Podcast appearances and mentions of Robert W Cherny

What did the Communist Party accomplish in California, or try to? SFSU emeritus professor Robert W. Cherny considers the party's agendas and activities in relation to longshore workers, labor unions, political figures, and others. He also examines the stances the party took toward the Roosevelt administration, the New Deal, the Comintern, and U.S. involvement in World War II. (Encore presentation.) Robert W. Cherny, San Francisco Reds: Communists in the Bay Area, 1919-1958 University of Illinois Press, 2024 The post California's Communists appeared first on KPFA.

What did the Communist Party accomplish in California, or try to? SFSU emeritus professor Robert W. Cherny considers the party's agendas and activities in relation to longshore workers, labor unions, political figures, and others. He also examines the stances the party took toward the Roosevelt administration, the New Deal, the Comintern, and U.S. involvement in World War II. Robert W. Cherny, San Francisco Reds: Communists in the Bay Area, 1919-1958 University of Illinois Press, 2024 The post California's Communists appeared first on KPFA.

The 1800s were a time of milking cows and going to the county fair. Sure... but what else? We tend to think of this century as a quiet, pastoral era when people were friendly and life was simple. But the 1800s were a crazy time! The American Civil War, the Napoleonic Wars, the Spanish-American War, conquest, the suffrage movement, the prohibition movement, massive technological changes. It's a wonder we ever made it out alive. In this episode, we explore the early life of William Jennings Bryan and the Democratic Party, the party of Jim Crow that he would soon lead. After the Civil War, it was the Democrats who created Black Codes in the South to restrict the upward mobility of African Americans. They were the party of white farmers and soon transitioned into representing labor unions and, eventually, many black people in the United States. Bryan was one of the men responsible for that transition. Helpful Links and Sources: "A Godly Hero" by Michael Kazin Truce episode about the Woman's Christian Temperance Union (WCTU) Meeting notes of the 1873 Evangelical Alliance "Fundamentalism and American Culture" by George Marsden "A Righteous Cause" by Robert W. Cherny (book on William Jennings Bryan) Interesting bio on Stephen Douglas President Hays' acceptance speech Discussion Questions: What do you think of when you think of the 1800s? Was the 1800s a simpler time? What mistakes did the Republican Party make in ending Reconstruction? How should abolitionists have handled the South after the Civil War? Can a Christian lead a racist political party? Should they? What were some technological advances that came about in the 1800s? How might they have shifted the way people lived and thought back then? Are there technological changes going on now that could shift the way we think and interact with each other? Chris ends the episode by talking about how Christians should be a people of the means, not necessarily the ends. Do you think the ends ever justify the means for Christians? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Best remembered today for his work as a muralist, the Russian-American artist Victor Arnautoff lived a life worthy of Hollywood. In Victor Arnautoff and the Politics of Art (University of Illinois Press, 2017), Robert Cherny details the both range of Arnautoff’s activities and how the views born of those experiences... Learn more about your ad choices. Visit megaphone.fm/adchoices

Best remembered today for his work as a muralist, the Russian-American artist Victor Arnautoff lived a life worthy of Hollywood. In Victor Arnautoff and the Politics of Art (University of Illinois Press, 2017), Robert Cherny details the both range of Arnautoff’s activities and how the views born of those experiences influenced his work. Born in Russia, Arnautoff’s service as a cavalry officer for the anticommunist White forces in the Russian Civil War forced him to abandon his homeland for an involuntary exile, first in China, then in the United States. Long interested in a career as an artist, his studies of art in San Francisco during the 1920s led to a two-year period working for the famous Mexican muralist Diego Rivera. Returning to San Francisco during the depth of the Great Depression, Arnautoff quickly emerged as one of the greatest talents on the regional art scene, with works that championed the working man and criticized the brutalities of capitalism. Arnautoff’s embrace of Communism by the end of the 1930s and his association with Soviet consular officials both during and after World War II brought increasing attention from the U.S. government during the postwar “Red Scare” era, with their monitoring of his activities ending only with his return to the Soviet Union in 1957. Learn more about your ad choices. Visit megaphone.fm/adchoices

Best remembered today for his work as a muralist, the Russian-American artist Victor Arnautoff lived a life worthy of Hollywood. In Victor Arnautoff and the Politics of Art (University of Illinois Press, 2017), Robert Cherny details the both range of Arnautoff’s activities and how the views born of those experiences influenced his work. Born in Russia, Arnautoff’s service as a cavalry officer for the anticommunist White forces in the Russian Civil War forced him to abandon his homeland for an involuntary exile, first in China, then in the United States. Long interested in a career as an artist, his studies of art in San Francisco during the 1920s led to a two-year period working for the famous Mexican muralist Diego Rivera. Returning to San Francisco during the depth of the Great Depression, Arnautoff quickly emerged as one of the greatest talents on the regional art scene, with works that championed the working man and criticized the brutalities of capitalism. Arnautoff’s embrace of Communism by the end of the 1930s and his association with Soviet consular officials both during and after World War II brought increasing attention from the U.S. government during the postwar “Red Scare” era, with their monitoring of his activities ending only with his return to the Soviet Union in 1957. Learn more about your ad choices. Visit megaphone.fm/adchoices

Best remembered today for his work as a muralist, the Russian-American artist Victor Arnautoff lived a life worthy of Hollywood. In Victor Arnautoff and the Politics of Art (University of Illinois Press, 2017), Robert Cherny details the both range of Arnautoff’s activities and how the views born of those experiences influenced his work. Born in Russia, Arnautoff’s service as a cavalry officer for the anticommunist White forces in the Russian Civil War forced him to abandon his homeland for an involuntary exile, first in China, then in the United States. Long interested in a career as an artist, his studies of art in San Francisco during the 1920s led to a two-year period working for the famous Mexican muralist Diego Rivera. Returning to San Francisco during the depth of the Great Depression, Arnautoff quickly emerged as one of the greatest talents on the regional art scene, with works that championed the working man and criticized the brutalities of capitalism. Arnautoff’s embrace of Communism by the end of the 1930s and his association with Soviet consular officials both during and after World War II brought increasing attention from the U.S. government during the postwar “Red Scare” era, with their monitoring of his activities ending only with his return to the Soviet Union in 1957. Learn more about your ad choices. Visit megaphone.fm/adchoices

Best remembered today for his work as a muralist, the Russian-American artist Victor Arnautoff lived a life worthy of Hollywood. In Victor Arnautoff and the Politics of Art (University of Illinois Press, 2017), Robert Cherny details the both range of Arnautoff’s activities and how the views born of those experiences influenced his work. Born in Russia, Arnautoff’s service as a cavalry officer for the anticommunist White forces in the Russian Civil War forced him to abandon his homeland for an involuntary exile, first in China, then in the United States. Long interested in a career as an artist, his studies of art in San Francisco during the 1920s led to a two-year period working for the famous Mexican muralist Diego Rivera. Returning to San Francisco during the depth of the Great Depression, Arnautoff quickly emerged as one of the greatest talents on the regional art scene, with works that championed the working man and criticized the brutalities of capitalism. Arnautoff’s embrace of Communism by the end of the 1930s and his association with Soviet consular officials both during and after World War II brought increasing attention from the U.S. government during the postwar “Red Scare” era, with their monitoring of his activities ending only with his return to the Soviet Union in 1957. Learn more about your ad choices. Visit megaphone.fm/adchoices

Best remembered today for his work as a muralist, the Russian-American artist Victor Arnautoff lived a life worthy of Hollywood. In Victor Arnautoff and the Politics of Art (University of Illinois Press, 2017), Robert Cherny details the both range of Arnautoff’s activities and how the views born of those experiences influenced his work. Born in Russia, Arnautoff’s service as a cavalry officer for the anticommunist White forces in the Russian Civil War forced him to abandon his homeland for an involuntary exile, first in China, then in the United States. Long interested in a career as an artist, his studies of art in San Francisco during the 1920s led to a two-year period working for the famous Mexican muralist Diego Rivera. Returning to San Francisco during the depth of the Great Depression, Arnautoff quickly emerged as one of the greatest talents on the regional art scene, with works that championed the working man and criticized the brutalities of capitalism. Arnautoff’s embrace of Communism by the end of the 1930s and his association with Soviet consular officials both during and after World War II brought increasing attention from the U.S. government during the postwar “Red Scare” era, with their monitoring of his activities ending only with his return to the Soviet Union in 1957. Learn more about your ad choices. Visit megaphone.fm/adchoices