Podcasts about kpfa

Weekend Edition of the KPFA Evening News, which is a collaboration of KPFA and KFCF in Fresno. The post The KPFA Evening News (Saturday) – August 9, 2025 appeared first on KPFA.

Deranged “edits” segue into a cascade of echoing glossolaliac madness, the voicing of lyric ruminations from the free-falling brains of disintegrating personalities. The post Puzzling Evidence – August 8, 2025 appeared first on KPFA.

Themed mixes are made live and spontaneously on the air, consisting of found sound of many kinds and from many sources, old and new, put together on the run as the continuous audio collage continues. The post Over the Edge – August 8, 2025 appeared first on KPFA.

Eleanor Goldfield hosts this week's show. Her first guest, Shir Hever, explains what he describes as Israelis “zombie economy”, and its media establishment that isn't telling Israelis the truth about the genocide being perpetrated in nearby Gaza. Then Margaret Flowers returns to the program to discuss the astonishing death toll exacted by US/EU economic warfare against nations they deem hostile, from Venezuela to Iran. A recent study published in the Lancet medical journal estimated that these unilateral “sanctions” have claimed more than 500,000 lives worldwide each year, from malnutrition, increased infant mortality, unobtainable medical care, and other causes. Music-break information: “No Rest for the Weary” by the Blue Scholars   The News That Didn't Make the News. Each week, co-hosts Mickey Huff and Eleanor Goldfield conduct in depth interviews with their guests and offer hard hitting commentary on the key political, social, and economic issues of the day with an emphasis on critical media literacy. The post Israel, a “Zombie” Economy? // US Economic Warfare has Killed Millions appeared first on KPFA.

Today on the Show: An update on Leonard Peltier back home in Indian Country and healing. Also fighting back against Trump's shock troops and growing number of violent street arrests: organizing the resistance to the Trump plan to turn Alcatraz back into a high security prison for mass deportation: and the fast for Justice in Sonoma County California continues a pace The post An Update on Recently Released Political Prisoner Leonard Peltier appeared first on KPFA.

00:08 Robert Reich, political economist who worked in the administrations of three presidents (most prominently as Secretary of Labor for Bill Clinton) now emeritus Chancellor's Professor of Public Policy at UC Berkeley. His new book is Coming Up Short: a memoir of my America  The post Robert Reich on Robert Reich appeared first on KPFA.

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Congressional district map Palestinians fearful of Israel plans to take over Gaza City as part of escalation to take over nearly entire Gaza Strip; Newsom, Pelosi join Texas dems in Sacramento as governor plans November ballot measure to counter TX redistricting; Trump hosts leaders of Armenia, Azerbaijan for signing of peace agreement creating “Trump Route for International Peace and Prosperity”; Israel planning to take over Gaza City, world leaders call it dangerous escalation; Historic Golden Rule Anti-Nuclear sailboat visits SF Bay with warning about Gaza genocide, 6 decades after sailing into Marshall Islands to halt US nuke testing; Saturday August 9 is “International Day of the World's Indigenous Peoples”, and 80th anniversary of atomic bombing of Nagasaki The post Palestinians fear Israeli plans to take over Gaza City as part of escalation; Newsom, Pelosi join Texas dems in Sacramento as redistricting battle heats up – August 8, 2025 appeared first on KPFA.

Democracy Now! is a daily independent award-winning news program hosted by journalists Amy Goodman and Juan Gonzalez. The post Democracy Now 6am – August 8, 2025 appeared first on KPFA.

Consumer Watchdog Logo On today's show, Dr. Bernadette Rodgers of Scientist Rebellion will b here to give you the deets on a training session and the next huge climate action for the Stop Billonaires Summer.  We'll switch gears and speak to Consumer Watchdog's Carmen Balber and Will Pletcher about rate hikes to CA homeowners insurance and a recently filed lawsuit against CA insurance commissioner Ricardo Lara.   Link to Wells Fargo Petition: https://actionnetwork.org/petitions/tell-wells-fargo-be-a-better-bank?clear_id=true&referrer=group-stop-the-money-pipeline&source=direct_link Poster – August 15th Action The post Insurance Rate Hikes & August 15th Action appeared first on KPFA.

A how-to and what-to-do program where skilled hosts welcome guests and callers to practice empathy, mindfulness, and effective communication. Do you want tools for connection, conflict resolution, and compassion for self and others? We explore skills, knowledge and resources to empower you to connect across differences. The post Talk-It-Out Radio – August 8, 2025 appeared first on KPFA.

THE CLOWN HATLESS SHOW!! - A Puzzling Evidence Show Podcast - S10E6After another test to see if you're listening, Puzzling Evidence proves that Show is just Show fluffed up with a KROB Radio Valencia Show starring Puzz, LIES, KROB, and Mr. & Mrs. Karen Carpenter before shifting to the Berkeley show at 47:00. Puzzling and Philo dissect the movie, Cloud Atlas and extrapolate the file contents beyond their physical file size without compression. Listeners tell us we're doing a great job!!The Puzzling Evidence Radio Show on KPFA. It's the funnest time you will ever have at 3:00 am.The Puzzling Evidence Radio Show on KPFA.Starring Puzzling Evidence - Master Mixotologist Dr. Philo Drummond - Chief Blabbertologer Dr. Howlland Owll - Resident Know-It-AllPlayed by Doug Wellman, Steve Wilcox and Hal Robins.Originally broadcast live and in person at 3:00am at KPFA studios in Berkeley CA - July 19th, 2013

Guest: Lyndal Roper is Regius Professor of History at the University of Oxford.  She is the author of several books including, Martin Luther: Renegade and Prophet; Witch Craze, and her latest, Summer of Fire and Blood: The German Peasants' War. The post The German Peasants' Revolt appeared first on KPFA.

  Let's take the “cult” out of” Culture!” Lunar Lammas – Full Moon of Opportunity – for Liberating Revelation, Story-crafting our way out of ACT IV to ACT V For on-going  – Anarcho*Entheo*Astro*Animism Caroline welcomes the return of Eddy Nix.   Tis exact mid- Summer today, one of the 4 cross-quarter holidays, when Power is especially enthused to be invited to bound-on-stage… And waxing Aquarius-Leo Full Moon Friday night (exact 12:55 am pt Saturday)…And Mercury stationing direct on the anniversary of Jeffrey Epstein's death- August 10th/11th 2019 …..Let's magic together team, that all we need to know to have a democracy – be revealed…. Eddy Nix “plays a bookseller in real life and has many projects operating in the dream world. He is founder and operator of Driftless Books and Music in Viroqua, WI; was a founding teacher at Youth Initiative High School; and has a radio show on community radio station WDRT every Sunday. He identifies as a rhizome, or a verb, depending on circumstances. He has been many other things also.”     *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Lunar Lammas for Liberating Revelation appeared first on KPFA.

Jodi Dean, author of this article, on why going anti-woke is very wrong • Emily Jashinsky on Marjorie Taylor Greene's use of the word “genocide,” and other curious developments on the right The post Don't go anti-woke, fissures around Israel on the right appeared first on KPFA.

Today on the show: Noted refugee rights advocate, Juan Jose Gutierrez, speaks to us from Los Angles about the expanding sweeps through the streets of Los Angeles and parts south. Also The genocidal slaughter in occupied Palestine continues a pace as we feature our weekly FRONTLINE news report from the Electronic Intifada with Nora Barrows Friedman. And a Historic” $100K Settlement from University of Maryland for Unlawfully Suppressing Pro-Palestinian Student Speech The post Update on ICE Raids In Los Angeles and Southern California appeared first on KPFA.

00:08 — Joel Beinin is Professor of Middle East History, Emeritus at Stanford University. 00:33 — David Dayen is the executive editor of The American Prospect. His most recent book is Monopolized: Life in the Age of Corporate Power (2020). 00:45 — Hannah Mayree is founder of the Black Banjo Reclamation Project. The post Netanyahu Cabinet Fires Judge Overlooking Corruption Trial, FEMA Workers Moved to ICE; Plus, Plus, Black Banjo Reclamation Project at SF Downtown Hoedown appeared first on KPFA.

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Texas senate committee approves GOP redistricting plan while Dems hold out in other states to block quorum; ICE uses rental truck to surprise and round up day laborers in LA despite court order on ICE stops; California teaming up with big tech companies to bring Artificial Intelligence courses to classrooms; State Supreme Court orders Public Utilities Commission to reconsider cuts to rooftop solar owners; Altadena residents protest State Farm rate hikes, reluctance to pay for fire damage after massive wildfire; Federal judge blocks construction at Alligator Alcatraz immigration jail, as ICE builds new detention centers at military bases in Texas, Indiana, New Jersey; Air Force denying early retirement options for transgender servicemembers, using medical screenings to find transgender members who do not come forward The post Texas senate committee approves GOP redistricting plan; ICE uses rental truck to surprise and round up day laborers in LA – August 7, 2025 appeared first on KPFA.

ON TODAY'S SHOW: “War in Perpetuity”: M. Gessen Warns Putin Won't Make Peace with Ukraine Because It Risks His Own Survival From India to Brazil, Trump Intensifies Trade War Against BRICS Nations as New Tariffs Take Effect “Tightening the Chokehold”: Amjad Iraqi on Israel's Plans to “Empty Out” Gaza and Annex West Bank The Global Plastic Threat: Research Finds Plastics Can Lead to Disease, Disability & Premature Death Democracy Now! is a daily independent award-winning news program hosted by journalists Amy Goodman and Juan Gonzalez. The post Democracy Now 6am – August 7, 2025 appeared first on KPFA.

ICE has arrested and detained US citizens as part of the agency's militarized sweeps to capture undocumented immigrants.  Sam Levin, correspondent for The Guardian and Sergio Perez, executive director of the Center for Human Rights and Constitutional Affairs join today's show.  You can read Sam's article for the Guardian here https://www.theguardian.com/us-news/2025/aug/05/us-citizens-jailed-ice-los-angeles — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/     The post US Citizens Caught Up in ICE Raids w/ Sam Levin and Sergio Perez appeared first on KPFA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On tonight's edition of Obbligato on APEX Express, which focuses on AAPI artists, musicians, and composers in the classical music world, host Isabel Li is joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. Featured Music: Sonatrinas: https://richardan.bandcamp.com/album/sonatrinas i got the electroshock blues: https://rasprecords.bandcamp.com/album/i-got-the-electroshock-blues   RICHARD AN (b.1995) is a performer and composer, born and raised in Los Angeles. Richard plays new music – usually with House on Fire – co-founded the tiny backpack new music series, and has performed with Monday Evening Concerts' Echoi Ensemble, Piano Spheres, The Industry and on Bang on a Can's LOUD Weekend. Richard plays piano and percussion, and has been known to sing, conduct, and teach. Richard's music has been performed by the Los Angeles Philharmonic Orchestra, Calder Quartet, HOCKET, C3LA, and more. His music has been released on CMNTX Records. Richard has a BM in Composition from USC and an MFA from CalArts. He is on faculty at the Pasadena Waldorf School, Glendale Community College and Harvard-Westlake. He plays taiko and tabla, and makes YouTube videos. Learn more about Richard's work on his website: https://richardanmusic.com/ Richard's social media: https://www.instagram.com/richardanmusic/ If you are in LA and want hear Richard's work, he's playing with House on Fire at the Sierra Madre Playhouse on August 17! https://www.sierramadreplayhouse.org/event/richardan2025   Transcript Opening: [00:00:00] APEX Express. Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express. 00:00:46 Isabel Li Good evening and welcome back to a new episode of Apex Express on KPFA, 94.1 FM. We are bringing you an Asian and Asian American view from the Bay and around the world. I'm your host, Isabel Li, and tonight is a new edition of Obbligato, which explores AAPI identities and classical music. Tonight I'm joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. 00:01:41 Isabel Li Welcome to the show. Welcome to APEX Express, Richard. My first question for you is how do you identify and what communities would you say that you're a part of? 00:01:50 Richard An My name is Richard An I use he/him pronouns and I'm a second generation Korean American. My parents are both Korean. My dad came from Busan, which is a large city in South Korea, and my mom was born in Seoul and then moved to South America and then made her way up to Los Angeles where they met. And as for identity, like, I think Korean American would be the most accurate one. This is and I think an ever evolving part of first of all my identity and the way that it intersects with my practice and also I think that's the case with many Asian American artists, I mean artists from immigrant families, you know, the the matter of your identity, especially if you feel more distanced from it for one reason or another, is like an unsolved question for everyone like there is no one answer. That works for people and that's a thing that me people like myself I think will be exploring for our entire lives. When I introduce myself to people, I say that I'm a classical musician. And at the very core of it, that is true. That's not a lie. And I am, you know, a part of the classical music community in Los Angeles. But as time goes on, I have noticed and realized. That I tend to align myself more with like the avant-garde and experimental contemporary music communities of Los Angeles, which has certainly an overlap with the classical community, both in practice and historically, but yeah, I I would say those are the sort of two biggest ones, classical musicians and experimental avant-garde, contemporary musicians, whatever label you want to use for that. 00:03:47 Isabel Li Yeah. Some of our listeners might not know what avant-garde music entails. Can you — how would you describe avant-garde music to someone who might not be as familiar with this particular movement? 00:03:57 Richard An Yeah. So avant-garde music, a sort of flippant and joking way to to talk about it is ugly music or music. You know, my dad, for example, wouldn't like, but I think. It's music that either interfaces with elements or confronts facets or issues in music that aren't typical of other kinds of music. The music that you might hear that is labeled of on guard might be noisy or dissonant or uncomfortable, or any kind of, you know, adjectives that are synonyms for noisy or ugly, but I have come to love that kind of music, you know 1. Because of the the kind of questions that they might ask about our perceptions of music and two, because I guess one way to put it is that to be a classical musician, you need to be in a practice room for many hours a day for many years and go to what is unfortunately a college, which is usually very expensive and I guess for lack of a better term, paywalled for like you need to have the kind of resources that allow you to attend a four year undergrad and then a two year masters and then a three-year doctorate. But avant-garde music, contemporary music, experimental music doesn't necessitate that kind of thing. Often those musicians do have a background that gives them some amount of, you know, virtuosity or facility in an instrument. But like some of the best experimental musicians. Alive and some of the best ones that I know have no, like extensive training in a particular instrument and some may not have a degree in music at all. And that's one thing that I in like that separates it from classical music is that. 00:05:44 Richard An Classical music can be, unfortunately a little bit exclusionary. I don't think by any one specific design, but the fact that you need so many hours and very specific instructions from a mentor that necessitate that kind of relationship. But experimental music, I think does a little bit better job of diversifying or making it feel more equitable. 00:06:12 Isabel Li That's a great point, actually. One of my questions following up with that was what do you think is possible with this genre, which you kind of mentioned earlier with perhaps how this genre makes classical music a little bit more equitable for those who are interested in this field. In your experience, composing, what do you think makes the genre special, and how do you go about it? 00:06:35 Richard An One thing that I've noticed about being involved in the sort of contemporary experimental avant-garde music sphere is that it makes me a better listener, and I think other people who attend these concerts will agree. Like for example a large part of this kind of music is drone or repetition or, you know, like long spans of unchanging sound. And if the the sound that is being produced at face value is not changing, well then what do you notice about it? What do you grab on to and one of the most, I think, gratifying experiences is listening deeper and realizing that, ohh, even though you know for example this piano playing two notes for 30 minutes might not like the instructions will say to do the same thing for 30 minutes, but your experience as a human being will certainly change over those 30 minutes, even if the the notes are not like you will notice the slight fluctuations in the way that someone is playing, you will notice the beating patterns in the pitches on an instrument that may not be perfectly in tune, you will note other ambient sounds, you will note like you will notice so much more about the world when you are confronted with the kind of music that you know. You can say it forces you to listen to these sounds but also invites you to listen to these things. And I think that's really, really special. That's not to say that that can't happen with other kinds of music. Or even with classical music. Surely you know there are many, many ways to listen to everything. But I've noticed this within myself. When I listen to long, repetitive drone based music that it really opens my ears and makes me a more active participant as a listener. 00:08:30 Isabel Li It's a great point actually. Part of my work– because I studied music, history and theory in college– was how music can engage various listeners to participate. Have you composed anything that perhaps engages the listener in this more of a participatory setting? 00:08:47 Richard An Yeah. So I guess in order the some of the stuff that I've done to engage the audience, I guess both literally, and maybe more figuratively is, I wrote a piece last year for the Dog Star festival, which is a a contemporary and experimental music festival that is actually happening right now, at the time of this recording. It's a multi week long festival that focuses on music of this type that was founded by people in the sort of CalArts music world. But I wrote a piece for that last year for three melodicas, which are these basically toy instruments that look like keyboards, but you blow into them and you blowing air through these makes the sound happen. It's basically like if you cross a harmonica and a piano together. But I I wrote a piece for three of these, playing essentially the same notes. And because these instruments are pretty cheap, and they're often considered toys or, you know, instruments for children, they're not tuned to the exact way that, like a piano or a vibraphone or an expensive instrument might be. But I wanted to use that for my advantage. For example, if I play an F# on one melodica the same F# on another melodica will not be exactly the same and playing those two pitches together will produce what's known as a a beat or beat frequency. Which is, you know, a complicated, you know, mathematic physics thing, but basically 2 notes that are really, really close, but not quite together will create a kind of third rhythm because the the pitches are so close. Like, for example, if if I play an A at 4:40 and another A at 441, you will notice that difference of 1 Hertz inside of your ears. And that's a really cool phenomenon that happens explicitly because you were there listening to the piece. They don't happen necessarily, you know, like in, in recorded formats like, it's a very difficult thing to capture unless you are in the room with these instruments. And the fact that we had this audience of, let's say, 40 people meant that all forty of these people were experiencing these beat frequencies and another really cool factor of this is depending on where you are located in the room. With the way that the beats will sound in your ears are different and purely by the fact of acoustics like a wave bouncing off of the wall over on your left, will feel really different if you are closer or further from that wall. So not only do the audiences ears themselves, you know, invite these this this participation, but the pure physicality of each listener means that they will have a very slightly different experience of what the piece is, and again like this will happen in any concert. If you're at a classical show, if you're at a rock show if, if you're further from the stage, if you're further to the left or right, you will get a slightly different position in the stereo field that the musicians are playing in, but pieces like what I wrote and many others that exist emphasize this kind of like acoustic phenomena. That is really, really fascinating to listen to. 00:12:23 Isabel Li That's fascinating. And to get a sense of Richard's work, we'll be hearing coming up next. The short excerpt from his album Sonatrinas. This is the duo excerpt performed by Wells Leng, Katie Aikam, Kevin Good and composer Richard An himself. [COMP MUSIC: Sonatrinas (Excerpt: Duo)] 00:17:38 Richard An And so the back story for this piece is this was written for one of my recitals at CalArts. I was planning on playing this piece by Michael Gordon called Sonatra, which is a really, really beautiful and difficult piece for solo piano that I gave myself as an assignment, which I was not able to do with the amount of time. And, you know, like I just didn't give myself enough time to do this thing, so I still had this program of several pieces written with the idea of having this Michael Gordon Sonatra in the middle, but now that that sort of middle part was gone, there was a bunch of pieces about a piece that didn't exist. So in order to fill that hole, I wrote this piece called Sonatrinas which is a cheeky nod to the Michael Gordon Sonatra, but also to the fact that each part of this is kind of a diminutive Sonata form. Everything has a sort of ABA– here's some idea. Here's a different idea, and now we go back to that first idea. Every single part of this has a little bit of that in it. 00:18:51 Isabel Li Yeah, that's fascinating. Even the name itself reminds me of Sonata form in classical music, where it's kind of like an ABA section. As you sort of talked about earlier. And it's really cool that you're adapting this in a more avant-garde context. This is a reminder you're listening to Apex Express. Today we are interviewing composer and musician Richard An. 00:19:12 Isabel Li I think the general question that I have next is can you tell me a bit about what drew you to music and how you got your start in music, how you got introduced to it and what things have inspired you over the years? 00:19:24 Richard An Yeah. So a real quick sort of, I guess, history of my involvement with music is that I started piano lessons when I was pretty young, either three or four years old. I continued that until I was 12 or 13. I decided I really wanted to become a musician. I started taking composition lessons with this composer, AJ McCaffrey, who is really responsible for a lot of what I know and my successes, if you can call it that. He got me into a lot of the music that I am into now and set the foundation for what I would study and what I would write he was one of the instructors for this program called the LA Phil Composer Fellowship program, which back when I was a participant from 2011 to 2013, was a program hosted by the Los Angeles Philharmonic that took 4 high school age students every two years. And you know, they they taught us, you know, everything. How a young composer needs to know how instruments work, how to write a score, how to talk to musicians, how to do everything that a that a composer needs to learn how to do and at the end of this program, after the two years the young composers write a piece for the at the LA Philharmonic. So I was extremely lucky that by the age of 17 I was able to write a piece for orchestra and get that played and not just any orchestra, with the Los Angeles Philharmonic, you know, undisputedly one of the best orchestras in the world. Right. And then after that I I went to USC for my undergrad and then went to CalArts for my masters. And then here we are now. And that those are sort of the like, you know if someone writes a biography about me, that's what we'll be, you know, involved in the thing. But I really started to develop my love for music in my freshman and sophomore year. In high school I I started to get into more and more modern composers. I started to get into more and more noisy things and a lot of this coincided actually with the passing of my mother. She died when I was 14 and you know that in any human the death of a parent will cause you to reevaluate and rethink aspects of your life. Things that you thought were certainties will not be there anymore. So for me, I stopped taking piano lessons and I sort of went headfirst into composition and which is why my degrees are specifically in composition and not piano. Had my mother's passing not happened, you know, who knows what I would be doing now? Maybe I'm not a composer at all. Maybe I'm not into avant-garde music at all, but because things happen the way that they did, I suddenly took a quick turn into avant-garde music and my involvement there only grew more and more and more. Until you know where I am today, I'm almost 30 years old, so I've been listening to and a participant of this music for maybe 15 years or so and I'm quite happy. 00:22:43 Isabel Li That's awesome to hear. 00:22:45 Isabel Li And perhaps a testament to Richard one's very versatile compositional style and avant-garde music coming up next are three pieces from his album i got the electroshock blues. There are five pieces in the album in total, but we will be hearing three of them. The first one called “feeling, scared today,” the second one, “pink pill,” and the fifth one, “la la.” [COMP MUSIC: i got the electroshock blues: 1. “feeling, scared today”, 2. “pink pill”, 3. “la la”.] 00:36:41 Richard An Earlier last year, I released a collection of live recordings under the title of I got the Electroshock Blues. Electroshock Blues is a song by the band Eels I encountered at a pivotal moment in my life. This was right around the time that my mother passed and this record and this song is heavily centered in grief. The main musician in the Eels, Mark Oliver Everett, was dealing with the passing of multiple family members and people who were close to him so it hit me in just the right way at just the right time. And because of that, this song specifically has stayed with me for many, many years. I found myself coming back to the contents of this song as I was composing and all the pieces on this album, of which there are 5 heavily take material from this song, whether that's words, chords, the melody. I really, you know, take it apart, dissect it and use those as ingredients in the pieces that I have written here and all of these are live recordings except for the first piece which was recorded in my studio. I just sort of overdubbed the parts myself, and there are credits in the liner notes for this album, but I just want to say that. The first piece which is called “feeling, scared today,” was originally written for the Hockett piano duo, which is a duo comprised of Thomas Kotcheff and Sarah Gibson. Sarah Gibson was a really close friend of mine who passed away last year and now this piece which in some way came out of a feeling of grief now has renewed meaning and another facet or aspect of this piece is centered in grief now. Because this was dedicated to Thomas and Sarah. Yeah. So these pieces are all derived from this one song. 00:38:57 Isabel Li That's a beautiful response. Thank you so much. Kind of following along your background and how you got to where you are. How do you think your identity has informed your work as a composer and musician? And this could be– you can interpret this in any way that you wish. 00:39:11 Richard An Yeah, this is a really interesting question. The question of how my identity interfaces with my music. In my art, particularly because no person's answer is quite the same, and I don't necessarily have this figured out either. So for a little bit of I guess for a little bit of context on me, I'm second generation Korean American, but I've never been to Korea and I never went to Korean school. My parents never really emphasize that part of my education. You could call it assimilation. You can call it whatever, but I think they valued other aspects of my growth than my explicit tie to Koreanness or, you know my specific identity as a Korean or Korean American, and because of that, I've always felt a little bit awkwardly distanced from that part of my identity, which is something that I will never be completely rid of. So in in a world and the field where whiteness is sort of the default part you know, particularly because you know, classical music does come from Europe, you know, for hundreds of years, like all of the development in this particular kind of music did happen in a place where everyone was white. So because of that background of where I come from and where my musical activity comes from, whiteness has been the default and still feels like it is. So me looking the way that I do as, an obvious not white person, as a person of color will always have a little bit of an outsider status to the thing. And with that comes the question of what are you bringing to classical music? What do you bring to the kind of music that you're creating? Like for example, the most I think the most well known East Asian composers are people like Toru Takemitsu or Tan Dun, people who will interface with their Asianness, in many different ways, but that often involves bringing, for example, a Japanese scale into your classical composition, or bringing a Japanese instrument into your classical composition. Those are, you know, examples of of of pieces by Toru Takemitsu, and other, you know, very successful. Asian American composers now may do similarly. Texu Kim is maybe someone who can also give insight into this, but nothing about me feels explicitly Korean, maybe besides the way that I look. And besides, the way that I grew up a little bit like I've never been to Korea. What right does that give me as a Korean, to for example, use a Korean instrument or use a Korean scale? I've never studied that music. I've never studied that culture. I in in some arguments I would be guilty of cultural appropriation, because I, you know, have not done the work to study and to properly represent. And for example, like Pansori, if I were to use that in any of my music. 00:42:46 Richard An But then the the the difficult question is well, then who does have the right? Does being Korean give me all the license that I need to incorporate aspects of my identity? And if I am not Korean, does that, does that bar my access to that kind of music forever? Another way of looking at this is, I've studied North Indian Classical Hindustani music for a while. I've played tabla and and studied that music at CalArts and I really, really love playing tabla. It's it doesn't make its way into my composition so much, but it is certainly a big part of my musicianship and who I am and, like, but am I barred from using ideas or aspects of that music and culture and my music because simply for the fact that I am not Indian? Many musicians would say no. Of course you've done your homework, you've done your research. You're doing due diligence. You're you're representing it properly. And many people who study this music will say music cannot go forward if it's not like the innervated and continued and studied by people like me who are not explicitly South Asian or Indian. That's an example of the flip side of this of me using or representing the music from a culture that I am not a part of, but again, am I really Korean? I've never been there. I wasn't born there. I speak the language conversationally. But this is an extremely long winded way of saying that I feel a tenuous connection to my Korean this my Korean American identity that hasn't been solved, that isn't solved and probably will never be completely solved. But I think that's exciting. I think that's an evolving aspect of my music and will continue to be that way as long as I continue to be involved in music and as as long as I continue to write. 00:45:05 Isabel Li Yeah, absolutely. That's a wonderful response. Actually. I was, as I was studying different types of world music and learning how people kind of borrow from different cultures. There is this always, this kind of question like ohh, like which types of musical elements from which cultures can I incorporate and obviously the aspects of personal identity definitely play into that a little bit. And part of my senior thesis in college was studying AAPI artists in classical music, and specifically that there are a lot of Asian-identifying musicians in the classical music world. But as you kind of mentioned earlier, I think classical music is very much still like grounded in whiteness and has this kind of air of elitism to it just because of its roots. How do you think this kind of identity intersects with the classical music world? And forgive me if you've already kind of talked about it before, but it's an interesting juxtaposition between like, for example, musicians who identify as AAPI or Asian in this kind of genre that is very– it's very associated with whiteness. Could you kind of talk about the dynamics of how these two aspects of like culture kind of interplay with one another? 00:46:26 Richard An Yeah, absolutely. So, you know, there are ways that I personally feel like I intersect with classical music with reference to my identity, and that also plays with the sort of cultural expectations, like there are stereotypes of Asian musicians, of Asian classical musicians. But there are not necessarily the same the same kind of stereotypes with white classical musicians. A very dominant like stereotype that you'll run into is the young Asian prodigy who practices 10 hours a day and may therefore be labeled as mechanical or unfeeling or, you know, are involved in in this a lot. So much so to the fact to the to the point where to excel an Asian American classical musician or as an Asian classical musician, in general, seems to always carry that stereotype. Like you know, Seong-Jin Cho's success as a pianist may not necessarily be attributed to his musicianship or his skill as a pianist. Because he is an Asian person, an Asian guy. Like how much of his success is because of the perceived tiger mom-ness that he might have existed under? How much of it is attributed to the same type of stereotypes that are labeled like that that label the five year old pianist on YouTube that that is clearly better than I am? Like some of these stereotypes help and some of these don't, but the I think it's undeniable that they exist in a way that doesn't in a way that doesn't carry for white people in the classical music sphere. And I think part of that is that classical music is still rooted in its Eurological identity. I think I'm using that correctly. That's an idea from George Lewis. Eurological versus Afrological. The context that I'm using Eurological right now is specifically in reference to George Lewis, who is a composer, trombonist, and musicologist who, I think coined the two terms to differentiate the roots of different styles of music, and you know, I haven't read enough to confidently say, but classical music is Eurological by example and like jazz would be Afrological by an example and the contexts in which they develop and exist and grew up are fundamentally different, which is what makes them different from each other. And again like this needs a little bit more research on my part. 00:49:23 Richard An Yeah, and because the classical music is so rooted in this thing, I don't believe that the stereotypes that exist for Asian classical musicians exist for white people. And I think that is something that will naturally dissipate with time, like after another 100 years of Asians, and, you know, people of color in, you know, every country in the world, with their continued involvement and innova otypes will disappear like this. You know, it may require certain concerted efforts from certain people, but I do believe that after a while these things will not exist. They'll sort of equalize right in the same way. That the divisions that we make between a Russian pianist and a French pianist and a German pianist, though you know people still do study those things like those aren't really dividing lines quite as strong as an Asian composer or an Indian composer might be. 00:50:27 Isabel Li Thank you for that perspective. I think it's, I think these are conversations that people don't kind of bring up as much in the classical music world and it's great that, you know, we're kind of thinking about these and probably possibly like opening some conversations up to our listeners hopefully. And so my next kind of pivot here is as you know with our current administration, Trump has canceled millions of dollars in National Endowment of the Arts grants, and it's been affecting arts organizations all over the nation. And I was kind of wondering, have you been affected by these cuts to arts programs and what kinds of advice would give upcoming musicians or composers in this era? 00:51:07 Richard An Yeah, that's a yeah, that's a big thing. And like, you know, changing day by day, right. So the Trump administration's effects on my life as a musician is simultaneously huge and also not really that much. So in one way these grant cuts have not affected my personal musical life because I haven't ever received a government grant for any of my arts making. So in one way like my life is the same, but in many, many, many other ways it has changed. Like I am involved with and I work with concert series and organizations and nonprofits that do rely on NEA funding and other government arts based funding. And if they have less money to fund their next season, that means certain projects have to be cut. That means certain musicians have to be paid less. That means certain programs have to change, especially if these funding cuts are aimed towards DEI or quote and quote, woke programming like that is, you know this that will by design disproportionately affect people of color in this field, which already you know, like is in a Eurocentric urological tradition like this is already something that people of color don't have a head start in if the funding cuts are aimed at certain types of programming that will disadvantage already disadvantaged groups of people, well then I don't know, that's even–we're starting even later than other people might be, and you know, like, if a musicians, if a person's reaction to this is despair, I think that's reasonable. I think that is an absolutely, like that's an appropriate reaction to what is fundamentally an attack on your voice as an artist. But I I have for as long as I can, you know, I have always worked under the impression that I will have to do the thing myself, and that's in the piece of advice that I give for a lot of people. You shouldn't necessarily wait for this ensemble to come pick you to play or or to to, you know, commission you to write a piece if you want to write the piece, you should do it and figure out how to put it on yourself. If you want to perform you know music by a certain composer, you should do it and then figure out how to do it yourself. That certainly comes from a place of privilege, like I can do this because I have enough work as a musician to be able to pay for the the passion projects it comes from a place of privilege, because I live in Los Angeles and the resources and musicians and other people who I would like to collaborate with live here, so you know, completely acknowledging and understanding that I I do believe that it's better to ask for forgiveness than to ask for permission. I think if you're a young musician and are feeling some despair about these funding cuts and you know the many, many, many other transgressions against humanity by this current administration. 00:54:38 Richard An I recommend you just go out and do it yourself. You find your people, you find your community, you pull favors, you work long nights and you do it and the reward will firstly be the good you're putting out into the world and then the the art you're making. But also this will be paid in kind by the community you're building, the musicians you're working with. And the the connections you make like you know I I have, I am currently conducting this interview from a studio space that I am renting out in Pasadena that I have built over the last two years that I do all of my rehearsals and my performances in, and that I, you know, host rehearsals and performances for other people, and this cannot happen and could not have happened without the goodwill and help and contribution from other people. When I say go out and do it yourself, I'm not saying that you as a human being are alone. I'm saying you don't need to wait for institutional approval or permission to go out and do these things. Get your friends and do them themselves. And my optimistic belief is that the support and the work will follow. 00:55:53 Isabel Li Richard, thank you so much for sharing your perspectives and your voice on this show today. And thank you to our many listeners of KPFA on tonight's episode of Obbligato on Apex Express. Which focuses on the AAPI community of the classical music world. There were some inspirational words on arts and arts making by Richard An musician and composer based in Los Angeles. 00:56:18 Isabel Li Please check our website kpfa.org to find out more about Richard An and his work as well as the state of the arts during this period of funding cuts. 00:56:29 Isabel Li We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world, your voices and your art are important. 00:56:41 Isabel Li APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by Isabel Li. Have a great evening. The post APEX Express – 8.7.25 – Obbligato with Richard An appeared first on KPFA.

We speak with Dr. Ayodele Nzinga, Oakland's Poet Laureate, cultural architect, and an advocate for the arts as a tool for social transformation. Known as the “wordslanger,” Dr. Nzinga has spent decades building spaces where Black creativity thrives and where the stories, struggles, and triumphs of the community are given voice. In this conversation, Dr. Nzinga will share her journey, her vision for Oakland's cultural future, and her role in shaping BAMBDfest, the Black Arts Movement Business District Festival. About BAMBDfest BAMBDfest is a vibrant, multi‑day celebration of Black arts, culture, and community in Oakland's historic Black Arts Movement Business District. Featuring live performances, visual arts, theater, music, film, panel discussions, and more, BAMBDfest uplifts local and global Black voices while spotlighting the cultural richness of Oakland. It's more than a festival—it's a living expression of the Black Arts Movement's legacy and an invitation to imagine the future together. For more info, visit https://www.bambdfest.com/ — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Dr. Ayodele Nzinga on Black Arts appeared first on KPFA.

The California Rehabilitation Center in Norco, CA, once an art deco hotel turned state prison, is slated to shut down by 2026. State officials announced the closure, citing a continued decline in the state's incarcerated population. The City of Norco has long advocated for the facility's closure, arguing the site could be put to better use. We speak with Amber-Rose Howard, Executive Director for California United for a Responsible Budget. — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Norco Prison to Close Because of Falling Inmate Population w/ Amber-Rose Howard appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Robert Macfarlane: “Is A River Alive?” Robert Macfarlane, whose latest book is “Is a River Alive,” in conversation with host Richard Wolinsky. The best-selling nature writer, and author of “Underland” and “The Old Ways” discusses the relationship of the human race to nature in the context of the rights of natural phenomena, specifically rivers. What rights does the earth have in terms of man's hegemony? Where do we fit in nature? In this interview, recorded recorded June 11, 2025, he talks about his journey to three rivers: a cloud forest in South America, a dying river in India, and a river that runs through eastern Canada, along with a look at the spring near his home in England, and puts them all in context of environmentalism and politics. He is the author of several books, including “”Mountains of the Mind” and “Ghostways,” Robert Macfarlane teaches at Cambridge University.     The post August 7, 2025: Nature Author Robert Macfarlane, “Is A River Alive?” appeared first on KPFA.

A look at burning political issues and debates and their historical context within the US and worldwide, hosted by Mitch Jeserich. The post Letters and Politics – August 6, 2025 appeared first on KPFA.

It's both a precious resource and a dangerous pollutant, exponentially increasing crop yields, while fouling our waterways with blue-green algae. The element phosphorus has played a crucial role in agriculture and war, while its reserves are unevenly distributed, with much of the world's supply located in the occupied territories of Western Sahara. Writer Dan Egan discusses the double-edged nature of an element that is increasingly depleted and overused. (Encore presentation.) Resources: Dan Egan, The Devil's Element: Phosphorus and a World Out of Balance Norton, 2023 The post Phosphorus: Reaping the Harvest appeared first on KPFA.

An award winning front-line investigative news magazine, that focuses on human, civil and workers right, issues of war and peace, Global Warming, racism and poverty, and other issues. Hosted by Dennis J. Bernstein. The post Flashpoints – August 6, 2025 appeared first on KPFA.

00:08 — David Daley is the author of  “Ratf**ked: Why Your Vote Doesn't Count.” His latest piece for The Nation is How the GOP Hopes to Gerrymander Its Way to a Midterms Victory. 00:33 — Margaret Kadifa is a reporter for Mission Local. 00:45 — Howard Blume is staff writer at the Los Angeles Times covering education. The post Republican Efforts to Gerrymander their Way to Congressional Majority; Plus, Where Are People Sent After Arrest at SF Immigration Courts & How Will Schools Protect Students and Families from ICE Raids? appeared first on KPFA.

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Texas democratic lawmakers undeterred after bomb threat, as redistricting battle spreads to more states including California; Antinuclear activists mark anniversary of Hiroshima bombing with Livermore Lab protest against nuke testing and research; Voting Rights Act turns 60, as Supreme Court actions continue to erode landmark civil rights law; Federal judge hears environmental challenge to “Alligator Alcatraz”, as Indiana plans its own “Speedway Slammer” immigrant detention facility; Civil rights lawsuit against Alligator Alcatraz goes to hearing Friday August 8; UN official says Israeli plan to expand military operations in Gaza risks catastrophic consequences for millions of Palestinians The post Redistricting battle spreads to more states including California; Antinuclear activists protest nuke testing and research on anniversary of Hiroshima bombing – August 6, 2025 appeared first on KPFA.

ON TODAY'S SHOW: Trump's War on the Truth: Robert Reich on Firing of BLS Head & Push to Replace Fed Chair “Coming Up Short”: Robert Reich on His Memoir, Rising U.S. Inequality & Fighting Against Bullies 80 Years After Hiroshima & Nagasaki, U.S. Keeps Covering Up Horrors of Atomic Bombing: Greg Mitchell Democracy Now! is a daily independent award-winning news program hosted by journalists Amy Goodman and Juan Gonzalez. The post Democracy Now 6am – August 6, 2025 appeared first on KPFA.

Education Today is a radio show hosted by Kitty Kelly Epstein and Jaron Epstein that airs every week at 2:30. The post Education Today – August 6, 2025 appeared first on KPFA.

The Bay Native Circle weekly program presents special guests and explores today's Native issues, peoples, cultures, music & events with rotating hosts Morning Star Gali, Tony Gonzales, Eddie Madril and Janeen Antoine. The post Bay Native Circle – August 6, 2025 appeared first on KPFA.

Guest: H. W. Brands is the Jack S. Blanton Sr. Chair in History at the University of Texas at Austin. He is the author of many books, including American Colossus, The General vs. the President, The First American and Traitor to His Class, and his latest, America First: Roosevelt vs. Lindbergh in the Shadow of War. The post The America First Committee: A History appeared first on KPFA.

When the system is stacked against you, when mainstream society sidelines you (or worse), where do you look for liberatory possibilities? Eve Dunbar describes how Ann Petry, author of the 1946 novel “The Street” as well as YA novels about Harriet Tubman and Tituba, insisted on satisfaction and not merely survival. Dunbar also talks about the value of what she calls monstrous work. Eve Dunbar, Monstrous Work and Radical Satisfaction: Black Women Writing under Segregation University of Minnesota Press, 2024 The post Radical Satisfaction appeared first on KPFA.

Today on the Show: Pro-immigration activists in Sonoma County California begin a water-only hunger fast to protest the widening brutal immigration sweeps by ICE and Homeland Security. Also An update on the killing of beloved Palestinian human rights defender and filmmaker, Awdah Hathaleen The post Flashpoints – August 5, 2025 appeared first on KPFA.

00:08 — Lori Wallach is the director of the Rethink Trade program at American Economic Liberties Project. 00:33 — Rashid Khalidi, Edward Said Professor emeritus of Arab Studies at Columbia. His most recent book is The Hundred Years' War on Palestine: a history of settler colonialism and resistance. The post Latest Trump Tariffs; Plus, Rashid Khalidi on Cancelling his Upcoming Class at Columbia University appeared first on KPFA.

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Texas republicans fail again to vote on GOP redistricting plan, as democratic lawmakers hold out in other states; Federal judge orders officials to produce agreements showing what agencies and contractors have authority at Florida's Alligator Alcatraz immigrant detention center; California to close expensive Norco prison, 4th state prison closed in last 4 years; Rwanda becomes 3rd African nation to accept deportees, following secretive agreements with South Sudan and Kingdom of Eswatini; UN says children in Gaza dying from hunger and “the total collapse of the systems meant to protect them”; 40 arrested at Gaza war protest Monday night at Trump International Hotel in NYC The post Texas republicans fail again to vote on GOP redistricting plan; 40 arrested at Gaza war protest at Trump International Hotel in NYC – August 5, 2025 appeared first on KPFA.

Democracy Now! is a daily independent award-winning news program hosted by journalists Amy Goodman and Juan Gonzalez. The post Democracy Now 6am – August 5, 2025 appeared first on KPFA.

During the past seven decades, Palestine has been sealed from the Arab world and shattered into fragmented and coded areas: 1948 area, 1967 area, Jerusalem, West Bank, Gaza, and A, B and C areas within the West Bank. Each area is ruled by different laws, including different roads and permits that control the mobility of Palestinians and privilege Jewish settlers. Today we're be in conversation with Rehab Nazzal, a Palestinian-born multidisciplinary artist based in Toronto, whose latest book, Driving in Palestine, is a research-creation project by acclaimed artist Rehab Nazzal, who explores the visible indices of the politics of mobility that she encountered firsthand while traversing the occupied West Bank between 2010 and 2020. This photography book consists of 160 black and white photographs, hand-drawn maps and critical essays in Arabic and English by Palestinian and Canadian scholars and artists. The photographs were all captured from moving vehicles on the roads of the West Bank. They focus on Israel's architecture of movement restrictions and surveillance structures that proliferate in the West Bank, including the Apartheid Wall, segregation walls surrounding illegal colonies, gates, fences, watchtowers, roadblocks and military checkpoints among other obstacles to freedom of movement. — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Driving in Palestine w/ Rehab Nazzal appeared first on KPFA.

Despite over a hundred deadly acts by far-right militants since the 2017 Unite the Right rally in Charlottesville, and the far right's attempts to obstruct transfer of power to a duly elected president on January 6, the FBI continues to deprioritize investigations into white supremacist violence, instead targeting marginalized groups such as environmentalists and Black Lives Matter. In 2005, for example, the FBI labeled eco-terrorists as the top domestic threat, despite not a single fatal attack in the United States. We spend this hour in conversation with author and former FBI agent Mike German about his research and insights into organized far-right extremism. —- Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Far-Right Extremism & White Supremacy w/ Mike German appeared first on KPFA.

Guest: Dr. Frank Tallis is a writer and clinical psychologist and author of Mortal Secrets: Freud, Vienna, and the Birth of the Modern Mind. The post The Life & Times of Sigmund Freud appeared first on KPFA.

Many assume the majority of people living on the streets struggle with mental illness or just need jobs — and that homelessness is unfortunate, but intractable. Longtime advocate for the unhoused, Mary Brosnahan, argues that these are myths, and that much of what we assume about homelessness is wrong. She posits that at its root is the capitalist commodification of housing, illustrated in the past by Bronx landlords getting rid of low income tenants by burning their buildings to the ground to the systemic shortage of affordable housing today. (Encore presentation.) Resources: Mary Brosnahan, “They Just Need to Get a Job” 15 Myths on Homelessness Beacon Press, 2024 Invisible People Finland The post Getting Homelessness Wrong appeared first on KPFA.

Today on the Show: Haiti, US Private Security forces and the big lie behind US foreign policy. And National Book Award Winning poet, Martin Espada reads from his latest collection of poetry JAILBREAK OF SPARROWS and speaks out against the expanding crack down and round ups of people of color Across the USA The post Poet Martin Espada Discusses His Latest Collection of Poetry “Jailbreak of Sparrows appeared first on KPFA.

00:08 — John Feffer is Director of Foreign Policy in Focus. 00:33 — Dr. John Swartzberg, clinical professor emeritus of infectious diseases at UC Berkeley's School of Public Health. The post Russia's War in Ukraine; Plus, Corona Calls appeared first on KPFA.

A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Africa Today – August 4, 2025 appeared first on KPFA.

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Texas House of Representatives (photo Eric Haynes) Texas democratic lawmakers leave state to block scheduled republican redistricting vote; Nations negotiating global plastic pollution treaty as new report urges action on public health emergency; Activists celebrate appeals court victory on order barring discriminatory ICE practices in Los Angeles; Israeli airstrike on Red Crescent headquarters in Gaza kills aid worker, building struck multiple times during rescue efforts; Homeland Security Secretary Noem in talks with Arizona, Nebraska, Louisiana about setting up Alligator Alcatraz-style state detention facilities The post Texas Dems leave state to block republican redistricting vote; Activists celebrate victory on court order barring discriminatory ICE practices in LA – August 4, 2025 appeared first on KPFA.

On Today's Show: Prof. Rashid Khalidi Slams “Crushing Repression” at Columbia, Cancels Course over Trump Settlement “It Is Our War”: Palestinian American Scholar Rashid Khalidi on U.S. Complicity in Gaza Genocide Torture at CECOT: Venezuelan Men Freed from Salvadoran Mega-Prison Describe Brutal Beatings, Humiliation Democracy Now! is a daily independent award-winning news program hosted by journalists Amy Goodman and Juan Gonzalez. The post Democracy Now 6am – August 4, 2025 appeared first on KPFA.

Our Resistance in Residence artist this week is Candace Johnson, a multi-hyphenated artist and creator of the solo show Scat-ter Brain, The Music of ADHD, playing July 19 – September 13 at San Francisco's Marsh Theater as part of their POC Mental Health Awareness series. You can get tickets to see Candace's show Scat-ter Brain here https://themarsh.org/shows_and_events/marshstream/candace-johnson-scat-er-brain-the-music-of-adhd/ — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/   The post Resistance in Residence Artist Candace Johnson appeared first on KPFA.

This hour long radio program presents and discusses women's lives and issues globally and locally from a radical, multiracial, feminist, mujerist, womanist perspective. The post Womens Magazine – August 4, 2025 appeared first on KPFA.

CounterSpin provides a critical examination of the each week's major news stories, and exposes what the mainstream media may have missed in their own coverage. Produced by the national media watch group FAIR (Fairness and Accuracy In Reporting). The post CounterSpin – August 3, 2025 appeared first on KPFA.

A look at burning political issues and debates and their historical context within the US and worldwide, hosted by Mitch Jeserich. The post Letters and Politics – July 31, 2025 appeared first on KPFA.