Podcasts about Art history

In this episode, Anna Campbell chats with Pinterest and SEO consultant Trona Freeman about how jewellers can use Pinterest as a powerful visual search engine - not just another social platform. Trona breaks down how Pinterest users are intentional, slower scrollers, and often ready to shop, making it an ideal place for jewellery businesses.  She shares practical tips on: Optimising your profile and boards for search Creating keyword-rich, high-performing pins Using product shots, lifestyle content, and text pins strategically Leveraging Pinterest Trends and Pinterest Predicts Avoiding common mistakes like broken links and low-quality images If you want long-lasting traffic, more visibility, and a platform where your jewellery can truly shine, this episode is packed with simple, actionable steps to get started. Jewellery Business Academy 2026 If growing your jewellery business is your goal for 2026 then check out the Jewellery Business Academy. A one year comprehensive program designed for jewellers, this externally accredited program is exactly what you need to stay focused an on track. Plus get one to one mentoring on the topic of your choice, accountability through regular small group Zoom meet ups and more.   https://www.jewellersacademy.com/the-jewellery-business-academy   If you'd like to know more, join the live open day on Tuesday 9th December 2025 at 8pm UK time GMT. Here's the link you need to register (and receive the replay via email if you can't join live) https://mailchi.mp/8a09ab0822ce/jba-2026   About Trona Trona Freeman is a Scotland-based Pinterest and SEO consultant who runs her business under the name Aye Lined Digital Marketing. Originally she started out as a beauty and lifestyle blogger, sharing content on fashion, skincare and photography and through that journey she discovered the potential of Pinterest as a powerful driver of traffic. Over time, what began as a hobby and creative outlet evolved into a full-blown service: Trona now helps small businesses , including creatives and makers, to grow online by leveraging Pinterest and smart SEO strategies. Her background as a creator and MA in Art History gives her a unique perspective on how visual artists and artisans (like jewellers) can use visual platforms to reach new audiences. Connect with her: https://services.ayelined.com/ https://www.instagram.com/trona_freeman  

Giuseppe Castellano talks to award-winning illustrator, artist, designer, and writer, Maira Kalman, about navigating life's inconsistencies; how we can stay centered and grounded creatively; what the most important thing is about being an illustrator; and more.To learn more about Maira, visit mairakalman.com.Artists mentioned in this episode include: Beatrix Potter, Remy Charlip, Maurice Sendak, Edward Gorey If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fluent Fiction - Norwegian: Mystery in the Snow: A Statue's Secret Revealed in Oslo Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-12-02-08-38-20-no Story Transcript:No: Det var en rolig desembermorgen i Oslo.En: It was a calm December morning in Oslo.No: Vigeland Sculpture Park lå stille, dekket av et lag med ny, glitrende snø.En: Vigeland Sculpture Park lay peacefully, covered by a layer of fresh, glistening snow.No: På stiene mellom de majestetiske skulpturene vandret Sindre, en ivrig kunsthistorie-student.En: On the paths between the majestic sculptures wandered Sindre, an eager art history student.No: Han var fascinert av Gustav Vigeland og alle hans verk.En: He was fascinated by Gustav Vigeland and all his works.No: Dette var hans fristed.En: This was his sanctuary.No: Hans kusine, Maren, hadde nettopp ankommet Oslo for å feire jul.En: His cousin, Maren, had just arrived in Oslo to celebrate Christmas.No: Maren delte ikke Sindre's lidenskap for kunst, hun mente han var litt for opphengt i det hele.En: Maren did not share Sindre's passion for art; she thought he was a bit too obsessed with it all.No: "Å, Sindre," sukket hun, da hun fulgte etter ham i den kalde vinterluften, "hva er det med disse steinfigurene som fascinerer deg sånn?En: "Oh, Sindre," she sighed as she followed him in the cold winter air, "what is it about these stone figures that fascinates you so much?"No: "Sindre smilte, men før han rakk å svare, oppdaget han noe sjokkerende.En: Sindre smiled, but before he could answer, he discovered something shocking.No: En av de verdifulle statuene manglet.En: One of the valuable statues was missing.No: Den var borte!En: It was gone!No: Panikken grep ham.En: Panic gripped him.No: Han visste hvor viktige disse verkene var for Vigelands arv og straks følte han en sterk trang til å finne den savnede statuen.En: He knew how important these works were to Vigeland's legacy and immediately felt a strong urge to find the missing statue.No: Mens Sindre lette febrilsk etter svar, møtte han Odin, en mystisk kunstner i parken.En: As Sindre frantically searched for answers, he met Odin, a mysterious artist in the park.No: Odin hadde alltid vært en gåtefull figur.En: Odin had always been an enigmatic figure.No: Ryktene sa at han visste mer om Vigelands skulpturer enn noen andre.En: Rumor had it that he knew more about Vigeland's sculptures than anyone else.No: "Hva har skjedd med statuen, Odin?En: "What happened to the statue, Odin?"No: " spurte Sindre frustrert.En: Sindre asked frustratedly.No: Odin svarte med en kryptisk gåte: "Noen ganger skjuler snøen mer enn man tror.En: Odin replied with a cryptic riddle: "Sometimes the snow conceals more than you think."No: " Sindre grublet over Odins ord.En: Sindre pondered Odin's words.No: Maren, som nå var nysgjerrig, ble med på jakten.En: Maren, now curious, joined the search.No: Men været gjorde det vanskelig.En: But the weather made it difficult.No: En kraftig snøstorm var på vei.En: A strong snowstorm was approaching.No: Likevel følte Sindre seg drevet.En: Still, Sindre felt driven.No: Han måtte finne ut av dette selv om Maren begynte å fryse.En: He had to figure this out even though Maren was beginning to freeze.No: "Kom igjen, Sindre," klaget hun, "vi må komme oss i ly før stormen.En: "Come on, Sindre," she complained, "we need to find shelter before the storm."No: "Men Sindre ga ikke opp.En: But Sindre did not give up.No: Han gransket parken med et skarpt blikk.En: He scrutinized the park with a sharp eye.No: Så, blant de snødekte trærne, oppdaget han et merkelig spor i snøen.En: Then, among the snow-covered trees, he discovered a strange trail in the snow.No: Et illeluktende malingsslag som førte dem til et privat studio like utenfor parken.En: A foul-smelling trace of paint led them to a private studio just outside the park.No: Inne i studioet, møtte de Odin igjen.En: Inside the studio, they met Odin again.No: Han sto ved siden av statuen, nå malt i livlige farger.En: He stood next to the statue, now painted in vibrant colors.No: "Det er en del av min nye installasjon," forklarte han.En: "It's part of my new installation," he explained.No: "Jeg ønsket å feire Vigeland, ikke stjele ham.En: "I wanted to celebrate Vigeland, not steal him."No: "Sindre ristet på hodet, lettet, men litt forvirret.En: Sindre shook his head, relieved but a bit confused.No: Men etter hvert innså han at kunst kan uttrykkes på mange måter.En: But eventually, he realized that art can be expressed in many ways.No: Han begynte å forstå Odins visjon og respekterte den.En: He began to understand Odin's vision and respected it.No: Maren, som hadde sett alvoret i Sindre's blikk, begynte å se kunsten med nye øyne.En: Maren, who had seen the seriousness in Sindre's gaze, started to see art with new eyes.No: Stormen raste utenfor, men inne i studioet sto de tre, i varme omgivelser, og diskuterte kunstens betydning.En: The storm raged outside, but inside the studio, the three stood in warm surroundings, discussing the meaning of art.No: Vigelands arv var trygg, men også beriket med en nyfortolkning.En: Vigeland's legacy was safe, but also enriched with a reinterpretation.No: Sindre hadde lært å omfavne det ukonvensjonelle, og Maren?En: Sindre had learned to embrace the unconventional, and Maren?No: Hun var nå nysgjerrig på hvilken historie hver statue kunne fortelle.En: She was now curious about what story each statue could tell.No: Kanskje julen hadde vist dem begge kunsten å åpne sine sinn.En: Perhaps Christmas had shown them both the art of opening their minds. Vocabulary Words:calm: roliglayer: lagglistening: glitrendemajestic: majestetiskesanctuary: fristedpassion: lidenskapwandered: vandretfascinated: fascinertobsessed: opphengtlegacy: arvmysterious: mystiskenigmatic: gåtefullcryptic: kryptiskconceals: skjulerpondered: grubletfoul-smelling: illeluktendetrace: sporinstallation: installasjonrelieved: lettetinterpreted: nyfortolkningsurroundings: omgivelserembrace: omfavneunconventional: ukonvensjonellestorm: snøstormdriven: drevetshelter: lyscrutinized: gransketvibrant: livligediscussing: diskutertevision: visjon

In this episode of The Compendium, we dive into the wild, beautiful, and often brutal life of Frida Kahlo. Frida Kahlo is the artist who turned her pain into power. From the accident that shattered her spine to the politics, love affairs, and Diego Rivera drama that filled her world, Frida painted every heartbreak straight onto the canvas. And today I'm going to tell Adam all about it as we explore her bold self-portraits, her surrealism before it had a name, and how a woman once dismissed as “Diego's wife” became a global symbol of art, rebellion, and self-expression, from La Casa Azul to the Tate Modern. We give you just the Compendium, but if you want more, here are our resources: Frida (2002) – Directed by Julie Taymor Frida: A Biography of Frida Kahlo – by Hayden Herrera Complete Works – Frida Kahlo – Frida Kahlo Foundation Frida: The Making of an Icon – Exhibition at Tate Modern Host & Show Info Hosts: Kyle Risi & Adam Cox Topic Suggested by: Samantha Bingley Intro Music: Alice in dark Wonderland by Aleksey Chistilin Trailer Music: Stealy Move by Soundroll Community & Calls to Action  Review & follow on: Spotify & Apple Podcasts  Follow us on Instagram: @theCompendiumPodcast  Visit us at: TheCompendiumPodcast.com ️ Early access episodes: Patreon  Share this episode with a friend! If you enjoyed it, tag us on social media and let us know your favorite takeaway. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dr. Lori Bidwell was raised on a farm in Grand Rapids, Michigan. She earned a BFA in Art History, then returned home and started working at a veterinary clinic and decided to pursue veterinary medicine as a career.She earned her DVM from Michigan State University in 2001, then did an Internship at Rood and Riddle Equine Hospital, followed by a Residency in Anesthesia at Michigan State University, becoming Board Certified in Anesthesia and Analgesia in 2008.She then returned to Rood and Riddle to become Head of Anesthesia. Afterwards, she was on faculty at Ross University School of Veterinary Medicine. She returned to Kentucky to work in anesthesia in both equine and small animal practice. At this time she became certified in Acupuncture and Tui Na from Chi University.After returning to Michigan State University to work in Anesthesia and Equine Lameness and Sports Medicine, she Co-Founded her current business, East West Equine Sports Medicine, where she provides sports medicine services and equine anesthesia consultation and training for equine surgical facilities.Please enjoy this conversation with Dr. Lori Bidwell as we discuss her education, clinical practice, holistic training, and participation in organized veterinary medicine.

Dr. Lori Bidwell was raised on a farm in Grand Rapids, Michigan. She earned a BFA in Art History, then returned home and started working at a veterinary clinic and decided to pursue veterinary medicine as a career.She earned her DVM from Michigan State University in 2001, then did an Internship at Rood and Riddle Equine Hospital, followed by a Residency in Anesthesia at Michigan State University, becoming Board Certified in Anesthesia and Analgesia in 2008.She then returned to Rood and Riddle to become Head of Anesthesia. Afterwards, she was on faculty at Ross University School of Veterinary Medicine. She returned to Kentucky to work in anesthesia in both equine and small animal practice. At this time she became certified in Acupuncture and Tui Na from Chi University.After returning to Michigan State University to work in Anesthesia and Equine Lameness and Sports Medicine, she Co-Founded her current business, East West Equine Sports Medicine, where she provides sports medicine services and equine anesthesia consultation and training for equine surgical facilities.Please enjoy this conversation with Dr. Lori Bidwell as we discuss her education, clinical practice, holistic training, and participation in organized veterinary medicine.

If you want a college that encourages you to explore your interests, there's no place better than Sarah Lawrence. In this episode, learn how a class with Jerri Dodds transformed Tyler Holm into an art history student, and how Tyler's conference projects have shaped Jerri's teaching. Just two amazing people, talking about the things they love. Enjoy!You can watch this episode on sarahlawrence.edu/slctr.

Episode: 3344 That Rare Find, Rachel Ruysch.  Today, we talk diversity in art and nature.

Curator of "Niyū Yūrk: Middle Eastern and North African Lives in the City", Hiba Abid, joins us to talk about the exhibition, housed at the New York Public Library's iconic 42nd Street building, which challenges dominant narratives by presenting New York as a city deeply intertwined with Middle Eastern and North African history and culture. Abid delves into the diverse stories of immigration, the often-overlooked North African presence, and the revolution in Arabic publishing in New York. Through fascinating primary documents and personal stories, the discussion explores everything from the surprising origins of the Statue of Liberty to early 20th-century American citizenship guides published in Arabic, revealing the long, complex, and vibrant history of Arab and Middle Eastern communities in New York. The exhibition remains until March 8, 2026. On December 5, is a Middle Eastern/North African take over of the flagship building of the NYPL that's not to be missed

There is no better way to explore the art and politics of the Sforza court in Milan than through the eyes of Leonardo da Vinci. Leonardo spent most of his early career employed by Ludovico il Moro, the regent and eventual Duke of Milan. This episode ties together the drama and intrigue of Sforza court politics with the work Leonardo did during his First Milanese Period (1482-1499). Some of Leonardo's most innovative painting arrived in this period. Beyond his Last Supper, the Renaissance master also worked on court portraits. Looking at both Lady with an Ermine and La Belle Ferronniere, we unpack the history of the ladies of the Sforza court and the complex social structures in Leonardo's Milan. Additionally, we explore the sophistication of Leonardo's style and ingenuity, especially as precursors to his Mona Lisa. This conversation ultimately ties the complicated threads that unite art, court culture, politics, gender, and romance in Renaissance Milan. Support/Watch/Follow: https://linktr.ee/italian_renaissance_podcastWorks Discussed: Leonardo da Vinci, Genevra de' Benci, ca. 1478 https://www.nga.gov/artworks/50724-ginevra-de-benci-obverseLeonardo da Vinci, Lady with an Ermine, ca. 1490 https://artsandculture.google.com/asset/lady-with-an-ermine-leonardo-da-vinci/HwHUpggDy_HxNQ?hl=en-GBLeonardo da Vinci and workshop, La Belle Ferronniere, ca. 1497 https://collections.louvre.fr/en/ark:/53355/cl010062372Salai, Head of Christ the Redeemer, 1511 https://ambrosiana.it/opere/testa-di-cristo-redentore/Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

We are excited to answer your art questions! In this episode we will discuss: how do you keep your practice thriving while navigating space, money, and access? We dig in with honest, field-tested advice and personal stories from two working artists who've built momentum in imperfect conditions.We start with the studio question everyone wrestles with: home vs separate space. You'll hear why a “setup” beats square footage, how to protect focus if interruptions tank your flow, and scrappy ways to work larger without taking on a lease you can't sustain. From there, we lay out a gallery game plan: what a strong approach package looks like (10–15 works with depth behind them), what “consistency” really means, and how to get on the radar through open calls, smart social presence, and showing up at the right level.International showing gets a reality check. Culture changes the conversation, but logistics can make or break it. We walk through shipping options, customs surprises, and how to avoid vanity traps with contracts that shift costs onto artists. We also talk residencies, including why many invite-only programs pull from boards and alumni, and how relationships can open doors when applications can't.Collectors and sustainability round out the heart of the episode. We share favorite delivery stories, why early-stage artists should sell to keep making, and how ideal collectors help build careers over time. For anyone staring down a short financial runway, we offer practical steps: emergency grant resources, low-cost materials that keep you prolific, and the mindset shift that treats bridge income as a patron rather than a detour.If you found value here, follow the show, share it with an artist friend, and leave a review so more creatives can find these conversations. Got a question for part two? Send it our way—your prompts shape the next round.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

In this episode of Sew & So we welcome costume designer and wardrobe freelancer Jessica Cronin, whose work spans film, television, theater, and fashion. Raised across the U.S., Singapore, and England, Jessica brings a globally shaped perspective to the way clothing communicates who we are. With a BA in Art History from Drew University and an MFA in Costume Design from Carnegie Mellon University, she has built a dynamic career designing, styling, and crafting for productions including Gotham Knights, Dead to Me, A League of Their Own (2022), and Gossip Girl. Her experience ranges from large-scale studio work to theatrical design to commercial styling, and she moves fluidly between New York City, Atlanta, Pittsburgh, and Los Angeles.In this episode, Jessica shares the origins of her sewing journey, how global experiences shaped her artistic lens, the truth about fast fashion, the realities of costume work, and the deeper meaning of how we present ourselves through what we wear.Episode Notes:(1:49) When did Jessica begin to sew and who was her inspiration?(3:18) Jessica explains historical sewing and its techniques.(4:00) Why did Jessica's childhood take her to Singapore and England? How did living in these countries affect her perceptions of life and her work?(5:45) She started dancing at the age of three…then had to have Harrington Rod surgery for scoliosis of the spine. She takes us through this experience and how she dealt with the major changes in her life both in activity and mentally.(11:04) Jessica calls fast fashion “horrendous”? She explains why.(14:00) How do you handle the recycling in things like undergarments, socks and hard to recycle clothing items?(15:30) “Costume design isn't just pretty dreams and pretty people…” It's so very much more. Jessica takes us inside the craft.(19:54) Of all the different types of work Jessica has done…what's her favorite?(21:42) She talks about the difference in working with professional actors vs. amateur background actors.(23:45) Hear special stories about some of her costume jobs.(27:10) Jessica worked with Jennifer May Nickel Sew & So Podcast Episode #92 she talks about how they met and have worked together.(28:25) Hear about the 50,000-year-old sewing needle and how this information affects Jessica in her work.(30:36) Jessica loves to study how people communicate through clothing. Learn what she's discovered. Also learn why the color purple is associated with royalty.(33:32) Why does she think the younger generations aren't picking up these crafts or techniques?(36:30) Why is Jessica so mobile?(37:36) What does she like to do in her spare time?(38:10) What is she working on now and what is a Surrealist Ball?(40:00) What's next for her and what's her dream?(42:15) What didn't we ask?(43:06) Want to contact Jessica? @jesscronindesigns Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

ACC Head G Lane joins the team today, and he checks out the disturbing painting "Capitulation"... which was painted by his old Art History teacher. Plus we rake over the coals of Jerry's F Bomb during the radio show. Did you know we do a radio show as well?See omnystudio.com/listener for privacy information.

In today's episode, we will be discussing the history of women's domestic devotion in the early Afro-Iberian Atlantic world. Joining me is Nathalie Miraval. Nathalie is a PhD Candidate in Art History at Yale University. She studies the spiritual expressive cultures of the early modern Afro-Iberian Atlantic, with a focus on gender and race. Her work has been supported by the Casa de Velázquez (Madrid), the Renaissance Society of America, the Huntington Library, the John Carter Brown Library, and a U.S. Fulbright to Mexico. Before Yale, Nathalie served as Public Programming and Outreach Fellow at Dumbarton Oaks Research Library and Collection in Washington, DC, where she designed and implemented the institution's first educational programs. In 2014, she earned a BA in History of Art and Architecture with a secondary in Ethnicity, Migration and Rights from Harvard.

Join Emily Croft (Art History) for a discussion of her dissertation research on the development of archaeological museums in Sardinia, Italy between 1861-1939.

The curator Thelma Golden is a major presence in New York City's cultural life, having mounted era-defining exhibitions such as “Black Male” and “Freestyle” early on in her career. Golden is the Ford Foundation director and chief curator of the Studio Museum in Harlem, an institution, founded in 1968, that is dedicated to contemporary artists of the African diaspora. But, for a significant portion of her tenure, this singular institution has been closed to the public. Golden led the initiative to create a new, purpose-built home—requiring the demolition of an old building and reconstruction on the same site. To mark its reopening, David Remnick tours the new space with Golden, discussing some key works and the museum's mission. He notes that this triumphant moment for the Studio Museum comes during a time of broad attacks on cultural institutions, particularly on expressions of identity politics. “I take a lot of inspiration from our founders, who opened up in a complicated moment,” Golden reflects. “My own career began in the midst of the culture wars of [the nineteen-nineties]. Understanding museums as a place that should be, can be, must be where we engage deeply in ideas. In this moment, that has to offer some hope as we consider a future.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Giuseppe Castellano talks to illustrator and fine artist, Michael Deas, about his early years as an illustrator; how he created “The Torch Lady” for Columbia Pictures; why he doesn't look back on his long career; and more.To learn more about Michael, visit michaeldeas.com.Artists mentioned in this episode include: Ted Lewin, Betsy Lewin, Herbert Tauss If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's been over 30 years since Bob Ross's The Joy of Painting went off the air, but the painter is still a household name. This hour: a look at the undying force for permed hair and puffy little clouds and happy little trees that is Bob Ross. Plus: Could we do a show about Bob Ross without also talking Thomas Kinkade? No we could not. And so no we do not. GUESTS: Nathan Badley: Cohost of the Nothing But a Bob Thang podcast Alexis Boylan: Professor of Art History at UConn and the editor of Thomas Kinkade, The Artist in the Mall Justin Croft: Cohost of the Nothing But a Bob Thang podcast Emily Rhyne: Cinematographer at The New York Times Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Colin McEnroe and Chion Wolf contributed to this show, which originally aired September 26, 2019.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

It's perhaps fitting that the international break would fill our teams with flags. But even though I would consider myself an amateur vexillologist—at one point, I was able to identify nearly all the national flags in the world—I'm not loving the yellow flags that have appeared next to many of my players. The injury of most consequence seems to be Gabriel's—with him set to be out for 1–2 months, we must ask ourselves if we want to replace him with another Arsenal defender or look elsewhere. With a rather delectable fixture run ahead, Manchester United midfielders look quite attractive. But aside from the well-discussed trio of Mbeumo, Bruno, and Cunha, Jiayang tosses another name into the ring: Amad Diallo. Currently embroiled in his Critical Approaches to Art History course, Jiayang also brings up the art-historical methodology of connoisseurship, specifically the elusive “Sense of Quality” that art historian Bernard Berenson tantalizingly alludes to at the end of his 1902 essay, “Rudiments of Connoisseurship.” Jacob, hearing the idea for only the first time, applies it beautifully to the context of soccer—just what is it about Amad that makes him a player of such “Quality”? What are the indicators of Quality for different positions? Finally, we examine a few mid-table teams whose fortunes either have shifted recently, are in the process of shifting, or seem destined to shift imminently.Follow us on Twitter: @FplFortress

AP correspondent Haya Panjwani reports on the next costume exhibit at the Met.

Join Annie Sargent and Elyse Rivin as they dive deep into the tragic and brilliant life of Vincent van Gogh. This episode isn't just about his iconic paintings—it's about the man behind the masterpieces. Elyse, with her deep knowledge of art history and her gift for storytelling, guides us through Van Gogh's tumultuous journey. From his early struggles in the Netherlands to his transformative years in France, we explore how his experiences shaped his art—and how his art, in turn, shaped the world. Listen to this episode ad-free Van Gogh's life was marked by failure, rejection, and mental health struggles. Elyse explains how these challenges fueled his creativity. As a young man, he tried—and failed—at careers as an art dealer, a preacher, and even a Bible translator. His family didn't know what to do with him, and his father even considered sending him to a mental hospital. But it was his brother, Theo, who became his lifeline. Theo provided financial and emotional support, allowing Vincent to focus on painting. This support gave him the freedom to experiment, leading to the bold, vibrant style we associate with him today. Paris was a turning point for Van Gogh. Elyse paints a vivid picture of his time there, living in Montmartre, meeting artists like Toulouse-Lautrec and Pissarro, and discovering new techniques. He hated the city at first, but over time, he began to embrace its energy. His move to Arles was another pivotal moment. He dreamed of creating an artists' colony there, but his relationship with Gauguin ended in disaster. Despite the chaos, this period was incredibly productive. He painted masterpieces like Starry Night Over the Rhône and Sunflowers. After his breakdown in Arles, Van Gogh was committed to an asylum in Saint-Rémy-de-Provence. Elyse's account of this time is heartbreaking yet inspiring. He continued to paint, creating some of his most famous works, including Wheat Fields and more versions of Starry Night. His final days in Auvers-sur-Oise were marked by relentless painting and a tragic end. This episode isn't just about art—it's about humanity, perseverance, and the cost of genius. If you love stories that move you, this is a must-listen. Subscribe to Join Us in France on your favorite podcast app so you never miss an episode. And if you're planning a trip to France, don't forget to check out Elyse's Toulouse Guided Walks for an unforgettable experience.  Table of Contents for this Episode [00:00:15] Introduction [00:00:31] Today on the podcast [00:01:03] Podcast supporters [00:01:33] Bootcamp 2026 [00:01:47] Magazine segment [00:02:25] Vincent Van Gogh with Elyse [00:03:38] Van Gogh's Life in France [00:04:57] The Universal Appeal of Van Gogh's Art [00:05:53] Why do people love his work? [00:09:30] Early Life and Family Background [00:13:49] Struggles with Mental Health and Career Choices [00:14:20] Moving to The Hague [00:16:09] Moving to London [00:21:06] Moving to Paris [00:23:26] Back to England [00:28:04] Returning home [00:28:55] The Decision to Become an Artist [00:29:24] Early Artistic Endeavors and Family Support [00:37:18] Van Gogh's Time in Paris [00:38:38] Van Gogh's Literary Influences [00:39:23] Return to Holland and Artistic Evolution [00:40:28] Personal Struggles and Relationships [00:42:06] Paris and Artistic Friendships [00:45:02] The Move to Arles [00:47:24] The Yellow House and Artistic Breakthrough [00:52:53] Mental Health Struggles and Saint-Rémy [00:59:11] Final Days in Auvers-sur-Oise [01:04:27] Legacy and Impact [01:09:40] Copyright More episodes about art in France #VanGogh, #VincentVanGogh, #ArtHistory, #StarryNight, #Sunflowers, #PostImpressionism, #FrenchArt, #ArtLovers, #ArtistsLife, #TragicGenius, #JoinUsInFrance, #FrancePodcast, #TravelFrance, #FrenchCulture, #ExploreFrance, #DiscoverFrance, #FranceTravelTips, #RealFrance, #Francophile, #FranceAdventures

In this episode of PhotoWork with Sasha Wolf, April Watson, Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri, joins Sasha to discuss her upcoming exhibition, American Prospects and Landscape Photography, 1839 to Today. The two dive into an insider's conversation about how acquisitions—whether through donations or direct purchases—shape curatorial decisions. April speaks about the importance of honoring donor gifts through thoughtful exhibitions, and about working closely with museum education staff to shape exhibition language to engage audiences who may not have an art-historical background. She then turns the tables, inviting Sasha to share her perspective on the current state of the photographic art market and how it has evolved or devolved over time. https://nelson-atkins.org/art/exhibitions/american-prospects-and-landscape-photography-1839-to-today/ https://www.instagram.com/nama_photographs/ April M. Watson is Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri. During her eighteen-year tenure at the museum, Watson has curated over 20 exhibitions that span the history of photography. These include: American Prospects and Landscape Photography, 1839 to the Present (forthcoming 2026); Strange and Familiar Places (2025); Evelyn Hofer: Eyes on the City (2023, with the High Museum of Art); Jim Dow: Signs (2022); Gordon Parks X Muhammad Ali: The Image of a Champion, 1966/1970 (2020, with the Gordon Parks Foundation); Eugene Richards: The Run-On of Time (2018, with the George Eastman Museum); Impressionist France: Visions of Nation from Le Gray to Monet (2013); and Heartland: The Photographs of Terry Evans (2012). Prior to the Nelson-Atkins, Watson held curatorial research positions at the National Gallery of Art, Washington D.C., and the Center for Creative Photography, Tucson. She holds an MA in Art History from the University of New Mexico and a Ph.D. in Art History from the University of Kansas. She is currently at work on a major exhibition for 2027 that explores the relationship between early photography the antislavery movement. The exhibition will also feature major contemporary works inspired by this history.

Join our next BoldBrush LIVE! Webinar by signing up here:register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!brushoffer.com/collections/allLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.comGet over 50% off your first year on your artist website with FASO:FASO.com/podcast---On today's episode, we sat down with Shanna Kunz, a seasoned landscape artist based in Ogden, Utah, with more than 30 years of painting experience. Her early love for art was nurtured by a family immersed in the outdoors, which deeply influenced her connection to landscapes. After studying at Utah State University, Shanna transitioned from figure painting and creative pursuits like seamstressing into watercolor and later, oil painting, developing a distinctive, atmospheric style. Throughout the conversation, she emphasizes the importance of continuous learning, experimentation, and reminds artists to never give up and always show up at the easel. Shanna also highlights the therapeutic and reflective nature of painting, encouraging both herself and her students to embrace failure, self-discovery, and community. Dedicated to nurturing others, she mentors artists in her Mindful Art Mentoring program, champions lifelong growth, and advises perseverance as the foundation for a fulfilling creative career. Finally, Shanna tells us about all of her upcoming shows!Shanna's FASO site:shannakunz.comMentorship with Shanna:mindfulartmentoring.com/Shanna's Social Media:instagram.com/shannakunz/facebook.com/shanna.allen.kunz.hernandez

Giuseppe Castellano talks to award-winning illustrator, and distinguished educator, Robert Hunt, about why illustrators should embrace “woodshedding”; how he created the DreamWorks logo; what the great Kazuhiko Sano meant to him, and to the illustration world at large; and more.To learn more about Robert, visit roberthuntstudio.com.Artists mentioned in this episode include: John Singer Sargent, London Ladd, Bruce Wolfe, David Grove, Andrew Loomis, George Bridgman, Robert Henri, Brian Stauffer, Marc Burckhardt, Bernie Fuchs, Bob Peak, Mark English, Thomas Blackshear  If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How do you make ancient art exciting for kids? In this episode of Art Ed Radio, Zoe Goldman, podcast producer at the Getty Museum, joins Tim to share the behind-the-scenes story of If Objects Could Talk—a delightful, sound-rich podcast where ancient artifacts speak for themselves. Zoe explains how her team transforms visual art into immersive audio stories, working with curators, writers, and sound designers to help young listeners connect with history in meaningful ways. From creative collaboration to museum accessibility, she offers practical ideas for art teachers on how to bring art history to life in the classroom. Resources and Links Join the Art of Ed Community See the Elementary and Secondary Art History PRO Packs Check out all kinds of Art History resources from AOE See all of the Getty Museum's podcasts Find all kinds of teacher resources from the Getty Museum  

On this episode, we were joined by the writer, art historian, and host of The Great Women Artists podcast, Katy Hessel.Katy's new book How to Live an Artful Life is a collection of 366 inspirations from her favourite artists and writers, designed to motivate readers to find creativity, beauty, and meaning in everyday life. Many of the ideas in the book stem from her acclaimed podcast, where Katy speaks to artists, curators, and thinkers whose work continues to expand our understanding of art history.Needless to say, there's a certain meta quality to this conversation, as we compared notes on the art of conversation itself — as well as London, museums, childhood inspirations, and the influence of other books about creativity by figures such as Julia Cameron.Katy first appeared on this podcast back in August 2022, just before the release of her groundbreaking debut The Story of Art Without Men, a book that redefined the canon and changed the course of her career. It began a conversation that has led to collaborations with museums, galleries, and artists around the world. Her new collection distills these experiences into a vibrant companion for anyone seeking a more artful way of living.Hosted by Ryan Edgington.

An art heist at the Louvre Museum in Paris on October 19th has left eight artifacts stolen, and one damaged during the theft, including priceless jewelry worn by Napoleon's wife Marie Louise. What is the historical significance of these artifacts, and how has the heist impacted French history? KCSB's Tatiana Jacquez spoke with UCSB Art History Professor, Carole Paul, to learn more.

Fluent Fiction - Italian: Unveiling Secrets: The Relic Hunt in Foggy Venezia Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-11-09-08-38-20-it Story Transcript:It: La nebbia avvolge Venezia come un velo misterioso.En: The fog envelops Venezia like a mysterious veil.It: La Basilica di San Marco brilla sotto il cielo autunnale, illuminata da calde luci che danzano sui suoi mosaici dorati.En: The Basilica di San Marco shines under the autumn sky, illuminated by warm lights that dance on its golden mosaics.It: Nel cuore di tutto questo, Gianna, una storica dell'arte appassionata, cammina inquieta.En: In the heart of all this, Gianna, a passionate art historian, walks restlessly.It: Sa che qualcosa di prezioso è sparito: una reliquia antica e importante per la basilica.En: She knows that something precious is missing: an ancient relic important to the basilica.It: A pochi passi, Luca, una guida turistica locale, ascolta Gianna con curiosità.En: A few steps away, Luca, a local tour guide, listens to Gianna with curiosity.It: È scettico, ma intrigato.En: He is skeptical, but intrigued.It: "Non sono sicuro di credere a tutto questo," dice Luca.En: "I'm not sure I believe all this," says Luca.It: Ma sa che Venezia è piena di segreti, e il pensiero di un'avventura lo affascina.En: But he knows that Venezia is full of secrets, and the thought of an adventure fascinates him.It: Gianna decide di fidarsi di Luca.En: Gianna decides to trust Luca.It: "Tu conosci Venezia meglio di chiunque altro," dice sperando che lui possa aiutarla a trovare un indizio nel labirinto di calli e canali.En: "You know Venezia better than anyone else," she says, hoping he can help her find a clue in the labyrinth of alleys and canals.It: Insieme, iniziano a cercare.En: Together, they begin their search.It: Le giornate di novembre sono brevi, e il tempo scorre veloce mentre il giorno della Festa di San Martino si avvicina.En: The November days are short, and time flies as the day of the Festa di San Martino approaches.It: Seguono indizi ingannevoli e affrontano la sfiducia delle autorità.En: They follow deceptive clues and face the distrust of the authorities.It: Luca propone un'idea rischiosa: esplorare i canali meno battuti.En: Luca proposes a risky idea: exploring the less traveled canals.It: Gianna, nonostante i suoi dubbi, accetta.En: Gianna, despite her doubts, agrees.It: Navigano in silenzio attraverso le acque calme e scure.En: They navigate silently through the calm, dark waters.It: La città li osserva, enigmatica.En: The city watches them, enigmatic.It: All'improvviso, durante i preparativi del festival, scoprono un passaggio nascosto sotto la basilica.En: Suddenly, during the festival preparations, they discover a hidden passage under the basilica.It: Una stretta scala li conduce giù, verso una stanza segreta.En: A narrow staircase leads them down to a secret room.It: Lì, tra polvere e antichi dettagli, trovano la reliquia.En: There, among dust and ancient details, they find the relic.It: E, sorprendentemente, anche le tracce di chi l'ha sottratta, una verità che scuote entrambe le loro vite.En: And, surprisingly, also the traces of who took it, a truth that shakes both their lives.It: Mentre la reliquia torna al suo posto tra gli applausi di chi li ha capiti, Gianna sente un peso sollevarsi.En: As the relic returns to its place amid the applause of those who understand them, Gianna feels a weight lift off her shoulders.It: Ha protetto il patrimonio che ama e rafforzato la sua reputazione.En: She has protected the heritage she loves and strengthened her reputation.It: Luca, dall'altra parte, si accorge che Venezia ha ancora molto da offrirgli.En: Luca, on the other hand, realizes that Venezia still has much to offer him.It: L'avventura gli ha fatto vedere la sua città sotto una nuova luce.En: The adventure has made him see his city in a new light.It: Il giorno della festa, Gianna e Luca sorridono tra la folla.En: On the day of the festival, Gianna and Luca smile among the crowd.It: Gianna fila orgogliosa tra amici e colleghi riconoscenti.En: Gianna flows proudly among grateful friends and colleagues.It: Luca, colpito dalla nuova scoperta, sente brillare in lui una ritrovata pace.En: Luca, struck by the new discovery, feels a renewed peace shining within him.It: Venezia, pensa, forse è ancora il luogo perfetto per tante altre storie.En: Venezia, he thinks, might still be the perfect place for many more stories.It: E così l'autunno continua, avvolgendo Venezia in un abbraccio che promette ancora meraviglie e segreti da svelare.En: And so, autumn continues, wrapping Venezia in an embrace that promises yet more wonders and secrets to unveil. Vocabulary Words:the fog: la nebbiathe veil: il veloilluminated: illuminatathe mosaics: i mosaicirestlessly: inquietathe relic: la reliquiathe clue: l'indiziothe labyrinth: il labirintodeceptive: ingannevolithe distrust: la sfiduciarisky: rischiosaenigmatic: enigmaticasuddenly: all'improvvisothe passage: il passaggiothe staircase: la scalathe room: la stanzathe dust: la polveredetails: dettaglitruth: veritàto shake: scuotereshoulders: le spallethe heritage: il patrimonioreputation: la reputazionegrateful: riconoscentirenewed: ritrovatato unveil: svelaresecrets: segretithe tour guide: la guida turisticato navigate: navigarethe shoulders: le spalle

Naomi J. Kendall is an artist based in Somerset in the UK. She completed a Foundation Course at Cheltenham School of Art, pursued a degree in Art History at Leicester University and received a postgraduate diploma at Manchester University in Gallery and Museum Studies. After a career working in galleries and running community arts projects, she returned to making her own work. In 2022 she was the Evolver Magazine Prize winner, she's a member of the Paper Artist Collective and is featured as a master artisan in the Michelangelo Foundation's Homo Faber Guide. In 2024, she was accepted as a member of the Royal West of England Artist Network.

Fluent Fiction - Hungarian: Through Hidden Gates: Art, History, and New Beginnings Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2025-11-05-08-38-20-hu Story Transcript:Hu: A napsugarak kora reggel gyengéden kúsztak be a budapesti termálfürdő izzadt termébe.En: The rays of the sun gently crept into the sweaty halls of the Budapest thermal bath early in the morning.Hu: Ágota és Bence épp a kisebb, melegvizes medencét csodálták.En: Ágota and Bence were admiring the smaller, warm water pool.Hu: Ősz volt, a fák aranyló lombkoronája vidám színeket hozott a város szívébe.En: It was autumn, and the golden canopy of trees brought cheerful colors to the heart of the city.Hu: A fürdő csempézett falai visszhangozták a csendes morajlást, ahogy a párok és a magányos látogatók a nyugodt vízben úszkáltak.En: The tiled walls of the bath echoed the quiet murmur of couples and solitary visitors swimming in the calm water.Hu: Ágota, az introvertált művész, az egyik sarokban ült.En: Ágota, the introverted artist, was sitting in one corner.Hu: Mosolyogva figyelte a vízen táncoló fényeket.En: Smiling, she watched the lights dancing on the water.Hu: Kapott egy ötletet, de még szavakká vagy ecsetvonásokká kellett formálnia.En: She got an idea, but it still needed to be shaped into words or brushstrokes.Hu: Az inspiráció lassan bújt elő, mint a meleg gőz, amely körbeölelte a medencét.En: Inspiration was slowly emerging, like the warm steam enveloping the pool.Hu: Bence közben nem messze állt tőle, a fürdő régi történeteivel a fejében.En: Meanwhile, Bence stood not far from her, with the old stories of the bath in his mind.Hu: Történész lévén elragadták őt a fürdő több évszázados emlékfoszlányai.En: Being a historian, he was captivated by the centuries-old fragments of memory the bath held.Hu: Minden sarkon rejtett meséket vélt felfedezni.En: In every corner, he thought he discovered hidden tales.Hu: Egy pillanatnyi bátorsággal, Bence megszólította Ágotát.En: With a moment of courage, Bence addressed Ágota.Hu: "Tudtad, hogy ez a fürdő az oszmán korban épült?En: "Did you know that this bath was built during the Ottoman era?"Hu: " kérdezte.En: he asked.Hu: "Képzeld el, hogy itt egykor szultánok is megfordultak.En: "Imagine that sultans once frequented this place."Hu: "Ágota érdeklődése felébredt.En: Ágota's interest was piqued.Hu: "Tényleg?En: "Really?Hu: Milyen izgalmas!En: How exciting!Hu: Én művész vagyok, de néha elakadok az ötleteimmel.En: I'm an artist, but I sometimes get stuck with my ideas.Hu: Talán egy ilyen történet segítene.En: Maybe such a story would help."Hu: "Bence biztatóan bólintott.En: Bence nodded encouragingly.Hu: "Tudok egy titkos helyet itt.En: "I know a secret spot here.Hu: Egy rejtett kapu egy másik medencéhez, amit csak kevesen ismernek.En: A hidden gate to another pool that only a few know about.Hu: Szeretnéd megnézni?En: Would you like to see it?"Hu: "Ágota szeme felragyogott.En: Ágota's eyes lit up.Hu: "Nagyon szeretném!En: "I would love to!"Hu: "Bence vezette Ágotát egy szűk folyosón.En: Bence led Ágota down a narrow corridor.Hu: Az egyik sarokban elrejtett ajtón át egy csendes, eldugott medencéhez érkeztek.En: Through a concealed door in one corner, they arrived at a quiet, secluded pool.Hu: A napfény éppen átszűrődött az üvegablakon, arany színűre festette a vizet.En: Sunlight filtered through the glass window, painting the water a golden color.Hu: Mesebeli látvány volt.En: It was a magical sight.Hu: Ágota érezte, hogy az inspiráció hullámai elsöprik minden korábbi akadályát.En: Ágota felt the waves of inspiration sweeping away all her previous obstacles.Hu: "Ez gyönyörű," mondta halkan, szinte álmodozva.En: "This is beautiful," she said softly, almost dreamily.Hu: "Köszönöm, hogy megmutattad.En: "Thank you for showing it to me."Hu: "Bence mosolygott.En: Bence smiled.Hu: "Örülök, hogy segíthettem.En: "I'm glad I could help."Hu: "A fürdőben töltött idejük végéhez érve Ágota és Bence megegyeztek, hogy újra találkoznak.En: As their time at the bath came to an end, Ágota and Bence agreed to meet again.Hu: Budapest utcáit fogják felfedezni, keverve a művészetet és történelmet.En: They would explore the streets of Budapest, blending art and history.Hu: Ahogy az épületek mesélnek a múltról, úgy mesél majd Ágota a képein keresztül.En: Just as buildings speak of the past, Ágota would tell stories through her paintings.Hu: Bence tanulni fog Ágota szemének látásáról, és Ágota újra hinni fog valaki más meséiben.En: Bence would learn to see through Ágota's eyes, and Ágota would believe again in someone else's tales.Hu: Őszinte szívvel, és az őszi levelek hullása miatt is, érezni lehetett, hogy valami új kezdődik.En: With sincere hearts, and partly because of the falling autumn leaves, it felt like something new was beginning.Hu: Egymásban találtak társra, a múlt és művészet összefonódott, és így mindketten rátaláltak arra, amit kerestek.En: They found companionship in each other, as the past and art intertwined, and thus both found what they were searching for.Hu: Új kezdet, új inspiráció, és végre, új bizalom.En: A new beginning, new inspiration, and finally, new trust. Vocabulary Words:crept: kúsztaksweaty: izzadtcanopy: lombkoronamurmur: morajlássolitary: magányosintroverted: introvertáltbrushstrokes: ecsetvonásokenveloping: körbeöleltehistorian: történészfragments: emlékfoszlányaicaptivated: elragadtákcourage: bátorsággalfrequented: megfordultakconcealed: elrejtettsecluded: eldugottfiltered: átszűrődöttobstacles: akadályátdreamily: álmodozvaencouragingly: biztatóancompanionship: társraintertwined: összefonódottinspiration: inspirációtrust: bizalomadmirations: csodáltákemerging: bújt előstories: történeteknarrow: szűkhidden: rejtettglass: üvegsweep: elsöprik

Fluent Fiction - French: Mystery in the Louvre: An Art Lover's Autumn Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-11-05-08-38-20-fr Story Transcript:Fr: L'automne avait transformé Paris en un tableau vivant.En: The autumn had transformed Paris into a living tableau.Fr: Les feuilles bruissaient sous les pieds des passants aux abords du Louvre, où une nouvelle intrigue se tissait.En: The leaves rustled under the feet of the passersby at the edge of the Louvre, where a new intrigue was unfolding.Fr: Au cœur du musée, parmi les œuvres d'art célèbres et les touristes émerveillés, se cachait un mystère sombre.En: In the heart of the museum, among the famous works of art and the awe-struck tourists, a dark mystery lay hidden.Fr: Lucien, un jeune passionné d'histoire de l'art, parcourait les galeries avec enthousiasme.En: Lucien, a young art history enthusiast, was enthusiastically wandering through the galleries.Fr: Chaque tableau, chaque sculpture, était pour lui une fenêtre sur le passé.En: Every painting, every sculpture, was for him a window to the past.Fr: Il venait d'une petite ville de province et avait toujours rêvé d'un jour résoudre un grand mystère à Paris.En: He came from a small provincial town and had always dreamed of one day solving a great mystery in Paris.Fr: Ce rêve semblait sur le point de devenir réalité.En: This dream seemed on the verge of becoming reality.Fr: Au même moment, Élodie, la conservatrice du musée, bouillonnait d'inquiétude.En: At the same time, Élodie, the museum curator, was simmering with anxiety.Fr: Un tableau précieux, une œuvre rare de l'impressionnisme, avait disparu.En: A precious painting, a rare piece of Impressionism, had disappeared.Fr: Le gala annuel du musée approchait, et le stress pesait lourd sur ses épaules.En: The museum's annual gala was approaching, and the stress weighed heavily on her shoulders.Fr: Elle était sceptique quant à l'implication de Lucien, mais elle avait peu d'alternatives.En: She was skeptical about Lucien's involvement, but she had few alternatives.Fr: Le temps pressait.En: Time was pressing.Fr: Sans en avertir Élodie, Lucien décida de chercher des indices.En: Without informing Élodie, Lucien decided to search for clues.Fr: Il passa des heures à interroger secrètement le personnel du musée.En: He spent hours secretly questioning the museum staff.Fr: Certains, touchés par sa détermination, acceptèrent de l'aider.En: Some, touched by his determination, agreed to help.Fr: Ils fouillèrent les salles, examinèrent chaque recoin, espérant trouver une trace de l'œuvre disparue.En: They searched the rooms, examined every nook, hoping to find a trace of the missing work.Fr: Élodie, bien qu'hésitante, remarqua la ténacité de Lucien.En: Élodie, although hesitant, noticed Lucien's tenacity.Fr: Elle devait choisir : continuer selon le protocole établi ou laisser ce jeune idéaliste agir.En: She had to choose: continue according to the established protocol or let this young idealist act.Fr: Elle opta pour une approche équilibrée, oscillant entre méfiance et espoir.En: She opted for a balanced approach, oscillating between mistrust and hope.Fr: Un jour, alors que la lumière dorée de l'automne inondait la grande salle, Lucien découvrit un indice crucial.En: One day, as the golden autumn light flooded the great hall, Lucien discovered a crucial clue.Fr: Une note cachée derrière une sculpture.En: A note hidden behind a sculpture.Fr: Elle indiquait que le tableau avait été dissimulé dans une section peu visitée du musée par un ancien employé frustré.En: It indicated that the painting had been concealed in a little-visited section of the museum by a former disgruntled employee.Fr: Le mystère s'éclaircissait.En: The mystery was clearing up.Fr: Lucien et Élodie unirent leurs efforts.En: Lucien and Élodie joined their efforts.Fr: Grâce à cette collaboration inattendue, ils localisèrent le tableau, soigneusement enveloppé dans un dépôt poussiéreux.En: Thanks to this unexpected collaboration, they located the painting, carefully wrapped in a dusty storage area.Fr: Le coupable, un homme amer à cause d'un ancien différend, fut arrêté.En: The culprit, a bitter man due to a past dispute, was arrested.Fr: Le jour du gala, le tableau était là, éblouissant sous les lumières de la fête.En: On the day of the gala, the painting was there, dazzling under the party lights.Fr: Lucien, rayonnant mais modeste, avait prouvé sa valeur.En: Lucien, radiant but modest, had proven his worth.Fr: Élodie, quant à elle, apprit qu'une touche de confiance pouvait parfois transcender les règles.En: Élodie, on the other hand, learned that a touch of confidence could sometimes transcend the rules.Fr: Paris continuait de murmurer sous l'automne, mais au Louvre, le triomphe partagé de Lucien et Élodie célébrait plus que l'art.En: Paris continued to murmur under the autumn, but at the Louvre, the shared triumph of Lucien and Élodie celebrated more than art.Fr: C'était une victoire de conviction et de confiance, un moment où l'individu et l'équipe avaient trouvé un équilibre parfait.En: It was a victory of conviction and confidence, a moment where the individual and the team had found perfect balance. Vocabulary Words:the autumn: l'automnethe tableau: le tableauthe leaves: les feuillesto rustle: bruirethe passerby: le passantthe heart: le cœurthe awe-struck: émerveilléthe curator: le conservateur/la conservatriceto simmer: bouillirthe anxiety: l'inquiétuderare piece: œuvre rarethe gala: le galato weigh: peserthe shoulder: l'épaulethe clue: l'indiceto interrogate: interrogerto examine: examinerthe nook: le recointhe tenacity: la ténacitéthe protocol: le protocoleto oscillate: oscillerthe hope: l'espoirthe sculpture: la sculptureto conceal: dissimulerthe storage area: le dépôtthe culprit: le coupablethe dispute: le différendthe balance: l'équilibrethe confidence: la confiancethe conviction: la conviction

Horizon cases. They may be a mystery you're familiar with. The same qualities that make these stories interesting also make them frustrating, disappointing, or unsatisfying. They are simply unanswerable questions. Join us as we discuss Horizon Cases and step into a long-gone world of them.References images and sources can be found in the episode webpage.Send the BCWPA a message!Support the showDo you have information, feedback, or a question? Submit a report.Grab a cryptid study, visit the Ballyraven store.

Anno 117: Pax Romana presents a different side of the Roman Empire - a multicultural world where people from diverse backgrounds lived side by side, and the necessities of everyday life are essential to success as a player. Matt Lewis is joined by Dr Anne Chen, Associate Professor of Art History and Culture at Bard College, to explore what archaeology can tell us about daily life in the Roman Empire.Follow this link to learn more about Dr Chen's work at the the International [Digital] Dura-Europos Archive - or IDEA - Project.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Hosted by: Matt LewisEdited by: Robin McConnellProduced by: Robin McConnellSenior Producer: Anne-Marie LuffProduction Manager: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic by DynamedionIf you liked this podcast please subscribe, share, rate & review. Take part in our listener survey here.Tell us your favourite Assassin's Creed game or podcast episode at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

A single question can power a lifetime of work: Why do I make art? Ty and Nathan sit with Ursula Von Rydingsvard's stark and generous answers—woven from anxiety, labor, faith in process, and the stubborn hope that making can heal—and use it as a mirror for our own practices. From the first splinter to the last pass of the saw, we look at how big work invites big stakes, why the best days feel like discovery, and how the studio becomes a container strong enough to hold whatever we bring into it.We dig into the creative toggle between object and process: when materials feel right but the method frays, and when the method sings but the object won't land. That friction is feedback, not failure. Ursula's line about having confidence in the possibility of seeing the work through reframes ambition without guarantees—an artist's version of resilience. We also talk about self-doubt as a companion rather than an enemy, and how studying our heroes deeply—films, books, museum visits—feeds our own artistic DNA without imitation.There's a human infrastructure behind monumental art. Ursula's assistants form another kind of family, proof that leadership in the studio is its own craft. We reflect on daily rhythm, showing up without perfect conditions, and making pieces that may outlive us—which is how work reaches into the future. The conversation edges into generational pain and the unanswerable questions art dares to hold. Answers are rare; presence is everything. If you've ever needed permission to trust the process and keep going, consider this your sign.If this resonated, follow the show, share it with a friend who needs a creative nudge, and leave a quick review—tell us your “why” so we can feature it in a future Q&A.Make sure to check out "Art from the Outside" and the amazing interview they had with Ursula: Spotify    AppleSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

In today's episode, Philip Ziegler joins the podcast to talk about his new Baylor Press book God's Adversary and Ours. Ziegler leads us on a cautious but determined biblical-theological exploration of the identity, ontology, and agency of "that old serpent," the Enemy, whose image becomes most discernible and salient in direct contact with the person and work of the Savior. Fixing attention upon the figure of the devil in a soteriological context confronts us with what the devil does; what the devil might be trails behind. Treating diabolical temptation, demonic possession, and devilish falsehood in turn, Ziegler demonstrates what resistance to—and faithful disbelief of—these three aspects of the devil's business might mean for the shape of a Christian life.Professor Philip G. Ziegler is a theologian specializing in systematic theology, historical theology, and ethics. He holds the personal chair of Professor of Christian Dogmatics at the University of Aberdeen's School of Divinity, History, Philosophy & Art History. Previously, he taught at the Atlantic School of Theology in Canada and held postdoctoral fellowships at Princeton University. Ordained in the United Church of Canada since 1996, he also serves as an associated elder at St Machar Cathedral and Trustee of the Church of Scotland's General Assembly. His research focuses on Dietrich Bonhoeffer, Karl Barth, and apocalyptic theology, with recent work exploring Christology, ethical responsibility, and divine freedom.

Giuseppe Castellano talks to Amanda Burdan, Senior Curator at The Brandywine Museum of Art, about N.C. Wyeth's early life; what led to the restoration and permanent exhibition of Wyeth's The Apotheosis of the Family; what today's illustrators can do for tomorrow's curators; and more.To learn more about the Brandywine, visit brandywine.org. For tours and the mural experience, visit brandywine.org/mural.Artists mentioned in this episode include: Howard Pyle, Jamie Wyeth, Norman Rockwell, J.C. Leyendecker, Stanley Arthurs, Harvey Dunn, Clifford Ashley, Violet Oakley, Thomas Hart Benton, George Bellows, Marsden HartleyPhotograph credit: N.C. Wyeth in Chadds Ford studio with central panel of Apotheosis mural, undated. Photograph by Earl C. Roper, Philadelphia, PA. E. Coe Kerr Collection, Walter & Leonore Annenberg Research Center, Brandywine Museum of Art. Gift of Betsy Wyeth, 2004.  If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In part two of this special fiction-meets-art-history podcast, you'll step into the MoMA after hours, where a professional development retreat turns into something much more sinister. What begins as an inspiring evening quickly spirals into chaos when Dal�'s The Persistence of Memory disappears. The Dalí is gone. The suspects are gathered. And the detectives are running out of time. In the shocking conclusion to An Art History Mystery, our five art teachers—Delilah, Solomon, Madison, Amber, and Robert—return to the Museum of Modern Art for questioning. As the night deepens, stories twist, motives unravel, and the truth finally surfaces. Who had the means? Who had the motive? And who had the opportunity to steal one of the most iconic paintings in modern art? Listen as Detectives Kelly and Forrest piece together the clues in a finale filled with confessions, contradictions, and the ultimate reveal of the thief behind The Persistence of Memory. Was it an act of obsession, ambition, or art itself? Find out in this second and final episode of An Art History Mystery. Resources and Links Join the Art of Ed Community Check out the Community's Halloween Costume Contest How Mysteries Can Make Learning Exciting 6 Creepy Artworks for Halloween Art Teacher Horror Stories

JOIN THE NICHE COMMUNITY → Mark your calendar for Rep Rundown - Happening Oct. 29th & 30th! If you've ever walked into a room full of successful peers and thought, “What am I even doing here?”, this episode is for you! Kerry Dyer,  Chief Development Officer at Brownell Travel, has built a career leading, mentoring, and inspiring advisors to grow thriving businesses with confidence. After delivering a powerful presentation on imposter syndrome at Virtuoso Travel Week, Jennifer and Robin knew it was essential to bring that conversation to the podcast. In this episode, Kerry unpacks what imposter syndrome really looks like, the most common triggers advisors face, and how to reframe self-doubt before it takes over. From perfectionism and comparison traps to boundaries and self-belief, she shares strategies you can start using today. You'll walk away with tools to build confidence, celebrate your wins, and finally feel comfortable owning your expertise, because you do belong in the room! About Kerry Dyer: What began as a “happy accident” turned into a 30-year career in luxury travel. After earning a BFA in Art History, she joined Maritz Travel, where her passion for sales quickly emerged. She went on to spend 14 years with Four Seasons Hotels and Resorts, ultimately serving as Director of Leisure Sales for the Americas, followed by a successful tenure as Director of Sales and Marketing at Mandarin Oriental, Atlanta. Now, as Chief Development Officer at Brownell, she leads Marketing, Partners, and Advisor Development, bringing her deep industry expertise and leadership full circle. brownelltravel.com/hosting/team/kerry-dyer Today we will cover: (03:35) Meet Kerry Dyer; her early lessons in confidence (11:15) What is imposter syndrome, really? (15:55) How lack of formal credentials, comparison, and entrepreneurship amplify self-doubt in the travel industry (23:50) The 5 types of imposter syndrome; identifying your patterns and reframing them (31:45) Progress over perfection; why letting go of control can change everything (40:35) How community and collaboration silence self-doubt faster than working alone (44:15) Setting boundaries and showing up intentionally for your clients and family VISIT THE TEMPLATE SHOP EXPLORE THE PROGRAMS FOLLOW ALONG ON INSTAGRAM @TiqueHQ Thanks to Our Tique Talks Sponsors: Moxie & Fourth - Register Now for Route To Results Cozy Earth - Use code COZYTIQUE for 20% off

Narrator: Thomas Jones

Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet's paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting (Yale UP, 2022) explores these astonishing paintings, staking a claim for their importance to Courbet's work and later developments in French modernism. Ranging from the grottoes of Courbet's native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. In this interview, Allison Leigh talks to Dr. Galvez about why he felt we needed another book on Courbet, how he tackled the voluminous scholarship on this artist, and how to make claims about an artist's intentions from a historical standpoint. Their conversation ranges from how to best use comparisons in art historical argumentation to the difficulties of reproducing some art works—even with high resolution digital photography. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Doug Jeppesen earned a BA in Art History and a BFA in Art with an emphasis in ceramics from the University of Tulsa, and MFA from Northern Illinois University. Specializing in wood firing, Doug's work has appeared in numerous national juried and invitational exhibitions across the United States and he was a panel member during the International Wood Firing Conference hosted by Northern Arizona University, and at the 2nd European Wood Fire Conference hosted by Guladagergaard International Ceramic Research Center in Skaelskor Denmark. https://ThePottersCast.com/1172

Have you ever noticed how conversations about the American Revolution often center on great battles, founding documents, and famous statesmen? What if, instead, we explored that world through the eyes—and the hands—of everyday people who shaped it through art? Zara Anishanslin, Associate Professor of History and Art History at the University of Delaware and Director of its Museum Studies and Public Engagement Program, joins us to uncover the hidden world of artists, artisans, and makers who painted, stitched, and crafted the Revolution into being. Drawing from her book The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution, Zara helps us see how creativity and craftsmanship tell a fuller—and more human—story of America's founding. Zara's Website | Book | Show Notes: https://www.benfranklinsworld.com/423 EPISODE OUTLINE 00:00:00 Introduction 00:41.79 Welcome & Episode Overview 00:02:59 Meet Our Guest 00:07:11 The Transatlantic Network of Revolutionary Artists 00:11:28 Why Revolutionary Artwork Didn't Survive 00:14:13 Prince Demah & His Mother Daphny 00:21:21 How Art Patronage Worked in the 18th Century 00:24:01 Finding Prince Demah a Teacher in London 00:27:40 Life as a Black Artist in London 00:41:22 Prince Demah's Life in Revolutionary Boston 00:49:24 Robert Edge Pine: The English Artist Who Supported America 00:59:24 How Revolutionary Art Differs from Later Commemorative Art 01:04:55 What Artists Reveal About the Revolution 01:07:29 Closing Thoughts & Resources RECOMMENDED NEXT EPISODES

Have you ever noticed how conversations about the American Revolution often center on great battles, founding documents, and famous statesmen? What if, instead, we explored that world through the eyes—and the hands—of everyday people who shaped it through art? Zara Anishanslin, Associate Professor of History and Art History at the University of Delaware and Director of its Museum Studies and Public Engagement Program, joins us to uncover the hidden world of artists, artisans, and makers who painted, stitched, and crafted the Revolution into being. Drawing from her book The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution, Zara helps us see how creativity and craftsmanship tell a fuller—and more human—story of America's founding.Zara's Website | Book |Show Notes: https://www.benfranklinsworld.com/423  EPISODE OUTLINE 00:00:00  Introduction 00:41.79  Welcome & Episode Overview 00:02:59  Meet Our Guest 00:07:11  The Transatlantic Network of Revolutionary Artists 00:11:28  Why Revolutionary Artwork Didn't Survive 00:14:13  Prince Demah & His Mother Daphny 00:21:21  How Art Patronage Worked in the 18th Century 00:24:01  Finding Prince Demah a Teacher in London 00:27:40  Life as a Black Artist in London 00:41:22  Prince Demah's Life in Revolutionary Boston 00:49:24  Robert Edge Pine: The English Artist Who Supported America 00:59:24  How Revolutionary Art Differs from Later Commemorative Art 01:04:55  What Artists Reveal About the Revolution 01:07:29  Closing Thoughts & Resources RECOMMENDED NEXT EPISODES

A locked museum. Five eccentric art teachers. One missing Salvador Dalí masterpiece. In this special fiction-meets-art-history podcast, you'll step into the MoMA after hours, where a professional development retreat turns into something much more sinister. What begins as an inspiring evening quickly spirals into chaos when Dalí's The Persistence of Memory disappears. Each teacher has their quirks, secrets, and possible motives: Delilah Rose – the bubbly Ms. Frizzle of the art room, all glitter glue and good intentions… but is she too innocent? Solomon Ochre – the arrogant competitor, desperate to showcase his talent and prove his importance. Amber Russell – indifferent, sarcastic, observant, and maybe secretly brilliant. Madison Periwinkle – the "artfluencer", livestreaming for clout and sharing her entire teaching experience. Robert Celadon – the old school purist, obsessed with tradition, forgery, and art history. When the painting vanishes, suspicion falls on them all. With quirky detectives, unreliable security, and tangled motives, this is more than a PD event—it's a full-blown art heist mystery. Listen now to experience a story blending art history, teaching art, and true-crime-style suspense. Can you solve the mystery before the detectives do? Resources and Links Join the Art of Ed Community Check out the Community's Halloween Costume Contest How Mysteries Can Make Learning Exciting 6 Creepy Artworks for Halloween Art Teacher Horror Stories

In this episode, Sarah talks to Daniel J. Sherman about his most recent book, Sensations: French Archaeology Between Science and Spectacle, 1890-1940 (U Chicago Press, 2025). Sensations is a history of the early years of professional archaeology in France through two controversies – the first in Carthage in what the French protectorate of Tunisia and the second in the small rural community of Glozel in central France. The book shows how “archaeology as we know it today grew out of a fundamental tension between archaeologist's scientific ambitions and their continuing need for media attention.” (1) Timely without being presentist, funny without being unserious, the book explores questions of embodiment, performance, photography, fake news, professional quarrels, and the mediatization of scandal. The conversation explores the two sites of controversy as well as the network of professional archaeologists, amateur “collectors”, journalists, and others who shaped how the public understood and engaged with the ancient past. In addition to discussing the major themes of the book, our conversation delves into considerations of historical empathy, archaeological performance and “the dig”, and the story of a technical report that sparked Sherman's interest in the relationship between media and archaeology. Daniel J. Sherman is Lineberger Distinguished Professor of Art History and History at the University of North Carolina, Chapel Hill. A scholar of museums, monuments, and commemorative practice in modern Europe, Dan has also researched the history of primitivism in the French visual arts as well as memory culture in late 19th and early 20th century France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Coffee, rain, and a table full of half-built ideas set the stage for a candid deep dive into how artists actually move work forward in our second conversation at Poolhaus studio. We trade the comfort of endless polishing for a stubborn rule—get to the next step sooner—and unpack how that one shift stops overworking, preserves strong moments, and helps a real body of work take shape. Along the way, we turn useful decisions into mantras, write them on the wall, and repeat them when stamina dips. The goal isn't perfection; it's momentum with intention.We also open the door on critique: how to build a trusted brain trust, weight feedback from mentors versus peers, and curate with clear eyes when your favorite new experiment ranks dead last. Likes are not the art world, and honest notes from people who know your context can be the difference between a scattered show and a resonant one. Confidence matters too—not as posturing, but as fluency in your own language. We talk about answering tough questions from curators, claiming simple choices with conviction, and studying both your work and the person making it.Life intrudes. A recent loss in the recovery community brings the conversation to grief, meaning, and the privilege of making anyway. Borrowing strength from Nick Cave's reflections on grief as an exalted, remaking state, we choose boldness over hesitation and practice that isn't conditional on perfect circumstances. Stock your studio with wisdom like winter coats: books, notes, mentors, and sentences that steady you when the weather turns. Then finish the damn thing, explore the dancing sparks, and move to the next with courage and care.If this resonates, follow the show, share it with an artist who needs a nudge, and leave a quick review so more makers can find it. What mantra keeps you moving?Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Giuseppe Castellano talks to illustrator, artist, and educator, London Ladd, about why he thinks “style” is a four-letter word; what and who helped him stay on his feet; how to keep going in life and art; and more.To learn more about London, visit londonladd.com.Artists mentioned in this episode include: Mark English, Kazuhiko Sano, James Ransome, Romare Bearden, Ezra Jack Keats, Jerry Pinkney, Keith Henry Brown, G. Gregory Christie, Ashley Bryan, Ekua Holmes, Jackie Ormes, Tom Feelings, Ernie Barnes, Charles Henry Alston, John ParraPhotograph of London by Malcolm Taylor. If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A scam of epic proportions has been perpetrated by the governor upon the people of Florida. Land conservation used an excuse to pay off political bribes.Robert Rauschenberg is arguably the most influential American artist of the 20th century. He moved from New York to Captiva Island in 1970 and would spend the rest of his life there, more than 30 years. 2025 is the centennial of Rauschenberg's birth year with celebrations being held around the world.  Jade Dellinger is Director at the Bob Rauschenberg Gallery at Florida Southwestern State College in Fort Myers and joins us to discuss the artist's time in Florida.

Giuseppe Castellano talks to illustrator, author, and son of Patricia and Richard Scarry, Huck Scarry, about his father's life and artistic process; how he approached Busytown—from color palettes to car accidents; what his advice would be for illustrators today; and more.To learn more about Richard Scarry, visit richardscarry.com.Artists mentioned in this episode include: Stan Berenstain, Dr. Seuss, Will Eisner, Ashley Bryan, Van Kaufman, John Parr Miller, Alice and Martin Provensen, Aurelius Battaglia, and P.D. Eastman If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Narrator: Thomas Jones