Podcasts about Music technology

TEC Leimert is a Black‑owned and operated non‑profit organization serving underserved communities. They are bringing forth Ill Camille to share her knowledge on the evolution of TEC Leimert and its impact on culture and technology. Their mission is simple: TEC Leimert aims to bridge the growing digital divide facing communities of color. The founders created a platform for South Central Los Angeles to thrive in a technology‑driven digital economy. Camille says TEC Leimert continue this work by creating welcoming workshops and events in Leimert Park—covering vinyl culture, traditional audio techniques, sound design, beat‑making, and innovative music production. Their programming explores how tools like Serato can elevate sound creation, pushing forward both music innovation and community evolution.https://www.email.com/hello@labwc.org https://www.tecleimert.org/ https://www.instagram.com/illcamille/ https://www.instagram.com/diprimaradio/

The way people listen to music has changed dramatically over time. Early listeners gathered around phonographs and records, followed by radios, cassette players, and portable Walkmans. Later came CDs, MP3 players, and streaming music on phones. Each new invention made music easier to carry and share. The evolution of audio devices shows how technology changed everyday life and how people experience music wherever they go.

This week Amit Rogel is joining PeppeTalk for a conversation about arts and robotics. Amit shares about his work as a PhD student at Georgia Tech in the department for Music Technology, where the interest all began, and the debate of putting AI and music together. How important is it understanding human-to-human connection when working with robots? What is the feedback he receives for the work he does? Which milestoles are he most proud of? This is a playful conversation about robotics and the power of arts.Follow Amit for more: https://www.linkedin.com/in/amit-rogel-1179b4138/And check out his website: https://www.amro42.org/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnQe_XdsYA2CQkHrQmzQMkIh6ZgR_M0Xnfv9EP45x5ERiRYSpXrhi4JrS9smI_aem_hrLkTSTrTXPh5e9ozRN-SQDo YOU want to be in an upcoming episode? Send Peppe a DM on Instagram - @peppetalkMusic: Upbeat Happy Logo (2 Versions) by SoulProdMusic Hosted on Acast. See acast.com/privacy for more information.

In This Episode of Business Lunch: We explore the ethics and practicalities of layoffs, the importance of stewardship in business, and how to handle difficult decisions with empathy and professionalism. Roland Frasier and Ryan Deiss share insights from their experiences, emphasizing the importance of long-term thinking and human-centered leadership.Chapters:00:00 Introduction and Personal Anecdotes03:10 The Human Side of Business and Customer Relationships04:22 Innovations in Music Technology and Business Networking07:55 Discussion on Oracle's Layoffs and Business Morality09:58 Context and Morality of Business Decisions During Hard Times13:03 Stewardship and Responsibility in Business Leadership15:57 The Impact of Layoffs on Employees and Society20:12 Media Portrayal of Business and Leadership Attitudes22:59 Turning Adversity into Opportunity and Resilience27:55 Practical Approaches to Large-Scale Layoffs34:04 Effective Communication Strategies for Workforce Reductions35:45 Final Thoughts and Audience EngagementConnect with me on social:TikTok: Check out my TikTok HereInstagram: Check out my Instagram HereFacebook: Check out my Facebook HereLinkedIn: Check out my LinkedIn HereSubscribe to my YouTube

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week, it's just Jann, Caitlin & Sarah! They discuss their April Fools' prank (sorry not sorry), the recent Juno Awards celebrating Canadian music, the rise of Indigenous artists like William Prince, the evolution of the Junos, and the celebration of Canadian talent like Sarah McLachlan, Joni Mitchell, Nelly Furtado and more. This week on The Scroll , Caitlin highlights the significance of the upcoming Artemis mission and space exploration and the three get back to CANCON conversation touching on the career longevity of Celine Dion as fans register to purchase tickets for her upcoming Paris shows! Chapters: (00:00) April Fools' Day Shenanigans (06:03) The Art of Pranking (12:59) The Juno Awards and Canadian Music (18:49) Space Exploration and the Artemis Mission (18:57) The Evolution of Music Technology (19:32) Celebrating Canadian Music Icons (20:03) The Juno Awards and Industry Dynamics (21:09) The Importance of Artist Engagement (22:26) Memorable Moments from the Junos (24:34) The Subjectivity of Music Awards (25:32) Canada's Impact on Global Music (27:09) The Role of Canadian Artists in the Industry (29:14) Reflections on Career Longevity in Music (30:50) Celine Dion's Comeback and Legacy (36:24) Gala Stories and Musical Connections (39:01) Indigenous Music in Canada (42:00) Patreon Teaser #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! ⁠www.jannardenpod.com/voicemail/⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/JannArdenPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

AMB is a music producer, educator, and Ableton Certified Trainer with 30 years experience across electronic music, sound design, audio engineering, and film. After a decade as founder of Budapest School of Music Technology and another as Program Manager at the Los Angeles Film School, he founded Soft Synced to distill everything he learned into a learning system for producers.    Ambrus Deak Links   Mr. Bill's Links 

In this StudioNerds Podcast episode, we're asking the uncomfortable question: has music technology hit a plateau or are we just measuring progress the wrong way?We break down what “innovation” actually means in 2026, why new plugins and gear can feel like the same ideas in different packaging, and where real progress is still happening (even if it's not flashy). We also talk about the cycle of hype vs. usefulness.➡️ Get Our Rosetta Plugins: https://helpmedevvon.com/s/rosettaseries➡️ The Black Vortex Plugin: https://helpmedevvon.com/s/theblackvortex➡️ Our Site With Goodies: https://helpmedevvon.com/s/helpmedevvon➡️Buy From Sweetwater: https://cutt.ly/7hamejT _________________________________________________________ ▶ JOIN OUR COMMUNITY HERE: ➡️ Become A Member Of This Channel To Access Perks:https://thehmdcircle.com➡️Instagram: https://instagram.com/helpmedevvon➡️Twitter: https://twitter.com/helpmedevvonEmail Me: helpmedevvon@gmail.com #mixing #mastering #tutorial

We are remote for this episode, tripping out to Harleysville, Pa to visit the Museum of Music Technology (MMT) with Executive Director, Drew Raison, to learn about the museum and take a tour of the collection!

Josh Simons has been building businesses since most kids were just building sandcastles. Lemonade stands. Go-karts he leased out. Hustles that taught him early how money moves and how people work.At 17, Josh dropped out of school and made a feature film, not just for fun, but as a real business. Budgets. Hiring. Deadlines. Pressure. It was his first crash course in entrepreneurship, and it burned him out just as fast as it lit him up. In his early twenties, he hit reset mowing lawns, cleaning toilets, and actually living life for a minute.Then music pulled him back in. Josh started a band and naturally ran the business behind it too. That's when he saw a massive gap in the industry: musicians had platforms to stream, monetize, and build audiences… but nowhere to actually connect. LinkedIn wasn't built for creatives.So he built what didn't exist.VAMPR - the “Tinder for musicians.” A hyper-granular networking platform that grew to over 1.7 million users and changed how artists collaborate globally. That success eventually led to a strategic exit into Australia's public music tech ecosystem with Vinyl Group, turning VAMPR into part of a broader music technology portfolio.But Josh's real superpower isn't just ideation, it's evolution. He knows teams change as companies scale. Skillsets shift. Ego gets shelved. Transparency wins.From bootstrap hustle to tech exits, Josh Simons proves one thing: the path isn't clean but resilience compounds. And the entrepreneurs who survive the dark chapters are the ones who end up rewriting industries.Subscribe to Young Boss with Isabelle Guarino wherever you get your podcasts, and be sure to like, share and follow on Instagram and TikTok.And remember, youth is your power.

Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres.In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of  musical settings, from Carnegie Hall to hanging out with Willie Nelson.(Headshot photo by Michael Weintrob)Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Send us a textWhat does it mean to keep making, caring and staying human when everything feels like it's falling apart?In this final episode of the Girls Twiddling Knobs podcast, Isobel Anderson speaks directly and unfiltered to you, the listeners, with honesty, clarity and care.This is not a neat goodbye or a highlight reel. It is a reckoning. A permission slip. And a series of parting truths offered to women in music, male allies, music organisations and colleagues in higher education.Isobel reflects on the wider context we are living in: dark times, eroding systems, the devaluing of art and the quiet shame so many creatives carry around money, security and survival. She argues for doing less but doing it with integrity. For making more than we consume. For listening more than we shout. And for staying close to creativity not because it will save the world, but because it keeps us human.You'll hear candid advice about:The real trade-offs between making art and making a livingWhy streaming is a dead end for most musiciansWhen to treat music like a business and when not toInvesting in skills, backing yourself and stopping the wait for permissionLetting other people own their shitWhy organisations must take digital communication seriously if they want real impactThe role men must play as active, imperfect alliesThe heartbreak and hope of higher education, and when it might be time to build something elseThe episode closes with gratitude, acknowledgements and a reflection on legacy. Girls Twiddling Knobs may be ending, but listening, making, creating and caring do not.Stay bold. Stay unapologetic. Don't wait for permission. Stay human.---------------------------------------------------Girls Twiddling Knobs has ended, but you can stay connected to Isobel's artistic work here. Girls Twiddling Knobs was hosted by Isobel Anderson and produced by Isobel Anderson and Jade Bailey from Nov 2020-Jan 2026 and will remain live on all major podcast platforms throughout 2026. We are grateful to the British Library who have archived the podcast in their Sound and Vision Collection. Learn more about the Girls Twiddling Knobs legacy here.Watch this episode on YouTubeExplore more episodes here.Listen on Spotify.

Show NotesDay two at NAMM 2026 reinforces why this show continues to matter. Not just for product launches or celebrity sightings, but for the culture that forms when creators, builders, and technologists share the same physical space. From the Creator Lounge to the show floor, the conversation stays grounded in making, playing, and experimenting.This episode captures that energy in real time. Sean Martin and Marco Ciappelli reflect on how NAMM functions as a crossroads where legacy craftsmanship, modern production, and creative curiosity intersect. Guitars, basses, drums, microphones, and software all coexist here, but the real story is how people interact with the tools and with each other.Creativity on the FloorThe discussion touches on conversations with brands and builders like Gibson, John Page Guitars, and others shaping instruments that balance tradition with modern design. These are not abstract ideas. They are physical objects that invite musicians to explore sound differently, whether through lighter builds, new electronics, or rethinking classic forms.Technology Without Losing the SoulA recurring theme is how technology shows up at NAMM without overshadowing the human element. From live sound testing that occasionally overwhelms a recording to quiet moments in shared spaces, the episode highlights how tools serve creativity, not the other way around. The hosts reflect on artists who embrace technology while staying rooted in raw expression and performance.The Meaning of Being On LocationBeing present matters. This conversation underscores why on location coverage adds context that studio conversations cannot replicate. Background noise, spontaneous encounters, and unexpected access all become part of the story. NAMM is not polished. It is alive.The episode closes with anticipation. Major award events, standout performances, and conversations still to come point to why day two feels less like a midpoint and more like momentum building.GuestMarco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comHostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ResourcesThe NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordssean martin, marco ciappelli, namm 2026, namm show day 2, music industry, guitar gear, bass guitars, music technology, creator lounge, live music culture, instrument design, behind the scenes nammMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, I sit down with singer, songwriter, bassist, and musical innovator Scott Mulvahill for a wide-ranging conversation about curiosity, collaboration, and building creative worlds. We start by talking about Scott's recent trip to Lafayette, Louisiana, where he performed Paul Simon's Graceland in a profoundly meaningful way, including sharing the stage with original Zydeco musicians who appeared on the album. Scott explains why Graceland was such a formative record for him as a teenager, how it shaped his love of songwriting, groove, and global musical connections, and why revisiting that music continues to teach him something new every time he performs it.We talk about Scott's busy life as a touring musician and collaborator, from solo performances to regional shows, symphonic work with Cody Fry, and juggling multiple projects at once. Scott reflects on saying yes to opportunities, spinning multiple creative plates, and why he's drawn to work that keeps him challenged rather than comfortable. He shares the story behind his band Slap Dragon, how the group came together organically, and why playing in a band scratches a different creative itch than performing solo. We also explore the balance between solitude and community in music, and how collaboration continues to fuel his artistic growth.A significant part of the conversation centers on Scott's experience as a singing bassist. We dig into the technical and musical challenges of singing while playing bass, especially in groove-heavy music, and how performing complex material like Graceland forces constant growth. Scott explains how difficulty, discipline, and repetition sharpen his musicianship and why pushing himself technically ultimately leads to deeper musical freedom.We also spend time talking about Scott's years playing with Ricky Skaggs, an experience he describes as musical graduate school. Scott shares what it was like to step into a bluegrass tradition without a drum set, how time feels differently in that genre, and why it took nearly a year to feel comfortable in the band. He reflects on learning directly from masters, developing an intuitive sense of rhythm, and why that experience shaped him as a musician in lasting ways.Finally, we dive deep into one of Scott's most ambitious projects, the Database. Scott explains the origin and evolution of this custom-built upright bass with integrated MIDI triggers and sampling, how it works technically, and why it allows him to expand his sonic world without sacrificing creativity or authenticity. We talk about technology as a tool rather than a gimmick, the balance between production and performance, and how the Database has reshaped his approach to songwriting, arrangement, and live shows. It's a thoughtful, inspiring conversation about experimentation, craftsmanship, and following curiosity wherever it leads.To learn more about Scott, visit his website.Music from the Episode:Begin Againers (Scott Mulvahill)Fighting for the Wrong Side (Scott Mulvahill)Survive (Scott Mulvahill)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

On this episode of Audio Talks, host Oisin Lunny welcomes Andrew Melchior—technologist, artist, and creative collaborator with Massive Attack, Björk, and David Bowie—for a deep dive into the shifting ground beneath music, technology, and culture. From Manchester's vibrant music scene to pioneering spatial audio and mixed reality, Andrew's career is a journey through the edges of innovation. Together, they trace the arc from classical roots and analog synths to the digital frontiers of streaming, AI, and immersive experiences. Andrew shares candid stories of musical mentorship, band adventures, and the evolution from vinyl to virtual worlds—whether helping Elbow produce their first EP, launching BowieNet at EMI, or building Massive Attack's experimental Phantom app that remixed music using heartbeats and motion sensors. The conversation explores the risks and possibilities of synthetic media, the rise of generative AI, and the urgent need to protect human creativity and cultural identity From sonifying cosmic radio bursts in a Finnish cathedral to advocating for climate-conscious touring, Andrew's vision is rooted in sustaining human agency and meaning amidst rapid technological change. Tune in for a masterclass in creativity, resilience, and the future of music—where technology is a tool, not a tyrant, and being useful is the ultimate revolution.

Logic Pro workflow tips can dramatically speed up music production, and in this episode of Inside The Mix, Marc Matthews breaks down seven practical Logic Pro tweaks that remove friction and help producers finish more music, faster.Designed for beginner to intermediate Logic Pro users, this episode tackles a common frustration: slow sessions that kill creativity. Marc explains why workflow, not plugins, CPU power, or inspiration, is usually the real bottleneck in Logic Pro music production.Listeners learn how to restore creative flow with MIDI Chase, ensuring sustained notes always trigger when playback starts mid-phrase. Marc then shows how to assign a third tool to the right mouse button so essential edits like Gain or Scissors are always one click away. Visual organisation comes next, with auto-colouring tracks, regions, and markers to make large sessions readable at a glance.Timing and arrangement get a boost using Groove Track and Flex, aligning stacked vocals quickly while keeping performances natural. Marc also shares overlooked Logic Pro workflow tips for routing, like instantly revealing the correct aux, and using marker shortcuts to navigate song structure without breaking momentum. The episode wraps with a powerful creative trick: converting Flex Pitch data to MIDI to generate new musical ideas directly from audio.Each tip is explained clearly, with real-world examples and a focus on repeatable systems you can build into your templates.TL;DRSlow Logic Pro sessions aren't about plugins or CPU, they're about workflow friction. Marc Matthews shares 7 beginner-friendly Logic Pro workflow tips that speed up editing, organisation, timing, routing, and creative decision-making so you can stay in flow and finish more music, faster.Subscribe to Inside The Mix for more Logic Pro workflow deep dives, and share which tip sped up your sessions the most.Send me a messageSupport the showWays to connect with Marc: Book your FREE Music Breakthrough Strategy Call Radio-ready mixes start here - get the FREE weekly tips Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE

Join our current events support zoomcast show hosted by Jan Landy and his knowledgeable affable panel of friends and colleagues for an entertaining robust discussion offering opinions on anything related to a working professional life in general.Our ZoomCast isn't just a fountain of knowledge; it's also a opportunity to laugh. Think of it as therapy, but with more jokes and fewer couches. Join us and share your thoughts. Stay updated on life and world events, and enjoy multiple good chuckles along the way.

In this episode of Audio Talks, host Oisin Lunny welcomes Ted Cohen—the “Godfather of Digital Music”—for a masterclass in how technology, culture, and creativity have shaped the modern music industry. From backstage with the Rolling Stones before their Ed Sullivan debut to pioneering digital deals at EMI, Ted's career is a living history of music's transformation. Together, Oisin and Ted trace the arc from analog to digital, exploring how serendipity, artist development, and a relentless curiosity led Ted to work with legends like Fleetwood Mac, Van Halen, Prince, and The Who. Ted shares candid stories from the road, the boardroom, and the cutting edge of innovation—whether sneaking Mark Zuckerberg and Sean Parker into the Grammys, navigating the Napster wars, or launching Amazon Music before streaming was mainstream. The conversation dives into the evolution from distribution to the attention economy, the rise of AI and creative tools, and the shifting boundaries between consumption and experience. Ted reflects on the lessons learned (and missed) by the industry, the importance of building your “village,” and why kindness is the ultimate long game.

Get ready, because this week I'm celebrating something HUGE—my 100th episode and the Season 3 finale of The Music in Me!

As NAMM approaches its 125th year, the conversation around The NAMM Show 2026 centers less on products alone and more on the people, relationships, and creative energy that sustain the music industry. In this episode, John Mlynczak, President and CEO of NAMM, joins Sean Martin and Marco Ciappelli to frame the upcoming show as a moment shaped by resilience, adaptation, and shared purpose.Mlynczak positions NAMM's history as a long record of responding to disruption. Musical genres shift. Technologies rise and fall. Companies appear and disappear. Music itself remains. That continuity shapes how NAMM views its role today, particularly amid global trade pressures and ongoing debates around AI in music creation. These pressures are not framed as endpoints, but as forces the industry has encountered many times before, each eventually reshaped into opportunity.A major theme is the renewed emphasis on human connection. While innovation remains central, differentiation increasingly comes through artists, creators, and authentic storytelling. Product launches are no longer just technical showcases. They are expressions of identity, collaboration, and trust between musicians and the tools they choose. According to Mlynczak, this shift is driving a larger presence of artists and creators at The NAMM Show 2026, reinforcing the idea that brands are ultimately represented by people, not specifications.Education also plays a defining role. With more than 200 sessions planned, alongside new half-day and full-day summits, The NAMM Show 2026 expands its commitment to learning across experience levels and professional communities. Retailers, educators, engineers, marketers, and performers each have distinct paths through the show, designed intentionally rather than left to chance. Data-driven planning allows NAMM to understand how attendees engage, enabling more tailored experiences now and in the years ahead.Underlying it all is energy. Not hype, but momentum built through in-person connection. The NAMM Show is described as a space where competitors share ideas, musicians find inspiration, and creativity compounds simply by being present. For those who attend, The NAMM Show 2026 serves as a springboard into the year ahead, shaped by music's enduring ability to connect, adapt, and move people forward.The NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026GUEST:Guest: John Mlynczak, President and CEO of NAMM | View Website | Visit NAMMHOSTS:Sean Martin, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.seanmartin.comMarco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comNAMM Organization: https://www.namm.org/The NAMM Show 2026: https://www.namm.org/thenammshow/attendCatch more stories from NAMM Show 2026 coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026Music Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/More from Marco Ciappelli on Redefining Society and Technology Podcast: https://redefiningsocietyandtechnologypodcast.com/Want to share an Event Briefing as part of our event coverage? Learn More

In this episode of Audio Talks, host Oisin Lunny welcomes Victoria Hesketh—aka Little Boots—singer, songwriter, producer, and founding performer for ABBA Voyage, the revolutionary concert where ABBA was reborn as digital “Abbatars.” Together, they explore how technology like holograms, AI, and immersive XR is reshaping the live music experience, blurring the boundaries between physical and digital performance. Victoria shares her firsthand insights from ABBA Voyage, describing the emotional impact of performing alongside digital avatars and how audiences connect with shows that blend nostalgia, storytelling, and cutting-edge tech. The conversation delves into the balance between artistry and innovation, the importance of live musicians, and the ethical questions raised by resurrecting legends as holograms—all while considering how virtual spaces like Roblox and Fortnite are redefining what “live” means for a new generation. Looking ahead, Victoria imagines a future where technology empowers creativity and authenticity, with concerts that visually paint music and foster real fan communities. She reflects on the need for genuine connection and hopes that, even as AI and digital innovation evolve, the heart of music—storytelling and artistry—remains at the center of every performance.

In this episode of Audio Talks, host Oisin Lunny is joined by Dr. Mathias Johansson, Vice President of the Cognitive Systems Lab at Harman—a team at the forefront of AI and immersive audio innovation. Together, they dive into how artificial intelligence is transforming the very nature of listening, making sound more responsive, emotional, and personal than ever before. Mathias shares how Harman's legacy of engineering excellence and decades of research underpin their approach to immersive audio, from gaming and automotive to live music experiences. The conversation explores the science behind perceptual modelling, the challenges of creating truly realistic 3D sound, and how AI is shifting audio from something you control to something that understands you. He also discusses the future of sound—from adaptive, emotionally intelligent audio environments that follow you through your day, to the role of immersive audio in safety, entertainment, and even live concerts. Mathias reflects on the importance of user feedback, the intersection of psychology and technology, and Harman's commitment to making world-class sound accessible to everyone. +++++++++ Hear more about Auracast here: https://audiotalks.podigee.io/76-bluetooth-exploring-auracast Our Audio Talks Playlist: https://listen.tidal.com/playlist/6d14f4ad-f1c7-404d-ba82-fe8d0a320b93 Make sure to follow us on Social Media and visit our Art of Listening website to get a full view on how HARMAN helps people get the most out of each moment they spend listening: Instagram @audiotalkspodcast Instagram @HARMAN_intl Twitter @HARMAN_intl Facebook @HARMANint LinkedIn @HARMAN International https://artoflistening.harman.com/

Show NotesAs artificial intelligence begins generating music from vast datasets of human art, a fundamental question emerges: who truly owns the sound of AI? This episode of Music Evolves brings together a law student and former musician Chandler Lawn, music industry executive and professor Drew Thurlow, Michael Sheldrick, Co-Founder of Global Citizen, and intellectual property attorney Puya Partow-Navid, alongside hosts Sean Martin and Marco Ciappelli, to examine how AI is reshaping authorship, licensing, and the meaning of originality.The panel explores how AI democratizes creation while exposing deep ethical and economic gaps. Lawn raises the issue of whether artists whose works trained AI models deserve compensation, asking if innovation can be ethical when built on uncompensated labor. Thurlow highlights how, despite fears of automation, generative AI music accounts for less than 1% of streaming royalties—suggesting opportunity, not replacement.Sheldrick connects the conversation to a broader global context, describing how music's economic potential could drive sustainable development if nations modernize copyright frameworks. He views this shift as a rare chance to position creative industries as engines for jobs and growth.Partow-Navid grounds the discussion in legal precedent, pointing to landmark cases—from Two Live Crew to George R. R. Martin—as markers of how courts may interpret fair use, causality, and global jurisdiction in AI-driven creation.Together, the guests agree that the debate extends beyond legality. It's about the emotional authenticity that makes music human. As Chandler notes, “We connect through imperfection.” Marco adds that live performance may ultimately anchor value in a world saturated by digital replication.This conversation captures the tension—and promise—of a future where music, technology, and law must learn to play in harmony.GuestsChandler Lawn, AI Innovation and Law Fellow at The University of Texas School of Law | On LinkedIn: https://www.linkedin.com/in/chandlerlawn/Drew Thurlow, Adjunct Professor at Berklee College of Music | On LinkedIn: https://www.linkedin.com/in/drewthurlow/Michael Sheldrick, Co-Founder and Chief Policy, Impact and Government Affairs Officer at Global Citizen | On LinkedIn: https://www.linkedin.com/in/michael-sheldrick-30364051/Puya Partow-Navid, Partner at Seyfarth Shaw LLP | On LinkedIn: https://www.linkedin.com/in/puyapartow/Marco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comHostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ResourcesLegal Publication: You Can't Alway Get What You Want: A Survey of AI-related Copyright Considerations for the Music Industry published in Vol. 32, No. 3 of the Texas State Bar Entertainment and Sports Law Journal.BOOK: Machine Music: How AI Is Transforming Music's Next Act by Drew Thurlow: https://www.routledge.com/Machine-Music-How-AI-is-Transforming-Musics-Next-Act/Thurlow/p/book/9781032425242BOOK: From Ideas to Impact: A Playbook for Influencing and Implementing Change in a Divided World by Michael Sheldrick: https://www.fromideastoimpact.com/AI and Copyright Blogs:https://www.gadgetsgigabytesandgoodwill.com/category/ai/https://www.gadgetsgigabytesandgoodwill.com/2025/11/dr-thaler-is-right-in-part/https://www.gadgetsgigabytesandgoodwill.com/2025/07/californias-ai-law-has-set-rules-for-generative-ai-are-you-ready/https://www.gadgetsgigabytesandgoodwill.com/2025/06/copyright-office-firings-spark-constitutional-concerns-amid-ai-policy-tensions/Newsletter (Article, Video, Podcast): The Human Touch in a Synthetic Age: Why AI-Created Music Raises More Than Just Eyebrows: https://www.linkedin.com/pulse/human-touch-synthetic-age-why-ai-created-music-raises-martin-cissp-s9m7e/Article — Universal and Sony Music partner with new platform to detect AI music copyright theft using ‘groundbreaking neural fingerprinting' technology: https://www.musicbusinessworldwide.com/universal-and-sony-music-partner-with-new-platform-to-detect-ai-music-copyright-theft-using-groundbreaking-neural-fingerprinting-technology/Article: When Virtual Reality Is A Commodity, Will True Reality Come At A Premium: https://sean-martin.medium.com/when-virtual-reality-is-a-commodity-will-true-reality-come-at-a-premium-4a97bccb4d72Global Citizen: https://www.globalcitizen.org/Gallo Music (Gallo Records, South Africa): https://www.gallo.co.za/Global Citizen Festival: https://www.globalcitizen.org/en/festival/Andy Warhol Foundation v. Goldsmith (Shepard Fairey / “Hope” poster context): https://supreme.justia.com/cases/federal/us/598/21-869/case.pdfGeorge R. R. Martin / Authors Guild v. OpenAI (current AI training lawsuit): https://authorsguild.org/news/ag-and-authors-file-class-action-suit-against-openai/Campbell v. Acuff-Rose Music, Inc. (2 Live Crew “Pretty Woman”): https://supreme.justia.com/cases/federal/us/510/569/Vanilla Ice / “Under Pressure” Sampling Case: https://blogs.law.gwu.edu/mcir/case/queen-david-bowie-v-vanilla-ice/MIDiA Research — AI in Music Reports: https://www.midiaresearch.com/reports/ai-and-the-future-of-music-the-future-is-already-hereMerlin (Global Independent Rights Organization): https://www.merlinnetwork.org/Instagram Reel re: Spotify Terms: https://www.instagram.com/reel/DOrgbUNCYj_/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textThe room glowed with warm orange light, a full house gathered to celebrate five years of Girls Twiddling Knobs and to witness a bold closing chapter. We brought a live panel to the stage to ask a deceptively simple question: are music technology skills truly crucial for women and gender-diverse artists? What followed was honest, funny, and disarmingly practical—stories about safety in studios, DIY learning, pricing your worth, and the power of choosing collaborators who actually listen.Karen Sutton (Oram Awards) mapped the tough terrain of funding and why mentoring fills the gaps that DIY routes can't always bridge. Rooks, aka Jenny Bulcraig (2% Rising), shared how artists are rejecting microaggressions and confusion in sessions in favor of producers who offer clarity, consent, and better results. afromerm, aka Cecilia Morgan, unpacked how growing technical fluency turns doubt into calm agency on stage, even when met with patronising questions. Glade Marie (Saffron) spoke to intuition, community, and using brand gigs to bankroll creative freedom without apology. Together, we explored how tech skills change careers, why safer spaces are non-negotiable, and how to build sustainable models when institutions look away.We don't pretend the landscape is fair. Arts funding is shaky. Industry gatekeepers still overlook what doesn't fit a KPI. But the path forward is clear: learn the tools that center your voice, set boundaries around money and time, and build the rooms where more of us can thrive. As we prepare a short final season—answering why we're closing and what we've learned—we're archiving the work and passing the torch to the many initiatives pushing this movement forward.If you've ever felt othered in a studio, underpaid for your craft, or unsure how to start charging for your expertise, this conversation is a compass. Listen, share, and tell us the boundary you're setting next. And if this resonated, subscribe, leave a review, and send the episode to a friend who needs it.Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!---------------------------------------------------Girls Twiddling Knobs is hosted by Isobel Anderson and produced by Isobel Anderson and Jade Bailey.Watch this episode on YouTubeExplore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>

Show NotesIn this episode, we unpack the core ideas behind the Sonic Frontiers article “From Sampling to Scraping: AI Music, Rights, and the Return of Creative Control.” As AI-generated music floods streaming platforms, rights holders are deploying new tools like neural fingerprinting to detect derivative works — even when no direct sampling occurs. But what does it mean to “detect influence,” and can algorithms truly distinguish theft from inspiration?We explore the implications for artists who want to experiment with AI without being replaced by it, and the shifting desires of listeners who may soon prefer human-made music the way some still seek out vinyl, film cameras, or wooden roller coasters — not for efficiency, but for the feel.The article also touches on the burden of rights enforcement in this new age. While major labels can embed detection systems, who protects the independent artist? And if AI enables anyone to create, does it also require everyone to monitor?This episode invites you to reflect on what we value in music: speed and volume, or craft and control?

This week, Darryl Ballantyne, CEO and Co-founder of LyricFind, discusses the complexities of the music business model and how LyricFind has managed to create new revenue streams by licensing lyrics and developing products like Lyric IQ. We also discuss how they've overcome challenges such as price competition and maintaining product market fit.  This is a great conversation for Startups!   The News!   https://www.billboard.com/pro/sora-2-music-industry-pay-attention-ai-social-app/   https://www.engadget.com/spotify-canva-and-other-apps-can-now-connect-to-chatgpt-194830116.html   https://www.billboard.com/pro/sora-2-music-industry-pay-attention-ai-social-app/   https://www.engadget.com/spotify-canva-and-other-apps-can-now-connect-to-chatgpt-194830116.html The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Earth.fm curator Melissa Pons was recently invited to attend Endless Fields 2025, as one of seven sound artists-in-residence at Portugal's Estúdio Yucca, in the Algarve by the Ria Formosa lagoon. This inaugural edition of Endless Fields, organized by Anna Clock and Stefano Arrigoni, was funded by the Department of Applied Social Sciences at the School of Science and Technology (FCT), NOVA University, Lisbon, Portugal, and co-organized by its participants. Local facilitation was by Raquel Castro - curator, producer, film director, and former president of the World Forum for Acoustic Ecology - and Ivo Louro, PhD Candidate in History, Philosophy and Heritage of Science and Technology (at FCT NOVA), and “occasional” sound artist. During the residency, which involved collective listening and recording, sound performances, jams, and an open day, Melissa conducted interviews with her fellow participants. These conversations form the basis of a new two-part episode of Earth.fm's Wind Is the Original Radio podcast. This, the first part, features Ivo, Iddo Aharony, a composer of electronic and acoustic music and environmental and multimedia compositions, and Xavier Velastín Vicencio - self-described sound designer, composer, technologist, and whale lover. Ivo Louro - who is studying the acoustemologies of Aeolian instruments, examining how they have been used not only to make music from the wind but also to monitor and forecast weather in both scientific and traditional craft settings - discusses: How his lifelong interest in environment, ecology, and science began in childhood, but that it was a university class on acoustic pollution, taken during his environmental engineering training, which opened a new world that linked sound and environment. Later, reading David Toop's Haunted Weather: Music, Silence, and Memory prompted him to begin making field recordings and engaging with sound theory - starting with R. Murray Schafer's The Soundscape: Our Sonic Environment and the Tuning of the World and, later, the work of ethnomusicologist Steven Feld, whose field research with the Kaluli people of Papua New Guinea's Bosavi rainforest culminated in the 1991 album Voices of the Rainforest How his research accidentally led him to wind-driven Aeolian instruments. This includes resonators attached to the sails of traditional Portuguese windmills, which cause them to “hum and howl and [generate a] complex drone”, allowing millers to anticipate weather shifts while also producing a kind of music that accompanied their long, solitary hours. For Ivo, these sounds also resonate with personal memories and family histories, echoing rural soundscapes once common across the Portuguese hills Estúdio Yucca's location being “almost like an oasis, [but also] very much just a tiny nook inside an area fraught with environmental issues and pressures”, citing the intensive farming and wastewater production associated with the touristification of the Algarve The connection between field recording and travel, and the environmental impacts of that travel, which has led Ivo to mainly make “field recording[s] around the city [...] [to] avoid going out into the country” How soundscape recordings can make “the world completely change” by engaging with unfamiliar species such as crabs: “put a small, sensitive microphone on the sand and [you'll hear] a full world”. Iddo Aharony is a creative musician and listener who continuously explores the myriad intersections of sound, environment, culture, and technology. His body of work spans a wide variety of instrumentations, media, and interdisciplinary collaborations, from a fully-staged opera to various experimental projects utilizing live electronics, created in collaboration with visual artists, theater directors, scientists, and other musicians. He currently lives in Colorado Springs and is Associate Professor of Music Technology at Colorado College. He talks about: His interest in the way that sounds from our environment can be engaged with in unexpected ways, or how they can surprise listeners The way gradually moving from not really listening to what was around him, to an increased engagement with it, “felt like a door that kept opening more and more” How living in an economic structure that is built around attracting people's attention means that listening to whatever environment in which you find yourself is a wonderful way to be in the world without thinking in terms of functionality or productivity: a small, quiet act of rebellion against that attention economy His fascination with sound since childhood, when, while playing guitar and piano, music was Iddo's “most private place”, where he was able to most fully be himself. And how music's emotional resonances acted as a gateway to emotions that he couldn't otherwise express - leading to the realisation that “the whole world has that potential [for] emotional resonance”. Xavier Velastín Vicencio is a performance and sound artist whose practice spans live art, sound design and composition for theatre, sound installations, sound for video games, sound poetry, algorithmic composition, and digital instrument creation. His work often focuses on utterance, agency, the environment, technology, and the physicality of sound. Xavier is a resident of the Pervasive Media Studios, Bristol, and is currently on a research fellowship with the British Library's Eccles Institute, in London, England. With Melissa, Xavier speaks about: How the ‘liveness' and ‘presentness' of the body and the voice “relate to [...] larger questions about bodily autonomy and agency” His obsession with whales and their songs, which began with his realization that the recordings we generally hear have either been edited to make them audible for us, chosen to fit our idea of how whale song ‘should' sound (avoiding any sounds that are too uncomfortable or challenging), or overlaid with “plinky-plonky” New Age piano music. All of which led to his Edinburgh Festival Fringe show [whalesong]: “a sound play about the noises and voices in the sea [...] [and] a love song to cetaceans”, which was used whale song as an organizing structure His excitement about system design and how organic processes can be embodied within technological systems The pleasure of getting to spend time with other sound artists, as opposed to sound designers whose interests lean towards engineering and the results of sound design: “You know, I'm not that interested in plugins and equipment and [...] how many tracks your REAPER session has [...]; I'm interested in [...] effective moments.” We hope that you enjoy this episode. If you'd like to connect with the participants, you can do so here: Iddo and Xavier. And keep an ear out for part two - coming soon!

Today, a conversation with Tristra and Mansoor Rahimat Khan, the founder and CEO of Beatoven.ai. an ethically trained music generator that was built in partnership with hundreds of artists. They talk about the inspiration behind Beatoven and dive into the nitty gritty of how and why Beatoven works in collaboration with musicians to secure fully licensed content.   News! How Visa Issues Are Threatening Artists' Careers — And the Music Companies That Work With Them   Trump administration, China reach ‘framework' for deal to keep TikTok operating in the US (report)   Everything Meta announced at Connect 2025: Second-gen Ray-Ban Meta, Oakley Meta Vanguard and Meta Ray-Ban Display   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Send us a textFind Dave and Monger Pedals on:Internet: https://www.mongerpedals.com/Instagram: https://www.instagram.com/monger_pedals/SponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Summer School Electronics: https://www.summerschoolelectronics.com/Summer School Electronics (Instagram): https://www.instagram.com/summerschoolelectronics/Meris Pedals: https://www.meris.us/Meris Pedals (Instagram): https://www.instagram.com/meris.us/Affiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9XjTrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends. Support the show

A teachers union says a high school curriculum overhaul lacks detail, despite its far-reaching implications. Year 11 to 13 students will soon be able to take subjects like politics, philosophy, Pacific Studies, Music Technology, and journalism. PPTA president Chris Abercrombie spoke to Corin Dann.

AI models can truly capture the essence of musical creativity. (Wait. Really?). Join us as Tristra interviews Dr. Christopher White from UMass Amherst about his new book The AI Music Problem: Why Machine Learning Conflicts with Musical Creativity. The two of them get into a really interesting question – Is AI redefining music, or is music reshaping AI? It's a great conversion about the future of music creation.   The News: What Is AI Slop?   Chinese social media platforms roll out labels for AI-generated material   Spotify's ticketing partnerships have ‘escalated quite quickly' in 2025   EU pauses probe into Universal's $775m Downtown deal   Influencers are among the winners of Trump's 'no tax on tips' policy The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

September's Locked On Disco will be here shortly. You may have seen that for the past few months I've been putting the finishing touches to my debut album The Gift which is coming out in October. And the first track Maybe I'm gay is now available everywhere.Maybe I'm gay is on Apple Music.And you can stream on Spotify. The Gift journeys through protest, grief, joy, and self-acceptance. From the bold defiance of Maybe I'm Gay, to the intimate title track The Gift, the playful EDM-lite Not Just Friends, and the revelatory Hello God :-), the album explores what it means to live openly, vulnerably, and authentically. It's not a disco album.  But there's plenty of tunes to move to. And I hope to be moved by.Created in collaboration with AI tools, The Gift is both an act of self-discovery and a creative experiment — a reminder that music can be a mirror, reflecting who we are and what we hope to become.In this latest short podcast interlude I share my journey to creating Maybe I'm gay including all previously unreleased versions and demos.  Hopefully it will be an interesting insight into the inner workings of the latest AI music technology.More importantly, all proceeds from the album will go to Alzheimer's Research UK.  Dementia is the UK's leading cause of death, with 982,000 people currently affected — a number expected to rise to 1.4 million by 2040. Globally, the World Health Organisation estimates 57 million people live with dementia, with nearly 10 million new cases every year.Every play, every download, every share of 'Maybe I'm gay' brings us closer to a cure for dementia. Please join in.Thank you.  XX F

(First and foremost, I have to apologise for the bad quality of the music in this episode. We're still working out the kinks with the Riverside Application and unfortunatley, I have not figured out how to improve the audio quality of live shared video content. Just imgagine the production of the music in this video as amazing lol.) Kyle and Shane explore the intersection of AI and music creation. They discuss their personal experiences with AI tools, particularly the Suno app, which allows users to create music by inputting melodies and lyrics. The duo reflects on the potential of AI to inspire creativity, democratize music production, and revitalize old songs. They also share their thoughts on the evolving role of artists in a technology-driven landscape, emphasizing the importance of ideas over technical skills. The conversation is filled with humor, personal anecdotes, and insights into the future of music. In this engaging conversation, WiseDrums and Kyle Lampi delve into the transformative impact of AI on music creation. They explore the capabilities of AI in generating music, experimenting with various genres, and the implications for future music production. The discussion highlights the excitement and challenges of integrating technology into the creative process, reflecting on how it can inspire new forms of artistic expression.

Jon Hussey is hailed as a pioneer of the Irish Techno scene, kick-starting the infamous Planet Dub night in '94 at Columbia Mills / Waterfront, Dublin. Since then Jon has promoted and resided at many Techno clubs throughout Ireland as well as playing in many Techno havens across Europe including Amsterdam, Bratislava, Berlin, London, Leeds, Exeter, Turin and New York. In 1999 Jon was among the first group from Ireland to qualify for the Red Bull Music Academy held in Berlin where he showcased his Irish Techno skills. In 2001 he helped electronic music maestro and lecturer Kenneth Harte to setup and establish the first DJ techniques and electronic music production course in the ‘Bray Institute for Further Education' BIFE which is still to this day the only full time course DJ & Music Technology courses in Ireland. A quote from the national Irish radio station 2FM in their Late-Night Sessions Blog stated “Jon Hussey is one of the longest serving true purveyors of Techno in Ireland, running nights in the early days of Dublin's dance scene, when techno to most people meant U96 or 2 Unlimited. Consistently one of the best DJs around, Jon never lets the side down” giving a rare insight into Jon's personality as a DJ! Jon Hussey is now playing Techno for 3 decades and is regarded as one of the longest if not the longest DJ solely playing Techno on the Irish scene. Jon Hussey has previously released with fellow Techno DJ Sunil Sharpe as part of a joint project under the moniker 'Tricaustic' with “the Caustophobic Pressure EP” on Komisch records, Jon has also released his productions on RLSD Records, Earwiggle, Ceili tracks, Circuit Structure Records and on the Netherlands based label R3volution Records for the Viktims Vol.1 EP alongside some excellent current producers like Linear System and Mattias Fridell. One of Jons most well received collaboration track Saol Fórsa a title he gave the posthumous work with dear friend Stuey Lyons (RIP) on Deliquent Delivery in '22 was championed by many industry favourites including Ben Sims, Freddy K and Blasha & Alatt. Jons latest track ‘What if' has just been released on a new Delinquent Delivery VA and he has also created recent remixes for Dublin band ‘Dumb Posh Hippies' album track ‘Ego Ripper' and also for Swiss based producer Maeksll for his ‘Staub 02' album track have received excellent feedback from the Techno community. Further releases are planned for this year on Delinquent Delivery records and new Dublin based record label SCART Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

We are rewinding and playing back some of our favorite guests during the month of August and today we have our own Chief Creative Officer from way back when he was the creative force at Artiphon. Adam McHeffey, CMO of Artiphon, joins us to talk about the state of musical instrument innovation. Instruments like the Orba put music creation at the fingertips of hobbyists, allowing them to focus on enjoyment and self-expression rather than traditional album releases. We discuss the fusion of music and social media, and the new generation of creators redefining the art form. Lines between listening and playing are blurring, (see Ocean Eyes remix on Logic Pro X) pointing to a future where music engagement is akin to gaming, providing endless possibilities for interactivity and connection.   Shoutouts mentioned in episode: seids_ imsethdrums socialrepose   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

We are rewinding and playing back some of our favorite guests during the month of August. Join Dmitri and Tracy Maddux the former CEO, of AVL Digital and CD Baby as they talk through the fundamentals of what it takes to really start up. We promise that by the end of this episode, you'll have a clear understanding of the critical decisions that shape the future of your business. Whether you intend to sell your company or nurture it as a long-term venture, Tracy's wisdom on capitalization, leveraging personal funds versus investors, and recognizing your strengths and weaknesses will set you on the right path. And if you're already deep in the weeds with your company – there is still great advice to be learned from these two industry experts.   Tracy Maddux   Artes Management The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!

Lij Shaw of Recording Studio Rockstars recently sat down with Gabe Dagrezio to dive into his journey from frontman of The New Story to a highly regarded producer, engineer, and studio owner. With years of experience in the music industry, Gabe has worked with a wide range of artists, helping them craft their sound through both performance and technical mastery. He emphasizes the importance of authentic recordings combined with solid technical skills, often sharing how preparation and understanding the artist's vision are key to great results. Gabe also talks about his studio setup, his approach to mixing and mastering, and how modern tools like room simulation headphones can elevate home recordings. Throughout the conversation, he highlights the value of community organizations like AES, continual learning, and building genuine relationships—lessons that are crucial for anyone looking to thrive in today's ever-changing industry. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Gabe Dagrezio. Gabe started as the frontman of The New Story, an Italian touring band signed to EMI/Virgin in the early 2000s. His time in the studio sparked a deep passion for recording, leading him to master performance, engineering, and production. Gabe is a skilled guitarist, songwriter, and singer who has performed thousands of shows worldwide. His background gives him a performer's sensitivity in the studio, bridging the gap between artistry and technical precision. With a Bachelor of Music in Songwriting, Contemporary Guitar, and Music Technology, he brings a well-rounded approach to recording, mixing, and coaching artists to their best performances. We met a couple years ago and here's a quote from Gabe “NAMM, I walked up to you because I listen to your podcast, and I recognized the voice, then, I looked at your badge :)” THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Soundcloud: Recent productions: https://on.soundcloud.com/BMSg25zFjH4crFA99 Original songs: https://on.soundcloud.com/YVPKzB29pob8UAy9A If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/519

We are rewinding and playing back some of our favorite guests during the month of August. Today we have a great conversation with the CEO and co-founder of LyricFind. Listen in to find out how Darryl got his first investor, and what Microsoft, childhood bedrooms, outdated websites, and roller coasters have to do with anything. The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!

We are rewinding and playing back some of our favorite guests during the month of August. Starting with…. The great debate! It's been five years since Mark Mulligan of MIDiA Research gave the keynote at the first Music Tectonics Conference. This year we had him, along with Tatiana Cirisano, back to Music Tectonics. Instead of the standard conference keynote (because why would we do standard?) we had an election-year style debate that we called The Great Bifurcation Debate. Tune in as they each argue their side – “Play” and “Listen” and their observations for what the future may hold with each.    Read MIDiA's report on bifurcation here. The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!

Send us a textIn this thought-provoking episode of Jams 'N' Cocktails Live, host Brad Brock is joined by singer-songwriter Kevin McLoughlin, Paul Robertson from the Riffs N Rhythms podcast, and the ever-entertaining JNC Destruction Crew for a lively dive into the complex world of artificial intelligence in music. The conversation kicks off with a toast to technology—literally—with a signature "Artificial Intelligence" cocktail, setting the tone for a deep and entertaining exploration of AI's growing influence on creative fields.From the heartwarming story of Randy Travis reclaiming his voice through AI, to the controversial rise of the fully synthetic band Velvet Sundown, the panelists tackle both the promise and peril of machine-made music. Emotions run high as seasoned musicians reflect on what it means for artistry, originality, and the future of live performance. The episode culminates in a live experiment, where the crew collaborates with AI to create a brand-new JNC anthem using Suno, testing just how far the tech can go in crafting a hit.LINKSJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast

Join the Music Tectonics team for the June Seismic Activity with special guest Andrew Kahn, Managing Partner of Yamaha Music Innovation Fund. Hear Andrews best practices for pitching him (or not) at a conference, and what he feels is the most important aspect of any pitch deck. Hint: It's not a great power point. We also hear queries specific to founders in attendance. Among them are questions about funding AI startups, is it possible to compete with Ticketmaster, and what about this innovative new musical instrument? Really great insight from the heart of the funding world.    The News! The most important chart in music right now?   Getting AI companies to agree to licensing deals with copyright owners is “not doable” and “China's not doing it”, rambles Trump   Live Music News: GigSalad, Lightroom, new boards @ MVT, LIVE   The Death of the Middle-Class Musician   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Remember when Michael Bublé was an abominable snowman and chased people with snowballs? Well, maybe you don't, but a lot of people do. Or what about when NLE Choppa showed up in FPS Ops? In this episode Dmitri talks with Mike Gubman of Chartis about the creative collaborations between musicians and game developers and what sort of opportunities those collabs create. Also, the News!    SiriusXM is launching a paid ad-supported tier. Will music streamers follow suit?   If your music strategy is ‘quick hits' on the US charts in 2025… good luck.   Concert ticket prices increased 80.5% in 3 years, 4X inflation   HITS Act becomes law in a Big Win For Independent Artists   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

Guest and HostGuest: Cindy Hulej, Luthier/Artist | Website: https://www.cindyguitars.com/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesWhat happens when the story of a city becomes part of the music we make? In this episode of Music Evolves, host Sean Martin sits down with luthier and artist Cindy Hulej of Cindy Guitars to explore how reclaimed wood from historic New York buildings is transformed into custom electric guitars—each one uniquely shaped by memory, material, and imagination.Craft as InnovationCindy's process at Carmine Street Guitars isn't just about building instruments—it's about listening to what the material has to say. The beams salvaged from landmarks like the Chelsea Hotel and John Lennon's former home aren't just structural—they carry decades of vibration, weather, and presence. That physical history directly shapes how these guitars sound, feel, and resonate—offering a kind of analog innovation rooted in human touch and intention.Cindy describes how she and her husband Johnny repurpose old beams, often salvaged from 1800s-era buildings, and transform them into guitars that are not only playable but deeply resonant—physically and emotionally. The aged wood, shaped by centuries of seasonal change, yields a tone that's warm and chimey, with a resonance modern lumber can't match. “You're working with material that's already lived a hundred lives,” she explains. “You just have to unlock the next one.”Creativity Beyond ConventionEach guitar is made by hand, down to the smallest detail. From collaborating with boutique pickup winders to mixing finishes from shellac flakes, Cindy builds instruments that are both sonic and visual statements. No two are alike—because the creative process isn't about repeating perfection, it's about shaping something personal and alive. Whether players come with a precise vision or just a feeling, Cindy helps translate that into tone and form.Reimagining the Past to Shape the FutureThis isn't just about guitars. It's about the convergence of history, artistry, community, and sound. This episode challenges the idea that innovation must come from new tech or flashy trends. Sometimes, the most meaningful advances come from rethinking old materials and techniques.Cindy's guitars are a form of living history—reminding us that sound isn't just produced, it's inherited, interpreted, and carried forward. And, Cindy's path from bartending to building some of the most soulful instruments in New York is a reminder that craft isn't just skill—it's commitment to meaning.About Rick Kelly and Carmine Street GuitarsCarmine Street Guitars, located in New York City's Greenwich Village, is a hand-built electric guitar workshop led by legendary luthier Rick Kelly. Known for using reclaimed old-growth wood from historic buildings across the city, Rick has built instruments for renowned musicians such as Lou Reed, Patti Smith, Bob Dylan, and many others. His approach blends time-honored techniques with a reverence for the city's past, crafting guitars that are as storied as the musicians who play them. At the heart of the shop's ethos is a commitment to individuality, craftsmanship, and sonic integrity—values continued today through Cindy Guitars and the growing creative community within the space.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

Today we have a fascinating conversation with Randy Nichols, artist manager and CEO of Force Media Management. Randy's been at the forefront of attempting to figure out the ticketing strategy math, especially the scalper side of the equation. We hear about his dive into the cold hard data, scalper chat rooms, and that time he sent someone undercover to the Ticket Scalpers Convention. We also talk about the allure of the “super fan” and why that is… baloney. Also we get into merch, and the general state of live music today.    News! YouTube to demonetize AI-generated videos starting July 15 Why fandom's ‘more is more' era could backfire YouTube's ‘Ask Studio' feature adds AI insight to its analytics Report: Threads is closing in on X's daily active users total   Shoutouts! Immensity_AI Klaviyo Openstage   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.