Podcasts about Art history

How did Iowa become the home to one of the largest publicly held Haitian art collections in the world?

Giuseppe Castellano talks to author and long-time New Yorker cartoonist, Michael Maslin, about the reasons why Michael chronicles the history of cartooning; what differentiates a cartoonist and an illustrator; what “being there” means for cartoonists… and illustrators; and more.To learn more about Michael and Inkspill, visit michaelmaslin.com.Artists mentioned in this episode include: Liza Donnelly, Roz Chast, Roxie Munroe, Jack Ziegler, Laurent de Brunhoff, Peter Arno, Helen Hokinson, Charles Addams, James Thurber, Barbara Shermund, Robert Crumb, Sam Gross, David Sipress, Whitney Darrow Jr., John Cuneo, Syd Hoff, Ludwig Bemelmans, William Steig, James Stevenson, Edward Frascino, Barney Tobey, Saul Steinberg, Ed Koren, Ilonka Karasz, Alan Dunn, Mary Petty, Mischa Richter, Ed Sorel, Frank Modell, Rea Irvin, Christoph Niemann, Pearl Mann If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Send us a textThe Court of Lorenzo the Magnificent Part 5: Antonio and Piero Pollaiuolo Among the many artists who earned the attention of the Magnificent, the Pollaiuolo brothers left behind an artistic legacy closely tied with Medicean propaganda. This episode explores the role of the Pallaiuolo brothers in the development of Florentine Renaissance art, specifically through the works they completed for the Medici Palace: The Labors of Hercules. Later reappropriated, this episode also dives into how Hercules is used as a Florentine political symbol and is adaptable as both a pro-Medici and an anti-Medici symbol, similar to function of the biblical heroes David and Judith. Works DiscussedAntonio Pallaiuolo, Hercules and the Hydra, ca. 1475 https://www.uffizi.it/opere/pollaiolo-ercole-idraAntonio Pallaiuolo, Hercules and Antaeus, ca. 1475 https://www.uffizi.it/opere/pollaiolo-ercole-anteoAntonio Pallaiuolo, Hercules and Antaeus, ca. 1475, bronze Antonio https://www.wga.hu/html_m/p/pollaiol/antonio/sculptur/hercul2.htmlSupport/Watch/Follow: https://linktr.ee/italian_renaissance_podcastGet additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

ON EPISODE 65 of the Joey Show comedian Joey Avery has an important message. DON'T JUDGE OTHER PEOPLE'S RELATIONSHIPS. Which we then do for the next hour. From Onnit Founder Aubrey Marcus and his ayahuasca fueled throuple, to an update in the Bill Belichick saga, to Diddy's affinity for nipple cum. Plus Biden's cancer fallout, Trump's Golden Dome, Ben and Jerry's man gets kicked out of congress and the real reason Art History is a better major than Finance.    SEE JOEY LIVE: www.joeyavery.com/live

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

David is an art history professor. For the last year, he has been researching an early 20th-century American impressionist named Agnes Millen Richmond. He's started buying her paintings… and they're expensive. Susan says they have too many already! She says her husband is obsessed! Who's right? Who's wrong?We are on TikTok and YouTube! Follow us on both @judgejohnhodgmanpod! Follow us on Instagram @judgejohnhodgman!Thanks to reddit user u/OldTechNewSpecs for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Judge John Hodgman is member-supported! Join at $5 a month at maximumfun.org/join!

Giuseppe Castellano talks to Caldecott Medal-winning illustrator and author, Brian Selznick, about Brian's approach to illustration; what's wrong about the “tap into your inner child” advice for writers; why you should only compare yourself to yourself; and more.To learn more about Brian, visit brianselznick.com.Artists mentioned in this episode include: Chris Van Allsburg, David Macaulay, Fred Marcelino, Robert Innocenti, Nancy Burkhert, Maurice Sendack, Eric Beddows, Gustave Dore, Remy Charlip, and Edward Gorey If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

The last thing anybody wants to do is sit for a meaningless test. Entrance exams like the SAT & ACT should be able to inform both test takers and target institutions about the likelihood of success at the next level. So do they? Amy and Mike invited educator David Blobaum to explore the predictive validity of test scores in college admissions. What are five things you will learn in this episode? Research says that SAT/ACT scores are better predictors of success at Ivy-plus colleges than are high school grades–why? Have any other colleges beyond the Ivy-plus colleges made similar statements? Why have colleges not gone back to requiring test scores then if they're so predictive? Do test-optional colleges value SAT/ACT scores? Are test-blind colleges blind to all tests? MEET OUR GUEST David Blobaum graduated from the University of Chicago with honors both from the college and in his major. In college, he took seriously the University of Chicago's aim of a “Renaissance” or well-rounded education and took courses in 17 different disciplines, ranging from Statistics and Economics to Philosophy and Art History. Since then, he has devoted himself to helping students reach their potential on the SAT and ACT and, more broadly, to help them succeed through education.  To that end, in 2013, he founded Summit Prep with a former UChicago classmate. They now have two tutoring centers in New Jersey, and their team of SAT/ACT experts privately tutors over 500 students per year. David is a consultant to schools on SAT/ACT best practices, personally trains each Summit Prep tutor one-on-one, and tutors a select few students himself. David not only teaches students the necessary subject matter but also motivates them to continually strive towards their potential. David first appeared on the podcast in episode 79 to discuss Why The SAT And ACT Are Awesome, in episode 582 to discuss The Need For Testing Sites In California, and in episode 421 for a Sponsor Spotlight. Find David at https://summitprep.com/. LINKS Common Data Set AP Exam Scores Are Important For College Admissions  The Rumors Are... True. Testing is Coming Back. SAT And ACT Scores Are More Predictive Than Grades? RELATED EPISODES HOW GRADING POLICIES INFLUENCE GRADE INFLATION WHO LOSES WHEN WE ABOLISH ENTRANCE EXAMS? WHY TESTS MATTER: STUDENT PERSPECTIVES WHY UC WAS WRONG TO STOP USING THE SAT ABOUT THIS PODCAST Tests and the Rest is THE college admissions industry podcast. Explore all of our episodes on the show page. ABOUT YOUR HOSTS Mike Bergin is the president of Chariot Learning and founder of TestBright. Amy Seeley is the president of Seeley Test Pros and LEAP. If you're interested in working with Mike and/or Amy for test preparation, training, or consulting, feel free to get in touch through our contact page.  

A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past. Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean (U Chicago Press, 2024) traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean. Lavishly illustrated, Botanical Icons marshals ample evidence for a dynamic and critical tradition of botanical inquiry and nature observation in the late antique and medieval Mediterranean. The author reveals that many of the critical practices characteristic of modern botanical illustrations began in premodern manuscript culture. Consequently, he demonstrates that the distinctions between pre- and early modern botanical illustration center more on the advent of print, the expansion of collections and documentation, and the narrowing of the range of accepted forms of illustration than on the invention of critical and observational practices exclusive to modernity. Griebeler's emphasis on continuity, intercultural collaboration, and the gradual transformation of Mediterranean traditions of critical botanical illustration persuasively counters previously prevalent narratives of rupture and Western European exceptionalism in the histories of art and science. New Books in Late Antiquity is Presented by Ancient Jew Review. Andrew Griebeler is assistant professor in the depart of Art, Art History and Visual Studies at Duke University. With students and other faculty at Duke, he is also helping to document the legacy of the Duke Herbarium on Instagram (@bluedevil.herbarium) before its closure by the university. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A 70-year-old person with cystic fibrosis. It's a phrase that wasn't just uncommon a few decades ago—it was virtually unheard of.When Luanne McKinnon was diagnosed in 1969 at just 13 years old, doctors told her parents she might live to be 19 years old. Today, Luanne stands on the edge of her 70th birthday—a milestone that not only redefines possibility but embodies resilience, creativity, and purpose.Born in Dallas, Texas in 1955, Luanne was diagnosed at a time when cystic fibrosis was still barely understood. No vests. No targeted medications. No community. And yet, she carved out a life of profound impact. “I stand as a witness to the possible.” says Luanne McKinnonAfter earning a Master of Fine Art in Painting and a PhD in Art History, she launched a celebrated career in the visual arts—owning an art dealership in New York City, directing major university museums, publishing works, and curating over 35 exhibitions. She even became a Fellow at the prestigious Getty Research Institute.And while that would be more than enough for most of us, Luanne continued to pour herself into advocacy—serving as Co-chair for Stanford's Patient and Family Advisory Committee, raising awareness for CF patients before and after transplant. In 2011, she underwent a successful double-lung transplant at Stanford, and fourteen years later, she is still very much living proof.This episode is not about her equally remarkable husband—EMMY award-winning filmmaker Daniel Reeve—though we'll mention him later. This is about Luanne—her life, her art, her truth, and her refusal to let a diagnosis define the limits of her possibility. She says, “I stand as a witness to the possible.”And after listening to this conversation, I think you'll believe in the possible, too.Welcome, to a very special episode of the Living with cystic fibrosis podcast and our incredible guest, Luanne McKinnon. Please like, subscribe, and comment on our podcasts!Please consider making a donation: https://thebonnellfoundation.org/donate/The Bonnell Foundation website:https://thebonnellfoundation.orgEmail us at: thebonnellfoundation@gmail.com Watch our podcasts on YouTube: https://www.youtube.com/@laurabonnell1136/featuredThanks to our sponsors:Vertex: https://www.vrtx.comViatris: https://www.viatris.com/en

A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past. Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean (U Chicago Press, 2024) traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean. Lavishly illustrated, Botanical Icons marshals ample evidence for a dynamic and critical tradition of botanical inquiry and nature observation in the late antique and medieval Mediterranean. The author reveals that many of the critical practices characteristic of modern botanical illustrations began in premodern manuscript culture. Consequently, he demonstrates that the distinctions between pre- and early modern botanical illustration center more on the advent of print, the expansion of collections and documentation, and the narrowing of the range of accepted forms of illustration than on the invention of critical and observational practices exclusive to modernity. Griebeler's emphasis on continuity, intercultural collaboration, and the gradual transformation of Mediterranean traditions of critical botanical illustration persuasively counters previously prevalent narratives of rupture and Western European exceptionalism in the histories of art and science. New Books in Late Antiquity is Presented by Ancient Jew Review. Andrew Griebeler is assistant professor in the depart of Art, Art History and Visual Studies at Duke University. With students and other faculty at Duke, he is also helping to document the legacy of the Duke Herbarium on Instagram (@bluedevil.herbarium) before its closure by the university. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past. Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean (U Chicago Press, 2024) traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean. Lavishly illustrated, Botanical Icons marshals ample evidence for a dynamic and critical tradition of botanical inquiry and nature observation in the late antique and medieval Mediterranean. The author reveals that many of the critical practices characteristic of modern botanical illustrations began in premodern manuscript culture. Consequently, he demonstrates that the distinctions between pre- and early modern botanical illustration center more on the advent of print, the expansion of collections and documentation, and the narrowing of the range of accepted forms of illustration than on the invention of critical and observational practices exclusive to modernity. Griebeler's emphasis on continuity, intercultural collaboration, and the gradual transformation of Mediterranean traditions of critical botanical illustration persuasively counters previously prevalent narratives of rupture and Western European exceptionalism in the histories of art and science. New Books in Late Antiquity is Presented by Ancient Jew Review. Andrew Griebeler is assistant professor in the depart of Art, Art History and Visual Studies at Duke University. With students and other faculty at Duke, he is also helping to document the legacy of the Duke Herbarium on Instagram (@bluedevil.herbarium) before its closure by the university. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Me in German. Dr Great Art auf Deutsch. Es war spannend und ich habe Spass gehabt. In the Podcast "Dorf_Sex" by Dr Stephanie Meyer and Nicole Blattmann. Ich als Gast. "Zwischen Lust und Leinwand – Ein Ausflug in Kunstgeschichte und Erotik In der ersten Folge unserer speziellen Kunst-, Schauspiel- und Fotografie-Reihe haben wir einen ganz besonderen Gast: Mark Staff Brandl, aka Dr Great Art, Kunsthistoriker und Experte! Gemeinsam tauchen wir ein in die Welt der Kunst und Erotik, diskutieren spannende Themen, von politisch bis feministisch – und bringen ordentlich Power ins Gespräch. Seid dabei, wenn wir die Verbindungen zwischen Kunst und Lust entblättern und dabei die Grenzen von Darstellung, Sexualität und Gesellschaft hinterfragen. Hört rein, wenn Kunst und Erotik eine spannende Symbiose eingehen. Sehe auch Stephanies und Nicoles viele, gute Podcast Episodes, alle auf Deutsch: https://podcasts.apple.com/us/podcast/dorf-sex/id1782695532 "

The heat is on, but our mini heatwave will crash into chillier weather starting tomorrow. We vibe check a hot new bakery burning up TikTok. The joy and surprise of discovering your local doctor's office was once an artists' haven, and more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

Giuseppe Castellano talks to The Bancroft Brothers about how they approach character design; which lesser-known animation greats deserve more love; what it means to animate from the heart; and more.Listen to The Bancroft Brothers Animation Podcast at bancroftbros.libsyn.com, or wherever you listen to podcasts.Artists mentioned in this episode include: Alex Hirsch, Peter de Sève, Carter Goodrich, Glen Keane, Gustaf Tenggren, Retta Scott, Floyd Norman, Hayao Miyazaki, Jin Kim, Bill Peet, Gene Deitch, Randy Haycock, Mark Henn, Eric Goldberg, and Stephen Silver If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

In today's newscast, the Santa Cruz Museum of Art & History kicks off a celebration of Black pioneer London Nelson's legacy. Plus, tree work in Monterey this week will close some off ramps on Highway 1.

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

In this episode of The Birth Lounge podcast, HeHe dives into what's happening in women's health and healthcare access, focusing on the postpartum landscape and recent budget cuts impacting Medicaid. Special guest Natalie Davis, founder of United States of Care, joins to discuss pivotal healthcare legislation, Medicaid's role in maternal and infant health, and the importance of universal access to quality healthcare. The discussion also touches on the power of virtual care and current legislative threats to preventive health services. We hope this episode will equip and inspire you to engage in local healthcare advocacy. 01:34 Current State of Women's Health in the US 02:23 Introducing Natalie Davis 05:51 Challenges in Postpartum Care 10:04 Impact of Budget Cuts on Medicaid 16:16 Supreme Court Case on Preventive Services 22:38 Advocacy for Better Healthcare 27:44 Universal Healthcare Debate 28:38 Debating Healthcare Access and Affordability 31:05 The 100 Weeks Project: Supporting Postpartum Women 32:57 Personalized and Comprehensive Postpartum Care 34:53 Navigating the Postpartum System 40:38 Resources for NICU Families and Mental Health Support 42:07 Legislation Impacting Women's Health 43:30 The Rise of Virtual Care 50:53 Getting Involved in Local Legislation 53:33 Final Thoughts and Encouragement   Guest Bio: For nearly two decades, Natalie Davis has worked shaping and implementing American health care policies to improve the lives of all people. In 2018, she and fellow national health care leaders, such as Andy Slavitt, launched United States of Care to ensure that everyone in the country has access to quality, affordable health care through a community-driven policy change. She is relentless in her person-centered approach to building health care solutions and has a history of building partnerships that work to create positive change in our country's health care system. From 2010-2016, Natalie served at the Centers for Medicare and Medicaid Services implementing the Affordable Care Act, with the final two years as Senior Advisor to former CMS Administrator, Andy Slavitt. A social entrepreneur, Natalie also helped found Town Hall Ventures which focuses on bringing the best of innovation and care delivery to diverse communities. Natalie also served as the Director of Strategic Engagement at the Bipartisan Policy Center. Natalie holds an M.A. in Philosophy from George Washington University and is an alumna of Salisbury University schools of Sociology and Art History. Natalie lives in Washington, DC with her amazing husband and four children. INSTAGRAM: Connect with HeHe on IG  Connect with HeHe on YouTube   Connect with United States of Care on IG    BIRTH EDUCATION: Join The Birth Lounge here for judgment-free childbirth education that prepares you for an informed birth and how to confidently navigate hospital policy to have a trauma-free labor experience!   Download The Birth Lounge App for birth & postpartum prep delivered straight to your phone!   LINKS MENTIONED: State of Postpartum Care (State Maps) Journey Map Preventive Services Resource Hub https://www.marchofdimes.org/our-work/nicu-family-support   https://postpartum.net/

Welcome back! This week the ladies explore "The Personal Librarian" by Marie Benedict and Victoria Christopher Murray—a stunning historical fiction novel based on the real life of Belle da Costa Greene, a Black woman who passed as white to rise through the ranks of elite society in the early 1900s. Handpicked by J.P. Morgan himself, Belle becomes the personal librarian to one of the most powerful men in the world and curates a collection that would define literary prestige. But, behind her poise and power, lies a daily negotiation of identity and survival. The hosts explore Belle's dual existence, the cost of racial passing, and the brilliance she brought to a world that would've rejected her if they'd known her truth. Join them as they unpack the legacy of a woman who had to erase herself to leave her mark. Cheers!*Please be advised this episode is intended for adult audiences and contains adult language and content. We are expressing opinions on the show for entertainment purposes only.Dedication: To our patrons as always!! We love you and thank you!Moni: To ladies of the CockTales Podcast, specifically KiKi for inspiring this weeks book topic. https://www.youtube.com/channel/CockTalesKat: To Arthentic Arts and the wonderful mural project. https://www.instagram.com/p/DI3swsJx52R/?igsh=cGZkbjk3c3kxdXhiArt Effect About the life and work Belle da Costa Greene aka Belle Marion Greener https://www.themorgan.org/exhibitions/belle-da-costa-greene Belle da Costa Greene (Belle Marion Greener) https://en.wikipedia.org/wiki/Belle_da_Costa_Greenehttps://blogs.loc.gov/headlinesandheroes/2022/02/belle-de-costa-greene/About the authors:Victoria Christopher Murrayhttps://www.goodreads.com/author/show/56575.Victoria_Christopher_MurrayMarie Benedicthttps://www.goodreads.com/author/show/14815127.Marie_Benedict*Stranger than Fiction:

Kyle Wood returns to the show today to talk with Tim about some of their favorite lesser-known artists in art history, and share ideas on why we need to move beyond the traditional art historical canon. Ranging from Abstract Expressionism to Surrealism, Impressionism to Cubism, they pass right by the Picassos and Pollocks and talk about Janet Sobel, Remedios Varo, Charuvi Agrawal, and so many more artists that can expand your students' views on art history. They finish the show by discussing how a more representative set of artists in your curriculum can lead to understanding, engagement, and empowerment for your students. Resources and Links Join the Art of Ed Community Listen to Who Arted? and Fun Facts Daily from Kyle Art Ed Radio Ep. 009: No More Dead White Guys! 6 Contemporary Artists Storytelling, Art History, and Student Engagement

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Series 3, Episode 7 of Artery features Florentina Manuel Martínez with Michele A. Feder-Nadoff and Claudia Rocha Valverde Florentina Manuel Martínez is a textile artist originally from the state of Veracruz, in the municipality of Chicontepec, in the community of Ateno. She is a Náhuatl language speaker. Currently she is living in Tamaletom (the municipality of Tancanhuitz, in the state of San Luis Potosí, México). Florentina is married to a Tének flyer man of Tamaletom. (Tének is an Indigenous group of Mexico and flying refers to the traditional ritual dance of prehispanic origins.) Florentina has lived in Tamaleton for 18 years and has learned much about the Tének culture. Michele A. Feder-Nadoff is an artist and anthropologist whose practice and research is concerned with the meaning of making [https://mfedernadoff.academia.edu]. Her longterm ethnography in Santa Clara del Cobre, Michoacán, México began in 1997 initiated by her apprenticeship with a master coppersmith, Maestro Jesús Pérez Ornelas. This led to her founding the non-profit Cuentos Foundation, becoming a Fulbright Scholar and cultural anthropologist, PhD, El Colegio de Michoacán. Her critical aesthetics integrates onto-epistemology, performance, and phenomenology with multimodal and collaborative methods designed to decolonize education, art and anthropology. Her artwork is included in private and public collections worldwide. Recent publications include her edited volume, Performing Craft in Mexico: Artisans, Aesthetics and the Power of Translation, 2022, Lexington (Bloomsbury Press), her monograph An Anthropology of Making in Santa Clara del Cobre: Presence of Absence, 2024, Palgrave, and numerous book chapters and articles. She is the assistant editor of the Journal of Embodied Research and an independent scholar, translator, curator, video-producer, lecturer and a multimodal workshop facilitator. Claudia Rocha Valverde, PhD in Art History is a professor and investigator at El Colegio de San Luis (COLSAN) in the Social Sciences and Humanities Research Center in Mexico. [https://scholar.google.es/citations?user=aZ-M7XMAAAAJ&hl=es] Currently, Claudia is the academic liaison of the CASA COLSAN Xilitla Project. Her fieldwork is in the region of Huasteca in the state of San Luis Potosi, where she has carried out research on contemporary traditions of pre-Hispanic origins. In particular, she has specialized in how the knowledge of Indigenous Nahua and Tének women is manifested in the history and symbolism of their clothing, which they wear today in ceremonial contexts related to the concept of Madre Tierra, Mother Earth, which reflects the natural environment in which they live. For more (and the Spanish version) click here Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Fluent Fiction - Italian: A Serendipitous Encounter: Love & Landscape at Villa d'Este Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-04-25-22-34-02-it Story Transcript:It: L'aria tiepida di primavera accarezzava dolcemente i volti dei visitatori nei giardini di Villa d'Este a Tivoli.En: The warm spring air gently caressed the faces of the visitors in the gardens of Villa d'Este in Tivoli.It: La Festa della Liberazione portava tanti turisti a godere della bellezza di questo angolo d'Italia.En: The Liberation Day brought many tourists to enjoy the beauty of this corner of Italy.It: Tra loro c'era Giulia, un'appassionata di storia dell'arte di Milano, alla ricerca di avventura e bellezza architettonica.En: Among them was Giulia, an art history enthusiast from Milan, in search of adventure and architectural beauty.It: Passo dopo passo, scopriva ogni dettaglio del giardino, dal profumo di glicini in fiore al suono melodioso delle fontane.En: Step by step, she discovered every detail of the garden, from the scent of blooming wisteria to the melodious sound of the fountains.It: Non lontano, Marco, un fotografo paesaggista di Firenze, cercava il soggetto perfetto.En: Not far away, Marco, a landscape photographer from Florence, was searching for the perfect subject.It: Stava lì per catturare l'essenza della rinascita, in linea con la stagione e la festa.En: He was there to capture the essence of rebirth, in line with the season and the celebration.It: Con la sua macchina fotografica, esplorava gli intricati giochi d'acqua e i colori vivaci dei fiori.En: With his camera, he explored the intricate water features and the vibrant colors of the flowers.It: Alessandro, la guida locale, parlava con entusiasmo al suo gruppo.En: Alessandro, the local guide, spoke enthusiastically to his group.It: Conosceva ogni pietra di Villa d'Este.En: He knew every stone of Villa d'Este.It: La sua passione era contagiosa.En: His passion was contagious.It: "Unisciti a noi," disse ad alta voce, invitando Giulia, che curiosamente seguiva il gruppo da lontano.En: "Join us," he said loudly, inviting Giulia, who was curiously following the group from afar.It: Giulia decise di accettare.En: Giulia decided to accept.It: Durante il tour, Giulia notò Marco mentre scattava foto cercando di catturare un angolo del giardino.En: During the tour, Giulia noticed Marco as he took photos, trying to capture a corner of the garden.It: Alessandro, notando la difficoltà di comunicazione tra Giulia e Marco, li incoraggiò a esplorare insieme una parte nascosta del giardino.En: Alessandro, noticing the difficulty of communication between Giulia and Marco, encouraged them to explore together a hidden part of the garden.It: "C'è uno scorcio perfetto," disse Alessandro, sorridendo.En: "There's a perfect view," said Alessandro, smiling.It: Marco esitò.En: Marco hesitated.It: Aveva considerato di andare via presto, ma la curiosità di Giulia lo incuriosì.En: He had considered leaving early, but Giulia's curiosity intrigued him.It: Decise di restare.En: He decided to stay.It: Camminarono insieme, un po' impacciati, tra una discussione e l'altra su arte e fotografia, usando il linguaggio universale dei sorrisi e dei gesti.En: They walked together, a bit awkwardly, discussing art and photography, using the universal language of smiles and gestures.It: Improvvisamente, una pioggia primaverile li sorprese.En: Suddenly, a spring rain surprised them.It: Cercarono riparo sotto un antico colonnato.En: They sought shelter under an ancient colonnade.It: Lì, il rumore della pioggia creava un'armonia perfetta con le loro voci.En: There, the sound of the rain created a perfect harmony with their voices.It: Parlarono con calma dei loro sogni e delle loro aspirazioni.En: They calmly talked about their dreams and aspirations.It: Marco raccontò come era in cerca di una nuova ispirazione.En: Marco shared how he was searching for new inspiration.It: Giulia condivise il suo desiderio di capire la storia attraverso i monumenti.En: Giulia shared her desire to understand history through monuments.It: Con l'ultimo raggio di sole che faceva capolino tra le nuvole, la pioggia cessò.En: With the last ray of sun peeking out from behind the clouds, the rain stopped.It: Giulia e Marco decisero di esplorare il resto del giardino insieme.En: Giulia and Marco decided to explore the rest of the garden together.It: Mentre camminavano, Marco trovò il soggetto perfetto da fotografare: un riflesso di luce su una fontana circondata dal verde.En: As they walked, Marco found the perfect subject to photograph: a reflection of light on a fountain surrounded by greenery.It: Giulia sorrideva, sentendosi parte di qualcosa di speciale.En: Giulia smiled, feeling part of something special.It: Al termine della giornata, avevano trovato non solo una nuova amicizia, ma anche un rinnovato senso di meraviglia e scoperta.En: By the end of the day, they had found not only a new friendship but also a renewed sense of wonder and discovery.It: Giulia capì che la spontaneità poteva dare più bellezza alla vita.En: Giulia realized that spontaneity could add more beauty to life.It: Marco riscoprì la magia di vedere il mondo attraverso gli occhi di qualcun altro.En: Marco rediscovered the magic of seeing the world through someone else's eyes.It: Il giardino di Villa d'Este, con la sua elegante tranquillità, rimase testimone silenzioso di una giornata di nuovi inizi.En: The garden of Villa d'Este, with its elegant tranquility, remained a silent witness to a day of new beginnings. Vocabulary Words:the air: l'ariathe faces: i voltito caress: accarezzarethe gardens: i giardinito enjoy: goderethe adventure: l'avventurathe scent: il profumoblooming: in fiorethe fountains: le fontanethe landscape photographer: il fotografo paesaggistathe essence: l'essenzathe rebirth: la rinascitato capture: catturarethe camera: la macchina fotograficathe colors: i colorithe passion: la passionecontagious: contagiosathe guide: la guidaawkwardly: impacciatithe gestures: i gestito hesitate: esitareto surprise: sorprenderethe colonnade: il colonnatoto share: condividerethe dreams: i sognithe aspirations: le aspirazionithe shelter: il riparoto peek out: fare capolinothe reflection: il riflessosurrounded: circondata

This hour, we look at the political erasure of history, and its impacts. Plus, we talk about why artists destroy their own work or the works of others. And, the history and evolution of erasers. GUESTS: Jason Stanley: Professor of Philosophy at Yale University. His latest book is Erasing History: How Fascists Rewrite the Past to Control the Future Preminda Jacob: Associate Dean of the College of Arts, Humanities, and Social Sciences at the University of Maryland, Baltimore County, where she is also an Associate Professor of Art History and Museum Studies Caroline Weaver: Former shopkeeper at CW Pencil Enterprise, a pencil shop in New York City. She is founder of The Locavore Guide and author of The Pencil Perfect: The Untold Story of a Cultural Icon Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Leonardo Da Vinci started his artistic journey at the age of 14, beginning as a studio boy to Andrea del Verrocchio. Verrocchio taught Leo the ropes in sculpting, painting, casting, leather work, amongst other things, until Da Vinci stepped in to paint a couple angels in a mostly complete "The Last Baptism". Verrocchio looked at his work, looked at Da Vinci's and legend has it he set down his brush for good at that point, seeing himself surpassed already by Da Vinci's talent. Achieving the status of Master at age 20, Da Vinci would embark upon a lifetime of creating Art, developing machines and mechanical theories, studying and documenting human anatomy, building weapons and more. The very definition of a Renaissance Man in every way, join us as we go deep into Da Vinci. Support the show

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto - AIPAD On Collecting Photography guide https://www.aipad.com/collecting   Sophie Wright is the Executive Director at Fotografiska New York, a position held since April 2022. Prior experience includes serving as Global Cultural Director at Magnum Photos from October 2003 to October 2020, where responsibilities encompassed developing and delivering global cultural programs, business development, and managing large-scale sales initiatives. Sophie Wright also worked as a Creative Consultant at Sophie Wright Consulting from 2002 to July 2011, focusing on strategy and communication for creative projects. Earlier roles include Deputy Editor and Gallery Manager at PLUK Magazine and Witness Gallery, and Non-Executive Director/Project Manager at MMAN Ltd. Sophie Wright holds a BA in Modern History from the University of Oxford and an MA in Art History from The Courtauld Institute of Art. - Fotografiska Global official website https://www.fotografiska.com/ - Follow Sophie Wright on Instagram https://www.instagram.com/wrightsophie/ and Fotografiska Global https://www.instagram.com/fotografiska/ - Fotografiska talks and presentations on YouTube https://www.youtube.com/@fotografiska.global   Andra Russek is a certified member of the Appraisers Association of America specializing in the field of fine art photography. She has been working in her field since 2000 when she became the assistant in the conservation department at the George Eastman House, Museum of Photography.  She continued her work at Swann Galleries, New York as a Specialist from 2002 – 2005. In 2005 she joined the Photographs Department at Sotheby's New York as a Specialist/Senior Cataloguer. In her role at both auction houses she catalogued and valued photographs for four to six sales per year. At Sotheby's she worked on important sales including Important Photographs from The Metropolitan Museum of Art, Including Works from the Gilman Paper Company Collection and Photographs from the Private Collection of Margaret W. Weston. Andra is currently the Director of Scheinbaum & Russek Ltd., a gallery specializing in 20th century and contemporary photography. - Scheinbaum & Russek Ltd. official website https://www.photographydealers.com/ - Membership page on AIPAD https://www.aipad.com/member/scheinbaum-russek-ltd - Follow Scheinbaum & Russek Ltd. on Instagram https://www.instagram.com/scheinbaumrussek/ - Straight Talk on Collecting Photography https://www.youtube.com/@scheinbaumrussekltd8037   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 18. March 2025 between Perth (AU) and New York (US) with Riverside.

Dr. Wannasarn Noonsuk joins Dr. Nam Kim to discuss early civilizations in what is now Vietnam and how uncovering creations of the past sheds light on the shifting cultural landscape of ancient Mainland Southeast Asia. They also examine how changing views of the past help to inform local and academic understandings of the region today. Dr. Nam Kim is a Professor of Anthropology and the Director of the Center for Southeast Asian Studies at the University of Wisconsin-Madison. He studies society and social organization through archaeological artifacts and specializes in Southeast Asia and Vietnam. Dr. Wannasarn Noonsuk is an associate professor in the Department of Art, Design, and Art History at California State University. He specializes in the archaeology of Peninsular Thailand as well as early maritime trade in Southeast Asia.

Have you ever wondered what exactly an artist residency is and whether it might be the missing piece in your creative journey? In this comprehensive guide, Ty Nathan Clark takes you through everything you need to know about these transformative opportunities.Artist residencies aren't just retreats—they're powerful creative accelerators that provide dedicated time, space, and freedom to focus exclusively on your work. From rural sanctuaries nestled in nature to dynamic urban studios, these programs offer artists the chance to step away from daily distractions and immerse themselves in their practice.The benefits extend far beyond a change of scenery. Residencies foster creative growth through uninterrupted studio time, expose you to new perspectives in unfamiliar environments, build valuable professional networks, provide access to specialized equipment and mentorship, and can significantly enhance your artistic credibility. As one resident reflected, "I left with the certainty that I'm an artist with a commitment to the creative life that I've never since questioned."Finding the right residency requires understanding what you need. Do you crave rural peace or urban energy? Are you seeking community or solitude? Can you self-fund, or do you need financial support? From fully-funded career-makers like Skowhegan and MacDowell to self-directed retreats, there's something for every artist at every career stage—you just need to know where to look and how to successfully apply.Ty shares insider tips for crafting winning applications: be specific about your plans, showcase your strongest recent work, explain why this moment and this particular residency are right for you, and always follow application guidelines meticulously. For those who secure a residency, he offers practical advice on preparing materials, absorbing your surroundings before diving into work, and documenting your experience.Whether you're considering your first residency application or looking to elevate your approach, this episode provides the knowledge and inspiration to take this meaningful step in your artistic journey. Ready to transform your practice through new experiences, connections, and creative freedom?Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

We welcome fine art painter Rhonda K Brown, whose artistic story is deeply intertwined with a remarkable family legacy in the art world. Join us as Rhonda pulls back the curtain on her creative journey - from the influential gallery environment of her youth to her eventual return to painting after exploring other paths. How did growing up surrounded by prominent artists shape her artistic vision? What drew her back to the canvas after time away? And what inspired her to create a new platform supporting fellow artists? Tune in for an intimate conversation about art, inspiration, and the mission to elevate diverse creative voices. WHAT YOU'LL HEAR: Rhonda's personal journey as a fine art painter and how she developed her unique style The remarkable legacy of the Malcolm Brown Gallery and its influence on her work Her approach to selecting color palettes and how she trained her artistic eye A treasure trove of recommendations for both historical and contemporary artists worth following The story behind Critique House, a new venture co-founded with her son to support BIPOC artists CHAPTERS: 00:00 Introduction to Rhonda Brown's Creative Journey 01:31 The Malcolm Brown Gallery: A Family Legacy 10:59 Influences and Inspirations in Art 17:22 Honoring Everyday People Through Art 21:12 Navigating Artistic Challenges and Community Support 24:01 The Evolution of Rhonda's Color Palette 29:05 Sources of Inspiration and Artistic Growth 34:02 The Journey Back to Art and Critique House 38:57 Critique House: Supporting BIPOC Artists KEY MOMENTS: Discover how Rhonda approaches her creative practice and what fuels her artistic vision Learn about the influential Malcolm Brown Gallery and its place in art history Hear how Rhonda celebrates everyday people through her artistic expression Explore the development of her distinctive color palette and artistic eye ABOUT RHONDA K BROWN: Rhonda K Brown is an accomplished fine art painter whose work has garnered recognition for its distinctive style. Beyond her personal artistic practice, she's committed to creating opportunities for other artists. CONNECT & FOLLOW: Rhonda K Brown: @rhondabrownfineart Rhonda's Website: https://www.rkbfineart.com Martine Séverin: martineseverin.com | @martine.sev This episode has been edited by Casandra Voltolina  

In this episode of the CAA Conversations, Amanda Douberley, Clarissa J. Ceglio, and Alison Paul discuss the William Benton Museum of Art at the University of Connecticut, which brings student perspectives into its galleries and fosters belonging through innovative curricular partnerships. Three recent projects undertaken by classes in UConn's School of Fine Arts produced student-centered interpretive materials for the Benton's exhibitions. Each interactive project connected the museum with the campus community in a different way and cultivated a sense of belonging for both students enrolled in partner courses and student visitors to the Benton. Clarissa J. Ceglio, PhD, is Associate Professor of Digital Humanities, Associate Director of Research, for Greenhouse Studios, and Associate Director of Collaborative Research for UConn's Humanities Institute. Her research focuses on the ways in which museums, past and present, engage diverse communities in issues relevant to individual and civic thriving. She looks, too, at the affective and rhetorical uses of material, visual, and digital artifacts in constructing national and social imaginaries. Through her teaching and research, Ceglio also collaborates with museums, libraries, and communities on interdisciplinary public-facing and grant-funded projects that engage diverse audiences in topics of contemporary concern. Amanda Douberley is Curator & Academic Liaison at the William Benton Museum of Art, University of Connecticut, Storrs. She is responsible for connecting Benton's collections and exhibitions with teaching in departments across the university. She has curated numerous exhibitions at the museum, often in collaboration with faculty and other campus partners. Douberley holds a Ph.D. from the University of Texas at Austin with a focus on 20th-century American sculpture and public art. Before coming to UConn in 2018, she taught in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. Alison Paul is an Associate Professor of Art and Area Coordinator for the Illustration/Animation concentration in the Department of Art and Art History at the University of Connecticut. Paul creates illustrations and stop-motion animations using cut paper collage. Her work is fundamentally about storytelling to a variety of audiences. Paul's animations have been shown in film festivals internationally, and her children's books have received starred reviews from Publishers Weekly and Kirkus Reviews. She has curated exhibitions at the William Benton Museum of Art in Storrs and the Roots Reading Room in Providence, RI. Professor Paul has taught at UConn since 2011.

I am so excited to say that my guest, the esteemed art historian, Andrew Hottle, will be discussing SYLVIA SLEIGH! Currently the Professor of Art History at Rowan University in Glassboro, New Jersey, Hottle has dedicated his research and writing to focussing on women artists, with specialization in feminist art of the 1970s. He is the author of a definitive monograph on the American realist painter Shirley Gorelick, and his detailed book about The Sister Chapel reignited interest in a historic collaboration by thirteen women artists. But he is also a world expert on one of those artists featured in this chapel: Sylvia Sleigh, who was born in Wales and died in 2010, having been based in New York City for most of her life, and known for her unique realist painting style immortalising those in her community and the culturally significant. Identifiably recognisable by their meticulously rendered details, body hair and tan lines, Sleigh's paintings were always created from her acutely feminist viewpoint. Painting seductively effeminate male nudes in poses that evoke Titian's Venus of Urbino, or Ingres's Turkish Bath, the Welsh-born artist – famed for her contribution to the Women's Liberation Movement, as a prominent member of AIR Gallery – said of her work: “I liked to portray both man and woman as intelligent and thoughtful people with dignity and humanism that emphasised joy.” Although in my opinion far too overlooked for far too long, Sleigh is having somewhat of a renaissance. Earlier this year, Ortuzar Projects in NYC staged a solo exhibition of her work to acclaim – her first in 15 years, and this spring, she is showing alongside her contemporaries Alice Neel and Marcia Marcus, at Levy Gorvy Danyan in New York, that runs until 21 June: https://www.levygorvydayan.com/exhibitions/the-human-situation-marcia-marcus-alice-neel-sylvia-sleigh And it is very much thanks to Hottle, who is currently in the process of compiling her catalogue raisonne, as well as writing a book about the founder artist-members of SOHO 20, a historically significant feminist cooperative gallery, of which Sleigh was one, established in 1973, that she is finally coming back into the spotlight. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.About Curator Ciara Ennis:As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis' research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art's Advisory Board and X-TRA Contemporary Art Quarterly's Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE. Follow Ciara on Instagram:  @CiaraEnnis5--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

In this bonus episode of History Ignited, we revisit the story of Diego Rivera's controversial mural for Rockefeller Center that never saw the light of day. Why was it destroyed? What role did politics and art play in the fallout? And how did listener Grandpa Jimmy help us get the story right?Send us a text

Join "Dance Talk” ® with Joanne Carey  and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process ⁠https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/...⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

A conversation with urban planner and architectural historian James Michael Buckley about their book City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry (University of Texas Press, 2024)   James Michael Buckley is an urban planner, recently retired from the University of Oregon where he was an associate professor and venerable chair in historic preservation, and the director of the historic preservation program in the School of Architecture and Environment. Previously, he held teaching positions at MIT, San Francisco State University, and the University of California Berkley, where he earned an MA in city and regional planning and a PhD in architecture. He also holds a BA in Art History and American Studies from Yale University.     The Writing Westward Podcast is produced and hosted by Prof. Brenden W. Rensink for the Charles Redd Center for Western Studies at Brigham Young University. Subscribe to the Writing Westward Podcast on Apple Podcasts, Stitcher, Spotify, Google Play, and other podcast distribution apps and platforms. Follow the BYU Redd Center and the Writing Westward Podcast on Facebook, Bluesky, or Twitter, or get more information @ https://www.writingwestward.org. Theme music by Micah Dahl Anderson @ www.micahdahlanderson.com

Discover Lafayette is thrilled to welcome Kiki Frayard, founder of Kiki, a boutique store known for its exquisite selection of fine jewelry, fragrances, handbags, and other carefully curated items from designers across the world. While Kiki is known for offering unique designs, Kiki says, "Anybody can walk in to buy fun or lower price point jewelry at $75 to $250. We also offer jewelry up to $65,000." In addition to her successful retail business, Kiki recently ventured into children's literature with her book Lila Says No, cleverly illustrated by Aileen Bennett. Her passion for beauty and creativity extends beyond retail, as seen on her vibrant Instagram page, where she shares colorful and inspirational table settings for various events. Kiki, an Opelousas native, has strong ties to the Lafayette community. She is the sister of Marilyn Castle, retired 15th JDC judge, and Joan Dubuisson of Cox Business. She graduated from UL-Lafayette with degrees in Art History and English, initially intending to become an art teacher before discovering her passion for advertising and retail. Her career has been a fascinating journey, including stints as a nightclub singer in New Orleans, a radio advertising executive, and an ad agency owner. Working alongside advertising legend George Graham, Kiki honed her skills in creative writing and marketing, ultimately paving the way for her entrepreneurial success. Kiki opened her boutique in River Ranch after gaining invaluable retail experience from Molly Flanagan, owner of Molly's. She and her daughter, Katie, built the business together, expanding to Baton Rouge and establishing Kiki as a premier shopping destination. A life-changing car accident in 2007 prompted Kiki to embrace retail fully, leaving advertising to focus on her boutique. She and Katie meticulously designed the store, ensuring an elevated shopping experience comparable to high-end retailers in New York and beyond. Kiki says, "We knew we wanted to do something nice. We didn't want it to be a hodgepodge of display cases and just thrown together. We really wanted it to be the nicest store in Lafayette. "We had a vision of doing jewelry with designers in mind so that every case was dedicated to a designer. The handbags were displayed one on a shelf to make it seem really special so that everything seemed a little elevated. That worked when people walked in the store. Also, with most merchandise, if you don't turn it, you got to put it on sale, you've got to get rid of it, you got to turn. But jewelry isn't like that. We could have an expensive piece of jewelry and it could be there for two years, and then someone comes in and and buys it. So you don't have to discount quite as much. The same thing with perfume." Beyond retail, Kiki has made a mark in the Lafayette community. She played a crucial role in the development of Lafayette's downtown playground, recognizing its value in revitalizing the area. Her passion for community enrichment continues to shape her contributions to the city's cultural and economic landscape. Kiki's love for creativity extends to her personal life, where she enjoys setting stunning tablescapes for family gatherings. Her collections of fine china and linens reflect her impeccable taste and appreciation for beauty. Her foray into children's literature has been met with great enthusiasm. Lila Says No is resonating with parents and educators, with notable endorsements from child psychologist Carolyn Helm. The book received a glowing review rom Kirkus as "quirky and entertaining, with a kid and parent-savvy message." Kiki's deep admiration for children's literature and her collection of over 500 books inspired her to finally write her own story, with more books potentially on the horizon. Though retired from store ownership, Kiki remains an integral part of Kiki, still attending market trips and influencing the store's aesthetic.

Camille Georgeson-Usher, PhD, is a Coast Salish / Sahtu Dene / Scottish writer, artist, and scholar from Galiano Island, British Columbia, unceded territories of the Penelakut and Lamalcha First Nations, as well as other Hul'qumi'num speaking peoples and is the ceded traditional territories of Tsawwassen First Nation. She is Assistant Professor, Modern and Contemporary Indigenous Art at the University of British Columbia in Vancouver, BC in the department of Art History, Visual Art, and Theory. Usher completed her MA in Art History at Concordia University. Her thesis, “more than just flesh: the arts as resistance and sexual empowerment,” focused on how the arts may be used as a tool to engage Indigenous youth in discussions of health and sexuality. In addition to her academic work, she serves on several boards, currently she is: Co-Chair of the Toronto Biennial of Art; a Board Member of the Inspirit Foundation; and Secretary and Board Member of the Canadian Art Foundation. Cover photo credit Donna Usher

Meet Alessandra, known as Alessi, a 27-year-old visual artist from Peru who has made Miami her home. With a Bachelor's degree in Fine Arts and Art History, she brings her expertise to life as a tour guide at the renowned Wynwood Walls, where she enthusiastically shares her deep appreciation and insights into street art with visitors who come to experience Miami and its vibrant art scene.Instagram

Margo and Abby catch up on colorful collections, creative conferences, and curious cultural trends in the latest episode of Creative Current Events. This special segment of Windowsill Chats dives into all the artful oddities, thought-provoking news, and heartwarming discoveries that have recently caught their attention.   They touch on how color is used intentionally in media like the show Severance, the healing potential of museums (including Switzerland's bold move to prescribe them for mental well-being), and the magic of virtual museum visits. They also explore current concerns around learning, attention, and AI search tools, all wrapped up in their signature blend of insight and humor.   As always, listener submissions help fuel the fun—so keep sending those articles their way!   Articles Mentioned:  Crayon Collector https://www.kvue.com/article/news/community/crayon-collection-texas-torch-red-colors-strange/273-adc66c54-6598-429b-9f80-c600038034b5#   Colors of Severance https://www.instagram.com/movieluts/reel/DFNePz-iCXL/ https://www.polygon.com/tv/539421/severance-season-color-theory-red-green-blue   10 Best Art Museums https://10best.usatoday.com/awards/best-art-museum/   Art as Therapy https://www.reuters.com/business/healthcare-pharmaceuticals/art-therapy-swiss-doctors-prescribe-museum-visits-2025-03-12/   Google Arts & Culture! Free Museums Visits & so much more https://artsandculture.google.com/   Human Intelligence Sharply Declining https://futurism.com/neoscope/human-intelligence-declining-trends   PISA Results https://worldpopulationreview.com/country-rankings/pisa-scores-by-country   AI gets it wrong https://futurism.com/study-ai-search-wrong   Connect with Abby: https://www.abbyjcampbell.com/ https://www.instagram.com/ajcampkc/ https://www.pinterest.com/ajcampbell/   Connect with Margo: www.windowsillchats.com www.instagram.com/windowsillchats www.patreon.com/inthewindowsill https://www.yourtantaustudio.com/thefoundry

Love Life in NYC.  Dan Neil buys a Tesla.  Will Shortz on the mend.  Howie Rose nostalgia.  AI comes to the Art History rescue. Big applications for Gorilla Glass. Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer:  Ellie Suttmeier Art:  Zeke Abuhoff

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.  But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.  But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive.  But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience. New Books in Late Antiquity is presented by Ancient Jew Review Sarah Bassett is Associate Professor Emerita, Art History at Indiana University Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices

Doubt isn't the enemy of artistic greatness—it's the catalyst. Reuniting after two months apart, Ty and Nathan dive into the profound relationship between artistic excellence and uncertainty through Robert Hughes' provocative quote: "The greater the artist, the greater the doubt."Ty shares his exciting news about being accepted to the Marfa Invitational after years of persistent applications, exemplifying how perseverance through doubt eventually bears fruit. We explore Charles Bukowski's observation that intelligence breeds uncertainty while ignorance fosters unearned confidence, and how this paradox shapes the creative journey.The conversation weaves through profound insights from Anton Chekhov on asking questions rather than providing answers, Francis Bacon's challenge to "deepen the mystery," and Kurt Vonnegut's call to "jump off cliffs and develop wings on the way down." Drawing parallels between artistic exploration and literal mapmaking, we discuss how venturing into unknown creative territory requires tolerating discomfort while expanding our artistic capabilities.Whether you're feeling stuck in your creative practice or questioning your direction, this episode offers a refreshing perspective: interesting failures lead to interesting successes. By redefining what success means and embracing experimentation as part of the journey, artists can transform doubt from a burden into a powerful tool for growth.Ready to make your most interesting work? Join us for a conversation that might just change how you view uncertainty in your creative practice. As Van Gogh wisely advised, "I am always doing what I cannot do yet in order to learn how to do it."Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

If you've already started planning your Swiss vacation you've no doubt realised that it's an expensive country to visit. But just how expensive is Switzerland?You'll probably find that goods and services cost more in Switzerland than they do in your home country but don't despair - in this episode you'll discover plenty of ways to travel in Switzerland on a budget.I'm joined by Fabian Bryner who shares some easy ways to get the best bang for your vacation dollar so you can travel Switzerland on the cheap. Tips include booking early to get the best Switzerland travel deals, and Fabian has some great ideas to help you save on transport and accommodation, too. Plus you'll hear how to eat and drink in Switzerland for less and learn about a fantastic coupon pass which offers over 100 buy 1, get 1 free deals for admission fees, excursions, activities, dining and more. If you want to learn how to travel in Switzerland cheap - or as cheap as possible - tune in for lots of helpful tips to help stretch your travel budget further.Safe travels,Carolyn

Coming up on this episode of Flirtations, spring has sprung (more or less), and with it comes a fresh new season of flirting, romance, and dating possibilities!  On the show today is Flirtation's in-house astrologer, fortune teller, and magic mystic, Fernie, to share with us what the stars have in store for our love lives and how to align with the energy of the universe this season. No matter your experience or knowledge of astrology, you don't need to be an expert, this episode is for you as we explore themes like:  the power of saying yes to yourself and embracing new opportunities, living life from the heart rather than from the head, and how to have more patience in our dating lives.  We're also talking about why Delulu is the Solulu and finally, we tap into the energy of Venus—the planet of beauty, and love—to help you channel confidence and playfulness as we navigate romance. So get ready to flirt, trust the process, and step into spring with an open heart! Let's do this, Flirties! Don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! About our guest:  Fernie Salinas (he/they) is a queer Latinx fortune telling witch from the Rio Grande Valley in Texas.  They are the owner and founder of Golden Mirror Fortunes, and they hope to be Your Favorite Fortune Teller! They grew up always knowing that magic was around us, as their great-grandfather and his son, their grand-uncle, were both curanderos (folk healers) in Rio Grande City, and it's been such a delight to have Golden Mirror Fortunes carry on the legacy of healing and mysticism they instilled in him. He's also an educator — he went to Rice University, studied English and Art History, got their teacher's certification, joined TFA, and have been a teacher and principal at various schools in the RGV.  He is currently an education consultant as well as running Golden Mirror Fortunes, their small fortune telling business.  He uses tarot and magic to help people heal and find their paths, all in service of improving their fortunes.  His deepest desire is to provide you with the light that you need to make your life a little more magical and glittery. Follow them on Instagram and let them be your favorite fortune teller! About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy, with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the flirties!) date from a place that allows the value of connection in all forms - platonic and romantic connection - to take center stage and transform lives for greater healing and ultimately, a deeper connection with the self. You can connect with Benjamin on Instagram, TikTok, stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.

Giuseppe Castellano talks to Arabelle Liepold, Executive Director of The Society of Illustrators, about the past, present, and future of the Society; why illustrators should consider becoming members; what the Society can be for… society; and more.To learn more about the Society, visit societyillustrators.org.Artists mentioned in this episode include: Norman Rockwell, Dean Cornwell, Charles Dana Gibson, Liza Donnelly, Edel Rodriguez, and Steve Brodner If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

Giuseppe Castellano talks to the folks behind The Edward Gorey House (as well as other Gorey fanatics and aficionados) about the life, work, and house of Edward Gorey.The first half of this episode was recorded at Gorey's 100th birthday gala, which was held at The Mansion at Ocean Edge in Brewster, Massachusetts. Special thanks go to The Edward Gorey House's director and curator, and assistant director and curator, Gregory Hischak and Coco Raymond.To learn more about The Edward Gorey House, visit edwardgoreyhouse.org.Photograph by Richard Avedon / © The Richard Avedon Foundation  If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

Helen McNicoll was a Canadian painter who had a significant influence on the rise of Impressionism in that country. McNicoll, who lost her hearing in childhood, was quite successful as an artist, though her career and life were short. Research: Anderson, Jocelyn. “William Brymner: Life & Work.” Art Canada Institute. https://www.aci-iac.ca/art-books/william-brymner/biography/ Atanassova, Katerina. “Helen McNicoll: In Search of Light.” National Gallery of Canada. 5/4/2023. https://www.gallery.ca/magazine/your-collection/helen-mcnicoll-in-search-of-light Babbs, Verity. “Painting Bought for $2,700 Revealed to Be $390,000 Masterpiece.” Artnet. 10/23/2024. https://news.artnet.com/art-world/fake-or-fortune-helen-mcnicoll-painting-2557012 Burton, Samantha. “Helen McNicoll: Life and Work.” Art Canada Institute. https://www.aci-iac.ca/art-books/helen-mcnicoll/biography/ Canadian Women Artists History Initiative. “MCNICOLL, Helen Galloway.” https://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=105 Goodman, Rachel. “Renowned Canadian artist’s painting that was lost for over 100 years discovered by U.K. artist.” Now Toronto. 10/6/2024. https://nowtoronto.com/news/renowned-canadian-artists-painting-that-was-lost-for-over-100-years-discovered-by-u-k-artist/ “Death Cuts Short Promising Career.” The Gazette (Montreal, Quebec, Canada). Mon, Jun 28, 1915. Page 5 Haworth, Lorna Helen. “A History of McKay School for the Deaf.” Master’s Thesis. McGill University. 1960. Huneault, Kristina. “Impressions of difference: the painted canvases of Helen McNicoll.” Art History. April 2004. Luckyj, Natalie. “Helen McNicoll : a Canadian Impressionist.” Art Gallery of Ontario. 1999. Luckyj, Natalie. “McNICOLL, HELEN GALLOWAY,” in Dictionary of Canadian Biography, vol. 14, University of Toronto/Université Laval, 2003–, accessed January 14, 2025, https://www.biographi.ca/en/bio/mcnicoll_helen_galloway_14E.html. Musee National des Beaux Arts du Quebec. “Musee National des Beaux Arts du Quebec.” https://www.mnbaq.org/en/exhibition/helen-mcnicoll-1306 Musée national des beaux-arts du Québec. “Helen McNicoll. An impressionist Journey A celebration of light!.” Canadian Newswire. 6/19/2024. https://www.newswire.ca/news-releases/helen-mcnicoll-an-impressionist-journey-a-celebration-of-light--811205352.html Nash, Julie. “Defining Moments: Mary Cassatt and Helen McNicoll in 1913.” At Herstory. 8/8/2023. https://artherstory.net/defining-moments-mary-cassatt-and-helen-mcnicoll-in-1913/ Prakash, A.K. "Independent Spirit: Early Canadian Women Artists." Queen's Quarterly, vol. 116, no. 3, fall 2009, pp. 354+. Gale General OneFile, link.gale.com/apps/doc/A211717399/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=f5c4f4e2. Accessed 13 Jan. 2025. Widd, Thomas. “History of the Protestant Institution for Deaf-Mutes, Montreal, Canada.” American Annals of the Deaf and Dumb. Vol. 22, No. 4. October 1877. https://www.jstor.org/stable/44401559 See omnystudio.com/listener for privacy information.