Podcasts about Art history

Fluent Fiction - Hungarian: Through Hidden Gates: Art, History, and New Beginnings Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2025-11-05-08-38-20-hu Story Transcript:Hu: A napsugarak kora reggel gyengéden kúsztak be a budapesti termálfürdő izzadt termébe.En: The rays of the sun gently crept into the sweaty halls of the Budapest thermal bath early in the morning.Hu: Ágota és Bence épp a kisebb, melegvizes medencét csodálták.En: Ágota and Bence were admiring the smaller, warm water pool.Hu: Ősz volt, a fák aranyló lombkoronája vidám színeket hozott a város szívébe.En: It was autumn, and the golden canopy of trees brought cheerful colors to the heart of the city.Hu: A fürdő csempézett falai visszhangozták a csendes morajlást, ahogy a párok és a magányos látogatók a nyugodt vízben úszkáltak.En: The tiled walls of the bath echoed the quiet murmur of couples and solitary visitors swimming in the calm water.Hu: Ágota, az introvertált művész, az egyik sarokban ült.En: Ágota, the introverted artist, was sitting in one corner.Hu: Mosolyogva figyelte a vízen táncoló fényeket.En: Smiling, she watched the lights dancing on the water.Hu: Kapott egy ötletet, de még szavakká vagy ecsetvonásokká kellett formálnia.En: She got an idea, but it still needed to be shaped into words or brushstrokes.Hu: Az inspiráció lassan bújt elő, mint a meleg gőz, amely körbeölelte a medencét.En: Inspiration was slowly emerging, like the warm steam enveloping the pool.Hu: Bence közben nem messze állt tőle, a fürdő régi történeteivel a fejében.En: Meanwhile, Bence stood not far from her, with the old stories of the bath in his mind.Hu: Történész lévén elragadták őt a fürdő több évszázados emlékfoszlányai.En: Being a historian, he was captivated by the centuries-old fragments of memory the bath held.Hu: Minden sarkon rejtett meséket vélt felfedezni.En: In every corner, he thought he discovered hidden tales.Hu: Egy pillanatnyi bátorsággal, Bence megszólította Ágotát.En: With a moment of courage, Bence addressed Ágota.Hu: "Tudtad, hogy ez a fürdő az oszmán korban épült?En: "Did you know that this bath was built during the Ottoman era?"Hu: " kérdezte.En: he asked.Hu: "Képzeld el, hogy itt egykor szultánok is megfordultak.En: "Imagine that sultans once frequented this place."Hu: "Ágota érdeklődése felébredt.En: Ágota's interest was piqued.Hu: "Tényleg?En: "Really?Hu: Milyen izgalmas!En: How exciting!Hu: Én művész vagyok, de néha elakadok az ötleteimmel.En: I'm an artist, but I sometimes get stuck with my ideas.Hu: Talán egy ilyen történet segítene.En: Maybe such a story would help."Hu: "Bence biztatóan bólintott.En: Bence nodded encouragingly.Hu: "Tudok egy titkos helyet itt.En: "I know a secret spot here.Hu: Egy rejtett kapu egy másik medencéhez, amit csak kevesen ismernek.En: A hidden gate to another pool that only a few know about.Hu: Szeretnéd megnézni?En: Would you like to see it?"Hu: "Ágota szeme felragyogott.En: Ágota's eyes lit up.Hu: "Nagyon szeretném!En: "I would love to!"Hu: "Bence vezette Ágotát egy szűk folyosón.En: Bence led Ágota down a narrow corridor.Hu: Az egyik sarokban elrejtett ajtón át egy csendes, eldugott medencéhez érkeztek.En: Through a concealed door in one corner, they arrived at a quiet, secluded pool.Hu: A napfény éppen átszűrődött az üvegablakon, arany színűre festette a vizet.En: Sunlight filtered through the glass window, painting the water a golden color.Hu: Mesebeli látvány volt.En: It was a magical sight.Hu: Ágota érezte, hogy az inspiráció hullámai elsöprik minden korábbi akadályát.En: Ágota felt the waves of inspiration sweeping away all her previous obstacles.Hu: "Ez gyönyörű," mondta halkan, szinte álmodozva.En: "This is beautiful," she said softly, almost dreamily.Hu: "Köszönöm, hogy megmutattad.En: "Thank you for showing it to me."Hu: "Bence mosolygott.En: Bence smiled.Hu: "Örülök, hogy segíthettem.En: "I'm glad I could help."Hu: "A fürdőben töltött idejük végéhez érve Ágota és Bence megegyeztek, hogy újra találkoznak.En: As their time at the bath came to an end, Ágota and Bence agreed to meet again.Hu: Budapest utcáit fogják felfedezni, keverve a művészetet és történelmet.En: They would explore the streets of Budapest, blending art and history.Hu: Ahogy az épületek mesélnek a múltról, úgy mesél majd Ágota a képein keresztül.En: Just as buildings speak of the past, Ágota would tell stories through her paintings.Hu: Bence tanulni fog Ágota szemének látásáról, és Ágota újra hinni fog valaki más meséiben.En: Bence would learn to see through Ágota's eyes, and Ágota would believe again in someone else's tales.Hu: Őszinte szívvel, és az őszi levelek hullása miatt is, érezni lehetett, hogy valami új kezdődik.En: With sincere hearts, and partly because of the falling autumn leaves, it felt like something new was beginning.Hu: Egymásban találtak társra, a múlt és művészet összefonódott, és így mindketten rátaláltak arra, amit kerestek.En: They found companionship in each other, as the past and art intertwined, and thus both found what they were searching for.Hu: Új kezdet, új inspiráció, és végre, új bizalom.En: A new beginning, new inspiration, and finally, new trust. Vocabulary Words:crept: kúsztaksweaty: izzadtcanopy: lombkoronamurmur: morajlássolitary: magányosintroverted: introvertáltbrushstrokes: ecsetvonásokenveloping: körbeöleltehistorian: történészfragments: emlékfoszlányaicaptivated: elragadtákcourage: bátorsággalfrequented: megfordultakconcealed: elrejtettsecluded: eldugottfiltered: átszűrődöttobstacles: akadályátdreamily: álmodozvaencouragingly: biztatóancompanionship: társraintertwined: összefonódottinspiration: inspirációtrust: bizalomadmirations: csodáltákemerging: bújt előstories: történeteknarrow: szűkhidden: rejtettglass: üvegsweep: elsöprik

Fluent Fiction - French: Mystery in the Louvre: An Art Lover's Autumn Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-11-05-08-38-20-fr Story Transcript:Fr: L'automne avait transformé Paris en un tableau vivant.En: The autumn had transformed Paris into a living tableau.Fr: Les feuilles bruissaient sous les pieds des passants aux abords du Louvre, où une nouvelle intrigue se tissait.En: The leaves rustled under the feet of the passersby at the edge of the Louvre, where a new intrigue was unfolding.Fr: Au cœur du musée, parmi les œuvres d'art célèbres et les touristes émerveillés, se cachait un mystère sombre.En: In the heart of the museum, among the famous works of art and the awe-struck tourists, a dark mystery lay hidden.Fr: Lucien, un jeune passionné d'histoire de l'art, parcourait les galeries avec enthousiasme.En: Lucien, a young art history enthusiast, was enthusiastically wandering through the galleries.Fr: Chaque tableau, chaque sculpture, était pour lui une fenêtre sur le passé.En: Every painting, every sculpture, was for him a window to the past.Fr: Il venait d'une petite ville de province et avait toujours rêvé d'un jour résoudre un grand mystère à Paris.En: He came from a small provincial town and had always dreamed of one day solving a great mystery in Paris.Fr: Ce rêve semblait sur le point de devenir réalité.En: This dream seemed on the verge of becoming reality.Fr: Au même moment, Élodie, la conservatrice du musée, bouillonnait d'inquiétude.En: At the same time, Élodie, the museum curator, was simmering with anxiety.Fr: Un tableau précieux, une œuvre rare de l'impressionnisme, avait disparu.En: A precious painting, a rare piece of Impressionism, had disappeared.Fr: Le gala annuel du musée approchait, et le stress pesait lourd sur ses épaules.En: The museum's annual gala was approaching, and the stress weighed heavily on her shoulders.Fr: Elle était sceptique quant à l'implication de Lucien, mais elle avait peu d'alternatives.En: She was skeptical about Lucien's involvement, but she had few alternatives.Fr: Le temps pressait.En: Time was pressing.Fr: Sans en avertir Élodie, Lucien décida de chercher des indices.En: Without informing Élodie, Lucien decided to search for clues.Fr: Il passa des heures à interroger secrètement le personnel du musée.En: He spent hours secretly questioning the museum staff.Fr: Certains, touchés par sa détermination, acceptèrent de l'aider.En: Some, touched by his determination, agreed to help.Fr: Ils fouillèrent les salles, examinèrent chaque recoin, espérant trouver une trace de l'œuvre disparue.En: They searched the rooms, examined every nook, hoping to find a trace of the missing work.Fr: Élodie, bien qu'hésitante, remarqua la ténacité de Lucien.En: Élodie, although hesitant, noticed Lucien's tenacity.Fr: Elle devait choisir : continuer selon le protocole établi ou laisser ce jeune idéaliste agir.En: She had to choose: continue according to the established protocol or let this young idealist act.Fr: Elle opta pour une approche équilibrée, oscillant entre méfiance et espoir.En: She opted for a balanced approach, oscillating between mistrust and hope.Fr: Un jour, alors que la lumière dorée de l'automne inondait la grande salle, Lucien découvrit un indice crucial.En: One day, as the golden autumn light flooded the great hall, Lucien discovered a crucial clue.Fr: Une note cachée derrière une sculpture.En: A note hidden behind a sculpture.Fr: Elle indiquait que le tableau avait été dissimulé dans une section peu visitée du musée par un ancien employé frustré.En: It indicated that the painting had been concealed in a little-visited section of the museum by a former disgruntled employee.Fr: Le mystère s'éclaircissait.En: The mystery was clearing up.Fr: Lucien et Élodie unirent leurs efforts.En: Lucien and Élodie joined their efforts.Fr: Grâce à cette collaboration inattendue, ils localisèrent le tableau, soigneusement enveloppé dans un dépôt poussiéreux.En: Thanks to this unexpected collaboration, they located the painting, carefully wrapped in a dusty storage area.Fr: Le coupable, un homme amer à cause d'un ancien différend, fut arrêté.En: The culprit, a bitter man due to a past dispute, was arrested.Fr: Le jour du gala, le tableau était là, éblouissant sous les lumières de la fête.En: On the day of the gala, the painting was there, dazzling under the party lights.Fr: Lucien, rayonnant mais modeste, avait prouvé sa valeur.En: Lucien, radiant but modest, had proven his worth.Fr: Élodie, quant à elle, apprit qu'une touche de confiance pouvait parfois transcender les règles.En: Élodie, on the other hand, learned that a touch of confidence could sometimes transcend the rules.Fr: Paris continuait de murmurer sous l'automne, mais au Louvre, le triomphe partagé de Lucien et Élodie célébrait plus que l'art.En: Paris continued to murmur under the autumn, but at the Louvre, the shared triumph of Lucien and Élodie celebrated more than art.Fr: C'était une victoire de conviction et de confiance, un moment où l'individu et l'équipe avaient trouvé un équilibre parfait.En: It was a victory of conviction and confidence, a moment where the individual and the team had found perfect balance. Vocabulary Words:the autumn: l'automnethe tableau: le tableauthe leaves: les feuillesto rustle: bruirethe passerby: le passantthe heart: le cœurthe awe-struck: émerveilléthe curator: le conservateur/la conservatriceto simmer: bouillirthe anxiety: l'inquiétuderare piece: œuvre rarethe gala: le galato weigh: peserthe shoulder: l'épaulethe clue: l'indiceto interrogate: interrogerto examine: examinerthe nook: le recointhe tenacity: la ténacitéthe protocol: le protocoleto oscillate: oscillerthe hope: l'espoirthe sculpture: la sculptureto conceal: dissimulerthe storage area: le dépôtthe culprit: le coupablethe dispute: le différendthe balance: l'équilibrethe confidence: la confiancethe conviction: la conviction

Anno 117: Pax Romana presents a different side of the Roman Empire - a multicultural world where people from diverse backgrounds lived side by side, and the necessities of everyday life are essential to success as a player. Matt Lewis is joined by Dr Anne Chen, Associate Professor of Art History and Culture at Bard College, to explore what archaeology can tell us about daily life in the Roman Empire.Follow this link to learn more about Dr Chen's work at the the International [Digital] Dura-Europos Archive - or IDEA - Project.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Hosted by: Matt LewisEdited by: Robin McConnellProduced by: Robin McConnellSenior Producer: Anne-Marie LuffProduction Manager: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic by DynamedionIf you liked this podcast please subscribe, share, rate & review. Take part in our listener survey here.Tell us your favourite Assassin's Creed game or podcast episode at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

A single question can power a lifetime of work: Why do I make art? Ty and Nathan sit with Ursula Von Rydingsvard's stark and generous answers—woven from anxiety, labor, faith in process, and the stubborn hope that making can heal—and use it as a mirror for our own practices. From the first splinter to the last pass of the saw, we look at how big work invites big stakes, why the best days feel like discovery, and how the studio becomes a container strong enough to hold whatever we bring into it.We dig into the creative toggle between object and process: when materials feel right but the method frays, and when the method sings but the object won't land. That friction is feedback, not failure. Ursula's line about having confidence in the possibility of seeing the work through reframes ambition without guarantees—an artist's version of resilience. We also talk about self-doubt as a companion rather than an enemy, and how studying our heroes deeply—films, books, museum visits—feeds our own artistic DNA without imitation.There's a human infrastructure behind monumental art. Ursula's assistants form another kind of family, proof that leadership in the studio is its own craft. We reflect on daily rhythm, showing up without perfect conditions, and making pieces that may outlive us—which is how work reaches into the future. The conversation edges into generational pain and the unanswerable questions art dares to hold. Answers are rare; presence is everything. If you've ever needed permission to trust the process and keep going, consider this your sign.If this resonated, follow the show, share it with a friend who needs a creative nudge, and leave a quick review—tell us your “why” so we can feature it in a future Q&A.Make sure to check out "Art from the Outside" and the amazing interview they had with Ursula: Spotify    AppleSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

In today's episode, Philip Ziegler joins the podcast to talk about his new Baylor Press book God's Adversary and Ours. Ziegler leads us on a cautious but determined biblical-theological exploration of the identity, ontology, and agency of "that old serpent," the Enemy, whose image becomes most discernible and salient in direct contact with the person and work of the Savior. Fixing attention upon the figure of the devil in a soteriological context confronts us with what the devil does; what the devil might be trails behind. Treating diabolical temptation, demonic possession, and devilish falsehood in turn, Ziegler demonstrates what resistance to—and faithful disbelief of—these three aspects of the devil's business might mean for the shape of a Christian life.Professor Philip G. Ziegler is a theologian specializing in systematic theology, historical theology, and ethics. He holds the personal chair of Professor of Christian Dogmatics at the University of Aberdeen's School of Divinity, History, Philosophy & Art History. Previously, he taught at the Atlantic School of Theology in Canada and held postdoctoral fellowships at Princeton University. Ordained in the United Church of Canada since 1996, he also serves as an associated elder at St Machar Cathedral and Trustee of the Church of Scotland's General Assembly. His research focuses on Dietrich Bonhoeffer, Karl Barth, and apocalyptic theology, with recent work exploring Christology, ethical responsibility, and divine freedom.

Giuseppe Castellano talks to Amanda Burdan, Senior Curator at The Brandywine Museum of Art, about N.C. Wyeth's early life; what led to the restoration and permanent exhibition of Wyeth's The Apotheosis of the Family; what today's illustrators can do for tomorrow's curators; and more.To learn more about the Brandywine, visit brandywine.org. For tours and the mural experience, visit brandywine.org/mural.Artists mentioned in this episode include: Howard Pyle, Jamie Wyeth, Norman Rockwell, J.C. Leyendecker, Stanley Arthurs, Harvey Dunn, Clifford Ashley, Violet Oakley, Thomas Hart Benton, George Bellows, Marsden HartleyPhotograph credit: N.C. Wyeth in Chadds Ford studio with central panel of Apotheosis mural, undated. Photograph by Earl C. Roper, Philadelphia, PA. E. Coe Kerr Collection, Walter & Leonore Annenberg Research Center, Brandywine Museum of Art. Gift of Betsy Wyeth, 2004.  If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In part two of this special fiction-meets-art-history podcast, you'll step into the MoMA after hours, where a professional development retreat turns into something much more sinister. What begins as an inspiring evening quickly spirals into chaos when Dal�'s The Persistence of Memory disappears. The Dalí is gone. The suspects are gathered. And the detectives are running out of time. In the shocking conclusion to An Art History Mystery, our five art teachers—Delilah, Solomon, Madison, Amber, and Robert—return to the Museum of Modern Art for questioning. As the night deepens, stories twist, motives unravel, and the truth finally surfaces. Who had the means? Who had the motive? And who had the opportunity to steal one of the most iconic paintings in modern art? Listen as Detectives Kelly and Forrest piece together the clues in a finale filled with confessions, contradictions, and the ultimate reveal of the thief behind The Persistence of Memory. Was it an act of obsession, ambition, or art itself? Find out in this second and final episode of An Art History Mystery. Resources and Links Join the Art of Ed Community Check out the Community's Halloween Costume Contest How Mysteries Can Make Learning Exciting 6 Creepy Artworks for Halloween Art Teacher Horror Stories

JOIN THE NICHE COMMUNITY → Mark your calendar for Rep Rundown - Happening Oct. 29th & 30th! If you've ever walked into a room full of successful peers and thought, “What am I even doing here?”, this episode is for you! Kerry Dyer,  Chief Development Officer at Brownell Travel, has built a career leading, mentoring, and inspiring advisors to grow thriving businesses with confidence. After delivering a powerful presentation on imposter syndrome at Virtuoso Travel Week, Jennifer and Robin knew it was essential to bring that conversation to the podcast. In this episode, Kerry unpacks what imposter syndrome really looks like, the most common triggers advisors face, and how to reframe self-doubt before it takes over. From perfectionism and comparison traps to boundaries and self-belief, she shares strategies you can start using today. You'll walk away with tools to build confidence, celebrate your wins, and finally feel comfortable owning your expertise, because you do belong in the room! About Kerry Dyer: What began as a “happy accident” turned into a 30-year career in luxury travel. After earning a BFA in Art History, she joined Maritz Travel, where her passion for sales quickly emerged. She went on to spend 14 years with Four Seasons Hotels and Resorts, ultimately serving as Director of Leisure Sales for the Americas, followed by a successful tenure as Director of Sales and Marketing at Mandarin Oriental, Atlanta. Now, as Chief Development Officer at Brownell, she leads Marketing, Partners, and Advisor Development, bringing her deep industry expertise and leadership full circle. brownelltravel.com/hosting/team/kerry-dyer Today we will cover: (03:35) Meet Kerry Dyer; her early lessons in confidence (11:15) What is imposter syndrome, really? (15:55) How lack of formal credentials, comparison, and entrepreneurship amplify self-doubt in the travel industry (23:50) The 5 types of imposter syndrome; identifying your patterns and reframing them (31:45) Progress over perfection; why letting go of control can change everything (40:35) How community and collaboration silence self-doubt faster than working alone (44:15) Setting boundaries and showing up intentionally for your clients and family VISIT THE TEMPLATE SHOP EXPLORE THE PROGRAMS FOLLOW ALONG ON INSTAGRAM @TiqueHQ Thanks to Our Tique Talks Sponsors: Moxie & Fourth - Register Now for Route To Results Cozy Earth - Use code COZYTIQUE for 20% off

In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as “ethnographic surrealism.” Joyce Suechun Cheng considers the ethnographic dimension of the surrealist movement in its formative years in her new book The Persistence of Masks: Surrealism and the Ethnography of the Subject, the inaugural volume in the University of Minnesota Press's Surrealisms series. By broadening the scope of ethnographic surrealism, Cheng offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Here, Cheng is joined in conversation with Surrealisms series editor Jonathan Eburne.Joyce Cheng is associate professor of art history at the University of Oregon and author of The Persistence of Masks: Surrealism and the Ethnography of the Subject.Jonathan Eburne is J. H. Hexter Professor in the Humanities at Washington University in St. Louis. He is author of Outsider Theory: Intellectual Histories of Unorthodox Ideas and Exploded Views: Speculative Form and the Labor of Inquiry.    REFERENCES:Michael Stone-RichardsJames Clifford / The Predicament of CultureNatalya LustyEffie RentzouJames Leo Cahill / Zoological SurrealismGeorges Bataille / DocumentsVincent Debaene / Far AfieldSevered hand collagesMarcel MaussHannah ArendtJohannes Fabian / Time and the OtherMalkam AyyahouThe Persistence of Masks: Surrealism and the Ethnography of the Subject by Joyce Suechun Cheng is available from University of Minnesota Press and is the first book in its Surrealisms series. The University of Minnesota Press is also publisher of the International Journal of Surrealism.

Narrator: Thomas Jones

Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet's paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting (Yale UP, 2022) explores these astonishing paintings, staking a claim for their importance to Courbet's work and later developments in French modernism. Ranging from the grottoes of Courbet's native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. In this interview, Allison Leigh talks to Dr. Galvez about why he felt we needed another book on Courbet, how he tackled the voluminous scholarship on this artist, and how to make claims about an artist's intentions from a historical standpoint. Their conversation ranges from how to best use comparisons in art historical argumentation to the difficulties of reproducing some art works—even with high resolution digital photography. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Doug Jeppesen earned a BA in Art History and a BFA in Art with an emphasis in ceramics from the University of Tulsa, and MFA from Northern Illinois University. Specializing in wood firing, Doug's work has appeared in numerous national juried and invitational exhibitions across the United States and he was a panel member during the International Wood Firing Conference hosted by Northern Arizona University, and at the 2nd European Wood Fire Conference hosted by Guladagergaard International Ceramic Research Center in Skaelskor Denmark. https://ThePottersCast.com/1172

Have you ever noticed how conversations about the American Revolution often center on great battles, founding documents, and famous statesmen? What if, instead, we explored that world through the eyes—and the hands—of everyday people who shaped it through art? Zara Anishanslin, Associate Professor of History and Art History at the University of Delaware and Director of its Museum Studies and Public Engagement Program, joins us to uncover the hidden world of artists, artisans, and makers who painted, stitched, and crafted the Revolution into being. Drawing from her book The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution, Zara helps us see how creativity and craftsmanship tell a fuller—and more human—story of America's founding. Zara's Website | Book | Show Notes: https://www.benfranklinsworld.com/423 EPISODE OUTLINE 00:00:00 Introduction 00:41.79 Welcome & Episode Overview 00:02:59 Meet Our Guest 00:07:11 The Transatlantic Network of Revolutionary Artists 00:11:28 Why Revolutionary Artwork Didn't Survive 00:14:13 Prince Demah & His Mother Daphny 00:21:21 How Art Patronage Worked in the 18th Century 00:24:01 Finding Prince Demah a Teacher in London 00:27:40 Life as a Black Artist in London 00:41:22 Prince Demah's Life in Revolutionary Boston 00:49:24 Robert Edge Pine: The English Artist Who Supported America 00:59:24 How Revolutionary Art Differs from Later Commemorative Art 01:04:55 What Artists Reveal About the Revolution 01:07:29 Closing Thoughts & Resources RECOMMENDED NEXT EPISODES

Have you ever noticed how conversations about the American Revolution often center on great battles, founding documents, and famous statesmen? What if, instead, we explored that world through the eyes—and the hands—of everyday people who shaped it through art? Zara Anishanslin, Associate Professor of History and Art History at the University of Delaware and Director of its Museum Studies and Public Engagement Program, joins us to uncover the hidden world of artists, artisans, and makers who painted, stitched, and crafted the Revolution into being. Drawing from her book The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution, Zara helps us see how creativity and craftsmanship tell a fuller—and more human—story of America's founding.Zara's Website | Book |Show Notes: https://www.benfranklinsworld.com/423  EPISODE OUTLINE 00:00:00  Introduction 00:41.79  Welcome & Episode Overview 00:02:59  Meet Our Guest 00:07:11  The Transatlantic Network of Revolutionary Artists 00:11:28  Why Revolutionary Artwork Didn't Survive 00:14:13  Prince Demah & His Mother Daphny 00:21:21  How Art Patronage Worked in the 18th Century 00:24:01  Finding Prince Demah a Teacher in London 00:27:40  Life as a Black Artist in London 00:41:22  Prince Demah's Life in Revolutionary Boston 00:49:24  Robert Edge Pine: The English Artist Who Supported America 00:59:24  How Revolutionary Art Differs from Later Commemorative Art 01:04:55  What Artists Reveal About the Revolution 01:07:29  Closing Thoughts & Resources RECOMMENDED NEXT EPISODES

A locked museum. Five eccentric art teachers. One missing Salvador Dalí masterpiece. In this special fiction-meets-art-history podcast, you'll step into the MoMA after hours, where a professional development retreat turns into something much more sinister. What begins as an inspiring evening quickly spirals into chaos when Dalí's The Persistence of Memory disappears. Each teacher has their quirks, secrets, and possible motives: Delilah Rose – the bubbly Ms. Frizzle of the art room, all glitter glue and good intentions… but is she too innocent? Solomon Ochre – the arrogant competitor, desperate to showcase his talent and prove his importance. Amber Russell – indifferent, sarcastic, observant, and maybe secretly brilliant. Madison Periwinkle – the "artfluencer", livestreaming for clout and sharing her entire teaching experience. Robert Celadon – the old school purist, obsessed with tradition, forgery, and art history. When the painting vanishes, suspicion falls on them all. With quirky detectives, unreliable security, and tangled motives, this is more than a PD event—it's a full-blown art heist mystery. Listen now to experience a story blending art history, teaching art, and true-crime-style suspense. Can you solve the mystery before the detectives do? Resources and Links Join the Art of Ed Community Check out the Community's Halloween Costume Contest How Mysteries Can Make Learning Exciting 6 Creepy Artworks for Halloween Art Teacher Horror Stories

Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet's paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting (Yale UP, 2022) explores these astonishing paintings, staking a claim for their importance to Courbet's work and later developments in French modernism. Ranging from the grottoes of Courbet's native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. In this interview, Allison Leigh talks to Dr. Galvez about why he felt we needed another book on Courbet, how he tackled the voluminous scholarship on this artist, and how to make claims about an artist's intentions from a historical standpoint. Their conversation ranges from how to best use comparisons in art historical argumentation to the difficulties of reproducing some art works—even with high resolution digital photography. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet's paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting (Yale UP, 2022) explores these astonishing paintings, staking a claim for their importance to Courbet's work and later developments in French modernism. Ranging from the grottoes of Courbet's native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. In this interview, Allison Leigh talks to Dr. Galvez about why he felt we needed another book on Courbet, how he tackled the voluminous scholarship on this artist, and how to make claims about an artist's intentions from a historical standpoint. Their conversation ranges from how to best use comparisons in art historical argumentation to the difficulties of reproducing some art works—even with high resolution digital photography. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Fluent Fiction - French: Art, History & Friendship: A School Trip to Paris Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-10-18-22-34-02-fr Story Transcript:Fr: Les rues de Paris en automne sont une symphonie de couleurs.En: The streets of Paris in autumn are a symphony of colors.Fr: Les feuilles dorées virevoltent dans l'air frais.En: The golden leaves whirl in the fresh air.Fr: Les touristes se promènent, émerveillés par la beauté des lieux.En: Tourists stroll, amazed by the beauty of the place.Fr: Le Louvre, tel un monument majestueux, invite à découvrir ses trésors artistiques.En: The Louvre, like a majestic monument, invites visitors to discover its artistic treasures.Fr: Émile, Lucie et Théo se tiennent à l'entrée, entourés de leur classe.En: Émile, Lucie, and Théo stand at the entrance, surrounded by their class.Fr: C'est une sortie scolaire attendue depuis des semaines.En: It is a school trip they have eagerly awaited for weeks.Fr: Émile, passionné d'histoire, espère impressionner son professeur avec sa connaissance des œuvres d'art.En: Émile, passionate about history, hopes to impress his teacher with his knowledge of art.Fr: Lucie, toujours curieuse et enthousiaste, s'empresse d'entrer.En: Lucie, always curious and enthusiastic, rushes to enter.Fr: Elle attrape la main d'Émile.En: She grabs Émile's hand.Fr: "Allons voir ce tableau dont tu parles toujours !"En: "Let's go see that painting you always talk about!"Fr: dit-elle, excitée.En: she says, excited.Fr: Théo, à leur côté, lève les yeux au ciel.En: Théo, by their side, rolls his eyes.Fr: "Ce ne sont que des peintures.En: "They're just paintings.Fr: L'art, c'est bien plus que des histoires du passé," réplique-t-il avec une pointe de mépris.En: Art is much more than stories from the past," he replies with a hint of disdain.Fr: La tension monte lorsque le groupe s'arrête devant un tableau célèbre.En: Tension rises as the group stops in front of a famous painting.Fr: Émile prend une profonde inspiration.En: Émile takes a deep breath.Fr: C'est le moment, pense-t-il.En: This is the moment, he thinks.Fr: "Regardez ce tableau.En: "Look at this painting.Fr: Il montre la révolution.En: It shows the revolution.Fr: Les couleurs, les personnages... ils racontent une histoire incroyable de courage et de changement," explique-t-il, sa voix gagnant en assurance.En: The colors, the characters... they tell an incredible story of courage and change," he explains, his voice gaining confidence.Fr: Théo croise les bras et hausse les épaules.En: Théo crosses his arms and shrugs.Fr: "C'est juste une interprétation," murmure-t-il.En: "It's just an interpretation," he mutters.Fr: Lucie intervient, espérant apaiser les choses.En: Lucie steps in, hoping to ease things.Fr: "Théo, Émile a beaucoup réfléchi à ce tableau.En: "Théo, Émile has thought a lot about this painting.Fr: Écoute-le."En: Listen to him."Fr: Émile, encouragé, poursuit.En: Émile, encouraged, continues.Fr: "Les détails du tableau montrent comment les gens se battaient pour la liberté.En: "The details of the painting show how people fought for freedom.Fr: C'est important de comprendre leur lutte pour apprécier notre monde aujourd'hui."En: It's important to understand their struggle to appreciate our world today."Fr: Les camarades de classe écoutent attentivement.En: Their classmates listen attentively.Fr: Même Théo, malgré lui, commence à se pencher vers le tableau, un soupçon d'intérêt dans les yeux.En: Even Théo, despite himself, begins to lean towards the painting, a hint of interest in his eyes.Fr: Émile continue avec passion, des faits historiques à l'appui.En: Émile goes on passionately, backed by historical facts.Fr: À la fin de son explication, le professeur s'approche de lui, impressionné.En: At the end of his explanation, the teacher approaches him, impressed.Fr: "Bravo, Émile.En: "Well done, Émile.Fr: Vous avez su captiver tout le monde avec votre interprétation."En: You managed to captivate everyone with your interpretation."Fr: Théo, un peu gêné, s'avance.En: Théo, a bit embarrassed, steps forward.Fr: "Je ne l'avais pas vu comme ça.En: "I hadn't seen it that way.Fr: Tu as raison, c'est fascinant de penser à l'histoire derrière chaque œuvre," admet-il, un léger sourire aux lèvres.En: You're right, it's fascinating to think about the history behind each work," he admits, a slight smile on his lips.Fr: Émile sourit, soulagé et fier.En: Émile smiles, relieved and proud.Fr: Il réalise alors l'importance de défendre ses idées avec conviction.En: He then realizes the importance of standing up for his ideas with conviction.Fr: Théo, lui, apprend à apprécier les perspectives des autres.En: Théo, on the other hand, learns to appreciate others' perspectives.Fr: Au retour, les rues de Paris semblent plus belles que jamais aux yeux d'Émile.En: On the way back, the streets of Paris seem more beautiful than ever to Émile.Fr: Il n'a pas seulement gagné le respect de Théo, mais aussi de la confiance en lui.En: He has not only gained Théo's respect but also confidence in himself.Fr: Lucie marche à ses côtés, heureuse de cette nouvelle harmonie entre ses deux amis.En: Lucie walks by his side, happy with this new harmony between her two friends.Fr: Ils laissent le Louvre derrière eux, le cœur léger, prêts à affronter de nouvelles aventures, unis par un respect mutuel et une passion partagée pour l'histoire et l'art.En: They leave the Louvre behind, hearts light, ready to face new adventures, united by mutual respect and a shared passion for history and art.Fr: Les feuilles continuent de tomber délicatement autour d'eux, emportant dans le vent les souvenirs d'une journée mémorable.En: The leaves continue to gently fall around them, carrying with the wind the memories of a memorable day. Vocabulary Words:the symphony: la symphoniethe leaves: les feuillesto whirl: virevolterthe tourist: le touristeamazed: émerveilléto stroll: se promenerthe entrance: l'entréeto rush: s'empresserto grab: attraperto roll one's eyes: lever les yeux au cielthe disdain: le mépristhe tension: la tensionto breathe: respirerthe courage: le couragethe change: le changementto shrug: hausser les épaulesto mutter: murmurerto lean: se pencherattentively: attentivementdespite: malgréthe interpretation: l'interprétationto captivate: captiverthe classmate: le camarade de classeto admit: admettrethe relief: le soulagementthe conviction: la convictionto appreciate: apprécierto defend: défendrethe perspective: la perspectivememorable: mémorable

Episode Topic: Architecture, Representation, & PoliticsCaspar Pearson, director of studies and reader in Art History 1300-1700 at the Warburg Institute in London, shares his work on Leon Battista Alberti, the early Renaissance humanist scholar and architect, and one of history's most influential writers and thinkers on art and architecture.Featured Speakers:-Caspar Pearson, Warburg InstituteRead this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: https://go.nd.edu/a7b3ba.This podcast is a part of the ThinkND Series titled Restoring Reason, Beauty, and Trust in Architecture.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

In this episode of CAA Conversations, Dr. Yipaer Aierken hosts a conversation with Dr. Rachel Miller an Dr. Mya Dosch exploring the rise of generative AI and how it is reshaping the practice of teaching art and art history—particularly in general education art history courses. As AI tools become more integrated into students' academic and daily lives, educators are being challenged to rethink not only how we teach but also how we define learning, teaching, and pedagogy in higher education. This week's conversation between three California State University professors covers their teaching experiences, pedagogy development processes, and the course assignments designed to reflect on the key question: Why is it important to rethink how we teach in the Age of AI? Yipaer Aierken is an assistant professor of Asian art at California State University, Sacramento, where she teaches courses on the art of Asia, including China, Japan, Korea, India, and Southeast Asia. Professor Aierken is a scholar with an interdisciplinary focus on both art history and religious studies. She employs methods from art history, religious studies, and ethnography in her study of polyethnic artists and scholar-officials of the Yuan and Qing dynasties, including those of Uyghur, Tibetan, Manchu, and Mongol origins. She has published pedagogy lesson plans on Art History Teaching Resources and previously taught at the University of California, Davis, and Arizona State University. In February 2026, Professor Aierken will present papers and chair panels on Asian and Asian diaspora women artists at the CAA Annual Conference. Rachel Miller is an associate professor of art history and chair of the art department at California State University, Sacramento, where she teaches courses on ancient, medieval, Renaissance, and Baroque art, using teaching methods that place European art in a broader global context and decolonize European art's traditional normative position in the canon of art history. Professor Miller has presented papers and workshops on art history pedagogy and organized pedagogy panels at the College Art Association, the Sixteenth Century Society, and the Renaissance Society of America annual conferences. She has written on pedagogy for the Sixteenth Century Journal and Art History Teaching Resources and has a forthcoming essay, co-written with Dr. Mya Dosch, in the edited volume Equity-Enhancing Strategies for the Art History Classroom. Dr. Miller also serves as an editor of Art History Teaching Resources and is on the editorial board of the journal Art History Pedagogy & Practice. Mya Dosch is associate professor of art of the Americas at California State University, Sacramento. Their current research considers commemorations of the 1968 student movement in Mexico City, from monumental sculptures to ephemeral protest interventions. Dosch's work on Mexican prisons, public art, and protest appears in the journal Future Anterior and the anthologies Teachable Monuments and Imágenes en Colectivo. They have also facilitated student-written audio guides for the Crocker Art Museum and are working on a student-developed public art catalog for Sacramento State.

In this episode of Jo's Art History Podcast, Jo McLaughlin is joined by Rebecca Odessa, to discuss the artist Labyrinths in Art History.Whether you're an art enthusiast, a history buff, or just curious about the stories behind the masterpieces of the past, this episode is packed with fascinating discussions and fresh perspectives.Guest Details:Rebecca Odessa - Artist based on the Isle of ManFind Rebecca online:Website: http://www.rebeccaodessa.com/Instagram: https://www.instagram.com/rebeccaodessaHost Details:Jo McLaughlin is the creator and host of Jo's Art History Podcast, an art historian, writer, and passionate storyteller dedicated to making art history accessible and engaging for all.Find Jo online:Website: www.josarthistory.comInstagram: @josarthistoryLinkedIn: Jo McLaughlinResources & References:Chartres Cathedralhttps://www.cathedrale-chartres.org/en/cathedrale/monument/the-labyrinth/  Richard Longhttps://teaching.ellenmueller.com/walking/2022/04/03/richard-long-connemara-sculpture-1971/Mark Wallinger http://art.tfl.gov.uk/labyrinth/about/https://www.google.com/search?sca_esv=d5be2ea9143ccd98&sxsrf=AHTn8zrbft7LV9-w76Q7fgPfGaTykD5-DQ:1740228694670&q=labyrinth+in+art+history&udm=7&fbs=ABzOT_CWdhQLP1FcmU5B0fn3xuWpA-dk4wpBWOGsoR7DG5zJBmQC-et4UnwhHFEfTDjtrGg-xS-t736QShNPCBz-Y1jy5zM-6m-dNEt6mgM5KncKVyeorK3o4Z5JjHDOV1aCn6qJ51ZX5jNkVsPw8INJ0sdYjPu1AEJVpIIgUVbVsQZQlk749FqdM1eg8ROI4Wm1Vig0DRFm&sa=X&ved=2ahUKEwilyLGJqdeLAxVDWkEAHR7rARAQtKgLegQIEBAB&biw=1041&bih=920&dpr=1.6#fpstate=ive&ip=1&vld=cid:c40c7db0,vid:NFsski0UyJk,st:0Support the Podcast:If you enjoyed this episode, please consider leaving a review and rating on whatever platform you are listening on. Your support helps us reach more art lovers!Follow Jo's Art History Podcast for more episodes on Itunes, Spotify or wherever you listen to podcasts.Let's keep the conversation going! Share your thoughts on social media using #JoArtHistoryPod and tag us @josarthistory.If you would like to purchase a book from my Amazon wish list as a gift to say thank you and support a future episode, please do so here:https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_shareThanks for listening!

Fluent Fiction - Catalan: Uncovering Secrets: A Thrilling Hunt for Lost Art in Barcelona Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2025-10-12-22-34-02-ca Story Transcript:Ca: Martí passejava pel Barri Gòtic de Barcelona, observant les ombres que ballaven sobre les parets antigues amb la llum vacil·lant dels fanals.En: Martí was wandering through the Barri Gòtic of Barcelona, observing the shadows dancing over the ancient walls with the flickering light of the street lamps.Ca: La Mercè estava en plena celebració, i la ciutat resplendia de música i alegria.En: La Mercè was in full celebration, and the city was glowing with music and joy.Ca: Però Martí tenia una cosa més important al cap: el misteri d'un quadre desaparegut d'una galeria local.En: But Martí had something more important on his mind: the mystery of a missing painting from a local gallery.Ca: Es tractava d'un quadre famós, "El Somni de Barcelona", que havia desaparegut sobtadament.En: It was a famous painting, "The Dream of Barcelona," that had suddenly disappeared.Ca: Molts havien intentat esbrinar què havia passat, però sense èxit.En: Many had tried to find out what had happened, but without success.Ca: Martí desitjava ser el primer a descobrir la veritat i guanyar així la seva reputació com a jove historiador de l'art.En: Martí wished to be the first to discover the truth and thus earn his reputation as a young art historian.Ca: Júlia, una guia turística coneguda per les seves vivències captivadores, va trobar Martí al carrer del Bisbe, envoltada per una petita multitud que escoltava les seves històries sobre els fantasmes de Barcelona.En: Júlia, a tour guide known for her captivating experiences, found Martí on carrer del Bisbe, surrounded by a small crowd listening to her stories about the ghosts of Barcelona.Ca: Quan va acabar el seu tour, Martí es va apropar a ella.En: When she finished her tour, Martí approached her.Ca: —Júlia, necessito la teva ajuda.En: "Júlia, I need your help.Ca: He vist que coneixes aquests carrers millor que ningú a la ciutat.En: I've seen that you know these streets better than anyone in the city.Ca: Podries ajudar-me a trobar el quadre desaparegut?En: Could you help me find the missing painting?"Ca: Júlia va acceptar encantada.En: Júlia accepted eagerly.Ca: Junts, es van endinsar en els carrers enlluernadors del Barri Gòtic, esquivant les rambles de gent que gaudia de la festa.En: Together, they ventured into the dazzling streets of the Barri Gòtic, dodging the crowds of people enjoying the festival.Ca: La seva primera pista els va portar a un petit cafè de la Plaça Reial, on es rumorejava que uns individus estranys havien parlat sobre "El Somni de Barcelona".En: Their first clue led them to a small café in Plaça Reial, where it was rumored that some strange individuals had talked about "The Dream of Barcelona."Ca: Durant la investigació, van descobrir un passadís amagat darrere una prestatgeria de llibres antics a una llibreria dels carrerons més estrets.En: During the investigation, they discovered a hidden passage behind a bookshelf of old books in a bookstore in the narrowest alleyways.Ca: Les parets humides d'aquest passadís els van portar a les profunditats del barri, on van trobar senyals d'activitat clandestina.En: The damp walls of this passage led them into the depths of the neighborhood, where they found signs of clandestine activity.Ca: Martí i Júlia van intuir la presència d'un sindicat de l'art local, dedicat al tràfic il·legal de peces valuoses.En: Martí and Júlia sensed the presence of a local art syndicate dedicated to the illegal trafficking of valuable pieces.Ca: Amb poc temps, van planejar un rescat agosarat: aprofitarien les distraccions de la nit més animada de La Mercè per recuperar el quadre.En: In no time, they planned a daring rescue: they would take advantage of the distractions of the most lively night of La Mercè to recover the painting.Ca: Finalment, enmig del so festiu dels castells de foc i la processó gegant, Martí i Júlia van aconseguir entrar a l'ocult despatx del sindicat.En: Finally, amidst the festive sounds of fireworks and the giant procession, Martí and Júlia managed to enter the hidden office of the syndicate.Ca: Allà, embolicat en tela fosca, "El Somni de Barcelona" els esperava.En: There, wrapped in dark cloth, "The Dream of Barcelona" was waiting for them.Ca: Amb el cor bategant amb força, van fugir sigil·losament, integrant-se entre la multitud feliç de celebrants.En: With hearts pounding, they fled stealthily, blending into the happy crowd of celebrants.Ca: L'endemà, la galeria va recuperar el seu tresor, i Martí i Júlia van rebre agraïments plens d'elogis.En: The next day, the gallery recovered its treasure, and Martí and Júlia received grateful thanks full of praise.Ca: Martí, abraçant el seu somni de ser un historiador reconegut, va entendre el valor de la cooperació.En: Martí, embracing his dream of becoming a recognized historian, understood the value of cooperation.Ca: I Júlia, amb noves inspiracions per a les seves rutes, va veure ampliat el seu ventall de narracions.En: And Júlia, with new inspirations for her tours, saw her array of narratives expanded.Ca: Tots dos sabien que, en aquell barri antic, el misteri i l'aventura sempre estaven a la volta de la cantonada.En: Both knew that, in that ancient neighborhood, mystery and adventure were always just around the corner. Vocabulary Words:wandering: passejantshadows: les ombresflickering: vacil·lantstreet lamps: els fanalscelebration: la celebracióglowing: resplendintmissing: desaparegutart historian: l'historiador de l'artguide: la guiacrowd: la multitudtour: el toureagerly: encantadadazzling: enlluernadorsrumored: es rumorejavastrange individuals: individus estranyshidden passage: el passadís amagatbookshelf: la prestatgeriaclandestine: clandestinasyndicate: el sindicattrafficking: el tràficvaluable pieces: peces valuosesrescue: el rescatdistractions: les distraccionswrapped: embolicatstealthily: sigil·losamenthearts pounding: el cor bategant amb forçagrateful thanks: agraïmentspraise: els elogisembracing: abraçantcooperation: la cooperació

In this episode, Sarah talks to Daniel J. Sherman about his most recent book, Sensations: French Archaeology Between Science and Spectacle, 1890-1940 (U Chicago Press, 2025). Sensations is a history of the early years of professional archaeology in France through two controversies – the first in Carthage in what the French protectorate of Tunisia and the second in the small rural community of Glozel in central France. The book shows how “archaeology as we know it today grew out of a fundamental tension between archaeologist's scientific ambitions and their continuing need for media attention.” (1) Timely without being presentist, funny without being unserious, the book explores questions of embodiment, performance, photography, fake news, professional quarrels, and the mediatization of scandal. The conversation explores the two sites of controversy as well as the network of professional archaeologists, amateur “collectors”, journalists, and others who shaped how the public understood and engaged with the ancient past. In addition to discussing the major themes of the book, our conversation delves into considerations of historical empathy, archaeological performance and “the dig”, and the story of a technical report that sparked Sherman's interest in the relationship between media and archaeology. Daniel J. Sherman is Lineberger Distinguished Professor of Art History and History at the University of North Carolina, Chapel Hill. A scholar of museums, monuments, and commemorative practice in modern Europe, Dan has also researched the history of primitivism in the French visual arts as well as memory culture in late 19th and early 20th century France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

New York Times and USA Today bestselling author Chanel Cleeton joins BOOKSTORM Podcast to discuss The Lost Story of Eva Fuentes!  We talk Cuban culture, food, history, music ... and of course the power of books in our lives. This story is a love letter to story, but told through the eyes of three powerful women. We discuss the Cuban sentiment of enduring, the impact of shared experiences, especially oppression, and so much more. This rich and engaging discussion is as immersive as this wonderful novel! Join us! You can find more of your favorite bestselling authors at BOOKSTORM Podcast! We're also on Instagram, TikTok, Facebook, and YouTube!

In this episode, Sarah talks to Daniel J. Sherman about his most recent book, Sensations: French Archaeology Between Science and Spectacle, 1890-1940 (U Chicago Press, 2025). Sensations is a history of the early years of professional archaeology in France through two controversies – the first in Carthage in what the French protectorate of Tunisia and the second in the small rural community of Glozel in central France. The book shows how “archaeology as we know it today grew out of a fundamental tension between archaeologist's scientific ambitions and their continuing need for media attention.” (1) Timely without being presentist, funny without being unserious, the book explores questions of embodiment, performance, photography, fake news, professional quarrels, and the mediatization of scandal. The conversation explores the two sites of controversy as well as the network of professional archaeologists, amateur “collectors”, journalists, and others who shaped how the public understood and engaged with the ancient past. In addition to discussing the major themes of the book, our conversation delves into considerations of historical empathy, archaeological performance and “the dig”, and the story of a technical report that sparked Sherman's interest in the relationship between media and archaeology. Daniel J. Sherman is Lineberger Distinguished Professor of Art History and History at the University of North Carolina, Chapel Hill. A scholar of museums, monuments, and commemorative practice in modern Europe, Dan has also researched the history of primitivism in the French visual arts as well as memory culture in late 19th and early 20th century France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

In this episode, Sarah talks to Daniel J. Sherman about his most recent book, Sensations: French Archaeology Between Science and Spectacle, 1890-1940 (U Chicago Press, 2025). Sensations is a history of the early years of professional archaeology in France through two controversies – the first in Carthage in what the French protectorate of Tunisia and the second in the small rural community of Glozel in central France. The book shows how “archaeology as we know it today grew out of a fundamental tension between archaeologist's scientific ambitions and their continuing need for media attention.” (1) Timely without being presentist, funny without being unserious, the book explores questions of embodiment, performance, photography, fake news, professional quarrels, and the mediatization of scandal. The conversation explores the two sites of controversy as well as the network of professional archaeologists, amateur “collectors”, journalists, and others who shaped how the public understood and engaged with the ancient past. In addition to discussing the major themes of the book, our conversation delves into considerations of historical empathy, archaeological performance and “the dig”, and the story of a technical report that sparked Sherman's interest in the relationship between media and archaeology. Daniel J. Sherman is Lineberger Distinguished Professor of Art History and History at the University of North Carolina, Chapel Hill. A scholar of museums, monuments, and commemorative practice in modern Europe, Dan has also researched the history of primitivism in the French visual arts as well as memory culture in late 19th and early 20th century France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode, Sarah talks to Daniel J. Sherman about his most recent book, Sensations: French Archaeology Between Science and Spectacle, 1890-1940 (U Chicago Press, 2025). Sensations is a history of the early years of professional archaeology in France through two controversies – the first in Carthage in what the French protectorate of Tunisia and the second in the small rural community of Glozel in central France. The book shows how “archaeology as we know it today grew out of a fundamental tension between archaeologist's scientific ambitions and their continuing need for media attention.” (1) Timely without being presentist, funny without being unserious, the book explores questions of embodiment, performance, photography, fake news, professional quarrels, and the mediatization of scandal. The conversation explores the two sites of controversy as well as the network of professional archaeologists, amateur “collectors”, journalists, and others who shaped how the public understood and engaged with the ancient past. In addition to discussing the major themes of the book, our conversation delves into considerations of historical empathy, archaeological performance and “the dig”, and the story of a technical report that sparked Sherman's interest in the relationship between media and archaeology. Daniel J. Sherman is Lineberger Distinguished Professor of Art History and History at the University of North Carolina, Chapel Hill. A scholar of museums, monuments, and commemorative practice in modern Europe, Dan has also researched the history of primitivism in the French visual arts as well as memory culture in late 19th and early 20th century France. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Sarah talks to Daniel J. Sherman about his most recent book, Sensations: French Archaeology Between Science and Spectacle, 1890-1940 (U Chicago Press, 2025). Sensations is a history of the early years of professional archaeology in France through two controversies – the first in Carthage in what the French protectorate of Tunisia and the second in the small rural community of Glozel in central France. The book shows how “archaeology as we know it today grew out of a fundamental tension between archaeologist's scientific ambitions and their continuing need for media attention.” (1) Timely without being presentist, funny without being unserious, the book explores questions of embodiment, performance, photography, fake news, professional quarrels, and the mediatization of scandal. The conversation explores the two sites of controversy as well as the network of professional archaeologists, amateur “collectors”, journalists, and others who shaped how the public understood and engaged with the ancient past. In addition to discussing the major themes of the book, our conversation delves into considerations of historical empathy, archaeological performance and “the dig”, and the story of a technical report that sparked Sherman's interest in the relationship between media and archaeology. Daniel J. Sherman is Lineberger Distinguished Professor of Art History and History at the University of North Carolina, Chapel Hill. A scholar of museums, monuments, and commemorative practice in modern Europe, Dan has also researched the history of primitivism in the French visual arts as well as memory culture in late 19th and early 20th century France. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Coffee, rain, and a table full of half-built ideas set the stage for a candid deep dive into how artists actually move work forward in our second conversation at Poolhaus studio. We trade the comfort of endless polishing for a stubborn rule—get to the next step sooner—and unpack how that one shift stops overworking, preserves strong moments, and helps a real body of work take shape. Along the way, we turn useful decisions into mantras, write them on the wall, and repeat them when stamina dips. The goal isn't perfection; it's momentum with intention.We also open the door on critique: how to build a trusted brain trust, weight feedback from mentors versus peers, and curate with clear eyes when your favorite new experiment ranks dead last. Likes are not the art world, and honest notes from people who know your context can be the difference between a scattered show and a resonant one. Confidence matters too—not as posturing, but as fluency in your own language. We talk about answering tough questions from curators, claiming simple choices with conviction, and studying both your work and the person making it.Life intrudes. A recent loss in the recovery community brings the conversation to grief, meaning, and the privilege of making anyway. Borrowing strength from Nick Cave's reflections on grief as an exalted, remaking state, we choose boldness over hesitation and practice that isn't conditional on perfect circumstances. Stock your studio with wisdom like winter coats: books, notes, mentors, and sentences that steady you when the weather turns. Then finish the damn thing, explore the dancing sparks, and move to the next with courage and care.If this resonates, follow the show, share it with an artist who needs a nudge, and leave a quick review so more makers can find it. What mantra keeps you moving?Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Join us for an educational discussion on Navicular Syndrome with Dr. Adam Cayot Keatan Rumsey, a licensed massage therapist, and Micheala Godshall, an equine massage therapist join us tonight from Be Well Holistic Massage Wellness Center, P.A. Do you know Art History? With us tonight is Natalie Cowan, owner of Standardbred horse Art History, winner of over 500k! The best treatment for summer sores, miracle hoof paste, the best in natural healing sprays and a new product coming soon with Kaelyn Moseler from Kawell USA

Giuseppe Castellano talks to illustrator, artist, and educator, London Ladd, about why he thinks “style” is a four-letter word; what and who helped him stay on his feet; how to keep going in life and art; and more.To learn more about London, visit londonladd.com.Artists mentioned in this episode include: Mark English, Kazuhiko Sano, James Ransome, Romare Bearden, Ezra Jack Keats, Jerry Pinkney, Keith Henry Brown, G. Gregory Christie, Ashley Bryan, Ekua Holmes, Jackie Ormes, Tom Feelings, Ernie Barnes, Charles Henry Alston, John ParraPhotograph of London by Malcolm Taylor. If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A scam of epic proportions has been perpetrated by the governor upon the people of Florida. Land conservation used an excuse to pay off political bribes.Robert Rauschenberg is arguably the most influential American artist of the 20th century. He moved from New York to Captiva Island in 1970 and would spend the rest of his life there, more than 30 years. 2025 is the centennial of Rauschenberg's birth year with celebrations being held around the world.  Jade Dellinger is Director at the Bob Rauschenberg Gallery at Florida Southwestern State College in Fort Myers and joins us to discuss the artist's time in Florida.

Show SummaryThis episode features a conversation with Kathleen Ellertson, the Founder and President of the Veteran Art Institute. The Veteran Art Institute is a 501(c)3 Nonprofit dedicated to honoring and empowering active-duty military and veterans through the arts.Provide FeedbackAs a dedicated member of the audience, we would like to hear from you about the show. Please take a few minutes to share your thoughts about the show in this short feedback survey. By doing so, you will be entered to receive a signed copy of one of our host's three books on military and veteran mental health. About Today's GuestKathleen Ellertson is the dedicated Founder and President of the Veteran Art Institute (VAI). Inspired by her father, an Army Air Forces Veteran and WWII Bronze Star Medal recipient, Kathleen has channeled her lifelong passion for the arts into a mission to honor veterans through creative expression. With a BFA in Art History and years of experience curating veteran art exhibits, including a notable year-long exhibit at the Pentagon, Kathleen has established VAI as a platform for veterans to showcase their work both online and in local galleries. Since its inception in 2019, VAI has not only hosted numerous art exhibitions but has also cultivated a nurturing community where veteran artists can share their stories and find solace. Kathleen's unwavering dedication to giving back to the veteran community continues to drive her work, making a meaningful impact through art and advocacy.Links Mentioned During the EpisodeVeteran Art Institute Web Site PsychArmor Resource of the WeekThis week's PsychArmor Resource of the Week is the PsychArmor course Telling Your Story. Your experience in the United States military is one only you can tell and it's up to you how much you choose to share with others. In this course, four Veterans share their personal stories and offer insight.   You can find the resource here:  https://learn.psycharmor.org/courses/va-s-a-v-e Episode Partner: Are you an organization that engages with or supports the military affiliated community? Would you like to partner with an engaged and dynamic audience of like-minded professionals? Reach out to Inquire about Partnership Opportunities Contact Us and Join Us on Social Media Email PsychArmorPsychArmor on XPsychArmor on FacebookPsychArmor on YouTubePsychArmor on LinkedInPsychArmor on InstagramTheme MusicOur theme music Don't Kill the Messenger was written and performed by Navy Veteran Jerry Maniscalco, in cooperation with Operation Encore, a non profit committed to supporting singer/songwriter and musicians across the military and Veteran communities.Producer and Host Duane France is a retired Army Noncommissioned Officer, combat veteran, and clinical mental health counselor for service members, veterans, and their families.  You can find more about the work that he is doing at www.veteranmentalhealth.com  

In this episode of CAA Conversations, Kimberly Sandoval moderates a discussion on what it means to be a border artist and what separates Border Arte from other aspects of Chicana/o art, featuring Amanda Pardo and Samantha Ceccopieri, as well as Dr. Constance Cortez and Dr. Karen Mary Davalos, creators of Mexican American Art Since 1848. Amanda Pardo was working toward a BA in history with a minor in art from the University of Texas Rio Grande Valley (UTRGV) at the time of recording. Her work and research focus on the history of women, gender, and sexuality. She has given a public talk about her work and research as part of a lecture series and participated in pop-up exhibitions dedicated to the discussion of modernity and the domestic space. Samantha Ceccopieri has a BFA with a K–12 certification from UTRGV. Her work and research focus on the usage of art in mental wellness to reduce anxiety in scholars, both young and old, working with students and educators throughout the Rio Grande Valley. She has shared her research at TAEA and other art education conferences as part of UTRGV's Engaged Scholar Program and School of Art and Design. Constance Cortez is a professor at UTRGV for the School of Art and Design, currently teaching Chicano/a art history as well as special topics courses such as Women in Art History. Dr. Cortez is a prominent figure in Chicano/a scholarship, with works like The New Aztlan: Nepantla (and Other Sites of Transmogrification), published in 2001, and has an extensive background in early Mesoamerican art history. Karen Mary Davalos is a professor at the University of Minnesota Twin Cities, currently teaching topics in Chicano studies and art history as affiliated faculty. Dr. Davalos is also a prominent figure in Chicano/a scholarship with works like Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora, also published in 2001, and recently presented a paper on Nepantla aesthetics at the CAA Annual Conference in 2024. Kimberly Sandoval is an independent scholar, artist, and MFA alumna of UTRGV. Her work speaks to the life and experiences occurring around and within the Brownsville, South Texas, borderlands. She has exhibited her video artwork across the United States and Indonesia. She has also spoken about culturally affirming art pedagogies at art education conferences and chaired a panel discussion on Border Arte at the CAA Annual Conference in 2024 .

What happens when an artist, educator, curator, returns to the wilds that raised her and dares to reimagine what a museum could be? Francesca de Brock is the extraordinary chief curator at the Anchorage Museum in Alaska. Her work braids together social practice, environmental justice, a fierce commitment to care, and a deep understanding of what artists need to thrive. KEY TAKEAWAYS Growing up in Alaska, the wildness of the place and problem-solving in a challenging environment shaped Francesca´s creativity and approach to art. Francesca is committed to climate-conscious exhibitions, artist access, onboarding, and amplifying community voices. Leadership is about asking better questions and inviting others into the process, rather than having all the answers. BEST MOMENTS “Our mission is to be a museum of people, place, planet and potential in service of a sustainable and equitable north, with creativity and imagination for what is possible.” “Exhibitions are ephemeral, but the ripple effects on institutions, audiences and relationships can be lasting and transformative.” Francesca Du Brock www.anchoragemuseum.org https://www.instagram.com/fdubrock Francesca Du Brock is Chief Curator at the Anchorage Museum. Her work is informed by her background as an artist and educator and is grounded in social engagement, place-based storytelling, environmental justice, and experimental museum practice. Recent projects including Dog Show (2025), How to Survive (2023), Black Lives in Alaska: Journey, Justice, Joy (2021), and Extra Tough: Women of the North (2020), which focus on topics of care, climate, interdependence, representation, Northern feminisms, and immigration. In 2020, she established the Museum's Virtual Artist Residency program, which continues to provide unrestricted support to artists, sharing process and behind-the-scenes insights into their lives and practices. She is currently a fellow at the Center for Curatorial Leadership and is the recipient of the 2025 Marica Vilcek Prize in Art History from the Vilcek Foundation. Born and raised on Dena'ina Ełnena in Anchorage, Alaska, she holds an MFA and M.Ed and brings experience living and working across the US and Latin America to her current role. PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk

In our Singapore Home Brew segment “Saturday Mornings Show” host Glenn van Zutphen and co-host Neil Humphreys talk with Gilles Dyan, Founder and Chairman of Opera Gallery regarding “The Singapore Masters Show: From Monet to Condo” — a landmark exhibition running to 3 November at Opera Gallery Singapore in ION Shopping Centre. Timed to coincide with the Formula 1 Singapore Grand Prix, this show features 25 iconic works spanning 135 years of art history, from Impressionism to Pop Art to contemporary figuration. See masterpieces by Claude Monet, Pierre-Auguste Renoir, Pablo Picasso, Yayoi Kusama, Andy Warhol, Jean-Michel Basquiat, George Condo, and more. This episode offers a glimpse into the provenance, cultural significance, and curatorial vision behind one of Singapore’s most ambitious commercial art showcases. Learn more at operagallery.com.See omnystudio.com/listener for privacy information.

The greatest sources of inspiration for Brett Whitely came from the "messy material of his life".

Giuseppe Castellano talks to illustrator, author, and son of Patricia and Richard Scarry, Huck Scarry, about his father's life and artistic process; how he approached Busytown—from color palettes to car accidents; what his advice would be for illustrators today; and more.To learn more about Richard Scarry, visit richardscarry.com.Artists mentioned in this episode include: Stan Berenstain, Dr. Seuss, Will Eisner, Ashley Bryan, Van Kaufman, John Parr Miller, Alice and Martin Provensen, Aurelius Battaglia, and P.D. Eastman If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Show Notes:Franklin Habit talks about working in higher education administration (and elsehwere) before eventually finding happiness in his current profession within the fiber arts. He discusses some of the blind alleys he explored, including museum work, opera stage directing, web design, and online marketing. Building a Career in KnittingFranklin shares how he learned to knit from a veteran knitter and classmate, Eliza Lake. He describes how his blog about knitting took off, leading to a book deal and a career in teaching and writing.  Franklin recounts the early days of his blog, starting with a department lecture where he first heard the word "blog." He describes how he initially thought his blog was private and was surprised by the comments and traffic it received. Franklin mentions attending the Rhinebeck Sheep and Wool Festival, and meeting major figures in the fiber arts community. COVID and Transition to Teaching and SpeakingFranklin discusses how the COVID-19 pandemic affected his in-person teaching and speaking engagements. He explains his transition to online teaching and to Patreon, which helped him maintain income during the pandemic. Franklin shares how he enjoys making videos and audio pieces and adapting his in-person classes for online audiences. Living in Paris The conversation turns to Paris, why he moved there, and his life in Paris, including his love for walking and discovering hidden places. He mentions attending performances and visiting museums and galleries. Franklin talks about his Instagram account, where he posts about his daily life, needlework, and animals in his neighborhood. He explains how he balances posting about knitting with other interests to keep his followers engaged. Harvard Reflections Franklin reflects on how his art history degree from Harvard influences his knitting and teaching. He mentions professors James Ackerman, John Shearman, and Seymour Slive, who taught him valuable research and teaching skills. He explains how his background in art history helps him connect historical and cultural elements to his knitting, and he uses his knowledge of art and architecture to design and teach knitting patterns. Franklin explains the complexity of knitting, including the mathematical and three-dimensional aspects. He mentions teaching students how to knit using pre-literate methods and the connections to ancient systems like the Kanon of Polykleitos. He also discusses the gender perceptions and prejudices associated with knitting, and his upcoming project with Knit Stars, a series of classes and documentaries about notable needleworkers. Timestamps: 03:12: Discovering Knitting and Blogging 05:43: Franklin's Unique Style and Books 11:11: The Early Days of Blogging 17:05: Transition to Online Teaching and Patreon 20:45: Life in Paris and Instagram 29:42: Influence of Art History on Knitting 51:09: Complexity and Satisfaction in Knitting 51:29: Gender Perceptions in Knitting 51:46: Franklin's Online Presence and Future Plans Links: Instagram and Threads: @franklin.habit Bluesky: @franklinhabit.bsky.social Patreon:patreon.com/franklinhabit Knit Stars: https://knitstars.com/masterclass-franklin-habit/?ref=567&utm_campaign=franklins-season-10 YouTube channel: youtube.com/franklinhabit Society6 (art prints and merchandise): society6.com/franklinhabit Spoonflower (fabrics and wallpapers): spoonflower.com/profiles/franklinhabit Foxe and Boxe Project: foxeandboxe.com Featured Non-profit: The featured non-profit of this week's episode is recommended by Pete Schmidt  who reports: “ Hi, I'm Pete Schmidt, class of 92. The featured non-profit of this week's episode of The 92 Report is the Davis Phinney Foundation.  Davis started this Parkinson's disease patient advocacy organization to focus on how people with Parkinson's disease  can be empowered to take charge of their condition and live their best lives  now.  I've worked with the foundation for over a decade and served on their board for six years and am currently serving as chairman.  You can learn more about their work at dpf.org. And now, here's Will Bachman with this week's episode.” To learn more about their work, visit:  dpf.org.

Today, Ceri is joined by a man who doesn't just witness the future of art, he builds the infrastructure for it. Georg Bak is a pioneering digital art advisor and curator who's spent over two decades bridging the traditional and the digital. He has advised major collectors and museums, helped shape curatorial boards, and placed historically significant works into collections that matter. Georg is the co-founder of NFT Art Day and The Digital Art Mile, a boutique digital art fair that champions new ideas and new communities. He has curated landmark exhibitions, including the first-ever CryptoPunks show, and collaborated with Sotheby's, Phillips, and The Vancouver Biennale. Whether you're AI-averse or blockchain-curious, this episode's for the thinkers and deeply curious. KEY TAKEAWAYS Digital art does not replace traditional art; it is a powerful expansion of it that builds on the existing foundations. When collectors recognise that true innovation comes from artists who challenge perceptions and provoke thought instead of simply following trends, the art world thrives. Success in digital art is deeply connected to building and engaging with communities and network effects. Building lasting trust and relationships, educating and going deeper on fewer pieces of work is leading to success. AI is opening up possibilities that are comparable in impact to the Renaissance. AI-driven tools are not only expanding artistic expression but also challenging traditional boundaries, making this a pivotal era for both artists and collectors. BEST MOMENTS “I think what makes maybe the difference is that the success of an artist is based on this community… The bigger the network behind an artist the more successful they are going to be.” “I would inspire everyone to open their eyes and be curious, instead of being against everything that's new.” “The most interesting artworks, they're not easy to understand in the beginning.” “Art isn't static, it's a system, a signal, a story still unfolding.” EPISODE RESOURCES https://www.linkedin.com/in/georgbak PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Feliks Banel's guests on this LIVE BROADCAST of CASCADE OF HISTORY include Clay Eals of Seattle Now & Then on this week's Seattle Times column about a "history mystery" involving vintage public art and how you can help; David Reynolds, board president of Bing Crosby Advocates on their upcoming commemoration of the centennial of Bing's departure from Spokane at the start of his career in 1925; and Knute Berger on the upcoming premiere of the new season of Mossback's Northwest on Cascade PBS - with a special event open to the public this Thursday, October 3, 2025. Links to information about all of these stories are available at the CASCADE OF HISTORY Facebook page: www.facebook.com/groups/cascadeofhistory This LIVE broadcast of CASCADE OF HISTORY was originally presented at 8pm Pacific Time on Sunday, September 28, 2025 via SPACE 101.1 FM and gallantly streaming live via www.space101fm.org from historic Magnuson Park - formerly Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes.

Narrator: Thomas Jones

Vienna art history museum coffee

Number One New York Times bestselling author Robert Edsel is the author of “The Greatest Treasure Hunt in History: The Story of the Monuments Men.” The book served as the basis for Academy Award winner George Clooney's 2014 film, which stars an ensemble cast including himself, Matt Damon, and Bill Murray. Edsel, whose father served as a Marine during World War II, is one of the world's foremost advocates for art preservation and the recovery of cultural treasures missing since World War II. The Monuments Men and Women were the soldier-scholars who helped save many of the world's great art and cultural treasures from the destruction of war and theft by the Nazis. Other topics in this episode include a wounded Navy veteran's “Alive Day,” how Sesame Street characters are giving back to the military community and more.Learn more about Robert EdselBuy "Remember Us" on AmazonJoin the USA 250 ChallengeWatch Robert Edsel at the 2025 American Legion National ConventionPoem: The Young Dead Soldiers Do Not SpeakNetherlands American Cemetery in MargratenThe Forever Promise ProjectArmy Monuments Officer TrainingAmerican Legion Oratorical ContestSesame Street helps military kids build healthy habits Sesame Street: Fun Recipes with Cookie Monster! 

This week in 1973, during the Whitlam era, a highly divisive cultural moment occurred. Gough Whitlam decided to spend $2 million US dollars, to buy US artist Jackson Pollock's Blue Poles. 

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it's hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won't succeed, there's no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding. In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it's hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won't succeed, there's no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding. In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it's hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won't succeed, there's no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding. In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it's hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won't succeed, there's no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding. In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Coming up on this episode of Flirtations, Fernie is back on the show as we celebrate the change of seasons with something a little magical — it's the autumnal equinox dating horoscope! Fernie, an astrologer, mystic, and guide to all things cosmic and flirty, is here to help us navigate this shift and together, we'll explore what dating and flirting vibes you can anticipate this fall. The equinox is all about balance — and it's the perfect time to think about how we can bring that same harmony into our dating lives. We'll talk about letting go of old patterns, why overthinking is sabotaging the vibe, and even get a flirty little mantra to carry us through this season. The knight of swords also makes a visit, we'll hear what virgo and libra have to say about things, why October 13th needs to be on your calendar, and finally Venus and Mars enter the chat! So, how can we play and flirt with all of these energies this coming season? Stay tuned (and maybe grab a pumpkin spice latte!) and let's see what the cosmos have in store for love this fall. You can also watch the full episode on YouTube! Let's get into it, Flirties, and meet Fernie! Don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! Work with me! Take the FREE Flirt Styles Quiz Get INSTANT ACCESS to my anti-anxiety flirting and dating guide Download my FLIRTING AND TEXTING CONVERSATION GUIDE Grab my FREE Dating App Survival handbook Book your 1:1 Flirting Audit Ask the Flirt Coach About our guest:  Fernie Salinas (he/they) is a queer Latinx fortune telling witch from the Rio Grande Valley in Texas.  They are the owner and founder of Golden Mirror Fortunes, and they hope to be Your Favorite Fortune Teller! They grew up always knowing that magic was around us, as their great-grandfather and his son, their grand-uncle, were both curanderos (folk healers) in Rio Grande City, and it's been such a delight to have Golden Mirror Fortunes carry on the legacy of healing and mysticism they instilled in him. He's also an educator — he went to Rice University, studied English and Art History, got their teacher's certification, joined TFA, and have been a teacher and principal at various schools in the RGV.  He is currently an education consultant as well as running Golden Mirror Fortunes, their small fortune telling business.  He uses tarot and magic to help people heal and find their paths, all in service of improving their fortunes.  His deepest desire is to provide you with the light that you need to make your life a little more magical and glittery. Follow them on Instagram and let them be your favorite fortune teller! About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy - with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the Flirties!) date from a place that allows the value of connection in all forms - platonic, romantic, and with the self - to take center stage. Ultimately, this practice of connection helps flirters and daters alike create stronger relationships, transcend limiting beliefs, and develop an unwavering love for the self. His work has been featured in Fortune, NBC News, The Huffington Post, Men's Health, and Yoga Journal. You can connect with Benjamin on Instagram, TikTok, watch on YouTube, and stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.