Podcasts about writers

Cinelle Barnes joins Let's Talk Memoir for a conversation about her brain aneurism rupture, writing a memoir two years after brain surgery, the healing modality that is writing personal narrative, memoir as a palimpsest, having multiple memoirs, narrating from the perspective of the adult, choosing to be in a place of discovery, alternating timelines, offloading thoughts onto sticky notes, when writing becomes episodic and collage like, gratitude as fertilizer for the brain, holding onto our words and art to keep holding onto who we are, investigating the many selves within the self, and her new memoir A Way Home: A Memoir of Losing Yourself and the Beauty of Returning.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: -micromemoirs -fostering neuroplasticity -changing as we explore   Books mentioned in this episode:  -Easy Beauty by Chloe Cooper Jones -Mother Mary Comes to Me by Arundhati Roy -The Man Who Could Move Clouds by Ingrid Contreras   Cinelle Barnes is the Philippine-born author of Monsoon Mansion: A Memoir, Malaya: Essays on Freedom, and A Way Home: A Memoir of Losing Yourself and the Beauty of Returning. She is also the editor of the New York Times “New and Noteworthy” A Measure of Belonging: Twenty-One Writers of Color on the New American South. Cinelle is a survivor of a brain aneurysm rupture and sits on the Brain Injury Leadership Council of South Carolina, and is the recipient of awards and fellowships from the Sustainable Arts Fund, the Authors League Fund, the National Endowment for the Arts, South Arts, and the North American Travel Journalists Association, among others. She has served on the jury panels for several literary awards, including the inaugural Pulitzer Prize for Memoir. Her writing has appeared in Coastal Living, Travel + Leisure, Buzzfeed, Catapult, Electric Literature, and Longreads, among others. Cinelle lives in Charleston, SC, with her husband, daughter, and cat.    Connect with Cinelle: Webiste: cinellebarnes.com Instagram: @cinellebarnesbooks   Purchase Book via Bookshop: https://bookshop.org/p/books/a-way-home-a-memoir-of-losing-yourself-and-the-beauty-of-returning-cinelle-barnes/1a3f1cce1c657294?ean=9781662510618&next=t   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Gonzo journalist and writer John Safran on why he decided to squat in a Hollywood mansion belonging to Kanye West.John Safran has made a career out of getting into places he probably shouldn't be, from breaking into Disney Land, to infiltrating fascist strongholds in Australia.A couple of years ago, one of his journalistic expeditions saw him squatting in an abandoned Hollywood mansion belonging Kanye West.John had seen a clip of the hip hop start denying the Holocaust, defending Adolf Hitler, and claiming that Black people cannot be anti-Semitic because they are actually Jewish.His week writing and snooping in this strange house, with no running water and a vulture in the roof, made John go increasingly loopy as he tried to understand what pushed this critically acclaimed artist from celebrity eccentric to seriously 'out there'.This episode of Conversations was first broadcast in 2024It explores Kanye West, Judaism, antisemitism, Hollywood, hip hop, Christianity, Nazism, racism, hip hop, squatting, the Donda Academy, journalism, Adidas, money, fame, documentary, writing, the Holocaust, mental health, celebrity, mansionsFurther informationSquat is published by Penguin.

Scott Michael Powers returns in episode 304 for a gritty and intense sample reading from The Space Coast Tatler! Check the links below for more from Scott, including his interview last week in episode 303. Also, all of the upcoming events Jason mentions in the show are available as well. Scott Michael Powers' website and blog (with social media links) Scott Michael Powers' books on Amazon Episode 303 interview with Scott Michael Powers And visit these links for Jason's upcoming events and his books! Writers of Warrensburg website Patti's Pop-Up Shop FB page Books & Booze FB page Find out more about our show host, Jason, and his books here Contact the show via email: samplechapterpodcast@gmail.com  

When we talk about mythic fiction, it's easy to assume mythic stories are created through familiar ingredients: archetypes, symbolism, old myths, epic structure. But I don't think that's where mythic storytelling begins. In this post/podcast, I explore seven practices and mindsets that help writers reconnect with what the lost art of mythmaking--not just  borrowing of old symbolic forms, but accessing the deeper creative process from which meaningful stories emerge in the first place. We talk about: • Why mythic stories often feel like they come *through* us rather than *from* us • How dreamzoning and flow states support deeper storytelling • Why "shoulds" can block archetypal imagination • How asking questions opens access to mythic resonance • The deeper shape beneath story structure • Why confronting the shadows matters for writers • How mythic storytelling functions as transformation and initiation Mythic fiction isn't just a genre or an aesthetic. At its deepest level, it is a way of relating to story itself. If you've ever wanted to write stories that feel more alive, more resonant, or more meaningful, but weren't sure how to move beyond technique alone, this conversation offers a practical place to begin. 01:50 What Is Mythic Fiction? 02:34 What Mythic Fiction Is Not 04:07 What Mythic Fiction Is 05:12 The Lost Art of Mythmaking 06:31 Practice #1: Entering the Flow State 08:49 Practice #2: Clear the "Shoulds" That Block Archetypal Imagination 09:58 Practice #3: Ask Questions Instead of Arriving With Answers 11:32 Practice #4: Study the Deeper Shape Beneath Story Structure 12:56 Practice #5: Study the Stories That Create Mythic Resonance 15:07 Practice #6: Be Fearless Enough to Enter the Shadows 17:11 Practice #7: Approach Archetypal Storytelling With Humility and Responsibility 18:16 Learning How to Imagine Better 19:22 Writing Masterclass: Alchemizing Plot, Character, and Theme Read the transcript: https://helpingwritersbecomeauthors.com/how-to-write-mythic-fiction-practices LINKS & RESOURCES Want More? WRITING MASTERCLASS: Alchemizing Plot, Character, & Theme Sign Up Here: https://kmweilandstore.com/b/plot-character-theme-class In this masterclass, I explore how plot, character, and theme act as one cohesive symbolic structure capable of creating stories with emotional resonance, narrative momentum, and deeper thematic meaning. We'll talk about: • Aligning inner and outer arcs  • Creating stories that feel alive from the inside out  • Integrating plot, character, and theme organically  • Writing stories with greater depth and cohesion 

"Murderbot" is an American science fiction action comedy television series created by Paul Weitz and Chris Weitz for Apple TV. It is based on "All Systems Red," the first book of the series "The Murderbot Diaries" by Martha Wells. The series stars Alexander Skarsgård as the titular character, a media-obsessed private security construct (manufactured from cloned human tissue and mechanical parts), who must hide its newly acquired autonomy while completing dangerous assignments, and is simultaneously drawn to humans and appalled by their weakness. The first season premiered in May, 2025 and received positive reviews. In July 2025, the series was renewed for a second season. Star and Executive Producer Alexander Skarsgård, along with Writers/Directors/Executive Producers Chris & Paul Weitz, were all kind enough to spend some time talking with us about their work and experiences making the show, which you can watch to below. Please be sure to check out the show, which is available to watch on Apple TV and is up for your consideration for this year's Emmy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

TL;DRToday we open the doors. Crossroads Publishing Group—a hybrid publisher of serious nonfiction in Chattanooga—announces the Crossroads Commons, our founding membership. Three tiers; fifty lifetime Founder spots, ever.• Join the Commons → crossroadspublishing.group/commons• Publish with us → crossroadspublishing.group/engagements• The catalog → crossroadspublishing.group/catalog• Questions → chad@crossroadspublishing.groupMost small presses spend their first year trying to look like a big press. We're not doing that. A hybrid publisher of serious nonfiction, based in Chattanooga, founded this year, built around the idea that books are occasions for community—and that the press's job is to take that seriously.The Long StoryA few weeks ago I made a decision about how Crossroads Publishing Group would set itself apart: a real commitment to relationship. Then, on a mountain bike trail a few days ago, the bigger version of the idea arrived. It's not just relationship—one-on-one, editor and author. It's community. And once you see it, you can't unsee it: leadership books end at community. Recovery books end at community. Theology, parenting, loneliness, climate—trace the actual argument and the topic turns out to be the doorway in. Community is the thing itself.So I'm building the press to take that seriously, not as a marketing line, but as operating structure. Today's episode lays out the whole thing.Five structural commitments:* Every Crossroads author gets a direct-purchase URL for their community—their people buy from the press, their royalty is higher, and the relationship stays out of the algorithm.* Every book launches with an event in the author's community, wherever they live.* Every Crossroads author appears on The Difficulty.* Authors meet each other—the catalog becomes a community of minds, not a list of titles.* Readers get a structured way to belong to the press: the Crossroads Commons, open today.The Commons, three tiers:* Reader — $200/year. Every new title shipped to your door on publication day. A quarterly Circle Letter. 20% off direct orders. Your name in the colophon of every title shipped during your membership year.* Patron — $500/year. Everything above, plus a signed limited-edition hardcover each year (printed exclusively for Patrons), an invitation to the annual Crossroads gathering, private author Q&As at every launch, and 30% off.* Founder — $1,000, one time, lifetime. Limited to the first 50, ever. All Patron benefits in perpetuity, your name permanently in the colophon of every title we publish during your lifetime, and one annual meal or coffee with me. When the 50 are filled, that door closes forever.The Commons isn't a subscription to this podcast, The Difficulty stays free, always. It's membership in the press itself. And you shouldn't join from obligation or scarcity pressure. Join because the editorial direction and the community we're forming matter to you, and you want to be part of the early conversation.→ Join the Crossroads CommonsThe four doors, if you're wondering which is yours:* Authors — from a $750 Legacy Audit to the full Compile to Publish engagement (print + ebook + audiobook, six to eight months): crossroadspublishing.group/engagements* Readers — the Circle: crossroadspublishing.group/circle* Writers developing a manuscript in community — the First Draft Cohort, applications open July 13, inaugural class begins September 14.* Just want a book? — crossroadspublishing.group/catalog — William James's The Varieties of Religious Experience is in print now; Virginia Woolf's A Room of One's Own is next (and I'm narrating the audiobook myself)This is your moment to step in.—Chad This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit chadprevost.substack.com

Showcase week breakdowns, Nintendo legal updates, rising hardware costs, current playthroughs, and a retro review of Monster Rancher Battle Card. Chapters: 00:00 Intro 09:19 Magic: The Gathering Insights 16:01 Brave Fencer Musashi Thoughts 23:10 Current Gaming Adventures: Killzone Shadowfall 23:40 Exciting Game Pickups 25:27 Digital Gaming Trends and Preferences 31:21 Exploring Mina the Hollower: Gameplay and Mechanics 36:28 Diving into Pathfinder: A D&D Experience 38:01 Nintendo vs. Pow World: Legal Battles in Gaming 42:24 Is Gaming a Luxury Hobby? 51:37 Highlights from Summer Games Fest 2026 58:47 Gaming Showcase Highlights 01:01:13 Nintendo Direct Overview 01:06:34 Ocarina of Time Remake Discussion 01:11:33 Monster Rancher Battle Card Review 01:24:54 Outro Video  John and Ryan are back with a full week of gaming updates, starting with their recent pickups and what they're currently playing. Ryan shares his time with Mina the Hollower, while John dives into Killzone Shadow Fall as part of his ongoing backlog adventures. The conversation moves into Nintendo's ongoing legal situation, as new analysis suggests the company may only receive a $30,000 payout in its Pokémon‑related case involving Palworld developer Pocketpair. From there, the guys tackle a broader industry question: whether rising hardware prices are pushing gaming closer to becoming a luxury hobby. The episode then shifts into showcase season, with full rundowns of Summer Game Fest 2026, the Xbox Games Showcase 2026, and the June 2026 Nintendo Direct. John and Ryan highlight the major reveals, announcements, and trailers across all three events, comparing how each platform approached its big summer moment. To wrap things up, the Inflation Deflation Game of the Week takes a retro turn with a look at Monster Rancher Battle Card on the Game Boy Color, as the duo revisits the spin‑off's mechanics, presentation, and current market value.   Find us on TheGameDeflators.com   Twitter - www.twitter.com/GameDeflators Facebook - www.facebook.com/TheGameDeflators Instagram - www.instagram.com/thegamedeflators   The views and opinions expressed on this channel are solely those of the author. The content within these recordings are property of their respective Designers, Writers, Creators, Owners, Organizations, Companies and Producers. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted. Permission for intro and outro music provided by Matthew Huffaker http://www.youtube.com/user/teknoaxe 2_25_18

KALW's Jeneé Darden who grew up in East Oakland in the ‘80s and ‘90s… and her little kid self would've loved a place like Chapter 510. The youth writing center provides a safe and empowering learning space for young writers. And Chapter 510 centers Black, brown and queer voices… and publishes their works. Their latest book is “When the Stars Bloom in Oakland: An Anthology of Poems by Fourth Graders.” Janet Heller is an Oakland poet and a co-founder of Chapter 510. Anjali Emsellem is a writer and educator who teaches in the program. They spoke to Jenee for KALW's the sights and sounds show. Here's an excerpt from their conversation. 

Annie Hartnett is the award-winning author of three novels: Rabbit Cake, Unlikely Animals, and the national bestseller The Road to Tender Hearts, which won the 2025 New England Book Award for fiction and was named a best book of 2025 from NPR, LitHub, and Southern Living. It's now out and available in paperback, published by Ballentine. Along with the writer Tessa Fontaine, Annie co-runs Accountability Workshops for writers, helping writers commit to routines and embrace the long, slow, joyful, terrible process of doing the work. The Road to Tender Hearts gives us writers a lot to talk about. Structuring a novel around a road trip and how to weave in backstory while maintaining forward momentum. Writing heavy topics like death, addiction, grief, and abandonment with humor. Annie's approach to third-person multiple points of view, tackling a range of viewpoints, and so much more. We also talked about her ambivalent relationship with Scrivener, how she uses spreadsheets, working with mind maps, and the importance of accountability for writers. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded June 2, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Australia is experiencing a golden age of crime and thriller writing right now and Christine Gregory is a part of that. Her latest novel, The Informant, explores the world of bikie gangs, and in this episode, Christine discusses how she went about researching this subject, and how she balances dark themes as an author. And we love that she is an AWC graduate! 00:00 Welcome04:25 Writers in the wild05:52 Writing tip: Cut the first paragraph!07:14 WIN!: Out of the Blue by Penelope Janu09:15 Word of the week ‘Plicate’10:02 Writer in residence: Christine Gregory10:53 Plot of new book, The Informant12:28 Why bikey gangs fascinate14:28 On-location research16:20 Standalone sequels and balancing story18:39 Writing process and deadlines20:06 Why Australia suits crime23:46 Challenges writing the book24:02 Taming story rabbit holes24:51 Choosing the right POV25:29 How she became an author27:17 Courses that improved her skills|29:13 A realistic writing routine31:14 Day job and dark themes33:16 Writing without lecturing35:55 Practical advice for writers37:57 Book recommendations39:33 What‘s next?40:28 Final thoughts Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.comSee omnystudio.com/listener for privacy information.

Writers want to create stories with unforgettable endings, powerful dialogue, and characters readers genuinely care about. But the problem is that we often spend most of our energy on the external plot: solving the murder, winning the trial, defeating the villain, or uncovering the truth. Those events create pressure, but they are not necessarily what makes the audience feel satisfied when the story ends. In this episode, Jeff Elkins (The Dialogue Doctor) and members of the Dialogue Doctor Community break down the character structure of A Few Good Men to reveal why the movie works. You'll learn how a story's "Vehicle characters" carry the reader's emotional experience, how a character's wound creates immediate hopes and fears, and why the real ending depends on whether the lead character becomes the person the audience hoped they could be. Jeff also examines how supporting characters can raise the pressure by ending tragically, how "Engines" and "Anchors" push a character toward their best or worst self, and why Joanne's storyline feels less satisfying than the arcs around her. Finally, the episode breaks down the pacing behind the iconic "You can't handle the truth" scene, showing how rapid-fire dialogue, strategic silence, emotional pauses, and a prolonged hero moment transform a courtroom exchange into an unforgettable climax. Watch this episode if you want to build stronger character arcs, create a cast that actively shapes your protagonist, write more emotionally satisfying endings, or understand why some famous scenes stay with audiences for decades. For more on the craft of writing, go to DialogueDoctor.com

BioRonesha Strickland is a Writer and Producer. Originally from Maryland, Ms. Strickland relocated to Atlanta, GA to further pursue the craft of screenwriting. She enrolled in multiple film workshops to enhance her skills and gained hands-on experience working on several sets such as “ Black Panther 2”, “Fantasy Football” and “Dashing Through The Snow”. She also interned with a few local production studios. She was then inspired to produce her own content. Her directorial work includes the short film drama "Bloom", short silent film "Silence" and season 1 & 2 of "Southern Hospitality ", a digital web series, which inspired her to dive further into the comedy genre. Currently, she is in pre-production for a couple of shows, which are set to go to principal this summer. Her ultimate vision is to create performance art schools around the world, giving other creative beings a home to hon and grow their skills.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Nobody expected the second half of the cleric episode to begin with a discussion about wolves conducting hate crimes against coyotes, crows acting as aerial bounty hunters, and the lasting trauma of Game of Thrones season eight. Somehow this naturally transitioned into Pathfinder clerics, giant dragon towers, vampire bat transformations, and a godless revolutionary whose greatest enemy remains organized religion. In hindsight, this was probably the only possible outcome. Show Notes In the second half of our Pathfinder 2e Cleric build series, we advanced our morally questionable holy figures from level 11 all the way to 20. Before we even reached the introduction, however, we somehow found ourselves discussing wolf vendettas, crow conspiracies, Game of Thrones, British pronunciation crimes, and Pulp Fiction-inspired monologues. Naturally, this was exactly the kind of preparation required for high-level clerics. Randall returned with his godless anti-religious war priest, continuing his crusade to dismantle divine authority while simultaneously benefiting from divine magic. The contradictions only made the character stronger. Ash continued building a dragon-obsessed kobold servant of Dahak, leaning heavily into domains, summoning magic, and draconic heritage feats. Tyler doubled down on his undead survival machine, creating a cleric who would rather become increasingly horrifying than ever experience death again. As the builds progressed, the characters became increasingly absurd. Randall evolved into a social revolutionary capable of literally preaching atheism to enemies. Ash transformed into a majestic kobold empowered by dragons and armed with enough fire to solve nearly any problem. Tyler embraced his inner vampire, eventually turning into a bat, draining enemies, and becoming nearly impossible to kill. High-level spells stole much of the spotlight. Summoning dragons, collapsing enemies with Implosion, unleashing Massacre, and transforming into avatars of divine power all showcased just how spectacular Pathfinder's spellcasters become in the late game. Meanwhile, Randall's philosophy remained unchanged: peace is important, and anyone who disagrees can discuss it with the business end of a glaive. By the time we reached level 20, our collection of short kings had somehow become terrifying demigods. None of them were remotely good people, but they were certainly memorable clerics. Key Takeaways Levels 11 through 20 dramatically increase a cleric's power through doctrines, master spellcasting, and powerful class feats. High-rank divine spells provide some of the most cinematic effects in Pathfinder 2e. Harm-focused builds can become incredibly durable through self-healing and defensive feats. Domain spells continue to scale well into the highest levels of play. Heritage feats can dramatically shape a character's identity and capabilities. Avatar provides one of the most flavorful capstone spells available to divine casters. Additional 10th-rank spell slots are difficult to pass up at level 20. Warpriests gain survivability but still lag behind dedicated martial classes in weapon proficiency. Pathfinder 2e offers many ways to support unusual character concepts, including technically illegal godless clerics. Team Fun Size successfully evolved from weird clerics into full-blown nightmares for any GM. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Filmmaker Billy Luther talks with Sandy about his coming-of-age film, ‘Frybread Face and Me,' which was executive-produced by Taika Waititi and distributed by Ava DuVernay's company, Array, on Netflix.Written and directed by Billy, ‘Frybread Face and Me' was selected for SXSW 2023's Narrative Spotlight and TIFF 2023's Discovery and New Wave Selects. Billy's feature documentary, Miss Navajo, premiered at the 2007 Sundance Film Festival and aired nationally on PBS' Independent Lens that same year.Billy has also served as a writer and director on the hit AMC series Dark Winds, adapting Tony Hillerman's novels featuring Navajo tribal police investigations.You can watch ‘Frybread Face and Me,” ‘Miss Navajo,' and all of Billy's films for free on his website here: https://billyluther.comIf you have Netflix, go watch ‘Frybread Face and Me' right now!  Pick up the remote, click the link.  Do.  The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

When is a writer not alone?You sit at a keyboard wrestling with plot problems, self-doubt, unfinished drafts, and that nagging voice asking whether you're good enough to keep going.This week on Tell The Damn Story, Chris Ryan shares what happened when he pushed past those doubts and attended StokerCon, the annual conference of the Horror Writers Association.What he found wasn't just panels, workshops, and industry professionals.He found a room full of people facing many of the same struggles every writer faces.Imposter syndrome.Creative uncertainty.Publishing questions.The search for community.Along the way, Chris talks with authors, organizers, and publishing professionals about why conferences matter, what new writers can gain from attending them, and how finding your tribe can change your creative journey.You'll also hear practical insights on:• Networking without feeling awkward • Meeting editors, agents, and publishers • Pitching your work • Learning directly from working professionals • Building a support system that understands the writing lifeBecause sometimes the most important thing a writer learns is this:You are not alone.https://horror.org/Have any questions, comments, or suggestions?Then, please leave them in the Comments Section.Write: TTDSOnAir@gmail.comAnd follow us on ...⁠⁠⁠⁠⁠⁠@Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠www.TellTheDamnStory.comwww.Facebook.com/Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/ Tell The Damn Story⁠⁠⁠⁠⁠⁠⁠⁠Stories change lives. They always have. At *Tell The Damn Story*, we believe in lifting voices and passing stories on. Your support keeps them alive for future generations. Help us by supporting TTDS → ⁠Buy Me A Coffee⁠⁠⁠⁠!⁠⁠⁠⁠⁠

Foxes, Fairy Paths and a Midnight Swim - (including some recordings from past Miscellany Live shows) with James Mulvihill, Cyril Kelly, Colm Mac Con Iomaire, Enda Wyley, Jessica Traynor, Colin Murphy, Lorraine Nash, Boris Hunka & Diane Daly, Dónal Clancy and West Coast Sounds

YA masters Krystal Sutherland (The Invocations), Joanna Nadin (author of 90+ books for children and adults) and Moira Buffini (Songlight) on hooking teen readers from the very first page, plotting methods that tame a whole novel, and why stories matter so much to young people. You'll learn What sparks the magic system of a supernatural thriller. What it means to find your writing home, and how to know when you've arrived. Why readers decide within the first ten pages, and how visceral detail keeps them hooked. A pantser's case for careful plotting when you're juggling multiple points of view. The most common mistake adults make when writing for young readers. What screenwriters know about tight writing, and what teen TV can teach you about voice. Why treating writing as a job, not a calling, makes rejection survivable. Whether writers should think about their audience. How writing toward a feeling, not a plan, creates cliffhangers you don't see coming. Episode Links #105: Krystal Sutherland #61: Joanna Nadin #179: Moira Buffini About the Guests Krystal Sutherland is the New York Times and indie bestselling author of House of Hollow, A Semi-Definitive List of Worst Nightmares and Our Chemical Hearts, which was adapted into a film by Amazon Studios. Her books have been published in more than twenty countries and nominated for the Carnegie Medal and YA Book Prize, among others. Her latest YA novel, The Invocations — the centerpiece of this conversation — won the 2025 Prime Minister's Literary Award for young adult literature. Originally from Australia, she has lived on four continents and currently calls London home. Joanna Nadin has written more than 90 books for children and adults, including the Rachel Riley series, the Penny Dreadful series, and the Sunday Times bestselling Worst Class in the World series. She holds a doctorate in adolescent identity and YA literature and is an Associate Professor in Creative Writing at the University of Bristol. Her books have garnered a number of prizes including the Fantastic Book Award and the Surrey Book Award, and she has been shortlisted for the Roald Dahl Funny Prize, the Booktrust Best Book Award, the Telegraph Sports Book of the Year, the Hearst Big Book Awards, and Queen of Teen. She has been nominated six times for the CILIP Carnegie Medal, including for Everybody Hurts and for Joe All Alone, which was made into a BAFTA-winning and Emmy-nominated BBC drama series. Moira Buffini is an Olivier Award–winning UK playwright and BAFTA-nominated screenwriter, writing many plays for the National Theatre and the West End. Films include Tamara Drewe, Jane Eyre, Byzantium, and The Dig. She cocreated and was showrunner of Hulu's Harlots. Her YA debut Songlight — the first in The Torch Trilogy — won the 2025 YA Book Prize, and its sequel Torchfire is out now. She lives in London. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

On the #amwriting podcast's “Margin Notes,” Jennie Nash talks with Dr. Diana Hill (author of Wise Effort) about how the urge to prove yourself—through resumes, accolades, or “pre-order my book” pleas—undermines authenticity and connection, especially when pitching ideas, proposals, or personal brands. Hill describes confronting this while rebranding her website and shifting from listing credentials to articulating the real user experience and who the work is and isn't for, using specific language that reflects her core value of awareness/attunement rather than generic, AI-like claims. They unpack the psychology behind proving (seeking safety, belonging, and autonomy) and suggest asking which need is driving the behavior, aiming instead to demonstrate value, embrace vulnerability, and rely on trusted “tough love” feedback.Books Mentioned* Wise Effort by Dr. Diana HillJoin the Blueprint Summer ChallengeStarting a book? Stuck in a draft? Planning a revision?The Blueprint Summer Challenge is designed to help you make meaningful progress on your manuscript this summer.Over six weeks, beginning July 10, you'll use the Blueprint—a proven framework for developing stronger books with greater clarity, purpose, and reader impact—to move your project forward, wherever you are in the process.Whether you're writing nonfiction, memoir, fiction, or another genre entirely, the goal is simple: spend six focused weeks making your book stronger.Start with the Blueprint CourseWe're offering an all-new Blueprint course in Teachable, which includes:* The full text of The Blueprint* Fourteen video lessons covering every step of the framework* Real coaching examples that show writers applying the Blueprint to their own projects* Practical guidance you can use immediatelyThe course is designed to help you develop a stronger foundation for your book—whether you're beginning from a blank page, working through a draft, or planning a revision.Course enrollment: $19

Kia Abdullah joins Book Gang to discuss Next of Kin, her gripping backlist thriller about sisterhood laced with a high-stakes courtroom drama you won't forget. This week on Book Gang, we're joined by Kia Abdullah, award-winning novelist and founder of Asian Booklist, for a deeply engaging conversation about her acclaimed thriller Next of Kin. We'll dig into Kia's unique journey from a career in tech to her bold work as a full-time author, and explore how her advocacy is changing the landscape for British-Asian writers in publishing. Kia share more behind the art of writing high-stakes suspense, the impact of BookTok on the thriller genre, and the real-life inspirations behind Next of Kin's unforgettable courtroom drama. Discover the secrets to building authentic tension, crafting twisty plots, and what she hopes readers will take away from her exploration of sisterhood, responsibility, and the complexities of motherhood. In this informative conversation, we discuss:

On today's program, Christian curriculum publisher Orange has released investigation findings after its founder was accused of sexual misconduct—and it's highlighting key lessons other ministries can learn. We'll take a look. Plus, the 2026 annual meeting for the Southern Baptist Convention was this week, putting some core tensions on display. From sexual abuse reforms to immigration and women preachers, Southern Baptists faced defining votes. We'll have details. And, two big ministry acquisitions to announce—Salem Media Group and Phoenix Seminary. But first, Bethel Church in Redding, California, is cutting ties with four big-name ministry leaders. Bethel says it will no longer platform Todd Bentley, Mike Bickle, Shawn Bolz, or Bob Hartley. The producer for today's program is Jeff McIntosh. We get database and other technical support from Stephen DuBarry, Rod Pitzer, and Casey Sudduth. Writers who contributed to today's program include Kim Roberts, Bob Smietana, Kathryn Post, Tony Mator, Makella Knowles, and Jessica Etturalde. Until next time, may God bless you.

Many writers assume that Christian stories are defined by clean content, religious themes, or explicit references to faith. But a Christian worldview is not a genre.In this episode of The Storyteller's Mission, Zena Dell Lowe explains why many faith-based stories feel preachy, emotionally shallow, or dramatically ineffective despite their good intentions. More importantly, she reveals how writers can create stories that communicate biblical truth at a deep structural level without relying on overt religious content.Through examples from Die Hard, Lethal Weapon, Strong Fathers, Strong Daughters, and modern storytelling trends, you'll discover the difference between worldview and genre, truth and signaling, and why some secular stories often resonate more deeply than many faith-based films.Topics Covered:• Christian worldview vs Christian genre • Why faith-based films often struggle • Storytelling and moral truth • Die Hard and biblical morality • Lethal Weapon as moral storytelling • Principles vs rules in story • The problem with preachy writing • Writing stories that resonate • Biblical worldview in screenwriting • Christian storytelling and cultureCHAPTERS00:00 A Secular Story Can Tell More Truth 01:12 What People Mean by "Christian Film" 02:00 Why Die Hard Matters 03:00 Principles vs Rules 05:30 Compassion vs Justice 06:30 What a Worldview Really Is 07:10 Genre vs Worldview 08:20 The Strong Fathers, Strong Daughters Example 10:30 Why Nuance Matters 11:10 Secular Stories and Biblical Truth 11:25 Lethal Weapon vs Modern Storytelling 12:40 The Postmodern Worldview Shift 14:00 What Writing a Christian Worldview Actually Means 15:25 Stop Trying to Write Christian Stories 15:50 Why the Faith-Based Industry Struggles 17:35 What This Means for Writers 19:45 We Need More Truthful StoriesWatch this episode on YouTubeFree Resources for Writers:Seven Deadly Plot Points FREE TRAINING VIDEO Free Video Tutorial for ScreenwritingSign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.

This week we stay on Dorothy Kilgallen in the weeks before November 8, 1965, tracing the files, the trips, and the people who disappeared around her. She finished the Murder One preface on a Sunday night and was dead by Monday morning. She handed a backup of her JFK chapter to a friend who died the next day.  Was Ron Pataki a hotel-suite lover, or a CIA handler from the Guatemala coup keeping watch? [04:39] – Murder One, the $10,000 advance, and the chapter that never made the book. [07:48] – The preface handed off Sunday night, dead by Monday morning. [10:14] – Mark Sinclair, the locked file, and "the case of a lifetime." [17:07] – Florence Pritchett Smith, the backup chapter, and a cerebral hemorrhage one day later. [30:01] – The New Orleans trip and "don't tell anyone you were here with me." [33:11] – The second trip that never happened and the cloak-and-dagger source. [41:28] – 544 Camp Street: Banister, Ferrie, Bringuier, and Oswald's leaflets. [47:31] – Ron Pataki, the Regency suite, and the 3 a.m. phone calls. [57:48] – PBSUCCESS, the Dulles brothers, and the United Fruit Company. [01:17:26] – The hotel-key humiliation broadcast over the studio PA. [01:20:55] – The last night, the open door, and a bedroom she never slept in.   Want more? Join the Frightday Society, at http://thefrightdaysociety.org As a Society Member, you'll have access to all Screamium content (Behind the Screams, It's Been a Weird Week, A Conversation With..., Toast to Toast PM with Wine Kelly, Cinema Autopsy, the Writers' Room, bonus episodes of Captain Kelly's Cryptids & Conspiracies, Byron's Serial Corner, and so much more! You'll also be part of our interactive community dedicated to the advancement of horror, hauntings, cryptids, conspiracies, aliens, and true crime. All things frightening. Keep our mini-fridges full of blood...I mean...not blood...normal things that people drink...by going to http://shop.frightday.com Theme music by Yawns Produced by Byron McKoy Follow us in the shadows at the following places:  @byronmckoy @kellyfrightday @frightday This is an Audio Wool Original.

Two time Emmy and Peabody Award winning Documentary Filmmaker Deeyah Khan has dedicated over a decade of her life to making empathetic and unflinching films which deal with some of the most important and polarizing issues confronting our world today; extremism, violence against women, inequality, racism and social exclusion.Deeyah has filmed with:battle-hardened jihadis, members of armed militia groups, American domestic terrorists and white supremacists, And through these encounters she's had illuminating and often surprising results. After spending a number of months filming with members of the United States' largest neo-Nazi organization, three high-ranking figures, including the leader, left the movement and rejected its white supremacist ideology. All of them crediting their encounters with Deeyah as the catalyst for them to leave.Today we'll engage in a deep and moving discussion about what Deeyah has learned from her unique and extraordinary experiences. Learnings that in essence come back to the power and potential of:Radical curiosity,Deep listening,Choosing Love,And having a fierce and unwavering commitment to center the inherent dignity of all human beings.This is the final conversation in our mini series on Love. A four letter word that is perhaps one of the most complicated in our culture,and yet simultaneously may be the most important practice for our time. This series, which has been years in the making ultimately brought together some of the world's leading:Peace and reconciliation workers, Conflict transformation experts,Scholars on compassion, altruism, and generosity,Storytellers,Writers, FilmmakersAnd spiritual teachers To unpack how Love, as Deeyah so beautifully puts it,"Is, and has always been, the great interrupter." Love is what can help to break cycles of violence, hatred, and polarization.Love is what connects us.Love is what liberates.Love is what heals.Love is what brings us back to each other. And Choosing Love is exactly what these times are calling for. For more on Deeyah, her films, music, and other offerings please visit deeyah.com Did you find this episode inspiring? Here are other conversations from our mini-series on Love:On the Possibility of Meeting Hate with Love | Dr. Barbara TintOn Love and the Illusion of Separateness | Elias AmidonOn Awakening, Belonging, and Love | Henry ShukmanOn Love, Storytelling, and Radical Curiosity | Baktash AhadiOn the Power of Love | Stephen G. PostEnjoying the show? Please rate it wherever you listen to your podcasts!Thanks for listening!Support the show

This week, we join Toby live from the European Writer's Festival where he spoke to novelists Beatriz Serrano and Sulaiman Addonia. Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

EP 32 - "Comedy, Courage, and Creativity" | Francesco Paladino | Classically Trained Actor, Writer, Comedian, and ProducerNicole sits down with multi-hyphenate creative Francesco Paladino to unpack a career that spans Off-Broadway, television, film, and ten years on the comedy circuit. From earning his SAG card to studying with master teachers, to writing for others and eventually creating his own films and live showcases, Francesco shares how craft, courage, and continual reinvention fuel a sustainable arts career. He opens up about embracing comedy (even while pursuing serious drama), the spiritual side of creativity (trust, surrender, alignment), and why building safe, positive sets is a non- negotiable. The conversation serves as a masterclass in resilience, networking, mentorship, and mental health for creatives at all stages.

Bestselling authors William Bernhardt (The Superman Wars) and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview...William Bernhardt, whose 67th published book is The Superman Wars, the true story of Superman's creator, Jerry Siegel, and his fight to create, then recover, his iconic character.0:00 Opening ThoughtsThe Superman Wars, WriterCon 2026, and the host steps into the interview chair!4:25 News1) Protest Filed Over AI Audiobooks—Including One from John Grisham2) New Literary Scout Program Wants to Send Your Work to Hollywood15:21 Interview with William BernhardtThe guest would like you to know that when he talked about Jerry Siegel serving his "company," he of course actually meant "country," but he just gets so excited when he talks about Siegel and Superman that his stutter returns and he trips over his own tongue. Which Superman would never do. 47:34 Parting WordsWriterCon 2026 will take place in Oklahoma City on Sept 4-7 with over sixty presenters headlined by #1 NYTimes bestselling author William Martin, and Edgar Award-winner Lou Berney. Visit the website for more info: www.writercon.comIf you want a small-group enviroment and a chance to workshop your work-in-progress, consider the WriterCon Retreat, at Canebrake Resort near Tulsa on July 15-19. More info on the website: www.writercon.com/retreat/Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardt www.williambernhardt.comwww.writercon.com

Click Here to ask your book writing and publishing questions!In this heartfelt interview, author Cinelle Barnes shares her journey through writing A Way Home (Little A, June 9, 2026), a heart-wrenching memoir about remembering and rebuilding a life after everything known disappears in a flash. Her latest memoir takes us alone with her as she recovers from a sudden ruptured brain aneurysm. But her journey was far more than physical. It's the healing of soul, of body, of identity. It's a woman/mother/daughter/immigrant/writer redrawing the map of herself. The mere existence of this book is a triumph, and the beautiful magic of it is a feat of awe. Cinelle is also the author of Monsoon Mansion: A Memoir and Malaya: Essays on Freedom. 

Living Writers 2026-06-10 - WCBN Public Affairs Programming - T Hetzel

Amil Niazi joins Let's Talk Memoir for a conversation about the pressure on children of immigrants, outsiderness, striving to change our circumstances, what happens to women in the workplace after becoming mothers, confronting misogyny and racism, The Hard Part - her series for The Cut, when people are threatened by ambition, avoiding the need to make memoir prescriptive, offering people perspective that is uniquely yours, sticking to our original vision, finding a way to get our books into the worlds, when work, motherhood, and ambition collide, the desire to have more, the journey of a life, and her new memoir Life After Ambition: A “Good Enough” Memoir. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: -pivoting -obligatory gratitude -asking ourselves what drives us   Books mentioned in this episode: Slouching Toward Bethlehem by Joan Didion Daughter by Claudia Dey   Amil Niazi is a writer and producer. She writes The Cut's series on parenting, The Hard Part, and covers work and motherhood and how the two intersect. Her writing has also appeared in The New York Times, The Guardian, and The Washington Post.   Connect with Amil: Instagram: https://www.instagram.com/amilniazi/ Ami Niazi's column on The Cut: https://www.thecut.com/author/amil-niazi/ Life After Ambition: https://www.simonandschuster.com/books/Life-After-Ambition/Amil-Niazi/9781668056035   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Steven Rowley is the New York Times bestselling author of Lily and the Octopus, a Washington Post Notable Book of 2016, The Editor, named by NPR as one of the Best Books of 2019, The Guncle, a Goodreads Choice Awards finalist for 2021 Novel of the Year and winner of the Thurber Prize for American Humor, The Celebrants, a TODAY Show Read With Jenna Book Club pick, and the instant USA Today Bestsellers The Guncle Abroad and The Dogs of Venice. His fiction has been published in twenty languages. Originally from Portland, Maine, he is a graduate of Emerson College and currently resides in Palm Springs with his husband, the writer Byron Lane, and three rescue dogs. His new novel is Take Me With You, and is the focus of our talk today. Steven joins Barbara DeMarco-Barrett to talk about the moment he knew he had to write this book, how he outlines, side characters, the crossover from screenwriting, why he chose Joshua Tree, California, as the desert setting, endings, AI, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded May 15, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)      

Episode 303 is bringing the thrills with our new guest, an award-winning journalist-turned novelist, Scott Michael Powers! In this episode, you'll hear some fascinating stories from Scott's journalist career and how these helped inspire what he writes today. We also discuss the freedom that comes from creation, allowing our characters to tell us their story, writing more than one story at a time, and the benefits of having a brilliant wife! Press PLAY to hear this and more, and don't forget to visit the links below to find more about Scott.  Scott Michael Powers' website and blog (with social media links) Scott Michael Powers' books on Amazon And visit these links for Jason's upcoming events and his books! Writers of Warrensburg website Patti's Pop-Up Shop FB page Books & Booze FB page Find out more about our show host, Jason, and his books here Contact the show via email: samplechapterpodcast@gmail.com

You think in chapters. You write in chapters. And that might be exactly why revision feels impossible. In this episode, I tackle one of the most universal misconceptions I see in first-time novelists — confusing chapters with scenes. I'll explain why scenes are the real building blocks of your story, what a scene actually does, and how understanding this distinction will help you write a tighter, more unified story.Episode Web PageSend me Fan Mail

Joining me for this episode is award-winning author and writer Eleanor Lerman. We chat about her latest collection of short stories, King the Wonder Dog: and Other Stories. A tender look at aging, loneliness and life-altering events and the four-legged companions who help us along the way. We also chat about what it takes to be a writer, of over 50 years, covering every type of writing out there. Have a listen, learn and enjoy!EPISODE NOTES: Eleanor Lerman - King the Wonder DogBecome a supporter of this podcast: https://www.spreaker.com/podcast/animal-writes-animal-writers-and-best-selling-authors-pets-animals--6666984/support.

The Assyrian Australian Association and the Ashurbanipal Library honoured three Assyrian writers in recognition of their valuable contributions to Assyrian literature and the preservation of the Assyrian language. Adam Homeh, Youel Hawil, and Agnes Nisan received awards and expressed their gratitude to the Ashurbanipal Library for its initiative in acknowledging and celebrating their efforts. They noted that such recognition encourages the continued preservation, development, and sustainability of Assyrian literary works for future generations.

Watch This: https://youtu.be/C8Me5SpjcPY?si=CSMLN4e7FNfSvXMCEveryone is talking about how AI is going to replace jobs.Lawyers are worried.Writers are worried.Marketers are worried.Accountants are worried.Meanwhile, you're in one of the safest industries on the planet.AI can't paint a house.AI can't install a roof.AI can't build a deck.AI can't sit across from a homeowner and earn their trust.In this episode, Tom explains why AI may actually be the greatest opportunity skilled trades professionals have ever seen.You'll learn:• Why contractors are uniquely positioned to benefit from the AI revolution• How smart contractors are using AI to save hours every week• What tasks should be automated and what should never be automated• Why trust, communication, and sales are becoming more valuable than ever• The one skill that will separate winning contractors from everyone else over the next decadeThe contractors who thrive won't be the ones who ignore AI.They'll be the ones who use it to eliminate busy work while doubling down on the human skills that technology can't replace.Because at the end of the day, homeowners don't buy paint, roofs, kitchens, or remodeling projects.They buy certainty.They buy confidence.They buy trust.And trust is still a human game.If you're ready to improve your sales process, close more profitable work, and build a stronger business, check out THE COMMAND at https://go.thecontractorfight.com/command

How difficult is it to publish a book? It's a nuanced question, especially when there are different avenues for aspiring writers to explore. This hour, guest host Julie Philipp sits down with local authors to talk about what new writers face when they're trying to get their books in the hands of readers. How do authors go about finding an audience? How can they attract the attention of agents? What about indie and self-publishing? And what does it all mean for readers who are looking for new voices? Our guests discuss it. In studio: Aries J, author of "Journey to Womanhood: A Poetic Rite of Passage," and founder of Just Write Experience  Tyler Barton, artistic director of Writers & Books ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

In this NBN episode, host Hollay Ghadery speaks with editor, poet, and author, Terese Mason Pierre about As the Earth Dreams: Black Canadian Speculative Stories (Spiderline, 2025). A ground-breaking anthology of haunting speculative stories by contemporary Black Canadian writers that explore growth, futurity, and joy. Edited by esteemed poet Terese Mason Pierre, this bold and innovative anthology of speculative short fiction reveals and uplifts the spectacular imaginings, reveries, reflections, experiments, and hopes of Black writers in Canada. A masseuse attends her mother's fourth funeral, only to encounter family she's never met. A postdoc instructor navigates an almost-life in an Elsewhere realm of safety and comfort. After societal collapse, an immigrant leaves her precarious station, and her memories, behind. A woman isolating from a new virus starts hallucinating. A young nanny accepts a job with a peculiar employer in search of immortality. A medium is tasked with summoning a spirit that hits too close to home. And two teenagers test a friendship over magic carpet flying practice. These ten breathtaking stories explore natural and urban landscapes, living and dead relationships, economic catastrophe, love, and desire--all while celebrating the persistent and ever-changing self, and envisioning beautiful Black futures. Featuring stories by:Trynne Delaneyfrancesca ekwuyasiWhitney FrenchAline-Mwezi NiyonsengaChimedum OhaegbuSuyi Davies OkungbowaChinelo OnwualuLue PalmerTerese Mason PierreZalika Reid-Benta TERESE MASON PIERRE (she/her) is a writer, poet, and editor whose work has appeared in the Walrus, ROOM, Brick, Quill & Quire, Uncanny, and Year's Best Canadian Fantasy and Science Fiction. Her work has been nominated for the bpNichol Chapbook Award, Best of the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She is one of ten winners of the Writers' Trust Journey Prize and was named a Writers' Trust Rising Star. Terese is the chief programming officer at Augur, a speculative arts nonprofit, and co-director of AugurCon, Augur's biennial speculative arts conference. Terese lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Nintendo news, Steam Machine launch, PlayStation State of Play highlights, MTG Marvel set records, and a retro review of Magic: The Gathering Battlemage on the Game Deflators Podcast. Chapters: 00:00 Intro 03:11 Pickups and current plays 06:09 John's PlayStation 5 Troubles and Game Resolutions 09:11 Ryan's Inflation Deflation Challenge and Game Recommendations 12:11 Mina the Hollower: A Game of the Year Contender 18:20 Innovative Mechanics in Mina the Hollower 24:05 Nintendo's Patent Loss and Switch 2 Developments 30:18 Valve's Steam Machine Release and Pricing Speculations 35:50 Pricing and Marketing Strategies for New Consoles 36:45 PlayStation State of Play Highlights 49:47 Wolverine Game Mechanics and Expectations 51:18 Upcoming Game Events and Releases 52:24 Magic: The Gathering's New Marvel Set Discussion 01:00:32 Review of Magic: The Gathering Battle Mage 01:11:06 Outro John and Ryan return with a full slate of gaming and TCG news. They start with Nintendo's recently denied touchscreen‑related patent, discussing what the decision means as the company continues navigating its separate legal battle with Pocketpair over Palworld. The conversation then moves to Nintendo's confirmation that the upcoming Switch 2 will feature a replaceable battery in the EU, adding another notable detail to the next‑gen hardware rollout. The guys also cover Valve's announcement that the new Steam Machine is officially set to ship this summer, marking the company's latest move in the hardware space. From there, they break down all of the major reveals and trailers from the June 2026 PlayStation State of Play, highlighting the biggest announcements from the showcase. Magic: The Gathering makes headlines as the new Marvel crossover set breaks records, prompting discussion about the momentum behind the release. To wrap up the episode, John and Ryan revisit the PS1 era with a look at Magic: The Gathering – Battlemage for this week's Inflation Deflation Game, giving the retro title a fresh evaluation.   Find us on TheGameDeflators.com   Twitter - www.twitter.com/GameDeflators Facebook - www.facebook.com/TheGameDeflators Instagram - www.instagram.com/thegamedeflators   The views and opinions expressed on this channel are solely those of the author. The content within these recordings are property of their respective Designers, Writers, Creators, Owners, Organizations, Companies and Producers. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted. Permission for intro and outro music provided by Matthew Huffaker http://www.youtube.com/user/teknoaxe 2_25_18

In this NBN episode, host Hollay Ghadery speaks with author Andrea Gunraj about her collection of essays, Go-Between Girl: My Indentured Roots as Reclaimed Present (McClelland & Stewart, 2026).  The under-told legacy of indentured servitude runs through the blood of countless descendants in the diaspora. In this deeply felt collection of essays, Andrea Gunraj explores the impact of her family's history on her sense of self.Andrea Gunraj delves into the under-told legacy of indentured labour and its lasting impacts on descendants across diasporas, from the Caribbean and Latin America to Canada, the United States, and beyond. She captures the complexities of belonging and the challenges of navigating dichotomies. Through the concept of “go-betweenness,” Gunraj illustrates her path from the intersections of race, class, and identity to a broader understanding of colonial histories.A gripping read that weaves memoir with history and cultural criticism, Go-Between Girl is both accessible and profound, intimate and political. Gunraj invites readers to reconsider their narratives about work, love, and heritage. Her essays are a touching testament to the enduring quest for justice, offering a powerful contribution to contemporary conversations on race, feminism, and the unfinished legacies of colonialism. Andrea Gunraj is an essayist and author of The Lost Sister (Vagrant Press) and The Sudden Disappearance of Seetha (Knopf Canada). She lives in Toronto and loves to write about underseen stories and connections. She is a member of The Writers' Union of Canada. Visit andreagunraj.ca for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with editor, poet, and author, Terese Mason Pierre about As the Earth Dreams: Black Canadian Speculative Stories (Spiderline, 2025). A ground-breaking anthology of haunting speculative stories by contemporary Black Canadian writers that explore growth, futurity, and joy. Edited by esteemed poet Terese Mason Pierre, this bold and innovative anthology of speculative short fiction reveals and uplifts the spectacular imaginings, reveries, reflections, experiments, and hopes of Black writers in Canada. A masseuse attends her mother's fourth funeral, only to encounter family she's never met. A postdoc instructor navigates an almost-life in an Elsewhere realm of safety and comfort. After societal collapse, an immigrant leaves her precarious station, and her memories, behind. A woman isolating from a new virus starts hallucinating. A young nanny accepts a job with a peculiar employer in search of immortality. A medium is tasked with summoning a spirit that hits too close to home. And two teenagers test a friendship over magic carpet flying practice. These ten breathtaking stories explore natural and urban landscapes, living and dead relationships, economic catastrophe, love, and desire--all while celebrating the persistent and ever-changing self, and envisioning beautiful Black futures. Featuring stories by:Trynne Delaneyfrancesca ekwuyasiWhitney FrenchAline-Mwezi NiyonsengaChimedum OhaegbuSuyi Davies OkungbowaChinelo OnwualuLue PalmerTerese Mason PierreZalika Reid-Benta TERESE MASON PIERRE (she/her) is a writer, poet, and editor whose work has appeared in the Walrus, ROOM, Brick, Quill & Quire, Uncanny, and Year's Best Canadian Fantasy and Science Fiction. Her work has been nominated for the bpNichol Chapbook Award, Best of the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She is one of ten winners of the Writers' Trust Journey Prize and was named a Writers' Trust Rising Star. Terese is the chief programming officer at Augur, a speculative arts nonprofit, and co-director of AugurCon, Augur's biennial speculative arts conference. Terese lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Do you spend your weekends visiting cliffs with your child to find out which ones would be deadliest? Well, that’s something Fiona Hardy did in researching her new ‘cosy crime’ novel, Old Games! In this episode, Fiona joins us to discuss the inspiration for this latest book, her own writing process and how she went from kids to adult fiction! 00:00 Welcome06:31 Writers in the wild11:06 Writing tip: Metrics of success14:31 WIN!: The Clueless Guide to Solving a Mystery by Samera Kamaleddine & Hykie Breeze16:10 Word of the week: ’Obstreperous’16:57 Writer in residence: Fiona Hardy17:50 What is her new book ‘Old Games’ all about?20:09 Plotting and pitching this second novel23:25 Cosy crime without a murder26:19 Writing fight scenes27:41 Realistic consequences28:28 Setting the story in Victoria30:23 Researching crime and cliffs32:42 Balancing bookselling and writing34:11 Daily writing process and goals35:31 Publicity, creating socials and anxiety39:17 How Fiona moved from kids to adult books40:34 Future projects43:39 Writing tip45:10 Final thoughts Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.comSee omnystudio.com/listener for privacy information.

Send us Fan MailHosts Beth McMullen and Lisa Schmid cut through the noise of book marketing advice to spotlight what genuinely moves books: word of mouth. Nearly half of readers (47–48%) choose books based on personal recommendations — outperforming social media, platforms, and AI discovery tools combined. Beth and Lisa share three low-cost, actionable strategies to spark that word of mouth before and after your launch.3 Strategies to Spark Word of Mouth1. Build a Street Team•       Recruit 20–30 trusted readers (writers, friends, community members) and give them an advance copy — digital or print•       Provide a short, clear list of 3 specific asks: post on social media, share with friends, leave a review•       One voice becomes 25 — and those 25 can each reach 10 more, creating exponential amplification with minimal effort from you2. Engage Bookstagrammers & BookTok Creators — Early•       Identify creators who read books in your genre months before your launch — not the week of•       Comment, share, and engage with their content authentically to build a genuine relationship first•       Pay it forward with fellow authors — share their books freely, and don't be afraid to ask directly when your book drops3. Attend Local Book Festivals•       Book festivals are abundant, often within driving distance, and free to apply for as an author — no flights or hotel rooms required•       Having a new or recent release significantly improves your chances of acceptance; apply before your launch•       In-person connection creates lasting amplifiers — readers who meet you, enjoy your book, and tell 10 friends Key Takeaway: Stop spending hours on content nobody sees. Invest that time in real relationships — book groups, communities, and fellow authors. Marketing doesn't have to be expensive or high-tech to work.Have a marketing tip that's worked for you? Beth and Lisa want to hear it.•       Beth: beth@writerswithwrinkles.net•       Lisa: lisa@writerswithwrinkles.net Support the show Visit the WebsiteFind Full Episodes on YouTube!Writers with Wrinkles Link Tree for socials and more!

Writers want sharp dialogue, compelling conflict, and characters with enough tension to keep readers turning pages. But the problem is that conflict can easily get stuck. Characters snipe at each other, trade sarcasm, or argue at the same emotional level for too long. The scene has energy, but it does not move. The relationship does not shift. The reader starts to feel like the conversation is circling instead of building. In this episode, Laura Humm coaches Tony Maxwell on how to make character conflict escalate, de-escalate, and actually change the relationship between characters. They discuss how to balance prose and dialogue, how to use the "zipper" technique to check the rhythm of a conversation, and how to move an enemies-to-allies dynamic from hostility into vulnerability. They also dig into how to write an arrogant protagonist without making readers hate him, how to give both characters expertise and agency, and how to use specialized knowledge—like veterinary medicine—without turning the scene into an info dump. You'll learn how to make dialogue feel like a tennis match, how to hide exposition inside conflict, how to use vulnerability to shift a relationship, and how to make every joke, barb, and emotional landing serve the scene. Watch this episode if your characters have great banter but the scene still feels flat, if your exposition keeps slowing the story down, or if you're trying to write conflict that actually changes something.   For more on writing dialogue, come to DialogueDoctor.com.  For the Fiction Makers Conference, come to FictionMakers.Live

In this NBN episode, host Hollay Ghadery speaks with editor, poet, and author, Terese Mason Pierre about As the Earth Dreams: Black Canadian Speculative Stories (Spiderline, 2025). A ground-breaking anthology of haunting speculative stories by contemporary Black Canadian writers that explore growth, futurity, and joy. Edited by esteemed poet Terese Mason Pierre, this bold and innovative anthology of speculative short fiction reveals and uplifts the spectacular imaginings, reveries, reflections, experiments, and hopes of Black writers in Canada. A masseuse attends her mother's fourth funeral, only to encounter family she's never met. A postdoc instructor navigates an almost-life in an Elsewhere realm of safety and comfort. After societal collapse, an immigrant leaves her precarious station, and her memories, behind. A woman isolating from a new virus starts hallucinating. A young nanny accepts a job with a peculiar employer in search of immortality. A medium is tasked with summoning a spirit that hits too close to home. And two teenagers test a friendship over magic carpet flying practice. These ten breathtaking stories explore natural and urban landscapes, living and dead relationships, economic catastrophe, love, and desire--all while celebrating the persistent and ever-changing self, and envisioning beautiful Black futures. Featuring stories by:Trynne Delaneyfrancesca ekwuyasiWhitney FrenchAline-Mwezi NiyonsengaChimedum OhaegbuSuyi Davies OkungbowaChinelo OnwualuLue PalmerTerese Mason PierreZalika Reid-Benta TERESE MASON PIERRE (she/her) is a writer, poet, and editor whose work has appeared in the Walrus, ROOM, Brick, Quill & Quire, Uncanny, and Year's Best Canadian Fantasy and Science Fiction. Her work has been nominated for the bpNichol Chapbook Award, Best of the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She is one of ten winners of the Writers' Trust Journey Prize and was named a Writers' Trust Rising Star. Terese is the chief programming officer at Augur, a speculative arts nonprofit, and co-director of AugurCon, Augur's biennial speculative arts conference. Terese lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this NBN episode, host Hollay Ghadery speaks with author Andrea Gunraj about her collection of essays, Go-Between Girl: My Indentured Roots as Reclaimed Present (McClelland & Stewart, 2026).  The under-told legacy of indentured servitude runs through the blood of countless descendants in the diaspora. In this deeply felt collection of essays, Andrea Gunraj explores the impact of her family's history on her sense of self.Andrea Gunraj delves into the under-told legacy of indentured labour and its lasting impacts on descendants across diasporas, from the Caribbean and Latin America to Canada, the United States, and beyond. She captures the complexities of belonging and the challenges of navigating dichotomies. Through the concept of “go-betweenness,” Gunraj illustrates her path from the intersections of race, class, and identity to a broader understanding of colonial histories.A gripping read that weaves memoir with history and cultural criticism, Go-Between Girl is both accessible and profound, intimate and political. Gunraj invites readers to reconsider their narratives about work, love, and heritage. Her essays are a touching testament to the enduring quest for justice, offering a powerful contribution to contemporary conversations on race, feminism, and the unfinished legacies of colonialism. Andrea Gunraj is an essayist and author of The Lost Sister (Vagrant Press) and The Sudden Disappearance of Seetha (Knopf Canada). She lives in Toronto and loves to write about underseen stories and connections. She is a member of The Writers' Union of Canada. Visit andreagunraj.ca for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The Learning Leader Show with Ryan Hawk www.LearningLeader.com New Book - The Price of Becoming www.LearningLeader.com/Becoming Ron Friedman is a psychologist and researcher who has spent his career studying what separates great teams from average ones. His research, which has surveyed thousands of professionals across dozens of industries, became the second most-read article in Harvard Business Review history. He is the author of three books, including his latest, Superteams: The Science and Secrets of High-Performing Teams. This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. Key Learnings Ron's dad threw himself into impossible challenges and taught his family the dignity of hard work. A physician in Israel, he didn't want his son in the army, so he picked up the phone and started dialing hospitals in New York City until he landed a job at NYU. He pulled his family out of a country he knew, didn't speak the language fluently, and succeeded anyway. Ron dedicated Super Teams to him. He recently passed away. Only 8% of teams qualify as super teams. Ron's team polled thousands of workers and asked two questions: How effective is your team at meeting its goals? And how does it compare to others in your industry? Super teams hit the perfect score. The only office amenity that statistically drives performance: quiet space for focused work. Not the gym. Not the ping-pong table. Most offices are an attentional war zone. That's why people prefer working from home. How a team works matters more than where a team works. Remote, hybrid, in-office. The data shows none of those predict performance. Intention does. Don't make meetings the default. Make them the last resort. Super teams are 50% better at avoiding unnecessary meetings and 54% less likely to schedule recurring ones. Recurring meetings are insidious. Once they're on the calendar, removing one feels like breaking up with someone. So they just live there forever. Ron's rule: no decision, no meeting. Have a question? Pick up the phone. Have an update? Record a video or send an email. Don't pull people away from their work. The average worker loses 18 hours a week to meetings. And another 11 hours to messages. That's three-quarters of the week gone before they've achieved a single task. Meeting-free days cut stress in half and increase productivity by 71%. People go home feeling satisfied because they were able to actually do the work. Three pillars of super teams: They get more done by managing time, energy, and attention. They don't just collaborate. They actively make each other better. They're never satisfied. They're constantly building skills and improving. Recovery isn't passive. Scrolling Instagram or binging Netflix helps you wind down, but it doesn't restore your energy. Mastery experiences do. Learn a new song. Try pickleball. Cook a new recipe. When leaders recover, their teams perform better. A well-rested leader shows up in a positive mood. That mood lifts the team. Investing in your own recovery isn't selfish. It moves your team forward. The best leaders support their people's side hustles. Not because they assign them, but because their people feel they have permission to grow outside the job. That's a signal you care about the person, not just the output. Three factors predict trust in a leader: competence, caring, consistency. Any one of them breaks down and trust breaks down. "How was your weekend?" is lame. Be specific. Ask about the kid's soccer game by name. Specificity proves you actually thought about the person. People need to be appreciated for who they are, not just what they do. That's how they feel cared for. The top three characteristics of toxic teammates: unreliable, bad attitude, and arrogant. The top three characteristics of the best teammates: knowledgeable, dependable, and a good communicator. Notice what's not on the list. Funny. Good listener. Caring. Those are nice-to-haves. They don't move the team forward. The best teammates make excellence the norm. On super teams, 94% say their teammates motivate them to do their best work. On super teams, 82% say they feel worse about letting down their teammates than their manager. When people know their teammates are counting on them, they work harder. Constant togetherness is not collaboration. The Succession writers' room cycled between solo writing and group critique. Real collaboration protects focus time first. Brainwriting beats brainstorming. Have people generate ideas alone first, then bring them to the room. You get higher quantity and higher quality ideas. 97% of feedback fails to lift performance. Over a third actively makes it worse. What does the 3% do differently? Focus on one thing at a time. Future-oriented, not past-oriented. Top performers want to know what they did wrong. Confidence allows them to absorb criticism and correct it. Most people aren't there. Gauge the feedback to the person. Great football coaches give feedback differently to the quarterback than the lineman. Know your people. Adjust your approach. Comedians get better at the Comedy Cellar because of what happens next door. Seinfeld, Chappelle, and Schumer gather at the Lemon Tree Cafe after sets to critique each other. Ryan calls it the "see it, say it" mentality, an ethos his teammate Geron Stokes brings every day. Great compliment, say it. Falling short of the standard, say it. The best teammates care enough to tell you how you can improve. Ron's champagne moment a year from now: his 19-year-old daughter landing a finance internship she earned on her own. Reflection Questions What's your recurring meeting that should be a breakup conversation? When was the last time you asked a teammate something specific about their life, by name? Or are you defaulting to "how was your weekend?" What's your version of the Comedy Cellar's Lemon Tree Cafe? Who do you go to for the candid feedback that makes you better? More Learning #422: Ron Friedman - How to Reverse Engineer Excellence #535: Geron Stokes - Maximizing People #647: Tim Ferriss - Effectiveness Over Efficiency Podcast Chapters 00:00 The Price of Becoming - Pre-Order Now! 01:09 Meet Ron Friedman 02:41 Ron's Dad and the Dignity of Hard Work 03:47 Two Workplaces, Two Cultures, One Lesson 06:01 The Super Teams Methodology 07:13 The Only Office Amenity That Drives Performance 08:50 How a Team Works Matters More Than Where 13:06 The Three Pillars of Super Teams 16:11 Meeting Guidelines That Actually Work 18:42 The Power of Meeting-Free Days 22:23 Why Guidelines Beat Rules 23:40 Side Hustles, Recovery, and the Goldman Sachs CEO Who DJs 28:53 The Three Factors of Trust: Competence, Caring, Consistency 30:13 Why "How Was Your Weekend?" Is Lame 31:02 Get Specific or Don't Bother 31:22 The Manager Who Asked About Miranda by Name 32:08 The Spreadsheet for Remembering People 33:09 What Makes a Toxic Teammate 35:05 Chevy Chase and the Cost of Burning Bridges 35:52 The Best vs. Worst Teammate Traits 37:08 How Tom Brady Lifted an Entire Organization 38:06 Why Super Teams Hold Each Other Accountable 39:39 Inside the Succession Writers' Room 40:46 Brainwriting Beats Brainstorming 41:41 The Candid Feedback Culture That Drives Improvement 43:06 Painting in Red: The Power

Edgar Award–winning novelist Chris Pavone on creating tension that never lets up, editing a book to make it bigger rather than just better, and turning a single apartment building into a portrait of a whole city. We discuss Why every book has to be one clear thing before it can be anything else. How two decades of editing other people's books prepares you to write your own. The offhand note from a legendary editor that quietly transformed a debut, and why the vaguest feedback can be the most useful. What it means to edit a book to make it bigger, not just to make it less bad. Why tension, not speed, is what truly keeps a reader turning pages. A counterintuitive case for telling readers what's coming on page one, then making them wait for it. How to keep generating questions and withholding answers without ever feeling coy. The one-page document worth months of tinkering before a single chapter gets written. What turns a story set in a city into a genuine portrait of that city. When to separate your hopes from your expectations, and what success can actually look like for a working novelist. Resources & Links Chris Pavone's Website Chris' Newsletter The Doorman Ernest Hemingway Doubleday Publishing John Grisham The Expats Pat Conroy Jamaica Kincaid Knopf Publishing Adele Parks To Kill a Mockingbird by Harper Lee James Bond Films The Great Gatsby by F. Scott Fitzgerald Invisible Man by Ralph Ellison The Bonfire of the Vanities by Tom Wolfe Jack Reacher by Lee Child About Chris Pavone Chris Pavone is the New York Times bestselling author of The Doorman, Two Nights in Lisbon, The Paris Diversion, The Travelers, The Accident, and The Expats, winner of the Edgar and Anthony Awards for best first novel. He was a book editor for nearly two decades and lives in New York City with his family. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

Send us Fan MailThanks for coming back for the conclusion of my interview with Author, Screenwriter, Producer, and Retired DEA Agent J Todd Scott. Today's episode, we talk DEA stuff and work our way into Hollywood and books, more specifically, him being a producer and writer for the Yellowstone spinoff, Dutton Ranch. Todd spent 30 years as a special agent for the DEA, being assigned to multiple locations across the United States and the world. During his time as a special agent, he took part in investigations leading to tons of seized illegal drugs and millions of dollars in illegal drug proceeds. He was part of the first group of agents to be assigned to Haiti for a long-term mission, where he escaped certain death multiple times by the skin of his teeth. Todd has always had a passion for stories and writing, and pursued this when he retired from federal service. He's authored six critically acclaimed crime and thriller novels. He's also a film/TV producer and screenwriter. His work includes the Lawmen: Bass Reeves, and he is a producer and writer for the spinoff to the massively popular Yellowstone series, Dutton Ranch.It was a pleasure to get the chance to chat with Todd. He has lived and is living a life that books and movies are made of; now he's telling the stories.  In today's episode, we discuss:·      Has legalizing marijuana in some states made things better, worse, or has it made any difference?·      What is the best way to prepare yourself to become a DEA Special Agent, or any other LE officer?·      Writing and being a producer on the new Yellowstone spinoff, Dutton Ranch and Lawmen: Bass Reeves.·      His ‘big break' in his writing career.·      Yellowstone, why was it such a breakout success?.·      What is his role with The Dutton Ranch? ·      How daunting was it to work on Dutton Ranch with all the success of Yellowstone? How he dealt with that.·      Having a full-time snake wrangler on set.·      His advice for anyone wanting to break into the book-writing world or television, or movies. All of this and more on today's episode of the Cops and Writers podcast.Head on over to Todd's website to learn more about him and his work.Check out my newest book! Police Stories: The Rookie Years - True Crime, Chaos & Life as a Big City Cop!Head on over to my website! What's the craziest thing you saw when you were a cop?My first week on the job, a guy running at me with a butcher knife. He'd just killed his brother over the last hot dog.That's chapter 1. There are 33 more.Police Stories: The Rookie Years just launched - available on Amazon. Search 'Police Stories Patrick O'Donnell' or click thSupport the show

Rewind. Sandy and Terry will discuss Billy Wilder's 10 tips for screenwriters. Few screenwriters are as pedigreed as Billy Wilder, who is renowned as one of the most creative filmmakers of American cinema's Golden Age. Wilder was nominated 21 times at the Academy Awards, 13 for screenwriting and 8 for direction. He won the Best Director award for his 1945 film "The Lost Weekend" and again 15 years later for "The Apartment." Thanks to the success of "The Apartment," Wilder became the first person to win an Academy Award as a producer, director, and screenwriter for the same movie. Cameron Crowe said, “There's no better film school than listening to what Billy Wilder says.”The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

"Industry" is a financial thriller drama television series created by former investment bankers Mickey Down and Konrad Kay, and co-produced by HBO in the United States and BBC Two in the United Kingdom. The show follows the personal and professional lives of a group of young graduates who join Pierpoint & Co, a prestigious investment bank in London; later series expand the narrative to encompass the wider UK financial sector and its governing bodies. It features an ensemble cast led by Myha'la, Marisa Abela, Ken Leung, Harry Lawtey, and David Jonsson, with additional leading roles played by Sagar Radia and Kit Harington in later seasons, respectively. The series has been praised throughout its run for its writing, performances, direction, and its accurate portrayal of the banking sector, with the third and fourth series in particular receiving widespread acclaim. It has been renewed for a fifth and final series. Series co-creators, writers, directors, and executive producers Mickey Down & Konrad Kay were kind enough to spend some time talking with us about their work and experience making the fourth season of the show, which you can listen to below. Please be sure to check out the show, which is available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices