Podcasts about ibiquity

EPISODE SUMMARY: Joe D’Angelo, Xperi’s Senior Vice President of Commercial Strategy and Partnerships, shares his journey from media and technology to leading innovations in radio, including HD Radio and DTS Auto Stage, transforming the connected car experience and shaping the future of broadcast radio. On this episode of Chachi Loves Everybody, Chachi interviews Joe D’Angelo about: Growing up in Long Island and early influences, including newspapers and other media Earning his MBA and jumping around the entertainment, telecom, and advertising industries The origin of HD Radio, how it works, and the role of Lucent Digital Radio How his combination of tech, business, and media experience helped him succeed The formation of Ibiquity Digital and digital radio standards Explaining DTS Auto Stage, its role in connected cars, and how it benefits program directors and broadcasters His outlook on the future of radio advertising and digital integration The importance of community and local content in radio His advice for industry professionals during challenging times And More! ABOUT THIS EPISODE'S GUEST: Joe D'Angelo is Senior Vice President of Commercial Strategy & Partnerships at Xperi, where he leads strategic growth initiatives, commercialization efforts, and key industry partnerships across connected car, broadcast radio, audience measurement, and digital audio businesses. He works with broadcasters, automotive manufacturers, technology companies, and media organizations worldwide to advance next-generation in-vehicle entertainment, analytics, and monetization solutions. A founding executive of iBiquity Digital, the company behind HD Radio technology, Joe has spent more than two decades helping shape the evolution of broadcast and digital audio. Following iBiquity's acquisition by Xperi, he continued to lead initiatives spanning HD Radio, hybrid radio, streaming audio services, connected-car platforms, and audience measurement solutions. His work has focused on helping broadcasters and automotive OEMs successfully navigate the transition to a connected media ecosystem. Before joining iBiquity, Joe was a Principal at PricewaterhouseCoopers, advising telecommunications and media clients on strategic planning, mergers and acquisitions, restructuring, and international expansion. Earlier, he spent five years with Andersen Consulting (now Accenture), leading technology and business transformation initiatives. A recognized industry thought leader, Joe has been named one of Radio Ink's 40 Most Powerful People in Radio for three consecutive years (2024-2026) and serves as a BMI Ambassador supporting innovation across the radio and music industries. Joe earned a Bachelor of Arts in History from the College of the Holy Cross and an MBA from Columbia University, where he graduated with honors. ABOUT THE PODCAST: Chachi Loves Everybody is brought to you by Benztown and hosted by the President of Benztown, Dave “Chachi” Denes. Get a behind-the-scenes look at the myths and legends of the radio and broadcast industry and beyond as they share their unique career paths. Hear how a variety of innovative leaders grow businesses, develop iconic brands, and entertain audiences in this in-depth interview podcast. ABOUT BENZTOWN: Benztown is a leading international audio imaging, production library, voiceover, programming, podcasting, and jingle production company with over 3,000 affiliations on six different continents. Benztown provides audio brands and radio stations of all formats with end-to-end imaging and production, making high-quality sound and world- class audio branding a reality for radio stations of all market sizes and budgets. Benztown was named to the prestigious Inc. 5000 by Inc. magazine for five consecutive years as one of America’s Fastest-Growing Privately Held Companies. With studios in Los Angeles and Stuttgart, Benztown offers the highest quality audio imaging work parts for 21 libraries across 15 music and spoken word formats including AC, Hot AC, CHR, Country, Hip Hop and R&B, Rhythmic, Classic Hits, Rock, News/Talk, Sports, and JACK. Benztown’s Audio Architecture is one of the only commercial libraries that is built exclusively for radio spots to provide the right music for radio commercials. Benztown provides custom VO and imaging across all formats, including commercial VO and copywriting in partnership with Compass Creative. Benztown Radio Networks produces, markets, and distributes high-quality programming and services to radio stations around the world, including: The Rick Dees Weekly Top 40 Countdown, The Todd-N-Tyler Radio Empire, Hot Mix, Sunday Night Slow Jams with R Dub!, Flashback, Hey, Morton, StudioTexter, and SPECai. Benztown + McVay Media Podcast Networks produces and markets premium podcasts including: IEX: Boxes and Lines and American Afterlife. Web: benztown.com Facebook: facebook.com/benztownradio Twitter: @benztownradio LinkedIn: linkedin.com/company/benztown Instagram: instagram.com/benztownradioSee omnystudio.com/listener for privacy information.

John Nathan Anderson’s new book, Radio’s Digital Dilemma: Broadcasting in the 21st Century (Routledge, 2014), documents the somewhat tortured path of broadcast radio’s digital transition in the United States.  Beginning his analysis with rise of neoliberal communications policy in the 1980s, Anderson charts the development of the idea of digitalization by closely examining two key archival sources: The Federal Communication Commission’s extensive archive of rulemaking and public comments and the archives of the two most important trade journals in broadcast radio, Radio World and Current. As Anderson explores in the book, FCC regulatory neglect coupled with the huge consolidation within the radio industry following the passage of the Telecommunications Act of 1996 resulted in a digital transition that was dictated largely by commercial interests.  For example, the most important decision about digital radio – the engineering standard for digital broadcasting – was determined by a federation of corporations that formed a proprietary standard called HD Radio.  This new digital standard was a failure on a number of levels, argues Anderson.  First, it was at odds with the global digital radio standard, Eureka 147.  Second, it caused unwanted interference with analog radio signals.  Third, the corporate entity which owned the rights to the HD Radio standard, iBiquity, was determined to charge local stations a fee for using its digital radio standard.  Once digital radio began to roll out across the nation in 2002, local stations’ and listeners’ complaints about interference and bad reception were effectively drowned out by a sustained marketing effort on behalf of HD Radio’s corporate partners.  Today, the future of digital radio in the United States is in doubt: only 13% of all stations are broadcasting a digital signal.  Throughout the book, Anderson argues that the lack of regulatory guidance and oversight, coupled with blind allegiance to market forces, has resulted in a radio environment that falls well short of our aspirations for a democratic media system. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Nathan Anderson’s new book, Radio’s Digital Dilemma: Broadcasting in the 21st Century (Routledge, 2014), documents the somewhat tortured path of broadcast radio’s digital transition in the United States.  Beginning his analysis with rise of neoliberal communications policy in the 1980s, Anderson charts the development of the idea of digitalization by closely examining two key archival sources: The Federal Communication Commission’s extensive archive of rulemaking and public comments and the archives of the two most important trade journals in broadcast radio, Radio World and Current. As Anderson explores in the book, FCC regulatory neglect coupled with the huge consolidation within the radio industry following the passage of the Telecommunications Act of 1996 resulted in a digital transition that was dictated largely by commercial interests.  For example, the most important decision about digital radio – the engineering standard for digital broadcasting – was determined by a federation of corporations that formed a proprietary standard called HD Radio.  This new digital standard was a failure on a number of levels, argues Anderson.  First, it was at odds with the global digital radio standard, Eureka 147.  Second, it caused unwanted interference with analog radio signals.  Third, the corporate entity which owned the rights to the HD Radio standard, iBiquity, was determined to charge local stations a fee for using its digital radio standard.  Once digital radio began to roll out across the nation in 2002, local stations’ and listeners’ complaints about interference and bad reception were effectively drowned out by a sustained marketing effort on behalf of HD Radio’s corporate partners.  Today, the future of digital radio in the United States is in doubt: only 13% of all stations are broadcasting a digital signal.  Throughout the book, Anderson argues that the lack of regulatory guidance and oversight, coupled with blind allegiance to market forces, has resulted in a radio environment that falls well short of our aspirations for a democratic media system. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Nathan Anderson’s new book, Radio’s Digital Dilemma: Broadcasting in the 21st Century (Routledge, 2014), documents the somewhat tortured path of broadcast radio’s digital transition in the United States.  Beginning his analysis with rise of neoliberal communications policy in the 1980s, Anderson charts the development of the idea of digitalization by closely examining two key archival sources: The Federal Communication Commission’s extensive archive of rulemaking and public comments and the archives of the two most important trade journals in broadcast radio, Radio World and Current. As Anderson explores in the book, FCC regulatory neglect coupled with the huge consolidation within the radio industry following the passage of the Telecommunications Act of 1996 resulted in a digital transition that was dictated largely by commercial interests.  For example, the most important decision about digital radio – the engineering standard for digital broadcasting – was determined by a federation of corporations that formed a proprietary standard called HD Radio.  This new digital standard was a failure on a number of levels, argues Anderson.  First, it was at odds with the global digital radio standard, Eureka 147.  Second, it caused unwanted interference with analog radio signals.  Third, the corporate entity which owned the rights to the HD Radio standard, iBiquity, was determined to charge local stations a fee for using its digital radio standard.  Once digital radio began to roll out across the nation in 2002, local stations’ and listeners’ complaints about interference and bad reception were effectively drowned out by a sustained marketing effort on behalf of HD Radio’s corporate partners.  Today, the future of digital radio in the United States is in doubt: only 13% of all stations are broadcasting a digital signal.  Throughout the book, Anderson argues that the lack of regulatory guidance and oversight, coupled with blind allegiance to market forces, has resulted in a radio environment that falls well short of our aspirations for a democratic media system. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Nathan Anderson’s new book, Radio’s Digital Dilemma: Broadcasting in the 21st Century (Routledge, 2014), documents the somewhat tortured path of broadcast radio’s digital transition in the United States.  Beginning his analysis with rise of neoliberal communications policy in the 1980s, Anderson charts the development of the idea of digitalization by closely examining two key archival sources: The Federal Communication Commission’s extensive archive of rulemaking and public comments and the archives of the two most important trade journals in broadcast radio, Radio World and Current. As Anderson explores in the book, FCC regulatory neglect coupled with the huge consolidation within the radio industry following the passage of the Telecommunications Act of 1996 resulted in a digital transition that was dictated largely by commercial interests.  For example, the most important decision about digital radio – the engineering standard for digital broadcasting – was determined by a federation of corporations that formed a proprietary standard called HD Radio.  This new digital standard was a failure on a number of levels, argues Anderson.  First, it was at odds with the global digital radio standard, Eureka 147.  Second, it caused unwanted interference with analog radio signals.  Third, the corporate entity which owned the rights to the HD Radio standard, iBiquity, was determined to charge local stations a fee for using its digital radio standard.  Once digital radio began to roll out across the nation in 2002, local stations’ and listeners’ complaints about interference and bad reception were effectively drowned out by a sustained marketing effort on behalf of HD Radio’s corporate partners.  Today, the future of digital radio in the United States is in doubt: only 13% of all stations are broadcasting a digital signal.  Throughout the book, Anderson argues that the lack of regulatory guidance and oversight, coupled with blind allegiance to market forces, has resulted in a radio environment that falls well short of our aspirations for a democratic media system. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pure ImaginationWhen Gene Wilder first sang "Pure Imagination" in the 1971 movie classic 'Willy Wonka & the Chocolate Factory,' he was strolling amid Chernobyl-sized eatable candied plants and a river of liquid chocolate -- obviously fictitious creations from the fertile minds of movie magicians. Some 28 years later, when it comes to the equipment we're seeing in today's automobiles compared to the early '70s, you almost shake your head in disbelief as we did when we first saw Wonka's Candy Factory: works of pure imagination, indeed.In this week's show we talk with three executives from three different companies and discuss not only some of these incredible products but just how they are being developed for today's cars.We start with Anne Asensio from Dassault Systemes, a French firm that creates products for its client base in the virtual world. Ms. Asensio says that today, more than in the past, design has become an extremely collaborative effort that involves everyone in the food chain -- from the very top to the customers themselves. Meanwhile, one of the products coming out of this collaborative effort, in this case from our second guest's company iBiquity, is HD Radio. Bob Struble heads this supplier which produces digital receivers that allow you to listen to all those restricted local AM & FM radio stations that are now being broadcast only on Hybrid Digital bands. And speaking of restrictive broadcasting, let's not forget about the Internet. Chrysler sure hasn't. It’s working with a firm from Silicon Valley that's bringing the Internet to its cars and trucks in the not too distant future. Jennifer Applebee from Chrysler joins John to tell us just how far away this technology is and what will be available with it once it's in the vehicle.

Pure Imagination When Gene Wilder first sang "Pure Imagination" in the 1971 movie classic 'Willy Wonka & the Chocolate Factory,' he was strolling amid Chernobyl-sized eatable candied plants and a river of liquid chocolate -- obviously fictitious creations from the fertile minds of movie magicians. Some 28 years later, when it comes to the equipment we're seeing in today's automobiles compared to the early '70s, you almost shake your head in disbelief as we did when we first saw Wonka's Candy Factory: works of pure imagination, indeed. In this week's show we talk with three executives from three different companies and discuss not only some of these incredible products but just how they are being developed for today's cars. We start with Anne Asensio from Dassault Systemes, a French firm that creates products for its client base in the virtual world. Ms. Asensio says that today, more than in the past, design has become an extremely collaborative effort that involves everyone in the food chain -- from the very top to the customers themselves. Meanwhile, one of the products coming out of this collaborative effort, in this case from our second guest's company iBiquity, is HD Radio. Bob Struble heads this supplier which produces digital receivers that allow you to listen to all those restricted local AM & FM radio stations that are now being broadcast only on Hybrid Digital bands. And speaking of restrictive broadcasting, let's not forget about the Internet. Chrysler sure hasn't. It’s working with a firm from Silicon Valley that's bringing the Internet to its cars and trucks in the not too distant future. Jennifer Applebee from Chrysler joins John to tell us just how far away this technology is and what will be available with it once it's in the vehicle.

This is the ENHANCED podcast version of Episode 13 Make sure you have selected "run scripts" from under the security tab of the tools section in Media Player to utilize this Enhanced Podcast! Also note that this episode may have to be downloaded to your computer to take advantage of the Enhanced features... Mustech.net podcasts are some of the very best on the web about music and technology subjects you love! Visit MUSicTECHnology.net today! and let us know about you! Mustech.net offers articles about music, education, technology and more! ************************************************************ HD Radio, Earsets, RIS, and More!, Podcast E13 The third episode of season three finds Joseph and Darren being surrounded with jack hammers, wrecking balls, and general chaos at the WSAJ studio. Darren was a little "late" for the recording and Joseph was stuck trying to find his way into a construction war-zone! This episode re-visits the HD Radio concept and new topics like Reading Instruction Services, Earsets for broadcasting, soundproofing, mic preamps, and whole host of audio related topics. This show is also the first one that was dual recorded as a standard mp3 and ALSO as an ENHANCED PODCAST in wma form. Don't miss the cool features and immersive learning environment that the ENHANCED podcast offers! NOTE: In order to take advantage of the Enhanced podcast on the MAC you will have to have Windows Media Palyer 9 for OS X installed. Get it here! Also you will have to have the "Run Scripts When Present Box" checked from the Security Tab in Window's Media Player if it's not already. You'll know this is working when websites related to the podcast start to open while the podcast is playing. Original Air Date: 8/02/2008 Website: http://www.mustech.net Podcasters: Dr. Joseph M. Pisano, Mr. Darren J. Morton Episode 13’s Show: *HD Radio *Soundproofing *Alarm Clocks *Garbage In, Garbage Out GIGO *Advice about microphones and audio quality *RIS Reading Information Services/Radio Information Services *AKG HSC271 Earsets *TRS 80 *Beautiful PA! [RSS] Subscribe to our Podcasts with Feedburner [RSS] Subscribe to our latest news, posts, and GREAT articles [RSS] Subscribe to our podcast with Podomatic Related Links: McDonalds WSAJ Radio Online Clock Soundproofing 101 AKG Understanding the PreAmp Jungle MusTech.net E5 Postcast HD RADIO and Ibiquity Gene Autry! RIS -Reading Service PILOT Traveler's Stop Visit PA! Music provided by Jason Davis: Jason Davis Music Visit our site today for awesome information, news and fun! MUSicTECHnology.net END.

Mustech.net podcasts are some of the very best on the web about music and technology subjects you love! Visit MUSicTECHnology.net today! and let us know about you! Mustech.net offers articles about music, education, technology and more! ************************************************************ HD Radio, Earsets, RIS, and More!, Podcast E13 The third episode of season three finds Joseph and Darren being surrounded with jack hammers, wrecking balls, and general chaos at the WSAJ studio. Darren was a little "late" for the recording and Joseph was stuck trying to find his way into a construction war-zone! This episode re-visits the HD Radio concept and new topics like Reading Instruction Services, Earsets for broadcasting, soundproofing, mic preamps, and whole host of audio related topics. This show is also the first one that was dual recorded as a standard mp3 and ALSO as an ENHANCED PODCAST in wma form. Don't miss the cool features and immersive learning environment that the ENHANCED podcast offers! NOTE: In order to take advantage of the Enhanced podcast on the MAC you will have to have Windows Media Palyer 9 for OS X installed. Get it here! Also you will have to have the "Run Scripts When Present Box" checked from the Security Tab in Window's Media Player if it's not already. You'll know this is working when websites related to the podcast start to open while the podcast is playing. Original Air Date: 8/02/2008 Website: http://www.mustech.net Podcasters: Dr. Joseph M. Pisano, Mr. Darren J. Morton Episode 13’s Show: *HD Radio *Soundproofing *Alarm Clocks *Garbage In, Garbage Out GIGO *Advice about microphones and audio quality *RIS Reading Information Services/Radio Information Services *AKG HSC271 Earsets *TRS 80 *Beautiful PA! [RSS] Subscribe to our Podcasts with Feedburner [RSS] Subscribe to our latest news, posts, and GREAT articles [RSS] Subscribe to our podcast with Podomatic Related Links: McDonalds WSAJ Radio Online Clock Soundproofing 101 AKG Understanding the PreAmp Jungle MusTech.net E5 Postcast HD RADIO and Ibiquity Gene Autry! RIS -Reading Service PILOT Traveler's Stop Visit PA! Music provided by Jason Davis: Jason Davis Music Visit our site today for awesome information, news and fun! MUSicTECHnology.net END.