Podcasts about Gene Autry

If you love great storytelling, you'll connect with this conversation. I sit down with Walden Hughes, a man whose Unstoppable passion has kept Old Time Radio alive for decades. As the voice behind YESTERDAY USA and a driving force with REPS, Walden has dedicated his life to preserving the art, sound, and soul of classic radio. We talk about what made those early shows so timeless, the craft of the actors, the power of imagination, and how simple audio could create entire worlds. Walden also shares how modern technology, archives, and community support are bringing these programs to new audiences. This conversation is about more than nostalgia. It's about keeping storytelling alive. Walden reminds us that great radio never fades and that imagination will always be Unstoppable. Highlights: 00:10 – Discover why Old Time Radio still captures the imagination of listeners today. 01:19 – Hear how the end of an era shaped the way we think about storytelling. 02:32 – Learn what made the performances and production of classic radio so unique. 04:25 – Explore how legendary shows left a lasting influence on modern audio. 05:16 – Gain insight into what separates timeless audio drama from today's versions. 08:32 – Find out how passion and purpose can turn nostalgia into something new. 12:15 – Uncover the community that keeps classic radio alive for new generations. 16:20 – See how creativity and teamwork sustain live radio productions. 24:48 – Learn how dedication and innovation keep 24/7 classic broadcasts running. 33:57 – Understand how listener support helps preserve the magic of radio history. 37:38 – Reflect on why live storytelling still holds a special kind of energy. 41:35 – Hear how new technology is shaping the future of audio storytelling. 46:26 – Discover how preservation groups bring lost performances back to life. 50:29 – Explore the process of restoring and protecting rare audio archives. 55:31 – Learn why authenticity and care matter in preserving sound for the future.     About the Guest: From a young age, Walden Hughes developed a lifelong love for radio and history. Appearing in documentaries on “Beep Baseball,” he went on to collect more than 50,000 old-time radio shows and produce hundreds of live nostalgic broadcasts. His work celebrates radio's golden era through events, celebrity interviews, and re-creations performed nationwide. His deep family roots reach back to early American history — from a Mayflower ancestor to relatives who served in major U.S. wars — shaping his respect for storytelling and legacy. With degrees in economics, political science, and an MBA in finance, he built a successful career in investments before turning his passion into purpose. As general manager and producer for Yesterday USA and longtime board member of SPERDVAC, he's preserved classic entertainment for future generations. Honored with awards like the Herb Ellis and Dick Beals Awards, he continues to consult for icons like Kitty Kallen and the Sinatra family, keeping the voices of radios past alive for audiences today.   Ways to connect with Walden:   Cell:  714/454-3281 Email:  waldenhughes@yesterdayusa.com or www.yesterdayusa.com Live shows are Friday, Saturday and Sunday nights beginning at 7:30 PDT.     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello everyone, and welcome to another episode of unstoppable mindset. Wherever you are listening from, we're really glad you're here, and we are going to have a guest who we've had on before we get to have him on again, and we're going to grill him really good. I want you to remember that a few weeks ago, we talked to Walden Hughes. And Walden is a collector of old radio shows. He's been very involved with organizations that help promote the hobby of old radio shows, and old rate Old Time Radio, as I do, and I thought it would be kind of fun to have him back, because there are a number of events coming up that I think are very relevant to talk about, and so we're going to do that. So Walden, welcome back to unstoppable mindset. We're glad you're here. Michael, been such a long time, and glad you invited me back. Well, I know it's been so long well, so tell me, let's, let's go back again. You know, radio people talk about the golden days of radio, or the time of old radio. When do we think that? When do we say that officially ended, although I think it went beyond   Walden Hughes ** 02:29 it. I though I jumped 30th, 1962, I'm, yeah, I I think the style changed a little bit, I'm probably a romantic somewhat. I love the style of old time radio. I love how it sound. Yeah, I think in in the 3040s and 50s, the studios and the theater that they use sounded great for radio, and it disturbed me, and I bet you have the same feeling, Michael, that when you get new production and new the new studio, it just doesn't sound right. I feel the equilibrium is not quite the way. I love old time radio. I think Old Time Radio A prime web. I think a lot of new productions out there that, you know, release their podcasts and things on a weekly basis. I think they're handicapped. They just don't have the budget to really create and build a studio the way I think it should be, that if they have, it sound just natural and just right.   Michael Hingson ** 03:43 And I think that's part of it, but I think the other part of it is that people today don't seem to know how to act and create the same kind of environment with their voice that Old Time Radio actors did in the 30s, 40s and 50s and into into the early 60s, even we had Carl Amari on several weeks ago. And of course, one of the things that Carl did was, did complete recreations of all of the Twilight Zone shows. And even some of those are, are they sound sort of forced? Some of the actors sound forced, and they they haven't really learned how to sound natural in radio like some of the older actors do.   Walden Hughes ** 04:34 Yeah, and I know Bob we call did it for a bike I get thrown off when he generally way. Did have the highway stars remote end, and he had a Stock Company of Chicago after, and I could hear the equilibrium just not quite right. That bothers me. I don't know if the average person picks up on that, and you're right. I don't know if. Is it the style of acting that they teach in film and TV? It needs a radio acting different in a lot of ways, and you got it as you point. It's got to be realistic into the environment. And actors don't get that for radio,   Michael Hingson ** 05:25 yeah, and you talked about the last day for you of real radio was September 30, 1962 and we should probably explain why that is   Walden Hughes ** 05:36 diet throughout the CBS your Troy John and suspense as the two main keys of old time radio. And that was the last day of old time radio out of New York. And I hardcore Lacher sister. Think that's one radio Shane died per se   Michael Hingson ** 05:58 Gunsmoke and Have Gun Will Travel were gone, right,   Walden Hughes ** 06:01 and the soap operas ended in November 2560 I like soap operas. I know a lot of people do not, but there's something can't there's something campy about it that I like. I would, I would like, I prefer to listen to somebody also proper than do some of the new production and make sure the acting style,   Michael Hingson ** 06:27 but I think there's a lot to do with it that that makes that the case. And I think you're absolutely right that so many things are different, but at the same time, radio did sort of continue. And there was, there were some good shows zero hour, the Hollywood radio theater that Rod Serling did later. And of course, NPR did Star Wars.   Walden Hughes ** 06:58 And I like that I did.   Michael Hingson ** 07:02 Yeah, I think that was done pretty well. And what do you think of CBS mystery theater? Honestly, CBS mystery theater, I thought that generally, CBS mystery theater had some good actors, and they did a pretty good job. I I can't complain too much about that, and it was on for a long time.   Walden Hughes ** 07:18 But what do you think of the script, though?   Michael Hingson ** 07:22 Well, part of the problem for me and CBS mystery theater is, and I'm sure it was a cost issue. There weren't very many people in most of the scripts. There was like two or three or so and and that was a problem. But I think that that the scripts suffered because there weren't more people in the scripts to really make it again sound pretty natural. I think that was a problem.   Walden Hughes ** 07:52 Yeah, Hyman Brown really knew how to crank it out. I think it has a good, solid B production, you know, the scripts. And I think the scripts are quite hampered. You couldn't, actually couldn't knock the actors. I thought the actors were Mercedes McCambridge and all those were terrific actors, but you're right. Sam dam wrote a lot of them, yeah, and things like that. But I   Michael Hingson ** 08:21 think, I think they would have been nicer to have more people in the scripts. But I understand that, that that probably was more difficult to do just because of union and scale and the cost. But gee, I think it would have made a big difference in the shows. But Hyman Brown really knew, as you said, How to crank them   Walden Hughes ** 08:39 out. Yeah, that's why, in some ways, I think the series, radio theater, the way 70 is a it's a terrific series. Didn't have the financial backing to make it last longer than the two years I was   Michael Hingson ** 08:52 on. Now, one show I really liked on in PR later was alien world, which I thought was good. I'd never heard any of them, so they were good, yeah, yeah, okay. I'm very happy with alien worlds. There were some actors from radio and in early television and so on. Hans con read, for example, was on some, yeah, I thought alien worlds went really well. I guess we're gonna have to get you some and get you to lose, Okay, interesting.   Walden Hughes ** 09:21 I just got done taking a eight week course on entrepreneurship for disabled people, and my idea is to pitch that we should be doing audio theater as a podcast. I think if it's big enough, it attracts national sponsors. And if you look at the numbers, everybody podcasting, 135 million people in the USA download a podcast once a week. Revenue, $2.46 billion yeah. Worldwide, 5 billion people download a podcast once a week. Revenue, three. $4 billion and so she had a well known he had a podcast with well known stars. I think she could get that 1% in that market, and then you can generate between the 24 to 40 million, $40 million in revenue a year. That would easily sure be a good financial model, and that's what I'm pitching. But when I went to the court, they asked me what to analyze, what's wrong with my what obstacles I have. And one of the things I put down is besides the studio we talked about and the acting, which a really good actor, actress, everybody, like a Beverly Washburn can pick up a script and knock it out of the park right away. Most actors are not able to do that. That's a real gift, as Michael was pointing out. But the other thing most scripts are written for film and TV, which is a verbal which is a eye medium, and a radio script is written for the ear, and I have produced enough the ear is faster than the eye. If you take like a TV script and a book and read it out loud, the mind wander. It has to have a faster pace for the ear. And I don't think more people notice that when they're analyzing a script,   Michael Hingson ** 11:31 yeah, but you you're sort of treading around the edges of something else. I think that is fascinating, that we can start to talk about one of the things that has occurred some over the past few years, and whether it be with a podcast or even just with the mechanisms we're using today, is there are some attempts to recreate some of the old radio shows and and you and I have both Well, we Have to get you acting in one of those shows, Walden. But I have, I've acted in the shows Walden works behind the scenes, and there are a number of people who have been involved with him. And you really can tell some of the good actors who performed in old radio as you said, Beverly Washburn, Carolyn Grimes and others. Carolyn, of course, is Zuzu from It's A Wonderful Life, and by the way, she's going to be coming on unstoppable mindset in the not too distant future. But, but the point is that you can tell those people because they've done it, and they're very comfortable with it, and they know how to make it come across really well. So for example, you're the president of the radio enthusiasts of Puget Sound. Now you're down here in Southern California. How did you work out being the president of reps?   Walden Hughes ** 13:01 Why my closest friends a hobby, Brian Haygood, and Brian's been one of the big movers and shakers of reps over the years. And when the founder, Mike Sprague, decided to step down, they were looking for new people to run showcase back in 2007 so Brian asked me, because I'm the one that has the contacts, you know, I'm the one booking guests for y USA rep, I'm sure the go to person with contacts and phone numbers, everybody. And so I just wound up doing the CO produced showcase back in 2007 with Brian. So that's been one of the things I wound up doing.   13:50 I produce   Walden Hughes ** 13:52 almost 30 923, or four days events of All Time Radio around the country. So tell us about showcase, showcase. It will be September 18, 19/20, 21st is a big event for us, for reps, and we got funding thanks to Ford culture and the state of Washington to do this. And it's free. You can go to reps online.org, and RSVP and come. And people that you get to see this time around are Beverly Washburn from Star Trek, when the bear ministry shows, yeah, when, when the bear man a good, solid voice actress, and also is a coach. Carolyn Grimes, as you mentioned, Margaret O'Brien, of course, you know Margaret from Oscar war winner from meet me in St Louis, Gigi Perot, and she goes back to the 40s and 50s. And did the belly hunting TV show, Tommy cook and Lacher Riley, a radio show. Ivan Kirk. Troy. Bobby Benson. Bill Owen, who you had on ABC TV announcer, author of The Big broadcast, Ron cocking. He and his great wife, Gloria Macmillan ran acting school for children.   Michael Hingson ** 15:15 Bill Ratner Miller, of course, is famous for radio.   Walden Hughes ** 15:18 Right arm is Brooks. Bill Ratner from GI Joe. Bill Johnson, who does Bob Hope around the country. John provoke to Timmy Lacher. Chuck Daugherty, the announcer for second announcer for Sergeant president of the Yukon King and discover the Beach Boys. David Osman from fire sign theater. Phil prosper from fire sign theater. John Iman, who was from the TV show Lacher. And there was Larry Albert and John Jensen, the big band Lacher. John Laurie gasping, and Dan Murphy used to be the program director ki Xi out in Seattle. And so that's gonna be a great weekend. We'll produce close to it, I think, 1819 radio recreation that's still negotiating. And we have several interviews and panel. It's all free. So you can go to repsonline.org, and that's one of our two major events, the other major events at the Christmas show in December, the first week in December. I'm hoping Mike can make it up that   Michael Hingson ** 16:31 weekend, I was hoping to be able to come to the Showcase. And one of my favorite shows, and Walden and I had talked about doing it, is Richard diamond private detective. And I actually asked to be cast as Richard diamond, but then a speaking engagement came up. So unfortunately, rather than being in Washington, I am going to be in Minnesota, I'm sorry, in Pennsylvania, speaking. So I won't be able to be there, but we'll do Richard diamond. That's gonna be a fun show one of these days. We'll do it.   Walden Hughes ** 17:06 We'll put we put it aside. So when Mike can can do it, we can do it so but no, really blessed to have the financial grants to keep audio theater live on a nonprofit basis, and that that that's a great board, and cannot every group's had that financial abilities right now to do that, and it's so expensive around the country to do it, terms of airfare, hotel commitments and Just meeting room costs, I mean, for people who may or may not know, when you go to a hotel a live event now, a lot of hotels expect that that meeting room needs to generate at least $10,000 of income per day. That that's a lot of money. And so we have a place that doesn't, that doesn't do that, and we're able to produce that. And so rep definitely focus on the live, live audio theater part, and also has a large library, like 33,000 shows I heard where we have so people can download, and we're also aggressively buying discs and things to add to the library. And I remember spur back I part of and I'll tell you some of the latest news and that when we talk to that topic, but it's just old time radio is in really good   Michael Hingson ** 18:41 shape at the moment. You mentioned Larry Albert, and most people won't know, but Larry Albert's been in radio for what, 40 years, and has played Detective Harry Niles that whole time, and he's also Dr Watson on Sherlock Holmes again, there are some really good professionals out there, which is cool, yeah, yeah, who understand and know how to talk in a way that really draws people in, which is what it's all about,   Walden Hughes ** 19:15 absolutely. And considering Larry and a co founder, they run all vacations, sure, the after of imagination theater. Sure they carry the banner up in Seattle, and it's pretty amazing what they're able to produce.   Michael Hingson ** 19:32 Yeah. Now, in addition to the Showcase and the Christmas show that reps is going to be doing, reps also does some other shows, don't they, during the year for like veterans and others up in the Seattle area, Tulsa, right?   Walden Hughes ** 19:46 We I thought that idea down here at spur back in 2017 the Long Beach Veterans Hospital, they still have the original theme. Leader, Mike, that Jack Benny and Bob Hope did their shows in front of the Vets at Long Beach. And I know you and I have radio shows from the Long Beach Veterans Hospital. Yes, and the stage is still there. It's the biggest stage I've ever seen. Mike, the seating area is mobile, so that way they can bring patients in who are wheelchairs or whatever, or in bed. They still have the 1940 film projectors and booth up above that they want to run movies in there, and it's just a remarkable feeling to be on stage that Bob Hope and and Jack Bailey did a show, and then the famous broadcast were Ralph Edward consequences, yeah, the Hubert Smith, who was A patient at the hospital and and so in 2017 we did. It's a Wonderful Life. And we had a gigantic crowd. I think it was almost 200 people came to that. And I was for the public and people inside the hospital. And it was, it was a exciting event to have deluxe version of It's a Wonderful Life, which was the 70th anniversary of the broadcast, right? And so I decided to take that concept and take up to Seattle and start performing shows inside the VA hospital system in Seattle. It took a while. It's hard, it's hard to get into the VA, VA system to put on shows, because you got to talk to the right people, and you gotta get a hold of PR and not always easy. So I found the right contacts, and then the state awards, and then has a grant for for veterans or veteran family member to be in shows, and so we're able to get some funding from the state for that so, and then we will also encourage them to come to showcase in September so. But no, that's that's another program we got going for that,   Michael Hingson ** 22:20 someone who I unfortunately never did get to meet, although I heard a lot of his shows, and he helped continue to bring memories of radio to especially the military. Was Frank brazzi, who was around for quite a while, and then he he was also on yesterday USA, a lot. Wasn't he sure where he's   Walden Hughes ** 22:46 from, from 1993 until 2018 so he had a good 25 year run on why USA, Frank and I co host the Friday night show for many years, until he passed away in 2018 show from 2000 to 2018 Frank was amazing guy. He was. He owned his own radio station in South Carolina, South Carolina Island. When he was 19, he had to form the first tape course in Hollywood show Bob Hope would hire him, and he would record all Bob stuff at Paramount Studio and sit to radio station and travel with Bob to record his radio Show. He also was Jim Hawthorne producer for television, Frank wound up developing board games a pass out sold 6 million copies in the new wedding the dating game. He had a company that got gift for game shows on television. He also set up a brother in a company to monitor when commercials were run on TV. Frank also produced record albums every day. He had Walter Winchell record the life of Alex joelson. Met with Jimmy Durante, had Jimmy Durante do an album, Eddie Cantor and so frank is one of these great entrepreneurs that was able to make a lot of money and spend a lot of it on his love for radio. He was the substitute for little beaver, for example, on Red Rider so and he loved doing the show the golden days of radio, which started in 1949 and from 1967 on, it was part of the Armed Forces Radio Service, which was put on 400 stations. And I'm the, I'm the care caregiver, caretaker of. All that items. So I have all the shows and getting them transferred and play them on y USA and Frank wanted to make sure his entire collection was available to collectors. So we want to make sure things were copied and things like that for people to enjoy. But no big part of old time radio, in a lot of ways, not behind the scene a little bit. You know, wasn't a big name person during the golden days of radio, but afterwards, wound up being a major person that carried the fire Troy, full time radio.   Michael Hingson ** 25:35 I know we talked about a little bit, but talk to us about yesterday, USA, that has been around quite a while, and in general, for those who don't know, yesterday, USA is an internet radio station, actually two, if you will. There's a red and a blue network of yesterday USA, and they both stations broadcast to old radio 24 hours a day, although conversations and up to date conversations are interspersed, it still primarily is a a vehicle for playing old radio shows, right?   Walden Hughes ** 26:13 Yeah, been around since 1983 founded by its start. Yeah. Founded by Bill Bragg, Bill started the largest communication museum in the world back in 1979 in Dallas, Texas, and he had a film exchanger. And there was a TV station called a nostalgia channel, and it had these films of old TV shows, but they didn't have the media to transfer it, and so they contacted Bill. Bill agreed to transfer the film. He asked what it is exchanged for him. They said, we can give you an audio channel on satellite. And they gave that to him. And so he tried to decide what to do. So he started a broadcast Old Time Radio over satellite, and he was over the big C span satellite   Speaker 1 ** 27:12 until Oh into the 2005   Walden Hughes ** 27:16 era or so. Wound up being the audio shop carrier for WGN got it high in 2000 at the third most popular internet broadcast site in the world, behind the BBC and CNN around the Lacher saw around 44 that's not too bad, with 15,000 stations online.   Michael Hingson ** 27:41 I remember, I remember it was probably like 1998 or so, maybe 97 we were living in New Jersey, and I was doing something on my computer. And I don't even remember how I discovered it, but suddenly I found yesterday, USA, and at that time, yesterday, USA was one channel, and people could become DJs, if you will, and play old radio shows. You could have an hour and a half slot. And every other week you updated your broadcast, and they put on your shows at different times during the the two week period. But it was a wave that, again, a lot of people got an opportunity to listen to radio, and I'm sure it was very popular.   Walden Hughes ** 28:32 Yeah, yeah, if they'll to Lacher show, we don't, we don't get 40,000 to 60,000 listening hours a month, with it a lot, because a lot, maybe some people might listen to seven minutes, some might people listen to a half hour and all that accumulative, it's almost 60,000 hours a month. So that's a lot of hours that people are accessing in it, there's something nice about being alive. I don't know what you think Mike, but doing something live is pretty special, and that's, that's the nice thing about what yesterday USA can provide, and we can talk, take calls, and then, you know, in the old days, you have more and more people talk about Old Time Radio. No doubting, but a lot of new people don't have those memories, so we we might do some other things to keep it interesting for people to talk about, but it's still the heart and soul. Is still old time radio in a lot of ways, and we're definitely the fiber, I think for new people to find old time radio.   29:43 How did you get involved with it?   Walden Hughes ** 29:47 I became aware of it in the early 80s when sperback mentioned it in the news trailer, so I knew it's out there. And I called, and Bill returned my call. I said, I would like my cable TV. A company to play it, and I contacted my cable TV. They couldn't get to that channel that was on the satellite, so they put big band music on those dead on the community board. And so at the same time as you about 1998 I had a good enough computer with a good enough sound card I could pick up yesterday, USA. I was aware of it. It started on the internet in 1996 I started to listen, and then I would sort of call in around 2000 they would ask a question Bill and Mike and not really know the answer, so I will quickly call and give the answer, then leave. Eventually, they realized that I knew kitty Cowan, the big band, singer of the 40s and 50s. They asked me to bring on and do the interview, which we did September 17 of 2000 and then they asked, Could I do interviews on a regular basis? And so when a kiddie friend who I knew, Tess Russell, who was Gene Autry's Girl Friday, who ran kmpc for the audience, that was the station with the stars down the road, easy listening music,   Michael Hingson ** 31:21 golden broadcasting, and that was the station Gene Autry owned, yep.   Walden Hughes ** 31:26 And I think everybody in the music business but the old touch rush all favor. So she she hooked up, she signed up. She gave me set book 17 guests for me, right away from Joe staff or the Troy Martin to Pat Boone Patti Page, who wrote them all out. So I had a major start, and then I started to contact people via letters, celebrities and things. And I think it's a really good batting average. Mike, I had a success rate of 20% Wow. Wish it was a person that didn't I had no contact with that I could turn into a guess. I always thought I was a pretty good batting average. Yeah, and I got Margaret Truman that way. I mean, she called me, said, Wong, I forgot I did this radio show with Jimmy Stewart. She did jackpot, you know, the screen director of Playhouse. And we talked about her time on The Big Show with Tallulah Bankhead. They said, a big help with Fred Allen to her. She we talked about she hosted a show, NBC show called weekday with what the weekday version of monitor was, Mike Wallace. And she talks about how Mike had a terrible temper, and if he got upset with the engineer, she has to grab his jacket and pull him back in his chair just to try to cool them off. And so we had a great time with Margaret O'Brien, Margaret Truman, but, but I always thought that would a pretty good bat Navy getting 20% and in those days, in early 2000 a lot of celebrities would be were willing to interact with the through the website, with you, and so I did that. So I booked hundreds of celebrity interviews over the years, and so it's been a, I think, an important part what I do is trying to preserve people's memories, right that way we have the recordings.   Michael Hingson ** 33:43 And so how long was Bill with yesterday, USA.   Walden Hughes ** 33:49 I passed away in 2019 so Bill from 83 to 2019, to us, 10 years or so of his wife, though he had   Michael Hingson ** 34:05 Alzheimer's and dementia, and so you could tell he was he was sounding older, yeah, and   Walden Hughes ** 34:11 he wasn't behind the scene. He was really erratic in a lot of ways. So Kim, Kim and I wound up his wife, and I wound up running the station for the last 10 years, behind the scene, okay, Bill wasn't able to do it, and so I would be the one handling the interaction with the public and handling the just jockeys, and Kim would do the automation system and do the paperwork. So she and I pretty much ran the station.   34:43 And now you do   Walden Hughes ** 34:45 it, I do it, yeah, and so I think Bill always had in mind that I'd be the one running the station in a lot of ways. And think to the listeners, we've been able to pay the bills enough to keep it. Going, I would love to generate more income for it.   Michael Hingson ** 35:03 Well, tell us about that. How are you doing the income generation? And so most of it is through   Walden Hughes ** 35:09 a live auction that we have in November this year, will be on Saturday, November 22 and people donate gift cards or items, and people bid on it, or people donate, and that money we basically use to help pay the monthly bills, which are power bills and phone bills and things like that, and so, which is a remarkable thing. Not every internet radio station has a big enough fan base to cover the cost, and so all the internet stations you see out there, everybody, the owners, sort of really have to pull money out of their own pocket. But why USA been around long enough, it has enough loyal following that our listenership really kicks in. I mean, we built a brand new studio here with the with the audience donating the funds, which is pretty remarkable. You know, to do that,   Michael Hingson ** 36:16 yeah, you got the new board in, and it's working and all that. And that's, a good thing. It really is. Well, I have been a listener since I discovered y USA. When we moved out to California for a while, I wasn't quite as active of a listener, but I still worked at it as I could. But then we moved down here, and then after Karen passed, was easier to get a lot more directly involved. And so I know I contribute to the auction every year, and I'm gonna do it again this year.   Walden Hughes ** 36:49 So would you, when you were after what you knew, why you said, Did you did you come with your question still quite a bit when you were working and traveling all the time over the years.   Michael Hingson ** 37:01 Oh, yeah, yeah, oh, I did a lot of times, and still, do I listen to some internet radio stations? Why USA among them when I travel, just because when I go to a new hotel, sometimes I can make the TV work, and sometimes I can't, but also sometimes finding the stations that I want to listen to is a little bit more of a challenge, whereas I can just use my my smartphone, my iPhone, and I've got a number of stations programmed in the only time I have had A little bit of a challenge with some of that is when I travel outside the US, sometimes I can't get direct access to some of the stations because of copyright laws. They don't they don't allow them to be broadcast out of the US, but mostly even there, I'm able to do it. But I do like to listen to old radio when I travel, typically, not on an airplane, but when I when I land, yes, yeah.   Walden Hughes ** 38:08 I think that's one thing that they ended up taking over. I think a lot of people grew up listening to the radio. Enjoy the uniqueness of radio station had. I don't know if you see that today, but I think the internet have replaced that.   Michael Hingson ** 38:24 Well, somewhat, I've seen some articles that basically say that there is a lot more shortwave listening and actual radio listening to radio stations than there is through the internet, but there is an awful lot of listening to the radio stations through the internet as well, but people do still like to listen to radio.   Walden Hughes ** 38:50 What do you think podcast? How you think podcasts fit in? I mean, you'd be hosting your own show. How you think that fit into the overall consumer questioning habit?   Michael Hingson ** 38:59 Well, I think then, what's going on with podcasts is that, like with anything, there are some really good ones. There are a lot of people who just do do something, and it's not necessarily really great quality. They think they're doing great, and they maybe are, but, but I think that overall, podcasting is something that people listen to when they're running, when they're walking, when they're doing exercising, when they're doing something else, running on a treadmill or whatever, a lot More than listening to a radio program that probably requires a little bit more concentration. But make no mistake about it, podcasts are here to stay, and podcasts are very dominant in in a lot of ways, because people do listen to them   Walden Hughes ** 39:56 a niche audience. So you find you find your audience who. Are looking for that particular topic, and so they tune into that their favorite podcast that they knew there really might be covering that topic.   Michael Hingson ** 40:07 Sure, there is some of that. But going back to what you were talking about earlier, if you get some good audio drama, and I know that there are some good podcasts out there that that do some things with good drama, that will draw in a wider audience, and that gets to be more like radio and and I think people like radio. People like what they used to listen to, kids so much today, don't but, well, they never heard old they never heard radio. But by the same token, good acting and good drama and good podcasts will draw people in just like it always has been with radio.   Walden Hughes ** 40:54 What I'm also noticing like the day the disc jockeys are, they somewhat gone. I mean, we grew up in an era where you had well known hosts that were terrific Dick jockey that kept you entertained. And I make it, I don't listen to too much because, for example, everybody the easy listening big band era, pretty much not in LA in the La radio market right now, right and I missed it.   Michael Hingson ** 41:23 I miss it too. And I agree with you, I think that we're not seeing the level of really good radio hosts that we used to there are some on podcasts. But again, it is different than it used to be. And I think some podcasts will continue to do well and and we will see how others go as as time passes, but I think that we don't see a Gary Owens on television on radio anymore. We don't see Jim Lang or Dick Whittington and whitting Hill and all those people, we don't see any of that like we used to. And so even Sirius XM isn't providing as much of that as as it used to.   Walden Hughes ** 42:20 And so what do you think AI is going to fit? I was listening to, I'm a sport fan, and Mike is a sport fan, so I like listening to ESPN and Fox Sports Radio.   Michael Hingson ** 42:32 And I was listening to a discussion over the weekend that they are, they are working some of the immediate it to replace the play by play announcer they're working with. Ai, can I figure eventually that can be a caution. It to do away with all announcers. I'm not sure that's going to happen, because I don't know. It doesn't seem like it could. I'm not sure that that will happen. I think that even if you look at the discussions about audible and other organizations providing AI voices to read books, what people say, and I'm sure over time, this will change a little bit, but and I'll get back to the button in a moment, people Say, I would much rather have a human narrated book than an AI narrated book, and the reason is, is because AI hasn't captured the human voice. Yet you may have somebody who sounds like an individual person to a degree, but you don't have the same pauses, the same intonations, the same kind of thing with AI that you do with humans. Now, will that get better over time? Sure, it will. But will it get it to be as good as humans? I think that's got a long way to go yet, and I don't think that you're going to see AI really replacing people in that regard. I think AI's got a lot that it can do, but I actually had somebody on the podcast last year, and one of the things that he said is, AI will never replace anyone. People will replace people with AI, maybe, although that may or may not be a good thing, but nobody has to be replaced because of AI, because you can always give them other jobs to do. So for example, one of the discussions that this gentleman and I had were was about having AI when you have autonomous vehicles and you have trucks that can drive themselves, and so you can ship things from place to place, keep the driver in the truck anyway. And instead of the driver driving the vehicle, the driver can be given other tasks to do, so that you still keep that person busy. And you you become more efficient. And so you let i. I do the things that it can do, but there are just so many things that AI isn't going to do that I don't think that AI is ever going to replace humans. The whole point is that we make leaps that AI is not going to be able to do.   Walden Hughes ** 45:15 Yeah, I think a good example in the audio book field, a really great reader can give you emotion and play the characters and make it realistic. And I don't know AI ever going to reach that point to bring emotions and feelings into a reading of story   Michael Hingson ** 45:32 not the same way. And as I said, I've been involved or listened and watched discussions where people say, for example, I might use AI to read a non fiction book because I'm not really paying so much attention to the reader and I'm just getting the information. But when it comes to reading a fiction book, and when it comes to really wanting to focus on the reader, I don't want AI is what I constantly hear. I want a person, and I understand that,   Walden Hughes ** 46:00 yeah, I think what you'll see AI, especially, take over the drive thru when people go to a fast food place. I can see AI replacing the interaction and trying to get those things corrected. I can see that   Michael Hingson ** 46:14 maybe, maybe, I mean, you know some of that to a degree, but I think that people are still going to rule out in the end, for quite a while. Well, you know, in talking about all the different radio organizations, I know we talked about a little bit last night last time, but tell me about spurt back.   Walden Hughes ** 46:36 Yeah, I can give you some new updates. Spoke actually been around to 1974   Michael Hingson ** 46:42 I remember when spurred back began a person who I knew, who was a listener to my radio program, Jerry Hindi, guess, was involved with with all of that. My problem with attending spurred back meetings was that it was they were way too far away from me at UC Irvine to be able to do it, but I joined by mail for a while, and, and, and that was pretty good. But by the same token, you know, it was there,   Walden Hughes ** 47:11 it was there. And spur back. Have honored over 500 people who worked in the golden days of radio. A lot of district donated. They had the meetings in the conventions now we're evolving very quickly this year into more preservation work. So we have bought over $10,000 in computers here recently. We bought and we donated, actually, we won a prize, although the first Lacher disk turntables from Japan, which is over a $10,000 turntable, we'll be using that to help dub disc. And the board is just voted in. It's going to increase the board to at least 11 people next year who will have a carryover of the seven board member and we want to have no new board members. So maybe you and I can talk about that Mike for you to be on for next year, because we'll be definitely expanding the board with 11 one. So I think it'd be really strong in the preservation stuff, because perfect got 20 to 30,000 deaths that need to get out there. And with all your new equipment, it's amazing how full time radio sounds so good today terms of the new technology, and compare where I started collecting the 70 and I ran into a lot of even commercial stuff really muddy in those days. Mike, I bet you did too, and it's a remarkable difference. Spur back is planning to be at the Troy Boston festival next April, what does spread back? Stand for the society to preserve and encourage radio drama, variety and comedy. And you can go to spur back.com Join. You can go to repsonlect.org to join. And we then mentioned yesterday, USA. Yesterday usa.com or.net and can go there and listen away and participate in the auction, which will be coming up November 22 Yeah, very important to do as well. But anyway, I really think full time radio is in a really good spot. Mike. I think if it was for the internet, I don't know if we would find all the young people who are interested in it. I think it then it been a double edged sword. It knocked out a lot of dealers. You know, they used to make money selling their tapes and CDs and everything, and I bought a lot. I know you did too over the years, but those days are pretty. Pretty much done, and but if found a lot of new younger people to find the stations or find podcast and they get to learn about yesterday USA and Old Time Radio, and all the different radio ones more and all the different internet station are playing it until they can expose and I don't think that would have happened before the internet, so I think it'll always have it created a whole new listenership.   Michael Hingson ** 50:30 I am still amazed at some of the things that I hear. I remember once when somebody found a whole bunch of old Petri wine sponsored Sherlock Holmes with basil, Rathbone and Nigel Bruce. They were horrible quality. Was it Chris who   Walden Hughes ** 50:50 found? Yep, Chris one best founded me up and found me a bookstore.   Michael Hingson ** 50:55 And the quality wasn't wasn't good at all, but they were remastered, and they sound incredible. They do how they do it, because I'd love to be able to do that with shows that I have, and like to remaster them.   Walden Hughes ** 51:13 Yeah, what happened was, you know, they were two writers, green and Boucher, Lacher, Lacher, right, and Boucher was a famous bachelor Khan. The famous mystery convention is named after him. And Dennis Green was an actor on radio, and he was also a historian. He knew, like all everything about Sherlock Holmes. And so they created the new venture who saw a comb based upon maybe a scene from a previous right story and gets expanded upon it. And so when it when one of them passed away, the collection wound up in a bookstore in Berkeley, California, and crystal investor found out. And so there became a buying group led by John tough fellow, Kenny Greenwald, Dick Millen, Joey brewing and others, got in a bidding war with the Library of Congress, and they outbid and won. They paid $15,000 for the sets of Sherlock, Holmes and so and Shirley Boone was an NBC audio engineer and chief film engineer. He really knew how to dub, and so they they did a terrific job. And then they decided to put out a record album on their own with the first two episodes. And then after that, they decided to market it to Simon Schuster, and they decided to do small vignettes. They could copyright the vignette. These were quite three minutes introduction, so they would get Ben Wright, who wanted to always Sherlock Holmes and Peggy Webber in order to reminisce and or create little scenes to set up the stories that way they could copyright that part. They couldn't copyright the show because they fell in the public domain, right? But they wound up paying the estates of everybody anyway. But that's what how they all came out, and they were hoping to do Gunsmoke. We talked to Kenny Greenwald and others, but that never, that never came off and but that's part of the remarkable thing that Karl Marx done. He's been able to get into CBS, and I think he's working on NBC, and he licensed them, so he'll be able to get into the vault and get more stuff out for all of it to enjoy. And that's an amazing thing that Carl drives for the hobby is to get new stuff out there. It's been locked away for all these years.   Michael Hingson ** 53:53 I am just amazed at the high quality. I'd love to learn more about audio engineering to be able to do that, because I have a lot of recording I'd love to make a lot better than they are.   Walden Hughes ** 54:05 Yeah, Jerry Henry used to use a software called Diamond Cut, ah, and I would the those originally was used for the Edison solder records. And the guy who issued this, Joe, they developed the software. And that's where Joe, hi, who did so much transfer work, that was the program he wound up using to create good sound,   Michael Hingson ** 54:32 yeah, and, and did a lot of it,   Walden Hughes ** 54:36 yep, see there, see, there was a software, everybody, I think original is hardware. And I think originally almost was a $50,000 piece of equipment, harder before 2000 now it's gone to software base and a couple $1,000 that's another way. That's another program that people use to clean disk. Now. Crackles and pop out of the recording.   Michael Hingson ** 55:02 So but it's not just the snap crackle and pop. It's getting the the real fidelity back, the lows and the highs and all that you said, what was the one he used? Diamond Cut. Diamond Cut, yeah. Diamond Cut, yeah. But yeah. It's just amazing. The kinds of things that happen, like with the Adventures of Sherlock Holmes and and others.   Walden Hughes ** 55:23 But you also have good ears for that. Because, yeah, I remember about 2025, years ago, it was serious. XM. Everybody has this stereo sound, I know, if you're shooting, has a certain ambiance about it. And there were companies that were taking old time radio and creating that same effect, and that could bug me. I was so used to listen to old radio show in an analog feel about it. And they when they try to put false stereo in a recording, yeah, oh my gosh. It just didn't sound right. And so they've gotten away from that pill, a lot of new dubbing. They do don't have that. So it sounds terrific now, yeah,   Michael Hingson ** 56:15 sounds a lot better. What do you think is the future of the hobby?   Walden Hughes ** 56:19 I think more and more stuff are coming out. A lot of stuff that were with agreements to hold on to the material have disappeared, because a lot of it is passing from generation to generation. And so I think over the next 10 years, you see so much more stuff coming out. In some ways, that's sort of what you John Larry and I do. We collect almost everything, just because you got to make sure it's captured for the for the next generation, even though we might not be listening to it. There's so much stuff we don't listen to do everything. But I think we're, we're short of the wide billions of old time radio so we try to capture all of it and preserve it on hard drives, yeah, but eventually it'll go to future generations. But I really think more and more stuff are coming out. I think with the yesterday USA, more and more people will find it. And I'm hoping, with creating new audio theater, I would like to reproduce the great radio scripts we have no recordings for, like one man, family, I love, a mystery, all those things. That's sort of what I want to do, is one of my goals. And I think be great to hear stories that we've all collected, that we wonder about, and to get audio production behind some of these scripts. And I think it's in very good shape. It will all come down to money, Michael, as you know, you know,   Michael Hingson ** 57:58 but I also think that it's important that we, as we're recreating the shows, that while we can, we have people who understand what we really need for actors who are going to be recreating the shows, are able to find the right people to do it, train them how to do it. I think that's so important.   Walden Hughes ** 58:19 I think so. I think, I think you find a lot of young people who like theater, who are not necessarily radio fan, if they came, if the radio fan, like Brian Henderson and people like that, they become really good actor because they love to listen to the shows ahead of time. Yeah. Beverly Washburn does the same. She likes hearing the original performances that way. She get field for me to the show. And I think you and I think Larry does it that way. And you might not necessarily want to copy everything, but you got a benchmark to work from, and you sort of know what, with the intent when   Michael Hingson ** 59:01 you say Larry, which Larry? Larry Gasman,   Walden Hughes ** 59:03 great, yeah. And I think that's a great help to study and listen how people did it, because I think a lot of old time radio, it's like the prime rib. It was the best of the best of all time of radio drama, and it's a great way to learn the craft, by listening to it and absorbing it.   Michael Hingson ** 59:30 Well, if people want to reach out to you and maybe learn more about yesterday, USA or reps and just talk with you about radio, how do they do that, they can give me a   Walden Hughes ** 59:41 call at 714-545-2071, that's my studio number for the radio stations. Lot of times I can, I'll pick it up and talk to on air, off air. They can always drop me an email Walden shoes at yesterday. Us. Dot com and happy the answer, you can always call my cell phone at 714-454-3281,   Walden Hughes ** 1:00:11 you can chase me down at over, at reps, at reps online.org. You know, get forward to me or spur vac at S, P, E, O, D, V, A, c.com, or you can even get hold of Michael Henson and Mike.   Michael Hingson ** 1:00:26 You can always get a hold of me. And people know how to do that, and I will get them in touch with you as well, you bet. So I'm glad to do that. Well, I want to thank you for being here, and I want to thank all of you for listening. I hope you've enjoyed this. This is a little bit different than a lot of the podcast that we've done. But it is, it is so important to really talk about some of these kinds of concepts, and to talk about old radio and what it what it still adds and contributes to today. So I hope that you enjoyed it. I'd love to hear from you. Feel free to reach out to me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to hear from you. Wherever you're listening, please give us a five star rating. We value that a lot, and I hope that you'll go listen to YESTERDAY usa.com, or.net then again, in both, there's the red and the blue Network, or repsonline.com, and we, we have a lot of fun. Every so often we do trivia contests, and we'll take hours and and gentlemen in New Jersey and his wife, Johnny and Helen Holmes, come on and run the trivia, and it's a lot of fun, and you're welcome to add your answers to the trivia questions, and you can come on in here and learn how to even do it through the chat.   Walden Hughes ** 1:01:51 But my kids watch this every Friday night on, why USA too?   Michael Hingson ** 1:01:56 Yeah, I get to be on every Friday night, and that's a lot of fun. Yeah. So we'd love to hear from you, and we'd love you to to help us further enhance the whole concept of old radio show. So I want to thank you again. And if you know of other people who ought to be on the podcast, Walt, and of course, you as well as you know, please introduce us. We're always looking for more people to talk to us about whatever they want to talk about. So I want to again. Thank you all and for being here. And Walden, thank you for being here as well.   Walden Hughes ** 1:02:27 All right, Mike, I'll be talking a little while.   Michael Hingson ** 1:02:33 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Westerns on a TuesdayFirst,  a look at this day in History.Then, Gunsmoke starring William Conrad, originally broadcast September 30, 1956, 69 years ago, the Brothers.   Young Trace Gore comes to Dodge to gun down Lafe Tugwell, who is a fast man on the draw...or is he?Followed by Fort Laramie starring Raymond Burr, originally broadcast September 30, 1956, 69 years ago,  A Small Beginning.   Lee Quince and the troop must find Sitting Bull, somewhere in the Black Hills. Then, Gene Autry's Melody Ranch, originally broadcast September 30, 1950, 75 years ago, Caleb Hooten.   Gene tells the story of the time Caleb Hooten mysteriously disappeared and someone else started mining his claim!Followed by Tales of the Texas Rangers starring Joel McCrea, originally broadcast September 30, 1950, 75 years ago, Clean Up. Murder in the oil field, just the tip of a very dirty iceberg. The story is based on events in Killman, Texas, "several years ago."Finally. Claudia, originally broadcast September 30, 1947, 78 years ago, Let Them Eat Cake.   Waking up early in the morning. Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

National coffee day. Entertainment from 1998. Worlds first modern police force went on duty, Comero went on sale, Worlds 1st billionaire. Todays birthdays - Gene Autry, Jerry Lee Lewis, Larry Linville, Jon Minnoch, Madeline Kahn, Mark Farner, Cindy Morgan, Andrew Dice Clay, Halsey. Helen Reddy Died.Intro - God did good - Dianna Corcoran   https://www.diannacorcoran.com/ The coffe song - Frank SinatraI don't want to miss a thing - AerosmithWhere the green grass grows - Tim McGrawBirthdays - In da club - 50 Cent      http://50cent.com/Back in the saddle again - Gene AutryGreat balls of fire - Jerry Lee LewisAmerican band - Grand Funk RailroadNightmare - HalseyI am woman - Helen ReddyExit - Kiss about it - Christie Lamb     https://www.christielamb.com/countryundergroundradio.comHistory & Factoids webpage

Westerns on a SaturdayFirst,  a look at this day in History.Then, The Six Shooter starring James Stewart, originally broadcast September 20, 1953, 72 years ago, Jenny.  First show of the series. A story about an ugly woman and a dying killer. Followed by Gene Autry's Melody Ranch, originally broadcast September 20, 1953, 72 years ago, Ben Carter.  Gene tells the story of Ben Carter, a minister's son, who wrestles with his desire for material wealth.Then, Have Gun Will Travel starring John Dehner, originally broadcast September 20, 1959, 66 years ago, Stardust.   Lola Blackwood, a beautiful actress and an old friend of Paladin, needs help with Boone Cauldwell, a despicable gambler!Followed by Gunsmoke starring William Conrad, originally broadcast September 20, 1954, 71 years ago, The FU.  It appears that Al Clovis has shot Onie Becker in the back, killing him. Clovis leads Marshal Dillon and Chester out of town so the bank can be robbed.Finally. Fibber McGee and Molly, originally broadcast September 20, 1954, 71 years ago, Gone With The Windfall.  Fibber goes into the frog business.Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

The first singing cowboy of the movies—Gene Autry —was one of America's most popular stars. As the Texas native sang "Back in the Saddle Again" he was also promoting ideas that supported the New Deal and friendly relations with Mexico. His messages rang true with his fans during the Great Depression. On this episode, we unpack the ways this western folk hero, Gene Autry, used his talents to support a positive pro-America agenda.

Gene Autry 52-11-15 John Loves Martha First Song - The Bells Are Ringing

EPISODE 95 -  “VIRGINIA GREY: Classic Cinema Star of the Month” - 7/07/25 If VIRGINIA GREY is remembered at all, the blue-eyed, blonde-haired beauty is probably best remembered as the caustic perfume counter girl in The Women (1939), who sees right through the gold-digging ways of Crystal Allen, played by JOAN CRAWFORD. In these brief scenes, she is so charismatic and saucy, she really shows how to deliver a zinger of a line. She may also be remembered as the good luck charm of producer ROSS HUNTER, who put her in many of his popular movies of the mid-1950s and 1960s. But there was so much more to this talented actress. This week, we explore her life and career as we honor her as our Star of the Month.  SHOW NOTES:  Sources: “Virginia Grey, a Veteran of 100 moves, dies at 87,” August 6, 2003, New York Times; Robert Taylor: The Man WIth the Perfect Profile (1973), by Jane Ellen Wayne; “The Girl Who Won Gable Back,” November 1951, by Linda Griffin, Modern Screen magazine; “An Interview With Virginia Grey,” by Mike Fitzgerald, www.westernclippings.com; “Virginia Grey,” briansdriveintheater.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; Uncle Tom's Cabin (1927), starring James B. Lowe; Dames (1934), starring Ruby Keeler, Dick Powell. & Joan Blondell; Secret Valley (1937); starring Richard Arlen & Virginia Grey; Test Pilot (1938), starring Clark Gable & Myrna Loy; Rich Man, Poor Girl (1938), starring Lana Turner; Dramatic School (1938) starring Luise Rainer & Paulette Goddard; The Hardy's Ride High (1939), starring Mickey Rooney & Lewis Stone; Idiot's Delight (1939), starring Clark Gable & Norma Shearer; Broadway Serenade (1939), with Jeanette MacDonald & Lew Ayres; Another Thin Man (1939), starring William Powell & Myrna Loy; Hullabaloo (1940), starring Frank Morgan; The Big Store (1941), starring the Marx Brothers; Blonde Inspiration (1941), starring John Shelton; Tarzan's New York Adventure (1942), starring Johnny Weissmuller & Maureen O'Sullivan; Whistling in the Dark (1941), starring Red Skelton & Ann Rutherford; Bells of Capistrano (1942), starring Gene Autry & Virginia Grey; Sweet Rosie O'Grady (1943), with Betty Grable & Robert Young; Strangers in the Night (1944), starring William Terry & Virginia Grey; Blonde Ransom (1945), with Virginia Grey; House of Horrors (1946), with Robert Lowery & Virginia Grey; Unconquered (1947), starring Gary Cooper & Paulette Goddard; Leather Gloves (1948), with Cameron Mitchell; Mexican Hayride (1948), starring Abbott & Costello; Jungle Jim (1948), Starring Johnny Weissmuller & Virginia Grey; Highway 301 (1950), with Steve Cochran & Virginia Grey; Slaughter Trail (1951), starring Gig Young & Virginia Grey; Three Desperate Men (1951), with Preston Foster & Virginia Grey; Captain Scarface (1953), with Leif Erickson & Virginia Grey; The Forty-Niners (1955), with Wild Bill Elliott & Virginia Grey; All That Heaven Allows (1955), starring Jane Wyman & Rock Hudson; The Rose Tattoo (1955), starring Anna Magnani & Burt Lancaster; Jeanne Eagles (1957), starring Kim Novak; Portrait In Black (1960), starring Lana Turner; Back Street (1961), starring Susan Hayward; Flower Drum Song (1961), starring Nancy Kwan; The Naked Kiss (1964), starring Constance Tower; Love Has Many Faces (1965), starring Lana Turner, Cliff Robertson & Hugh O'Brien; Airport (1970), with Burt Lancaster & Dean Martin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sin duda alguna, uno de los géneros favoritos en el Torreón Pizarro. Blues blanco rural en su más alta expresión de la mano de Jimmie Rodgers, Darby & Tarlton, Dixon Brothers, Gene Autry, Bill Cox, Allen Brothers... A partir de las ocho de la mañana del sábado en la sintonía de Radio 3.Escuchar audio

Send us a textGo back a few years my friends. Back to when you were a kid. This episode will probably take you there when you hear GENE AUTRY, ROY ROGERS & DALE EVANS and then TEX RITTER. Believe it or not, even the great movie star JACK PALANCE did a country album ,as did KEN CURTIS, or as you might recognize him as FESTUS. Hey, LORNE GREEN and DONNY PARENTEAU as well as JERRY LEE LEWIS are all here. All of them HEROES in my book. Hope you enjoy and share.

Celebrate National Road Trip Day (May 23) with us on a special episode of Big Blend Radio's Jefferson Highway Show! Our guest, Janna Conklin, provides an insightful overview of what to experience at the renowned and historic Boots Court Motel & Visitor Center, located in charming Carthage, Missouri. Experience the perfect blend of vintage charm and modern comfort at this beautifully restored boutique gem, nestled along historic Route 66 and the Jefferson Highway at the “Crossroads of America.” Discover why notable guests like Clark Gable and Gene Autry flocked here, and why USA Today recently ranked it the 5th Best Roadside Motel in the U.S. for its commitment to historic preservation and guest experience. Whether you're planning a weekend getaway or your next great American road trip, you'll see why the Boots Court Motel on the “Pines to Palms” Jefferson Highway is a must-visit. Stay the night, take a guided tour, or browse their unique collection of souvenirs and take home a piece of history!

Jim Hill and Lauren Hersey unpack the unexpected history of Disney's brief run as a pro sports owner. From Michael Eisner's synergy strategy to Gene Autry's $1-a-year land deal, this episode dives into how the House of Mouse ended up with the Mighty Ducks and the Anaheim Angels - and why they eventually let them go. Also in this episode: Trash can candy containers debut at Disney Springs The DisneyStore.com shipping threshold quietly goes up The latest on Epcot pin trading and Disney's response A listener asks: Are Spirit Jerseys going out of style? The real origin story of the Spirit Jersey Why Tangled's live-action fate may depend on Stitch's box office From puck worlds to ballparks, this episode blends nostalgia, merch, and the business of Disney like never before. Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

Records selected for the National Recording Registry in 2024 and 25.  Including: Aloha Oe by the Hawaiian Quintette, Clarinet Marmelade by Jim Europe, Rose Room By the Benny Goodman Sextette, Rudolph the Red Nosed Raindeer by Gene Autry and Rocket 88 by Jackie Brenston.

The first singing cowboy of the movies—Gene Autry —was one of America's most popular stars. As the Texas native sang "Back in the Saddle Again" he was also promoting ideas that supported the New Deal and friendly relations with Mexico. His messages rang true with his fans during the Great Depression. On this episode, we unpack the ways this western folk hero, Gene Autry, used his talents to support a positive pro-America agenda.

Six String Hayride Classic Country Podcast, Episode 57. The Ringo Starr Episode. Ringo Starr, Born Richard Starkey in July 1940, is one of the finest and most influential drummers of the last 65 years. Growing up in post war Liverpool as a Gene Autry and Hank Williams fan, Ringo becomes the drummer for The Beatles and they create one of the greatest catalogues in music history. In 1970, Ringo records Beaucoups of Blues with Pete Drake, Scotty Moore, Jerry Reed, Charlie Daniels, and DJ Fontana. In 2025, Ringo releases LOOK UP with T-Bone Burnett, Billy Strings, Molly Tuttle, Larkin Poe, Alison Krauss and gets inducted into the Grand Old Opry. In the years between these two fine albums, Ringo performs and records with Buck Owens, Carl Perkins, Willie Nelson, Billy Preston, and George Harrison. Chris and Jim discuss Ringo's musical influences, drumming style, and love of Country Music. Chris reviews the new album, LOOK UP and offers up a classic Fish and Chips recipe. Jim discusses Ringo's time in the Beatles and his unique drumming style. Join us on the Six String Hayride Podcast for all your musical needs and beyond.

Send us a textThe Bad Piano player celebrates Tax Day with the third of the "Songwriters You've Never Heard Of" episode, featuring composer/lyricist Billy Hill, who wrote more western-style songs than Gene Autry and you won't believe what his most famous song was. Tune in to hear it done by a bad piano player!

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Six String Hayride Classic Country Podcast, Episode 54. Pay It Forward In 2025Farewell 2024. Chris and Jim tell the story of the Country Songs that we got hooked on as kids and ask the community to help share the music in 2025. Johnny Cash, Willie Nelson, Gene Autry, Mike Nesmith, and Hank Williams create the sounds that captivate two youngsters in the late 1960's and early 1970's. We take that original thrill of discovering music and commit to spreading the good word through the new year. Chris reminds me of a Willie Nelson show we recorded in 2003, Jim offers up a simple Ginger Irish Whiskey drink, and Chris finally notices that I am an actual ginger. Remember why you love music in the first place and share that vibe with your tribe in 2025. Happy New year. Live Long and Prosper. https://www.patreon.com/user?u=81625843https://www.facebook.com/groups/523422553475291

Where can two strippers get a bite to eat on Christmas Eve? By  MelissaBaby. (abridged) Listen to the Podcast at Steamy Stories. “Fuck Christmas,” Clover shouted, “and fuck you, Tony. Fuck Santa Claus, fuck his elves and fuck all ten goddamn reindeers.” “Eight,” Roxanne said, filing her nails and looking at her over the top of her glasses. “Shut up, Roxy, I'm talking about reindeers, not how many cocks you sucked over the weekend.” “Clover, calm down,” Tony said, “It was worth taking a shot.” “Bullshit, I told you nobody goes to a strip club on Christmas Eve.”“She did tell you,” Roxanne said, “Even louder that she's telling you now.” “Look,” he said, shrugging, “I'm sorry, but it wasn't nobody…” “We've had five customers,” Clover said. “And the last one was two hours ago,” Roxanne chimed in, “It's almost ten thirty.” Clover jerked her thumb at Roxanne. “She might look like a doofus wearing that stupid Santa hat, but she's right.” Tony held up his hands, “Okay, it turned out to not be a great idea. You guys are always saying that more customers come in because they are lonely than because they are horny. I figured it would be a lonely night for a lot of guys…” “It might be a great night to be a hooker,” Clover said, “but not a dancer.” He looked at his watch, then over his shoulder at LeAnn, the bartender. “Tell you what,” he told her, “If nobody else comes in before eleven, go ahead and close up.” He started to walk away, but Roxanne called him back. “We paid our club fees, Tony, that isn't right.” He looked up toward the ceiling, as if he were looking for a script to read from. “You want to close and go home early, but you want your club fees refunded because I said we would close and you could go home early?” “No,” Clover said, “We want our club fees refunded because we paid you fifty dollars to dance on a night when you dragged us in here to dance, even though we told you nobody was coming the fuck in.” “Fine,” he said, throwing his hands in the air, “LeAnn, give them back their club fees.” The door opened, and they both groaned, but it was not a customer. Sporty, the Gold Dollar's bouncer, came in. “Speaking of guys you'll fuck,” Clover muttered. When he approached the bar, she said, “Hey Sporty, how come you go out with Roxy? I always heard black guys like girls with nice big asses.” “I always heard strippers were friendly,” he shot back. He sat down next to Roxanne. “Where have you been?” she asked him. “Yeah,” Clover said, “There could have been a brawl in here, between the rats and the cockroaches.” “I was sitting out in my car, listening to some jams.” Clover tipped out and gave LeAnn a big hug, then she and Roxanne walked out to their cars in a light cold rain. “You ain't waiting for Sporty?” Clover asked. “Nope, don't want to talk to him right now. Meet you at the diner.” They each got in their cars. A light coating of slush covered Roxanne's windshield, but the wipers easily pushed it to the side. She pulled out of the parking lot on to the slippery street and drove the mile and a half to their usual after work spot, the Finest Kind Diner, while Clover followed close behind. When she turned into the diner's parking lot she noticed immediately that the lights were turned off, except for a string of colored Christmas bulbs blinking around the front door. Clover thought for a minute. “We could go to Denny's.” “Are they open?” “How the fuck would I know? Call ‘em up.” “Oh, so I have to look up the number?” “I figured it has a man's name, so you would know it.” Roxanne sat back in her seat. “I don't want to drive all the way across town, just to go to Denny's. What else would be open?” “Just White Castle.” Roxanne thought for a minute. “Yeah, what the fuck, let's go to White Castle.” “We ought to just go in one car,” Clover suggested. “Fine. Yours or mine?” “Yours,” Clover said, “Mine is more full of trash than a westside trailer park.” She pulled her car into a parking space, shut it off and got out. “I hate this drizzly shit,” she said as she got into Roxanne's passenger seat. “Hey, don't you live in a westside trailer park?” Roxanne asked. “Yeah, that's why I know what I am talking about.” “Speaking of knowing what you're talking about,” Roxanne said, “Santa Claus has eight reindeer.” “Are you counting Rudolph?” “Nope. Rudolph doesn't count.” “Who decided that?” “Clement Moore.” “Who the fuck is he? Sounds like a baseball player.” “He wrote The Night Before Christmas.” “Twas the night before Christmas,” Clover recited in a sing song voice, “And all through the place, Roxanne was sitting on every guy's face.” “And up from the lawn there arose such a clatter,” Roxanne returned, “As Clover devoured the whole turkey platter.” Clover nodded her head. “That was pretty good,” she admitted. Roxanne was quiet for a moment, then asked, “You wonder though, who the fuck would name a reindeer Blitzen? What is he, a Nazi reindeer?” “I bet Rudolph was originally Adolf the Red Nosed Reindeer and they changed it during the war or something. Hey, what's going on with you and Sporty?” “He wants me to go to his mom's house for Christmas dinner.” “And you don't want to go?” “Mom, Dad, I'd like you to meet my girlfriend from the strip club?” “Oh yeah, I get it. But still, you guys been going out for a while now. You are going to meet them sooner or later.” “It doesn't have to be on Christmas with all the relatives there.” “So what are you going to do?” “I don't know.” There were three cars parked outside the White Castle when they arrived. The restaurant's windows were so wet with condensation that they could not see through them. But when they dashed inside, they were nearly blinded by the garish light. “This is like sensory overload,” Roxanne said, as Jingle Bell Rock squalled from a tinny sound system. They walked over to the counter. There was no one behind it. Roxanne leaned forward, craning her neck to look back into the kitchen. She saw a young man in a white uniform and a hairnet dumping french fries out of a fryer basket. “Excuse us,” she called. He looked over his shoulder. “Be with you in a minute, ma'am,” he said. Clover cackled and nudged Roxanne with her elbow. “Ma'am. He thinks you're an old fucking lady.” “Yeah, and he thinks I'm taking my mom out for Christmas Eve.” The man came to the counter. His name badge identified him as Julio, assistant manager. “What can I get you ladies?” he asked. “I'd like four hamburgers, an order of medium fries and a large coffee, regular,” Roxanne said. “Give me six whiteys and a large Mountain Dew,” Clover added. “Would you like fries with that?” “Fuck no, I'm gonna eat most of hers.” Julio rang up their orders and Roxanne paid for both. Clover looked around the room. There were three occupied booths. In one a pair of middle aged men, wearing the uniforms of parking attendants, sat sipping coffee. At another, an older woman in a ragged green coat had only a cup of water and a single empty burger box on the table in front of her. A couple of booths down, three young, black clad goths were sitting together. They looked to be in their early twenties; two boys, one very large, the other thin and jittery, and a purple haired girl sitting across from them, loudly chewing gum. They all looked like they were coming down off a much better time than they were having now. “It's kind of a sad looking bunch of people in here,” Clover said. “Yeah,” Roxanne said, “It's Christmas Eve and they've got no place to go.” “That sounds familiar. I mean, what the fuck is the difference between them and us?” “We've got money in our pockets.” “Yeah, money we took from other lonely people,” Clover said. She looked lost in thought for a moment, then asked Roxanne, “How much money you think you've got in your pocket?” “I don't know, a hundred, maybe a hundred and twenty dollars.” Clover looked around the room, her lips tight and her brow knotted. “I'll bet I know what you're thinking,” Roxanne said. “It's fucking Christmas,” Clover said, shrugging. Roxanne called Julio back to the counter. “How much are those sacks of thirty sliders?” she asked him. “Thirty two dollars and fifty two cents.” She looked over her shoulder at the woman with her single burger. “Give me two sacks,” she said, fishing her cash out of her pocket. “You still want the other order?” “Yeah,” Clover said, “And I want you to give anybody whatever they want to drink. Keep a tab and I'll pay for them later.” Julio hesitated a moment, then said, “Okay, it will take a little bit of time. Your other order will be up in a minute.” When their food was ready, they went to the empty table between the old lady and the goths. As they walked past the parking attendants, Clover asked them, “How you guys doing? You had to work tonight?” “Fuckin' Nutcracker,” one of them grumbled. “So are you going to see your son tomorrow?” Roxanne asked Clover when they had taken their seats. Clover nodded. “Not till the afternoon. But I get to have him the next day, too.” “Have you got plans?” “I was thinking we'd go to Hong Kong Garden for dinner.” “And the next day?” “Are you kidding? The day after Christmas? We're going fucking shopping.” Roxanne laughed. “Yeah I'm sure that'll thrill a ten year old boy, going shopping with his mom.” They had each finished two burgers when Julio called to them that their order was ready. Clover walked over to the counter, picked up a bag of hamburgers in each hand and turned to face the dining area. “Ladies and gentlemen,” she hollered, “My friend Poindexter and I would like to treat everyone to Whiteys for Christmas.” She went from table to table, holding out the bags, so that each person could take some burgers. “And if anyone wants something to drink,” she said, “It's on us. Just step up and tell Julio what you want.” After going to each table, she had half a bag left. She put it on the table in front of Roxanne and sat down. Roxanne twisted in her seat and watched as several of the patrons went to the counter and ordered drinks. She noticed that the old woman in the next booth had neither gotten up nor taken any burgers. She took one from the bag, leaned over the back of the booth and asked, “Would you like another burger, ma'am?” “Are you sure it's okay?” “Of course it is,” Roxanne said, “Merry Christmas.” “Merry Christmas, dear,” the woman replied, taking the burger. Roxanne's phone buzzed. “I bet I know who that is,” Clover muttered. Roxanne looked at the screen. “Yeah, it's Sporty.” She sat back in the booth and answered, simply saying, “Hey.” “Listen baby,” he said, “I wish you hadn't split like that. I don't want you mad at me, whether you go tomorrow or not.” “I never said I was mad at you, Sporty. I'm just tired of all the back-and-forth on this shit.” “I don't think having Christmas with my family is shit.” “Now you're just looking to be offended. They know where you work, right?” “Yeah.” “So, you're going to tell them your bringing a girl from work to Christmas dinner, so I can sit there, eating turkey with everybody looking at me like I'm a whore.” “Ain't nobody gonna call you a whore.” “My own mom calls me a whore.” “Well, my mom ain't your mom.” “I don't know, Sporty. I'm just not sure I'm ready for this.” “We've been going out almost a year.” “Off and on.” “Whatever. Where are you at anyway? I come over to Finest Kind because I thought you guys would be here.” “They're closed.” “Well, no shit, I just told you I was over here.” “We're at the White Castle on Union Street.” “So, would it be cool if I come by?” “Yeah, sure. I'll see you in a bit.” Roxanne disconnected, shaking her head. “This fucking guy,” she muttered, “I'm telling you, he won't give up…” “And that's a bad thing? Let me ask you something,” Clover said, “and don't get pissed.” “Okay.” “Are you nervous about meeting his family because you think they won't like you being a stripper or because you don't think they'll like you being white?” Roxanne was silent for a minute. “Maybe both,” she said. “Either way, I think that's his problem, not yours. I mean it's his family.” “Yeah, but I'm afraid that if they give him a lot of shit about it, he isn't going to pick me over them.” “Well then, fuck him. He ain't worth it if he does that.” Roxanne shrugged. “Yeah, I guess.” An old man with flyaway white hair came into the restaurant. He appeared to be wearing just a light sweatsuit under his ratty coat. He sat down next to the old woman. She spoke quietly to him for a minute, then he loudly cleared his throat. “Excuse me, ladies,” he said in a hoarse voice. “Flo says you are buying burgers for everyone. Is that so?” “Sure is,” Clover said. Roxanne took two more burgers from the bag and handed them to him. “Go get yourself a coffee or something,” Clover said, “Whatever you want, it's on us.” The man thanked them, stood and fetched coffee for himself and Flo. Sporty came in a few minutes later, took off his wet coat and hung it on the end of the booth. He slid in next to Roxanne. Looking at the bags on the table, he asked, “Why did y'all buy so many burgers?” “Because we're generous bitches and we share with everybody,” Clover said. “Well, shit then.” He reached into the bag and pulled out a couple of burgers. After a few bites he said, “I need to get a drink.” “Just go to the counter,” Roxanne told him, “We're running a tab.” Sporty stuffed the rest of the burger in his mouth, then went to the counter. He came back a minute later with a large orange soda. “You been thinking about tomorrow?” he asked Roxanne. “Yeah, I've been thinking about it…” “Hey Sporty,” Clover said, interrupting her, “Let me ask you something.” “Yeah, what?” He reached for another burger. “Why do so many black families have macaroni and cheese for Christmas dinner?” “Because it's good as hell. We still have all the regular shit, turkey and mashed potatoes and cranberries and all that.” “Pumpkin pie or sweet potato?” “What do you think? Sweet potato pie.” “What kind of stuffing?” “Cornbread.” “Just plain?” “Fuck no, my mom puts Jimmy Dean sausage in it.” “Damn!” Clover exclaimed. “Listen, if this silly bitch don't want to come to your mom's house for Christmas dinner can I come?” “You can both come as far as I'm concerned.” Roxanne laughed. “That's actually a pretty good plan. If your mom spends five minutes with Clover, she'll think I'm little miss sunshine.” “No, she'll think you're a dumb bitch who thinks Santa only has eight reindeer.” “Rudolph doesn't count.” “Damn, you back on that shit?” Sporty said, rolling his eyes. Clover slipped out of the booth. “Fuck you both,” she said, standing up. “Hey everybody,” she shouted, “I'm taking a Christmas survey. How many reindeers does Santa Claus have?” There was murmuring throughout the room. The big goth kid was counting on his fingers. One of the parking attendants was quietly singing Rudolph The Red Nose Reindeer. His friend said, emphatically, “Eight.” The goth girl said “Nine, if you count Rudolph.” “Rudolph wasn't one of the originals,” he replied. “So where did he come from?” “Gene Autry.” “Dead white man,” she muttered. The man who had been singing said, “The Night Before Christmas guy gave them their names.” The skinny goth kid glared over the back of the booth at him. “But who said he was in charge of fucking reindeer?” “He wrote the goddamn poem!” “They didn't know about Rudolph then!” “Isn't it nice to see how the holidays bring people together,” Roxanne said to Sporty. “All right,” Clover said, clapping her hands together. “Let's put it to a vote. How many people say nine?” She raised her hand and the goth kids and the old lady joined her. “Who says eight?” Roxanne, Sporty, the parking guys and the old man raised their hands. Clover looked at Sporty. “Put your fucking hand down, man, your vote don't count.” “Why don't my vote count?” “Because you ain't hoping to get any pussy from me tonight.” “You got that right,” he smirked. Roxanne turned in her seat. “How many people say ten?” They all looked at her, perplexed. No one raised a hand. “That's your cue to sit down and shut the fuck up,” she said to Clover. Clover looked around with a frown, then sat without saying anything more. Sporty looked over his shoulder and said, “Who thinks Die Hard is a Christmas movie?” Everyone raised their hand. “Goddamn right,” he muttered. Roxanne nudged him with her elbow. “I need to go to the bathroom,” she said. He stood up and let her go by. The parking lot guys were getting up to leave. They thanked her for the burgers as she went past their table and wished her a happy holiday. One gave her a big hug. At least he didn't try to cop a feel, she thought as she went into the women's bathroom. When she opened the door to come out a few minutes later, Sporty was standing in front of it. “You know how cute you look in that hat?” he asked. “Do you know how desperate you sound when you try to sweet talk me?” “Nah, I ain't desperate. It'd be alright if you don't want to go tomorrow. I get it. But don't go saying you weren't welcome to go, because you were asked.” “Okay, that's fair. It's just that it's a big step.” “You got to take steps if you want to get anywhere,” he said. She put her hand on his shoulder and kissed his cheek. Looking past him, she did not see anyone watching them. She gripped the waist of his pants and walked backward, pulling him into the bathroom. Sporty pushed the door shut behind him, and let Roxanne tug him across the room until her hips bumped against the edge of the sink. Roxanne leaned back, looking up at him and biting her lip. He gazed down at her, his hands on her hips, and kissed her. She kissed him back, but then turned her head. “At some point,” she said, “we have to talk about where we are going.” “We do,” he replied, “but we ain't got to do it right now.” She draped her arms over his shoulders and they exchanged a long, hard, tongue swirling kiss. Sporty's hands moved to her breasts, squeezing and caressing them, while Roxanne dropped her hand down to rub his stiff cock through his jeans. “I think you've got something you want to give me for Christmas,” she whispered. “I don't know,” he said, “I don't think you've been a very good girl.” “Do you want me to be a good girl?” “Aw, hell no,” he said. He took a half step back, seized her waist and spun her around to face the sink. Her Santa hat fell off, landing in the basin. He ran one hand down between her legs and cradled her chin in the other. “Look at you,” he whispered in her ear. Her glasses had slipped down her nose. She pushed them back into their proper position and gazed at herself in the mirror. “Look and see what I see.” Roxanne looked at his eyes in the mirror as his hand rubbed and squeezed her pussy. “Don't look at me, look at you.” She stared at her own reflection, resisting the temptation to watch as he unfastened her jeans and pushed them down over her hips. But when his fingers slipped inside her, she leaned her head back and kissed the side of his neck. His fingers probed deep into her, his thumb played with her clitoris. She reached back and rubbed his crotch. She fumbled at his belt until he gently pushed her hand away and undid it himself. Roxanne felt his cock bump against her ass, then slip down between her thighs. He placed his hand between her shoulders and gently pushed her down until her elbows were on the sides of the sink. She picked up her Santa hat and put it back on her head. Sporty kneaded her ass, then spread her thighs, pressed the head of his cock into her pussy and began to fuck her with long, smooth strokes. Clover snickered when she saw Sporty disappear into the women's bathroom. Get your figgy pudding, girlfriend, she thought, don't go until you get some. She walked to the counter and got a refill on her Mountain Dew, then stopped and listened for a minute. The sound wasn't loud, but she could hear them in the bathroom. They were definitely fucking in there. As she walked back to the booth, she saw the goth girl looking toward the bathroom. She glanced up at Clover with a smirk. Clover winked at her and sat back down in the booth. A few minutes later, the skinny goth kid leaned close to the window and peered out. He wiped away the condensation with his sleeve and looked again. “Fucking cops,” he muttered. “What cops?” Clover asked. “Cop car just pulled up.” “Oh, shit,” Clover muttered. She looked toward the bathroom. She couldn't hear Roxanne and Sporty where she was sitting, but there was no doubt that when the cops walked in, they would. They had to walk right past the bathroom to get to the counter. One of them might even go into the mens' room. She thought about warning them somehow, but didn't think there was enough time. That was confirmed when she saw the cops approaching the door. She had to do something. Just as they reached the door, she began singing at the top of her lungs. You better watch out, you better not cry, you better not pout, I'm telling you why. The goth girl looked up at her and immediately realized what she was doing and joined in. Santa Claus is coming to town. The cops walked in. One was an older man. His eyes and shoulders both drooped. There's another guy doesn't want to be working on Christmas Eve, Clover thought. His partner was a young, thin black man. They walked right past the bathroom to the counter. He's making a list, He's checking it twice. The other goth kids joined in the singing. He's gonna a find out who's naughty and nice. The old couple began to sing along. Santa Claus is coming to town. The two cops stood by the counter, looking around the room. Julio approached the cash register. The older cop leaned in and spoke to him. Julio pointed to Clover and the cop looked over at her. He nodded, then spoke to Julio again. He sees you when you're sleeping, He knows when you're awake He knows if you've been bad or good, So be good for goodness sake Julio handed each of the cops a bag of burgers and a cup of coffee. Now get the fuck out of here, Clover thought, but instead of leaving they walked toward her. The older cop held out his hand. “Awfully nice thing for you to do, ma'am,” he said. The other customers kept singing. Clover shook his hand. The younger cop shook with her as well. They turned toward the door, tipping their hats to the older couple as they went by. The older cop walked out just as the customers were finishing the last chorus, but the younger cop turned and went to the counter. He held out his open bag toward Julio. “Could you toss a couple of ketchups in there?” he asked. Julio nodded and dropped a handful of packets in his bag. “Thank you, Merry Christmas.” he said, then waved to the customers. “Merry Christmas, everyone.” He took two steps toward the door and stopped and looked toward the bathroom. Clover could hear Roxanne moaning from where she was sitting. He looked around the room. “Does anyone know who is in there?” he asked. “Yes, officer,” Clover said, “That's my friend. I'm afraid she ate a few too many of these gut grenades. You know what they can do to your digestion.” “Yeah, we all been there once or twice, I suppose,” he said. He went to the door and started to open it, then stopped, obviously listening to the sounds emanating from the bathroom. He turned and looked Clover in the eyes. An amused expression crossed his face. He winked at her and walked out. Roxanne had already come twice when she heard the singing. She thought it was just in her head until Sporty paused between thrusts and muttered, “What the fuck is that?” “Jesus, don't fucking stop,” she groaned. “Oh, you need some more of this dick?” “Goddamn it, yes, Sporty, fuck me.” He gripped her hips and began slapping his loins against her ass harder. She braced her hands against the mirror and shoved back against each plunge of his cock. “You getting kind of loud,” he told her. She dropped her head and her Santa hat fell off. She grabbed it and bit down on the white felt ball to keep from crying out. But after a minute or two, she let go of it, unable to keep from moaning loudly each time he jammed his cock deep inside her. She looked up at him in the mirror. Their eyes met, and the look of passion on his face pushed her over the edge into another orgasm. Before it subsided, she felt him stiffen, jerk his cock a few more times and withdraw, as his hot cum ran down the inside of her thigh. “At least they stopped that fucking singing,” Sporty said as Roxanne cleaned herself up. He picked up her Santa hat from the floor, brushed it off and stuck it back on her head, then unlatched the door. “Hold on a minute, babe,” Roxanne said. She raised her face and kissed him. “I'd be happy to go to your mom's tomorrow.” “Damn,” he said with a wide grin, “All I had to do was fuck you real good?” “You always fuck me real good.” “Then I will always get my way, right?” “Don't push your luck,” she said, opening the door. As they came out of the bathroom, the goth kids were walking toward the exit. “Merry Christmas. And thanks,” the girl said. “Yeah, thanks,” skinny kid said as well. The big kid stopped, looked at Roxanne and held his fist out toward Sporty. “Yo,” he said, “You da dawg, bro.” Sporty bumped fists with him. “Fucking white kids,” he muttered, chuckling. They slipped back into the booth, where Clover was waiting for them with her arms crossed and a smug expression on her face. “What was that singing?” Sporty asked. “That was me saving the you two fuckpuppies from spending Christmas in the slammer.” “What are you talking about?” Roxanne asked. “A couple cops came in here while you were getting your stocking stuffed. We were singing so they wouldn't hear the noise you were making.” “We weren't making that much noise.” Sporty laughed. “Girl, you loud as hell.” The old couple came to their booth and thanked them for their burgers. “Merry Christmas,” the man said, shaking all their hands. “There is a special place in heaven for you ladies,” the woman said. As they walked away, Clover said, “You think there is a special place in heaven for us?” “If we died tonight, we might at least be able to make a case for it,” Roxanne said with a shrug. “And by next week, we are fucked again.” Julio came out of the kitchen with a damp rag and wiped the table where the parking guys had been sitting. “Hey, Julio didn't vote,” Clover said. She called to him. “Julio, how many reindeers does Santa Claus have?” Julio looked at her with a perplexed expression. “I don't know,” he said. “You know, like in the song. Dancer and Prancer and Donger and Blitzkin…” “Donger?” Roxanne asked. Julio shrugged. “I don't know that song.” “You don't know it? What the fuck country are you from?” He stared as her and said, “Colombia.” “Oh. Shit. Sorry, I wasn't trying to be rude.” “She doesn't have to try,” Roxanne said, “It's her default mode.” Julio shook his head and returned to the kitchen. “Give the brother a break,” Sporty said, “He's from South America. What the fuck he gonna know about reindeers? Ask him about llamas, he'll probably tell you everything you ever wanted to know.” “I can't think of anything I want to know about llamas,” Clover shot back. “But I do feel kind of bad for the guy. I mean, he'd have had a lot easier night if we hadn't come in here and bought burgers and shit for everybody.” “It's his job,” Roxanne said with a shrug. “Yeah, and we fucking threw a fit because we had to work on Christmas Eve.” “You threw a fit. I didn't.” “You didn't like it.” “No, but I acted like a fucking grown-up about it.” “Yeah, but you have to act like one because you don't look like one.” Sporty looked in the bag. “Anybody want this last burger?” he asked. Roxanne and Clover shook their heads. Sporty bit into the burger, swallowed and said, “You feel so bad for the guy, why don't you do something nice for him for Christmas?” “Like what?” Clover asked. “Like what the fuck you think?” Sporty asked. Clover looked at him for a minute, then tipped her head to look past him. Julio was wiping off the service counter. “He's not a bad looking guy,” Roxanne said. “Well then, why don't you go do it then?” Clover asked. “I wasn't a twat to him.” “Besides,” Sporty said with a grin, “she already got hers.” “I ain't gonna fuck him in the bathroom,” Clover said. Roxanne laughed. “The bathroom is clean, at least.” “You don't think I will do it, do you?” “Bitch, I stopped trying to figure out what you would or wouldn't do about the time you set my boyfriend's car on fire,” Roxanne said. Julio disappeared into the kitchen. “Fuck both of you,” Clover said. She got up and followed him. “Hey, Julio,” she called. He was standing at the dish sink and turned around at the sound of her voice. “Listen, dude,” she said, “I hope I didn't say anything that offended you or got you upset or what not. That's just me clowning around.” “It is fine. I understand.” “Well, I think we put a lot of extra work on you tonight, coming in here and disrupting and shouting and singing and all.” “No, it is fine, Missus.” “Well, it's Christmas and all that. I'd like to maybe give you a little something for your trouble…” Julio waved his hands. “No Missus, we are not allowed to except tips.” “Yeah, I wasn't talking about giving you money.” She looked around and saw an open door at the back of the kitchen. She walked to it and peered into a dark room. “What's in here?” she asked. “That's the manager's office.” Clover walked in and flipped the light switch. A large flat top desk against the far wall nearly filled the room. There was a faux leather swivel chair in front of it. Clover plopped down into it, spun around, and put her feet up on the desk. Julio stood in the doorway, looking nervous. “The manager does not like anyone sitting in his chair,” he said, “No one is allowed.” “But you're the assistant manager right?” “Si.” “So when he ain't here, you're the fucking manager and it's your chair.” “I do not think so…” “And I am your guest, so I can sit in your chair.” “Missus,” he said, “I know it's a foolish rule but I need this job.” “Do you think I'm gonna tell anybody about this?” Julio looked at her with a puzzled expression. “About what, Missus?” “First of all, stop calling me Missus. Then come over here and find out.” She sat up, put her feet on the floor and patted the top of the desk. Julio leaned back and looked around the kitchen as if he suspected someone might be lurking there. Clover patted the desktop again. “The boss told you not to sit in his chair, but he didn't say shit about sitting on his desk, did he?” “No. I suppose he did not.” She pushed the chair back until it banged into the wall. “So have a seat.” Julio bit his lip, seeming lost in thought, then sat on the edge of the desk. “Dude, lose that dumbass apron.” Julio reached behind his back and untied the apron. Before he could pull it over his head, Clover had his belt unbuckled. He watched with an expression of amazement as she deftly unsnapped his waistband, yanked down his zipper, and pulled his cock free. “Do all the men in Columbia have big dicks?” she asked as she wrapped her hand around it. “Si,” Julio said, “It is well known in Latin America, Missus.” “You call me Missus again and I might bite it off,” she said. She flicked her tongue at the head, then wrapped her lips around it and began to suck. Julio briefly lifted his hips from the desk and tugged his pants and shorts down to his thighs. Clover cupped his balls in her left hand, massaging them, while her right hand stroked his shaft. She took it in her mouth again, but almost immediately, she heard a chime ringing. She raised her head and asked Julio, “What the fuck is that?” Julio had a look of panic on his face. “Someone is at the drive-through,” he said, “I must go serve them.” He started to rise, but she put her hands on his hips and pushed him back down. “No, fuck that,” she said, “Stay right there.” She got up and rushed to the dining room. Roxanne and Sporty were sitting in the booth, kissing. “Hey, you fucking lovebirds, I need help here,” she shouted. When they looked at her in surprise, she said, “There's somebody in the fucking drive-through. Either of you guys ever work at a fast food place?” “I worked at Burger King in high school.” Sporty said. “Well, pry Roxy's hand off your whopper and get the fuck in here and find out what they want.” She disappeared back into the kitchen. Roxanne and Sporty looked at each other and shrugged. “I'll give it a try,” Sporty said. He slipped out of the booth and headed toward the kitchen, Roxanne following close behind. “It's like somebody told Santa they wanted a shit show for Christmas,” she muttered. Sporty went to the drive-through window and looked around. “Fuck. I don't know how to use this touchscreen shit,” he said. “Can you at least talk to the guy?” Roxanne asked. “Yeah, that shit looks the same. Hold on.” He was distracted by the sounds coming from the manager's office. “What's she doing in there?” he asked. “Sounds like she's sucking his dick.” “Damn, she's loud, too. Sounds like somebody got a rag stuck in their wet-vac.” He pressed several buttons on the communications panel, but nothing happened. He fiddled with the volume knob, and clicked the headset on and off, all to no avail. Suddenly, he was startled by a blasting horn, and looked over to see a white pick up truck right outside the window The driver, a large, red faced, bearded man, was glaring at him. “Honey, I don't think that's Santa Claus,” Roxanne said. Sporty slid the window open. “I've been out here trying to order for ten fucking minutes,” the man shouted. “Yeah, sorry about that,” Sporty said. “We got some kind of computer problem.” The man looked past him at Roxanne. “Looks to me like the problem is you're having some kind of party in there.” “Naw, she's the manager. She come in to try to fix it.” “So why isn't she fixing it?” “Sir,” Roxanne said, “I'm sorry, but there is nothing we can do about it until the tech guys get here.” “I worked to midnight on Christmas Eve. All I wanted was some burgers for when I get home.” “I'll see what I can get for you, no charge.” She went to the grill. There were onions simmering in the corner and pre-cooked patties in a warming pan. She found a package of buns and put a half dozen on the grill to brown. The man tapped his fingers impatiently on the door of his car. “This is some bullshit,” he barked at Sporty, “You got something for me or not?” “Roxy is fixing it up right now.” “The manager's name is Roxy?” “Yeah, she was named for her grandmom.” Roxanne's glasses kept steaming up from the grill's heat. She did her best to assemble the burgers, but one got no onions, one had triple pickle and some were drenched with mustard and ketchup while others got no more than a drop or two. She boxed the burgers, stacked them in a bag, and handed it to Sporty. “About time,” the man grumbled. “What about a Coke? I need something to drink.” “Coming right up!” Roxanne said with a big smile. As she poured a Coke from the dispenser she thought, I hope those burgers give you the shits, asshole. Sporty handed him the drink and cheerily said, “Merry Christmas, sir.” The man growled. “Yeah, right. I guess the two of you can get back to whatever you were doing now.” “Thank you, sir,” Sporty said, “But we already finished that. Appreciate the thought though.” The man glared at them, muttered something underneath his breath, and drove off. “What did he say?” Roxanne asked. “I didn't catch in, but I think one of the words started with an F and one with an N.” “Feliz Navidad?” “Most likely not.” “Should we figure out how this works, in case someone else pulls up?” “How long Julio gonna take getting his nut?” Roxanne shrugged. “Hold up,” Sporty said, “I got a better idea.” He walked to the back door, opened it and, looking outside, flicked a couple of light switches on the walk. “There you go,” he said. “What did you do?” “Turned off the outside lights, so the place looks closed.” Clover took Julio's cock into her mouth until she felt his pubic hair tickling her nose, then swallowed. That will keep him from trying to go see what's happening in the kitchen, she thought. When she was out of breath, she rose up, releasing his cock with a loud popping sound. She circled the head with her tongue a few times, then dove down and swallowed again. It was late, she was tired, her jaw was starting to ache and her belly was rumbling in complaint over its load of greasy hamburger. She sucked in her cheeks as hard as she could, and Julio exhaled loudly and raised his hips from the desk. As she lifted her head, Julio spurted into her mouth. She swallowed most of it, then picked up his apron off the desk and wiped her face with it, surreptitiously spitting out the rest of his load. He leaned forward, his head hanging low, while he recovered his breath. Clover stood up, and loudly burped. “Sorry about that,” she said. Julio stood, pulling up his pants. “It is okay, Missus.” They walked into the kitchen. Julio immediately noticed that it was dark outside the drive through window. “You friends, I think they turned off the lights,” he said, “I will have to turn them on and to see what else they might have done.” “Okay, well, Merry Christmas, dude.” “And to you, Missus.” Clover turned away, but he added, “Missus?” She looked back. “Maybe you will come for hamburgers again.” Clover looked him over. “Yeah, I might.” Roxanne and Sporty were sitting in the booth when Clover returned to the dining room. Roxanne was leaning against him, her head on his shoulder and her eyes shut. Clover sat down across from them. “You guys about ready to go?” she asked. Roxanne sat up straight and stretched. “Yeah we might as well,” she said. Sporty looked out the window. “That sleet shit turned into real snow,” he said. He nudged Roxanne. “Let me up, baby.” She stood and he slid out of the booth. “Give me your keys,” he said, “I'll get your car warmed up.” She fished her keys out of her purse and handed them to him as he put on his coat. Watching him walk out, Clover said, “When a man cleans the snow off your car for you, he's getting serious. Especially if he does it after you fuck him.” “I think asking me to come with him to his mom's house for Christmas shows that pretty good, too.” “So, stop being a fucking pussy about it. You think you're going to find another nice guy who is obviously crazy about you and doesn't give a shit what you do for a living?” Roxanne was silent for a minute. “It doesn't seem likely, does it?” she said at last. They kissed again and Sporty said, “You know, I had a lot of girlfriends before, but I never brought one home with me on Christmas.” She patted his cheek, kissed him and said, “I've had a lot of boyfriends before, but I never fucked one in the bathroom at White Castle on Christmas Eve.” She kissed him on the nose and dashed to her car, calling, “See you tomorrow, babe.” “It's about time,” Clover said, as Roxanne got into the drivers seat, “I'm freezing my tits off over here.” “That's because they're fake.” “Probably. They should've come with like a heater option.” “I wish I'd known it was a problem, I would have got you one for Christmas.” Clover reached across the console and squeezed Roxanne's hand. “Merry Christmas, Rhonda,” she said. Roxanne felt her eyes moisten. “Merry Christmas, Charlene.” The last display before the park exit, the grand finale, was a great arc of lights over the road. On the left, Santa rode in his sleigh, overflowing bags of gift boxes and teddy bears behind him. His reindeer stretched along the arc, their legs blinking in a dance across the night sky. At the right end of the display, Rudolph's nose glowed like a beacon. “Nine!” Clover shouted, “Bitch, count ‘em! nine fucking reindeers!” “Rudolph doesn't count.” “He counts in this town.” “Why? Because Parks and Rec says he does?” Clover sat back, her arms crossed over her chest in triumph. “Nine fucking reindeer,” she smirked. “Eight,” Roxanne muttered. “Nine.” “Eight…” By  MelissaBaby for Literotica

Six String Hayride Classic Country Podcast, Episode 53, A Happy Hayride Christmas.Gene Autry announces the arrival of Santa and Rudolph. Willie Nelson gives us Pretty Paper and Frosty the Snowman. Take a Sleigh Ride with Dolly Parton, The History of Silent Night, The Elvis Christmas Album, and a visit from The Andrew Sisters. Jim discusses the Gene Autry Christmas songs, Chris comments on Willie Nelson's Christmas collaboration with Booker T Jones, and Santa is Coming Soon. If you are celebrating Jesus Birthday, Santa's Birthday, or loading up on Chinese food and watching Die hard, we have some fun Christmas Tunes for you. Bonus Santa's Cupcake recipe with the late great Gilda Radner and all the usual shenanigans with Chris and Jim. Have a Happy Christmas, A Peaceful New Year, and Always Be Kind. Peace and Donuts from Chris and Jim at Six String Hayride.

In this episode we answer emails from Cy, Lucas, and Rafa.  We discuss a poem from a financial advisor, a quandary between two gambling problem leveraged portfolios and application of the Macro-allocation Principle, and what to do about a trust with an abbreviated distribution timeline.Note, we forgot to include the second email from Lucas, but it was just yet another reference to the Cederburg paper that has already been beaten like a dead horse.Link:Cederburg Paper redux (revised December 2024):  Beyond the Status Quo: A Critical Assessment of Lifecycle Investment Advice by Aizhan Anarkulova, Scott Cederburg, Michael S. O'Doherty :: SSRNAmusing Unedited AI-Bot Summary:What happens when AI and financial advice collide in unexpected ways? Join me, Frank Vasquez, as I share an amusing tale of a birthday poem that might just have been crafted by a robot for my client, Randolph. We dive into the hilarious side of AI-generated content and how it intersects with personal finance, pondering the sincerity of such personalized gestures. Alongside these playful musings, we explore listener inquiries, prioritizing those supporting our cherished Father McKenna Center, and trace the ripples of AI's growing role in financial advisory services.Ever wondered if your investment portfolio could use a strategic shake-up or if classic Western films still hold a place in today's world? We tackle these questions by examining the pros and cons of composite versus aggressive asset class funds, unraveling the complexities of leveraging investments. As a palate cleanser, we venture into a nostalgic realm, reminiscing about the enduring legacies of Western film icons like Gene Autry and Randolph Scott. Their timeless appeal serves as a reminder of past cinematic glory, offering a perfect blend of finance, nostalgia, and entertainment without crossing into the realm of legal or tax advice. Tune in for an engaging journey through these fascinating topics!Support the show

It's beginning to look a lot like Christmas! And nothing says Christmas like classic TV holiday specials! Over the next two weeks, we'll be toasting and roasting two of the most famous from the duo of Rankin and Bass. Which of them belongs on the Nice List and which one deserves a shiny lump of coal in its stocking. This is Legends of Christmas! Airing sixty years ago this month, the first Rankin and Bass Christmas special asked if you recall the most famous reindeer of all. Based on the children's book by Robert L. May, originally published by Montgomery Ward, and made perhaps even more famous by the Gene Autry version of song written by May's brother-in-law Johnny Marks. The most famous version of all is the TV special produced by Arthur Rankin Jr. and Jules Bass, sponsored by GE, which aired on NBC and adapted the original story into an “Animagic” stop-motion saga featuring Rudolph, Hermey, Sam the Snowman, Yukon Cornelius, the Bumble, and more. An instant classic, Rudolph the Red-Nosed Reindeer kicked off a tradition of Rankin/Bass Christmas specials, including Frosy the Snowman, Santa Claus Is Comin' to Town, and The Year Without a Santa Claus. But does this one go down in history, or down in flames?    For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com   Special Christmas Music: Christmas Rap Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/  You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Welcome to the American Railroading Podcast! In this our first ever Christmas Special our host Don Walsh is joined by guests and Texas country music chart-toppers Payton Riley and Bubba Westly. Together they discuss the long history and connection between trains, music and Christmas, as well as sharing favorite Christmas songs and Christmas memories. Payton Riley and Bubba Westly also perform several live and unplugged songs on the episode including each of their own newly released Christmas songs. Tune in to this episode and enjoy some Christmas cheer! You can find the episode on the American Railroading Podcast's official website at www.AmericanRailroading.net . Welcome aboard!KEY POINTS: The American Railroading Podcast remains in the Top 10% of all podcasts globally!There are over 800 known songs about trains.The earliest known train song was copyrighted July 1st, 1828.Trains are not only found throughout music but in movies as well, including Christmas movies like The Polar Express.Country music and Christmas have a long history as well including songs like Rudolph the Red Nosed Reindeer, performed by country music artist and movie star Gene Autry.Payton Riley and Bubba Westly play their favorite Christmas songs for us, as well as each of their own newly released Christmas songs.Payton Riley proudly took home the title of “Young Artist of the Year” at the Texas Country Music Awards in both 2023 and 2024, and was recently honored at the iconic Grand Ole Opry with the prestigious 2024 Josie Award for “Young Artist of the Year” in the Young Adult Female category.In 2024 Bubba Westly has achieved the #1 song in Texas radio with “Falling Star”, along with 4 consecutive Top 25 singles and being a finalist for the 2024 Texas Country Music Awards, Emerging Artist of the Year. Bubba is currently a semi-finalist for the Texas Regional Radio Music Awards, 2024 New Male Vocalist of the Year.Both Payton and Bubba have exciting plans for 2025 including upcoming movie roles.Everyone at the American Railroading Podcast wishes you and yours a very Merry Christmas and a Happy New Year!Stay tuned for an exciting Season 3 in 2025!LINKS MENTIONED: https://www.americanrailroading.nethttps://www.therevolutionrailgroup.com https://www.youtube.com/@americanrailroadingpodcast https://www.buymeacoffee.com/dwalshX https://www.aldonco.comhttps://www.enviroserve.com https://www.paytonrileymusic.com https://www.bubbawestly.com https://trrma.net/

Merry Christmas from all of us here at the Video Store Podcast! I've picked out a few lesser-known Christmas specials from Rankin/Bass for this week's show. The first is The Leprechaun's Christmas Gold from 1981. Originally conceived as a St. Patrick's Day special, this story was reimagined as a Christmas special for ABC. Join sailor Dinty Doyle as he works to guard the Leprechaun's gold from the evil banshee, Mag the Hag. Next is 1974's ‘Twas the Night Before Christmas, starring George Gobel, Joel Grey, and Tammy Grimes. Clockmaker Joshua Trundle has made a clock that will bring back Christmas cheer and make amends with an offended Santa Claus. However, when a curious mouse gets into the clock…well…kerplunk? Kerplooey. Can they fix it in time to save Christmas? Watch and find out. Nestor, the Long-eared Christmas Donkey from 1977 is next on our playlist of Rankin/Bass B-sides. Based on the Gene Autry song of the same name, Nestor is a long-eared donkey who is bullied for his unusually long ears. It's those ears that get him into trouble, but they also allow him to do something no one else can do—safely take Mary and Joseph to Bethlehem where the Lord Jesus will be born. This is a tear-jerker, so grab some tissues along with your eggnog. The last selection for our show today is The Little Drummer Boy: Book II from 1976. This lesser-known sequel to 1968's The Little Drummer Boy takes the little drummer boy, Aaron, King Melchior, and a bellmaker named Simeon on a quest to retrieve Simeon's stolen bells he made to ring in the birth of the Christ child. Can they get the bells back? You'll have to watch and find out. Thanks for joining us this holiday season on the Video Store Podcast. We hope you and yours have a wonderful holiday and a blessed new year. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

What the Riff!?! delves once again into the great (and not so great) Christmas songs to add a little cheer as you rock around the Christmas tree this year. WSB Radio host Eric Von Haessler joins us for the fun!“The Holly and the Ivy” by Jon AndersonJon Anderson's fourth solo album came out in 1985, and was a mixture of traditional Christmas carols and original material.  This is a traditional British folk Christmas carol.  Though it can't be traced any further back than the 1800's, the association between holly and Christmas dates back to medieval times.“Please Come Home for Christmas” by the EaglesDon Henley, Glenn Frey, and the rest of the Eagles put out this popular sad Christmas track in 1978, though it was a cover originally performed by blues pianist Charles Brown in 1960, and co-written by Brown and Gene Redd.“The First Noel” by Crash Test DummiesFront man Brad Roberts puts his distinctive bass voice to work on this traditional Christmas tune.  This carol originated in Cornwall, England and dates back to at least the early 1800's, using the French "Noel" as a synonym for the Christmas season“The 12 Days of Christmas” by  Straight, No ChaserThis acapella group from Indiana University puts some comedic musicianship to work on this Christmas round.  We know you'll like it, sure as Kilimanjaro rises like Olympus from the Serengeti.  “Nut Rocker” by Emerson, Lake & PalmerELP puts a prog rock spin on the classic Nutcracker Suite.  Russian composer Tchaikovsky wrote the original Nutcracker as a two-act ballet in 1892, and is a fantasy taking place at the foot of a Christmas tree.“Christmas All Over Again” by Tom Petty and the HeartbreakersThis original song was penned by Tom Petty on a ukulele in 1992.  It was used in the motion picture "Home Alone 2:  Lost in New York," and also appeared in "Jingle All the Way."  Jeff Lynne co-produced the song, played bells, bass, timpani, sang background vocals, and wishes for a Chuck Berry Songbook in the song.“The Christmas Song” by WeezerThis is not the one you're familiar with.  The more famous "The Christmas Song" was first performed by the Nat King Cole trio in 1946.  Weezer did this introspective original song with the same name in 2000 on a fan club Christmas LP.“Minnie and Santa” by Cyndi LauperLauper released this light hearted Christmas song in 1998 which tells of a fling that Minnie (not the mouse!) had with old Kris Kringle.  This may sound like a cover of a classic song, but it is an original written by Lauper and Jan Pulsford.“Have Yourself a Merry Little Christmas” by Frank SinatraYou can't go wrong with Old Blue Eyes and a crooner Christmas classic.  This song originated in 1943 and was in the musical "Meet Me in St. Louis," where it was sung by Judy Garland.“God Rest Ye Merry, Gentlemen/We Three Kings”  by Barenaked LadiesThis Christmas medley also features fellow Canadian singer-songwriter Sara McLachlan joining in with the Barenaked Ladies.“Listen, The Snow is Falling” by Yoko Ono & the Plastic Ono BandHear us out - this is an Ono piece that is actually quite good!  It was released in 1971 as the B-side to the better known "Happy Xmas (War Is Over)," sung by John Lennon.“If It Doesn't Snow On Christmas” by Joe PesciChasing Macaulay Culkin isn't the only association Pesci has with Christmas.  He put this cover of an old Gene Autry song out on his 1998 album "Vincent LaGuardia Gambini Sings Just for You."(and there might be a bonus ending related to the Beatles...)We at What the Riff?!? wish every one a blessed and Merry Christmas! Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

WiscoJazz-Cast Episode 224 mixed by dj lukewarm Episode Two Hundred and Twenty Four features Holiday Music over Hip Hop Instrumentals & more... 01 - Jackson 5 x Jessie J - Santa Clause Is Coming To Town (DJ Drake Trappy Xmas Bootleg) 02 - Barry Gordon - Nuttin' For Christmas (Danny Diggz Pop That Christmas Redrum) 03 - Brenda Lee - Rocking Around The Christmas Tree (Buck Rodgers Remix) 04 - Brenda Lee - Rockin' Around The Christmas Tree (Tall Boys Remix) 05 - Jose Feliciano - Feliz Navidad-Redrum (Claudio D Redrum) 06 - Jose Feliciano - Feliz Navidad (Big Syphe Remix) 07 - Serafin - Angels We Have Heard In Trap (Serafin Edit) 08 - Vince Guaraldi Trio - Linus and Lucy / A Charlie Brown Christmas Theme (Boogie Hill Faders Remix - Snoop Dogg Version) 09 - Vince Guaraldi Trio - Christmas Time Is Here (Trayze Remix) 10 - Anthem Kingz - If I Ruled White Christmas 11 - Bing Crosby - White Christmas (Kaskade Remix) 12 - Bing Crosby with Ken Darby Singers & John Scott Trotter And His Orchestra - White Christmas (Fresco Remix) 13 - Burt Ives - Rudolph The Red-Nosed Reindeer (Danny Diggz 2013 Re-Drum) 14 - Gene Autry vs. Doja Cat - Rudolph Paints The Town Red (Danny Diggz & Punzo X-Mash 2023 Blend) 15 - DMX  - Rudolph The Rednose (Rich Mixshow Redrum) 16 - Paul Isac - Rudolph The Red Nose Reinder (Trap Redrum) 17 - 50 Cent vs. Frosty In The Club (Danny Diggz 2020 Xmash) 18 - Jazzy Christmas - Claudio D - Frosty Redrum 19 - The Goodfellas - Biggie 20 - Cladio D X V.A. - Frosty The Snowman ('Wasn't Me' Mix) 21 - Raffi & Justin Bieber - Frosty The Peaches Snow Man (The Goodfellas Christmas Refix) 22 - Patti Page - Frosty The Snowman (Rondo Brothers Remix) 23 - Gene Autry vs. Ini Kamoze - Here Comes The Hot Santa (Danny Diggz X-Mash Bootleg) 24 - Bing Crosby & The Andrews Sisters - Here Comes Santa Clause (The Goodfellas Christmas Re-Drum) 25 - Bobby Helms - Jingle Bell Rock (DJ Ragoza Coolie Dance Redrum) 26 - Bobby Helms - Jingle Bell Rock (DJ Jeff Moombah Christmas Re-Drum) 27 - Mavis Staples vs. J-Kwon - Christmas Vacation (Dany Diggz Tipsy Re-Drum) 28 - Wham - Last Christmas 2022 (DJ Jeff Holiday Redrum) 29 - Claudio D - Last Christmas Redrum (Claudio D Mashup) 30 - Bing Crosby & The Andrews Sisters - Mele Kalikimaka (Xtendamix Remix) 31 - Bing Crosby - Mele Kalikimaka (Jimi Needles Edit) 32 - Donnie Hathaway - Twerk Sum This Christmas (Mr. Collipark Remix) Clean 33 - The Berlin Symphony Orchestra - The Nutcracker Suite (Baz Kuts Breaks Mix) 34 - Berlin Symphony Orchestra - Dance Of The Sugar Plum Fairy (Red Baron Remix) 35 - Beyonce vs. Nutcracker - Claudio D- Crazy In Love- Christmas 36 - Lil Wayne Vs. The Nutcracker - A Milli (Danny Diggz Edit Instrumental) 37 - Jackson 5 - The Little Drummer Boy (CC CH3 Moomba Edit) 38 - Dean Martin - Jingle Bells (Dan The Automator Remix) 39 - Frank Sinatra - Jingle Bells (Joey Illness Xmas Moombah Redrum) 40 - Johnny Mathis vs. E-40 - Sleigh Ride (Diggz Tell Me When To Go Re-Drum) 41 - Johnny Mathis vs. Drake - Sleigh Ride (Danny Diggz X-Mas Edit) Hope you enjoy. -dj lukewarm https://linktr.ee/djlukewarm http://djlukewarm.com http://hearthis.at/djlukewarm http://www.mixcloud.com/djlukewarm http://djlukewarm.podomatic.com https://soundcloud.com/wiscojazz http://www.youtube.com/WiscoJazzCast RSS: http://djlukewarm.podomatic.com/rss2.xml

Marty Freese and Russell True have been close friends for years. They share a deep love for White Stallion Ranch and its long history as a guest ranch and a Southern Arizona Film-makers destination. Ronald Reagan, Gene Autry, George Clooney, William Holden, Audie Murphy and many other notable celebrities have spent time at White Stallion Ranch.  A couple of observant guests saw Tom Hanks at White Stallion getting ready for his role in Cast Away. Marty shares with our listeners a who's who of what happened here at the Ranch. Enjoy!

Duke and $1000 The NY CF's Rocky Bridges Don Zimmer Bavasi, Ray Kroc, and Doug Radar Commissioners ... who was the best Dr. Bobby Brown 3B and Cardiologist Sparky, Gene Autry and Gene Mauch Reese, Pesky, Moose, and Gorman Scouts Agents Umpires and Owners Reggie and Nolan

Western: Have Gun, Will Travel “Death of a Young Gunfighter” 3/15/59 CBS, Gene Autry's Melody Ranch “Caleb Hooten Story” 9/30/50 CBS.

Alex wants to be a baby boomer and Alan uses a Gene Autry song as a metaphor for death. We finally start to embrace our podcast famousity.FacebookInstagram

“Singer at Large” Johnny J. Blair has been playing music professionally since the 1980s, having toured internationally, released many recordings, and worked with major artists. However, over the years, one of his joys is to perform for the residents in assisted living homes. “I've played the Royal Albert Hall, Disney, Las Vegas, cruise ships, temples in India, and little places all over the world, but there's something special about playing for our ‘seasoned citizens.'” Johnny's set includes familiar songs from The Great American Songbook (Johnny Mercer, Cole Porter, Hank Williams, folk songs), Elvis Presley, “The Rat Pack” (Frank Sinatra, Dean Martin), movies (Sound of Music, Mary Poppins), “cowboy songs” (Gene Autry, Sons of the Pioneers), and much more. https://johnnyjblairmusic.com Connie Tomaino offers practical tips for you to use music in your everyday life for health and wellness. https://imnf.org/ We thank listener Denny Sarokin for sharing his thoughts on a song that has impacted his life. https://dennysarokin.com Thanks to Jim Nantz for our introduction and to Ariel Sol for the original music. https://www.arielsol.com/ #activitiesforelderlyathome #anxietyreducingmusic #memorycareactivities #caregiverrespite #activitiesforseniorswithdementia #caregiverresources #dementiaactivities #musicandmemory #caregiversupport #senioractivities #activitiesforseniors

“Singer at Large” Johnny J. Blair has been playing music professionally since the 1980s, having toured internationally, released many recordings, and worked with major artists. However, over the years, one of his joys is to perform for the residents in assisted living homes. “I've played the Royal Albert Hall, Disney, Las Vegas, cruise ships, temples in India, and little places all over the world, but there's something special about playing for our ‘seasoned citizens.'” Johnny's set includes familiar songs from The Great American Songbook (Johnny Mercer, Cole Porter, Hank Williams, folk songs), Elvis Presley, “The Rat Pack” (Frank Sinatra, Dean Martin), movies (Sound of Music, Mary Poppins), “cowboy songs” (Gene Autry, Sons of the Pioneers), and much more.  https://johnnyjblairmusic.com Connie Tomaino offers practical tips for you to use music in your everyday life for health and wellness. https://imnf.org/ We thank listener Denny Sarokin for sharing his thoughts on a song that has impacted his life. https://dennysarokin.com Thanks to Jim Nantz for our introduction and to Ariel Sol for the original music. https://www.arielsol.com/ #activitiesforelderlyathome #anxietyreducingmusic #memorycareactivities #caregiverrespite #activitiesforseniorswithdementia #caregiverresources #dementiaactivities #musicandmemory #caregiversupport #senioractivities #activitiesforseniors

We're going to the theater! Live radio theater was very popular during the medium's golden age. There were many theater-like shows on the networks. We're going to hear 3 installments of the Screen Guild Theater, which ran from 1939 to 1952 and featured movie stars, primarily in original dramas and sometimes comedies, or in adaptations of movies. All three are from 1939, the first features Judy Garland and Jack Benny. The second stars movie tough guy George Raft. Eddie Cantor, Joan Blondell, and Gene Autry perform on the 3rd show of Screen Guild Theater. Throughout its run, profits from these programs were donated to the Motion Picture Relief Fund, which supported the Motion Picture Country Home for retired actors. More at KrobCollection.com

Episode 313, Signature Songs, presents the songs most associated with 17 performers including The Everly Brothers, Ricky Nelson, the bands of Tommy Dorsey and Glenn Miller, Connie Francis, Tony Bennett, Brenda Lee, Gene Autry, and... Read More The post Episode 313, Signature Songs appeared first on Sam Waldron.

Songs include: Shame On You by Spade Cooley, At the Mail Call Today by Gene Autry, Stay a Little Longer by Bob Wills, It Don't Matter To Me Now by Ernest Tubb and Blue Eyes Crying In the Rain by Roy Acuff. 

"That hat brought Frosty to life. It must be magic!" We're getting into the cooler months, which means snow should be coming soon. This means its time to talk Frosty the Snowman, a Rankin/Bass special that was nostalgic to Robert. It may be more geared to kids, but theres a lot of charm from the special. Learn how songwriter Jack Rollins got his start in his forties in which he wrote a variety of songs including those for Lawrence Welk and Babe Ruth before he got into the holiday buisness. Also learn how Gene Autry repeated with Frosty the year after he sung Rudolph and how Jimmy Durante's style would suite him to put out his own cover of Frosty.  Music credited to Purple Planet & Musicloops Facebook Instagram Patreon *Podcast is for educational purpose only. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.*  

Roundup is a herbicide that has been controversial and the subject of lawsuits against Monsanto and now Bayer. Are we "headed to the last roundup" as go the lyrics to an ancient cowboy tune by Gene Autry?  Missouri farmer Blake Hurst is the author of an editorial in the Wall Street Journal about this prodcut that has saved armers from excessive tillage or back breaking hand hoeing of the past. He joins Farm To Table Talk while driving in his John Deere Combine to a field ready to harvest.  

We'd love to hear from loyal listeners who live somewhere outside of the Midwest … what are garage sales like in your community? Dr Dave was given a pass from his three-day duty to record this episode as the haggling was happening on the opening morning of their bizarre bazaar where the cars are usually parked. For some folks, it's more about the social interaction than The Art of the Deal. That's when he heard a friendly buyer complain about Gene Autry. 

Six String Hayride Podcast Episode 45. The 1990's Episode. In the 1990s, The divide between commercial country music (Garth Brooks, Billy Ray Cyrus, Alan Jackson) and more artistic music (Steve Earle, Emmylou Harris, John Prine and Johnny Cash) gets bigger and bigger. Money and chart position seems to guide the music business more than art and soul. George and Alan, two mainstream millionaires who work for one of the biggest record companies around, don't see the irony when they complain about the death of tradition in classic country. "Oh Brother Where Art Thou", as a film and a record, reminds us of the deep history and soul in classic country, folk, and gospel. We take a look at some of the hit records, bad records, and fun records from the 1990s. Johnny Cash begins a renaissance with his American Recordings Series. Trisha Yearwood has a fun cooking show that makes a great grilled cheese sandwich. We pay our respects to Gene Autry, Jerry Garcia, Stevie Ray Vaughan, Patsy Montana, Minnie Pearl, and Roger Miller. The June Carter cookbook gives us a delicious dessert, Chris makes another cocktail from the John Wayne drinking guide, and all the usual fun on Six String Hayride Classic Country Podcast.https://www.facebook.com/profile.php?id=100086513555749https://www.patreon.com/user?u=81625843

MUSICNearly 50,000 people packed San Francisco's Golden Gate Park on Saturday to see System of A Down and Deftones in concert. 90% of the concertgoers were from the San Francisco area. 55-year-old Brent Clifford, the son of Creedence Clearwater Revival drummer Doug Clifford, is in a California prison, facing murder charges. Gene Simmons and Bob Dylan have recorded vintage covers for the biopic Reagan, which will star Dennis Quaid as the actor who became the 40th president. Simmons will do the Lena Horne hit “Stormy Weather.” Dylan chose Cole Porter's “Don't Fence Me In,” a song popularized by Gene Autry, who happens to have been Quaid's third cousin. Creed's Scott Stapp does a cameo as Frank Sinatra in the movie, which comes out a week from Friday (August 30th). Joe Walsh was in Washington, D.C. last week for the 77th Committee Meeting of the President's Committee on the Arts and Humanities. He posted a photo on Instagram with the caption, “Look Ma, I'm a Presidential Appointee! Looking forward to serving on behalf of American artists across this great land.” Walsh was appointed to the committee in April of last year.Bonham's sold a beautiful 1965 Ford Mustang convertible that was owned by the late singer-songwriter Tom Petty for $225,000 on Friday.           TVEugene and Dan Levy have been chosen to emcee the upcoming Emmy Awards on ABC.  Jeff Goldblum guest-hosted "Jimmy Kimmel Live" last week, and on Thursday he was interviewing Awkwafina, when a fly landed on his desk and basically just HUNG OUT there. After being assured by Jimmy's sidekick Guillermo that it was the first time this had happened, he said, quote, "Hey, I tell my kids, you know, when you see a spider, I go, 'Don't hurt anything. Don't hurt anything! Take it and put it out.'"MOVING ON INTO MOVIE NEWS:Alien: Romulus debuted big at the box office as it sets out to revive the classic franchise. The film is estimated to earn between $41.5 million and take the No.1 spot! It will also get bragging rights for toppling Marvel Studios' Deadpool and Wolverine from the top spot. The iconic fedora worn by Harrison Ford in 1984's 'Indiana Jones and The Temple of Doom' sold at auction for $630,000!  "Despicable Me" director Chris Renaud co-created the Minions. And he has a very specific wish for them: That they never make the jump to live-action. He says, quote: "For me, what defines the world is that it is animated and it allows us to get away with what we get away with . . . These are really cartoon ideas, like what would have been in a Bugs Bunny cartoon."Robert De Niro celebrated his 81st birthday by jumping off of a yacht into a body of water.RIP: John Aprea, who played young Salvatore Tessio in The Godfather Part II died on August 7 of natural causes in Los Angeles at age 83.AND FINALLYColdplay's current Music of the Spheres World Tour just became the highest-grossing rock tour of all time. It's made $945.7 million and sold 8.8 million tickets since it kicked off in March of 2022. Here's a list of the Top 10 highest-grossing rock tours: 1.  Coldplay, Music of the Spheres World Tour: $945.7 million 2.  Elton John, Farewell Yellow Brick Road Tour: $939.1 million 3.  U2, U2 360 Tour: $736.4 million 4.  Guns N' Roses, Not in This Lifetime... Tour: $584.2 million 5.  The Rolling Stones, A Bigger Bang Tour: $558.0 million 6.  The Rolling Stones, No Filter Tour: $546.5 million 7.  Coldplay, A Head Full of Dreams Tour: $523.3 million 8.  Roger Waters, The Wall Live: $459.2 million 9.  AC/DC, Black Ice World Tour: $441.6 million 10.  Red Hot Chili Peppers, Global Stadium Tour: $390.8 million  Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC Nearly 50,000 people packed San Francisco's Golden Gate Park on Saturday to see System of A Down and Deftones in concert. 90% of the concertgoers were from the San Francisco area.  55-year-old Brent Clifford, the son of Creedence Clearwater Revival drummer Doug Clifford, is in a California prison, facing murder charges.  Gene Simmons and Bob Dylan have recorded vintage covers for the biopic Reagan, which will star Dennis Quaid as the actor who became the 40th president. Simmons will do the Lena Horne hit “Stormy Weather.” Dylan chose Cole Porter's “Don't Fence Me In,” a song popularized by Gene Autry, who happens to have been Quaid's third cousin. Creed's Scott Stapp does a cameo as Frank Sinatra in the movie, which comes out a week from Friday (August 30th).  Joe Walsh was in Washington, D.C. last week for the 77th Committee Meeting of the President's Committee on the Arts and Humanities. He posted a photo on Instagram with the caption, “Look Ma, I'm a Presidential Appointee! Looking forward to serving on behalf of American artists across this great land.” Walsh was appointed to the committee in April of last year. Bonham's sold a beautiful 1965 Ford Mustang convertible that was owned by the late singer-songwriter Tom Petty for $225,000 on Friday.            TV Eugene and Dan Levy have been chosen to emcee the upcoming Emmy Awards on ABC.   Jeff Goldblum guest-hosted "Jimmy Kimmel Live" last week, and on Thursday he was interviewing Awkwafina, when a fly landed on his desk and basically just HUNG OUT there. After being assured by Jimmy's sidekick Guillermo that it was the first time this had happened, he said, quote, "Hey, I tell my kids, you know, when you see a spider, I go, 'Don't hurt anything. Don't hurt anything! Take it and put it out.'" MOVING ON INTO MOVIE NEWS: Alien: Romulus debuted big at the box office as it sets out to revive the classic franchise. The film is estimated to earn between $41.5 million and take the No.1 spot! It will also get bragging rights for toppling Marvel Studios' Deadpool and Wolverine from the top spot.  The iconic fedora worn by Harrison Ford in 1984's 'Indiana Jones and The Temple of Doom' sold at auction for $630,000!   "Despicable Me" director Chris Renaud co-created the Minions. And he has a very specific wish for them: That they never make the jump to live-action. He says, quote: "For me, what defines the world is that it is animated and it allows us to get away with what we get away with . . . These are really cartoon ideas, like what would have been in a Bugs Bunny cartoon." Robert De Niro celebrated his 81st birthday by jumping off of a yacht into a body of water. RIP: John Aprea, who played young Salvatore Tessio in The Godfather Part II died on August 7 of natural causes in Los Angeles at age 83. AND FINALLY Coldplay's current Music of the Spheres World Tour just became the highest-grossing rock tour of all time. It's made $945.7 million and sold 8.8 million tickets since it kicked off in March of 2022.  Here's a list of the Top 10 highest-grossing rock tours:  1.  Coldplay, Music of the Spheres World Tour: $945.7 million  2.  Elton John, Farewell Yellow Brick Road Tour: $939.1 million  3.  U2, U2 360 Tour: $736.4 million  4.  Guns N' Roses, Not in This Lifetime... Tour: $584.2 million  5.  The Rolling Stones, A Bigger Bang Tour: $558.0 million  6.  The Rolling Stones, No Filter Tour: $546.5 million  7.  Coldplay, A Head Full of Dreams Tour: $523.3 million  8.  Roger Waters, The Wall Live: $459.2 million  9.  AC/DC, Black Ice World Tour: $441.6 million  10.  Red Hot Chili Peppers, Global Stadium Tour: $390.8 million   Learn more about your ad choices. Visit megaphone.fm/adchoices

Orvon Grover "Gene" Autry was an American actor, musician, singer, composer, rodeo performer, and bsdebsll team owner.

Gene Autry's Melody Ranch "San Fernando Valley" September 19, 1948 CBS Gene Autry's Melody Ranch "Fred Wallace and the Black Arrow Gang" CBS and AFRS

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Gene Autry's Melody Ranch "Champion, a Horse No Man Could Ride" December 3, 1949 CBS  Gene Autry's Melody Ranch "Lonesomest Cowboy" September 17, 1949 CBS

On this episode of Tent Show Radio, experience a heartwarming presentation of Glen Campbell's biggest hits and the stories behind them, delivered by the music legend's band leader and guitarist of 15 years, Jeff Dayton. Nashville artist Jeff Dayton's career is a success story built on hard work, faith and professionalism. The Minnesota native grew up heavily influenced by the music of guitar greats like Eric Clapton, Jerry Reed, Jimi Hendrix and, naturally, Glen Campbell. He formed the Jeff Dayton Band in Phoenix, Arizona in 1980. With a regional #1 hit under his belt, they opened shows for countless artists and major tours that passed through the city, eventually catching the eye of Glen Campbell who would quickly change his career forever. Dayton became Glen Campbell's right-hand man, spending 15 years as the legendary musician's guitarist and band leader. From the 1980's to the 2000's, they toured around the world and across all 50 states, performed at the White House, and appeared together on The Today Show and Glen's PBS special with the South Dakota Orchestra. In the years that followed, Dayton had the honor of backing artists including Vince Gill, Willie Nelson, Toby Keith, Buck Owens, Tracy Byrd, Bo Diddley, Dizzy Gillespie, Gene Autry, Mac Davis and would tour with megastar Kenny Chesney, Lee Greenwood, Sarah Darling, Tammy Cochran and others. After Glen Campbell's passing in 2017, Jeff got so many requests for a show of the icon's music that he launched “Salute to Glen Campbell,” an intimate, upbeat presentation of his hits and the first-person stories of their years together. Dayton has created a truly uplifting and sentimental first-person tribute to one of the greatest artists of all time; he shares the stories behind the songs, the records Glen played on as a member of the Wrecking Crew in his LA studio days, and of course, some of Campbell's classic country humor. Jeff Dayton continues to lead the band, which includes original drummer Tom Benton, as they perform to sold-out crowds across the country, playing hits like “Wichita Lineman,” “Gentle On My Mind,” “Rhinestone Cowboy,” and all the rest, just as they were performed with Glen Campbell.       EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Keenan McIntyre - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW HOST MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2024 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/  Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/  Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism  The Bayfield Inn - https://bayfieldinn.com/  Cable Area Chamber of Commerce - https://www.cable4fun.com/  SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/ 

"Oh, give me land, lots of land under starry skies above; Don't fence me in. Let me ride through the wide open country that I love; Don't fence me in." Those words in the song "Don't Fence Me In" by Cole Porter and Robert Fletcher are beloved by many, and have been covered by the likes of: Roy Rogers, Gene Autry, Willie Nelson, Bing Crosby, Frank Sinatra, Harry Connick Jr, David Byrne, and even Elle Fitzgerald. Often we are put in a box, made to check a box on a government form, or labeled by others, but is that really who we are? I for one don't like to be put in a box. When we believe others and allow ourselves to be put in boxes and labeled, our world narrows and we start believing things that aren't true. If we are to be our authentic self, we must learn to throw off the labels and judgement of others and ride under the starry skies above like a lone cowboy of the old west. In this episode I discuss how you can start doing that so you can start to hear the "murmur of the cottonwood trees" and "gaze at the moon till [you] lose your senses" without and hovels and fences. FOR FULL SHOW NOTES AND LINKS VISIT: https://www.jasonmefford.com/jammingwithjason380/ SUPPORT THE PODCAST: https://anchor.fm/jammingwithjason/support DO YOU LOVE MUSIC LIKE ME? If so, learn how you can use it to intentionally heal and change your emotions as well as use it for entertainment at: https://bit.ly/MeffordMusic LIKED THE PODCAST? If you're the kind of person who likes to help others, then share this with your friends and family. If you found value, the will too. Please leave a review [https://itunes.apple.com/us/podcast/jamming-with-jason-mefford/id1456660699] on Apple Podcasts so we can reach more people. Join my Facebook group: https://www.facebook.com/groups/beinguniquely OTHER RESOURCES YOU MAY ENJOY: My YouTube channel [https://www.youtube.com/c/jasonleemefford] and make sure to subscribe My Facebook page [https://www.facebook.com/jammingwithjasonmefford] My LinkedIn page [https://www.linkedin.com/in/jasonmefford/] My website [https://jasonmefford.com] STAY UP TO DATE WITH NEW CONTENT: It can be difficult to find information on social media and the internet, but you get treated like a VIP and have one convenient list of new content delivered to you inbox each week when you subscribe to Jason's VIP Lounge at: https://jasonmefford.com/vip/ plus that way you can communicate with me through email and I don't have to censor myself life I do on social media, you get it straight from the horses mouth. --- Support this podcast: https://podcasters.spotify.com/pod/show/jammingwithjason/support

Western: Cisco Kid “Manhunt for a Killer” 3/3/55 Syndicated, Gene Autry's Melody Ranch “Wilson Valley Church” 9/20/53 CBS.

Western: Have Gun, Will Travel “Death of a Young Gunfighter” 3/15/59 CBS, Gene Autry's Melody Ranch “Caleb Hooten Story” 9/30/50 CBS.

MN Music Historian and former Concert Promoter Neal Bond joins Dave to chat about his first concert by seeing Gene Autry when he was 5 years old. They also chatted about the MN Music History Channel on Facebook and his past work as a concert promoter!   Sponsored by Aquarius Home Services (https://aquariushomeservices.com/), Star Bank (https://star.bank)