Podcasts about visual

In this timely episode, Mathew Blades and Jill McMahon confront the emotional toll of gun violence as it saturates our screens and social feeds. Drawing from lived experience and clinical expertise, Jill unpacks the damaging effects of repeated visual trauma and how constant exposure can desensitize us, elevate stress, and keep us in a cycle of hyper-vigilance. Together, they discuss practical tools for reclaiming wellbeing: pausing content consumption, releasing pent-up emotion, and reconnecting with others. Whether you're directly impacted or struggling with the weight of the headlines, this conversation offers validation and hope for anyone seeking to navigate, and recover from America's current crisis of gun violence. To get in touch with our podcast, email INFO@Learnfrompeoplewholivedit.com Visit our Guests: Mathew Blades - MathewBlades.com Dr. Anna Marie Frank - https://drannamarie.com Cortney McDermott - https://www.cortneymcdermott.com Dr. Dave - https://www.drdaveaz.com/ Jill McMahon - Jillmcmahoncounseling.com If you want to use Streamyard to create a podcast like this, use this link: https://streamyard.com/pal/c/4656111098003456

Join your horror hosts as they dance to the number of the beast. Connect with the Broads⁠⁠Connect with Bhavna⁠⁠Connect with JamieChapters00:00 Introd01:45 Comparing the Sequels03:22 Visual and Thematic Elements05:05 Audience Engagement and Originality06:50 Comparisons to Other Works08:43 Diving into Spoilers09:25 Character Analysis: The Jimmies12:11 Cults and Charisma14:46 The Role of Myth and Memory20:04 The Jimmies' System and Dynamics23:20 Wigs 25:53 "Charity " 31:30 The Cost of Existence in a Violent Society32:59 The Role of Symbols and Belief Systems36:31 The Aesthetics of Clothing and Identity41:12 Bromance and Redemption in the Apocalypse46:37 The Spiritual Significance of the Moon48:26 Character Development and Personal Growth51:19 Consent and Survival in a Dystopian World53:11 The Power of Music in Film56:42 Emotional Resonance and Identity58:01 The Final Scenes and Their ImpactKeywordsBone Temple, horror film, female empowerment, cult dynamics, media literacy, cinematic analysis, representation, violence, symbolism, apocalyptic themes, belief, survival, aesthetics, character dynamics, music, identity, consent, emotional resonance, film analysis, apocalypse

Send us a textWe take a break this week and recover from BICSI and a cold.  Today we explore how BICSI's PM 102 and the RTPM credential give ICT project managers practical tools they can use right away. From project charters and stakeholder risk to network diagrams and earned value, we focus on what speeds delivery and keeps budgets on track.• PM 101 vs PM 102 and who each serves• Project charter, stakeholder mapping, and risk planning• Network diagrams and finding the true critical path• Earned value management tied to measurable outputs• Change control that protects margin and schedule• Why RTPM fits ICT better than a generalist PMP• Using PM 102 hours toward PMP requirements• Virtual and in-person training options and tools• RTPM exam process, Pearson VUE, and handbook• Career path choices between RCDD and PM tracks• Visual field communication and simple daily goals• Hybrid conferences, global access, and learning cultureIf you're watching this show on YouTube, would you mind hitting the subscribe button and the bell button to be notified when new content is being produced?If you're listening on one of the podcast platforms, would you mind giving us a five-star rating?Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

The first live show of 2026 kicks off with CES reflections, a quick scam warning about fake Instagram reset emails, and highlights from the show floor. Chuck Joiner, David Ginsburg, Eric Bolden, Brian Flanigan-Arthurs, Jeff Gamet, Norbert Frassa, Marty Jencius, and Jim Rea discuss into LEGO's new NFC “smart bricks” and why they won't kill creativity. Chuck also shares impressions of Xreal display glasses as a travel-friendly “monitor,” then Norbert and Chuck talk about the 360° Antigravity drone demo.  MacVoices is supported by Squarespace. Check out https://www.squarespace.com/MACVOICES to save 10% off your first purchase of a website or domain using offer code MACVOICES. MacVoices is supported by Hello Fresh. Go to HelloFresh.com/macvoice10fm to gett 10 free meals + a FREE ZwillingKnife (a $144.99 value) on your third box. Offer valid while supplies last. Free meals applied as discount on first box, new subscribers only, varies by plan.  Show Notes: Chapters: [0:00] Show open and topics preview[0:10] Sponsor mentions[0:38] Welcome back / first show of 2026[5:35] PSA: fake Instagram reset scam[7:42] CES recap setup and context[8:10] LEGO “smart bricks” explained (NFC, Star Wars kits)[10:13] Backlash and why LEGO isn't “abandoning” classic building[13:54] Engadget livestream kerfuffle and discussion[14:46] Mindstorms comparison and future “programming” possibilities[22:37] Xreal glasses impressions vs. Vision Pro[27:20] Anti-Gravity 360° drone goggle experience[31:30] Visual observer requirement and goggles details[34:23] Wrap-up Links: PSA: Reminder: Ignore Instagram password reset messages if you didn't request onehttps://appleinsider.com/articles/26/01/12/reminder-ignore-instagram-password-reset-messages-if-you-didnt-request-oneCES and related discussion:LEGO Says Smart Brick Is 'Here to Stay,' and Responds to 'Questions and Concerns' Around Abandoning Non-Digital Playhttps://www.ign.com/articles/lego-says-smart-brick-is-here-to-stay-and-responds-to-questions-and-concerns-around-abandoning-non-digital-play XREAL Glasseshttps://amzn.to/4bC5gFk Antigravity Dronehttps://www.antigravity.tech/drone/antigravity-a1/buy?utm_term=macvoices Guests: Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Norbert Frassa is a technology “man about town”. Follow him on Twitter and see what he's up to. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud. Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession ‘firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. This is also co-host of The Vision ProFiles podcast. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

The first live show of 2026 kicks off with CES reflections, a quick scam warning about fake Instagram reset emails, and highlights from the show floor. Chuck Joiner, David Ginsburg, Eric Bolden, Brian Flanigan-Arthurs, Jeff Gamet, Norbert Frassa, Marty Jencius, and Jim Rea discuss into LEGO's new NFC "smart bricks" and why they won't kill creativity. Chuck also shares impressions of Xreal display glasses as a travel-friendly "monitor," then Norbert and Chuck talk about the 360° Antigravity drone demo.  MacVoices is supported by Squarespace. Check out https://www.squarespace.com/MACVOICES to save 10% off your first purchase of a website or domain using offer code MACVOICES. MacVoices is supported by Hello Fresh. Go to HelloFresh.com/macvoice10fm to gett 10 free meals + a FREE ZwillingKnife (a $144.99 value) on your third box. Offer valid while supplies last. Free meals applied as discount on first box, new subscribers only, varies by plan.  Show Notes: Chapters: [0:00] Show open and topics preview [0:10] Sponsor mentions [0:38] Welcome back / first show of 2026 [5:35] PSA: fake Instagram reset scam [7:42] CES recap setup and context [8:10] LEGO "smart bricks" explained (NFC, Star Wars kits) [10:13] Backlash and why LEGO isn't "abandoning" classic building [13:54] Engadget livestream kerfuffle and discussion [14:46] Mindstorms comparison and future "programming" possibilities [22:37] Xreal glasses impressions vs. Vision Pro [27:20] Anti-Gravity 360° drone goggle experience [31:30] Visual observer requirement and goggles details [34:23] Wrap-up Links: PSA: Reminder: Ignore Instagram password reset messages if you didn't request one https://appleinsider.com/articles/26/01/12/reminder-ignore-instagram-password-reset-messages-if-you-didnt-request-one CES and related discussion: LEGO Says Smart Brick Is 'Here to Stay,' and Responds to 'Questions and Concerns' Around Abandoning Non-Digital Play https://www.ign.com/articles/lego-says-smart-brick-is-here-to-stay-and-responds-to-questions-and-concerns-around-abandoning-non-digital-play XREAL Glasses https://amzn.to/4bC5gFk Antigravity Drone https://www.antigravity.tech/drone/antigravity-a1/buy?utm_term=macvoices Guests: Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Norbert Frassa is a technology "man about town". Follow him on Twitter and see what he's up to. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud. Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession 'firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. This is also co-host of The Vision ProFiles podcast. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Where do you start, making graphic medicine about your health experiences? You start with yourself! Your own feelings, your own symptoms, your own language of comics. It can be daunting to do it with your mind, which is why I made this practice, for you to be guided without thinking too hard. Start with the body. Start by listening. Start with this episode, and discover the language you've already got, waiting to emerge visually. = Our theme music is Magic Hours by Aaron Comeau made for the Main St. Music Library. The Main St. Music Library hosts instrumental music created with simple parameters, with scores and instructions for listeners to recreate the music themselves. Musicians, artists, & listeners are encouraged to borrow freely from the library and return the materials in a different form than they found them. Find out more at mainstmusiclibrary.com. Disclaimer This podcast is for information and exploration purposes only and is never intended as medical advice. Every viewer and listener is encouraged to seek medical attention at their own discretion. This podcast and the guided practices are tools for listeners to support their whole health, and should be used with care. Get full access to How to Make a Graphic Novel at sawcomics.substack.com/subscribe

Coordinator of Visual and Performing Arts Barbara Anglin and McCallum Theatre Vice President of Education Kajsa Thurreson-Frary

Youtube video linked below!https://www.youtube.com/watch?v=yx-DhpsS_rgLinks & Socials here:https://linktr.ee/haleygutz

Send us a textStuck in the house from the snow? Join the fellas in the Diner for another fast and fun Steve's Diner Podcast! They play a game to see which movie props sold for more at auction, CEO of Maryland tells us about his trip to Vegas and the Sphere, and lots of fun other stuff as well. 3 out of 3 members of the podcast agree it's a good episode!Make sure to catch it on YouTube as well for additional VISUAL content! You will be glad you did! Link below. Tell a friend!Support the show Steve's Diner Podcast on YouTube! https://youtube.com/@StevesDinerPodcast Merch Now Available! https://www.teepublic.com/user/steve-sdinerpodcast Follow Steve's Diner Podcast on Facebook, Instagram and Tik Tok: @stevesdinerpodcast Follow "Busboy" Steve on Tik Tok: @ceoofmaryland For Audio Projects: @DevinAudio Guitar music by the legend, Tom Lagana: http://www.tomlagana.net

On today's episode of Ridgefield Tiger Talk, Cory Gillette joins us for a conversation with a Visual and Performing Arts (VPA) all-star panel featuring Michael McNamara, Shane Peters, Ryan Dunne, Rachael Zumbo-Penney, and Teresa Ringkamp. We dive into the department's impressive accomplishments and initiatives from the past five years. For more details, please explore our VPA Five-Year Review and visit the RPS budget website.

If there's one recurring theme each year, it's to expect the unexpected. "Sinners" earned a record 16 nominations for the 98th Academy Awards. And then there was the blockbuster "Wicked: For Good," which was shut out. It was a day of extremes and surprises when the Oscar nominations came out on Thursday. In this week's episode, co-hosts Bruce Miller and Terry Lipshetz talk about the biggest snubs and which films could dominate when statuettes are handed out on Sunday, March 15. And we wrap the show with the new "Game of Thrones" spinoff series on HBA, "A Knight of the Seven Kingdoms." Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

In this episode of The Retreat Leaders Podcast, Shannon sits down with Amy Jaggers, a coach and retreat leader who is building a soul-led retreat business while still working full-time. Amy shares how she helps professionals step off autopilot and reconnect with balance, clarity, and purpose through meditation, mindfulness practices, retreats, and wellbeing circles. She opens up about what it really looks like to grow a retreat business alongside a demanding career — including boundaries, time management, and integrating her "soul work" into her corporate role. Together, Shannon and Amy discuss long-term vision, retreat center dreams, the power of visualization, and why retreat leaders must invest in their own development before leading others. This episode is especially powerful for retreat leaders who are still in a full-time job but feel deeply called to build something meaningful and sustainable on the side. Key Takeaways You can build a retreat business while working full-time — with structure and boundaries. Integrating wellbeing and mindfulness into your day job can strengthen both worlds. Visual planning, time blocking, and templated systems are essential for sustainability. Soul-led work doesn't require quitting your job overnight — small, consistent steps matter. Investing in your own training and leadership development is non-negotiable as a retreat host. Long-term visions (like owning a retreat center) are built through patience and intention. Familiarity with your retreat location is a key marker of responsible leadership. About Amy Jaggers Amy Jaggers is a coach and facilitator who helps professionals turn awareness into meaningful action through coaching, meditation, retreats, and facilitated circles. Her work creates intentional space for individuals to pause, reconnect, and step off autopilot, supporting greater balance, clarity, and purpose. Amy's approach is grounded in building resilience and helping people live and lead with greater intention in both their personal and professional lives. Connect with Amy here: https://lavidalagom.com/  and check out her retreat here: https://lavidalagom.com/meditationmindfulness/  The Retreat Leaders Podcast Resources and Links: Learn to Host Retreats Join our private Facebook Group Top 5 Marketing Tools Free Guide Get your legal docs for retreats Join Shannon in Denver at the Retreat Industry Forum  Join our LinkedIn Group Apply to be a guest on our show Thanks for tuning into the Retreat Leaders Podcast. Remember to subscribe for more insightful episodes, and visit our website for additional resources. Let's create a vibrant retreat community together! Subscribe:  Apple Podcast | Google Podcast | Spotify ----- TIMESTAMPS Amy's Background & Soul Work (00:01:17) Amy shares her professional background, her focus on mindfulness, and her retreat and wellbeing circles. Balancing Full-Time Work & Retreat Business (00:02:09) Discussion on juggling a full-time job with building a retreat business, and integrating soul work into her career. Wellbeing Circles at Work (00:03:13) Amy explains hosting wellbeing circles for colleagues and how it supports both her job and retreat business. Challenges & Boundaries (00:04:41) Amy discusses the importance of schedules, boundaries, and processes to balance both roles. Finding Fulfillment in Both Roles (00:05:06) Amy reflects on the fulfillment she gets from both her day job and her retreat business. Target Audience & Their Needs (00:06:25) Amy describes her colleagues' challenges and the need for wellbeing practices. Scheduling & Time Management Practices (00:08:29) Amy shares her practical strategies for managing time and tasks for her soul business. Retreat Industry Forum Announcement (00:10:00) Shannon promotes the upcoming Retreat Industry Forum event in Denver. Long-Term Goals & Vision (00:11:33) Amy outlines her goal to own a retreat venue and her vision for the future. Visualization & Vision Boards (00:12:33) Shannon and Amy discuss the power of vision boards, drawing out goals, and visual manifestation. Hospitality Background & Inspiration (00:14:08) Amy talks about her hospitality experience and how it informs her retreat vision. Vision Board Workshop & Manifestation (00:14:38) Amy mentions her upcoming vision board workshop and the importance of seeing goals regularly. Visualization Practices for Success (00:15:33) Shannon shares techniques for visualizing and feeling future success. Building the Soul Business Step by Step (00:17:06) Amy and Shannon discuss the importance of incremental progress and baby steps. Investing in Education & Training (00:18:16) Amy emphasizes the value of professional training and investing in oneself as a retreat leader. Networking & Community in Retreat Leadership (00:19:51) Amy highlights the benefits of networking and community from attending workshops and trainings. Professionalism & Industry Standards (00:21:38) Amy calls for higher standards and more rigor in retreat leadership training. Upcoming Retreat Details (00:23:14) Amy shares details about her next retreat in Menorca, its focus, and why she chose the location. Choosing a Safe & Familiar Retreat Location (00:25:55) Shannon and Amy discuss the importance of hosting retreats in places that feel safe and familiar, especially for first international events. Episode Wrap-Up & Contact Info (00:27:47) Shannon thanks Amy, provides info for listeners, and closes the episode.

Another year, another boatload of anime consumed. What did the voters here at AniTAY find to be the best? This episode's members: DoctorKev, Gugsy, Hybridmink, Lia, Marquan, Reikaze & Requiem with Marquan handling the editing duties.The AniTAY Podcast is a bi-weekly podcast brought to you every other Wednesday. It is available on all your favorite podcast services! If you like us, be sure to subscribe to your favorite service and give us 5 stars! Your support is much appreciated and will help us grow and continue to provide this style of content.ItineraryIntro — 00:00:00–00:01:50Voting Rules — 00:01:51–00:03:29Previous Winners — 00:03:30–00:04:15Tied for 57th Place — 00:04:22–00:07:08Tied for 54th Place — 00:07:09–00:10:24Tied for 51st Place — 00:10:26–00:12:35Tied for 45th Place — 00:12:39–00:15:50Tied for 38th Place — 00:15:53–00:19:28Tied for 36th Place — 00:19:30–00:25:12Tied for 33rd Place — 00:25:13–00:29:32Tied For 32nd Place — 00:29:33–00:30:08Tied for 26th Place — 00:30:09–00:32:35Tied for 24th Place — 00:32:36–00:34:07Tied for 21st Place — 00:34:09–00:37:11Tied for 20th Place — 00:37:12–00:40:32Tied for 19th Place — 00:40:50–00:44:16Tied for 17th Place — 00:44:17–00:49:08Tied for 16th Place — 00:49:09–00:51:40Tied for 15th Place — 00:51:41–00:53:34Tied for 13th Place — 00:53:36–00:57:46Tied for 12th Place — 00:57:47–1:00:05Tied for 10th Place — 01:00:38–01:03:43Tied for 8th Place — 01:03:44–01:07:447th Place — 01:07:45–01:10:136th Place & 5th Place — 01:00:44–01:13:504th Place — 01:13:51–01:18:023rd Place — 01:18:04–01:22:152nd Place — 01:22:16–01:26:39Anime of the Year — 01:26:40–01:31:14Shows That Missed The Cut — 01:31:14–01:38:05Roundup of the Top Ten Anime of 2025–01:38:30–01:40:00End — 01:40:03–01:42:39Missed the previous episode of the AniTAY Podcast? Check it out here: https://medium.com/anitay-official/anitay-podcast-s11-e1-new-years-resolution-boobs-and-isekai-05afabb0947a

In this deeply personal episode of the AART Podcast, host Chris Stafford sits down with acclaimed American film editor Jazzy Kettenacker for an intimate conversation about life, identity, and a career shaped by storytelling. Rather than focusing on technical process, this episode explores the human journey behind the edit — the experiences, values, and turning points that have defined Jazzy's path in film and beyond. Jazzy Kettenacker reflects on growing up with a creative instinct, discovering film as a way to make sense of the world, and how editing became not just a profession but a way of thinking and living. She speaks candidly about navigating the film industry, finding her voice as an artist, and the emotional intelligence required to shape stories that resonate. This is a conversation about resilience, intuition, and the unseen labor that gives films their emotional rhythm. Throughout the episode, Jazzy opens up about the realities of sustaining a creative life — the doubts, the breakthroughs, and the personal evolution that comes with long-term artistic work. Her story highlights the importance of trust, collaboration, and empathy, revealing how an editor's sensibility is deeply intertwined with who they are as a person. The AART Podcast is known for thoughtful, biographical conversations with artists across disciplines, and this episode is no exception. Chris Stafford guides the discussion with warmth and curiosity, creating space for reflection on creativity, identity, and what it truly means to build a life in the arts. Whether you're a filmmaker, artist, or simply someone interested in honest creative journeys, this episode offers rare insight into the inner life of a film editor whose work — and perspective — is shaped by lived experience. Links to Jazzy:https://jazzyeditor.com/https://www.instagram.com/jazzykettenacker/ Jazzy Kettenacker, Jazzy Kettenacker film editor, American film editor, film editing career, women in film, film industry stories, creative life podcast, artist biography podcast, AART Podcast, Chris Stafford podcast, film editor interview, life in film, creative identity, storytelling in cinema, behind the scenes film, artist conversations, biographical podcast, independent film voices Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.

In this deeply personal episode of the AART Podcast, host Chris Stafford sits down with acclaimed American film editor Jazzy Kettenacker for an intimate conversation about life, identity, and a career shaped by storytelling. Rather than focusing on technical process, this episode explores the human journey behind the edit — the experiences, values, and turning points that have defined Jazzy's path in film and beyond. Jazzy Kettenacker reflects on growing up with a creative instinct, discovering film as a way to make sense of the world, and how editing became not just a profession but a way of thinking and living. She speaks candidly about navigating the film industry, finding her voice as an artist, and the emotional intelligence required to shape stories that resonate. This is a conversation about resilience, intuition, and the unseen labor that gives films their emotional rhythm. Throughout the episode, Jazzy opens up about the realities of sustaining a creative life — the doubts, the breakthroughs, and the personal evolution that comes with long-term artistic work. Her story highlights the importance of trust, collaboration, and empathy, revealing how an editor's sensibility is deeply intertwined with who they are as a person. The AART Podcast is known for thoughtful, biographical conversations with artists across disciplines, and this episode is no exception. Chris guides the discussion with warmth and curiosity, creating space for reflection on creativity, identity, and what it truly means to build a life in the arts. Whether you're a filmmaker, artist, or simply someone interested in honest creative journeys, this episode offers rare insight into the inner life of a film editor whose work — and perspective — is shaped by lived experience.BIOJazzy Kettenacker, a St. Louis native and full-time Editor at BSS Outpost, is known for her dynamic editing style and relentless work ethic. A Hollins University graduate and Premiere Pro wiz, she's collaborated with top brands like The North Face, Disney+, MLS, Rolling Stone, Under Armour, Pepsi, and FX. Jazzy's dedication to creative excellence drives her to push boundaries and redefine cinematic storytelling.  Born in 199 in Columbia, MI, Jazzy is the only child of Donna Garrett, a lieutenant for the St. Louis Police Department, and Lynn Hard, a retired Home School Communicator.  She attended Compton-Drew Middle School, Webster Groves High School and Hollins University—an all women's University in Roanoke, VA. Her love for film and the process of filmmaking that she learned in college guided her to a career that began behind the camera before she realized the magic for her was to be found in the edit suite. With experience across the genres, Jazzy has now found her metier in documentary film.Keywords:Jazzy Kettenacker, Jazzy Kettenacker film editor, American film editor, film editing career, women in film, film industry stories, creative life podcast, artist biography podcast, AART Podcast, Chris Stafford podcast, film editor interview, life in film, creative identity, storytelling in cinema, behind the scenes film, artist conversations, biographical podcast, independent film voicesHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: hollowellstudios@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

Episode 127 is one of those episodes that goes exactly where you don't expect—and sometimes where you wish it wouldn't. We crack open Samuel Adams Cold Brew and attempt to review it, though things quickly derail when a story somehow leads to seeing Stone's butthole (allegedly). Jorge is once again missing in action, but we finally uncover the real reason: he forgot to call off a forklift at work. Yes, really. We also shout out our sponsor, YoTummy, the DoorDash for home-cooked food, because sometimes you want a real meal without cooking or doing dishes. Then we pivot into talking stocks, guessing current prices, and proving that we probably shouldn't be giving financial advice. To wrap it all up, we take a nostalgic trip back to the old iPod MP3 players we used to own, from tiny screens to questionable storage space. Cold beer, bad guesses, missed co-hosts, and unnecessary visuals... Episode 127 has it all.

Send us a textAuthor and former TACP Ethan Brown returns to break down Visual Friendlies, Tally Target Volume Two and the work behind documenting the post-9/11 wars the right way. This isn't a highlight reel of gunfights—it's a deep look at JTACs as humans, coalition partners, policy failures, surges, forever wars, and the weight carried by the quiet professionals who enabled everything from combat to humanitarian missions. Ethan explains why Volume Two goes beyond tactics, why Volume Three is darker and angrier, and how writing these stories became both catharsis and obsession. If you care about accuracy, history, and honoring the work without Hollywood nonsense, this episode matters.⏱️ Timestamps: 00:00 Ones Ready intro and Ethan's return 02:10 Volume Two overview and release timeline 05:00 Why the stories had to get more human 08:30 Coalition JTACs and national caveats 12:45 Surges, policy shifts, and ground truth 17:30 Why the “forever war” never really ended 21:40 The emotional cost of telling these stories 26:00 Extortion 17 and unseen suffering 30:30 Lessons passed down in combat 35:00 Quiet professionals vs silent professionals 40:30 Volume Three, anger, and unfinished business 45:00 Writing history before it disappears 49:00 What comes next: Silent Professionals 54:00 Final thoughts and where to find the books

It's festival season at EPCOT, and Scott and Candice are kicking off a two-part deep dive into one of the most overlooked (and shortest!) festivals of the year: Festival of the Arts.This episode is not about the menus yet.This is about mindset, strategy, expectations, and how to experience the festival in a way that actually feels meaningful.If you've ever left a festival overwhelmed, overspent, or underwhelmed, this one's for you.In this episode:Favorite Disney artCandice shares her favorite piece of Disney art at home. Scott talks about the artwork in his office and the posters that line their bar walls, setting the tone for why this festival matters.What Festival of the Arts actually isThis is not just a food festival with pretty plates. They break down the three pillars of the festival:• Visual arts (artist booths, galleries, live signings)• Performing arts (Disney on Broadway concerts, Voices of Liberty, live musicians)• Culinary arts (creative and beautiful, but not always the best food)Plus interactive elements like mural painting, scavenger hunts, chalk art, and PhotoPass art experiences.Why you can't “do it all”You could spend an entire day in EPCOT doing only festival activities and still not experience everything. This is a festival that rewards intention, not speed.How to prioritize your festival dayThey walk through how to approach the festival depending on what you care most about:• Attractions• Visual art• Live performances• FoodThe key takeaway: build your day around what matters to you, not what influencers say you “must” do.Honest talk about festival foodFestival of the Arts food is often gorgeous, creative, and Instagram-friendly. That does not always mean it's the most satisfying food of the year. Setting expectations matters.Smart (and realistic) budgeting advice• Rank your must-try items before you arrive• Use gift cards to control spending• Separate festival food budget from snacks and sit-down meals• Don't compare your experience to influencers who are being paid to eat everythingA reminder of what makes Disney differentThey talk candidly about why live entertainment, storytelling, cast members, and immersion are the heart of Disney—and why supporting those experiences matters if we want them to continue.Next week: Part Two – The MenusWhat they would orderWhat they would skipWhat sounds amazing but probably isn'tWhat's actually worth your moneyIf you enjoy thoughtful Disney conversations, honest opinions, and strategy without the hype, you're in the right place.And remember… there is always a great big beautiful tomorrow.

In this episode 235 of World Awakenings, we welcome Hans Wilhelm, internationally renowned mystic, spiritual teacher, author, and illustrator. Hans Wilhelm has written and illustrated more than 200 spiritual and inspirational books, with over 40 million copies sold worldwide and translations into 30 languages. For more than 12 years, Hans has created over 170 popular YouTube videos that visually explain the spiritual laws of the universe, including karma, reincarnation, consciousness, enlightenment, and universal truth. Through his unique drawing and illustration style, Hans makes complex spiritual concepts easy to understand and deeply impactful. His groundbreaking visual teachings have reached more than 20 million viewers worldwide, helping seekers better understand how spiritual laws operate behind the scenes of everyday life and how all things are interconnected. In this conversation, Hans Wilhelm shares profound insights into spiritual awakening, higher consciousness, and the universal principles that guide our lives. His free video teachings are also available at LIFEexplained.com. ✨ This episode is perfect for listeners interested in spirituality, mysticism, consciousness, and enlightenment.00:00 – Introduction to Hans Wilhelm02:15 – Hans Wilhelm's spiritual journey and early awakening06:40 – Why visual learning is powerful for spiritual understanding10:30 – The spiritual laws of the universe explained15:45 – Karma, cause and effect, and personal responsibility21:10 – Reincarnation and the soul's journey27:30 – How consciousness evolves over lifetimes33:50 – Enlightenment and living in alignment with universal truth40:20 – Why Hans created LIFEexplained.com45:10 – Practical advice for spiritual awakening today50:00 – Final reflections and where to find Hans Wilhelm's work

You're invited into the world of stop-motion animation, where design and engineering collide to create fan-favorite films. Visual effects artist Brian McLean (from the Oscar-winning studio behind “Coraline” and “ParaNorman”) explores how 3D printing is revolutionizing this century-old craft, showing how creative obsession paired with cutting-edge technology can reinvent the way we make things. Hosted on Acast. See acast.com/privacy for more information.

The Cinematography Podcast Episode 342: Amy Vincent, ASC Cinematographer Amy Vincent, ASC feels like she's reached the place where she wants to be, working on the kinds of films she likes. Vincent and director Craig Brewer have collaborated on several music-forward films, including Hustle & Flow, Black Snake Moan, and a Footloose remake in 2011. Throughout the years, Vincent and Brewer have created a shared cinematic language built on deep trust. Their latest collaboration, Song Sung Blue, is a biopic about a Neil Diamond tribute band. Craig Brewer had seen the original documentary Song Sung Blue at a film festival, and knew that he wanted to adapt the story of Mike and Claire Sardina, who formed a Neil Diamond tribute band called Lightning and Thunder. To bring their world to life, Vincent's primary mission was to protect Brewer's instinctual, writer-driven process. While many modern productions retreat to the controlled environment of a soundstage, Song Sung Blue leaned into the grit of reality. The film was shot entirely on practical locations in New Jersey, doubling for Milwaukee. Vincent admits she was initially reluctant to embrace the cramped quarters of real homes, but the shot design was quickly informed by the limited space. Pre-production tests on location with period light fixtures and wood paneling on the actors' hair and makeup also gave the entire production team a chance to see the film's vision come to life. For the film's musical sequences in bars and on stage, Vincent made a deliberate technical choice to embrace the performance lighting. By choosing a 1.85:1 aspect ratio, the lighting fixtures themselves could be part of the composition. Rather than hiding the sources, she embraced lens flares and visible fixtures, treating the lighting as a character in the performance spaces. This added an authentic "stage" texture to the Lightning and Thunder shows. The visual language of the film was born long before the first day of principal photography. Vincent was present during the actors' vocal recordings and rehearsals, watching how leads Hugh Jackman and Kate Hudson interacted. She points to “Play Me,” a scene where the characters sit back-to-back on a piano bench after they first meet, as a product of this observation. “That all started for me by watching the actors physically moving and singing in those initial rehearsals.” By the time they reached the set, the camera movement was already a natural extension of their physical performances. For Vincent, Song Sung Blue is a project where the technical execution perfectly aligns with a narrative she believes in. “Craig is aligned with the idea of telling stories about people who dream beyond their means,” she says. “I always love that. It's something I hope I get to continue doing.” See Song Sung Blue in theaters and streaming on VOD. Find Amy Vincent: Instagram @amyvvincent Hear our previous interview with Amy Vincent: https://www.camnoir.com/ep259/ SHOW RUNDOWN: 01:45 Close Focus 08:30-58:38 Amy Vincent Interview 59:45 Short ends 01:09:15 Wrap up/Credits Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Podcast SEO and monetization strategies tailored for local businesses is today's episode discussion. Favour Obasi-ike emphasizes the importance of metadata, noting that elements like podcast titles, descriptions, and author names serve as critical search signals for discovery.By treats these fields as structured data, creators can establish local authority and ensure their content surfaces in specific user queries across platforms like Spotify and Apple Podcasts.The source further highlights the compounding value of backlinking, explaining how consistent episode releases create a vast network of searchable links that drive traffic back to a brand's website. Ultimately, the text argues that a well-optimized podcast acts as a long-term intellectual property asset that builds credibility and solves audience problems through searchable, evergreen audio content.In the 2026 search ecosystem, local visibility is no longer a matter of chance; it is a matter of engineering. This episode serves as a strategic blueprint for local businesses to command "page dominance" by transforming audio content into a high-authority digital asset. By deploying a "spread map" strategy—scaling influence from local roots to international authority—business owners can ensure their brand is the definitive answer to specific consumer queries.The objective is to move beyond the "hobbyist" mindset and treat podcasting as a capital-efficient SEO machine. We explore how to build an "engine" that runs independently via technical metadata and RSS syndication, allowing your brand to reside permanently in the search database.Key Takeaways for Local Business Owners1. Metadata is Your Search ID: Your title, author field, and description must match the exact phrases your customers use. If your "ID" doesn't match the search query, the algorithm cannot process your "legal documents," and your business remains invisible.2. Exploit the 50x50 Rule: Syndication is a volume game. By appearing on 50 platforms, you create thousands of high-authority backlinks. This sheer volume of structured data makes your brand unavoidable in local searches.3. Implementation over Information: ROI is the result of action, not note-taking. Podcasting is a long-term index fund for your brand; the earlier you start the "audio documentation," the more interest your digital legacy accrues. Move from "doer" to "architect" today.Need to Book An Appointment?>> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Book a Complimentary SEO Discovery Call with Favour Obasi-Ike⁠>> Visit Work and PLAY Entertainment website to learn about our digital marketing services>> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our exclusive SEO Marketing community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠>> Read SEO Articles>> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the We Don't PLAY Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠>> Purchase Flaev Beatz Beats OnlinePodcast Timestamps[00:00:00] – The Spread Map: Establishing the strategic journey from local business to international brand authority.[00:03:00] – Statistical Authority: Reviewing personal benchmarks (600 episodes, 156 countries) as a model for growth.[00:06:00] – The Harry Potter Paradox: Why naming your show for the "benefit" is the only way to be found before you are famous.[00:10:00] – The Psychology of Blue Links: Why "Blue Links" signify trust and confidence in the search results.[00:14:00] – Spotify Signal Case Study: Using the phrase "workout habits for men over 40" to identify exact-match search signals.[00:22:00] – Compounding Link Math: The 50x50 breakdown of how to generate 2,500 links across platforms like SiriusXM and iHeart.[00:31:00] – The Celese Interaction: Overcoming ADHD and task-paralysis by choosing documentation over perfection.[00:45:00] – The Legacy Challenge: Transitioning from a task-based worker to a legacy-based brand architect.The Mathematics of Syndication & The "Compounding Effect"Strategic dominance is a function of Depth and Cadence. While frequency is important, "Depth" is determined by your average episode length. A 60-minute episode provides sixty times more data points for an algorithm to index than a one-minute clip.The true ROI of podcasting is found in the Compounding Link Formula:50 Episodes (One year of weekly audio documentation) x 50 Distribution Platforms (Apple, Spotify, SiriusXM, Podchaser, Castbox, iHeart, etc.) = 2,500 High-Authority BacklinksThis volume creates a "digital balloon that never pops." As you add more helium (content), the structure becomes stiffer and more secure. To maximize this, maintain a Cadence (release cycle) closer to "1" (daily). A faster cadence spins the RSS feed more frequently, signaling to search engines that your brand is an active, relevant authority.The following 15 monetization levers are the tactical parameters required to convert conversational documentation into long-term ROI and a lasting digital legacy.Episode Breakdown on the 15 Monetization StrategiesPART 1: CORE DISCOVERY METADATA (Your Digital ID Card)1. Podcast TitleExecution: Match the show name to the specific topic or core benefit your audience seeks.So What? Listeners search for solutions and interests, not your name. A descriptive title ensures discoverability in search before you have a famous brand.2. Podcast DescriptionExecution: Exploit the full ~4,000-character limit as a "Search Bank." Use refined keywords, clear value propositions, and a strong call-to-action.So What? This is your show's primary Search ID. If it doesn't match user queries, algorithms can't "read" or rank your content effectively.3. Author/Host FieldExecution: Strategically expand your name with professional identifiers (e.g., "Alex Chen | Venture Capital Analyst").So What? This data feeds APIs and LLMs, establishing your niche authority within recommendation systems and digital assistants.4. Genre & Category SelectionExecution: Use platform hierarchies (e.g., ListenNotes, Apple) to select precise Primary, Secondary, and Tertiary categories.So What? Correct categorization moves you from competing with millions of general shows to dominating a specific, interested listener ecosystem.5. Episode TitleExecution: Adopt a clear, "Guest-First" or "Topic-First" naming convention (e.g., "Dr. Sarah Lee: The Neuroscience of Sleep").So What? It maximizes clarity for listeners and SEO. A guest's name at the front captures their audience and amplifies "link juice" to that episode URL.6. Episode DescriptionExecution: Implement web-style formatting: use H2/H3 headers, bullet points, timestamps, and hyperlinks to key resources.So What? Structured data helps both listeners scan and bots "dissect" your content, boosting engagement metrics and canonical linking power.PART 2: VISUAL & TECHNICAL EXECUTION7. Podcast Cover ArtExecution: Command professionalism with compliant, 3000 x 3000 pixels, visually simple art that is legible at thumbnail size.So What? High-quality, optimized art provides an immediate competitive edge against the significant portion of shows using amateur visuals.8. Episode Cover Art (Optional but Powerful)Execution: For key interviews, create guest-centric visuals that differ from your main show art.So What? Visual differentiation in a subscriber's feed signals unique, fresh value, increasing click-through rates for specific high-interest topics.9. Ad Roll PlacementsExecution: Strategically engineer ad breaks: pre-roll (for direct response), mid-roll (for highest attention), post-roll (for brand storytelling).So What? These are primary monetization vehicles. Placement affects listener retention and ad performance by capturing attention at different psychological stages.10. RSS Feed ManagementExecution: Balance your public RSS feed with private, gated feeds (via platforms like Hello Audio or Supercast) for bonus or premium content.So What? Private feeds enable direct community monetization and foster loyalty by delivering exclusive, "trust-based" content to high-value subscribers.PART 3: DISTRIBUTION & AMPLIFICATION11. Email & Affiliate LeverageExecution: Use automated tools to turn podcast transcripts into newsletter content that drives traffic to affiliate offers or key resources.So What? This captures high-intent listeners where they live (their inbox), converting passive listening into measurable action.12. Social Media DistributionExecution: Systematically cross-post short, thematic audio clips (with captions and video) to platforms like LinkedIn and Instagram.So What? It transforms one hour of recording into weeks of "top-of-funnel" awareness, building connection volume and attracting new audiences.13. Backlink GenerationExecution: Understand that every major hosting platform (Spotify, Apple) creates a backlink to your website from your show profile.So What? This generates vital "link juice" from high-authority domains, strengthening your primary website's search engine ranking.14. Website Integration & AnalyticsExecution: Host a dedicated podcast page on your site and connect it to Google Search Console.So What? This allows you to track how people find and interact with your podcast via search, providing data to refine your topic and keyword strategy.15. Sonic Branding (Musical Intelligence)Execution: Deploy a distinct instrumental theme for each season or series.So What? A fresh sonic identity signals a new "era" or focus for your show, boosting production value and maintaining listener retention through auditory novelty.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vanessa Chang builds communities and conversations about art, technology, people, and planet. She writes, curates, and teaches about new and old media, the history and philosophy of technology, design, disability and creative access, cities, comics, animation, circuses, and more. She is Director of Programs at Leonardo, the International Society for the Arts, Sciences, and Technology. She earned a Ph.D. in Modern Thought and Literature from Stanford University, where she was a Geballe Fellow at the Stanford Humanities Center and also ran the Graphic Narrative Project. She's also taught in Visual & Critical Studies at California College of the Arts and was lead curator with CODAME Art & Tech. She grew up in Singapore and Australia and is now based in San Francisco.​​ Her first book, The Body Digital: A Brief History of Humans and Machines, from Cuckoo Clocks to ChatGPT, will be published on 4 November 2025. Hosted on Acast. See acast.com/privacy for more information.

The underground content system that works in nap time and pays like a full-time salary EPISODE SUMMARY This episode explores how busy parents can leverage their limited evening hours (as little as 73 minutes) to build profitable AI content agencies generating $5,000+ monthly without employees or office overhead. Host Tracy Brinkmann reveals the exact system working for parents right now, including the three-tool foundation, service packaging strategies, and the Weekend Launch Method to land your first $500 client in 72 hours. TIMESTAMPS & KEY INSIGHTS 00:00 The 73-Minute Parent Revolution 01:05 Episode Overview 02:05 Controversial Truth 02:45 Success Story 05:10 Three-Tool Foundation 07:40 Service Package Framework 08:30 Weekend Launch Method 09:55 Scaling System 11:15 Pricing Psychology 13:40 The Bigger Picture 16:20 Whiskered Wisdom STRATEGIES SHARED The Three-Tool AI Content Stack Content Creation: ChatGPT Plus for all written content Visual Design: Canva Pro for graphics and templates Automation: Blotato for publishing and client management Service Packaging Strategy Tiered pricing model with clear value propositions Monthly recurring revenue focus Scalable deliverables that don't require constant manual work Weekend Launch Method Friday: Research and identify prospects Saturday: Create proof-of-concept content Sunday: Outreach with value-first approach Scaling Without Burnout Batch content creation using AI Automated publishing schedules Single dashboard client management Evening/weekend work schedule RESOURCES MENTIONED Essential Tools ChatGPT Plus ($20/month) - Content creation Canva Pro ($15/month) - Visual design Blotato.com ($29/month) - Publishing automation Newsletter & Community AI Escape Plan Newsletter - DarkHorseSchooling.com Practical AI strategies for parent entrepreneurs Family-time-protecting side hustle systems Pricing Packages Content Starter: $1,500/month Content Pro: $2,500/month Content Authority: $4,000/month ACTION STEPS TO TAKE Immediate Actions (This Week) Research Local Businesses: Identify 10 businesses with poor social media presence Set Up Tools: Get ChatGPT Plus, Canva Pro accounts Create Sample Content: Make 3 social media posts for one business Practice Pitch: Develop your value proposition statement Short-Term Goals (Next 30 Days) Launch Weekend Method: Execute the 72-hour client acquisition process Refine Service Packages: Finalize your three-tier offering structure Build Content Templates: Create reusable frameworks for efficiency Test Blotato.com: Explore automation platform capabilities Long-Term Vision (3-6 Months) Scale to $5K Monthly: Acquire 3-4 clients at different package levels Systematize Operations: Full automation of content creation and publishing Expand Service Area: Consider additional local markets or service types Build Referral System: Leverage satisfied clients for growth CALL TO ACTION SECTIONS Sign up for the AI Escape Plan newsletter at DarkHorseInsider.com - your roadmap to more money, more freedom, and more of what truly matters.  

Shoot us a Text.Episode #1243: We're talking about a viral moment at Ford's Dearborn plant, a smart strategy for turning old trade-ins into profit, and surprising insights into the real buying power of Gen Alpha.Show Notes with links: President Donald Trump made a high-profile visit to Ford's Dearborn Truck Plant, touring the F-150 line with company leadership, previewing a patriotic new pickup, and filming a CBS interview on the factory floor.Trump was guided by CEO Jim Farley and Executive Chair Bill Ford and saw an F-350 wrapped in an American flag; Ford plans to release it midyear for America's 250th anniversary.The plant was described by Farley as “the most important automotive plant in the United States.”Trump praised Ford's workforce and the sound of the assembly line.The visit ended on a viral note when Trump flipped off a heckling worker during his exit.A GoFundMe has been started for the employee which has raised over 25k from almost 1000 donors.Faced with affordability challenges and aging trade-ins, more dealers are implementing targeted reconditioning strategies to retail vehicles that would've gone to auction just a few years ago.The approach includes dedicated checklists that focus on safety and mechanical soundness while allowing minor cosmetic flaws.Holman adopted this method in June, leading to faster turnaround times and stronger profit margins.Dealers like Premier Automotive and Ganley Automotive are also leaning into older, higher-mileage units to meet demand.The goal is to invest intelligently—fix what matters, disclose the rest, and keep prices approachable.“You have to intelligently dial in the reinvestment,” said Chris Morgan of Holman. “It's not easy—but it works.”A new study shows that kids born after 2010 are already shaping nearly half of family spending decisions—despite most of them not even being old enough to drive.Gen Alpha influences $255B in U.S. spending across food, fashion, and leisure.Their buying influence is powered by peer and family input—not influencers or ads.Visual appeal and style are top decision factors; sustainability ranks low at just 16%.Many Gen Alpha kids are already earning money through informal or part-time jobs.“Our findings show a generation skeptical of media messages and steadfast in their opinions,” said Teneo's Gee Lefevre.Join Paul J Daly and Kyle Mountsier every morning for the Automotive State of the Union podcast as they connect the dots across car dealerships, retail trends, emerging tech like AI, and cultural shifts—bringing clarity, speed, and people-first insight to automotive leaders navigating a rapidly changing industry.Get the Daily Push Back email at https://www.asotu.com/ JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/

Change is emotional. Even when the strategy is solid, people still feel uncertain, skeptical, or overwhelmed, especially when the vision feels huge and the path feels unclear.In this revisited episode of The Visual Lounge (originally Episode 168), Matt sits down with Jake Gittleson, who leads McKinsey's Learning Research and Innovation Lab. Jake shares why storytelling is one of the most effective tools L&D teams have for supporting change inside organisations.Instead of trying to persuade people in one big moment, Jake explains why change stories should be shared over time, through small experiments, human insights, and incremental updates that meet people where they are. He also breaks down practical ways to gather stories through interviews, outline your narrative, and use video and audio to create connection, without needing expensive gear or a polished production setup.Learning points from the episode include:00:00 - 01:21 Introduction01:21 - 02:03 Jake's background02:03 - 04:14 How Jake started using audio and video04:14 - 07:01 What does a successful change look like07:01 - 08:45 Creativity as a tip for using video at work08.45 - 11:55 Jake's role and expertise in change and innovation11:55 - 15:11 Why human connection matters in change15:11 - 18:13 Operationalizing storytelling without big budgets18:13 - 21:13 Building the right stories21:13 - 27:10 Visual approaches to telling stories27:10 - 30:21 Capturing real voices30:21 - 39:51 Speed round39:51 - 40:46 Jake's final take40:46 OutroImportant links and mentions:Connect with Jake on LinkedIn: https://www.linkedin.com/in/jake-gittleson/Check out The Learning Geeks podcast: https://www.learninggeekspod.com/Listen to Jake's first appearance on The Visual Lounge in episode 168: https://player.captivate.fm/episode/ee9c311f-7f51-4a6c-a749-c2d7090a1274

This week we discuss a trend that while it existed for a while, numetal was one that brought it storming into the mainstream...and that is one of visual theatricality. Think masks, face paint, uniforms, the dedication to aesthetic that bands like Slipknot, Mudvayne, and Mushroomhead used to differentiate themselves. We go into the history of using this type of theater in music (shoutout to Screamin Jay Hawkins!) and land with the bands that are doing this same thing in the modern day. Cheers! Instagram: https://www.instagram.com/nubreed_podcast/ Email: Nubreedpodcast@gmail.com Voicemail: 267-297-4627 Twitter: https://twitter.com/nubreed_podcast Facebook Group: https://www.facebook.com/groups/nubreedpodcast/ Tim Twitter: https://twitter.com/timLSD Jay Twitter: https://twitter.com/horsecow Youtube Channel: https://www.youtube.com/channel/UCrlK456FML4jtXN1YF7fxHg Spotify Playlists: https://open.spotify.com/user/o0f47xzeolb7nk7yuq1by3rry/playlists Merch Store: Merch store @ StickerMule

In this special episode, Tara sits down with her friend and collaborator Sarah Habib from The Calm Caterpillar to share some exciting news—you're hearing it here first! Together, they've written a brand-new book, The Mindfulness Guide for Neurodivergent Learners, and this conversation takes you behind the scenes of how it came to life and why it's so needed. This episode is a must-listen for educators, therapists, and parents who want practical, neurodiversity-affirming strategies to support regulation, transitions, and connection—without compliance-based approaches. About the Book The Mindfulness Guide for Neurodivergent Learners is a 90-page, full-color, action-oriented guide designed to be: Easy to read and visually supportive Practical and immediately usable in classrooms and homes Grounded in neurodiversity-affirming, non-compliance-based practices The book includes: Real classroom photos and examples Scripts you can actually use Visual supports and calming strategies QR codes for free downloadable resources Tools for co-regulation, not just "self-regulation" Ideas for supporting transitions, calm corners, sensory needs, and deep interests What You'll Hear in This Episode How the idea for the book started (spoiler: it began with a simple message ☺️) Why regulation is the foundation for learning, connection, and communication The importance of modeling regulation strategies as adults Why mindfulness strategies should be practiced in a regulated state How to move away from token boards and "earning" regulation tools Using deep interests (like favorite characters) to support transitions and engagement Real-life classroom examples that actually worked Why consistency across home, school, and childcare matters so much The difference between compliance-based approaches and compassionate, child-centered ones A Big Takeaway This book isn't about quick fixes. It's about: Modeling Consistency Trust And honoring how neurodivergent learners experience the world As Tara and Sarah emphasize, slow burns are okay—real change takes time, repetition, and relationship. Special Listener Bonus Podcast listeners get 15% off the book!

Visual: https://youtu.be/EiO0TnIrWJI?si=puY0nD0xHeb4vk29 Bucket List item checked! Comment something on YOUR list. Hotel Emiliano Uber suggested and taxis are safe also Tour guide Carioca21 Hospitality & Tourism Experiences WhatsApp +55 21 98167-6164 So I was under the weather (again) but I pushed through. Travel doesn't always allow you the luxury of choosing your mood or health LOL and I actually left early due to a persistent cough. I had to edit a lot but I think you will still enjoy the conversation. I made a highlight for Brasil on my Instagram. Please check it out for the aesthetics and vibes. I will also upload some shorts here. https://www.instagram.com/tracheri?igsh=dnlhYnFvZGV3Ymgz&utm_source=qr

This conversation was recorded live at Lumpen Radio in Chicago on Saturday, January 10, 2026.Ep # 100: Chicago Artist Deirdre Fox on Turning Plastic Waste into Environmental Art & Visual PoetrySummary of the episodeChicago-based artist Deirdre Fox joins noseyAF for a live, unedited conversation from 105.5 FM Lumpen Radio about art, plastic waste, and environmental consciousness. Deirdre's practice transforms discarded consumer packaging into drawings, fiber works, and installations that challenge how we think about disposability, permanence, and material value.In this episode, host Stephanie Graham talks with Deirdre about her artistic journey, the idea of visual poetry, and how mindfulness—both in making and consuming—shapes her work. Together, they explore the tension between organic and synthetic materials, the limits of recycling, and the role artists play in addressing environmental responsibility through creative practice.This conversation invites listeners to slow down, look closer, and reconsider the materials that move through their everyday lives.What we talk aboutTransforming plastic consumer packaging into drawings, fiber works, and installationsVisual poetry and storytelling through materialMindfulness, consumption, and environmental responsibilityThe evolution of Deirdre's artistic practice from representational to abstract workMaking art that lives in the tension between permanence and disposabilityChapters: • 00:00 - Introduction to noseyAF• 02:30 - Deirdre's Artistic Journey with Plastic Waste • 15:20 - Reflecting on Pouch Cove • 29:36 - Finding One's Voice in Art • 42:56 - Balancing Time and Creativity • 52:13 - Exploring Artistic Processes and Sustainability • 58:43 - Exploring Artistic CollaborationsAll about… Deirdre FoxYou're gonna love Deirdre they're a Chicago-based artist turning everyday plastic waste into visually refined, quietly radical works of environmental reflection.Deirdre Fox crochets and weaves plastic consumer packaging into drawings, fiber pieces, and drawing installations. Her work functions as personal gestures of environmental consciousness, rooted in the understanding that plastics made for convenience—like single-use bags—last far longer than intended, and that recycling alone is not an adequate solution.Her practice questions systems of built-in obsolescence and accumulated waste, while creating visual poems that hold time, care, and material awareness. Deirdre has exhibited at FlexSpace Riverside Art Center, Hyde Park Art Center, Boundary Chicago, Evanston Art Center, the Museum of the Shenandoah Valley, Koehnline Museum of Art Gallery, and the Swedish American Museum, among others. She has received multiple grants from the City of Chicago and the Illinois Arts Council and maintains her studio at Mana Contemporary Chicago.Sponsor Shoutout

Logic Pro workflow tips can dramatically speed up music production, and in this episode of Inside The Mix, Marc Matthews breaks down seven practical Logic Pro tweaks that remove friction and help producers finish more music, faster.Designed for beginner to intermediate Logic Pro users, this episode tackles a common frustration: slow sessions that kill creativity. Marc explains why workflow, not plugins, CPU power, or inspiration, is usually the real bottleneck in Logic Pro music production.Listeners learn how to restore creative flow with MIDI Chase, ensuring sustained notes always trigger when playback starts mid-phrase. Marc then shows how to assign a third tool to the right mouse button so essential edits like Gain or Scissors are always one click away. Visual organisation comes next, with auto-colouring tracks, regions, and markers to make large sessions readable at a glance.Timing and arrangement get a boost using Groove Track and Flex, aligning stacked vocals quickly while keeping performances natural. Marc also shares overlooked Logic Pro workflow tips for routing, like instantly revealing the correct aux, and using marker shortcuts to navigate song structure without breaking momentum. The episode wraps with a powerful creative trick: converting Flex Pitch data to MIDI to generate new musical ideas directly from audio.Each tip is explained clearly, with real-world examples and a focus on repeatable systems you can build into your templates.TL;DRSlow Logic Pro sessions aren't about plugins or CPU, they're about workflow friction. Marc Matthews shares 7 beginner-friendly Logic Pro workflow tips that speed up editing, organisation, timing, routing, and creative decision-making so you can stay in flow and finish more music, faster.Subscribe to Inside The Mix for more Logic Pro workflow deep dives, and share which tip sped up your sessions the most.Send me a messageSupport the showWays to connect with Marc: Book your FREE Music Breakthrough Strategy Call Radio-ready mixes start here - get the FREE weekly tips Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE

Initial Reactions to the New Dietary Guidelines: Insights from Iron Radio HostsIn this episode of Iron Radio, hosts Coach Phil Stevens, Dr. Lonnie Lowery, and Dr. Mike T. Nelson discuss their first impressions of the new dietary guidelines. They critique the visual representation of the guidelines, debate the role of whole foods and protein in American diets, and explore the practicality of these guidelines for the general population. The conversation delves into how the guidelines compare to past versions and those of other countries, and highlights the challenges in encouraging healthier eating and exercise habits.00:00 Introduction to Iron Radio00:34 Hosts Introduction and Credentials01:05 Initial Reactions to New Dietary Guidelines02:04 Critique of the Food Pyramid03:51 Visual and Practical Issues with the Pyramid05:35 Historical Context and Comparisons10:11 Global Food Guides and Final Thoughts16:45 Global Food Guides: A Comparative Look18:35 Iron Radio's New Broadcast and Syndication19:46 Dr. Mike T. Nelson's Free Daily Newsletter20:26 Upcoming Book on Dietary Supplements21:31 Bodybuilder Diets and Practicality25:10 The Role of Exercise in Nutrition32:46 Reactions to the New Dietary Guidelines Donate to the show via PayPal HERE.You can also join Dr Mike's Insider Newsletter for more info on how to add muscle, improve your performance and body comp - all without destroying your health, go to www.ironradiodrmike.com Thank you!Phil, Jerrell, Mike T, and Lonnie

In this conversation, Professor Arthur I. Miller discusses artificial intelligence and creativity, including his book The Artist in the Machine. We discuss the essence of creativity, exploring its interdisciplinary nature and the connections between art and science. Dr. Miller emphasizes the importance of visual imagery in both science and art, and he identifies the key characteristics of highly creative individuals. We talk about the role of AI in creativity, the future of human-machine collaboration, and we end with practical advice for enhancing your own creativity. Takeaways Breakthrough creativity comes from interdisciplinary connections. Visual imagery underlies creativity in both art and science. The future of creativity will be in the collaboration between humans and machines. Creativity can be cultivated through practice and new experiences. For further information: Arthur I. Miller's web site Professor Miller's book The Artist in the Machine: The World of AI-Powered Creativity Music by license from SoundStripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich   Copyright (c) 2026 Keith Sawyer

Heather Atherton is a communications strategist, PR consultant, and media outreach specialist with 25+ years of experience elevating brands and causes. Known for her work with companies like IMAX, GoFundMe, and Disney on Ice, Heather is also a passionate advocate for uncovering the truth behind the Vietnam War's Baron 52 case, a mission inspired by her father's service. Through custom, outside-the-box marketing, storytelling, and her deep belief in the power of dreams, Heather helps businesses, filmmakers, and nonprofits package their message for maximum impact. Her expertise spans film promotion, guerrilla marketing, independent filmmaking, and supporting small business growth, always focused on connecting human stories to wider audiences. On this episode of Marketer of the Day, Heather joins Robert Plank to share her journey from agency work to mission-driven advocacy, the importance of visual/guerrilla marketing, and the ongoing campaign for truth around the Baron 52 story. Heather discusses building custom pitches, the challenges indie filmmakers face, and why early PR is key. Discover lessons on amplifying meaningful stories, DIY marketing foundations for creators, and the relentless power of believing in your ideals. Quotes: “The future belongs to those who believe in the beauty of their dreams and are bold enough to bring them to life.” “If you can see your story visually, you can market it anywhere. Visual thinking turns ideas into impact.” “I'm not a cookie-cutter. I create outside the box because that's where originality, opportunity, and growth live.” Resources: Explore Atherton PR Connect with Atherton PR on LinkedIn

In this conversation, Stephen Martin explores the concept of visual learning, particularly in the context of dyslexia. He discusses how dyslexics often excel in visual and kinesthetic learning, and shares personal techniques for harnessing these strengths to improve memory retention and understanding. Through vivid imagery and creative visualization, he illustrates how to remember complex words and concepts, emphasizing the importance of appreciation without judgment in learning. The conversation highlights practical strategies for effective learning and personal development.TakeawaysVisual learning is a significant advantage for dyslexics.Dyslexics often learn best through kinesthetic experiences.Imagining experiences can enhance memory retention.Breaking down complex words into visual components aids memory.Using personal imagery can help in remembering concepts.Listening to audiobooks can be more effective with focused retention strategies.Appreciation without judgment can enhance learning experiences.Visual learning techniques can be applied to various concepts, not just words.Slowing down the learning process can lead to better understanding.Creating personal connections with concepts makes them stick better.Dyslexia, visual learning, kinesthetic learning, memory techniques, auditory learning, appreciation without judgment, practical Buddhism, learning strategies, cognitive techniques, personal development, ADHD, adults with dyslexia, support for adults.Join the clubrightbrainresetters.comGet 20% off your first orderaddednutrition.comIf you want to find out more visit:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠truthaboutdyslexia.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Facebook Group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/groups/adultdyslexia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Join DocKev, Marquan and Requiem as we look back on the latest season of anime and also how we look forward to enjoying anime degeneracy more honestly~!This Episode's Members: DocKev, Marquan, Requiem with Reikaze handling editing duties. The AniTAY Podcast is a bi-weekly podcast brought to you every other Wednesday. It is available on all your favorite podcast services! If you like us, be sure to subscribe to your favorite service and give us 5 stars! Your support is much appreciated and will help us grow and continue to provide this style of content.ItineraryIntro 0:00:00–0:02:15 Housekeeping : 0:02:15–0:07:17 News: 0:07:17 0:28:11 Shows GNOSIA : 0:28:11–0:35:10Hero Without a Class : 0:35:10–0:39:54There's No Freaking Way I'll be Your Lover! Unless… : 0:39:54–0:45:09Kaguya-sama: Love Is War -Stairway to Adulthood- : 0:45:09–0:49:13My Friend's Little Sister Has It In for Me! : 0:49:13–0:52:26SPY x FAMILY : 0:52:26–0:56:47Mechanical Marie : 0:56:47–1:00:33A Wild Last Boss Appeared! : 1:00:33–1:02:20 Seasonal Wrap Up 1:02:20–1:14:51 End 1:14:51 -1:16:57Missed the previous episode of the AniTAY Podcast? Check it out here:https://medium.com/anitay-official/anitay-podcast-s10-e21-5-winter-2026-seasonal-preview-93cd55f4b028

Join Chris as he reviews two new releases from Wild Eye Releasing and Visual Vengeance. Violent New Breed and Ozone Attack of the Redneck Mutants are available on Blu-ray now!Violent New Breed:Violent New Breed [Visual Vengeance Collector's Edition] (Blu-ray)Ozone Attack of the Redneck Mutants:Ozone: Attack Of The Redneck Mutants [visual Vengeance Collector's Edition] (Blu-ray)Get your Electic merch here:http://tee.pub/lic/ElecticEntertainment WHATEVERCREATIVE - Home (weebly.com)https://whatevercreative.weebly.com/electic-entertainment.html Facebook @electicentertainmentElecticEntertainment | Facebook Instagram @electicentertainmentElecticEntertainment (@electicentertainment) • Instagram photos and videos Letterboxd @electic‎electic's profile• Letterboxd Twitter @ElecticEnterta1ElecticEntertainment (@ElecticEnterta1) / Twitter TikTok electicentertainmenthttps://www.tiktok.com/@electicentertainmentThanks for listening!

It's easy to mistake Jeremy Frey's baskets for fine china when you see them from afar. But up close, his intricate, tiny weaves, coupled with surprising colors, patterns and forms, elevate the ancient craft of basket-making from utility to high art. Visual artist Jeremy Frey is one of four local 2025 MacArthur “Genius” Fellows. We speak with him for our annual series, “The Genius Next Door.”

Episode 61 turns the Midjourney Fast Hours mic over to the audience.Drew Brucker and Rory Flynn go fully live for an AMA that exposes where visual AI actually stands right now. Not the hype decks, but the messy, useful, (occasionally) frustrating truth.They break down what Midjourney v8 really signals, why the long-awaited edit model has become table stakes, and how Nano Banana Pro quietly changed everyone's workflow whether they admit it or not. They debate node-based canvases like Weavy and FreePik Spaces, talk through Kling vs Veo 3 vs Runway for motion, and unpack why so many tools feel powerful yet exhausting at the same time.Along the way, they tackle...creative paralysisnegative promptingresolution mythsvideo realismpricing chaostool fatigueand the uncomfortable reality that AI creativity is now limited more by decision-making than by capability.It's candid and opinionated. And it's exactly the conversation most AI creatives are already having in their heads.If you're using Midjourney, Nano Banana Pro, Weavy, Kling, Veo 3, or just trying to stay sane in the visual AI arms race, this episode is required listening.--⏱️ Midjourney Fast Hour(s)00:00 – We're live, welcome to Episode 6102:45 – What this AMA will really focus on04:14 – From LinkedIn Lives to a full podcast05:34 – Midjourney V8 expectations vs reality08:05 – MJ vs Nano Banana Pro workflows10:15 – Resolution, text, and why pixels matter13:26 – Seadream 4 vs 4.5 honest reactions15:15 – Runway 4.5 and the Nvidia signal17:59 – Grok as a sleeper visual AI platform19:42 – Is Midjourney falling behind?22:29 – Edit models as non-negotiable24:04 – Node-based tools and FreePik Spaces28:07 – Camera control and multi-angle tools31:27 – Tool overload and UX fatigue36:43 – Creative paralysis and decision overload41:33 – Gating content, growth tactics, and trust44:44 – X vs LinkedIn for AI discovery49:11 – Are LoRAs still relevant?54:40 – FreePik Variations first impressions56:08 – How much creators actually spend monthly01:02:49 – 3D workflows and what's coming next01:10:10 – Strategy vs experimentation for teams01:15:03 – Transitioning from image to video01:20:21 – Motion capture, Kling, Veo 301:22:21 – Has AI killed the creative muse?01:28:13 – Was learning to prompt a waste of time?01:31:56 – Dance realism and motion problems01:34:21 – Where creative AI goes next01:36:00 – Biggest breakthroughs of 202501:39:11 – Negative prompting and visual defaults01:46:21 – Final thoughts and what's next

Overnight, the conflict escalated. Federal agents are targeted in Portland and Minneapolis, ICE officers are injured, and political leaders and media outlets rush to defend the attackers while demonizing law enforcement. This episode exposes what the hosts call a classic Marxist guerrilla war, playing out in real time on American streets—complete with political intimidation, media cover-ups, and massive financial corruption tied to illegal networks. From ICE agents being rammed by vehicles to hundreds of millions of dollars in cash leaving U.S. airports, the pieces are finally coming together. ⚠️

I don't know about you, but I love starting the new year feeling fresh, especially after the chaos of the holidays, travel, and family events. That reset feeling is real, and it's the perfect time to map out your content strategy for the year ahead. If you're building a brand, whether you're a blogger, influencer, or full‑time creator, 2026 will not be the year you succeed by winging it. The content landscape is evolving, and the creators who grow will be the ones who combine creativity with intentional, audience-focused strategy. In this episode, I'm sharing the six strategic shifts every content creator needs to thrive in 2026. Find It Quickly 01:10 - Content Strategy for 2026: Key Elements 02:25 - Video Content Dominance: The Future is Visual 05:11 - The Power of Storytelling in Content Creation 07:07 - SEO in Social Media: Adapting to New Trends 10:27 - Building Community Connections 15:32 - Going Deeper with Your Audience 18:58 - Leveraging AI for Content Creation 25:34 - Consistency and Content Creation Tips 31:04 - Metrics and Accessibility in 2026 Mentioned in this Episode: CEO Report Boldfluence  

One of the most asked questions I get every year is: “Do I need a media kit or a UGC portfolio?”If I had a dollar every time that question pops up, I'd be in Bora Bora

Inside the Courthouse: How Pulitzer‑Winner Carol Guzy Uses “Visual Empathy” to Document New York's Immigration Detentions Published on 10 Frames Per Second Blog – Your source for photojournalism insights

Amy Margolis and Prudence Fisher are two nonverbal learning disability researchers who are pushing to get NVLD included in the DSM, and proposing a rename: Developmental Visual-Spatial Disorder. Amy and Prudence discuss the signs of NVLD, how it differs from other diagnoses, and how a lack of understanding and awareness can lead to those with a visual-spatial disorder not getting the key support they need to thrive. 

Are we asking ourselves an honest question about who really owns automation inside a business anymore? In my conversation with Darin Patterson, Vice President of Market Strategy at Make, we explore what happens when speed becomes the default requirement, but visibility and structure fail to keep up.  Make has become one of the breakout platforms for teams that want to build automated workflows without writing code, and now, with AI agents joining the mix, the stakes feel even higher. Darin talks candidly about the tension between empowerment and chaos, especially in organizations that embraced no-code tools fast and early, only to discover that automation can quietly turn into sprawl if left unchecked. What struck me most is how strongly Darin challenges the idea that documentation alone can save modern IT teams. He argues that traditional monitoring tools and workflow documentation are breaking down under the weight of constant iteration. That's where Make Grid comes in. Make Grid creates an auto-generated, real-time visual map of a company's automation ecosystem, something Darin describes as a turning point for governance. He explains why this matters now, not later. As companies deploy AI into processes that used to be owned by specialists, Grid provides a shared lens for understanding what is running, who built it, and where dependencies exist. It's an answer to a problem many IT leaders are reluctant to admit publicly, that automation systems often grow faster than oversight systems ever could. Darin also offers a refreshingly grounded take on the psychology of ambitious teams. He talks about the need to prevent "no-code anarchy," a phrase I've heard whispered at conferences, but rarely unpacked with clarity. His view is simple, trust teams to build, but give them shared maps, guardrails, and governance that don't slow them down. That balance between autonomy and oversight becomes even more meaningful when AI is introduced into workflows that touch security, IT performance, and cross-team accountability. Make Grid attempts to solve that balance by showing the automation architecture visually, even when internal documentation has gone stale. So here's the question I want to leave you with, if AI agents can now design, connect, and deploy workflows across an organization, what role will visual governance play in keeping businesses both fast and accountable? And what does good oversight look like when humans are no longer the only builders in the system? Useful Links Learn more about Make Connect with Darin Patterson Thanks to our sponsors, Alcor, for supporting the show.

Today we're talking about one of my favorite tools for supporting autistic preschoolers — visual schedules. These simple supports can make transitions smoother, reduce anxiety, and help kids feel safe and confident as they move through their day. I'll share a quick story from the classroom and break down why visual schedules work so well, especially for our autistic little learners.  Show notes: ●      Why visual schedules are one of the most effective supports for autistic preschoolers ●      A real classroom story about a child who struggled with transitions until a one-picture schedule changed everything ●      How visual schedules create predictability and reduce anxiety ●      Why spoken language disappears — and visuals don't ●      The connection between regulation, safety, and understanding what's coming next ●      How visual schedules increase independence without pressure ●      Why challenging behaviors often decrease when routines become visible ●      The different types of visual schedules used in early childhood ●      Why starting with ONE picture is developmentally appropriate and often most effective ●      Practical tips you can use tomorrow to make transitions smoother and more connected Links & Related Podcast Episodes  ●      Visual Schedule Pictures Resource ●      Visual Schedule Information ●      Visual Schedules Made Easy Course

Have you ever left something out on purpose so you wouldn't forget it…Only to watch it slowly turn into clutter?You're not lazy.You're not failing at tidying.And you're definitely not the only one doing this.In this episode, I'm talking about the fine line between intentional visual reminders and everyday clutter. The kind that builds up quietly and then suddenly feels overwhelming. Especially in busy homes. Especially when you're juggling family life, mental load, and a brain that works fast and forgets faster.Is leaving things out actually helping you rememberOr is it adding to the chaos?I share a real conversation from my own kitchen that sparked this episode and why it highlighted something so many women struggle with when it comes to decluttering, organizing, and home organization. We dive into why “I'll put it away later” so often backfires and how even small habits can either support your organization or completely derail it.This episode is about:Making declutter strategies work in real lifeUnderstanding the difference between clutter and intentional systemsReducing friction in your home without lowering your standardsOvercoming overwhelm without trying to be more disciplined or perfectBecause the goal isn't a spotless house.It's an organized home that supports your life.And a family system that doesn't rely on you remembering everything.What if your reminders didn't live on every surface?What if tidying didn't create tension in your home?If you're working on decluttering, organizing, and building habits that actually stick, this episode will give you a fresh way to look at how your home organization supports your brain, not fights it.

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

In this episode of the Good Leadership Podcast, Charles Good engages with Amy Herman, a lawyer-turned-art historian, to explore how the skills of art observation can enhance problem-solving in leadership. They discuss the importance of visual intelligence, the impact of biases on decision-making, and the necessity of empathy and perspective in addressing complex challenges. The conversation also delves into the concepts of Kintsugi and Wabi-Sabi, emphasizing the value of embracing imperfection and learning from mistakes. Throughout the discussion, practical strategies for redefining problems and fostering innovative solutions are shared, highlighting the transformative power of art in leadership.TAKEAWAYSArt observation enhances problem-solving skills.Defining problems thoroughly leads to better solutions.Biases can cloud judgment and decision-making.Empathy allows for understanding different perspectives.Asking the right questions is crucial in problem-solving.Embracing imperfection can lead to valuable insights.Kintsugi teaches us to value flaws and mistakes.Wabi-Sabi encourages acceptance of transience and imperfection.Visual intelligence helps in recognizing hidden details.Stepping back can provide a clearer perspective on challenges.CHAPTERS00:00 The Universal Challenge of Problem Solving01:13 Understanding Murphy's Law03:06 Bias Blind Spots in Decision Making05:12 The Importance of Seeking Feedback07:18 Learning from Dislike08:54 Empathy and Perspective Shifting11:32 The Power of Shared Human Experience12:55 Asking the Right Questions15:20 The Significance of Personal Backstories17:15 The Value of Hidden Details18:59 The Pertinent Negative in Problem Solving21:18 Embracing Imperfection with Kintsugi24:33 Wabi-Sabi: Accepting Incompleteness27:15 Resilience in the Face of Challenges28:44 Reversing Problems for New Ideas32:35 Stepping Back for Clarity34:40 Key Insights and Takeaways

If you had to explain to a newborn -- or an alien -- what it means to be a human being living on Earth in the 21st century, what would you say? Visual artist Oliver Jeffers put his answer in a letter to his son, sharing pearls of wisdom on existence and the diversity of life. He shares observations of the "beautiful, fragile drama of human civilization" in this poetic talk paired with his original illustrations and animations. Hosted on Acast. See acast.com/privacy for more information.