Podcast appearances and mentions of Omar W Nasim

The astronomer's chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs--task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer's Chair: A Visual and Cultural History (MIT Press, 2021), Omar W. Nasim considers these specialized chairs as both image and object, offering an original framework for linking visual and material cultures. Observing chairs, Nasim ingeniously argues, showcased and embodied forms of scientific labor, personae, and bodily practice that appealed to bourgeois sensibilities. Viewing image and object as connected parts of moral, epistemic, and visual economies of empire, Nasim shows that nineteenth-century science was represented in terms of comfort and energy, and that "manly" postures of Western astronomers at work in specialized chairs were contrasted pointedly with images of "effete" and cross-legged "Oriental" astronomers. Extending his historical analysis into the twentieth century, Nasim reexamines what he argues to be a famous descendant of the astronomer's chair: Freud's psychoanalytic couch, which directed observations not outward toward the stars but inward toward the stratified universe of the psyche. But whether in conjunction with the mind or the heavens, the observing chair was a point of entry designed for specialists that also portrayed widely held assumptions about who merited epistemic access to these realms in the first place. Corinne Doria is a historian specializing in the social history of medicine. She holds the chair of history of medicine at the School of Advanced Studies of the University of Tyumen (Russian Federation) and teaches Disability Studies at Sciences-Po (Paris). Learn more about your ad choices. Visit megaphone.fm/adchoices

The astronomer's chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs--task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer's Chair: A Visual and Cultural History (MIT Press, 2021), Omar W. Nasim considers these specialized chairs as both image and object, offering an original framework for linking visual and material cultures. Observing chairs, Nasim ingeniously argues, showcased and embodied forms of scientific labor, personae, and bodily practice that appealed to bourgeois sensibilities. Viewing image and object as connected parts of moral, epistemic, and visual economies of empire, Nasim shows that nineteenth-century science was represented in terms of comfort and energy, and that "manly" postures of Western astronomers at work in specialized chairs were contrasted pointedly with images of "effete" and cross-legged "Oriental" astronomers. Extending his historical analysis into the twentieth century, Nasim reexamines what he argues to be a famous descendant of the astronomer's chair: Freud's psychoanalytic couch, which directed observations not outward toward the stars but inward toward the stratified universe of the psyche. But whether in conjunction with the mind or the heavens, the observing chair was a point of entry designed for specialists that also portrayed widely held assumptions about who merited epistemic access to these realms in the first place. Corinne Doria is a historian specializing in the social history of medicine. She holds the chair of history of medicine at the School of Advanced Studies of the University of Tyumen (Russian Federation) and teaches Disability Studies at Sciences-Po (Paris). Learn more about your ad choices. Visit megaphone.fm/adchoices

The astronomer's chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs--task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer's Chair: A Visual and Cultural History (MIT Press, 2021), Omar W. Nasim considers these specialized chairs as both image and object, offering an original framework for linking visual and material cultures. Observing chairs, Nasim ingeniously argues, showcased and embodied forms of scientific labor, personae, and bodily practice that appealed to bourgeois sensibilities. Viewing image and object as connected parts of moral, epistemic, and visual economies of empire, Nasim shows that nineteenth-century science was represented in terms of comfort and energy, and that "manly" postures of Western astronomers at work in specialized chairs were contrasted pointedly with images of "effete" and cross-legged "Oriental" astronomers. Extending his historical analysis into the twentieth century, Nasim reexamines what he argues to be a famous descendant of the astronomer's chair: Freud's psychoanalytic couch, which directed observations not outward toward the stars but inward toward the stratified universe of the psyche. But whether in conjunction with the mind or the heavens, the observing chair was a point of entry designed for specialists that also portrayed widely held assumptions about who merited epistemic access to these realms in the first place. Corinne Doria is a historian specializing in the social history of medicine. She holds the chair of history of medicine at the School of Advanced Studies of the University of Tyumen (Russian Federation) and teaches Disability Studies at Sciences-Po (Paris). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The astronomer's chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs--task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer's Chair: A Visual and Cultural History (MIT Press, 2021), Omar W. Nasim considers these specialized chairs as both image and object, offering an original framework for linking visual and material cultures. Observing chairs, Nasim ingeniously argues, showcased and embodied forms of scientific labor, personae, and bodily practice that appealed to bourgeois sensibilities. Viewing image and object as connected parts of moral, epistemic, and visual economies of empire, Nasim shows that nineteenth-century science was represented in terms of comfort and energy, and that "manly" postures of Western astronomers at work in specialized chairs were contrasted pointedly with images of "effete" and cross-legged "Oriental" astronomers. Extending his historical analysis into the twentieth century, Nasim reexamines what he argues to be a famous descendant of the astronomer's chair: Freud's psychoanalytic couch, which directed observations not outward toward the stars but inward toward the stratified universe of the psyche. But whether in conjunction with the mind or the heavens, the observing chair was a point of entry designed for specialists that also portrayed widely held assumptions about who merited epistemic access to these realms in the first place. Corinne Doria is a historian specializing in the social history of medicine. She holds the chair of history of medicine at the School of Advanced Studies of the University of Tyumen (Russian Federation) and teaches Disability Studies at Sciences-Po (Paris). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The astronomer's chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs--task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer's Chair: A Visual and Cultural History (MIT Press, 2021), Omar W. Nasim considers these specialized chairs as both image and object, offering an original framework for linking visual and material cultures. Observing chairs, Nasim ingeniously argues, showcased and embodied forms of scientific labor, personae, and bodily practice that appealed to bourgeois sensibilities. Viewing image and object as connected parts of moral, epistemic, and visual economies of empire, Nasim shows that nineteenth-century science was represented in terms of comfort and energy, and that "manly" postures of Western astronomers at work in specialized chairs were contrasted pointedly with images of "effete" and cross-legged "Oriental" astronomers. Extending his historical analysis into the twentieth century, Nasim reexamines what he argues to be a famous descendant of the astronomer's chair: Freud's psychoanalytic couch, which directed observations not outward toward the stars but inward toward the stratified universe of the psyche. But whether in conjunction with the mind or the heavens, the observing chair was a point of entry designed for specialists that also portrayed widely held assumptions about who merited epistemic access to these realms in the first place. Corinne Doria is a historian specializing in the social history of medicine. She holds the chair of history of medicine at the School of Advanced Studies of the University of Tyumen (Russian Federation) and teaches Disability Studies at Sciences-Po (Paris). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The astronomer's chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs--task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer's Chair: A Visual and Cultural History (MIT Press, 2021), Omar W. Nasim considers these specialized chairs as both image and object, offering an original framework for linking visual and material cultures. Observing chairs, Nasim ingeniously argues, showcased and embodied forms of scientific labor, personae, and bodily practice that appealed to bourgeois sensibilities. Viewing image and object as connected parts of moral, epistemic, and visual economies of empire, Nasim shows that nineteenth-century science was represented in terms of comfort and energy, and that "manly" postures of Western astronomers at work in specialized chairs were contrasted pointedly with images of "effete" and cross-legged "Oriental" astronomers. Extending his historical analysis into the twentieth century, Nasim reexamines what he argues to be a famous descendant of the astronomer's chair: Freud's psychoanalytic couch, which directed observations not outward toward the stars but inward toward the stratified universe of the psyche. But whether in conjunction with the mind or the heavens, the observing chair was a point of entry designed for specialists that also portrayed widely held assumptions about who merited epistemic access to these realms in the first place. Corinne Doria is a historian specializing in the social history of medicine. She holds the chair of history of medicine at the School of Advanced Studies of the University of Tyumen (Russian Federation) and teaches Disability Studies at Sciences-Po (Paris). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

A discussion of Omar Nasim's book Dr Omar Nasim (lecturer in history at the University of Kent) discusses his book with Dr Stephen Johnston (Assistant Keeper, Museum of the History of Science), Professor Martin Kemp (History of Art, University of Oxford) and Professor Chris Lintott (Astrophysics, University of Oxford). The book sheds entirely new light on the ways in which the production and reception of handdrawn images of the nebulae in the nineteenth century contributed to astronomical observation. Omar W. Nasim investigates hundreds of unpublished observing books and paper records from six nineteenth-century observers of the nebulae: Sir John Herschel; William Parsons, the third Earl of Rosse; William Lassell; Ebenezer Porter Mason; Ernst Wilhelm Leberecht Tempel; and George Phillips Bond. Nasim focuses on the ways in which these observers created and employed their drawings in data-driven procedures, from their choices of artistic materials and techniques to their practices and scientific observation. He examines the ways in which the act of drawing complemented the acts of seeing and knowing, as well as the ways that making pictures was connected to the production of scientific knowledge.

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim's approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh's The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim's approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh's The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae... Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices