Podcasts about irish studies seminar

The discovery of anaesthesia which could be administered safely to eliminate the pain of surgery and other medical and dental procedures is widely considered to be one of the greatest developments of the nineteenth century. Yet, until now few studies have focused on anaesthesia in Ireland.  Safety As We Watch: Anaesthesia in Ireland 1847-1998 (Wordwell Books, 2022), written by three Irish anaesthetists, is the first published study of the history of anaesthesia in Ireland. Featuring fascinating vignettes of the personalities and innovators who led the development of anaesthesia in the nineteenth and twentieth centuries, the book leads readers through the history of the practice over 150 years, sketching global networks of exchange between medical practitioners and researchers. Beginning with the administration of the first general anaesthetic in Ireland on 1 January 1847, when ether was given to an 18-year-old girl undergoing an amputation under the care of Dr John MacDonnell, the book traces the debates and issues surrounding the uses and administration of anaesthesia through to the foundation of the College of Anaesthetists of Ireland in 1998. Safety as We Watch is divided into two parts: Part I focuses on the development of chloroform and ether, the mechanisms used to administer the drugs, as well as the innovators and medical professionals responsible, and Part II focuses on the organizations and academic developments in anaesthesia practice and education. In its examination of this often-overlooked area in the history of Irish medicine Safety as We Watch offers new insight into medical organizations, as well as cultural conceptions of pain and consciousness, and the ways that anaesthesia transformed doctor-patient relationships. This book will be of great interest to medical professionals, historians of medicine, health humanities scholars and to more general readers interested in anaesthesia. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

The discovery of anaesthesia which could be administered safely to eliminate the pain of surgery and other medical and dental procedures is widely considered to be one of the greatest developments of the nineteenth century. Yet, until now few studies have focused on anaesthesia in Ireland.  Safety As We Watch: Anaesthesia in Ireland 1847-1998 (Wordwell Books, 2022), written by three Irish anaesthetists, is the first published study of the history of anaesthesia in Ireland. Featuring fascinating vignettes of the personalities and innovators who led the development of anaesthesia in the nineteenth and twentieth centuries, the book leads readers through the history of the practice over 150 years, sketching global networks of exchange between medical practitioners and researchers. Beginning with the administration of the first general anaesthetic in Ireland on 1 January 1847, when ether was given to an 18-year-old girl undergoing an amputation under the care of Dr John MacDonnell, the book traces the debates and issues surrounding the uses and administration of anaesthesia through to the foundation of the College of Anaesthetists of Ireland in 1998. Safety as We Watch is divided into two parts: Part I focuses on the development of chloroform and ether, the mechanisms used to administer the drugs, as well as the innovators and medical professionals responsible, and Part II focuses on the organizations and academic developments in anaesthesia practice and education. In its examination of this often-overlooked area in the history of Irish medicine Safety as We Watch offers new insight into medical organizations, as well as cultural conceptions of pain and consciousness, and the ways that anaesthesia transformed doctor-patient relationships. This book will be of great interest to medical professionals, historians of medicine, health humanities scholars and to more general readers interested in anaesthesia. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The discovery of anaesthesia which could be administered safely to eliminate the pain of surgery and other medical and dental procedures is widely considered to be one of the greatest developments of the nineteenth century. Yet, until now few studies have focused on anaesthesia in Ireland.  Safety As We Watch: Anaesthesia in Ireland 1847-1998 (Wordwell Books, 2022), written by three Irish anaesthetists, is the first published study of the history of anaesthesia in Ireland. Featuring fascinating vignettes of the personalities and innovators who led the development of anaesthesia in the nineteenth and twentieth centuries, the book leads readers through the history of the practice over 150 years, sketching global networks of exchange between medical practitioners and researchers. Beginning with the administration of the first general anaesthetic in Ireland on 1 January 1847, when ether was given to an 18-year-old girl undergoing an amputation under the care of Dr John MacDonnell, the book traces the debates and issues surrounding the uses and administration of anaesthesia through to the foundation of the College of Anaesthetists of Ireland in 1998. Safety as We Watch is divided into two parts: Part I focuses on the development of chloroform and ether, the mechanisms used to administer the drugs, as well as the innovators and medical professionals responsible, and Part II focuses on the organizations and academic developments in anaesthesia practice and education. In its examination of this often-overlooked area in the history of Irish medicine Safety as We Watch offers new insight into medical organizations, as well as cultural conceptions of pain and consciousness, and the ways that anaesthesia transformed doctor-patient relationships. This book will be of great interest to medical professionals, historians of medicine, health humanities scholars and to more general readers interested in anaesthesia. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The discovery of anaesthesia which could be administered safely to eliminate the pain of surgery and other medical and dental procedures is widely considered to be one of the greatest developments of the nineteenth century. Yet, until now few studies have focused on anaesthesia in Ireland.  Safety As We Watch: Anaesthesia in Ireland 1847-1998 (Wordwell Books, 2022), written by three Irish anaesthetists, is the first published study of the history of anaesthesia in Ireland. Featuring fascinating vignettes of the personalities and innovators who led the development of anaesthesia in the nineteenth and twentieth centuries, the book leads readers through the history of the practice over 150 years, sketching global networks of exchange between medical practitioners and researchers. Beginning with the administration of the first general anaesthetic in Ireland on 1 January 1847, when ether was given to an 18-year-old girl undergoing an amputation under the care of Dr John MacDonnell, the book traces the debates and issues surrounding the uses and administration of anaesthesia through to the foundation of the College of Anaesthetists of Ireland in 1998. Safety as We Watch is divided into two parts: Part I focuses on the development of chloroform and ether, the mechanisms used to administer the drugs, as well as the innovators and medical professionals responsible, and Part II focuses on the organizations and academic developments in anaesthesia practice and education. In its examination of this often-overlooked area in the history of Irish medicine Safety as We Watch offers new insight into medical organizations, as well as cultural conceptions of pain and consciousness, and the ways that anaesthesia transformed doctor-patient relationships. This book will be of great interest to medical professionals, historians of medicine, health humanities scholars and to more general readers interested in anaesthesia. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

The discovery of anaesthesia which could be administered safely to eliminate the pain of surgery and other medical and dental procedures is widely considered to be one of the greatest developments of the nineteenth century. Yet, until now few studies have focused on anaesthesia in Ireland.  Safety As We Watch: Anaesthesia in Ireland 1847-1998 (Wordwell Books, 2022), written by three Irish anaesthetists, is the first published study of the history of anaesthesia in Ireland. Featuring fascinating vignettes of the personalities and innovators who led the development of anaesthesia in the nineteenth and twentieth centuries, the book leads readers through the history of the practice over 150 years, sketching global networks of exchange between medical practitioners and researchers. Beginning with the administration of the first general anaesthetic in Ireland on 1 January 1847, when ether was given to an 18-year-old girl undergoing an amputation under the care of Dr John MacDonnell, the book traces the debates and issues surrounding the uses and administration of anaesthesia through to the foundation of the College of Anaesthetists of Ireland in 1998. Safety as We Watch is divided into two parts: Part I focuses on the development of chloroform and ether, the mechanisms used to administer the drugs, as well as the innovators and medical professionals responsible, and Part II focuses on the organizations and academic developments in anaesthesia practice and education. In its examination of this often-overlooked area in the history of Irish medicine Safety as We Watch offers new insight into medical organizations, as well as cultural conceptions of pain and consciousness, and the ways that anaesthesia transformed doctor-patient relationships. This book will be of great interest to medical professionals, historians of medicine, health humanities scholars and to more general readers interested in anaesthesia. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

The discovery of anaesthesia which could be administered safely to eliminate the pain of surgery and other medical and dental procedures is widely considered to be one of the greatest developments of the nineteenth century. Yet, until now few studies have focused on anaesthesia in Ireland.  Safety As We Watch: Anaesthesia in Ireland 1847-1998 (Wordwell Books, 2022), written by three Irish anaesthetists, is the first published study of the history of anaesthesia in Ireland. Featuring fascinating vignettes of the personalities and innovators who led the development of anaesthesia in the nineteenth and twentieth centuries, the book leads readers through the history of the practice over 150 years, sketching global networks of exchange between medical practitioners and researchers. Beginning with the administration of the first general anaesthetic in Ireland on 1 January 1847, when ether was given to an 18-year-old girl undergoing an amputation under the care of Dr John MacDonnell, the book traces the debates and issues surrounding the uses and administration of anaesthesia through to the foundation of the College of Anaesthetists of Ireland in 1998. Safety as We Watch is divided into two parts: Part I focuses on the development of chloroform and ether, the mechanisms used to administer the drugs, as well as the innovators and medical professionals responsible, and Part II focuses on the organizations and academic developments in anaesthesia practice and education. In its examination of this often-overlooked area in the history of Irish medicine Safety as We Watch offers new insight into medical organizations, as well as cultural conceptions of pain and consciousness, and the ways that anaesthesia transformed doctor-patient relationships. This book will be of great interest to medical professionals, historians of medicine, health humanities scholars and to more general readers interested in anaesthesia. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Drawing on newly released and digitized archival records, Houlihan's Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 (Palgrave MacMillan, 2021) examines a pivotal period of social and cultural change in the history of Irish theatre, offering unique insights into the production and reception of Irish drama, its internationalization and political influences. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland's national theatre, the Abbey. Incorporating the work of overlooked female playwrights like Edna O'Brien, Mary Manning, Carolyn Swift, and Mairead Ni Ghrada, this book argues for an inclusive historiography reflective of the formative impacts of marginalized performance histories upon modern Irish theatre. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. Theatre and Archival Memory is framed by the device of ‘archival memory' and serves as a means for scholars and theatre-makers to inter-contextualize existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Drawing on newly released and digitized archival records, Houlihan's Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 (Palgrave MacMillan, 2021) examines a pivotal period of social and cultural change in the history of Irish theatre, offering unique insights into the production and reception of Irish drama, its internationalization and political influences. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland's national theatre, the Abbey. Incorporating the work of overlooked female playwrights like Edna O'Brien, Mary Manning, Carolyn Swift, and Mairead Ni Ghrada, this book argues for an inclusive historiography reflective of the formative impacts of marginalized performance histories upon modern Irish theatre. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. Theatre and Archival Memory is framed by the device of ‘archival memory' and serves as a means for scholars and theatre-makers to inter-contextualize existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drawing on newly released and digitized archival records, Houlihan's Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 (Palgrave MacMillan, 2021) examines a pivotal period of social and cultural change in the history of Irish theatre, offering unique insights into the production and reception of Irish drama, its internationalization and political influences. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland's national theatre, the Abbey. Incorporating the work of overlooked female playwrights like Edna O'Brien, Mary Manning, Carolyn Swift, and Mairead Ni Ghrada, this book argues for an inclusive historiography reflective of the formative impacts of marginalized performance histories upon modern Irish theatre. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. Theatre and Archival Memory is framed by the device of ‘archival memory' and serves as a means for scholars and theatre-makers to inter-contextualize existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Drawing on newly released and digitized archival records, Houlihan's Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 (Palgrave MacMillan, 2021) examines a pivotal period of social and cultural change in the history of Irish theatre, offering unique insights into the production and reception of Irish drama, its internationalization and political influences. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland's national theatre, the Abbey. Incorporating the work of overlooked female playwrights like Edna O'Brien, Mary Manning, Carolyn Swift, and Mairead Ni Ghrada, this book argues for an inclusive historiography reflective of the formative impacts of marginalized performance histories upon modern Irish theatre. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. Theatre and Archival Memory is framed by the device of ‘archival memory' and serves as a means for scholars and theatre-makers to inter-contextualize existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Drawing on newly released and digitized archival records, Houlihan's Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 (Palgrave MacMillan, 2021) examines a pivotal period of social and cultural change in the history of Irish theatre, offering unique insights into the production and reception of Irish drama, its internationalization and political influences. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland's national theatre, the Abbey. Incorporating the work of overlooked female playwrights like Edna O'Brien, Mary Manning, Carolyn Swift, and Mairead Ni Ghrada, this book argues for an inclusive historiography reflective of the formative impacts of marginalized performance histories upon modern Irish theatre. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. Theatre and Archival Memory is framed by the device of ‘archival memory' and serves as a means for scholars and theatre-makers to inter-contextualize existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Drawing on newly released and digitized archival records, Houlihan's Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 (Palgrave MacMillan, 2021) examines a pivotal period of social and cultural change in the history of Irish theatre, offering unique insights into the production and reception of Irish drama, its internationalization and political influences. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland's national theatre, the Abbey. Incorporating the work of overlooked female playwrights like Edna O'Brien, Mary Manning, Carolyn Swift, and Mairead Ni Ghrada, this book argues for an inclusive historiography reflective of the formative impacts of marginalized performance histories upon modern Irish theatre. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. Theatre and Archival Memory is framed by the device of ‘archival memory' and serves as a means for scholars and theatre-makers to inter-contextualize existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Drawing on newly released and digitized archival records, Houlihan's Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 (Palgrave MacMillan, 2021) examines a pivotal period of social and cultural change in the history of Irish theatre, offering unique insights into the production and reception of Irish drama, its internationalization and political influences. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland's national theatre, the Abbey. Incorporating the work of overlooked female playwrights like Edna O'Brien, Mary Manning, Carolyn Swift, and Mairead Ni Ghrada, this book argues for an inclusive historiography reflective of the formative impacts of marginalized performance histories upon modern Irish theatre. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. Theatre and Archival Memory is framed by the device of ‘archival memory' and serves as a means for scholars and theatre-makers to inter-contextualize existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The theme of exile in Irish writing often calls to mind Joyce or Beckett, but rarely does it conjure up other writers or literary networks, particularly those of the often-overlooked literary history of the nineteen thirties. Goldstone's original new study, Irish Writers and the Thirties: Art, Exile and War (Routledge, 2020) takes up the theme of art and exile by focusing on four Irish writers—Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers—and brings to light important local and global aspects of the Popular Front cultural movement. Tracing literary networks from interwar London to the Spanish Civil War and the USSR Goldstone skillfully exposes the ways that these lives overlapped and entwined, revealing the relationships between these writers and George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams, and others, thus illuminating internationalist aspects of a Leftist cultural history. This book is commendable for its discussion of how Irish literary women on the left defied marginalization, and in this way provides a framework for further study on the topic. In its examination of this neglected period of Irish literary history Irish Writers and the Thirties re-imagines Irish writing of the mid-twentieth century and will prove of great interest to scholars and students of cultural history, Irish studies, and Jewish studies, as well as to more general readers interested in the thirties. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The theme of exile in Irish writing often calls to mind Joyce or Beckett, but rarely does it conjure up other writers or literary networks, particularly those of the often-overlooked literary history of the nineteen thirties. Goldstone's original new study, Irish Writers and the Thirties: Art, Exile and War (Routledge, 2020) takes up the theme of art and exile by focusing on four Irish writers—Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers—and brings to light important local and global aspects of the Popular Front cultural movement. Tracing literary networks from interwar London to the Spanish Civil War and the USSR Goldstone skillfully exposes the ways that these lives overlapped and entwined, revealing the relationships between these writers and George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams, and others, thus illuminating internationalist aspects of a Leftist cultural history. This book is commendable for its discussion of how Irish literary women on the left defied marginalization, and in this way provides a framework for further study on the topic. In its examination of this neglected period of Irish literary history Irish Writers and the Thirties re-imagines Irish writing of the mid-twentieth century and will prove of great interest to scholars and students of cultural history, Irish studies, and Jewish studies, as well as to more general readers interested in the thirties. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The theme of exile in Irish writing often calls to mind Joyce or Beckett, but rarely does it conjure up other writers or literary networks, particularly those of the often-overlooked literary history of the nineteen thirties. Goldstone's original new study, Irish Writers and the Thirties: Art, Exile and War (Routledge, 2020) takes up the theme of art and exile by focusing on four Irish writers—Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers—and brings to light important local and global aspects of the Popular Front cultural movement. Tracing literary networks from interwar London to the Spanish Civil War and the USSR Goldstone skillfully exposes the ways that these lives overlapped and entwined, revealing the relationships between these writers and George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams, and others, thus illuminating internationalist aspects of a Leftist cultural history. This book is commendable for its discussion of how Irish literary women on the left defied marginalization, and in this way provides a framework for further study on the topic. In its examination of this neglected period of Irish literary history Irish Writers and the Thirties re-imagines Irish writing of the mid-twentieth century and will prove of great interest to scholars and students of cultural history, Irish studies, and Jewish studies, as well as to more general readers interested in the thirties. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices

The theme of exile in Irish writing often calls to mind Joyce or Beckett, but rarely does it conjure up other writers or literary networks, particularly those of the often-overlooked literary history of the nineteen thirties. Goldstone's original new study, Irish Writers and the Thirties: Art, Exile and War (Routledge, 2020) takes up the theme of art and exile by focusing on four Irish writers—Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers—and brings to light important local and global aspects of the Popular Front cultural movement. Tracing literary networks from interwar London to the Spanish Civil War and the USSR Goldstone skillfully exposes the ways that these lives overlapped and entwined, revealing the relationships between these writers and George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams, and others, thus illuminating internationalist aspects of a Leftist cultural history. This book is commendable for its discussion of how Irish literary women on the left defied marginalization, and in this way provides a framework for further study on the topic. In its examination of this neglected period of Irish literary history Irish Writers and the Thirties re-imagines Irish writing of the mid-twentieth century and will prove of great interest to scholars and students of cultural history, Irish studies, and Jewish studies, as well as to more general readers interested in the thirties. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The theme of exile in Irish writing often calls to mind Joyce or Beckett, but rarely does it conjure up other writers or literary networks, particularly those of the often-overlooked literary history of the nineteen thirties. Goldstone's original new study, Irish Writers and the Thirties: Art, Exile and War (Routledge, 2020) takes up the theme of art and exile by focusing on four Irish writers—Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers—and brings to light important local and global aspects of the Popular Front cultural movement. Tracing literary networks from interwar London to the Spanish Civil War and the USSR Goldstone skillfully exposes the ways that these lives overlapped and entwined, revealing the relationships between these writers and George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams, and others, thus illuminating internationalist aspects of a Leftist cultural history. This book is commendable for its discussion of how Irish literary women on the left defied marginalization, and in this way provides a framework for further study on the topic. In its examination of this neglected period of Irish literary history Irish Writers and the Thirties re-imagines Irish writing of the mid-twentieth century and will prove of great interest to scholars and students of cultural history, Irish studies, and Jewish studies, as well as to more general readers interested in the thirties. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The theme of exile in Irish writing often calls to mind Joyce or Beckett, but rarely does it conjure up other writers or literary networks, particularly those of the often-overlooked literary history of the nineteen thirties. Goldstone's original new study, Irish Writers and the Thirties: Art, Exile and War (Routledge, 2020) takes up the theme of art and exile by focusing on four Irish writers—Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers—and brings to light important local and global aspects of the Popular Front cultural movement. Tracing literary networks from interwar London to the Spanish Civil War and the USSR Goldstone skillfully exposes the ways that these lives overlapped and entwined, revealing the relationships between these writers and George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams, and others, thus illuminating internationalist aspects of a Leftist cultural history. This book is commendable for its discussion of how Irish literary women on the left defied marginalization, and in this way provides a framework for further study on the topic. In its examination of this neglected period of Irish literary history Irish Writers and the Thirties re-imagines Irish writing of the mid-twentieth century and will prove of great interest to scholars and students of cultural history, Irish studies, and Jewish studies, as well as to more general readers interested in the thirties. Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth's new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references, music, technology, and lived environments. Wyeth's clever and thought-provoking book of poetry—the title itself a reference to the message that appears in internet browser's address bar to indicate an empty web page—meditates on what it means to be a writer in an ever-changing world and touches on philosophical questions surrounding identity, selfhood, and the absurdity of existence.  B ridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth's new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references, music, technology, and lived environments. Wyeth's clever and thought-provoking book of poetry—the title itself a reference to the message that appears in internet browser's address bar to indicate an empty web page—meditates on what it means to be a writer in an ever-changing world and touches on philosophical questions surrounding identity, selfhood, and the absurdity of existence.  B ridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth's new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references, music, technology, and lived environments. Wyeth's clever and thought-provoking book of poetry—the title itself a reference to the message that appears in internet browser's address bar to indicate an empty web page—meditates on what it means to be a writer in an ever-changing world and touches on philosophical questions surrounding identity, selfhood, and the absurdity of existence.  B ridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth's new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references, music, technology, and lived environments. Wyeth's clever and thought-provoking book of poetry—the title itself a reference to the message that appears in internet browser's address bar to indicate an empty web page—meditates on what it means to be a writer in an ever-changing world and touches on philosophical questions surrounding identity, selfhood, and the absurdity of existence.  B ridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth's new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references, music, technology, and lived environments. Wyeth's clever and thought-provoking book of poetry—the title itself a reference to the message that appears in internet browser's address bar to indicate an empty web page—meditates on what it means to be a writer in an ever-changing world and touches on philosophical questions surrounding identity, selfhood, and the absurdity of existence.  B ridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network