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Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language
Tunes: William Dixon: Dorrington, Have a Care of Her Johnny, Hacky Honey Daniel Dow: Sandy Gow's Three Pints John McLachlan: Sandy Gow's Three Pints, From David Greenberg and Chris Norman: a John Reid Piece, Garb of the old Gaul and Hacky Honey Big Thank You to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0 amazon music: https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US You can check out Chris Norman's website here: https://boxwood.org/ +X+X+ 1733: Dorrington, Have a Care of Her Johnny, Hacky Honey from William Dixon's Manuscript https://www.mattseattle.scot/product-page/the-master-piper-new-edition +X+X+ 1776: Strike the Bell from William Vickers' Manuscript http://www.farnearchive.com/farneimages/jpgs/R0310200.jpg +X+X+ 1787: Sandy Gow's Three Pint's [sic] From Daniel Dow's: A Collection of Ancient Scots Music for the violin, harpsichord or German flute: http://web.archive.org/web/20250708073125/https://www.wirestrungharp.com/library/local_books/dow_17-25.pdf +X+X+ 1854: Sandy Gow's Three Pints, and The Maid of Glengaresdale From John McLachlan's The Piper's Assistant https://digital.nls.uk/special-collections-of-printed-music/archive/105010347 +X+X+ Hacky Honey Thanks to Fin Moore for chatting with me a bit about Dixon, more on this to come later, Check out Far North Retreat Here: https://www.facebook.com/farnorthretreats +X+X+ Big thanks to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0 amazon music: https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US Here are some ways you can support the show: Check out the Recording of Pete Stewart Competeing with Hacky Honey in 2014 here: https://lbps.net/j3site/index.php/events-reports/competition-results-blog/343-2014-competition-results Watch Brighde's Performance of Hacky Honey from the 20teens here: https://youtu.be/Urzt_3PuFEs?si=dE4sg8bnKBhX_zT7 Read Pete's Interview with Brighde Chaimbeul Here: https://lbps.net/j3site/index.php/common-stock/archive-issues/138-june-2016/825-bbc-radio-2-folk-award-brighde-chaimbeul Listen to Brighde Chaimbeul and Nicola Benedetti play Hacky Honey here: https://youtu.be/OhDuTwJeE-4?si=gXx5K7SuKXXXWEmg +X+X+ FIN You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Chips from a Calcutta Workshop: Comparative Religion in Nineteenth Century India (Cambridge University Press, 2025) explores the development and nature of comparative religion in nineteenth-century India. It focuses on the ideas and intellectual currents behind a range of thinkers who explored comparative religion in India, drawing on a variety of inspirations from Indian religions. Rather than emanate out of a European Christian set of politics as in the Western world, comparative religion emerged out of religious reform movements, including the Brāhmo Samaj in Bengal and the Arya Samaj in the Punjab. With chapters on Rammohan Roy, Debendranath Tagore, Keshab Chandra Sen, and Swami Vivekananda, the book includes a re-evaluation of familiar figures alongside lesser-known thinkers within an intellectual history of modern Indian comparative religion. Neilesh Bose is Professor of History at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Chips from a Calcutta Workshop: Comparative Religion in Nineteenth Century India (Cambridge University Press, 2025) explores the development and nature of comparative religion in nineteenth-century India. It focuses on the ideas and intellectual currents behind a range of thinkers who explored comparative religion in India, drawing on a variety of inspirations from Indian religions. Rather than emanate out of a European Christian set of politics as in the Western world, comparative religion emerged out of religious reform movements, including the Brāhmo Samaj in Bengal and the Arya Samaj in the Punjab. With chapters on Rammohan Roy, Debendranath Tagore, Keshab Chandra Sen, and Swami Vivekananda, the book includes a re-evaluation of familiar figures alongside lesser-known thinkers within an intellectual history of modern Indian comparative religion. Neilesh Bose is Professor of History at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Chips from a Calcutta Workshop: Comparative Religion in Nineteenth Century India (Cambridge University Press, 2025) explores the development and nature of comparative religion in nineteenth-century India. It focuses on the ideas and intellectual currents behind a range of thinkers who explored comparative religion in India, drawing on a variety of inspirations from Indian religions. Rather than emanate out of a European Christian set of politics as in the Western world, comparative religion emerged out of religious reform movements, including the Brāhmo Samaj in Bengal and the Arya Samaj in the Punjab. With chapters on Rammohan Roy, Debendranath Tagore, Keshab Chandra Sen, and Swami Vivekananda, the book includes a re-evaluation of familiar figures alongside lesser-known thinkers within an intellectual history of modern Indian comparative religion. Neilesh Bose is Professor of History at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Chips from a Calcutta Workshop: Comparative Religion in Nineteenth Century India (Cambridge University Press, 2025) explores the development and nature of comparative religion in nineteenth-century India. It focuses on the ideas and intellectual currents behind a range of thinkers who explored comparative religion in India, drawing on a variety of inspirations from Indian religions. Rather than emanate out of a European Christian set of politics as in the Western world, comparative religion emerged out of religious reform movements, including the Brāhmo Samaj in Bengal and the Arya Samaj in the Punjab. With chapters on Rammohan Roy, Debendranath Tagore, Keshab Chandra Sen, and Swami Vivekananda, the book includes a re-evaluation of familiar figures alongside lesser-known thinkers within an intellectual history of modern Indian comparative religion. Neilesh Bose is Professor of History at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions
Chips from a Calcutta Workshop: Comparative Religion in Nineteenth Century India (Cambridge University Press, 2025) explores the development and nature of comparative religion in nineteenth-century India. It focuses on the ideas and intellectual currents behind a range of thinkers who explored comparative religion in India, drawing on a variety of inspirations from Indian religions. Rather than emanate out of a European Christian set of politics as in the Western world, comparative religion emerged out of religious reform movements, including the Brāhmo Samaj in Bengal and the Arya Samaj in the Punjab. With chapters on Rammohan Roy, Debendranath Tagore, Keshab Chandra Sen, and Swami Vivekananda, the book includes a re-evaluation of familiar figures alongside lesser-known thinkers within an intellectual history of modern Indian comparative religion. Neilesh Bose is Professor of History at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Chips from a Calcutta Workshop: Comparative Religion in Nineteenth Century India (Cambridge University Press, 2025) explores the development and nature of comparative religion in nineteenth-century India. It focuses on the ideas and intellectual currents behind a range of thinkers who explored comparative religion in India, drawing on a variety of inspirations from Indian religions. Rather than emanate out of a European Christian set of politics as in the Western world, comparative religion emerged out of religious reform movements, including the Brāhmo Samaj in Bengal and the Arya Samaj in the Punjab. With chapters on Rammohan Roy, Debendranath Tagore, Keshab Chandra Sen, and Swami Vivekananda, the book includes a re-evaluation of familiar figures alongside lesser-known thinkers within an intellectual history of modern Indian comparative religion. Neilesh Bose is Professor of History at the University of Victoria.
Matthew Shindell discusses the Scientific Revolution, nineteenth-century theories about Martian canals by Schiaparelli and Lowell, and H.G. Wells using Mars to satirize British imperialism.
When assessing the literature of an era, we tend to think of the works that have made it into the canon - but in so doing, we're in danger of overlooking the many different kinds of books and texts that people were actually reading. In this episode, Jacke talks to Sarah Allison (The Rise of Celebrity Authorship: Nineteenth-Century Print Culture and Antislavery) about the creation of literary celebrity from the nineteenth century's pop culture print forms, including antislavery writing. PLUS popular HOL guest Emily Van Duyne (Loving Sylvia Plath: A Reclamation) stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Puritans and Covenanters alike have garnered a reputation for being austere and glum. Sometimes that reputation is deserved, but often it is a most unjust caricature. In this week's bonus episode we meet a jovial Covenanter - a man who, although serious and earnest in ministry, was approachable and joyful. He was also not averse to casting a fly. William Guthrie of Fenwick was cousin to James Guthrie, who is the subject of the first episode in our four-part series, The Covenanter Story, which is now available to watch. Featured resource: Blaikie, William G., The Preachers of Scotland: From the Sixth to the Nineteenth Century (1888, repr. Edinburgh: Banner of Truth, 2001), pages 122–129. Explore the work of the Banner of Truth: www.banneroftruth.org Subscribe to the Magazine (print/digital/both): www.banneroftruth.org/magazine Leave us your feedback or a testimony: www.speakpipe.com/magazinepodcast
Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In this episode, Madigan is joined by professor and author Diana Martha Louis to discuss her book "Colored Insane: Slavery, Asylums and Mental Illness in the Nineteenth Century", which explores the body-minds of Black women in particular in the eras during and after slavery, and tells the little-known story of the history of Black women's mental health. Check out the book! https://cup.columbia.edu/book/colored-insane/9780231212878/ Do you have a topic that you want the show to take on? Email: neighborhoodfeminist@gmail.com Social media: Instagram: @angryneighborhoodfeminist Get YANF Merch! https://yanfpodcast.threadless.com/ JOIN ME ON PATREON!! https://www.patreon.com/angryneighborhoodfeminist Learn more about your ad choices. Visit megaphone.fm/adchoices
Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies
Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Tunes: William Dixon: Wattys away, Dorrington (I keep saying Dorrington Lads in the Episode, or Dixon just calls it Dorrington). Donald Lindsay and Richard Youngs: Dorrington Iain Gelston: Rusty Gully, Cotting Burn, Lionel Winship: Dorrington Laddie John Rook: Dorrington Lads Melodies Committee: Dorrington Lads Bruce and Stoke: Dorrington Lads +X+X+ If you don't have a copy yet you can pick up a copy of William Dixon's Manuscript several places: https://www.mattseattle.scot/product-page/the-master-piper-new-edition To watch the William Dixon Homecoming Concert here: https://youtu.be/AbAq_1zL7GU?si=8sFV42rp9dmANizq Pick Up Donald Lindsay and Richard Youngs' Album History of Sleep Here: https://goodenergy.bandcamp.com/album/history-of-sleep You can also listen to a very old conversation of Donald and I talking about Dorrington here: https://www.wetootwaag.com/s4e25 For information on the Dorrington Demons: https://lincolnshirefolktalesproject.com/2024/02/20/the-dorrington-demons-witches/ For the Earlier Deep Dive on Dorrington Related tunes listen here: https://www.wetootwaag.com/s8e21 +X+X+ 1733: Wattys away, Dorrington From William Dixon Manuscript +X+X+ 2021 Cotting Burn from Iain Gelston (by Iain Gelston) From The New Shields Garland Volume 1 https://www.lulu.com/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&pageSize=4 +X+X+ 1833: Dorrington Laddie from Lionel Winship Manuscript http://www.farnearchive.com/farneimages/jpgs/W0104400.jpg +X+X+ 1840s: Dorrington Lads from the Rook Manuscript https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/126.htm +X+X+ 1887: Dorington Lads from Airs and dance tunes collected and constructed by the Melodies Committee of the Newcastle Antiquarian Society, 1857-1887 http://www.farnearchive.com/farneimages/jpgs/R1106600.jpg +X+X+ 1882: Dorrington Lads From Northumbrian Minstrelsy By Bruce and Stoke https://hdl.handle.net/2027/uc1.c034406758 +X+X+ 1925: Dorrington Lads From William Cocks' Tutor for the Northumberland Half-Long Bagpipes https://ceolsean.net/content/Cocks/Cocks_TOC.html +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Tunes: William Dixon: Golden Locks, My Love Comes Passing By Me, Black and the Grey +X+X+X+ You can Watch Jamie's Dixon Playthrough on Youtube: https://www.youtube.com/watch?v=F52UGXWQ98k&list=PLDGa4AoVJA1TGzIM85KEkOKLZKNbQNljq If you want to buy some Podcast Merch Get it here: https://www.bagpipeswag.com/product-page/wetootwaag-unisex-t If you don't have a copy yet you can pick up a copy of William Dixon's Manuscript several places: https://www.mattseattle.scot/product-page/the-master-piper-new-edition You can find Pete Stewart's books here: http://www.hornpipemusic.co.uk/index.php Mr. Preston's Hornpipe Played by Pete Stewart: https://youtu.be/6TXJphyjFfw FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Fad workouts have been with us for decades, but they go back much further than we realize. Long before CrossFit, Zumba, P90X, Tae Box, Jazzercise or Jack LaLanne, we had 19th century strongmen. These mustachioed showmen were the first global fitness influencers. They hauled trunks of weights onto steamships, toured the world, then sold exercise equipment through the mail. The most famous was Eugene Sandow, who broke chains, and created with his own body a "manned cavalry bridge" where he would lie down while men, horses, and a carriage were driven over his body. He even fought a lion in front of an auditorium and won, although the lion was almost definitely sedated. Today’s guest is Connor Heffernan, author of “When Fitness Went Global: The Rise of Physical Culture in the Nineteenth Century.” In this episode, we discuss: Ancient Egyptians were basically doing CrossFit thousands of years ago. They trained with swinging sandbags that look exactly like modern kettlebell flows. One of the first exercise practices to experience globalization was Indian club-swinging. Indian club-swinging, originating from the heavy training clubs used by Indian wrestlers and soldiers for centuries, was observed and adopted by British military officers stationed in India during the early 1800s. Early diet culture was a carnival of quack science. Victorian fitness magazines were filled with miracle tonics, starvation cures and pseudoscientific meal plans. Many of our “new” diet trends are rebranded versions of schemes first marketed with sepia portraits and dubious testimonials. See omnystudio.com/listener for privacy information.
James Holmes of the Naval War College and Gordon Chang discuss Alfred Thayer Mahan's nineteenth-century view of Hawaii as strategic opportunity, drawing parallels to modern Chinese expansionism and current interest in Greenland.1870 HAWAII, COOK MONUMENT
There is no question that the Civil War is one of the darkest chapters in American history. With roughly 2.5 percent of the population lost, a higher number of Americans than in both World Wars combined.In portraying the war in history, however, we often focus on the tragic division of loyalties in the the United States - the predicament of brother fighting brother.To discuss this idea - where it came from, how true it is and how it has been used by various parties - Don is joined once more by Aaron Sheehan-Dean. Aaron is the Fred C. Frey Professor of Southern Studies at Louisiana State University, and author of ‘Reckoning With Rebellion: War and Sovereignty in the Nineteenth Century'.This is the first in a series on America's Darkest Hours. In the coming weeks we will explore the Great Depression, the Kent State Shootings and the origins of slavery.Edited by Aidan Lonergan, produced by Sophie Gee. Senior Producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.
Tunes: Robyn Jamner: If I die at the Hands of a faceless man. William Dixon: The New Way to Morpeth James Aird: Johnny MacGill (Come under my Plaidy) Donald MacDonald: Buckskin Kilt, The Wren's Death, The Kilt is my Delight, Jenny Dang the Weaver +X+X+ Check Out Robyn Jamner (they/she) Here: https://www.tiktok.com/@robynjamner/video/7599064826803014942?is_from_webapp=1&sender_device=pc&web_id=7599175986731566606 https://youtube.com/@robynjamner?si=cxDy-rwXRtgWBBSH +X+X+ News Story from Leach Lake Band of Ojibwe Chairman: https://lptv.org/leech-lake-tribal-chairman-concerned-with-immigration-crackdown-in-mn/ +X+X+ For a quick crash course on Tartan check out Hugh Cheape's Tartan: the Highland Habbit https://archive.org/details/tartanhighlandha0000chea/mode/2up +X+X+ You can Find Isaac's Website Here: https://sites.google.com/view/ihwaltersfactotum/home Instagram https://www.instagram.com/i.h.walters/ Blarney Pilgrims Podcast Episode About Scottish Baroque Fiddling (amongst other things) with Shane Lestideau: https://www.blarneypilgrims.com/episodes/shane-lestideau We discussed the Niel McLean Portrait briefly, but I didn't use it as the cover art for the podcast, if you want to see it you can follow this link: I thought Niel won the first Bagpipe Competition held by the Highland Society in the 1780s, but looking through Angus MacKay's notes on the subject I'm not seeing his name. https://www.npg.org.uk/collections/search/portrait/mw138111/Neil-McLean +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Learn more about your ad choices. Visit megaphone.fm/adchoices
Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
At first glance, alcohol and racial equality might seem unrelated—but for Black activists, the temperance movement was a powerful vehicle for social change. In this episode of Grating the Nutmeg, Natalie Belanger of the Connecticut Museum chats with Mackenzie Tor about her research into Black temperance activism in 1830s and 1840s Connecticut. Mackenzie talks about how people like Maria Stewart, James Pennington, and the Beman family used temperance as a strategy for civic inclusion. Through their words and organizing efforts, from newspaper columns to church halls, abstaining from the bottle became a radical tool for political belonging in the hands of Connecticut's Black communities. She also discusses the flip side of this – how accusations of intemperance could be wielded to bring down successful Black men, like New Haven's William Lanson, when their business and civic ventures threatened the power of white elites. Mackenzie, a PhD Candidate in History at the University of Missouri, did research for this project at the Connecticut Museum as part of the New England Regional Fellowship Consortium. Learn more about the Consortium and the support it provides for scholars here: masshist.org/fellowships/nerfc To find out how William Lanson changed the face of New Haven, see this CT Explored article by Stacey Close: ctexplored.org/william-lanson-an-artisan-who-built-beyond-structures/ You can read more about Stewart, Pennington, and the Bemans here: ctexplored.org/site-lines-black-abolitionists-speak/ Finally, here's a link to watch Mackenzie Tor give a more detailed look at the research she did at the Connecticut Museum of Culture and History's Waterman Research Center on this topic: youtube.com/watch?v=bYi9JAqouTE&t=2510s Caption image #1: The Colored American newspaper, 1841. Caption Image #2: The Tree of Temperance, Currier and Ives, 1872, Library of Congress. ---------------------------------------- Like Grating the Nutmeg? Want to support it? Make a donation! 100% of the funds from your donation go directly to the production and promotion of the show. Go to ctexplored.org to send your donation now. This episode of Grating the Nutmeg was produced by Natalie Belanger and engineered by Patrick O'Sullivan at highwattagemedia.com/ Follow GTN on our socials-Facebook, Instagram, Threads, and BlueSky. Follow executive producer Mary Donohue on Facebook and Instagram at West Hartford Town Historian. Join us in two weeks for our next episode of Grating the Nutmeg, the podcast of Connecticut history. Thank you for listening!
From Visualized Church History (1942) by Sr. Mary Loyola Vath, O.P.For the illustrations, charts, and maps in the book, see https://archive.org/details/visualizedchurchhistoryPlease consider donating to help keep this podcast going by going to buymeacoffee.com/catholicdailybrief Also, if you enjoy these episodes, please give a five star rating and share the podcast with your friends and family
TUNES: William Dixon: The New Way to Bowden (Athol Braes) (though I say Morpeth in the Podcast) Walker Jackson: Jackson's Morning Brush Martin Freeman: One Tree Vale. I Ngleaun A Chruing Canon James Goodman: Jackson's Snack, The Bright Dawn of Day James Aird: The Dawning of the Day Canon Goodman, Courtesy of Mick O'Brien, Emer Mayock, Aoife Ní Bhriain: Ceann Dubh Dileas (My dark-haired darling), Pádruig, Píobaire (Patrick the Piper) / Quadrille, Humours of Glynn. Huge Thank you to Mick, Emer and Aoife for letting my play a few tracks from their new album: More Tunes from the Goodman Manuscripts. Be sure to check it out on Bandcamp: https://goodmantunestrio.bandcamp.com/album/more-tunes-from-the-goodman-manuscripts Be sure to check out Fin Dwyer's Outstanding Irish History Podcast for a far better discussion of the Famine in his 37 Episode Series: https://irishhistorypodcast.ie/podcast-introduction-to-the-great-famine-series/ I watched several videos on the Famine, but this one was particularly good: When Ireland Starved: https://youtu.be/B_K-q4GCdWg Cover Art for this Episode Comes From The Illustrated London News February 13, 1847: https://www.google.com/books/edition/TheIllustratedLondon_News/1dFCAQAAIAAJ?hl=en&gbpv=1 You can See it on the Original release of the Episode here: https://www.wetootwaag.com/s5e05 This week's episode is a companion piece to a presentation I gave for the Chippewa Valley Museum's February Folk Arts Festival https://www.cvmuseum.com/visit/folk-arts-fest/ The Mystery Tune from last week was Cutting Bracken (also Known as Buain na Rainich or Tha Mi Sgìth), big Thanks to those that let me know! Here are some links to recordings of it from Kist of Riches: http://tobarandualchais.co.uk/en/fullrecord/32380 http://tobarandualchais.co.uk/en/fullrecord/72046 http://tobarandualchais.co.uk/en/fullrecord/88532 http://tobarandualchais.co.uk/en/fullrecord/101278 http://tobarandualchais.co.uk/en/fullrecord/105641 (this is the version where the Fairy is complaining to be working alone). Here is the live 1972 Video I played a Sample from Alan Stivell: https://youtu.be/aJtdHmpjzxo 1733: William Dixon's The New Way to Bowden, I incorrectly refer to this tune as New way to Morpeth in the Podcast I think: from Matt Seattle's book: https://www.mattseattle.scot/product-page/the-master-piper-new-edition 1774: Walker Jackson's Jackson's Morning Brush: The book itself is not available online, but you can look at a fair transcription of the notes on Bill Black's Website: http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html 1860s: Canon James Goodman's Jackson's Airs, Snack Irish Traditional Music Archive (ITMA): http://port.itma.ie/score/ITMA_5894 Or the Original hosted Here: http://goodman.itma.ie/volume-four#?c=0&m=0&s=0&cv=6&z=-1730.7771%2C4123.5859%2C9428.2975%2C3406.3143 To read more about James Goodman you can read here: http://goodman.itma.ie/ https://www.irishtimes.com/culture/the-man-who-saved-a-feast-of-music-from-the-famine-years-1.923981 His Obituary was Reprinted in an Early Issue of An Piobaire: An Píobaire - sraith 2, uimhir 30 (May 1986) https://pipers.ie/source/media/?galleryId=1011&mediaId=25932 https://www.itma.ie/features/discover/canon-james-goodman You can see the article about the Cork Piper's Club in An Píobaire - sraith. 1, uimhir 1 (March 1969) https://pipers.ie/source/media/?galleryId=1010&mediaId=25878 1913/4: Alexander Martin Freeman's One Tree Vale: of I Ngleaun A Chruing (The tune appears on page 227) https://www.itma.ie/digital-library/text/journal-of-the-folk-song-society-no-24 1861: Canon Goodman's The Bright Dawn of Day ABC from ITMA: http://port.itma.ie/score/ITMA_1109 Original: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=4&z=-1312.2998%2C556.3838%2C10302.6954%2C3722.2222 Here Is the Video of Several Irish Singers singing Fáinne Gael an Lae https://youtu.be/NtQeo09xOGA 1780s: James Aird's Dawning of the Day: https://digital.nls.uk/special-collections-of-printed-music/archive/87705159 FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Tunes: Rebel's Minuet (Crìsdean & Johanna): Will ye go to Flanders You can hear from several stellar musicians playing at the various sessions in Dunkeld over the Collogue weekend. https://www.facebook.com/crisdean.quest.9 Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 4 del libro The Oxford Handbook of Christmas, titulado “The Nineteenth Century,” por Timothy Larsen. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-christmas-9780198831464?cc=gb&lang=en& Articulo: https://semperreformandaperu.org/2025/12/19/como-el-siglo-xix-realmente-invento-la-navidad/ Video: https://youtu.be/LpY9bkOnO78 PPT: https://semperreformandaperu.org/wp-content/uploads/2025/12/navidad_el_rio_de_cuatro_corrientes.pdf ¿De verdad la Navidad estaba muriendo antes de 1843 y Charles Dickens la resucitó? Este episodio entra en el siglo XIX para poner esa historia contra la evidencia. A partir del capítulo “The Nineteenth Century”, seguimos cómo la Navidad ya era una festividad importante en Inglaterra en las primeras décadas del siglo, y cómo ciertos argumentos “clásicos” (por ejemplo, el supuesto silencio anual de The Times) se desmoronan al revisar los datos y el contexto editorial de la época.  Luego examinamos lo que sí cambió: la expansión y reconfiguración de la fiesta en clave victoriana. La Navidad se volvió más amplia y más densa: crecieron sus marcas domésticas (familia, infancia, regalos, árbol), su infraestructura cultural (villancicos, decoración, tarjetas), y su dimensión moral (caridad y responsabilidad social en un mundo industrial).  El capítulo también muestra un giro poco reconocido: la progresiva aceptación de la Navidad por parte de protestantes reformados y disidentes, que antes la rechazaban como “no bíblica”, pero terminaron incorporándola —a veces por la presión social, a veces por dinámicas de ministerio infantil y escuela dominical.  Finalmente, rastreamos dos símbolos decisivos: Santa Claus y el árbol, ambos difundidos en gran medida por redes cristianas y por tradiciones protestantes alemanas. La Navidad moderna no nació de la nada: fue una transformación acumulativa.
Tunes: Donald MacDonald: A Jig, A Jig, “The 92nd Gordon Highlanders” Quickstep, Buachail Na Gobhar. Is Na Caroach “The Goat Herd”, Taladh, or the Nurse's Song, “Mackay's March” Quickstep, A Reel “The Flirting Brown maid”, Hurichum Harichim “72nd Highlanders”, A Jig “The Gown and Apron”, The Highland Laddie, The Haughs of Cromdale, Buain Ne Ronich, or the Weary maid, Lochial's Awa' To France Mr. Mitchell: I'll Gar Ye Be Fain to Follow Me Alan Ramsay: Song To the Tune of “I'll Gar ye be fain to follow me O'Farrell: Fain to Follow Me Donald MacDonald 1828: A Jig from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682880 +X+ 1828: A jig from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682902 +X+ 1828: “The 92nd Gordon Highlanders” Quickstep from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682913 +X+ 1828: Buachail Na Gobhar. Is Na Caroach “The Goat Herd” from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682924 +X+ 1828: Taladh, or the Nurse's Song from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682946 +X+ 1828: “Mackay's March” Quickstep from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682957 +X+ 1828: A Reel “The Flirting Brown maid” from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682968 +X+ 1828: Hurichum Harichim “72nd Highlanders” from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682968 +X+ 1828: A Jig “The Gown and Apron” from Donald McDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682990 +X+ 1828: The Highland Laddie, The Haughs of Cromdale, from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682990 +X+ 1828: Buain Ne Ronich, or the Weary maid, from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105683012 +X+ 1828: Lochial's Awa' To France from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105683012 +X+X+ I'll Gar ye be Fain to Follow Me 1828: “I'll Make you be Fain to Follow me” A Jig, “Donachd Head” A Jig from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682891 +X+ 1731: I'll Gar Ye Be Fain to Follow Me from Mr. Mitchell's The Highland Fair, or Union of the Clans: https://archive.org/details/bimeighteenth-centurythe-highland-fair-or-umitchell-mr-joseph1731/page/51/mode/2up +X+ 1740: Song To the Tune of “I'll Gar ye be fain to follow me from Alan Ramsay's Tea Table Miscellany Vol 2 https://archive.org/details/teatablemiscella03rams/page/133/mode/1up +X+ 1806ish: Fain to Follow Me from O'Farrell https://archive.org/details/ofarrellspocketc00rugg/page/56/mode/1up +X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Reunion with the dead. The return of lands, food supplies and buffalo. The disappearance of white settlers.By the end of the 19th Century, the forced assimilation of Native American people was official government policy and Native populations were already in severe decline. The promises of the Ghost Dance had a very story appeal.Professor Gregory Smoak is with Don in this episode to explore the Ghost Dance. What was it? Where did it come from? Was it as dangerous as some suggested?Gregory is Professor of History at University of Utah and author of ‘Ghost Dances and Identity: Prophetic Religion and American Indian Ethnogenesis in the Nineteenth Century'. His work with Indigenous Nations has included projects with the Shoshone-Bannock Tribes, Navajo Nation, Big Sandy Rancheria of Western Mono Indians, Ute Mountain Ute Tribe, and the Northwestern Band of the Shoshone Nation.Edited by Aidan Lonergan. Produced by Sophie Gee. Senior Producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.
Tunes: Jeremy Kingsbury: Saw ye a Lassie of Fifteen at the mines in Wicklow or Bath? From Humours of Toddy ArBo Doughty: Far Away/ The Moth in the Lantern, Green Fields of Canada and Paddy's Rambles Through the Park from fahy's fields Nicholas Brown: Master, I Go Hunting - Shaving Baby With a Spoon - Sky Blue Dress (Hop Jigs) from Not so Good As The Flute Dave Rowlands: Cotting Burn from Musica ex alia terra Brendan Taaffe & Maurice Manning: Spin All the Stars, Grace it Falls from The Bucolics Project Muco: Wið ymbe (a beekeeper's charm) from Soþlice, Bryd One Brere from Summer Crossing and Frankie Archer: In Brunton Town from Sing Yonder 2 Mike MacNintch: The Keelman O'er the Land/Jenny Nettles/Drops of Brandy from The Chanter's Song Ian Lawther: Meggy's Foot from The Empty Trough Donald WG Lindsay & Alisdair Roberts: Wheels of Fortune, Jock Hawk's Adventures in Glasgow from Welcome Home My Dearie Matthew Welch: Lessons in Dragonease Six (Glass Dragons) from Dragon Fire Raflum | 雨鎖悲秋: Sunset Glow, Secluded Vale from Melodies of Forest and Springs 林泉吟 Sean Reidy: The Arduous Wait from Tunes for the Soul Landless: The Grey Selkie of Sule Skerry, The Hag from Lúireach Topette!!: JLP, Winstanley's/Les Trois Canards from Bourdon Marit and Rona: Kilmartin Glen Campsite from Turas +X+X+ Jeremy Kingsbury: Saw ye a Lassie of Fifteen at the mines in Wicklow or Bath? From Humours of Toddy https://jeremykingsbury.bandcamp.com/album/humours-of-toddy +X+X+ ArBo Doughty: Far Away/ The Moth in the Lantern, Green Fields of Canada and Paddy's Rambles Through the Park from fahy's fields https://arbodoughty.bandcamp.com/album/fahys-fields +X+X+ Nicholas Brown: Master, I Go Hunting - Shaving Baby With a Spoon - Sky Blue Dress (Hop Jigs) from Not so Good As The Flute https://nicolasbrown.bandcamp.com/album/not-so-good-as-the-flute +X+X+ Dave Rowlands: Cotting Burn from Musica ex alia terra https://daverowlandsbagpipes.bandcamp.com/album/musica-ex-alia-terra +X+X+ Brendan Taaffe & Maurice Manning: Spin All the Stars, Grace it Falls from The Bucolics Project https://brendantaaffe.bandcamp.com/album/the-bucolics-project +X+X+ Muco: Wið ymbe (a beekeeper's charm) from Soþlice https://muco.bandcamp.com/album/so-lice +X+ Bryd One Brere From Summer Crossing: https://muco.bandcamp.com/track/bryd-one-brere +X+ In Praise of Mary From Tiktok https://www.tiktok.com/@muco0/video/7558402271311121686?r=1&_t=ZP-91vvH6vnmYR +X+X+ Frankie Archer: In Brunton Town from Sing Yonder 2 https://karlsinfield.bandcamp.com/album/sing-yonder-2 +X+X+ Mike MacNintch: The Keelman O'er the Land/Jenny Nettles/Drops of Brandy from The Chanter's Song https://mikemacnintch.bandcamp.com/album/the-chanters-song +X+X+ Ian Lawther: Meggy's Foot from The Empty Trough https://ianlawther.bandcamp.com/album/the-empty-trough +X+X+ Donald WG Lindsay & Alisdair Roberts: Wheels of Fortune, Jock Hawk's Adventures in Glasgow from Welcome Home My Dearie https://donaldwglindsay.bandcamp.com/album/welcome-home-my-dearie +X+X+ Matthew Welch: Lessons in Dragonease Six (Glass Dragons) from Dragon Fire https://kotekanrecordslabel.bandcamp.com/album/dragon-fire +X+X+ Raflum | 雨鎖悲秋: Sunset Glow, Secluded Vale from Melodies of Forest and Springs 林泉吟 https://raflum.bandcamp.com/album/melodies-of-forest-and-springs +X+X+ Sean Reidy: The Arduous Wait from Tunes for the Soul https://seanpatrickreidy.bandcamp.com/album/tunes-for-the-soul +X+X+ Landless: The Grey Selkie of Sule Skerry, The Hag from Lúireach https://landless.bandcamp.com/album/l-ireach +X+X+ Topette!!: JLP, Winstanley's/Les Trois Canards from Bourdon https://topette.bandcamp.com/album/bourdon +X+X+ Marit and Rona: Kilmartin Glen Campsite from Turas https://maritandrona.bandcamp.com/album/turas +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Originating in the Nineteenth Century, the European idea of development was shaped around the premise that the West possessed progressive characteristics that the East lacked. As a result of this perspective, many alternative development discourses originating in the East were often overlooked and forgotten. Indian Economics is but one example. By recovering thought from the margins, Relocating Development Economics: The First Generation of Modern Indian Economists (Cambridge UP, 2024) exposes useful new ways of viewing development. It looks at how an Indian tradition in economic thought emerged from a group of Indian economists in the late Nineteenth Century who questioned dominant European economic ideas on development and agricultural economics. This book shows how the first generation of modern Indian economists pushed at the boundaries of existing theories to produce reformulations that better fit their subcontinent and opens up discursive space to find new ways of thinking about regress, progress, and development. Soumyadeep Guha is a fourth-year PhD student in the History Department at Binghamton University, New York. He is interested in historical research focusing on themes such as Agrarian/Environmental History, History of Science and Tech, Global History, and their intersections. His prospective dissertation questions are on the pre-history of the ‘Green Revolution' in Eastern India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Originating in the Nineteenth Century, the European idea of development was shaped around the premise that the West possessed progressive characteristics that the East lacked. As a result of this perspective, many alternative development discourses originating in the East were often overlooked and forgotten. Indian Economics is but one example. By recovering thought from the margins, Relocating Development Economics: The First Generation of Modern Indian Economists (Cambridge UP, 2024) exposes useful new ways of viewing development. It looks at how an Indian tradition in economic thought emerged from a group of Indian economists in the late Nineteenth Century who questioned dominant European economic ideas on development and agricultural economics. This book shows how the first generation of modern Indian economists pushed at the boundaries of existing theories to produce reformulations that better fit their subcontinent and opens up discursive space to find new ways of thinking about regress, progress, and development. Soumyadeep Guha is a fourth-year PhD student in the History Department at Binghamton University, New York. He is interested in historical research focusing on themes such as Agrarian/Environmental History, History of Science and Tech, Global History, and their intersections. His prospective dissertation questions are on the pre-history of the ‘Green Revolution' in Eastern India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Originating in the Nineteenth Century, the European idea of development was shaped around the premise that the West possessed progressive characteristics that the East lacked. As a result of this perspective, many alternative development discourses originating in the East were often overlooked and forgotten. Indian Economics is but one example. By recovering thought from the margins, Relocating Development Economics: The First Generation of Modern Indian Economists (Cambridge UP, 2024) exposes useful new ways of viewing development. It looks at how an Indian tradition in economic thought emerged from a group of Indian economists in the late Nineteenth Century who questioned dominant European economic ideas on development and agricultural economics. This book shows how the first generation of modern Indian economists pushed at the boundaries of existing theories to produce reformulations that better fit their subcontinent and opens up discursive space to find new ways of thinking about regress, progress, and development. Soumyadeep Guha is a fourth-year PhD student in the History Department at Binghamton University, New York. He is interested in historical research focusing on themes such as Agrarian/Environmental History, History of Science and Tech, Global History, and their intersections. His prospective dissertation questions are on the pre-history of the ‘Green Revolution' in Eastern India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
PREVIEW — Peter Berkowitz — The Erosion of Liberal Education by Scientism. Berkowitz analyzes the decline of liberal education, attributing its systematic degradation to the ascendance of "scientism" and nineteenth-century positivism, a philosophical doctrine that dismisses the humanities—including literature, philosophy, and cultural studies—as mere entertainment and aesthetic indulgence rather than substantive knowledge. Berkowitz argues that this reductionist epistemology privileges exclusively scientific data and quantifiable empiricism as constituting legitimate knowledge, fundamentally delegitimizing humanistic inquiry. This ideological shift has profoundly damaged university curricula, displacing classical texts, philosophical traditions, and literary analysis with utilitarian STEM-focused education, eroding the comprehensive intellectual formation traditionally central to liberal education. 1850 NASSAU HALL
5/8. Thoreau, Extinction Denial, and the Destruction of America's Beaver Engineers — Dan Flores — Nineteenth-century intellectuals including Henry David Thoreau lamented the systematic extermination of iconic American fauna. Flores documents that the concept of species extinction was initially incomprehensible to European ideology, which posited a divinely perfect creation precluding permanent species loss. Flores emphasizes that beavers, functioning as immense ecological engineers reshaping aquatic and riparian landscapes, exemplified catastrophic loss; their pelts became commodity targets for the emergent global market economy, driving enterprises like the American Fur Company and precipitating near-total beaver annihilation throughout continental North America.
7/8. The Western Safari, Sheridan's Irony, and the Scientific Ignorance Driving the Wolf Slaughter — Dan Flores— The mid-nineteenth-century American West became a safari destination for wealthy European nobility who engaged in serial, unjustified massacres of wildlife, meticulously recording kill counts as trophy tallies. Flores documents a historical irony: General Philip Sheridan, traditionally maligned as a villain, actually protested the systematic buffaloslaughter and subsequently protected Yellowstone fauna. Flores emphasizes that wolves were poisoned ubiquitously throughout this period due to unscientific Old World superstitions and profound ecological ignorance, reflecting medieval prejudices rather than empirical understanding of predator-prey dynamics and ecosystem function.
Tunes: Rhiona Sidley, Stuart Letford and Tom Rust with MacCrimmon's Lament Jeremy Kingsbury: Hacky Honey, Tam Glen/Lads Wi' the Kilts, Stool of Repentance, Merry Old Woman, Jackson's Lake, Fionnlaigh Mac a Phiocair with the Rolling Wave Set Ian Kinnear with The Bloody Fields of Flanders and Lochanside +X+X+ Big thanks to all the musicians and LBPS for inviting me over! Check out the episode on Enjoy Your Piping: https://enjoyyourpiping.buzzsprout.com/2146429/episodes/18254064-episode-125-bellows-in-dunkeld Check out the LBPS Website here: https://lbps.net/j3site/index.php Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Harry Watkins was no one special. During a career that spanned four decades, this nineteenth-century actor yearned for fame but merely skirted the edges of it. He performed alongside the brightest stars, wrote scores of plays, and toured the United States and England, but he never became a household name. Inspired by this average performer's life and labor, An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States (University of Michigan Press, 2025) by Dr. Amy Hughes offers an alternative history of nineteenth-century theater, focusing on the daily rhythms and routines of theatrical life rather than the celebrated people, plays, and exceptional events that tend to dominate histories of US theater and performance. In the process, Dr. Hughes asks uncomfortable questions about the existence, predominance, and erasure of White male mediocrity in US culture, both in the past and present. When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today's US entertainment industry? Ultimately, Dr. Hughes reveals how this actor's tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Harry Watkins was no one special. During a career that spanned four decades, this nineteenth-century actor yearned for fame but merely skirted the edges of it. He performed alongside the brightest stars, wrote scores of plays, and toured the United States and England, but he never became a household name. Inspired by this average performer's life and labor, An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States (University of Michigan Press, 2025) by Dr. Amy Hughes offers an alternative history of nineteenth-century theater, focusing on the daily rhythms and routines of theatrical life rather than the celebrated people, plays, and exceptional events that tend to dominate histories of US theater and performance. In the process, Dr. Hughes asks uncomfortable questions about the existence, predominance, and erasure of White male mediocrity in US culture, both in the past and present. When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today's US entertainment industry? Ultimately, Dr. Hughes reveals how this actor's tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Harry Watkins was no one special. During a career that spanned four decades, this nineteenth-century actor yearned for fame but merely skirted the edges of it. He performed alongside the brightest stars, wrote scores of plays, and toured the United States and England, but he never became a household name. Inspired by this average performer's life and labor, An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States (University of Michigan Press, 2025) by Dr. Amy Hughes offers an alternative history of nineteenth-century theater, focusing on the daily rhythms and routines of theatrical life rather than the celebrated people, plays, and exceptional events that tend to dominate histories of US theater and performance. In the process, Dr. Hughes asks uncomfortable questions about the existence, predominance, and erasure of White male mediocrity in US culture, both in the past and present. When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today's US entertainment industry? Ultimately, Dr. Hughes reveals how this actor's tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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