Podcasts about exhibitions

Send us a textIn this engaging conversation, Coyal and Michael Stark discuss the evolution of Stark's artistic career, the importance of networking, and the balance between art and business. Stark shares insights on how he has successfully exhibited his work in various venues across Las Vegas, the challenges of handling rejection, and his aspirations for the future. The discussion highlights the significance of community and creativity in the art world, as well as the current locations where Stark's artwork can be seen.Michael K. Stark (@mksnewart) • Instagram photos and videosCurrent Shows | Neo BS ArttakeawaysMichael Stark has exhibited his artwork in 21 locations across Las Vegas.Networking is crucial for artists to get their work exhibited.Social media plays a significant role in promoting art.Handling rejection is part of the artistic journey.Art should bring hope and positivity to the community.Stark emphasizes the importance of foot traffic for exhibitions.Artists need to balance their passion with economic realities.Creating content is essential for sharing artistic experiences.Stark's approach to art is more about community than sales.Future aspirations include expanding his reach and impact in Las Vegas.Subscribe to Visit Vegas Places with Coyal Never miss an episode again!Plus get behind the scenes coverage with business owners and chefs.Have you thought about hosting your own podcast show? If so, I have provided links below to get you started in the right direction.Riverside FM - provides quality recording and virtual capabilities for long distance guest.Access RiversideFM hereBuzzsprout - is hands down the easiest and best way to launch, promote, and track your podcast.Access Buzzsprout HereShow music composed by: Dae One Visit Vegas Places with Coyal. Real Vegas, Real Topics, Real Business with Real Owners. Covering topics on economics, entrepreneurship, health, well-being and FOOD! Thank You for tuning in and make sure to VISIT VEGAS PLACES!Follow our social media platforms:https://www.instagram.com/visitvegasplaces/https://www.youtube.com/c/CoyalHarrisonIIISupport the show

De la Vénus de Milo à la Joconde en passant par Les demoiselles d'Avignon ou la Jeune fille à la Perle, les femmes sont souvent représentées dans les œuvres d'art. Mais quand il s'agit des femmes artistes, elles semblent bien moins présentes voire absentes des galeries ou des musées. Au-delà peut-être de la peintre Frida Kahlo ou de l'artiste multi-casquettes Niki de Saint Phalle, les noms de femmes connues dans le monde de l'art ne viennent pas facilement en tête pour le grand public. En France, un seul musée porte le nom d'une femme, celui de la sculptrice Camille Claudel. Les femmes seraient-elles moins créatives, moins talentueuses que les hommes ? Evidemment non, les femmes citées plus haut ont d'ailleurs su gagner leur place dans le milieu artistique et prouver leur légitimité. La sous-représentation de l'art au féminin pose néanmoins question et le sujet est loin d'être anecdotique. En créant, peignant, sculptant, c'est aussi une vision du monde, une sensibilité, une représentation des corps, un regard sur nos sociétés que les artistes proposent. Il est donc important de pouvoir aussi entendre le point de vue des femmes. Le problème est également pécuniaire, car si l'art est un marché, ce sont encore les hommes qui obtiennent la plus grosse part du gâteau. Comment visibiliser l'art féminin ? Quels rôles des musées et des galeries ?   Avec : • Camille Morineau, historienne de l'art et commissaire d'exposition. Co-fondatrice et directrice de AWARE (Archives of Women Artists, Research and Exhibitions) une association qui répertorie et visibilise les femmes artistes • Esther Korman, fondatrice de la galerie d'art Esther & Paul à Paris • Dieynaba Sidibé, dit Zeinixx, graffeuse, pionnière du Street art féminin au Sénégal.  En fin d'émission, la chronique Écouter le monde de Monica Fantini.   Programmation musicale : ► Déjà Vu – Emma Peters ► Keep on loving me – Lady Donli.

We have an interview episode! Gallerist Sarah Le Quang Sang showcases and promotes female and queer artists, fighting, one step at a time, to reduce the price gap between genders, the lack of LGBTQIA+ representation in archives, collections, art fairs and private collections, but also the linear conception of artistic careers.You wouldn't leave the shop without paying for your latte, right?Buy us a ⁠latte⁠ ;-)How empowering can the #artmarket be? How can a commercial gallery push boundaries? Be more inclusive? And what are the intersections between collections, trans rights, motherhood, family and queer communities? Sarah Le Quang Sang may not have all the answers, but she has all the good questions. She asks: why are birthdates important? Why is there an artistic career template? Who has access to museum collections? Art fairs? If you enjoyed this episode, and if you enjoy reading, Joana's ⁠Substack⁠ might be for you.A new star in the constellation of London galleries, Sarah Le Quang Sang, established a commercial gallery in Shoreditch in 2024–SLQS–to champion female and queer artists. We mention her current exhibition of three Vietnamese artists, Vicky Do, Hua Dung-Clerget and Duong Thuy Nguyen, as well as the previous exhibition by trans non-binary artist Bex Wade which prompted an acquisition of their work by the V&A, now shown at Young V&A Bethnal Green. We had to mention the Supreme Court Ruling in past April reducing gender to biological sex, and thus legally erasing trans women particularly, and the trans community in general. Bex Wade was invited to write about the photos of the exhibition (Queer nightlife in the US in 2010s, a time of lightness and joy) in the context of anti-trans movements rising and becoming more vocal. I read an excerpt of the text at the end of the episode.⁠SIGN UP⁠⁠ for the NEWSLETTER! Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.comAbout us: If you enjoy the podcast A Brush With and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host or interviewed guest engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show or a topic or discover it, learn or re-evaluate artistic topics crossing over into our everyday lives.#contemporaryart #lgbtqia+ #sarahlequangsang #exhibitionistas #exhibitionistaspodcast #joanaprneves #bexwade #vickydo #ingridberthonmoines #dyanagravina

De la Vénus de Milo à la Joconde en passant par Les demoiselles d'Avignon ou la Jeune fille à la Perle, les femmes sont souvent représentées dans les œuvres d'art. Mais quand il s'agit des femmes artistes, elles semblent bien moins présentes voire absentes des galeries ou des musées. Au-delà peut-être de la peintre Frida Kahlo ou de l'artiste multi-casquettes Niki de Saint Phalle, les noms de femmes connues dans le monde de l'art ne viennent pas facilement en tête pour le grand public. En France, un seul musée porte le nom d'une femme, celui de la sculptrice Camille Claudel. Les femmes seraient-elles moins créatives, moins talentueuses que les hommes ? Evidemment non, les femmes citées plus haut ont d'ailleurs su gagner leur place dans le milieu artistique et prouver leur légitimité. La sous-représentation de l'art au féminin pose néanmoins question et le sujet est loin d'être anecdotique. En créant, peignant, sculptant, c'est aussi une vision du monde, une sensibilité, une représentation des corps, un regard sur nos sociétés que les artistes proposent. Il est donc important de pouvoir aussi entendre le point de vue des femmes. Le problème est également pécuniaire, car si l'art est un marché, ce sont encore les hommes qui obtiennent la plus grosse part du gâteau. Comment visibiliser l'art féminin ? Quels rôles des musées et des galeries ?   Avec : • Camille Morineau, historienne de l'art et commissaire d'exposition. Co-fondatrice et directrice de AWARE (Archives of Women Artists, Research and Exhibitions) une association qui répertorie et visibilise les femmes artistes • Esther Korman, fondatrice de la galerie d'art Esther & Paul à Paris • Dieynaba Sidibé, dit Zeinixx, graffeuse, pionnière du Street art féminin au Sénégal.  En fin d'émission, la chronique Écouter le monde de Monica Fantini.   Programmation musicale : ► Déjà Vu – Emma Peters ► Keep on loving me – Lady Donli.

Hello and welcome back to the Oasis Podcast Support Patreon.com/oasispod Email oasispod@gmail.com Twitter @oasispodcast Instagram @oasispod Today's guest is Kyle Dale Check him out at bittersweethome.co.uk Instagram @Kyle.ocg Twitter @KyleBHome bittersweethome.co.uk tonymccarroll.com Music from  Peroxide Blonde @peroxideblondeband Ryder @Ryder_UK01 Purple Heart Parade @purpleheartparade 

This weeks podcast covers:Managing designDelivering training to an exhibitions company7671 vs 7909 vs 6396Landlord safetySkills development in ScotlandThis weeks CPD - Dave's trick with volt dropType B HP RCDsCommunity question - IR testingStandards - BS 7430Books - Electrical Injury - Electrical SequalaeHND's and HNC'sDe-skilling electricians

Petersfield Museum and Art Gallery has more than 1,000 items in its fabric collection and they have pulled out 10 waistcoats from the last 200 years or so and put them on display with a commentary. They are very flamboyant for fashionable men of the time to stand out in and reflect all kinds of trends - length, pockets, fabrics, colours and fit (clipped at the waist or loose there ....) They could also reflect your own hobbies and interests. Louse Weller, the Head of Collections and Exhibitions at the Museum spoke to Mike Waddington about what men in the nineteenth century (and earlier) were investing in. More at Home | Petersfield Museum :See omnystudio.com/listener for privacy information.

Julia Jessen, Curator of Collections and Exhibitions at Cedar Rapids Art Museum, and Dennis Green team up for the museum's upcoming June Art Bites: All that Jazz: Photographs by Carl Van Vechten and George T. Henry.  Julia and Dennis will be talking about the exhibition Wednesday, June 4, 12:15 PM – 1:15 PM at CRMA. … Continue reading

On The Spark this week, we explored the fascinating intersection of art, memory, and environmental legacy with two leaders from the Susquehanna Art Museum. Executive Director Alice Anne Schwab and Rachel O’Connor, the museum’s new Director of Exhibitions, joined us in the studio to talk about Future Fossils, their latest exhibition that’s sparking big questions—and imaginations.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Learn more at TheCityLife.org

Cynthia Nourse Thompson is a Professor and the Director of Curatorial Affairs at the Zuckerman Museum of Art at Kennesaw State University. Prior to this position, for six years she was Associate Professor and Director of the graduate programs in Book Arts & Printmaking and Studio Art at University of the Arts in Philadelphia, PA. She has also served as Associate Professor and Curator of Exhibitions at University of Arkansas; twelve years as Professor of Book, Print and Paper Arts and Chair of Fine Arts at Memphis College of Art; and additionally worked at Dieu Donné Papermill, Harlan & Weaver Intaglio and Rutgers Center for Innovative Print and Paper now the Brodsky Center at Pennsylvania Academy of Fine Arts.

Coco Design & Build Co. stands as a distinguished name in the realm of high-end residential transformations, specializing in the meticulous design and flawless execution of kitchen and bathroom renovations. As the owner and driving force behind this esteemed company, Coco has cultivated a reputation for an unwavering commitment to quality, an astute understanding of sophisticated aesthetics, and a personalized approach that consistently exceeds client expectations. Her discerning eye for detail, coupled with a deep-seated passion for innovative design solutions, has positioned Coco Design & Build Co. as a sought-after partner for homeowners seeking to elevate their living spaces to new levels of luxury and functionality. Beyond her entrepreneurial success in the construction and design industry, Coco is also the visionary and creative heart behind Thee Old Fishbowl Gallery. This unique artistic endeavor reflects her profound appreciation for art in its myriad forms and her desire to cultivate a space where creativity can flourish and connect with the wider community. Thee Old Fishbowl Gallery serves as a testament to Coco's multifaceted nature, showcasing her ability to seamlessly blend the practical demands of construction and business ownership with the inspiring and expressive world of art. It is a platform where emerging and established artists can share their perspectives, and where visitors can engage with thought-provoking and visually captivating works. This dual role as a successful business owner and a dedicated patron of the arts underscores Coco's dynamic spirit and her significant contributions to both the design landscape and the local cultural scene. About: Coco Design & Build Co. began with a simple goal in mind – to craft beautiful new spaces based on a client's personality. Since our beginning, we have focused on how to best deliver on this promise. For over 25 years, we have worked in the industry and witnessed what does and does not work. This insight has informed our design, remodel, and renovation process by improving the necessary steps to run a successful project. We have the knowledge and experience you can rely upon that makes renovation as easy as possible. It is essential for our team to simplify the entire process because there are so many moving parts involved. Trying to pull together expert artisans for tile work, make sure deliveries of new materials are on time, and even sync your smart devices with new appliances can get overwhelming quickly. That is why our team is here to help. We have completed 100s of successful projects and know how to smooth out the typical road bumps homeowners do not have the time to manage. The vision behind Thee Old Fishbowl Gallery, at its heart, is to cultivate a vibrant and inclusive space where art transcends traditional boundaries and fosters genuine connection. It's more than just a place to view artwork; it's intended to be a dynamic hub for creativity, dialogue, and community engagement. Thee Old Fishbowl Gallery is to be a welcoming, dynamic, and thought-provoking space where art flourishes, connections are made, and the joy of creative expression is celebrated by all. It's about creating a cultural hub that enriches the community and fosters a deeper appreciation for the transformative power of art. Web: https://cocodesignbuild.com/ Events: https://evanstonmade.org Get to Know Ash: Imagine someone who just radiates good vibes and genuinely wants to see you shine – that's Ash Brown! This incredibly talented American wears many hats: she's a fantastic producer, a super engaging blogger, a captivating speaker, a natural media personality, and a fantastic host for events. Her energy is totally infectious, and you can tell she's truly passionate about helping everyone reach their full potential. What's Ash Up To? AshSaidit.com: Think of this as your VIP pass into Ash's world! Her blog is buzzing with exclusive invites to events, honest reviews of cool products, and all sorts of fun and informative stuff. It's the perfect place to stay in the loop and get a dose of Ash's personality. The Ash Said It Show: Get ready to feel inspired! Ash's podcast is a powerhouse of motivation, with over 2,000 episodes already out there and a whopping half a million listens worldwide! She has amazing conversations with inspiring people and dives into topics that really matter. Why We Love Ash: Ash isn't just talking the talk; she's walking the walk! What makes her truly special is how real she is. She connects with her audience on a genuine level, offering advice and encouragement that feels like a chat with a good friend. She doesn't shy away from the tough stuff but instead gives you the tools to tackle it head-on. Here's what makes Ash stand out: Sunshine Personified: Ash is a total optimist! Her positive energy is contagious, and you can't help but feel more empowered and ready for anything after connecting with her. Keeping It Real: Ash doesn't try to sugarcoat life. She gets that things can be tough and offers relatable advice that speaks to people from all walks of life. Turning Inspiration into Action: This isn't just about feeling good for a moment. Ash gives you practical tips and strategies to actually make things happen and turn your dreams into reality. So, if you're looking for a daily dose of inspiration, real-world advice, and someone who keeps it totally honest, Ash Brown is your go-to person! With her amazing positivity and genuine dedication to helping others, she's sure to become your favorite source for making the most out of life. ✨ ► Goli Gummy Discounts Link: https://go.goli.com/1loveash5 ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

Exploring Traditional Japanese Nihonga Art with Allan West | Wheel With It PodcastWelcome to another captivating episode of Wheel With It! In this episode, host Devon Wieters is joined by the immensely talented Nihonga painter Allan West. Allan shares his inspiring journey from discovering Nihonga in high school to mastering this ancient Japanese painting technique. Learn about the unique materials and challenges involved in Nihonga, and explore the beautiful symbolism behind Allan's artwork. This episode is packed with fascinating insights into Japanese culture, including art restoration and accessibility in Japan. Don't miss the exclusive look at Allan's stunning pieces and discover the world of traditional Japanese art. Be sure to like, comment, follow, and subscribe for more incredible content! Check out Allan West's art and more on his social media: Facebook: https://www.facebook.com/share/16LmADzbT8/?mibextid=wwXIfr Instagram: https://www.instagram.com/allan.west.art Website: http://www.allanwest.jp/ Follow Wheel With It Podcast for more episodes: https://linktr.ee/wheelwithitpod00:00 Introduction to Nihonga and the Podcast01:04 Meet Allan West: The Talented Nihonga Artist02:27 The Journey to Discover Nihonga07:41 Challenges and Discoveries in Japan13:55 The Unique Aspects of Nihonga Art21:29 Accessibility and Inclusivity in Japan27:06 Showcasing Allan West's Art28:11 Seasonal Blue Flowers and Pine Trees28:44 Virtual Studio Tour and Website29:05 The Book Cover Painting29:41 Commissioned Art and Pricing31:44 Studio and Neighborhood32:52 Symbolism in Art34:26 Artistic Process and Techniques37:11 High School Art and Early Commissions38:23 Banquet Hall Commissions40:18 Exhibitions and Noh Theater42:36 Technology and Art49:16 Kintsugi and Tree Symbolism51:25 Conclusion and Farewell

Larissa Bates (b. 1981, Burlington, VT) was raised between Vermont and Vara Blanca, Costa Rica. She received a BA from Hampshire College, MA. Recent exhibitions include Taymour Grahne, London, Myriam Chair Galerie, Paris; and Monya Rowe Gallery, NY. In 2024, her work was included in the group exhibition “Gilded: Contemporary Artists Explore Value and Worth” at the Weatherspoon Art Museum, Greensboro, NC, which traveled to the Hunter Museum of American Art, Chattanooga, TN and the Hood Museum of Art, Dartmouth, Hanover, NH. Bates' work is in the permanent collection of the Hood Museum of Art. Exhibitions have been reviewed in The New York Times, The New Yorker, Artforum, among many others. Bates lives and works in Dobbs Ferry, New York and is represented by Monya Rowe Gallery, NY. LARISSA BATES, MotherMen Luncheon/La Merienda de los MadreHombres, 2024-2025  egg tempera on panel 16 by 20 inches LARISSA BATES, Spring Cleaning/Limpieza de Primavera, 2024-2025  gouache and egg tempera on panel 20 by 16 inches  LARISSA BATES, Patricia del Carmen, I didn't know your Name, 2023  gouache, gold leaf, acryla ink and acryla gouache on panel  36 by 30 inches

This week Jodi Hays joins the podcast to talk about her collage paintings that explore a wide range of materials and techniques.Jodi has a solo exhibition “To Harden and Heal” opening at Johnson Lowe Gallery, May 9 - June 28th. Upcoming group exhibitions at Tennessee Gallery (Atlanta, GA) opening May 9 and the 2024 Studio Break Invitational at Studio Break Gallery, opening July 12th 6-8 PM, the exhibition runs through August 2nd.Jodi's work was selected for our 2024 Studio Break Professional Competition by Marc Mitchell, Curator & Director of Exhibitions at the University of Arkansas.

Cartoonist Scott C joins us to discuss his artistic journey. He discusses his beginnings, including art directing Psychonauts and Brutal Legend for Double Fine Productions, as well as his first webcomic, Double Fine Action Comics. He shares valuable insights on working with watercolors and creating graphic novels for younger readers. His paintings are currently on display at Gallery Nucleus in New York.Scott CWebsitePreorder Scott's new book, Cabin Head and Tree Head!Great ShowdownsDouble Fine Action ComicsGallery NucleusYouTubeTwitchInstagramSummaryIn this engaging conversation, Dave Kellett and Brad Guigar interview Scott Campbell, a renowned artist and illustrator, exploring his journey from childhood art aspirations to his significant role in game development. The discussion covers Scott's early influences, his transition into the gaming industry, and the challenges of art direction, particularly in collaborative environments. Scott shares insights on navigating feedback and the creative process, emphasizing the importance of communication and trust in artistic collaborations. In this conversation, the speakers delve into the complexities of feedback in creative work, the joy of artistic expression, and the unique challenges of working with watercolor. They explore the importance of maintaining a childlike joy in art, the fluidity and spontaneity of watercolor painting, and the intricacies of editing in this medium. Additionally, they discuss the gallery experience, sharing insights on how to navigate art shows and the excitement of showcasing work internationally. In this engaging conversation, they discuss various aspects of the art world, including the joy of community engagement through art shows, the unique experiences at Comic-Con, and the delightful nature of librarians at ALA. They delve into Scott's artistic style, exploring how it has evolved over the years and the balance between simplicity and capturing likeness in art. The discussion culminates in a reflection on the magic of artistic interpretation and the feelings conveyed through art.TakeawaysScott C's artwork was first discovered by Dave at Neil Patrick Harris's house.Scott was encouraged by his creative mother from a young age.He aspired to draw comics, particularly X-Men, during his teenage years.Neil Adams provided Scott with a pivotal moment of encouragement at a convention.Scott transitioned from art directing games to pursuing his own artistic projects.He found his first job at Lucas Learning, working on Star Wars games.Art directing Psychonauts was a challenging yet rewarding experience for Scott.Feedback in creative processes is essential for growth and improvement.Scott enjoys the editing process and values constructive criticism.Collaboration in art requires clear communication and understanding. Feedback in creative work can be challenging and frustrating.Finding joy in the artistic process is essential for fulfillment.Watercolor allows for a fluid and spontaneous approach to art.Editing in watercolor requires a different mindset than other mediums.Art shows provide a unique opportunity to connect with fans and fellow artists.Creating art should be a joyful experience, reminiscent of childhood.The gallery experience can be both exhausting and rewarding.Networking within the art community can lead to exciting opportunities.Art can serve as a means of escape and joy for both the creator and the audience.A retrospective show can encapsulate years of artistic growth and exploration. Art shows foster community engagement and joy.Comic-Con is a cherished experience for artists.Librarians at ALA are incredibly supportive and enthusiastic.Artistic style evolves with age and experience.Simplicity in art can enhance the viewer's connection.Confidence in one's artistic abilities grows over time.The process of creating art often involves trial and error.Artistic interpretation can capture feelings beyond physical likeness.The balance of detail and simplicity is crucial in art.Art is a game of capturing essence rather than perfection. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Can art be a tool for repair? And what happens when exhibitions themselves move across borders?In this episode of Our World, Connected, host Christine Wilson dives into the relationship between art, architecture, and place — and how both disciplines are being used to challenge colonial narratives, spark dialogue, and imagine alternative futures.Christine is joined by writer, artist and curator Rosie Olang' Odhiambo, who speaks about her collaborative, cross-disciplinary practice and her recent exhibition, In Transit: Under Another Sky, which she co-curated with E.N. Mirembe. First shown in Kampala and Nairobi, and soon opening at the Africa Centre in London, the exhibition weaves together sound, image, and text to explore transience, marginal identities, and shifting geographies.We also hear from Kabage Karanja, an architect and co-founder of Nairobi's cave_bureau. Speaking from the British Pavilion at the Venice Architecture Biennale, Kabage reflects on using caves as sites of cultural memory and of decolonial storytelling and his bold vision for architecture as a force of geological repair.Together, Rosie and Kabage explore what it means to tell stories of place, migration, and resistance — and how visual arts and architecture can both reflect and reshape the world we live in.Listen to Our World, Connected, brought to you by the British Council. Subscribe and follow for more thought-provoking discussions on culture, connection, and the power of education.Additional Resources & Links:British Council Artshttps://arts.britishcouncil.org/UK at the Venice Biennalehttps://venicebiennale.britishcouncil.org/cave_bureauhttps://www.cave.co.ke/Follow British Council Research and Insight:Newsletter – https://www.britishcouncil.org/research-insight/subscribe Twitter – https://twitter.com/InsightBritish Website - https://www.britishcouncil.org/research-insight

In this episode, Jason shares what he's been up to over the past few months—from holding a gallery exhibition at the Ulsan Culture and Arts Center to kicking off his third year as a photography instructor. He also talks about revamping Ulsan Online and starting a new role at Korea Hydro and Nuclear Power. Tune in for a behind-the-scenes look and a glimpse of what's coming next on the Sajin Photography Podcast.Support the showStay connected with the Sajin Photography Podcast for more captivating discussions, interviews, and updates on the vibrant photography community in Korea. Don't forget to subscribe, rate, and review me on your favorite podcast platform. Follow me on social media @the_sajin_photography_podcast on instagram for clips, content and upcoming announcements. Keep capturing those unforgettable moments, and until next time, happy shooting!

Dr Breann Fallon, Head of Programming and Exhibitions at the Melbourne Holocaust Museum, unveils ‘Aftershocks: Nolan and the Holocaust', an exhibition featuring a rarely seen series by renowned Australian artist Sir Sidney Nolan. The works which were created after Nolan watched the televised Eichmann trial raise profound questions about how society remembers atrocities and what justice means beyond legal trials.

In this edition of arts24, we explore a major retrospective in Paris dedicated to legendary French photographer Robert Doisneau, best known for his iconic image "Le Baiser de l'Hôtel de Ville" ("The Kiss by the Hôtel de Ville"). The exhibition celebrates his poetic vision and timeless moments captured on film.

Learn more at TheCityLife.org

A new exhibition in Paris is shining a light on the rich cultural history of Gaza, with artwork and artefacts which tell the story of the Palestinian enclave's unique melting pot. Featuring classical sculpture, ancient mosaics and archaeological finds, the Arab World Institute hopes that "Saved Treasures from Gaza" will paint a more complete picture of the region's history as a commercial crossroads between Asia and Africa. Meanwhile, Katy Perry's stardom reaches new heights as the American pop star joins the all-female team participating in the Blue Origin flight into space. We also check out the largest show of David Hockney's artwork ever assembled, as the Louis Vuitton Foundation in Paris celebrates his 70-year career. Plus a family-friendly exhibition takes visitors through a century of Disney's movie magic.

A conversation with painter Kylie Manning about her latest exhibit, There is something that stays, on view at Pace Gallery's West 25th Street locations in New York through April 19. Known for her sweeping, atmospheric canvases that merge representation with abstraction, Manning's work evokes a sense of movement, memory, and emotional resonance. In the conversation, we discuss the inspiration behind the new body of work and her evolving relationship with color and form.https://www.pacegallery.com/exhibitions/kylie-manning-there-is-something-that-stays/http://www.kyliemanning.com/https://www.pacegallery.com/artists/kylie-manning/

Paris's status as a cosmopolitan hub for artists from all over the world was forged in the 20th century, particularly in the postwar period, when it was seen as a beacon for Black artists and intellectuals fleeing colonisation, racism and segregation in their countries of origin. The "Paris Noir" exhibition at Paris's Pompidou Centre is now exploring that pivotal moment when the French capital served as a crossroads for the major Black figures who were debating and designing a post-colonial future. The show features 350 works by 150 artists of African heritage – many of whom have been historically sidelined or forgotten – in an attempt to re-write these "unrecognised and fundamental" contributions into a more complete history of art. In this programme, we meet American musician and composer Josiah Woodson, whose move to Paris 12 years ago broadened his artistic horizons, collaborating with artists from West Africa and the Caribbean. He tells us why author James Baldwin was a "major poetic and ideological inspiration" in his own trajectory, and why stepping into the footsteps of legendary trumpet players like Miles Davis was an important part of his transatlantic shift. Author and journalist Yasmina Jaafar explains why African Americans, in particular, chose Paris in the context of 1940s geopolitics and cultural trends.The growing popularity of jazz was one of the major draws for the many Black musicians who performed in Paris in the post-war years. One of the key venues in that effervescent scene was Le Bal Blomet: established in 1924, it is the oldest jazz club continuously operating in Europe today. Its director, Guillaume Cornut, tells us how the local Martinican community would organise informal concerts and gatherings in the 1920s, which gave rise to its nickname "Le Bal Nègre", and how the dancehall became renowned for the diversity of the music on offer.Historian Ludovic Tournès explains how differing attitudes to jazz in the United States and Europe meant that many African American musicians were keen to pursue their careers in Paris, where audiences and music industry figures demonstrated a respect and appreciation for the art form that stood in stark contrast to the reception many of these performers got in the segregated states of the American South.We meet Kévi Donat, whose guided tours of "Paris Noir" reveal the Black politicians, artists and writers who have been integral to the history of both Paris and France, but who have not always gone down in history to become household names. Kévi shines a light on some of the racist struggles that even a celebrated author like Alexandre Dumas came up against, and how a conference at the Sorbonne in 1956 distilled the growing consciousness of a "Panafrican" movement, uniting various Black communities on three continents.Artist Valérie John tells us why leaving her island of Martinique was a pre-requisite in the 1980s as she pursued her studies at art school in Paris. Having been commissioned to create a site-specific installation for the "Paris Noir" show, Valérie expands upon the concept of a Black Atlantic, and the potent symbolism this expanse of water evokes, explaining how the legacy of the slave trade has informed the Black experience in all of the colonies established at its edges.Finally, Alicia Knock, a curator of modern and contemporary art, discusses her efforts to fill a "major gap" in the Pompidou collection by putting together the "Paris Noir" exhibition and pushing for the acquisition of at least 50 of the pieces on display. She explains why the inclusion of these artworks will open a new chapter in the museum's history once it opens again in 2030, after the 50-year-old building undergoes extensive renovations.

Episode 99 with Sarah Anderson, English as a new language teacher in New York City, founder and president of Deckaid.Together we discussed her life and career, from growing up in Long Island, hanging out with Erik Rosetti in her late teens, meeting with Tim Anderson aka Bobshirt in her early 20's, advocating for a skatepark build in Nyack, New York in the mid 2010's, to starting Deckaid, a volunteer-run non-profit organization which raises funds for youth-centered community organizations through skateboard art exhibitions, and much more through surprise questions from friends of hers.(00:13) – Intro(01:25) – Erik Rosetti(10:14) – Marc McKee (23:00) – Niki Williams(32:09) – Steve Lenardo(35:22) – Jay Croft(41:38) – Sean Cliver(43:41) – Derek Brennan (52:03) – Bryan Ridgeway(54:21) – Andy Jenkins(57:00) – Miki Vuckovich (59:36) – Pat Conlon(01:06:05) – Nick Halkias(01:10:14) – Eric Swisher(01:16:35) – Jesse Geboy(01:21:02) – Tim Anderson(01:24:41) – Megan Baltimore(01:26:19) – Alex Aranovich(01:30:08) – Kevin Marks(01:33:28) – ConclusionFor more information and resources: https://linktr.ee/beyondboardsHosted by Ausha. See ausha.co/privacy-policy for more information.

Bongani Bingwa speaks with Rand Show CEO, Adele Hartdegen, about the upcoming Rand Show, one of the largest and most anticipated annual exhibitions. The event will take place at the Johannesburg Expo Centre in Nasrec from April 17th to 21st.See omnystudio.com/listener for privacy information.

Order your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---To premiere season 10, we sat down with Jill Basham, an artist from Maryland's eastern shore with a passion for experimentation and an expressive structural way of painting beautiful realistic landscapes and cityscapes. Jill tells us about her transition from urban planning to painting later in life, initially exploring drawing classes after being a stay-at-home mom. Her artistic approach emphasizes experimentation, embracing failure, and avoiding predictable techniques, which she believes is crucial for artistic growth. She recommends emerging artists take drawing classes, work with limited palettes, and focus on embracing the process of creating art rather than fixating on the final product. She also recommends for artists to seek out other artists and build a network in the art world, which can help in terms of career and also technique. Finally, Jill tells us about her upcoming shows, including the American Society of Marine Artists' exhibition in Oregon and the Oil Painters of America National Exhibition in Florida. And she also tells us about her upcoming workshop at the Booth Museum in Georgia!Jill's FASO site:https://www.jillbasham.com/Jill's Social Media:https://www.instagram.com/jilltascherbasham/https://www.facebook.com/jill.t.bashamJill's upcoming workshop:https://www.jillbasham.com/workshop/35322/getting-unstuck-2-day-workshop

We celebrate the start of spring with a slew of top-tier cultural recommendations for the new season. Robert Bound is joined in the studio by John Mitchinson, Georgie Rogers and Ossian Ward to discuss the albums, books and exhibitions that you should have on your radar this month. These include a new record by Little Simz, a book full of stories about the nocturnal world and an art event with a side of sauna. See omnystudio.com/listener for privacy information.

A beautiful conversation with Leica user Calvin Leonard about his journey into photography [ instagram : https://www.instagram.com/clphotosla_/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network].The Pod: 0:01 : Intro ; 04:30 : Photographer ; 08:30 : When I started Photography ; 18:15 : Zines ; 21:00 : Exhibitions ; 27:00 : Current Photo Journey ; 29:00 : Prints ; 33:00 : Competition ; 40:00 : Socials ; 41:00 : Projects ; 45:00 : Advice to myself ; 49:00 : My recommendations ; 52:00 : The Final Question.Calvin's recommendations : Danny Vasquez [ instagram : https://www.instagram.com/x3flix/ ] ; Solo B [ instagram : https://www.instagram.com/sololobo213/ ] ; Paulo Freire Lopez [ instagram : https://www.instagram.com/paulofreirelopez/ ]Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ]Podcast Artwork belongs to respective owner and is not the intellectual property of LSPC Podcast. (Copyright image @Cavin Leonard)

This week. Dana's back? She and Duncan sit down with artist Wafaa Bilal and curator Bana Kattan to discuss Bilal's powerful and deeply personal mid-career retrospective at the Museum of Contemporary Art Chicago. Known for his provocative, often participatory works that grapple with war, trauma, displacement, and surveillance, Bilal has long made the body both a site of resistance and a vessel of memory. We talk through key moments in Bilal's practice—from early performance pieces like Domestic Tension to newer, installation-based works—and reflect on how his work has shifted, expanded, and endured over the past two decades. Kattan, who curated the exhibition, shares insights into the retrospective's structure and the challenges of contextualizing work that refuses easy categorization. While reminiscing, Duncan and Wafaa also talk through what it means to make art as a form of witnessing, how museums hold space for pain and politics, and why Bilal still believes in the power of beauty… (Spoiler: Duncan isn't sure, but Bana and Dana side with Wafaa.) Links & References: Wafaa Bilal's website: http://wafaabilal.com MCA Chicago Exhibition Info: https://mcachicago.org/Exhibitions/2024/Wafaa-Bilal Bana Kattan bio & curatorial work: https://mcachicago.org/About/Who-We-Are/Staff/Bana-Kattan Domestic Tension (aka “Shoot an Iraqi” project): https://wafaabilal.com/domestic-tension Book: Shoot an Iraqi: Art, Life, and Resistance Under the Gun (co-authored with Kari Lydersen) – https://www.amazon.com/Shoot-Iraqi-Life-Resistance-Under/dp/087286491X @wafaabilal on Instagram @mcachicago on Instagram

“All for Laughs: The Artists of the Famous Cartoonist Course” and “Anita Kunz: Original Sisters; Portraits of Tenacity and Courage” are two of the current exhibitions on view at The Norman Rockwell Museum in Stockbridge, Massachusetts.

In today's episode, recorded at the iconic Windhoek City Museum on Friday, March 21st, 2025, the VA Tourism Podcast sat down for an exclusive conversation with Sebulon Chicalu, the newly appointed CEO of the Namibia Tourism Board. Just hours after the historic inauguration of Namibia's first female president, Chicalu shared his thoughts on the exciting new chapter for the country, highlighting the boost to the destination's brand equity and the momentum it will bring to the board's renewed focus on MICE (Meetings, Incentives, Conferences, and Exhibitions). In this chat, he outlined his vision for the organization, emphasizing the importance of consolidating core source markets, diversifying products, promoting domestic tourism, and ensuring high-quality standards, among other strategic priorities. A seasoned business strategist with extensive expertise in the travel and tourism sector, Mr Chicalu brings a wealth of experience in tourism product innovation and development. He is also a GALLUP-certified Strengths and Talent Development Coach, a mentor and an expert in employee engagement. His dynamic skill set spans roles as a moderator, negotiator, coordinator and public speaker. Before joining NTB, Mr Chicalu served as the Director of Tourism and Gaming at the Ministry of Environment, Forestry and Tourism. Throughout his career, he has been instrumental in developing and launching various hospitality and tourism services, spearheading major business events, and providing strategic leadership in executive management and board-level roles within the tourism and hospitality industries. Academically, he holds a Master of Business Administration (MsM), a Bachelor of Science in Business Administration, an Advanced Diploma in Business Administration, and a Diploma in Marketing Management. Additionally, he is certified in Corporate Governance and as a GALLUP Clifton-Strengths Coach.    

Robert Monroe worked for more than a decade as a New York casting director and talent executive. His credits include projects with the Walt Disney Company, the John Houseman Theater, the Annual MDA Telethon, and the United Paramount Network.  Robert won a Clio Award for casting the Best Performance for Children for a Dole Pre-Cut Vegetables commercial.Robert eventually moved to Portland, Maine to pursue a career as a photographer. Exhibitions of his work include the Biennial at the Portland Museum of Art, Photographing Maine: Ten Years Later at the Center for Maine Contemporary Art, and Return to Peyton Place: Photographs by Robert Monroe at the Mohawk Valley Center for the Arts. And he's a founding member of the Bakery Photographic Collective. Recently, Robert published his debut novel, Bungalow Terrace. I've read Bungalow Terrace and can tell you it's a beautifully written tale about four boys growing up to become a powerhouse rock ‘n roll group who endure all the breathtaking highs of success and harrowing challenges of the sex, drugs, and rock and roll fueled 50's, 60's, 70's and beyond.  Bungalow Terrace reads like an insider's account of the lives of The Beatles, The Four Seasons, and The Beach Boys all rolled into one.  I thoroughly enjoyed reading this book and highly recommend it to you.

In a recent episode of Valley Today, host Janet Michael transported her listeners to the cultural heart of Berryville, Clark County, through an engaging conversation with Martha Reynolds, the Executive Director of the Barns of Rose Hill. Bridging past and present, Reynolds painted a vivid picture of the barn's dynamic offerings, from art exhibitions and concert series to educational programs. The Barns' rich calendar is brimming with events that cater to a variety of interests. Reynolds highlighted some standout exhibitions, such as the 'World of Wood' show and the collective exhibit from the Potomac River Artist Guild, showcasing beautiful still lifes and nature scenes. Additionally, the Barns will feature an exhibit by Rosa and Winton Eugene from South Carolina, renowned for their compelling pottery and masks. A Charles M. Schultz traveling exhibition is also on the horizon, celebrating Peanuts' first Black character, Franklin. This event promises to be an artistic exploration of social themes with supplementary programs like comic-making classes. The conversation shifted to the Barns' enduring legacy as a premier music venue. With its remarkable acoustics, the Barns attract diverse musical acts, including bluegrass, Celtic, jazz, and classical guitar. Reynolds beamed with pride as she recounted how performers have likened playing at the Barns to “playing inside a guitar.” Upcoming shows include a documentary screening about esteemed guitarist Danny Gatton and an authentic Argentinian tango performance. Reynolds emphasized the Barns' thoughtful approach to accessibility—offering free admission to galleries and affordable concert tickets, all while ensuring fair compensation for artists. The forthcoming membership drive and annual benefit gala, Belmont at the Barns, will help sustain its wide array of free programs. In closing, Reynolds invited everyone to explore the Barns of Rose Hill. Whether planning a visit to browse exhibitions, attend a concert, or join a workshop, the Barns promise a little something for everyone: a true testament to the vibrant cultural fabric of Berryville and the Shenandoah Valley.  

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This week I'm mostly talking about the most beautiful shows at Paris Fashion Week but I'm also popping over to Milan to discuss the Prada AW25 show because it needs to be discussed.As well as talking you through some of my favourite hair and beauty moments from the shows, I'm also taking you through some of the best bits from my recent visit to Paris, from checking out some stunning exhibitions at Dior, Saint Laurent and Alaïa to eating some of the best coffee and pastries Paris has to offer!Artwork images via @instagram/lucyjbridgeLinksPhyllis Cohen episode 292: https://open.spotify.com/episode/7aKjIEvaNphCPJgHclIHRV?si=b60a83cb70a04260Haider Ackermann on Fashion Neurosis: https://www.youtube.com/watch?v=2rpAVTWXBUoHotel Panache: https://hotelpanache.com/en/Noir Coffee: https://www.instagram.com/parallel.coffeeParallel Coffee: https://www.instagram.com/parallel.coffeeThe French Bastards: https://www.instagram.com/the_french_bastardsMusee Yves Saint Laurent: https://museeyslparis.com/en/Fondation Azzedine Alaïa: https://fondationazzedinealaia.org/Peter Lindbergh at La Galerie Dior: https://www.galeriedior.com/enWHERE TO FIND MESubstack: https://beautymenotes.substack.comThreads: https://www.threads.net/@charisse_kenion/Instagram: https://www.instagram.com/charisse_kenion/TikTok: https://www.tiktok.com/@charissekenionCheck me out on ShopMy: https://shopmy.us/beautyme Business inquiries: info@charissekenion.com

Episode 465/ Zoe HawkZoe Hawk (b. 1982, St. Louis) is an American artist living in Columbia, Missouri. Zoe's paintings deal with the simultaneously joyful and fraught experience of girlhood, exploring issues of feminine identity and belonging. Her work has been published in New American Paintings, Plastik Magazine, and and online in features by Artsy, Hi-Fructose, The Jealous Curator, and BOOOOOOOM. Exhibitions include From Pangs To Pangolins, curated by Trenton Doyle Hancock (Shulamit Nazarian, Los Angeles); SPRING/BREAK Art Show and FREIZE LA exhibits curated by Michael Slenske (Los Angeles); Wayward Girls (Spectrum Fine Art, Seattle); and forthcoming group exhibition Story Time (Rhodes, London). Special collaborative projects include pieces for ZARA's Women In Art clothing collection, released worldwide in 2019, the Day Dreamers Tarot Deck, created for TRUE/ FALSE international film festival 2020, and fabric print designs for the Fall/Winter 2022 collection by Paul & Joe, Paris. In 2024, Zoe was the recipient of the United Women's Art Prize for Painting & Drawing. She has attended artist residencies in Qatar, Belgium, Ireland, Norway, and the USA. Zoe holds a BFA in studio art from Missouri State University, and an MFA in painting from the University of Iowa. 

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What if a museum were more like a laboratory? What if our exhibits were experiments? What if our galleries were more about questions, rather than answers? What if we didn't fear failure as much? What if scientists, artists, and technologists all created exhibitions together? What happens when you edit an exhibit about editing DNA? Should every project have a post-opening contingency — in addition to the normal kind? Ann Neumann (Director of Galleries and Exhibitions, MIT Museum) joins host Jonathan Alger (Managing Partner, C&G Partners) to discuss “Museum as Lab.” Along the way: circadian rhythms, robots, maritime paintings, and a huge spiderweb you can play like a musical instrument.Talking Points:1. The MIT Museum2. Scientists, Artists, and Technologists3. Editing the Genetics Gallery4. Spiderweb Concert5. Circadian Biology: Lighten Up6. Moving 1,500,000 ObjectsHow to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast  Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bio:Ann Neumann, Director of Galleries and Exhibitions at the MIT Museum, leads conceptual planning of museum exhibitions presenting MIT's research, collections, and innovation in science, art, design and technology in the heart of the biotech corridor. Her focus is on the museum as an experimental test bed for ideas, conversations and experiences that reflect the critical issues of culture and society. She's the recipient of numerous awards for her work and named a Blooloop Museum Influencer in 2024. Her experience developing museums and science centers in the US and internationally reflect a commitment to expanding the human experience and science understanding through interdisciplinary collaborations, visual communication and the built environment.  About Making the Museum:Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. MtM is a project of C&G Partners, the exhibition and experience design studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Ann by Email:neumanna@mit.edu Ann on LinkedIn:https://www.linkedin.com/in/ann-neumann MIT Museum:https://mitmuseum.mit.edu Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contactHost Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.comC&G Partners | Design for Culture:https://www.cgpartnersllc.com/Making the Museum, the Newsletter:Liked the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/

Elisabeth Remy Johnson celebrates 50 years of Atlanta Symphony Orchestra broadcasts on WABE. The ASO Principal Harpist performs the GRAMMY Award-winning Harp Concerto by Atlanta School composer Jennifer Higdon on March 20th and 22nd. Plus, we learn about the three new solo exhibitions on view at Echo Contemporary and hear about Aris Theatre’s relaunch of “Cailini,” an Atlanta-based Celtic Woman Tribute Band.See omnystudio.com/listener for privacy information.

Majda, Monika and Heidi are part of the Panorama theatre troupe in the village of El Barsha, a small Coptic Christian community in the south of Egypt. As they devise and perform plays in the street, filmmakers Nada Riyadh and Ayman El Amir follow the young women, who are negotiating the moment between adolescence and adulthood, contemplating their destinies and their dreams. “The Brink of Dreams” won the L'Œil d'or prize at the Cannes Film Festival. We speak to director Nada Riyadh about the power of female solidarity, how street theatre shifted mentalities in villages and the importance of cultural role models for women and girls in Egypt.

We have another alum 10, some cotton candy during beam, more bar cameras that make you dizzy, Ashley defies any physics and finally we get Olivia Karas its Massive! Is it old school, a higgins roll, or the sticky Kool Aid that an more from week 8 let's go!  Video of the podcast: https://www.youtube.com/watch?v=fHLEfRkR8Mk Show Notes:  Social Salute (03:23) Utah TT Another Theatrical performance FAB 5 (06:23) Kim notices Towson bars Ashley's defying gravity dismount Thaxton's 1 1/2  10.0 for Torrez  Michigan State Bars, Leo, and Mikes Shirt DEBUTS (12:11) Railey Jackson Vault D3 Athlete of the Week (13:14) Kennedy O'Connor 9.825 Vault They DID THAT! (15:44) JoJo does it again Old School and Higgins roll  Fantastic Firey Freshman and the Kool Aid House Riley goes surfing The Double Fronts that are Fire! The Faces, Guitar and Cotton Candy Hey Coach, put me in- The Exhibitions that rocked  R5 University Line-up for Week 8 (45:17) Presented by Full Out Recruiting Line-up meets: Ball State/Towson Central/Kent  UCLA/Michigan

February 2025 Here at Bletchley Park - one of the birthplaces of modern computing – our latest temporary exhibition ‘The Age of AI' has just opened. This new gallery explores the power and potential of AI in our everyday lives. From the 1930s origins of what we now call ‘artificial intelligence', to the incredible (or alarming?) potential it might bring, the exhibition explores the benefits and risks of AI in our world today. In this episode, Head of Content Erica Munro meets the team behind the exhibition's creation. Come with us on a gallery tour with Exhibitions and Interpretation Manager Tilly Davis, and hear from experts and visitors on their impressions of what AI means to them. There's also a deeper dive into the research and exhibition's case studies with Content Curator Steve Swaby. Many thanks to our contributors Dame Wendy Hall, Dr Ed Pyzer-Knapp, Professor David Leslie and our Friends of Bletchley Park exhibition preview visitors. Image: ©Bletchley Park Trust 2025 #BPark, #Bletchleypark, #WW2, #Enigma,

Kirsty Wark and guests discuss how visual art and architecture have evolved over the last 25 years. In the latest of our special series reflecting the changing cultural landscape since the start of the millennium, Kirsty Wark discusses the significant shifts in visual art and architecture in the 21st century with Director of Exhibitions and Programmes at Tate Modern Catherine Wood; Sunday Times art critic Waldemar Januszczak; Katrina Brown of The Common Guild in Glasgow; and founder of architectural practice Studio Gil, Pedro Gil. What did the boom in museum and gallery building in the early 2000s say about the public appetite for art? How has programming of exhibitions changed to reflect greater diversity? Is the auction market for contemporary art out of control? And is AI making an impact on contemporary art? Featuring an interview with Turner Prize winning artist Jeremy Deller. Presenter: Kirsty Wark Producer: Mark Crossan

Beyoncé is one of the most well-known and appreciated Black women in music today, but to understand her work, we need to look at who came before her and what those women contributed to the story of Black women on stage. In this special guest episode, curator Krystal Klingenberg introduces a new season of Collected, a podcast from the Smithsonian's National Museum of American History, all about Black women in music. Guests:Daphne A. Brooks, PhD., is professor of African American Studies and Music at Yale University. Dr. Brooks most recent books is Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University, February 2021). https://afamstudies.yale.edu/people/daphne-brooks  Margo Jefferson is a Pulitzer Prize-winning critic, and a 2022 recipient of the Windham-Campbell Prize for Nonfiction. Her most recent book is Constructing a Nervous System: a memoir (2022). She is a professor of Professor of Professional Practice at Columbia University. https://arts.columbia.edu/profiles/margo-jefferson  Crystal M.  Moten, Ph.D., is a historian who specializes in twentieth century African American Women's History. In 2023 she published Continually Working: Black Women, Community Intellectualism, and Economic Justice in Postwar Milwaukee. Dr. Moten is the Curator of Collections and Exhibitions at the Obama Presidential Center Museum in Chicago, Illinois and was previously curator at Smithsonian's National Museum of American History https://www.crystalmoten.comDwandalyn R. Reece, Ph.D. is curator of Music and Performing Arts at the Smithsonian Institution's National Museum of African American History and Culture. Dr. Reece curated the museum's permanent exhibition, Musical Crossroads, for which she received the Secretary's Research Prize in 2017. https://music.si.edu/dr-dwandalyn-reeceFath Davis Ruffins was a Curator of African American History at the Smithsonian's National Museum of American History (NMAH). She began working at the museum in 1981, and between 1988 and 2005, she was the head of the Collection of Advertising History at the NMAH Archives Center. Ruffins was the original project director of Many Voices, One Nation, an exhibition that opened at NMAH in June 2017.  She was leading a museum project on the history and culture of the Low Country region of the Carolinas, Georgia, and Florida. https://profiles.si.edu/display/nruffinsf1102006  Craig Seymour is a writer, photographer, and critic who has written about music, particularly Black music for over two decades.  His most recent book is Luther: The Life and Longing of Luther Vandross (HarperCollins, 2004).   https://randbeing.com/

Giuseppe Castellano talks to Dan Chudzinski, Director of Curation and Exhibitions at The Mazza Museum, about what being a curator literally and occupationally means; why artists should make art, not excuses; what the masters' fingerprints and clothing can teach us; and more.