New Books in Irish Studies

Forest Isaac Jones is an award-winning author of non-fiction and essays, specializing in the study of Irish History, the US Civil Rights Movement and Northern Ireland. His latest essay, ‘The Civil Rights Connection Between The USA and Northern Ireland' was awarded honorable mention in the category of nonfiction essay by Writer's Digest in their 93rd annual writing competition. In this interview, he discusses his new book Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963-1972 (First Hill Books, 2025). Good Trouble investigates the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author's heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream' speech. Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, Once Upon A Time In Northern Ireland) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann, who took part in the Belfast to Derry march in 1969. Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

A State in Denial: British Collaboration with Loyalist Paramilitaries (Mercier Press, 2016) uses previously secret official documents to explore the tangled web of relationships between the top echelons of the British establishment, incl Cabinet ministers, senior civil servants, police/military officers and intelligence services with loyalist paramilitaries of the UDA & UVF throughout the 1970s and early 1980s. Covert British Army units, mass sectarian screening, propaganda 'dirty tricks, ' arming sectarian killers and a point-blank refusal over the worst two decades of the conflict, to outlaw the largest loyalist killer gang in Northern Ireland. It shows how tactics such as curfew and internment were imposed on the nationalist population in Northern Ireland and how London misled the European Commission over internment's one-sided nature. It focuses particularly on the British Government's refusal to proscribe the UDA for two decades - probably the most serious abdication of the rule of law in the entire conflict. Previously classified documents show a clear pattern of official denial, at the highest levels of government, of the extent and impact of the loyalist assassination campaign. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seán Creagh was born in County Monaghan in 1977. He attended Our Lady's Secondary School in Castleblayney and later on Dundalk Institute of Technology. After moving to the U.S and developing an intense interest in Irish-American history he attended Northeastern Illinois University where he achieved an Honors Degree in History as well as Honors in Education. Today he is a middle school Social Studies teacher in Illinois. His first book was The Wolfhounds of Irish-American Nationalism. Listen to an interview on that here. In this interview he discusses his second book entitled Republican Solipsist, recently published with Peter Lang Republican Solipsist: The Life and Times of Joseph Mcgarrity, 1874-1940 (Peter Lang, 2025) discusses the life of Joseph McGarrity and his role within Irish and Irish American Republicanism including the complicated transatlantic relationship between two opposing visions of an independent Ireland. McGarrity's militant Republicanism came into regular conflict with the reality of the political situation in Ireland. While the role of John Devoy has been well documented in the development of Irish American nationalism in the form of Clan na Gael that of Joseph McGarrity has been less well analyzed. For many historians the central focus of Irish American nationalism during the revolutionary period of 1916–1923 has centered on the Devoy-controlled branch of Clan na Gael. However, this period saw significant influence from McGarrity and the Philadelphia branch of the movement in shaping political events in Ireland which has been largely ignored. The book places McGarrity at the center of Irish Republicanism during one of the most critical periods of its history. It is hard to imagine how militant Irish Republicanism would have evolved had it not been for the role and influence of this long-neglected figure in Irish history. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention.  The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1840 and 1860 the British Empire expanded rapidly in scale, with rampant annexation of territory and ruthless suppression of rebellion. These decades also witnessed an unprecedented movement of people across the Empire and around the world, with over 2.6 million emigrants leaving Britain in the 1850s alone.  Managing Mobility: The British Imperial State and Global Migration, 1840–1860 (Cambridge University Press, 2024) by Dr. Philip Harling examines how the British imperial state facilitated the mass migration of its impoverished subjects as labor assets, shipped across vast expanses of ocean to contribute to the economy of the Empire. Dr. Harling analyzes the ideological framework which underpinned these interventions and discusses the journeys taken by emigrants across four continents, considering the varied outcomes of these significant projects of social engineering. In doing so, this study demonstrates how the British imperial state harnessed migration to ensure and maintain a racialised global economic order in the decades after Emancipation. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The British government has taken steps to halt the prosecution of soldiers responsible for the deaths of civilians in Northern Ireland, most of whom had no connection to paramilitary activities. These killings were part of a ruthless dirty war that commenced in 1970 when Brigadier Frank Kitson, a counter-insurgency specialist, was sent to Northern Ireland. Kitson had spent decades in Britain's colonies refining old, and developing new, techniques which he applied in Northern Ireland. He became the architect of a clandestine war, waged against Nationalists while ignoring Loyalist atrocities. Kitson and his colleagues were responsible for: - The establishment of the clandestine Military Reaction Force (MRF) which carried out assassinations on the streets of Belfast of suspected IRA members; - They unleashed the most violent elements of the Parachute Regiment [1 Para] to terrorise Nationalist communities which, they adjudged, were providing support for the Official and Provisional IRA; - Spreading black propaganda designed to undermine Republican but not Loyalist paramilitary groups; - Deployed psychological warfare techniques, involving the torture of internees; - Sent Kitson's 'Private Army' - Support Company of 1 Para - to Derry where they perpetrated the Bloody Sunday massacre. The British Widgery and Saville inquiries did not hold Kitson and his elite troops accountable for Bloody Sunday. Kitson's Irish War lays bare the evidence they discounted: Kitson's role in the events leading up to and surrounding that massacre; evidence from a deserter from 1 Para who joined the IRA; a deceitful MI5 agent; a courageous whistle blower whom the British state tried to discredit, and much more, all of which points to a motive for the attack on the Bogside. This book unlocks the some of the key secrets of the Dirty War that the British government is still determined to cover-up. Learn more about your ad choices. Visit megaphone.fm/adchoices

Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women's Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women's issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice. O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18. Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights. Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career. The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey. Ariane Sherine's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

George M. Cohan was one of those rare Broadway figures who was a composer, lyricist, playwright, performer, director, theater owner, and star actor. He could, quite literally, do it all. In his day, he was famous as the "Yankee Doodle Boy" from his hit song and as the "Man Who Owned Broadway" from his musical of the same name. Cohan's songs and shows captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism.  Elizabeth Craft's Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Oxford University Press, 2024) is not a conventional biography. Each chapter explores a different aspect of his life and career including Cohan's approach to American nationalism, Irish American identity, celebrity, and the entertainment business along with defining what made Cohan's shows unique. Craft finds songs and shows that serve as exemplars for each theme she highlights. The book ends with an examination of the 1942 biopic on Cohan and his enduring legacy. Yankee Doodle Dandy offers not only a fuller understanding of Cohan's shows and career, but also new perspectives on fundamental debates about American identity and the performing arts in the early twentieth-century United States. Learn more about your ad choices. Visit megaphone.fm/adchoices

The classical Bildungsroman charted an idealized path of human development—the harmonization of individual desires with societal norms in the formation of a well-rounded, liberal subject. But what happens when this Enlightenment blueprint for self-cultivation runs up against the particularities of a colonial society riven by nationalism, revolution, and uneven modernization? The Irish Bildungsroman (Syracuse UP, 2025) provides the first comprehensive study of how this quintessentially bourgeois and European genre was transformed and reinvented by Irish writers from the Act of Union to the present day. Through incisive readings of over two centuries of Irish novels, the volume's contributors illuminate the diverse narrative strategies Irish authors have employed to depict personal formation within a colonial/postcolonial nation fractured by religion, class, gender, and ethnic divisions. Carefully periodized into three major sections, the book maps the evolution of the Irish Bildungsroman across key historical junctures: the rise of cultural nationalism in the nineteenth century, the revolutionary period and emergence of the postcolonial state in the early twentieth century, and more recent waves of globalization and the reconfiguration of Irish identity. From Maria Edgeworth's post-Union novels to Sally Rooney's millennial fictions, The Irish Bildungsroman excavates a rich vein of self-reflexive writing that creatively reworked this genre to expose the fault lines of liberal humanism and imagine new modes of selfhood. Learn more about your ad choices. Visit megaphone.fm/adchoices

What were two Irish sisters doing in Russia during the early years of the nineteenth century, editing the French-language memoirs of a princess who had been a close confidante of Catherine the Great? Author Alexis Wolf is in conversation with Duncan McCargo about a remarkable transnational story she has unearthed through meticulous archival research.  Transnational Women Writers in the Wilmot Coterie, 1798-1840 (Boydell Press, 2024) highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century. The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work. Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded. Alexis Wolf is an independent scholar of eighteenth and nineteenth century literature. Duncan McCargo is President's Chair in Global Affairs and a Professor of English (by courtesy) at Nanyang Technological University, Singapore.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Samuel Beckett and Recent Irish Fiction: A Comparative Study (Routledge, 2025) considers Samuel Beckett's fiction and drama as major aesthetic and thematic influences on the work of Irish authors Eimear McBride, Keith Ridgway, Emma Donoghue, and Kevin Barry in the post-crash period of 2009-2015. Through cross-comparisons between the aesthetics and form of Beckett's Trilogy, Mercier and Camier, Footfalls and Not I, and those of a range of post-crash Irish novels including Beatlebone, Hawthorn and Child, Room, and A Girl Is A Half-Formed Thing, this book establishes Beckett's continuing influence on Irish fiction. With particular reference to these newer authors' treatment of scarcity, trauma, indeterminism, gender and sexuality, and confinement in the context of major societal changes and traumas in Irish society since 2009, topics include the imposition of austerity, collapse of faith in institutions, and the increasing recognition of LGBTQIA+ and reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen Watt is the Provost Professor of English at Indiana University. His research interests include drama and theatre of the 19th and 20th centuries, Irish Studies, and the contemporary university and his recent works include Bernard Shaw's Fiction, Material Psychology, and Affect: Shaw, Freud, Simmel (2018), “Something Dreadful and Grand”: American Literature and the Irish-Jewish Unconscious (2015), and Beckett and Contemporary Irish Writing (2009). In this interview he discusses his new book, From the 'Troubles' to Trumpism: Ireland and America, 1960-2023 (Anthem Press, 2024), a personal history of Irish, American and Irish-American politics and culture since the 1960s. The essays in this book combine historical investigation with cultural criticism to illuminate the present moment, particularly the present American moment. In this regard, the dates 1960 and 2023 in the book's subtitle are by no means accidental. The first three chapters concern the history of America's relationship with Ireland during the administrations of the presidents whose terms spanned the immediate pre-history and history of the Troubles. After a glance backward at American and Irish relations in the nineteenth century, the first chapter focuses on the 1960 election of John F. Kennedy, the first Catholic president in America's history and the first to visit Ireland during his term of office. It also juxtaposes Kennedy's jubilant 1963 trip to Ireland with Ronald Reagan's more complicated homecoming in 1984. From there, the book traces Irish-American connections via the presidencies of Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan and Bill Clinton, Joe Biden and Donald Trump, as well as Michael D. Higgins. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

Ciaran O'Neill is the Ussher Associate Professor in Nineteenth-Century History at Trinity College Dublin. His work mainly focuses on the social and cultural history of Ireland and empire, the history of education and elites, colonial legacies, modern literature, and public history. In this interview, he discusses Power and Powerlessness in Union Ireland: Life in a Palliative State (Oxford UP, 2024), a survey of the state in nineteenth-century Ireland. Life in a Palliative State is an exploratory book that challenges assumptions about who might have been powerful, or powerless, in Union Ireland. It decenters sectarian division, popular and parliamentary politics, and the tradition of physical-force nationalism and emphasizes transnational phenomena, a settler colonial diaspora, and minority groups on the island. Departing from the conventional focus on political leaders like Parnell and De Valera, the book concentrates on the everyday dynamics of power and resistance during the Union. Structured as interlocking essays spanning the long nineteenth century, the book begins by defining the power structures that governed Ireland. Subsequent chapters examine the governance of Ireland, the development of infrastructure, and the mapping of its population and territory. Drawing on feminist theories of power, the book also explores marginalized groups and their agency within Irish society, debunking the myth of Irish ‘ungovernability.' One is the Irish diaspora, positioned as both a resource and a threat within the wider context of European settler colonialism. By analyzing the diaspora's influence and the phenomenon of remittances, the book challenges prevailing notions of powerlessness. By tracing a geographical journey from East to West, the book questions traditional representations of authenticity and colonization Power and Powerlessness in Union Ireland: Life in a Palliative State is published with Oxford University Press. Aidan Beatty is a lecturer in history at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

In the eighteenth century, tens of thousands of travelers journeyed to Italy on the Grand Tour. These travels in the age of Enlightenment contributed to a massive reimagining of politics and the arts, of the market for culture, and of ideas about education and leisure. A World Made by Traval: A Digital Grand Tour (Stanford UP, 2024) combines —in dynamic format— original research with data and visualizations about the lives and journeys of 6,007 travelers. It reveals the diverse experiences, elite and otherwise, that collectively constituted the eighteenth-century Grand Tour. This digital publication transforms the foundational Dictionary of British and Irish Travellers in Italy, 1701–1800 (published by the Paul Mellon Centre [PMC] and compiled from the Brinsley Ford Archive held at the PMC) into an interactive and data-rich interface. It introduces more than a thousand new figures, including hundreds of women, servants, workers, and Italians not previously represented among the Dictionary's primary headings. This digital Grand Tour is more inclusive, and it addresses and invites vital questions about a historical phenomenon that has long been studied with a focus on the most elite and well-known travelers. A World Made by Travel is framed by introductory chapters explaining its digital approach, contains exemplary essays by leading scholars who worked with its data, and offers resources to help teachers bring this wealth of material into the classroom. By opening up pressing questions of scale and representation through its Explorer, it models how digital approaches involving shareable data can facilitate original research and generate new knowledge about the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sexy young revolutionaries, a queer romance, and international communism--what more could you ask for?! In his brilliant new book, Hotel Lux: An Intimate History of Communism's Forgotten Radicals (Footnote Press, 2024), Maurice Casey delivers up an intriguing story of friendship, love, and revolution in a story spanning decades and continents. Following May O'Callaghan, an Irish communist revolutionary with an impressive curricula vitae, and her two dearest friends Nellie Cohen and Emmy Leonhard, Casey takes us from London to Moscow to New York City to Mexico. In a clever narrative intervention, Casey also takes us with him to an attic in the Cotswolds and a shed in Galicia as he documents his own journey in researching this book. He tells his research story in a way that draws back the curtain not just on the immensely complex process of collecting the pieces of this narrative, but also on the duality of doing historical research: equal parts thrilling and heartbreaking. Join us as we chat about political intrigue, a host of fascinating--famous or forgotten--twentieth-century revolutionaries, an enduring friendship that built the blocks for a queer romance captured in incredible love letters, and one historian's determination to follow the breadcrumbs to the satisfying conclusion of an international story. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can we protect diverse cultural expressions in an era of huge technological change? In Technology, Intellectual Property Law and Culture: The Tangification of Intangible Cultural Heritage (Routledge, 2024), Megan Rae Blakely, a lecturer in law at Lancaster University, examines the contemporary international legal context for heritage. The book uses three detailed case studies of Scotland, Ireland, and Wales, considering heritage in many different forms, from tourism and nation branding through to language and clothing. Rich in detail, but accessible for a those who are not specialists in law, technology, or heritage, the book is essential reading across the humanities and social sciences, as well as for anyone interested in how best to support and preserve the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Conor McCabe is a research fellow with Queen's Business School, Queens University Belfast. He is the author of numerous policy and research reports and is also the author of two Irish political economy books: Sins of the Father (2013), and Money (2018). He works mainly with grassroots political, trade union, artist, and community groups, exploring the dynamics of theory and action for societal change In this interview he discusses his new edited collection of the early writings of James Connolly. The Lost and Early Writings of James Connolly, 1889-1898 (Iskra Books, 2024) unveils the formative years of one of the 20th century's most influential socialist thinkers and revolutionary leaders. In this groundbreaking collection, historian Conor McCabe brings together Connolly's earliest articles, letters, and speeches, many of which have remained unpublished or inaccessible for over a century. These writings offer a rare glimpse into Connolly's evolving political thought as he navigated the fight for workers' rights, socialism, and Irish independence. Through his sharp critiques of capitalism and imperialism, Connolly laid the intellectual groundwork for the radical movements that would later define his legacy. This collection not only captures Connolly's intellectual rigor but also his deep personal commitment to the working class and the oppressed. From his early involvement in Scottish socialist circles to his growing leadership in Ireland, Connolly's writings reveal a thinker who was as much a man of action as of theory. His early works show the seeds of what would become his revolutionary strategy—a blend of Marxist analysis, Irish republicanism, and a fierce advocacy for international solidarity. Aidan Beatty is a lecturer in history at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.  This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the city of New York from the 1930s to the 1990s, Irish attorney Paul O'Dwyer was a fierce and enduring presence in courtrooms, on picket lines, and in contests for elected office. He was forever the advocate of the downtrodden and marginalized, fighting not only for Irish Catholics in Northern Ireland but for workers, radicals, Jews, and African Americans and against the Vietnam War. With his shock of white hair and bushy eyebrows, O'Dwyer was widely recognized in politics and in the media. His work as a reform Democrat transformed the Democratic Party and his advocacy for peace and justice in Northern Ireland bore fruit in the Good Friday Agreement of 1998 that ended decades of conflict. Until now, however, there has been no biography of this happy warrior for social justice. Fortunately, that problem has been remedied with a new book by Robert Polner and Michael Tubridy, An Irish Passion for Justice: The Life of Rebel New York Attorney Paul O'Dwyer (Cornell UP, 2024). Host Robert W. Snyder is Manhattan Borough Historian and professor emeritus of journalism, and American Studies at Rutgers University. His latest book, When the City Stopped: Stories from New York's Essential Workers, is due out in March 2025 from Cornell University Press. Email: rwsnyder@rutgers.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Aideen O'Shaughnessy is a Senior Lecturer in Sociology at the University of Lincoln. She has a PhD in Sociology from the University of Cambridge, an MA in Gender Studies Research from Utrecht University and a BA in Sociology and French at Trinity College Dublin. Her research focuses on gender, health, and social movements and she is particularly interested in the study of reproductive health, rights, and justice. She has published widely in journals including Body and Society, the European Journal of Women's Studies, and the BMJ Sexual and Reproductive Health. Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism (Bristol UP, 2024) explores the lived, embodied and affective experiences of reproductive rights activists living under, and mobilizing against, Ireland's constitutional abortion ban. Through qualitative research and in-depth interviews with activists, the author exposes the subtle influence of the 8th Amendment on Irish women and their (reproductive) bodies, whether or not they have ever attempted to access a clandestine abortion. It explains how the everyday embodied practices, bodily labours and affective experiences of women and gestating people were shaped by the 8th amendment and through the need to ‘prepare' for crisis pregnancies. In addition, it reveals the integral role of women's bodies and emotions in changing the political and social landscape in Ireland, through the historical transformation of the country's abortion laws. Learn more about your ad choices. Visit megaphone.fm/adchoices

Addressing questions about what it means to be ‘British' or ‘Irish' in the twenty-first century, Migrants, Immigration and Diversity in Twentieth-Century Northern Ireland: British, Irish or “Other”? (Palgrave Macmillan, 2023) focuses its attention on twentieth-century Northern Ireland and demonstrates how the fragmented and disparate nature of national identity shaped and continues to shape responses to social issues such as immigration. Immigrants moved to Northern Ireland in their thousands during the twentieth century, continuing to do so even during three decades of the Troubles, a violent and bloody conflict that cost over 3,600 lives.  Foregrounding the everyday lived experiences of settlers in this region, in this groundbreaking book, Dr Jack Crangle comparatively examines the perspectives of Italian, Indian, Chinese and Vietnamese migrants in Northern Ireland, outlining the specific challenges of migrating to this small, intensely divided part of the UK. The book explores whether it was possible for migrants and minorities to remain ‘neutral' within an intensely politicised society and how internal divisions affected the identity and belonging of later generations. An analysis of diversity and immigration within this divided society enhances our understanding of the forces that can shape conceptions of national insiders and outsiders - not just in the UK and Ireland - but across the world. It provokes and addresses a range of questions about how conceptions of nationality, race, culture and ethnicity have intersected to shape attitudes towards migrants. In doing so, the book invites scholars to embrace a more diverse, ‘four-nation' approach to UK immigration studies, making it an essential read for all those interested in the history of migration in the UK. This interview was conducted by Niall Herron, a PhD student at Queen's University Belfast in Anthropological Studies, researching queer assemblages during the Troubles in NI.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Anne Enright, writer, critic, Booker winner, kindly made time back in 2023 for Irish literature maven Paige Reynolds and for John Plotz in his role as host for our sister podcast, Novel Dialogue. In this conversation, she reads from The Wren, The Wren and says we don't yet know if the web has become a space of exposure or of authority. We can be sure that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also corrects one reviewer: her characters aren't working class, they're “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.” Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to Novel Dialogue's traditional "signature question": A. A. Milne's Now We Are Six. Mentioned in this Episode: By Anne Enright: The Gathering (2007; Booker Prize) The Forgotten Waltz (2011) The Green Road (2015) The Portable Virgin Taking Pictures Yesterday's Weather Granta Book of the Irish Short Story Making Babies: Stumbling into Motherhood No Authority Also mentioned: Patricia Lockwood, No One is Talking about This Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends Christopher Hitchens, “Booze and Fags:” Transcript. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary McAuliffe is a historian and lecturer in Gender Studies at UCD. Her latest publications include (is The Diaries of Kathleen Lynn co-authored with Harriet Wheelock) and Margaret Skinnider; a biography (UCD Press,2020). Throughout the Decade of Centenaries 2012-2023 she has been conducting extensive research on the experiences of women during the War of Independence and Civil War and is currently completing her book based on that research, OUTRAGE: Gendered and Sexual Violence in the Irish War of Independence and Civil War, 1919-1923 (forthcoming 2025). Jennifer Redmond is Associate Professor in Twentieth Century Irish History in the Department of History at Maynooth University. She is the author of Moving Histories: Irish Women's Emigration to Britain from Independence to Republic and the co-editor of Irish Women in the First World War Era. She also sits on the Editorial Board for the journal, Women's History Review and for the Documents in Irish Foreign Policy series, a joint initiative of the National Archives of Ireland and the Royal Irish Academy. In this interview, they discuss their new edited collection The Politics of Gender and Sexuality in Modern Ireland (Four Courts Press, 2024) as well as their own intellectual backgrounds and views on Irish history-writing. The Politics of Gender and Sexuality in Modern Ireland is an edited collection of focused, cohesive and persuasive essays, based on the newest research on gender, sexuality and sexual politics. It offers historical reflections and contemporary analyses of issues related to the contested and often hidden histories of sexual politics and gender identities in Ireland in the nineteenth and twentieth centuries. Including but going beyond the binary of male and female heterosexual experience, the book explores LGBTQI+ histories, the treatment of intersex persons, and the history of trans people and activism in Ireland. As an interdisciplinary work, this reader draws together scholars working in a range of fields on innovative, new research on this theme. The essays consider these histories as seen over two centuries and reflect on the societal shifts in modern Ireland as evidenced in two recent referenda and the responses to the scandals emerging from the state's treatment of unmarried mothers. Aidan Beatty is a lecturer in history at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of monasticism in early Ireland is dominated by its flourishing during the sixth and seventh centuries, a period dominated by Columba of Iona and Columbanus of Bobbio, and later by the 'reform' spearheaded by Malachy of Armagh during the twelfth century. But what of monasticism in Ireland during the intervening period? Regarded as different from ' mainstream' Anglo-Saxon and continental monasticism, monastic life in Ireland has not been fully understood in scholarly discussions about the existence of distinct ' monasticisms' throughout Christianity.  The Irish sources, many written in the vernacular, are not accessible and are viewed as unconventional. The secularization of monasticism in Ireland has overshadowed evidence for a thriving lived monasticism. Edel Bhreathnach's book Monasticism in Ireland, AD 900-1250 (Four Courts Press, 2024) concentrates on those men and women who followed a monastic life, especially between the tenth and thirteenth centuries, and who maintained a universal monastic ideology while incorporating monasticism into their own cultural environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The practice of Partition understood as the physical division of territory along ethno-religious lines into separate nation-states is often regarded as a successful political "solution" to ethnic conflict. In their edited volume Partitions: A Transnational History of Twentieth-Century Territorial Separatism (Stanford University Press, 2019), Laura Robson and Arie Dubnov uncover the collective history of the concept of partition and locate its genealogy in the politics of twentieth-century empire and decolonization. Moving beyond the nationalist frameworks that served in the first instance to promote partition as a natural phenomenon, the volume discusses creation of new political entities in the world of the British empire, from the Irish Free State, to the Dominions (later Republics) of India and Pakistan, and Palestine. Yorgos Giannakopoulos is a currently a Junior Research Fellow in Durham University, UK. He is a historian of Modern Britain and Europe. His published research recovers the regional impact of British Intellectuals in Eastern Europe in the age of nationalism and internationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Puppet Masters: How MI6 Masterminded Ireland's Deepest State Crisis (Mercier Press, 2024), David Burke uncovers the clandestine activities of Patrick Crinnion, a Garda intelligence officer who secretly served MI6 during the early years of the Troubles. As the Garda Síochána launched a manhunt for the Chief-of-Staff of the IRA, Crinnion found himself playing a crucial role in the effort to track him down. Before his disappearance, Crinnion's actions exposed a web of secrets including those of another British spy in the Irish police, damaging intelligence leaks, gunrunning by Irish politicians, and a cover-up related to the murder of a Garda.  Burke reveals MI6's shady dealings, from attempts to smear Irish politicians to plans for using criminals as assassins and the secret surveillance of a key IRA member. Crinnion fled into exile. The Puppet Masters not only reveals what became of him but also provides an insightful look into a turbulent period marked by covert operations, betrayal, and the power struggle that shaped modern Irish history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shahmima Akhtar is a historian of race, migration and empire and an assistant professor of Black and Asian British History at the University of Birmingham. She previously worked at the Royal Historical Society to improve BME representation in UK History, whether working with schools and the curriculum, cultural institutions, community groups or other learned societies. Dr. Akhtar has also worked closely with museums and heritage sites as a researcher and consultant on shaping histories of the British Empire for today's populace. In this interview, she discusses her new book, Exhibiting Irishness: Empire, Race and Nation, c. 1850-1970 (Manchester UP, 2024), which studies differing visions of Irish racial identities as displayed at various international fairs and expos. Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. Exhibiting Irishness demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland's political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, he discusses his new book The Land War in Ireland: Famine, Philanthropy and Moonlighting (Cork UP, 2023), a collection of interconnected essays on different aspects of agrarian agitation in 1870s and 1880s Ireland. The Land War in Ireland addresses perceived lacunae in the historiography of the Land War in late nineteenth-century Ireland, particularly deficiencies or omissions relating to the themes of the title: famine, humanitarianism, and the activities of agrarian secret societies, commonly referred to as Moonlighting. The famine that afflicted the country in 1879–80, one generation removed from the catastrophic Great Famine of the 1840s, prompted different social responses. The wealthier sectors of society, their consciousness and humanitarianism awakened, provided the bulk of the financial and administrative support for the famine-stricken peasantry. Others, drawn from the same broad social stratum as the latter, vented their anger and frustration on the government and the landlords, whom they blamed for the crisis. The concern of marginal men and women for the welfare of their less fortunate brethren was not so much the antithesis of altruism, as a different, more rudimentary way of expressing it.The volume's opening chapter introduces the famine that tormented Ireland's Atlantic seaboard counties in the late 1870s and early 1880s. The four chapters that follow develop the famine theme, concentrating on the role of civic and religious relief agencies, and the local and international humanitarian response to appeals for assistance. The 1879–80 famine kindled benevolence among the diasporic Irish and the charitable worldwide, but it also provoked a more primal reaction, and the book's two closing chapters are devoted to the activities of secret societies. The first features the incongruously named Royal Irish Republic, a neo-Fenian combination in north-west County Cork. The volume's concluding essay links history and literature, positing a connection between agrarian secret society activity during the Land War years and the Kerry playwright George Fitzmaurice's neglected 1914 drama The Moonlighter. This original and engaging work makes a significant contribution to our understanding of modern Irish history and literature. Aidan Beatty is a lecturer in history at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration (Boydell & Brewer, 2022) by Dr. Bronagh Ann McShane investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways. Dr. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad. Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.  This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022). Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England. Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices

Marc McMenamin's Ireland's Secret War: Dan Bryan, G2 and the Lost Tapes that Reveal The Hunt for Ireland's Nazi Spies (Gill Books, 2022) is a thrilling account of the true extent of Irish-Allied co-operation during World War II. It reveals strategic Nazi intentions for Ireland and the real role of leading government figures of the time, placing Dan Bryan and G2 - the military intelligence branch of the Irish Defence Forces - firmly at the centre of the country's battle against Nazi Germany. With the help of over thirty-five hours of previously unpublished audio recordings that were held in storage in northern California for over fifty years, McMenamin reveals the extraordinary unheard history of WWII in Ireland, told from the point of view of the main protagonists. Fascinating and entertaining, Ireland's Secret War reassesses the legacy of the Irish contribution to the Allied war effort through the voices of those involved at the time. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee. In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity. Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US. The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

J.N. Darby and the Roots of Dispensationalism (Oxford University Press, 2024) describes the work of one of the most important and under-studied theologians in the history of Christianity. In the late 1820s, John Nelson Darby abandoned his career as a priest in the Church of Ireland to become one of the principal leaders of a small but rapidly growing religious movement that became known as the "Plymouth Brethren." Darby and other brethren modified the Calvinism that was common among their evangelical contemporaries, developing distinctive positions on key doctrines relating to salvation, the church, the work of the Holy Spirit, and the end times. After his death in 1882, Darby's successors revised and expanded his arguments, and Darby became known as the architect of the most influential system of end-times thinking among the world's half-a-billion evangelicals. This "dispensational premillennialism" exercises extraordinary influence in religious communities, but also in popular culture and geopolitics. But claims that Darby created this theological system may need to be qualified -for all his innovation, this reputation might be undeserved. This book reconstructs Darby's theological development and argues that his innovations were more complex and extensive than their reduction into dispensationalism might suggest. In fact, Darby's thought might be closer to that of his Reformed critics than to that of modern exponents of dispensationalism. Crawford Gribben is Professor of History at Queen's University Belfast. Caleb Zakarin is editor at New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Exploring both his life and legacy, the first full biography of William Sharman Crawford, the leading agrarian and democratic radical active in Ulster politics between the early 1830s and the 1850s. This biography places the life and ideas of William Sharman Crawford in the context of the development of radical liberalism in Ulster province over a more extended period, from his father's involvement in the Volunteers in the era of the American and French revolutions, through William's own leadership in Irish and British radical reform movements, including the Repeal Association, Chartism, and the Tenant League. It explores his attempts to reconcile Irish patriotism with the existence of the Union through the concept of "federalism," his efforts to act as an "ideal landlord" in the face of agrarian unrest and famine, and his deep commitment to attaining land and welfare reforms that he believed would empower both tenant farmers and the laboring poor. William Sharman Crawford and Ulster Radicalism (U College Dublin Press, 2023) traces the legacy of his politics through the political careers of his children James in Gladstonian liberalism and Mabel in the women's suffrage movement, both of whom sought, in common with Presbyterian allies such as James McKnight, to carry his ideas into the later nineteenth century. It concludes with the collapse of the family's radical tradition in the following generation, as his grandson Robert Gordon came to reject liberal unionism and take an active role in the Ulster Unionist movement from the 1890s. Through an assessment of the Sharman Crawford family over four generations, William Sharman Crawford and Ulster Radicalism explores the resilience of the Ulster Protestant radical tradition in the wake of the setbacks of 1798, its strengths and weaknesses, and its relations with Irish Catholic nationalism, British radicalism, the conservative landed, and Orange traditions within Ulster. Learn more about your ad choices. Visit megaphone.fm/adchoices

St. Brigid is the earliest and best-known of the female saints of Ireland. In the generation after St. Patrick, she established a monastery for men and women at Kildare which became one of the most powerful and influential centres of the Church in early Ireland.  The stories of Brigid's life and deeds survive in several early sources, but the most important are two Latin lives written a century or more after her death. The first was composed by a churchman named Cogitosus and tells of her many miracles of healing and helping the poor. The second source, known as the Vita Prima, continues the tradition with more tales of marvellous deeds and journeys throughout the island. Both Latin sources are a treasure house of information not just about the legends of Brigid but also daily life, the role of women, and the spread of Christianity in Ireland.  Philip Freeman's Two Lives of Saint Brigid (Four Courts Press, 2024) for the first time presents together an English translation of both the Life of Brigid by Cogitosus and the Vita Prima, along with the Latin text of both carefully edited from the best medieval manuscripts. Also included are an introduction, notes, and commentary to help general readers, students, and scholars in reading these fascinating stories of St. Brigid. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Irish and the Jews are two of the classic outliers of modern Europe. Both struggled with their lack of formal political sovereignty in the nineteenth-century. Simultaneously European and not European, both endured a bifurcated status, perceived as racially inferior and yet also seen as a natural part of the European landscape. Both sought to deal with their subaltern status through nationalism; both had a tangled, ambiguous, and sometimes violent relationship with Britain and the British Empire; and both sought to revive ancient languages as part of their drive to create a new identity. The career of Irish politician Robert Briscoe and the travails of Leopold Bloom are just two examples of the delicate balancing of Irish and Jewish identities in the first half of the twentieth century. Irish Questions and Jewish Questions: Crossovers in Culture (Syracuse UP, 2018) explores these shared histories, covering several centuries of the Jewish experience in Ireland, as well as events in Israel-Palestine and North America. The authors examine the leading figures of both national movements to reveal how each had an active interest in the successes, and failures, of the other. Bringing together leading and emerging scholars from the fields of Irish studies and Jewish studies, this volume captures the most recent scholarship on their comparative history with nuance and remarkable insight. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seamus O'Malley is an associate professor at Yeshiva University. His first book was Making History New: Modernism and Historical Narrative (Oxford University Press, 2015). He has co-edited three volumes, one of essays on Ford Madox Ford and America (Rodopi, 2010), a research companion to Ford (Routledge, 2018) and a volume of essays on the cartoonists Julie Doucet and Gabrielle Bell (Mississippi, 2018). He is the chair of the Ford Madox Ford Society and co-chair of the Columbia University Seminar for Irish Studies. In this interview he discusses his new book, Irish Culture and "The People": Populism and Its Discontents (Oxford UP, 2022), a study of the rhetoric of populism and uses of the seemingly simple concept “The People” in Irish political and literary discourse. Irish Culture and ‘The People' argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force.  Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked "The People"--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices