Podcasts about oriental

Modern Syria has seen violence, repression, and autocracy, suffering through tragedy after tragedy over the past century. Yet the history of Syria is not just a tale of dictators and generals. From the 1800s to the 2020s, the Syrian people have engaged in a passionate struggle for justice, equality, and a better future. Whether fighting for national independence from French colonial rule, battling local landowning elites to share the country's wealth, or rising up against the Assad regime, the Syrian people have fiercely clung to their right to live with respect and dignity. Theirs is a story of protest and perseverance in the long fight to reshape the political destiny of their nation. Daniel Neep's new book, A History of Modern Syria, offers a gripping narrative of how Syrians have navigated the events of the last two centuries. Never losing sight of the fates of ordinary people, it provides a comprehensive account of how a nation born in conflict sustained a rich, complex, and diverse society that after the fall of Assad will chart a new path into the uncertain future. Daniel Neep is Non-Resident Fellow at the Crown Center for Middle East Studies, Brandeis University, and Senior Editor at Arab Center Washington DC. He has taught Middle East politics at George Washington University, Georgetown University, and the University of Exeter. He was previously Research Director (Syria) at the Council for British Research in the Levant and spent several years living in Syria and Jordan. He is also the author of Occupying Syria under the French Mandate: Insurgency, Space, and State Formation (Cambridge University Press, 2012) and articles in journals including International Affairs, Journal of Democracy, New Political Economy, and the Journal of Historical Sociology. Meet our discussant and chair Charles Tripp FBA is Professor Emeritus of Politics at the School of Oriental and African Studies, University of London. His research interests include the nature of autocracy, state and resistance in the Middle East, the politics of Islamic identities, and the role of art in the constitution of the political. He is currently working on a project on the politics of memory in Tunisia. Jasmine Gani is Assistant Professor in International Relations Theory at LSE. She specialises in anti-colonial theory and history, and the politics of empire, race and knowledge production. She is author of 'The Role of Ideology in Syria-US Relations: Conflict and Cooperation' (2014), and co-editor of 'Actors and Dynamics in the Syrian Conflict's Middle Phase' (2022).

durée : 00:05:33 - La Revue de presse internationale - par : Catherine Duthu - Face à la menace russe en Ukraine mais aussi pour répondre à la guerre hybride que mène le Kremlin contre l'Occident, plusieurs pays du flanc est de l'Europe dont les pays baltes et la Pologne, augmentent leurs dépenses militaires et accroissent leurs instruments de défense.

Incendio forestal en Puebla, casi controladoMás policías se integran a la SSC y al ERUMMás información en nuestro Podcast

Vance Morris - Deliver Service Now Institute On the Customer Experience: "Every detail in your business is either enhancing or detracting from the experience. There is no middle ground." Many businesses focus on customer acquisition, but not all businesses focus on customer retention.  Some businesses just have a hard time figuring out what to do beyond being nice to retain customers. Vance Morris has taken his Disney work experience, along with his other life experiences and created a coaching platform to teach business leaders how to retain customers.  He does this by teaching these entrepreneurs how to build their brand by expanding the positive perceptions their customers have of their business, by giving these customers wonderful experinces as they do business.  Helping their customers feel something almost magical. Vance reveals the power and profitability of focusing on the customer experience. You'll hear how small details can set your business miles ahead of the competition, why customer retention often beats new lead generation, and how “Disney-fying” your business can create raving, repeat customers. Plus, Vance Morris discusses creative, actionable low-cost ideas to wow your clients, and explains why any business, from the boring financial services to routine oil changes, can become a premium brand with the right approach. Listen as Vance explains how you can make doing business with you something clients actually look forward to. Enjoy! Visit Vance at: https://vancemorris.com/ Also at: https://wow52ways.com/   Podcast Overview: 00:00 "Customer Retention and Experience" 06:21 "Franchise Search After Corporate Exit" 09:15 "Flexible Franchise and Challenges" 11:13 "Contract Dispute Leads to Exit" 16:15 Grassroots Marketing Success Steps 18:55 "Recruiting College Students Effectively" 21:35 "Importance of Personal Thank You" 26:39 Mold Removal and Home Renewal 27:46 "Fogging Walls with Pencil Holes" 32:55 Networking Leads to Unexpected Opportunities 34:15 Disney's Lesson: Attention to Detail 37:22 Kwik Trip vs. BP Station 41:35 Chick-fil-A Ownership Model Explained 46:12 "Building Fanatical Brand Loyalty" 48:42 Differentiation Through Office Experience 51:36 "Transforming Financial Advisor Client Experience" 54:29 Professional Technician Standards Sponsors: Live Video chat with our customers here with LiveSwitch: https://join.liveswitch.com/gfj3m6hnmguz Some videos have been recorded with Riverside: https://www.riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=james-kademan Podcast Transcription: Vance Morris [00:00:00]: So now she can charge whatever price she wants to charge, but she still was just a dentist. I said, we've gotta niche down. So I said, who do you like working with? She said, oh, I love working with the kids. I said, okay, great. Let's just have you be a pediatric dentist. So now you work with them from, you know, 2 to 18. And after that, they— you don't talk to them. And I said, okay, great. Vance Morris [00:00:20]: Now you specialize. So you're gonna get a little bit more, um, elasticity in your pricing. You'll be able to charge more cuz you're a specialist. I said, but you need, you need something from your personality to really make this work. I said, what's your favorite movie? And she says, Peter Pan. Great. So you're going to be the pirate dentist. So she dresses up like Captain Hook. James Kademan [00:00:40]: You have found Authentic Business Adventures, the business program that brings you the struggle stories and triumphant successes of business owners across the land. Downloadable audio episodes can be found on the podcast link found at drawincustomers.com. We are locally underwritten by the Bank of Sun Prairie, Calls on Call Extraordinary Answering Service, The Bold Business Book, and LiveSwitch. Today we're welcoming slash preparing to learn from Vance Morris of Deliver Service Now Institute. So Vance, how is it going today? Vance Morris [00:01:09]: It is fantastic, James. Hopefully we'll drop a couple of golden nuggets today. James Kademan [00:01:14]: That's, uh, that's the goal here. So why don't we start with what is the— oh my gosh, what was it? Deliver Service Institute? Deliver Service Now Institute? Vance Morris [00:01:21]: Yep. James Kademan [00:01:22]: All right. What is that? What is that? Vance Morris [00:01:24]: That's a great question. It is a place where, um, I teach business owners, entrepreneurs, uh, really about customer retention. Cause there's a lot of gurus out there that are, you know, can give you, you know, 10,000 leads by Monday afternoon and, you know, you know, flakebook ads, Google, all that stuff. There's not a lot of folks focusing on retention. Um, and then of course, in order to have retention, you've gotta have great customer experiences. So those are the two areas that I really focus on. Um, you know, showing businesses how to— word I've been using a while is Disney-fy. So taking all of the boring mundane things that we have to do day in and day out in the business, uh, finding a way to create an experience out of them. Vance Morris [00:02:12]: So that we become memorable, uh, we're top of mind, um, and, uh, you know, people are doing that, uh, word-of-mouth marketing for us. James Kademan [00:02:22]: Nice. So tell me, how do you get involved in this? Vance Morris [00:02:26]: That's a great question. Um, well, here in Maryland, I have, uh, 3 home service businesses, so I'm, I'm not one of those consultants that have never done anything. James Kademan [00:02:36]: I read a few books, right? Vance Morris [00:02:38]: You know, yeah, you know, I went to consulting school, I got the little, you know, thing. No, it's not, not who I am. So I own 3 home service businesses here in Maryland, mold remediation company, Oriental rug washing facility, and a traditional carpet cleaning company. All very sexy businesses, I will tell you. James Kademan [00:02:56]: Yeah, super duper. Well, they're based on dirt and— Yeah, right. Vance Morris [00:03:00]: Dirt and all the good stuff. James Kademan [00:03:01]: Right. Vance Morris [00:03:03]: So, you know, I— when I started those businesses, I've had them now for 19 years. Um, I knew that I was going to be aiming for an affluent client. I didn't want to be, you know, scrubbing down and dirty rentals and things like that. I wanted to, you know, really have a premium service just like Disney, uh, for affluent clients. And so from day one, that is the direction that I went with my marketing, with the service, with the experiences. Um, after a few years, um, people started asking me, you know, Vance, you don't look like you're working too hard. Um, What's your secret? How do you do it? Um, so I said, well, it's really simple. This is actually the first thing I learned. Vance Morris [00:03:44]: I worked for Disney for 10 years. First thing I learned there was that Disney runs on systems. They got marketing systems, operation systems. You wanna learn— you wanna change a tire on a bus, they got a system for that. Carry a tray in a restaurant, they got a system for that. So all I really did was take all of that, put it into those businesses. Um,, and 7 years ago I actually was able to hire, uh, a GM and fast forward to today, I spend about 90 minutes a week on, on those 3 businesses. James Kademan [00:04:16]: Very cool. Very cool. And how do you— let's just take these one by one, cuz I imagine you didn't start all 3 of those businesses at the same time. Vance Morris [00:04:25]: Did not. James Kademan [00:04:26]: Nope. And I would imagine carpet cleaning came first. Vance Morris [00:04:29]: It did. All right. Yes. Um, and actually I, I, uh, started with a franchise. Um, you know, because I— it had a great proven concept. You know, I was new to business ownership. I'd been in, you know, corporate muckety-muck for 20-plus years. And so I needed something that had a system behind it. Vance Morris [00:04:51]: So I was with the franchise system for about 15 years and then jettisoned it and went out on my own. Along the way, you know, people— I hated walking into people's homes And stepping over things that I could be cleaning, but I didn't know how. When tile floors, wood floors, Oriental rugs. Uh, so I was like, well, might as well add Oriental rug washing. Nobody is doing it in our area. Um, and so we added that service. It was great. I already had a built-in customer base. Vance Morris [00:05:23]: All I had to do was go to them and market that service and boom, we were up and running. Um, and then about, uh, 6 years ago we added the mold company. Again, we had the existing customer base. I mean, I got 10,000 names in my database. Just had to market to them and say, hey, uh, we are now in the mold business. If you like this for cleaning, you'll love us for mold. Well, not love us, but you know what I mean? James Kademan [00:05:47]: Yeah, right. Nobody's in a good mood when they have mold. Vance Morris [00:05:50]: Nobody's in a good mood for that. James Kademan [00:05:52]: So tell me a story with, uh, franchise. Let's back up. I mean, we're talking a long time ago, so yeah, way back when machine here. How did you choose which carpet cleaning franchise to use or to join? Because there's hundreds, probably thousands of them. And that's a, that's a big, that's a big ask to figure out what you're gonna do. Cuz the equipment's expensive. The capital outlay's pretty intense. It is. James Kademan [00:06:16]: The theories and the marketing and all that kind of stuff. Some are well known, some are not. Tell me about that. Vance Morris [00:06:21]: So yeah, I worked with a, um, I didn't know these things existed, but I worked with a franchise headhunter, um, after I left corporate, uh, world. And, you know,

La emisora La Diez Capital Radio entrevistará a Rafael Zamora, director científico de Loro Parque Fundación, para abordar la elección del animal del año 2026 en los zoológicos y la importancia de los programas de conservación internacionales. En esta ocasión, la designación recae en la grulla coronada gris africana, una especie catalogada en peligro de extinción que ha sido nombrada Animal del Año por la Asociación Alemana de Zoos (VDZ). La iniciativa busca alertar sobre el grave declive de la especie en estado silvestre y reforzar las acciones de conservación en África, poniendo en valor el papel de los zoológicos modernos como centros científicos, educativos y de cooperación internacional. Dentro de este contexto, Loro Parque destaca por su trayectoria en la protección de esta ave. Desde la llegada de la primera pareja en 1994, el parque ha logrado criar seis polluelos, un resultado que evidencia la experiencia técnica del equipo y su compromiso con la conservación ex situ de especies amenazadas. El director zoológico del parque, Mike Jordan, subraya que la grulla coronada gris africana es una especie emblemática cuya situación exige una respuesta coordinada y urgente. Según explica, el trabajo desarrollado durante más de tres décadas en el parque ha permitido consolidar una población bajo cuidado humano y generar conocimiento científico útil para su protección en la naturaleza. La especie sufre un acusado descenso poblacional debido a la pérdida de hábitat, la degradación de humedales, el uso intensivo de productos químicos agrícolas, las colisiones con infraestructuras eléctricas, el comercio ilegal y la caza. En algunas regiones de África Oriental, la reducción de ejemplares ha alcanzado hasta el 80 % en los últimos cuarenta años. Como Embajada Animal, el parque y su fundación continúan impulsando programas de manejo, sensibilización pública y colaboración internacional con el objetivo de garantizar la supervivencia de la especie en su entorno natural, un aspecto que será uno de los ejes centrales de la entrevista radiofónica. Si quieres, puedo adaptarlo a formato más periodístico, con titular, entradilla y cierre, o hacerlo en estilo de nota de prensa para medios.

Summer Deng is one of the most sought-after Chinese professionals in the world of Oriental dance, celebrated for his exceptional technical precision, artistic expression, and groundbreaking contributions as a male dancer. He has performed, taught, and judged across Asia, Europe, the Middle East, and the Americas, conducting hundreds of workshops and intensives in over 80 cities in China alone. Known for his versatile style—blending high-energy, dramatic movements with fluid, intricate technique—he has inspired countless dancers through his masterclasses, helping them grow, transform, and deepen their connection to Oriental dance. In this episode you will learn about:- What it meant to be one of the first male belly dancers in China—and face 10 years of silence from his family- Why Summer walked away from Chinese classical dance to fully devote himself to Raqs Sharqi- How copy-paste choreography culture is weakening artistic identity in China- His mission to build a transparent, fair festival system in China starting in 2015- The rise of China and Korea as serious forces in the Asian belly dance competition sceneShow Notes to this episode:Find Summer Den on Instagram.Details the BDE shows and training programs are available at www.JoinBDE.comDetails the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Con Chitu, Corbella, Ainhoa y LabargaSee omnystudio.com/listener for privacy information.

Entrevista en Radio Oriental que me realizara mi amigo Juan Andres Elhordoy, Febrero 2026

Con Chitu, Corbella, Ainhoa y LabargaSee omnystudio.com/listener for privacy information.

Late last week, the intelligence service of South Korea stated that it believed Kim Jong Un has “entered the stage of nominating [his daughter, who is 13 years old] as successor.” But, how exactly does succession work in the secretive state?Joining Seán to discuss is Hazel Smith, Professor of Korean Studies at SOAS, the School of Oriental and African Studies, in London…Image: Reuters

Late last week, the intelligence service of South Korea stated that it believed Kim Jong Un has “entered the stage of nominating [his daughter, who is 13 years old] as successor.” But, how exactly does succession work in the secretive state?Joining Seán to discuss is Hazel Smith, Professor of Korean Studies at SOAS, the School of Oriental and African Studies, in London…Image: Reuters

Dr. Diane Mueller has dual doctorates in naturopathic as well as acupuncture and Oriental medicine. She is a best-selling author, a speaker, and the founder of a sexuality education center entitled, MyLibidoDoc.com. She hosts The Libido Lounge podcast with over 33,000 followers. It is specifically curated for couples in long-term relationships. This is a good episode about moving on after an abusive relationship appears to be over. Trying out a new relationship with a caring partner is discussed here. Thank you, Bill Mitchell NOTE: If you are a survivor and want to share your story of abuse on the WHEN DATING HURTS Podcast, please email me: ⁠⁠⁠⁠⁠⁠⁠BillMitchell@WhenDatingHurts.com⁠⁠⁠⁠⁠⁠⁠ The ⁠⁠⁠⁠⁠⁠⁠WHEN DATING HURTS book⁠⁠⁠⁠⁠⁠⁠ (in paperback, eBook, and audiobook) can be found on Amazon. HELPFUL RESOURCES: • National Domestic Violence Hotline – ⁠⁠⁠⁠⁠⁠⁠The Hotline.org ⁠⁠⁠⁠⁠⁠⁠– Call 800-799-SAFE • ⁠⁠⁠⁠⁠⁠⁠LoveIsRespect⁠⁠⁠⁠⁠⁠⁠ – Call 866-331-9474 • RAINN (Rape Abuse Incest National Network) – ⁠⁠⁠⁠⁠⁠⁠RAINN.org⁠⁠⁠⁠⁠⁠⁠ – Call 800-656-4673 • SUICIDE HELPLINE: Call 988 Thank you for listening to our WHEN DATING HURTS podcast, Bill Mitchell ⁠⁠⁠⁠⁠⁠⁠WhenDatingHurts.com⁠⁠⁠⁠⁠⁠⁠ DISCLAIMER: The WHEN DATING HURTS Podcast is providing this platform for information to be shared. We do not state with any certainty that anything is true or untrue. Understand that what you hear is the viewpoint of the people sharing. The information, opinions, and recommendations presented in this Podcast are for general information only. Any reliance on the information provided in this Podcast is done at your own risk. This Podcast should not be considered professional advice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Diane Mueller has dual doctorates in naturopathic as well as acupuncture and Oriental medicine. She is a best-selling author, a speaker, and the founder of a sexuality education center entitled, MyLibidoDoc.com. She hosts The Libido Lounge podcast with over 33,000 followers. It is specifically curated for couples in long-term relationships. This is a good episode about moving on after an abusive relationship appears to be over. Trying out a new relationship with a caring partner is discussed here. Thank you, Bill Mitchell NOTE: If you are a survivor and want to share your story of abuse on the WHEN DATING HURTS Podcast, please email me: ⁠⁠⁠⁠⁠⁠⁠BillMitchell@WhenDatingHurts.com⁠⁠⁠⁠⁠⁠⁠ The ⁠⁠⁠⁠⁠⁠⁠WHEN DATING HURTS book⁠⁠⁠⁠⁠⁠⁠ (in paperback, eBook, and audiobook) can be found on Amazon. HELPFUL RESOURCES: • National Domestic Violence Hotline – ⁠⁠⁠⁠⁠⁠⁠The Hotline.org ⁠⁠⁠⁠⁠⁠⁠– Call 800-799-SAFE • ⁠⁠⁠⁠⁠⁠⁠LoveIsRespect⁠⁠⁠⁠⁠⁠⁠ – Call 866-331-9474 • RAINN (Rape Abuse Incest National Network) – ⁠⁠⁠⁠⁠⁠⁠RAINN.org⁠⁠⁠⁠⁠⁠⁠ – Call 800-656-4673 • SUICIDE HELPLINE: Call 988 Thank you for listening to our WHEN DATING HURTS podcast, Bill Mitchell ⁠⁠⁠⁠⁠⁠⁠WhenDatingHurts.com⁠⁠⁠⁠⁠⁠⁠ DISCLAIMER: The WHEN DATING HURTS Podcast is providing this platform for information to be shared. We do not state with any certainty that anything is true or untrue. Understand that what you hear is the viewpoint of the people sharing. The information, opinions, and recommendations presented in this Podcast are for general information only. Any reliance on the information provided in this Podcast is done at your own risk. This Podcast should not be considered professional advice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zurvanism is a lesser-known feature of ancient Zoroastrianism that centers on Zurvan, the god of infinite time, and the cosmic struggle between Ahura Mazda and Angra Mainyu. In this video, we explore the origins, beliefs, and historical influence of Zurvanism, what it is and isn't, and why it matters for understanding ancient Persian religion and dualism.Check out Soul Roots:https://www.youtube.com/@UCX0IxGB0xYS5kV3IX-KbBPQ Find me and my music here:https://linktr.ee/filipholmSupport Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://paypal.me/talkreligiondonateSources/Recommended Reading:Boyce, Mary (1957). "Some Reflections on Zurvanism". Bulletin of the School of Oriental and African Studies, University of London , 1957, Vol. 19, No. 2 (1957), pp. 304-316. Cambridge University Press.Boyce, Mary (2000). "Zoroastrians: Their Their Religious Beliefs and Practices". Routledge; 2nd edition.Boyce, Mary (1996). "On the Orthodoxy of Sasanian Zoroastrianism". Bulletin of the School of Oriental and African Studies, University of London, 1996, Vol. 59, No. 1 (1996), pp. 11-28. Cambridge University Press.Boyce, Mary (1990). "Some Some Further Reflections on Zurvanism". Iranica Varia: Papers in Honor of Professor Ehsan Yarshater. Brill. Dahlén, Ashk (transl.) (2023). "Zarathustra: Sånger". h:ström.Humbach, Helmut & Pallan Ichaporia (transl.) (1994). "The Heritage of Zarathushtra: A New Translation of His Gathas. Universitatsverlag Winter. Moazami, Mahnaz (ed.) (2016). "Zoroastrianism: A collection of Articles from the Encyclopedia Iranica". ENCYCLOPAEDIA IRANICA FOUNDATION. 2 Volumes.Rose, Jenny (2019). "Zoroastrianism: An Introduction". I.B. Tauris Introduction to Religions. Bloomsbury Academic.Strausberg, Michael; & Yuhan Sohrab-Dinshaw Vevaina (ed.) (2015). "The Wiley-Blackwell Companion to Zoroastrianism". Wiley-Blackwell. Zaehner, R.C. (1955). "Zurvan: A Zoroastrian Dilemma". Oxford.https://www.iranicaonline.org/articles/zurvanism/https://www.iranicaonline.org/articles/zurvan-deity/ Hosted on Acast. See acast.com/privacy for more information.

Last February, having just inherited the title of Black Lens programmer at Milwaukee Film, Ty Williams absolutely nailed his selections for a series showing off the range of Black stories that have come to the big screen over the years.Now, he's putting that UW-Milwaukee film degree to good use once again. This time, however, he pulled in his picks around a particular theme. “Afrofuturism: Fates Beyond Fiction” includes six works — two short films and four full-length features — that jump from comic books to sci-fi horror to just plain weird.As you'll hear Williams explain in this episode, what unifies his selections are how they “focus on the concept of dreaming a better future or a different world than the one we live in now.” That comes across in a bunch of different ways during the series, including the bad-assery of Wesley Snipes in Blade, the code-switching absurdity of Sorry to Bother You, and the messianic star turn by music legend and generally far-out dude Sun Ra in Space Is the Place.You'll get to hear Williams and our trusty co-hosts talk about how he put together the full lineup, as well as how generally awesome the theater staff are at the Oriental and Downer theaters, and whether the third movie in a trilogy is ever the best one.#####Cinebuds is sponsored by Joe Wilde Garage Door Company.

Les ambicions territorials del president dels Estats Units d'Amèrica, Donald Trump, han posat al punt de mira Groenlàndia, una enorme illa amb uns paratges naturals impressionants i una població molt petita. El poble inuit, ja amb una situació econòmica i social precària, s'ha trobat al centre d'un conflicte internacional sense precedents. Miquel Clar és nord-català, director de l'empresa de viatges Izitrek, que organitza viatges de muntanyisme a Groenlàndia Oriental, segons ell, el millor lloc del món per fer muntanyisme. 

Fernanda Reschke is a Brazilian-born Oriental dance artist, educator, and trauma-informed psychotherapist whose work bridges movement, culture, and healing. She began her career as a dancer and choreographer at a young age and later trained in counseling and naturopathy, holding a bachelor's degree in holistic health and wellbeing. Fernanda spent many years living and performing professionally in the Middle East, specializing in Egyptian Raqs Sharqi and folkloric traditions of the SWANA region. Now based in Australia, she is internationally recognized for her warm, inclusive, and culturally respectful teaching approach. As a PACFA-accredited psychotherapist and advanced Somatic Experiencing practitioner, Fernanda supports dancers in reconnecting with their bodies, emotions, and sense of belonging while honoring Raqs Sharqi as a living cultural art form.In this episode you will learn about:- The hidden mental health challenges of working belly dancers- Body image pressure, harassment, and unspoken industry norms- How validation, visibility, and social media affect dancers' nervous systems- Why not every hardship is trauma — and why that distinction matters- What “taking care of mental health” actually looks like in daily lifeShow Notes to this episode:Find Fernanda on Instagram, Facebook, and website.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Katie talks to former Army ranger Greg Stoker who is in Minneapolis about the protests; Palestinian analyst Mouin Rabbani about Gaza; Mahmoud Khalil's lawyer about his case; and Holocaust survivor Stephen Kapos and historian Haim Bresheeth Zabner about Holocaust Memorial Day and how the Holocaust is being used to justify the genocide in Gaza. Watch the full interview on Patreon: https://www.patreon.com/posts/patreon-full-149337782 Stephen Kapos is an 87-year-old Holocaust survivor from Budapest who has been protesting against Israel's war on Gaza, which he describes as not only genocide but a holocaust. Stephen is a member of Holocaust Survivors Against Genocide. Stephen lost 15 members of his extended family in the Holocaust and his father was interned in Belsen & Theresienstadt. He settled in London but when he visited Israel was “shocked” by the racism exhibited by Israelis, including his relatives who had also survived the Holocaust. Stephen joined The Labour Party in 1997, becoming an activist and office-holder at various local levels. Stephen resigned from the Labour party, after penning a widely circulated letter, after the Labour party warned him they would “investigate” him if he spoke at a leftist organization on Holocaust Memorial Day. He is a member of Camden branch of PSC (Palestine Solidarity Campaign), Camden & Islington Momentum (affiliate of the Labour Party) and lately of the small network ‘Holocaust Survivors and Descendants Against Genocide.' Haim Bresheeth Zabnner was Professor of Media and Cultural Studies at University of East London and then a Professorial Research Associate at the School of Oriental and African Studies (SOAS).He is Filmmaker, photographer, film studies scholar, and historian. His films include “A State of Danger,” a documentary on the first Palestinian Intifada. His books include "An Army Like No Other: How the Israel Defense Force Made a Nation." Haim is the son of two Holocaust survivors and was raised in Israel. He is a member of Holocaust survivors and Descendents Against the Genocide and a founding member of Jewish Network for Palestine. On November 4, Haim was arrested over a speech he gave at a pro Palestine demonstration outside the residence of Israeli ambassador Tzipi Hotovely in north London. Greg Stoker is a former United States Army Ranger. He has a background in special operations and human intelligence collection. He conducted 4 combat deployments to Afghanistan during the unfortunately named “Global War On Terror” and is now an anti-war activist, host of the Colonial Outcasts Podcast, and analyst at MintPress News. Mouin Rabbani is a researcher, analyst & commentator specializing in Palestinian affairs, the Arab-Israeli conflict & the contemporary Middle East. He has among other positions previously served as Principal Political Affairs Officer with the Office of the UN Special Envoy for Syria, Head of Middle East w/the Martti Ahtisaari Peace Foundation, Senior Middle East Analyst & Special Advisor on Israel-Palestine w/the Int'l Crisis Group. Rabbani is Co-Editor of Jadaliyya & a Contributing Editor of Middle East Report. Amy Greer is one of Mahmoud Khalil's lawyers. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: https://x.com/kthalps Follow Katie on Instagram: https://www.instagram.com/kthalps Follow Katie on TikTok: https://tiktok.com/@kthalps

¡África se está dividiendo en dos, y está sucediendo mucho más rápido de lo que los científicos pensaban!

Sadie is an internationally recognized Oriental dance artist, educator, and innovator dedicated to empowering people through the art of belly dance. She has produced dozens of bestselling instructional videos, amassed millions of views through viral online content, and represented Oriental dance before a global audience on America's Got Talent. Sadie is the founder and director of Raqs Online and the Raqs Flow training program, which offers a strong technical foundation while maintaining deep connection to cultural roots, musicality, and embodied expression. In addition to teaching and performing worldwide, she curates destination dance retreats that blend movement, self-exploration, nature, and conscious living. Based in Denver, Colorado, Sadie is passionate about holistic, sustainable living and weaves together dance, music, nature, and human connection in both her teaching and retreats, inspiring dancers around the world to grow artistically and personally.In this episode you will learn about:- How Sadie's relationship with dance has evolved over her career- The ongoing dilemma between following artistic calling and choosing stability- Navigating aging, visibility, and self-worth in a youth-centered dance culture- Why the “maiden–mother–crone” archetype matters in belly dance today- Why Sadie chose to return to university and study psychology at this stage of lifeShow Notes to this episode:Find Sadie Marquardt on Instagram, FB, website and Youtube, as well as her online classes at Raqs Online.Previous interview with Sadie:Ep 157. Sadie Marquardt: Respect Your Need to RechargeEp 39. Sadie Marquardt: Reclaiming Feminine PowerEp 14. Sadie Marquardt: Before & After Social Media HitFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Más de 53.000 niños, niñas y jóvenes asesinados en América Latina y el Caribe en siete años. Temen por cientos de migrantes desaparecidos o muertos en el Mediterráneo. Israel incendia la sede de UNRWA en la Jerusalén Oriental ocupada. Experta en derechos humanos pide a Estados Unidos retirar sanciones contra la Corte Penal Internacional.

Tout au sud-est du pays, les ethnies minoritaires portent encore fièrement leurs identités et leurs traditions, malgré l'isolement ou l'exode rural. Un patrimoine culturel rare à découvrir à travers un nouvel itinéraire : la piste du Caméléon. Le Caméléon, c'est l'animal totem des ethnies Bassari et Bédik. Un animal, réputé pour sa patience, qui correspond bien à la résilience et la capacité d'adaptation qu'ont développées à travers le temps les ethnies dites minoritaires du Sénégal Oriental, situées non loin du Mali et de la Guinée.  Autrefois chasseurs-cueilleurs, ces ethnies Bédik, Bassari ou Dialonké -les Coniagui étant eux surtout situés du côté de la Guinée- ont longtemps vécu à l'écart du monde, parfois perchés en hauteur dans des villages traditionnels. Et aujourd'hui, elles ont décidé de partager leurs cultures ancestrales avec les gens de l'extérieur, qu'ils soient Africains ou Occidentaux à travers cette piste du Caméléon.  Imaginé par les populations elles-mêmes, ce projet culturel et touristique, développé avec l'ONG de coopération internationale Tetraktys et l'Association des Minorités Ethniques, est une occasion rare de découvrir, en immersion, les cultures Dialonké, Bedik ou Bassari pour en comprendre la richesse mais aussi la fragilité.  Loin des grands centres urbains, à plus de 700 km de Dakar, le pays dit Bassari est extrêmement isolé et l'exode rural ou le réchauffement climatique menacent ces rites encore pétris d'animisme. Conscients de ces enjeux, des gardiens de la tradition veillent et s'efforcent de transmettre et valoriser ces cultures, notamment à travers le circuit du Caméléon perçu comme un facteur de développement local.  Itinérance de villages en villages, de Malinda à Ethiolo en passant par Fongolimbi et Kounsi, à travers des paysages de savanes boisées, de collines verdoyantes, d'éperons rocheux ou de cascades impétueuses, dans une région classée patrimoine mondial de l'humanité de l'UNESCO.  Un voyage sonore en deux épisodes de Raphaëlle Constant.   En savoir plus : - Sur les 4 ethnies minoritaires du Sénégal Oriental, un document utile édité par l'Association des Minorités Ethniques sur les principaux événements culturels coutumiers de ces communautés - Sur le circuit culturel et touristique en pays Bassari La Piste du Caméléon - Sur l'action de l'ONG Tetraktys, présente dans 13 pays, qui intervient depuis 20 ans au Sénégal Oriental. Elle accompagne l'essor d'un tourisme durable dans la région et la valorisation des patrimoines comme vecteur de développement local - Sur le photographe français Julien Masson, auteur des images qui accompagnent ce voyage sonore.   En images

Una vendedora de comida típica de Nicaragua del Mercado Oriental resultó afectada por la acción de tres delincuentes que le rociaron los alimentos con una sustancia tóxica.

La Puerta OrientalNehemias 3:29Pastor: Felipe Vides Si desea saber más sobre nuestro ministerio, visítenos en www.mielav.church.Y si tiene un testimonio de las cosas asombrosas que Dios está haciendo en su vida a través de nuestro ministerio, por favor envíe un mensaje electrónico a iglesiamielav@gmail.com.Instagram: @mielav | @juventudmielav | @mieljuventudUSA |

Running Grave, book Seven of the ten novel Cormoran Strike murder mystery series by Joanne Murray (‘J. K. Rowling') writing as ‘Robert Galbraith,' is what the author described as her “cult novel.” The cult in question is the Universal Humanitarian Church led by Jonathan Wace; the Strike-Ellacott Agency is hired by a father to rescue his youngest son who has disappeared into the UHC's Chapman Farm property. Robin Ellacott successfully infiltrates the compound and she and the young man escape.Soon after Robin's near-thing deliverance and return to London, Strike attends a UHC rally in that city with hopes that he will be spotted by Wace and invited to meet back-stage. ‘Papa J' takes the bait and he and Strike square off in the cult leader's dressing room. Strike reveals much of what Robin and he have learned about the UHC's criminal past and present in that verbal confrontation. Strike exits only after delivering a warning; stay away from his partner or “I will burn your church to the f*****g ground” (Part 8, chapter 112, 808; italics in original).In the midst of this tense back-and-forth between private detective and religious guru, Strike thrice mentions a book published in 1930, Who Moved the Stone?, a relatively short work of popular Christian apologetics:‘I see you're one of those who prides themselves on disrespecting rites, mysteries, and religious observance,' said Wace, smiling again. ‘I shall pray for you, Cormoran. I mean that sincerely.'‘I'll tell you one book I've read, that's right up your street,' said Strike. ‘Came across it in a Christian mission where I was spending a night, just outside Nairobi. This was when I was still in the army. I'd drunk too much coffee, and there were only two books in the room, and it was late, and I didn't think I'd be able to make much of a dent in the Bible, so I went for Who Moved the Stone? by Frank Morison. Have you read it?'‘I've heard of it,' said Wace, sitting back in his chair, still smiling. ‘We recognise Jesus Christ as an important emissary of the Blessed Divinity, though, of course, he's not the only one.'‘Oh, he had nothing on you, obviously,' said Strike. ‘Anyway, Morison was a non-believer who set out to prove the resurrection never happened. He did an in-depth investigation into the events surrounding Jesus' death, drawing on as many historical sources as he could find, and as a direct result, was converted to Christianity. You see what I'm driving at?'‘I'm afraid not,' said Wace.‘What questions d'you think Morison would've wanted answered, if he set out to disprove the legend of the Drowned Prophet?' (805)This calling into question of the UHC's historical claim to other-worldly power causes those of Wace's inner-circle minions to chafe and counter with traditional Oriental wisdom about wrestling with pigs. Strike again alludes to Morison's book:‘Is that from the I Ching?' asked Strike, looking from Zhou to Mazu. ‘Funnily enough, I've got a few questions on the subject of degradation, if you'd rather hear those? No?' he said, when nobody answered. ‘Back to what I was saying, then.'‘Let's suppose I fancy writing the new Who Moved the Stone? – working title, “Why Paddle in the North Sea at Five a.m.?” As a sceptical investigator of the miraculous ascension into heaven of Daiyu, I think I'd start with how Cherie knew Jordan Reaney would oversleep that morning. Then I'd be finding out why Daiyu was wearing a dress that made her as visible as possible in the dark, why she drowned off exactly the same stretch of beach as your first wife and – parallels with Who Moved the Stone? here – I'd want to know where the body went. But unlike Morison, I might include a chapter on Birmingham' (805-806).John Granger and Nick Jeffery, as part of their Kanreki celebration of Rowling-Galbraith's 60th birthday last July, discussed Texts-Within-the-Text as a Golden Thread that runs through all of the author's work. Most of those embedded texts, though, are of Rowling's invention, e.g., Dumbledore's Chocolate Frog Card, Tales of Beedle the Bard, Bombyx Mori, The Predictions of Tycho Dodonus, Wace's The Answer, etc. It's fairly rare for Rowling-Galbraith to drop a reference to a real world book even in the relatively non-magical Strike series.In addition to the I Ching, however, Running Grave has Prudence Donleavy recommend two psychology texts to Robin (Lifton's Thought Reform and the Psychology of Totalism: A Study of Brain Washing in China and Hassan's Combatting Cult Mind Control: Protection, Rescue, and Recovery from Destructive Cults) in addition to Strike's weaponization of Morison's Who Moved the Stone?John and Nick chose to discuss Who Moved the Stone? this week rather than an embedded text that works as a template (cf., Aurora Leigh) or a Rowling favorite-book that shaped her perspective (e.g., I Capture the Castle) or a real-world book tied to the plot of Hallmarked Man (Bridge to Light, Pike's Morals and Dogma) because it seemed to connect the dots of several recent Rowling revelations:* the “God-shaped vacuum” tweet; * the unforced admission that she suffers from VWD, a blood-clotting disorder; * the search for the coming Big Twist in the final books of the Strike series;* the Psalter charm on the Strike9 Christmas gift bracelet-of-clues; * the Church of St Giles in the Fields' existence and its incredible absence from the first eight Strike books despite its overshadowing Denmark Street; and* the absence of Strike-series parallels to the Christian content and meaning of the Potter series, especially with respect to the Struggle to Believe in Deathly Hallows.For reasons the two discuss, all the above are pointers to possible Christian content of Strike books nine and ten, even that this content will be a substantial part of the mind-bending surprise finish to the series, namely, Strike's transformation from a skeptic with respect to all things religious to believer. What bigger clue has Rowling presented in the series for that possibility than Strike's confronting a religious “fraud and hypocrite” (799) with a book by an English skeptic about the evidence for belief in Christ's Resurrection from the dead?Nick and John discuss both Who Moved the Stone? itself, its use in Running Grave in the Strike-Wace confrontation, and its possible meaning as a pointer to revelations and transformations to come:1. Why is a Rowling Reader interested in Frank Morison's Who Moved the Stone? ? 2. Who was ‘Frank Morison‘? What is the story behind the writing of Who Moved the Stone? ? What place does it have, if any, in UK Christian apologetics?3. Do you think there are echoes of ‘Morison's conclusions in the Passion parts of Dorothy Sayers' Man Born to be King series for the BBC (1941)? 4. Chesterton per Wikipedia wrote in his review of Stone that he had been “under the impression it was a detective story” when he picked it up; how much does it read like a murder mystery, something akin to how Strike might sift through the evidence of a case?5. Five instances of deductive insights Ross-Morison offers by reasoning that even most Christian believers would have considered —6. A compare-and-contrast exercise of different perspectives -- John, believer, familiar with passion gospels; Nick, seeker, not so much -- how did their reading experiences differ?7. Why would Rowling-Galbraith have Strike mention this book, one that fosters conversions to Christian faith, in his face-to-face meeting with a religious charlatan? Shouldn't he be belittling faith at that point?8. If there is a single ‘keyword' in Stone, John believes it is “vacancy.” Nick and John discuss (1) the possibility that Rowling may have read this book as a young person and been struck by the God-shaped “vacancy” or “Vacuum” in her own life and (2) whether it could have been an influence on the Casual Vacancy title. They review Rowling comments about “the light of God shining from every soul” in her Vacancy interviews.9 - John expresses his bewilderment that Robin and Cormoran have never discussed their faith backgrounds or lack of one in the course of their relationship, especially in light of their UHC cult experiences and Talbot's True Book with its occult and Christian content. Nick explains the fall out of the English Civil War to John.10. Could Strike's familiarity with and seeming sympathy with the arguments of Stone a place-marker for future conversations about faith, not to mention revelations of why both Strike and Robin are so casual about the vacancy of a spiritual dimension in their lives?The remarkable take-away from this conversation was a discussion of the possibility that Rowling's tweeted ‘Psyche Ascendant' suggests the imminent death of Robin Ellacott in Strike 9 with Strike 10 being fallout of that death in the life of Cormoran Strike. ‘Fall out' meaning Strike will learn the truth about all the questions to which he mistakenly thought he knew the answers — the suicides of his mother and Charlotte Campbell-Ross, the character of Jonny Rokeby, Ryan Murphy's real motivation for pursuing Robin Ellacott, Cormoran's relationships with his half-sister Lucy and “oldest mate” Dave Polworth — as well as ‘Who Killed the Better Half of the Strike Ellacott Detective Agency?'John thinks the revelations coupled with Strike's grief may drive him to his knees in St Giles in the Fields Church, a ‘Digging Dobby's Grave on Easter morning' parallel. Make your case in the comment boxes below if you think that he has lost his mind somewhere on the drive east from Oklahoma to the Carolinas.The Granger family is now well settled in their South Carolina bungalow and Hogwarts Professor will be posting with regularity. Nick and John thank you for your patience and for your support!Links to Sources and Subjects Mentioned in Conversation:‘A Ring Reading of Running Grave, Part Eight' (John Granger)Who Moved the Stone? by Frank Morison (Amazon)‘Albert Henry Ross' aka ‘Frank Morison' (Wikipedia)‘Frank Morison and Who Moved the Stone? Advertiser, Novelist, Apologist, Spy' (Philip Johnson, Lecturer, Morling College, New South Wales, 2018)* Most of the information that Nick and John shared about Ross/Morison and his book Who Moved the Stone? came from this carefully researched paper.‘Philip Johnson' UC Berkeley Law Professor, author Darwin on Trial (Wikipedia)Darwin Retried: An Appeal to Reason (Norman MacBeth)Dorothy Sayers' Man Born to be King series for the BBC (1941)?G. K. Chesterton review of Who Moved the Stone? in The Illustrated London News (5 April 1930)‘Reading Troubled Blood as a Medieval Moral Play and Allegory:' Roy Phipps the “bloody bleeder” as King Philip of Spain (John Granger)‘Justin Martyr and the Fourth Gospel' (Fr John Romanides, 1958, on the relationship of the Synoptic Gospels and the Gospel According to St John)An examination of the Biblical sources reveals the fact that underlying the New Testament is the catechetical principle that one is able to discern the will and acts of God only according to the measure and degree in which he has been liberated from demonic influences and by spiritual exercise learns to distinguish between divine and satanic energies. This liberation is accomplished in Christ by the power of the Spirit but its effect on man is not automatic. Where it does begin its process is generally gradual as is evident in the tardy way in which the Apostles came to a full understanding of the way the kingdom of God had come upon them. Failure to understand and partake of the mysteries of the kingdom is attributed to continuance in the ways of Satan (e.g., Mtth. 13, 1-23; Mk. 4, 1-20; Lk. 8, 4-15; II Cor. 4, 3-4).Before a person was admitted to baptism, he had to be instructed in the old Testament revelations of the divine activities as well as in the ways of satan. Otherwise, he would continue being blinded by the devil and would be in danger of confounding divine and satanic activities as happened in the case of the Jews who went so far as to say that Jesus cast out demons by the power of Belzebub (Mtth. 12, 22-37; Mk. 3, 22-30; Lk. 11, 14-23). This is the blasphemy against the Spirit which cannot be forgiven. Those who are not able to recognize the energies of God are those who by hearing hear but do not understand and seeing see but do not discern (Is. 6, 9; Mtth. 13, 14; Mk. 4,12; Lk. 8, 10; John 12, 40; Acts 28, 26 ff.). The fourth gospel is a continuous play on the divinity of Christ as witnessed to by the divine activities which He shares in common with the Father and the Spirit and which are eventually understood by those who are defeating the devil but continuously misunderstood by those blinded by the prince of darkness. The fourth gospel is understood only by those who have been previously exercised in the discernment of the saving and sanctifying acts of God in both the Old Testament and Synoptic tradition, apart from whose soteriological presuppositions it is totally meaningless.Contemporary Case for Religious Belief in General:Believe: Why Everyone Should Be ReligiousAdvice to the Serious SeekerWhy Religion Matters: The Fate of the Human Spirit in an Age of DisbeliefThe Last Superstition: A Refutation of the New AtheismAtheist Delusions: The Christian Revolution and Its Fashionable EnemiesSeven Christian Apologetics ClassicsThe Case for Christ (Movie version!)Evidence that Demands a Verdict: Life Changing Truth for a Skeptical WorldMere Christianity (C. S. Lewis)Handbook of Christian ApologeticsExposing Myths about ChristianityDid the Resurrection Happen?Elements of Faith: An Introduction to Orthodox TheologyHogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Mohamed Reda Saad is a prominent Egyptian musician and the leader of the Cairo Band, one of Cairo's most sought-after ensembles for major dance festivals and cultural events. Continuing the artistic legacy of his father, the renowned musician Reda Saad, Mohamed has both preserved and expanded this heritage, specializing in traditional and contemporary Egyptian music created specifically for professional Oriental dance performance. Known for its refined arrangements and exceptional musicianship, the Cairo Band performs regularly at prestigious events in Cairo and on international stages. In parallel with his work as a performing musician and band leader, Mohamed is also an experienced music engineer who has recorded and produced numerous albums for Oriental dance and collaborates with dancers worldwide to create custom-made music tailored to their performance needs.In this episode you will learn about:- The difference between musicians who play for singers and those who play for dancers, and why Egyptian drummers follow the dancer, not the other way around- The most common mistakes dancers make with live bands—entrances, endings, and accents- How dancers can communicate with musicians using simple, universal stage signals- How dancers should prepare for rehearsals to truly benefit from limited time- The behind-the-scenes reality of creating custom music for dancers and why recording dance music takes weeks—not hoursShow Notes to this episode:Find Mohamed Reda on Instagram, and FB.Follow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Episode #307 Amanda Erlank, Move Well For Life With PilatesHello Health Heroes!In this episode of Tim James Upgraded, I sit down with Amanda Erlank, holistic movement specialist and founder of Kinected Pilates Studio. With nearly two decades of teaching experience, Amanda brings a deep, integrative approach to Pilates—drawing from Polestar Pilates education, the Franklin Method®, Shiatsu, and Oriental therapies.Amanda shares her journey as a studio owner, educator, and mentor, and introduces her MentorME program—an online group mentorship designed to support Pilates teachers through community, connection, and continual learning. Together, they explore why continuing education is essential for longevity in the industry, how mentorship elevates teaching standards, and Amanda's honest perspective on the current state of Pilates.This conversation is a must-listen for movement professionals who value growth, collaboration, and honoring the body's exceptional design.Enjoy the show!Love & Light,Coach TimP.S. If this helped you, please like & subscribe for more inspiration and education to help you become your own best doctor and help heal our world.P.P.S. Connect with Amanda: kinectedpilates.com.au - Instagram: @kinectedpilatesstudioTim's Favorite, HIGHEST QUALITY Health Product Recommendations:Best Detox & Nutrition Supplements: CLICK HEREBest Infrared Saunas & Healing Lamps: Tim's personal unit - Save $100 CLICK HEREWater Purification/Restructuring System: Book FREE Consult CLICK HEREBest Home Air Purification Unit : Tim's personal unit CLICK HEREBest Non Toxic Home Building Materials: CLICK HERE See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tout au sud-est du pays, les ethnies minoritaires portent encore fièrement leurs identités et leurs traditions, malgré l'isolement ou l'exode rural. Un patrimoine culturel rare à découvrir à travers un nouvel itinéraire : la piste du Caméléon. Le Caméléon, c'est l'animal totem des ethnies Bassari et Bédik. Un animal, réputé pour sa patience, qui correspond bien à la résilience et la capacité d'adaptation qu'ont développées à travers le temps les ethnies dites minoritaires du Sénégal Oriental, situées non loin du Mali et de la Guinée.  Autrefois chasseurs-cueilleurs, ces ethnies Bédik, Bassari ou Dialonké -les Coniagui étant eux surtout situés du côté de la Guinée- ont longtemps vécu à l'écart du monde, parfois perchés en hauteur dans des villages traditionnels. Et aujourd'hui, elles ont décidé de partager leurs cultures ancestrales avec les gens de l'extérieur, qu'ils soient Africains ou Occidentaux à travers cette piste du Caméléon.  Imaginé par les populations elles-mêmes, ce projet culturel et touristique, développé avec l'ONG de coopération internationale Tetraktys et l'Association des Minorités Ethniques, est une occasion rare de découvrir, en immersion, les cultures Dialonké, Bedik ou Bassari pour en comprendre la richesse mais aussi la fragilité.  Loin des grands centres urbains, à plus de 700 km de Dakar, le pays dit Bassari est extrêmement isolé et l'exode rural ou le réchauffement climatique menacent ces rites encore pétris d'animisme. Conscients de ces enjeux, des gardiens de la tradition veillent et s'efforcent de transmettre et valoriser ces cultures, notamment à travers le circuit du Caméléon perçu comme un facteur de développement local.  Itinérance de villages en villages, de Malinda à Ethiolo en passant par Fongolimbi et Kounsi, à travers des paysages de savanes boisées, de collines verdoyantes, d'éperons rocheux ou de cascades impétueuses, dans une région classée patrimoine mondial de l'humanité de l'UNESCO.  Un voyage sonore en deux épisodes de Raphaëlle Constant.   En savoir plus : - Sur les 4 ethnies minoritaires du Sénégal Oriental, un document utile édité par l'Association des Minorités Ethniques sur les principaux événements culturels coutumiers de ces communautés - Sur le circuit culturel et touristique en pays Bassari La Piste du Caméléon - Sur l'action de l'ONG Tetraktys, présente dans 13 pays, qui intervient depuis 20 ans au Sénégal Oriental. Elle accompagne l'essor d'un tourisme durable dans la région et la valorisation des patrimoines comme vecteur de développement local - Sur le photographe français Julien Masson, auteur des images qui accompagnent ce voyage sonore.   En images

Yaël Zarca is an internationally recognized Oriental dance artist and one of the leading figures of Egyptian dance in France. She discovered Oriental dance in 1999 and has since built a remarkable career spanning Parisian studios, major international stages, television appearances, instructional DVDs, and creative projects within the dance world. Known for her expressive, elegant style, Yaël blends deep Egyptian tradition with modern sensibility, placing strong emphasis on musicality, emotional interpretation, and impeccable technique. An outstanding pedagogue, she teaches Sharqi, Baladi, and Egyptian folklores in Paris, across France, and worldwide, sharing a dance rooted in feeling, culture, and transmission. Her professionalism, artistic integrity, and commitment to teaching have made her a respected and influential voice in the global Oriental dance community.In this episode you will learn about:- How motherhood reshaped her priorities, dance practice, and definition of success- Why improvisation is essential—and how to teach it without terrifying students- How feeling good as a woman is essential to becoming a better mother - and its relationship with dance- Why Egyptian style is now labeled “old school” in global dance scenes- Yael's decision to charge her students only on an annual basis—and how such commitment changes everythingShow Notes to this episode:Find Yaël Zarca on Instagram, FB, YouTube and website.Previous interview with Yael Zarca:Ep 162. Yaël Zarca: Spreading Light and PositivityDetails and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Aujourd'hui, on remonte le fil d'un objet que l'on ne regarde plus : la cafetière. Avant d'être une machine familière posée sur nos plaques de cuisson, elle est d'abord la réponse à une énigme venue de loin : comment apprivoiser le café ? Des premières décoctions orientales aux cafés européens, des tâtonnements domestiques à l'invention de gestes précis, la cafetière accompagne l'entrée du café dans nos vies quotidiennes. De la lente cafetière napolitaine à la moka italienne, du filtre en papier imaginé par une femme allemande au café individuel de la modernité, c'est toute une histoire de techniques, de rythmes et de sociétés qui se raconte à chaque tasse… Un récit signé Cindya Izzarelli. Sujets traités : chant, cafetière, machine, café, tasse, naples, moka, oriental, européé Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Nazi Study of India and Indian Anti-Colonialism (2024) is the first detailed and critical study of the intellectual and political connections that existed between some German scholars specializing on India, non-academic ‘India experts,' Indian anti-colonialists and various organs of the Nazi state published by the Oxford University Press. It explores the ways in which different knowledge discourses pertaining to India, particularly its colonization and the anti-colonial movement, were used by these individuals for a number of German organisations to fulfil the demands of Nazi politics. This monograph also inspects the links between the knowledge providers and embodiments of National Socialist politics like the Nazi party and its affiliates. In this study, Baijayanti Roy aims to ascertain whether such political engagements were actually more rewarding for the scholars than their 'practical services' to the state in the form of strategic deployment of their knowledge of India. The Nazi Study of India and Indian Anti-Colonialism offers case studies of four organisations which incorporated such complicated entanglements of knowledge and power: the India Institute of the Deutsche Akademie in Munich, the Special Department India of the German Foreign Ministry, the Seminar for Oriental languages and its successor institutions at the University of Berlin, and the Indian Legion of the German Army. The knowledge networks underlying these organisations were dominated by German Indologists, but non-specialist knowledge providers, both German and Indian were also included. The Nazi regime expected all scholars and intellectuals to engage in Kulturpolitik (cultural politics), which entailed propagating the glories of the 'Reich' and its supreme leader as well as collecting 'politically valuable' knowledge within and outside Germany. For the four organizations concerned, this meant conducting pro-German and from around 1938, anti-British propaganda aimed at Indians. Loosely following an analogy provided by Herbert Mehrtens in the context of natural sciences, this monograph posits that there were ‘patterns of collaboration' between the knowledge providers and the representatives of the Nazi regime. At the core of these 'patterns' was, to borrow Mitchell Ash's theory, an exchange of resources and capital in which scholars and experts offered their knowledge of Indian languages, history and culture to authorities like the Foreign Ministry, the SS and the Army. In return, they received increased professional opportunities, financial remuneration or in some cases, increased power and influence. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Nazi Study of India and Indian Anti-Colonialism (2024) is the first detailed and critical study of the intellectual and political connections that existed between some German scholars specializing on India, non-academic ‘India experts,' Indian anti-colonialists and various organs of the Nazi state published by the Oxford University Press. It explores the ways in which different knowledge discourses pertaining to India, particularly its colonization and the anti-colonial movement, were used by these individuals for a number of German organisations to fulfil the demands of Nazi politics. This monograph also inspects the links between the knowledge providers and embodiments of National Socialist politics like the Nazi party and its affiliates. In this study, Baijayanti Roy aims to ascertain whether such political engagements were actually more rewarding for the scholars than their 'practical services' to the state in the form of strategic deployment of their knowledge of India. The Nazi Study of India and Indian Anti-Colonialism offers case studies of four organisations which incorporated such complicated entanglements of knowledge and power: the India Institute of the Deutsche Akademie in Munich, the Special Department India of the German Foreign Ministry, the Seminar for Oriental languages and its successor institutions at the University of Berlin, and the Indian Legion of the German Army. The knowledge networks underlying these organisations were dominated by German Indologists, but non-specialist knowledge providers, both German and Indian were also included. The Nazi regime expected all scholars and intellectuals to engage in Kulturpolitik (cultural politics), which entailed propagating the glories of the 'Reich' and its supreme leader as well as collecting 'politically valuable' knowledge within and outside Germany. For the four organizations concerned, this meant conducting pro-German and from around 1938, anti-British propaganda aimed at Indians. Loosely following an analogy provided by Herbert Mehrtens in the context of natural sciences, this monograph posits that there were ‘patterns of collaboration' between the knowledge providers and the representatives of the Nazi regime. At the core of these 'patterns' was, to borrow Mitchell Ash's theory, an exchange of resources and capital in which scholars and experts offered their knowledge of Indian languages, history and culture to authorities like the Foreign Ministry, the SS and the Army. In return, they received increased professional opportunities, financial remuneration or in some cases, increased power and influence. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Nazi Study of India and Indian Anti-Colonialism (2024) is the first detailed and critical study of the intellectual and political connections that existed between some German scholars specializing on India, non-academic ‘India experts,' Indian anti-colonialists and various organs of the Nazi state published by the Oxford University Press. It explores the ways in which different knowledge discourses pertaining to India, particularly its colonization and the anti-colonial movement, were used by these individuals for a number of German organisations to fulfil the demands of Nazi politics. This monograph also inspects the links between the knowledge providers and embodiments of National Socialist politics like the Nazi party and its affiliates. In this study, Baijayanti Roy aims to ascertain whether such political engagements were actually more rewarding for the scholars than their 'practical services' to the state in the form of strategic deployment of their knowledge of India. The Nazi Study of India and Indian Anti-Colonialism offers case studies of four organisations which incorporated such complicated entanglements of knowledge and power: the India Institute of the Deutsche Akademie in Munich, the Special Department India of the German Foreign Ministry, the Seminar for Oriental languages and its successor institutions at the University of Berlin, and the Indian Legion of the German Army. The knowledge networks underlying these organisations were dominated by German Indologists, but non-specialist knowledge providers, both German and Indian were also included. The Nazi regime expected all scholars and intellectuals to engage in Kulturpolitik (cultural politics), which entailed propagating the glories of the 'Reich' and its supreme leader as well as collecting 'politically valuable' knowledge within and outside Germany. For the four organizations concerned, this meant conducting pro-German and from around 1938, anti-British propaganda aimed at Indians. Loosely following an analogy provided by Herbert Mehrtens in the context of natural sciences, this monograph posits that there were ‘patterns of collaboration' between the knowledge providers and the representatives of the Nazi regime. At the core of these 'patterns' was, to borrow Mitchell Ash's theory, an exchange of resources and capital in which scholars and experts offered their knowledge of Indian languages, history and culture to authorities like the Foreign Ministry, the SS and the Army. In return, they received increased professional opportunities, financial remuneration or in some cases, increased power and influence. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

The Nazi Study of India and Indian Anti-Colonialism (2024) is the first detailed and critical study of the intellectual and political connections that existed between some German scholars specializing on India, non-academic ‘India experts,' Indian anti-colonialists and various organs of the Nazi state published by the Oxford University Press. It explores the ways in which different knowledge discourses pertaining to India, particularly its colonization and the anti-colonial movement, were used by these individuals for a number of German organisations to fulfil the demands of Nazi politics. This monograph also inspects the links between the knowledge providers and embodiments of National Socialist politics like the Nazi party and its affiliates. In this study, Baijayanti Roy aims to ascertain whether such political engagements were actually more rewarding for the scholars than their 'practical services' to the state in the form of strategic deployment of their knowledge of India. The Nazi Study of India and Indian Anti-Colonialism offers case studies of four organisations which incorporated such complicated entanglements of knowledge and power: the India Institute of the Deutsche Akademie in Munich, the Special Department India of the German Foreign Ministry, the Seminar for Oriental languages and its successor institutions at the University of Berlin, and the Indian Legion of the German Army. The knowledge networks underlying these organisations were dominated by German Indologists, but non-specialist knowledge providers, both German and Indian were also included. The Nazi regime expected all scholars and intellectuals to engage in Kulturpolitik (cultural politics), which entailed propagating the glories of the 'Reich' and its supreme leader as well as collecting 'politically valuable' knowledge within and outside Germany. For the four organizations concerned, this meant conducting pro-German and from around 1938, anti-British propaganda aimed at Indians. Loosely following an analogy provided by Herbert Mehrtens in the context of natural sciences, this monograph posits that there were ‘patterns of collaboration' between the knowledge providers and the representatives of the Nazi regime. At the core of these 'patterns' was, to borrow Mitchell Ash's theory, an exchange of resources and capital in which scholars and experts offered their knowledge of Indian languages, history and culture to authorities like the Foreign Ministry, the SS and the Army. In return, they received increased professional opportunities, financial remuneration or in some cases, increased power and influence. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Nazi Study of India and Indian Anti-Colonialism (2024) is the first detailed and critical study of the intellectual and political connections that existed between some German scholars specializing on India, non-academic ‘India experts,' Indian anti-colonialists and various organs of the Nazi state published by the Oxford University Press. It explores the ways in which different knowledge discourses pertaining to India, particularly its colonization and the anti-colonial movement, were used by these individuals for a number of German organisations to fulfil the demands of Nazi politics. This monograph also inspects the links between the knowledge providers and embodiments of National Socialist politics like the Nazi party and its affiliates. In this study, Baijayanti Roy aims to ascertain whether such political engagements were actually more rewarding for the scholars than their 'practical services' to the state in the form of strategic deployment of their knowledge of India. The Nazi Study of India and Indian Anti-Colonialism offers case studies of four organisations which incorporated such complicated entanglements of knowledge and power: the India Institute of the Deutsche Akademie in Munich, the Special Department India of the German Foreign Ministry, the Seminar for Oriental languages and its successor institutions at the University of Berlin, and the Indian Legion of the German Army. The knowledge networks underlying these organisations were dominated by German Indologists, but non-specialist knowledge providers, both German and Indian were also included. The Nazi regime expected all scholars and intellectuals to engage in Kulturpolitik (cultural politics), which entailed propagating the glories of the 'Reich' and its supreme leader as well as collecting 'politically valuable' knowledge within and outside Germany. For the four organizations concerned, this meant conducting pro-German and from around 1938, anti-British propaganda aimed at Indians. Loosely following an analogy provided by Herbert Mehrtens in the context of natural sciences, this monograph posits that there were ‘patterns of collaboration' between the knowledge providers and the representatives of the Nazi regime. At the core of these 'patterns' was, to borrow Mitchell Ash's theory, an exchange of resources and capital in which scholars and experts offered their knowledge of Indian languages, history and culture to authorities like the Foreign Ministry, the SS and the Army. In return, they received increased professional opportunities, financial remuneration or in some cases, increased power and influence. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

El 29 de diciembre fue el ataque 30 a una presunta embarcación del narcotráfico, hecho ocurrido en el Pacífico Oriental, confirmó el Comando Sur.

En las Claves del día hacemos un repaso a las noticias de hoy: Estados Unidos destruye otra lancha vinculada al narcotráfico en el Pacífico Oriental, Volodomir Zelensky pide a Putin que se tome las negociaciones de paz en serio y el primer ministro francés Sebastian Lecornu, confía en llegar a un acuerdo para los Presupuestos del año que viene. En la tertulia de Capital Intereconomía analizamos como El Banco de España eleva sus previsiones para la economía española y Trump presume del dato de PIB de EEUU y lo atribuye a los aranceles. La preapertura de Bolsas la preparamos con David Cortina, Responsable de Renta Variable Santander PB.

'Christmas at the Oriental' is a special holiday music show featuring music recorded at Milwaukee's Oriental Theatre on their historic 1925 Wurlitzer organ. 

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 11 del libro The Oxford Handbook of Christmas, titulado “Eastern Orthodoxy,” por Mary B. Cunningham. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-christmas-9780198831464?cc=gb&lang=en& Articulo: https://semperreformandaperu.org/2025/12/25/la-navidad-que-no-conoces-un-viaje-a-las-antiguas-tradiciones-de-la-iglesia-ortodoxa-oriental/  Video: https://youtu.be/v93uA6fFu_0?si=ayn9uRy-dSxtEE6x  PPT: https://semperreformandaperu.org/wp-content/uploads/2025/12/navigating_orthodox_christmas_from_cosmic_to_hearth.pdf  En este episodio nos adentramos en la Navidad de las Iglesias ortodoxas orientales: una festividad que, en su propia autocomprensión, ocupa el segundo lugar en importancia tras la Pascua y se vive ante todo como acontecimiento litúrgico y teológico, más que como temporada comercial. Acompañaremos el ritmo del calendario: el ayuno preparatorio que comienza el 15 de noviembre, la intensificación de los himnos y oficios desde el 20 de diciembre, y la “explosión” festiva cuando el ayuno se rompe en la mañana de Navidad. Veremos también por qué los regalos suelen desplazarse a san Nicolás (6 de diciembre) o al Año Nuevo (1 de enero), según tradiciones locales. Desde ahí, el capítulo nos guía al corazón doctrinal: la liturgia como pedagogía pública de la Encarnación, capaz de “re-escenificar” y, a la vez, explicar lo que la Iglesia confiesa. Luego pasamos del texto a la imagen: la iconografía de la Natividad, donde la veneración del icono, las velas y la disposición visual enseñan una teología del “mundo transfigurado”. Finalmente, descendemos a la casa: ritos serbios como el badnyak, la paja esparcida y la chesnitsa con moneda, y ejemplos griegos donde lo cristiano convive con memorias míticas y folclóricas. Un episodio para comprender cómo doctrina, símbolo y vida cotidiana se entrelazan en la Navidad ortodoxa.

En las Claves del día hacemos un repaso a las noticias de hoy: Estados Unidos destruye otra lancha vinculada al narcotráfico en el Pacífico Oriental, Volodomir Zelensky pide a Putin que se tome las negociaciones de paz en serio y el primer ministro francés Sebastian Lecornu, confía en llegar a un acuerdo para los Presupuestos del año que viene. En la tertulia de Capital Intereconomía analizamos como El Banco de España eleva sus previsiones para la economía española y Trump presume del dato de PIB de EEUU y lo atribuye a los aranceles. La preapertura de Bolsas la preparamos con David Cortina, Responsable de Renta Variable Santander PB.

S7 E10: The Night Before ChristmasWelcome to Tea Toast & Trivia. Thank you for listening in to a Christmas Eve reflection on the poem that changed how we see Christmas.Christmas Eve brings us once more to words that have shaped the wonder of generations. Tonight, we return to Clement Clarke Moore's beloved poem, a story that reminds us that imagination, generosity, and joy are timeless companions.Clement Clarke Moore, born July 15, 1799, was a writer and American Professor of Oriental and Greek Literature, Divinity and Biblical Learning at the General Theological Seminary of the Protestant Episcopal Church in New York City. Clement Moore had strong ties to the seminary, for it was his generosity that led him to donate land — his private apple orchard — upon which the seminary was built. The Seminary remains on that same parcel of land, located at Ninth Avenue between 20th and 21st Streets, in an area known as Chelsea Square.Clement Moore accomplished a great deal in his lifetime. He was a writer and a poet, a professor and scholar. He served twice as President of Columbia College (now Columbia University) and as a board member of the New York Institution for the Blind.Clement Moore published several academic works, including A Compendious Lexicon of the Hebrew Language (Collins & Perkins, 1809). But it was his poem, A Visit from St. Nicholas, more commonly known as The Night Before Christmas, that captured the hearts of children young and old. With these poetic words he changed the way we see Christmas.A Visit from St. Nicholas was published anonymously in the Troy Sentinel in 1823. Clement Moore had second thoughts in 1837, when he eventually told everyone that he had penned the poem. Many believe that it is the most well-known and beloved poem written by an American poet. We read it every Christmas, most often on Christmas Eve, and reflect on Christmases past when we were young and heard the familiar words read by our parents and grandparents. Santa and the tradition of Christmas gift-giving were transformed by this poem.There is a particular stillness that arrives with Christmas Eve, the hush before the dawn, the anticipation of joy renewed. As we listen to these familiar lines once more, we honour the enduring spirit of generosity and imagination that binds us together across generations.Until the next cup is poured, dear friends,Merry Christmas from Tea, Toast & Trivia.RebeccaMusic by Epidemic SoundChristmas Snow by Mike Franklynhttps://www.epidemicsound.com/music/tracks/f2e78ede-e8e3-3c38-a3d1-67254d5a4a28/

John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Confira os destaques do Jornal da Manhã desta quinta-feira (18): O presidente Lula anunciou oficialmente, durante a última reunião ministerial de 2025 nesta quarta-feira (17), a saída de Celso Sabino do Ministério do Turismo. O anúncio foi feito após o União Brasil solicitar a vaga ocupada pela pasta. De acordo com Sabino, o indicado para substituí-lo é Gustavo Feliciano. Durante a análise do projeto da Dosimetria no Senado Federal, o líder do governo, Jaques Wagner (PT), quebrou o silêncio e explicou os motivos por trás do acordo firmado para acelerar a votação da medida. Reportagem: Pedro Tritto. O Supremo Tribunal Federal (STF) formou maioria para suspender a validade da lei que instituía o marco temporal para a demarcação de terras indígenas. A decisão reafirma o entendimento da Corte, que já havia considerado a tese inconstitucional em 2023. Reportagem: Matheus Dias. A Polícia Federal realizou uma perícia médica no ex-presidente Jair Bolsonaro. O procedimento atende a uma determinação direta do ministro do STF, Alexandre de Moraes. O objetivo do exame é constatar tecnicamente se há necessidade real de novas intervenções cirúrgicas, conforme alegado pelos advogados de defesa do ex-presidente. Reportagem: Igor Damasceno. O senador Flávio Bolsonaro (PL-RJ), pré-candidato à Presidência da República, participou nesta quarta-feira (17) de um almoço com empresários em São Paulo, em um encontro realizado no Jardim Paulista. Durante a reunião, que durou cerca de 1h30, Flávio destacou a importância de sua candidatura e se apresentou como o “Bolsonaro mais moderado, equilibrado e centrado.” O Senado aprovou o projeto de lei da Dosimetria, que altera o cálculo de penas e pode impactar diretamente as condenações referentes ao 8 de Janeiro. O repórter Igor Damasceno acompanhou a votação no plenário e traz os bastidores da decisão que agora segue para a mesa do presidente Lula (PT). A Polícia Civil de São Paulo deflagrou uma operação para investigar um esquema de compra irregular de grandes quantidades de cafeína. Segundo as investigações, o insumo era desviado para laboratórios do crime organizado e utilizado para misturar e aumentar exponencialmente o volume da cocaína comercializada. Reportagem: Misael Mainetti. Após uma reunião decisiva entre o prefeito de São Paulo, Ricardo Nunes (MDB), o governador Tarcísio de Freitas (Republicanos) e o ministro de Minas e Energia, Alexandre Silveira (PSD), ficou definido que o governo solicitará à ANEEL a abertura do processo de caducidade do contrato da Enel. O repórter Marcelo Mattos entra ao vivo com os detalhes dessa ofensiva conjunta das autoridades. A Polícia Federal conseguiu acesso ao conteúdo dos aparelhos celulares do desembargador preso Macário Júdice e de Rodrigo Bacellar, presidente afastado da Assembleia Legislativa do Rio de Janeiro (ALERJ). Reportagem: Rodrigo Viga. A Mesa Diretora da Câmara dos Deputados tem uma reunião agendada nesta quinta (18), que pode definir o futuro político dos deputados federais Alexandre Ramagem e Eduardo Bolsonaro (PL). A expectativa em Brasília é alta sobre o posicionamento da cúpula da Casa em relação aos processos que envolvem os parlamentares. Enquanto Pablo Marçal (PRTB) declara apoio à pré-candidatura de Flávio Bolsonaro (PL) para 2026, o pastor Silas Malafaia surpreende e vai na contramão. Malafaia defende Tarcísio de Freitas e, diante do cenário atual, colocou seu próprio nome na disputa presidencial. As Forças Armadas dos Estados Unidos confirmaram a realização de mais um ataque letal contra uma embarcação no Oceano Pacífico Oriental. Segundo o Comando Sul dos EUA, a operação visava combater o narcotráfico na região. Reportagem: Eliseu Caetano. Essas e outras notícias você acompanha no Jornal da Manhã. Learn more about your ad choices. Visit megaphone.fm/adchoices

Engr. Randy Joco is TBI Manager at Minsu i-BIBES.Minsu i-BIBES, or Mindoro State University Innovative Business Incubation for Biosystems Solutions is a DOST-funded technology incubator in Victoria, Oriental Mindoro. Minsu i-BIBES is empowering start-ups by providing a strong entrepreneurial ecosystem that drives innovation, contributing to sustainable and resilient economic growth and development. Minsu i-BIBES is the first-ever incubation Hub in the province of Mindoro, funded by DOST PCIEERD.This episode is recorded live at MINSU i-BIBES, technology business incubator of Mindoro State University in Victoria, Oriental Mindoro. This episode is also in partnership with plip.ph Connected Communities.In this episode:00:00 Introduction01:26 Ano ang Minsu i-BIBES?03:27 What services are provided by the incubator?20:35 How can interested startups join? 25:37 What is the story behind the incubator? 40:44 How is the startup ecosystem in Mindoro? 48:00 What are future plans for the incubator? 51:49 How can listeners find more information?MINSU I-BIBESWebsite: ⁠https://minsuibibes.com⁠Facebook: ⁠https://facebook.com/MINSUiBIBES⁠PLIP.PHWebsite: ⁠http://plip.ph⁠Facebook: ⁠https://facebook.com/plip.ph⁠THIS EPISODE IS CO-PRODUCED BY:Yspaces: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://knowyourspaceph.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apeiron: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apeirongrp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twala: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twala.io⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Symph: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://symph.co⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Secuna: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://secuna.io⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MaroonStudios: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://maroonstudios.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AIMHI: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://aimhi.ai⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CompareLoans: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://compareloans.ph⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CHECK OUT OUR PARTNERS:Ask Lex PH Academy: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://asklexph.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (5% discount on e-learning courses! Code: ALPHAXSUP)Argum AI: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://argum.ai⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PIXEL by Eplayment: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://pixel.eplayment.co/auth/sign-up?r=PIXELXSUP1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Sign up using Code: PIXELXSUP1)School of Profits: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://schoolofprofits.academy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Founders Launchpad: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://founderslaunchpad.vc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hier Business Solutions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://hierpayroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Agile Data Solutions (Hustle PH): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://agiledatasolutions.tech⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Smile Checks: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://getsmilechecks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CloudCFO: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://cloudcfo.ph⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Free financial assessment, process onboarding, and 6-month QuickBooks subscription! Mention: Start Up Podcast PH)Cloverly: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://cloverly.tech⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuddyBetes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://buddybetes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HKB Digital Services: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://contakt-ph.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (10% discount on RFID Business Cards! Code: CONTAKTXSUP)Hyperstacks: https://hyperstacksinc.comOneCFO: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://onecfoph.co⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (10% discount on CFO services! Code: ONECFOXSUP)UNAWA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://unawa.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wunderbrand: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://wunderbrand.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DVCode Technologies Inc: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dvcode.tech⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NutriCoach: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nutricoach.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Uplift Code Camp: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://upliftcodecamp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (5% discount on bootcamps and courses! Code: UPLIFTSTARTUPPH)START UP PODCAST PH⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/StartUpPodcastPH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PIXEL: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://pixel.eplayment.co/dl/startuppodcastph⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://phstartup.online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Edited by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tasharivera.com⁠⁠⁠⁠

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(00:00) The HVAC system is broken in the studio — when will it be fixed? Your guess is as good as ours. Also, Hardy shares his secrets for properly pruning oriental grass for the winter season.WHAT HAPPENED LAST NIGHT: (17:59.41) The Chargers forced five turnovers from Jalen Hurts and sealed a 22-19 overtime win with a Tony Jefferson interception, despite their offense stalling after an early touchdown and Justin Herbert rushing for 66 yards just a week after hand surgery.(33:01.55) Vrabel gets snippy towards Phil Perry again.Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardyFor the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Investigan explosión frente a la Policía Comunitaria de Coahuayana Guardia Costera de EU incauta 9 toneladas de droga en el PacíficoMás información en nuestro Podcast

Gracie Mandujano was born in Honduras, a land rooted in ancient Mayan traditions, and from an early age felt called to reconnect with life's true purpose and the depth of her courageous spirit. Guided by yoga and dance, she returned to her physical body and divine power, dedicating herself to ancestral arts and becoming a healer and light worker. Her lineage eventually led her back to the ways of her ancestors, committing to the Camino Rojo and the Danza de la Luna, where she studies traditional forms of ceremony, prayer, and healing. Uniting these paths, Gracie and Estelle co-created a series of transformative containers under the school Modern Organic Dance & Sacred Arts, sharing this sacred space of essential growth with women and men across the world.In this episode you will learn about:- Gracie's journey from dentistry to discovering tribal fusion and Oriental dance.- The hidden energetics behind “inward” and “outward” movements in Oriental dance.- How class energy, rhythm choices, and even the moon cycle shape her teaching.- The story of healing a pre-cancer diagnosis through intentional dance practice.- The birth of “Modern Organic Dance” and why belly dance didn't feel like the right label.Show Notes to this episode:Find Gracie Mandujano on Instagram, FB, YouTube, and website.Details and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Today we have a CHILL CHAT SESSION: We continue the series with part 4 on symmetrical and asymmetrical christology, logos-sarx christology, composite hyspotasis and tertium quid.  @OrthodoxShahada  and  @OrthodoxDavid  Send Superchats at any time here: https://streamlabs.com/jaydyer/tip David's key talk is here https://youtu.be/Gm_GRzu-BR0 Qai substack is here https://orthodoxshahada.substack.com/p/oriental-monophysites-do-not-understand-a2b https://orthodoxshahada.substack.com/p/st-basil-completely-refutes-oriental Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join Order New Book Available here: https://jaysanalysis.com/product/esoteric-hollywood-3-sex-cults-apocalypse-in-films/ Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyer Music by Amid the Ruins 1453 https://www.youtube.com/@amidtheruinsOVERHAUL Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join #comedy #podcast #entertainmentBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

This week I'm joined by author and music critic Keith Cameron (Mudhoney: The Sound and the Fury From Seattle, 168 Songs of Hatred and Failure: A History of Manic Street Preachers), who picked the documentary I'M NOW: THE STORY OF MUDHONEY to dive into.We discuss our relationship with the British musical weeklies and how Keith ended up working for them, the power of Radio One DJ John Peel, Keith trying to get his favorite bands on the cover of the NME, the Mudhoney riot at the School of Oriental & African Studies in 1989 (where Mark Arm invited the entire audience onstage before the first note), cracking Green River, seeing Mudhoney's 2nd show opening for White Zombie, the brilliance and haphazardness of SubPop, Jack Endino asking the band if they really wanted to sound like they did while recording them, Mudoney saving SubPop's label at their lowest point, how Caroline records wanted to polish up Mudhoney, the follies of indie labels & the notion of selling out, Mark Arm as a world class lyricist, Keith visiting Seattle & interviewing Nirvana at the time they were kicking out Dan Peters of Mudhoney and replacing him with Dave Grohl, touring with Nirvana vs. Pearl Jam, the handheld camera tour footage of the band, Keith spending time in Mudhoney's childhood locations, Matt Lukin leaving the band and Guy Maddison replacing him, the obstacles and triumphs of continuing to making music for nearly 40 years and more!So let's collectively make the stage collapse on this week's episode of Revolutions Per Movie!!!Keith Cameron:https://keithcameron.co.uk/about-me/https://www.mojo4music.com/author/keith-cameron/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.