Podcasts about hand sketching

What do hand sketching, creating custom furniture and adaptive reuse have in common? They're all in a day's work for architect Rachel Robinson, co-founder of New York City based durodeco. In this episode, she sits down with i+s Editor in Chief, AnnMarie Martin, to discuss how her firm got its start, where the design industry seems to be heading in New York (hint: adaptive reuse is on the rise), the importance of sketching by hand and why it's so important to her work—and more. --- Support this podcast: https://podcasters.spotify.com/pod/show/iandsdesign/support

Derek Recker holds both bachelor's and master's degrees in mechanical engineering is a certified Solidworks professional, and currently works for The Hawthorne Gardening company, a subsidiary of the Scotts Miracle-Gro company. Join our conversation to learn the communication pro tips Derek uses to communicate with cross functional teams, as well as his favorite tools as an R&D engineer. About Being An Engineer The Being An Engineer podcast is a repository for industry knowledge and a tool through which engineers learn about and connect with relevant companies, technologies, people resources, and opportunities. We feature successful mechanical engineers and interview engineers who are passionate about their work and who made a great impact on the engineering community. The Being An Engineer podcast is brought to you by Pipeline Design & Engineering. Pipeline partners with medical & other device engineering teams who need turnkey equipment such as cycle test machines, custom test fixtures, automation equipment, assembly jigs, inspection stations and more. You can find us on the web at www.teampipeline.us

Arne Lang-Ree holds a Bachelor's degree in mechanical engineering and a Master's degree in product design from Stanford University, and has worked within a variety of design areas from toys to sports to premium products. He is the founder and CDO of Spanner Product Development where he and his team develop exquisitely crafted consumer products in the heart of Silicon Valley.Aaron Moncur, hostWe hope you enjoyed this episode of the Being an Engineer Podcast.Help us rank as the #1 engineering podcast on Apple and Spotify by leaving a review for us.You can find us under the category: mechanical engineering podcast on Apple Podcasts.Being an Engineer podcast is a go-to resource and podcast for engineering students on Spotify, too.Aaron Moncur and Rafael Testai love hearing from their listeners, so feel free to email us, connect on Facebook, Twitter, Instagram, and subscribe on Apple Podcast and Spotify! About Being An EngineerThe Being An Engineer podcast is a repository for industry knowledge and a tool through which engineers learn about and connect with relevant companies, technologies, people resources, and opportunities. We feature successful mechanical engineers and interview engineers who are passionate about their work and who made a great impact on the engineering community.The Being An Engineer podcast is brought to you by Pipeline Design & Engineering. Pipeline partners with medical & other device engineering teams who need turnkey equipment such as cycle test machines, custom test fixtures, automation equipment, assembly jigs, inspection stations and more. You can find us on the web at www.teampipeline.us

How can you get better at architectural sketching? In this episode, I'm joined by the man, the myth, the legend – face of “Sketch Like an Architect” – David Drazil, to find out just that. David talks about how you can be a better architect and use sketching to your unique advantage. Here's a list of the questions from the interview: Could you start off by telling us a bit about yourself, you know who you are and where you're from? Can you tell us a bit more about Sketch Like an Architect? What is it and what made you decide it was something you wanted to do? With technology taking over, why do you think sketching is a useful skill to have? Where do you see the future in regards to architectural hand sketching? Do you still think it will be relevant in 10, 20, 50 years time? So firstly, can you tell us what apps you use for architectural hand sketching and what are some of the benefits of sketching on a tablet/ipad? Digital or not, what are some of the other tools you use when sketching? Do you use any special kind of pens? Do you specifically use a type of brand or a different type of ruler or something like that? What are your thoughts on sketching in the profession of architecture, because it's something I see a lot of students doing in their first years, as I said earlier, but it slowly decreases over time. And I love the idea of sketching to grow and evolve ideas, which is something you were mentioning as well, but can I ask, How and when did sketching habits place in the workplace when you were practicing as an architect? When you first started architectural sketching, were you already good at it as in some natural talent you had from birth that's in your genetics, or was it? Was it from practicing? What are some of the things you do to practice architectural hand sketching on a daily basis? Can you tell us about the process you took to find a job in architecture? How did you find the time to work on sketch like an architect when you were working full time as an architect? If you could go back in time to when you were studying to be an architect. Is there anything you wish you could have changed or wish you'd known or done sooner? Who's your favourite architect? Do you have a favourite architecture book that is not your own? Do you have any hobbies outside of sketch like an architect or architecture in general? Do you have any other hobbies? If someone wants to know more about that mini course, what would you say about that? Prefer listening/reading? Find all this episode's resources in the show notes: https://successfularchistudent.com/34/ ▼DOWNLOAD THE FREE ARCHI STUDENT SUCCESS CHECKLIST▼ → https://successfularchistudent.com/← Get my new ebook! “How to Ace Any Project in Architecture School” https://successfularchistudent.com/how-to-ace-any-project/

A discussion of Omar Nasim's book Dr Omar Nasim (lecturer in history at the University of Kent) discusses his book with Dr Stephen Johnston (Assistant Keeper, Museum of the History of Science), Professor Martin Kemp (History of Art, University of Oxford) and Professor Chris Lintott (Astrophysics, University of Oxford). The book sheds entirely new light on the ways in which the production and reception of handdrawn images of the nebulae in the nineteenth century contributed to astronomical observation. Omar W. Nasim investigates hundreds of unpublished observing books and paper records from six nineteenth-century observers of the nebulae: Sir John Herschel; William Parsons, the third Earl of Rosse; William Lassell; Ebenezer Porter Mason; Ernst Wilhelm Leberecht Tempel; and George Phillips Bond. Nasim focuses on the ways in which these observers created and employed their drawings in data-driven procedures, from their choices of artistic materials and techniques to their practices and scientific observation. He examines the ways in which the act of drawing complemented the acts of seeing and knowing, as well as the ways that making pictures was connected to the production of scientific knowledge.

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim's approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh's The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim's approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh's The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae... Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary approach spans several media that include maps and portraits, oil paintings and etchings, private drawings and collectively-produced published images. The book helped me see Van Gogh’s The Starry Night, and the starry night above, with new eyes and a new appreciation for the vision and visioning of nineteenth century astronomical observers. Learn more about your ad choices. Visit megaphone.fm/adchoices