultur & SamtidshistoriaFör att sätta in The Beach Boys i ett större sammanhang använde vi dessa böcker om surfkultur, ungdomshistoria och Kaliforniens glansdagar (Timothy White har också en bit om det i sin bok):Clark, J. R. K. – Hawaiian Surfing: Traditions from the Past (2011)Crowley, K. – Surf Beat: Rock 'n' Roll's Forgotten Revolution (2011)Gabbard, A. – Girl in the Curl: A Century of Women in Surfing (2000)Halberstam, D. – The Fifties (1993)Hine, T. – The Rise and Fall of the American Teenager (1999)Lawler, K. – The American Surfer: Radical Culture and Capitalism (2011)Palladino, G. – Teenagers: An American History (1996)Starr, K. – Golden Dreams: California in an Age of Abundance, 1950–1963 (2009)Young, N. – Surfing: A History of the Ancient Hawaiian Sport (1998) Film & VideoBrian Wilson: Long Promised Road (2021, regisserad av Brent Wilson)↳ En närgången dokumentär med Wilson själv – ömsint, fragmentarisk och full av musikaliska insikter.CBC Music (2011). George Tonight: Brian Wilson on His Father, Beautiful Music and How He Finds Creativity. [YouTube-intervju]↳ En varm och lågmäld intervju som säger mycket om Wilsons inre liv. Finns på YouTube. ÖvrigtWikipedia – Ja, det får vara med här också.↳ Som Majas källor – en massa Wikipedia... Och ibland är det faktiskt en bra startpunkt. Vi dömer inte. Hosted on Acast. See acast.com/privacy for more information.

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari.They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport. Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery.There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery.Plus, find out who the only driver in Ferrari history was to call Enzo by his first name!Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/theraceBuy some Colossally merch! Visit The Race ShopFollow The Race on Instagram, Twitter and FacebookCheck out our latest videos on YouTubeDownload our app on iOS or AndroidA Race Media ProductionProducer: Jonny ReynoldsWith special thanks to Tim Silvey for studio support Hosted on Acast. See acast.com/privacy for more information.

Matt Bishop and Richard Williams return with part two of their two-part mini series on the life and legacy of one of motorsport's most important and enduring individuals: Enzo Ferrari. They finished the last episode at the point that Ferrari won its very first world championship Formula 1 race - the British Grand Prix in 1951. In this episode they'll guide you through the Fifties, Sixties, Seventies and Eighties, during which time the idiosyncratic Enzo dealt with triumph and tragedy in almost equal measure, as he and his team cemented their legendary status in the sport.  Richard and Matt discuss Enzo's uncomfortable relationship with success, the way his son Dino's death shaped his identity and world view, the 'dark glamour' attached to the Ferrari brand in the Fifties, and how Enzo kept going, even when drivers perished in his machinery. There's also chat about his unique approach to motivating his workforce through 'creative tension', the myths and mystery that surrounded him throughout his life, his surprising weakness for innovation, and how he repeatedly drove his team on to success, despite setbacks including staff walkouts, in-fighting and mediocre machinery. Plus, find out who the only driver in Ferrari history was to call Enzo by his first name! Matt and Richard will be bringing members an exclusive Q&A episode at the end of Season 3, where they'll answer questions on each of the topics covered. So if you'd like to ask a question about Enzo Ferrari, head to Patreon.com/therace Buy some Colossally merch! Visit The Race Shop Follow The Race on Instagram, Twitter and Facebook Check out our latest videos on YouTube Download our app on iOS or Android A Race Media Production Producer: Jonny Reynolds With special thanks to Tim Silvey for studio support Learn more about your ad choices. Visit megaphone.fm/adchoices

The Beach Boys lät som solen själv.. men bakom harmonierna låg splittring, sorg och en hel del studioångest. Vi följer vågorna från hawaiianska prinsar och surfens kungliga rötter, genom Kaliforniens tonårsdrömmar, till basebollens barndom och Vietnamkrigets strandpauser. På vägen möter vi Brian Wilsons inre värld, Duvall med surfbräda i helikopter – och den märkliga kraften i att sjunga trestämmigt om att bara... chilla lite.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Böcker:White, Timothy. The Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern California Experience (1994, Henry Holt and Co.)↳ Den här boken har varit fundamental för förståelsen av både Brian Wilsons kreativa drivkrafter och Kaliforniens kulturella bakgrund. En ovärderlig källa genom hela arbetet med podden.Granata, Charles L. Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds (2003, Chicago Review Press)↳ En djupdykning i skapandet av Pet Sounds – med både tekniska detaljer och emotionellt innehåll.Holcomb, Mark. The Beach Boys (2003, Lucent Books)↳ En mer översiktlig biografi, men bra för kontext och struktur.Surfkultur & SamtidshistoriaFör att sätta in The Beach Boys i ett större sammanhang använde vi dessa böcker om surfkultur, ungdomshistoria och Kaliforniens glansdagar (Timothy White har också en bit om det i sin bok):Clark, J. R. K. – Hawaiian Surfing: Traditions from the Past (2011)Crowley, K. – Surf Beat: Rock 'n' Roll's Forgotten Revolution (2011)Gabbard, A. – Girl in the Curl: A Century of Women in Surfing (2000)Halberstam, D. – The Fifties (1993)Hine, T. – The Rise and Fall of the American Teenager (1999)Lawler, K. – The American Surfer: Radical Culture and Capitalism (2011)Palladino, G. – Teenagers: An American History (1996)Starr, K. – Golden Dreams: California in an Age of Abundance, 1950–1963 (2009)Young, N. – Surfing: A History of the Ancient Hawaiian Sport (1998) Film & VideoBrian Wilson: Long Promised Road (2021, regisserad av Brent Wilson)↳ En närgången dokumentär med Wilson själv – ömsint, fragmentarisk och full av musikaliska insikter.CBC Music (2011). George Tonight: Brian Wilson on His Father, Beautiful Music and How He Finds Creativity. [YouTube-intervju]↳ En varm och lågmäld intervju som säger mycket om Wilsons inre liv. Finns på YouTube. ÖvrigtWikipedia – Ja, det får vara med här också.↳ Som Majas källor – en massa Wikipedia... Och ibland är det faktiskt en bra startpunkt. Vi dömer inte. Hosted on Acast. See acast.com/privacy for more information.

This conversation looks back at the post war time when all the world aspired to be young and American. America was really perceived to be great back then.  How times change ........ Joseph Connolly paints a rock 'n roll picture.

The Beach Boys lät som solen själv.. men bakom harmonierna låg splittring, sorg och en hel del studioångest. Vi följer vågorna från hawaiianska prinsar och surfens kungliga rötter, genom Kaliforniens tonårsdrömmar, till basebollens barndom och Vietnamkrigets strandpauser. På vägen möter vi Brian Wilsons inre värld, Duvall med surfbräda i helikopter – och den märkliga kraften i att sjunga trestämmigt om att bara... chilla lite.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Böcker:White, Timothy. The Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern California Experience (1994, Henry Holt and Co.)↳ Den här boken har varit fundamental för förståelsen av både Brian Wilsons kreativa drivkrafter och Kaliforniens kulturella bakgrund. En ovärderlig källa genom hela arbetet med podden.Granata, Charles L. Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds (2003, Chicago Review Press)↳ En djupdykning i skapandet av Pet Sounds – med både tekniska detaljer och emotionellt innehåll.Holcomb, Mark. The Beach Boys (2003, Lucent Books)↳ En mer översiktlig biografi, men bra för kontext och struktur.Surfkultur & SamtidshistoriaFör att sätta in The Beach Boys i ett större sammanhang använde vi dessa böcker om surfkultur, ungdomshistoria och Kaliforniens glansdagar (Timothy White har också en bit om det i sin bok):Clark, J. R. K. – Hawaiian Surfing: Traditions from the Past (2011)Crowley, K. – Surf Beat: Rock 'n' Roll's Forgotten Revolution (2011)Gabbard, A. – Girl in the Curl: A Century of Women in Surfing (2000)Halberstam, D. – The Fifties (1993)Hine, T. – The Rise and Fall of the American Teenager (1999)Lawler, K. – The American Surfer: Radical Culture and Capitalism (2011)Palladino, G. – Teenagers: An American History (1996)Starr, K. – Golden Dreams: California in an Age of Abundance, 1950–1963 (2009)Young, N. – Surfing: A History of the Ancient Hawaiian Sport (1998) Film & VideoBrian Wilson: Long Promised Road (2021, regisserad av Brent Wilson)↳ En närgången dokumentär med Wilson själv – ömsint, fragmentarisk och full av musikaliska insikter.CBC Music (2011). George Tonight: Brian Wilson on His Father, Beautiful Music and How He Finds Creativity. [YouTube-intervju]↳ En varm och lågmäld intervju som säger mycket om Wilsons inre liv. Finns på YouTube. ÖvrigtWikipedia – Ja, det får vara med här också.↳ Som Majas källor – en massa Wikipedia... Och ibland är det faktiskt en bra startpunkt. Vi dömer inte. Hosted on Acast. See acast.com/privacy for more information.

Roberta Flack : The first time ever I saw your face Killing me softly with his song Making love Marceve76 : The Led Zeppelins The AC/DC's The Black Sabbath's Rage against the Machine as a funk band Covers : Master of puppets Road side brass band Puddles Pity Party : My funny Valentine David Michael Wyatt : Hey Ya Kawehi : Seven Nation Army Improver : Mr Saxobeat Karolina Olech Sons zarbi : Uriel Vega & the Drummer's Almaniac : Kamala Harris musiquée Electric Kalimba Hand spinners on synth duo de casseroles Carlo Poddighe Trucs en vrac : Ella & Manhattan Transfer James against the machines Dominik & Florian Wagner : piano + violon L.E.J. : Summer 2024 La +BCdM : Anna Marly : Le chant des partisans par Anna Marly (version acoustique) - Germaine Sablon (film de propagande) - Germaine Sablon (studio) - Léo Ferré - Catherine Ribeiro - Johnny Hallyday - Camelia Jordana - Yves Montand - Les chœurs de l'armée française Anna Marly raconte la création du chant des partisans Chant des partisans russes La Playlist de la +BCdM : sur le Tube à Walter sur Spotify (merci John Cytron) sur Deezer (merci MaO de Paris) sur Amazon Music (merci Hellxions) et sur Apple Music (merci Yawourt) Vote pour la Plus Belle Chanson du Monde Le son mystère (37'55) : dialogue avec un gibbon Avec : MaO Causmic Beast Winny Taniguchi Aude Tosheu Cirbafe Bibou Quenton Merci à : Niko Pop goes the WZA David jdlp Didier Podcasts & liens cités : PodRennes Tumyxo saison 2 : récit au jour le jour Walter sur BlueSky Walter sur Mastodon Walter sur Instagram Les 100 +BCdM Le générique de fin est signé Cousbou

Welcome to a brand new episode of the You Can Call Me “Bossy" podcast. Today, I am thrilled to have Mardi Chadwick Balcom joining us for a dynamic conversation about transformation, empowerment, and embracing our true selves. As Mardi shares her journey from a seasoned lawyer in domestic violence cases to becoming a yoga teacher and embracing the world of holistic healing, you'll find inspiration in her commitment to personal growth and helping others navigate life's transitions. Together Mardi and I explore the challenges women face with the liberating power of self-discovery, and the impact of transformational practices like NLP, EFT tapping, and hypnotherapy. This episode promises to empower you with tools and insights for embracing life's complexities. Key Takeaways: Acceptance of one's personal journey and experiences Meditation, yoga, and the power of showing up for oneself. Importance of self-care and continuous learning. Key Timestamps [11:11] – Bossy vs Leader [16:41] – Embracing the Individual Journeys [32:43] – Focused and Honest Relationships [47:55] – Overcoming Permission-Seeking Mindset [56:14] – Coaching Women Over 50 Episode Quote "If we are truly giving ourselves permission to be ourselves, to be bossy, to be beautiful, to be messy, to be sad, to be disappointed and to be healing in particular, we have to know we're all on a healing journey, and it is not linear." - Mardi Chadwick Balcom Episode Resources Vist Mardi's official website: https://www.mardichadwickbalcom.com/ If you enjoyed this episode and are excited for more, please be sure to SUBSCRIBE and write a review to help build momentum and support the show (5-stars would be AWESOME!)_____________________________________________ JOIN US IN - THE CLUB - An annual membership where high-achieving women come together to unapologetically OWN THEIR “BOSSY” in order to rise to the top, make massive impact, and not burn out while doing it. Join TODAY to get access to all past workshop replays and past group coaching calls - always incredible takeaways and AHA moments from reviewing these sessions! Grab your spot in THE CLUB today by CLICKING HERE! _____________________________________________ LET'S FREAKING GO! GRAB THIS FREE DOWNLOAD: GRAB 100 FREE JOURNAL PROMPTS TO OWN YOUR BOSSY BY CLICKING HERE LET'S CONNECT: Follow me on Instagram, LinkedIn, TikTok, or join my STAND IN YOUR POWER FACEBOOK GROUP Grab a signed copy of my bestselling book STAND IN YOUR POWER HEREWatch my TEDx Talk “The Wisdom of Your Ancestors Should Be Ignored” HERE

This is Part 8 in the series that covers the story of Billy Sol Estes, Mac Wallace, Bobby Baker and other members of Johnson's Texas inner circle. Part 8 continues the rewind of the tape, and tells the story of the early years of Billy Sol Estes. This time covering the mid 50's and the foundations of his financial empire.  Today is a continuation of the story of the business dealings between  Cliff Carter and Billie Sol and how it progressed from its beginnings told in episode 7 to the mid fifties covered in this episode 8. A period of great expansion by Estes that was fueled by his relationship with Carter and with Johnson and which saw an ever increasing alleged investment  through Carter and others, by the Senator and soon to be Vice President. All of these  men who were quite intertwined around Johnson at the time of the assassination. They  were involved in circumstances that were closing in on Johnson too and that provided him great motive in the killing of the President.  The story is extraordinary.  Rumors of Johnson's involvement began to swirl almost immediately after the President's assassination and there is a defined school of thought within the JFK assassination research community that staunchly believes in Johnson's involvement. His involvement  in both the assassination and its cover up. Join us in one of the most fascinating story tells of the Kennedy assassination and stick around as we will be returning to the Mexico City series right after we complete this min-series that was spawned by the recent release of the Billy Sol Estes and Cliff Carter tape that the two recorded in 1971. Folks, you just can't write this stuff. Even as early as 1964, rumors and serious concerns over  the lone gunman theory and the evidence that might contravene it,  were becoming a major concern for the government and the commission. Conspiracy theories were contrary to the government's stated narrative from the very beginning. This  real-life story is more fascinating than fiction.  No matter whether you are a serious researcher or a casual student, you will enjoy the fact filled narrative and story as  we relive one of the most shocking moments in American History. An event that changed the nation and changed the world forever.

In this podcast I am share my thoughts, feelings, observations, perspectives, and contemplations about being in the middle of my decade if my 50s.

Link to episodes: https://podcasters.spotify.com/pod/show/demarius3 College Football Playoffs NCAA Eligibility NFL Playoffs Short Term Superstars Fox Sports Scandal Tik Tok Ban California Fires Beanie Siegel Ai Are you listening to rappers under 30? #nba #nola #nfl #titans #saints #raiders #vikings #pelicans #knicks #nflsundayticket #lamarjackson #derrickhenry #samdarnold #notredame #collegefootballplayoffs #32teamplayoffs #nfldraft #neworleans #foxsports #joytaylor #skipbayless #tiktok #beaniesiegel #california #kawhileonard #ncaa #podcast #spotifypodcast #anchorpodcast #applepodcast   https://www.trophyzandmedalz.com   https://soundcloud.com/iamd-o-p-e/sets/the-babayka-im-back   https://www.amazon.com/DVS-Mindz-Twenty-Year-Greatest-Almost/dp/0231208731   http://www.tncomedy.net/   https://open.spotify.com/show/6Xjsds1ofZJB0pv4MOKlfV?si=hDLyIEICQgqn4_37Y-p-2w https://www.youtube.com/channel/UCj3oOAFifwN0gn8jyUQXPcw   https://fnx.grsm.io/Trophyzandmedalspodcast   https://anchor.fm/demarius3   https://open.spotify.com/show/7IymYztO1PjWstofOUHahn   https://podcasts.apple.com/us/podcast/trophyz-medals-podcast/id1477131333   https://overcast.fm/itunes1477131333/trophyz-medals-podcast   https://www.iheart.com/podcast/269-trophyz-medalz-podcast-72283152/   https://taylors-comb-llc.myshopify.com

Nous sommes le 14 décembre 1950. Dans « Le Soir illustré », créé 22 ans plus tôt, on peut lire : « L'Amérique entière donne à toutes les rues de toutes ses villes de prodigieux décors de Noël dont la mode a commencé d'atteindre l'Europe. Chez nous, Bruxelles, Anvers et Liège en particulier ont depuis quelques années redécouvert le charme du « Noël sur la place ». Deux ans plus tôt, dans le même magazine un chroniqueur se faisant appelé Peau d'Âne allait déjà dans ce sens : « Une fois de plus, écrivait-il, la vieille terre d'Occident se révèle un carrefour d'influences entre les traditions de Noël venues de l'Est, et les coutumes des Christmas américains, mêlées d'enthousiasme, de puérilité, de tendresse et d'esprit commercial qui font déborder dans les villes et jusque dans les campagnes les joies et les ornements de Noël. » Certains modèrent cet enthousiasme, ainsi « Le Moustique » du 21 décembre 1952 : « Cette année, de nouvelles protestations se sont élevées. Noël – disent-elles – ce n'est pas ce vieux distributeur de cadeaux contre remboursement, c'est la naissance de l'Enfant-Dieu. Il ne faut pas que la crèche soit écrasée sous le talon d'un étranger ». En ce début des années cinquante, Le réveillon de Noël que presque tous les Belges vivent en famille est donc en train de vivre une sorte de relooking. Traditions païennes et religieuses déjà mélangées sont incorporées dans une puissante addiction : celle de la consommation. Bien sûr, l'Amérique y est pour beaucoup mais elle n'est pas la seule responsable de cette évolution. L'esprit se transforme et la pratique s'hybride. Noël est un mille-feuilles. Avec nous : Pierre Leclercq, historien de l'alimentation, collaborateur scientifique à l'ULG, responsable du Petit Lancelot qui nous propose des repas-conférences où la gastronomie se mêle à la découverte culturelle. Sujets traités : Noël, fifties, américain, traditions , coutumes, Christmas, villes, campagnes, Enfant-Dieu, consommation, mille-feuille Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

“In the end, we only regret the chances we didn't take, the relationships we were afraid to have, and the decisions we waited too long to make.”– Lewis CarrollYou'd think escaping violence in your home country and arriving in the UK with £300 not knowing anyone a soul would be a pretty high-stakes moment for anyone. But for Sue Harper, it was being in a job and feeling like she should be doing something else that were the highest stakes of all. It takes courage to leave a well-paid job you know isn't right for you and pivot to something you're passionate about… especially in your 50s and particularly if you want to go it alone. But taking that leap of faith has been well worth it according to Sue.Here's why you need to tune in

The Hound of the Baskervilles is the third of the four crime novels written  by British writer Arthur Conan Doyle featuring the detective Sherlock Holmes. Originally serialized in The Strand Magazine from August 1901 to April 1902, it is set largely in Dartmoor, Devon, in England's West Country and follows Holmes and Watson investigating the legend of a fearsome, diabolical hound of supernatural origin. This was the first appearance of Holmes since his apparent death in "The Final Problem", and the success of The Hound of the Baskervilles led to the character's eventual revival. One of the most famous stories ever written, in 2003, the book was listed as number 128 of 200 on the BBC's  poll of the UK's "best-loved novel". Fun Facts Bertram Fletcher Robinson was a writer who was a friend of Doyle's. Shortly after his return from the Boer War, Robinson invited Doyle to visit him at Ippleton in Devonshire. Supposedly, Robinson had been working on a story about the moor based on a 17th century legend with a demon hound. Doyle who had killed off Sherlock Holmes in “The Final Problem” was faced with a public outcry to produce more Holmes stories and quickly. There is speculation that Doyle may have tried to adapt Robinson's story into a tale of Sherlock Holmes and that would explain why the great detective appears so little in the story. In the late Fifties, Doyle's son responded to such charges by stating: “Fletcher Robinson wrote not one word of the story. He refused my father's offer to collaborate and retired at an early stage of the project.” What all the sources agree on is that Doyle did indeed take a coach ride with Robinson over the moor to get the atmosphere of the place while Robinson recounted the story of Sir Richard Cabell, Lord of the Manor of Brooke. Lord Cabell was a man of well known evil repute. He was a very jealous man and one night he viciously accused his wife of having an affair. Lady Cabell denied it. Enraged, Cabell beat her mercilessly. Somehow, she was able to break away from him and ran from the house, hoping to escape in the surrounding moors. The moors were a cold, desolate place. Lord Cabell caught up to her and in his enraged state killed her with one of his hunting knives. Suddenly, a huge hound appeared. It was Lady Cabell's own faithful dog and it had followed the couple onto the moors. Seeing his mistress killed, the hound savagely attacked Cabell and after a fierce struggle, slaughtered the evil man. However, the hound itself had been fatally wounded by Lord Cabell's knife and in the morning the villagers found the poor animal lying dead beside his slain mistress. According to local legend, the ghost of Lady Cabell's hound still roams the moors on the nights of the full moon, howling mournfully for its dead mistress. Another legend claims that on the night of Lord Cabell's death, black hounds breathing fire and smoke raced over nearby Dartmoor and howled around his manor house. Lord Cabell's death took place in 1677. A small pagoda-like building called “The Sepulchre” was put over his grave to prevent him from returning to cause even more evil. “It is said that he will gnaw your finger if you venture to insert it in the keyhole of the locked door,” wrote the Reverend Sabine Baring-Gould. --- Support this podcast: https://podcasters.spotify.com/pod/show/ang189/support

The 1950s were an incredibly vibrant decade for music, clearly a reflection of a post-war energy and relief. Urban jazz, the bright lights of broadway, and the crooning magic moments that lept off the silver screen were a paradox to the golden age of country music, the passionate rhythm of swing and R&B and, of course, the new audiences celebrating youth at sock hops, malt shops and sleepovers. It was an age of celebration and discovery if you were young; an age of culture shock if you weren't. This week on Deeper Roots, we'll tiptoe through the sounds of Dave Brubeck, Dion, Johnny Cash, Chuck Berry and a host of others who planted their flag in the decade of the fifties. An unusual playlist for sure. Drop on by and try to get past the fact that Black Friday will soon be over and holiday madness gets into full swing. 

​Nicole Salaver is the kind of person I wish I had met long before that happened. In this episode, meet Nicole. She's the program manager at Balay Kreative these days. But her San Francisco roots go way, way back. Her maternal grandfather came to the US in the 1920s. He was one of the first Filipinos to own a restaurant and pool hall in Manilatown (please see our episode on Manilatown Heritage Foundation). He was a manong who lived at the International Hotel. Stories that Nicole's mom has told her were that he was more or less a mobster, paying off cops to keep his place safe. Nicole's maternal grandmother came to the states in the Fifties with her first husband. But he was an abusive alcoholic, and so her grandmother divorced him. She turned to the government for help for her and her four kids. They sent the single mother and her family to live at what turned out to be a brothel. But she wasn't aware of that at the time. The two met at the I-Hotel, where Nicole's grandmother helped the manongs with anything involving English—paperwork for green cards, lawyers, visas, etc. It was just a side hustle to her job at the US Postal Service. She knew all the manongs, but fell in love with Nicole's grandfather. They married and had three kids, including Nicole's mom. Her mom was born in the Sixities and grew up in the Seventies in San Francisco. Her dad's parents arrived in the US in the Fifties, after World War II. Her paternal grandfather was a merchant marine who cooked on a Navy ship. He met Nicole's grandmother on one of his voyages back to the Philippines and brought her back to the US. They had two boys—Nicole's dad and her uncle. Nicole says that her dad grew up a hippie in Sixties San Francisco, and retained that sensibility throughout his life. He worked for SF Recreation and Parks, smoked weed, and made art. He met Nicole's mother at a collage party while playing guitar in his brother's band. More on Patrick Salaver, Nicole's uncle, later. Nicole, an only child, was born at St. Luke's hospital in 1980. Her mom and dad lived in the Excelsior, where Nicole grew up. She went to Guadalupe Elementary. Her parents were agnostic, but her Catholic grandmother enrolled her in a Catholic school without telling them. Nicole's mom pulled her out on Day 1 and got her into public schools. She was supposed to go to Balboa High School, but it was the Nineties and that school was going through a rough time (see our episode with Rudy Corpuz from United Playas for more on that story). And so the family moved down to South San Francisco. From here, we sidebar to talk about The City of Nicole's youth, in the late-Eighties and early Nineties. She laments the massive loss of art and community that tech money wiped out. And she reminisces about taking Muni all over town. They went to film festivals, galleries, museums, restaurants. In her high school years, Nicole and her friends came to the Haight a lot. She'd also attend as many Filipino events as she could—Pistahan, Barrio Fiesta, and more. Her mom was a dancer and her dad a musician. They pushed her to do one of those two things or visual art. Of them, she gravitated toward art, but as she got to her teen years, she decided that acting and writing were more her jam. That all started when her uncle, Patrick Salaver, gave her a video camera when Nicole was 12. Nicole was and is a fan of "Weird" Al Yankovic. She says she digs quirky humor. She watched lots of SNL, In Living Color, Golden Girls. Using the camera her uncle gave her, she and her cousin created soap operas, commercials, talk shows, SNL-type sketches, and more. But despite loving creating that stuff, she saw that her parents' art was just a hobby. It didn't seem possible that it could be a career. It wasn't until her dad passed away suddenly that Nicole decided to pursue her art. She shares that story with us. She'd been performing a one-woman show about her grandmother, who had Alzheimer's, at Bindlestiff. She was taking classes from W. Kamau Bell and doing stand-up comedy, opening for big names like Jo Koy, Ali Wong, and Hassan Minaj. Then she got a call: "Your dad is in the ER. You should go." During a botched tracheotomy, his heart stopped. By the time doctors got his heart beating again, he was brain dead. Prior to that, not knowing that it would be the last time she saw her dad, she recorded him. He told her that she should move to New York, follow her dreams, and never work for "the man." One of the last things Nicole's dad said to her was, "If you stop doing art, you will die." Three months after her dad's funeral, Nicole quit her job and moved to NYC. Check back next for Part 2 with Nicole Salaver. Photography by Mason J. We recorded this episode at Balay Kreative in October 2024.

I'm a historic guy. They could put me in a museum. I went to college when tuition was $71/quarter so we didn't have to ask our parents for money so we got to go into the arts. There were no laptops, no iPhones, no Airplane Mode. I regaled the Lovelanders with stories about the Fifties, back when Minnesota winters were ferocious. I lived through the bitter winter of 1948 when the temp got down to minus 70 and many of us Minnesotans became comatose, our metabolism stopped, there was no neurological response, and a month later I awoke in a narrow wooden box wearing makeup, which I'd never worn before. It was interesting. I should've dressed more warmly but as someone said, “Good judgment comes from experience and much experience comes from bad judgment.” And thanks to my mistake I have experienced the afterlife and I told them about it in Loveland. Someday I'll come to your town and tell you. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

This can also explain the U shaped happiness curve! Buckle up and listen if you're in or expect to be in your 40's or 50's :) Subscribe if you love the DPM show! https://podcasters.spotify.com/pod/show/drpsychmomshow/subscribe and you'll get all my awesome bonus episodes! Most recent subscriber episode: " What Are The Two Components Of A Happy Marriage?" For my secret Facebook group, the "best money I've ever spent" according to numerous members, go ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/376126477688726/?mibextid=uJjRxr! Or click blue subscribe button on www.facebook.com/drpsychmom. It's $4.99/mo. For coaching from DPM, visit https://www.drpsychmom.com/coaching/ For therapy or life coaching, contact us at https://www.bestlifebehavioralhealth.com/. Follow me on TikTok! https://www.tiktok.com/@therealdrpsychmom and YouTube: https://www.youtube.com/channel/UCqLm4xRaUeroBodFc-h4XDQ

If you feel that you are too old or too out of shape to get the benefits from our FASTer Way workouts, get ready to think again! Today's guest, Brenda Bowen, a certified physical therapist, shares 40+ years of experience with helping women (and men too) regain their mobility, strength, and fitness. Is “use it or lose it” a real thing? What's the difference in pain and muscle soreness? How can I squat or lunge without hurting my bad knees? Today's lesson answers these questions and more to help you overcome exercise concerns after age 50 so you can become your most fit and healthy version of yourself!   CONNECT with Amy Bryan any of the following ways:  ENROLL in my next FASTer Way 6-week online class at https://www.fasterwaycoach.com/AMYBRYAN Leave your best nutrition/fitness/weight loss tip here:  www.speakpipe.com/AmyBryan Grab my free download “Fit in your Fifties” here (https://amybryanfasterway.myflodesk.com/pvemi11a0q ) and “Why you should be strength training” guide here (https://amybryanfasterway.myflodesk.com/strength )  JOIN my free info group, SCHEDULE a discovery call, VOICE MESSAGE me, and DOWNLOAD freebies at www.linktr.ee/amybryanfasterway. EMAIL me at amy@fatlossschool.net

Send us a textJen is a 51-year-old woman who sets goals and smashes them with courage and perseverance. She works full-time in higher education, is completing a master's degree, and is a bodybuilder, a personal trainer,  a mom, and a wife.Connect with Jen on Instagram Book: Educator to Entrepreneur: IGNITE Your Path to Freelance SuccessLet me help you determine the next steps in your Career! Grab a complimentary Career emPOWERment Sessionemail: melinda@empowereducator.com

Send us a textJen is a 51-year-old woman who sets goals and smashes them with courage and perseverance. She works full-time in higher education, is completing a master's degree, and is a bodybuilder, a personal trainer,  a mom, and a wife. Connect with Jen on Instagram Book: Educator to Entrepreneur: IGNITE Your Path to Freelance SuccessLet me help you determine the next steps in your Career! Grab a complimentary Career emPOWERment Sessionemail: melinda@empowereducator.com

How can life after 65 be more fulfilling than ever before? Just ask inspiring entrepreneur and podcast host Ande Lyons, who launched multiple successful ventures in her 60s. Join us as we explore how the Renaissance Years can be more fulfilling by embracing aging, defying ageism, and discovering new passions. We discuss shifting from hustle culture to an intentional energy portfolio—focusing on meaningful pursuits and rest, inspired by movements like the Nap Ministry. We also highlight the value of intergenerational connections, elder planning, and the joy of staying active. This is an opportunity to celebrate aging with purpose, endless possibilities, and a mindset that the best days are ahead of us. ⁣ ⁣ KEY MOMENTS/CHAPTERS⁣ 00:00 Intro⁣ 00:06 Thriving After 65 4:31 Power of Aging ⁣ 18:54 Creating an Intentional Energy Portfolio 23:39 Intergenerational Connections  ⁣ 36:00 Don't Retire. Rewire!⁣ 39:04  Navigating Elder Care⁣ 44:07  Rapid Fire⁣ 45:29 Ande Lyon's wisdom bomb⁣ 47:01 Hilary's Final Thoughts⁣ 48:00 Podcast Resources ⁣ WATCH THIS EPISODE ON YOUTUBE⁣ Subscribe  https://www.youtube.com/hilaryrusso ⁣⁣ Book mentioned during this episode: Don't Retire, Rewire! By Jeri Sedlar & Rick Miners  https://amzn.to/4gym8x8 (Amazon)⁣ ⁣ CONNECT WITH ANDE LYONS https://www.dontbecagedbyyourage.com/⁣ https://www.linkedin.com/in/andelyons/⁣ https://www.instagram.com/ande_lyons/ ⁣ ⁣ GET BRAIN CANDY DELIVERED TO YOUR INBOX⁣ https://www.hilaryrusso.com/braincandy⁣⁣ ⁣ JOIN ME AT ONE OF MY FREE EVENTS⁣ ⁣https://www.hilaryrusso.com/events ⁣ CONNECT WITH HILARY⁣ https://www.instagram.com/hilaryrusso⁣ https://www.youtube.com/hilaryrusso⁣ https://www.facebook.com/hilisticallyspeaking⁣⁣ https://www.tiktok.com/@hilisticallyspeaking⁣ ⁣ https://www.hilaryrusso.com/podcast⁣ ⁣ Music by Lipbone Redding https://lipbone.com⁣

The Back to the Fifites Festival is turning 30! To help us celebrate three decades of poodle skirts (and so much more), four of the event organizers join us for Episode 181 of the #LovinLebanon Podcast. We recap humble beginnings, and look to how the event might be changing in years to come. To learn more about the Back to the Fifties Festival - click the link: https://www.fiftiesfestival.com/  

In THE LONGEST CON, Conason takes us back to the origins of the brazen and self-serving deceptions that have duped and damaged Americans, beginning with Roy Cohn's rebaiting swindles in the Fifties and leading to the ascent, decades later, of his most famous client, Donald J. Trump. On that journey, the author rips away patriotic and pious rhetoric to expose venality and scamming, from the Nixon and Reagan administrations to the Moral Majority, the Christian Coalition, and the Tea Party, which eventually gave rise to the MAGA movement - and doesn't hesitate to identify the most dubious characters, including Roger Stone; Jerry Falwell, senior and junior; as well as Paul Manafort, Richard Viguerie, Terry Dolan, and a list long enough to fill a small city's phone book.Conason weaves a fascinating story of these partisan con artists who ply their seamy trade while stoking political animosity and even hatred, all for personal profit. The epitome and master of this phenomenon is Trump himself, whose rise to power - along with his allies and family - represents a celebration of trickery. The foundation of his political career was itself an enormous deception, relying on the creation of his public image as a bold and brilliant tycoon when he was, in reality, a bankrupt casino owner and real estate failure who hosted a faked "reality" TV show. What his followers never realized is how he swindled them with every variety of modern scam, from multi-level marketing and bogus real estate seminars to "Trump University" and the Big Election Lie of 2020.Conason clearly lays out the downward spiral that stole conservatism decades ago, ultimately leading to the rise of Trumpism and the dangerous divide in the U.S.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

With the Infinity Saga put to bed on MVM, we head back into the archives to uncover the true history of Marvel Comics. From the Great Depression of the 1930's through the Second World War and into the Swinging Sixties! How was the company founded? What was in the very first issue of Marvel Comics? Who were the first Marvel characters? How did they find success? From Timely Comics in the 1940's with Captain America, The Human Torch and Namor The Submariner, to Atlas Comics in the Fifties, before finally becoming Marvel Comics with the Fantastic Four in 1961. This clips is taken from our special 100th Episode https://open.spotify.com/episode/6YZwG7dkppWU7hBPT2SBkQ For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

This week on the Balancing Chaos Podcast, Kelley sits down with the original influencer and celebrity news expert, Perez Hilton. Perez founded and oversees one of the most iconic celebrity news websites in pop culture. In addition to his mega successful website he has also built out additional arms to his media empire, he is the host of a very successful podcast , has a loyal following across several social media channels, has written four books, and has acted in countless TV shows and films - as well as on the stage. Most importantly, the Las Vegas resident is the proud father of three happy and thriving kids. Perez is one of the most sought-after commentators in the media world.In this episode, Perez shares insights on his successful media empire, parenthood, mental health, and the struggles of self-care. The two kick off the conversation diving deep into the topics of self care and how the emphasis on it impacts mental health, especially when running your own business. As a successful entrepreneur and single father raising three children, Perez emphasizes the importance of asking for help and building a support system so that you can prioritize your needs too! From there, the two reflect on the idea of instilling intentional values and creating a supportive environment for children and discuss important parenting strategies for raising conscious kids. Additionally, he offers his insight into how to be a successful social media creator and building a media empire and the importance of hard work and dedication over talent as the key to success. Finally the two talk about Perez's move to Vegas and his favorite Vegas hot spots for everything from date night to family outings! Tune in for a candid conversation about balancing personal and professional life while prioritizing mental well-being.To connect with Perez click HERETo listen to Perez's podcast click HERETo connect with Kelley click HERETo book a lab review click HERE

This week another Unsolved Mystery of the Fifties and lots of new music ! So, mix yourself a martini, settle into your favorite chair, and let the smooth sounds of Cocktail Nation take you away. You're in for an unforgettable evening    www.cocktailnation.net   Black Flamingoes-Tales From the Crypt Project K_67-Nightdrive Al Cailoa- Experiment In Terror Harold Schenk- Bachelor Pad Dubbelorganisterna- Hubble Isrea Butler- Pennies from Heaven Hi Tide Orchestra-Eu Sei Que Vou Te Amar Ìxtahuele -  Moonflower Jean -Michael Bernard- K&R Awkward Dinner Steve Yeager- Catwalk Tiki Delights-San Francisco Samba The Aloha Caftan Society- Aloha Caftan Society Theme Martini Kings-Dance of the Virgins Towner Galaher- Cafe Con Samba Voodoo 5-Bossa Cubana

Send us a Text Message. In this episode, “Fountain of Youth,” hosts Susan and Ruby explore the transformative effects of an alcohol-free lifestyle on skin health. A listener shares that she's 48 days alcohol free, and a lovely woman in her yoga class just complimented her and commented on how well she was looking and how nice her skin was. And then she explained that she's 48 days alcohol free, and it looks like she's looking 10 years younger.As experts in alcohol freedom coaching, the hosts examine the physical advantages of sobriety, such as youthful appearance, clearer skin, and diminished bloating. The discussion extends to the broader impacts of alcohol on one's looks and concludes with a mindful breathing exercise.Join us for an insightful session filled with encouragement and practical guidance to enhance your natural radiance and vitality. Tune in for an enriching experience that promises to illuminate your path to wellness.Time stamp:00:00 Quitting alcohol leads to noticeable beauty improvement.04:39 Fifties were both best and worst for me.07:07 Struggling with self-image and negative thoughts.12:37 Overcoming alcohol and self-image struggles, morning reflection.13:38 Enhanced eyes reflect inner well-being and confidence.17:18 Alcohol detox process and its effects summarized.22:54 Episode explores desire for improved appearance.23:26 Reflect on money spent, advocate for sobriety.27:51 Exploring a new breathing technique for managing anger.31:41 Use breathing to calm and make better choices.Keywordsalcohol-free, skincare struggles, tongue discoloration, teeth discoloration, self-image, alcohol freedom coaches, physical benefits, reduced puffiness, pore extractions, self-care, breathing exercise, nervous system, Carrie Fisher's book, beauty routine, makeup, freebie, natural beauty of aging, vibrancy, fountain of youth, carcinogen, hydration, wrinkles, confidence, food choices, water intake, hangover, energy, nonverbal energy, financial savings, before and after photos, anger managementWe want to hear from you! Leave a review on Apple Podcasts, and ask us any questions you have about breaking free from wine or living an alcohol-free lifestyle. Your question could be the highlight of a future episode! Grab your copy of our FREE WineFree Weekend Guide to help you on your alcohol free journey. https://feellitpodcast.com/Guide Find community and connection on the Feel Lit Alcohol Free Facebook Page: https://www.facebook.com/groups/feellitalcoholfreepodcastWebsites:Susan Larkin Coaching https://www.susanlarkincoaching.com/ Ruby Williams at Freedom Renegade Coaching https://www.freedomrenegadecoaching.com/Follow Susan: @drinklesswithsusanFollow Ruby: @rubywilliamscoachingIt is strongly recommended that you seek professional advice regarding your health before attempting to take a break from alcohol. The creators, hosts, and producers of the The Feel Lit Alcohol Free podcast are not healthcare practitioners and therefore do not give medical, or psychological advice nor do they intend for the podcast, any resource or communication on behalf of the podcast or otherwise to be a substitute for such.

With an extraordinarily high stakes election looming in November, it is imperative for Americans to understand the real - and often very dark - motive's behind the messages they hear. From the earliest days of the American republic, frauds and crooks of all varieties have haunted our democratic system. Yet while con artists can be found on both sides of the aisle, the hard truth is that one side is far more badly infested than the other. Joe Conason, the acclaimed investigative journalist and political commentator, has spent years pursuing the cheaters, grifters, and phonies - and he reports on his extensive and often comical discoveries in his new book, THE LONGEST CON: How Grifters, Swindlers, and Frauds Hijacked American Conservatism In THE LONGEST CON, Conason takes us back to the origins of the brazen and self-serving deceptions that have duped and damaged Americans, beginning with Roy Cohn's rebaiting swindles in the Fifties and leading to the ascent, decades later, of his most famous client, Donald J. Trump. On that journey, the author rips away patriotic and pious rhetoric to expose venality and scamming, from the Nixon and Reagan administrations to the Moral Majority, the Christian Coalition, and the Tea Party, which eventually gave rise to the MAGA movement - and doesn't hesitate to identify the most dubious characters, including Roger Stone; Jerry Falwell, senior and junior; as well as Paul Manafort, Richard Viguerie, Terry Dolan, and a list long enough to fill a small city's phone book.Conason weaves a fascinating story of these partisan con artists who ply their seamy trade while stoking political animosity and even hatred, all for personal profit. The epitome and master of this phenomenon is Trump himself, whose rise to power - along with his allies and family - represents a celebration of trickery. The foundation of his political career was itself an enormous deception, relying on the creation of his public image as a bold and brilliant tycoon when he was, in reality, a bankrupt casino owner and real estate failure who hosted a faked "reality" TV show. What his followers never realized is how he swindled them with every variety of modern scam, from multi-level marketing and bogus real estate seminars to "Trump University" and the Big Election Lie of 2020.Conason clearly lays out the downward spiral that stole conservatism decades ago, ultimately leading to the rise of Trumpism and the dangerous divide in the U.S.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In this episode I spoke with author Foster Hirsch about his book "Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher - Television".  A fascinating look at Hollywood's most turbulent decade and the demise of the studio system—set against the boom of the post-World War II years, the Cold War, and the atomic age—and the movies that reflected the seismic shifts.His website is www.fosterhirsch.inkHome - FOSTER HIRSCHFoster Hirsch's latest book, Hollywood and the Movies of the Fifties, has been called "the definitive book on 1950s Hollywood." Foster Hirsch will be presenting a number of films at NYC's Film Forum five-week series, 50 from the 50s, October 13 - November 16, 2023.www.fosterhirsch.ink

Amongst the most bizarro thing about last week's truly bizarre Presidential debate was how much Biden and Trump were in violent agreement on China. Trump certainly has won the ideological battle about the supposedly existential China threat and the two decrepit old men both celebrate American embroilment in a second Cold War. This is great news , of course, for the America's sprawling military industrial complex with its unquenchable thirst for rearmament and military engagement overseas. I'm not sure that the DC based Dmitri Alperovitch is a card carrying member of that establishment, but he's certainly a slick China hawk who fears that the world is on the brink of a major conflict over Taiwan with Xi's supposedly “Marxist-Leninist” regime. Maybe, maybe not. But talking to him about “winning” what he calls the “Cold War II” is a surreal throwback to a Fifties paranoia about the supposed existential threat of the Marxist-Leninist Soviet Union. America “won” the first Cold War; I doubt it can afford to win the second. Dmitri Alperovitch is an internationally recognized thought leader on geopolitics and national security and co-founder and executive chairman of Silverado Policy Accelerator, a think-tank focused on policy solutions in national security, trade and industrial security, and ecological and economic security.  He is also the former CTO of the cybersecurity company CrowdStrike Inc. Alperovitch serves on the Homeland Security Advisory Council of the Department of Homeland Security and as a founding board member of US Government's Cyber Safety Review Board, and has previously served as a special advisor to the Department of Defense. He is the host of Silverado's “Geopolitics Decanted” podcast.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Bethanne Patrick, the world's best read woman and KEEN ON's official literary maven, has six recommended new books to read this June. Three non-fiction works and three novels, they extend from books all about women, to the dangers of jelly fish to a gay Hungarian in the Lavender Scare Hollywood of the Fifties. So something for everyone and Bethanne even suggests whether each book should be read on the porch or the porch. No excuses. Y'all have something to read in June. Bethanne Patrick maintains a storied place in the publishing industry as a critic and as @TheBookMaven on Twitter, where she created the popular #FridayReads and regularly comments on books and literary ideas to over 200,000 followers. Her work appears frequently in the Los Angeles Times as well as in The Washington Post, NPR Books, and Literary Hub. She sits on the board of the PEN/Faulkner Foundation and has served on the board of the National Book Critics Circle. She is the host of the Missing Pages podcast.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Robert Bly (born December 23, 1926, in Madison, Minnesota) is the author of more than thirty books of poetry, including Stealing Sugar from the Castle: Selected Poems (W. W. Norton, 2013); Talking into the Ear of a Donkey: Poems(W. W. Norton, 2011); Reaching Out to the World: New and Selected Prose Poems (White Pine Press, 2009); My Sentence Was a Thousand Years of Joy (HarperCollins, 2005); The Night Abraham Called to the Stars (HarperCollins, 2001); Loving a Woman in Two Worlds (Dial Press, 1985); This Body is Made of Camphor and Gopherwood (Harper & Row, 1977); and The Light Around the Body (Harper & Row, 1967), which won the National Book Award.As the editor of the magazine The Sixties (begun as The Fifties), Bly introduced many unknown European and South American poets to an American audience. He is also the editor of numerous collections including (Beacon Press, 2007); Mirabai: Ecstatic Poems(Beacon Press, 2004), co-authored with Jane Hirshfield; The Soul Is Here for Its Own Joy: Sacred Poems from Many Cultures (HarperCollins, 1995); Leaping Poetry: An Idea with Poems and Translations (Beacon Press, 1975); The Rag and Bone Shop of the Heart: Poems for Men (HarperCollins, 1992); News of the Universe: Poems of Twofold Consciousness (Sierra Club Books, 1980); and A Poetry Reading Against the Vietnam War (American Writers Against the Vietnam War, 1966). Among his many books of translations are Lorca and Jiminez: Selected Poems (Beacon Press, 1997); Times Alone: Selected Poems of Antonio Machado (Wesleyan University Press, 1983); The Kabir Book: Ecstatic Poems (Beacon Press, 1977); Friends, You Drank Some Darkness: Three Swedish Poets—Martinson, Ekeloef, and Transtromer (Beacon Press, 1975); and Neruda and Vallejo: Selected Poems (Beacon Press, 1971), co-translated with John Knoepfle and James Wright.Bly's honors include Guggenheim, Rockefeller, and National Endowment for the Arts fellowships, as well as The Robert Frost Medal from the Poetry Society of America.Bly lived on a farm in the western part of Minnesota with his wife and three children until his death on November 21, 2021.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

We're almost at the end of our season, just as the biggest sports leagues in the world come to the end of theirs (as our guest today says, it all revolves around oil, and maybe a bit of corruption and looting). Speaking of today's guest, we've got on an expert in banking and the racial wealth gap whose biography will probably surprise you at every turn: Mehrsa Baradaran, Professor of Law at the University of California Irvine School of Law, who takes us on a tour of her new book The Quiet Coup: Neoliberalism and the Looting of America. Even though Sam and David's respective views on neoliberalism are what makes this a podcast divided, Baradaran opens the podcast by telling us that neoliberalism is synonymous with corruption and looting, but also that she's a big fan of markets. Next, Baradaran gives us a brief and maybe controversial account of the post-World War Two era, placing empire and race, not economics or ideology, at the center. Sam presses Baradaran on her thesis: that conmen and grifters, big oil and big tobacco, used neoliberalism, which then gained a life of its own as law and economics. David valiantly defends law and economics (sadly, no one seems to be convinced). We end with exposing the quietest coup: maybe Baradaran, in aiming to bare everything wrong with our economic system, was the real neoliberal all along. This podcast is generously supported by Themis Bar Review. Referenced Readings The Wretched of the Earth by Franz Fanon The Color of Money: Black Banks and the Racial Wealth Gap by Mehrsa Baradaran Public Citizens: The Attack on Big Government and the Remaking of American Liberalism by Paul Sabin The End of Ideology: On the Exhaustion of Political Ideas in the Fifties by Daniel Bell The God Delusion by Richard Dawkins Racecraft: The Soul of Inequality in American Life by Karen E. Fields and Barbara J. Fields “Protestors Criticized For Looting Businesses Without Forming Private Equity Firm First” in The Onion

In this episode I interview a couple in their fifties from southern India.  They had their own business in Bangalore, India and were about to celebrate their son's wedding when they felt God's call to go on the mission field to Ballari, a city of 700,000 people six hours north of Bangalore.  They moved in 2019 right before COVID.  They started leading a small church of 30 disciples and then entered the pandemic lockdown.  Listen as they share about how: ·        The church has grown from 30 to 135 disciples. ·        They have sent three young people off to a school for missions. ·        Thirty of their churches members went on a short term missionary trip to the neighboring city of Vijaynagar, reached out and now there is a church there with 18 disciples. ·        They studied with one couple who became disciples and went back to their home town and converted ten of their family members. ·        They are in the process of planting another new church in the city of Davanagere. ·        What motivates them to live a radical Christian life at this stage of their lives.  This episode is translated from Tamil to English.  Amul and Rita live in Ballari, Karnataka, India and can be reached at amulrajrita1@gmail.com Jeba Premkumar kindly provided Tamil/English interpretation for today's podcast. Christy and Lucy, ministers from Bangalore are also on the call and can be reached at christylucy1973@gmail.com

Part 1 of Episode 150! Yay!! And now for something completely different. This episode is a bit of a departure from our regular show. We invite Alex Criddle and Cody Noconi, researchers into the psychedelic origins of Mormonism, to respond to the recent debate on the Mormon Book Reviews channel between ourselves and Mormon apologist, Brian Hales. Brian attempts to provide the apologetic response to the theory that Joseph Smith utilized psychedelics (entheogens) in the early history of the Church of Jesus Christ of Latter-day Saints in order to facilitate visionary experiences for the early Saints. Disinformation requires much greater effort than simply stating information so we do our best to debunk his debunking (rebunk the theory?). This one is a long haul so we split it into 2 episodes to make it a little more digestible.   Show notes: Video version: https://youtu.be/3l0L1EHtQOo Support our research and outreach: https://www.patreon.com/SeerStonedProductions Original here: Psychedelics & Early Mormonism Theory Brian Hales Responds on Mormon Book Reviews https://www.youtube.com/watch?v=uE7J0y_cPpg Further information: “The Higher Powers of Man” - Frederick M. Smith was a prophet of the RLDS Mormons and paternal grandson of the founder Joseph Smith. In 1918 Frederick published this Ph.D. dissertation breaking down altered states of consciousness from an early psychologist's perspective, specifically, religious states of ‘ecstacy' as he called it. A lengthy chapter devoted to peyote is particularly worth reading. “The Higher Powers: Fred M - Smith and the Peyote Ceremonies” - Shelby Barnes' 1995 paper highlighting the curious psychedelic interests of Frederick M. Smith. While Barnes does not make any direct connections to Joseph Smith and psychedelics, Barnes does note that Frederick's interests were an attempt to find the reliable keys to visionary revelation that his grandfather Joseph had demonstrated. “Restoration and the Sacred Mushroom”  - Dr. Robert Beckstead's seminal research paper presented at the August 2007 Sunstone Symposium. Beckstead's paper was the first to propose the possibility that Joseph Smith used psychedelics to facilitate visionary experiences. “A 1920's Harvard Psychedelic Circle with a Mormon Connection: Peyote Use amongst the Harvard Aesthetes” Alan Piper's 2016 paper highlighting Frederick M. Smith's interest in psychedelics, and how as a standing Mormon prophet Fred was funding a 1920s group of Harvard students with peyote. “Revelation Through Hallucination: A discourse on the Joseph Smith-entheogen theory” - Bryce Blankenagel and Cody Noconi's 2017 follow-up paper further explores the hypothesis originally put forward by Dr. Robert Beckstead a decade earlier. “The Entheogenic Origins of Mormonism: A Working Hypothesis” - Dr. Robert Beckstead, Bryce Blankenagel, Cody Noconi, and Michael Winkelman's paper published in the Journal of Psychedelic Studies in June 2019. This was the first paper on the subject published in an academic journal. “Visions, Mushrooms, Fungi, Cacti, and Toads: Joseph Smith's Reported Use of Entheogens” Brian Hales' 2020 response paper to the one published in the Journal of Psychedelic Studies. As a believing Mormon engaged in academic apologetics, Hales details what he perceives to be holes in the proposed hypothesis. “The Psychedelic History of Mormonism, Magic, and Drugs” - Cody Noconi's book published in 2021. “Psychedelics as a Means of Revelation in Early and Contemporary Mormonism (Part 1)” Alex Criddle's 2023 paper that was originally presented at the Forms of Psychedelic Life conference at UC Berkeley (April 14-15, 2023). “Psychedelics as a Means of Revelation in Early and Contemporary Mormonism (Part 2)” A continuation of Alex Criddle's 2023 paper. “A Real Spiritual High: In Defense of Psychedelic Mysticism” An enlightening philosophical essay from Alex Criddle. Bibliography and further reading: The Varieties of Religious Experience, by William James The Higher Powers of Man, by Frederick M. Smith The Magus, by Francis Barrett  A Key to Physic, and the Occult Sciences, by Ebenezer Sibly Hearts Made Glad: The Charges of Intemperance Against Joseph Smith the Mormon Prophet, by Lamar Peterson The Seven Sisters of Sleep, by Mordecai Cubitt Cooke The Encylopedia of Psychoactive Plants: Ethnopharmacology and Its Applications, by Christian Rátsch Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers, by Richard Evans Shultes, Albert Hoffman, and Christian Rátsch The Dictionary of Sacred and Magical Plants, by Christian Rátsch Witchcraft Medicine: Healing Arts, Shamanic Practices, and Forbidden Plants, by Claudia Muller-Ebeling, Christian Rátsch, and Wolf-Dieter Storl Sex, Drugs, Violence and the Bible, by Chris Bennett and Neil McQueen Liber 420: Cannabis, Magickal Herbs and the Occult, by Chris Bennett Cannabis: Lost Sacrament of the Ancient World, by Chris Bennett Plants of the Devil, by Corinne Boyer The Immortality Key: The Secret History of the Religion with No Name, by Brian C. Muraresku Veneficium: Magic Witchcraft, and the Poison Path, by Daniel A. Schulke Thirteen Pathways of Occult Herbalism, by Daniel A. Schulke The Botany and Chemistry of Hallucinogens, by Richard Evans Shultes and Albert Hoffman Where the Gods Reign: Plants and Peoples of the Colombian Amazon, by Richard Evans Shultes Vine of the Soul: Medicine Men, Their Plants and Rituals in the Colombian Amazonia, by Richard Evans Shultes and Robert F. Raffauf Ethnobotany: Evolution of a Discipline, Richard Evans Shultes and Siri von Reis Persephone's Quest: Entheogens and the Origins of Religion, by Jonathan Ott, R. Gordon Wasson, Stella Kramrisch, and Carl A. P. Ruck Pharmacotheon: Entheogenic Drugs, Their Plant Sources and History, by Jonathan Ott Plant Intoxicants: a Classic Text on the Use of Mind-Altering Plants, by Ernst Bibra and Jonathan Ott Age of Entheogens & the Angels' Dictionary, by Jonathan Ott Drugs of the Dreaming: Oneirogens: Salvia Divinorum and Other Dream-Enhancing Plants, by Jonathan Ott, Gianluca Toro, and Benjamin Thomas The Road to Eleusis, by R. Gordon Wasson, Albert Hofmann, Carl A. P. Ruck, Huston Smith Sacred Knowledge: Psychedelics and Religious Experiences, by William A. Richards Entheogens, Myth, and Human Consciousness, by Carl A.P. Ruck and Mark Alwin Hoffman Mushrooms, Myth and Mithras: The Drug Cult that Civilized Europe, by Carl A.P. Ruck, Mark Alwin Hoffman and Jose Alfredo Gonzalez Celdran Sacred Mushrooms of the Goddess: Secrets of Eleusis, by Carl A.P. Ruck The Apples of Apollo: Pagan and Christian Mysteries of the Eucharist, by Carl A.P. Ruck, Clark Heinrich, and Blaise Daniel Staples Psychedelic Mystery Traditions: Sacred Plants, Magical Practices, Ecstatic States, by Thomas Hatsis The Witches' Ointment: The Secret History of Psychedelic Magic, by Thomas Hatsis Alchemically Stoned: The Psychedelic Secret of Freemasonry, by PD Newman Angels in Vermillion: The Philosophers' Stone: From Dee to DMT, by PD Newman Theurgy: Theory and Practice: The Mysteries of the Ascent to the Divine, by PD Newman The Psychedelic History of Mormonism, Magic, and Drugs, by Cody Noconi Magic Mushrooms in Religion and Alchemy, by Clark Heinrich Psychedelic Medicine, by Richard Miller Mushroom Medicine: The Healing Power of Psilocybin & Sacred Entheogen History, by Brian Jackson The Religious Experience: It's Production and Interpretation., by Timothy Leary Cleansing the Doors of Perception: The Religious Significance of Entheogenic Plants and Chemicals, by Huston Smith The Psychedelic Explorer's Guide, by James Fadiman Psilocybin Mushrooms of the World: An Identification Guide, by Paul Stamets Soma: divine mushroom of immortality, by Robert Gordon Wasson The Philosophy of Natural Magic, by Heinrich Cornelius Agrippa Dwellers on the Threshold; Or Magic and Magicians, with Some Illustrations of Human Error and Imposture, by John Maxwell The History of Magic, by Eliphas Levi Encyclopedia of Freemasonry and Its Kindred Sciences, by Albert Mackey The German Sectarians of Pennsylvania, by Julius F. Sachse God on Psychedelics: Tripping Across the Rubble of Old-Time Religion, by Don Lattin The Peyote Effect: From the Inquisition to the War on Drugs, byAlexander Dawson The Psychedelic Experience: A Manual Based on The Tibetan Book of the Dead, by Timothy Leary, Ralph Metzne, and Richard Alpert Entheogens and the Future of Religion, by Robert Forte How To Change Your Mind, by Michael Pollan The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America by Don Lattin Psychedelic Drugs Reconsidered, by James B. Bakalar and Lester Grinspoon The Peyote Cult, by Weston LaBarre DMT: The Spirit Molecule: A Doctor's Revolutionary Research into the Biology of Near-Death and Mystical Experiences, by Rick Stassman A Hallucinogenic Tea Laced With Controversy, by Marlene Dobkin de Rios and Roger Rumrrill Occurrence and Use of Hallucinogenic Mushrooms Containing Psilocybin Alkaloids, by Jakob Kristinsson and Jørn Gry Psychedelics Encyclopedia, by Peter G Stafford Neuropsychedelia: The Revival of Hallucinogen Research Since the Decade of the Brain, by Nicolas Langlitz Stairways To Heaven: Drugs In American Religious History, by Robert W. Fuller Mescaline: A Global History of the First Psychedelic, by Mike Jay DMT and the Soul of Prophecy: A New Science of Spiritual Revelation in the Hebrew Bible, by Rick Strassman Liquid Light: Ayahuasca Spirituality and the Santo Daime Tradition, by G. William Barnar Distilled Spirits: Getting High, Then Sober, with a Famous Writer, a Forgotten Philosopher, and a Hopeless Drunk, by Don Lattin The Mystery of Manna: The Psychedelic Sacrament of the Bible, by Dan Merkur Psychedelic Sacrament: Manna, Meditation and Mystical Experience, by Dan Merkur LSD and the Divine Scientist: The Final Thoughts and Reflections of Albert Hofmann, by Albert Hoffman The Doors of Perception, by Aldous Huxley Changing Our Minds: Psychedelic Sacraments and the New Psychotherapy, by Don Lattin LSD: Doorway to the Numinous: The Groundbreaking Psychedelic Research into Realms of the Human Unconscious, by Stanislav Grof LSD and the Mind of the Universe by Christopher Bache Plant Teachers: Ayahuasca, Tobacco, and the Pursuit of Knowledge by Jeremy Narby and Rafael Chanchari Pizuri Visionary Vine: Psychedelic Healing in the Peruvian Amazon by Marlene Dobkin de Rios The Antipodes of the Mind by Benny Shannon Ancient Psychedelic Substances by Scott Fitzpatrick Psychoactive Sacramentals: Essays on Entheogens and Religion by Stan Grof, Huston Smith, and Albert Hofmann  The Shaman and Ayahuasca: Journeys to Sacred Realms by Don Jose Campos The Religion of Ayahuasca: The Teachings of the Church of Santo Daime by Alex Polari de Alverga Email: glassboxpodcast@gmail.com  Patreon: https://www.patreon.com/GlassBoxPod  Facebook page: https://www.facebook.com/glassboxpodcast Twitter: https://twitter.com/GlassBoxPod  Instagram: https://www.instagram.com/glassboxpodcast/  Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on “Store” here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com   

Part 2 of Episode 150! Yay!! And now for something completely different. This episode is a bit of a departure from our regular show. We invite Alex Criddle and Cody Noconi, researchers into the psychedelic origins of Mormonism, to respond to the recent debate on the Mormon Book Reviews channel between ourselves and Mormon apologist, Brian Hales. Brian attempts to provide the apologetic response to the theory that Joseph Smith utilized psychedelics (entheogens) in the early history of the Church of Jesus Christ of Latter-day Saints in order to facilitate visionary experiences for the early Saints. Disinformation requires much greater effort than simply stating information so we do our best to debunk his debunking (rebunk the theory?). This one is a long haul so we split it into 2 episodes to make it a little more digestible.   Show notes: Video version: https://youtu.be/3l0L1EHtQOo Support our research and outreach: https://www.patreon.com/SeerStonedProductions Original here: Psychedelics & Early Mormonism Theory Brian Hales Responds on Mormon Book Reviews https://www.youtube.com/watch?v=uE7J0y_cPpg   Further information: “The Higher Powers of Man” - Frederick M. Smith was a prophet of the RLDS Mormons and paternal grandson of the founder Joseph Smith. In 1918 Frederick published this Ph.D. dissertation breaking down altered states of consciousness from an early psychologist's perspective, specifically, religious states of ‘ecstacy' as he called it. A lengthy chapter devoted to peyote is particularly worth reading. “The Higher Powers: Fred M - Smith and the Peyote Ceremonies” - Shelby Barnes' 1995 paper highlighting the curious psychedelic interests of Frederick M. Smith. While Barnes does not make any direct connections to Joseph Smith and psychedelics, Barnes does note that Frederick's interests were an attempt to find the reliable keys to visionary revelation that his grandfather Joseph had demonstrated. “Restoration and the Sacred Mushroom”  - Dr. Robert Beckstead's seminal research paper presented at the August 2007 Sunstone Symposium. Beckstead's paper was the first to propose the possibility that Joseph Smith used psychedelics to facilitate visionary experiences. “A 1920's Harvard Psychedelic Circle with a Mormon Connection: Peyote Use amongst the Harvard Aesthetes” Alan Piper's 2016 paper highlighting Frederick M. Smith's interest in psychedelics, and how as a standing Mormon prophet Fred was funding a 1920s group of Harvard students with peyote. “Revelation Through Hallucination: A discourse on the Joseph Smith-entheogen theory” - Bryce Blankenagel and Cody Noconi's 2017 follow-up paper further explores the hypothesis originally put forward by Dr. Robert Beckstead a decade earlier. “The Entheogenic Origins of Mormonism: A Working Hypothesis” - Dr. Robert Beckstead, Bryce Blankenagel, Cody Noconi, and Michael Winkelman's paper published in the Journal of Psychedelic Studies in June 2019. This was the first paper on the subject published in an academic journal. “Visions, Mushrooms, Fungi, Cacti, and Toads: Joseph Smith's Reported Use of Entheogens” Brian Hales' 2020 response paper to the one published in the Journal of Psychedelic Studies. As a believing Mormon engaged in academic apologetics, Hales details what he perceives to be holes in the proposed hypothesis. “The Psychedelic History of Mormonism, Magic, and Drugs” - Cody Noconi's book published in 2021. “Psychedelics as a Means of Revelation in Early and Contemporary Mormonism (Part 1)” Alex Criddle's 2023 paper that was originally presented at the Forms of Psychedelic Life conference at UC Berkeley (April 14-15, 2023). “Psychedelics as a Means of Revelation in Early and Contemporary Mormonism (Part 2)” A continuation of Alex Criddle's 2023 paper. “A Real Spiritual High: In Defense of Psychedelic Mysticism” An enlightening philosophical essay from Alex Criddle. Bibliography and further reading: The Varieties of Religious Experience, by William James The Higher Powers of Man, by Frederick M. Smith The Magus, by Francis Barrett  A Key to Physic, and the Occult Sciences, by Ebenezer Sibly Hearts Made Glad: The Charges of Intemperance Against Joseph Smith the Mormon Prophet, by Lamar Peterson The Seven Sisters of Sleep, by Mordecai Cubitt Cooke The Encylopedia of Psychoactive Plants: Ethnopharmacology and Its Applications, by Christian Rátsch Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers, by Richard Evans Shultes, Albert Hoffman, and Christian Rátsch The Dictionary of Sacred and Magical Plants, by Christian Rátsch Witchcraft Medicine: Healing Arts, Shamanic Practices, and Forbidden Plants, by Claudia Muller-Ebeling, Christian Rátsch, and Wolf-Dieter Storl Sex, Drugs, Violence and the Bible, by Chris Bennett and Neil McQueen Liber 420: Cannabis, Magickal Herbs and the Occult, by Chris Bennett Cannabis: Lost Sacrament of the Ancient World, by Chris Bennett Plants of the Devil, by Corinne Boyer The Immortality Key: The Secret History of the Religion with No Name, by Brian C. Muraresku Veneficium: Magic Witchcraft, and the Poison Path, by Daniel A. Schulke Thirteen Pathways of Occult Herbalism, by Daniel A. Schulke The Botany and Chemistry of Hallucinogens, by Richard Evans Shultes and Albert Hoffman Where the Gods Reign: Plants and Peoples of the Colombian Amazon, by Richard Evans Shultes Vine of the Soul: Medicine Men, Their Plants and Rituals in the Colombian Amazonia, by Richard Evans Shultes and Robert F. Raffauf Ethnobotany: Evolution of a Discipline, Richard Evans Shultes and Siri von Reis Persephone's Quest: Entheogens and the Origins of Religion, by Jonathan Ott, R. Gordon Wasson, Stella Kramrisch, and Carl A. P. Ruck Pharmacotheon: Entheogenic Drugs, Their Plant Sources and History, by Jonathan Ott Plant Intoxicants: a Classic Text on the Use of Mind-Altering Plants, by Ernst Bibra and Jonathan Ott Age of Entheogens & the Angels' Dictionary, by Jonathan Ott Drugs of the Dreaming: Oneirogens: Salvia Divinorum and Other Dream-Enhancing Plants, by Jonathan Ott, Gianluca Toro, and Benjamin Thomas The Road to Eleusis, by R. Gordon Wasson, Albert Hofmann, Carl A. P. Ruck, Huston Smith Sacred Knowledge: Psychedelics and Religious Experiences, by William A. Richards Entheogens, Myth, and Human Consciousness, by Carl A.P. Ruck and Mark Alwin Hoffman Mushrooms, Myth and Mithras: The Drug Cult that Civilized Europe, by Carl A.P. Ruck, Mark Alwin Hoffman and Jose Alfredo Gonzalez Celdran Sacred Mushrooms of the Goddess: Secrets of Eleusis, by Carl A.P. Ruck The Apples of Apollo: Pagan and Christian Mysteries of the Eucharist, by Carl A.P. Ruck, Clark Heinrich, and Blaise Daniel Staples Psychedelic Mystery Traditions: Sacred Plants, Magical Practices, Ecstatic States, by Thomas Hatsis The Witches' Ointment: The Secret History of Psychedelic Magic, by Thomas Hatsis Alchemically Stoned: The Psychedelic Secret of Freemasonry, by PD Newman Angels in Vermillion: The Philosophers' Stone: From Dee to DMT, by PD Newman Theurgy: Theory and Practice: The Mysteries of the Ascent to the Divine, by PD Newman The Psychedelic History of Mormonism, Magic, and Drugs, by Cody Noconi Magic Mushrooms in Religion and Alchemy, by Clark Heinrich Psychedelic Medicine, by Richard Miller Mushroom Medicine: The Healing Power of Psilocybin & Sacred Entheogen History, by Brian Jackson The Religious Experience: It's Production and Interpretation., by Timothy Leary Cleansing the Doors of Perception: The Religious Significance of Entheogenic Plants and Chemicals, by Huston Smith The Psychedelic Explorer's Guide, by James Fadiman Psilocybin Mushrooms of the World: An Identification Guide, by Paul Stamets Soma: divine mushroom of immortality, by Robert Gordon Wasson The Philosophy of Natural Magic, by Heinrich Cornelius Agrippa Dwellers on the Threshold; Or Magic and Magicians, with Some Illustrations of Human Error and Imposture, by John Maxwell The History of Magic, by Eliphas Levi Encyclopedia of Freemasonry and Its Kindred Sciences, by Albert Mackey The German Sectarians of Pennsylvania, by Julius F. Sachse God on Psychedelics: Tripping Across the Rubble of Old-Time Religion, by Don Lattin The Peyote Effect: From the Inquisition to the War on Drugs, byAlexander Dawson The Psychedelic Experience: A Manual Based on The Tibetan Book of the Dead, by Timothy Leary, Ralph Metzne, and Richard Alpert Entheogens and the Future of Religion, by Robert Forte How To Change Your Mind, by Michael Pollan The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America by Don Lattin Psychedelic Drugs Reconsidered, by James B. Bakalar and Lester Grinspoon The Peyote Cult, by Weston LaBarre DMT: The Spirit Molecule: A Doctor's Revolutionary Research into the Biology of Near-Death and Mystical Experiences, by Rick Stassman A Hallucinogenic Tea Laced With Controversy, by Marlene Dobkin de Rios and Roger Rumrrill Occurrence and Use of Hallucinogenic Mushrooms Containing Psilocybin Alkaloids, by Jakob Kristinsson and Jørn Gry Psychedelics Encyclopedia, by Peter G Stafford Neuropsychedelia: The Revival of Hallucinogen Research Since the Decade of the Brain, by Nicolas Langlitz Stairways To Heaven: Drugs In American Religious History, by Robert W. Fuller Mescaline: A Global History of the First Psychedelic, by Mike Jay DMT and the Soul of Prophecy: A New Science of Spiritual Revelation in the Hebrew Bible, by Rick Strassman Liquid Light: Ayahuasca Spirituality and the Santo Daime Tradition, by G. William Barnar Distilled Spirits: Getting High, Then Sober, with a Famous Writer, a Forgotten Philosopher, and a Hopeless Drunk, by Don Lattin The Mystery of Manna: The Psychedelic Sacrament of the Bible, by Dan Merkur Psychedelic Sacrament: Manna, Meditation and Mystical Experience, by Dan Merkur LSD and the Divine Scientist: The Final Thoughts and Reflections of Albert Hofmann, by Albert Hoffman The Doors of Perception, by Aldous Huxley Changing Our Minds: Psychedelic Sacraments and the New Psychotherapy, by Don Lattin LSD: Doorway to the Numinous: The Groundbreaking Psychedelic Research into Realms of the Human Unconscious, by Stanislav Grof LSD and the Mind of the Universe by Christopher Bache Plant Teachers: Ayahuasca, Tobacco, and the Pursuit of Knowledge by Jeremy Narby and Rafael Chanchari Pizuri Visionary Vine: Psychedelic Healing in the Peruvian Amazon by Marlene Dobkin de Rios The Antipodes of the Mind by Benny Shannon Ancient Psychedelic Substances by Scott Fitzpatrick Psychoactive Sacramentals: Essays on Entheogens and Religion by Stan Grof, Huston Smith, and Albert Hofmann  The Shaman and Ayahuasca: Journeys to Sacred Realms by Don Jose Campos The Religion of Ayahuasca: The Teachings of the Church of Santo Daime by Alex Polari de Alverga  Email: glassboxpodcast@gmail.com  Patreon: https://www.patreon.com/GlassBoxPod  Facebook page: https://www.facebook.com/glassboxpodcast Twitter: https://twitter.com/GlassBoxPod  Instagram: https://www.instagram.com/glassboxpodcast/  Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on “Store” here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com   

In the latest episode of Life after Kids, we welcome you into an intimate and nostalgic conversation that takes a delightful stroll down memory lane. Join us in a lively discussion about the quirks, the culture, and the cherished memories that define our experiences of motherhood and the evolution of personal technology from our childhood years.This episode touches on the heartfelt simplicity of Mother's Days past while reflecting on the joys of motherhood and the significance of Mother's Day.  Plus, we share an amusing discussion on the impact of cultural fads and technologies from childhood.  And we examine the nature of technological advancements like vinyl records, Walkmans, and phone evolutions.  The conversation then evolves into precious tales from the past, invoking the warmth of simpler times.Key Takeaways:Nostalgia Trip: The episode delivers a potent dose of nostalgia, highlighting how specific items, like exercise records and Saturday morning cartoons, were cornerstones of their childhood.Cultural Shifts in Technology: The progression from vinyl records to today's on-demand digital culture emphasizes the rapid pace of technological change.Memories of Motherhood: Anecdotes about Mother's Day highlight traditions and shifts in societal expectations surrounding parenting and celebrations.A Look Back at Fashion and Entertainment: The hosts reminisce about the iconic fashion trends of the '70s and '80s, and the evolution of entertainment.Desire for Simplicity: The conversation underscores a longing for the slow-paced and simpler lifestyles of past decades, contrasting today's faster and more connected world.Listen to the full episode of this week's Life after Kids to explore how certain artifacts of our youth, such as mixtapes and metal lunchboxes, have left a lasting impression. Engaging personal anecdotes and celebratory tones abound as we recount shared cultural moments from Saturday morning cartoons to the unforgettable melodies that defined a generation.  Timestamp  | Summary | 0:00  |  Chatter and Mother's Day Musings  | 4:04  |  Over Vintage Music Formats and Mixtape Crafting | 6:14  |  Trip Through Childhood Memories and Fashions | 9:08  | Decluttering Philosophy and Family Memories | 10:29  | Journey Through the Evolution of Telephones | 13:03  | Over Classic Saturday Morning Cartoons and Wrestling | 14:01  |  Slow Saturday Mornings and Classic Cartoons | 15:58  | Nostalgia, Aging, and Cultural References in Conversation | 19:11  | Nostalgia Over Obsolete Technologies and Old Entertainment Rituals | 20:36  |  Reflections on Childhood Outdoor Play | 22:43  |  the Impact of Instant Gratification | 25:05  | Changes in Lifestyle Over Decades  | 29:16  | Sensitivity in Retro Television Shows | 30:42  | Reflections on 'We Are the World' and Its Global Impact | 33:49  | Reflections on the Fifties and Historical Eras | 37:24  | Discover Resources at Life After Kids Community Enjoy the show, and we hope you learn a little bit more about living a fulfilling, vibrant, and meaningful Life after Kids! If you like what you hear please rate and review the podcast, hit subscribe, and pass it along to a friend. Making tomorrow even better than today, Dr. Brooke and Dr. Lynne PS... Don't forget to follow us! Instagram Facebook Tik Tok

The success of How to Lose a Guy in 10 Days is built around the chemistry and star-power of its two leading actors: Kate Hudson and Matthew McConaughey. To truly understand this film, we have to understand the way movie stars operate in Hollywood, what casting these two actors meant in 2003, and what it means today.Helping us in that task is Russell Meeuf, a professor in the school of Journalism and Mass Media at the University of Idaho. His work focuses on celebrity culture, popular cinema, masculinity studies and disability studies. He is the author of several books on media culture, including White Terror: The Horror Film from Obama to Trump, Rebellious Bodies: Stardom Citizenship, and the New Body Politics as well as John Wayne's World: Transnational Masculinity in the Fifties.---If we give you butterflies, consider supporting us on Patreon! On Patreon have more great romance content including a close scene analysis with Russ. Hosted on Acast. See acast.com/privacy for more information.

There's a pervasive idea that in the 1950s America had single-earner families who could more easily afford housing, car payments, groceries and college, so maybe we should go back to the political economy of that era? In this special, we visit Fiftiesland and see how it stacks up to modern America. Support the show! Patreon.com/andrewheaton Venmo: @andrew-heaton-1  

Trish & Lorraine meet the fabulous Joely Richardson to go behind the scenes on her latest role as Lady Eularia Moggerhanger in Renegade Nell and why she's having the time of her life playing maverick midlife women. She also reveals how friendships carry her through and why she documents life with her mum Vanessa. Plus: Season 11 best bits & A Race Across The World inspired Nostalgia Noodle Sign up for our mini magazine: Postcards From Lorraine & TrishContact us: hello@postcardsfrommidlife.comFollow us on Instragram: @postcardsfrommidlifeJoin our private Facebook Group: https://www.facebook.com/groups/681448662400206/ Hosted on Acast. See acast.com/privacy for more information.

We're celebrating the dueling centennials of Marlon Brando and Tennessee Williams with a look at their most enduring collaboration: 1951's A Streetcar Named Desire. Historian and author Foster Hirsch joins us to break down the film's complicated subject matter, Marlon Brando's Method acting, the gender and class politics and everyone's old friend, the Blacklist. Buy Foster's book Hollywood and the Movies of the Fifties here. This episode was created thanks to our Patrons: Ali Moore Amy Hart Danny David Floyd Donna Hill Gates Jacob Haller Jonathan Watkins Krista Painter McF Rachel Clark A Button Called Smalls Chris McKay Debbi Lynne Jeffrey Kayla Ewing Nicholas Montano Peter Blitstein Peter Bryant Peter Dawson Susannah Burger Andrea Basora Brittany Brock Cat Cooper Daniel Tafoya Diana Madden Emily Edwards Harry Holland Kerry Ahern Lucy Soles Nick Weerts Rosa

I'm telling you, the Left hopes to tax Americans in their 50's and 60's out of their homes. We look at two data points on that. And, did Boeing learn anything? Zach Abraham joins to talk about what is going on there. We also take a look at a laughable clip from 60 Minutes about the national debt.What does God's Word say? Romans 7:7 What then shall we say? That the law is sin? By no means! Yet if it had not been for the law, I would not have known sin. For I would not have known what it is to covet if the law had not said, “You shall not covet.”Deuteronomy 5:21 “‘And you shall not covet your neighbor's wife. And you shall not desire your neighbor's house, his field, or his male servant, or his female servant, his ox, or his donkey, or anything that is your neighbor's.'1 Timothy 6:10 For the love of money is a root of all kinds of evils. It is through this craving that some have wandered away from the faith and pierced themselves with many pangs.Episode 1,394 Links:Fed. Chair Jerome Powell Issues a Warning on the National Debt: “In the long run, the U.S. federal government is on an unsustainable fiscal path and that means that the debt is growing faster than the economy”SEC Cracks Down On Basis Trades, Will Force Top Hedge Funds To Register As Dealers, Resulting In Collapsing Treasury Market LiquidityWashington bill to triple property tax advances in the senate`4Patriots https://4Patriots.com/Todd Stay connected when the power goes out and get free shipping on orders over $97. Alan's Soaps https://alanssoaps.com/TODD Use coupon code ‘TODD' to save an additional 10% off the bundle price. Bioptimizers https://bioptimizers.com/todd Use promo code TODD for 10% off your order. Bonefrog https://bonefrogcoffee.com/todd Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions. Bulwark Capital Bulwark Capital Management (bulwarkcapitalmgmt.com) Call 866-779-RISK or visit online to get their FREE Common Cents Investing Guide. SOTA Weight Loss https://sotaweightloss.com SOTA Weight Loss is, say it with me now, STATE OF THE ART! GreenHaven Interactive Digital Marketing https://greenhaveninteractive.com Your Worldclass Website Will Get Found on Google!

Friends, viewers, countrymen, loan us your ears? Ryan and Brian take turns in two different quizzing hot seats and a surprise audio segment includes MLB predictions and new developments in breakfast namesakes. Stuff to click: Where's Waldo got banned? Boswords' 2024 Winter Wondersolve The menu at First Watch Gary: A Sequel to Titus Andronicus (just to prove that Brian's sister was part of it) If you get bored (how could you?!), write something for the Fill Me In wiki. And if you're feeling philanthropic, donate to our Patreon. Do you enjoy our show? Actually, it doesn't matter! Please consider leaving us a 5-star review on Apple Podcasts. This will help new listeners find our show, and you'll be inducted into the Quintuple Decker Turkey Club. Drop us a note or a Tweet or a postcard or a phone call — we'd love to hear from you. Helpful links: Apple Podcasts link: https://podcasts.apple.com/us/podcast/fill-me-in/id1364379980 Google Play link: https://player.fm/series/fill-me-in-2151002 Amazon/Audible link: https://www.amazon.com/item_name/dp/B08JJRM927 RSS feed: http://bemoresmarter.libsyn.com/rss Contact us: Email (fmi@bemoresmarter.com) / Facebook / Twitter / Instagram We're putting these words here to help with search engine optimization. We don't think it will work, but you probably haven't read this far, so it doesn't matter: baseball, crossword, crosswords, etymology, game, hunt, kealoa, movies, musicals, mystery, oscar, pizza, puzzle, puzzles, sandwiches, soup, trivia, words

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

In 1995 a bestselling book proposed a simple dating strategy for women: Lose weight, wear bright colors and become a completely different person for the rest of your life.Thanks to Moira Donegan for helping us with this episode! Support us on Patreon: https://www.patreon.com/IfBooksPodWhere to find us: TwitterPeter's other podcast, 5-4Mike's other podcast, Maintenance PhaseSources:From Front Porch to Back Seat: Courtship in Twentieth-Century America Taffy Brodesser-Akner's essay, “Stuff Your ‘Rules'” The More Things Change: The Rules And Late Eighteenth‐Century Conduct Books For Women Shrinking Violets and Caspar Milquetoasts: Shyness and Heterosexuality from the Roles of the Fifties to "The Rules" of the Nineties From Mountain Peak to Total Woman: An Evolutionary History of Pre-feminist Dating Advice The Mating Game: How Gender Still Shapes How We Date by Ellen Lamont So Many Rules, So Little Time Abiding by The Rules: Instructing Women in Relationships What leads to romantic attraction: similarity, reciprocity, security, or beauty? Evidence from a speed-dating study "Playing Hard To Get": Understanding An Elusive Phenomenon Egalitarian Daters, Traditionalist Dates Aspirational pursuit of mates in online dating markets Disintermediating your friends: How online dating in the United States displaces other ways of meeting Playing Hard To Get  Thanks to Mindseye for our theme song!