Podcasts about History of art

Often written from a male perspective, the dominant narratives of art history have largely ignored the writings of female artists. Yet these varied texts, ranging from diaries to newspaper articles, bear witness to the desires, efforts, struggles and successes of female creators. Drawing on their words, the podcast “Words of Women Artists” gives voice to their version of history. The unique perspectives revealed allow us to better understand the visual arts, but above all, to renew our understanding of the dynamics of art history.In this first season, co-produced by AWARE and the Musée d'Orsay, with the support of the FAMM museum, we will listen to the voices of activist artists from the second half of the 19th century. Through their writing, they defended their right to found women-only art societies, access to quality art education, and the right to compete for the Prix de Rome, among other demands.his second episode is devoted to Hélène Bertaux, born Joséphine Charlotte Hélène Pilate in 1825, who was much more than a talented sculptor: she championed women's right to create, learn and exhibit their work.“It is better to be an unsung talent than a praised mediocrity”, she repeatedly declared.Her talent was recognised, and Hélène Bertaux quickly became one of the few women to make a name for herself in France in the field of monumental and public sculpture.   Conception: Mathilde de Croix and the AWARE teamDirected: Élodie RoyerResearch and script: Lucia Pesapane Credits and Sound Editing: Basile BeaucaireMusic : Juliano GilMixing : Simon ZrakTranslation and EnglishVoice: Eléonore BesseArtistes' voices : Camille Illustration: Lisa MouchetHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Souvent écrits au masculin, les grands récits de l'histoire de l'art ont fait peu de cas des écrits produits par les artistes femmes. Pourtant, du journal intime à l'article de presse, ces textes sont d'une grande diversité. Ils témoignent des désirs, des efforts, des difficultés et des succès des créatrices. En puisant dans leurs mots, le podcast « Paroles d'artistes femmes » propose de faire entendre leur version de l'histoire. Les perspectives singulières ainsi dévoilées nous permettent de mieux comprendre leurs œuvres plastiques, mais surtout, de renouveler notre compréhension des dynamiques de l'histoire de l'art.Dans cette première saison, coproduite par AWARE et le musée d'Orsay, avec le soutien du musée FAMM, nous écouterons les artistes engagées de la seconde moitié du xixe siècle. Elles ont défendu la création de sociétés artistiques non mixtes, l'accès à un enseignement artistique de qualité et le droit à concourir au prix de Rome, entre autres revendications. Cela avec l'outil de l'écriture notamment. Ce deuxième épisode est consacré à Hélène Bertaux, née Joséphine Charlotte Hélène Pilate en 1825, qui fut bien plus qu'une sculptrice talentueuse : elle revendiqua le droit des femmes à créer, à apprendre, à exposer.Mieux vaut être une valeur méconnue, qu'une médiocrité vantée, déclare-t-elle à maintes reprises.Sa valeur est reconnue, et Hélène Bertaux devient rapidement l'une des rares femmes à s'illustrer en France dans le domaine de la sculpture monumentale et publique. A la préparation : Mathilde de Croix avec l'équipe d'AWAREÀ la réalisation : Elodie RoyerÀ la recherche et à la rédaction : Lucia PesapaneMusique générique et sound design : Basile BeaucaireMusique originale : Juliano GilMixage : Simon ZrakVoix off : Anna SigalevitchVoix artistes : CamilleIllustration : Lisa MouchetHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

 Often written from a male perspective, the dominant narratives of art history have largely ignored the writings of female artists. Yet these varied texts, ranging from diaries to newspaper articles, bear witness to the desires, efforts, struggles and successes of female creators. Drawing on their own words, the podcast “Words of Women Artists” gives voice to their version of history. The unique perspectives revealed allow us to better understand the visual arts, but above all, to renew our understanding of the dynamics of art history.In this first season, co-produced by AWARE and the Musée d'Orsay, with the support of the FAMM museum, we will listen to the voices of activist artists from the second half of the 19th century. Through their writing, they defended their right to found women-only art societies, to access quality art education, and to compete for the Prix de Rome, among other demands.This first episode is devoted to Marie Bashkirtseff, whose career was as fleeting and dazzling as a shooting star. For a long time, the artist was best known for having meticulously documented her life in her diary, which spans nearly 19,000 pages. Succumbing to tuberculosis at the age of 25, on the verge of fame, Bashkirtseff left us few works. Some of her paintings have nevertheless become iconic.  Conception: Mathilde de Croix and the AWARE teamDirected: Élodie RoyerResearch and script: Delphine Wanes Credits and Sound Editing: Basile BeaucaireMusic: Juliano GilMixing: Simon ZrakTranslation and EnglishVoice: Eléonore BesseArtistes' voices: CamilleIllustration: Lisa Mouchet  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Souvent écrits au masculin, les grands récits de l'histoire de l'art ont fait peu de cas des écrits produits par les artistes femmes. Pourtant, du journal intime à l'article de presse, ces textes d'une grande diversité témoignent des désirs, des efforts, des difficultés et des succès des créatrices. En puisant dans leurs mots, le podcast « Paroles d'artistes femmes » propose de faire entendre leur version de l'histoire. Les perspectives singulières ainsi dévoilées nous permettent de mieux comprendre les œuvres plastiques, mais surtout, de renouveler notre compréhension des dynamiques de l'histoire de l'art.Dans cette première saison, coproduite par AWARE et le musée d'Orsay, avec le soutien du musée FAMM, nous écouterons les artistes engagées de la seconde moitié du xixe siècle. Par l'écrit, elles ont défendu pour les femmes la fondation de sociétés artistiques non mixtes, l'accès à un enseignement artistique de qualité et le droit à concourir au prix de Rome, entre autres revendications.Ce premier épisode est consacré à Marie Bashkirtseff, dont la trajectoire fut celle d'un météore, fugace et flamboyant. Longtemps, l'artiste fut surtout connue pour avoir ardemment documenté sa vie dans son journal intime, qui couvre près de 19 000 pages. Emportée par la tuberculose à l'âge de 25 ans, à l'aube de la gloire, Bashkirtseff nous a laissé peu d'œuvres. Certains de ses tableaux sont toutefois devenus des icônes. A la préparation : Mathilde de Croix avec l'équipe d'AWAREÀ la réalisation : Elodie RoyerÀ la recherche et à la rédaction : Delphine WanesMusique générique et sound design : Basile BeaucaireMusique originale : Juliano GilMixage : Simon ZrakVoix off : Anna SigalevitchVoix artistes : CamilleIllustration : Lisa MouchetHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

 Often written from a male perspective, the dominant narratives of art history have largely ignored the writings of female artists. Yet these varied texts, ranging from diaries to newspaper articles, bear witness to the desires, efforts, struggles and successes of female creators. Drawing on their own words, the podcast “Words of Women Artists” gives voice to their version of history. The unique perspectives revealed allow us to better understand the visual arts, but above all, to renew our understanding of the dynamics of art history.In this first season, co-produced by AWARE and the Musée d'Orsay, with the support of the FAMM museum, we will listen to the voices of activist artists from the second half of the 19th century. Through their writing, they defended their right to found women-only art societies, to access quality art education, and to compete for the Prix de Rome, among other demands.This fourth episode is devoted to the painter Virginie Demont-Breton, who pursued her career between Paris and Wissant, on the Opal Coast, in Northern France. The landscapes and humble fishing families of this region were a great source of inspiration to her. Her naturalistic paintings convey a harmonious vision, without omitting the harshness of living conditions. Born into a large family of artists, the painter achieved official and critical recognition during her lifetime and became known for her feminist activism with the Union of Women Painters and Sculptors. Conception: Mathilde de Croix and the AWARE teamDirected: Élodie RoyerResearch and script: Delphine WanesCredits and Sound Editing: Basile BeaucaireMusic : Juliano GilMixing : Simon ZrakTranslation and EnglishVoice: Eléonore BesseArtistes' voices : CamilleIllustration: Lisa Mouchet    Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Souvent écrits au masculin, les grands récits de l'histoire de l'art ont fait peu de cas des écrits produits par les artistes femmes. Pourtant, du journal intime à l'article de presse, ces textes d'une grande diversité témoignent des désirs, des efforts, des difficultés et des succès des créatrices. En puisant dans leurs mots, le podcast « Paroles d'artistes femmes » propose de faire entendre leur version de l'histoire. Les perspectives singulières ainsi dévoilées nous permettent de mieux comprendre les œuvres plastiques, mais surtout, de renouveler notre compréhension des dynamiques de l'histoire de l'art.Dans cette première saison, coproduite par AWARE et le musée d'Orsay, avec le soutien du musée FAMM, nous écouterons les artistes engagées de la seconde moitié du xixe siècle. Par l'écrit, elles ont défendu pour les femmes la fondation de sociétés artistiques non mixtes, l'accès à un enseignement artistique de qualité et le droit à concourir au prix de Rome, entre autres revendications.Ce quatrième épisode est consacré à la peintre Virginie Demont-Breton, qui a mené sa carrière entre Paris et Wissant, sur la côte d'Opale. Les paysages et les humbles familles de pêcheurs de cette région l'ont beaucoup inspirée. Ses toiles, peintes dans une veine naturaliste, nous en transmettent une vision harmonieuse, sans omettre la dureté des conditions de vie. Issue d'une grande famille d'artistes, la peintre a atteint la reconnaissance officielle et critique de son vivant, et s'est notamment fait connaître pour ses engagements féministes auprès de l'Union des femmes peintres et sculpteurs. A la préparation : Mathilde de Croix avec l'équipe d'AWAREÀ la réalisation : Elodie RoyerÀ la recherche et à la rédaction : Delphine WanesMusique générique et sound design : Basile BeaucaireMusique originale : Juliano GilMixage : Simon ZrakVoix off : Anna SigalevitchVoix artistes : CamilleIllustration : Lisa Mouchet Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

ignored the writings of female artists. Yet these varied texts, ranging from diaries to newspaper articles, bear witness to the desires, efforts, struggles and successes of female creators. Drawing on their words, the podcast “Words of Women Artists” gives voice to their version of history. The unique perspectives revealed allow us to better understand the visual arts, but above all, to renew our understanding of the dynamics of art history.In this first season, co-produced by AWARE and the Musée d'Orsay, with the support of the FAMM museum, we will listen to the voices of activist artists from the second half of the 19th century. Through their writing, they defended their right to found women-only art societies, access to quality art education, and the right to compete for the Prix de Rome, among other demands.This third episode highlights the voice of Rosa Bonheur, posthumously relayed by her heir and last partner Anna Klumpke, in accordance with the artist's own wishes. Written from Rosa Bonheur's dictation, this biography recounts her story and passes on her memory.Rosa Bonheur is now considered a model of a professional and ambitious female artist. She broke down all barriers to elevate animal painting to the rank of fine art. Conception: Mathilde de Croix and the AWARE teamDirected: Élodie RoyerResearch and script: Lucia PesapaneCredits and Sound Editing: Basile BeaucaireMusic : Juliano GilMixing : Simon ZrakTranslation and EnglishVoice: Eléonore BesseArtistes' voices : CamilleIllustration: Lisa MouchetHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Souvent écrits au masculin, les grands récits de l'histoire de l'art ont fait peu de cas des écrits produits par les artistes femmes. Pourtant, du journal intime à l'article de presse, ces textes sont d'une grande diversité. Ils témoignent des désirs, des efforts, des difficultés et des succès des créatrices. En puisant dans leurs mots, le podcast « Paroles d'artistes femmes » propose de faire entendre leur version de l'histoire. Les perspectives singulières ainsi dévoilées nous permettent de mieux comprendre leurs œuvres plastiques, mais surtout, de renouveler notre compréhension des dynamiques de l'histoire de l'art.Dans cette première saison, coproduite par AWARE et le musée d'Orsay, avec le soutien du musée FAMM, nous écouterons les artistes engagées de la seconde moitié du xixe siècle. Par écrit, elles ont défendu pour les femmes la fondation de sociétés artistiques non mixtes, l'accès à un enseignement artistique de qualité et le droit à concourir au prix de Rome, entre autres revendications. Ce troisième épisode met en lumière la voix de Rosa Bonheur transmise de manière posthume par son héritière et dernière compagne Anna Klumpke, selon la volonté de l'artiste même. Écrite sous la dictée de Rosa Bonheur cette biographie retrace son histoire et nous transmet sa mémoire.Rosa Bonheur est considérée aujourd'hui comme un modèle d'artiste femme, professionnelle et ambitieuse. Elle a franchi toutes les barrières pour hisser le genre animalier au rang de la grande peinture.A la préparation : Mathilde de Croix avec l'équipe d'AWAREÀ la réalisation : Elodie RoyerÀ la recherche et à la rédaction : Lucia PesapaneMusique générique et sound design : Basile BeaucaireMusique originale : Juliano GilMixage : Simon ZrakVoix off : Anna SigalevitchVoix artistes : CamilleIllustration : Lisa MouchetHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On this 20th and final episode of 2025, host Dr Pasquale Iannone is joined by Professor Sir Christopher Frayling. Christopher is an internationally renowned educationalist, historian and broadcaster who spent more than 35 years at London's Royal College of Art as Professor of Cultural History and then as Rector. Across more than five decades, Christopher has published widely on film, literature and the arts with volumes exploring everything from the Middle Ages to the Gothic. He is as a pioneer in the academic study of the Spaghetti Western, with publications such as his 1981 book on the subject and his definitive biography of director Sergio Leone (2000).Christopher tells Pasquale about his latest book The Hollywood History of Art (2025), a mammoth, lavishly illustrated volume from Reel Art Press which explores the ways in which Hollywood cinema has approached the lives (and works) of artists. Christopher explains how the idea for the book came about and how he developed the structure. Discussion then turns to specific films such as Rembrandt (1936), Lust for Life (1956), The Agony and the Ecstasy (1965), Love is the Devil (1998) and Frida (2002).

This week's Kermode on Film features the brilliant guests who appeared on the MK3D show at the BFI Southbank on Monday 17 November 2025.First up, Mark talks to Jack Howard, Caroline Goodall and Hannah Onslow about Oscar- and BAFTA-qualifying short film THE SECOND TIME AROUND. which is now available on Channel 4 television.Then, documentary filmmaker Amy Berg, who was in town to talk about her feature, IT'S NEVER OVER JEFF BUCKLEY, joins Mark on stage.The pod wraps up with Christopher Frayling discussing his brilliant new book, THE HOLLYWOOD HISTORY OF ART.Make sure to tune into next week's episode where Mark talks to Tamsin Greig, Felicity Jones and John Simm. Thanks for listening. Stay safe, and keep watching the skies.----Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.Mark Kermode Live in 3D and Kermode on Film are HLA Agency productionsThis episode was edited by Alex Archbold JonesImage by Ruby Bradshaw© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

In this episode of Jo's Art History Podcast, Jo McLaughlin is thrilled to welcome back to the podcast art historian, writer and comedian Verity Babbs, who is here to talk to me about her brand-new book, The History of Art (In One Sentence).The book's synopsis is as follows:What's so special about Dutch paintings of cheese? When does Art Nouveau become Art Deco? Why were the Pre-Raphaelites obsessed with gingers? Who thought it was a good idea to put a big dead shark on display? In this book, comedian and art historian Verity Babbs journeys through 50 key art movements across history, answering 10 questions for each in just one sentence. Within these fascinating, and sometimes hilarious, nuggets of art wisdom, Verity covers everything from who inspired the movement and its impact on history, to the key artists and artworks for each. Spanning 500 years – from the Renaissance to the Young British Artists – this wonderfully illustrated book is for anyone who wants to learn more about art and also have a little giggle along the way.Guest Details:Verity Babbs - UK-based Find Verity online:Website: https://www.veritybabbs.com/Instagram: https://www.instagram.com/veritybabbsartHost Details:Jo McLaughlin is the creator and host of Jo's Art History Podcast, an art historian, writer, and passionate storyteller dedicated to making art history accessible and engaging for all.Find Jo online:Website: ⁠www.josarthistory.com⁠Instagram: @josarthistoryLinkedIn: Jo McLaughlinResources & References:You can purchase the book from all good retailers. Support the Podcast:If you enjoyed this episode, please leave a review and rating on whatever platform you are listening on. Your support helps us reach more art lovers!Follow Jo's Art History Podcast for more episodes on Itunes, Spotify or wherever you listen to podcasts.Let's keep the conversation going! Share your thoughts on social media using #JoArtHistoryPod and tag us @josarthistory.If you would like to purchase a book from my Amazon wish list as a gift to say thank you and support a future episode, please do so here:https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_shareThanks for listening!

It is a pleasure to welcome the wonderful comedian and art historian Verity Babbs to the podcast. Verity's book 'The History of Art in One Sentence' is released this week in all bookshops everywhere, reputable, or otherwise. Verity talks us through the creation of this impressive book, the interweaving of comedy and history and some of the less serious takes on Pre-Raphaelitism art history.   For more information and to subscribe to the Pre-Raphaelite Society, please visit www.pre-raphaelitesociety.org    All donations towards the maintenance of this podcast are gratefully received: https://gofund.me/60a58f68 

Today we're talking to Verity Babbs, who has just published a book, where she traces 500 years of art history, but in a very unique way.Welcome, Verity! Get Verity's Book:https://www.bloomsbury.com/uk/history-of-art-in-one-sentence-9781526686893/https://www.hatchards.co.uk/book/the-history-of-art-in-one-sentence/verity-babbs/9781526686893Find Verity:https://www.veritybabbs.com/https://www.instagram.com/veritybabbsart/Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Summer Reading Book Club, Charlie Higson is looking at a book which explores art history in a unique way.It's called the History of Art in One Sentence: 500 years of art - but funny, written by Verity Babbs. Verity has carved out her own cultural space as an art historian, comedian and presenter. To quote from her website, Verity's work focuses on making the art world more accessible and bringing laughter into cultural spaces. Hosted on Acast. See acast.com/privacy for more information.

One hundred years ago today, an international exhibition opened in Paris called, "“L'Exposition internationale des arts décoratifs.” 16 million people attended the months long show, and the exhibition is credited with launching the famous Art Deco architectural movement that now defines the New York City skyline. Francis Morrone, architectural historian and NYU adjunct instructor, dives deeper into the history of New York Art Deco and listeners share their favorite local Art Deco building.

Is genuine originality a realistic goal for artists?From fashion to fantasy, entertainment to enterprise, we seek the 'new' as the means to originality, change, and creativity. And for the most part, we imagine the new is always identifiable as a radical break from the past. But the nature of the new is more elusive and unknown than it first appears. Is the new an illusion, and the search for originality a mistake? Should creative endeavour be focussed on other goals, such as the timeless, the provocative, and the beautiful? Or is the new an essential part of life, creativity and action, without which we would have mere passive re-orderings of the known?Martin Puchner is a literary critic and philosopher. He is the Byron and Anita Wien Chair of Drama and of English and Comparative Literature at Harvard University. Claire Hynes is Associate Professor in Literature & Creative Writing at the University of East Anglia, and an author of fiction and creative non-fiction. Stanley Fish is a literary critic, legal scholar, and public intellectual. Renowned for his role in developing reader-response theory in literary studies, Fish has written on a wide range of topics including the poetry of John Milton, the distinction between free speech and academic freedom, and the doctrine of liberalism. And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Here's what we're reading, recommending, and revisiting this week.Catherine's library find is perfect for the cat-lover in your life: A History of Art in 21 Cats by Nia Gould. We also suggest visiting the author's site for more cat goodies and the cutest cursor we've seen on the World Wide Web.​Terri's random recommendation this week is also a book: Kelly Bishop's memoir, The Third Gilmore Girl. Terri found it made for a delightful afternoon of listening. And, in an update from a few weeks ago, she's got a new answer to the question "What is AI good for?" Mentioned: Past library find All the Beauty in the World, Hallmark (or Hallmark-ish) movies Love Struck Café and Cloudy with a Chance of Christmas.In the archives, we checked in on an episode from 2021 on saying yes to saying no (and which of us is the naysayer in our household).Next week's lineup: Lost S2 E14, "One of Them," on Tuesday, March 25Running Point S1 E1, "Pilot," on Wednesday, March 26Weekly roundup on Thursday, March 27Until then (and anytime you're in need), the archives are available.

From the Wadsworth Athenaeum in Hartford, Connecticut and the Corcoran Gallery in Washington, D.C. to the Metropolitan Museum of Art and the Guggenheim Museum in New York City, this episode of Big Blend Radio's WORLD OF ART Podcast with artist Victoria Chick is Part Two of her three-part series on the history of Art Museums. It focuses on the History of Art Museums in America. Victoria is the catalyst behind the Southwest Regional Museum of Art & Art Center project in Silver City, New Mexico. You can learn more about the Museum effort and read her articles about the History of Art Museums: - Part One: https://www.southwest-art-museum.org/articles/art-museums-a-history-part-one  - Part Two: https://www.southwest-art-museum.org/articles/art-museums-a-history-part-two  Victoria Chick is a contemporary figurative artist and early 19th/20th century print collector based in Silver City, New Mexico. Visit: https://victoriachick.com/  Victoria appears on Big Blend Radio every 3rd Saturday. Follow the podcast: https://worldofart-victoriachick.podbean.com/  This episode is also featured on Big Blend Radio's "Way Back When" and "Toast to The Arts" Podcast Channels. Check out our network of shows: https://www.podbean.com/podcast-network/bigblendradionetwork 

From the Capitoline Museum in Rome to the Museum of Ennigaldi-Nanna (a princess of Babylon) and the Ashmolean Museum at Oxford, this episode of Big Blend Radio's WORLD OF ART Podcast with artist Victoria Chick is Part One of her three-part series on the history of Art Museums. This global themed show celebrates International Friendship Month and National Library Month since museums are also home to libraries!  Victoria is the catalyst behind the Southwest Regional Museum of Art & Art Center project in Silver City, New Mexico. You can learn more about the Museum effort and read her article about the History of Art Museums (Part One), here: https://www.southwest-art-museum.org/articles/art-museums-a-history-part-one  Victoria Chick is a contemporary figurative artist and early 19th/20th century print collector based in Silver City, New Mexico. Visit: https://victoriachick.com/  Victoria appears on Big Blend Radio every 3rd Saturday. Follow the podcast: https://worldofart-victoriachick.podbean.com/  This episode is also featured on Big Blend Radio's "Way Back When," "Toast to The Arts," "Women Making History," and "Big Daily Blend" Podcast Channels. Check out our network of shows: https://www.podbean.com/podcast-network/bigblendradionetwork 

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The Talmud teaches us that neither man nor beast can survive without a liver. In his lamentations, Jeremiah laments, "My eyes are tired of weeping, my intestines are burning, my liver has been spilled over the earth." In Greek mythology, the liver was considered to be the seat of life for both gods and humans. It is said that Prometheus, who was punished by Zeus for giving mankind the Olympic fire, had his liver eaten daily by an eagle. However, it is also said that his liver grew back every night. It would seem that the Greeks did not fully comprehend the regenerative properties of the liver, yet they were able to encapsulate its essence symbolically. Similarly, it is thought that Etruscan oracles could 'read' the future in a sheep's liver. In art, the suffering of Christ is often depicted with a wound on the right side, which is where the liver is located. This symbolism is thought to represent the duality of salvation, associated with the qualities of good and evil. "Indeed, it would appear that the right side was chosen in order to fulfil the prophecy of the Old Testament." All of this is documented in the book "Prometheus and the Liver through Art and Medicine", a fascinating multidisciplinary publication co-authored by Thomas M. van Gulik, a highly esteemed hepatobiliary surgeon and researcher globally, who is currently Professor Emeritus of Surgery at the Amsterdam University Medical Center in the Netherlands. We are honored to have him as our guest for this remarkable episode. You are warmly invited to join us for an enlightening session with Professor van Gulik. We will have the privilege of learning from him about liver resection and regeneration, as well as exploring other wonders of the human liver and the latest advances produced by science. From ancient times, the myth of Prometheus has held a special place in the collective imagination. From the humours of Hippocrates to Vesalius, the story has continued to resonate, inspiring scientists and artists alike. As Professor van Gulik notes, the tale reminds us of the regenerative power of the liver and the enduring significance of Prometheus' fate in motivating us to advance, create and serve humanity.

When you live the barbarian lifestyle, you do things differently…we wrap up our liver king update!https://www.liverking.com/confessionalshttps://www.liverking.com/confessional/october-14-2023https://www.liverking.com/confessional/february-23-2024https://www.liverking.com/confessional/april-25-2024https://www.liverking.com/confessional/april-28-2024Write us some of your cringe stories at [nervouslaughterpodcast@gmail.com](mailto:nervouslaughterpodcast@gmail.com)The socials: [Instagram](https://www.instagram.com/nervouslaughterpodcast) | [Facebook](https://www.facebook.com/NervousLaughterPodcast) | [Twitter](https://twitter.com/NervouslaughPod) Write us some of your cringe stories at nervouslaughterpodcast@gmail.comThe socials: Instagram | Facebook | Twitter

A History of Art for Beginners and Students: Painting, Sculpture, Architecture As you get ready to sleep tonight, find yourself engrossed in the stories of some of the great Florentine master of renaissance art. We pick up the story of the great Leonardo Da Vinci and he moves from patron to patron. Then as you doze off in your bed we move on to the cranky Michealangelo who denied his families desires of going into the trades to follow the muse. Then we finish up with a few lesser known artists, but you will be well asleep before then. Story (02:31)    Find A History of Art for Beginners and Students: Painting, Sculpture, Architecture https://www.gutenberg.org/ebooks/25632   Supporting Sleepy Time Tales If you would like to support my work and help keep the podcast available and for free, there are several ways you can support the show. ·        You can support the show as a supporter on Patreon and receive a host of bonuses including Patron only episodes and special edits https://www.patreon.com/sleepytimetales ·        If you're enjoying Sleepy Time Tales and would like to make a financial contribution, but would rather not commit to a monthly payment then you can throw a tip in the jar at paypal.me/sleepytimetales ·        Get yourself a set of SleepPhones, headphones designed specially for your needs as an insomniac who likes to listen to something to help you sleep, take a look at https://sleepytimetales.net/sleepphones ·        Or check out our new Merch store up at TeePublic where you can buy Sleepy Time Tales merch or even cool works from other creators. Go to https://www.teepublic.com/?ref_id=25247   Patreon Sleep Tight Patrons Chris & Moya Chuck Mysti Roberta Charity Traci Emily Moya Brian Sandra Jillian Demelza Carla Joseph AY Amy Allison B Allison S     Please Share If you're enjoying the show, and finding it helps you sleep despite the stresses and strains of your life, the absolute best thing you can do is share it with your friends, families, acquaintances, cellmates etc. Anyone who needs a good night's sleep might benefit. So please share it with the people in your life, whether in person or on social media.     Find The Show Website: sleepytimetales.net Patreon: https://www.patreon.com/sleepytimetales Twitter: https://twitter.com/sleepytimetales Facebook: https://www.facebook.com/sleepytimetalespodcast/ YouTube: https://www.youtube.com/c/SleepyTimeTales Merch: https://www.teepublic.com/?ref_id=25247 Project Gutenberg Terms of Use https://www.gutenberg.org/wiki/Gutenberg:Terms_of_Use   *Description generated with the aid of ChatGPT. Sleepy Time Tales will **NEVER** use AI for content*

It's time for an Art history lesson, podcast family and FOG's (Friends of the Guys, of course.) But it's not the kind you sleep through trying to get that one easy credit to graduate, it's the kind where you learn all about our co-host, Art Shirley. Jay puts on his interrogator hat - er, it should be interviewer - and extricates all the details of Art's life.  You'll learn where he came from, where he'd like to go, and meet all the comic characters he's created or made famous.  Or will make famous after this episode airs.   Robbie is sadly absent this week, but Jay and Art forged ahead with geek news from both the Marvel and DC worlds, and Jay's Regrettable Segment features an early female fighter of Nazis and other dastardly deed-doers that goes by the name of Lady Satan.  Somebody made it up, but The Guys didn't.  Listen till the end, you don't want to miss the lightning round!

Nina Amstutz is an Associate Professor of the History of Art and Architecture at the University of Oregon. Professor Amstutz along with Portland artist and activist Cleo Davis curated the exhibition “Policing Justice” which is on view at the Portland Institute for Contemporary Art through May 19, 2024.

Max Pearson presents a collection of this week's Witness History episodes from the BBC World Service.It's 30 years since Edvard Munch's painting, The Scream, was stolen from the national gallery in Oslo, Norway. We hear from the man who helped to recover it.Our expert guest is historian and author, Susan Ronald, who explores the history of art heists in the 20th century.Plus, a first hand account from Kampala terror attacks in 2010 and the mystery of St Teresa of Avila's severed hand.Finally, we hear about the last World War II soldier to surrender. Hiroo Onoda was an Imperial Japanese Army intelligence officer who spent nearly 30 years in the Philippine jungle, believing World War Two was still going on.Contributors: Kuddzu Isaac - DJ and Kampala terror attack survivor Charley Hill - Scotland Yard art detective and private investigator Susan Ronald - historian and author Sister Jenifer - the Mother Superior of the Church of Our Lady of Mercy, Ronda Hiroo Onoda - Japanese WWII soldier Christos and Ioanna Kotsikas - residents of Thessaly, Greece(Photo: The Scream. Credit: Getty Images)

E. H. Gombrich's 1950 book The Story Of Art is one of art history's seminal texts. Now on it's 16th edition, it has sold over eight million copies and been translated into more than 30 languages. But it has one major flaw. The first edition didn't include any women artists, whilst subsequent editions feature just one; Käthe Kollwitz. Art historian Katy Hessel is on a mission to correct that. Her book The Story of Art Without Men re-examines art movements from the Renaissance to today, focusing on the achievements of women artists. Artists who have often been overshadowed by their male counterparts. Hessel's book challenges the traditional narrative and celebrates the artistic genius of women. Katy is also the curator behind popular Instagram account The Great Woman Artists. She joins Nine To Noon ahead of her May 18th appearance at the Auckland Writers Festival.

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

From Medieval times until, like, now! Did you know: the BA Fine Art has only been around since 1972. What happened before that? The apprentice in the Master's workshop, the guilds, the Academies, the technical colleges and Bauhaus: how did we get here? Where did art degrees come from and how did artists learn to be artists throughout the entirety of art history? Read the full text here: The Entire History of Art Schools And if you're more interested in what's going on outside mainstream, in alternative art schools, my text before this was about that! read it here: A Portrait of a Different Kind of Art School

We pick up on this book that was dropped a long time ago, and it's a great one to help you sleep. Just a little interesting, but the history of mosaics and glass-painting is probably not going to be such a thrill a minute that it keeps you awake. So lie back, learn the history of these classic artforms and drift off to sleep. Story (03:31)  Need help with a Podcast? Do you want to start a podcast and you'd like some help with the fiddly tasks and processes? And would you like some help to ensure your podcast is the highest possible quality. I do podcast admin and editing. Before you do anything, get hold of me and let's chat about how I can make your podcasting journey as smooth as possible. Drop me a line at dave@brightvoxaudio.com or check out my site at https://brightvoxaudio.com/ Episode edits start at $15! So it's crazy good value SleepPhones, our exciting new partnership In our experience the best way to experience the bedtime stories of Sleepy Time Tales is with some type of headphone or earbud, but they can be cumbersome and uncomfortable. So we've partnered SleepPhones, manufacturers of headphones designed specifically to sleep in! They use a thin speaker fitted to a comfortable headband and have options from the cost effective wired headphones to the convenient Bluetooth model and will work with Sleepy Time Tales to improve your night's sleep. Use the below link to shop, and support Sleepy Time Tales https://sleepytimetales.net/sleepphones Sleepy Time Tales Merch and Stuff I've been putting up a lot of new designs on Teepublic Not all of the designs are Sleepy Time Tales branded, actually most aren't, so you can support the podcast without needing to emblazon the logo on yourself.

Im Zuge der Digitalisierung von Museums- und Archivbeständen sind wir in der Kunstgeschichte mit einer enormen Menge heterogener Bilddatenbanken konfrontiert. Aber wie können wir uns diese großen Bilddatenmengen erschließen? Was ist visuelles Suchen und wie funktioniert die Technik dahinter?In dieser Folge spricht Jacqueline Klusik-Eckert mit Prof. Dr. Peter Bell und Stefanie Schneider, M.Sc., über das visuelle Suchen in großen Bilddatenmengen. Dabei geht es neben einer Reflexion über unsere Suchstrategien in der Kunstgeschichte auch um Prototypen für das visuelle Suchen. Hierbei werden in experimentellen Anwendungen unterschiedliche Verfahren des Computersehens, Computer Vision, erprobt. Angefangen bei der Frage, ob es visuelles Suchen überhaupt schon gibt, werden unterschiedliche Suchverhalten und Routinen besprochen, wie man sich großen Datenmengen nähern kann. Dabei wird klar, dass das visuelle Suchen mittels Computer Vision Verfahren eher einem mäanderndem Flanieren ähnelt und hilft, über unsere menschlichen Wahrnehmungsgrenzen hinauszugehen. Welche Rolle diese Hilfsmittel bei der Erschließung von unkategorisierten Datenmengen spielen und wie man sie auch zur Inspiration für neue Forschungsideen nutzen kann, wird im gemeinsamen Gespräch erörtert.Dabei gewinnt man einen Einblick in die Technik hinter der Benutzeroberfläche. Denn oft ist nicht klar, was ein Algorithmus als “ähnlich” betrachtet oder warum gewisse Werke miteinander in eine Art Punktwolke, dem Skatterplot, gruppiert werden. Die beiden Experti*innen erklären die dahinterliegenden Verfahren und zeigen auch ihre Grenzen auf. Es wird klar, dass der Einsatz dieser digitalen Werkzeuge als Hilfsmittel auch immer mit einer Diskussion über facheigene etablierte Verfahren und Methoden des Recherchierens und Suchens einhergeht.Prof. Dr. Peter Bell ist Professor für Kunstgeschichte und Digital Humanities an der Philipps-Universität Marburg. In seiner Forschung beschäftigt er sich schon länger mit den Einsatzszenarien von Computer Vision für die Kunstgeschichte. In seiner Arbeitsgruppe wurde u.a. die Bildsuche imgs.ai von Fabian Offert entwickelt.Stefanie Schneider, M.Sc., ist Wissenschaftliche Assistentin für Digitale Kunstgeschichte an der Ludwigs-Maximilians-Universität München. Als Fachinformatikerin und ausgebildete Anwendungsentwicklerin hat sie schon einige Prototypen für die Digitale Kunstgeschichte entwickelt und spricht über das Projekt „iART – Ein interaktives Analyse- und Retrieval-Tool zur Unterstützung von bildorientierten Forschungsprozessen“Begleitmaterial zu den Folgen findest du auf der Homepage unter https://www.arthistoricum.net/themen/podcasts/arthistocastAlle Folgen des Podcasts werden bei heidICON mit Metadaten und persistentem Identifier gespeichert. Die Folgen haben die Creative-Commons-Lizenz CC BY 4.0 und können heruntergeladen werden. Du findest sie unterhttps://heidicon.ub.uni-heidelberg.de/#/detail/1738702Bei Fragen, Anregungen, Kritik und gerne auch Lob kannst du gerne per Mail an uns schicken unterpodcast@digitale-kunstgeschichte.de

Artwork has been forged for centuries with some of the greatest artists the world has seen, creating fakes, which made them millions

A History of Art for Beginners and Students: Painting, Sculpture, Architecture It's been over a year since we last listened to this book, and I'm not sure what because this is a recipe for a good night's sleep. We pick up with talk about the relative merit of ancient Greek and Roman painting, touch on mosaics and move into the early medieval arts. But you won't be awake anymore when we get there. Happy sleeping.

Welcome back to the Museum of Femininity, in this episode we will be exploring the life and art of photographer and painter Dora Maar.Dora Maar is perhaps most recognisable for her turbulent affair with Pablo Picasso and for being one of this muses and the subject of his iconic weeping woman series. Although we will be exploring some of this history  of their relationship and the impact the breakup had on Maar's life and mental health, we aim to focus mainly on her artistic achievements. We will explore her experimental approach to photography and particularly photomontages, which were fantastical and filled with atmosphere, as well as her success as a career woman creating innovative beauty adverts during the boom of print media. In addition to her remarkable body of work we will also spend some time exploring her persona and fiery passionate nature, which made her such a charismatic person to be around. All in all there is much more to Dora Maar than Picasso, so I hope you enjoy learning more about her life with me. Images - Instagram @themuseumoffemininity Sources Women artists and the surrealist movement by Whitney ChadwickThe Story of Art without Men by Katy Hesselhttps://www.artsy.net/article/artsy-editorial-surrealist-photographer-picassos-musehttps://www.theartstory.org/artist/maar-dora/https://www.ft.com/content/0ee21c42-05a6-11ea-9afa-d9e2401fa7ca

The Ph.D. Podcast Project features the diverse and groundbreaking research conducted by current and recent Yale graduate students. In interviews by their graduate peers, graduate researchers discuss what motivates them, their innovations and research process, and the unusual challenges they have faced in their journey. OCS Podcasts (full episode list) – https://ocs.yale.edu/podcast

In this month's bonus book episode, we sat down to chat with Ruth from @eveningcrickets who recommended this month's book "This Woman's Work: Essays on Music" edited by Kim Gordon and Sinead Gleeson on her TikTok account. This book is a beautiful collection of essays from different women about the musicians that inspired and fascinated them throughout their lives. We discussed the collection of essays from the book, some of her favorites, and all about music.Follow us on Instagram @morethanamuse.podcast

Lovebabz Lovetalk Welcomes Ivy Vuong, History of Art, Yale University '23 | Davenport College by WNHH Community Radio

Downtown Colorado Springs has some fun things going on, but art wasn't always one of them. Emily and Nick dive into the history of Art on the Streets, the Downtown Colorado Springs Partnership and all kinds of fun stuff going on Downtown! Find us everywhere! YouTube: https://www.youtube.com/channel/UC-lTLVjnUwIg9-4aR5Er3UA Instagram: BadlyNeededPodcast Twitter: @BadlyNeededCOS Facebook: https://facebook.com/BadlyNeededandLongOverduePodcast TikTok: @badlyneededpodcast

EPISODE 32 of 'All About Art': Interview with Alayo Akinkugbe, founder of A Black History of Art In this episode, I had the joy of sitting down with Alayo Akinkugbe, the founder of an Instagram account that has been a game changer - Alayo founded A Black History Of Art in 2020 and she did so with the aim of providing a more diversified overview of art history when she realized that she hadn't been taught about ONE black artist throughout her whole first year studying History of Art at Cambridge. The account has now amassed over 55 thousand followers, highlighting the overlooked Black artists, sitters, curators, and thinkers from art history to the present day. Within this episode, Alayo and I speak about her education at Cambridge and the Courtauld in London, but we also dig deep into how she feels that the account has affected her career. We also talk about her professional trajectory, and how what she has learned through her education in art history and curating, as well as her work within decolonizing the sector, has impacted what type of work she wants to do later on. Stay tuned to listen to Alayo and I get up close and personal with some deep-rooted issues in art and society, but also tune in to hear us talk about the hope we have for the sector, and how fun it can be. Thank you Alayo for coming on All About Art! You can follow the instagram account here: https://www.instagram.com/ablackhistoryofart/ You can support All About Art on Patreon here: https://www.patreon.com/allaboutart ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations include contemporary art, specifically feminism and artificial intelligence in artistic practice, as well as museum policies and arts engagement. Here are links to my social media, feel free to reach out: Instagram @alexandrasteinacker Twitter @alex_steinacker and LinkedIn at Alexandra Steinacker-Clark COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com

On Monocle Reads this week Georgina Godwin speaks to Charlotte Mullins, art critic and former editor of ‘Art Review', about her latest book, ‘A Little History of Art'. It is a comprehensive and thrilling journey through 100,000 years of art, from the first works ever made to the role art plays in contemporary culture.See omnystudio.com/listener for privacy information.

On Monocle Reads this week Georgina Godwin speaks to Charlotte Mullins, art critic and former editor of ‘Art Review', about her latest book, ‘A Little History of Art'. It is a comprehensive and thrilling journey through 100,000 years of art, from the first works ever made to the role art plays in contemporary culture.

Hosted by Andrew Keen, Keen On features conversations with some of the world's leading thinkers and writers about the economic, political, and technological issues being discussed in the news, right now. In this episode, Andrew is joined by Charlotte Mullins, author of A Little History of Art. Charlotte Mullins is an art critic, writer and broadcaster. Currently art critic at Country Life, she was formerly editor of Art Review, V&A Magazine, and Art Quarterly. She has published over a dozen books on visual art. Learn more about your ad choices. Visit megaphone.fm/adchoices

A History of Art for Beginners and Students: Painting, Sculpture, Architecture by Clara Erskine Clement Waters You'll fall asleep with tonight's podcast episode about the history of painting, Egyptian, Babylonian, Greek histories. The many names of Greek painters. These are a recipe to help you get some rest. Story (06:49) New Merch Store!! I've partnered with TeePublic to setup a new merch store. But because I'm no visual artist I'm taking advantage of a great TeePublic feature that allows me to share the works of other creators; expose them to my audience, allow their work to be purchased, and receive a small cut myself. Check out the storefront at https://www.teepublic.com/stores/sleepy-time-tales?ref_id=25247 or go directly to store.sleepytimetales.net or merch.sleepytimetales.net. I'd also like to issue a call. Any listeners with works up on TeePublic, please feel free to let me know and I'll look at adding your stuff to my store. No promises, but I do have a few thousand monthly listeners, so that may help give you a boost.   Find A History of Art for Beginners and Students: Painting, Sculpture, Architecture by Clara Erskine Clement Waters https://www.gutenberg.org/ebooks/24726 Supporting Sleepy Time Tales If you would like to support my work and help keep the podcast available and for free, there are several ways you can support the show. You can support the show as a supporter on Patreon and receive a host of bonuses including Patron only episodes and special edits https://www.patreon.com/sleepytimetales If you're enjoying Sleepy Time Tales and would like to make a financial contribution, but would rather not commit to a monthly payment then check out Buy Me A Coffee at https://www.buymeacoffee.com/sleepytimetales this doesn't require any account registration on your part. You can throw a tip in the jar at me/sleepytimetales Or check out our new Merch store up at TeePublic where you can buy Sleepy Time Tales merch or even cool works from other creators. Go to sleepytimetales.net You can sign up at BetterHelp for professional, low cost counselling services at: https://trybetterhelp.com/sleepytime Treat yourself to a free audiobook to keep from Audible's significant range, and help Sleepy Time Tales to keep the lights on and grow. Go to com/sleepytime and sign up for a free 30-day trial. Patreon $5 Patrons Jessica Jennifer D Sean O Abby F Felicity R Chris & Moya Sharon Michaela Barcode Adam Tim Joni Callan Mysti Marie Please Share If you're enjoying the show, and finding it helps you sleep despite the stresses and strains of your life, the absolute best thing you can do is share it with your friends, families, acquaintances, cellmates etc. Anyone who needs a good night's sleep might benefit. So please share it with the people in your life, whether in person or on social media. Find The Show Website: sleepytimetales.net Patreon: https://www.patreon.com/sleepytimetales Twitter: https://twitter.com/sleepytimetales Facebook: https://www.facebook.com/sleepytimetalespodcast/ YouTube: https://www.youtube.com/channel/UC8gG5z50RjyiJ0_YXeQJpbg Music: http://loyaltyfreakmusic.com/ Music Patreon: https://tinyurl.com/loyaltyfreak Project Gutenberg Terms of Use https://www.gutenberg.org/wiki/Gutenberg:Terms_of_Use  

Welcome back to Jo's Art History Podcast and the FINAL episode of season 2! It's a two-part special this week and I'm joined by art dealer Will Jarvis to discuss the history of art patronage! Will and I take you on a whistle-stop tour of art creation and support from cave paintings to the cutting edge contemporary market of today! It's a great episode to close season 2 so I hope you enjoy it! Will also discusses Gertrude, his art subscription service and how that is changing the way people engage with the art market! Host: Jo McLaughlin Instagram: @josarthistory Website: josarthistory@gmail.com Guest: Will Jarvis. Email: will@gertrude.com Learn more about Gertrude here: https://gertrude.com/

Welcome back to Jo's Art History Podcast and the FINAL episode of season 2! It's a two-part special this week and I'm joined by art dealer Will Jarvis to discuss the history of art patronage! Will and I take you on a whistle-stop tour of art creation and support from cave paintings to the cutting edge contemporary market of today! Will also discusses Gertrude, his art subscription service and how that is changing the way people engage with the art market! It's a great episode to close season 2 so I hope you enjoy it! Host: Jo McLaughlin Instagram: @josarthistory Website: josarthistory@gmail.com Guest: Will Jarvis. Email: will@gertrude.com Learn more about Gertrude here: https://gertrude.com/

Patrick Mullins and Matthew Ricketson discuss whether the current criticism of the ABC is warranted and how it compares to other times in its history? Art historian Farah Nayeri analyses how the censorship of art is changing in the age of social media.

Kristen Seaman is an associate professor in the Department of the History of Art and Architecture, and an affiliated faculty member in the Department of Classics at the University of Oregon. Seaman is a 2021–2022 Oregon Humanities Center Coleman-Guitteau Professor. The teaching fellowship has funded her development of a new undergraduate class “Ancient Jewish Art and Architecture” which she will teach in spring 2022. She discusses her research and the class.

Novo and Buck discuss the history of art in gaming and debate when the medium changed from just that - games into art - and the evolution of what it is today | And yes: "Vagrant Story" was made by Square(soft). This episode is brought to you by the novel "The Entropy Sessions" - a tale of love, loss, and madness, and our past, present, and future relationships with technology - you can find it in paperback on Amazon, as an ebook, and as an audiobook on Audible. Thank you for listening. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artofthebeholder/support