Podcasts about american culture

Thank you so much for listening to the Bob Harden Show, celebrating over 14 years broadcasting on the internet. On Wednesday's show, we continue our discussion of Trump's expansion of executive authority with Cato Institute Chairman Emeritus Bob Levy. Professor and author Andrew Joppa and I discuss a variety of topics including the Democrat vision for America, immigration (both legal and illegal), the importance of assimilation into American culture, and anti-Semitism. Please join us on Thursday's show. We'll visit with Florida Citizens Alliance CEO Keith Flaugh, Cato Institute's Michael Cannon, Orthopedic Surgeon Dr. George Markovich, and former Mayor of Naples, Bill Barnett. Access this or past shows at your convenience on my web site, social media platforms or podcast platforms.

Thank you so much for listening to the Bob Harden Show, celebrating over 14 years broadcasting on the internet. On Wednesday's show, we continue our discussion of Trump's expansion of executive authority with Cato Institute Chairman Emeritus Bob Levy. Professor and author Andrew Joppa and I discuss a variety of topics including the Democrat vision … The post Immigration: The Importance of Assimilating into American Culture appeared first on Bob Harden Show.

Segment 11 — Training Soviet Spies: Ray Bennett Instructs in American Culture and Etiquette — Svetlana Lokhova — Bennett educated Russian agents, including Shumovski, in English language proficiency and Americancultural customs—including proper silverware usage and appropriate business attire—to prepare them for assignments at elite American institutions like MIT. This meticulous cultural preparation proved essential to establishing credible cover identities within academic and scientific communities. 1931

What happens when elected officials prioritize international courts over American law? When dozens of mosques spring up across Texas in just two years? When the culture tells you family isn't worth pursuing?Listen as Pastor Daniel Hayworth and Elyot process today's most pressing cultural issues through a biblical lens. From NYC's incoming mayor declaring his city "global, not American" to the beautiful vision of Christian family life that secular humanism wants you to reject—this episode equips you with the truth you need.You'll Learn:✅ Why Western values are biblical values worth defending✅ The strategic way Islam targets local governments in America✅ Scripture's answer to cultural fear: power, love, and a sound mind✅ The dominion mandate and why family is worthy of pursuit✅ How the military is returning to purpose and masculinityWhether you're on your commute or at the gym, this conversation will ground you in biblical confidence for the battles ahead.New episodes drop Monday, Wednesday, and Friday at 7 AM CT. Subscribe now so you never miss the truth you need to start your day anchored in God's Word.

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode SummaryErin and Rachel hop on down to 1920's New Orleans, where Disney's first Black princess spends most of her time as a frog in the Louisiana bayou. The Princess and the Frog (2010) provided much needed representation, but leaves a lot to be desired in terms of its race, class, and gender politics. Episode BibliographyThe 82nd Academy Awards | 2010. (n.d.). Oscars. https://www.oscars.org/oscars/ceremonies/2010/P?qt-honorees=1#block-quicktabs-honoreesAyres, C. (2009, December 12). The Princess and the Frog: Disney's black fairytale. The Times. https://www.thetimes.com/culture/tv-radio/article/the-princess-and-the-frog-disneys-black-fairytale-lcpnw3pj3jcBaker, E.D. (2002). The Frog Princess. Bloomsbury.Barnes, B. (2009, May 29). Her Prince Has Come. Critics, Too. The New York Times. https://www.nytimes.com/2009/05/31/fashion/31disney.htmlBreaux, R. M. (2010). After 75 years of magic: Disney answers its critics, rewrites African American history, and cashes in on its racist past. Journal of African American Studies, 14(4), 398-416. doi: 10.1007/s12111-010-9139-9Chang, J. (2009, November 24). The Princess and the Frog. Variety. https://variety.com/2009/digital/features/the-princess-and-the-frog-1200477289/Davis, A.M. (2014). Handsome heroes and vile villains: Men in Disney's feature animation. John Libbey & Company. Debruge, P. (2016, November 22). Disney's Pixar Acquisition: Bob Iger, John Lasseter Reanimated Studio. Variety. https://variety.com/2016/film/features/disney-pixar-acquisition-bob-iger-john-lasseter-1201923719/Disney Archives, The. (2025, January 14). The Princess and the Frog - Magic in the Bayou: The Making of a Princess. YouTube. https://www.youtube.com/watch?v=t9Gfgey_Oc8Disney Enterprises, Inc. (2009). The Princess and the Frog Production Notes. Oscars.org. https://web.archive.org/web/20100408202417/http://www.oscars.org/press/presskits/nominations/pdf/princess_and_the_frog.pdfEbert, R. (2009, December 9). At Disney, they still remember how to make movies like they used to movie review (2009). RogerEbert.com. https://www.rogerebert.com/reviews/the-princess-and-the-frog-2009Firehouse Five Plus Two - Wikipedia. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Firehouse_Five_Plus_TwoFoundas, S. (2009, December 10). The Princess and the Frog. Dallas Observer. https://www.dallasobserver.com/arts-culture/the-princess-and-the-frog-6405784/Frog Prince, The. (2025, October 17). In Wikipedia. https://en.wikipedia.org/wiki/The_Frog_PrinceGallo, P. (2006, February 28). Mouse inks music man. Variety. https://variety.com/2006/film/markets-festivals/mouse-inks-music-man-1117939042/Gehlawat, A. (2010). The strange case of "The Princess and the Frog:" Passing and the elision of race. Journal of African American Studies, 14(4), 417-431. doi: 10.1007/s12111-010-9126-1Gilchrist, T. (2009, October 23). Interview: 'Princess and the Frog' Directors Ron Clements and John Musker. Moviefone. https://web.archive.org/web/20130921054004/http://news.moviefone.com/2009/10/23/interview-princess-and-the-frog-directors-ron-clements-and-jo/Gregory, S. M. (2010). Disney's second line: New Orleans, racial masquerade, and the reproduction of whiteness in The Princess and the Frog. Journal of African American Studies, 14(4), 432-449. doi: 10.1007/s12111-010-9138-xGuerrero, E. (1993). The Black image in protective custody: Hollywood's biracial buddy films of the eighties. In M. Diawara (Ed.), Black American cinema (pp. 237–246). Routledge.Hill, J. (2006, November 12). Monday Mouse Watch: Why a change of composers on “The Frog Princess” caused lots of WDFA staffers to lose their composure. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/monday-mouse-watch-why-a-change-of-composers-on-the-frog-princess-caused-lots-of-wdfa-staffers-to-lose-their-composure/Holt, K. (2006, June 23). Rhett Wickham: It's Baaack! Laughing Place. https://www.laughingplace.com/news-id510530.aspHoneycutt, K. (2009, November 24). The Princess and the Frog — Film Review. The Hollywood Reporter. https://www.hollywoodreporter.com/movies/movie-reviews/princess-frog-film-review-93780/Kayembe, B. (2021, March 9). Why are we still depicting Black women as 'Mammies'? Shado Mag. https://shado-mag.com/articles/opinion/why-are-we-still-depicting-black-women-as-mammies/Killer Reviews Staff. (2009). The Princess and the Frog Filmmakers Interview. Killer Reviews. https://web.archive.org/web/20100829054531/http://www.killerreviews.com/dispinterview.php?intid=1859King, C.R., Bloodsworth-Lugo, M.K., & Lugo-Lugo, C.R. (2010). Animated representations of Blackness. Journal of African American Studies, 14(4), 395-397. doi: 10.1007/s12111-010-9141-2King, S. (2009, November 22). Q & A with ‘Princess and the Frog' animators. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-22-la-ca-princess22-2009nov22-story.htmlLeah Chase. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Leah_ChaseLeap of Faith: The Princess and the Frog. (2010, January 17). The Independent. https://www.the-independent.com/arts-entertainment/films/features/leap-of-faith-the-princess-and-the-frog-1870801.htmlLester, N. A. (2010). Disney's The Princess and the Frog: The pride, the pressure, and the politics of being a first. The Journal of American Culture, 33(4), 294-307. Malkin, M. (2007, February 5). Alicia Keys into Next Movie Role. E! Online. https://web.archive.org/web/20070210054735/http://www.eonline.com/gossip/planetgossip/blog/index.jsp?uuid=d21d0e39-9f0d-4b01-b81d-3989932f34abMcGee, A.M. (2012). Haitian vodou and voodoo: Imagined religion and popular culture. Studies in Religion, 41(2). doi: 10.1177/0008429812441311Misick, B. (2020, October 29). Controversy Over 'The Princess and the Frog'. Essence Magazine. https://www.essence.com/news/critics-dispute-princess-and-the-frog/Moffitt, K. R. (2019). Scripting the way for the 21st-century Disney princess in The Princess and the Frog. Women's Studies in Communication, 42(4), 471-489. doi: 10.1080/07491409.2019.1669757Moffitt, K. R., & Harris, H. E. (2014). Of negation, princesses, beauty, and work: Black mothers reflect on Disney's The Princess and the Frog. Howard Journal of Communications, 25(1), 56–76. doi:10.1080/10646175.2014.865354Myrlados, A. (2021, January 18). The Princess and The Frog: A case in cultural revisionism. The Enlightenment. https://lifeisgoodblog.com/2021/01/18/princess-and-frog-cultural-revisionism/Ness, M. (2016, June 2). The End of an Era: Disney's The Princess and the Frog. Reactor. https://reactormag.com/the-end-of-an-era-disneys-the-princess-and-the-frog/New Orleans Voodoo. (2025). New Orleans. https://www.neworleans.com/things-to-do/multicultural/traditions/voodoo/Noyer, J. (2010, June 1). The Princess And The Frog's Directors John Musker and Ron Clements take us to “the other side” of animation! Animated Views. Retrieved September 22, 2025, from https://animatedviews.com/2010/the-princess-and-the-frog-directors-john-musker-and-ron-clements-take-us-to-the-other-side-of-animation/Panaram, S., Rogers, H., & Stoddard, T. (n.d.). The Princess and the Frog: Rewriting Jazz Age History and Culture. The Black Atlantic. https://sites.duke.edu/blackatlantic/sample-page/contemporary-film-and-black-atlantic/history/disneyfied-histories-disneys-intentional-inaccuracy-historical-films-and-the-black-atlantic/the-princess-and-the-frog-and-rewriting-jazz-age-history-and-culture/Parasecoli, F. (2010). A taste of Louisiana: Mainstreaming Blackness through food in The Princess and the Frog. Journal of African American Studies, 14(4), 450-468. doi:  10.1007/s12111-010-9137-yPérez, E. (2021). “I got voodoo, I got hoodoo”: Ethnography and its objects in Disney's The Princess and the Frog. Material Religion, 17(1), 56-80. doi: 10.1080/17432200.2021.1977954Pinsky, M. I. (2010, January 7). What Walt Wrought. Wall Street Journal. https://www.wsj.com/articles/SB10001424052748703580904574638143338424878The Princess and the Frog. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3916137985/Robertson, B. (2010, January). The Tradition Lives On. Computer Graphics World. https://www.cgw.com/Publications/CGW/2010/Volume-33-Issue-1-Jan-2010-/The-Tradition-Lives-On.aspxRoush, G. (2009, October 21). Interview: Princess And The Frog Directors John Musker And Ron Clements. Plus 7 Brand New Images! LatinoReview.com. https://web.archive.org/web/20091022114309/http://www.latinoreview.com/news/interview-princess-and-the-frog-directors-john-musker-and-ron-clements-plus-7-brand-new-images-8310Schwarzbaum, L. (2009, December 18). The Princess and the Frog. Entertainment Weekly. https://ew.com/article/2009/12/18/princess-and-frog-2/Sciretta, P. (2009, 28 February). WonderCon: The Princess And The Frog And The Future Of 2D Animation At Disney. Slash Film. https://www.slashfilm.com/502703/wondercon-the-princess-and-the-frog-and-the-future-of-2d-aniamtion-at-disney/Scott, M. (2009, November 22). New Orleans setting for 'Princess and the Frog' is a Disney dream come true for one man. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/new-orleans-setting-for-princess-and-the-frog-is-a-disney-dream-come-true-for/article_c84036c3-ff1c-5fcd-94e3-9f7e916b774e.htmlScott, N. (2009, December 12). For 'Princess and the Frog,' Disney animators go back to the drawing board. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/for-princess-and-the-frog-disney-animators-go-back-to-the-drawing-board/article_70787df8-b6ee-575d-9a0e-f1648f40cced.htmlSharkey, B. (2009, November 25). Review: 'The Princess and the Frog'. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-25-la-et-princess25-2009nov25-story.htmlTaylar. (2022, November 12). The Firehouse Five Plus Two - Disney's Jazz Band. The Disney Classics. https://www.thedisneyclassics.com/blog/firehouse-five-plus-twoTejada, A. (2020, July 14). Representation Without Transformation: Can Hollywood Stop Changing Cartoon Characters of Color? Reactor. https://reactormag.com/representation-without-transformation-can-hollywood-stop-changing-cartoon-characters-of-color/Terry, E.J. (2010). Rural as racialized plantation vs rural as modern reconnection: Blackness and agency in Disney's Song of the South and The Princess and the Frog. Journal of African American Studies, 14(4), 469-481. doi: 10.1007/s12111-010-9132-3Turner, S.E. (2013). Blackness, bayous and gumbo: Encoding and decoding race in a colorblind world. In Cheu, J. (Ed.), Diversity in Disney films: Critical essays on race, ethnicity, gender, sexuality, and disability (pp. 83-98). McFarland & Company.Update: Princess Anika and the Frog. (n.d.). E! News. https://www.eonline.com/news/59173/update-princess-anika-and-the-frogWhelan, B. (2012). Power to the princess: Disney and the creation of the 20th century princess narrative. Interdisciplinary Humanities, 29(1), 21–34.Wloszczyna, S. (n.d.). Enchanting return to 2-D: Disney animation conjures magical kingdom of yore. USA Today. https://usatoday30.usatoday.com/printedition/life/20070503/d_cover03.art.htm

This week, scholar Thomas A. Tweed discusses his new book Religion in the Lands that Became America. A sweeping retelling of American religious history, Tweed shows how religion has enhanced and hindered human flourishing from the Ice Age to the Information Age. Tweed is joined by fellow Indigenous Studies professor John N. Low. This conversation originally took place November 10, 2025 and was recorded live at the American Writers Museum. AWM PODCAST NETWORK HUB This episode is presented in conjunction with the American Writers Museum's new special exhibit American Prophets: Writers, Religion, and Culture. This exhibit and programming series explores the profound ways writing reflects and influences our understanding of religion. American Prophets is now open. More about Religion in the Lands that Became America: Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, he highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. About the speakers: THOMAS A. TWEED is the Harold and Martha Welch Professor of American Studies and professor of history at the University of Notre Dame. A past president of the American Academy of Religion, he is editor of Retelling U.S. Religious History and author of Crossing and Dwelling: A Theory of Religion and Religion: A Very Short Introduction. JOHN N. LOW received his Ph.D. in American Culture at the University of Michigan, and is an enrolled citizen of the Pokagon Band of Potawatomi Indians. He is also the recipient of a graduate certificate in Museum Studies and a Juris Doctorate from the University of Michigan. He earned a BA from Michigan State University, a second BA in American Indian Studies from the University of Minnesota, and an MA in Social Sciences from the University of Chicago. Professor Low previously served as Executive Director of the Mitchell Museum of the American Indian in Evanston, Illinois, and served as a member of the Advisory Committee for the Indians of the Midwest Project at the D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library, and the State of Ohio Cemetery Law Task Force. He has presented frequently at conferences including the Native American and Indigenous Studies Association (NAISA)), American Society for Ethnohistory (ASE) and the Organization of American Historians (OAH). He continues to serve as a member of his tribes' Traditions & Repatriation Committee.

Bob and Eric talk about the bittersweet decline of American culture, the future and how it looks for young people, and the benefits and drawbacks of a 50 year mortgage option.

In this episode of the Biblical Anarchy Podcast, Jacob shares his recent guest appearance on The Larry Sharpe Show, joined by fellow Christian libertarian Amity. The conversation centers around the often-repeated slogan “politics is downstream of culture,” with Jacob arguing that this is only half the truth. When people can't afford rent, groceries, housing, or health care, culture doesn't remain abstract; it reacts — often violently. The discussion explores how monetary policy, inflation, and government distortion of markets shape cultural norms, time preference, hope for the future, and even the ability of families to form and thrive. Jacob and Amity explain how artificially low interest rates, cronyism, federal subsidies, and barriers to local production inflate the cost of living and erode long-term thinking, while cheap consumer goods mask deeper economic instability. Larry pushes the conversation into cultural psychology — asking why Americans consume impulsively, carry massive debt, and increasingly lose hope for marriage, homeownership, and purpose. Jacob and Amity respond by showing the tight feedback loop between economic suffering, social despair, and political polarization, alongside the Christian vision of work, rest, service, and meaningful community. Together they dissect generational hopelessness, declining marriage rates, the rise of socialism among young people, the moral hazards of government programs, and why solving cultural decline requires both spiritual renewal and economic reform. The conversation concludes with a challenge to Christians and libertarians alike: cultivate homes, churches, and communities built on service, responsibility, and example — while tearing down the economic and political structures that keep people trapped in cycles of dependency, resentment, and despair.Full Episode Notes at BiblicalAnarchyPodcast.comThe Biblical Anarchy Podcast is part of the Christians For Liberty Network, a project of the Libertarian Christian Institute. Audio cleaned up with the Podsworth App!https://podsworth.comUse code LCI50 for 50% off your first order at Podsworth.com to clean up your voice recordings and also support LCI! 

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25 movies and 0 hits: it's been a particularly rough quarter for Hollywood. But as I discuss with the cultural commentator David Masciotra, it's actually been a pretty strong quarter in terms of movie quality. From Paul Thomas Anderson's “One Battle After Another” and Jennifer Lawrence's astonishing performance in “Die My Love” to a glitteringly bald Emma Stone in “Bugonia” and Ethan Coen's “Honey Don't!”, Hollywood is producing high quality, relevant material. One problem, however, is that Gen Z has abandoned cinema. Another is that Hollywood's penchant for movies dominated by memorably uncompromising female leads like Stone and Lawrence might be out of step with a broader culture still imprisoned by a nostalgia for a dominant masculinity. Perhaps that's why “One Battle After Another”, featuring Leonardo DiCaprio as a pathetically redundant Sixties radical, is the one hit of the season. And it may also be why the excellent Springsteen biopic, “Deliver Me From Nowhere”, featuring a clueless Bruce trying to find himself by recording “Nebraska”, was such a flop. No, men don't matter, either in Hollywood or in life. Even when they do. One Battle After Another (Paul Thomas Anderson) The season's sole commercial success ($70 million) works because it satirizes everyone. DiCaprio's incompetent ‘60s radical provides comic relief, but it's Chase Infinity's cynical Gen Z daughter who steals the film (even if Gen Z'ers have given up going to the movies). Anderson's Pynchon adaptation makes absurdity central to American identity, both then and now—the villainous Christmas Adventures Club in golf attire perfectly capturing MAGA's ridiculousness.Die My Love (Josephine Decker) Jennifer Lawrence delivers an astonishing performance confirming she's among Hollywood's greatest actors. The film died at the box office despite critical praise—perhaps because audiences resistant to female-dominated narratives won't show up even for exceptional work like this. Her assertiveness and complexity highlights exactly what's missing from contemporary male performances.Bugonia (Yorgos Lanthimos) Emma Stone continues her fearless run in this cultish, visually striking film. Her performance demonstrates creative risk-taking unavailable to today's male leads. Jesse Plemons plays the archetypal basement-dwelling conspiracy theorist—masculine id of our internet age. Its commercial failure suggests audiences aren't ready for cinema that interrogates rather than celebrates American mythology.Honey Don't! (Ethan Coen) Coen's lesbian B-movie homage to film noir, which David Masciotra loved, deserved better than its catastrophic box office. Margaret Qualley's detective becomes a feminist hero fighting idiotic patriarchy without losing entertainment value. Set in Bakersfield and focused on religious hypocrisy, it feels both familiar and innovative. Its death proves even clever, relevant films can't entice Gen Z'ers back to the movies.Deliver Me From Nowhere (James Mangold) The season's most revealing failure. The film captures Springsteen's Faustian bargain—trading artistic integrity for superstardom, making “Nebraska” his final serious work before “Born in the USA”'s commercial conquest. It depicts fierce masculine anxiety through Bruce's mentally ill, violent father and his own depression. Yet it bored audiences with its introspective approach—ultimate proof that even films about masculine crisis can't reach audiences imprisoned by nostalgia for an imaginary American masculinity that never existed. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week on the Boss Rush Podcast: ⁠⁠⁠⁠⁠⁠Corey Dirrig⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠LeRon Dawkins⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠and ⁠⁠⁠⁠⁠Patrick Klein⁠⁠⁠⁠⁠ dive into how two iconic franchises—Grand Theft Auto and Fallout—remain forever rooted in American culture. Rockstar's Dan Houser and Bethesda's Todd Howard both reaffirm that their series simply wouldn't work outside the U.S., with GTA's satirical take on “Americana” and Fallout's atomic-age paranoia defining their worlds. The crew also breaks down Microsoft CEO Satya Nadella's comments that Xbox's biggest rival isn't PlayStation but TikTok, as the gaming industry now battles for players' attention rather than console dominance. Plus, new data shows remakes vastly outpacing remasters in revenue on PS5, proving players crave fully reimagined classics like Resident Evil 4 and Silent Hill 2. The Nintendo Switch edges toward breaking DS sales records, Metroid Prime 4: Beyond's latest trailer amps up the hype ahead of launch, and Hideo Kojima reacts to learning that Konami once rejected a Matrix game pitch.All this and more, this week on The Boss Rush Podcast!Follow our Hosts:⁠⁠⁠⁠⁠⁠Corey Dirrig⁠⁠⁠⁠⁠⁠, Founder of Boss Rush Media and the ⁠⁠⁠⁠⁠⁠Boss Rush Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LeRon Dawkins⁠⁠⁠⁠⁠⁠, VP of Technology and Culture at ⁠⁠⁠⁠⁠⁠Boss Rush Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Klein⁠⁠⁠⁠⁠, Games Manager at ⁠⁠⁠⁠⁠Boss Rush Network⁠⁠⁠⁠⁠Join the Boss Rush Community: Join the ⁠⁠⁠⁠⁠⁠Boss Rush Network Community Discord⁠⁠⁠⁠⁠⁠Follow Boss Rush Network: Follow Boss Rush Network on ⁠⁠⁠⁠⁠⁠⁠X/Twitter⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠Support Boss Rush Network:Support Boss Rush on ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and buy merch on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Store.⁠⁠⁠⁠⁠⁠ Subscribe to ⁠⁠⁠⁠⁠⁠Boss Rush on YouTube⁠⁠⁠⁠⁠⁠ and visit our ⁠⁠⁠⁠⁠⁠website at BossRush.net⁠⁠⁠⁠⁠⁠ for more great content.Thank you for your Support!Thank you for watching or listening to The Boss Rush Podcast. If you're watching this ⁠⁠⁠⁠⁠episode on YouTube⁠⁠⁠⁠⁠, hit the Subscribe button, Like the video, and hit the notification bell so you don't miss an episode! If you're listening on ⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠, consider leaving us a rating and a review as it helps with discoverability and growth. ⁠⁠⁠⁠⁠Support Boss Rush on Patreon⁠⁠⁠⁠⁠ for exclusive content, early access and audio versions of shows, become a Patreon Producer, and more. Visit our website for all of our content including ⁠⁠⁠⁠⁠reviews⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠news⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠daily Boss Rush Banter⁠⁠⁠⁠⁠ discussion topics, ⁠⁠⁠⁠⁠listicles⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠features⁠⁠⁠⁠⁠, and more. However you support us, it means so much to us. Thank you for your continued support of the Boss Rush Podcast and the ⁠⁠⁠⁠⁠Boss Rush Network⁠⁠⁠⁠⁠. 

How do sports, culture, and communication shape who we are?  In this episode, Judy Oskam talks with University of Alabama Sports Scholar Dr. Kenon Brown.   Dr. Brown is a professor of advertising and public relations, co-director of the Beyond Sports Initiative, and co-author of the book -  The United States of Sport: Media Framing and the Influence of the Intersection of Sports and American Culture.  During our conversation we explore how sports reflect American society, how branding and communication shape identity, and how career pivots can open doors to purpose and passion. From the rise of women's sports to the connection between hip-hop and the NBA, Dr. Brown offers a powerful look at creativity and change through the lens of sport.In this episode you'll learn:  - The 'perfect storm' moment that connected passion and purpose, resulting in a career change - How sports mirror American culture — from equality in pay to pop culture and hip-hop - Why authenticity and consistency matter in personal branding, especially for NIL athletes - The powerful link between sports, mental health, and communication - What's next in global sports: the 2026 World Cup and 2028 OlympicsQuotes - Dr. Kenon Brown“It was the perfect storm — the right people at the right time helped me make the pivot.”  “Sports are a microcosm of society. Every major cultural shift is reflected on the field or court.”  “Be authentic. Be consistent. That's the foundation of a strong personal brand.”  “The intersection of communication, culture, and sports is where real change happens.”Resources and Links- The United States of Sport: Media Framing and the Influence of the Intersection of Sports and American Culture by Kenon Brown, Josh Dickhaus, and Mia Long Anderson - Beyond Sports Initiative, University of Alabama Dr. Brown kicked off a university lecture series in sports media at Texas State University, coordinated by Professor and Regents' Teacher of Advertising Dr. Mike Devlin.  This interview was recorded at Live Oak Studios, School of Journalism and Mass Communication, Texas State University. Hi Friend - Thanks for listening! Check out my TEDx talk. Why you should take action - then figure it out.

In the golden age of 1980s television, few faces were more familiar — or more dishonest — than Joe Isuzu’s. Actor David Leisure brought the fast-talking car salesman to life, turning a parody of advertising into one of its greatest icons. In this Very Special Interview, the man behind America’s favorite liar revisits the campaign that changed commercials forever. * Listen to Very Special Episodes wherever you get your podcasts. New episodes every Wednesday. See omnystudio.com/listener for privacy information.

In the golden age of 1980s television, few faces were more familiar — or more dishonest — than Joe Isuzu’s. Actor David Leisure brought the fast-talking car salesman to life, turning a parody of advertising into one of its greatest icons. In this Very Special Interview, the man behind America’s favorite liar revisits the campaign that changed commercials forever. * Hosted by Zaron Burnett, Dana Schwartz, and Jason EnglishWritten by Zaron BurnettSenior Producer is Josh FisherEditing and Sound Design by Chris ChildsMixing and Mastering by Baheed FrazierOriginal Music by Elise McCoyShow Logo by Lucy QuintanillaExecutive Producer is Jason English Question? Comment? Idea for which advertising icon we should try to interview next? Email us at veryspecialepisodes@gmail.com. See omnystudio.com/listener for privacy information.

In the golden age of 1980s television, few faces were more familiar — or more dishonest — than Joe Isuzu’s. Actor David Leisure brought the fast-talking car salesman to life, turning a parody of advertising into one of its greatest icons. In this Very Special Interview, the man behind America’s favorite liar revisits the campaign that changed commercials forever. * Hosted by Zaron Burnett, Dana Schwartz, and Jason EnglishWritten by Zaron BurnettSenior Producer is Josh FisherEditing and Sound Design by Chris ChildsMixing and Mastering by Baheed FrazierOriginal Music by Elise McCoyShow Logo by Lucy QuintanillaExecutive Producer is Jason English Question? Comment? Idea for which advertising icon we should try to interview next? Email us at veryspecialepisodes@gmail.com. See omnystudio.com/listener for privacy information.

Joyce discusses an article written by a 26-year-old college student about today's American youth and how privilege is so ingrained in American culture, they do not understand the privilege they have. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr. Estevan Rael-Gálvez is the executive director of Native Bound Unbound: Archive of Indigenous Slavery, an initiative funded by the Andrew W. Mellon Foundation, leading a global team in the goal to document Indigenous/Native slavery across the Western Hemisphere. Trained as an anthropologist, historian, and Indigenous slavery scholar, Dr. Rael-Gálvez has served as the former Senior Vice President of Historic Sites at the National Trust for Historic Preservation, executive director of the National Hispanic Cultural Center, and as the state historian of New Mexico. A native son of New Mexico, Estevan was raised on a farm and ranch stewarded by his family for multiple generations. He received his BA in English Literature and Ethnic Studies from the University of California, Berkeley, and his MA and Ph.D. in American Cultures from the University of Michigan, Ann Arbor, where he completed an award-winning doctoral dissertation, the basis of a current book project.

Take our free English-level quiz here to find out what your current English level is.  Do you love All Ears English?  Try our other podcasts here: Business English Podcast: Improve your Business English with 3 episodes per week, featuring Lindsay, Michelle, and Aubrey IELTS Energy Podcast: Learn IELTS from a former Examiner and achieve your Band 7 or higher, featuring Lindsay McMahon and Aubrey Carter with Jessica Beck in previous episodes Visit our website here or https://lnk.to/website-sn If you love this podcast, hit the follow button now so that you don't miss five fresh and fun episodes every single week.  Don't forget to leave us a review wherever you listen to the show. Send your English question or episode topic idea to support@allearsenglish.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

We ask several questions of the No Kings protesters- are they the Tea Party of today? No, they aren't. But let's try again. And, Arnold Schwarzenegger is suggesting a new national holiday! Wiggins fills in for the Mannie Frey Show.

Send us a textJoin me as I delve into the rich and vibrant world of Italian culture and heritage, with author Karen Tintori. This journey is not just about exploring the Italian heritage, but also about uncovering the stories of Italian immigrants who left their mark on the world. From the Detroit Italian community to the tragic Cherry Mine disaster, we'll explore the historical fiction and non-fiction accounts that have shaped our understanding of family history and immigration stories. We'll also examine the labor laws and cultural events that have influenced the Italian culture and traditions. If you're interested in genealogy research or simply want to learn more about your Italian roots, this video is for you. We'll discuss the importance of preserving Italian traditions and heritage celebration, and how historical narratives and immigration narratives can help us better understand our ancestors and their experiences. Whether you're a seasoned genealogist or just starting to explore your family history, this video will provide valuable insights into the world of Italian heritage and culture, and the many ways in which it continues to shape our lives today.www.karentintori.comTurnkey. The only thing you'll lift are your spirits.Unto the DaughtersFrances, at sixteen was in love with a young barber. Her father wanted her to marry a mafia don.TrappedIn the fall of 1909, four hundred and eighty men plunged into the depths of the Cherry MineDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showPurchase my book "Farmers and Nobles" here or at Amazon.

Cristiana Dell'Anna—celebrated for her cinematic flair and proud Neapolitan roots—brings vibrant energy to our latest deep dive into Italian American culture. We open with a whimsical idea: a Neapolitan-themed Sesame Street, setting the tone for a lively conversation that stretches from Abruzzo to Sicily. With humor and heart, we touch on everything from the sacred Sunday pot of gravy to iconic places like “Sopranoland,” tracing the indelible mark Italian culture has left on the American imagination. Cristiana's reflections on Southern Italy add both authenticity and emotional depth, making this episode as engaging as it is heartfelt. Our journey through Naples moves beyond culture into the city's boundless culinary creativity. Listeners are treated to the chaotic charm of a true Neapolitan kitchen—complete with a turkey baster pressed into heroic service while crafting the perfect rum baba. This story captures the ingenuity and joyful improvisation that define Campania's spirit, showing how resourcefulness in the kitchen mirrors the resilience of its people. Along the way, we also explore the evolution of    American identity, paying tribute to figures like Mother Cabrini as we weave together personal anecdotes and historical threads that celebrate a shared heritage. The conversation then turns reflective, examining how Italian culture is portrayed in modern media—from the raw realism of Gomorrah to the poignant storytelling of The King of Laughter. We consider how film and television shape, challenge, and sometimes distort the Italian image abroad. With a nod to the global revival of Italian cinema, we close with cautious optimism for its continued recognition and artistic growth. Ending on a lighthearted note, we share tales of on-set meals and the laughter that binds us—reminding listeners that, through all its transformations, the Italian American legacy endures: rich in passion, creativity, and community.    HER SOCIALS:  Instagram: @cristianadellanna_official Facebook: Cristiana Dell'Anna X: @CrisDellAnna

It's a Friday double feature — part rock tribute, part political reckoning. Tara opens with heartfelt memories of Ace Frehley, the legendary KISS guitarist whose sound defined a generation, before diving headlong into the explosive John Bolton indictment shaking Washington. She exposes how “deep state oligarchs” — from Comey to Clinton to Biden — have trafficked in classified data for power, profit, and political control. From rock gods to government elites, Tara reveals what happens when once-untouchable icons finally face judgment.

There's a lot of irony in American culture and politics. In this episode, David Nagai shares observations and commentary about the ironies he observes in his American culture.--In this podcast, David Nagai shares diverse ideas to help you think creatively and connect globally – in English.Join our classes online or in Yokohama Motomachi, Japan to expand your:Creative thinkingGlobal awarenessCross-cultural communication (Advanced and intermediate only)www.bridgebeyondenglish.com

Ignoring the problems in our culture won't make them go away. Instead, we need to ask God to move in our homes and communities and be ready to respond to His Holy Spirit. In this sermon, Pastor Allen Jackson discusses the increasing lawlessness in our nation—and the growing movement to turn our hearts back to God that we're seeing arise from the young people. He teaches about King Hezekiah, who had an assignment to change the culture in his lifetime, and he shares some lessons we can learn from this Old Testament leader about how to invite God to shape hearts. People are waking up to the reality of a biblical worldview, and we can be a part of what God is doing!

What is the theological meaning of American history? In this episode, American church historian Grant Wacker joins Mark Labberton to explore the theological dimensions of American history, the legacy of Billy Graham, and the evolving face of evangelicalism. Wacker reflects on his Pentecostal upbringing, his formation as a historian, and his conviction that faith and scholarship must speak honestly to one another. Together they trace how religion has both shaped and distorted American life—from the enduring wound of slavery to the reformist spirit woven through its history. Wacker, now in his eighties, offers his perspective on evangelicalism's past, present, and global future. Episode Highlights “Religion has always been at the forefront of rationalizing and making enslavement seem perfectly normal—perfectly natural. It's just the order of things.” “Many of the very finest religious historians are not believers—and they do superb work in understanding where religion lies.” “I don't think there is Christian nationalism out there. What there is is that there is nationalism that draws on Christian categories to legitimate itself.” “I don't think what we're looking at is a religious movement. We're looking at a political movement that uses religious categories.” “We should write about others the way we wish they would write about us.” “You Americans are always asking the Holy Spirit to bring revival. What you ought to be doing is asking the Holy Spirit to open your eyes to the revival that is already flourishing.” Helpful Links and Resources America's Pastor: Billy Graham and the Shaping of a Nation by Grant Wacker — https://www.amazon.com/Americas-Pastor-Graham-Shaping-Nation/dp/0674052188 Heaven Below: Early Pentecostals and American Culture by Grant Wacker — https://www.amazon.com/Heaven-Below-Pentecostals-American-Culture/dp/0674011287 One Soul at a Time: The Story of Billy Graham by Grant Wacker — https://www.amazon.com/One-Soul-Time-Religious-Biography/dp/0802885500/ Mark Noll's The Civil War as a Theological Crisis — https://www.amazon.com/Theological-Crisis-Steven-Janice-Lectures/dp/1469621819 Religion in American Life: A Short History — ****https://www.amazon.com/Religion-American-Life-Short-History/dp/0199832692/ About Grant Wacker Grant Wacker is the Gilbert T. Rowe Distinguished Professor Emeritus of Christian History at Duke Divinity School. A leading scholar of American religious history, he is the author of numerous books including Heaven Below: Early Pentecostals and American Culture and America's Pastor: Billy Graham and the Shaping of a Nation. His research has helped shape modern understanding of American evangelicalism, Pentecostalism, and the intersection of faith and culture. Show Notes Wacker's path to the study of history through mentorship at Harvard Divinity School and a fascination with theology's relationship to historical reality He distinguishes between observing “religion operating in history” and perceiving “the divine hand,” emphasizing the tension between secular and theological approaches to the past. Four major contexts that define the American story: geography, capitalism, immigration, and race Eleven domains where the power of religion—and possibly divine influence—can be seen, from colonization and enslavement to revivalism and reform. “We are a people of plenty—prosperous partly because of the accident of geography.” Reformed and Wesleyan theology as twin engines shaping the nation's moral and social imagination. Humility as “at the heart of Reformed theology: we don't run our lives; something else is running the show.” Wesleyan theology, by contrast, stresses human enablement and responsibility: “If we are able to do it, we are responsible for doing it.” Catholic contributions to the American story, especially the richness of liturgy and the continuity of two thousand years of history Reflections on racial sin as a “permanent wound,” calling religion both complicit in and necessary for confronting slavery's legacy Mark Noll's The Civil War as a Theological Crisis, highlighting how both sides invoked Scripture without self-awareness or self-critique “Religion has always been implicated in making enslavement seem natural—as natural as breathing.” Describes evangelicalism's deep roots in pietism and revivalism, its mainstream dominance by the late nineteenth century, and its later fragmentation. “Evangelicalism became the main line—it was the standard way Protestantism operated.” Outlines the modern trifurcation: fundamentalists, liberals, and a centrist evangelical river that remains influential. “Christian nationalism” is largely a political, not religious, phenomenon: nationalism using Christian categories to legitimize itself. “Religion is rarely an independent variable in determining how people vote.” Richard Bushman (paraphrase):  Have we written about [the subjects of academic history] as fairly and honestly as we can, or have we distorted their story in order to make ourselves look good? A call for fairness in historical judgment: “Write about them the way you wish they would write about you.” Prediction: Evangelicalism's future lies “south of the equator”—in Africa, Asia, and Latin America. Quotes a Jesuit: “Americans keep asking for revival; they should ask to see the revival that's already happening.” On Christian nationalism: “The question is not whether religion and politics collude—they always have—but whether we can be self-conscious and humble about it.” Identifies power, prosperity, and digital speed as the toxic combination shaping contemporary polarization. “Speed is a narcotic for humans—we want to be connected now.” Reflects on Billy Graham's unifying role and his progressive evolution on race and nuclear disarmament: “He became increasingly moderate, increasingly inclusive.” Notes Graham's three conversions—to Christ, to racial justice, and to peace. “The United States and the Soviet Union are like two little boys in a bathtub filled with gasoline, playing with matches.” On teaching and legacy: “My students are earnest—they want to do well for the world they live in.” “Whatever good has come—it's a gift, not earned.” Humility, humor, and grace as rare marks of faith and scholarship integrated Production Credits Conversing is produced and distributed in partnership with Comment magazine and Fuller Seminary.

What makes food queer? Is it possible to name and list it out as simple, clearcut elements? In their new co-edited volume, Queers at the Table, Drs. Alex Ketchum and Megan Elias explore this question with a community of writers, illustrators, and recipe creators. As an anthology of essays, comics, and recipes, the book reveals the dynamic and transformative ways that queerness informs food production and restaurant culture, and how food empowers, transforms, and unites queer and trans folk.  Alex is an Associate Professor at McGill University's Institute for Gender, Sexuality, and Feminist Studies, and the co-organizer of the Queer Food Conference. Since she was last on the show to discuss her DIY zine, How to Start a Feminist Restaurant, she's also written Ingredients for a Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses, and Engage in Public Scholarship! A Guide to Feminist and Accessible Community. Megan is the director of Food Studies Programs at Boston University, and a historian of American foodways. They are the author of five books about food history, with the most recent being Food on the Page: Cookbooks and American Culture. She teaches courses in food history, food and gender, and food memories, and the Introduction to Gastronomy. Together, they share behind-the-scenes about how Queers at the Table came to be after the Queer Food Conference, the intersections of queer identity and food culture, including the important of community in queer food work, challenging traditional culinary and gastronomic norms and binaries through cooking and sharing food, safety in cooking and kitchen spaces, and expansive considerations for queering food spaces in the future. Resources: Queer Food Conference Alex Ketchum Website Megan Elias Website Instagram @queerfoodconference

We Say We Care About Kids — But Do We Really? | Karel Cast 25-130 Politicians scream about “protecting kids” — from drag queens, books, or healthcare — but ignore the one thing that truly shapes their future: what's in their hands every day. From social media to screen addiction, billionaires are profiting while an entire generation pays the price. Karel exposes the hypocrisy of a society that pretends to care while letting our children's mental health, attention spans, and futures crumble — all in the name of profit. Plus: why peace in the Middle East remains out of reach, the talk of National Guard deployment in San Francisco, and the question no one can answer — what really counts as “American food”?

Tomi Lahren is joined by XX-XY Founder Jennifer Sey for a deep cutting conversation about one of the most intense debates raging in American Culture today: Do women have the right to their own spaces and sports? Sey dives into her decision to leave Levi's, how draconian Covid-19 policy changed her worldview, and the value of brands like XX-XY in the fight for truth and women's rights. OutKick has been on the forefront of this issue since its inception and Tomi promises to continue to stand up for girls in the face of those who seek to do them harm. Learn more about your ad choices. Visit podcastchoices.com/adchoices

SHOW-NOTESSomething disturbing is happening in real time, and mental health experts are sounding urgent alarms. The most powerful person in the world is showing clear signs of cognitive breakdown – creating words that don't exist, telling impossible stories as cherished memories, choosing advisors based on how they look rather than what they know. But here's what makes this truly dangerous: millions of people are adopting these same dysfunctional patterns as their own.This episode reveals the psychology behind the chaos. We trace how decades of professional wrestling taught Trump that performance matters more than truth, how his brain is measurably deteriorating in ways experts can document, and how he systematically eliminates anyone competent enough to challenge him. Most importantly, we show how one person's psychological dysfunction is spreading like a virus through American Culture - and why our traditional ways of responding are making it worse.What happens when someone with dementia and a personality type psychologists call "the quintessence of evil" controls nuclear weapons? We're finding out. Understanding these patterns doesn't require expertise - just the courage to see what's right in front of us before it's too late.A CALL TO ACT: The World's Most Comprehensive Database of Eco-SolutionsTRUMPING TRUMP: A new survival guide for maintaining focus and sanity while avoiding outrage fatigue. TT is a database of 300+ strong organizations, many with local chapters in your area, united together to fight against the insanity spewing out of ‘The Whiter House' that is going to be with us for years. 

In this episode of Uncommon Sense with Ginny Robinson, I further analyze the circumstances surrounding Charlie Kirk's assassination and the subsequent (and obvious) coverup. I also address listener questions, offering my current perspectives on Donald Trump and the many, many challenges of modern dating. -___---https://bakerbookhouse.com/pages/the-brand-sunday

In this episode we first published in 2021, the political scientist Yuen Yuen Ang argues that different forms of government create different styles of corruption — and that the U.S. and China have more in common than we'd like to admit. SOURCES:Yuen Yuen Ang, professor of political science at Johns Hopkins University. RESOURCES:"China's Anti-Graft Show Is Educational, With Unintended Lessons," by Li Yuan (The New York Times, 2022).China's Gilded Age: The Paradox of Economic Boom and Vast Corruption, by Yuen Yuen Ang (2020)."A Fair Assessment of China's IP Protection," by Shang-Jin Wei and Xinding Yu (Project Syndicate, 2019).The Bankers' New Clothes: What's Wrong with Banking and What to Do about It, by Anat Admati (2013)."A Fistful of Dollars: Lobbying and the Financial Crisis," by Deniz Igan, Prachi Mishra, and Thierry Tressel (2011). EXTRAS:"China Is Run by Engineers. America Is Run by Lawyers." by Freakonomics Radio (2025).American Culture series by Freakonomics Radio (2021). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What's up theology nerds! On this episode, I had the absolute privilege of sitting down with Dr. Grant Wacker, one of America's preeminent historians of religion, and man did he deliver. We dove deep into his fascinating "Bushman test" - the idea that when writing history, you should do so with the understanding that you might someday encounter your subjects in heaven. That framework of being both critical and sympathetic really animated our whole conversation. But here's the kicker - I asked Grant to reflect on the defining moments in American religion as we approach our 250th anniversary, and he came back with 11 (not 10!) pivotal moments that have shaped who we are religiously as a nation. From the expansionist impulse of colonization to the power of renewal movements, from the subjection of Native Americans to the role of reform theology, Grant unpacked these threads with the wisdom that only comes from decades of wrestling with this stuff. We also got into his work on Billy Graham, the birth of Pentecostalism, and how technology has revolutionized religious movements. This is the kind of conversation that helps you understand not just where American religion came from, but where it might be headed. Grab your coffee and settle in - this one's worth savoring. You can WATCH the conversation on YouTube Dr. Grant Wacker is the Gilbert T. Rowe Professor Emeritus of Christian History at Duke Divinity School and the author of Heaven Below: Early Pentecostals and American Culture, America's Pastor: Billy Graham and the Shaping of a Nation, and One Soul at a Time: The Story of Billy Graham. He is a former president of the American Society of Church History and has served as a senior editor of the quarterly journal Church History: Studies in Christianity and Culture. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theology Beer Camp ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠is a unique three-day conference that brings together of theology nerds and craft beer for a blend of intellectual engagement, community building, and fun. Guests this year include John Dominic Crossan, Kelly Brown Douglas, Philip Clayton, Stacey Floyd-Thomas, Jeffery Pugh, Juan Floyd-Thomas, Andy Root, Grace Ji-Sun Kim, Noreen Herzfeld, Reggie Williams, Casper ter Kuile, and more! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get info and tickets here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. _____________________ This podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homebrewed Christianity⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ production. Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠the Homebrewed Christianity⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theology Nerd Throwdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Rise of Bonhoeffer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcasts for more theological goodness for your earbuds. Join over 75,000 other people by joining our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Substack - Process This!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get instant access to over 50 classes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheologyClass.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast, drop a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, send ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠feedback/questions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠member of the HBC Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Journalist Jeff Chang contends that Bruce Lee, the famed actor and martial arts specialist, is the “most famous person in the world about whom so little is known.” In his new biography of Lee, “Water Mirror Echo,” Chang charts Lee's rise as an action star and his impact on the creation of Asian American culture. We'll talk to Chang about his book and about Bruce Lee's special history in the Bay Area. Guests: Jeff Chang, "Water Mirror Echo: Bruce Lee and the Making of Asian America" - Chang is also the author of "We Gon' Be Alright: Notes on Race and Resegregation," "Who We Be: The Colorization of America" and "Can't Stop Won't Stop: A History of the Hip-Hop Generation" Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Breht speaks with Robert E. Wilson, author of The Football Manifesto and The Supporters Trust League Manifesto. Together they explore what it means to socialize sports; to reclaim the Beautiful Game from billionaire owners, corrupt institutions, and imperial powers, and return it to the people as a democratic, community-owned, and liberatory project. Together, they examine the ways professional sports in the imperial core normalize colonialism, militarism, racism, and capitalism, while grassroots football worldwide has long been a site of resistance, solidarity, and struggle. From the NFL's “plantation economics” to the vision of supporter-owned clubs, equal pay for women's teams, and football as a hub of political education and mutual aid, this conversation makes clear that sports are never “just games.” They are battlefields for ideology and community -- as well as an expression of our nature as social beings -- and if reclaimed, they can become engines of solidarity,healthy communities, and socialist culture. Whether you are a sports fan or not, you will get a LOT out of this fascinating and surprisingly wide-ranging conversation! Gaia Labs HERE Behind the Shield documentary on the NFL by Dave Zirin HERE Black Alliance for Peace petition to ban Israel and US HERE ---------------------------------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow, Subscribe, & Learn more about Rev Left Radio https://revleftradio.com/ Outro Beat Prod. by flip da hood

WarRoom Battleground EP 829: Fight Night At The White House; Reviving American Culture

Tonight's rundown: Hey BillOReilly.com Premium and Concierge Members, welcome to the No Spin News for Monday, August, 4, 2025. Stand Up for Your Country.  Talking Points Memo: Bill explains how the power held by elected officials and the corporate media in the USA has shifted the culture. Why did the Corporation for Public Broadcasting announce its shutdown? Jenn Pellegrino, Chief Spokesperson for the America First Policy Institute, joins the No Spin News to give an assessment of the U.S. university system and its predominantly left-leaning viewpoints. Bill looks at the Wall Street Journal article asking why enough food isn't getting into Gaza. Why Rep. Jasmine Crockett (D-TX)  should be sanctioned by the House Ethics Committee for her recent remarks about President Trump. Final Thought: Subscribe to Bill's YouTube channel to watch his new bonus commentary on Kamala Harris. Learn more about your ad choices. Visit megaphone.fm/adchoices