Podcasts about Art history

Join us today with special guest, astrologer Amalia Scott Jančič, as we discuss the mythology of the water signs. Learning these myths will help you understand the function of each card in the Court of Cups, and also in your birth chart! For instance, do you know Scorpio's relationship to Artemis (the goddess of nature and night)? Extra points if you know which of the Court of Cups corresponds to each water sign. In this episode we discuss how the Court of Cups leads us on a journey into the heart of emotional intelligence. We talk ancient mysteries, first loves, and what that cauldron the Queen of Cups is holding REALLY represents. Join us!To join Amanda's MYSTERY CULT on Substack click here.Listen to Carolyn's podcast with Beth Pickens Mind Your Practice, and join their Homework Club.**********************************FIND OUT MORE ABOUT OUR GUEST AMALIA SCOTT JANCICAmalia Scott Jančič's work as an astrologer is largely informed by mythology, storytelling, folklore, and the alchemy of narratives. Through mythological and folkloric narratives, we gain access to mythic dimensions of our lives: symbolic meaning, synchronicity, and an aligned sense of purpose. In readings with Amalia, you'll learn about the archetypal and narrative conditions of your personality, and work to tease out the threads of your personal narrative.Amalia grew up in Oxford, MS and holds a degree from Columbia University in New York City, where they studied Art History and American Literature. They've worked in bookstores, museums, and co-operated community library, art, education, and occult spaces in Brooklyn, NY, Oakland, CA, and Grass Valley, CA. They are a certified Astrologer through the Forrest Astrology Apprenticeship Program and have undergone a full 200-hour trauma-informed yoga instruction program through the Niroga Institute in Oakland, CA. They have worked with the Tarot for 15+ years and are currently earning a Master in the Science of Counseling at Loyola University in New Orleans.Book a Session with AmaliaVisit their website: The Hare In The MoonTheir Instagram:  @thehareinthemoon**********************************BETWEEN THE WORLDS CHARIOT YEAR: RIDE OF YOUR LIFE WORKSHOPIn this course, you'll learn how the Chariot Year can help us reach for our goals, focus, and step into our most exalted form! (All while avoiding burn out!) Each one of us has a specific area in our life where we can make most use of the medicine of the Chariot Year, and it's different for everyone. In this workshop you'll learn how the Chariot Year can be YOUR vehicle for transformation.FIND OUT MORE You can buy this as a one off or become a member of our coven where you get workshops, monthly tarot studio classes, and lots of other goodies included in the cost of membership.Become a Between the Worlds Weird Circle Subscriber, click here.**********************************Learn More About Your Host Amanda Yates GarciaTo join Amanda's MYSTERY CULT on Substack click here.To order Amanda's book, "Initiated: Memoir of a Witch" CLICK HERE.Amanda's InstagramTo book an appointment with Amanda go to www.oracleoflosangeles.com*********************************Original MUSIC by Carolyn Pennypacker Riggs**********************************Get in touch with sponsorship inquiries for Between the Worlds at betweentheworldspodcast@gmail.com.CONTRIBUTORS:Amanda Yates Garcia (host) & Carolyn Pennypacker Riggs (producer, composer). The BTW logo collage was created by Maria Minnis (tinyparsnip.com / instagram.com/tinyparsnip ) with text designed by Leah Hayes. 

Meg Lionel Murphy: Painting After PTSD From Domestic Violence *Content warning - Domestic Violence, Substance Abuse* Meg Lionel Murphy paints a dreamworld where suffering transforms femme bodies into a monstrous size, so that their pain must be seen, felt, and acknowledged. Murphy received a Bachelor of Arts degree from the University of Minnesota—Twin Cities, with three majors: Art, Art History, and English Literature. Additionally, Meg studied classical oil painting in Florence, Italy. After graduation, Meg worked as a children's illustrator, co-founded the literary and art magazine, Paper Darts, and co-directed the arts and social justice non-profit, Pollen Midwest.   A diagnosis of severe PTSD from domestic violence led Murphy to leave her career in publishing to focus on painting and healing. She moved back to her childhood home in rural Wisconsin where she started painting in her father's junkyard, in a studio shack that was converted from an industrial cooler. As her art took off, she moved her studio to an old storefront—that was built as a church in the 1880s.  Recent solo shows include “Traumatica Dramatica'' at The Untitled Space Gallery (New York), “Interior Violence” at CoExhibitions Gallery (Minneapolis), and solo booths with SPRING/BREAK Art Show (New York and Los Angeles). Recent group shows include “10 @ 10” at The Wisconsin Museum of Art, “Pleasure Garden'' at Laurie Shapiro Gallery (Los Angeles), and “In Her World” at Voltz Clarke (New York). Her painting has been acquired by the Minnesota Museum of American Art. Her artwork has been featured in a variety of publications including Hyperallergic, Bitch, Artnet News, and Forbes. Domestic Violence Resources : NO VISIBLE BRUISES - What We Don't Know About Domestic Violence Can Kill Us by Rachel Louise Snyder. National Domestic Violence Hotline: 1-800-799-SAFE (7233) or 1-800-787-3224 (TTY) or 800-942-6908 (Español) (also available as web chat and text) https://www.thehotline.org/get-help/To Find local shelters: https://www.domesticshelters.org/Women's Law Initiative: https://hotline.womenslaw.org/public Additional Resources can be found at The National Coalition Against Domestic Violence website: https://ncadv.org/RESOURCES  Domestic violence support groups can be found through Psychology Today: support groups: https://www.psychologytoday.com/us/groups Danger Assessment worksheet: ⁠https://www.dangerassessment.org/DATools.aspx⁠ This episode is sponsored by BetterHelp. Visit ⁠⁠⁠⁠BetterHelp.com/TAC ⁠⁠⁠⁠today and get 10% off your first month. ⁠⁠⁠⁠theartcareer.com⁠⁠⁠⁠ Follow us: ⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠ Follow Meg Lionel Murphy : ⁠⁠⁠@meglionelmurphy Podcast host: ⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠ Social Media: ⁠⁠⁠⁠@lilap3arl⁠⁠⁠⁠ Music: Chase Johnson Editing: ⁠⁠@benjamin.galloway

Guest: Marilyn Price, President, Marilyn Price Puppets at Marilyn Price PuppetsOn LinkedIn | https://www.linkedin.com/in/marilyn-price-58a204167/The Mentor Project: https://mentorproject.org_____________________________Hosts:Dr. Susan Birne-Stone Ph.D., Host of The Mentor Project Podcast | Host of Perspectives | Systems Psychotherapist, International Coach, Talk Show Host & Producer, Professor | Mentor at the Mentor ProjectOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/dr-susan-birne-stoneMarco Ciappelli, Co-Founder at ITSPmagazine, Host of Redefining Society Podcast, and other shows on ITSPmagazineOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

Christine Yu is an award-winning journalist who covers the intersection of sports, science, and women's health. She is a regular contributor for Runner's World, Women's Running, Self, Outside Magazine, The Washington Post, and ESPNW. Christine's first book, UP TO SPEED: the Groundbreaking Science of Women Athletes, will be released on May 16th (pre-order is available). The book, which is FASCINATING, discusses the impact of years of male-dominated scientific studies on female athletic performance and health. Christine earned her B.A. in Art History from Columbia University and Masters of Public Policy from the Harvard Kennedy School at Harvard University. She currently lives in Brooklyn, NY with her husband and two sons and is a lifelong athlete who likes to run, practice yoga, hike, swim, and surf. We are giving away a copy of Christine's book. Listen to find out how! Links: https://www.christinemyu.com Instagram: @cyu888 Twitter: @cyu888 Christine's Newsletter: https://christinemyu.substack.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/runfartherandfaster/message

A wonderful romp through space and time by looking at the visual arts; as they show us what the world looks like through the eyes and hearts of the artist. We also delight in the differences between East and West art throughout history. Be well…wonder deep!

Flemish painter Michaelina Wautier's style was realistic and detailed, with a dark, almost somber color palette. And for a long time, she remained an unknown, even among art historians. Research: Atkins, Christopher D.M. and Jeffrey Muller, editors. “Michaelina Wautier and The Five Senses: Innovation in 17th-Century Flemish Painting.” CNA Studies. December 2022. Museum of Fine Arts, Boston. 2022. Atkins, Christopher and Alyssa Trejo. Email correspondence. Center for Netherlandish Art, Museum of Fine Arts Boston. 4/12/2023. “Six Paintings by 17th-Century Artist Michaelina Wautier Sought by Rubens House.” 4/26/2017. https://www.codart.nl/art-works/six-paintings-17th-century-artist-michaelina-wautier-sought-rubens-house/ Dill, Vithória Konzen. “5 Things You Should Know About Michaelina Wautier.” Daily Art Magazine. 1/8/2023. https://www.dailyartmagazine.com/michaelina-wautier/ Esterow, Milton. “For Centuries, Her Art Was Forgotten, or Credited to Men. No More.” New York Times. 12/5/2022. https://www.nytimes.com/2022/12/02/arts/design/michaelina-wautier-artist-boston.html Kairis, Pierre-Yves. “Interview with Pierre-Yves Kairis.” MAS. https://mas.be/en/page/interview-pierre-yves-kairis Kimball, Jill. “Student-curated MFA Boston exhibition spotlights long-forgotten female Flemish painter.” Brown University. 12/7/2022. https://www.brown.edu/news/2022-12-07/wautier Kunsthistorisches Museum Wien. “Looking at the Overlooked: A live conversation on the life and work of Michaelina Woutier.” Via YouTube. 12/9/2020. https://www.youtube.com/watch?v=HJArJm9kR7Q “Michaelina Baroque's Leading Lady.” Exhibition pamphlet. 2018. McCouat, Philip. “Forgotten Women Artists #4: Michaelina Wautier: Entering the Limelight After 300 Years.” Journal of Art in Society. 2019. https://www.artinsociety.com/forgotten-women-artists-4-michaelina-wautier-entering-the-limelight-after-300-years.html Museum of Fine Arts Boston. “Michaelina Wautier and ‘The Five Senses'.” https://www.mfa.org/gallery/michaelina-wautier-and-the-five-senses Needleman, Sam. “Michaelina's Boys.” The New York Review. 3/12/2023. https://www.nybooks.com/online/2023/03/12/michaelinas-boys/ Nordenfalk, Carl. “The Five Senses in Late Medieval and Renaissance Art.” Journal of the Warburg and Courtauld Institutes , 1985, Vol. 48 (1985). Via JSTOR. https://www.jstor.org/stable/751209 Van der Stighelen, Katlijne. “CHAPTER 6 Anna Francisca de Bruyns (1604/5–1656), Artist, Wife and Mother: a Contextual Approach to Her Forgotten Artistic Career.” Women and Gender in the Early Modern Low Countries, 2019. Via JSTOR. https://www.jstor.org/stable/10.1163/j.ctvrxk3hp.12 Van der Stighelen, Katlijne. “‘Doing justice to an artist no one knows is quite an undertaking'.” Apollo Magazine. 7/2/2018. https://www.apollo-magazine.com/doing-justice-to-an-artist-no-one-knows-is-quite-an-undertaking/ Van der Stighelen, Katlijne. “Michaelina Wautier 1604-1689: Glorifying a Forgotten Talent.” Rubenshuis and BAI Publishers. Translated. 2018. See omnystudio.com/listener for privacy information.

In this episode of Talking History, Dr Patrick Geoghegan looks at the life, death and legacy of the first English monarch to bear the name Charles and finds out how he ended up losing his throne and his head. Joining us are David Prior, Head of Public Services & Outreach at the UK Parliamentary Archives; Leanda de Lisle, author of “White King: Charles I – Traitor, Murderer, Martyr”; and Erin Griffey, Associate Professor of Art History at the University of Auckland and the author of "Henrietta Maria: Piety, Politics and Patronage".

Adrian Johnston is the author of "Zizek's Ontology" and a Distinguished Professor in the Department of Philosophy at the University of New Mexico. Chris Cutrone is the author of the upcoming Sublation Media book, "The Death of the Millennial Left,"  teaches Art History, Theory and Criticism at the School of the Art Institute of Chicago. In this video they debate the relative merits of the Slovenian Lacan Left and the Freudian Frankfurt School tradition.Preorder The Death of the Millennial Left by Chris Cutronehttps://www.sublationmedia.com/product-page/the-death-of-the-millennial-left-interventions-2006-2022Support Sublation Media on Patreonhttps://patreon.com/dietsoap

Narrator: Maria Castro Couce

The Italians have taken over the MET GALA. We recap all the looks from this year's met gala carpet. The good, the bad, the controversial... or not? Was there hidden pushback from celebs? Yes? No? These conspiracy queens break it all down.For more Artpop Talk, click HERE.

Sign up for the Black Women Stitch quarterly newsletter!   Check out our  merch here Leave a BACKSTITCH message and tell us about your favorite episode. Join the Black Women Stitch PatreonAmazon StoreDubsado helps me organize the podcast. Try it for 20% off. Amina ColemanAmina Coleman was born and raised in the East End of Richmond, Virginia, and found her interest in the arts by observing the creative talents of her family. Her family is full of musicians, singers, and dancers, so she was heavily encouraged to continue pursuing her dreams in fine art from a young age.Their support, combined with her dedication and tenacity, allowed her to graduate from Henrico High School's Center for the Arts Visual Arts Program in 2019 with massive artistic accolades, including a national medal from Scholastic's Art & Writing Program, a wonderful experience at Radford University's Governor's School for the Visual and Performing Arts,  and multiple exhibitions.She is en route to finishing her BFA in Painting and Printmaking with a Minor in Art History from Virginia Commonwealth University in December of 2022. She will continue to thrive and receive more acknowledgment of my dedication and success through multiple awards, including The Black History In the Making Award and ongoing Dean's List recognition. Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation. Insights from this episode:Amina's sewing backgroundAmina's big chopFinding herself through her artHow attending an arts high school prepared her for art collegeInsights into artsAmina's project (weave(ings))What was her inspiration for her new projectThe inspiration behind her artwork Quotes from the show:“I watched, and she kinda tried teaching me, but I got frustrated. And I more or less picked up on the technique on my own, just sitting and reading and trying out” —Amina Coleman in “Stitch Please”“Black women's hair has become politically loaded because of the ways in which it can so adversely impact our lives” —Lisa Woolfork in “Stitch Please”“I didn't realize I was holding myself back from successful ideas or cool, weird ideas by just not allowing myself to repeat something. There are artists whose whole practice is doing one thing for their whole life” —Amina Coleman in “Stitch Please”“Sometimes art is never “done.” Art is not a product, it is a practice” —Lisa Woolfork in “Stitch Please”“It seems too that art is all about opening. Opening people up to new ideas, opening itself up to challenge and revision and re-writing” —Lisa Woolfork in “Stitch Please”“I feel my art is always been like a reaction to a lot of outside things and me trying to make something else for myself, something oppositional” —Amina Coleman in “Stitch Please” Stay Connected:Lisa WoolforkInstagram: Lisa WoolforkTwitter: Lisa Woolfork Amina ColemanWebsite: Amina ColemanInstagram: Amina ColemanFacebook: Amina Coleman This episode was produced and managed by Podcast Laundry.

This event opened the exhibition 'Ruptured Domesticity: Mapping Spaces of Refuge in Iraq' by Dr Sana Murrani, hosted at LSE until 12 May 2023. Using photographs, illustrative maps and drawings, Murrani examines the domestic and intimate spaces of refuge created by Iraqis in preparation for, and in response to, wartime and violence. This work is funded by the British Institute for the Study of Iraq. Murrani was joined by Ammar Azzouz and Dena Qaddumi in a broad-ranging discussion on the exhibition and her forthcoming book 'Rupturing architecture: spatial practices of refuge in response to war and violence in Iraq' (Bloomsbury, 2024). Sana Murrani is an Associate Professor in Spatial Practice at the University of Plymouth. She studied architecture at Baghdad University School of Architecture at both undergraduate and postgraduate levels. Sana completed her PhD in the UK. Sana's main research falls within the fields of architecture, human geography and urban studies in particular, the imaginative negotiations of spatial practices and social justice. She is the founder of the Displacement Studies Research Network and co-founder of the Justice and Imagination in Global Displacement research collective. Ammar Azzouz is a Research Associate at the School of Geography and the Environment, University of Oxford, and a Lecturer in Heritage Studies, at the School of Philosophy and Art History, University of Essex. Dena Qaddumi is a Fellow in City Design and Social Science in the Department of Sociology at LSE. Her research spans architectural and urban studies and draws on postcolonial urban theory, political geography, and cultural studies.

In the third part of a three part series on art history, Novo and Buck discuss the history and movement that is Avant-garde, focusing on what it means, the history of its evolution, a number of noteworthy artists and their works, all the many different kinds, and how it shaped modernism, all the way to what we have today. This Episode is brought to you by: Novel "The Entropy Sessions" - a tale of loss, love, and madness, and our past, present, and future relationships with technology - find it ⁠here⁠ - on paperback or as an ebook on Amazon, or as an audiobook through Audible. Novella “Adul(ter)ation” – follow adult entertainer Jessica Amber Star as she embarks on a journey that will change her life forever…She not only finds herself in the industry, but figures out a way to transform herself and eventually become…reborn…find out how ⁠here,⁠ in Adul(ter)ation, which can be found on Amazon in both paperback and ebook, available now. Zencastr - our go-to tool to record our podcast with multiple guests remotely. With Zencastr, you can record separate audio and video tracks, and it's all backed up on a secured cloud so you never lose your hard work. It's reliable, easy to use, and there's nothing to download. So go to zen.ai/artofthebeholder or use promo code: artofthebeholder, and get 30% off your first three months with a PRO account. Thank you for listening. Please consider supporting us with a donation, and if you'd like to be on the show, you can contact us at novodemedia@gmail.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthebeholder/support

This episode explores Giorgione -Giorgio da Castelfranco - a founding artist of the Venetian High Renaissance. Although he lived a short life, the impact of his art echoes throughout the history of Venetian art. With influences like Giovanni Bellini, Leonardo da Vinci and Francesco Petrarch, his pictorial style is elaborated into a poetic mode of painting. This discussion focuses on Giorgione in relation to major cultural shifts in Italy around the year 1500. Using his so-called Laura from 1506, Giorgione is elaborated as a poetic painter, decoding visual symbols and subverting iconographical norms. Instagram: italian_renaissance_podcastSupport the show

Canaletto rose to fame painting remarkable views of Venice. He became especially popular with wealthy tourists, who commissioned his paintings as souvenirs of their travels. Research: Constable, William G.. "Canaletto". Encyclopedia Britannica, 14 Oct. 2022, https://www.britannica.com/biography/Canaletto Britannica, The Editors of Encyclopaedia. "War of the Austrian Succession". Encyclopedia Britannica, 3 Mar. 2023, https://www.britannica.com/event/War-of-the-Austrian-Succession Binion, A., & Barton, L.  Canaletto. Grove Art Online.Retrieved 17 Apr. 2023, from https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000013627 “The Stonemason's Yard.” The National Gallery. https://www.nationalgallery.org.uk/paintings/canaletto-the-stonemasons-yard “London: Interior of the Rotunda at Ranelagh.” The National Gallery. https://www.nationalgallery.org.uk/paintings/canaletto-london-interior-of-the-rotunda-at-ranelagh “Canaletto's Drawings.” Royal Collection Trust. https://www.rct.uk/collection/themes/exhibitions/canaletto-in-venice/the-queens-gallery-palace-of-holyroodhouse/canalettos-drawings Baetjer, Katherine and J.G. Links. “Canaletto.” Metropolitan Museum of Art, New York. Harry N. Abrams, Inc. 1989. Accessed through The Met: Watson Library Digital Collections. https://libmma.contentdm.oclc.org/digital/collection/p15324coll10/id/49280 “Imaginary View of Venice.” The Met. https://www.metmuseum.org/art/collection/search/335287#:~:text=It%20was%20in%20these%20years,representing%20actual%20sites%2C%20others%20imaginary. Erkelens, C. J. (2020). Perspective on Canaletto's Paintings of Piazza San Marco in Venice, Art & Perception, 8(1), 49-67. doi: https://doi.org/10.1163/22134913-20191131 “Canaletto.” The Art Story. https://www.theartstory.org/artist/canaletto/ “Canaletto.” National Gallery of Art. https://www.nga.gov/collection/artist-info.1080.html?artistId=1080&pageNumber=1 “Piazzo San Marco.” The Met. https://www.metmuseum.org/art/collection/search/435839 “Architectural Capriccio.” https://www.themorgan.org/collection/drawings/141078 “Owen McSwiney.” The Fitzwilliam Museum. https://fitzmuseum.cam.ac.uk/objects-and-artworks/highlights/context/patrons-donors-collectors/owen-mcswiny  See omnystudio.com/listener for privacy information.

Millions of American high school students take Advanced Placement Courses and Exams every year. AP Courses are standardized, college-level classes that students can take in high school, ideally exposing them to the depth, breadth and intellectual rigor of content they'd encounter in the university. But the author of a new book argues that these courses and exams are instead shortchanging students out of the liberal arts education that the AP was initially founded to foster. We speak with Annie Abrams, high school English teacher and author of "Shortchanged: How Advanced Placement Cheats Students." In response to a request for comment, The College Board, the nonprofit that runs the Advanced Placement Program, wrote: The great strength of the AP Program is the community of talented, dedicated teachers who care about their students and feel passionate about their subjects. We hear from thousands of those teachers every year, and their insights help make AP more effective and more inspiring for students. Annie Abrams' Shortchanged offers one, limited view, constrained by Abrams' experience at a unique, highly selective high school. We find her examination of the AP Program not reflective of the experiences of the broader community of AP teachers and the students they serve. If she had consulted with any of the thousands of AP teachers educating across a variety of subjects, she would have found that students from all backgrounds can excel when they have the right preparation, a welcoming invitation, and a genuine sense of belonging.  Teachers choose to take part in AP because they find that it helps students engage deeply in subjects as diverse as English Literature, Physics, Art History, and Computer Science. Educators and college professors work together to guide AP frameworks, create and score AP exams, and make thoughtful revisions to course content as different disciplines evolve. The AP Program facilitates that large-scale collaboration between K12 and higher education, creating a uniquely valuable experience for students.  For schools across the country – urban and rural, large and small, well-resourced and economically struggling — AP provides a broad framework and a wealth of resources so that teachers at all levels can offer a college-level experience. AP frameworks are flexible by design so that teachers use their experience and creativity to expand and enhance the curricula. No two AP classes are alike, because they rely so thoroughly on the talent and commitment of individual teachers.  AP allows hundreds of thousands of students to engage in college-level work, regardless of the schools they attend. It offers an opportunity to earn college credit in high school, helping students and families save money, and graduate on time. We're incredibly proud to support the teachers who make that possible.

In this episode of Subgenre, host Josh Dasal and guest host Jennifer Dasal, host of the hit podcast and book ArtCurious, continue Season 3: Time Twisters with a journey back to 1980 for a gauzy period piece about the power of true love knowing no bounds across the ages. Starring Christopher Reeve, Jane Seymour, and Christopher Plummer at their beautiful best, we take you to the Grand Hotel on Mackinac Island for the romantic drama that is Somewhere in Time.Guest host: Jennifer Dasal, host and co-producer of the ArtCurious podcast, author of ArtCurious: The Unexpected, Slightly Odd, and Strangely Wonderful in Art History www.artcuriouspodcast.comInsta: @artcuriouspodRead more about Somewhere in Time (1980) at:IMDB: https://www.imdb.com/title/tt0081534/Wikipedia: https://en.wikipedia.org/wiki/Somewhere_in_Time_(film)Our theme music: Still Room on the Night Train by Ketsa feat. SoularflairLearn more about Subgenre, make a donation, find out how to advertise on our show, and register for our mailing list, at https://www.subgenrepodcast.com/  ★ Support this podcast ★

Millions of American high school students take Advanced Placement Courses and Exams every year. AP Courses are standardized, college-level classes that students can take in high school, ideally exposing them to the depth, breadth and intellectual rigor of content they'd encounter in the university. But the author of a new book argues that these courses and exams are instead shortchanging students out of the liberal arts education that the AP was initially founded to foster. We speak with Annie Abrams, high school English teacher and author of "Shortchanged: How Advanced Placement Cheats Students." In response to a request for comment, The College Board, the nonprofit that runs the Advanced Placement Program, wrote: The great strength of the AP Program is the community of talented, dedicated teachers who care about their students and feel passionate about their subjects. We hear from thousands of those teachers every year, and their insights help make AP more effective and more inspiring for students. Annie Abrams' Shortchanged offers one, limited view, constrained by Abrams' experience at a unique, highly selective high school. We find her examination of the AP Program not reflective of the experiences of the broader community of AP teachers and the students they serve. If she had consulted with any of the thousands of AP teachers educating across a variety of subjects, she would have found that students from all backgrounds can excel when they have the right preparation, a welcoming invitation, and a genuine sense of belonging.  Teachers choose to take part in AP because they find that it helps students engage deeply in subjects as diverse as English Literature, Physics, Art History, and Computer Science. Educators and college professors work together to guide AP frameworks, create and score AP exams, and make thoughtful revisions to course content as different disciplines evolve. The AP Program facilitates that large-scale collaboration between K12 and higher education, creating a uniquely valuable experience for students.  For schools across the country – urban and rural, large and small, well-resourced and economically struggling — AP provides a broad framework and a wealth of resources so that teachers at all levels can offer a college-level experience. AP frameworks are flexible by design so that teachers use their experience and creativity to expand and enhance the curricula. No two AP classes are alike, because they rely so thoroughly on the talent and commitment of individual teachers.  AP allows hundreds of thousands of students to engage in college-level work, regardless of the schools they attend. It offers an opportunity to earn college credit in high school, helping students and families save money, and graduate on time. We're incredibly proud to support the teachers who make that possible.

Our guest today is the artsy, funny, and brilliant Kate Clarke Lemay. Kate is a historian at the National Portrait Gallery in Washington, DC. She was the lead historian for the signature exhibitions America's Presidents and Votes for Women: A Portrait of Persistence. and is currently curating a major exhibition titled 1898: American Imperial Visions and Revisions, which will open on April 28, 2023! Kate also serves as director of PORTAL, the National Portrait Gallery's Scholarly Center. She was Assistant Professor of Art History at Auburn University at Montgomery and Visiting Assistant Professor of Modern and Contemporary Art at Brigham Young University. Kate earned a BA in Art History and French from Syracuse University and a PhD in Art History and American Studies from Indiana University. Kate's publications include Triumph of the Dead: American WWII Cemeteries, Monuments and Diplomacy in France (Alabama, 2018), which was awarded a Terra Foundation in American Art publication. In 2019, she published the eponymous catalog for the Votes for Women: A Portrait of Persistence exhibit with Princeton University Press. The book received the 2021 Smithsonian Secretary's Prize for Excellence in Research as well as the 2020 Amelia Bloomer Book Award from the American Library Association. Kate was a guest editor for a special issue on transatlantic diplomacy and war cemeteries for The International Journal of Military History and Historiography.  Kate is a Fulbright Scholar and her work has been supported by the Terra Foundation in American Art, the Smithsonian American Art Museum, the Georgia O'Keeffe Museum Research Center, and the Centre National de la Recherche Scientifique at the Caen Mémorial Museum in France. She is a Presidential Counselor to the National WWII Museum, an advisor to the National Women's Suffrage Monument Foundation, and sits on the Advisory Board of the Association of Historians of American Art's Panorama Journal. Join us for a fun and interesting chat with Kate Lemay. We'll talk Delaware, boarding school, researching at the American Battlefield Monuments Commission offices in France, suffering Friend-of-the-Pod Brian Linn's critique of Imperial Visions and Revisions, Foo Fighters, and being BBQ-adjacent. Speaking of which, shout out to Dinosaur BBQ in Syracuse, New York! As always, subscribe on Spotify, Apple Podcasts, or wherever you get your pods, and check out the Swag Store on Zazzle! Rec.: 04/14/2023

Breann Ritchie had a keen interest in the arts from an early age. She actively pursued her passion for creating and in 2011, graduated with an Honours Bachelor of Arts in Art and Art History from the University of Toronto and a Diploma in Visual Arts from Sheridan Institute. Breann has actively sought creative spaces to connect with other artists, art collectors and gallerists. She was involved with a number of prominent galleries in Hamilton and the surrounding communities. She worked extensively with the Hamilton and Mississauga arts communities by acting as a jury member for public art installations, local exhibitions and arts award ceremonies. She was Chair of the Hamilton Arts Council's Visual Arts Committee for several years raising awareness for artists exhibiting locally by creating a series of artist talks and providing informational support for businesses exhibiting original art. Breann worked for several years with the prestigious artist agency, Progressive Fine Art, liaising with art galleries in Canada and the United States to further market and celebrate the work of their artists. From there, she moved into a Registrar and Art Consultant position with Crescent Hill Gallery in Mississauga. Breann now works as the Gallery Director at Crescent Hill where she has had the opportunity to work with brilliant local and international collectors and some of the most influential artists in Canada. She continues to maintain her own art practice and exhibits locally in between spending time with her two young boys.

There are thousands of paintings that exist in the backrooms of museums, forgotten by time but still exquisite and tell the story of a period of time. Like street art, that transforms our public spaces and reimagines the experience of city or challenges our perceptions of where art can and should exist, and what is ownership, the practice of Julien de Casabianca is perfectly linked to art history and art in the streets. As the Crystal Ship notes, where this podcast was recorded, "Casabianca takes characters from historical paintings, yanks them out of context, and ‘glues' them onto towering walls, giving them a whole new life and often also a different meaning." The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 111 was recorded in April in Ostende, Belgium during The Crystal Ship Festival . Follow us on ⁠⁠⁠@radiojuxtapoz ⁠

Unfrozen welcomes Brian Goldstein, the author of “The Roots of Urban Renaissance: Gentrification and the Struggle Over Harlem.” Goldstein is a historian of the American built environment and an associate professor of architectural history in the Department of Art and Art History at Swarthmore College. Previously, he was assistant professor in the School of Architecture and Planning at the University of New Mexico and an A.W. Mellon Postdoctoral Fellow in the Center for the Humanities and the Department of History at the University of Wisconsin-Madison. He received his PhD from Harvard University in 2013.  -- Intro/Outro: “Across 110th Street” by Bobby Womack  -- Discussed: ARCH – Architects Renewal Committee in Harlem             J. Max Bond Jr. > Bond Ryder & Associates > Davis Brody Bond             East Harlem Triangle Plan             Morningside Park Plan                         “Second Harlem Renaissance” of the 1990s > Magic Johnson's investor group arrival > Harlem USA   Bill Clinton office in Vincent Building, 125th St   Harlem Commonwealth Council (HCC) James Dowdy   Empowerment Zones   Harlem State Office Building,  a.k.a. Reclamation Site # 1   Robert Moses > Urban Renewal   Gov. Nelson Rockefeller + Edward Loeb, Urban Development Corp. (now Empire State Development)   Harlem Urban Development Corp.   Brownstone de-densification   Pathmark, closure and sale to Extell > Whole Foods > Target and Trader Joe's   Community Land Trusts (CLTs) – one possible legacy of 1960s planning and architecture activism   Abyssinian Development Corp. – Rev. Dr. Calvin O. Butts III   Melvin Mitchell

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists' engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Kenya at 60 : Art History I #JSOWednesdays by Capital FM

In s2e27, hosts Ann Shafer and Tru Ludwig begin a two-part conversation about Claude Mellan, who engraved the most astonishing portrait of Jesus Christ in the history of art. In fact, if it weren't for his print of the Holy Face on the Sudarium, Mellan may have dropped out of sight. But, he is worth looking at. He brought something to portraiture that is worth noting: a humanity and tenderness that one might think impossible to capture in engraving.

The Lombardo family workshop in Venice was the most prominent in the city for the development of Renaissance sculpture. This episode looks briefly at the history of the family before taking a more focused look at the works of Tullio Lombardo and how he revolutionized sculpture in Venice. What happens when classical revival combines with Netherlandish and Venetian design influence? Tullio worked with a large number of classical and contemporary influences resulting in a new sculptural genre. He additionally expanded the design vocabulary of the monumental tomb of the Venetian Doge's, particularly in that of Doge Andrea Vendramin. Instagram: italian_renaissance_podcast Support the show

We're welcoming back Jane Thompson co-founder of @womensartwednesday! As 2023 brides, Jane and Gianna discuss brides throughout art and pop history. Jane introduces us to the hella symbolism in the Arnolfini Portrait, the wedding gift that is Birth of Venus, what is presumed to be the first wedding portrait captured through photography, and more! In the later half of the episode, we take a closer look at iconic brides from royals, celebrities, and fictional characters.For more Women's Art Wednesday, click HERE.For more Artpop Talk, click HERE.

The author of history's most influential piece of animal mourning literature had been lost...until now. Learn the incredible true story behind The Rainbow Bridge.  Episode Guest Paul Koudounaris is a  founding member of The Order of the Good Death. He has a PhD in Art History and has written three books about the use of skeletal remains in sacred spaces, Empire of Death, Heavenly Bodies, and Memento Mori. When he's not hunting skeletons he moonlights as a cat historian, and his book co-authored by his tabby cat Baba, A Cat's Tale: A Journey Through Feline History, was a 2020 Barnes and Noble Book of the Year. Episode Resources The Rainbow Bridge: The True Story Behind History's Most Influential Piece of Animal Mourning Literature   Episode Credits Hosted by Caitlin Doughty  Guest Paul Koudounaris  Produced by the Order of the Good Death, Sarah Chavez  Edited by Alex de Freitas Music by Kissed Her Little Sister Podcast artwork by Jessica Peng The Order of the Good Death (https://www.orderofthegooddeath.com) Is supported by listeners like you! Support the Order by becoming a member (https://www.orderofthegooddeath.com/donate?)  

Alma Maria Mahler Gropius Werfel was a composer, socialite, and a bit unhinged. Pathological cruelty, antisemitism, vanity and a sense that the world owed Alma Maria Schindler something in token for her brilliance and beauty were some of the traits her admirers and enemies alike recognised in Alma (from theguardian.com). She was married three times to different artists and had impressionable moments with other notable men, which all led to her being a well-known femme fatale. She always wanted to be around creative geniuses and that actually led her to America where she became a cultural icon. Her life wasn't easy though. She lost multiple children and her first husband to illness. Although, that didn't stop her from thinking that it was her way or noway. So much so that she influenced and altered history in a way that has been labled, "The Alma Problem." Get your Homance apparel: etsy.com/shop/nicolebonneville Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com  

Episode No. 597 of The Modern Art Notes Podcast features artist Binh Danh and curator Jeffrey Richmond-Moll. Radius Books has just published a two-volume monograph titled, "Binh Danh: The Enigma of Belonging." The book, Danh's first monograph, brings together Danh's prints on plant matter that consider images associated with the war in Vietnam, and Danh's daguerreotypes of scenic vistas in the American West, his attempt to negotiate the land and history of a still-contested region. The book features essays by Danh, Boreth Ly, Joshua Chuang, Isabelle Thuy Pelaud, and Andrew Lam. Bookshop and Amazon offer it for about $60. Danh's work is on view in "Ansel Adams in Our Time" at the de Young Museum, San Francisco. The exhibition, which was curated by Karen Haas for the Museum of Fine Arts, Boston, is on view through July 23. Danh has had solo shows at museums such as the Cantor Arts Center, Stanford University; the North Carolina Museum of Art, Raleigh; and the Sheldon Museum of Art, University of Nebraska. He's in many major US museum collections, including at the Eastman House in Rochester, NY; the San Francisco Museum of Modern Art, the Harvard Art Museums, and the Huntington Library, San Marino, Calif. Richmond-Moll discusses "Object Lessons in American Art: Selections from the Princeton University Art Museum" at the Georgia Museum of Art. The exhibition features work from PUAM that present artworks about American history, culture, and society in ways that reveal how Princeton has taught and presented US art history. It's on view through May 14. A catalogue was published by PUAM. Bookshop and Amazon offer it for $30-40.

From the March/April 2023 edition of The Scottish Rite Journal. Any accompanying photographs or citations for this article can be found in the corresponding print edition.

In Platemark s3e23, host Ann Shafer speaks with Kimberly Henrikson, Executive Director, Center for Contemporary Printmaking in Norwalk, CT. CCP offers myriad services from contract printing to artist's residencies, classes, workshops, and exhibitions.

Welcome, Dr. Naomi Slipp, the Douglas and Cynthia Crocker Endowed Chair for the Chief Curator and Director of Museum Learning at the New Bedford Whaling Museum. Dr. Slipp oversees collections, curatorial, and museum learning across the museum, and manages 14 staff and about 100 volunteers. Prior to her arrival at the Museum, she was the Associate Professor of Art History at Auburn University at Montgomery, Alabama where she taught art history from the Renaissance to Modern Art. Naomi also managed the University's Cason McDermott Art Gallery and directed the Museum Studies Program. She holds a Ph.D. in art history from Boston University from the University of Chicago, and a BA from Hampshire College. Naomi served as the Executive Editor of Panorama: the Journal of the Association of Historians of American Art and worked at the Philadelphia Museum of Art, the Museum of Fine Arts, Boston, Harvard Art Museums, Terra Foundation for American Art, and Boston University Art Gallery. She has presented her research widely, including across the United States and in Canada, Belgium, and the UK. as well as publishing extensively. The Artists Index co-founder and Visual Arts Podcast Host, Ron Fortier, talks with Dr. Naomi Slipp about her career, beginnings, and passion for Art. This episode was recorded with Zoom in 2023. We continue using Zoom, our podcast host's studios, and our studio at the Spectrum Marketing Group in Howland Place in New Bedford. The In-Focus Podcasts are up close and personal conversations with the makers, performers, supporters, and cultural impresarios of the remarkable creative community of South Coast Massachusetts including New Bedford, Dartmouth, Fairhaven, Westport, and beyond. Music courtesy of www.bensound.com 

This episode contains graphic references of a sexual nature.Athena is the goddess of wisdom, tactical war and skilled craft in Greek mythology.She is the favourite daughter of Zeus and Metis, and is actually born from Zeus himself. She is one of the most recognisable Greek divinities, often depicted with her signature peaked helmet, spear, breast plate and shield, often with Medusa's head it. One of the most important myths of Athena is the contest between herself and her uncle, Poseidon, for the patronage of Athens. Spoiler alert: Athena wins. To continue our immersion into the deities of the Greek Gods, this week Tristan Hughes is joined by Rachel Kousser, Professor of Art History at the City University of New York. Together they discuss Athena's most iconic representations in both art and literature, and how she has become one of the must enduring figures of antiquity. The Senior Producer was Elena GuthrieScript written by Andrew HulseVoice over performed by Nicola WoolleyThe Assistant Producer was Annie ColoeEdited by Aidan LonerganIf you enjoyed this episode, you might also enjoy other episodes in the series: Zeus: King of the Gods, Hera: Queen of the Gods, Hephaestus: God of Fire, Aphrodite: Goddess of Love, and Ares: God of War.For more Ancients content, subscribe to our Ancients newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - enter promo code ANCIENTS for a free trial, plus 50% off your first three months' subscription.To download, go to the Android or Apple store. Hosted on Acast. See acast.com/privacy for more information.

What if we supported artists in taking moonshots?  This week we're taking a tour around Glenstone museum in Potomac, Maryland - one of the largest and most ambitious private institutions in America, fusing art, architecture and nature. This wide-ranging conversation between Glenstone's co-founder and director, Emily Rales and host Charlotte Burns covers the art inside the museum and how to create more meaningful visitor experiences, to the Glenstone foundation and future philanthropic plans. “Our values are immutable,” Emily says. “Art is essential to life. And sometimes when I say that to people, they're like, what does that even mean? But I really believe that art is essential to our civilization and to humanity.” She adds: “Long-term defines the way we think. We're not intending to go out guns a-blazing and then sun-setting the foundation within 20 years. We want this to continue to be sustained in perpetuity—and we really mean that.”

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective's unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective's unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Calling all Artpop Tarts! Tune in for this episode of Artpop Talk — your cohosts have some big newz to share! We'll also discuss papal drip and our David who has recently taken heat for his lack of modesty... For more Artpop Talk, click HERE.

Venice is a unique blending of cultural influences that has a lasting impact on artistic development and style. This episode focuses on the the transition from Venetian Gothic palace architecture in Venice to Renaissance style. How do we talk about the unique architecture of Venice? What historical changes impacted the shift in style from Gothic to Renaissance? How did the Venetians respond to Florentine artists, and the hosting of the Medici?  Listen in to learn about the Doge's Palace and the subsequent architecture of Venetian nobility. Instagram: @italian_renaissance_podcast Support the show

In this Fanbase Feature, The Fanbase Weekly co-host Bryant Dillon is joined by special guests David Avallone (writer - Drawing Blood, Elvira in Horrorland) and Madeline Weber (BFA in Animation and minors in Art History and Philosophy) participate in a thorough discussion regarding Star Wars: The Bad Batch - Season 2 (2023) in light of the season's recent conclusion, with topics including the Empire's solution to the "clone problem" and its thematic connection to the 1942 Wannsee Conference, the fates of characters like Tech and Omega, and more. (Beware: SPOILERS for Star Wars: The Bad Batch - Season 2 abound in this panel discussion!)

Quizmasters Elliot, Amelia, Wilson and Locklyn meet for a trivia quiz with topics including Baked Goods, Literature, Animals, French Language, Ancient Egypt, Hummingbirds, Astronomy, Geometry, Hip Hop, Botany, Video Games, Art History and more! Round One BAKED GOODS - Ruth Graves Wakefield invented what delicious baked dessert in 1938? LITERATURE - What is the first children's book that Dr. Seuss wrote? ANIMAL TERMS - What do you call a baby antelope? FRENCH LANGUAGE - What does "salut" mean in French? ANCIENT EGYPT - What is King Tut's full name? HUMMINGBIRDS - About how many times does a North American hummingbird flap its wings in a second? ASTRONOMY - What is the fourth planet away from the sun? ASTRONOMY - What was the first planet that was discovered? Round Two GEOMETRY - How many sides does a dodecagon have? HIP HOP - In "Yeah", a song by Usher, it says "Lil Jon got the 'blank'"; what is the blank? BOTANY - What fruit did the Europeans first think was poisonous? CATS - What taste can't cats feel? MAMMALS - What is the only mammal, other than a platypus, that lays eggs? RAPPERS - What rapper is a villain in a Marvel movie? VIDEO GAMES - What is the most weakest mob in Minecraft? ART HISTORY - Which artist is famous for his artwork titled "The Sunflowers"? Rate My Question CANDY - Which 1932 chocolate bar, still around today, used to come packaged with a vanilla and strawberry nougat bar as well? Final Questions MOVIES - What ultimate bad guy is in Spider-Man: No Way Home? BIOLOGY - What part of the body is made out of the same material as our hair? LGBTQ+ HISTORY - Wendy Carlos invented the synthesizer and was the first transgender person to win a Grammy. She also did the score for what Disney movie that was released in 1982 and got a sequel in 2010? ASTRONOMY - Which planet has the most moons? Upcoming LIVE Know Nonsense Trivia Challenges April 5th, 2023 - Know Nonsense Challenge - Point Ybel Brewing Co. - 7:30 pm EST April 6th, 2023 - Know Nonsense Trivia Challenge - Ollie's Pub Records and Beer - 7:30 pm EST April 15th, 2023 - JAMES BOND TRIVIA - Know Nonsense Challenge - Point Ybel Brewing Co. - 7:30 pm EST You can find out more information about that and all of our live events online at KnowNonsenseTrivia.com All of the Know Nonsense events are free to play and you can win prizes after every round. Thank you Thanks to our supporters on Patreon. Thank you, Quizdaddies – Gil, Tim, Tommy, Adam, Brandon, Blake, Spencer Thank you, Team Captains – Kristin & Fletcher, Aaron, Matthew, David Holbrook, Lydia, Rick G, Skyler, Hayden Thank you, Proverbial Lightkeepers – Elyse, Kaitlynn, Frank, Trent, Nina, Justin, Katie, Ryan, Robb, Captain Nick, Grant, Ian, Tim Gomez, Rachael, Moo, Rikki, Nabeel, Jon Lewis, Adam, Lisa, Spencer, Hank, Justin P., Cooper, Sarah, Karly, Lucas, Mike K., Cole, Adam, Caitlyn H, Sam, Spencer, Stephen, Cameron, Clay, JB, Joshua, James, Paul Thank you, Rumplesnailtskins – Mike J., Mike C., Efren, Steven, Kenya, Dallas, Issa, Paige, Allison, Kevin & Sara, Alex, Loren, MJ, HBomb, Aaron, Laurel, FoxenV, Sarah, Edsicalz, Megan, brandon, Chris, Alec, Sai, Tim, Andrea, Ian, Aunt Kiki, Clay, Littlestoflambs, Seth, Bill, Marc P., Holgast, Nora, Joe If you'd like to support the podcast and gain access to bonus content, please visit http://theknowno.com and click "Support."