Podcasts about MIT Press

Why we crave enjoyment from news, how our news use divides us, and what we can do to create better news and more informed citizens. TikTok. Short-form reels. Late-night TV monologues. Podcasts. The way news is delivered has changed dramatically and so has the way we consume it. Now, we no longer look to the news just to learn and be informed; we expect enjoyment as well. In Enjoyment Is Breaking News: How We Became Less Informed and More Divided (and How to Fix It) (MIT Press, 2026), Jennifer Hoewe (Purdue University) explains how and why this shift toward news enjoyment occurred and what we can do to address the information crisis we now face. Evidence shows that enjoyment-driven decisions are leaving us less informed—despite what we might expect—because they lead us to ignore other news that matters. This book explains why we don't always select the best sources of news, how we respond to the news sources we do select, and how that information impacts our political knowledge and decisions. Hoewe also offers solutions for how to improve news creation and news use moving forward. Specifically, she shows how news consumers can escape their “self-righteous” consumption cycles; how news and social media companies can play a role in curbing our automatic amplification of enjoyable news; and how we can all do better when it comes to the information we seek and share.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Why we crave enjoyment from news, how our news use divides us, and what we can do to create better news and more informed citizens. TikTok. Short-form reels. Late-night TV monologues. Podcasts. The way news is delivered has changed dramatically and so has the way we consume it. Now, we no longer look to the news just to learn and be informed; we expect enjoyment as well. In Enjoyment Is Breaking News: How We Became Less Informed and More Divided (and How to Fix It) (MIT Press, 2026), Jennifer Hoewe (Purdue University) explains how and why this shift toward news enjoyment occurred and what we can do to address the information crisis we now face. Evidence shows that enjoyment-driven decisions are leaving us less informed—despite what we might expect—because they lead us to ignore other news that matters. This book explains why we don't always select the best sources of news, how we respond to the news sources we do select, and how that information impacts our political knowledge and decisions. Hoewe also offers solutions for how to improve news creation and news use moving forward. Specifically, she shows how news consumers can escape their “self-righteous” consumption cycles; how news and social media companies can play a role in curbing our automatic amplification of enjoyable news; and how we can all do better when it comes to the information we seek and share.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Why we crave enjoyment from news, how our news use divides us, and what we can do to create better news and more informed citizens. TikTok. Short-form reels. Late-night TV monologues. Podcasts. The way news is delivered has changed dramatically and so has the way we consume it. Now, we no longer look to the news just to learn and be informed; we expect enjoyment as well. In Enjoyment Is Breaking News: How We Became Less Informed and More Divided (and How to Fix It) (MIT Press, 2026), Jennifer Hoewe (Purdue University) explains how and why this shift toward news enjoyment occurred and what we can do to address the information crisis we now face. Evidence shows that enjoyment-driven decisions are leaving us less informed—despite what we might expect—because they lead us to ignore other news that matters. This book explains why we don't always select the best sources of news, how we respond to the news sources we do select, and how that information impacts our political knowledge and decisions. Hoewe also offers solutions for how to improve news creation and news use moving forward. Specifically, she shows how news consumers can escape their “self-righteous” consumption cycles; how news and social media companies can play a role in curbing our automatic amplification of enjoyable news; and how we can all do better when it comes to the information we seek and share.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Why we crave enjoyment from news, how our news use divides us, and what we can do to create better news and more informed citizens. TikTok. Short-form reels. Late-night TV monologues. Podcasts. The way news is delivered has changed dramatically and so has the way we consume it. Now, we no longer look to the news just to learn and be informed; we expect enjoyment as well. In Enjoyment Is Breaking News: How We Became Less Informed and More Divided (and How to Fix It) (MIT Press, 2026), Jennifer Hoewe (Purdue University) explains how and why this shift toward news enjoyment occurred and what we can do to address the information crisis we now face. Evidence shows that enjoyment-driven decisions are leaving us less informed—despite what we might expect—because they lead us to ignore other news that matters. This book explains why we don't always select the best sources of news, how we respond to the news sources we do select, and how that information impacts our political knowledge and decisions. Hoewe also offers solutions for how to improve news creation and news use moving forward. Specifically, she shows how news consumers can escape their “self-righteous” consumption cycles; how news and social media companies can play a role in curbing our automatic amplification of enjoyable news; and how we can all do better when it comes to the information we seek and share.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Une histoire de pression de l'air Pourquoi faire la guerre du son, et comment le faire ? Depuis des décennies et à longueur de journée, le Liban vrombit comme un ventilateur, survolé par des drones et des avions de chasse de l'armée israélienne qui hante son espace aérien. Les sons qu'ils produisent harcèlent les populations et ont de réelles répercussions, faisant planer l'angoisse et semant la terreur… La guerre sonore "Chercher des images choc" est le métier que faisait Servane quand elle était monteuse pour un média vidéo soumis aux lois des algorithmes numériques. Mais dans la guerre des images rapides, une autre violence, bien présente, est souvent occultée : celle des armes sonores. Avec elles, il est possible d'harceler les populations avec des drones à Beyrouth, d'attaquer avec des canons à son à Belgrade, de torturer avec des sons au Vietnam ou de la musique à Guantanamo. En quatre épisodes, “La guerre sonore” explore toutes les manières dont on peut faire la guerre en restant sous les radars des caméras et des téléphones, mais pas des corps et des micros de radio. Mentions : - Extrait du film Soundtrack to War de George Gittoes, 2005 ; - Extrait du film Shutter, de Banjong Pisanthanakun et Parkpoom Wongpoom, 2004 ; - Extrait du film Songs of War : Music as a weapon, de Tristan Chytroschek, 2010. Bibliographie : - Le son comme arme de Juliette Volcler, La Découverte, 2011 ; - À l'écoute de l'environnement : répertoire des effets sonore de Jean-François Augoyard et Henry Torgue, Parenthèses, 1995 ; - Music as torture/Music as weapon de Suzanne G. Cusick, Trans, 2006. Pour aller plus loin : - Sonic Warfare, de Steve Goodman, The MIT Press, 2010. Remerciements : À Jovan Stojanovic, Nikola Čuturić, Adam, Téa Ziadé, Daniel Carde, Benoit de Tréglodé, Caline Matar, Charles Peyredieu du Charlat, Eliana Kachaamy et la famille Yakushev de m'avoir accordé leur confiance en acceptant d'être enregistré.es ; à Earshot et Lawrence Abu Hamdan, au collectif 11:52 Paris, au service vidéo de L'Orient-Le Jour et Lucile Wassermann de leur aide active et précieuse ; aux personnes qui n'apparaissent pas à l'audio mais dont les témoignages ont enrichi le podcast ; à toute l'équipe d'ARTE Radio ; à Manal Fkihi pour la poésie ; et à Laurent Selinder pour les débuts, les retours, et toutes les conversations entre les deux. Cet épisode a été réalisé et produit en partenariat avec L'Orient-Le jour. Enregistrements décembre 2025-février 2026 Entretien et montage Servane d'Alverny Réalisation et mixage Charlie Marcelet Illustration Jana Traboulsi Production ARTE Radio

Pas vu, pas pris Les ondes sonores, ça peut faire mal ? Le 15 mars 2025, lors d'une manifestation anti-régime à Belgrade, en Serbie, un son percute subitement la foule à 19h11. Sur les vidéos et captations, aucune trace de ce son ne s'entend. Comment l'expliquer ? Une enquête est ouverte pour reconstituer ce qu'a été ce son, issu d'un canon à son, qui a traumatisé les foules. La guerre sonore "Chercher des images choc" est le métier que faisait Servane quand elle était monteuse pour un média vidéo soumis aux lois des algorithmes numériques. Mais dans la guerre des images rapides, une autre violence, bien présente, est souvent occultée : celle des armes sonores. Avec elles, il est possible d'harceler les populations avec des drones à Beyrouth, d'attaquer avec des canons à son à Belgrade, de torturer avec des sons au Vietnam ou de la musique à Guantanamo. En quatre épisodes, “La guerre sonore” explore toutes les manières dont on peut faire la guerre en restant sous les radars des caméras et des téléphones, mais pas des corps et des micros de radio. Mentions : - Extrait du film Soundtrack to War de George Gittoes, 2005 ; - Extrait du film Shutter, de Banjong Pisanthanakun et Parkpoom Wongpoom, 2004 ; - Extrait du film Songs of War : Music as a weapon, de Tristan Chytroschek, 2010. Bibliographie : - Le son comme arme de Juliette Volcler, La Découverte, 2011 ; - À l'écoute de l'environnement : répertoire des effets sonore de Jean-François Augoyard et Henry Torgue, Parenthèses, 1995 ; - Music as torture/Music as weapon de Suzanne G. Cusick, Trans, 2006. Pour aller plus loin : - Sonic Warfare, de Steve Goodman, The MIT Press, 2010. Remerciements : À Jovan Stojanovic, Nikola Čuturić, Adam, Téa Ziadé, Daniel Carde, Benoit de Tréglodé, Caline Matar, Charles Peyredieu du Charlat, Eliana Kachaamy et la famille Yakushev de m'avoir accordé leur confiance en acceptant d'être enregistré.es ; à Earshot et Lawrence Abu Hamdan, au collectif 11:52 Paris, au service vidéo de L'Orient-Le Jour et Lucile Wassermann de leur aide active et précieuse ; aux personnes qui n'apparaissent pas à l'audio mais dont les témoignages ont enrichi le podcast ; à toute l'équipe d'ARTE Radio ; à Manal Fkihi pour la poésie ; et à Laurent Selinder pour les débuts, les retours, et toutes les conversations entre les deux. Enregistrements décembre 2025-février 2026 Entretien et montage Servane d'Alverny Réalisation et mixage Charlie Marcelet Illustration Jana Traboulsi Production ARTE Radio

Bouche à oreille Le son est bien une arme invisible, d'accord. Mais ce sont des armes qui laissent des traces dans les corps. Ces traces peuvent ressortir longtemps après la guerre, parfois pour raconter au mieux son histoire. Le grand-père de Servane, qui se souvient des sons de la Seconde Guerre mondiale, et le journaliste américain David Carde, qui imite les sons, témoignent. La guerre sonore "Chercher des images choc" est le métier que faisait Servane quand elle était monteuse pour un média vidéo soumis aux lois des algorithmes numériques. Mais dans la guerre des images rapides, une autre violence, bien présente, est souvent occultée : celle des armes sonores. Avec elles, il est possible d'harceler les populations avec des drones à Beyrouth, d'attaquer avec des canons à son à Belgrade, de torturer avec des sons au Vietnam ou de la musique à Guantanamo. En quatre épisodes, “La guerre sonore” explore toutes les manières dont on peut faire la guerre en restant sous les radars des caméras et des téléphones, mais pas des corps et des micros de radio. Mentions : - Extrait du film Soundtrack to War de George Gittoes, 2005 ; - Extrait du film Shutter, de Banjong Pisanthanakun et Parkpoom Wongpoom, 2004 ; - Extrait du film Songs of War : Music as a weapon, de Tristan Chytroschek, 2010. Bibliographie : - Le son comme arme de Juliette Volcler, La Découverte, 2011 ; - À l'écoute de l'environnement : répertoire des effets sonore de Jean-François Augoyard et Henry Torgue, Parenthèses, 1995 ; - Music as torture/Music as weapon de Suzanne G. Cusick, Trans, 2006. Pour aller plus loin : - Sonic Warfare, de Steve Goodman, The MIT Press, 2010. Remerciements : À Jovan Stojanovic, Nikola Čuturić, Adam, Téa Ziadé, Daniel Carde, Benoit de Tréglodé, Caline Matar, Charles Peyredieu du Charlat, Eliana Kachaamy et la famille Yakushev de m'avoir accordé leur confiance en acceptant d'être enregistré.es ; à Earshot et Lawrence Abu Hamdan, au collectif 11:52 Paris, au service vidéo de L'Orient-Le Jour et Lucile Wassermann de leur aide active et précieuse ; aux personnes qui n'apparaissent pas à l'audio mais dont les témoignages ont enrichi le podcast ; à toute l'équipe d'ARTE Radio ; à Manal Fkihi pour la poésie ; et à Laurent Selinder pour les débuts, les retours, et toutes les conversations entre les deux. Enregistrements décembre 2025-février 2026 Entretien et montage Servane d'Alverny Réalisation et mixage Charlie Marcelet Illustration Jana Traboulsi Production ARTE Radio

Torture FM Entre effet et affect, où le son agit-il ? Retour sur les cassettes fantômes de la guerre du Vietnam, pendant laquelle l'armée américaine a fait diffuser des enregistrements d'âmes errantes pour marquer les populations, et sur les rouages de la torture musicale à Guantanamo. La guerre sonore "Chercher des images choc" est le métier que faisait Servane quand elle était monteuse pour un média vidéo soumis aux lois des algorithmes numériques. Mais dans la guerre des images rapides, une autre violence, bien présente, est souvent occultée : celle des armes sonores. Avec elles, il est possible d'harceler les populations avec des drones à Beyrouth, d'attaquer avec des canons à son à Belgrade, de torturer avec des sons au Vietnam ou de la musique à Guantanamo. En quatre épisodes, “La guerre sonore” explore toutes les manières dont on peut faire la guerre en restant sous les radars des caméras et des téléphones, mais pas des corps et des micros de radio. Mentions : - Extrait du film Soundtrack to War de George Gittoes, 2005 ; - Extrait du film Shutter, de Banjong Pisanthanakun et Parkpoom Wongpoom, 2004 ; - Extrait du film Songs of War : Music as a weapon, de Tristan Chytroschek, 2010. Bibliographie : - Le son comme arme de Juliette Volcler, La Découverte, 2011 ; - À l'écoute de l'environnement : répertoire des effets sonore de Jean-François Augoyard et Henry Torgue, Parenthèses, 1995 ; - Music as torture/Music as weapon de Suzanne G. Cusick, Trans, 2006. Pour aller plus loin : - Sonic Warfare, de Steve Goodman, The MIT Press, 2010. Remerciements : À Jovan Stojanovic, Nikola Čuturić, Adam, Téa Ziadé, Daniel Carde, Benoit de Tréglodé, Caline Matar, Charles Peyredieu du Charlat, Eliana Kachaamy et la famille Yakushev de m'avoir accordé leur confiance en acceptant d'être enregistré.es ; à Earshot et Lawrence Abu Hamdan, au collectif 11:52 Paris, au service vidéo de L'Orient-Le Jour et Lucile Wassermann de leur aide active et précieuse ; aux personnes qui n'apparaissent pas à l'audio mais dont les témoignages ont enrichi le podcast ; à toute l'équipe d'ARTE Radio ; à Manal Fkihi pour la poésie ; et à Laurent Selinder pour les débuts, les retours, et toutes les conversations entre les deux. Enregistrements décembre 2025-février 2026 Entretien et montage Servane d'Alverny Réalisation et mixage Charlie Marcelet Illustration Jana Traboulsi Production ARTE Radio

In Nary a Horse Left Standing: How a Nineteenth-Century Epidemic Transformed Medicine, Animal Welfare, and the Modern City (MIT Press, 2026), Dr. Lee Dugatkin chronicles this little-known crisis, revealing how the epidemic disrupted nearly every aspect of urban life. From coast to coast, livelihoods collapsed as horses lay sick, or worse dying, on stable floors, fires raged unchecked without horse-drawn wagons, and city development stalled for lack of horsepower. Just as the Gilded Age was dawning and industrialists were poised to amass fortunes, the flu slowed progress to a crawl. Yet the tragedy also catalyzed revolutions in medicine, animal rights, and transportation. Veterinary science in the U.S. was still emerging, but detailed medical reports from the epidemic helped validate germ theory and discredit outdated beliefs. The crisis also spotlighted early animal welfare efforts, with fledgling groups like the ASPCA advocating for sick horses forced to work. Finally, the sheer vulnerability of relying on animals for transport spurred a shift toward mechanized systems. As illuminating as it is humbling, the book brings to life a critical account of a crisis that still speaks to the complex public health and transportation challenges we face today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Nary a Horse Left Standing: How a Nineteenth-Century Epidemic Transformed Medicine, Animal Welfare, and the Modern City (MIT Press, 2026), Dr. Lee Dugatkin chronicles this little-known crisis, revealing how the epidemic disrupted nearly every aspect of urban life. From coast to coast, livelihoods collapsed as horses lay sick, or worse dying, on stable floors, fires raged unchecked without horse-drawn wagons, and city development stalled for lack of horsepower. Just as the Gilded Age was dawning and industrialists were poised to amass fortunes, the flu slowed progress to a crawl. Yet the tragedy also catalyzed revolutions in medicine, animal rights, and transportation. Veterinary science in the U.S. was still emerging, but detailed medical reports from the epidemic helped validate germ theory and discredit outdated beliefs. The crisis also spotlighted early animal welfare efforts, with fledgling groups like the ASPCA advocating for sick horses forced to work. Finally, the sheer vulnerability of relying on animals for transport spurred a shift toward mechanized systems. As illuminating as it is humbling, the book brings to life a critical account of a crisis that still speaks to the complex public health and transportation challenges we face today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Nary a Horse Left Standing: How a Nineteenth-Century Epidemic Transformed Medicine, Animal Welfare, and the Modern City (MIT Press, 2026), Dr. Lee Dugatkin chronicles this little-known crisis, revealing how the epidemic disrupted nearly every aspect of urban life. From coast to coast, livelihoods collapsed as horses lay sick, or worse dying, on stable floors, fires raged unchecked without horse-drawn wagons, and city development stalled for lack of horsepower. Just as the Gilded Age was dawning and industrialists were poised to amass fortunes, the flu slowed progress to a crawl. Yet the tragedy also catalyzed revolutions in medicine, animal rights, and transportation. Veterinary science in the U.S. was still emerging, but detailed medical reports from the epidemic helped validate germ theory and discredit outdated beliefs. The crisis also spotlighted early animal welfare efforts, with fledgling groups like the ASPCA advocating for sick horses forced to work. Finally, the sheer vulnerability of relying on animals for transport spurred a shift toward mechanized systems. As illuminating as it is humbling, the book brings to life a critical account of a crisis that still speaks to the complex public health and transportation challenges we face today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

They were perhaps an unlikely trio: professor Leah Stokes, the policy wonk Sonia Aggarwal in the White House, and the DC insider Adrian Deveny in the Senate, but together they crafted the boldest climate legislation of our time. In The Carbon Wave: A Story of Democracy, Parenthood, and the Race to Protect Our Planet (MIT Press, 2026), Stokes chronicles the turbulent path of their climate bill as it veered between breakthrough and collapse—from the hopeful beginnings of the Green New Deal in 2018, to the bill's near-certain defeat by Senator Joe Manchin in the winter of 2021, to the surprise passage of the landmark legislation in August 2022. During this critical time, the author was pregnant or in the NICU with her premature twins, and Aggarwal and Deveny were new parents too. Interlacing personal narratives with stories from Congress, the White House, and outside activists, Stokes shows how dogged perseverance and collective action can still bend the course of history. The book concludes with an update from the second Trump administration, explaining the parts of the bill that were—and were not—rolled back, and why we should remain hopeful that progress is still being made. Everyone has been told to shrink their carbon footprint and lighten their load on our planet by changing their behavior. But what if instead of making ourselves smaller, we joined with others to maximize our impact? That's the carbon wave. And this book shows us how to make it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

They were perhaps an unlikely trio: professor Leah Stokes, the policy wonk Sonia Aggarwal in the White House, and the DC insider Adrian Deveny in the Senate, but together they crafted the boldest climate legislation of our time. In The Carbon Wave: A Story of Democracy, Parenthood, and the Race to Protect Our Planet (MIT Press, 2026), Stokes chronicles the turbulent path of their climate bill as it veered between breakthrough and collapse—from the hopeful beginnings of the Green New Deal in 2018, to the bill's near-certain defeat by Senator Joe Manchin in the winter of 2021, to the surprise passage of the landmark legislation in August 2022. During this critical time, the author was pregnant or in the NICU with her premature twins, and Aggarwal and Deveny were new parents too. Interlacing personal narratives with stories from Congress, the White House, and outside activists, Stokes shows how dogged perseverance and collective action can still bend the course of history. The book concludes with an update from the second Trump administration, explaining the parts of the bill that were—and were not—rolled back, and why we should remain hopeful that progress is still being made. Everyone has been told to shrink their carbon footprint and lighten their load on our planet by changing their behavior. But what if instead of making ourselves smaller, we joined with others to maximize our impact? That's the carbon wave. And this book shows us how to make it.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

They were perhaps an unlikely trio: professor Leah Stokes, the policy wonk Sonia Aggarwal in the White House, and the DC insider Adrian Deveny in the Senate, but together they crafted the boldest climate legislation of our time. In The Carbon Wave: A Story of Democracy, Parenthood, and the Race to Protect Our Planet (MIT Press, 2026), Stokes chronicles the turbulent path of their climate bill as it veered between breakthrough and collapse—from the hopeful beginnings of the Green New Deal in 2018, to the bill's near-certain defeat by Senator Joe Manchin in the winter of 2021, to the surprise passage of the landmark legislation in August 2022. During this critical time, the author was pregnant or in the NICU with her premature twins, and Aggarwal and Deveny were new parents too. Interlacing personal narratives with stories from Congress, the White House, and outside activists, Stokes shows how dogged perseverance and collective action can still bend the course of history. The book concludes with an update from the second Trump administration, explaining the parts of the bill that were—and were not—rolled back, and why we should remain hopeful that progress is still being made. Everyone has been told to shrink their carbon footprint and lighten their load on our planet by changing their behavior. But what if instead of making ourselves smaller, we joined with others to maximize our impact? That's the carbon wave. And this book shows us how to make it.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

They were perhaps an unlikely trio: professor Leah Stokes, the policy wonk Sonia Aggarwal in the White House, and the DC insider Adrian Deveny in the Senate, but together they crafted the boldest climate legislation of our time. In The Carbon Wave: A Story of Democracy, Parenthood, and the Race to Protect Our Planet (MIT Press, 2026), Stokes chronicles the turbulent path of their climate bill as it veered between breakthrough and collapse—from the hopeful beginnings of the Green New Deal in 2018, to the bill's near-certain defeat by Senator Joe Manchin in the winter of 2021, to the surprise passage of the landmark legislation in August 2022. During this critical time, the author was pregnant or in the NICU with her premature twins, and Aggarwal and Deveny were new parents too. Interlacing personal narratives with stories from Congress, the White House, and outside activists, Stokes shows how dogged perseverance and collective action can still bend the course of history. The book concludes with an update from the second Trump administration, explaining the parts of the bill that were—and were not—rolled back, and why we should remain hopeful that progress is still being made. Everyone has been told to shrink their carbon footprint and lighten their load on our planet by changing their behavior. But what if instead of making ourselves smaller, we joined with others to maximize our impact? That's the carbon wave. And this book shows us how to make it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

They were perhaps an unlikely trio: professor Leah Stokes, the policy wonk Sonia Aggarwal in the White House, and the DC insider Adrian Deveny in the Senate, but together they crafted the boldest climate legislation of our time. In The Carbon Wave: A Story of Democracy, Parenthood, and the Race to Protect Our Planet (MIT Press, 2026), Stokes chronicles the turbulent path of their climate bill as it veered between breakthrough and collapse—from the hopeful beginnings of the Green New Deal in 2018, to the bill's near-certain defeat by Senator Joe Manchin in the winter of 2021, to the surprise passage of the landmark legislation in August 2022. During this critical time, the author was pregnant or in the NICU with her premature twins, and Aggarwal and Deveny were new parents too. Interlacing personal narratives with stories from Congress, the White House, and outside activists, Stokes shows how dogged perseverance and collective action can still bend the course of history. The book concludes with an update from the second Trump administration, explaining the parts of the bill that were—and were not—rolled back, and why we should remain hopeful that progress is still being made. Everyone has been told to shrink their carbon footprint and lighten their load on our planet by changing their behavior. But what if instead of making ourselves smaller, we joined with others to maximize our impact? That's the carbon wave. And this book shows us how to make it.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is an open access book, published September 15 2026 by MIT Press. In an age when capitalism feels like an unwinnable game, extreme reactionary ideas and politics are on the rise. The Hunger Games, Game of Thrones, Squid Game, and much of reality TV are cultural reflections of a society of relentless, lonely competition, where each of us must become a player: a savvy risk-taker, a miniature corporation of one. But in a gamed economy we players feel played, and new forms of fascism promise harsh justice and revenge. This book theorizes the connections between the financialization of the capitalist economy, the gamification of our lives, and the rising threat of a uniquely twenty-first century form of fascistic politics. From vicious online swarmings to the QAnon conspiracy fantasy, from the siege of the US Capitol to the abuse of “free speech,” The Player and the Played analyzes the “playgrom” as a new form of extremist violence. Max Haiven explores how “derivative fascisms” both repeat and reinvent the terrors of the past in a financialized form. How have we learned to love the cheats who have power but loathe the cheats without it? It unpacks the worldbuilding (and world-destroying) urge of Silicon Valley. And it poses the urgent question: What is the antifascist game? Max Haiven is Canada Research Chair in the Radical Imagination at Lakehead University and author of many books, including most recently Palm Oil and Revenge Capitalism. He is the designer of the board game Billionaires & Guillotines. He was called “perhaps the most theoretically creative radical thinker of the moment” by the late David Graeber.

Iconic Monuments and Landscapes in Barbados and Gibraltar © 2026.mp3Podcast 315 Crossing the line: Etymology, epistemology, and professional/theological practice ISBN 978-976-98069-2-4. © 2026 Dr. William Anderson Gittens, Doctor of Divinity Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 315 Crossing the line: Etymology, epistemology, and professional/theological practice ISBN 978-976-98069-2-4. © 2026 Dr. William Anderson Gittens, Doctor of Divinity Presented by Dr. William Anderson Gittens, Doctor of DivinityRECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to my growth, providing the foundation for my future endeavours. Over the past three decades, my experiences in the leisure activities industry have significantly shaped my journey. From 1995 to 2026, I have devoted myself to writing, resulting in 487E-Publications and 315 podcasts that resonate within the community. In recognition of the profound impact Dr. Joseph Drew had on my academic and personal development, I dedicated my 66th publication, "A Tribute to Culture" Vol. 1, to him—a small token of gratitude for his enormous influence on my life.As I look forward to what lies ahead, I remain thankful to all who have contributed to my story and to the Creator for the endless possibilities this journey holds. Each person's presence has left an indelible mark on my life, guiding me toward a future filled with hope and potential.Dr. William Anderson Gittens, D.D. ReferencesBlack, H. C. (1891). _A law dictionary_ (2nd ed.). West Publishing.Bordwell, D., & Thompson, K. (2019). _Film art: An introduction_ (12th ed.). McGraw-Hill Education.Brueggemann, W. (1998). _Genesis_ [Interpretation Commentary]. John Knox Press.Cambridge University Press. (2024). _Cross the line_. Cambridge Dictionary. https://dictionary.cambridge.orgCrossing the Line: Etymology, Epistemology, and Professional/Theological Practice Dr. William Anderson Gittens, Doctor of Divinity © 2026 ISBN 978-976-98069-1-7Foucault, M. (1977). _A preface to transgression_. In D. F. Bouchard (Ed.), _Language, counter-memory, practice_ (pp. 29–52). Cornell University Press.Gittens, W. A. (2026). _Culture is not what we inherit. It's what we decide to keep_ [ISBN 978-976-97997-7-6]. Devgro Media Arts Services Publishing.Glissant, É. (1997). _Poetics of relation_ (B. Wing, Trans.). University of Michigan Press.Manovich, L. (2020). _Cultural analytics_. MIT Press.Oxford University Press. (2023). _Cross, v._ Oxford English Dictionary. https://www.oed.comSontag, S. (2003). _Regarding the pain of others_. Farrar, Straus and Giroux.The Holy Bible, New International Version. (2011). Zondervan. _(Original work published 1978)_Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

Humans have always incorporated wildlife into processes of work, capture, and exchange. During the nineteenth and twentieth centuries, globalization became the latest in a long line of forces affecting human-animal relations. Grey parrots travelled the world as pets; rats used global shipping infrastructure to spread to far-off islands and became the object of cross-border extermination campaigns; and California sea otters were relocated to accommodate global oil transportation needs. The language of globalization, however, is rarely used to understand the history of these creatures. Globalizing Wildlife (UNC Press, 2026) shows how wild animals were not simply affected by globalization but shaped its concrete trajectories at local, national, and international scales. The editors and contributors of this collection bring the more-than-human turn to globalization studies, foregrounding not only how globalization matters for wildlife but also how wildlife matters for and constitutes globalization. The volume presents a range of geographically- and species-diverse case studies spanning from the 1870s to the present day to show that globalizing wildlife is far from a homogenous process. Ultimately, contributors reconceptualize globalization and wildlife in relation to one another and foster new connections between the longstanding study of globalization and the dynamic, rapidly consolidating field of historical animal studies. Contributors are Vincent Bijman, Christina Dunbar-Hester, Regina Horta Duarte, George Iordachescu, Nancy J. Jacobs, Ajit Menon, Gregg Mitman, Nitin D. Rai, Simone Schleper, Jules Skotnes-Brown, Monica Vasile, and James L. A. Webb Jr. Jacob Ward is an historian at Maastricht University, the Netherlands. He has written on the history of science and technology, environmental history, business and financial history, and political history. He recently published Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024) and he's currently working on a history of futurology in the United Kingdom and Europe from 1945 to the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Humans have always incorporated wildlife into processes of work, capture, and exchange. During the nineteenth and twentieth centuries, globalization became the latest in a long line of forces affecting human-animal relations. Grey parrots travelled the world as pets; rats used global shipping infrastructure to spread to far-off islands and became the object of cross-border extermination campaigns; and California sea otters were relocated to accommodate global oil transportation needs. The language of globalization, however, is rarely used to understand the history of these creatures. Globalizing Wildlife (UNC Press, 2026) shows how wild animals were not simply affected by globalization but shaped its concrete trajectories at local, national, and international scales. The editors and contributors of this collection bring the more-than-human turn to globalization studies, foregrounding not only how globalization matters for wildlife but also how wildlife matters for and constitutes globalization. The volume presents a range of geographically- and species-diverse case studies spanning from the 1870s to the present day to show that globalizing wildlife is far from a homogenous process. Ultimately, contributors reconceptualize globalization and wildlife in relation to one another and foster new connections between the longstanding study of globalization and the dynamic, rapidly consolidating field of historical animal studies. Contributors are Vincent Bijman, Christina Dunbar-Hester, Regina Horta Duarte, George Iordachescu, Nancy J. Jacobs, Ajit Menon, Gregg Mitman, Nitin D. Rai, Simone Schleper, Jules Skotnes-Brown, Monica Vasile, and James L. A. Webb Jr. Jacob Ward is an historian at Maastricht University, the Netherlands. He has written on the history of science and technology, environmental history, business and financial history, and political history. He recently published Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024) and he's currently working on a history of futurology in the United Kingdom and Europe from 1945 to the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Humans have always incorporated wildlife into processes of work, capture, and exchange. During the nineteenth and twentieth centuries, globalization became the latest in a long line of forces affecting human-animal relations. Grey parrots travelled the world as pets; rats used global shipping infrastructure to spread to far-off islands and became the object of cross-border extermination campaigns; and California sea otters were relocated to accommodate global oil transportation needs. The language of globalization, however, is rarely used to understand the history of these creatures. Globalizing Wildlife (UNC Press, 2026) shows how wild animals were not simply affected by globalization but shaped its concrete trajectories at local, national, and international scales. The editors and contributors of this collection bring the more-than-human turn to globalization studies, foregrounding not only how globalization matters for wildlife but also how wildlife matters for and constitutes globalization. The volume presents a range of geographically- and species-diverse case studies spanning from the 1870s to the present day to show that globalizing wildlife is far from a homogenous process. Ultimately, contributors reconceptualize globalization and wildlife in relation to one another and foster new connections between the longstanding study of globalization and the dynamic, rapidly consolidating field of historical animal studies. Contributors are Vincent Bijman, Christina Dunbar-Hester, Regina Horta Duarte, George Iordachescu, Nancy J. Jacobs, Ajit Menon, Gregg Mitman, Nitin D. Rai, Simone Schleper, Jules Skotnes-Brown, Monica Vasile, and James L. A. Webb Jr. Jacob Ward is an historian at Maastricht University, the Netherlands. He has written on the history of science and technology, environmental history, business and financial history, and political history. He recently published Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024) and he's currently working on a history of futurology in the United Kingdom and Europe from 1945 to the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Humans have always incorporated wildlife into processes of work, capture, and exchange. During the nineteenth and twentieth centuries, globalization became the latest in a long line of forces affecting human-animal relations. Grey parrots travelled the world as pets; rats used global shipping infrastructure to spread to far-off islands and became the object of cross-border extermination campaigns; and California sea otters were relocated to accommodate global oil transportation needs. The language of globalization, however, is rarely used to understand the history of these creatures. Globalizing Wildlife (UNC Press, 2026) shows how wild animals were not simply affected by globalization but shaped its concrete trajectories at local, national, and international scales. The editors and contributors of this collection bring the more-than-human turn to globalization studies, foregrounding not only how globalization matters for wildlife but also how wildlife matters for and constitutes globalization. The volume presents a range of geographically- and species-diverse case studies spanning from the 1870s to the present day to show that globalizing wildlife is far from a homogenous process. Ultimately, contributors reconceptualize globalization and wildlife in relation to one another and foster new connections between the longstanding study of globalization and the dynamic, rapidly consolidating field of historical animal studies. Contributors are Vincent Bijman, Christina Dunbar-Hester, Regina Horta Duarte, George Iordachescu, Nancy J. Jacobs, Ajit Menon, Gregg Mitman, Nitin D. Rai, Simone Schleper, Jules Skotnes-Brown, Monica Vasile, and James L. A. Webb Jr. Jacob Ward is an historian at Maastricht University, the Netherlands. He has written on the history of science and technology, environmental history, business and financial history, and political history. He recently published Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024) and he's currently working on a history of futurology in the United Kingdom and Europe from 1945 to the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

BIBLIOGRAPHYPRIMARY AND CLASSICAL SOURCESAristotle. Metaphysics. Translated by Hugh Tredennick. Harvard University Press.Aristotle. On the Heavens. Translated by W. K. C. Guthrie. Harvard University Press.Diogenes Laërtius. Lives of Eminent Philosophers, Book VIII. Translated by R. D. Hicks. Harvard University Press.Euclid. The Thirteen Books of Euclid's Elements. Translated and edited by Thomas L. Heath. Cambridge University Press.Iamblichus. On the Pythagorean Way of Life. Translated by John Dillon and Jackson Hershbell. Society of Biblical Literature.Philolaus. Fragments and Testimonia, collected and discussed in Carl A. Huffman's Philolaus of Croton.Plato. Phaedo. In Plato: Complete Works, edited by John M. Cooper. Hackett Publishing.Plato. Republic. Translated by C. D. C. Reeve. Hackett Publishing.Plato. Theaetetus. Translated by M. J. Levett and revised by Myles Burnyeat. Hackett Publishing.Plato. Timaeus. Translated by Donald J. Zeyl. Hackett Publishing.Plotinus. The Enneads. Translated by A. H. Armstrong. Harvard University Press.Porphyry. Life of Pythagoras. In The Pythagorean Sourcebook and Library, translated by Kenneth Sylvan Guthrie and edited by David R. Fideler. Phanes Press.Proclus. A Commentary on the First Book of Euclid's Elements. Translated by Glenn R. Morrow. Princeton University Press.PYTHAGORAS AND THE PYTHAGOREAN TRADITIONBurkert, Walter. Lore and Science in Ancient Pythagoreanism. Translated by Edwin L. Minar Jr. Harvard University Press, 1972.Huffman, Carl A. A History of Pythagoreanism. Cambridge University Press, 2014.Huffman, Carl A. Archytas of Tarentum: Pythagorean, Philosopher and Mathematician King. Cambridge University Press, 2005.Huffman, Carl A. Philolaus of Croton: Pythagorean and Presocratic. Cambridge University Press, 1993.Kahn, Charles H. Pythagoras and the Pythagoreans: A Brief History. Hackett Publishing, 2001.Riedweg, Christoph. Pythagoras: His Life, Teaching, and Influence. Cornell University Press, 2005.Waterfield, Robin. The First Philosophers: The Presocratics and Sophists. Oxford University Press, 2000.Zhmud, Leonid. Pythagoras and the Early Pythagoreans. Oxford University Press, 2012.PLATO, PLATONISM, AND ANCIENT COSMOLOGYAnnas, Julia. An Introduction to Plato's Republic. Oxford University Press, 1981.Cornford, Francis Macdonald. Plato's Cosmology: The Timaeus of Plato. Hackett Publishing, 1997.Dillon, John. The Middle Platonists: 80 B.C. to A.D. 220. Cornell University Press, 1996.Fowler, David. The Mathematics of Plato's Academy: A New Reconstruction. Oxford University Press, 1999.Guthrie, W. K. C. A History of Greek Philosophy, Volumes I–V. Cambridge University Press.Johansen, Thomas Kjeller. Plato's Natural Philosophy: A Study of the Timaeus-Critias. Cambridge University Press, 2004.O'Meara, Dominic J. Pythagoras Revived: Mathematics and Philosophy in Late Antiquity. Oxford University Press, 1989.Sedley, David. Creationism and Its Critics in Antiquity. University of California Press, 2007.Wallis, Richard T. Neoplatonism. Hackett Publishing, 1995.EUCLID, THE PENTAGON, AND GREEK MATHEMATICSHeath, Thomas L. A History of Greek Mathematics. Dover Publications.Heath, Thomas L. The Thirteen Books of Euclid's Elements. Cambridge University Press.Knorr, Wilbur Richard. The Evolution of the Euclidean Elements. D. Reidel Publishing, 1975.Mueller, Ian. Philosophy of Mathematics and Deductive Structure in Euclid's Elements. MIT Press, 1981.Netz, Reviel. The Shaping of Deduction in Greek Mathematics: A Study in Cognitive History. Cambridge University Press, 1999.Pappas, Theoni. The Joy of Mathematics. Wide World Publishing, for accessible visual discussion of pentagonal proportion and recursive geometry.Van der Waerden, B. L. Science Awakening. Noordhoff International Publishing.LATE ANTIQUITY, NEOPLATONISM, AND THEURGYChlup, Radek. Proclus: An Introduction. Cambridge University Press, 2012.Dillon, John. The Middle Platonists. Cornell University Press.Finamore, John F., and Sarah Iles Johnston. The Chaldean Oracles: A New Translation and Commentary. Society of Biblical Literature, 2011.Gregory, John. The Neoplatonists: A Reader. Routledge, 1999.Shaw, Gregory. Theurgy and the Soul: The Neoplatonism of Iamblichus. Angelico Press, revised edition, 2014.Smith, Andrew. Porphyry's Place in the Neoplatonic Tradition. Springer, 1974.Wallis, Richard T. Neoplatonism. Hackett Publishing.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

We often blame social media for the rampant problem of disinformation, but the truth is that mainstream news media is often equally at fault. Not only do news outlets disguise paid content to look like online news articles, a practice called “native advertising,” but new research suggests that this form of advertising even influences the real journalism that appears next to it—both perceptions of the journalism as well as its actual substance. In Content Confusion: News Media, Native Advertising, and Policy in an Era of Disinformation (MIT Press, 2025), Michelle Amazeen explores the origins and evolution of this mainstream media practice, how it affects audiences and the industry, and what the implications are for an accurately informed democracy. For policy makers, in particular, the book highlights the longstanding principles from governmental regulation as well as industry professional codes that serve to support clear identification of the provenance of content, an issue that will no doubt intensify with the release of generative artificial intelligence in the wild. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We often blame social media for the rampant problem of disinformation, but the truth is that mainstream news media is often equally at fault. Not only do news outlets disguise paid content to look like online news articles, a practice called “native advertising,” but new research suggests that this form of advertising even influences the real journalism that appears next to it—both perceptions of the journalism as well as its actual substance. In Content Confusion: News Media, Native Advertising, and Policy in an Era of Disinformation (MIT Press, 2025), Michelle Amazeen explores the origins and evolution of this mainstream media practice, how it affects audiences and the industry, and what the implications are for an accurately informed democracy. For policy makers, in particular, the book highlights the longstanding principles from governmental regulation as well as industry professional codes that serve to support clear identification of the provenance of content, an issue that will no doubt intensify with the release of generative artificial intelligence in the wild.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We often blame social media for the rampant problem of disinformation, but the truth is that mainstream news media is often equally at fault. Not only do news outlets disguise paid content to look like online news articles, a practice called “native advertising,” but new research suggests that this form of advertising even influences the real journalism that appears next to it—both perceptions of the journalism as well as its actual substance. In Content Confusion: News Media, Native Advertising, and Policy in an Era of Disinformation (MIT Press, 2025), Michelle Amazeen explores the origins and evolution of this mainstream media practice, how it affects audiences and the industry, and what the implications are for an accurately informed democracy. For policy makers, in particular, the book highlights the longstanding principles from governmental regulation as well as industry professional codes that serve to support clear identification of the provenance of content, an issue that will no doubt intensify with the release of generative artificial intelligence in the wild.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We often blame social media for the rampant problem of disinformation, but the truth is that mainstream news media is often equally at fault. Not only do news outlets disguise paid content to look like online news articles, a practice called “native advertising,” but new research suggests that this form of advertising even influences the real journalism that appears next to it—both perceptions of the journalism as well as its actual substance. In Content Confusion: News Media, Native Advertising, and Policy in an Era of Disinformation (MIT Press, 2025), Michelle Amazeen explores the origins and evolution of this mainstream media practice, how it affects audiences and the industry, and what the implications are for an accurately informed democracy. For policy makers, in particular, the book highlights the longstanding principles from governmental regulation as well as industry professional codes that serve to support clear identification of the provenance of content, an issue that will no doubt intensify with the release of generative artificial intelligence in the wild.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Open your fridge and grab a beer without knocking anything else over. It’s usually not hard for a human to do it. But getting a robot to do the same task can take an engineer weeks or months. George Konidaris is a professor of computer science at Brown University, director of the Intelligent Robot Lab, and cofounder of Realtime Robotics. Their technology does that kind of motion planning in minutes instead of weeks, and it’s running on the manufacturing lines of major automakers right now. He was on the show three years ago, when the technology worked in the lab. A lot has changed. The company closed a 45 million dollar Series B and is cash flow positive. (Blog continues below video) ******** Listen on your favorite podcast app using pod.link.     . View the podcast at the bottom of this post or on our YouTube Channel. Follow us on Social and never miss an update! Facebook: https://www.facebook.com/swarfcast Instagram: https://www.instagram.com/swarfcast/ LinkedIn: https://www.linkedin.com/company/todays-machining-world Twitter: https://twitter.com/tmwswarfblog ************* Link to Graff-Pinkert's Acquisitions and Sales promotion! ************* Main Points Grabbing a beer is harder than it looks Real Time came out of research George and his colleagues did on robot motion planning, which is how a robot decides on its own how to move without hitting anything. “There are many ways in which you could reach into your fridge and grab a beer where you would hit the fridge or a beer or knock something over and you don’t do any of those.” You solve that without thinking. For a robot it’s a hard computational problem, and the first paper posing it was written in 1979. What George and his collaborator found was a way to solve it in milliseconds instead of seconds or minutes. The original breakthrough needed a custom processor. It runs in software now. Robots are still stupid, but less so Last time he was on, he told me robots are stupid. I asked if that’s still true. They’re getting smarter and still stupid in surprising ways. Computer vision has genuinely improved. Put a robot in one room and ask it to find the door, then put it in a different room and ask again, and that works now. It used to be brittle. Two and a half years versus five Going from a car design to selling the first hundred thousand units takes an American or European automaker about five years. Chinese automakers do it in two and a half, regularly. The fastest Western car ever was the Tesla Model 3 at roughly three, and George points out that Tesla pre-sold the hundred thousand units and built the factory from scratch. He says the gap has almost nothing to do with robots. “It’s not that they’re using more robots, it’s not that they’re using less people. It’s that the design process of taking the car design and turning it into a factory that produces that car was not efficient.” Western manufacturers work sequentially. Design the car, finish it, then design the factory, then iterate on the work cells. Chinese manufacturers start designing the work cell as soon as the car sketch takes shape and accept that a lot of the work gets thrown out. There are already plenty of robots in traditional American plants. His point is they’re used the same way they were used thirty years ago, because those plants were designed thirty years ago. And established manufacturers aren’t building new plants. Every model means retooling an existing one, which he says is harder than building from nothing. The plan never works the first time This part will sound familiar to anyone who has watched a job go from print to spindle. The work cell gets designed in an office in CAD. Real Time runs the motion planning and tells them what performance to expect. Then it ships to commissioning, where somebody local assembles it with a screwdriver. “Of course it’s not exactly the same as the one in the CAD model. That’s never going to be exactly the same.” The robot moves a little differently than the one in the simulation. You run it and it doesn’t quite work. What changes is what happens next. Instead of bouncing it back to the engineer and waiting weeks, the person standing there adjusts it and reprograms in a few minutes. Will ChatGPT just do this? He gets asked constantly whether an LLM like ChatGPT or Claude will just solve motion planning. His answer is no. That kind of AI learns by studying huge piles of examples and producing something close to what it has seen. Nobody has a pile of examples of robots moving at the absolute edge of what they can do. And close isn’t the standard anyway. “You can’t like mostly not hit stuff. You have to always never hit stuff.” On a line where downtime costs tens of thousands of dollars a minute, a robot that crashes one percent of the time is not one you can install. George’s rule of automation in a factory I asked George what happens to the people in factories as this new technology comes in. He has a rule for it. The more repetitive and predictable a job is, the sooner a robot takes it. That’s why spot welding in a car plant is done by robots but a person still sticks in the cables. It’s why Amazon has machines carry the box to the packing station, but a person packs it, because nobody knows what’s going to be in the next tote. His timeline is slower than most of what you hear. Three to five years before factory design gets partly automated, with no change in what people do versus what robots do. Ten to fifteen years before jobs people do today start moving over. He doesn’t think it’s going to be fast or scary. Slow and incremental, and worth a lot. Serendipity at the MIT Press bookstore, December 8, 2000 For his twenty-first birthday, growing up in Johannesburg, George asked to visit America to look at grad schools. His sister took him. They went to Boston because he wanted to see MIT, and he wandered into the MIT Press bookstore, where his sister told him he could afford to buy one book. He found a book on AI and robotics. He remembers being there on December 8, 2000, because the book’s publication date was December 14. It was an MIT Press book, so the store had it early. He was one of the first few people to buy it. He read it on the flight home and decided he wanted to do a PhD in robotics. Years later he did his postdoc at MIT, and once a week he’d walk into that same bookstore and buy a book, because by then he could buy as many as he wanted. Question: Are you excited about more AI in your shop? The post This Robot Can Grab a Beer, with George Konidaris-EP 272 appeared first on Today's Machining World.

The Military Entertainment Complex: Chimurenga Afrosonic Making of Zimbabwe (MIT Press, 2026) by Dr. Mhoze Chikowero is the story of the making of post-independence Zimbabwe from the sounds and songs born of the country's armed liberation wars, waged against British Rhodesian white settler rule since the 1890s.The war from 1896 through the twentieth century to resist the initial colonization, as well as the one waged to reclaim land from the colonial farmers in the 2000s, is known as Chimurenga, and the music it produced is thus called Chimurenga music. The sounds and music were Afrosonic—that is, deeply grounded in the ideology of the 1960s–70s war, spawning the cultural liberation of a people whose self-expression the colonial system had criminalized and oppressed for close to a century.The living labs of the liberation war, Chimurenga, powered not just military but also cultural rearmament, thereby producing cultural blueprints for a confident, regenerative public consciousness and expressiveness as independence. The open-access title captures the sounds of self-liberation, framing a state of militant audibility in public cultural expressiveness, public policy propagation, and contestation. It invites readers to imagine, see, hear, and feel self-liberation war redeployed as popular entertainment in the service of state making. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Military Entertainment Complex: Chimurenga Afrosonic Making of Zimbabwe (MIT Press, 2026) by Dr. Mhoze Chikowero is the story of the making of post-independence Zimbabwe from the sounds and songs born of the country's armed liberation wars, waged against British Rhodesian white settler rule since the 1890s.The war from 1896 through the twentieth century to resist the initial colonization, as well as the one waged to reclaim land from the colonial farmers in the 2000s, is known as Chimurenga, and the music it produced is thus called Chimurenga music. The sounds and music were Afrosonic—that is, deeply grounded in the ideology of the 1960s–70s war, spawning the cultural liberation of a people whose self-expression the colonial system had criminalized and oppressed for close to a century.The living labs of the liberation war, Chimurenga, powered not just military but also cultural rearmament, thereby producing cultural blueprints for a confident, regenerative public consciousness and expressiveness as independence. The open-access title captures the sounds of self-liberation, framing a state of militant audibility in public cultural expressiveness, public policy propagation, and contestation. It invites readers to imagine, see, hear, and feel self-liberation war redeployed as popular entertainment in the service of state making. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The Military Entertainment Complex: Chimurenga Afrosonic Making of Zimbabwe (MIT Press, 2026) by Dr. Mhoze Chikowero is the story of the making of post-independence Zimbabwe from the sounds and songs born of the country's armed liberation wars, waged against British Rhodesian white settler rule since the 1890s.The war from 1896 through the twentieth century to resist the initial colonization, as well as the one waged to reclaim land from the colonial farmers in the 2000s, is known as Chimurenga, and the music it produced is thus called Chimurenga music. The sounds and music were Afrosonic—that is, deeply grounded in the ideology of the 1960s–70s war, spawning the cultural liberation of a people whose self-expression the colonial system had criminalized and oppressed for close to a century.The living labs of the liberation war, Chimurenga, powered not just military but also cultural rearmament, thereby producing cultural blueprints for a confident, regenerative public consciousness and expressiveness as independence. The open-access title captures the sounds of self-liberation, framing a state of militant audibility in public cultural expressiveness, public policy propagation, and contestation. It invites readers to imagine, see, hear, and feel self-liberation war redeployed as popular entertainment in the service of state making. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The Military Entertainment Complex: Chimurenga Afrosonic Making of Zimbabwe (MIT Press, 2026) by Dr. Mhoze Chikowero is the story of the making of post-independence Zimbabwe from the sounds and songs born of the country's armed liberation wars, waged against British Rhodesian white settler rule since the 1890s.The war from 1896 through the twentieth century to resist the initial colonization, as well as the one waged to reclaim land from the colonial farmers in the 2000s, is known as Chimurenga, and the music it produced is thus called Chimurenga music. The sounds and music were Afrosonic—that is, deeply grounded in the ideology of the 1960s–70s war, spawning the cultural liberation of a people whose self-expression the colonial system had criminalized and oppressed for close to a century.The living labs of the liberation war, Chimurenga, powered not just military but also cultural rearmament, thereby producing cultural blueprints for a confident, regenerative public consciousness and expressiveness as independence. The open-access title captures the sounds of self-liberation, framing a state of militant audibility in public cultural expressiveness, public policy propagation, and contestation. It invites readers to imagine, see, hear, and feel self-liberation war redeployed as popular entertainment in the service of state making. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Military Entertainment Complex: Chimurenga Afrosonic Making of Zimbabwe (MIT Press, 2026) by Dr. Mhoze Chikowero is the story of the making of post-independence Zimbabwe from the sounds and songs born of the country's armed liberation wars, waged against British Rhodesian white settler rule since the 1890s.The war from 1896 through the twentieth century to resist the initial colonization, as well as the one waged to reclaim land from the colonial farmers in the 2000s, is known as Chimurenga, and the music it produced is thus called Chimurenga music. The sounds and music were Afrosonic—that is, deeply grounded in the ideology of the 1960s–70s war, spawning the cultural liberation of a people whose self-expression the colonial system had criminalized and oppressed for close to a century.The living labs of the liberation war, Chimurenga, powered not just military but also cultural rearmament, thereby producing cultural blueprints for a confident, regenerative public consciousness and expressiveness as independence. The open-access title captures the sounds of self-liberation, framing a state of militant audibility in public cultural expressiveness, public policy propagation, and contestation. It invites readers to imagine, see, hear, and feel self-liberation war redeployed as popular entertainment in the service of state making. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Nesta segunda-feira (17), o Roda Viva, da TV Cultura, recebe Paulo Blikstein, professor titular de Educação e afiliado ao Departamento de Ciência da Computação da Universidade de Columbia. Professor e pesquisador, ele participa do programa para discutir as transformações provocadas pela inteligência artificial na sociedade e, especialmente, os impactos da tecnologia na educação e no desenvolvimento das crianças.À medida que a inteligência artificial avança, o formato tradicional das salas de aula também passa por mudanças. Quais são os riscos para as crianças? Como utilizar essas ferramentas sem comprometer a aprendizagem? E quais são os limites e os cuidados necessários para que a tecnologia contribua para a educação sem desumanizar o ambiente escolar? Blikstein dirige o Centro Lemann de Estudos Brasileiros, a Iniciativa Paulo Freire e o Laboratório de Tecnologias Transformadoras da Aprendizagem, na Universidade de Columbia. Com passagens pelo MIT Media Lab e pela Universidade Stanford, o pesquisador brasileiro estuda como a tecnologia pode transformar os processos de ensino e aprendizagem.Durante a conversa, Blikstein também apresenta reflexões de sua obra recém-lançada, A Sociedade que Aprende, publicada pela MIT Press, e aborda os desafios de uma sociedade cada vez mais impactada pela inteligência artificial.Apresentado por Ernesto Paglia, o Roda Viva vai ao ar toda segunda-feira, às 22h, no canal da TV Cultura e no YouTube!#RodaViva #TVCultura #SomosCultura #PauloBlikstein

Water always wins. The question is whether we let it cool the planet while it does — or keep fighting it until there's nothing left to fight with.Erica Gies is the author of Water Always Wins: Thriving in an Age of Drought and Deluge, and is currently writing her second book, Roots to Sky: How Life and Water Can Help Cool Earth's Climate, due in 2028. She is an environmental journalist who has spent more than a decade travelling the world to document how communities are rebuilding their relationship with water — not by controlling it better, but by understanding what water wants and working with it.The common climate narrative — decarbonise, bring fossil fuel emissions to zero, done — is no longer sufficient on its own. Water vapour accounts for roughly half the greenhouse effect. We've degraded 75% of the earth's land surface, largely by draining it. And more sea level rise comes from pumping groundwater than from melting glaciers — something a 1970 MIT Press report already knew. We've only accelerated since.The good news: this is something we can change relatively quickly through land restoration. And water is absolutely key.In this episode:— Why water always wins and what it means to ask what water wants rather than fighting it— How growing up in California, built on extreme water engineering, shaped Erica's obsession— Why she shifted from surface water to the atmosphere for her new book Roots to Sky— The 1970 MIT report that flagged pumping groundwater raises sea levels — 55 years of acceleration since— Why 87% of wetlands drained, two thirds of rivers dammed, and cities doubled since 1992 have made our water problems worse, not better— Why the best water solutions are modular and decentralised — and why that's empowering— What beavers in California are teaching farmers who spent eighty years shooting them— Why investors optimising single variables are running out of natural buffers faster than they think— Why land back for indigenous peoples may be one of the highest-return interventions available— Her magic wand answer: caring for non-humans — and why she thinks we're closer to it than it seems.More about this episode.Thoughts? Ideas? Questions? Send us a message!Find out more about our Generation-Re investment syndicate:https://gen-re.land/ Thank you to our Field Builders Circle for supporting us. Learn more hereSupport the show=======In Investing in Regenerative Agriculture and Food podcast show we talk to the pioneers in the regenerative food and agriculture space to learn more on how to put our money to work to regenerate soil, people, local communities and ecosystems while making an appropriate and fair return. Hosted by Koen van Seijen.

Host Scott Rettberg speaks with Aarhus University Associate Professor Christian Ulrik Andersen about autonomous AI imaging and his co-authored book, Objects of Interest and Necessity. They examine how fringe user communities, micro-models, and platforms like Civitai, AI Horde, and Hugging Face challenge big-tech dominance in generative AI. The conversation also delves into "minor tech" strategies, alternative infrastructures, and the role of digital art in rethinking our political and cultural relationship to technology.References Andersen, C. U., & Cox, G. (2017). The Metainterface: The Art ofPlatforms Cities and Clouds. MIT Press.https://mitpress.mit.edu/9780262038133/the-metainterface/Andersen,C. U., Milev, N., & Velasco, P. (2024). Objects of Interest and Necessity:A Tour Guide to Autonomous AI Imaging. Digital Aesthetics Research Center /Centre for Advanced Visualization and Interaction (CAVI).https://darc.au.dk/publications/darc-booksDeleuze,G., & Guattari, F. (1986). Kafka: Toward a Minor Literature (D. Polan, Trans.).University of Minnesota Press.https://www.upress.umn.edu/9780816615155/kafka/LAION(Large-scale AI Open Network). (2021). Open-Source Datasets and MachineLearning Infrastructure. LAION.https://laion.ai/Marx,L. U.(2020). The Small File Media Festival. Simon Fraser University Schoolfor the Contemporary Arts.https://smallfile.ca/Pamuk,O. (2012). TheMuseum of Innocence. Vintage Books.https://www.orhanpamuk.net/book.aspx?id=96&lng=engRombach, R., Blattmann, A., Lorenz, D., Esser, P.,& Ommer, B. (2022). High-Resolution Image Synthesis with Latent Diffusion Models. Proceedings of the IEEE/CVFConference on Computer Vision and Pattern Recognition (CVPR), 10684–10695.https://arxiv.org/abs/2112.10752

Cycling Cities is a series of books that investigates 150 years of cycling policy and practice across fifty cities in twenty-five countries, and keeps adding new cities to the list including, recently, Lisbon and Tehran. In this episode, I interview two authors, M. Luísa Sousa and Kazem Afradi, from the teams of researchers that wrote Cycling Cities: The Lisbon Experience and Cycling Cities: The Tehran Experience. These books uncover the histories of bicycles and their cyclists from Lisbon to Tehran, from the 19th century to the 21st century, and from royals to revolutionaries. As you'll hear, while there are of course many differences between Lisbon and Tehran, there are also many commonalities in their cycling histories. Jacob Ward is an historian at Maastricht University, the Netherlands. He has written on the history of science and technology, environmental history, business and financial history, and political history. He recently published Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024) and he's currently working on a history of futurology in the United Kingdom and Europe from 1945 to the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Land of Happiness: How the Japanese Department Store Visualized Modern Life (MIT Press, 2026) explores the far-reaching influence of the Japanese department store on modern life and our imaginations. In this gorgeously illustrated volume, Dr. Nozomi Naoi explains how Japanese department stores modeled “the new modern Japanese life and identity” through print media and design, physical and imagined space, and the new experiences that these spaces offered. The stores created the notion of a modern subject enjoying a “land of happiness”—and this, in turn, shaped the wider sociological context, including emerging roles for women and perceptions of coloniality. The book focuses on three areas: the mediascape of proliferating department store posters, advertisements, commercial design, promotional magazines, and merchandise; the physical space, such as the Western-style architecture that characterized many of these early department stores, and the imagined “modern space” created within their walls; and, finally, the production of a novel “dreamworld,” which included dining spaces with children's menus, new technology such as elevators and escalators, and more. Although the research on department stores and their role in the quotidian experience is vast, there is nothing like this study, which is uniquely grounded in an art-historical approach that draws on the visual media environment of early twentieth-century Japan and its impact on the everyday. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Land of Happiness: How the Japanese Department Store Visualized Modern Life (MIT Press, 2026) explores the far-reaching influence of the Japanese department store on modern life and our imaginations. In this gorgeously illustrated volume, Dr. Nozomi Naoi explains how Japanese department stores modeled “the new modern Japanese life and identity” through print media and design, physical and imagined space, and the new experiences that these spaces offered. The stores created the notion of a modern subject enjoying a “land of happiness”—and this, in turn, shaped the wider sociological context, including emerging roles for women and perceptions of coloniality. The book focuses on three areas: the mediascape of proliferating department store posters, advertisements, commercial design, promotional magazines, and merchandise; the physical space, such as the Western-style architecture that characterized many of these early department stores, and the imagined “modern space” created within their walls; and, finally, the production of a novel “dreamworld,” which included dining spaces with children's menus, new technology such as elevators and escalators, and more. Although the research on department stores and their role in the quotidian experience is vast, there is nothing like this study, which is uniquely grounded in an art-historical approach that draws on the visual media environment of early twentieth-century Japan and its impact on the everyday. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Land of Happiness: How the Japanese Department Store Visualized Modern Life (MIT Press, 2026) explores the far-reaching influence of the Japanese department store on modern life and our imaginations. In this gorgeously illustrated volume, Dr. Nozomi Naoi explains how Japanese department stores modeled “the new modern Japanese life and identity” through print media and design, physical and imagined space, and the new experiences that these spaces offered. The stores created the notion of a modern subject enjoying a “land of happiness”—and this, in turn, shaped the wider sociological context, including emerging roles for women and perceptions of coloniality. The book focuses on three areas: the mediascape of proliferating department store posters, advertisements, commercial design, promotional magazines, and merchandise; the physical space, such as the Western-style architecture that characterized many of these early department stores, and the imagined “modern space” created within their walls; and, finally, the production of a novel “dreamworld,” which included dining spaces with children's menus, new technology such as elevators and escalators, and more. Although the research on department stores and their role in the quotidian experience is vast, there is nothing like this study, which is uniquely grounded in an art-historical approach that draws on the visual media environment of early twentieth-century Japan and its impact on the everyday. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida. In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida. In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida. In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida. In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Political conflicts related to immigration are thorny enough on their own. The issues and challenges intensify once we add to the mix our warming planet and its relationship to migration, immigration, and human displacement. Two 2024-25 CASBS fellows – Maureen Eger, a sociologist of immigration, and Alice Farmer, a refugee lawyer specializing in climate change and displacement – discuss scholarly and policy dimensions of the climate migration landscape in conversation with Pulitzer Prize-winning journalist John Markoff (CASBS fellow, 2017-18). Maureen Eger: USC faculty page | personal website | Google Scholar page | Alice Farmer: LinkedIn page |  Read John Markoff's latest book, Whole Earth: The Many Lives of Stewart Brand  (Penguin Random House, 2022). John's next book, expected in 2027, will be published by MIT Press. Referenced in the episode or related works L. Yang, M. Eger, and Link, eds. Migration Stigma: Understanding Prejudice, Discrimination, and Exclusion (MIT Press, 2024) M. Eger and S Valdez, "From Radical Right to Neo-nationalist," European Political Scientist (2019) M. Eger, M. Hjerm, and P. Velasquez, "What is the Liberalizing Potential of Higher Education? An Analysis of Academic Fields and Anti-Immigrant Sentiment Across 32 Countries," The British Journal of Sociology (2025) M. O'Brien and M. Eger, "Suppression, Spikes, and Stigma: How COVID-19 Will Shape International Migration and Hostilities toward It," International Migration Review (2020) L. Yang, M. Eger, and B. Link, "The Human Cost of Politicizing Immigration: Migration Stigma, US Politics, and Health," JAMA (2024) A. Farmer and K. Linos, "Tools to Finance Climate Mobility: An Introduction to the Symposium," American Journal of International Law (2025) A. Farmer, "Disasters in Slow Motion: Why Climate Displacement Tests International Legal Frameworks, and What to Do about it," University of Pennsylvania Journal of International Law (2026) J. Bittle, The Great Displacement: Climate Change and the Next American Migration (Simon & Schuster, 2024) G. Vince, Nomad Century: How Climate Migration will Reshape our World (Macmillan, 2022) A. Lustgarten, On the Move: The Overheating Earth and the Uprooting of America (Macmillan, 2024) T. Hale, Long Problems: Climate Change and the Challenge of Governing Across Time (Princeton Univ. Press, 2024) Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford UniversityExplore CASBS: website | Bluesky | X | YouTube |LinkedIn | podcast | latest newsletter | signup | outreach​Human CenteredProducer: Mike Gaetani | Audio engineer & co-producer: Joe Monzel

In this week's episode, we sort of turn the tables on Jonathan to discuss the art of assembling anthologies, and in particular no fewer than four books he has coming out over the next few months: Revolution in the Heart: Stories Inspired by Ursula K. Le Guin, The Book of the Dead, Vaster Than Empires:, Speculative Fiction of the Eternal and the Ephemeral , and The Locus Best Science Fiction & Fantasy of the Year: Volume 1. Not surprisingly, there is a story behind each of these. One honors one of our greatest writers, another continues a popular series that began with The Book of Dragons and The Book of Witches, a third comes from MIT Press, and the fourth includes stories voted on by jurors at Locus magazine. Along the way we both get to mention some of our favorite writers, along with new discoveries and other surprises—in other words, why anthologies are almost always fun to read. Order links: Revolution in the Heart, Titan Books, September The Book of  the Dead, Harper Voyager, October 2026 Vaster than Empires, MIT Press, November 2026 The Locus Best Science Fiction & Fantasy of the Year: Volume 1, Locus Press, November 2026

Send us Fan MailWe start with a simple mystery: how the same person can make a proud plan at night and break it in the morning, even while still believing the plan is good. We connect akrasia, free will, and moral responsibility to transaction costs, treating self-control as a contracting problem between competing versions of ourselves. • Jordan I and Jordan II as a model of divided preferences over time • Hard determinism, libertarian free will, and compatibilism as the main philosophical map • Responsibility and punishment as social conventions that reduce coordination costs • Aristotle on voluntary intoxication and why blame can attach upstream • Akrasia defined as wanting to want the right thing • Plato's knowledge-based denial of akrasia versus Aristotle's acceptance of weakness of will • Paul and Augustine on the internal conflict of the will • Time-inconsistent preferences and hyperbolic discounting as a behavioral explanation • Commitment devices as credible commitments and transaction cost engineering • Odysseus and the sirens as the classic precommitment story • Listener letter on military punctuality as costly signaling and institutional discipline • Listener letter on recycling labels as regulation creating new transaction costs Links and Sources1. Ainslie, G. (1992). Picoeconomics: The strategic interaction of successive motivational states within the person. Cambridge University Press.  Link: Cambridge University Press — Picoeconomics 2. Aristotle. (1999). Nicomachean ethics (W. D. Ross, Trans.). Batoche Books. (Original work published ca. 350 B.C.E.)  Passage: Book VII (on incontinence/akrasia). Link: Nicomachean Ethics, trans. W. D. Ross (free PDF)3. Augustine. (1838). The confessions of Saint Augustine (E. B. Pusey, Trans.). John Henry Parker. (Original work written ca. 397–400 C.E.)  Passage: Book VIII, Chapters 8–9 (§§20–21). Link: Confessions, Book VIII, Pusey translation (free full text)4. Davidson, D. (1970). How is weakness of the will possible? In J. Feinberg (Ed.), Moral concepts (pp. 93–113). Oxford University Press. Link: Oxford Academic — "How Is Weakness of the Will Possible?" (in Essays on Actions and Events) (gated — subscription/institutional access)5. Dennett, D. C. (1984). Elbow room: The varieties of free will worth wanting. MIT Press. Link: MIT Press — Elbow Room (gated — purchase; excerpts free)6. Dennett, D. C. (2003). Freedom evolves. Viking.  Link: Internet Archive — Freedom Evolves (gated — free with Internet Archive lending account)7. Hume, D. (1999). An enquiry concerning human understanding (T. L. Beauchamp, Ed.). Oxford University Press. (Original work published 1748) Passage: Section VIII, "Of Liberty and Necessity." Link: Hume Texts Online — Section 8 (free full text)8. King James Bible. (2017). King James Bible Online. https://www.kingjamesbibleonline.org/ (Original work published 1769) Passage: Romans 7. Link: Romans, Chapter 7 (KJV) (free full text)9. Plato. (1967). Protagoras (W. R. M. Lamb, Trans.). Harvard University Press. (Original work published ca. 380 B.C.E.)  Link: Perseus Digital Library — Protagoras (Lamb trans.) (free full text)10. Schelling, T. C. (1984). The intimate contest for self-command. In Choice and consequence: Perspectives of an errant economist. Harvard University Press.  Link: National Affairs — "The Intimate Contest for Self-Command" (original 1980 essay, free full text) · Harvard University Press — Choice and Consequence (book page, gated)11. Strawson, P. F. (1962). Freedom and resentment. Proceedings of the British Academy, 48, 1–25. Link: The British Academy — Freedom and Resentment (official publisher page, may be gated)12. Vaihinger, H. (1925). The philosophy of 'as if': A system of the theoretical, practical and religious fictions of mankind (C. K. Ogden, Trans.). Harcourt, Brace. (Original work published 1911)Link: Internet Archive — The Philosophy of 'As If' (free full text)Book-o-da-Week:  Emily Wilson's translation of Homer's THE ODYSSEY, 2018, WW Norton. If you have questions or comments, or want to suggest a future topic, email the show at taitc.email@gmail.com !You can follow Mike Munger on Twitter at @mungowitz 

Contemporary digital gameplay is only accessible by navigating an ecosystem of interfaces that support its computational nature. Account logins, controllers, and an assortment of menus, settings, and other peripheral-to-gameplay elements support a range of practical and necessary functions that result from the transformation of gameplay into digital gameplay, as well as broader shifts toward an increasingly networked and data-driven world. The games industry has adopted usability testing on top of play testing to evaluate how these interfaces may influence the accessibility and success of their game software, but how embedding gameplay within webs of software, hardware, and platform infrastructures impacts the medium, players, and production has not yet been fully explored. In Thresholds of Digital Gameplay (MIT Press, 2025), Daniel Gardner demonstrates how a series of interfaces and other elements on the periphery of digital gameplay fundamentally alter the phenomena of gaming. This book examines non-gameplay-centered material or mechanical attachments that surround and enclose gameplay while directing or mediating our experience of it—for example, access controls, character configuration, and microtransactional storefronts. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.From a leading expert on race, class, maternal health, and reproductive rights.Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism's reach. Throughout the book, engaging, heartbreaking, infuriating stories of women's experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.From a leading expert on race, class, maternal health, and reproductive rights.Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism's reach. Throughout the book, engaging, heartbreaking, infuriating stories of women's experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network