Podcasts about eliot

Dr. Eliot explains the empty roaming problem of AI self-driving cars. See his Forbes column for further info: https://www.forbes.com/sites/lanceeliot/

On this episode of the Self-Publishing with ALLi podcast, Dan Holloway opens 2026 by looking at newly released public domain works, including titles by Agatha Christie, T. S. Eliot, and other major crime and literary writers, and what authors should watch for when reusing characters and stories. He also reports on the launch of the Copy Might Coalition, a new effort to support indie authors in AI-related copyright disputes and collective licensing, and examines a fresh legal challenge to the Anthropic settlement that raises questions about how the value of books is judged in AI training cases. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is available on Kindle.

Eliot Shorr-Parks joins the WIP Afternoon Show for the final Tuesday with Eliot segment of 2025. He tackles the biggest question of the day: should the Eagles play their starters or rest them in Week 18 against the Commanders? A must-listen debate as the regular season comes to a close.

The WIP Afternoon Show continues counting down the best moments of 2025, and No. 2 brings plenty of heat. Spike and Eliot get especially chippy during a heated Jalen Hurts debate, then square off again—this time over the never-ending traffic at the Philadelphia Sports Complex. Two fiery arguments, one unforgettable moment in the countdown.

In Hour 2, the WIP Afternoon Show is joined by Eliot Shorr-Parks for his final appearance of 2025. Hear whether Eliot would play the Eagles' starters on Sunday and revisit his best moments of the year on the WIP Afternoon Show.

Just in time for the holidays, Eliot presents the boys with gifts from Indonesia. Then, Kat explains how she broke into radio in Los Angeles.If you'd like a second full episode every week, plus video of every episode and monthly bonuses, head over to nevernotfunny.com and sign up for a Platinum subscription. Plans start at $6/month and more perks, like access to our back catalog and game nights on Zoom, are also available. Sign up today!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Invité :Nicolas Petit, Directeur de l'information de VoiciChroniqueurs :Jules Torres, Journaliste politique au JDDHélène Roué, journaliste politique au JDD.Victor Eyraud, journaliste politique à Valeurs Actuelles.Thomas Bonnet, Journaliste politique CNewsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invité :Nicolas Petit, Directeur de l'information de VoiciChroniqueurs :Jules Torres, Journaliste politique au JDDHélène Roué, journaliste politique au JDD.Victor Eyraud, journaliste politique à Valeurs Actuelles.Thomas Bonnet, Journaliste politique CNewsVous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chaque jour dans l'Heure des Pros, Eliot Deval livre son regard sur l'actualité.Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités :Arthur de Watriguant  Directeur de la rédaction du Magazine LincorrectNorbert Saada, producteurChroniqueurs : Jules Torres, Journaliste politique au JDDMatthieu Hocque, secrétaire général du think-tank Le Millénaire Joseph Macé Scaron, écrivainHélène Roué, journaliste politique au JDD.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités :Arthur de Watriguant  Directeur de la rédaction du Magazine LincorrectNorbert Saada, producteurChroniqueurs : Jules Torres, Journaliste politique au JDDMatthieu Hocque, secrétaire général du think-tank Le Millénaire Joseph Macé Scaron, écrivainHélène Roué, journaliste politique au JDD.Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Eliot Deval revient, sans concession, sur tous les sujets qui font l'actualité. Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Eliot Deval revient, sans concession, sur tous les sujets qui font l'actualité. Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Eliot Deval revient, sans concession, sur tous les sujets qui font l'actualité. Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chaque jour dans l'Heure des Pros, Eliot Deval livre son regard sur l'actualité.Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In his Christmas message, King Charles the Third invoked wartime spirit and urged communities to pull together in an increasingly divided world, saying, “With the great diversity of our communities we can find the strength to ensure that right triumphs over wrong.”The address was recorded in Westminster Abbey, marking the second consecutive year the King has delivered his message away from a royal residence. Speaking from the medieval Lady Chapel, he reflected on the 80th anniversaries of VE Day and VJ Day and praised the courage and sacrifice of the wartime generation.The King also highlighted acts of “spontaneous bravery” in recent emergencies, including the Bondi Beach attack in Australia, and spoke of the importance of faith leaders working together, referencing his prayer alongside Pope Leo during a Vatican visit. A Ukrainian choir performed a carol during the broadcast, underscoring the King's continued support for Ukraine.Quoting T. S. Eliot, the King called for calm and reflection as “our world seems to spin ever faster,” with aides suggesting the message alluded to the impact of new technologies and the idea of a digital detox.The broadcast avoided personal matters, including the King's health and his brother Andrew. Instead, it focused on the working royals, with footage of Prince William and Catherine, and images of Prince George visiting a homelessness charity for the first time.The message concluded with a reflection on the Christmas story as one of peace, reconciliation, and compassion, which the King described as “a prayer for our times.”Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

 Dom and Chris of Sheep Farm Studios, and Matt Sergiou of The Occult Beatles site are going on a deep dive into the entity that is ‘The Beatles,' and the all-encompassing and often hidden influence of the Asher family, particularly its maternal line, the Eliot's. In this first episode of what is the ‘Asher's Addendum,' much of the focus is on one of the Eliots' most (in)famous ancestors, Bertrand Russell, so-called ‘philosopher and intellectual,' and a supporter of eugenics and a one world government, and he was, in Matt's words, the “grandfather” of the UK Sixties counter-culture. He was also 3rd Earl Russell, a member of the bloodline that lent its name to the Tavistock Clinic in London. Not enough for one episode? Well, listen on, there's lots more! WWW.SHEEPFARM.CO.UKHTTPS://WWW.YOUTUBE.COM/@SHEEPFARMSTUDIOS2921/VIDEOSHTTPS://WWW.PODOMATIC.COM/PODCASTS/SHEEPFARMSTUDIOSHTTPS://RUMBLE.COM/USER/SHEEPFARMSTUDIOHTTPS://ODYSEE.COM/@SHEEPFARMSTUDIOS:FDom's Health Bunker Supplements www.shop.healthbunker.co.ukKIDS Liposomal Multi (120ml)Strawberry Bubblegum FlavourSpecial offer HB-KIDS35OFFuse - HB-SF25OFF for all HB other Products.use - HB-SF10OFF for HB Liposomal ProductsALL DISCOUNT CODES CAN BE USED AT CHECKOUT ON MULTIPLE ITEMSDISCOUNT CODES ONLY AVAILABLE ON HEALTH BUNKER PRODUCTSHealth Bunker Clinic www.healthbunker.co.ukChris's Gaping Gobs – Etsy UK

Join Dom and Chris of Sheep Farm Studios, and Matt Sergiou, proprietor of the site The Occult Beatles for what looks set to become an epic-sized series of presentations into the all-encompassing and often hidden influence of the Asher family, and its maternal line the Eliot's, on the entity that is ‘The Beatles.' Be prepared for a deep dive into the relationship between the most influential band there ever was, so-called ‘elite' bloodlines, and a wheel of conspiracies including Mind Control, eugenics, social engineering, music and cultural manipulation, radical Sixties politics, ‘Paul is Dead,' the push for psychedelia and the 'New Age,' and the desire for a One World Order.This is an addendum to earlier-released investigations into the Beatles and the Asher bloodline hosted by Mike Williams of Sage of Quay, and the Sheep Farm series, ‘Huxley's Brave New World Order.' WWW.SHEEPFARM.CO.UKHTTPS://WWW.YOUTUBE.COM/@SHEEPFARMSTUDIOS2921/VIDEOSHTTPS://WWW.PODOMATIC.COM/PODCASTS/SHEEPFARMSTUDIOSHTTPS://RUMBLE.COM/USER/SHEEPFARMSTUDIOHTTPS://ODYSEE.COM/@SHEEPFARMSTUDIOS:FDom's Health Bunker Supplements www.shop.healthbunker.co.ukKIDS Liposomal Multi (120ml)Strawberry Bubblegum FlavourSpecial offer HB-KIDS35OFFuse - HB-SF25OFF for all HB other Products.use - HB-SF10OFF for HB Liposomal ProductsALL DISCOUNT CODES CAN BE USED AT CHECKOUT ON MULTIPLE ITEMSDISCOUNT CODES ONLY AVAILABLE ON HEALTH BUNKER PRODUCTSHealth Bunker Clinic www.healthbunker.co.ukChris's Gaping Gobs – Etsy UK

durée : 00:05:49 - Le Bach du matin du jeudi 25 décembre 2025 - Notre Bach du matin est l'Oratorio de Noël BWV 248 : Sinfonia (2ème partie) interprété par les Solistes Baroques Anglais et le Choeur Monteverdi sous la direction de John Eliot Gardiner. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Chaque jour dans l'Heure des Pros, Eliot Deval nous livre son édito.Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Eliot Deval revient, sans concession, sur tous les sujets qui font l'actualité. Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Merry Christmas and happy holidays! This week Ross Douthat shares one of his favorite poems for the occasion, “The Journey of the Magi,” written by T.S. Eliot, to reflect on a year one might call “interesting.” See you next year! Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

A poetry reading on this Christmas Eve, from the great T.S. Eliot. He starts by quoting a Christmas sermon from 1622 and then ends with a line I hope to think of every day this year. Learn more about your ad choices. Visit megaphone.fm/adchoices

A poetry reading on this Christmas Eve, from the great T.S. Eliot. He starts by quoting a Christmas sermon from 1622 and then ends with a line I hope to think of every day this year. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 2 of the WIP Afternoon Show keeps Tuesdays with Eliot Shorr-Parks alive, despite Brodes hosting the holiday edition. Find out where Eliot really stands on Jalen Hurts Appreciation Day.

Eliot Deval revient, sans concession, sur tous les sujets qui font l'actualité. Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We finally finish our season! And in a season beset by technical issues, what would our final episode be without a cavalcade of them? Sorry folks. You'll hear what happened at the end of the episode. Oops.Theme tune by Eliot RedArtwork by Gavin MitchellFollow the podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you enjoy the podcast, and would like to support it, you can buy us a coffee on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ko-fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or make a monthly donation on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Check out Eliot's music on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Soundcloud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Mat on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow PJ on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Gavin on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Safe Space and Endangered Species, featuring PJ, Mat and Eliot, on Vince Hunt's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This episode was recorded remotely in December 2025.

In this Tax Tuesday episode, Anderson Advisors' Barley Bowler, CPA, and Eliot Thomas, Esq., tackle a wide range of listener questions covering everything from business structures to retirement planning. They discuss the pitfalls of investing in movie production under Section 1801, explain why commuting expenses aren't tax-deductible even for long-distance work arrangements, and clarify the new 1099-NEC reporting thresholds and the upcoming 1099-DA requirements for digital assets. Barley and Eliot break down Section 179 vehicle deductions and the advantages of heavy SUVs over luxury vehicles, explain the reasonable wage requirements and distribution strategies for S corporations, and provide guidance on structuring spec house construction businesses to minimize employment taxes. They also cover mark-to-market elections for traders, the tax consequences of below-market rent to friends or family, and the complications of placing a personal residence in an LLC. Tune in for expert advice on these topics and more! Submit your tax question to taxtuesday@andersonadvisors.com Highlights/Topics:   "Any thoughts about investing in movie production for high-income earners?" - Section 1801 expires 2025, creates passive losses, not recommended for most. "I work for a local government agency in Cochise County, Arizona and live in Maricopa County, Arizona, approximately 215 miles apart. I commute in on Monday, stay in a hotel and leave on Thursday. I've been doing this every week since December of 2024. Is there a tax break deduction for this?" - No deduction available; this is considered commuting, not business travel. "Is the new 1099-NEC now starting after $2,500?" - Still $600 for 2025; increases to $2,000 in 2026 only. "Who needs to file this new 1099-DA digital asset form?" - Brokers must send to clients by February 15, 2026. "I'm a sole proprietor and would like to buy a BMW X7 to save the tax based on section 179. Is it covered?" - Yes, if over 6,000 pounds; 100% write-off available first year. "I'd like to know the proper ratio of distribution payments to salary within an S corporation." - One-third to 60% of net income is typical rule of thumb. "Can I pay myself quarterly out of my S corporation LLC?" - Yes, quarterly W-2 payments are acceptable and help avoid penalties. "What's the best way to structure a business to minimize taxes when building spec houses? I do the majority of the work on the houses, so it looks like a lot of profit on my labor, which is not good. I'm currently structured as a pass through LLC and purchase the house lots in a different LLC from my construction LLC." - Use S corporation for labor; sell land separately at capital gains rate. "Is it too late for a mark to market election for 2026?" - No, must file on 2025 return by April 15, 2026. "Is mark to market a good tax deduction?" - Only if trader status qualifies; creates ordinary losses on unrealized gains. "I'm renting to a friend for $300 a month. Fair market rent would be over $1,500. Any tax consequences?" - Deductions limited to income received; cannot create rental loss at all. "How can I have an LLC for my personal residence if the house is the residence of both my son and I as joint tenants?" - Possible but risks losing section 121 exclusion and homestead exemption. Resources: Schedule Your Free Consultation https://andersonadvisors.com/strategy-session/?utm_source=how-to-structure-multiple-llcs-for-spec-home-building-and-lower-taxes&utm_medium=podcast Tax and Asset Protection Events https://andersonadvisors.com/real-estate-asset-protection-workshop-training/?utm_source=how-to-structure-multiple-llcs-for-spec-home-building-and-lower-taxes&utm_medium=podcast Anderson Advisors https://andersonadvisors.com/ Toby Mathis YouTube https://www.youtube.com/@TobyMathis Toby Mathis TikTok https://www.tiktok.com/@tobymathisesq Clint Coons YouTube https://www.youtube.com/@ClintCoons

Eliot Shorr-Parks wraps up Tuesdays with Eliot by sharing where he stands on Jalen Hurts Appreciation Day and his overall outlook on the Eagles.

Just because Ike, Spike, and Fritz are out doesn't mean Tuesdays with Eliot is going anywhere. Eliot Shorr-Parks joins Brodes for the hour as they continue celebrating Jalen Hurts on Jalen Hurts Appreciation Day.

Eagles insider Eliot Shorr-Parks joins the WIP Morning Show, as he does every Tuesday. Eliot tells the Team he wouldn't want to be any other team in the NFL than the Eagles going into the playoffs. Ruben Amaro Jr. jokes that the Phillies could acquire some energy from Philadelphia Mummers.

On this weeks episode of the podcast (and the last for 2025), I speak with American multi-instrumentalist/singer/songwriter - Eliot Lewis.Eliot is probably best known for his time with the bands - 'Average White Band' from 1989 to 2002) and then #hitmakers 'Hall and Oates, from 2003 to 2023), but was also the original featured musician on the 'Live From Darryl's House series and even worked on Joe Cockers - 'Unchain My Heart' and Tina Turner's - 'Simply The Best' albums. Additionally, he has worked with Billy Gibbons, has had quite the successful solo career (which he's released seven independent albums under) and is quite an amazing photographer. We talk about all of this and so much more, including touring, early influences and host of other music/life related topics...For more information on Eliot and his career, please search for Eliot Lewis across all socials or head to www.eliotlewis.comFor more on Travis Marc or the Musicians-Mentor, please visit www.musicians-mentor.comAdditionally, for those interested - you can support this channel by -'Buying Us Coffee'.https://buymeacoffee.com/musiciansmentor Or visiting our affiliate page with the lovely folks over at - 'Soundbrenner'.https://www.soundbrenner.com/pages/affiliate-travis-marc?srsltid=AfmBOopHlrWNB7C5ZBQz--Z0rVf789RfGQS1cEUxZjy9aBABp6FVZv6-

Eliot Salome Diaz, graffiti and mural artist, joins middle schooler Dayvion to talk about life as a creative. Eliot shares how he navigates his interests in both art and business, what his work teaches about creating from the heart and with passion, and his love of hip hop. Dayvion learns from Eliot how making art from a generous, expansive place can open unexpected doors of opportunity.

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. 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Chroniqueurs :Eric Revel, essayisteMatthieu Hocque, Directeur adjoint des Etudes du Think-Tank Le MillénaireHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Easton Muay Thai Program Director Sean Madden joing Eliot to break down the class structure and ascension model that allowed Easton's striking program to grow across multiple academies. They discuss why American students need a different approach than traditional Thai training, how Kickboxing can serve as the on-ramp into Muay Thai, and why Fundamentals and Intermediate classes are essential steps that build both skill and community. If you want a Muay Thai program that's safe, scalable, and built for long-term student progression, this episode lays out the blueprint. Watch or listen to the full podcast on our blog: https://www.easton.online/blog/ Visit https://www.easton.online to sign up for our mailing list!

T.S. Eliot's poem captures the wonder, mystery, and even fear of Christmastime, anticipating Christ's restoration of all things lost.  __________ Register for CCNC at colsonconference.org

What if the most fertile, resilient garden is one that feeds itself? Legendary organic grower Eliot Coleman returns to the podcast this week to challenge the idea that gardeners need to buy fertility in a bag. Drawing on decades of experience at Four Season Farm, Eliot explains how green manure and living soil can provide everything your garden needs — without importing soil inputs that could be inferior or, worse, contaminated. Podcast Links for Show Notes Download my free eBook 5 Steps to Your Best Garden Ever - the 5 most important steps anyone can do to have a thriving garden or landscape. It's what I still do today, without exception to get incredible results, even in the most challenging conditions. Subscribe to the joegardener® email list to receive weekly updates about new podcast episodes, seasonal gardening tips, and online gardening course announcements. Check out The joegardener® Online Gardening Academy for our growing library of organic gardening courses. Follow joegardener® on Instagram, Facebook, Pinterest, and Twitter, and subscribe to The joegardenerTV YouTube channel.

Former Texas All-American and current ATP #90 Eliot Spizzirri joins the show to recap his breakout 2025 season. He offers insight into the most consequential matches of his season, discusses his takeaways from his first year living the pro tennis lifestyle, breaks down his preseason training schedule, plus SO much more!! Check out the interview on YouTube by clicking here. Episode Bookmarks: Intro - 2:15 Assess Your Season - 6:32 Which Stat Are You Most Proud Of? - 16:00 What Match Did You Learn the Most? - 22:45 Favorite Pro Match - 36:35 Best Off-Court Experiences - 39:25 This Offseason - 42:35 Value of an Agent - 49:05 Early 2026 Schedule - 53:15 Outro - 55:30 Laurel Springs Ranked among the best online private schools in the United States, Laurel Springs stands out when it comes to support, personalization, community, and college prep. They give their K-12 students the resources, guidance, and learning opportunities they need at each grade level to reach their full potential. Find Cracked Racquets Website: https://www.crackedracquets.com Instagram: https://instagram.com/crackedracquets Twitter: https://twitter.com/crackedracquets Facebook: https://Facebook.com/crackedracquets YouTube: https://www.youtube.com/c/crackedracquets Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Alright, friends—we've come to the end of the 2025 run of Many Minds! Our final episode of the year is an audio essay by yours truly. This is a classic format for the show, one that we only do every so often. Today's essay is about names. It's about the question of whether animals have something like names for each other. And it's also about a deeper question: What even is a name? How do humans use names? How does the historical and ethnographic record kind of complicate our everyday understanding of what names are. I had a lot of fun putting this together, and do I hope you enjoy it.  Now, the holiday season is a time when people might be shopping around for new podcasts to listen to. That makes it a great time to recommend us to your friends and family and colleagues. You can think of it has an especially thoughtful gift, one that's absolutely free, and that keeps on giving throughout the year.  Speaking of gifts, as an addendum to this episode you'll find a little stocking stuffer after the credits. It's a reading of a poem that figures prominently in today's essay.  Without further ado, here is my essay—'In search of names.' Enjoy!   Notes: A text version of this essay will be published shortly.   Notes 2:00 – The text of, 'The Naming of Cats,' by T.S. Eliot is here. See also the full collection, Old Possum's Book of Practical Cats. The lines about cats' taste preferences and cats having different kinds of minds comes from another poem in the collection, 'The Ad-Dressing of Cats.' 3:00 – The 2019 study finding that cats know their names, and the 2022 study showing that cats know the names of their friends. 4:00 – For an overview of research on dolphin "signature whistles," see here. 5:00 – For the 2024 study reporting name-like rumbles in elephants, see here.  6:00 – For the 2025 study reporting vocal labels for individuals in marmosets, see here. A critical response to the study is here; the authors' response to the criticism is here. 12:00 – For overviews of cross-cultural variation in names and naming practices, see here, here, here, and here. Richard Alford's 1988 study, published in book form, is here.  13:30 – The study reporting name signs in Kata Kalok is here. 15:00 – For research on expectations based on the sounds of people's names, see here and here. 16:00 – For recent work on the "face-name matching effect," see here. For the study on "nominative determinism" in the medical profession, see here. (Note that, while this latter study does report empirical data, its rigor is questionable. And, yet, at least one other study has reported similar findings.) 17:30 – For the example of over-used names in Scotland, see here.  19:30 – For discussion of names in New Guinea, see here. For examples of research on "teknonymy" see here and here. For discussion of Penan "necronyms," see here.  20:30 – For an overview of name taboos, see here. For more on "alexinomia," see here. 22:30 – For an example of recent work on "name uniqueness," see here.   23:00 – William Safire's column on dog names is here. The study of gravestones in the world's oldest pet cemetery is here.     Many Minds is a project of the Diverse Intelligences Summer Institute, which is made possible by a generous grant from the John Templeton Foundation to Indiana University. The show is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd. Subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you listen to podcasts. You can also now subscribe to the Many Minds newsletter here! We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com. For updates about the show, visit our website or follow us on Bluesky (@manymindspod.bsky.social).

Eliot serves as Managing Partner of Broadwing Capital, which he co-founded after 20 years of operational private equity experience. He is responsible for overall direction of the firm and ensuring Broadwing achieves its investment objectives in a manner consistent with the firm's mission and core values. He originates and leads investment opportunities, partners with management post-acquisition to achieve transformative results, and serves as primary contact at the firm for investors. Eliot has been a private equity investor since 2000, and has significant expertise in mergers and acquisitions, corporate strategy, performance improvement, and realizations through sales, public offerings and dividend recapitalizations. Prior to founding Broadwing in 2022, Eliot was a Managing Partner of Insight Equity, a private equity firm with $1.4 billion under management. During his 17 years at Insight, Eliot led numerous investments and exits, working with management teams to create significant value across pre-fund investments, three equity funds and one mezzanine vehicle. He was responsible for all stages of the investment process, collaborating closely with management to identify and implement strategic and tactical improvement opportunities. Eliot served as Director and Chairman of multiple portfolio company boards, acted as Chief Restructuring Officer at a portfolio company during the great recession, and led acquisitions and greenfield expansion efforts throughout the United States and in seven countries. Before joining Insight, Eliot acted as turnaround manager for Bay State Paper Company. Earlier in his career, Eliot worked for three years at Jupiter Partners, a New York-based private equity fund focused on domestic manufacturing, distribution and services companies. Previously, Eliot worked as an investment banker in Merrill Lynch's Global Communications Group advising public and private companies on corporate mergers, public offerings and bond offerings. Eliot enjoys investing in the lives of his three sons and daughter and his local community. He co-founded and serves as Chairman of Casa Del Lago, an outreach to the Bachman Lake community in Dallas. In addition, Eliot previously served as a long-time board member of the Prison Entrepreneurship Program and other non-profit boards, Director and Chairman of a school board, English as a Second Language teacher, Assistant Scoutmaster, and coach of multiple soccer teams. Eliot co-founded a national impact angel network that invests in young companies and provides advice to their founders. Active in professional circles as well, Eliot was the Chairman of the DFW Private Equity Forum and Director – Private Equity with the DFW Association for Corporate Growth. Originally from Ft. Worth, Eliot roots for the Aggies, enjoys the outdoors, took up tennis to protect his knees from soccer injuries, and can play tunes on several stringed instruments. He lives in Dallas with his wife and their four children. Eliot holds an M.B.A. with distinction from Harvard Business School, and a B.B.A. in Finance with honors from Texas A&M University.

On the latest episode of Now, Appalachia, Eliot interviews author Anna Rollins about her debut memoir FAMISHED. Anna lives and works in Appalachia. She has taught courses in composition and rhetoric, writing center studies, creative nonfiction, and text analysis for over a decade. Her work has appeared in outlets such as the New York Times, Slate, Salon, Electric Literature, Joyland, Newsweek, and The Today Show.

Thomas Stearns Eliot (1888–1965), poeta, crítico literário e ensaísta anglo-americano, tornou-se um dos maiores nomes do modernismo do século XX. Sua conversão ao anglicanismo, somada à sua visão conservadora da cultura, trouxe à sua obra uma dimensão teológica que transcende a estética. Em textos como Notes Towards the Definition of Culture e The Idea of a Christian Society, Eliot propõe a reconstrução espiritual e moral do Ocidente com base em uma “ordem cristã”, estruturada pela tradição, autoridade e continuidade cultural. Embora sua crítica à secularização e sua defesa de valores espirituais ecoem preocupações legítimas da cosmovisão adventista, o substrato filosófico, teológico e eclesiológico de Eliot apresenta desafios consideráveis à fé profética, escatológica e missionária da Igreja Adventista do Sétimo Dia. Este episódio, portanto, examina a fundo o pensamento social de T.S. Eliot, destacando pontos de convergência úteis para a defesa da ordem eclesiástica, mas também denunciando com clareza os aspectos que colidem com a autoridade da revelação bíblica e com a estrutura representativa da liderança adventista.

Good morning! Start your day with Go Birds! Daily, a daily Eagles podcast giving you everything you need to know for December 17th. In today's episode Eliot Shorr-Parks dives into everything Nick Sirianni had to say on Tuesday, including how he is trying to bring “joy” to the team and the improvement in penalties/sacks on the last few weeks. Then, Eliot joins the WIP Afternoon show and debates Ike Reese on what a successful season is for the Eagles. Help us raise money for TreeHouse Books and win a Zack Baun signed football by clicking ⁠HERE⁠! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On 23 April 1925, T.S. Eliot was officially invited by Geoffrey Faber to join the newly founded publishing house of Faber & Gwyer. It was to prove the most momentous appointment in the history of 20th-century poetry in English. Among Faber & Gwyer's first books was Eliot's Poems 1909-1925, which included ‘The Love Song of J. Alfred Prufrock', The Waste Land, and ‘The Hollow Men'. As pioneering talent scout for Faber & Gwyer (which would become Faber & Faber in 1928) Eliot launched the careers of such as W.H. Auden, Louis MacNeice, David Jones and Stephen Spender, and oversaw the publication of the work of the poet who had discovered him, Ezra Pound. Exactly a hundred years on, poet and critic Mark Ford, Emeritus Professor of English at Sheffield John Haffenden, former Faber managing director Toby Faber and Senior Lecturer at the University of Brighton Aakanksha Virkar visited the Bookshop to discuss the events leading up to Eliot's appointment, and his early years with the firm that would become virtually synonymous with his name. More from the Bookshop: Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠ From the LRB: Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbkshppod Bags, binders and more at the LRB Store: ⁠⁠https://lrb.me/storebkshppod Get in touch: podcasts@lrb.co.uk

It's Tuesdays with Eliot Shorr-Parks and when asking him about the question for the show today Eliot sides with Spike that one playoff win will be considered a successful Eagles season

Isit down with David Eliot, author of Artificially Intelligent: The Very Human Story of AI, to explore the human drama behind the rise of artificial intelligence. They discuss the myths that shaped the field, the innovators who steered it, the promises and pitfalls of today's systems, and what AI is revealing about human creativity and identity. A deep and accessible look at the future of intelligence — both artificial and our own.

Eric and Eliot discuss the newly released National Security Strategy's flaws, highlighting its incoherence and hostility to Europe. They note the strategy's unwillingness to identify Russia, China, and Iran as enemies of the United States and the abdication of the U.S. role in maintaining global order. The pair also discuss the latest pressure on Ukraine to capitulate to Russia before welcoming returning guest Representative Jim Himes for a conversation about the Trump Administration's Venezuela policy. Eric on the NSS in The Bulwark: https://www.thebulwark.com/p/trump-national-security-strategy-foreign-policy-defense-allies-china-russia-iran-north-korea Eliot on the NSS in The Atlantic: https://www.theatlantic.com/ideas/2025/12/national-security-strategy-incoherent-babble/685166/?gift=KGDC3VdV8jaCufvP3bRsPhY0neK1oFmUu2ila2ZbOTc&utm_ The 2025 National Security Strategy: https://www.whitehouse.gov/wp-content/uploads/2025/12/2025-National-Security-Strategy.pdf Shield of the Republic is a Bulwark podcast co-sponsored by the Miller Center of Public Affairs at the University of Virginia.

In this episode of Chronicles, Luca discusses The Waste Land by T. S. Eliot. He explores Eliot's mental state during its composition, and the poem's themes of modernity, tradition and fragmentation.

Eric and Eliot return from Thanksgiving to dissect the revelations from the Washington Post about the double-tap strike on an alleged Venezuelan drug boat in September. They discuss whether the strike was a war crime, the resignation of SOUTHCOM Commander Admiral Alvin Holsey, and the administration's larger objectives in Venezuela. They also address the Department of Defense IG report on Signalgate, and explain why it does not constitute a ‘complete exoneration'. They conclude with a discussion of the Witkoff-Kushner “mission to Moscow”, the corruption crisis in Ukraine that ousted Presidential Chief of Staff Yermak, and the Wall Street Journal's coverage of the Trump cronies lining up to do business deals in Russia once the Ukrainians can be forced into submission. Show Notes: Former White House Counsel Bob Bauer on the Venezuela boat strikes: https://www.execfunctions.org/p/the-boat-strike-presidency Wall Street Journal Report on Witkoff & Kushner's Plans for Peace: https://www.wsj.com/world/russia/russia-u-s-peace-business-ties-4db9b290? Shield of the Republic is a Bulwark podcast co-sponsored by the Miller Center of Public Affairs at the University of Virginia.