Podcasts about Cultural history

The United States has no hate speech laws; hate speech is generally considered to be free speech under the First Amendment. In Hate Speech: The Legal and Cultural History of an American Dilemma (U California Press, 2026), acclaimed legal historian Samantha Barbas chronicles the country's legal and cultural battles over the regulation of hate speech in the last hundred years. Charting the historical context for current debates, she ultimately argues that, however emotionally appealing they may seem, hate speech laws undermine civil rights and democracy.The American policy on hate speech evolved from influences such as the civil rights movement, which contended that the most effective way to combat hate speech wasn't through proposed laws. Rather than imposing restrictions, the US has developed an array of mechanisms other than law, including counterspeech and public education, that have been relatively effective at dealing with hate speakers and hate groups. Though not perfect, our method of addressing hate is less dangerous than government censorship and less likely to be weaponized against the powerless. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The United States has no hate speech laws; hate speech is generally considered to be free speech under the First Amendment. In Hate Speech: The Legal and Cultural History of an American Dilemma (U California Press, 2026), acclaimed legal historian Samantha Barbas chronicles the country's legal and cultural battles over the regulation of hate speech in the last hundred years. Charting the historical context for current debates, she ultimately argues that, however emotionally appealing they may seem, hate speech laws undermine civil rights and democracy.The American policy on hate speech evolved from influences such as the civil rights movement, which contended that the most effective way to combat hate speech wasn't through proposed laws. Rather than imposing restrictions, the US has developed an array of mechanisms other than law, including counterspeech and public education, that have been relatively effective at dealing with hate speakers and hate groups. Though not perfect, our method of addressing hate is less dangerous than government censorship and less likely to be weaponized against the powerless. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The United States has no hate speech laws; hate speech is generally considered to be free speech under the First Amendment. In Hate Speech: The Legal and Cultural History of an American Dilemma (U California Press, 2026), acclaimed legal historian Samantha Barbas chronicles the country's legal and cultural battles over the regulation of hate speech in the last hundred years. Charting the historical context for current debates, she ultimately argues that, however emotionally appealing they may seem, hate speech laws undermine civil rights and democracy.The American policy on hate speech evolved from influences such as the civil rights movement, which contended that the most effective way to combat hate speech wasn't through proposed laws. Rather than imposing restrictions, the US has developed an array of mechanisms other than law, including counterspeech and public education, that have been relatively effective at dealing with hate speakers and hate groups. Though not perfect, our method of addressing hate is less dangerous than government censorship and less likely to be weaponized against the powerless.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

A deep dive hot take into anti irish jokes, kerryman jokes and Englishman, Irishman and Scotsman Jokes Hosted on Acast. See acast.com/privacy for more information.

It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike in Los Angeles and Film: A Cultural History of 20th-Century Hollywood (Bloomsbury, 2026). Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema—a form that centers marginalized voices and challenges the myth of Hollywood glamour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike in Los Angeles and Film: A Cultural History of 20th-Century Hollywood (Bloomsbury, 2026). Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema—a form that centers marginalized voices and challenges the myth of Hollywood glamour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike in Los Angeles and Film: A Cultural History of 20th-Century Hollywood (Bloomsbury, 2026). Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema—a form that centers marginalized voices and challenges the myth of Hollywood glamour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike in Los Angeles and Film: A Cultural History of 20th-Century Hollywood (Bloomsbury, 2026). Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema—a form that centers marginalized voices and challenges the myth of Hollywood glamour.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike in Los Angeles and Film: A Cultural History of 20th-Century Hollywood (Bloomsbury, 2026). Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema—a form that centers marginalized voices and challenges the myth of Hollywood glamour.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On today's show, host Douglas Haynes speaks with renowned botanist and teacher Robin Wall Kimmerer about her new movement, Plant Baby Plant. While giving a talk a few years back, Kimmerer coined the movement in order to turn people away from the extractive logic of Drill Baby Drill and “raise a garden-gloved middle finger” to the MAGA mantra. Instead, Plant Baby Plant initiates a new cultural story that asks participants to “raise a garden and raise a ruckus.” Kimmerer says that we need to “re-story” our relationship with plants, the land, and the rest of the non-human world. Plant Baby Plant seeks to catalyze restoration projects and revive and re-story the cultural imaginary. Kimmerer says that “the same forces degrading our natural environment are degrading our cultural environment. She wants people to trade the message of individualism we've been fed with one of common purpose. Plant Baby Plant promotes people taking direct, physical actions, even small ones like converting your yard into a biodiverse carbon sink with native plants. Kimmerer calls this resistance with shovels and seeds. Yet, small acts aren't enough. Kimmerer says we need to “raise a ruckus” by contributing to systemic change that moves away from extraction toward reciprocity. This work is urgent, and Kimmerer recommends “slowing down in our imagination and speeding up in our defense of the natural world,” following the example of organizations like The Understory Alliance. Robin Wall Kimmerer is a mother, scientist, decorated professor, and enrolled member of the Citizen Potawatomi Nation. She is the author of Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, which has earned Kimmerer wide acclaim. Her first book, Gathering Moss: A Natural and Cultural History of Mosses, was awarded the John Burroughs Medal for outstanding nature writing, and her other work has appeared in Orion, Whole Terrain, and numerous scientific journals. In 2022, Braiding Sweetgrass was adapted for young adults by Monique Gray Smith. This new edition reinforces how wider ecological understanding stems from listening to the earth's oldest teachers: the plants around us. Robin's newest book, The Serviceberry: Abundance and Reciprocity in the Natural World (November 2024), is a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world. Featured image of zinnia seedlings via BlueRidgeKitties on Flickr (CC BY-NC-SA 2.0).  Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Raise a Garden, Raise a Ruckus with Robin Wall Kimmerer appeared first on WORT-FM 89.9.

The writer Caroline Crampton beat cancer. But she still didn't feel well. Instead, she was stuck with a persistent, anxious fear that the cancer would surely return.

What physical activity gives you joy? Whether it's walking, running, dancing or swimming, your body evolved to do it. We are made for movement. But there's a cost, as anyone with a sore neck or aching back knows. From the tiny muscles in our skin, which raise the hair on our arms, to the intricate mix of bone, blood vessels, and nerves in our neck, natural selection has struck a delicate and sometimes wacky balance between utility and form. In this episode, we explore how parts of the body - our muscles, neck and feet - came to be, and what forces prompted the evolution of efficient yet imperfect bodies.  Guests:  Kent Dunlap - Professor of biology at Trinity College in Hartford, Connecticut and author of “The Neck: A Natural and Cultural History”  Bonnie Tsui - Journalist and author of “On Muscle: The Stuff That Moves Us and Why It Matters”  Jeremy DeSilva - Anthropologist at Dartmouth College and author of “First Steps, How Upright Walking Made Us Human”  Featuring music by Dewey Dellay and Jun Miyake  Originally aired June 30, 2025  You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support!  Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science.  Learn more about your ad choices. Visit megaphone.fm/adchoices

What physical activity gives you joy? Whether it's walking, running, dancing or swimming, your body evolved to do it. We are made for movement. But there's a cost, as anyone with a sore neck or aching back knows. From the tiny muscles in our skin, which raise the hair on our arms, to the intricate mix of bone, blood vessels, and nerves in our neck, natural selection has struck a delicate and sometimes wacky balance between utility and form. In this episode, we explore how parts of the body - our muscles, neck and feet - came to be, and what forces prompted the evolution of efficient yet imperfect bodies.  Guests:  Kent Dunlap - Professor of biology at Trinity College in Hartford, Connecticut and author of “The Neck: A Natural and Cultural History”  Bonnie Tsui - Journalist and author of “On Muscle: The Stuff That Moves Us and Why It Matters”  Jeremy DeSilva - Anthropologist at Dartmouth College and author of “First Steps, How Upright Walking Made Us Human”  Featuring music by Dewey Dellay and Jun Miyake  Originally aired June 30, 2025  You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support!  Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailThe first World Cup champion in history spoke Spanish — Uruguay, 1930. The Latino history of fútbol, from Aztec stone courts to the Estadio Azteca.Ask most people who won the very first World Cup and they'll say Brazil, Italy, or England. They're wrong. And the real answer says everything about us.This is a solo episode on the history of fútbol, the origins of the World Cup, and how deep Latino roots run in the biggest tournament on Earth.THE BALLGAME BEFORE THE BALLGAME Three thousand years before England wrote a single rule, our ancestors were already playing one of the oldest organized ball games on the planet. The Aztecs called it ōllamaliztli — from ōlli, their word for rubber. The Maya called it pok-ta-pok. They played with a solid rubber ball that could weigh up to nine pounds, in massive stone courts, with crowds in the stands. Mesoamericans invented the rubber ball. And this was no weekend kickaround — it was sacred, tied to how they understood the sun, life, and death. No hands, no feet. Hips, forearms, thighs. A version of that same game, ulama, is still played in Sinaloa, México, to this day.WHERE THE MODERN GAME REALLY CAME FROM England's original version was called mob football — entire villages dragging an inflated pig's bladder across miles of open country. Broken bones, brawls, deaths. Kings tried to ban it, and a preacher in the 1500s called it a bloody, murdering practice rather than a friendly sport. The most beautiful sport on the planet started as a legal riot between two towns. England's boarding schools — Eton, Harrow, Rugby — finally tamed it, and in 1863 they split the difference in a London tavern: the foot game became association football, the hands game became rugby. That's also where the word "soccer" comes from. Not America. England.DID FÚTBOL COME FROM CHINA? FIFA officially points to cuju, played in China more than two thousand years ago, as the oldest recorded version. Most historians call the connection a stretch. Their reasoning is simple: kicking a ball is just something humans do. It appeared independently in China, Greece, Rome, Japan — and right here in the Americas. Nobody handed the game down to us.HAS IT ALWAYS BEEN FIFA? No. For about forty years there was no global governing body at all. FIFA was founded in 1904 in Paris by seven European countries — and England, who wrote the rulebook, was too proud to join at first.URUGUAY 1930: THE FIRST WORLD CUP The first World Cup ever played wasn't in London, Rome, or Paris. It was in Uruguay. They were the best team on Earth, they were celebrating a hundred years of their constitution, they offered to pay for everything, and they built the Estadio Centenario from scratch. Thirteen teams played. Seven came from the Americas. The first goal in World Cup history was scored against México on opening day. And in the final, Uruguay beat Argentina 4-2 in front of 93,000 people to become the first world champions in history. The next day the whole country shut down for a national holiday.TEN TITLES Brazil has five World Cups, more than any nation on Earth. Argentina has three, including Maradona in 1986 and Messi in 2022. Uruguay has two, including the Maracanazo of 1950. Ten world championships in Latin America.AND AN HONEST LOOK AT FIFA FIFA's record off the field is ugly — the 2015 corruption arrests in Zürich, and right now, the ticket situation at the Estadio Azteca, with everyday Mexican fans priced out of watching their own national team on their own soil. That's not okay. But a boardroom in Switzerland doesn't get to rewrite what we built on the field.Follow the show, share this with somebody watching the games this summer, and leave a rating. Nos vemos en la próxima.Website: https://thegloballatinfactor.com/Support the showSocial Media:Facebook: https://www.facebook.com/TheGlobalLatinFactorPodcastTwitter: https://twitter.com/thegloballatin1Instagram: https://www.instagram.com/thegloballatinfactorpodcastTiktok: ...

Few scholars have influenced memory studies as much as Jeff Olick.  Professor of Sociology and History at the University of Virginia, Charlotte, Jeff was co-founder and past co-president of the Memory Studies Association, the leading association for this burgeoning, interdisciplinary field of studies. His books on Germany offer pathbreaking insights into how the country's political elites attempted to master the Nazi and Holocaust past.  The Politics of Regret, has become a reference point for explaining why countries around the globe take up the challenge of confronting shameful histories.  From the The Collective Memory Reader to the six volume, A Cultural History of Memory, Jeff has helped compile a cannon of readings and an expansive history of collective memory.  A conversation with Jeff Olick about memory studies, the politics of memory in Germany, and the prospects for the politics of regret in the United States, next on the August 4th episode of the Realms of Memory podcast.

On this episode of Madison BookBeat, host Sara Batkie is joined by UW classics professor and author Tara Mulder to discuss her new book, A Womb of One's Own, now available from University of California Press. In the well-trod history of the Roman Empire, a pivotal moment has long gone unnoticed: It was in ancient Rome that medical men first set their sights on childbirth, the traditional domain of female midwives. Taking us to the dawn of Western obstetrics, A Womb of One's Own offers a feminist account of how, against a long tradition of midwifery, male doctors began claiming authority in reproductive matters, with an emphasis on theoretical rather than practical knowledge. Their intrusion paved the way for the later criminalization of midwives and the cloaking of childbirth in secrecy and shame. Yet communities of Roman women continued to help each other through the journey from preconception to postpartum, guided by their own experience and the expertise of midwives. Tara Mulder recovers stories of ancient women living and resisting as they sought autonomy over their bodies and their health. Recounting their experiences in vivid, intimate detail, she reveals how old our modern conflicts about birth truly are. Tara Mulder specializes in medicine, sex, and gender in antiquity, focusing particularly on the history of reproduction. She has published articles on the history and reception of reproduction, midwifery, abortion, gender and sexuality, and herbalism. Her academic trade monograph, A Womb of One's Own: Childbirth in Ancient Rome tells a composite birth story, made up of the experiences of multiple (mostly) women. Other current projects include editing A Cultural History of Pregnancy and Childbirth in the Ancient World for Bloomsbury, and producing a translation of Metrodora's Conditions of the Womb, a Byzantine medical text written by a woman. She is an assistant professor in the Classical and Ancient Near Eastern Studies department at UW Madison. As the daughter of a homebirth midwife, she has assisted in over two dozen births.

This week, Liberty and Emily discuss An Infinite Love Story, The Great Wherever, False Prophet, and more great books! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Keep track of new releases with Book Riot's New Release Index, now included with an All Access membership. Click here to get started today! This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Books Discussed On the Show: An Infinite Love Story by Chanel Cleeton False Prophet by Afsheen Farhadi Heartstopper #6 by Alice Oseman Kiss, Marry, Kill by Cara Tanamachi The Brides by Charlotte Cross Every Version of You by Natalie Messier Good Morning Means I Love You by Kendra Allen The Great Wherever by Shannon Sanders A Real Animal by Emeline Atwood  The Inn at the Foot of Mount Vengeance by Chiara Bullen  Wisdom Corner by David Heska Wanbli Weiden The Man by Laura Sims You Won't Get Free of It: Stories of Mothers and Daughters by Rachel Aviv Everything Was Beautiful and Nothing Hurt by Ben Reeves  Some People by Parini Shroff Fabulous Bodies by Chuck Tingle  Man Overboard! by Kathleen Rooney Perverts: Stories by Mac Crane  We Will See You Bleed by Ron Currie What We're Reading: Slasher Summer by E.L. Chen Spoiled Milk by Avery Curran Daphne & Me: My Life on Frasier (And a Bit More) by Jane Leeves TMI: Memoirs of a Go-Go by Jane Wiedlin Take My Word for It: A Memoir by LeVar Burton Paperbacks: Forest Euphoria: The Abounding Queerness of Nature by Patricia Ononiwu Kaishian A Bomb Placed Close to the Heart by Nishant Batsha The Frozen People by Elly Griffiths History Lessons by Zoe B. Wallbrook Links: Ursula K. Le Guin shortlist Henry by Caroline Wray Tomi Adeyemi on the upcoming adaptation of Children of Blood and Bone Bestsellers: Theo of Golden by Allen Levi   Whistler by Ann Patchett   The Deal by Elle Kennedy   Yesteryear by Caro Claire Burke   The Divorce by Freida McFadden The Clock House Murders by Yukito Ayatsuji and translated by Ho-Ling Wong Gathering Moss: A Natural and Cultural History of Mosses by Robin Wall Kimmerer Forest Euphoria: The Abounding Queerness of Nature by Patricia Ononiwu Kaishian Learn more about your ad choices. Visit megaphone.fm/adchoices

Tarot cards hold a specific place in society, popular for their divination imagery and fortune-telling. The Morgan Library and Museum has organized a new exhibit about the artistic and cultural history of Tarot cards, Tarot! Renaissance Symbols, Modern Visions. Morgan curators Joshua O'Driscoll, Frank Trujillo, and Claire Gilman discuss the show, on view through October 4. Plus, listeners share their interest in tarot cards Photo by DeAgostini/Getty Images: Tarot card depicting the Moon, 1490, by Antonio Cicognara (active ca 1480-1500). Italy, 15th century. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Kelly has a fascinating conversation with King’s College London professor Fay Bound-Alberti about her compelling new book, “The Face: A Cultural History.” “The idea that a commoner would have their image captured for posterity was unthinkable.”  “The average person today takes 450 selfies a year.”  “Most people in the past didn't spend as much time looking at […]

Cultural critic & friend of the show Madeline Lane-McKinley joins my conversation with Sean O'Brien about their book The Return of the 90s: A Cultural History of the Present for the end of another two-episode week! Or am I joining their conversation? Doesn't matter! It's a great one because not only do we get to explore in greater depth the project of the book, in the back half of the episode it gets personal, as we explore how the project of periodization has affected them as people. Plus, we all share our "most 90s" memories.Support the show and get the TIYA After Dark feed on Patreon:https://www.patreon.com/thisisyourafterlifeThe Return of the 90s: A Cultural History of the Present:https://www.plutobooks.com/product/the-return-of-the-90s/Solidarity with Children: An Essay Against Adult Supremacy:https://www.haymarketbooks.org/books/2610-solidarity-with-childrenFollow them both and find out about book events:https://twitter.com/la_louve_rouge_https://www.instagram.com/la_louve_rouge_/https://twitter.com/sean_obeehttps://www.instagram.com/sean_ob/Be on the lookout for Sean's Keywords for Value and Culture, edited with Thomas Waller for CLCWeb, and Growing Pains, coming out through Textual Practice:https://docs.lib.purdue.edu/clcweb/https://www.tandfonline.com/journals/rtpr20Listen to Sean on Genre Reveal Party!, my movie podcast with Madeline:https://pod.link/aHR0cHM6Ly9mZWVkcy5jYXB0aXZhdGUuZm0vZ2VucmUtcmV2ZWFsLXBhcnR5Lw/episode/N2VkOTY1M2ItOTgwMy00OWQwLWIyZmQtYzdlNDA2M2QyYTlmFollow/contact This Is Your Afterlife:https://thisisyourafterlife.com/https://www.instagram.com/thisisyourafterlife/thisisyourafterlifepodcast@gmail.comMusic by TIYA house band Lake Mary:https://lakemary.bandcamp.com/https://www.instagram.com/chaz.prymek/Artwork by Matt Sage:https://www.instagram.com/matthewjsage/

Today on Uncommon Sense, we're discussing the tragic state of the modern world.From the protests in Ireland to growing frustration across Western nations, many people feel as though their voices are no longer being heard by the institutions that claim to represent them. I'll share why I support the right of people to protest and why I believe the demonstrations in Ireland have resonated with so many people around the world.We'll also discuss what I see as a deeper spiritual crisis affecting modern society. Many of the political, cultural, and social problems we face today are symptoms of a broader moral and spiritual decline, one that cannot be solved through politics alone.In this episode:My thoughts on the protests in IrelandWhy so many citizens now feel disconnected from their governmentsThe growing divide between ordinary people and powerful institutionsThe role of faith, morality, and personal responsibility in rebuilding societyWhy I believe many of today's crises point to a deeper spiritual battleWhether you agree or disagree, this episode is an invitation to think critically about the direction of our culture, our governments, and our future.--https://www.youversion.com/bible-app

I don't tend to use the word "periodizing" for the project of This Is Your Afterlife, but when I ask my guests, "What's your coma?," I'm absolutely "categorizing the past into discrete, quantified, and named blocks of time for the purpose of study or analysis" (thanks, Wikipedia). Periodization is the explicit project of The Return of the 90s: A Cultural History of the Present, a new book edited by Sean O'Brien and TIYA friend Madeline Lane-McKinley. In another two-episode week, I'm talking to them about this cultural criticism project and personalizing it. What world did the 90s leave us with? What do we make of the decade's resurgence? And what does it mean if the world we remember never existed in the first place?First up is Sean's solo episode, in which I roll out the purple carpet to give him the same TIYA treatment Madeline got with her solo episode. Then on Friday, I talk to them both in a more free-form conversation about the book, so stay tuned!We talk: an intro to Marxism, the need for sleep, WIRED magazine, afterlife as anti-work utopia, prostrating at the altar of academia, lessons he learned from watching his mother die with grace.Support the show and get the TIYA After Dark feed on Patreon:https://www.patreon.com/thisisyourafterlifeThe Return of the 90s: A Cultural History of the Present:https://www.plutobooks.com/product/the-return-of-the-90s/Follow Sean and find out about book events:https://twitter.com/sean_obeehttps://www.instagram.com/sean_ob/Listen to Sean on Genre Reveal Party!, my movie podcast with Madeline:https://pod.link/aHR0cHM6Ly9mZWVkcy5jYXB0aXZhdGUuZm0vZ2VucmUtcmV2ZWFsLXBhcnR5Lw/episode/N2VkOTY1M2ItOTgwMy00OWQwLWIyZmQtYzdlNDA2M2QyYTlmFollow/contact This Is Your Afterlife:https://thisisyourafterlife.com/https://www.instagram.com/thisisyourafterlife/thisisyourafterlifepodcast@gmail.comMusic by TIYA house band Lake Mary:https://lakemary.bandcamp.com/https://www.instagram.com/chaz.prymek/Artwork by Matt Sage:https://www.instagram.com/matthewjsage/

My guest this week is author Deborah Phillips whose new book is titled: AND THIS IS MY FRIEND SANDY — SANDY WILSON'S THE BOY FRIEND, LONDON THEATRE AND GAY CULTURE. Sandy Wilson's The Boyfriend — for which he wrote the book, music, & lyrics — is one of the most successful British musicals of all time. It emerged in 1952 out of London's secretive but vibrant gay theatrical subculture, at a time when you could be sent to prison for being homosexual.  By the following year both The Boyfriend and Sandy Wilson were the toast of London's West End, and created nearly as much excitement as Queen Elizabeth's coronation that same year. That original West End production ran for five years. Meanwhile, a hit American version of The Boyfriend opened on Broadway in 1954 and made a star out of Julie Andrews. The show was revived on Broadway in 1970 and made a star of Sandy Duncan, and two years later an ill-conceived film version was released, starring Twiggy and Tommy Tune and directed by Ken Russell. Despite all of this, prior to this book, very little has been written about Sandy Wilson. Deborah Phillips, who is Professor of Literature and Cultural History at the University of Brighton, is the first researcher to delve into Wilson's extensive archives out of which she has created an captivating portrait of Wilson as a both a key figure in post-war British theatre and the era's gay culture. This book and interview introduced me to a number of fascinating subjects I had never encountered before including the hilarious BBC radio series, Round The Horne, that inspired the book's title; the history of London's Players Theatre; and the secret gay language, Polari. Exploring all that sent me into several amazing internet rabbit holes and I will be posting articles and video clips that I found there in the Broadway Nation FaceBook Group. This episode is made possible in part through the generous support of Broadway Nation Patron Club members Anne Welsh, Chris Moad, and Bob Braun. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of Broadway Nation Patron Club members Anne Welsh, Chris Moad, and Bob Braun. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠https://broadwaynationpodcast.supercast.tech/⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

As we look back on 250 years of American history, you might be inspired to look into your own history. Monica O. Montgomery believes it's important to preserve your family's legacy, as she did after her parents passed away. Out of her grief and healing journey grew the DiasporaDNA Story Center, an “un-museum” and cultural center offering workshops, talks, bus tours, and more experiences centered around discovering ancestral history on both a personal and cultural level. Learn more or book an experience at www.diasporadna.org. Then, Shara Dae Howard heads to Philly's Avenue of the Arts, as the Philadelphia Music Alliance celebrates their 2026 Walk of Fame inductees, including Sun Ra Arkestra, Lady B, Pablo Batista, and Earl Young receiving the Lifetime Achievement Award. She meets some of the honorees and their family, friends, and collaborators.

On April 22, 1922, jazz legend Charles Mingus was born. Known for his groundbreaking compositions and outspoken activism, Mingus helped shape modern jazz while challenging social injustice through his work and voice. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this insightful interview, Amanda Lucia, Professor of Studies of Religion, discusses her book 'White Utopias' and explores the complex issues surrounding modern yoga, cultural appropriation, exoticism, and racial dynamics within the yoga community. The conversation delves into festival experiences, the impact of capitalism, and the importance of authentic cultural engagement. Main Topics: ·      Cultural appropriation in yoga ·      The role of festivals in modern yoga culture ·      Exoticism and orientalism in spiritual practices Websites: www.amandajeanlucia.com www.religionandsexualabuseproject.org Books:  Reflections of Amma: Devotees in a Global Embrace (2014) White Utopias: The Religious Exoticism of Transformational Festivals (2020) A Cultural History of Hinduism: Age of Independence (1947-2017) (2024) SUPPORT KEEN ON YOGA Become a Patron: https://www.keenonyoga.com/patrons/ Buy us a coffee: https://www.buymeacoffee.com/infoRfCONNECT WITH ADAM Website: www.keenonyoga.com Instagram:  @keen_on_yoga | @adam_keen_ashtanga In person events: https://www.keenonyoga.com/all-events/  WATCH https://www.youtube.com/@keenonyoga

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett explore America's regional sub-nations, tracing how ancestral "Albion's Seed" cultures and frontier geography shaped a feral national identity now clashing with modern managerial bureaucracy, mass migration, and a "mouse utopia" social collapse. -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (00:16) The Sub-Nation Thesis (06:45) The Six Pillars of Identity (21:37) American vs. European Psychology (39:29) Albion's Seed & Regional DNA (55:15) The Rise of Standard America (1:02:43) The Frontier & The 100th Parallel (1:23:05) Continental Migration & Assimilation (1:35:47) Social Scripts & The Mating Crisis (1:52:55) Managerial vs. Red State Civilizations (2:08:27) Technological Totalitarianism (2:16:15) Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

A Cultural History of the World's Most Revolutionary Structure. Get all the news you need by listening to WBZ - Boston's News Radio! We're here for you, 24/7. See omnystudio.com/listener for privacy information.

TODAY on the GWA Podcast: the esteemed scholar, author, and art historian DIANE APOSTOLOS-CAPPADONA on MARY MAGDALENE! Professor Emerita of Religious Art & Cultural History and Haub Director of the Catholic Studies Program at Georgetown University, and Distinguished Visiting Scholar in the Art History Program at The George Washington University, Apostolos-Cappadona has written extensively on art history. The author of Mary Magdalene: A Visual History (2023); A Guide to Christian Art (2020); Encyclopedia of Women in Religious Art (1996); Dictionary of Christian Art (1994); and The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19th-Century American Art (1995), and “In Search of Mary Magdalene: images and traditions” (2002)... Apostolos-Cappadona is one of the leading scholars in the world on religious art and, in particular, the image of Mary Magdalene. So - today - unlike in episodes where we deep-dive into a single artist, we will be taking an approach like we've previously done with Marina Warner on Eve, or Natalie Haynes on Medusa, and deep-diving into one of the most popular yet enigmatic figures in art: Mary Magdalene, who has been documented by artists in paint, sculpture, and more, for the past 16 centuries – and counting… and who seems to be portrayed differently every time. After all, Apostolos-Cappadona has referred to her as the most flexible figure in art. Look at images of her and you'll see a reader, preacher, follower and witness; crying at the foot of the Cross, washing Christ's feet or looking up to the heavens – repenting her sins with pearl-like tears – and too often conveniently exposing her chest. Sometimes identified by her jar of ointment or red robe (a contrast to the sanctified Virgin Mary's blue), she is most popularly known, today, as Christ's lover or a prostitute, despite no passage in the Bible describing her as such. Yet, the truth is we don't know who she was, and it seems artists have adopted her in ways that coincide with their needs, and the needs of the time. THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Tory Peters and Nada Smiljanic. Music by Ben Wetherfield

This is the second of a series of posts about the literary alchemy of J. K. Rowling, a discussion jumpstarted by a post by ‘Iris' at a Strike fan website, an article that championed a Jungian perspective on this subject. The first post in this series, Literary Alchemy – A Primer for Those Interested in J. K. Rowling's Artistry, both explained what the ‘Iris' post asserted and reviewed much of the critical literature that the brevity of the S&E Files article prevented her from discussing. See that post for links to this material. The conversation between Nick Jeffery and John Granger above was recorded in the same spirit as the first post was written, namely, simultaneously a welcome to Strike fans and Rowling readers who have learned about literary alchemy only recently and an introduction to the work of the last twenty five years on this subject. Upcoming posts in the series will include a counter-point discussion in the debate Rowling is fostering about whether a psychological or spiritual perspective is better for understanding art and life and a review of the alchemical signatures that crowd Rowling-Galbraith's Hallmarked Man.This post is largely links to sources for points Nick and John discuss in their naturally enthusiastic and contrarian conversation, question by question. Enjoy!1. Welcome to the Conversation! (Nick) I just sent out an article about literary alchemy, John, in response to an article written by ‘Iris' and posted on the Strike-Ellacott Files website, a piece titled ‘What is Literary Alchemy? Spotting symbols that map Strike and Robin's growth.' What advice or guidance would you give to, say, Cormoran Strike readers who are brand new to the subject? * There are three types of alchemy and it is important to understand the common ground they share and the differences between them;* The first type is alchemy proper, which is to say ‘metallurgical alchemy,' the sacred science of purifying metals and the adept's soul via the creation of a Philosopher's Stone that will transform lead to gold and exude an elixir of life, the drinking of which will bestow immortality;* The second and third types of alchemy derive from interpretations of metallurgical alchemy's aims and the symbolic texts detailing the work in the hermetic laboratory;* Literary alchemy is the use of metallurgical alchemy's language, colors, sequences, and symbols in plays, poetry, and story to foster an edifying and transformative experience in the artist's theater or reading audience;* Psychological alchemy is Carl Jung's use of metallurgical alchemy's texts during and after WWII to illustrate his ideas of the integration of the conscious and unconscious aspects of the human mind;* Metallurgical alchemy was practiced in China, the Levant, India, and Europe within the revealed religious traditions of Hinduism, Buddhism, Judaism, Islam, and Christianity until its degeneration in the late Medieval period and eventual evolution into the strictly materialist chemistry we know today;* Literary alchemy has been a continuous stream in literature from Dante, Chaucer, Shakespeare, and the Metaphysical poets through to Dickens, Yeats, the Inklings, Joyce, Nabokov, and J. K. Rowling;* The academic study of “alchemy in literature” was the province of Baconian and allegorical readings of Shakespeare (cf., Beryl Pogson, Peter Dawkins, Martin Lings) until the late 20th Century and the advent of academic specialists in ‘Hermetic Studies,' e.g., Stanton Linden, Lyndy Abraham, and Charles Nicholl (cf., Cauda Pavonis: A Journal of Hermetic Studies, 1982-2000).* Jung and his followers used their psychological interpretations of metallurgical alchemy as allegories of the soul to interpret mythology (cf., Erich Neumann, Marie-Louise Von Franz, Robert Johnson);* Jungian analysis of story using Jung's ideas of subconscious archetypes within a collective unconscious was popularized by Joseph Campbell in his guides to Joyce's Ulysses and his more well known works on mythology (e.g., The Hero With a Thousand Faces);* ‘Isis' in her S&E Files article, ‘What is Literary Alchemy?,' suggests that Rowling-Galbraith is writing an allegory of soul transformation in the Cormoran Strike series using metallurgical alchemy's symbols and sequences as understood by Carl Jung and his disciples rather than as used by English writers since the 13th Century;* It's a challenging theory, the depth of which is hard to grasp without an appreciation of the types of alchemy, what they have in common, and their differences in approach and subject matter.2. The Lake: (John) What I found most fascinating in your post, Nick, was your best guesses about where Rowling would have learned about literary alchemy. She claimed in 1998 that she'd read a lot of alchemical texts from which she set the “magical parameters” of the Hogwarts Saga; if you had only three chances to name one of those books, what would you choose? * Charles Nicholl's The Chemical Theatre;* Titus Burckhardt's Alchemy: Science of the Cosmos, Science of the Soul (or Mirror of the Intellect: Essays on Traditional Acience and Sacred Art);* Lyndy Abraham Summerhaze's Marvell and Alchemy or her Dictionary of Alchemical Imagery;* Martin Lings' The Secret of Shakespeare3. Carl Jung, Alchemy: (Nick) I see you're chafing at the bit, John, with book titles I haven't mentioned so let me name-drop the author not on my list because, as you pointed out, he wasn't really a literary alchemist so much as a psychologist who discussed alchemy as a means of illustrating his own ideas about the ‘Great Work.' You've written, though, that literary alchemy as with metallurgical alchemy is a subset of soul-allegories or Psychomachia. Don't Jung's ideas jibe with that? * Yes and no!* Jung's ideas of the soul and archetypes (or archetypal forms) are based on late 19th Century Volkischer German ideas, which is to say, modern and materialist (some say ‘vitalist') premises. His hostility to Christianity and Judaism was grounded in his acceptance of Darwinian evolution and derived philosophically from Nietzsche (see Richard Noll's The Jung Cult and The Aryan Christ).* He conflates the spiritual with the psychological, consequently, and embraces integrated individual psychological health as the telos of human existence, none of which is consistent with traditional metallurgical or literary alchemy (see Titus Burckhardt's Mirror of the Intellect, Philip Sherrard's ‘An Introduction to the Religious Thought of C. G. Jung,' and Harry Oldmeadow's ‘C.G. Jung & Mircea Eliade: ‘Priests without Surplices'? Reflections on the Place of Myth, Religion and Science in Their Work.'* Psychological alchemy, insomuch as it is ‘Jungian,' is well removed from the other two types of alchemy. Which is not to say that Rowling is not a Jungian and hence a Jungian psychological alchemist.4. Back into the Lake: (John) You covered in your article, though, Nick, the several reasons to think it possible, even probable that the evidence from Rowling's life suggests she is using Jungian ideas in her literary alchemy. Iris over at S&E Files obviously thinks that is the case. What are the for and against ideas with respect to Rowling being a Jungian? There's Plenty of Evidence That Rowling IS a Jungian Writer:John Granger's discussion in Troubled Blood: A Jungian Reading* Robin's name-dropping Jung in conversation about astrology;* The Jungian notes sounded throughout Strike 5: Archetypes, Synchronicity, Persona;* The connection between Jung's illustrated ‘New Book' and Talbot's ‘True Book;' and* Pointers to Cupid-Psyche myth as understood by Jungians (see below)The Advent of Prudence Dunleavy, Jungian Psychologist, in Ink Black Heart* Hard to imagine a more sympathetic portrait of a Jungian than half-sister Prudence!* She clearly was the genius behind the Rokeby reconciliation in Hallmarked ManThe Cupid and Psyche myth underpinning the Strike series* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (note the discussion here of the Jungian understanding of this specific myth)* Ink Black Heart: Strike as Zeus to Robin's Leda and as Cupid to Mads' Psyche* ‘Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man‘* The Hallmarked Man‘s Mythological Template (Nick Jeffery, John Granger)Anything Else? Oh, yeah —* Rowling studied mythology in her ‘Classical Studies' program at UExeter and almost certainly encountered Jungian interpretation of myths there (e.g. the work of Neumann, Johnson, Campbell).* Rowling told Val McDermid if she had not become a successful writer she would have sought training and certification as a psychologist. * Her work reflects a broad reading in psychology (cf., Louise Freeman Davis' ‘J. K. Rowling and the Phantoms in the Brain,' ‘Cormoran Strike and the Itch that Cannot Be Scratched') and it is likely that she has read her fair share of Jung and Jungian authors during her studies.* Rowling benefited from psychological therapy and exercises herself when suffering from depression, the experience of and recovery from which she depicted in story via the Azkaban Dementors and Robin Ellacott's treatment for PTSD in Lethal White.And There is Plenty of Evidence That Rowling Is NOT a Jungian Writer:* Rowling has never been asked or revealed how she learned about literary alchemy; this includes, of course, any reference to Carl Jung, whose work was not focused on literary alchemy per se but a psychological interpretation or explanation of metallurgical alchemy's symbolism.* All that Rowling has revealed about her experiences as a patient seeking help with depression are about Cognitive Behavior Therapy (CBT), which treatment modality owes nothing to Jung or to Jung's students.* It is possible that Rowling encountered esoteric metallurgical alchemy, the precursor to literary alchemy, in her study of astrology, the complementary traditional sacred science to alchemy, a skill-set with which we know she was accomplished. That route to alchemy would have led her to Perennialist interpretations of alchemy, most notably Titus Burckhardt‘s Alchemy, Science of the Cosmos, Science of the Soul; the paperback cover of the Penguin Metaphysical Library edition of that book (1974) features an androgynous giant named REBIS standing on a dragon and a winged golden sphere (i.e., Rubeus, Norbert, Snitch).* As mentioned above, it is more likely that she encountered literary alchemy in her study of Shakespeare. The year she was studying for her A Levels, she traveled to see a production of King Lear which has prompted the idea that it was on her list of texts to prepare for her tests. The most challenging interpretation of Lear then in print was Charles Nicholl's The Chemical Theatre (1980), a book that explains almost every scene in perhaps Shakespeare's greatest tragedy as a parallel step in the Great Work of alchemy. If the budding astrologer was fascinated by this allegorical interpretation of the Bard, the most popular work in print at that time that championed reading Shakespeare as the author of soul allegories was Perennialist Martin Lings‘ The Secret of Shakespeare (1984).* Literary Alchemy is a tool set employed not only by Shakespeare but by a host of Rowling favorite authors to include Dickens, Nabokov, Lewis, and Tolkien. This view of alchemy, that is, as an allegorical depiction of the soul's transformation that affects that same cathartic experience in its theater or reading audiences, is the one found in Rowling's work, which is well removed from psychological alchemy, an analytic art which, though it springs from metallurgical alchemical texts, does not aim at the transformation at work in the sacred art or the science of traditional alchemy. * Rowling's use of chiastic structures and psychomachian allegory, tools that complement literary alchemy in spiritual perspective and aim, make a Jungian rather than a literary and Perennialist view of alchemy seem unlikely.* Alchemy: Jung, Burckhardt, or Maclean? John Granger, April 2007* Rowling's Soul Triptych Psychomachia: Is It From Shakespeare's ‘Macbeth'? John Granger, September 20245. The Debate at King's Cross: (Nick) So, John, you've mentioned Jung quite a few times in your posts about the Mythological framework of the Strike series and even written about the Jungian ideas of animus and anima with respect to Cormoran and Robin's relationship. You seem fairly confident, though, that Rowling is writing from the traditional esoteric ideas of alchemy a la Shakespeare rather than Jung's. Why is that? * Everything you just said!* As noted, Jung's ideas are modern and psychological while the stream of literary alchemy in English Literature is almost exclusively more Medieval and pointedly spiritual;* The Most Notable Exception: Angela Carter's The Passion of the New Eve (1977), that reads like a Jungian ‘Red Book' slide-show (think Bombyx Mori) or a transgender Odyssey written for feminists. Rowling has never mentioned her to my knowledge but it would be surprising if she hadn't read this book more than once. What Alana Bolton Cooke wrote about Carter's Passion could be said about Rowling's literary alchemy if she is a Jungian writer (or about Galbraith's fictional Elizabeth Tassel?):Angela Carter in The Passion of New Eve (1977) uses the exoteric phases of alchemy and Carl G. Jung's theory of esoteric alchemy as a means of demonstrating allegorically the idea ofrebirth and renewal. The purpose of this allegorical method is to produce an 'alchemical' change of thought in the reader about sexuality and gender associated with women's repression and liberation. In the novel Carter develops themes and ideas explored in her essay, The Sadeian Woman: An Exercise in Cultural History (1979), an analysis of the Marquis de Sade's pornography and its affect on the roles of men and women in society. The clash of opposites involved in combining alchemical symbolism, feminism and pornography within the fiction can be seen as representative of the state of chaos present in alchemy before the beginning of change. The circular narrative and alchemical structure of the fiction creates a literary version of the alchemical process as it brings together opposites involved in chaos, represented by events and characterisation that the protagonist, Evelyn/Eve, experiences, until, in the manner of alchemy, harmony is reached. The harmony created represents women's empowerment. Carter uses Evelyn's individuation process to encourage growth within the reader by altering patterns of thought to bring about change through self-confrontation and self-knowledge. The structure of Carter's fiction, thus, corresponds to the process of esoteric alchemy contained within the structure, imagery and symbolism of exoteric alchemy. The fiction is designed to stimulate the unconscious of the reader and make conscious hitherto unknown and repressed thoughts about gender and sexuality to bring about change in the lives of men and women.* I think what Rowling said she was trying to do with Harry Potter's meeting with Dumbledore at the dream-like King's Cross strongly suggests she is aware of the two approaches and wants readers to discuss them – but that she has made her own choice, however conflicted she may be.* In her 2008 interview with Adeel Amini, Rowling said that her hope for Harry's post-mortem conversation with Dumbledore at King's Cross was to stimulate “a debate” among readers about whether it was a psychological moment, that is, a fantasy in which Harry understands what he's been missing all along, or a spiritual event in which he is actually speaking with the late Headmaster:Enough Potter-plot, I think. Moving on to a slightly more contentious issue, Rowling has categorically said that she does believe in a higher power, a statement reinforced by her childhood church-going (“Till I was 17,” she clarifies). It must be difficult to reconcile her religious beliefs with those that denounce Harry Potter as anti-Christian, I wonder aloud. Rowling's expression does not change a fraction. “There was a Christian commentator who said, which I thought was very interesting, that Harry Potter had been the Christian church's biggest missed opportunity. And I thought, there's someone who actually has their eyes open.“I think he said it before the publication of the seventh book, and with the publication of the seventh book I think that clarified a lot of people's view on where I was standing. But I should emphasise that I am not pushing a specifically Christian agenda, and indeed till the very last moment in book seven, one can interpret what happens to Harry after he presents himself with death as him going into an unconscious state in which his subconscious reveals to him what he already knew.” I hum in faux-comprehension of what she's referring to; luckily my clued-in companion is nodding wildly. Proceed. “Any re-reading of Chapter 35 will show you that there's nothing that the Dumbledore he sees tells him that he couldn't have guessed for himself or already realised, and of course there's a key piece of information that Dumbledore doesn't articulate that Harry has realised. So you can deliberately interpret it that way, or you can say that he did go into a state of limbo beyond which there was another life, and that idea was expressed repeatedly, and most explicitly at the end of book five, Order of the Phoenix, where Harry understands that there is an ‘on', that you do go on. “I wanted there to be a debate there, so of my three main characters - when they come into the room which examines death at the Ministry of Magic - Hermione, the ultimate sceptic and a hyperrational person, hears nothing behind the veil and is scared of it. Ron is just uneasy; Ron is someone who does not grapple with anything deeper than beer, if he can avoid it. Harry's drawn to it, and therein lies Harry's slightly reckless, almost morbid streak, because Harry does have a hint of that dangerous adolescent trait which is the attraction to death.” Heavy. Obviously with this ambiguity, you do get a fair degree of misinterpretation as well; there is a certain section that does dislike Harry Potter intensely. “Oh, vehemently,” says Rowling, before muttering under her breath “…and they send death threats.”* I think that “debate” she's trying to foster is between the psychological, call it ‘Jungian' “just inside your head” subconscious perspective, and the authentically spiritual view of her work (well, of art and human existence, too, of course). And that this debate is one she has had for most of her life. Check out her comments about the “greatest missed opportunity” and explain to me how that doesn't line up with her preferring the spiritual, albeit “not explicitly Christian,” to the psychological and humanist. 7. Jungian Readings of Rowling's Work: (Nick) John, you're familiar with what has been written by Potter Pundits because of your PhD critical literature surveys; what are the better ones about Rowling and Jungian psychology and what do they emphasize? Here are seven off the top of my head (and Thesis ‘Works Cited' drafts):* Grynbaum, G.A. (2000). The Secrets of Harry Potter. The San Francisco Jung Institute Library Journal: Reviews From a Jungian Perspective of Books, Films and Culture, [online] 19 (4) pp. 17-48* Patrick, Christopher and Sarah (2007), ‘Exploring the Dark Side: Harry Potter and the Psychology of Evil,' in Mulholland (ed.), The Psychology of Harry Potter, BenBella Books, pp 221-232* Gerhold, C. (2011). The Hero's Journey Through Adolescence: A Jungian Archetypal Analysis of “Harry Potter.” PsyD. The Chicago School of Professional Psychology. * Rectenwald, Bob (2019). ‘Carl Jung's Impact on the Work of J. K. Rowling' * Skipper, Alicia and Kate Fulton (2021) ‘Out from the Shadows into the Light: Persona and Shadow in Harry Potter‘ in Anne Mamary (ed.) The Alchemical Harry Potter: Essays on Transfiguration in J. K. Rowling's Novels, McFarland, Jefferson, NC, 2021, pp 79-96* The Unfolding Journey, Jung's Shadow Self in Harry Potter: Confronting the Darkness Within (YouTube video)* My own Troubled Blood: A Jungian ReadingBob Rectenwald's piece is the best of the six I didn't write but it shares the several faults all the Jungian pieces make:* the first failing of even the best Jungian readers is the assumption that Rowling is a Jungian, which is an open question;* the next is that Jung's ideas (and Joseph Campbell's) are indisputably true; and* the last is, when alchemy is mentioned, the critics do not clarify either the commonalities of or the differences between literary alchemy, psychological alchemy, and Jungian analytic psychology. * Note, though, that Rowling, while aware of such Jungian tropes as the Hero's Journey, tweeks it shamelessly, adding a symbol of Christ and resurrection scene in every Potter story (cf., How Harry Cast His Spell, ‘The Harry's Journey,' pp 21-28).* Read her brief PotterMore piece on alchemy and note that it is written in such a way that it can be read as confirmation of either a psychological or spiritual perspective on alchemy and art:One interpretation of the ‘instructions' left by the alchemists is that they are symbolic of a spiritual journey, leading the alchemist from ignorance (base metal) to enlightenment (gold). There seems to have been a mystical element to the work the alchemist was engaged upon, which set it apart from chemistry (of which it was undoubtedly both an offshoot and forerunner).This “original writing” by Rowling, especially the words “spiritual” and “mystical,” suggests that she is a Perennialist rather than a Jungian, at least with respect to her understanding of alchemy. But the debate is still possible with Jungians who read those words as cyphers for the subsconscious contact they hold we have with archetypes.8. Back to the Alchemy: (John) I think the real question of whether Rowling's literary alchemy is predominantly literary and spiritual or psychological in orientation comes down to the postmodern confusion about the immaterial aspects of the human person, which is to say, the soul (or mind, psyche) and the spirit. Rowling's recent work may seem prosaic or secular to a casual reader who compares it to the relatively otherworldly and “obviously” symbolic Potter books, but she loads each Strike book with Shakespearean romance of soul and spirit, i.e., alchemical dramas, and hermetic tropes. I'm writing a piece now about the lions, dogs, incest, and the red man and white woman in Hallmarked Man, each of which are touchstones of alchemy. I think, though, that your work with Rowling's favorite books and her epigraph sources, Nick, point to a strong spiritual rather than psychological foundation in Rowling's work —* Louisa May Alcott, Little Women* Dodie Smith, I Capture the Castle* The Victorian Women Poets in Running Grave* Elizabeth Barrett Browning, Aurora Leigh* Robert Browning, The Ring and the Book* The Jungian love of the I Ching, Running Grave's epigraph source9. Jung in Running Grave: (Nick) Rowling's favorite writers, from Shakespeare and Nabokov to C. S. Lewis and Victorian Women poets, all clearly believe in a world-transcending spiritual realm. Given the quantity of the Jungian scholarship in Rowling Studies that Iris referred to and you've mentioned, it's curious -- if Rowling is aware of it and is resistant to it -- that she doesn't push back against it explicitly in her work. Can you think of a character that seems something like Jung in the books, someone as bad as Prudence Dunleavey is good? I can think of three:* United Humanitarian Church's guru Jonathan Wace in Running Grave: his “psychologizing of religion,” the comparative religion avenue to denial of any true faith, the psychological critical analysis of a patient using mythological tropes (”Artemis”), the cult leader, and the abuser of women and children -- he's a ringer for Jung! * Paul Satchwell, one-eyed serpent with a one-track mind, in Leamington Spa, a true Jungian artist working psycho-sexual motifs graphically on canvas:Naked figures twisted and cavorted in scenes from Greek mythology. Persephone struggled in the arms of Hades as he carried her down into the underworld; Andromeda strained against chains binding her to rock as a dragonish creature rose from the waves to devour her; Leda lay supine in bulrushes as Zeus, in the form of a swan, impregnated her.Two lines of Joni Mitchell floated back to Robin as she looked at the paintings: “When I first saw your gallery, I liked the ones of ladies…”Except that Robin wasn't sure she liked the paintings. The female figures were all black-haired, olive-skinned, heavy-breasted and partially or entirely naked. The paintings were accomplished, but Robin found them slightly lascivious. Each of the women wore a similar expression of vacant abandon, and Satchwell seemed to have a definite preference for those myths that featured bondage, rape or abduction. (Troubled Blood, 542)* And then there are the Masons, kind of an old school Jungian cult in Hallmarked Man. Like the UHC and “harmless” fraternal and charitable group with Christian touches but which doesn't change a man or human nature per Hardacre (and which harbors the rich and powerful like Lord Branfoot). * Coupled with Prudence, the Front of Jungian Beliefs, we get the front and back of Jung in Rowling's work, a characteristic touch of Rowling nuance as she did with Islam in Hallmarked Man.10. Conclusion: (John) I'm obviously not a Jung fan and I don't think Rowling is writing Jungian psychomachia in alchemical symbols a la Angela Carter, but I see how people would come to a contrary conclusion; Rowling's ‘spiritual not religious' public statements and political positions with respect to Same Sex Attraction and abortion line up much more easily with New Age and Jungian types than with any kind of orthodox Christianity. The great thing about essays like Isis' at S&E Files is that it brings more people into the conversation of what literary alchemy is and the various approaches to it. You've been reading about literary alchemy for several years now, Nick; what do you think the person whose first encounter with the subject was the S&E Files article do to hone their alchemy detection skills? * “Read your books and online talks, John!”* How Metallurgical Alchemy Worked and How it Became Literary Alchemy (from Deathly Hallows Lectures, Chapter 1):Alchemy, in a nutshell, was the science for the perfection or sanctification of the alchemist's soul. This heroic venture I need to say straight off is all but impossible today because the way we look at reality, at ‘things' per se makes the Great Work itself almost an absurdity. Unlike the medieval alchemists, we moderns and postmoderns see things with a clear subject/object distinction, that is, we believe that you and I and that table are entirely different things and between them is there is no connection or relation. The knowing subject is one thing and the observed object is completely ‘other.'To the alchemist that is not the case. His efforts in changing lead to gold are based on the premise that he as the subject will go through the same types of changes and purifications as the materials he is working with. In sympathy with these metallurgical transitions and resolutions of contraries, his soul will be purified in correspondence as long as he is working in a prayerful state within the Mysteries (sacraments) of his revealed tradition.Now, historically there was an Arabic alchemy, a Chinese alchemy, a Kabbalistic, as well as a Christian alchemy; each differs superficially with respect to their spiritual traditions but in every one, the alchemist was working with a sacred natural science or physics to advance his spiritual purification. This was only possible because he looked at the metal he was working with as something with which he was not ‘other' but with which he was in relationship, artifex and artifact in sacred art imitating and accelerating the work of the Creator creating a bridge, so that, as lead changes to gold or material perfection, his soul was going through similar transformations and purifications.The common ground is the logos in every created thing, to include persons (cf. John 1:9), which are all continuous with the Logos fabric of reality. As much as the alchemist identifies with this metaphysical ground, purifying himself of the ‘old man' or ego-driven individual and identifying himself with the spiritual Heart or light within him, that light will become his dominant quality, hence his “illumination” or “enlightenment”. And lead or solid darkness turning into gold, hard light.How does this edifying magic become the scaffolding for Harry's adventures? Largely through the genius of William Shakespeare. Hermetic wisdom and alchemical efforts were such commonplaces in Elizabethan England that Shakespeare and his contemporaries recognized, I think. that the magic of staged drama is essentially alchemical. If we groundlings are all watching what's going on up on the stage and everything is working the way it's supposed to, the subject-object distinction dissolves inasmuch as we identify with the characters and their agonies through our logos-imaginations. As they go through their changes, like the metals in a crucible, we identify with them and pass through the same cathartic moment.As the great dramatists of that period realized, “if what we're doing is alchemical, why don't we use alchemical imagery and language, too?” And, voila, literary alchemy is born. This stream of English literature in which narrator or characters and the reader or audience in correspondence pass through the stages of the alchemical work, the black the white and the red (basically dissolution, purification, and then perfection) runs through the next five centuries of poetry, stage work, stories and novels. You may not have recognized it, but its a big part of things you have read.* Literary Alchemy: Sacred Science, Sacred Art, and ‘The Alembic of Story':A Perennialist Explanation of J. K. Rowling's Signature Hermetic Symbolism This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Welcome back to Cheers with Nat – the podcast dedicated to cheering on women in drinks. In today's episode, you'll hear from beer historian, Dr. Christina Wade. We start by discussing how she turned her childhood dream of being a "castle person" into a career as a historian, and how the history of beer – and women in beer more specifically – became her focus. Christina then shares how her award-winning books came to life, the beer history myth she's determined to bust, and what she's working on next. We also learn why she believes it's so important to share her work outside of academia and how she rewired her writing style for a broader audience. Lastly, you'll hear about some of the new hobbies that keep her grounded outside of work, given that her hobby eventually became her work. --- What stuck with me from this conversation: On her childhood dream: "My family saved up lots and lots of money to be able to take me to Ireland after that because I just fell in love with medieval history. And I went to Bunratty Castle and, I think I must have been 10, and I looked at my mother and I said 'I want to be a castle person', you know I want to study this, this is what I want to do. And I want to do it here." On citing sources as a historian: "It was really important to me to make sure that I had sources that other people could read. I'm not just saying this and you can trust me. You shouldn't trust me. You shouldn't trust anybody unless they can provide their sources and you should look at those sources, if you're so inclined." On how her first book came about: "I really want to read this book, so I'm going to write this book, because I want to read it." On writing for different audiences: "You're gatekeeping to some degree. You're choosing what information to include and what not. And your audience is trusting you with that and that's a lot of power. So you want to make sure that you're writing something that's worthy of that, that they can engage with, that's still having the academic rigour that you would write for an academic audience but then in a way that speaks to them. So I write how I speak, so I write like I'm talking to my friends in the pub over a pint. And if I can't say it out loud and have people understand it, then it needs to be re-written." On the importance of listening in her work: "… it's also being able to gauge what your audience wants by not only speaking to your audience, but listening. I think that's a really important part. So it's not only writing the media, its also consuming the media. And listening to people's voices and seeing what are they interested in." Check out the episode to hear how this influenced the focus of The Devil's in the Draught Lines!   Links & things: What we're drinking A nice little write up on both beers from The Beer Nut Collaborator Liam K's website, IrishBeerHistory The brewers, Trouble Brewing Christina's work Braciatrix blog The Devil's in the Draught Lines: 1000 Years of Women in Britain's Beer History (CAMRA, 2024) Winner of The British Guild of Beer Writers Best Book in 2024 Filthy Queens: A History of Beer in Ireland (Nine Bean Rows, 2025) Winner of The British Guild of Beer Writers Best Book in 2025 Shortlisted for The André Simon Award 2025, selected from over 140 submissions Beer Ladies Podcast Ladies Craft Beer Society of Ireland Recognition for Christina's work In addition to the awards for her books, mentioned above, Christina was also named Beer Expert of the Year in the 2025 inaugural Women in Beer Awards People who inspired Christina's future work Teresa McCullah Liz Garibay And the rest of the Beer Culture Center team Christina's book reccs – a shout out to fellow Irish beer writers! The Dublin Pub: A Social and Cultural History by Donal Fallon A Compendium of Irish Pints by Ali Dunworth What she's watching His & Hers Stranger Things   Recording info: January 2026 in Dublin Sorry for some of the background noises, we had the window open in my hotel room

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

The Kingdom of Kongo establishes a rare partnership with an up-and-coming European power, Portugal, to the point that the King of Kongo and his family embrace Christianity and take Portuguese royal names. However, this partnership will also be ground zero for one of the greatest atrocities in human history. Sources:Almeida, Marcos Abreu Lelitão de. “Speaking of Slavery: Slaving Strategies and Moral Imaginations in the Lower Congo” (Doctoral dissertation, Northwestern University, September 2020).Bosma, Ulbe. The World of Sugar: How the Sweet Stuff Transformed Our Politics, Health, and Environment over 2,000 Years (Harvard University Press, 2023).Etherington, Norman. “Christian Missions in Africa", The Wiley-Blackwell Companion to African Religions, ed. Elias Kifon Bongba (Wiley-Blackwell, 2012).Garretson, Peter P. "A Note on Relations Between Ethiopia and the Kingdom of Aragon in the Fifteenth Century." Rassegna di studi etiopici 37 (1993): 37-44.Gondola, Ch. Didier. The History of Congo (Greenwood Press, 2002).Hanno. “Gorilla Warfare.” Lapham's Quarterly, Last accessed: 3/12/2026. https://www.laphamsquarterly.org/animals/gorilla-warfare Klein, Herbert S. The Atlantic Slave Trade, 2nd edition (Cambridge University Press, 2012). MacGaffey, Wyatt. “Economic and Social Dimensions of Kongo Slavery (Zaire)", Slavery in Africa: Historical and Anthropological Perspectives, eds. Suzanne Miers and Igor Kopytoff (University of Wisconsin Press, 1977).Russell-Wood, A.R. The Portuguese Empire, 1415-1808: A World on the Move (Johns Hopkins University Press, 1998).Thornton, John. A Cultural History of the Atlantic World, 1250-1820 (Cambridge University Press, 2012).___________. Afonso I,  Mvemba a Nzinga, King of Kongo: His Life and Correspondence, trans. Luis Madureira (Hackett Publishing Co., 2023). Support this project: turningmodern.com/contact

The world has a northern bias: our politics, culture, and literature all tend to view the northern viewpoint as the default position, leaving the far southern latitudes (Australia, New Zealand, Argentina, and Southern Africa among others), as a faraway land full of strangeness. But what if you live in those lands? How can a strange, faraway place be home? In this episode, Jacke talks to Elleke Boehmer about her book Southern Imagining: A Literary and Cultural History of the Far Southern Hemisphere, which analyzes the impact of the world's northern bias on literature and culture--and offers an alternative perspective to the way we usually look at the world. PLUS John McMurtrie (Literary Journeys: Mapping Fictional Travels Across the World of Literature) stops by to discuss his choice for the last book he will ever read. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Save 10% on your next Fleshlight with promo code 10PRIVATE at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠fleshlight.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. For the 249th episode of Private Parts Unknown, host Courtney Kocak welcomes journalist and author Elyssa Goodman. Elyssa is the author of Glitter and Concrete: A Cultural History of Drag in New York City, a sweeping look at more than 150 years of drag—from 19th-century male impersonators and mafia-run clubs to the rise of RuPaul's Drag Race and today's political backlash. Through rich archival research and interviews with contemporary performers, Elyssa reveals drag as not just spectacle, but survival strategy, community lifeline, and radical art form. In this episode, we talk about the forgotten history of drag kings, how queer communities carved out space under criminalization, the impact of mainstream visibility, and why today's moral panic around drag is part of a cyclical pattern. We also get into what gives Elyssa hope about the future of drag. This episode is a glitter-soaked reminder that gender has always been a performance—and that drag, in its many-splendored forms, has always been here. For more from today's guest, Elyssa Goodman: Buy Elyssa's book Glitter and Concrete Follow Elyssa on Instagram @missmanhattanny Subscribe to Elyssa's Substack, Miss Manhattan www.miss-manhattan.com Get your copy of Girl Gone Wild from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Psst, Courtney has an 0nIyFan$, which is a horny way to support the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/cocopeepshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Private Parts Unknown is a proud member of the Pleasure Podcast network. This episode is brought to you by: VB Health offers doctor-formulated sexual health supplements designed to elevate your sex life. Their lineup includes Soaking Wet, a blend of vitamins and probiotics that support vaginal health; Load Boost, which promotes male fertility and enhances semen volume and taste; and Drive Boost, formulated to increase libido and sexual desire for all genders. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vb.health⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code PRIVATE for 10% off. Our Sponsor, FLESHLIGHT, can help you reach new heights with your self-pleasure. Fleshlight is the #1 selling male sex toy in the world. Looking for your next pocket pal? Save 10% on your next Fleshlight with Promo Code: PRIVATE10 at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠fleshlight.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. STDCheck.com is the leader in reliable and affordable lab-based STD testing. Just go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ppupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, click STDCheck, and use code Private to get $10 off your next STI test. Explore yourself and say yes to self-pleasure with Lovehoney. Save 15% off your next favorite toy from Lovehoney when you go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠lovehoney.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and enter code AFF-PRIVATE at checkout. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/PrivatePartsUnknownAds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you love this episode, please leave us a 5-star rating and sexy review! Psst... sign up for the Private Parts Unknown newsletter for bonus content related to our episodes! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠privatepartsunknown.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Let's be friends on social media! Follow the show on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@privatepartsunknown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@privatepartsun⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Connect with host Courtney Kocak ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@courtneykocak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Instagram and Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Save 10% on your next Fleshlight with promo code 10PRIVATE at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠fleshlight.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.For the 248th episode of Private Parts Unknown, host Courtney Kocak welcomes journalist and author Elyssa Goodman.Elyssa is the author of Glitter and Concrete: A Cultural History of Drag in New York City, a sweeping look at more than 150 years of drag—from 19th-century male impersonators and mafia-run clubs to the rise of RuPaul's Drag Race and today's political backlash. Through rich archival research and interviews with contemporary performers, Elyssa reveals drag as not just spectacle, but survival strategy, community lifeline, and radical art form.In this episode, we talk about the forgotten history of drag kings, how queer communities carved out space under criminalization, the impact of mainstream visibility, and why today's moral panic around drag is part of a cyclical pattern. We also get into what gives Elyssa hope about the future of drag. This episode is a glitter-soaked reminder that gender has always been a performance—and that drag, in its many-splendored forms, has always been here.For more from today's guest, Elyssa Goodman:Buy Elyssa's book Glitter and ConcreteFollow Elyssa on Instagram @missmanhattannySubscribe to Elyssa's Substack, Miss Manhattan www.miss-manhattan.comGet your copy of Girl Gone Wild from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Psst, Courtney has an 0nIyFan$, which is a horny way to support the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/cocopeepshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Private Parts Unknown is a proud member of the Pleasure Podcast network. This episode is brought to you by:VB Health offers doctor-formulated sexual health supplements designed to elevate your sex life. Their lineup includes Soaking Wet, a blend of vitamins and probiotics that support vaginal health; Load Boost, which promotes male fertility and enhances semen volume and taste; and Drive Boost, formulated to increase libido and sexual desire for all genders. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vb.health⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code PRIVATE for 10% off.Our Sponsor, FLESHLIGHT, can help you reach new heights with your self-pleasure. Fleshlight is the #1 selling male sex toy in the world. Looking for your next pocket pal? Save 10% on your next Fleshlight with Promo Code: PRIVATE10 at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠fleshlight.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.STDCheck.com is the leader in reliable and affordable lab-based STD testing. Just go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ppupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, click STDCheck, and use code Private to get $10 off your next STI test.Explore yourself and say yes to self-pleasure with Lovehoney. Save 15% off your next favorite toy from Lovehoney when you go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠lovehoney.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and enter code AFF-PRIVATE at checkout.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/PrivatePartsUnknownAds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you love this episode, please leave us a 5-star rating and sexy review!Psst... sign up for the Private Parts Unknown newsletter for bonus content related to our episodes! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠privatepartsunknown.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let's be friends on social media! Follow the show on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@privatepartsunknown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@privatepartsun⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Connect with host Courtney Kocak ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@courtneykocak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Instagram and Twitter.Learn more about your ad choices. Visit megaphone.fm/adchoices

In 'A Four-Eyed World: How Glasses Changed the Way We See,' David King Dunaway offers the first cultural history of eyewear, tracing how lenses have shaped science, society, media, and our very notions of sight. Far from a niche topic, this book mixes fascinating historical episodes, cultural analysis, and Dunaway's own reflections on living with and without his glasses, revealing the deep ways eyewear has altered how we see ourselves and each other.

It's easy to roll your eyes at a heritage month.To assume it's corporate. Performative. Political. A logo swap and a themed menu and then back to business as usual.But when you step back and really look at the data — at tourism dollars, small business revenue, museum attendance, school engagement, public programming — you start to see something deeper. Heritage months aren't just symbolic. They move cities. They fund institutions. They spotlight artists, historians, chefs, and community leaders who might otherwise be overlooked.And more importantly? They create space.Space for stories that were erased.Space for traditions that survived anyway.Space for communities to see themselves reflected in the place they call home.In a city like Chicago — layered, immigrant-built, migration-shaped, neighborhood-defined — heritage months are not side notes. They're essential chapters. They help us understand who built what, who cooked what, who organized, who resisted, who preserved.This episode explores why these months matter beyond the headlines. We dig into the numbers. The impact. The intention. And we ask a bigger question: What would it look like if we carried this same energy all year long?Sources:https://www.cps.edu/strategic-initiatives/black-student-success/https://consortium.uchicago.edu/news-item/Chicago-Public-Schools-and-segregation#:~:text=The%20City%20of%20Chicago%20and%20its%20Board,and%20White%20students%20to%20attend%20separate%20schools.https://statisticalatlas.com/place/Illinois/Chicago/Educational-AttainmentSend a textSupport the showAlso, catch Dario on the new season of Netflix's "High On the Hog" here!!If you have anything you'd like us to talk about on the podcast, food or history, please email us at ⁠media@77flavorschi.com⁠ WATCH US ON YOUTUBE ⁠HERE⁠! Visit our website ⁠https://www.77flavorschi.com⁠ Follow us on IG: 77 Flavors of Chicago ⁠@77flavorschi⁠ Dario ⁠dariodurhamphoto Sara @sarafaddah

In this enlightening conversation, host Shayla Oulette Stonechild and renowned author Robin Wall Kimmerer explore the profound connections between Indigenous wisdom, language, and the natural world. You Robin shares her journey understanding the strength of the earth through plants and the importance of intergenerational knowledge. They discuss the responsibility we have towards the land, the healing power of nature, and the significance of curiosity in fostering relationships with the environment. The conversation also touches on the challenges of urban living, the importance of rituals for resilience, and the concept of two-eyed seeing, which integrates Indigenous and Western knowledge systems. Robin emphasizes the need for a grassroots movement to support the environment and advocates for the idea of 'land back' as a means of healing and restoration. More About Robin and Her Work: Robin Wall Kimmerer is a mother, scientist, decorated professor, and enrolled member of the Citizen Potawatomi Nation. She is the author of  Bud Finds Her Gift, The Serviceberry: Abundance and Reciprocity in the Natural World, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, which has earned Kimmerer wide acclaim. Her first book, Gathering Moss: A Natural and Cultural History of Mosses, was awarded the John Burroughs Medal for outstanding nature writing, and her other work has appeared in Orion, Whole Terrain, and numerous scientific journals. In 2022, Braiding Sweetgrass was adapted for young adults by Monique Gray Smith. This new edition reinforces how wider ecological understanding stems from listening to the earth's oldest teachers: the plants around us.  Her website: robinwallkimmerer.com Her Instagram: https://www.instagram.com/robinwallkimmerer/ Her movement Plant, Baby, Plant: plantbabyplant.com Photo credit: John D. and Catherine T. MacArthur Foundation Chapters: (00:00) Introduction to Indigenous Wisdom and Healing (03:22) The Power of Language and Medicine (05:14) Childhood Connections to Nature (08:01) Responsibility Towards the Land (11:33) Intergenerational Knowledge and Healing (14:24) Embodied Healing Through Nature (17:53) Curiosity and Connection with the Natural World (20:30) Finding Grounding in Urban Spaces (24:42) Rituals for Resilience and Service (27:07) Two-Eyed Seeing and Indigenous Knowledge (29:24) Indigenous Futurism and Land Back Learn more about your ad choices. Visit megaphone.fm/adchoices

A lively and entertaining cultural history of a supremely annoying intellectual vice Intellectuals have long provoked scorn and irritation, even downright aggression. Many learned individuals have cast such hostility as a badge of honor, a sign of envy, or a form of resistance to inconvenient truths. On Pedantry: A Cultural History of the Know-it-All (Princeton University Press, 2025) offers an altogether different perspective, revealing how the excessive use of learning has been a vice in Western culture since the days of Socrates. Taking readers from the academies of ancient Greece to today's culture wars, Arnoud Visser explains why pretentious and punctilious learning has always annoyed us, painting vibrant portraits of some of the most intensely irritating intellectuals ever known, from devious sophists and bossy savantes to hypercritical theologians, dry-as-dust antiquarians, and know-it-all professors. He shows how criticisms of pedantry have typically been more about conduct than ideas, and he demonstrates how pedantry served as a weapon in the perennial struggle over ideas, social status, political authority, and belief. Shifting attention away from the self-proclaimed virtues of the learned to their less-than-flattering vice, Visser makes a bold and provocative contribution to the history of Western thought. Drawing on a wealth of sources ranging from satire and comedy to essays, sermons, and film, On Pedantry sheds critical light on why anti-intellectual views have gained renewed prominence today and serves as essential reading in an age of rising populism across the globe. Arnoud S. Q. Visser is professor of textual culture in the Renaissance at Utrecht University and director of the Huizinga Institute, the Dutch national research school for cultural history. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A lively and entertaining cultural history of a supremely annoying intellectual vice Intellectuals have long provoked scorn and irritation, even downright aggression. Many learned individuals have cast such hostility as a badge of honor, a sign of envy, or a form of resistance to inconvenient truths. On Pedantry: A Cultural History of the Know-it-All (Princeton University Press, 2025) offers an altogether different perspective, revealing how the excessive use of learning has been a vice in Western culture since the days of Socrates. Taking readers from the academies of ancient Greece to today's culture wars, Arnoud Visser explains why pretentious and punctilious learning has always annoyed us, painting vibrant portraits of some of the most intensely irritating intellectuals ever known, from devious sophists and bossy savantes to hypercritical theologians, dry-as-dust antiquarians, and know-it-all professors. He shows how criticisms of pedantry have typically been more about conduct than ideas, and he demonstrates how pedantry served as a weapon in the perennial struggle over ideas, social status, political authority, and belief. Shifting attention away from the self-proclaimed virtues of the learned to their less-than-flattering vice, Visser makes a bold and provocative contribution to the history of Western thought. Drawing on a wealth of sources ranging from satire and comedy to essays, sermons, and film, On Pedantry sheds critical light on why anti-intellectual views have gained renewed prominence today and serves as essential reading in an age of rising populism across the globe. Arnoud S. Q. Visser is professor of textual culture in the Renaissance at Utrecht University and director of the Huizinga Institute, the Dutch national research school for cultural history. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A lively and entertaining cultural history of a supremely annoying intellectual vice Intellectuals have long provoked scorn and irritation, even downright aggression. Many learned individuals have cast such hostility as a badge of honor, a sign of envy, or a form of resistance to inconvenient truths. On Pedantry: A Cultural History of the Know-it-All (Princeton University Press, 2025) offers an altogether different perspective, revealing how the excessive use of learning has been a vice in Western culture since the days of Socrates. Taking readers from the academies of ancient Greece to today's culture wars, Arnoud Visser explains why pretentious and punctilious learning has always annoyed us, painting vibrant portraits of some of the most intensely irritating intellectuals ever known, from devious sophists and bossy savantes to hypercritical theologians, dry-as-dust antiquarians, and know-it-all professors. He shows how criticisms of pedantry have typically been more about conduct than ideas, and he demonstrates how pedantry served as a weapon in the perennial struggle over ideas, social status, political authority, and belief. Shifting attention away from the self-proclaimed virtues of the learned to their less-than-flattering vice, Visser makes a bold and provocative contribution to the history of Western thought. Drawing on a wealth of sources ranging from satire and comedy to essays, sermons, and film, On Pedantry sheds critical light on why anti-intellectual views have gained renewed prominence today and serves as essential reading in an age of rising populism across the globe. Arnoud S. Q. Visser is professor of textual culture in the Renaissance at Utrecht University and director of the Huizinga Institute, the Dutch national research school for cultural history. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In the season three premiere of We Disrupt This Broadcast, Jeffrey Jones, Executive Director of The Peabody Awards, leads a live-recorded conversation with this year's Peabody Trailblazer Award winner, Ahmir “Questlove” Thompson. Thompson is a musician, documentarian, author, podcaster, feature filmmaker, and DJ. As the co-founder and drummer of The Roots, he revolutionized hip-hop by introducing live instrumentation and blending genres, helping shape the Neo-Soul movement. He's also become a cultural curator and historian through his Oscar and Peabody-winning documentary Summer of Soul, as well as Sly Lives!, a documentary on musician Sly Stone. Questlove also produced the documentary on the musical performances of Saturday Night Live. Jones spoke with Questlove about his personal record collection, his documentary work, and his advice for young artists. In this wide-ranging interview, they discuss the pressure and perils of Black genius, the importance of joy during moments of cultural upheaval and struggle, and the metaphysics of the band Earth, Wind, and Fire.

With the festive season approaching in parts of the world, Ruth Alexander explores what's actually happening in the body during a hangover, why some people suffer more than others, and whether common remedies make any real difference. How the body processes alcohol and why that can make you feel so bad is explained by Andrew Scholey, Professor of Human Psychopharmacology at Northumbria University in the UK and member of the Alcohol Hangover Research Group. Marisa Moll, a registered nutritionist from Paraguay, shares her recommendations on what to consume before you drink alcohol to try to reduce the risk of a hangover. And Jonathon Shears, Professor of English Literature at Keele University in the UK and author of The Hangover, a Literary and Cultural History, reflects on the cultural history of the hangover. If you would like to get in touch with the show, please email: thefoodchain@bbc.co.uk. Producer: Izzy Greenfield Sound engineer: Andrew Mills Image: A woman looks at empty bottles of alcohol (credit: Getty)

This week, we investigate the historical fashion trends written about in an 1884 Harper's Bazar article entitled “The Follies of Fashion.” Covering everything from Ancient Roman curling irons to Cleopatra's donkey milk baths to “barbarous” steel corsets, we decipher fashion fact from fashion fiction. Primary Sources Box for rouge and patches, 1750-55 Jean de la Bruyère's translation of The Characters of Theophrastus  Memoirs of Madame de la Tour de Pin Pliny the Elder's Naturalis Historia Secondary Sources: Sarah Bendall's Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England Kimberly Chrisman-Campbell's Fashion Victims: Dress at the Court of Louis XVI and Marie Antoinette Donkey Milk article in Beverages  Micaela Higgs's “The Entirely False History of Tricking Men with Makeup” Kelly Olson's “Fashion and Adornment,” in A Cultural History of Hair in Antiquity Valerie Steele's The Corset: A Cultural History Caroline Weber's Queen of Fashion: What Marie Antoinette Wore to the Revolution Want more Dressed: The History of Fashion?  Our ⁠website⁠ and ⁠classes⁠ Our ⁠Instagram⁠ Our ⁠bookshelf⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us as we discuss Puerto Rico's sovereignty with author, writer, linguist, polyglot, artist, and entrepreneur Javier A. Hernandez. Born in Rio Piedras, Javier is a pro-sovereignty advocate for Puerto Rico who wrote PREXIT: Forging Puerto Rico's Path to Sovereignty and Puerto Rico: The Economic Case for Sovereignty. He is also a former Diplomatic Security Special Agent with the U.S. Department of State (2009–2017) and an experienced international security professional specializing in counterterrorism, diplomatic protection, crisis management, foreign security training, and global embassy security. Javier's education includes a B.A. in Political Science & International Relations, an M.A. in International Communications, and an M.S. in Education. He brings extensive experience in geopolitics, strategic communications, education, and nation-state development – oh, and he's fluent in or conversant with 10 languages… This episode explores: Why Javier believes that Puerto Rico deserves to be its own country. The complicated and harsh history of Puerto Rico. The curriculum that Puerto Rican students learn from the Department of Education. How U.S. tax breaks in Puerto Rico impact the local economy. Want to find out why Javier is so passionate about Puerto Rican sovereignty, independence, national security, agriculture, maritime policy, and economic development? Click play now! You can follow along with Javier on X @PRexitBook! Episode also available on Apple Podcasts: http://apple.co/30PvU9