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BLACKFEET.Antebellum Struggles Reshape Nineteenth Century NationsAlan Taylor, author of American Civil Wars: A Continental History, 1850–1873, Part One: Jane Maria Eliza McManus, educated in New York and associated with Aaron Burr, advocated for Manifest Destiny and expanding southern slaveholding society into the Caribbean and Mexico to "whiten" America. Her expansionist vision contrasted sharply with Jane Swisshelm, an abolitionist and feminist journalist who operated a newspaper in St. Cloud, Minnesota, clashing with local political bosses. Meanwhile, Harriet Tubman navigated runaways along the Underground Railroadinto Canada to escape federal fugitive slave laws. Harriet Beecher Stowe's novel Uncle Tom's Cabin generated widespread empathy across the North. National politics fractured following Stephen Douglas's Kansas-Nebraska Act, which promoted popular sovereignty and sparked border violence in Kansas. Extremes widened as John Brown executed broadsword attacks at Pottawatomie. In Mexico, Melchor Ocampo led the Liberal Party against Conservatives in a devastating civil war over church power, land reform, and constitutional rights. (1)
In Nary a Horse Left Standing: How a Nineteenth-Century Epidemic Transformed Medicine, Animal Welfare, and the Modern City (MIT Press, 2026), Dr. Lee Dugatkin chronicles this little-known crisis, revealing how the epidemic disrupted nearly every aspect of urban life. From coast to coast, livelihoods collapsed as horses lay sick, or worse dying, on stable floors, fires raged unchecked without horse-drawn wagons, and city development stalled for lack of horsepower. Just as the Gilded Age was dawning and industrialists were poised to amass fortunes, the flu slowed progress to a crawl. Yet the tragedy also catalyzed revolutions in medicine, animal rights, and transportation. Veterinary science in the U.S. was still emerging, but detailed medical reports from the epidemic helped validate germ theory and discredit outdated beliefs. The crisis also spotlighted early animal welfare efforts, with fledgling groups like the ASPCA advocating for sick horses forced to work. Finally, the sheer vulnerability of relying on animals for transport spurred a shift toward mechanized systems. As illuminating as it is humbling, the book brings to life a critical account of a crisis that still speaks to the complex public health and transportation challenges we face today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Nary a Horse Left Standing: How a Nineteenth-Century Epidemic Transformed Medicine, Animal Welfare, and the Modern City (MIT Press, 2026), Dr. Lee Dugatkin chronicles this little-known crisis, revealing how the epidemic disrupted nearly every aspect of urban life. From coast to coast, livelihoods collapsed as horses lay sick, or worse dying, on stable floors, fires raged unchecked without horse-drawn wagons, and city development stalled for lack of horsepower. Just as the Gilded Age was dawning and industrialists were poised to amass fortunes, the flu slowed progress to a crawl. Yet the tragedy also catalyzed revolutions in medicine, animal rights, and transportation. Veterinary science in the U.S. was still emerging, but detailed medical reports from the epidemic helped validate germ theory and discredit outdated beliefs. The crisis also spotlighted early animal welfare efforts, with fledgling groups like the ASPCA advocating for sick horses forced to work. Finally, the sheer vulnerability of relying on animals for transport spurred a shift toward mechanized systems. As illuminating as it is humbling, the book brings to life a critical account of a crisis that still speaks to the complex public health and transportation challenges we face today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In Nary a Horse Left Standing: How a Nineteenth-Century Epidemic Transformed Medicine, Animal Welfare, and the Modern City (MIT Press, 2026), Dr. Lee Dugatkin chronicles this little-known crisis, revealing how the epidemic disrupted nearly every aspect of urban life. From coast to coast, livelihoods collapsed as horses lay sick, or worse dying, on stable floors, fires raged unchecked without horse-drawn wagons, and city development stalled for lack of horsepower. Just as the Gilded Age was dawning and industrialists were poised to amass fortunes, the flu slowed progress to a crawl. Yet the tragedy also catalyzed revolutions in medicine, animal rights, and transportation. Veterinary science in the U.S. was still emerging, but detailed medical reports from the epidemic helped validate germ theory and discredit outdated beliefs. The crisis also spotlighted early animal welfare efforts, with fledgling groups like the ASPCA advocating for sick horses forced to work. Finally, the sheer vulnerability of relying on animals for transport spurred a shift toward mechanized systems. As illuminating as it is humbling, the book brings to life a critical account of a crisis that still speaks to the complex public health and transportation challenges we face today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Tunes played in this episode: Scottish Smallpipes Session: La Promeneuse, Hielan' Laddie and Road to Isles, Sound of Sleat, Horsburgh castle, The Duck, Drops of Brandy Northumbrian Smallpipes Session: Alston Flower Show hornpipe, Old Drove Road Irish Uilleann Pipes Session: Jim Ward's, Speed the Plough, Joe Banes / Gypsy Princess, Drops of Brandy, E minor Slip Jig (tune name?), The Butterfly, Man of the House Cabaret: Dos A Beer, The Haunting, The Boy's Lament for His Dragon Irish Session Guitar solo (Bruce Childress): Mona Ray SSP, whistle, and bowed dulcimer: Pretty Saro Thanks to: All The Pipers' Gathering session-goers; Cabaret performers Rebecca Connor, Benjamin Elzerman, and Nate and Asher Banton Keep up with us online: https://www.pipersgathering.org/ https://www.facebook.com/pipersgathering/ Look for the Cairdeas Session Tune Book on these sites: https://birchenmusic.com/product-category/collections/ https://www.cairdeas.org/ And listen to the tune recordings here: https://cairdeas-vermont.bandcamp.com/album/the-c-irdeas-session-tunebook-companion-recordings +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies
The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Tunes: Jeremy Kingsbury Playing: Lee & Sylvia's Waltz by Gail Johnson, Manx Lullaby, Ancient Lullaby, The Star Above the Garter, The Duck, John Barbours 50th By Duncan Moore, Cotting Burn Aoife Nic Dhomhnaill & Liam Lonergan: Mullach a' tSí Goodman Trio ( Mick O'Brien, Emer Mayock, Aoife Ní Bhriain): An Seanduine ag Luasgadh an Chliabháin/Cosa Buidhe Árda Dearga Patrick Hutchinson: Ancient Lullaby from Petrie John Charles Bauschatz: O Gur Duine Truagh Mi (Alas I am a Forlorne Man) Barry Shears: Foxhunter's Reel Tim Cummings: Campbell's Farewell to Red Gap, Iain Gelston: Eagle's Whistle, Terry Cloth, The Lairds of Ryton,Huge thank you to Gail Johnson for giving the inspiration for the tunes and inspiration for the episode. and Sean Reidy, Benjamin Elzerman and Jessica Oberle Mulhollem for suggesting tunes. Thanks to Patrick Hutchinson, John Charles Bauschatz, Barry Shears, Tim Cummings, Iain Gelston, the Goodman Tunes Trio and Aoife Nic Dhomhnaill & Liam Lonergan for sending in tunes, or letting me play recordings. Check Out the Tunes from the Goodman Manuscripts By Mick O'Brien, Emer Mayock, Aoife Ní Bhriain here: https://goodmantunestrio.bandcamp.com/album/tunes-from-the-goodman-manuscripts Check out Mullach a' tSí by Aoife Nic Dhomhnaill & Liam Lonergan here: https://aoifeandliam.bandcamp.com/album/mullach-a-ts Check Out John Charles Bauschatz's Website here: https://asantobar.wordpress.com/ Check out Barry Shears' Work here: https://capebretonpiper.com/ Check out the Cairdeas Tunebook Album here: https://cairdeas-vermont.bandcamp.com/album/the-c-irdeas-session-tunebook-companion-recordings 100% of album sales funds tuitions for the Cairdeas school! Check out the LBPS 2025 Collogue Recording here: https://lbps.bandcamp.com/album/2025-lowland-and-border-pipers-society-collogue-in-dunkeld-scotland Check out Iain Gelston's Work here: https://iaingelston.wordpress.com/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
How do you become a white supremacist whilst worshiping a brown Jewish fellow? You just rewrite the entire Bible until Everyone in it is white! Our Palestinian mate, White Jesus, takes us from the (very brown) early depictions of Jesus to British Israelism, the Ten Lost Tribes, an alleged Israelite Scotland, an attempt to find the Ark of the Covenant in Ireland, and finally Christian Identity — because when your theology has painted itself into an antisemitic corner, apparently the sensible solution is to move the entire Bible. Shocking absolutely no one, it turns out there's nothing particularly historical about White Jesus.PATREON Think White Jesus couldn't possibly get any more racist? We saved the 1930s European dictators for Patrons! So jump into Patreon for 2 bonus episodes a month, early ad-free listening, and exclusive extras.
Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Tunes: The Tunes I taught: Brose and Butter, Bundle and Go, Welcome Home My Dearie, Clark Colven, The Miller's Wedding, Robin Adair, New Way to Morpeth, The Pluner of the Lowlands now Grazes in the Glens, Yann Cariou, Tim Cummings, Jeremy Kingsbury, Ailis Sutherland, Clara Salem, Tunes I didn't Teach, Round two: Unfortunate Jock, Harris Dance (31), Harris Dance (32), Edward the Second Minuat, Wattie Laing, Cock-Laird fu' Cagie, Drummond Castle, I have a wife o my ain, Bonny Miller, Susan Stewart's Reel, Miss Murray's Reel, Tune to Learn by Ear: Welcome Home My Dearie Big thank you to the folks at Càirdeas and specifically to the instructors who let me use a recording of them playing: Yann Cariou, Tim Cummings, Ailis Sutherland and Clara Salem. Check out Càirdeas website here: https://www.cairdeas.org/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
Following Napoleon Bonaparte's 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d'Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it. Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East. Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Following Napoleon Bonaparte's 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d'Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it. Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East. Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
Following Napoleon Bonaparte's 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d'Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it. Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East. Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Following Napoleon Bonaparte's 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d'Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it. Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East. Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
Following Napoleon Bonaparte's 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d'Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it. Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East. Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Following Napoleon Bonaparte's 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d'Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it. Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East. Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Following Napoleon Bonaparte's 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d'Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it. Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East. Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Tunes: Nae Tune list or dots this time around. At least not for a while, but you can hear me introduce the tunes. Lots of stuff from David Young, Patrick MacDonald and Donald MacDonald. Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Charles Goodyear's work is important to so many things we have in the 21st century. But his life and his work to create a stable rubber was full of problems -- many of them caused by Goodyear himself. Research: Britannica Editors. "Charles Goodyear". Encyclopedia Britannica, 25 Dec. 2025, https://www.britannica.com/biography/Charles-Goodyear “Charles Goodyear.” Who Made America? PBS. https://www.pbs.org/wgbh/theymadeamerica/whomade/goodyear_hi.html “Charles Goodyear - Vulcanization of Rubber.” National Inventors Hall of Fame. https://www.invent.org/inductees/charles-goodyear “Charles Goodyear - Vulcanized Rubber.” Lemelson-MIT. https://lemelson.mit.edu/resources/charles-goodyear “Charles Goodyear and the Vulcanization of Rubber.” ConnecticutHistory.org. https://connecticuthistory.org/charles-goodyear-and-the-vulcanization-of-rubber/ “Charles Goodyear’s Machine for Making Rubber Fabrics.” ConnecticutHistory.org. https://connecticuthistory.org/charles-goodyears-machine-for-making-rubber-fabrics/ “Death of Charles Goodyear.” Carbondale Advantage. July 21, 1860. https://www.newspapers.com/image/638799032/?match=2&terms=%22charles%20goodyear%22 Goodyear, Charles. “Gum-elastic and its varieties : with a detailed account of its applications and uses, and of the discovery of vulcanization.” New Haven. Published for the Author. 1853. https://archive.org/details/gumelasticitsva121853good/ Goodyear, Charles. “IMPROVEMENT IN INDIA-RUBBER FABRICS.” United States Patent Office. June 15, 1844. https://web.archive.org/web/20150714081931/http://www.dpma.de/docs/service/klassifikationen/ipc/auto_ipc/us3633a.pdf “Goodyear’s Gum Elastic Drapery and Parchment.” The Washington Union. May 4, 1837. https://www.newspapers.com/image/1038143941/?match=3&terms=%22charles%20goodyear%22%20mail Iles, George. “Leading American Inventors.” H. Holt 1912. Accessed online: https://books.google.com/books?id=Hn0_AAAAIAAJ&source=gbs_navlinks_s “India Rubber Fabric.” Daily Cleveland herald. October 10, 1835. https://www.newspapers.com/image/1073496245/?match=1&terms=%22Charles%20Goodyear%22 Slack, Charles. “Noble Obsession: Charles Goodyear, Thomas Hancock, and the Race to Unlock the Greatest Industrial Secret of the Nineteenth Century.” Hyperion. 2003. Snow, Richard F. “Charles Goodyear.” American Heritage. April/May 1978. Vol. 29, Issue 3. https://www.americanheritage.com/charles-goodyear See omnystudio.com/listener for privacy information.
Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsFull Bibliography for Part TwoCharcot, Hysteria, and the Medical TheaterJean-Martin Charcot. Lectures on the Diseases of the Nervous System.Jean-Martin Charcot. Clinical Lectures on Diseases of the Nervous System.Jean-Martin Charcot. Leçons sur les maladies du système nerveux faites à la Salpêtrière.Georges Didi-Huberman. Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière.Asti Hustvedt. Medical Muses: Hysteria in Nineteenth-Century Paris.Jan Goldstein. Console and Classify: The French Psychiatric Profession in the Nineteenth Century.Mark S. Micale. Approaching Hysteria: Disease and Its Interpretations.Elaine Showalter. The Female Malady: Women, Madness, and English Culture, 1830–1980.Henri F. Ellenberger. The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry.Alan Gauld. A History of Hypnotism.The Nancy School and SuggestionAmbroise-Auguste Liébeault. Du sommeil et des états analogues, considérés surtout au point de vue de l'action du moral sur le physique.Hippolyte Bernheim. De la suggestion et de ses applications à la thérapeutique.Hippolyte Bernheim. Suggestive Therapeutics: A Treatise on the Nature and Uses of Hypnotism.Henri F. Ellenberger. The Discovery of the Unconscious.Alan Gauld. A History of Hypnotism.Adam Crabtree. From Mesmer to Freud: Magnetic Sleep and the Roots of Psychological Healing.Alison Winter. Mesmerized: Powers of Mind in Victorian Britain.Pierre Janet, Automatism, Dissociation, and TraumaPierre Janet. L'Automatisme psychologique.Pierre Janet. The Major Symptoms of Hysteria.Pierre Janet. The Mental State of Hystericals.Pierre Janet. Psychological Healing: A Historical and Clinical Study.Pierre Janet. Writings on fixed ideas, dissociation, hysteria, narrowed consciousness, and subconscious action.Henri F. Ellenberger. The Discovery of the Unconscious.Onno van der Hart, Ellert R. S. Nijenhuis, and Kathy Steele. The Haunted Self: Structural Dissociation and the Treatment of Chronic Traumatization.Adam Crabtree. From Mesmer to Freud.Alan Gauld. A History of Hypnotism.Ideomotor Effect, Table-Turning, and Automatic ActionMichel Eugène Chevreul. De la baguette divinatoire, du pendule explorateur et des tables tournantes.Michael Faraday. Writings and experimental reports on table-turning, unconscious muscular pressure, and involuntary movement.William Benjamin Carpenter. Principles of Mental Physiology.William Benjamin Carpenter. Essays and writings on unconscious cerebration and ideomotor action.Daniel M. Wegner. The Illusion of Conscious Will.Richard Wiseman. Paranormality: Why We See What Isn't There.Ray Hyman. Writings on ideomotor action, dowsing, psychical research, and anomalous experience.Spiritualism, Mediumship, Psychical Research, and Automatic WritingAlex Owen. The Darkened Room: Women, Power, and Spiritualism in Late Victorian England.Janet Oppenheim. The Other World: Spiritualism and Psychical Research in England, 1850–1914.Ann Braude. Radical Spirits: Spiritualism and Women's Rights in Nineteenth-Century America.Sofie Lachapelle. Investigating the Supernatural: From Spiritism and Occultism to Psychical Research and Metapsychics in France, 1853–1931.Frederic W. H. Myers. Human Personality and Its Survival of Bodily Death.The Society for Psychical Research. Early proceedings and reports on automatic writing, trance, mediumship, apparitions, and psychical phenomena.William James. Essays in Psychical Research.William James. The Varieties of Religious Experience.William James. The Principles of Psychology.Henri F. Ellenberger. The Discovery of the Unconscious.Adam Crabtree. From Mesmer to Freud.Freud, Breuer, Hypnosis, and the UnconsciousJosef Breuer and Sigmund Freud. Studies on Hysteria.Sigmund Freud. The Interpretation of Dreams.Sigmund Freud. Introductory Lectures on Psycho-Analysis.Sigmund Freud. “A Note on the Unconscious in Psycho-Analysis.”Sigmund Freud. “The Unconscious.”Sigmund Freud. “Remembering, Repeating and Working-Through.”Sigmund Freud. “The Dynamics of Transference.”Sigmund Freud. The Psychopathology of Everyday Life.Henri F. Ellenberger. The Discovery of the Unconscious.Mikkel Borch-Jacobsen. The Freudian Subject.Mikkel Borch-Jacobsen and Sonu Shamdasani. The Freud Files: An Inquiry into the History of Psychoanalysis.Frederick Crews. Freud: The Making of an Illusion.Élisabeth Roudinesco. Freud: In His Time and Ours.Frank J. Sulloway. Freud, Biologist of the Mind: Beyond the Psychoanalytic Legend.Occult Revival, Will, Imagination, and Esoteric PsychologyÉliphas Lévi. Dogme et Rituel de la Haute Magie.Éliphas Lévi. Transcendental Magic: Its Doctrine and Ritual.Éliphas Lévi. The Great Secret.Papus, Gérard Encausse. Traité méthodique de science occulte.Papus, Gérard Encausse. Elementary Treatise of Occult Science.Papus, Gérard Encausse. The Tarot of the Bohemians.Joscelyn Godwin. The Theosophical Enlightenment.Nicholas Goodrick-Clarke. The Western Esoteric Traditions: A Historical Introduction.Wouter J. Hanegraaff. Esotericism and the Academy: Rejected Knowledge in Western Culture.Alex Owen. The Place of Enchantment: British Occultism and the Culture of the Modern.Christopher McIntosh. Eliphas Lévi and the French Occult Revival.Crowley, Fortune, Spare, and Modern Magical PsychologyAleister Crowley. Magick: Liber ABA, Book 4.Aleister Crowley. Magick in Theory and Practice.Aleister Crowley. Liber O vel Manus et Sagittae.Aleister Crowley. The Equinox.Aleister Crowley. The Confessions of Aleister Crowley.Marco Pasi. Aleister Crowley and the Temptation of Politics.Dion Fortune, writing as Violet Firth. The Machinery of the Mind.Dion Fortune. Psychic Self-Defense.Dion Fortune. The Training and Work of an Initiate.Dion Fortune. Applied Magic.Dion Fortune. The Mystical Qabalah.Austin Osman Spare. The Book of Pleasure.Austin Osman Spare. The Focus of Life.Austin Osman Spare. A Book of Satyrs.Phil Baker. Austin Osman Spare: The Life and Legend of London's Lost Artist.Kenneth Grant. Images and Oracles of Austin Osman Spare.New Thought, Mind-Cure, Autosuggestion, and Personal MagnetismPhineas Parkhurst Quimby. The Quimby Manuscripts.Horatio W. Dresser. A History of the New Thought Movement.Catherine L. Albanese. A Republic of Mind and Spirit: A Cultural History of American Metaphysical Religion.Beryl Satter. Each Mind a Kingdom: American Women, Sexual Purity, and the New Thought Movement, 1875–1920.Robert C. Fuller. Mesmerism and the American Cure of Souls.Émile Coué. Self Mastery Through Conscious Autosuggestion.Émile Coué. How to Practice Suggestion and Autosuggestion.William Walker Atkinson. Thought Vibration; or, The Law of Attraction in the Thought World.William Walker Atkinson. Mind-Power: The Secret of Mental Magic.William Walker Atkinson. Practical Mental Influence.William Walker Atkinson. The Psychology of Salesmanship.William Walker Atkinson. Memory: How to Develop, Train and Use It.William Walker Atkinson. The Power of Concentration.William Walker Atkinson, under related New Thought and occult pseudonymous currents. Works on personal magnetism, suggestion, concentration, mental science, and occult psychology.Theosophy, Hypnotism, and Occult Warnings About InfluenceHelena Petrovna Blavatsky. The Key to Theosophy.Helena Petrovna Blavatsky. Collected Writings.Helena Petrovna Blavatsky. Writings and discussions touching mesmerism, hypnotism, psychic influence, occult dangers, and spiritual development.Annie Besant and C. W. Leadbeater. Thought-Forms.C. W. Leadbeater. The Astral Plane.C. W. Leadbeater. The Chakras.Joscelyn Godwin. The Theosophical Enlightenment.Nicholas Goodrick-Clarke. The Western Esoteric Traditions.Wouter J. Hanegraaff. Esotericism and the Academy.General Histories Useful Across Part TwoHenri F. Ellenberger. The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry.Adam Crabtree. From Mesmer to Freud: Magnetic Sleep and the Roots of Psychological Healing.Adam Crabtree. Animal Magnetism, Early Hypnotism, and Psychical Research, 1766–1925: An Annotated Bibliography.Alan Gauld. A History of Hypnotism.Alison Winter. Mesmerized: Powers of Mind in Victorian Britain.Robert Darnton. Mesmerism and the End of the Enlightenment in France.Frank A. Pattie. Mesmer and Animal Magnetism: A Chapter in the History of Medicine.Peter Lamont. Extraordinary Beliefs: A Historical Approach to a Psychological Problem.Nicholas Goodrick-Clarke. The Western Esoteric Traditions.Wouter J. Hanegraaff. Esotericism and the Academy.Alex Owen. The Place of Enchantment.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball.
Tunes: William Mackie: Taste Life's Glad Moments, Robin Adair, Ye Branks and Baes of Bonny Dune, The Banks of the Dee, What ails this heart of mine, Paddy O'Rafferty Robert Menzies: Taste Life's Glad Moments, Smollet Holden: Aleen Aroon O'Farrell: Paddy O'Rafferty with variations Angus MacKay: Paddy O'Rafferty with variations Seamus Ennis: Paddy O'Rafferty, The Reverend Brother's Jig Big Thanks to John Dally, Stephen McNally, Pete Stewart and Adam Sanderson for helping with my attempts at salvaging my miserable pornunciations. For an article on the "Z" or yogh letter: https://www.scotlandspeople.gov.uk/scottish-handwriting/coaching/letter-finder/letter-yogh Most of the tunes this week come from William Mackie's 1828 Pastoral Pipes manuscript still available on Ross's Music Page: https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/mackie-part1.pdf here is an archived photo of Mackie's pipes: https://web.archive.org/web/20240329181248/http://nms.scran.ac.uk/database/record.php?usi=000-000-579-671-C&scache=2u56p5txg5&searchdb=scran Other Sources: ====== 1823: Taste Life's Glad Moments from Edinburgh Chapbook https://digital.nls.uk/chapbooks-printed-in-scotland/archive/104184666 +X+X+ 1793: Robin Adair from Edinburgh Musical Miscellany https://digital.nls.uk/special-collections-of-printed-music/archive/94581712 +X+X+ 1818: Robin Adair : The Much Admired Ballad, as sung by Mr. Philipps arranged for piano forte or harp by W. Reeve [https://hdl.handle.net/2027/mdp.39015096437556](https://hdl.handle.net/2027/mdp.39015096437556) For a Chapter on the History of “Robin Adair and Eileen Aroon” see: Stories of Famous Songs vol 1_ by S. J. Adair Fitz-Gerald, 1901 [https://hdl.handle.net/2027/umn.31951002410743h](https://hdl.handle.net/2027/umn.31951002410743h) +X+X+ 1810: Aleen Aroon from Smollet Hoden's A Collection of Farorite Irish Airs arranged for the Harp or Pianoforte” https://ks15.imslp.org/files/imglnks/usimg/8/8f/IMSLP740826-PMLP1177690-smollet +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Ryan is a Professor of History at Virginia Commonwealth University. He specializes in American religious history, material culture, and historic preservation. His most recent book is Death and Rebirth in a Southern City: Richmond's Historic Cemeteries. He is also the author of "Gothic Arches, Latin Crosses: Anti-Catholicism and American Church Designs in the Nineteenth Century." Ryan is a founding member of the Richmond Cemetery Collaboratory and is the director of the Richmond Cemetery Project (richmondcemeteries.org). He has museum experience at the St. John's Church Foundation, the Winterthur Museum, the St. Augustine Historical Society, and the Castillo de San Marcos National Monument, among other institutions.In this conversation, Ryan and I explore a rich array of subjects, from the Shaker aesthetic to the symbolism of lighthouses in Christianity. Ryan also explains the power dynamics involved in historical Christian burial practices, and how material religion and public spaces interact to reveal important societal values and beliefs.
Elizabeth Blackwell was born in London in the early 18th century, and was known in her lifetime for her achievements as a botanical illustrator. Research: “A Genuine Copy of a Letter &c.” Stockholm, August 20. H. Carpenter in Fleet Street, 1747. https://books.google.com/books/about/A_Genuine_Copy_of_a_Letter_from_a_Mercha.html?id=EPRbAAAAQAAJ Alexander, Isabella and Cristina S. Martinez. “2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright?” From Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century. Marie-Stéphanie Delamaire and Will Slauter, editors. https://doi.org/10.11647/OBP.0247 Beharrel, Will. “Elizabeth Blackwell's Curious Herbal.” The Linnean Society. 7/28/2021. https://www.linnean.org/news/2021/07/28/elizabeth-blackwells-curious-herbal Blackwell, Elizabeth (1737). A Curious Herbal. Containing Five Hundred Cuts of the most useful Plants, which are now used in the Practice of Physick. Engraved on folio Copper Plates, after Drawings, taken from the Life. By Elizabeth Blackwell. To which is added a short Description of ye Plants; and their common Uses in Physick. London: Printed for Samuel Harding in St Martin’s Lane, MDCCXXXVII (1737) Rubenstein QK99.A1 B53 1737 folio v.1 c.1. Scan of preface. https://blogs.library.duke.edu/rubenstein/files/2022/10/blackwell-preface-scaled.jpg Bruce, James. “Lives of Eminent Men of Aberdeen.” Aberdeen. The University Press. 1841. https://archive.org/details/b33028722/ Chelsea Physic Garden. “Curious Herbal; Curious Tale.” Newsletter. Spring-Summer 2005. Child, Lydia Maria. “Biographies of Good Wives.” Boston: Munroe & Francis. 1850. https://archive.org/details/biographiesofgoo00chil_0 Elliott, Brent. “The World of the Renaissance Herbal.” Renaissance Studies. Vol. 25, No. 1. February 2011. Via JSTOR. https://www.jstor.org/stable/24420235 Evenden, Doreen A. "Blackwell [née Simpson], Elizabeth (1699–1758), botanical author and artist." Oxford Dictionary of National Biography. August 08, 2024. Oxford University Press. Date of access 18 Jun. 2026, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-2540 Grosjean, A. N. L. "Blackwell, Alexander (bap. 1709, d. 1747), agricultural improver and government agent in Sweden." Oxford Dictionary of National Biography. June 08, 2023. Oxford University Press. Date of access 18 Jun. 2026, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-2539 Huler, Scott. “A Beautiful Find.” Duke Mag. 9/5/2023. https://dukemag.duke.edu/stories/beautiful-find Madge, Bruce. “Elizabeth Blackwell—the forgotten herbalist?” Health Information & Libraries Journal, 18: 144-152. https://doi.org/10.1046/j.1471-1842.2001.00330.x Monroe, Nicky. “Elizabeth Blackwell’s Curious Herbal.” RHS Libraries and Collections. https://www.rhs.org.uk/education-learning/libraries-at-rhs/articles/elizabeth-blackwell Newman, Joyce. “Will The Real Elizabeth Blackwell Please Stand Up?” New York Botanical Garden. 7/1/2013. https://www.nybg.org/blogs/plant-talk/2013/07/exhibit-news/will-the-real-elizabeth-blackwell-please-stand-up/ O’Keeffe, Lynda. “Guest post by Lynda O’Keeffe – A Curious Herbal Elizabeth Blackwell’s Pioneering Masterpiece of Botanical Art.” All Things Georgan. 3/8/2024. https://georgianera.wordpress.com/2024/03/08/guest-post-by-lynda-okeeffe-a-curious-herbal-elizabeth-blackwells-pioneering-masterpiece-of-botanical-art/ Pardoe, Heather and Maureen Lazarus. “Images of Botany: Celebrating the Contribution of Women to the History of Botanical Illustration.” Collections: A Journal for Museum and Archives Professionals, Volume 14, Number 4, Fall 2018, pp. 545–566. RHS Digital Collections. “Elizabeth Blackwell's Curious Herbal.” https://collections.rhs.org.uk/collection/111276 Royal College of Physicians of Edinburgh. “Elizabeth Blackwell: Prison, Plotting and the Curious Herbal.” https://www.rcpe.ac.uk/heritage/heritage-blog/elizabeth-blackwell-prison-plotting-and-curious-herbal Shirk, Henrietta Nickels. “Contributions to Botany, the Female Science, by Two Eighteenth-century Women Technical Communicators.” Technical Communication Quarterly. Vol. 6, No. 3. Summer 1997. Tyson, Janet Stiles. “Introducing Elizabeth Blackwell to Hans Sloane.” British Library Untold Lives Blog. 5/18/2021. Via Archive.org. https://web.archive.org/web/20210619032948/https://blogs.bl.uk/untoldlives/2021/05/introducing-elizabeth-blackwell-to-hans-sloane.html Tyson, Janet Stiles. “The Rubenstein Library’s disruptive copy of A Curious Herbal.” 11/14/2022. https://blogs.library.duke.edu/rubenstein/2022/11/14/a-curious-herbal/ Tyson, Janet. “'A Curious Herbal' as Material Witness.” The Linnean Society. 1/10/2023. https://www.linnean.org/news/2023/01/10/a-curious-herbal-as-material-witness See omnystudio.com/listener for privacy information.
Tunes: Pretty incomplete tune list: Tunes: Cuddy's Wedding from Vickers, Auld Lang Syne from Appomattox, Hoopers and Girders (Pete Stewart's Setting from David Young), Over the Hills and Far Away, Mill Mill O, Oyster Wive's Rant, Gravel Walks, Brenda Stubberts, Mason's Apron, Miss McLeod of Raasay, Atholl Highlanders, and many more. Càirdeas is pretty booked up for this year actually, but be sure to get on their mailing list here: https://www.cairdeas.org/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Was the Civil War a 'Second American Revolution', or was it a continued evolution of the nation set out by the Founding Fathers? How did Lincoln see it?We've asked some of our favourite historians for their most important moment in these 250 years of the United States' History.In this episode, Aaron Sheehan-Dean returns to discuss how winning the Civil War fits into the growth of American identity.Aaron is the Fred C. Freyer Professor of Southern Studies at Louisiana State University. He is author of several books, including ‘Reckoning With Rebellion: War and Sovereignty in the Nineteenth Century'.Edited by Tim Arstall. Produced by Sophie Gee. Senior Producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.
In dieser Folge gibt's wieder zwei Geschichten aus unserem ersten Buch: Richard liest Daniels Geschichte über frühe Landkarten, und Daniel liest Richards Geschichte über die Entstehung eines Gemäldes, das auf einer katastrophalen französischen Expedition basiert. // Literatur ///Mit dem Finger auf der Landkarte - Ute Schneider: Die Macht der Karten: Eine Geschichte der Kartographie vom Mittelalter bis heute. Darmstadt 2006. ///Wie das Floß der Medusa entstand - Jonathan Miles: The Wreck of the Medusa. The Most Famous Sea Disaster of the Nineteenth Century. New York 2008. Das Episodenbild zeigt Ausschnitte der Ebstorfer Weltkarte und des besprochenen Gemäldes des Floßes der Medusa. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio
All songs in this episode are poems by Robert Louis Stevenson set to traditional tunes: “A Song of the Road” with Over the Hills and Far Away “The Spaewife” with unnamed tune collected by George St. J. Bremner “Wandering Willie” with Here Awa' There Awa' and Bonnie Dundee “Over the Sea to Skye” with the Skye Boat Song ======= Thanks to J.F.M. Russell, who has made his research into the music of Robert Louis Stevenson available on his website, https://sites.google.com/a/music-of-robert-louis-stevenson.org/introduction/home You can find many tantalizing tidbits about RLS' music manuscripts and stories about his writings. The index on his site will guide you to more information about the poems and songs I selected. ====== Thanks to Jeremy Kingsbury for inviting me to guest host this episode, and for the many words of advice and encouragement in the process of recording and editing it. Thanks to my son Ethan for his assistance and expert advice on mixing and mastering this episode. ====== A Song of the Road You can hear much more about the Over the Hills and Far Away tune in Wetootwaag's Bagpipe and History Podcast, Season 7 Episode 10: https://www.wetootwaag.com/s7e10 I didn't mention it in the episode, but one of my favorite sung settings of this song is arranged by Sean Dagher on La Nef's Sea Songs & Shanties album: (a great collection of sea shanty arrangements!) https://www.youtube.com/watch?v=vd69tvWD0xI&list=RDvd69tvWD0xI&start_radio=1 ====== The Spaewife Bremner's (unnamed) tune from a note with transcription by Fannie, Robert's wife, in her preface to Underwoods, A Child's Garden of Verses & Underwoods, Ballads, which is from the Works of Robert Louis Stevenson, Vailima Edition Volume VIII ====== Wandering Willie Original tune that Burns used for his Here Awa' There Awa', from a book RLS had in his library, The Songs of Scotland Without Words: https://www.google.com/books/edition/The_songs_of_Scotland_without_words_for/pGhBAQAAMAAJ?hl=en&gbpv=1&pg=PA19&printsec=frontcover&dq=wandering From (another book RLS had in his library) Gems of Scottish Song: (this is an adaptation of the tune that Burns used for his Bonnie Dundee) Page 1 and Page 2 RLS sketched a tune for Wandering Willie in his manuscripts, and based it on this Bonnie Dundee version, and likely altered it further in the second part. ====== Over the Sea to Skye Please see Mr. Russell's page about this song, which includes two examples of the song notated in Stevenson's hand. https://sites.google.com/a/music-of-robert-louis-stevenson.org/over-the-sea-to-skye/ And this note with transcription by Fannie, Robert's wife, in her preface to Underwoods, which is again from the Works of Robert Louis Stevenson, Vailima Edition Volume VIII https://www.google.com/books/edition/The_Works_of_Robert_Louis_Stevenson/t2Q4AAAAIAAJ?hl=en&gbpv=1&dq=spae%20wife%20brenmer&pg=PA89&printsec=frontcover ====== The Peter Pauper Press music journal is what I have been using for a few years to write down tunes as I'm learning them, or compose new ones, along with descriptions and other thoughts: https://www.peterpauper.com/products/music-journal My bellows-blown scottish smallpipes were made by Nate Banton https://natebanton.com/ My C chanter was made by Robert Felsburg https://www.thequietpiper.com/ My low D whistle and C whistle were made by Rob Gandara https://carbony.com/ +X+X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Historiansplaining: A historian tells you why everything you know is wrong
Unlocked after 1 year for patrons only: We reconstruct the complex divisions and conflicts in Italian society as the new state sought to realize the Risorgimento's unfulfilled promises of national unity and glory. We observe how the struggles among the Papacy, the Crown, and the powerful socialist movement led to Italy's momentous decision to break with the Triple Alliance and to enter World War One with the Entente powers, and laid the groundwork for the original rise of Fascism. Please sign up as a patron at any level in order to hear patron-only lectures, including the recent part 2 on the concept of the industrial revoltion: https://www.patreon.com/c/u5530632 Suggested further reading: John A. David, ed., "Italy in the Nineteenth Century”; Adrian Lyttleton, ed., “Liberal and Fascist Italy” Image: pro-intervention rally with Gabriele D'Annunzio, held at Quarto, Liguria, May 5, 1915
Virginia Oldoini considered herself the most beautiful woman of the nineteenth century. In the 1850s, a high-ranking Italian official deployed her to France on a secret mission to seduce Emperor Napoleon III for political reasons. After her stint as a spy, the Countess emerged as a poioneer of photography, leaving behind one of the most stunning bodies of photographic self-portraits of the 1800s. If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast. For show notes and full transcripts, please visit www.artofcrimepodcast.com.
Robert Bremner: Duke of Perth's Reel, Capt. Ross's Reel, Short Apron, Hoptoun House, Lady Hariot Hope's Reel, The Highlandman Kiss'd His Mother, Miss Murray's Reel, Drummore's Rant, He Hirpl'd till her, Had the Lass till I winn at her, Cadgers of the Cannongate, Jeremy Kingsbury Sets: Colonel MacBain's Fancy, Brenda Stubbert's Reel, The Gravel Walk, Highlandman Kissed His Mother & Jenny Sutton From Bannocks of Barley Meal. Paddy Cary, Jigg Poltage, Ryan's Rant from Pay the Pipemaker. Dark-eyed one of the Night, Lady Seaforth, Dark Girl of the White Feet, Lady Mary Mackay, Mary Gray, Sweet Molly From Rowly Powly. J. Johnson: The Lads of Boot, William Ross: Miss Victoria Ross Iain MacInnes: Miss Victoria Ross, Lady Doll Sinclair, A'Chubhag (The Cuckoo), McFarlane's from Album Tryst Anselm Lingnau: (Traditional Tune Archive) Lady Susan Stewart's Reel John Walsh: Susan Stewart's Reel, Big thank you to Iain MacInnes for his blessing to include his track from Tryst. Tryst was published by Greentrax Label: https://greentrax.com/product/iain-macinnes-tryst-cd/ But is available on most streaming platforms as well. +X+ Cover Art is a Receipt from Robert Bremner's Shop in London courtesy of the British Museum: https://www.britishmuseum.org/collection/image/1544287001 +X+X+ I played tracks from Pay the Pipemaker: https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker Bannocks of Barley Meal: https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal and Rowly Powly: https://jeremykingsbury.bandcamp.com/album/rowly-powly +X+X+ Nearly all of the tunes this week come from Robert Bremner's 1757(ish) publication: A Collection of Scots Reels or Country Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105002262 +X+X+ 1750: Lads of Boot From J Johnson's Country Dances (Via Traditional Tune Archive) https://tunearch.org/wiki/Lads_of_Boot +X+X+ 1869: Miss Victoria Ross: from William Ross's Collection of Pipe Music: https://ceolsean.net/content/WRoss/WRoss_TOC.html +X+X+ Susan Stewart's Reel From Traditional Tune Archive: https://tunearch.org/wiki/Lady_Susan_Stewart%27s_Reel +X+X+ 1758 (I've also seen 1760): Lady Susan Stewart's Reel from John Walsh's Caledonian Country Dances Vol 2 part IV https://archive.org/details/walsh4caledonian/ +X+X+ For may Hihland Man Kissed His Mother Episode Listen here: https://www.wetootwaag.com/s5e28 +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Tunes: Robert Bremner: Ratha Fair, Lady Doll Sinclair's Reel, The Milkmaids of Blantyre, Miss Polly Skinner's Reel, Miss Ramsey's Reel, The Parks of Kilburnie, Kiss me Sweetly, Cameron Has Got his Wife Again, Mr. Robert Kenney's Reel, Miss Blair's Reel, I'll gae nae mair to your Town, The Fyket, Isle of Sky, Jacky Stewart's Reel, Capt. Ross's Reel, Duke Of Perth's Reel, Wililam Vickers: Lanox Love, Sutherland: Clean Peas Straw, Donald MacDonald: Pease Straw, Thomas Glen: Pease Strae, Abraham MacIntosh: Miss Parker's Reel, James Aird: The Fyket, +X+X+ If you like the sound of my new whistles, check out Verdant Whistles here: https://www.irishflutestore.com/products/verdant-whistles?variant=46855357432034 +X+ If you want to hear Robert Bremner's Treatise on music you can listen to my reading of it here: https://www.wetootwaag.com/s8e2 +X+ The Articles I found about the Possible "Lady Doll Sinclair" https://tunearch.org/wiki/Annotation:Lady_Doll_Sinclair https://threadinburgh.scot/2023/01/04/the-thread-about-the-ninth-day-of-christmas-the-lady-behind-lady-fifes-house-well-and-brae-and-what-she-has-to-do-with-primrose/ https://www.facebook.com/share/1CzNLUYjcC/ +X+X+ Nearly all of the tunes this week come from Robert Bremner's 1757(ish) publication: A Collection of Scots Reels or Country Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105002262 +X+ I'm hoping ot update the notes soon, but shoot me an email if you're looking for any of the other sources I didn't link yet. FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
A conversation with Stephen Darwall about his recent book, "Modern Moral Philosophy in the Nineteenth Century" (Cambridge UP).
Tunes: David Young: The Drunken Wives in Pearson's Closs, Robert Bremner: Oyater Wives Rant, Lady Doll Sinclair's Reel, James Aird: The Oyster Wive's Rant, Mullindough or the Black Laddie, Angus Cumming: Haugh's of Cromdale, John Peacock: Oyster Wifes Rant Donald MacDonald: A Mulinn Dubh, The Whimsical, Jingling Johnie, The Miller's Fair Daughter, Morag is Domhnull (or Marion & Donald), The Jolly Old Gardner, John Rook: The Black Laddie, Thomas Glen: Mulinn Dubh (The Black Mill), William Gunn: Am Muilen Dubh (The black Mill) William Ross: The Black Mill LBPS Blue Book: The Oyster Wife's Rant, Jeremy Kingsbury: Oyster Wife's Rant, Be sure to Post your performance to your own instagram account and tag it #LBPS or #LBPSTOTM or post your rendition straight to the Lowland and Border Pipers' Group (Formerly LBPS Forum) https://www.facebook.com/share/g/1FZMPP8vUm/ You should also explore the growing resources at the LBPS Tune of the Month Website: https://lbps.net/j3site/index.php/repertoire/tune-of-the-month/1297-may-2026-oyster-wifes-rant SOURCES +X+ 1740: The Drunken Wives in Pearson's Closs from David Young's A Collection of the Newest Country Dances Perform'd in Scotland at Edinburgh by Da. Young WM Image Courtesy Pete Stewart +X+ 1760s: The Oyster Wive's Rant From Robert Bremner's A Collection of Scots Reels or Contry Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105003175 +X+ 1780: The Oyster Wive's rant from James Aird's A selection of Scotch, English, Irish, and foreign airs : adapted to the fife, violin or German-flute https://archive.org/details/selectionofscotc00ingl/page/2/mode/2up +X+ 1800(ish): Oyster Wifes Rant from John Peacock's A Favourite Collection of Tunes with Variations Adapted for the Northumberland Small Pipes, Violin or Flute http://www.farnearchive.com/farneimages/jpgs/K0101300.jpg +X+ 1828: A Mulinn Dubh from Donald MacDonald's A Collection of Quicksteps, Strathspeys, Reels & Jigs Arranged for the Highland Bagpipe https://digital.nls.uk/special-collections-of-printed-music/archive/105682759 +X+ 1840: The Black Laddie from John Rook's Manuscript Multum in parvo or a Collection of old English, Scotch, Irish & Welsh Tunes. https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/059.htm +X+ 1843: Mulinn Dubh From A New and Complete Tutor for the Great Highland Bagpipe by Thomas Glen https://ceolsean.net/content/TGlen/TGlen_TOC.html +X+ 1848: An Muilen Dubh (The black Mill) from William Gunn's The Caledonian Repository of Music adaptes for the Bagpipes https://ceolsean.net/content/Gunn/Gunn_TOC.html +X+ 1869: The Black Mill From Ross's Collection of Pipe Music by William Ross https://ceolsean.net/content/WRoss/WRoss_TOC.html +X+ Black Mill Set from Cold and Raw: https://jeremykingsbury.bandcamp.com/album/cold-and-raw + 1828: The Whimsical (Fall of Foyers) from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682660 + 1828: Jingling Johnie (Kate Dalrymple) from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682737 + 1828: The Miller's Fair Daughter from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682605 + 1828: Morag is Domhnull (or Marion & Donald) from Donald MacDonald's Collection of Quicksteps, Strathspeys, Reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682682 + 1828: The Jolly old Gardener from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682627 +X+X+ The Oyster Wife's Rant from Lowland and Border Pipers' Society The Blue Book; Committee Sessions Repertoire https://j3site.lbps.net/index.php/repertoire/miscellaneous-collections/379-the-blue-book-committee-sessions-repertoire +X+ Link to the Discussion of “Playing Reels to Oyster women” https://lbps.net/j3site/index.php/common-stock/archive-issues/130-june-2012/690-playing-reels-to-oyster-women Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Matthew Shindell discusses the Scientific Revolution, nineteenth-century theories about Martian canals by Schiaparelli and Lowell, and H.G. Wells using Mars to satirize British imperialism.
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