Podcasts about Cultural history

The humble goat has played a surprising and important role throughout the history of the United States. Despite this, goats are often overlooked by many Americans, even if they have strong opinions about these complex creatures. In Goats in America: A Cultural History (Oregon State UP, 2025) Dr. Tami Parr calls attention to these disregarded animals, uncovering the remarkable stories behind everything from goat meat and milk to goat yoga and more. Since arriving in North America with cattle and other domesticated livestock in the sixteenth century, goats have provided people sustenance and valuable products, including milk, meat, and mohair. But humans did not appreciate the animals, and as a result, throughout much of American history goats were persecuted as public nuisances and symbols of degenerate behavior. Nevertheless, over the centuries the tenacious goat has overcome many of these stereotypes and secured a spot in the hearts and minds of modern Americans, who love goat cheese and embrace goats as social media stars. Examining key moments and notable developments in goat history and culture, Goats in America outlines the history and evolving role of goats in communities across the country, from San Francisco and New York City to rural Wisconsin and the Navajo Nation. Parr shows that the evolving reputation of goats in American society ultimately reveals more about humans than it does about goats themselves. So, the next time you are enjoying your favorite goat cheese, take a moment to consider the history and role of goats within American culture. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The humble goat has played a surprising and important role throughout the history of the United States. Despite this, goats are often overlooked by many Americans, even if they have strong opinions about these complex creatures. In Goats in America: A Cultural History (Oregon State UP, 2025) Dr. Tami Parr calls attention to these disregarded animals, uncovering the remarkable stories behind everything from goat meat and milk to goat yoga and more. Since arriving in North America with cattle and other domesticated livestock in the sixteenth century, goats have provided people sustenance and valuable products, including milk, meat, and mohair. But humans did not appreciate the animals, and as a result, throughout much of American history goats were persecuted as public nuisances and symbols of degenerate behavior. Nevertheless, over the centuries the tenacious goat has overcome many of these stereotypes and secured a spot in the hearts and minds of modern Americans, who love goat cheese and embrace goats as social media stars. Examining key moments and notable developments in goat history and culture, Goats in America outlines the history and evolving role of goats in communities across the country, from San Francisco and New York City to rural Wisconsin and the Navajo Nation. Parr shows that the evolving reputation of goats in American society ultimately reveals more about humans than it does about goats themselves. So, the next time you are enjoying your favorite goat cheese, take a moment to consider the history and role of goats within American culture. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

The humble goat has played a surprising and important role throughout the history of the United States. Despite this, goats are often overlooked by many Americans, even if they have strong opinions about these complex creatures. In Goats in America: A Cultural History (Oregon State UP, 2025) Dr. Tami Parr calls attention to these disregarded animals, uncovering the remarkable stories behind everything from goat meat and milk to goat yoga and more. Since arriving in North America with cattle and other domesticated livestock in the sixteenth century, goats have provided people sustenance and valuable products, including milk, meat, and mohair. But humans did not appreciate the animals, and as a result, throughout much of American history goats were persecuted as public nuisances and symbols of degenerate behavior. Nevertheless, over the centuries the tenacious goat has overcome many of these stereotypes and secured a spot in the hearts and minds of modern Americans, who love goat cheese and embrace goats as social media stars. Examining key moments and notable developments in goat history and culture, Goats in America outlines the history and evolving role of goats in communities across the country, from San Francisco and New York City to rural Wisconsin and the Navajo Nation. Parr shows that the evolving reputation of goats in American society ultimately reveals more about humans than it does about goats themselves. So, the next time you are enjoying your favorite goat cheese, take a moment to consider the history and role of goats within American culture. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Music Director at Radio Western says: I'm just so grateful to have you guys on our station, to have Outlook here on our programming, and congratulations on reaching your 300th episode. Note at this point: we are a radio show first, as our theme states, and then become this podcast, if anyone was unaware of how and where we started/start each week - 94.9 on the dial locally, streaming audibly live at radiowestern.ca, at 11 AM EST weekly. Bird's eye view, an Outlook. It was a bird's eye view of our show with this one, as we were on Twitch, just for this particular episode and only for the live version. We love the irony to that as we discuss things like our pet peeve that many podcasts these days feel they need to have a visual component to them, even if podcasting is an audio art form so naturally we thought we'd “try” going live on Twitch for this. Irony or hypocrisy - you decide. This podcast episode still retains all the best bits, even if you've missed the live version. We are joined by those, we joked, who are forced to listen to Outlook every Monday, live, the staff from Radio Western in London, Ontario where we originally broadcast live from every Monday morning at eleven Eastern. To celebrate show 300 and our seven year mark we spoke with Radio Western Music Director (essentially Music Librarian) Ian, Marketing Director (Whirlwind) Elijah, and (new) News and Spoken Word Director Ryan and BF Barry (our sometimes third co-host) from Ireland. It turned out as a fun-filled and highly humorous discussion with friends and friends of the show about the last seven years, the history of Outlook On Radio Western, and what we want to highlight without claiming to speak for “all blind people” here. We talked wrongful interpretations of what blindness is in media while noting the correcting of that with things like book “There Plant Eyes: A Personal and Cultural History of Blindness” by Leona Godin and sharing a bit about sibling dynamics from everyone around the table. This sibling radio show/podcast celebrates that relationship with 300/7. And that's all contained here and not just live, even if you can't watch us, you could listen to Radio Western and/or on our show streaming there on Monday's. Elijah from Radio Western says to brother/co-host Brian: We all try to make this place as welcoming as possible. This is a place where everybody can feel as though they have a platform especially when you and Kerry are using this platform for good and to get such a positive message out and understanding…an a knowledgeable message, an informing message. Check out Ian's show Thursday mornings from 8:30 AM to 11,A Person Disguised As People and Elijah and Ryan's show Outside The Frame Tuesdays at 6 PM.

With rugby league's Ashes series imminent, part two of Rugby Reloaded's look at the cultural history of Anglo-Australian rugby league moves onto the post-World War 2 period. It was an era when the balance of power moved down under, with British players moving to Aussie clubs in the 1960s and 1970s, and the decline of Britain's ability to consistently compete with Australia in test matches. After 1970, the Lions never won a test series and British efforts to compete were hampered by changes in the British sports economy and poor leadership. But as we look toward the upcoming Ashes series, is there a way forward?

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Nearly 30 years ago, Newport resident Kent Gibson headed out with his dog to the beach one day to look for agate and jasper, types of gemstones he collected as a hobby at the time. He picked up what looked like a baseball-sized rock, threw it for his dog to fetch and then took it home for his dog to play with. But it turns out it wasn’t a rock. It was a fossil of a skull from a porpoise that lived 20 million years ago.    That discovery sparked a new calling for Gibson as an amateur fossil collector. The Salem Statesman Journal shared that story and more in its recent profile of the retired Newport harbormaster and his amazing skill at finding fossils, mostly of prehistoric marine mammals and fish. Gibson estimates his collection now numbers between 5 and 6,000 fossils, some of which he can spend 100 hours or more painstakingly cleaning to reveal skulls, vertebrae, ribs or other prehistoric bones encased in sediment and rock.  Gibson hopes to donate his collection some day to the Condon Fossil Collection at the University of Oregon’s Museum of Natural and Cultural History, but the facility doesn’t currently have the space to house it. Gibson joins us to talk about his amazing paleontological finds and tips for fellow fossil hunters.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In this episode, Raj Balkaran speaks with Karen Pechilis, Jarrod Whitaker, and Valerie Stoker about A Cultural History of Hinduism (Bloomsbury, 2024), a landmark six-volume series that traces Hindu traditions from the ancient world to the present. Each volume is organized around eight core themes—Sources of Authority; Body and Mind; Social Organization; Identity and Difference; Politics and Power; Arts and Visual Culture; Lineages and Exemplars; and Global Contexts—allowing readers to compare developments across historical periods. Covering the Ancient, Classical, Post-Classical, Empires, Late Colonial, and Independence eras, the series brings together leading voices in Hindu studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Raj Balkaran speaks with Karen Pechilis, Jarrod Whitaker, and Valerie Stoker about A Cultural History of Hinduism (Bloomsbury, 2024), a landmark six-volume series that traces Hindu traditions from the ancient world to the present. Each volume is organized around eight core themes—Sources of Authority; Body and Mind; Social Organization; Identity and Difference; Politics and Power; Arts and Visual Culture; Lineages and Exemplars; and Global Contexts—allowing readers to compare developments across historical periods. Covering the Ancient, Classical, Post-Classical, Empires, Late Colonial, and Independence eras, the series brings together leading voices in Hindu studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Raj Balkaran speaks with Karen Pechilis, Jarrod Whitaker, and Valerie Stoker about A Cultural History of Hinduism (Bloomsbury, 2024), a landmark six-volume series that traces Hindu traditions from the ancient world to the present. Each volume is organized around eight core themes—Sources of Authority; Body and Mind; Social Organization; Identity and Difference; Politics and Power; Arts and Visual Culture; Lineages and Exemplars; and Global Contexts—allowing readers to compare developments across historical periods. Covering the Ancient, Classical, Post-Classical, Empires, Late Colonial, and Independence eras, the series brings together leading voices in Hindu studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In this episode, Raj Balkaran speaks with Karen Pechilis, Jarrod Whitaker, and Valerie Stoker about A Cultural History of Hinduism (Bloomsbury, 2024), a landmark six-volume series that traces Hindu traditions from the ancient world to the present. Each volume is organized around eight core themes—Sources of Authority; Body and Mind; Social Organization; Identity and Difference; Politics and Power; Arts and Visual Culture; Lineages and Exemplars; and Global Contexts—allowing readers to compare developments across historical periods. Covering the Ancient, Classical, Post-Classical, Empires, Late Colonial, and Independence eras, the series brings together leading voices in Hindu studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

In this episode, Raj Balkaran speaks with Karen Pechilis, Jarrod Whitaker, and Valerie Stoker about A Cultural History of Hinduism (Bloomsbury, 2024), a landmark six-volume series that traces Hindu traditions from the ancient world to the present. Each volume is organized around eight core themes—Sources of Authority; Body and Mind; Social Organization; Identity and Difference; Politics and Power; Arts and Visual Culture; Lineages and Exemplars; and Global Contexts—allowing readers to compare developments across historical periods. Covering the Ancient, Classical, Post-Classical, Empires, Late Colonial, and Independence eras, the series brings together leading voices in Hindu studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Kathleen Casey joins Jana Byars to talk about The Things She Carried: A Cultural History of the Purse in America (Oxford UP, 2025). Purses and bags have always been much more than a fashion accessory. For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Larkin's Department Store is closing and its historic building is up for grabs. Jessica is prepared to secure the building for the Museum of Cultural History when she is blindsided by her friend Floyd Larkin selling the building to Amalgamated. This betrayal results in blackmail and two murders. Let's dress our mannequins in our new fall fashions while we watch Jessica set loyalties aside and solve two murders. https://www.patreon.com/Thefletcherfiles

A ‘re'-writing history project - Grace Leksana Shortly after taking up his position as the Minister for Culture and Education in the Prabowo government, Fadli Zon announced he was commissioning a reworking of the official Indonesian history textbook. In early 2025, outlines of the project's terms of reference started to trickle out, and historians, activists and survivors' groups grew increasingly concerned. The new version, assembled without broad consultation, contained a raft of significant changes and glaring omissions, including human rights violations carried out by the New Order, and the roles of women at various stages in Indonesia's pre- and post-independence past. Moreover, Minister Zon was determined to deliver the new book in time for the celebration of Indonesia's 80th anniversary of independence on 17 August. That deadline has now passed but the project remains in progress. What and who was behind this ‘rewriting' history project? What were their motives? What ‘red flags' most alarmed historians and others, and ultimately what can be done to resist and possibly reverse the course of this project? In this week's episode Jemma chats with Grace Leksana an Assistant Professor in Indonesian history in the Cultural History section of Utrecht University. Grace is author of Memory culture of the anti Leftist violence in Indonesia: Embedded Remembering (Amsterdam University Press, 2023). She is a member of the Indonesian History Openness Alliance (AKSI). In 2025, the Talking Indonesia podcast is co-hosted by Dr Jemma Purdey from the Australia-Indonesia Centre, Dr Jacqui Baker from Murdoch University, Dr Elisabeth Kramer from the University of New South Wales and Tito Ambyo from RMIT.

This week, we investigate the historical fashion trends written about in an 1884 Harper's Bazar article entitled “The Follies of Fashion.” Covering everything from Ancient Roman curling irons to Cleopatra's donkey milk baths to “barbarous” steel corsets, we decipher fashion fact from fashion fiction. Primary Sources Box for rouge and patches, 1750-55 Jean de la Bruyère's translation of The Characters of Theophrastus  Memoirs of Madame de la Tour de Pin Pliny the Elder's Naturalis Historia Secondary Sources: Sarah Bendall's Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England Kimberly Chrisman-Campbell's Fashion Victims: Dress at the Court of Louis XVI and Marie Antoinette Donkey Milk article in Beverages  Micaela Higgs's “The Entirely False History of Tricking Men with Makeup” Kelly Olson's “Fashion and Adornment,” in A Cultural History of Hair in Antiquity Valerie Steele's The Corset: A Cultural History Caroline Weber's Queen of Fashion: What Marie Antoinette Wore to the Revolution Want more Dressed: The History of Fashion?  Our ⁠website⁠ and ⁠classes⁠ Our ⁠Instagram⁠ Our ⁠bookshelf⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

As the countdown for the Rugby League Ashes series begins, the new 'Rugby Reloaded' is the first of two episodes taking a deep dive into the cultural history of the Ashes to ask what it can tell us about Anglo-Australian relations over the past century. There was a time that it was seen as a contest between two 'British' nations fighting for rugby supremacy, and when the sheer ferocity of matches reflected the underlying tensions between the 'Mother Country' and the upstart Dominion. Even in the 1950s, Australian rugby league officials were telling RFL officials that they were just a British as them! For more on the history of rugby and the other football codes, take a look at www.rugbyreloaded.com and follow me on Twitter at @collinstony

Chris Lindor, educator and broadcaster, shares his journey from self-directed learning in Wisconsin to teaching English in South Korea. With experience in private, vocational, and global education, Chris reveals how hybrid learning can empower families. We dive into the Homeschool Remix Framework and Mixtape, a flexible model that blends traditional and supplemental education—covering essentials like cultural history and financial literacy. Perfect for parents seeking practical homeschool solutions, especially single-parent and budget-conscious families, this episode highlights how to create a family-centered, customized learning path that works in today's world. Reach out to Chris Lindor: Website : http://www.homeschoolremix.com Blog: https://homeschoolremix.substack.com/ Facebook: https://www.facebook.com/homeschoolremix SCHOOL TO HOMESCHOOL RESOURCES:  SIGN UP FOR Free 3rd WEDNESDAY WORKSHOP: CLICK HERE Sign Up for the School to Homeschool Newsletter Private Mentoring with Janae: Schedule a Free Discovery Call School to Homeschool YouTube Channel Etsy Store: Shop for Homeschooling Swag *Please note that some of the links included in this article are Amazon affiliate links. CONNECT with US Join the Private Facebook Group  Learn more about School to Homeschool Contact Janae: schooltohomeschool1@gmail.com

Join us as we discuss Puerto Rico's sovereignty with author, writer, linguist, polyglot, artist, and entrepreneur Javier A. Hernandez. Born in Rio Piedras, Javier is a pro-sovereignty advocate for Puerto Rico who wrote PREXIT: Forging Puerto Rico's Path to Sovereignty and Puerto Rico: The Economic Case for Sovereignty. He is also a former Diplomatic Security Special Agent with the U.S. Department of State (2009–2017) and an experienced international security professional specializing in counterterrorism, diplomatic protection, crisis management, foreign security training, and global embassy security. Javier's education includes a B.A. in Political Science & International Relations, an M.A. in International Communications, and an M.S. in Education. He brings extensive experience in geopolitics, strategic communications, education, and nation-state development – oh, and he's fluent in or conversant with 10 languages… This episode explores: Why Javier believes that Puerto Rico deserves to be its own country. The complicated and harsh history of Puerto Rico. The curriculum that Puerto Rican students learn from the Department of Education. How U.S. tax breaks in Puerto Rico impact the local economy. Want to find out why Javier is so passionate about Puerto Rican sovereignty, independence, national security, agriculture, maritime policy, and economic development? Click play now! You can follow along with Javier on X @PRexitBook! Episode also available on Apple Podcasts: http://apple.co/30PvU9

Recently, Philip Pilkington and David Dusenbury published a couple of papers and an article on the long story of China's intellectual history with the West. A story that extends beyond Marco Polo, and has far more breadth and interchange in pre-modern times than most would suspect. David Dusenbury is an Associate Professor of Humanities at the University of Florida, author of three well-regarded books of religious history, and a frequent writer and thinker on the history of ideas. Last month, our duo sat down to comb over what they'd learned in the project for the Danube Culture podcast. We're bringing you their exchange as a bonus this week.

The definitive history of twenty-first-century indie rock-from Iron & Wine and Death Cab for Cutie to Phoebe Bridgers and St. Vincent-and how the genre shifted the musical landscape and shaped a generationMaybe you caught a few exhilarating seconds of "Teen Age Riot" on a nearby college radio station while scanning the FM dial in your parents' car. Maybe your friend invited you to a shabby local rock club and you ended up having a religious experience with Neutral Milk Hotel. Perhaps you were scandalized and tantalized upon sneaking Liz Phair's Exile in Guyville from an older sibling's CD collection, or you vowed to download every Radiohead song you could find on LimeWire because they were the favorite band of the guy you had a major crush on.However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something secret, something superior. In Such Great Heights, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming upends the industry and changes music forever. DeVille covers the gamut of bands-like Arcade Fire, TV On The Radio, LCD Soundsystem, Haim, Pavement, and Bon Iver-and in the vein of Chuck Klosterman's The Nineties, touches on staggering pop culture moments, like finding your new favorite band on MySpace and the life-changing O.C. soundtrack.Nerdy, fun, and a time machine for millennials, Such Great Heights is about how subculture becomes pop culture, how capitalism consumes what's "cool," who gets to define what's hip and why, and how an "underground" genre shaped our lives.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children's books, cartoons, movies, and video games. In Bear With Me: A Cultural History of Famous Bears in America (Duke UP, 2025), Dr. Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears' ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Dr. Horowitz charts the complexities and depth of American culture's unique and enduring relationship with bears. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children's books, cartoons, movies, and video games. In Bear With Me: A Cultural History of Famous Bears in America (Duke UP, 2025), Dr. Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears' ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Dr. Horowitz charts the complexities and depth of American culture's unique and enduring relationship with bears. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children's books, cartoons, movies, and video games. In Bear With Me: A Cultural History of Famous Bears in America (Duke UP, 2025), Dr. Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears' ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Dr. Horowitz charts the complexities and depth of American culture's unique and enduring relationship with bears. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children's books, cartoons, movies, and video games. In Bear With Me: A Cultural History of Famous Bears in America (Duke UP, 2025), Dr. Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears' ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Dr. Horowitz charts the complexities and depth of American culture's unique and enduring relationship with bears. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What do ancient Greek medicine and Korean skincare have in common? One slippery, surprisingly powerful ingredient: snail slime. From historical remedies to modern-day serums, in this episode we trace the unexpected journey of mucin through time. Is it miracle goo or just clever marketing? Are. You. Ready?****************Sources & References:Pliny the Elder. Natural History, Book 30. Translated by H. Rackham. LoebClassical Library, Harvard University Press, 1938.Rothfels, Nigel. A Cultural History of Animals in Antiquity. Berg Publishers,2007.Walker, Susan. “Would You Smear Snail Slime on Your Face?” The Guardian, 11 September2016.Matsumoto, Nancy. “Beauty Secrets From Korea.” The New York Times, 28 September2011.BBC News. “Beauty Secrets: The Weirdest Ingredients.” BBC News, 23 June2014.Glazer, Emily. “The Weird History of Snail Slime in Beauty.” Allure, 5 OctoberFigueroa, J. A., et al. “Efficacy of a Snail Secretion Filtrate in the Treatment ofPhotodamaged Skin.” Journal of Drugs in Dermatology, vol. 12, no. 4,2013, pp. 453–457.Tsoutsos, D., et al. “Wound Healing and the Use of Snail Secretion: Experimental andClinical Evidence.” Evidence-Based Complementary and Alternative Medicine,2013, Article ID 496328.Yoon, H. Y., et al. “Anti-Aging Effects of Snail Secretion Filtrate on Human Skin.” Cosmetics,vol. 2, no. 3, 2015, pp. 144–152.Dr. Hadley King, Dermatologist. Quoted in Byrdie and Allure, 2017–2020.Perry Romanowski, Cosmetic Chemist. Quoted in Allure, April 2014.Ethical Consumer Magazine. “Is Snail Slime Cruelty-Free?” Issue No. 170, March/April2019.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!TikTok:tiktok.com/@beautyunlockedthepodYouTube:@beautyunlockedspodcasthour****************Intro/Outro Music:Music by Savvier from Fugue FAME INC

For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In this engaging conversation, David Bryan and Tom Lutz explore the significance of the year 1925 in American literature, discussing its remarkable contributions and the evolution of literary publishing. Lutz shares insights into the founding of the Los Angeles Review of Books, reflecting on the cultural perceptions of literature and the ongoing presence of extraordinary talent in the arts. In their conversation, Tom Lutz and David Bryan explore various themes related to entrepreneurship, cultural perspectives on publishing, the role of nonprofits in literature, and the surprises of the 1920s. They discuss the evolution of gardening and sustainability, the creative process of writing, and the importance of interdisciplinary approaches in literature. The conversation culminates in reflections on the lessons from the 1920s that can inform contemporary society, particularly in the context of rising nationalism and the need for resistance against regressive movements.Tom Lutz (born March 21, 1953) is an American writer, literary critic, and academic, renowned for his contributions to literature and publishing. He is the founding editor-in-chief and publisher of the Los Angeles Review of Books (LARB), which he launched in 2011 to provide a platform for literary criticism and cultural commentary.     After working in various trades, Lutz pursued higher education, earning a B.A. in English and Journalism from the University of Massachusetts. He then obtained a master's degree and a Ph.D. in Modern Thought and Literature from Stanford University.        Lutz served as a Distinguished Professor and Chair of the Department of Creative Writing at the University of California, Riverside (UC Riverside). He retired in 2024 and now holds the title of Distinguished Professor Emeritus. Throughout his academic tenure, he taught at various institutions, including Stanford University, the University of Iowa, and the University of Copenhagen.     Lutz is the author of numerous books spanning cultural history, travel writing, and fiction. His notable works include:• American Nervousness, 1903: An Anecdotal History (1991)• Crying: The Natural and Cultural History of Tears (1999)• Doing Nothing: A History of Loafers, Loungers, Slackers, and Bums in America (2007), which received the American Book Award in 2008• Born Slippy: A Novel (2020)• Aimlessness (2021)• The Kindness of Strangers (2021)• Portraits: Moments of Intimacy on the Road (2022)His forthcoming works include Still Slippy: A Novel and 1925: A Literary Encyclopedia, both slated for release in 2025

For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The definitive history of twenty-first-century indie rock-from Iron & Wine and Death Cab for Cutie to Phoebe Bridgers and St. Vincent-and how the genre shifted the musical landscape and shaped a generationMaybe you caught a few exhilarating seconds of "Teen Age Riot" on a nearby college radio station while scanning the FM dial in your parents' car. Maybe your friend invited you to a shabby local rock club and you ended up having a religious experience with Neutral Milk Hotel. Perhaps you were scandalized and tantalized upon sneaking Liz Phair's Exile in Guyville from an older sibling's CD collection, or you vowed to download every Radiohead song you could find on LimeWire because they were the favorite band of the guy you had a major crush on.However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something secret, something superior. In Such Great Heights, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming upends the industry and changes music forever. DeVille covers the gamut of bands-like Arcade Fire, TV On The Radio, LCD Soundsystem, Haim, Pavement, and Bon Iver-and in the vein of Chuck Klosterman's The Nineties, touches on staggering pop culture moments, like finding your new favorite band on MySpace and the life-changing O.C. soundtrack.Nerdy, fun, and a time machine for millennials, Such Great Heights is about how subculture becomes pop culture, how capitalism consumes what's "cool," who gets to define what's hip and why, and how an "underground" genre shaped our lives.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Why modern communication still relies on ancient words and narratives.All communication and connection depend on one thing: language. That's why Laura Spinney says understanding language — where it comes from and how it evolves over time — can help us use it more effectively.“Language is incredibly powerful,” says Spinney, an author and journalist published in the Atlantic, National Geographic, Nature, and New Scientist. As “humanity's oldest tool,” language has evolved as we have, which Spinney explores in her latest book, Proto: How One Ancient Language Went Global. In addition to the words themselves, there are also the stories that humans have carried with them for millennia. “Some stories that we still tell today,” Spinney notes, have remained stable for tens of thousands of years — providing more than just entertainment — shaping how we understand the world, share knowledge, and build community.In this episode of Think Fast, Talk Smart, Spinney and host Matt Abrahams discuss why language and storytelling are fundamental to being human, what makes a story compelling, and how our ever-evolving language continues to be our best tool for communication and connection.To listen to the extended Deep Thinks version of this episode, please visit FasterSmarter.io/premium.Episode Reference Links:Laura Spinney Laura's Books: Proto / Pale RiderEp.168 How Story Can Change Everything in Your CareerEp.91 Um, Like, So: How Filler Words Can Create More Connected, Effective Communication Connect:Premium Signup >>>> Think Fast Talk Smart PremiumEmail Questions & Feedback >>> hello@fastersmarter.ioEpisode Transcripts >>> Think Fast Talk Smart WebsiteNewsletter Signup + English Language Learning >>> FasterSmarter.ioThink Fast Talk Smart >>> LinkedIn, Instagram, YouTubeMatt Abrahams >>> LinkedInChapters:(00:00) - Introduction (02:24) - Power & Limits of Language (02:55) - Detecting Lies (04:46) - Origins of Storytelling (07:42) - What Makes a Great Story (10:31) - Proto-Indo-European Language (12:52) - Language Families & Connections (15:06) - Language Clues in History (17:17) - The Final Three Questions (21:56) - Conclusion  *****Thank you to our sponsors: Stanford Continuing Studies. Enroll today for my course starting September 30thStrawberry.me. Get $50 off coaching today at Strawberry.me/smartSupport Think Fast Talk Smart by joining TFTS Premium.     

In this episode, we discuss the history of Black activism in Brazil during the authoritarian period (1964–1986). Joining me is Marcelo Jose Domingos.Marcelo graduated with his Ph.D. in Latin American history from the University of Texas at Austin. He focused on contemporary history, the Cold War, the 1980s, and the complexities of twenty-first-century geopolitics in Latin America. His research interests also include examining the intersections of race, culture, and politics, particularly as they relate to black activism and the Brazilian dictatorship's intelligence files. Before pursuing his doctoral studies, Marcelo worked for several years in archives management, research, history, and education. He has taught various subjects from high school to college, including international relations, global history, and Brazilian history. Additionally, Marcelo holds an MA in Cultural History from the University of Brasília (UNB) in Brazil, where he deepened his knowledge of popular music and media interactions. Regarding his academic research, Marcelo's work on Black activism in Brazil during the authoritarian period is particularly critical, as there are very few investigations on this subject, and moreover, his research is unique in that it draws extensively upon declassified government files.

Back in the early 70s, Eli Zaretsky wrote for a socialist newspaper and was engaged to review a recently released book, Psychoanalysis and Feminism by Juliet Mitchell. First, he decided, he'd better read some Freud. This started a life-long engagement with psychoanalysis and leftist politics, and his new book Political Freud: A History (Columbia University Press, 2015) conveys the richness of his decades of reading Freud. Following his 2004 Secrets of the Soul: A Social and Cultural History of Psychoanalysis, Zaretsky's latest book, some would call it a companion, is comprised of five essays analyzing the complexity of the mutual influencing of capitalism, social/political history, and psychoanalysis, with particular attention to how and whether people conceive of their own interiority as political. (Particularly timely is chapter two: “Beyond the Blues: the Racial Unconscious and Collective Memory” which explores African American intellectual engagement with psychoanalysis as a tool for understanding oppression.) “Whereas introspection did once define an epoch of social and cultural history– the Freudian epoch– there were historical reasons for this, and it was bound to pass” says Zaretsky. But Political Freud is also a compelling argument for how badly we still need a conception of the self–or ego– with a critical and non-normalizing edge. Eli Zaretsky is a professor of history at The New School, writes and teaches about twentieth-century cultural history, the theory and history of capitalism (especially its social and cultural dimensions), and the history of the family. He is also the author of Why America Needs a Left, Secrets of the Soul: A Social and Cultural History of Psychoanalysis and Capitalism, the Family and Personal Life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

We're checking in with an Illinois State University professor who specializes in the cultural history of chocolate. Quite a treat for sweet tooths!

Last summer, former military officials testified to Congress about UFOs, and once again the nation's imagination was ignited. Greg Eghigian, professor of history and bioethics at Pennsylvania State University, joins host Krys Boyd to discuss the history of America's fascination with UFOs — an obsession that spread globally — and what it all means for our civilization back here on Earth. His book is “After the Flying Saucers Came: A Global History of the UFO Phenomenon.”This episode originally aired June 20th, 2025. Learn about your ad choices: dovetail.prx.org/ad-choices

In the previous episode, we began a fascinating conversation about the long history of human interest in kink and BDSM. Today, we're diving deeper into the subject and discussing how major cultural events have played a role in shaping kinky interests. We're also going to talk about how kink and BDSM have been portrayed in the media and some of the controversies around how it has been presented. I am joined once again by author, historian, and journalist Peter Tupper. He runs the History of BDSM blog and wrote the book A Lover's Pinch: A Cultural History of Sadomasochism. Some of the specific topics we explore include: How did WWII influence BDSM practices and communities? What’s the historical connection between BDSM and fascist politics? How are kink and BDSM represented in popular media? How do we balance making representations of minority sexualities accessible without over-relying on stereotypes? You can check out Peter’s book here. Got a sex question? Send me a podcast voicemail to have it answered on a future episode at speakpipe.com/sexandpsychology. *** Thank you to our sponsors!  Boost your sexual confidence and performance with Popstar Delay Spray. Save 20% off your first order by using “Justin” as the discount code at popstarlabs.com/justin.  I’m excited to announce a new online course I’m teaching on the topic of fantasies at the Kinsey Institute. Be sure to register for “The New Science of Sexual Fantasies” workshop, which will take place on July 19th, 2025. *** Want to learn more about Sex and Psychology? Click here for previous articles or follow the blog on Facebook, Twitter, or Bluesky to receive updates. You can also follow Dr. Lehmiller on YouTube and Instagram. Listen and stream all episodes on Apple, Spotify, Google, or Amazon. Subscribe to automatically receive new episodes and please rate and review the podcast! Credits: Precision Podcasting (Podcast editing) and Shutterstock/Florian (Music). Image created with Canva; photos used with permission of guest.

She's a botanist, a member of the Citizen Potawatomi Nation, and the author of the bestselling Braiding Sweetgrass. In her new book she criticizes the market economy — but she and Steve find a surprising amount of common ground. SOURCES:Robin Wall Kimmerer, botanist and founder and director of the Center for Native Peoples and the Environment. RESOURCES:The Serviceberry: Abundance and Reciprocity in the Natural World, by Robin Wall Kimmerer (2024).Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, by Robin Wall Kimmerer (2015).Gathering Moss: A Natural and Cultural History of Mosses, by Robin Wall Kimmerer (2003)."The Deadweight Loss of Christmas," by Joel Waldfogel (The American Economic Review, 1993)."Reproductive Ecology of Tetraphis pellucida. I. Population Density and Reproductive Mode," by Robin Wall Kimmerer (The Bryologist, 1991). EXTRAS:"The Deadliest Disease in Human History," by People I (Mostly) Admire (2025)."How Smart Is a Forest?" by People I (Mostly) Admire (2023)."Jane Goodall Changed the Way We See Animals. She's Not Done." by People I (Mostly) Admire (2022).