Podcasts about Music technology

We are rewinding and playing back some of our favorite guests during the month of August. Starting with…. The great debate! It's been five years since Mark Mulligan of MIDiA Research gave the keynote at the first Music Tectonics Conference. This year we had him, along with Tatiana Cirisano, back to Music Tectonics. Instead of the standard conference keynote (because why would we do standard?) we had an election-year style debate that we called The Great Bifurcation Debate. Tune in as they each argue their side – “Play” and “Listen” and their observations for what the future may hold with each.    Read MIDiA's report on bifurcation here. The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!

Send us a textIn this thought-provoking episode of Jams 'N' Cocktails Live, host Brad Brock is joined by singer-songwriter Kevin McLoughlin, Paul Robertson from the Riffs N Rhythms podcast, and the ever-entertaining JNC Destruction Crew for a lively dive into the complex world of artificial intelligence in music. The conversation kicks off with a toast to technology—literally—with a signature "Artificial Intelligence" cocktail, setting the tone for a deep and entertaining exploration of AI's growing influence on creative fields.From the heartwarming story of Randy Travis reclaiming his voice through AI, to the controversial rise of the fully synthetic band Velvet Sundown, the panelists tackle both the promise and peril of machine-made music. Emotions run high as seasoned musicians reflect on what it means for artistry, originality, and the future of live performance. The episode culminates in a live experiment, where the crew collaborates with AI to create a brand-new JNC anthem using Suno, testing just how far the tech can go in crafting a hit.LINKSJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast

Join the Music Tectonics team for the June Seismic Activity with special guest Andrew Kahn, Managing Partner of Yamaha Music Innovation Fund. Hear Andrews best practices for pitching him (or not) at a conference, and what he feels is the most important aspect of any pitch deck. Hint: It's not a great power point. We also hear queries specific to founders in attendance. Among them are questions about funding AI startups, is it possible to compete with Ticketmaster, and what about this innovative new musical instrument? Really great insight from the heart of the funding world.    The News! The most important chart in music right now?   Getting AI companies to agree to licensing deals with copyright owners is “not doable” and “China's not doing it”, rambles Trump   Live Music News: GigSalad, Lightroom, new boards @ MVT, LIVE   The Death of the Middle-Class Musician   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Remember when Michael Bublé was an abominable snowman and chased people with snowballs? Well, maybe you don't, but a lot of people do. Or what about when NLE Choppa showed up in FPS Ops? In this episode Dmitri talks with Mike Gubman of Chartis about the creative collaborations between musicians and game developers and what sort of opportunities those collabs create. Also, the News!    SiriusXM is launching a paid ad-supported tier. Will music streamers follow suit?   If your music strategy is ‘quick hits' on the US charts in 2025… good luck.   Concert ticket prices increased 80.5% in 3 years, 4X inflation   HITS Act becomes law in a Big Win For Independent Artists   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

Guest and HostGuest: Cindy Hulej, Luthier/Artist | Website: https://www.cindyguitars.com/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesWhat happens when the story of a city becomes part of the music we make? In this episode of Music Evolves, host Sean Martin sits down with luthier and artist Cindy Hulej of Cindy Guitars to explore how reclaimed wood from historic New York buildings is transformed into custom electric guitars—each one uniquely shaped by memory, material, and imagination.Craft as InnovationCindy's process at Carmine Street Guitars isn't just about building instruments—it's about listening to what the material has to say. The beams salvaged from landmarks like the Chelsea Hotel and John Lennon's former home aren't just structural—they carry decades of vibration, weather, and presence. That physical history directly shapes how these guitars sound, feel, and resonate—offering a kind of analog innovation rooted in human touch and intention.Cindy describes how she and her husband Johnny repurpose old beams, often salvaged from 1800s-era buildings, and transform them into guitars that are not only playable but deeply resonant—physically and emotionally. The aged wood, shaped by centuries of seasonal change, yields a tone that's warm and chimey, with a resonance modern lumber can't match. “You're working with material that's already lived a hundred lives,” she explains. “You just have to unlock the next one.”Creativity Beyond ConventionEach guitar is made by hand, down to the smallest detail. From collaborating with boutique pickup winders to mixing finishes from shellac flakes, Cindy builds instruments that are both sonic and visual statements. No two are alike—because the creative process isn't about repeating perfection, it's about shaping something personal and alive. Whether players come with a precise vision or just a feeling, Cindy helps translate that into tone and form.Reimagining the Past to Shape the FutureThis isn't just about guitars. It's about the convergence of history, artistry, community, and sound. This episode challenges the idea that innovation must come from new tech or flashy trends. Sometimes, the most meaningful advances come from rethinking old materials and techniques.Cindy's guitars are a form of living history—reminding us that sound isn't just produced, it's inherited, interpreted, and carried forward. And, Cindy's path from bartending to building some of the most soulful instruments in New York is a reminder that craft isn't just skill—it's commitment to meaning.About Rick Kelly and Carmine Street GuitarsCarmine Street Guitars, located in New York City's Greenwich Village, is a hand-built electric guitar workshop led by legendary luthier Rick Kelly. Known for using reclaimed old-growth wood from historic buildings across the city, Rick has built instruments for renowned musicians such as Lou Reed, Patti Smith, Bob Dylan, and many others. His approach blends time-honored techniques with a reverence for the city's past, crafting guitars that are as storied as the musicians who play them. At the heart of the shop's ethos is a commitment to individuality, craftsmanship, and sonic integrity—values continued today through Cindy Guitars and the growing creative community within the space.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

Today we have a fascinating conversation with Randy Nichols, artist manager and CEO of Force Media Management. Randy's been at the forefront of attempting to figure out the ticketing strategy math, especially the scalper side of the equation. We hear about his dive into the cold hard data, scalper chat rooms, and that time he sent someone undercover to the Ticket Scalpers Convention. We also talk about the allure of the “super fan” and why that is… baloney. Also we get into merch, and the general state of live music today.    News! YouTube to demonetize AI-generated videos starting July 15 Why fandom's ‘more is more' era could backfire YouTube's ‘Ask Studio' feature adds AI insight to its analytics Report: Threads is closing in on X's daily active users total   Shoutouts! Immensity_AI Klaviyo Openstage   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Professional voice actor Talia Genevieve, '11, talks about how her time in Montco's Sound Recording and Music Technology program helped launch a career as a voice actress. You can see her work on the animated series “Universal Basic Guys.” Recorded by Kyle Ziebis & Dylan Thomas, edited by Matt Frankl from the College's Sound Recording and Music Technology Program

Today we talk with Cullen Hendrix, Senior Fellow at the Peterson Institute for International Economics, about the impact of tariffs on musical instruments. A trained political scientist as well as having a background as a touring musician, Hendrix has a really distinctive lens in which to view the tariff news. We talk about how tariffs on Chinese imports could stifle the next generation of musicians, the potential consequences for the used instrument market, and the effects on American culture as a whole.    News! The Velvet Sundown is an AI band after all, with its music created on Suno, confesses a spokesperson   AI in disguise? Music lovers angry at Spotify for promoting an allegedly fake band   Can the music industry make AI the next Napster?   Cloudflare launches a marketplace that lets websites charge AI bots for scraping   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

Join us today as we talk with Jessica Sobhraj, the co-founder and CEO of Cosynd; a platform that helps creators protect their copyrights. We start by talking about the complex legal maneuvers involving the US Copyright Office; we then head into the ongoing impact of AI and the proactive steps you should take to safeguard your intellectual property.    But first, the news!  Anthropic Scores Major Fair Use Win in Authors' Infringement Suit: ‘Using Copyrighted Works to Train LLMs to Generate New Text Was Quintessentially Transformative'   Affordances in the brain: The human superpower AI hasn't mastered   Deezer Exec Says ‘There's No Going Back' on AI Music: ‘The Industry Will Need to Make a Decision'   The music industry is building the tech to hunt down AI songs   Shoutouts mentioned 5 Calls Sureel   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

In this episode of Audio Talks, host Oisin Lunny is joined by Marcela Rada, an award-winning researcher, educator, and founder of the Immersive Lounge. From discovering a field recorder at age six to winning Best Student Paper at the AES Convention in Warsaw, Marcela's journey is a powerful blend of curiosity, academic rigor, and a passion for making immersive audio more accessible and artist-driven. Marcela discusses the audio industry's ongoing transformation driven by the rise of spatial and immersive audio formats such as binaural and ambisonics, and shares her thoughts on how these technologies are reshaping how sound is produced, experienced, and distributed, particularly in music, VR, and AR. As streaming platforms adopt immersive formats and offer new incentives, there's growing demand for high-quality, spatially-aware music production. Through initiatives like The Immersive Lounge, Marcela explores how research, education, and collaborative production can help shape immersive audio as both a technological innovation and a creative discipline.

Guest and HostGuest: Regan Sommer McCoy, Chief Curator of Mixtape Museum | Website: https://sommer.nyc/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesIn this episode of Music Evolves, host Sean Martin connects with Sommer McCoy, founder of the Mixtape Museum, to explore how a simple cassette tape became a cultural vehicle for creativity, connection, and entrepreneurship—especially within hip hop. Sommer's journey starts with managing hip hop artists like the Clipse, where a label dispute revealed the real power of mixtapes as grassroots distribution tools when the industry's gatekeepers were roadblocks.Sommer describes mixtapes as more than just homemade compilations; they are living archives of personal and collective history. From recording DJ sets off the radio to carefully curating tapes for summer camp, these stories form a thread that binds generations. Through the Mixtape Museum, Sommer captures not only the tapes themselves but also the hidden data inside—the handwritten J-cards, the audio quality that degrades with each copy, and the layers of social exchange that gave rise to underground music scenes.What's striking is that the Mixtape Museum does not seek to own every cassette but instead to document, digitize, and study them. Sommer, a database manager by day, focuses on preserving the stories and metadata behind each tape, spotlighting the artists, DJs, collectors, and communities that sustained the mixtape era. Supported by a Grammy Preservation Grant, she's already digitized dozens of tapes while helping other collectors understand how to safeguard their archives.The conversation touches on how mixtapes laid the groundwork for today's playlists and streaming culture—yet today's digital curation lacks the physical, handcrafted artistry that made each cassette unique. Sommer's mission is to encourage collectors and students alike to look deeper: to uncover forgotten shoebox treasures in attics, to share memories, and to research how these tapes shaped music and culture long before social algorithms took over.At its heart, the Mixtape Museum is an open invitation to honor the past while inspiring new ways to think about music's role in documenting who we are. For Sommer, each cassette holds more than songs—it holds a memory worth saving.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

On today's episode we talk with Bomo Piri, Chief Brand Officer at Native Instruments. Our conversation begins with the techno Berlin roots of the brand and dives into what's happening today with their strategic partnerships -- like the London based Young Urban Artist Foundation, and a very cool sounding recent collab with Mustard at Coachella. We chat about Bomo's unique marketing approach as well as the importance of authentic community engagement, and how they see that as a throughline to most of their marketing efforts.   The News! US music publishing revenue jumped 13.4% to $7bn in 2024, outpacing the growth rate of recorded music   PlayStation's concert series is coming to the US   UMG JV with investment firm WTSL focuses on ‘artist-led IP'   Sony Music CEO Talks AI: ‘We Are Going to Do Deals for New Music AI Products This Year'   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

On today's podcast we have a truly amazing talk with Damien Riehl, a musician and technology lawyer who is one of the masterminds behind All the Music Project; an algorithmically generated catalogue of 471 billion melodies, which was then put into the public domain in an attempt to protect musicians from being sued for copyright claims. It is a fascinating conversation. Damien's Ted Talk here   News! Gen Z is embracing a digital detox and the ‘Martha Stewart summer'   Apple Intelligence Is Gambling on Privacy as a Killer Feature   The iPhone is your karaoke mic in tvOS 26's Apple Music Sing   Nothing will stand in the way of independents (and why the world's first three-person indie unicorn is only a matter of time away)   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Send us a textFind more about Jason on:YouTube (Jason Mays): https://www.youtube.com/@JasonTMaysYouTube (Working Class Music): https://www.youtube.com/c/WorkingClassMusicInstagram: https://www.instagram.com/jasontmaysSponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Summer School Electronics: https://www.summerschoolelectronics.com/Summer School Electronics (Instagram): https://www.instagram.com/summerschoolelectronics/Meris Pedals: https://www.meris.us/Meris Pedals (Instagram): https://www.instagram.com/meris.us/Affiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9XjTourGear Designs: https://www.tourgeardesigns.com/discount/40WATTGet 10% off with code 40WATT at checkout!Rattlesnake Cables: https://www.rattlesnakecables.com/40watt/Get 20% off by using the link!TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends. Support the show

”Create a flurry of content.   But do not put $10,000 aside for a celebrity to come in and talk about your brand. I want you to go after thirty smaller creators with followings between ten and thirty thousand.” Today we hear from Adam McHeffey, the former CMO of Artiphon and current Chief Creative Officer at Rock Paper Scissors to discuss effective strategies for marketing musical instruments. Key points include the significance of IRL networking, the importance of strategic planning, and the role of traditional PR. Adam also provides some very clear step-by-step marketing strategies. This episode is a must for anyone looking to launch a new product or musical instrument.   News! Events-tech firm Fever raises its latest nine-digit funding round   AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery   Do not settle.   AM Radio Mandate is Moving in Congress — But Should It Pair with Performance Royalty Requirements?   ‘Ethical' AI Music Firms React to the Majors' Suno-Udio Licensing Talks: ‘We Just Get Left Behind'   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

In this episode of Audio Talks, host Oisín Lunny sits down with Sean Olive, former Senior Fellow at HARMAN and one of the most influential figures in modern audio research. Known for his groundbreaking work on the HARMAN Sound Curve, Sean has helped elevate the entire industry's understanding of sound quality - bridging the gap between how we hear and how we measure sound. From struggling with poor recordings of his own piano recitals and jazz orchestrations to his mentorship under audio legend Dr. Floyd Toole and leadership as President of the Audio Engineering Society, Sean's mission has always been to transform the way we experience sound. Here, he shares the personal and professional journey that led him to reshape how we think about listener preferences, headphone equalization, and predictive modeling of sound quality.

Today we bring you the recording from our latest on-line Seismic Event, “Artist Careers in a Parallel Universe.” It was an exploration into the livelihood of three working artists; Clara Venice, Vivek Agrawal, and The Phronetic. RPS Chief Creative Officer, Adam McHeffey talks with them about how they are using new technology to fuel their creative visions, how they've built brand relationships, and importantly, how they're monetizing their networks. Great insight into how they make it work. Also! stick around for the news.   Seismic Activity Guests Vivek Agrawal The Cassette Speaker The Oasis   Clara Venice Locket   The Phronetic   Sign up for the next Seismic Activity!   Links to the News What Is Going On With the Chaos At the Copyright Office? Fake Podcasts EU artists generated more than $1.8 billion on Spotify in 2024, up 15% YoY   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

Nick Rothwell is joined by Jeff Albert, Associate Professor at Georgia Tech, and Paul McCabe, Senior Vice President of Research and Innovation at Roland, to discuss the 2025 Guthman Musical Instrument Competition - an annual event showcasing new technologies and innovations in music.Chapters00:00 - Introduction01:10 - Jeff Albert And Georgia Tech05:02 - Paul McCabe And Roland's Future Design Lab10:17 - Judging The Guthman Competition12:06 - Getting Hands-On With The Instruments13:45 - Getting The Back Stories From The Creators 15:11 - A Wide Range Of Instruments And Technologies17:37 - Face-To-Face Demos And Performances18:45 - The Origins Of The Guthman Competition21:33 - The 2025 Winner: Chromaplane24:55 - 3rd Place: Adult Corythosaurus30:34 - How The Instruments Are JudgedThe Guthman Musical Instrument CompetitionThe Guthman Musical Instrument Competition began in 1996, founded by Georgia Tech alumnus Richard Guthman in tribute to his wife Margaret, a talented pianist. Originally a jazz piano contest, it grew steadily over a decade, drawing students from dozens of US states.As Georgia Tech's music landscape evolved, introducing a Music Technology Master's in 2006 and launching the Georgia Tech Center for Music Technology in 2007, the competition shifted focus. In 2009, it was re-imagined as the Guthman Musical Instrument Competition, celebrating innovation in musical instrument design. Now an international event, it attracts inventors from across the globe. From experimental prototypes to market-ready products, entrants showcase their creations live, competing for recognition as the most groundbreaking idea in music technology.https://guthman.gatech.edu/Jeff Albert BiogAn Associate Professor and Interim Chair at Georgia Tech, Jeff Albert's areas of research and creative practice include improvisation and interaction, jazz performance, performance paradigms for live computer music and audio production. He has performed in concerts and festivals in the U.S and throughout Europe, and contributed as a performer, producer, or engineer on over 60 recordings, including the 2017 Grammy winner for Best Traditional Blues Album. He has been named a Rising Star in the DownBeat Critics Poll and his album Unanimous Sources was named a Top 10 album of 2020 by Jan Garelick in the Boston Globe. Albert received his B.M. from Loyola University New Orleans, and his M.M. from the University of New Orleans. In May of 2013, he became the first graduate of the PhD program in Experimental Music and Digital Media at Louisiana State University, where he was a founding member of the Laptop Orchestra of Louisiana (LOLs).https://jeffalbert.com/Paul McCabe BiogPaul McCabe is the Senior Vice President of Research and Innovation at Roland, where he has spearheaded the development of the Future Design Labs. Under his leadership, this global R&D team of engineers and researchers has been dedicated to exploring and harnessing emerging trends, fostering innovation, and shaping the global creative landscape for the next 50 years. In addition to his work at Future Design Labs, Paul also brings his expertise to Roland's Central Marketing Group, where he provides executive leadership to Consumer Research and Insights. Throughout his career, Paul has held numerous leadership positions, including VP of R&D and Strategic Partnerships, VP of Global CX and VP of Global Marketing. At Roland Canada, he served in various key roles such as President & CEO, COO, Product Manager, Marketing Communications Manager, Technical Marketing and Product Specialist.https://mccabepaulj.com/https://www.instagram.com/mccabep/Nick Rothwell BiogNick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul / Kapadokya), Shobana Jeyasingh, AWA Dance, Luz&Mannion Dance (Flamenco) and Undercurrent Theatre, programmed physical media sculptures with Simeon Nelson and Rob Godman, live coded in Mexico and in Berlin with sitar player Shama Rahman, collaborated with the body>data>space collective in Prague, Paris and Dresden, written software for Studio Wayne McGregor, Beinghuman in Kathmandu, the Pina Bausch Foundation and Nesta's FutureFest, consulted for Tate Modern, and developed algorithmic visuals for large-scale outdoor projections in Poland, Estonia, the Cambridge Music Festival and Lumiere (London / Durham). He has taught design at CODE Berlin and currently runs the Computer Science undergraduate course at University of the Arts London.Project Cassiel - https://cassiel.comCatch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

On today's news roundup show Dmitri and Eleanor tackle the week's music tech news. They discuss Spotify's app store changes, Apple Music's new transfer tool, and so many AI music industry developments, including the $10 million AI music fraud case.    News you might want to read: Spotify says App Store changes have boosted its subscriptions   Apple Music's new transfer tool simplifies switching from other streaming services   Martina McBride Speaks Out Against AI Deepfakes at Senate Hearing: ‘It's Just Terrifying'   Udio launches mobile app using Apple's in-app purchases system   OpenAI has hardware ambitions – and a $6.5bn deal to ignite them   ‘A Billion Streams and No Fans': Inside a $10 Million AI Music Fraud Case   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Welcome to the next episode of the midierror meets... interview series speaking to all kinds of people working in music and sound.    In this episode, we're speaking with MELLE BROWN - a London born Producer, DJ, and Presenter known for her uplifting combination of Jazz, Neo Soul, and House. Melle went to The Brit School, and found a love of production making music for her theatrical classes. Moving into Music Technology, she released her first EP 'Blossom' which was played on 1XTRA before she even graduated! Melle worked at Warner Records for over two years and went on to be part of radio shows on RinseFM, NTS, and Represent Radio.    Melle later got signed to influential DJ and Presenter Jamz Supernova's 'Future Bounce' label and released her 'Intersection EP' featuring Grammy nominated Tiana Major9 - which gained support from Elton John and Trevor Nelson. She was mentored by Fred Again and Kamille as part of the 'She Is The Music' programme, where she met Toddla T. Later on, her track 'Feel About You' - an unexpected collaboration with him and Annie Mac, won 'Best Dance Track of The Year' in the 2022 Billboard awards.  Melle has played Printworks, Glastonbury, Boomtown, Fabric, Field Day and she'll be playing a number of festivals this year: She also heads the 'Mellody Agency' - a music business with community at its core. Her new track 'Spirit' is out now on Fatboy Slim's Southern Fried Records!  https://linktr.ee/mellebrown https://soundcloud.com/melle-brown https://www.instagram.com/melle.brown/   This is series 2, episode 1 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infected Mushroom, DJ Rap, John Grant and many more. Available on Soundcloud, Spotify, Apple Music and Bandcamp. 

In this episode of Audio Talks, host Oisin Lunny explores the rich history and exciting future of portable audio with Carsten Olesen from Harman International and Guy Hammett from Futuresource Consulting. From the vinyl Dansettes of the 1950s to today's AI-enhanced Bluetooth speakers, the conversation traces the cultural, emotional, and technological evolution of music on the move. The guests discuss pivotal innovations like the JBL Flip and JBL Charge series, the rise of rugged party speakers, and the transformative potential of Bluetooth LE and Auracast. With personal stories, industry insights, and a look at what's next, this episode is a celebration of how portable audio continues to shape our lives.

In today's episode we welcome pioneering innovator Ty Roberts, founder of Gracenote, and former CTO of Universal Music Group. We talk about some of the pivotal moments in his career including Gracenote's role in the development of iTunes, and working with David Bowie on generative music. We discuss the future of visual music experiences, the rise of AI in music creation, and the possibilities for personalized live events using advanced technologies.    Shoutouts from the News Are Tech Bros Hijacking the Music Industry? An Urgent Look at the Latest AI Developments SoundCloud Says Users' Music Isn't Being Used for AI Training Following Backlash Licensing AI music: the industry is focusing on the wrong problem U.S. Copyright Office Releases New Report on Legality of AI Training, Suggesting Law Is With Rightsholders on Key Issues Taco Bell launches record club with 2025 Feed The Beat class   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

On today's episode, Dmitri and Tristra discuss the news of the week. They review recent acquisitions like Monstercat and BANDS, and discuss the economic confidence of the music sector despite economic downturns. They also talk about the evolving role of AI and the implications of recent legal copyright cases on AI training data. It's a lot of news to round up!    Shoutouts Create Music Group acquires again, swooping for indie electronic label Monstercat Jay Penske Takes Control of SXSW: Will Profits, Politics Overtake Festival? Trump signals willingness to extend TikTok ban deadline again Arts agency terminates dozens of grants after Trump proposes eliminating NEA Are Music Companies Seeing Consumer Pullback? This Week's Earnings Calls Offered an Answer Live Nation predicts ‘historic year' despite revenue decline Judge in Meta case warns AI could 'obliterate' market for original works Copyright and Artificial Intelligence Report   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Today we are talking with Valeska Pederson Hinz, partner at Perkins Coie, about what's happening in the world of music tech investment. Valeska has extensive experience in guiding companies and investors from Series A to IPO and has an indispensable vantage point. Our conversation includes the current state of venture capital funding, the impact of generative AI on the industry and the ongoing legal debates surrounding fair use versus licensing in AI training data. She also has practical advice for startup founders from the legal standpoint of someone who guides growth stage companies.    News Shoutouts UMG generated $3bn+ in Q1 Spotify posts record-high operating profit for Q1 Splice acquires Spitfire Audio Epidemic Sound acquires AI startup Song Sleuth  NMPA says Spotify's Q1 growth due to ‘undercutting of songwriters' via audiobook bundling Jack Dorsey's ‘Delete All IP Law' post highlights the hypocrisy of Big Tech Billionaires Hearing Things   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Support this podcasthttps://www.patreon.com/drumwithmikeandeddyThere's no denying that E-kits make up a large portion of drum kit sales every year. So, how do we really feel about them? In this episode, we discuss the nuances of electronic kits (E-kits) compared to acoustic kits. We also explore the technical aspects of E-kits, their role in songwriting, and how they provide accessibility for new drummers and those limited by volume restrictions. We hope you enjoy our chat :)Sound Bites"Quit screwing around, bro.""The mosh pictures are back.""I have like five of them.""It's all valid.""I practiced on it every day in my bedroom.""E-kits are not that quiet.""Electric kits are hugely important.""The convenience of an e-kit is amazing."Support the show

Today Dmitri talks with Cherie Hu, music industry analyst and founder of Water and Music. We start by discussing the Ouroboros project which maps the complicated and intertwined stakes in the music industry held by various entities, including private equity firms, media conglomerates, and tech companies like Tencent. We also talk about shifting power dynamics between the majors and the independents, the impact of AI – particularly generative AI, and trends in rights management and live music.    Shoutouts Water and Music Ouroboros Map Water and Music Soundcloud Reverb Sold By Etsy to Fender Parent and Firm Led By SoundCloud Alum A24 Makes Its Move Into the Music Scene 'You Are Somehow a Villain If You Use It' JPMorgan CEO Says Something Everyone Can Agree On: "Kill Meetings" and Corporate Jargon   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Liz Kamlet answers all the music questions the dad of an aspiring musician has from Social Media to publishing to concerts to recording to warnings about the music contest TV shows. We also talk about the old school acts like Stephen Bishop, David Pack, and Michael McDonald! Liz is the smartest voice in music and promotion on the planet!Bio:  Liz Kamlet is an accomplished music industry professional with over a decade of experience collaborating with world-renowned artists, leading record labels, publishers, composers, film studios, and top executives. Her multifaceted expertise encompasses artist management, social media marketing, technology, touring, sync licensing, and consulting. Liz's skill in crafting and executing effective marketing and branding strategies has supported artists at all stages of their careers—from producing sold-out arena performances to securing advantageous record and publishing deals. The artists she has worked with have collectively sold over 100 million records, accumulated 2 billion streams, and amassed a combined social media following of over 50 million. She is currently the CEO of Windsong Entertainment and the host of the podcast "Liz The Music Manager.”   Liz earned a BA in History and Music Technology from the University of Colorado at Boulder, an MA in Music Industry Administration from California State University, Northridge, and an MBA in Management and Digital Media Design from Harvard University. She is also an avid collector of vintage acoustic guitars, owning a personal collection of more than 50 pieces. Liz is married to legendary singer-songwriter Stephen Bishop.

In the episode, 'Building Superfans in the Streaming Era of Spotify – Expert Advice for Musicians', we dive into the future of music with Nick Holmsten, the visionary behind some of Spotify's most innovative features, as he joins the MUBUTV Music Business Insider Podcast. We explore how AI, the streaming revolution, and the attention economy are shaping the fan-artist relationship, personal storytelling, and the new era of super fans. Discover why building community and authentic connections is more critical than ever for artists in today's music industry.

In this episode, Dmitri speaks with Mark Mulligan, veteran tech analyst and leading digital thinker from MIDiA Research. Topics include the slowing growth of streaming revenue, shifts in market share among major and independent labels, the rise of the global south in subscriber numbers, and the impact of super-premium subscriptions on monetization. We also talk about the future potential disruptions from AI and legal challenges and how the music industry might adapt and innovate in the face of these changes.   News Shoutouts! The Music Industry Wants Solutions. But Do Listeners See Problems?   Ex-Google CEO Eric Schmidt: AI That is ‘as smart as the smartest artist' Will Be Here in 3 to 5 Years   ​​Tariff-Proof, Recession-Proof Music Industry Will Thrive Despite Global Uncertainty   AI Music Invasion Doubles on Deezer: 20,000 Bot-Created Tracks Now Uploaded Each DAY to Streaming Platform   Record Scratch: How Tariffs and Uncertainty Are Hurting Vinyl Manufacturing in America   China Halts Critical Exports as Trade War Intensifies   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Today we have Glen Peoples from Billboard to discuss the major trends within the music industry. Our conversation covers a lot! Including the rise of rollups and acquisitions to build label services, the increasing importance of music licensing, the role of AI in the music tech investment landscape, and the cyclical nature of consolidation and its broader impacts on the future of the industry.    News Shoutouts   Startup oMoo Gets Hands-On With its Haptics-based music App MCP: The New “USB-C for AI” That's Bringing Fierce Rivals Together   NMPA CEO Talks Spotify Podcast Takedowns and AI Strategy, Warns Against Government-Led PRO Reform   Eternal Celebrities: The Multi-Billion Opportunity Coming The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Ian Henderson, founder of MashApp and former Spotify executive, talks with Dmitri about how MashApp enables non-musicians to remix tracks without production experience, and the broader context of technological disruptions in the music industry driven by AI. He explains the challenges in securing licenses from major record labels and his vision for the future of music interactivity. We also hear the news from Dmitri and Tristra.   News Roundup!   50 Million More Americans Are Buying Music Than a Decade Ago   Amazon Makes Last-Minute Bid for TikTok as US Ban Deadline Looms   5 Million Songs and $288m Spent on Catalogs: 8 Things We Learned from Universal Music Group's 2024 Annual Report   Udio, the Startup Sued by Record Companies Last Year, Unveils Tool to Clone ‘sonic identity' of Existing Songs   Inside YouTube's Weird World Of Fake Movie Trailers   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

In this Forbes Talks interview, Forbes Reporter Zoya Hasan talks with Grammy-nominated Music Producer Tay Keith. Keith discusses his early days getting into music production, his rise to success working with major artists like Drake and Travis Scott, and his decision to launch his own record label Drumatized. Keith also delves into his efforts to give back to his hometown of Memphis through local community initiatives and programs.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Guest and HostGuest: George Platsis (AKA DJ Zeus) | Website: https://www.djzeus.com/home.htmlHost: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesIn this episode of Music Evolves, host Sean Martin is joined by George Platsis—known on stage and online as DJ Zeus—for a conversation about the art, the science, and the soul of DJing.DJ Zeus brings a unique perspective to the turntables, shaped by a classical music education, years performing in Toronto's largest clubs, and a deep appreciation for music that tells a story. From early days making mixtapes on cassette to manipulating multiple turntables live, he shares how his journey started with rock, shifted into dance music, and eventually settled into a world of layered soundscapes and emotional storytelling.From Mixes to SoundtracksDJ Zeus doesn't just play music—he creates moments. He explains that making a great mix isn't about throwing popular songs together; it's about reading the room, responding to energy, and creating a journey. Whether it's a club performance or a recorded set in Ableton Live, each mix is built like a story—with dynamics, tension, release, and emotion.This philosophy carries through to how he uses technology. Instead of letting it do the work for him, Zeus uses tools like pitch shifting, EQ manipulation, and harmonic mixing to craft something that couldn't exist without human touch. “If you're not pushing the technology,” he says, “you're not adding your own soul to it.”When Technology Meets FeelZeus shares how today's tools can isolate vocals, remix tracks on the fly, and even keep beats perfectly aligned—but warns that without intuition, timing, and feel, you're just making playlists. The difference between a DJ and a playlist? Emotion. Surprise. Humanity.He also reflects on two tracks that changed everything: Daft Punk's One More Time and Cher's Believe. One brought club music into mainstream pop; the other proved pop could crush in the clubs. Both used vocal manipulation in new ways and redefined the sound of their time.This episode isn't about nostalgia—it's about remembering why music matters. DJ Zeus reminds us that great DJing isn't just what you hear—it's what you feel.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

Today Dmitri talks with the winners of the 2024 Music Tectonics Swimming with Narwals Competition, DAWn Audio. They discuss their innovative platform for music producers and artists as well as the recent pivot from a cross-DAW collaboration plugin, to a gamified network that rewards artists for their creative work. But first, Dmitri and Tristra share a quick take on the news headlines of the week.   News from Rock Paper Scanner:   Beats and Bytes: Essential Trend Report   Apple Music Integration is now Available on More DJ Platforms   Will $1 on Your Ticket Help Save Australian Live Music? Napster? Is it 1999? Sam Ash Music Returns Online   The Cost of Banning TikTok: Implications for Digital Advertising   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

Guest and HostGuest: Aaron Friedman, Executive Director, Make Music Alliance | On LinkedIn: https://www.linkedin.com/in/aaron-friedman-7068014/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesWhat if June 21st wasn't just another day on the calendar—but the one day a year where the world collectively said: go ahead, make noise?In this episode of Music Evolves, host Sean Martin talks with Aaron Friedman, composer and founder of the Make Music Alliance, about the day that flips the script on who gets to perform. Make Music Day isn't about headliners, stages, or ticket sales. It's about showing up with your sound—whatever that is—and putting it out into the world.What started in 1982 as a spontaneous moment in the streets of France has become a global celebration of music made by everyone. And Aaron's been part of growing that idea across more than 150 U.S. cities—and beyond. There's no audition. No gatekeeping. Whether it's a punk band on a rooftop, a saxophonist on a stoop, or 200 people sight-reading Sousa marches in a park, it's all fair game.What makes this work? A custom-built matchmaking platform connects performers with unexpected venues—think record shops, laundromats, patios, public steps. There's even room for big group experiences like Mass Appeal, where companies donate instruments and anyone can join in. No gear? No problem.Aaron shares why this kind of open access matters, especially now. In a world of algorithm-driven listening and self-curated playlists, real connection—hearing music you didn't expect, played by someone you don't know—hits different. It's discovery in its purest form.Make Music Day isn't just about performance. It's about participation. It's about remembering that music doesn't need permission—it just needs a spark.So mark the date: June 21. Wherever you are, find a way to join in. Visit makemusicday.org to find your city or start your own.Because the world doesn't need more noise.It needs more music. Your music.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

Mark Steiner, Co-Founder and CEO of GigSalad joins Dmitri from the streets of SXSW to talk about the journey from working at his kitchen table to successful scale-up. We also hear a PR Strategy on what to do with questions you just don't want to answer. But first, Tristra and Jade dish the latest news headlines.   News Headlines Discussed: Porn on Spotify Is Infiltrating Top Podcast Charts How Does Gen Z Listen to Podcasts? Jayden Daniels' growth with VR simulation has Commanders embracing mind games   Sports Music Licensing Company ClicknClear Inks Deal with Warner Chappell Music   Meta Quest's Mixed Reality Piano App Gets a Major Update The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Guest and HostGuest: Seth Cluett, Director of Columbia University's Computer Music Center | On LinkedIn: https://www.linkedin.com/in/seth-cluett-7631065/ | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/seth-cluettHost: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesMusic and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center's rich history, its role in advancing music technology, and how it continues to shape the future of sound.The Legacy and Mission of the Computer Music CenterThe CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world's oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett's leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what's possible in sound and music.One of the center's guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.Exploring the Labs and StudiosThe episode also includes a tour of the labs and studios, showcasing some of the center's groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world's first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.The tour also features Columbia's electronic music studio, which houses synthesizers from Buchla, Serge, and Moog—the latter being developed by Bob Moog, who was once an undergraduate at Columbia. The center's modern design emphasizes a seamless workflow between analog and digital technologies, allowing students to quickly create, process, and experiment with sound.Another key space is the immersive media and spatial audio research facility, which features a 12.1-channel loudspeaker sphere for ambisonic sound, along with a 32-capsule microphone that captures highly detailed audio environments. This technology is not only shaping music but also fields like virtual reality, data sonification, and interactive media.The Future of Music TechnologyLooking ahead, Cluett highlights the increasing interplay between AI, machine learning, and music composition. While some companies promote AI-generated melodies, he believes that truly expressive, human-driven composition remains essential. The role of technology, he argues, is not to replace human creativity but to enable new forms of expression. The CMC is at the forefront of this shift, experimenting with real-time audio processing, interactive performance systems, and embedded sensors that enhance live music experiences.As music and technology continue to merge, Columbia's Computer Music Center remains a key player in shaping the future of sound. Whether through pioneering hardware, software innovation, or fostering the next generation of creative minds, the center proves that music technology is not just about engineering—it's about expression, accessibility, and the pursuit of artistic joy.

We talk with Evan Saxon, Former President and Head of International Distribution at Abramorama, about his strategies for leveraging cinema to amplify artists' reach and revenue. He shares insights from his work with Pearl Jam, Melanie Martinez, and Duran Duran, explaining how cinema can serve as a communal marketing partner to boost engagement and consumption. We also have Startup Sessions with Chloe Dagenias of MusicTeam.   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

Guest and HostGuest: Scott “Shagghie” Scheferman, Artist: Raw. Analogue Techno. | On LinkedIn: https://www.linkedin.com/in/scottscheferman/ | Bandcamp: https://highsage.bandcamp.com/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesThe latest episode of Music Evolves brings a fascinating discussion with Scott “Shagghie” Scheferman, a longtime cybersecurity professional and electronic music creator. Host Sean Martin sits down with Scheferman to explore the intersection of creativity, technology, and music—challenging the traditional definitions of hacking and how it applies to the artistic process.The Hacker Mindset in MusicScheferman, who has spent decades working in cybersecurity, explains how his approach to music is deeply influenced by the hacker mindset. Traditionally associated with computers and networks, hacking is about problem-solving, exploration, and pushing boundaries. For Scheferman, that same mentality extends to music—whether modifying effects pedals beyond their intended use, experimenting with modular synthesizers, or applying unconventional methods to sound creation.This perspective reframes the way we think about creativity: hacking isn't just breaking things—it's about finding new ways to build. In music, that could mean repurposing technology, combining analog and digital tools, or embracing unexpected results to drive innovation.The Role of Technology in Music CreationA core theme of the conversation is how technology shapes the way music is created and experienced. From the early days of analog synthesizers to today's AI-driven tools, technology has always played a role in expanding musical possibilities. Scheferman describes his studio setup, filled with modular synthesizers, custom effects pedals, and digital sequencing tools, as an evolving playground for sound experimentation.One of the key takeaways is that while technology can enable creativity, it can also introduce constraints. Whether it's the frustration of a technical failure or the overwhelming options provided by AI-driven music tools, technology isn't just a tool—it's a collaborator. Sometimes, the best results come from working within limitations or intentionally breaking the rules.AI, Automation, and the Future of MusicThe conversation also touches on artificial intelligence and its growing role in music composition. AI tools can generate melodies, suggest chord progressions, and even simulate human-like performances. But does AI-enhanced music lose something essential?Scheferman shares his thoughts on where technology ends and artistry begins. While AI can assist in generating ideas or automating tedious processes, it doesn't replace the human connection to music. He sees AI as a tool for acceleration rather than substitution—something that can help musicians explore new ideas but should not dictate creative choices.This is particularly relevant when it comes to live performance and improvisation. A computer can generate perfect beats and sequences, but can it capture the spontaneous interplay between musicians, the imperfections that make a performance feel alive? That's still an open question.The Human Element in SoundBeyond the technical aspects, Scheferman and Martin discuss the emotional power of music. Whether it's an acoustic guitar, an electrified soundscape, or a fully synthesized production, music has the ability to transport listeners to different states of mind.They reflect on how people connect with sound—how live performances create an irreplaceable energy, how vinyl records provide a tactile experience that digital streaming lacks, and how technology might change the way future generations perceive and create music. The question remains: as digital tools become more dominant, will we continue to crave raw, unprocessed sound?A Collaboration of Sound and EmotionAs the episode wraps up, Scheferman shares a track he created with his wife, Kati Rockit, blending electronic production with rock-influenced vocals. Their collaboration highlights another key theme of the episode—music as dialogue. Whether between humans and technology or between two creative partners, the best results often come from interplay, not isolation.This episode of Music Evolves is a must-listen for anyone interested in how technology and creativity intersect. It challenges assumptions about what it means to be a musician in the digital age and invites listeners to rethink how they interact with sound.

Will Page, author of Pivot and former chief economist at Spotify, talks about the dramatic increase in the global value of music – up to $45.5 billion, surpassing cinema. We discuss the rise of music exports from countries like Mexico and Columbia and the accompanying economic boost. We touch on the resurgence of vinyl, and the shift to CRM systems for direct artist-to-fan engagement. We've also got a quick run-down of the headlines of the week, and a PR Strategy that will have you running towards the danger.   Shoutouts: How Vinyl Can Harness the Influence of Superfans Pivotal Economics Trump's Tariffs Could Be ‘Devastating' for Musical Instrument Manufacturers Ever Lost a Friend at a Festival? Children Turn to Audiobooks YouTube now has 125m Music and Premium Subscribers YouTube is Winning Emerging Markets by Being Social   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Guest and HostGuest: Precious Perez, President at RAMPD | On LinkedIn: https://www.linkedin.com/in/precious-perez-a0548915b/ | Website: https://preciousperezmusica.com/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesThe intersection of music, technology, and accessibility is shaping how artists create, perform, and share their work. In this episode of Music Evolves, host Sean Martin speaks with singer, songwriter, and educator Precious Perez, a Berklee College of Music graduate with degrees in music education and vocal performance. As a blind Latina artist and disability advocate, Perez shares her journey in music, the role of technology in her creative process, and how she works to increase opportunities for musicians with disabilities.A Life Shaped by MusicPerez's passion for music started early, surrounded by the diverse sounds of her Puerto Rican household. From salsa and reggaeton to R&B and pop, her exposure to various genres helped shape her identity as an artist. She recalls her first songwriting experience in fourth grade, when she transformed a poem into a song with the help of a music teacher. That moment solidified her desire to pursue music professionally, leading her to Berklee, where she refined her skills in both performance and education.As a blind musician, Perez explains how she interacts with music differently from sighted artists. She describes her early experiences learning Braille music and how tactile memory plays a role in understanding composition. While she primarily relies on her ear, her knowledge of Braille notation helps her analyze rhythm and structure in a unique way.Technology as a Tool for InclusionFor Perez, technology has been both a gateway and a challenge. She demonstrates how she uses a BrailleSense note taker, a device that allows her to type lyrics and read them in Braille while composing. She also shares how screen reading software enables her to navigate recording software like Logic Pro and Pro Tools, ensuring she can produce and edit her music independently.Beyond the studio, accessibility in live performance is another key consideration. Whether using in-ear monitors or giving cues to her bandmates through verbal or physical signals, Perez emphasizes that clear communication and collaboration make performances seamless.Advocating for Disability Representation in MusicPerez is also the president of RAMPD (Recording Artists and Music Professionals with Disabilities), an organization founded by recording artist Lachi and NPR Tiny Desk Contest winner Gaelynn Lea. RAMPD is dedicated to amplifying disability culture, promoting accessibility, and ensuring that disabled artists have equitable opportunities in the music industry. The organization consults with major industry events like the Grammys, NAMM, and Folk Alliance to improve accessibility and representation.She stresses that disability is an often-overlooked part of diversity and that anyone, at any time, could join this community due to illness, injury, or aging. Through RAMPD, Perez and her colleagues are breaking down barriers and proving that disabled musicians are just as competitive and professional as their peers.A New Era of MusicPerez is embracing a new era in her music, blending her Latin roots with her pop and R&B influences. She performs her latest song, Rosé, a Spanish-language track about embracing the present moment with a loved one despite life's difficulties. With plans to record a new project with We Could Be Music in Costa Rica, she is leaning into the Latin music space in a way she has always envisioned.Her story is one of resilience, innovation, and passion. From navigating music education as a blind student to advocating for industry-wide accessibility, Perez is proving that talent and determination—not sight—define an artist's success.Listen to the full episode to hear Precious Perez's insights on technology, performance, and advocacy in music.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

Today Dmitri speaks with Con Raso of Tuned Global, about the evolving landscape of music streaming. They talk about profitability and innovation opportunities, and Con shares thoughts on making music more social, advancing curation and discovery through AI, and the role of personalization in listening experiences.    Social Radio Punchline Connect   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

In this podcast short Ashea narrates an article by Russ Hughes, discussing the disastrous predictions about the audio and music tech industry that have yet to come true. Read The Article Here:https://www.production-expert.com/production-expert-1/three-music-technology-predictions-that-never-came-true

The latest On Location with Sean Martin and Marco Ciappelli episode takes listeners behind the scenes of the NAMM 2025 show, featuring a vibrant discussion with John Mlynczak, NAMM President and CEO. The conversation is not just a recap of an incredible event but a celebration of music's enduring power and the evolving role of technology in the music industry.A Legacy of Music and CommunityFounded in 1901, NAMM (National Association of Music Merchants) has become the world's largest trade association representing the musical products industry. John Mlynczak shares how NAMM operates year-round to support manufacturers, retailers, and music educators through research, advocacy, and events. The annual NAMM show is the pinnacle of this work, gathering thousands of music makers, industry professionals, and artists to spark creativity and innovation.Technology Meets TraditionOne of the episode's key themes is the blend of modern technology with nostalgic sounds. The 2025 NAMM show showcased groundbreaking technologies, from AI-driven music tools to hardware-software collaborations. Mlynczak discusses how companies are innovating to create real-time processing tools, allowing musicians to produce music faster and more intuitively than ever before. He emphasizes that the goal is not to replace traditional methods but to enhance creativity and make music more accessible to all.The Power of InspirationNAMM's mission to create more music makers worldwide is a central focus. Mlynczak explains how the NAMM Foundation supports educational programs across all ages, from K-12 schools to community groups and adult learners. The foundation's work aims to ensure everyone has the opportunity to explore music, whether through formal education or new digital tools that lower the barrier to entry.A Moment to Remember: Jon Batiste at NAMMA standout moment from the show was Mlynczak's interview with Grammy-winning artist Jon Batiste [https://youtu.be/Lfq35enGq58]. Initially uncertain, the conversation transformed into a genuine exchange about music's influence and the industry's impact on artists. This interaction highlighted NAMM's broader vision of not just serving as a trade show but as a cultural hub that fosters creativity and community.Looking Ahead to NAMM 2026The episode concludes with anticipation for NAMM 2026, scheduled for January 20-24 in Anaheim, California. As Sean, Marco, and John reflect on this year's successes, they invite listeners to join them next year to explore the intersection of music, technology, and inspiration.Tune in to The Music Evolves Podcast to dive deeper into these insights and discover how NAMM continues to shape the future of music. Be sure to stay tuned for more On Location with Sean Martin and Marco Ciappelli as they cover more technology and society events around the world.Guest: John Mlynczak, President and CEO of NAMM | View Website | Visit NAMMHost: Sean Martin, Co-Founder at ITSPmagazine Podcasts and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | On ITSPmagazine: https://www.itspmagazine.com/sean-martinHost: Marco Ciappelli, Co-Founder at ITSPmagazine Podcasts and Host of Redefining Society and Technology Podcast | On ITSPmagazine: https://www.itspmagazine.com/marco-ciappelli____________________________This Episode's SponsorsTo learn about event coverage sponsorship options, please visit https://itspm.ag/event-coverage-package____________________________ResourcesCatch more stories from NAMM Show 2025 coverage: https://itspmagazine.com/the-2025-namm-show-namm-music-conference-music-technology-event-coverage-anaheim-californiaNAMM Organization: https://www.namm.org/The NAMM Show 2025: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | The 2025 NAMM Show: Honoring Tradition, Pioneering the Future: https://www.linkedin.com/pulse/2025-namm-show-honoring-tradition-pioneering-future-sean-martin-6jcge/Music Evolves Episode | The debut episode of Music Evolves explores how technology is transforming music creation, performance, and production, with insights from the NAMM Show 2025____________________________Catch all of our event coverage:https://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageTo see and hear more Music Evolves stories on ITSPmagazine, visit:https://www.itspmagazine.com/music-evolves-podcastTo see and hear more Redefining Society stories on ITSPmagazine, visit:https://www.itspmagazine.com/redefining-society-podcastTo see and hear more Redefining CyberSecurity content on ITSPmagazine, visit:https://www.itspmagazine.com/redefining-cybersecurity-podcastWant to tell your Brand Story Briefing as part of our event coverage? Learn More

Today, we talk with theremin virtuoso Clara Venice who discusses her musical and visual aesthetic, her journey within the music industry, and her mission to make music technology more colorful, inclusive, and above all – more pink! Dmitri and Tristra also cover the latest industry news, including Spotify's new music pro service and (even more) research on social media's impact on younger users.   Clara Venice   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Dmitri is joined by Cathy Hackl, leading tech futurist, to discuss oh so many topics. Including: spatial computing, immersive web, AI's impact on human cognition, the ongoing development of augmented reality, the importance of creativity in the age of AI, and of course, the lunar food science industry.    This week's Startup Session is Ever.FM, who is introducing some pretty revolutionary ideas on dynamic audio formats.    Cathy Hackl Ever.FM   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Will is here! We discuss forthcoming changes to the show, automation, apps of the year, tech we're thankful for, and some of our favorite media we've been engaging with. This episode was recorded in late December 2024.   Subscribe to the Blog… RSS | Email Newsletter Subscribe to the Podcast in… Apple Podcasts | Overcast | Castro | Spotify | RSS Support Music Ed Tech Talk Become a Patron! Buy me a coffee   Chapters 00:00:00 Here he goes taking about Dark Souls again 00:08:15 MCU (Muppet Cinematic Universe) 00:15:14 Introducing…Will Kuhn, now a METT Regular! And Jaye, podcast editor! 00:20:23 2025 Mike Kovins TI:ME Teacher of the Year Robby Burns - acknowledgments and thank yous. 00:27:04 Thank you Patreon Supporter Susan! 00:27:46 MacStories' App of the Year: Delta Emulator 00:40:31 Siri Shortcuts App 00:43:32 Current AI uses - productivity, creativity, philosophy 00:51:31 Robby's National Board Certification Application and NotebookLM 00:57:51 What are we really trying to do [with AI and our students]? 01:02:58 Three Holiday Topic Blitz - Tech We're Thankful For; Tech We're Thankful For In the Workplace; Gifts and Gift Cards 01:16:54 How about music?!   Show Notes and Links Robby Burns named 2025 Mike Kovins TI:ME Teacher of the Year. (1)(https://podcasts.apple.com/us/podcast/music-ed-tech-talk/id1538455772?i=1000597634283) (2)(https://podcasts.apple.com/us/podcast/music-ed-tech-talk/id1538455772?i=1000544778961) (3)(https://podcasts.apple.com/us/podcast/music-ed-tech-talk/id1538455772?i=1000544778961) (4)(https://podcasts.apple.com/us/podcast/music-ed-tech-talk/id1538455772?i=1000577043856) Robby Burns | creating Music Ed Tech Talk | Patreon MacStories Delta User Guide | Delta (5)(https://podcasts.apple.com/us/podcast/music-ed-tech-talk/id1538455772?i=1000510317074) DJ Apps | Algoriddim Google NotebookLM | Note Taking & Research Assistant Powered by AI Genesis - In Too Deep (Official Music Video) - YouTube Apple Vision Pro - Apple PlayStation®5 | Play Has No Limits | PlayStation Move — a compact tool for intuitive music making | Ableton Harmony Director - Brass & Woodwinds - Musical Instruments - Products - Yamaha USA Studio Neat Filterworld — Kyle Chayka Chase and Status Vampire Weekend - Official Website Väsen, Hawktail - Väsen & Hawktail Home - DOMi and JD Beck SAM GREENFIELD | HOME Where to Find Us Robby - robbyburns.com Will - willkuhn.com Please don't forget to rate the show and share it with others!   79 - Teaching Music Tech, with Gillian Desmarais - Music Ed Tech Talk  ↩︎ 61 - Music Technology 101, with Heath Jones - Music Ed Tech Talk  ↩︎ 61 - Music Technology 101, with Heath Jones - Music Ed Tech Talk  ↩︎ 69 - I Don't Want a Valuable Life Lesson, I Just Want An Ice Cream - Music Ed Tech Talk  ↩︎ 52 - Dorico Updates! with Daniel Spreadbury - Music Ed Tech Talk  ↩︎

Guests and HostGuest: Larry Jaffee, Author, Journalist, Professor, and Co-Founder of Making Vinyl | On LinkedIn: https://www.linkedin.com/in/larry-jaffee-1379bb2/Host: Sean Martin, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | On ITSPmagazine: https://www.itspmagazine.com/sean-martinShow NotesVinyl records have experienced one of the most unexpected resurgences in music history. Once considered obsolete, the format has reestablished its presence in the music sales market, attracting collectors, audiophiles, and younger generations discovering the medium for the first time. On this episode of Music Evolves, host Sean Martin is joined by Larry Jaffee, journalist, author, and co-founder of Making Vinyl, to explore the past, present, and future of vinyl records.The History and Evolution of VinylLarry Jaffee's passion for music began early, shaped by childhood experiences with radio, tape recorders, and eventually, his first turntable. His journey mirrors that of recorded music itself—from early reel-to-reel tapes and cassettes to the dominance of LPs. Jaffee explains how vinyl records initially took hold in the 1940s, replacing fragile shellac 78s, and how the industry saw its first format war between Thomas Edison's cylinders and Emil Berliner's flat disc records.By the 1980s, however, vinyl was rapidly losing ground to compact discs, and later, digital streaming. The shift was largely driven by convenience, corporate pressure, and the record industry's aggressive push for higher-priced CDs. As labels stopped accepting returns on LPs, retailers began phasing them out. Yet, as Jaffee points out, the format never truly disappeared. Audiophile labels, collectors, and independent artists kept vinyl alive, setting the stage for its resurgence decades later.The Vinyl RevivalVinyl's comeback has been driven by multiple factors, including nostalgia, superior sound quality, and a renewed appreciation for physical media. Jaffee highlights Record Store Day, the annual event launched in 2008 that played a key role in reigniting public interest in records. Starting with just a dozen exclusive releases and a high-profile in-store appearance by Metallica, Record Store Day quickly gained traction, attracting major labels and leading to hundreds of special vinyl releases each year.Independent artists and labels have also embraced vinyl as a way to connect with fans and generate revenue. Unlike streaming, where payouts are minimal, selling a physical album—especially directly to fans—can be a major source of income for musicians. Jaffee notes that younger generations are playing a key role in sustaining the trend, with millennial and Gen Z listeners making up a growing portion of vinyl buyers.Sound Quality and the Vinyl ExperienceOne of the biggest debates in music is whether vinyl actually sounds better than digital formats. While some argue that CDs and high-resolution digital files offer cleaner sound, vinyl enthusiasts appreciate the warmth, depth, and dynamic range that analog recordings provide. The experience of playing a record—removing it from the sleeve, placing it on the turntable, and carefully dropping the needle—also adds a tactile, immersive element that digital music lacks.Jaffee discusses how vinyl manufacturing has improved in recent years, with pressing plants refining quality control and experimenting with new formulations, including colored and marbled vinyl. However, the resurgence has also exposed industry bottlenecks, with pressing plants struggling to keep up with demand.The Future of Vinyl: Sustainability and InnovationAs vinyl production increases, concerns about its environmental impact have also grown. Traditional records are made from polyvinyl chloride (PVC), a material that Greenpeace considers among the most harmful plastics. Jaffee is now involved in efforts to create plant-based, sustainable alternatives, and his team recently produced their first eco-friendly record using a new biodegradable material.With new pressing plants opening, younger audiences embracing the format, and innovations in sustainability, vinyl's future looks promising. While digital music remains dominant, the continued demand for physical media proves that records are more than just a nostalgic novelty—they offer an experience that streaming cannot replicate.Listen to the Full EpisodeLarry Jaffee's deep knowledge of music history, industry shifts, and the cultural significance of vinyl makes this an essential episode for music fans. Tune in to Music Evolves to hear more about the making of records, the role of packaging and design, and what's next for the format that refuses to fade.SponsorsAre you interested in sponsoring this show or running ad placement in the podcast?Sponsorship

“There are a few perspectives from which you can see this. One would be you pay a premium price for a premium car or premium product in general. So basically, if you just look at the numbers, you pay for people like me at BMW, now doing this. But then also what you mentioned, you're buying a premium product, you're expecting a premium experience. And obviously sound, it can be, you can relate this to every field or to every part of the car. You want a premium experience. Means every part, every piece of the experience or of the car, so to say, somebody needs to put some brain into it.” – Johannes Luckemeier My guest for this episode was born and raised in Germany, where he learned the guitar as a teenager and later took piano lessons. He received his Master's in Music Technology from Ireland before going into the car industry in Germany as a sound designer, applying and developing sound designs and audio algorithms for premium car manufacturers. During that time he bought a Tesla, and he was unsatisfied with the nonexistent engine sound experience – so he developed a system from scratch to create personalized engine sound for electric vehicles. Now he's selling the system directly to consumers from his company, based in Texas.His name is Johannes Luckemeier and I've been waiting for the chance to talk with him about the sounds of cars inside and out, something that electric cars are going to have to master. Whether you're a car or sound enthusiast, I think you'll really enjoy this conversation. We still have so much to learn about sound's influence in the places we spend the most time, including our cars. As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available and what the newest audio chats will be about. If you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. (0:00:00) - The Role of Sound in CarsWe start things off with Johannes' earliest memories of sound, such as listening to Chuck Berry on the radio and dreaming of becoming a rock star. “I started with an acoustic guitar,” he recalls, “picked up an electric guitar later on, and I also had like a keyboard as a kid which, I'll be honest, I mainly used for prank calls.” We discuss how the recession changed the direction of his studies and career path, and his work in the auto industry as he helped develop a unique sound for each brand. “There was a short time,” Johannes explains, “when you bought a Rolls-Royce – we're talking half a million with all the extras, fully loaded – and you'd get the same sounds as a BMW. Obviously, that can't be happening.”(0:11:31) - The Influence of Sound in CarsOur conversation focuses on a behind-the-scenes look at how luxury car manufacturers work to create a premium sound experience, and how surprisingly similar Johannes' work with a high-end toy company turned out to be. “The kind of funny thing about this is the customers,” he says. “They're even more crazy, more about the details, even more than about the people who bought the BMWs or Rolls Royce.” We discuss how engines, particularly in electric vehicles, have become quieter in recent years, and some of the surprising steps automakers are taking to retain their distinctive sound. “They're still fast,” he tells us, “they still have...