Podcasts about archival

The latest exhibit at the Tennessee State Museum, “Eight Days in Dayton: 100 Years of the Scopes Trial,” will be on display June 24–October 12, 2025. It offers a rich, immersive journey through the State of Tennessee v. John T. Scopes, one of the most iconic legal and cultural events in American history. In this episode, the museum's chief curator, Richard White, and K-12 education manager, Christopher Grisham, share details about the trial, discuss what makes this such a pivotal moment in Tennessee history, and take listeners behind the scenes of the planning and implementation of the exhibit and the educational tools that accompany it. The exhibit centers on the 1925 Scopes Trial in Dayton, Tennessee, where John T. Scopes, a Dayton high school teacher, was prosecuted under Tennessee's Butler Act for teaching human evolution—a law that prohibited denying biblical creation in public schools. Framed as a challenge to the constitutionality of the law, the trial was staged to ignite both legal and social debate over science versus religion. At the time, it was considered the trial of the century. The exhibit brings the courtroom battles to life and features photographs, tintypes, daguerreotypes, and enlarged press images of Scopes, Darrow, Bryan, and the Dayton community. Visitors will also find authentic courtroom furnishings from the trial, alongside the original microphone used for live radio transmission, the biology textbook Scopes used to teach evolution at Rhea County High School and the table and chairs from Robinson's Drugstore where local civic and business leaders met in May 1925 to hatch the idea of challenging the Butler Act in court. Archival trial documents and an engaging audiovisual history guide visitors through the unfolding drama and its aftermath. This episode is brought to you by The Citizens Bank.

This reader brings to light newly discovered archival material compiled by the Soviet Consulate in Istanbul. The book reveals the lives and experience of Armenians in Turkey in the 1940s, with a particular focus on the process of emigration to Soviet Armenia. The accounts, translated for the first time into English, are comprised of Soviet officials' reports and first-hand testimony by survivors of their lives during the post-genocide period, making this an invaluable new contribution to the existing collections of Armenian survival testimonies. Placing the archival records on emigration in the context of both life in post-genocide Turkey and the 'repatriation' (nergakht) project in the Armenian Diaspora, this book, which also includes the original Russian documents, will be a useful resource for researchers and students of Armenian and Turkish history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This reader brings to light newly discovered archival material compiled by the Soviet Consulate in Istanbul. The book reveals the lives and experience of Armenians in Turkey in the 1940s, with a particular focus on the process of emigration to Soviet Armenia. The accounts, translated for the first time into English, are comprised of Soviet officials' reports and first-hand testimony by survivors of their lives during the post-genocide period, making this an invaluable new contribution to the existing collections of Armenian survival testimonies. Placing the archival records on emigration in the context of both life in post-genocide Turkey and the 'repatriation' (nergakht) project in the Armenian Diaspora, this book, which also includes the original Russian documents, will be a useful resource for researchers and students of Armenian and Turkish history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

This reader brings to light newly discovered archival material compiled by the Soviet Consulate in Istanbul. The book reveals the lives and experience of Armenians in Turkey in the 1940s, with a particular focus on the process of emigration to Soviet Armenia. The accounts, translated for the first time into English, are comprised of Soviet officials' reports and first-hand testimony by survivors of their lives during the post-genocide period, making this an invaluable new contribution to the existing collections of Armenian survival testimonies. Placing the archival records on emigration in the context of both life in post-genocide Turkey and the 'repatriation' (nergakht) project in the Armenian Diaspora, this book, which also includes the original Russian documents, will be a useful resource for researchers and students of Armenian and Turkish history. Learn more about your ad choices. Visit megaphone.fm/adchoices

As promised, this week Seth and Jon Parshall take a dive into the world of WWII archival footage from the US National Archives. The team focuses their attention on a few reels of footage from the early part of the Pacific War, namely, captured Japanese footage from Hong Kong, and the Pearl Harbor attack. The guys go through the shots step by step and Jon pours his knowledge of Kido Butai into the talk while interpreting some of the most famous shots taken by Japanese photographers during the attack. The guys go through the Japanese aerial footage frame by frame and pick out the exact moments of torpedo strikes on battleship row--really getting into the weeds. Following that, Sthe guys take a look at the infamous footage of USS Arizona (BB-39) exploding, again, going frame by frame to examine her utter destruction. Finally, Seth takes the wheel and takes you guys through some grainy, but arguably the most historic archival reel of the entire attack-pinpointing scenes showing the destruction of USS Shaw, USS Nevada's sortie out of the harbor, Nevada firing her AAA batteries at Japanese aircraft and an almost step by step set of shots showing USS California's sinking. For reference, the reels we discuss are: 242-299r2, 242mid290, 428npc21950, and 428npc1730  This is the first of many attempts at something new, so bear with us as we navigate a new format. We will be doing this sort of thing every few weeks in addition to our normal programming.   #wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #essex #halsey #taskforce38 #wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #mastersoftheair #8thairforce #mightyeighth #100thbombgroup #bloodyhundredth #b17 #boeing #airforce wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #oldbreed #1stMarineDivision #thepacific #Peleliu #army #marines #marinecorps #worldwar2 #worldwar #worldwarii #leytegulf #battleofleytegulf #rodserling #twilightzone #liberation #blacksheep #power #prisoner #prisonerofwar #typhoon #hurricane #weather #iwojima#bullhalsey #ace #p47 #p38 #fighter #fighterpilot #b29 #strategicstudying #tokyo #boeing #incendiary #usa #franklin #okinawa #yamato #kamikaze #Q&A #questions #questionsandanswers #history #jaws #atomicbomb #nuclear #nationalarchives #nara

It's 2025. President Trump is back, and the richest men in tech are on stage with him. What started as a dysfunctional internet run by tech giants, and enabled by failed legislation, has morphed into something even more dangerous: what economist Yanis Varoufakis calls technofeudalism. Host Cory Doctorow traces how U.S. trade pressure dragged Canada into America's broken internet model, how shortsighted attempts to make big platforms behave came back to haunt us during the worst wildfire season in Canadian history, and offers up a solution for how to save the internet, asking: in a post-free trade world, why are we still playing by American rules?Guests in this episode include Yanis Varoufakis, Delaney Poitras, Michael Geist, Pam Samuelson, Clive Thompson, Ed Zitron, and Emmanuel Goldstein. Archival recordings feature James Moore.

American antitrust laws were designed to stop companies from wielding the power of kings. But in the 1970s, a legal scholar named Robert Bork convinced Washington to ignore those laws. Host Cory Doctorow traces how Bork's influence gave digital giants like Amazon a decades-long free pass to dominate markets, crush competitors, exploit their own business clients, and treat users like hostages — and how, after 40 years of inaction, former FTC chair Lina Khan took on the fight to rein in monopoly power. Guests in this episode include Michael Wiesel, Lina Khan, and Clive Thompson. Archival recordings feature Robert Bork.

EPISODE 74 of Five At The Door features an engaging conversation with Jimmy Montague as we dive into his multifaceted journey in the music world. Based in Greenpoint, Brooklyn, Jimmy shares his experiences as a musician, photographer, and collaborator, revealing the intricate web of projects he's involved in, from his work with Taking Meds to his latest rock endeavor, Pretty Rude.In this episode, Jimmy discusses his artistic evolution, touching on the influences that shaped his sound, including classic rock elements reminiscent of bands like The Cars and Fountains of Wayne. He reflects on the creative process behind Pretty Rude's new record, highlighting the importance of experimentation and structure in songwriting. Listeners will gain insight into his approach to music, including the balance between spontaneity and meticulous planning, and the joy of collaboration with talented musicians.The conversation delves into the significance of the studio environment, where Jimmy has honed his skills not only as a musician but also as a documentarian of the creative process. He shares his passion for archival work, emphasizing the value of capturing the behind-the-scenes moments that often go unnoticed in the music industry.Get ready to hear "The Work," a standout track from Pretty Rude that encapsulates the essence of Jimmy's journey and the themes discussed in this episode. This song reflects his current mindset and the evolution of his artistry.Whether you're a musician navigating your own path or a fan exploring the depths of creativity, this episode offers a rich tapestry of insights into the life of an artist dedicated to his craft.Don't miss this episode as we explore the vibrant landscape of music, creativity, and the connections that shape our experiences.Show notes penned by your favorite chronicler of the musical journey at Five At The Door.(00:00) Good morning. Welcome to the podcast. Yeah, thanks for having me(00:26) You've been making rock music for, like, a really long time(03:46) Pretty Rude is an eclectic record with lots of different musical forms(09:22) Do you come from like a music theory background? Um, kind of(15:29) What do you think New York brings into your music as well(18:24) I work part time at a theater in Manhattan and then I help Billy out at studio(23:34) Pretty Rude at Two Worlds was recorded at a New Hampshire studio(27:44) Yalls record Taking Meds made my top 20 of last year(33:26) You've worked in so many studios over your career(35:37) The minute this work is done, I lose my mind(42:48) I'm working on, like, a compiled interview with all of them(48:55) Wilco: I don't really have a gripe with DV trend(53:38) If you never toured again, would that be like the thing(59:00) What song would you like to hear on the new record(59:46) All right. So do your thing. Um, have a wonderful rest of your day, and we'll talk to you soon(02:30) The journey through New England and settling in Brooklyn(10:15) The creative process behind Pretty Rude(20:45) Influences and inspirations for the new record(30:00) The importance of structure in songwriting(40:00) Archival work and its significance in music(50:30) Balancing spontaneity and planning in the studio(01:00:00) The impact of live shows and the future of performing(01:10:30) Closing thoughts and playing "The Work"

In 1998, the United States Congress tried to tame the wild internet with a new law: the Digital Millennium Copyright Act. But buried in its fine print was a provision that would end up giving tech giants ultimate legal protection and control, and stop innovators from fixing what's broken. Host Cory Doctorow traces how a law written for a different era led to the arrest of a researcher, became the playbook for Meta's enshittification, and lets platforms degrade your online life today — protecting them while they do it.  Guests in this episode include Seth Schoen and Pam Samuelson. Archival recordings feature Dmitry Sklyarov, Bruce Lehman, Al Gore, and Steve Sipress. 

Episode 126 - Inside the BFI National Archives - Film on Film Festival - Special EpisodeFor this early release of the podcast, I'm taking you behind the scenes at the BFI National Archive in Berkhamsted. The reason for the early drop? Tickets for the BFI's excellent Film on Film Festival go on sale to the public tomorrow, 9th May 2025, and I wanted to give you a bit of insight into what makes this event so special. The Film on Film Festival runs from the 12th to the 15th of June and is dedicated entirely to screenings on physical film – from 35mm to 16mm, and even nitrate. It's a rare opportunity to experience films as they were originally shown, in all their analogue glory. While at the archive, I spoke with several of the experts who help make the festival possible and who work daily to preserve the history of cinema. You'll hear from:James Bell – Senior Curator of Fiction and Programme Director, Film on Film FestivalChris Stenner – Film Laboratory LeadSonia Genaitay – Curatorial ArchivistMartin Coffill – Projectionist and QCDavid Jones – Film Scanning LeadA huge thanks to Kieron Webb and Sarah Bemand for organising the day. It was a real privilege to explore the archive, meet the people who keep the machines running and the prints in circulation, and to share it all with you here. If you're attending the festival on the 12th, please do let me know and be sure to say "hi".BFI Film on FilmAll my links

From 2009, a Land & Sea episode about Exploits Island called 'A Lot of Good Memories' hosted by Fred Greening

Nayibe Tavares-Abel shares her journey from a political science background to becoming a documentary filmmaker. She discusses her film “Colossal”, which just premiered at Berlinale. Past films discussed include “Beyond Utopia” by Madeleine Gavin.Nayibe's film intertwines her family history with the political landscape of the Dominican Republic, exploring themes of political violence, activism, and the importance of storytelling. She emphasizes the challenges of documentary filmmaking, the significance of family archives, and the universal themes that can emerge from specific stories. Nayibe also reflects on the evolution of her film, the importance of building relationships in the filmmaking process, and how her filmmaking journey began with her Grandmother's camcorder.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

In honor of Earth Day ..... Part One: (from 2022) Carole Douglis, co-author (with Peter Fiekowsky) of "Climate Restoration: The Only Future That Will Sustain The Human Race." Part Two: (from 2024) Eric Schaeffer, founder and director of the Environmental Integrity Project, which monitors the work of the EPA.

In this archival episode, Aaron and Erwin McManus dive into the power of mindset, creativity, and overcoming overthinking. They reflect on their recent experiences, including conversations with influential voices in business and entrepreneurship, emphasizing the value of mutual growth and meaningful dialogue. They also explore themes of Erwin's book, Mind Shift, breaking down the importance of shifting mental frameworks, taking decisive action, and avoiding the paralysis of overthinking.Erwin shares insights from his work as a mindset performance expert, explaining how overthinking affects not only athletes but also entrepreneurs, artists, and anyone striving for success. He defines overthinking as the habit of constantly running negative scenarios rather than positive ones, which creates hesitation and self-doubt. Aaron admits to struggling with this, especially in relationships, leading to a discussion on trust, control, and the illusion of certainty. Erwin explains that trying to control every outcome fuels anxiety and that the best way to break free is to act boldly rather than remain stuck in endless deliberation.They explore practical strategies for overcoming overthinking, highlighting the importance of action and repetition. Erwin uses the example of designing a jacket, emphasizing that creativity thrives on momentum rather than perfectionism. Aaron reflects on his difficulty in committing to decisions and how fear of outside judgment can stifle progress. Erwin stresses that consistency in action creates confidence, allowing people to move forward with clarity rather than hesitation.The conversation shifts to the balance between structure and spontaneity. Erwin thrives in chaos and unpredictability, seeing them as essential to innovation, while Aaron values stability and routine. They agree that while creativity demands a degree of unpredictability, having foundational systems in place can provide the freedom to take risks and explore new ideas. Repetition and confidence emerge as major themes, with Erwin explaining how consistent action builds resilience and decisiveness. He shares a humorous yet revealing story about a nightmare involving Kawhi Leonard, using it to illustrate how negative thoughts can dominate our minds if left unchecked. The key, he explains, is learning to replace negative mental loops with positive scenarios, setting the foundation for a mindset geared toward success.As the episode winds down, Erwin shifts the focus to purpose and personal essence, arguing that true fulfillment comes not from achievements but from who we become in the process. He challenges listeners to prioritize growth, take decisive action, and embrace change as a constant force in life. Aaron and Erwin agree that every small decision compounds over time, creating the trajectory for long-term success.They close by inviting listeners to engage deeper with the Mind Shift community, encouraging them to step into a mindset of action, creativity, and resilience. Whether in business, relationships, or personal growth, the key to success lies in taking bold steps forward.

In September 1991, eight people moved into Biosphere 2, a nearly airtight glass and steel complex in the Arizona desert. The half-acre farm at its centre would supply all their food. Plants, algae and photosynthesizing microorganisms would supply all their oxygen. If things went according to plan, they would have everything they needed to survive inside for two years – but a lot of people were betting against them. Mark Nelson wrote a book about his time in Biosphere 2 called Pushing Our Limits. Archival footage in this episode was provide by the Institute of Ecotechnics.

Curating archives was a theme that I also explored in a conversation wtih Tamara Shogaolu about her piece ORYZA: HEALING GROUND that premiered at DocLab 2024. She was at SXSW showing the interactive AR story game ANOUSCHKA exploring the memories of her grandmother through various cultural artifacts (see Shogaolu interview with her about ANOUSCHKA from its world premiere at DocLab 2023). ORYZA wasn't showing at SXSW, but I had a chance to catch up with Shogaolu to unpack how she's working with archives to document cultural artifacts enslaved people, and then expand it into speculative art with a consistent aesthetic using a custom-built AI system that is centered on Black histories. Shogaolu details her experiences of instances where large-language model AI systems have erased Black people, and how she's had to hack existing AI systems in order to get the outputs she wants. But she's also training entirely new models using materials from archives that are not included within existing models. We explore the paradox of desiring cultural representation in these AI systems while also avoiding the negative side effects of extractive cultural appropriation, and this new trend of training custom AI models as a form of artistic expression leading of future dreaming to unique mash-up of speculative futures and historical archives. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

As Robert Earl Keen & team look forward to more touring, a new record, and a new season of the Americana Podcast, join us as we take a moment to look back, in order to look forward for what's to come. This episode contains the previous season's best-of moments from the 51st State. Hear conversation clips from bluegrass genre-bender Billy Strings (01:41), American Aquarium's BJ Barham (08:56), modern day troubadour Brent Cobb (14:45), REK's good friend and touring pal Elizabeth Cook (18:23), zen-master and songsmith Jim Lauderdale (21:54), the everywoman wonderwoman Lori McKenna (29:38), wild and wonderful Todd Snider (33:21) , and the unmistakable baritone of Jake Smith aka White Buffalo (43:17). We also have insight from Will Vogt (41:28), long-time friend, contributor, and supporter of Americana Podcast.Consider this 5-Year Anniversary recap as your “CliffNotes”, something to study up on before we begin to release next season's episodes in April 2025, which will feature more of what you've come to expect and love about the podcast: in-depth and candid conversations about the craft of songwriting within the greater Americana genre with our trusted and time-tested host, Robert Earl Keen. As well as a very exciting sneak peek from Robert himself about the future of Americana Podcast, and where we are growing and evolving with the genre for the future!!o    Billy Strings (01:41)o    BJ Barham (08:56)o    Brent Cobb (14:45)o    Elizabeth Cook (18:23)o    Hiss Golden Messenger (21:48)o    Jim Lauderdale (24:54)o    Lori McKenna (29:38)o    Todd Snider (33:21)o    Vince Herman (37:50)o    Will Vogt (41:28)o    White Buffalo (43:17) Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

In this episode, we sit down with Meghan Lobzun, a Senior Research Activist at RM Sotheby's, who plays a crucial role in preserving the rich history of some of the world's most valuable collector cars. Meghan and her team meticulously catalog every piece of documentation, ensuring that each car that crosses the auction block carries a verified and authentic story.   From rare Bugattis and vintage Ferraris to bespoke Aston Martins, RM Sotheby's research team uncovers hidden histories, verifies provenance, and safeguards the legacy of automotive icons. How do they track down lost documents, verify original parts, and tell the true story of each collector car? We dive into the behind-the-scenes world of automotive archiving, exploring the challenges, triumphs, and unexpected discoveries that make their work so fascinating.   If you're a car collector, historian, or enthusiast, this episode is a must-listen!  

Episode SummaryThis podcast episode performs a sound-media meditation on a live event based on a collection of printed scholarly articles. In May 2023 a triple-issue of English Studies in Canada (ESC) was published on the topic of “New Sonic Approaches in Literary Studies.” Edited by Jason Camlot and Katherine McLeod. The issue, designed to explore how sound, literature, and critical methodologies intersect, included thirteen scholarly articles, and an interdisciplinary forum on the place of listening as a methodology in a wide range of scholarly and artistic fields.As the editors considered what kind of “launch” would be best suited to this issue, they felt it should build on the printed scholarship, but also take it further – respond to it,  sound it, and perform it. They asked, “What would this journal issue sound like as a chorus or collage of voices?” They proceeded to organize an event to enact the idea of sounding and performing a scholarly collection as a kind of poetic reading of criticism. Each contributor was invited to select an excerpt to perform, and the performances unfolded in sequence within the 4th Space research showcase venue at Concordia University, and through the virtual participation of some contributors on Zoom. The performance event was also the object of an experiment in the multi-track recording of a spoken word event, with microphones of different kinds situated throughout 4th Space, and even outside the venue itself.The eight tracks of audio resulting from that recording session serve as the raw material, the bed tracks, for a podcast that playfully explores the affordances of sound design for the presentation of scholarly research about literary audio. Some of the simple yet profound possibilities of working in sound to think and argue about sound that are explored here are those of amplitude (playing with the relative loudness of sounds), temporality (the movement and mixing of historically-situated times), speed (the movement of sounds in time), space (the relationship of sounds to the places they happened), noise (the sounds we are supposed not to want to hear), intelligibility (the intention of sounding for meaning), positionality (from where and to whom one is sounding), timbre (the textural quality of sounds and what they do), among many others. The goal of this production has not been to deliver the content of the journal as one might grasp it from the print journal (read the special issue for that!), but to emphasize the possibilities and features of sound, sometimes apposite and sometimes in opposition to the intention and circumstances of the intended message. Archival voices and sounds haunt, taunt and disrupt the planned “Sounding New Sonic Approaches” event. Parallel temporal situations compete with each other. Time is sped and stretched. Speech and vocal timbre are mimicked and mutated by an occasional soundtrack scored for monotonic analogue synths. One mode of meaning is lost, while the potential for new kinds of meaning and feeling-making in sonic scholarly production are amplified for the listener's consideration and pleasure.In-person and online performers: Jason Camlot, Katherine McLeod, Annie Murray, Michael O'Discoll, Mathieu Aubin, Julia Polyck-O'Neill, Jason Wiens, Klara du Plessis, Kandice Sharren, Kelly Baron, Nina Sun Eidsheim, Juliette Bellocq, Kim Fox, Reem Elmaghraby, Daniel Martin, Kristen Smith, Kristin Moriah, Mara Mills, Andy Slater, and Ellen Waterman.Live Recording Event produced by Jason Camlot, Katherine McLeod, James Healey, and Douglas Moffat.Podcast and Sound Design by Jason Camlot.

Cannabis comic Ngaio Bealum is back and we are livin' the dream with a pair of movies about strivers who live their dreams, and their dreams are really friggin' weird. First, Nobuko Miyamoto is a single mom with dreams of making the greatest ramen in all of Japan and Tsutomu Yamazaki is the cowboy trucker who is going help her achieve her dream in TAMPOPO, a "ramen western" from director Juzo Itami in 1985. This movie is filled with surreal tangents, tasty-looking food and a fair amount of freaky sex! Describing the plot does not do it justice. It's also hilarious. One of Ngaio's all-time favorites, you'll definitely want the strain--and ramen--recommendations for this one. And then Don Knotts turns into a fish AND fights the Nazis in THE INCREDIBLE MR. LIMPET, a half-animated, half-live-action cross between "The Little Mermaid" and "Hogan's Heroes" from Warner Bros. "Why does Captain America have to be a fish," Ngaio asks, and there really isn't an explanation except that Don Knotts has "fish rizz" according to Philena. So glad Greg could make it for this one so he could talk about classic animators Bill Tytla and Robert McKimson who shaped the amazing cartoon sequences of this baffling maritime classic. We go a little long in the opening segment where we discuss the "fan" reaction to the new-look Shrek, the upcoming release of the animated THE DAY THE EARTH BLEW UP with Porky Pig and Daffy Duck, and Philena's culty new job + Bob finally saw THE SUBSTANCE! Next month: EASTER 420 with JESUS CHRIST SUPER STAR (Hippy Jesus) and THE DAY THE EARTH STOOD STILL (Space Jesus). Subscribe so you don't miss it. Hosts: Philena Franklin, Bob Calhoun, Greg Franklin Special Guest Host: Ngaio Bealum. Find Ngaio on Instagram and all the social medias at Ngaio420 Cory Sklar is on assignment Old Movies for Young Stoners Theme by Chaki the Funk Wizard. Used with permission. "Come to My Seminar" by Count Dante and the Black Dragon Fighting Society used with permission. "Bohemian Beach" by Chris Hagen courtesy of YouTube Audio Library Archival audio and "Les Préludes" by Franz Liszt via of Archive.org. Web: www.oldmoviesforyoungstoners.com Bluesky: @oldmoviesystoners.bsky.social Instagram/Facebook (Meta): oldmoviesforyoungstoners TikTok: @oldmoviesforyoungstoners Contact: oldmoviesforyoungstoners AT gmail DOT com

A new exhibition called “Carmen Winant: My Mother and Eye” presents 35mm photographs of the artist's 2001 trip from Philadelphia to Los Angeles in collage alongside the frames of Super 8 footage Winant's mother captured during her 1969 trip from Los Angeles to Niagara Falls. Photographer and archival artist Carmen Winant talks about using images as an inter-generational bridge, and what it means to be displaying those images on bus stop shelters around New York, Chicago and Boston. The exhibition is on view through Sunday, April 6. Click here to see the NYC viewing locations.

On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding that the government work with Indigenous people to find a way to protect the land and the future. The Stand is a riveting feature documentary drawn from more than a hundred hours of archival footage from that first blockade and the months that followed. Christopher Auchter, director of the award-winning documentary Now Is The Time, recreates the critical moment when the Haida Nation took a stand to protect their land. The Stand is showing this month in Vancouver and at other locations around BC. We spoke with Christopher Auchter in September last year.

This week, we spoke with Brandy J. Lewis, a Doctor of English who loves archival research. You can find her on Twitter @BrandyJayLewis.We're always looking for more guests to tell us about the things you love, so please reach out through our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast guest submission form⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!You can also follow us @throuthewindow on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠ Bluesky⁠⁠⁠, and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tumblr ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠to stay up-to-date on our projects, and don't forget to use #LoveThisThingCast to tell us about the things you love!

The week of February 19, 2025 on The Metallica Report… Led by Inveniem archivist Ally Bace, Steff and Renée enter the Metallica vault to explore physical pieces of the band's history, including master tapes, handwritten notes, diaries, clothing, and so much more. Ally discusses her journey to becoming an archivist, the forensic process of handling the artifacts, and the emotional power these pieces hold, something Steff encounters when faced with an item that conjures an experience three decades old. We also get some insight into which Metallica members are the primary collectors and how Inveniem and The Black Box work together. Finally, we stumble upon our inspiration for this week's Metallica Report Spotify playlist. The Metallica Report – your official, weekly guide for all things Metallica, straight from the source. New episode every Wednesday. The Metallica Black Box: https://www.metallica.com/museum  Music from The Metallica Report: https://metallica.lnk.to/TMR-music  Wanna be featured on a future episode? Submit your questions or comments: http://metallica.com/podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Archival footage!!

For almost a dozen years, 34 Black women gathered monthly around a big dining room table in an orange house on Orange Street in Oakland, CA — meeting, cooking, dancing, strategizing — grappling with the issues of eviction, erasure, gentrification, inadequate health care, and the sex trafficking of Black women and girls overwhelming their community.Spearheaded by dancer and choreographer Amara Tabor-Smith and theater director Ellen Sebastian Chang, this House/Full of Black Women — artists, scholars, healers, nurses, midwives, an ice cream maker, a donut maker, an architect, a theater director, a choreographer, sex trafficking abolitionists and survivors — have come together to creatively address and bring their mission and visions to the streets. Over the years they have created performances, rituals, pop-up processions in the storefronts, galleries, warehouses, museums and streets of Oakland.This hour-long special features sound-rich “episodes” of performances and rituals, interviews with sex trafficking abolitionists, personal stories of growing up in the Bay Area, music, Black women dreaming, resisting, insisting.Produced by Ellen Sebastian Change, Sital Muktari and The Kitchen Sisters, narrated by Sital Muktari, mixed by Jim McKee, in collaboration with Nathan Dalton and Brandi Howell and an evolving House/Full of Black Women collective, Funding for this House/Full of Black Women special comes from The Creative Work Fund, The National Endowment for the Arts, The Kaleta Doolin Foundation, The Texas Women's Foundation, Susan Sillins, listener contributions to The Kitchen Sisters Productions, and PRX.Original funding for House/Full of Black Women was provided by Creative Capital, Creative Work Fund, The Kenneth Rainin Foundation, MAP Fund, and the Hewlett 50.House/Full of Black Women is part of The Keepers series produced by The Kitchen Sisters,. Archival sounds, recordings and compositions by Alexa Burrell. Visuals created by photographer Robbie Sweeney and designer Kevin Clarke. Ricardo Iamuuri Robinson created some of the soundscape. For names of all the many House/Full members who have had a hand in this project visit deepwatersdance.com.

In this episode of Working Class Audio, Matt welcomes Mastering Engineer Justin Perkins who has worked with The Replacements, Rufus Wainwright, En Vogue, Ol' Dirty Bastard, Shania Twain, Jellyfish, Johnny Cash, The All-American Rejects, Rickie Lee Jones, Donna Summer, Busta Rhymes, Jason Mraz, Lucero, Hanson, New Kids on the Block , Sum 41, Asia Justin Perkins' success as a mastering engineer is not solely based on his audio skills but also on his meticulous approach to business operations. His emphasis on automation, client communication, and data management provides valuable lessons for anyone in the audio industry seeking to optimize their workflow and deliver exceptional service. In This Episode, We Discuss: Streamlined Project Intake & Communication Automation & Templates Client Experience Mastering Workflow & Tools Data Archival & Backup Links and Show Notes: Justin's Site WaveLab: Mastering software. iZotope RX: Audio repair and quality control. Samply: Lossless audio delivery and approval platform. Use Code WCA20 OmniFocus: Task management software. Backblaze: Cloud backup service. NeoFinder: Hard drive cataloging software. Thunder Bay 8 and Mini 4 (OWC): External hard drive enclosures. Carbon Copy Cloner: Backup software. Matt's Rant: Piggy Backing off of Victory Credits: Guest: Justin Perkins Host/Engineer/Editing/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

LW1440 - Archival Fantasies I was taught from my very first classes in photography the importance of archival processing and storage to preserve my work for future generations of admirers. I can't fault the concept, but the premise that my work will be of any interest to anyone in future generations does seem a bit farfetched. The audience we should really care about and pursue (if we choose to share our work at all) is our contemporaries. Besides, who better is there to promote our work than ourselves, now, today? All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Pacific St Blues & AmericanaFebruary 9, 2025Support our Show and get the word out by wearin' our gear 1. Beth Hart / Good Times, Bad Times 2. Sass Jordan / If You're Gonna Love Me 3. Bonnie Raitt / Everyboyd's Crying Mercy 4. John Lee Hooker with Jimmie Vaughan / Boom, Boom 5. Samatha Fish & Jesse Dayton / Deathwish6. Joyann Parker / Faintly Optimistic 7. Sue Foley / Gaslight 8. Ruthie Foster / 9. Bob Dylan / Visions of Johanna10. Joan Baez / Diamonds & Rust 11. Diana Krall / Twist of Fate 12. Ronnie Lane / April Fool13. Beatles / For You Blue 14. Elmore James / One Way Out 15. Blind Willie McTell / Statesboro Blues 16. Big Bill Broonzy / I Can't Be Satisfied 17. Charlie Patton / Hang It On the Wall18. Memphis Minnie / When the Levee Breaks19. Jake Holmes / Dazed and Confused 20. Otis Rush / I Can't Quit You Baby21. Muddy Waters / You Need Love 22. Richie Valens / Ooh, My Head Need more? Check out our Spotlight Shows

Hi, All - I'm Sam Stern. For the past several years, I've been lucky enough to work closely with the famed disorganized Esalen archives, diving deep into the history of this extraordinary place. I've fashioned several multimedia talks out of the material that I've uncovered, one on the history of altered states at Esalen, another on the 1970s and 80s. And recently, I had one of those rare, thrilling moments that every archive enthusiast—every crate digger, like me—dreams of. A while back, I made a trip out to a storage facility near the Monterey Airport, with the producer of this podcast, Shira Levine, and we found boxes upon boxes of historical materials—photographs, slides, notes, VHS tapes, catalogs. As I sifted through them, I stumbled upon something incredible: a box filled with 5” reel-to-reel tapes, very likely recorded in the 1960s and '70s by a man named Paul Herbert. This was the kind of find that makes you stop in your tracks. Material that had been thought lost—or at the very least, forgotten—suddenly resurfaced in my hands. As I carefully unraveled the reels, I realized I was holding audio time capsules, voices and ideas from Esalen's past waiting to be rediscovered. Today, I'm sharing one of those recordings. This reel was titled Music from the Big Sur Mountains, and to be completely honest, even after having listened to it, I'm not sure exactly what year it comes from. Based on what I know, I'd place it somewhere between the mid-1960s and mid-1970s. And it is exactly what it sounds like: music from the mountains of Big Sur. You'll hear musicians local to the area playing hand drums, outside, in the mystic air. But it's more than just drumming. This recording is alive with the sounds of Esalen itself—the rhythm of hands on drums, the voices of vocalists, the barks of dogs, the laughter and shouts of children, who are more than likely in their 50s and 60s now. It's a time capsule, a window into a world that no longer exists in quite the same way. - podcast description by Sam Stern and ChatGPT Sam's recent talk at the Berkeley Alembic on The History of Esalen in the 1970s and 80s: https://www.youtube.com/live/4AhzcvwsVT8

As one of the five Black Los Angeles artists featured in Studio Potter (Vol. 9, No. 2, 1981), Stanley Wilson's insights and experiences continue to resonate, inspiring new generations of makers and scholars. His dedication to ceramics, mentorship, and advocacy has built a lasting legacy – one that bridges the past, present, and future.

PLAYLIST Pacific Street Blues & AmericanJanuary 12, 2025Link: Spotlight Shows including Stevie Ray Vaughan, Johnny Winter, Peter Green's Fleetwood Mac Blues Band, The Allman Brothers, and more1. Beth Hart / Wanna Be Big Band Johnny Cash 2. Rodney Crowell / I Walk the Line (Revisited)3. Larry Calton & Robben Ford / Hand in Hand with the Blues 4. Duke Robillard / Watching the River Flow 5. Professor Longhair / Mardi Gras in New Orleans6. Fats Domino / Let the Four Winds Blow 7. Dr. John / Such a Night 8. Neville Brothers / Brother Jake 9.  Screaming Cheetah Wheelies / Right Place, Wrong Time10. Wild Magnolia's / Old Time Indian 11. Dirty Dozen Brass Band with Buddy Guy & Joss Stones / Every Night About This Time 12. Dixie Cups / Iko Iko13. John Cleary / Dyna-Mite 14. T Bone Burnett / He Came Down 15. Eric Bibb / Roll On Buddy 16. Sue Foley / Motherless Child Blues (Sister Rosetta Tharpe) 17. Sister Rosetta Tharpe / Up Above My Head 18. Eddie Floyd / Knock on Wood19. Nina Simone / Wild is the Wind 20. Southside Johnny & the Asbury Jukes / Rebel, Rebel 21. Jeff Tweedy / Space Oddity

Yes, Canada bombed the Aurora Borealis. But can you actually scatter that northernmost light with explosives? Why would you even try? And explosive boom aside, can you, on a cold clear quiet night, hear the northern lights? What is the sound of the Aurora Borealis?Nicolas Lachapelle and Eloise Demers Pinard, trekked to Churchill Manitoba, and beyond, to try and answer these questions.And that's about as newsy and informational as things are gonna get. Because as you will hear, today's episode sounds a little bit different. It's a bit more poetic than our regularly scheduled programming.Or as our reporters will tell you, “…this is a story about that forgotten need to probe the sky and an epic journey through time and space on the edge of northern Canada.”Happy Holidays. Host: Jesse BrownCredits: Produced, recorded and directed by Éloïse Demers Pinard and Nicolas Lachapelle.In dialogue with the composer Welcome John.Inspired by the visionary works of Tom Demers and Peter Mettler.With the voices of Jeremy Allen, George Alexander St-Clair, Harry Tutuk, James Wells, Roland Sawatsky and Chris Campbell.Narration by Jacqueline Van de Geer.Field research by Alain James Rioux Dubé.Archival research by Emma Brunet.Sound design and mix by Antonin Wyss.Linguistic revision by Maureen Roberge.Graphic design by Max Rhéault and the Criterium Design bureau.The archives are from the Canadian Broadcasting Corporation and the Library and Archives Canada.Bruce Thorson (Senior Producer) Additional audio assistance: Caleb ThompsonJesse Brown (Editor and Publisher)Sponsors:CAMH: CAMH is building better mental health care for everyone to ensure no one is left behind. Visit camh.ca/canadaland to make a donation.Article is offering our listeners $50 off your first purchase of $100 or moreTo claim, visit article.com/backbench and the discount will be automatically applied at checkout.oxio: Head over to canadaland.oxio.ca and use code CANADALAND for your first month free! Be part of the solution to Canada's journalism crisis. Go to https://canadaland.com/join to become a Canadaland Supporter today.You can listen ad-free on Amazon Music—included with Prime. Hosted on Acast. See acast.com/privacy for more information.

Pacific St Blues & AmericanaDecember 15, 2024 (part 2 of 2) Support our Show and get the word out by wearin' our gear Contact us for More InformationSpotlight Shows podcast21. Dean Martin / Christmas Blues22. Michael McDonald / Children, Go Where I Send Thee  23. Mike Farris / Havana Santa  24. Nick Lowe / Christmas at the Airport 25. Odetta / Mary Had a Baby 26. Sarah Benck / If You Could See27. Pink Martini / Elohai N'tzor 28. Bob Malone / Caught Up in Christmas 29. Booker T & the MGs / Winterwonderland 30. Jamie Cullum / So Many Santas 31. BB King / Christmas Celebration32. Joe Bonamassa / Lonesome Christmas 33. Gatemouth Brown / Christmas 34. Christone Kingfish Ingram / Ghost from Christmas Past 35. Keith Richards / Run, Rudolph Run 36. Grace Darling / Merry Christmas, Baby 37. JD McPherson / Twinkle Little Christmas Lights 38. Lucinda Williams / Christmas in New Orleans 39. Chuck Levell / Hey Santa 40. Michael Campbell / This Year's It's Gonna Be Different 

The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives. This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution. Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010). Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives. This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution. Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010). Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives. This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution. Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010). Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives. This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution. Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010). Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives. This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution. Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010). Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

A pioneer in her field, Catherine Bauer Wurster was advisor to five presidents on urban planning and housing and was one of the primary authors of the Housing Act of 1937. During the 1930s she wrote the influential book Modern Housing and was one of the leaders of the "housers" movement, advocating for affordable housing for low-income families.  Catherine Bauer's life divided into two names and two geographies:  her urban east coast youth, and her later life in the Bay Area. She hobnobbed with the bohemian elite of the interwar years….brilliantly charming  the big architect names of the Weimar Republic, Paris cafe society, and the International Style:  Gropius, Mies, Corbusier, Oud, May, and her lover, Lewis Mumford. Her glamour and charismatic presence endeared her to trade unionists, labor leaders, and politicians—who she tried to turn to her vision of housing as a worthy responsibility of the government—sexier and leftier during the Depression. Her arguments were a harder sell in the red scare fifties and ran into a dreary deadlock in the suburban sixties, as she later wrote from her west coast stronghold at the University of California, Berkeley. In the Bay Area she developed an academic career that also included her husband architect William Wurster, a daughter, and a house on the bay – all surrounded by the nature she quickly grew to love. Her legacy lives on to this day, as even the latest of housing legislation echoes the progressive ideals she was advocating for in her prime.  Produced by Brandi Howell for the New Angle Voice podcast from the Beverly Willis Architecture Foundation. Editorial advising from Alexandra Lange. Thanks to host Cynthia Phifer Kracauer. Special thanks in this episode to Barbara Penner, Gwendolyn Wright, Sadie Super, Matthew Gordon Lasner, Katelin Penner, and Carol Galante.  Archival recordings are from the UC Berkeley Bancroft Library. Funding from the New York State Council on the Arts.The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Present is part of Radiotopia from PRX.

On today's show, we're chatting with Yuri Carter, an Atlanta-based vintage and archival fashion  connoisseur. After many years working in the luxury consignment business where she learned tricks of the trade, she established Yuri's Market in 2017, as a premier destination for curated vintage and high-quality fashion. Yuri's Market has evolved into a comprehensive marketplace, and a physical archival and vintage shop in Atlanta, further solidifying Yuri's Market's presence in the vintage fashion industry. This one is for the vintage designer enthusiasts – I loved Yuri's stories and I know you will, too  – so, let's dive right into it! DISCUSSED IN THE EPISODE: [2:52] Yuri grew up in Chicago with a love of eBay and consignment shops.  [6:07] She learned a lot about the vintage industry working for various vintage and luxury consignment shops.  [13:24] Eventually she decided to apply that learning to her own vintage business. [16:52] After a brief hiatus, she approached Yuri's Market through a new marketing lens. [21:50] What's trending with Yuri's customers this season: furs and leather, python and cheetah print, Pucci, and Fendi. [28:23] Yuri's personal style and favorite pieces. EPISODE MENTIONS:  Yuri's Market @yurismarket Kylie Jenner in Fendi Zucca print Dover Street Market L'Étoile de Saint Honoré in Amsterdam LET'S CONNECT: 

In the lead-up to the 2016 presidential election, host Lillian Cunningham created the “Presidential” podcast, with one episode dedicated to each of the (at the time) 44 U.S. presidents. Now, in the thick of the 2024 election, Lillian is back. This is the second of two special “Presidential” podcast episodes released in advance of the presidential election on Nov. 5. The episodes examine how the candidates, former president Donald Trump and Vice President Kamala Harris, could make history if they win. This episode focuses on the history and precedent surrounding Trump's run, as a former president hoping to retake the office.Library of Congress archivist – and “Presidential” fan favorite – Michelle Krowl talks with host Lillian Cunningham about the long history of American presidents seeking reelection after their tenure has ended, unspooling the stories of the six previous men to try it. Only former president Grover Cleveland was successful, but all of their efforts offer parallels and lessons for today. Want to brush up on more presidential history? Listen to the full “Presidential” podcast. Host and creator Lillian Cunningham takes listeners on an epic historical journey through the personality and legacy of each American president. The podcast features interviews with the country's greatest experts on the presidency, including Pulitzer Prize-winning biographers Doris Kearns Goodwin, David McCullough, Jon Meacham and Bob Woodward.Archival audio in this episode is courtesy of the Library of Congress and the G. Robert Vincent Voice Library at Michigan State University.

This is the second of two special “Presidential” podcast episodes released in advance of the presidential election on Nov. 5. The episodes examine how the candidates, former president Donald Trump and Vice President Kamala Harris, could make history if they win. This episode focuses on the history and precedent surrounding Trump's run, as a former president hoping to retake the office.Library of Congress archivist – and “Presidential” fan favorite – Michelle Krowl talks with host Lillian Cunningham about the long history of American presidents seeking reelection after their tenure has ended, unspooling the stories of the six previous men to try it. Only former president Grover Cleveland was successful, but all of their efforts offer parallels and lessons for today. Want to brush up on more presidential history? Listen to the full “Presidential” podcast. Host and creator Lillian Cunningham takes listeners on an epic historical journey through the personality and legacy of each American president. The podcast features interviews with the country's greatest experts on the presidency, including Pulitzer Prize-winning biographers Doris Kearns Goodwin, David McCullough, Jon Meacham and Bob Woodward.Archival audio in this episode is courtesy of the Library of Congress and the G. Robert Vincent Voice Library at Michigan State University.

In the lead-up to the 2016 presidential election, host Lillian Cunningham created the “Presidential” podcast, with one episode dedicated to each of the (at the time) 44 U.S. presidents. Now, in the thick of the 2024 election, Lillian is back. This is the first of two special “Presidential” podcast episodes that will be released in advance of the election on Nov. 5. The episodes examine how the two major party candidates, former president Donald Trump and Vice President Kamala Harris, could make history if they win. This one focuses on the history Harris would make, and the history that has led to this moment. Sharon McMahon, a beloved voice on American civics and the creator behind Instagram's @SharonSaysSo, helps guide listeners through women's initial efforts to gain the right to vote and explains why, from her perspective, the pace of further progress has been slower than expected over the past century. She also explores the changes that are likely (and unlikely) to happen if Harris does become the first woman to win the White House.Want to brush up on more presidential history? Listen to the full “Presidential” podcast. Host and creator Lillian Cunningham takes listeners on an epic historical journey through the personality and legacy of each American president. The podcast features interviews with the country's greatest experts on the presidency, including Pulitzer Prize-winning biographers Doris Kearns Goodwin, David McCullough, Jon Meacham and Bob Woodward.Archival audio in this episode is courtesy of the Library of Congress, the Lyndon Baines Johnson Presidential Library and News Radio KDKA. Special thanks to the Shirley Chisholm Cultural Institute.

In episode 1758, Jack and Miles are joined by musician, comedian, author of The Advice King Anthology, and host of Cold Brew Got Me Like, Chris Crofton, to discuss… Topics Chris Would Bring Up On A Date, Jamie Kennedy Seems Good... and more! A Look At Fingernail Transplants At A Salon In Dallas - October 1975 The Devil at Your Heels Jamie Kennedy Seems Good... LISTEN: Pretend Friend by Sam Austins & Billy LemosSee omnystudio.com/listener for privacy information.

07Welcome to New Angle Voice: I'm your bi-coastal architect and host, Cynthia Phifer Kracauer. Catherine Bauer's life divided into two names and two geographies:  her urban east coast youth, and her Bay Area soft landing.  She hobnobbed with the bohemian elite of the interwar years….brilliantly charming the pants off of the big architect names of the Weimar Republic, Paris cafe society, and the International Style:  Gropius, Mies, Corb, Oud, May…with her lover, Lewis Mumford—culminating in the publication of her 1934 classic :  Modern Housing.   Her glamour and charismatic presence endeared her to trade unionists, labor leaders, and politicians, including five presidents—who she tried to turn to her vision of housing as a worthy responsibility of the government—sexier and leftier during the Depression. Her arguments were a harder sell in the red scare fifties and ran into a dreary deadlock in the suburban sixties, as she later wrote from her west coast stronghold at the University of California, Berkeley. In the Bay Area she developed an academic career that also included a husband, a daughter, and a house on the bay – all surrounded by the nature she quickly grew to love. Her legacy lives on to this day, as even the latest of housing legislation echoes the progressive ideals she was advocating for in her prime.   Hear now:  Catherine Bauer Wurster:  A Thoroughly Modern Woman.   Special thanks in this episode to Barbara Penner, Gwendolyn Wright, Sadie Super, Matthew Gordon Lasner, Katelin Penner, and Carol Galante.  Archival recordings are from the UC Berkeley Bancroft Library.   This podcast is produced by Brandi Howell, with editorial advising from Alexandra Lange. New Angle Voice is brought to you by the Beverly Willis Architecture Foundation.  Funding for this podcast comes from the New York State Council on the Arts. You can find other episodes of New Angle: Voice wherever you find your podcasts.  And if you liked this episode, please leave a review and share with a friend.    

“Presidential” host Lillian Cunningham talks with Sharon McMahon, the creator behind Instagram's @SharonSaysSo, about women's ongoing fight for more political power — examining the arc of progress since 1920, when women across the nation first voted for president. They guide listeners through women's initial efforts to gain the right to vote and explore why the pace of further progress has been slower than expected over the past century. They also discuss the changes that are likely (and unlikely) to happen if Harris does become the first woman to win the White House.McMahon is the host of “Here's Where It Gets Interesting” and author of “The Small and the Mighty.” In addition to creating “Presidential,” Cunningham is the host of several other Washington Post podcasts, including “Field Trip”—which explores the past, present and future of America's national parks. Want to keep in touch? You can follow her on Instagram and subscribe to her mailing list.Archival audio in this episode is courtesy of the Library of Congress, the Lyndon Baines Johnson Presidential Library and News Radio KDKA. Special thanks to the Shirley Chisholm Cultural Institute.

On 2 December 1972, Joan Wiffen, her husband, son and daughter started a camping trip. But it was far from ordinary. They were obsessed fossil-hunters and they were deep in the largest rainforest of New Zealand's north island at a spot by a river described casually in an old geological map as having “Saurian” bones.For Joan, as she started to search for remains, it was “like opening up the Christmas stocking". At the time, scientists believed dinosaurs had not inhabited New Zealand. With the help of archive audio, Joan's son Chris Wiffen describes how his mother, who left school at 12 and had no qualifications, would meticulously search the rainforest site and go on to find the tailbone of a theropod dinosaur – turning scientific beliefs on their head.He describes to Josephine McDermott how his mother devised her own DIY palaeontology lab in their garage and he would visit from university to find her surrounded by acid baths where the rocks she excavated would yield their fossils. “They had visitors from world-renowned palaeontologists and they'd say ‘Oh my gosh. Look at this. Unbelievable'. And it was.”Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.Archival audio in this broadcast was from the Radio New Zealand collection at Ngā Taonga Sound & Vision. (Photo: Joan Wiffen. Credit: Courtesy of NZME/Hawkes Bay Today)

In 1972, a team of young scientists at MIT published a study exploring what would happen to human civilization if people kept pursuing endless economic growth on a finite planet. They weren't just disbelieved, they were ridiculed. The story of Donella Meadows and The Limits to Growth.Reported and produced by Katy Shields and Vegard Beyer, with co-hosts John Biewen and Ellen McGirt. Story editor: Loretta Williams. Archival audio of Donella Meadows, Dennis Meadows, Aurelio Peccei, Jay Forrester, and others. Interviewee: John Fullerton.Original music by Nora Beyer. Additional music by Michelle Osis and Lili Haydn. Music consulting by Joe Augustine of Narrative Music. Art by Harper Biewen. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

Since the beginning of women's sports, there has been a struggle over who qualifies for the women's category. So this week, we're sharing an episode of a new podcast we love, called Tested. Tested follows the unfolding story of elite female runners who have been told they can no longer race as women because of their biology. As they work toward the Olympics, they face hard choices: take drugs to lower their natural testosterone levels, give up their sport entirely, or fight. This episode asks: Would you alter your body for the chance to compete for a gold medal? You'll meet runner Christine Mboma and hear about the difficult choice she faces.  Find more episodes of Tested at https://link.chtbl.com/XReiimtO Tested is from CBC, NPR's Embedded, and Bucket of Eels. The show is written, reported, and hosted by Rose Eveleth. Editing by Alison MacAdam and Veronica Simmonds. Production by Ozzy Llinas Goodman, Andrew Mambo, and Rhaina Cohen. Additional reporting, producing, and editing by Lisa Pollak. Sound design by Mitra Kaboli. Our production manager is Michael Kamel. Anna Ashitey is our digital producer. This series was mixed by Robert Rodriguez. Fact checking by Dania Suleman. Our intersex script consultant is Hans Lindahl. Archival research by Hillary Dann. Legal support from Beverly Davis. Mixed for Science Vs by Bobby Lord. Special thanks to Yeezir for letting us use his song Silent Hero, and Keith Houston, Amir Nakhjavani, and Damon Papadopoulos. French translation by Vanessa Nicolai. Special thanks also to CBC Licensing. Additional audio from World Athletics and Warner Brothers. At CBC, Chris Oke and Cesil Fernandes are Executive Producers, Tanya Springer is the Senior Manager, and Arif Noorani is the Director of CBC Podcasts. At NPR, Katie Simon is Supervising Editor for Embedded. Irene Noguchi is Executive Producer. NPR's senior vice president for podcasting is Collin Campbell. We got legal support from Micah Ratner. And thanks to NPR's Managing Editor for Standards and Practices, Tony Cavin. This series was created with support from a New America fellowship. Learn more about your ad choices. Visit podcastchoices.com/adchoices