Podcasts about art university

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily Wilson interviews painter Emilio Villalba about his personal and professional journey in the art world. Emilio discusses his decision to become a full-time artist, his creative process, and the inspirations behind his latest show, 'Paintings from Home,' at Dolby Chadwick in San Francisco. Emilio, who also teaches Canada College, also shares the challenges and rewards of his artistic practice, his background as an animator, and insights into his creative influences, notably the Bay Area figurative artists. About Artist Emilio Villalba:Born in Southern California in 1984 to Mexican immigrants, Emilio Villalba felt his artistic drive early on. Emilio initially studied animation and received his BFA in 2006 from the Art Institute of California and quickly began work in that field in his early 20's until moving to San Francisco and transitioned to the medium of painting. In San Francisco he received his MFA in Painting in 2012 from the Academy of Art University. Villalba's work reflects his studies in both abstract and figurative painting. At the core of Emilio's painting's there is pure portraiture, but great focus on the disharmony of the self and perception. Pressures from society and the toll it takes on the emotional state of the subject when confronted with benevolence. Raw emotions and the fragility of the soul. Villalba overlaps and repeats human features with a kaleidoscope effect. “Don't Worry” is the 2018 painting of his that I decided to feature. It pulls you in with a sadness at its core and doesn't want to let you go. It reminds me of the face we may give to the world, that all is ok, but the eyes tell a different story. I urge you follow the links below and discover his somber and seductive work.Visit Emilio's Website:  EmilioVillalbaArt.comFollow  on Instagram:  @Emilio_VillalbaFor more on Emilio's work at The Dolby Chadwick Gallery, CLICK HERE.--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

This award-winning filmmaker, showrunner and Academy of Art University professor, talks about her documentary film, Raise HELL: The Life and Times of Molly Ivins. It premiered at the Sundance Film Festival in 2019 […]

In this episode of the Conscious Design Podcast, Ian Peterman interviews Ravi Sawhney, founder and CEO of RKS Design, a global human-centered design firm. Ravi shares his journey in industrial design, the development of his Psycho-Aesthetics® methodology, and how emotional durability and sustainable materials are shaping the future of innovation in product design.They discuss Ravi's groundbreaking work on electric guitars, including a collaboration with Dave Mason to create the world's first sustainable electric guitar. The conversation dives into circular economy principles and how businesses can successfully integrate aesthetics, function, and sustainability to make a lasting impact.

Phillip Thomas Jr. is a dedicated basketball coach and former player who has built a strong reputation for his leadership, player development, and passion for the game. Now serving as the Head Women's Basketball Coach at Butte College, Phillip brings a wealth of experience from coaching at multiple levels, helping athletes maximize their potential both on and off the court.Before taking the helm at Butte College, Phillip honed his coaching skills at Valley Christian High School, Oak Grove High School, and the Academy of Art University, where he played a key role in developing talent and instilling a winning culture. His ability to connect with players and elevate their game has made him a respected figure in the coaching community.In addition to his success in high school and college coaching, Phillip has been a pivotal figure in the club basketball circuit. He has worked with premier organizations such as Top Flight Elite, West Coast Elite, and Team Kidd, helping athletes refine their skills and prepare for the next level of competition. His commitment to mentorship, discipline, and teamwork continues to leave a lasting impact on the players he coaches.As he leads the Butte College women's basketball program, Phillip remains dedicated to fostering a culture of excellence, growth, and competitive success.#podcast #beyondthebuckets #show #basketball #coach #life #lifestyle #coaching #entrepreneur #business #ceo #lifecoach #mentalperformance#YouTube http://ow.ly/3kdI30qOSc6   #Applehttp://ow.ly/cAeV30qOSc8   #Spotify http://ow.ly/7EIe30qOSc9  

Além de Fernanda Torres, mais um brasileiro está na expectativa de colocar no currículo uma estatueta do Oscar. O mineiro Romualdo Amaral faz parte da equipe de efeitos visuais de “Wicked”. O longa, que já arrecadou quase US$ 730 milhões de bilheteria e se tornou a adaptação cinematográfica mais rentável para um musical da Broadway, concorre em dez categorias no Oscar, inclusive Melhor Filme e Efeitos Visuais. Cleide Klock, correspondente da RFI em Los AngelesHá nove anos nos Estados Unidos, Romualdo já trabalhou em quase três dezenas de produções, como as da Marvel “Falcão e o Soldado Invernal' e “Capitão América: Admirável Mundo Novo”, que acaba de estrear, e nas séries premiadas “Stranger Things” e “Hacks”. Agora, pela primeira vez, teve a emoção de ver um filme para o qual colaborou ter indicações à maior premiação do cinema mundial.“Foi felicidade em dose dupla. Eu estava no Brasil no dia das indicações e naquela expectativa. Começou e de repente saem as indicações de Melhor Filme Internacional, apareceu “Ainda Estou Aqui", fiquei muito feliz. Na sequência veio a de 'Wicked' para Melhores Efeitos Visuais. Fiquei bastante emocionado, vibrando, com a energia lá em cima", relembra. "Depois, Fernanda Torres indicada, surtei também, mas o meu maior surto foi em indicados a Melhor Filme”, diz Amaral, já que o filme do qual participou e a produção brasileira concorrem na categoria principal do Oscar.Romualdo sempre foi fã de cinema. Na adolescência, ele mantinha um blog sobre a sétima arte, no qual falava dos filmes indicados. "Na noite do Oscar, sozinho na frente da TV em casa, eu me vestia de gala para acompanhar tudo", relata. "O Oscar para mim sempre foi uma grande festa, sempre fui apaixonado por cinema. Se 'Wicked' ganhar qualquer Oscar, já vou ficar super-realizado. Não precisa nem ser Efeitos Especiais”, celebra.De Uberlândia para HollywoodNo Brasil, ele se formou em Computação na Universidade Federal de Uberlândia, mas encontrou seu espaço na indústria cinematográfica após um mestrado em Animação e Efeitos Especiais na Academy of Art University em São Francisco, dos Estados Unidos, onde chegou em 2016. "Graças ao meu trabalho no mestrado, que era um curta animado de três minutinhos, “Steve's Catch”, comecei a me candidatar para vários lugares, e logo a Marvel já me chamou. Meu primeiro trabalho foi 'Falcão e o Soldado Invernal'", indica.Desde então, o brasileiro acumula projetos, muitos simultaneamente, já que trabalha para uma empresa que presta serviços para vários dos grandes estúdios de Hollywood. Romualdo conta que, em “Wicked”, trabalhou em diversas sequências fazendo a mágica que vai além do set de filmagens. A primeira cena da produção na qual se debruçou faz parte do filme 2, previsto para ser lançado no final de 2025.“Eu trabalhei com a equipe de efeitos especiais que criou toda a parte falsa do ambiente. Apesar do filme ter vários elementos reais, eu acho que isso foi uma das coisas mais incríveis da produção em si, porque o diretor percebeu que não tinha como contar a história apenas com tela verde [o chroma key, técnica utilizada para modificar digitalmente um cenário]. Precisava fazer uma um processo criativo e teve todo um trabalho de design de produção", aponta. "Por exemplo, eles plantaram nove milhões de tulipas, só que não tinha como fazer tudo, então os elementos extras de fundo a gente recriou no ambiente da computação gráfica", conta.Fernanda Torres e Ariana GrandeO grande favorito na categoria de Efeitos Visuais para o Oscar é “Duna: Parte 2”, mas na premiação tudo pode acontecer. Na expectativa, o brasileiro já comemorou adiantado a espécie de crossover que aconteceu recentemente e viralizou na internet – o encontro de Ariana Grande com Fernanda Torres no Festival de Cinema de Santa Bárbara e quando a atriz brasileira saudou a americana com a icônica jogada de cabelo da personagem Glinda, de "Wicked".  “Na hora que eu vi aquilo, eu falei: ‘eu preciso colocar esse vídeo num potinho e guardar para sempre'. Foi épico, marcante, ver essa energia incrível", diz o artista, que acaba de dirigir mais um curta-metragem, “Small as a Pea". A previsão de lançamento é ainda neste ano.Wicked no OscarO filme francês "Emilia Pérez" lidera as indicações ao Oscar 2025, disputando em 13 categorias. O musical "Wicked", de Jon Chu, empata com "O Brutalista", que também acumula 10 indicações."Um Completo Desconhecido” e “Conclave” vêm na sequência, somando oito indicações cada um.As categorias em que “Wicked” foi indicado são:Melhor FilmeMelhor Atriz por [Cynthia Erivo]Melhor Atriz Coadjuvante por [Ariana Grande]Efeitos VisuaisMelhor FigurinoMelhor Maquiagem e PenteadoTrilha Sonora OriginalDireção de ArteEdição de FilmeMelhor Conquista em Som

Além de Fernanda Torres, mais um brasileiro está na expectativa de colocar no currículo uma estatueta do Oscar. O mineiro Romualdo Amaral faz parte da equipe de efeitos visuais de “Wicked”. O longa, que já arrecadou quase US$ 730 milhões de bilheteria e se tornou a adaptação cinematográfica mais rentável para um musical da Broadway, concorre em dez categorias no Oscar, inclusive Melhor Filme e Efeitos Visuais. Cleide Klock, correspondente da RFI em Los AngelesHá nove anos nos Estados Unidos, Romualdo já trabalhou em quase três dezenas de produções, como as da Marvel “Falcão e o Soldado Invernal' e “Capitão América: Admirável Mundo Novo”, que acaba de estrear, e nas séries premiadas “Stranger Things” e “Hacks”. Agora, pela primeira vez, teve a emoção de ver um filme para o qual colaborou ter indicações à maior premiação do cinema mundial.“Foi felicidade em dose dupla. Eu estava no Brasil no dia das indicações e naquela expectativa. Começou e de repente saem as indicações de Melhor Filme Internacional, apareceu “Ainda Estou Aqui", fiquei muito feliz. Na sequência veio a de 'Wicked' para Melhores Efeitos Visuais. Fiquei bastante emocionado, vibrando, com a energia lá em cima", relembra. "Depois, Fernanda Torres indicada, surtei também, mas o meu maior surto foi em indicados a Melhor Filme”, diz Amaral, já que o filme do qual participou e a produção brasileira concorrem na categoria principal do Oscar.Romualdo sempre foi fã de cinema. Na adolescência, ele mantinha um blog sobre a sétima arte, no qual falava dos filmes indicados. "Na noite do Oscar, sozinho na frente da TV em casa, eu me vestia de gala para acompanhar tudo", relata. "O Oscar para mim sempre foi uma grande festa, sempre fui apaixonado por cinema. Se 'Wicked' ganhar qualquer Oscar, já vou ficar super-realizado. Não precisa nem ser Efeitos Especiais”, celebra.De Uberlândia para HollywoodNo Brasil, ele se formou em Computação na Universidade Federal de Uberlândia, mas encontrou seu espaço na indústria cinematográfica após um mestrado em Animação e Efeitos Especiais na Academy of Art University em São Francisco, dos Estados Unidos, onde chegou em 2016. "Graças ao meu trabalho no mestrado, que era um curta animado de três minutinhos, “Steve's Catch”, comecei a me candidatar para vários lugares, e logo a Marvel já me chamou. Meu primeiro trabalho foi 'Falcão e o Soldado Invernal'", indica.Desde então, o brasileiro acumula projetos, muitos simultaneamente, já que trabalha para uma empresa que presta serviços para vários dos grandes estúdios de Hollywood. Romualdo conta que, em “Wicked”, trabalhou em diversas sequências fazendo a mágica que vai além do set de filmagens. A primeira cena da produção na qual se debruçou faz parte do filme 2, previsto para ser lançado no final de 2025.“Eu trabalhei com a equipe de efeitos especiais que criou toda a parte falsa do ambiente. Apesar do filme ter vários elementos reais, eu acho que isso foi uma das coisas mais incríveis da produção em si, porque o diretor percebeu que não tinha como contar a história apenas com tela verde [o chroma key, técnica utilizada para modificar digitalmente um cenário]. Precisava fazer uma um processo criativo e teve todo um trabalho de design de produção", aponta. "Por exemplo, eles plantaram nove milhões de tulipas, só que não tinha como fazer tudo, então os elementos extras de fundo a gente recriou no ambiente da computação gráfica", conta.Fernanda Torres e Ariana GrandeO grande favorito na categoria de Efeitos Visuais para o Oscar é “Duna: Parte 2”, mas na premiação tudo pode acontecer. Na expectativa, o brasileiro já comemorou adiantado a espécie de crossover que aconteceu recentemente e viralizou na internet – o encontro de Ariana Grande com Fernanda Torres no Festival de Cinema de Santa Bárbara e quando a atriz brasileira saudou a americana com a icônica jogada de cabelo da personagem Glinda, de "Wicked".  “Na hora que eu vi aquilo, eu falei: ‘eu preciso colocar esse vídeo num potinho e guardar para sempre'. Foi épico, marcante, ver essa energia incrível", diz o artista, que acaba de dirigir mais um curta-metragem, “Small as a Pea". A previsão de lançamento é ainda neste ano.Wicked no OscarO filme francês "Emilia Pérez" lidera as indicações ao Oscar 2025, disputando em 13 categorias. O musical "Wicked", de Jon Chu, empata com "O Brutalista", que também acumula 10 indicações."Um Completo Desconhecido” e “Conclave” vêm na sequência, somando oito indicações cada um.As categorias em que “Wicked” foi indicado são:Melhor FilmeMelhor Atriz por [Cynthia Erivo]Melhor Atriz Coadjuvante por [Ariana Grande]Efeitos VisuaisMelhor FigurinoMelhor Maquiagem e PenteadoTrilha Sonora OriginalDireção de ArteEdição de FilmeMelhor Conquista em Som

Recebemos Priscila Soares no episódio 156 do podcast Outra Visão, que fala sobre sua carreira como artista plástica nos Estados Unidos, com trabalhos belíssimos que representam pessoas com perda auditiva.Em nossa boa conversa, ela explica como sua arte evoluiu para incluir diferentes tipos de aparelhos auditivos nas obras e como descobriu sua missão de ser a maior artista a representar pessoas com perda auditiva no mundo.My Lucky EarsPriscila Soares é uma talentosa artista plástica, ilustradora, designer, escultora, pintora, fotógrafa e desenhista. Formada em Educação Artística pela Faculdade de Belas Artes, em São Paulo, e em edição de vídeo pela Academy of Art University, em San Francisco, Califórnia, há quase 30 anos ela vive nos Estados Unidos. Atualmente, mora na charmosa cidade de Vallejo, na região da Baía de São Francisco.Aos 17 anos de idade, Priscila perdeu completamente a audição do ouvido direito. Aos 22 anos, já mãe do primeiro filho, ela descobriu que corria o risco de perder a audição também do ouvido esquerdo e passou a utilizar aparelho auditivo. Pouco tempo depois, quando nasceu seu segundo filho, ela descobriu que o seu bebê era surdo.A sua perda auditiva, seu talento artístico, a vivência e os aprendizados sobre a surdez, acompanhando seu filho mais novo, foram a inspiração para a criação do My Lucky Ears, que hoje é o seu negócio principal, com site, e-commerce e trabalhos maravilhosos, com grande repercussão nos Estados Unidos, Canadá e Austrália.Priscila menciona seu sucesso em vender suas obras para audiologistas e sua próxima participação na maior convenção nacional de audiologistas nos Estados Unidos, em New Orleans, seguida por uma convenção na Austrália, em abril.Para todo o mundoDurante nossa conversa, Priscila revela seus esforços para expandir seu trabalho artístico no Brasil e internacionalmente, incluindo a criação de uma loja online com produtos mais acessíveis para o público brasileiro. Priscila também enfatiza a importância de tratar a arte como um empreendimento criativo, destacando a necessidade de disciplina e a busca por financiamento para projetos artísticos.Ela falou sobre sua exposição recente, realizada na Califórnia, que incluiu a criação de uma escultura de papel machê em tamanho real chamada Machella, cujas imagens da produção viralizaram no TikTok. Boa conversaPriscila também fala sobre seu estúdio no Mare Island Art Studios, um espaço compartilhado por artistas em um antigo armazém da Marinha norte-americana, na Baía de São Francisco. Ela encerra a conversa incentivando as pessoas a seguirem seus corações e a aceitarem quem são.Fica meu convite para você acompanhar o episódio 156 e conhecer a linda trajetória artística e de vida da Priscila Soares.Entrevista realizada dia 5 de fevereiro de 2025.Texto: Paulo CunhaLINKS - Priscila SoaresInstagram - https://www.instagram.com/myluckyears/ https://www.colab55.com/@artespri https://myluckyears.com/ https://www.priscilasoares.com/ https://www.priscilasoares.com/art-for-audiologists https://podcastoutravisao.com/2020/11/25/priscila-soares-35/ VIDEO - https://www.youtube.com/watch?v=M1K4A3fpF-k YOUTUBE - https://www.youtube.com/@myluckyears EP35 - https://podcastoutravisao.com/2020/11/25/priscila-soares-35/

No one at the Garrison Art Center benefit in November took more painstaking care to design a conical hat at the invitation of the hosts than Melissa Small Cooper, who drew detailed hibiscus flowers. She and her husband, Brett, are raising three young daughters (the eldest is 6). Cooper, 38, teaches art at Peekskill High School and says it can be challenging to find time to create. If she can block off eight hours or so to sit at her studio space near the kitchen of their home in Glenham, "I bury myself in the art and the time goes by like that," she says. This month, two of her paintings are being shown at venues hosting receptions on the same day (Jan. 11). One will be in the Annual Member Show at the Garrison Art Center, the other at the Wallkill River Center for the Arts in Montgomery. Cooper's work is ever-evolving. Her primary medium is oil on canvas, but she tries to knock her skills out of rhythm using pastel or gouache (akin to watercolor) or by completing one-day miniflowers on wood discs that lack the precision of her series featuring a hand grasping a flower, with shadows. "I was getting too obsessed with the details, so I thought I'd try a new approach," she says. To expand her outlook, Cooper also took a pottery class at the art center, where she is a board member. Some of her paintings delineate fine lines and lifelike detail: a shimmer of light glimmering off a fingernail, the folds of flesh in a knuckle or the sun reflecting off of blue pool water. Others, like depictions of her late dog or the Golden Gate Bridge, are more impressionistic. A pristine portrait of her daughter in the Wallkill show is another stretch. "I heard about the show and figured it would be good to flex those muscles," she says. The image is drawn from one of hundreds - possibly thousands - of photos on her phone, which she calls "reference shots." Another series of paintings features cosmetics containers. In contrast to her detailed flowers and hands, which many artists find difficult to render, some of the shapes are geometrically asymmetrical and the shadows resemble smudges. Many of the pieces contain words and faint phrases. Cooper enjoys gardening, but the recurring flowery focus emerged after her aunt's funeral. "Everyone got a random flower when they came in, and the image of people standing there hit me," she says. The hand models include friends and her sister. As Cooper's success blossoms, she promotes her work whenever possible. In addition to a solo show at the Burgin Center for the Arts at Mercersburg Academy in Pennsylvania, a few paintings hang at Foxtrot Fine Arts in Driggs, Idaho, a gallery operated by a former professor at the Academy of Art University in San Francisco. A note in her sketchbook, filled with detailed ballpoint pen creations, reads: "I will draw in my sketchbook every evening after the kids go to sleep." So far, she's been disciplined: "Some days I get no sleep and focus on the task at hand, which is bliss for me. Other times, I have to work in spurts. But I'm never not working." The Annual Member Show at the Garrison Art Center, 23 Garrison's Landing, opens Jan. 11 with a reception from 5 to 7 p.m. and continues through Jan. 26. For more of Cooper's art, see melissasmall.com.

I don't know about you, but I've learned that New Year's resolutions don't work well for me. Eat healthier, exercise more, and have more gratitude—those are the usual go-to's. Maybe it's my Midwestern stubbornness that makes me think, “Don't tell me what to do!” so I end up doing the opposite—eating more sugar, sleeping in instead of going for a run, and complaining more than feeling grateful. It's embarrassing to admit, but it's true.What I've found that works for me is to choose a word for the year, one that will guide me toward more adventure, joy, and truth. This year, my word is love.Today's guest on the Cracking Open podcast, Christina Rasmussen, embodies this word beautifully in her work, relationships, and teachings.Widowed at a young age, Christina was left managing the devastating loss of her partner while also raising their baby and toddler on her own. Initially, all Christina wanted to do was run away from her pain as far as possible, despite her master's degree in guidance and counseling. Four years after her 35-year-old husband passed away from Stage 4 colon cancer, she finally found the courage to confront her grief and created the Life Reentry process, which launched her on a mission to bring compassion, grace, and validation to thousands, while simultaneously establishing an exit from what she termed the Waiting Room.Christina has also published three bestselling books: Second Firsts in 2013, Where Did You Go? in 2018, and her most recent book published in 2024 - Invisible Loss. In this episode, you'll feel the love and wisdom Christina brings as she discusses the concept of “invisible losses”—experiences that are completely devastating yet often difficult to articulate. These losses can sometimes be more perplexing and challenging to navigate than the overt tragedies we face.Christina shares how to honor our invisible losses, using writing exercises she calls “cleanses” to move out of the “Waiting Room”—that place of uncertainty where we feel disconnected from our true selves. We also dive into identifying invisible losses and the three inner narratives we create as we process them: the survivor, the watcher, and the thrive.This episode is full of actionable tips and tools for navigating grief and honoring all the moments that crack us open in life. Christina reminds us that love is the best medicine—not just to heal grief but to embrace any experience that helps us grow.Christina is currently finishing her Master of Fine Arts degree in painting and drawing at the Academy of Art University. Her work on grief has been featured in The Guardian, Oprah Daily, ABC News, Women's World, The Washington Post, and the White House Blog. Christina lives and works in Austin, Texas, with her husband Eric, and their two dogs.Love,MollyLearn more about Christina Rasmussen and her work hereFollow Christina on Instagram or FacebookPurchase Invisible Loss hereFollow Molly on Instagram and Facebook6-Month Coaching Group coming August 2025!Click here for more details

Traci Bateman's journey into wellness began at the age of 14, following the loss of her mother to breast cancer. This experience sparked a lifelong passion for living fully and helping others do the same. Traci pursued a degree in Economics from the University of Calgary, later studying Interior Architecture and Design at the Academy of Art University in San Francisco. She has since become a certified Health and Life Coach, as well as a certified menopause coach. Traci's approach to life is driven by the belief in living fully, loving deeply, and embracing change. She has rebranded herself multiple times, from owning businesses in marketing and interior design to founding Bliss MediSpa & Integrated Wellness in 2012, a resort-style spa that combines wellness with rejuvenation. Her career is marked by a commitment to helping others achieve their best selves through her extensive knowledge, personal experiences, and ability to connect deeply with those she supports. Traci's work is rooted in a lifelong pursuit of healing the mind, body, and soul. Her journey has equipped her with the tools and insights to guide others toward a life of balance, fulfillment, and well-being. Join Our Community of Canadian Entrepreneurs! Entrepreneurs are the driving force behind Canada's economy, and we're here to support them every step of the way. For exclusive insights, tips, and success stories from Canada's top business leaders, subscribe to our YouTube channel and follow us on Facebook, Instagram, LinkedIn, and Twitter. Want to stay ahead with the latest #entrepreneur podcasts, business strategies, and news? Don't miss out—subscribe to our bi-weekly newsletter for updates delivered straight to your inbox! Join thousands of Canadian entrepreneurs who rely on us for the resources they need to succeed.

We back! It's been a crazy few weeks for your boy JBarber. I had extensive water damage to my house and had to shut down my studio for a full renovation. My studio is in shambles! It makes me think of two things. One, the people out in western NC that were devastated by the recent hurricane. The River Arts District was completely underwater for days. We have to continue to support them in any way that we can. Two, I can't help be remember the amazing Legacy Print Weekend at Delita Martin's studio hanging out with some of the best printmakers in the world. Today we got Rabea Ballin and Ann Johnson on the podcast recorded during our fun in Houston. We talked about experimenting in the studio, insight into your friends' art process, taking classes at Anderson Ranch and much more. We are forgetting about our big studio problems for a little while and getting back to that good art talk we love. Listen, subscribe, and share!Episode 194 topics include:Legacy Weekend at Delita Martin's studio how the ROUX Collective worksexperimenting with colleaguesCan you run leaves through a letterpress?group critiquing with peerstaking Mickalene Thomas' class at Anderson Ranchcontinuing education for artistsseeing artists workRabea Ballinb. deutschland. louisiana. JAH. germany. louisiana. violin. kurtis blow. mexico. sax. high school. native tongues. art school. colorado. louisiana. college. job. first love. broken heart. spanish. paris. graphic design. italy. rebirth. painting. mrc. houston. mfa. houston 7. gallery. new york. solo exhibition. jeep. professor. 3rd ward. miami basel. zula. roux. afrikaans. stir. brooklyn. bas. suga. everything records. massachusetts review. gallery director. professorship.lief.round 41. netherlands.spain. germany. south africa. mended heart. harvey. biennial. artadia. department chair. cuba. camh. 2020. public art. loss. mfah. mexico city.AnnJohnsonAnn is a graduate of Prairie View A&M University in Texas, (where she now teaches) and received a BS in Home Economics. She has also received an MA in Humanities from the University of Houston-Clear Lake, as well as an MFA from The Academy of Art University, in San Francisco with a concentration in printmaking. Primarily an interdisciplinary artist, Johnson's passion for exploring issues particularly in the Black community has led her to create series' of works that are evocative and engaging. Her series Converse: Real Talk has been exhibited at Women and Their Work in Austin, TX, The Kansas City Art Institute, and The Community Folk Art Center in Syracuse, NY. She has been acknowledged as an “Artist to Watch” by the International Review of African American Art, and is a member of the Bearden 100 (honoring artist Romare Bearden). She is co-founder of the organization PrintMatters and PrintHouston and is a member of the ROUX Collective. See more: Rabea Ballin website + Rabea Ballin IG @rballin + Ann Johnson website + Ann Johnson IG @solesisterart Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ceramic Sculptor Wanxin Zhang...Wanxin discusses his journey from studying art in China, his move to America, and the influence of prominent Bay Area artists on his work. He shares how artists like Robert Arneson and Viola Frey helped shift his perception of ceramics from craft to fine art. Wanxin's sculptures, which blend historical references with contemporary culture, are showcased in several prestigious museums and galleries. He recounts his early inspiration from his mother and the pivotal moment he decided to move to the U.S. Wanxin also talks about how changing his medium from metal to clay allowed him to express his identity and cultural heritage more profoundly.About Artist Wanxin Zhang:Wanxin Zhang was born and educated in China. He graduated from the prestigious LuXun Academy of Fine Art in Sculpture in 1985. In 1992, after Zhang established his art career as a sculptor in China, he relocated to San Francisco with his family and received his Master in Fine Arts from the Academy of Art University. Zhang had been on the faculty of the Academy of Art University, Department of Art Practice at University of California, Berkeley and California College of The Art in Oakland, and the San Francisco Art Institute. Zhang's sculptures represent a marriage between historical references and a contemporary cultural context; they carry messages of social and political commentary. His work is deeply influenced by the Bay Area figurative movement and artists such at Peter Voulkos and Stephen De Staebler. As a studio sculptor and educator, Zhang was the first place recipient of the Virginia A. Groot Foundation Grant in 2006 and the Joan Mitchell Grant in 2004. His sculptures have been shown in San Francisco,  Santa Fe, Miami, Seattle, Palm Desert and New York City. In 2007, his pieces were part of the 22nd UBE Sculpture Biennial in Japan; in 2008, his sculpture was selected by the Taipei Ceramics Biennial in Taiwan; and in 2013, he was part of the Da Tong's 2nd International Sculpture Biennial in China. Zhang had his first solo art museum show at the University of Wyoming Art Museum in 2006, with solo museum exhibitions following at the Arizona State University Art Museum, Boise Art Museum in Idaho, Fresno Art Museum in California, The Alden B. Dow Museum of Science & Art in Michigan, Bellevue Arts Museum in Washington, and Holter Museum of Art in Montana. His works have been selected to be included in Confrontational Ceramics by Judith Schwartz, and can be found in major art magazines such as "Art News," "Art in America," "Sculpture," and "American Ceramics." Zhang has many public collections, and his private collectors are located both nationally and internationally. In 2012, the San Francisco Chronicle picked Zhang's exhibition at the Richmond Art Center to be one of the Top 10 Exhibitions in the San Francisco Bay Area.Visit Wanxin's Website:  WanxinZhang.comFollow Wanxin on Instagram:  @WxZhang25For more about M is for Water at the di Rosa Center for Contemporary Art in Napa, CLICK HERE. For more about the Spirit House exhibition at Stanford University, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Kath tells Pat about how a small school dedicated to training artists for the ad industry metastasized into one of San Francisco's largest landowners and bilked aspiring artists out of hundreds of millions of dollars.

Dr. Elisa Stephens, President of Academy of Art University, delves into navigating the future of art and design education. Artists and designers play integral roles in a multitude of industries, and there's a growing demand for their talents across numerous domains. From movie animation to automotive design, the career prospects within art and design are diverse and expansive. Today, Dr. Elisa Stephens discusses how to foster creative problem solving. Show NotesConnect With: Dr. Elisa Stephens: Website 2Hr Learning: Website // LinkedInI Hear Everything: IHearEverything.com // LinkedIn

Dr. Elisa Stephens, President of Academy of Art University, delves into navigating the future of art and design education. At institutions like the Academy of Art University, AI is not viewed as a threat, but rather as a powerful tool to augment and enhance artistic capabilities. Through early adoption and integration into various disciplines, AI has become an integral part of the curriculum, empowering students to explore new creative frontiers. Today, Dr. Elisa Stephens discusses how art education improves social mobility. Show NotesConnect With: Dr. Elisa Stephens: Website 2Hr Learning: Website // LinkedInI Hear Everything: IHearEverything.com // LinkedIn

The Romanian Botanical Artist Irina Neascu began her career in architecture and now her journey transcends academia, science, art and illustration. Irina says: “I approached botanical art to continue investigating the cultural landscape from a natural perspective of the reciprocal influence and fragile intersections between culture and nature.” Irina was born in Bucharest in 1982, the only child of Daniela and Mihai who are both economists. She attended the Architecture University in Bucharest, Romania where she graduated with both a BA and MA. Irina then earned a postgraduate MA in Fine Arts at Rome University of Fine Arts. Following her graduation, she turned to interior design where her name became an international brand, with exhibitions at various fairs and events throughout Europe. The main collections focus on bespoke upholstery and chairs, crafted with textile collage techniques and digital printing. Irina has worked on both old and new furniture, restoring and customizing items according to the specific needs of her clients. Her interior design collections include home accessories and furniture, in unique series or limited series. In 2016, Irina moved north of Bucharest to the Transylvania area to be closer to nature; hiking is one of her favorite activities. Here, she opened the Irina Neacșu Studio then founded an art school, Cembra School of Botanical Art and Design, where she teaches courses and workshops in painting, drawing, textile art or design and encourages creative knowledge inspired by nature and heritage. Irina is currently  a PhD candidate at the Art University in Bucharest, and later this year she will be a Fulbright Visiting Scholar at Yale Graduate School of Arts & Sciences, History of Art Department. Irina lives in Brasov with her Weimaraner, Scala.Irina's website: https://irinaneacsu.com/Instagram: @irinaneascu https://www.instagram.com/irinaneacsu/ Some favorite feamle artists:Georgia O'KeeffeRachel RuyschGiovanna GarzoniHillary WatersJackie MulderChristiane Fashek Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

The Romanian Botanical Artist Irina Neascu began her career in architecture and now her journey transcends academia, science, art and illustration. Irina says: “I approached botanical art to continue investigating the cultural landscape from a natural perspective of the reciprocal influence and fragile intersections between culture and nature.” Irina was born in Bucharest in 1982, the only child of Daniela and Mihai who are both economists. She attended the Architecture University in Bucharest, Romania where she graduated with both a BA and MA. Irina then earned a postgraduate MA in Fine Arts at Rome University of Fine Arts. Following her graduation, she turned to interior design where her name became an international brand, with exhibitions at various fairs and events throughout Europe. The main collections focus on bespoke upholstery and chairs, crafted with textile collage techniques and digital printing. Irina has worked on both old and new furniture, restoring and customizing items according to the specific needs of her clients. Her interior design collections include home accessories and furniture, in unique series or limited series. In 2016, Irina moved north of Bucharest to the Transylvania area to be closer to nature; hiking is one of her favorite activities. Here, she opened the Irina Neacșu Studio then founded an art school, Cembra School of Botanical Art and Design, where she teaches courses and workshops in painting, drawing, textile art or design and encourages creative knowledge inspired by nature and heritage. Irina is currently  a PhD candidate at the Art University in Bucharest, and later this year she will be a Fulbright Visiting Scholar at Yale Graduate School of Arts & Sciences, History of Art Department. Irina lives in Brasov with her Weimaraner, Scala. Irina's website: https://irinaneacsu.com/Instagram: @irinaneascu https://www.instagram.com/irinaneacsu/ Some favorite feamle artists:Georgia O'KeeffeRachel RuyschGiovanna GarzoniHillary WatersJackie MulderChristiane Fashek Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Born in Harlem in 1934 to a family of Caribbean immigrants, Audre Lorde grew up to become a Black feminist icon and celebrated American poet, writer, and activist. Best known for her works exploring her own multifaceted identity, Lorde both struggled with and embraced the differences that made her unique—and the ones that drew her to others. A poet and self-described “warrior,” Lorde created a space for herself in America by writing about her personal experiences and advocating for freedom for people of color, the LGBTQ community, women, and oppressed communities around the globe. [This episode originally aired in August, 2021.] About the Narrator Camille Stennis is an audio editor, music composer and sound designer based out of Los Angeles, CA. She has a BFA in Music Production & Sound Design for Visual Media from the Academy of Art University, and has also interned at companies such as Jingle Punks, Unified Films, and was previously the Head of Production at Jam Street Media supporting various creative productions in podcasting, music publishing and audio visuals. She worked as an Audio Producer and Sound Designer for Rebel Girls. Camille is also a member of the LGBTQ+ community, living happily with her wife and dogs. Credits This podcast is a production of Rebel Girls and is based on the book series Good Night Stories for Rebel Girls. This episode was produced by Camille Stennis. Sound design and mixing by Mumble Media. This episode was written by Alexis Stratton and fact checked by Joe Rhatigan. Executive Producer was Katie Sprenger. Haley Dapkus was our production manager. Original theme music was composed and performed by Elettra Bargiacchi.   A big thanks to the whole Rebel Girls team who make this show possible! For more, visit rebelgirls.com. And if you like what you heard, don't forget to rate and review this episode, and share it with your friends! Until next time, stay REBEL!

Aylin Uysal shares her story of leading enterprise design, the reality of being an exec and a parent, and how patience and perseverance have served her well. Highlights include: Why is it important to have a good grasp of the details as a senior design leader? How do you know when you haven't got the work-parent balance quite right? What changed at Oracle to enable the culture to significantly support design? How do you work across Oracle to ensure that users' experience great design? Why can't business apps be as simple and delightful as consumer apps? ====== Who is Aylin Uysal? Currently the VP of User Experience for Cloud Applications at Oracle, Aylin is at the forefront of design at one of the tech industry's most established companies, helping its customers to see data in new ways, discover insights and unlock endless possibilities. During over two decades at Oracle Aylin has held several senior leadership roles, serving previously as a Senior Director of User Experience, a Director of Applications User Experience, and as a Senior Manager of HCM User Experience. Before her long-standing tenure at Oracle, Aylin was a valued member of the design team at SAP, where she was a lead designer. She also made her mark as a senior designer at Silicon Graphics, a legendary Silicon Valley icon. Originally from Turkey, Aylin graduated from Middle East Technical University with a Bachelor's in Industrial Design. She further honed her craft, obtaining a Master of Fine Arts from San Francisco's Academy of Art University. Aylin's influence is not just corporate; she's been celebrated as one of the top thirty influential Turkish-American women by Turk of Amerika, she is a board member of the TUSIAD Silicon Valley Network, and is credited on 8 US patents.  ====== Find Aylin here: LinkedIn: https://www.linkedin.com/in/aylinuysal/ X: https://twitter.com/aylinuysal ====== Liked what you heard and want to hear more? Subscribe and support the show by leaving a review on Apple Podcasts (or wherever you listen). Follow us on our other social channels for more great Brave UX content! YouTube: https://www.youtube.com/TheSpaceInBetween/ LinkedIn: https://www.linkedin.com/company/the-space-in-between/ Instagram: https://www.instagram.com/thespaceinbetw__n/ ====== Hosted by Brendan Jarvis: LinkedIn: https://www.linkedin.com/in/brendanjarvis/ Website: https://thespaceinbetween.co.nz/ Twitter: https://twitter.com/brendanjarvis/

In this episode, we meet the humans behind the artistic and cultural project that is the TNT Traysikel.   We start, in random order, with Mike Arceaga. Mike was born in the Philippines and moved to LA with his family when he was 10. He says that the transition from his homeland to LA was difficult. The family first landed in Highland Park, which Mike points out wasn't hip then. That's where he got started doing graffiti art.   In the mid-to-late-Eighties, they moved, first to the Eagle Rock neighborhood in LA, then Pomona, where, by the time he moved there, he'd become a full-fledged graffiti artist. He says it's what got him into art   In high school, Mike learned technical drawing. He went to junior college, had art school on his mind. He was in a hip-hop crew, tagged ramps, and was friends with skaters, but never skated himself. He also breakdanced, but says it never took.   After high school, he just wanted to get out of his parents house, and so he signed up to join the Army. But when Mike's dad found out about that, he cried and urged him to go to school instead.   And so he visited San Francisco to attend a summer program at the Academy of Art University. And he fell in love with The City almost immediately. He shares the moment of coming up the escalator at Powell BART and seeing the scene on the street as the moment SF got his heart.   He loved walking around the hills before art class, where he was starting to meet artists from all over. And slowly, he discovered the rest of The City by hopping on Academy shuttles. Soon after this summer program, Mike came back to visit the Art Institute. When he and a friend saw the view from the roof at SFAI, he decided to try to get into school there.   Next, we meet TNT Traysikel's Paolo Asuncion. Paolo came to the US from the Philippines when he was 14. Before that migration, he had found his first girlfriend as well as a friend group that wasn't bullying him. The move abroad disrupted that progress.   Paolo's family first came to Ontario, California, just outside of LA and not far from where Mike and his family were. His mom had met a family in church and she and her three kids lived with them. A family of four crammed into a single bedroom.   He went to high school all over LA, first in Echo Park (before it was hip), then in the Rampart District, and at Torrance High (think Fast Times at Ridgemont High). Then Paolo's mom put him in Marshall High in Las Feliz (think Grease).   Paolo's dad was a fairly famous actor back in the Philippines. But when he moved to the US to be with family, he ended up managing the apartment building where they lived and did door-to-door sales. His parents soon got divorced and his dad went back to his home country.   Paolo went to Diamond Bar High School his senior year (which he says was very Breakfast Club-ish). He started playing guitar, which he says got him in with the cool kids. He even formed a band, but after high school, he went back to the Philippines, where he got his girlfriend pregnant.   Then Paolo moved back to Glendale in Southern California. He was still on a tourist visa and tried to get jobs that would sponsor his work visa, which was difficult.   One day, his uncle in LA asked to help him move to SF and they left Glendale at 10 at night, drove up I-5 to 580, then crossed Bay Bridge at sunrise. Looking out the windshield at the scene in front of him, Paolo thought, WHAT IS THIS PLACE?   He spent a week here on that trip, during which time he had the same Powell escalator experience as Mike. Heloved it so much that he decided to move here. A friend of his uncle's got him a graphic design job and in 1996, he moved here.   Last but not least, we meet Rachel Lastimosa. Rachel was born and raised in San Diego, the kid of a Navy person, which is how her dad got his U.S. citizenship.   Members of Rachel's family have been in SF since the Forties, and when she was a kid, they visited here a lot from San Diego. Rachel's first memories of San Francisco involve mostly touristy things. From a young age, 12 or so, she knew she wanted to live here. Rachel says she loved the culture here and felt a friendliness from strangers unlike what she experienced back home in San Diego.   She grew up in a strict house and, because of that, was into extracurricular activities. Her parents expected her to cook and do laundry, but she escaped into music—playing, writing, and performing. Rachel wrote her first song when she was in first grade. Today, she plays piano, keyboards, and bass, and does vocals. And she produces and writes music.   Rachel says she always wanted to build community. She helped put together the first culture night at her high school. But as soon as she could, after graduation, she came to San Francisco. In fact, SF State was the only school she applied to.   Once here, she joined a band and majored in electronic music. This was the early 2000s and she's been here ever since. She writes scores for theater and films and has been in a few bands. A collaboration she did with the Filipino Center made her realize how art can bring communities together.   Check back next week for Part 2 with Rachel, Paolo, and Mike. In it, they'll share the origin story for TNT Traysikel—the part motorcyle/sidecar, part karaoke machine, part mobile Filipino cultural pride project.   We recorded this podcast at TNT HQ in South San Francisco in March 2024.   Photography by Jeff Hunt

Daniel Milnor is the “Creative Ambassador” for Blurb, Inc. Milnor is a former news, editorial, and commercial photographer who now works primarily on long-term projects. His work combines still photographs, motion, sound, and the written word. Milnor began printing his work in the darkroom in 1988 and has self-published hundreds of titles, from award-winning to experimental. His love of travel and teaching have combined for workshops across Latin America, Europe, Australia, and North America. He has taught at the Art Center College of Design and the Academy of Art University. His work is in the Los Angeles County Museum of Art collections, The George Eastman House, and the Santa Barbara Museum of Art. He lives in New Mexico.Sign up to the Prime Lenses newsletter for a mid week treat.More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

In this episode, we've got a fantastic couple joining us on the show, Tyler and Lindsey Goble. Our guests talk about how their investing journey has turned into a mission to make an impact on people and communities, what made them choose flipping over passive investing, and the importance of having an assistant in any business that can help with day-to-day tasks.Plus, Tyler and Lindsey share the value of maintaining good relationships with investors. Don't miss out on hearing their wisdom and success in the investing business!Key Points & Relevant TopicsHow Tyler and Lindsey got into real estate investing and flipping as their way of helping people in needTyler and Lindsey on the active side of investing and the steps they had to take to grow in the flipping businessReasons why they chose Texas over other marketsThe importance of core values in building relationships with investors and communitiesChallenges and advantages of starting to grow a business during the pandemicInvaluable benefits of having a full-time virtual assistantTyler and Lindsey's current focus in real estate and designsGiving back and impacting communities through real estateWhat does success mean for other people?Resources & LinksYour World-Class Assistant by Michael HyattApartment Syndication Due Diligence Checklist for Passive InvestorAbout Tyler and Lindsey GobleTyler grew up in Plymouth, Michigan and attended the United States Naval Academy where he played varsity football on the most successful team in school history. Upon graduating in 2016 with a Bachelor of Science in Quantitative Economics, Tyler commissioned into the USMC and went on to serve as an infantry officer, predominantly as a Weapons Platoon Commander and Weapons Company Executive Officer. Following his tour as an infantry officer, Tyler was selected to attend the Naval Postgraduate School in Monterey, CA to be trained as a Data Scientist. He obtained a Master's of Science in Operations Research with a focus on Statistical Machine Learning. While in Monterey, Tyler and his wife Lindsey launched LTG Investments, an impact driven real estate investment firm. Tyler is currently serving as a Data Scientist for the Marine Corps Recruiting Command.Lindsey found her love for architecture and design after renovating her first hurricane-wrecked home with husband Tyler just after getting married in 2019. She was motivated to return to school and study Interior Architecture and Design at The Academy of Art University in San Francisco. Since 2019, she has designed and led project management on nearly 30 homes, including a short-term home for exploited youth in 2021. Lindsey has an intense passion to transform  spaces with tailored designs that are more than just aesthetically pleasing—they add real, tangible value to homeowners lives.Both Tyler and Lindsey channel their efforts and the success of their ventures into humanitarian causes, notably Unbound Now, a global anti-human trafficking nonprofit. They view their business as a tool to give back to worthy causes and see this as the greatest motivation to grow. Get in Touch with Tyler and Lindsey Website: https://www.lindseygoble.com/ Lindsey's Instagram: @lindseyngobleTyler's LinkedIn: Tyler GobleTo Connect With UsPlease visit our website www.bonavestcapital.com and click 

Welcome to The Big Impact Ep 260 - Don't be A Crab w/ Author Hooman Montevalli Our guest is Wall Street Journal Best Selling Author, Hooman Montevalli as we focus on his new book - Don't Be a Crab! A Practical Guide to Building Strong, Joyful Relationships You hold the key to profoundly transforming your relationships. Our daily lives and communications lack clarity. This is a huge problem in long-term relationships, regardless of whether they involve entrepreneurs, managers, political leaders, or romantic partners. When you don't fully understand what someone says or don't say what you want to, confusion reigns. Missed opportunities and regrets abound, often with disastrous results. Most of the time, deep happiness and calm remain elusive. But they are within your reach. In Don't Be a Crab! Hooman Motevalli walks you through a series of important, potentially life-changing steps to permanently improve how you communicate. Discover vital exercises to help eliminate confusion. Find effective solutions for stopping actions and reactions that block your energy flow. Learn how to recognize and avoid most events that decrease the depth of your contentment. Experience how clarity ushers in serenity and noticeably changes your relationships for good. Thought leader and serial entrepreneur Hooman Motevalli is a senior business analyst and in-demand consultant for high-level blockchain and AI software teams. He is the director of HSP Holdings, an IT-based company investing in intelligent blockchain and DAO-Metaverse startups. Motevalli also works to improve the qualities of tech and business teams through his Converting Confusion to Clarity (CCC) training program. He is a macroeconomics expert, holds a BS in Chemical Engineering from Sharif University of Technology, has a master's degree in theater from the Academy of Art University, and is a UEFA soccer coach. Motevalli is currently studying at Stanford University. BUY THE BOOK: https://rebrand.ly/BigImpact ---- BIG IMPACT VIDEO CHANNEL - You'll find free VIDEOS of our podcast interviews HERE SUBSCRIBE to the Big Impact Podcast for free! Apple - Google - Stitcher - Spotify - iHeart  

Chanell J. Wilson is a recording artist and songwriter from the East Bay Area. She has been writing since she was thirteen and performing since she was three years old. As an artist; she is a trained theatrical actress & voice-over performer, writer, dancer, public speaker, animator, scriptwriter, filmmaker, entrepreneur, songwriter, & vocalist. She studied Theatre Arts at San Francisco State University and Screenwriting and Editing at the Academy of Art University. She also has a Vocational Certificate in Recording Arts at Diablo Valley College in Pleasant Hill, CA. specializing in Music Business/Industry Studies and is a member of ASCAP. After 15 years of workshopping songs and writing a catalog; Chanell partnered with an indie Record label and released her debut single "Draw Near to Me”. In 2021; she independently released her EP Project “Black Heart on the Table Vol 1: A Warrior's Lament”- a musical and spoken word project about mental health awareness, conditional love, and how it impacts the human heart. She has curated a visual Theatrical emotion picture for the Black Heart on the Table Short EP project on Social Media.Currently, Wilson is releasing her latest single on Valentine's Day 2024 from her upcoming Album project (to be released later this year) entitled “Ride it ‘til” a song about choosing to love after the honeymoon wears off. Chanell believes that creativity and love can heal this world and she is determined to do just that! Support the showMusic Artist interview

When life throws curveballs, some catch them with grace and transform them into a dance with destiny. That's certainly true for Junichi Kakutani, the remarkable librarian from Fremont's own Elementary School living with Spinal Cerebellar Ataxia. His story is represented in this episode, where he shares the early whispers of his rare condition and his undying passion for storytelling. The challenges to his mobility and speech have done little to deter Junichi's indomitable spirit. From conquering a Hawaiian marathon to his plans to ascend Mount Fuji, his resilience and proactive approach to life are the embodiment of inspiration.Our conversation then transitions to an insider from the San Francisco film industry, whose journey from mastering English to refining their craft at the Academy of Art University exemplifies the power of perseverance. Junichi opens up about his personal battles, the dedication to the art of Kendo, and the communal love for Fremont and the echoes of silent films from yesteryear. The shared nostalgia for the cinematic arts binds our story threads together, painting a portrait of purpose and the relentless pursuit of dreams, even as life presents its unique challenges. Join us for these profound narratives that not only warm the heart but invigorate the soul in our quest for meaning amidst the ebbs and flows of existence.Check out Minuteman Press in Irvington for all your Design and Printing needs. They have a five star rating and are wonderful to work with. Find out more about them here. If you are looking to buy or sell a home, check out Petrocelli Homes in Niles. There is not a better place to find a book in Fremont than Banter Bookshop. If you are interested in supporting the podcast, please reach out to us at thefremontpodcast@gmail.com, or you can contact us here. Check out our new podcast focused on Niles CA called the Cast of Niles. You can find episodes on almost any podcast platform. You can also find it here. Also, Petrocelli Homes has been a key sponsor for the Fremont Podcast almost from the beginning. If you are looking for help or advice about buying or selling a home, or if you are looking for a realtor, get in touch with Petrocelli Homes on Niles Blvd in Niles. Additionally, Banter Bookshop is the best little bookshop in Fremont. They are a sponsor of that podcast. And we are excited to have them as a partner. Intro and Outro voiceovers made by Gary Williams. Check out garywilliams.org.This episode was edited by Andrew C. Scheduling and background was done by Sara S. This is a Muggins Media Podcast.

Tim Gagnon, “The Fire Painter,” is an award-winning artist, author, speaker, and instructor best known for creating works of art live on stage while his paintbrushes are on fire. For nearly two decades, he has performed and exhibited in galleries, churches, conferences, schools, and stadiums across the country. In 2008 he earned a bachelor's degree in theology from the Christian Life School of Theology in Columbus, GA and a master's in fine art (Painting) from the Academy of Art University in San Francisco, CA in May of 2015. An Air Force Veteran, Tim proudly serves with the Patriot Art Foundation, teaching Veterans to share their stories through the arts. He serves on the board, teaches online classes for VA hospitals and is the Host of the Patriot Arts Podcast. In 2019, Tim founded the non-profit Gagnon Atelier to assist churches and civic organizations to reach their communities through the Visual Arts. Tim resides in Panama City Beach, FL.   Facebook @tim.gagnon.3 or @GagnonAtelier     YouTube & Instagram @GagnonAtelier  The Illuminated Messiah Bible featuring illustrations by award winning artist, Tim Gagnon (pronounced gahn-yo), presents a collection of sixty-six beautiful portraits containing Messianic themes of Jesus with a detailed theological explanation behind each stunning creation.  Tim, who dabbled in black magic and occults in his youth, decided to serve the Lord with his artistic talents after he became a Christian. As an Air Force vet, Tim offers his time to other military vets in VA hospitals and helps them share their stories through online art classes.    Copyright WGNR Radio 2024See omnystudio.com/listener for privacy information.

Page One, produced and hosted by author Holly Lynn Payne, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books.About the guest author:Robin Oliveira is an award-winning NYT bestselling author of four books. Her latest historical novel, A WILD AND HEAVENLY PLACE is a sweeping tale about the birth of Seattle and two star-crossed lovers that discover it. Her debut novel, MY NAME IS MARY SUTTER won the prestigious Shaara Prize Winner for Civil War Fiction and was an instant NYT bestseller about medicine and nursing in the civil war and inspired by her background as a nurse specializing in Critical Care and Bone Marrow Transplants, which we will get into a bit today. Robin holds a B.A. in Russian and studied at the Pushkin Language Institute in Moscow when Russia was still the USSR. In addition to a degree in nursing, she holds an MFA in Writing from Vermont College of Fine Arts. She is known for her meticulous research which helps her create compelling and authentic story worlds as she does in her second novel, I Always Loved You, which traces the lives of the Impressionists in Paris, France. Her third novel, Winter Sisters, explores the disappearance of two little girls during an historic blizzard in Albany, N.Y., When she is not writing or reading - her favorite activity, she loves to travel, cycle and hike near her home outside Seattle. About the host:Holly Lynn Payne is an award-winning novelist and writing coach, and the former CEO and founder of Booxby, a startup built to help authors succeed. She is an internationally published author of four historical fiction novels. Her recent novel, ROSE GIRL is an Amazon bestseller, earned a prestigious Kirkus starred Review and named Editors Choice from the Historical Novel Society. Her debut, The Virgin's Knot, was a Barnes & Noble Discover Great New Writers book. She lives in Marin County with her daughter and enjoys mountain biking, surfing and hiking with her dog. She earned her MFA from USC, BA in journalism from University of Richmond and has served on the faculty of Stanford, San Francisco State University, California College of the Arts and the Academy of Art University. To contact her or learn more about her books and private writing coaching services, please visit hollylynnpayne.com or find her at Instagram and Twitter @hollylynnpayne. Stay in touch:You can listen to Page One on Apple podcasts, Spotify, Pandora, Stitcher and all your favorite podcast players. Hear past episodes.If you're interested in getting writing tips and the latest podcast episode updates with the world's beloved master storytellers, please sign up for my very short monthly newsletter at hollylynnpayne.com and follow me @hollylynnpayne on Instagram, Twitter, Goodreads, and Facebook. Your email address is kept private and you can always unsubscribe anytime. The Page One Podcast is created at the base of a mountain in Marin County, California, and is a labor of love in service to writers and book lovers. My intention is to inspire, educate and celebrate. Thank you for being a part of this loving, creative community! Be well and keep reading.~Holly~ Thank you for listening to the Page One Podcast, where master storytellers discuss the stories and struggles behind the critical first page of their books. If you liked this episode, please share it on social, leave a review on your favorite podcast players and tell your friends! I hope you enjoy this labor of love as much as I love hosting, producing, and editing it. Please keep in touch by signing up to receive my newsletter at www.hollylynnpayne.com with the latest episodes each month. Delivered to your inbox with a smile. For the love of books and writers,Holly Lynn Payne@hollylynnpaynewww.hollylynnpayne.com

Chanell J. Wilson is a recording artist and songwriter from the East Bay Area. She has been writing since she was thirteen and performing since she was three years old. As an artist; she is a trained theatrical actress & voice-over performer, writer, dancer, public speaker, animator, scriptwriter, filmmaker, entrepreneur, songwriter, & vocalist. She studied Theatre Arts at San Francisco State University and Screenwriting and Editing at the Academy of Art University. She also has a Vocational Certificate in Recording Arts at Diablo Valley College in Pleasant Hill, CA. specializing in Music Business/Industry Studies and is a member of ASCAP. After 15 years of workshopping songs and writing a catalog; Chanell partnered with an indie Record label and released her debut single "Draw Near to Me”. In 2021; she independently released her EP Project “Black Heart on the Table Vol 1: A Warrior's Lament”- a musical and spoken word project about mental health awareness, conditional love, and how it impacts the human heart. She has curated a visual Theatrical emotion picture for the Black Heart on the Table Short EP project on Social Media.Currently, Wilson is releasing her latest single on Valentine's Day 2024 from her upcoming Album project (to be released later this year) entitled “Ride it ‘til” a song about choosing to love after the honeymoon wears off. Chanell believes that creativity and love can heal this world and she is determined to do just that! For more information, visit www.chanelljwilson.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/ladydiva-live-radio--2579466/support.

Dr. Elisa Stephens, President of Academy of Art University, delves into navigating the future of art and design education. Artists and designers play integral roles in a multitude of industries, and there's a growing demand for their talents across numerous domains. From movie animation to automotive design, the career prospects within art and design are diverse and expansive. Today, Dr. Elisa Stephens discusses how to foster creative problem solving. Connect With: Dr. Elisa Stephens: Website 2Hr Learning: Website // LinkedInI Hear Everything: IHearEverything.com // LinkedIn

Beyond the Buckets | Episode #144 | Phillip Thomas Jr. - Basketball Coach & Educational CounselorPhillip Thomas Jr. is a former basketball player turned dedicated coach, known for his passion and commitment to the game. After his playing career, he transitioned seamlessly into coaching, where he has made a significant impact at various levels of competition. With coaching stints at Valley Christian High School, Oak Grove High School, and the Academy of Art University, Phillip has showcased his ability to mentor and develop young talent. His leadership and strategic insights have helped shape the next generation of basketball players, earning him respect within the coaching community. Phillip Thomas Jr. continues to inspire and motivate both on and off the court, leaving a lasting legacy in the world of basketball.Phillip has demonstrated his coaching prowess across multiple club organizations, including Top Flight Elite, West Coast Elite, and Team Kidd. Through his involvement with these esteemed clubs, Phillip has had the opportunity to work with a diverse range of players, honing their skills and instilling in them the values of teamwork, discipline, and determination. His coaching contributions within the club circuit have further solidified his reputation as a respected figure in the basketball community, known for his ability to foster talent and drive success at every level of competition.#podcast #beyondthebuckets #show #basketball #coach #life #lifestyle #coaching #entrepreneur #business #ceo #lifecoach #mentalperformance #YouTube http://ow.ly/3kdI30qOSc6   #Applehttp://ow.ly/cAeV30qOSc8   #Spotify http://ow.ly/7EIe30qOSc9  

Dr. Elisa Stephens, President of Academy of Art University, delves into navigating the future of art and design education. At institutions like the Academy of Art University, AI is not viewed as a threat, but rather as a powerful tool to augment and enhance artistic capabilities. Through early adoption and integration into various disciplines, AI has become an integral part of the curriculum, empowering students to explore new creative frontiers. Today, Dr. Elisa Stephens discusses how art education improves social mobility.Connect With: Dr. Elisa Stephens: Website 2Hr Learning: Website // LinkedInI Hear Everything: IHearEverything.com // LinkedIn

Rachelle Steele is a Master Photographer based out of Northern California. She is most known for dynamic black and white environmental portraiture and her ability to fill a single frame with design elements of intense storytelling and passionate compositions. Her unique background brings depth and power to her images, communicating something from the eye, heart, and mind. After 9 years in the US Navy, Rachelle circled back to her original love and has been pursuing black and white photography ever since. On the eternal quest for the human spirit, she is most alive behind the lens. Earning both her BFA and MA from the Academy of Art University, her works have been exhibited near and far including Rome, Kathmandu, Morocco, John Wayne Airport, Bowers Museum, and The International Photography Hall of Fame. As an Eddie Adams XXXIII Alumni, Rachelle had the honor of winning the  Herman P. Wall Memorial Award for her series “Drifter”. Having been awarded the title of “International Portrait Photographer of the Year, Top 101” for 2021, 22, and 23 has allowed Rachelle to dive even deeper into her dreams and goals as she quests for adventure and conversations with the unknown viewer. Resources Rachelle Steele   Academy of Art University   Websites Sponsors Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Santa Fe Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Support the work at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Since founding her eponymous design firm, Sara Story has forged a reputation for imparting to all of her projects an ineffable style she can truly call her own. Drawing inspiration from extensive travels, an active interest in contemporary art and fashion, and a rigorous lifestyle, Sara wields a keen eye to exact her aesthetic vision. The firm continues to work on residential and commercial projects worldwide and maintains several successful product collaborations, including wallpaper and hardware. Sara earned a B.F.A. from the University of San Diego and holds a degree in Interior Architecture from the Academy of Art University in San Francisco. She is also an active member of the Artemis Council of the New Museum, America's Society, and the Design Leadership Network. This fall, Story released her debut monograph with Rizzoli, "The Art of Home."   Interviewed by Kate Doerge.

In this episode, Ian speaks with Dr. Elisa Stephens. Elisa is the president of the Academy of Art University in San Francisco. Under her leadership, the academy has become one of the largest private schools of art and design in the nation. Dr. Stephens is known for her pioneering approach, blending art and design education with cutting-edge technology. She's written thought-provoking pieces on open admissions and the significance of creativity in the age of AI. In their conversation, they explore AI and open admissions as well as her insights on the future of art, design, technology, and education. A full transcript can be found on our blog: ⁠⁠https://blog.unincorporated.com⁠⁠ Want more higher ed perspectives? Subscribe to our ⁠⁠⁠⁠weekly Higher Education News Brief⁠⁠⁠⁠ for the latest insights. Or if you'd like to be a guest on the show, please visit ⁠⁠⁠⁠UNINCORPORATED.com⁠⁠⁠⁠.

Episode 132: Architecture, And: Ownership, Mergers, and Tech StartupsHow do you utilize technology to make good design efficient and accessible for everyone?On this episode of Practice Disrupted, we sit down with Alma Lopez, Head of Creative at CANOA, and Elizabeth (Liz) Wert, Head of Brand at CANOA, an AI-assisted collaborative online tool for designers, to learn about their journey from business owners to company mergers, how a tech startup forces efficiency, and the ways CANOA serves as an inspiration point for both its users and an evolving industry.First, we hear how Alma and Liz decided to start their business, ADITIONS, together in 2021 from a human-centric approach to leverage community as a way to locally source design pieces. They illustrate how the merger with CANOA gave them an opportunity to use technology to make good design accessible to everyone. “Do we stay and go the traditional route and scale our studio, and keep working with the 1% that can actually afford our services? Or do we go and build software with an amazing team that actually helps the interior design industry do better through technology? It was kind of like a no-brainer. We got to help everyone.” - Liz WertThen, we dive into CANOA: its impact in the design and tech startup world, how it challenges the industry to be more efficient, and why it serves as a reminder that design is never done alone. We ask Alma and Liz to share their specific roles and the ways that their background and skill sets overlap to support each other and the business. Plus, we learn about CANOA's current user base and the possibility of international reach. To wrap up the episode, Alma and Liz share why their love for problem-solving is essential for building and growing a startup, and how diversity in the profession will support the future of CANOA (and the architecture and design industry) as a place for discovery, education, building community, and promoting sustainability. Tune in next week for a conversation with AIA National Award winner and recipient of the 2023 Whitney M. Young Jr. Award, Robert L Easter, FAIA NOMAC.Guests:Alma Lopez is Head of Creative at CANOA. Originally hailing from Texas, Alma landed in the Bay Area studying Interior Architecture and Design at Academy of Art University. Alma co-founded experience design studio, ADITIONS, in 2021, which merged with CANOA in 2022. There, she is focused on bringing to market a diverse curation of brands, products, and ready-to-use design templates that bias sustainable solutions and share carbon data. By doing so, she aims to create better access to healthier solutions for people and our planet. Alma's work has been recognized in Architectural Digest, Wallpaper, The New York Times, Interior Design Magazine, Inc. World's Coolest Offices, Fast Company, and won the Good Design Award in furniture.Elizabeth (Liz) Wert is Head of Brand at CANOA. Liz spent 14 years in the interior design industry having a diverse range of roles and commercial interior design and branding and marketing. She has worked with major furniture manufacturers and global furniture dealerships, and co-founded her own design and strategy studio, ADITIONS, with Alma in 2021. At CANOA, Liz focuses on brand design and development and go-to-market strategies to grow CANOA's interior design user base. Liz has been featured at Milan Design Week, the New York Times Architectural Digest and Sight Unseen, to name a few.

On this episode of the pod, my guest is Penny Travlou, a Senior Lecturer/Associate Professor in Cultural Geography and Theory (Edinburgh School of Architecture & Landscape Architecture, Edinburgh College of Art/University of Edinburgh). Her research focuses on social justice, the commons, collaborative practices, intangible cultural heritage and ethnography. She has been involved in international research projects funded by the EU and UK Research Councils. For the past eight years, she has been working with independent art organisations in Colombia and most recently in the African continent to understand the commons from a decolonial perspective and to look at commoning practices within artistic forms while understanding the specificities of the commons rooted in various socio-cultural and geographical contexts. As an activist, she has been involved in a number of grassroots and self-organised initiatives on housing and refugees' rights in Greece.Show NotesGreek Elections and the Rise of the Ultra-RightExarcheia and the Student Uprisings of 1974An Olympic Tourism Plan for AthensMass Tourism Consumption in ExarcheiaGovernment Plans to Dismantle Local Social MovementsThe Greek Golden VisaAARG and Community Action Against GentrificationFortress EuropeWhen Will the Bubble Burst?Advice for Tourists; Advice for OrganizingHomeworkPenny Travlou University of Edinburgh WebsiteAARG! AthensPenny's TwitterTranscript[00:00:00] Chris: Good morning, Penny, from Oaxaca. How are you today? [00:00:04] Penny: Very good. Good afternoon from Athens, Chris. [00:00:07] Chris: So perhaps you could share with me and our listeners a little bit more about where you find yourself today in Athens and what life looks like for you there. You mentioned that you had local elections yesterday.[00:00:19] Penny: Yes, I am located in the neighborhood of Exarcheia but towards the borders of it to a hill, Lycabettus Hill. And I am originally from Athens, from Greece, but I've been away for about 20 years, studying and then working in the UK and more specifically in Scotland.So the last eight years, since 2015, I've been coming and going between the two places, which I consider both home. And yes, yesterday we had the elections for the government. So we basically got, again, reelected the conservatives, which are called New Democracy, which is a neoliberal party, but also government also with patriotic, let's say, crescendos and anti-immigration agenda.And at the same time, we have first time, a majority in parliament of the, not even the central, but the right wing, in the Parliament. So it's 40%, this party and another three which are considered basically different forms of ultra- right. And one of them is a new conglomeration, from the previous, maybe, you know, or your audience Golden Dawn, which is a neo- Nazi party, which was basically banned and it's members went to us to prison as members of a gang, basically.But now through, I don't want to go into much detail, managed to get a new party called the Spartans, which obviously you can think what that means, plus two more parties, smaller parties, which are inclined towards very fundamentally religiously and ethnic focus, meaning, you know, anti immigration.And then it's the almost like the complete collapse of the radical left that is represented by Syriza. The Communist Party is always stable. You know, it's the fourth party. So anyway, we, it's a bit of a shock right now. I haven't spoken with comrades. Not that we are supporters of Syriza, but definitely change the picture of what we're doing as social movements and what it means to be part of a social movement right now.So there will be lots of things happening for sure in the next four years with this new not government. The government is not new cause it's the current one, just being reelected, but the new situation in the Parliament. [00:03:02] Chris: Hmm. Wow. Wow. Well, perhaps it's a moment like in so many places, to begin anew, organizing on the grassroots level.You know, there's so many instances around the world and certainly in Southern Europe where we're constantly reminded of the context in which local governments and top-down decision makings simply no longer works.And that we need to organize on a grassroots level. And so I'm really grateful that you've been willing to speak with us today and speak with us to some of these social movements that have arisen in Athens and Greece, in Exarcheia around the notions of immigration as well as tourism.And so to begin, you mentioned that you've been traveling for the last half decade or so back and forth and I'd like to ask you first of all, what have your travels taught you about the world, taught you about how you find yourself in the world?[00:04:02] Penny: Very good question. Thank so much for raising it because I won't say about my personal history, but my father was, actually passed away a couple of years ago, was a captain in the merchant Navy. So for me, the idea of travel is very much within my family. So, the idea of having a parent travel, receiving letters before emails from far away places was always kind of the almost like the imagination of the other places, but also reality.So, when myself become an adult and moved to the UK specifically, to study and then work. This became my own work and my own life reality because I had dramatically to live between two places. So, it was almost this idea of not belonging and belonging. This concept from in both places, but also the specific type of research, because, I haven't mentioned that my day job is an academic. I am currently, equivalent in the United States will be associate professor in geography, but in the school of Architecture and Landscape Architecture. But the type of research I do request me to travel a lot. I'm looking on the idea of collaborative practices in emerging networks of artists, digital artists, specifically activists and trans-local migrants.So what it means actually to connect and to collaborate and to share knowledge and co-produce knowledges. Actually knowledge travels. So everything in my life, in the last two decades is around this, let alone that my own PhD was about tourism. I was looking on tourist images and myths, myths in metaphorically speaking of representations of Athens before the Olympic Games of 2004.So the journey and the travel and tourism is very much part of what I do in my day job, but also on other things I do personally. So what I learned through this is, first of all, maybe it's very common to say that without travel, knowledge doesn't travel.So, how we basically do things and flourish and develop ideas is through the sharing and sharing travels very much. So, movement is totally important. [00:06:37] Chris: I think that, for so many of us who have taken a critical eye and, and looked to the critical eyes around tourism and over tourism in the tourism industry, that there is this sense that things can be different and things must be different.To find a way to look towards, as you said, some sense of collaboration, some sense of interculturality, some sense of working together so that our earthly movements can produce honorable connections and meetings as opposed to just this kind of flippant and flacid kind of turns style travel.And so, I've invited you on the pod, in part, today, to speak about this neighborhood that you're in Exarcheia in Athens, in Greece. And you know, I imagine that many of our listeners have never heard of this, this neighborhood before, but many in Greece and many, many in Athens have, certainly. And I'm wondering if you could offer our listeners a little bit of background in regards to why Exarcheia is such a unique place and why it attracts so much attention politically in terms of social movements and also with tourists.Mm-hmm. [00:07:53] Penny: The history of Exarcheia is quite long in the sense with where it is in the very center of Athens. So if somebody basically get the Google map, you will see that the neighborhood is in walking distance from the Greek parliament. And Syntagma Square, which is another important square with regards to movements.It became very known in later years in the 2010s due to not only riots demonstrations that happened in what we now call the square movement. It started from Spain, to put it this way, and then to Greece, as well, in Athens. So Exarcheia is very central, but also it was since, postwar, it was a bohemic neighborhood.Lots of artists related to the left or at that point to communist party, et cetera, were living here, but also there were theaters, independent theaters, the printing houses. So we have a number still of Publishing houses that they are located in various parts of the Exarcheia neighborhood. So it has put its imprint into the Athenian urban history for quite a number of decades. And when I say Communist party, the communist Party was not legal at the time, when we say postwar. But, we had people inclined towards the left, like intellectuals, et cetera.Then with the dictatorship that happened in 1967-19 74, that's when first time really it gets, it's a real place in the political side of not only of the left, but also generally speaking of the political milieu and situation in Greece and abroad, and became very known due to the uprising, the student uprising against the dictatorship or otherwise, as we call it, junta in 1974, where here in Exarcheia is also the National Technical University of Athens, which is known also as a Polytechnic, where it was basically the uprising against the dictatorship with students basically rioting, but also died. So, it became an iconic part of the student movements since then in Greece. So, since the seventies.People can Google search or YouTube. They will see various documentaries dedicated specifically to that student uprising. And through that, after the dictatorship, one thing which was added in the Constitution and now has changed with this current government is that for a number of decades, it was what we call the asylum.That the police or the army cannot enter the university premises, and that's across Greece. So, students can occupy buildings. They can have, their own strikes, et cetera, without the police and or army entering. However, the Constitution changed a year ago. During the COVID period with the current government, the conservatives were basically they're not only say the police can enter if there is antisocial behavior happens within the university premises, but also that they will basically would like to have a police dedicated to university premises. Anyway, things are changing, but if we go back to Exarcheia and to your question, so since then the seventies, it became the neighborhood hub for the left and particularly for the radical left to congregate, to meet, to have social spaces.And also that a lot of demonstrations start from this neighborhood. And also since late eighties, became also the center of the anarchist and anti authoritarian movement. Since 2015, it was also a hub for those let's say groups, initiatives dedicated to offer solidarity to the newly arrived refugees in Greece and Athens due to the Syrian conflict. Yeah. So there is lots of facts related to why Exarchia has become iconic neighborhood with regards to social movements and definitely since 2015. The year of the election of the radical left as said, Syriza government at the time were attracted also more attention from abroad, from journalists and "solidarians," comrades, from international or transnational, social movements to come to Greece to see what was happening, to take part into the local movements and initiatives.But also it was the deep time of the austerity crisis. So, we have austerity crisis and refugee crisis at the time, ...and tourism! How did that happen?I was at that point here in 2015 is when I started coming in Athens and spending more time. And it was much more obvious that, first of all, before Athens, it was a completely different story with regards to tourism and specifically even before the Olympic games of 2004. People from abroad were coming, spending one or two days, nothing, just to visit the Acropolis and the other historical sites and museums and go to the islands. Was not basically considered as a beautiful city, as an interesting city. Or even as a modern city.So if somebody wants to see, let's say, "Rough Guides" of that period, the way the city was described was, I remember very well, I think it was a rough guide, "a cacophony." That it was extremely ugly. 2004 basically is the first time that there is a definitely dedicated clear plan from the top, from the government and local authorities to think of Athens as a tourist product.And they made some major plans. One is obviously that it's not about tourists, but it relates to tourism. It's the metro and it's the unification of the archeological sites and creating pedestrian zones, which makes it easier for people to walk through the different places. So slowly, we saw tourism getting, numbers like higher and higher.Interestingly, the austerity crisis that you expected there will be a "no" for tourism became actually an attraction for tourism, first, because things were getting cheaper. And the crisis created this, actually, this opportunity in that sense. And secondly, that even the radical left government, Syriza thought that tourism is an industry that can top up the economic issues related or the economic, the financial deficiencies of the country.So it created a series of possibilities for investment from people from abroad to invest in real estate that was matched with the beginnings of the short-let accommodation businesses, Airbnb and equivalent. So all these started slowly creating a fertile land of the right conditions for the tourist economy to flourish further. And to get tourist numbers up in such an extreme that in 2019, we reach full capacity in regards to accommodation. And I don't remember now that in numbers of millions of tourists who visited the country. So there's lots of factors which brought Athens to experience.And of course, Exarcheia, specifically mass touristification, because Exarcheia is in the center of Athens. Very easy to come. Secondly, attractive because it's a vibrant neighborhood, not only because of social movements, because the tourists who come are not all interested in the political scene of the area, but mostly it's about consuming this very vibrant nightlife economy.It's the art economy, which is related with the street art and basically night economy because it has a lot of cafes which have doubled. Nowadays is one of the most populated with Airbnb accommodation. Wow. [00:16:56] Chris: Wow, what a history. It seems, from what I've read, from what I've seen, that Exarcheia was, perhaps summarize it in a single word, a kind of sanctuary for many people over the decades.And and you mentioned the Olympics too, but certainly Barcelona as well had the Olympic Games in the last 30 years, and then you tend to see this similar result or effect or consequence after the Olympic Games in which the cities themselves in some cases are either abandoned in terms of infrastructure.And so all of the billions of dollars that went into them seems to have been only for that month of the Olympic Games or in the case of Athens or, or Barcelona, perhaps, that it's created this unbelievable kind of spiraling out of, of economic growth, if you wanna call it that.But certainly of gentrification, of exile and the increase in cost of living. Mm. And so in that regard, Penny, I'm curious, what have you seen in regards to the growth of tourism in Athens? How has it affected the people, the culture, and the cost of living there?Hmm. What have you seen on that kind of street level? Cause we can talk about it on an economic level, right? Where we're kind of removed from the daily lives of the people, but what do you see in regards to your neighbors, your family, your friends that live in that neighborhood with you?[00:18:18] Penny: Okay. I mean, first of all, I mean there is a lot of things that happen in Exarcheia and now it's clear there is also a strategy to completely dismantle the social movements. It's not like extreme to say that, but it's very clear and that's what the discussions now are focusing. And it's important to say that because in order to do that, one of the ways is to basically disrupt the spaces, disrupt the space that this happens. And Exarcheia is not metaphorically the location that the social movements and initiatives are and happen,but it is the first time that we see a plan, a strategy that if there is a future here, that through not anymore tactics, but strategies from the government and the local authorities, which also are conservative, in one sense.So, to give you an example, Exarcheia neighborhood is identified by its square. The square. When we talk about Exarcheia, we talk about the Exarcheia Square, specifically, when you want to talk about movements. Not the things were happening on the square, but it's identification of the movements.So, the government with the municipality decide that the new metro station in the Exarcheia neighborhood will happen on this square. So, through this, they block completely, they fence the square, so there's no activity in the square. So, this completely changes the landscape.To put it this way, the imaginary of this landscape for the local residents, but also visitors. So, if you check the images, you will see, which is a reality, is a five meter fence. So it's definitely changes. So, I'm saying that cause somebody from the audience say, but "yes, it's for the metro. It's for the benefit of the people."Of course it's for the benefit. But there were also Plan B and Plan C that was submitted by a group of architects and some of them academics from the university here to suggest that they are better locations in the area for the metro for various reasons. "No, the metro will def will happen in the Exarcheia Square."And there is now a number of initiatives that they were dedicated to solidarity to refugees now are moving towards struggles and resistance against the metro. Mm, wow. And how tourism comes in, because you have the blocking of a central square, for a neighborhood, which is its center and then you see slowly, more and more businesses opening, pushing out or closing down all the more traditional local businesses, for opening businesses more related to tourism, like restaurants that they have a particular clientele, you know, of the food they promote, et cetera, which definitely dedicated to this particular clientele, which is basically foreigners.The second thing that happens and has to do, of course, with gentrification. In the high rank of gentrification, we're experiencing aggressive gentrification, fast and changing the look and the everydayness of the neighborhood, is that since the Syriza, they make things much easier for foreign investors through what is called golden visa.Mm-hmm. The golden visa is that in order for a non-European, non-EU national to be in Europe. And you need a specific visa, otherwise you can be only with the tourist visa for three months. In order to obtain a longer term visa of five years, 10 years, is this we call Golden Visa, where you can invest in the local economy, like in London, I don't know, in Paris. Greece has the cheapest Golden Visa, which is until recently up to 250,000 euros. So imagine it's not a lot of money if you want to invest. So, people will start getting this visa by buying property, and obviously they want to make more money by converting these places into Airbnbs.Mm-hmm. They started with individuals like, let's say me that I decide to buy a property in Paris, but now we have international real estate developers, like from China, Israel, Russia, Turkey to say a few and Germany, where they buy whole buildings, right. And they convert them to Airbnbs, not only for tourists, but also for digital nomads. So, for your audience, for example, yesterday I was at an event and I was speaking to a young artist and the discussion moved, I don't know how to, "where do you live?" I said, "I live Exarcheia." He said, "I live in Exarcheia. I asked, "Where?" And he told me, "I live there. But I have big problems, because although I own the place through inheritance, I would like to move out to sell it, because the whole building, apart from my flat and another one has been bought by an international company and now my neighbors are digital nomads, which means I dunno who these people are, because every couple of weeks it changes. It's fully dirty. Huge problem with noise. Lots of parties. It's extremely difficult."So, imagine that this changed. There are stories of this, a lot. The other thing that has happened in Exarcheia is young people, in particular, are being pushed out because the rents, as you understand, if somebody who wants to rent it for Airbnb then thinks in this mindset and something that was until recently, 300 euros. A one bedroom flat. Now it ends up in 500, 600 euros, where still the minimum sa salary is less than 700 Euros. Wow. So people are being pushed out. I have lots of examples of people, and when I say young, not young in the sense of 20s, but also people in their forties that they are being pushed out. They cannot rent anymore, let alone to buy. To buy, it's almost impossible. Yeah. [00:25:04] Chris: Yeah. Almost everyone I talk to, doesn't matter where they live these days and not just for the podcast, but in my personal life, and of course with the people who I interview on the podcast, they say the same thing. This housing crisis, if you wanna call it that, because I don't know if it's an issue of housing, as such, but an issue of regulation, an issue of the lack of regulation around these things. And it's clear that so much of the issues around tourism have to do with hyper mobility and and housing. Yes. Or at least that's what it's become in part. Mm-hmm. And so I'd like to ask you, Penny, I know you're also part of an organization named AARG! (Action Against Regeneration and Gentrification) in Athens. Mm-hmm. And so participating in the resistance against these consequences.So I'd love it if you could explain a little bit about the organization, its principles and what it does to try to combat gentrification and of course the government and police tactics that you mentioned previously. [00:26:12] Penny: Well, now we are in a turning point because obviously what are we going to do? It's like "day zero."But we started in 2019. It's not an organization. It's an activist initiative. So, we don't have any legal status as an activist group, but came out of a then source of free space called Nosotros, which was located, and I explain why I use the past tense. It was located in the very center of Exarcheia, in Exarcheia Square, basically, in a neoclassic building since 2005, if I'm right. And it was really like taking part in all the different events since then with regards to, you know, things were happening in Athens in particular, and the square movement later on during the austerity crisis years.And it is also part of the anti-authoritarian movement. So, in 2019 a number of comrades from Nosotros and other initiatives in Exarcheia Square came together through recognizing that, definitely, since 2015 started slowly seeing a change in the neighborhood. On the one hand, we were seeing higher numbers of comrades coming from abroad to be with us in different projects with the refugees, but at the same time, as I said earlier, an attraction by tourism. And gentrification was definitely happening in the neighborhood; at that time, in slow pace. So it was easy for us to recognize it and to see it, and also to have discussions and assemblies to think how we can act against it.What kind of actions can we take, first of all, to make neighbors aware of what was happening in the neighborhood, and secondly, to act against Airbnbs, but not only, because the issue was not just the Airbnbs. So in 2019 we started, we had a series of assemblies. We had events. We invited comrades from abroad to, to share with us their own experiences of similar situation, like for instance, in Detroit, that at that time we thought that it was the extreme situation on what happened with the economic crisis in US and the collapse of the car industry, not only with the impact in Detroit and in Berlin, which again, at the time, still in 2019, we felt that Berlin was experiencing gentrification very far beyond what was happening in Athens and specifically in Exarcheia.So, that's in 2019. We had also actions that we start mapping the neighborhood to understand where Airbnbs were kind of mushrooming, where were the issues, but also in cases, because the other thing that was start becoming an issue was the eviction. At that time was still not as, for example, we were reading 2019 and before in Berlin, for example, or in Spain, like in Barcelona or Madrid...but there were cases, so we experienced the case of a elderly neighbor with her son who is a person with disabilities who were basically forced through eviction from the place they were renting, for almost two decades, by the new owners, who were real estate developer agency from abroad, who bought the whole building basically, and to convert it to Airbnb, basically. So we did this. Let's say this started in January 2019, where we just have elections and it's the first time we get this government, not first time, but it's the first time we have conservatives being elected and start saying dramatically and aggressively neighborhood with basically the eviction almost of all the housing spot for refugees in the area, apart from one, which still is here.All the others were basically evicted violently with the refugees, were taken by police vans to refugee camps. Those who had already got the papers were basically evicted and sent as homeless in the streets, not even in camps. So, we basically moved our actions towards this as well.And then Covid. So during Covid we created a new initiative were called Kropotkin-19, which was a mutual aid, offering assistance to people in need through the collection of food and things that they need, urgently, in the area, in the neighborhood, and the nearby neighborhood and refugee comes outside Athens.So, AARG! Has basically shifted their actions towards what was actually the urgency of the moment. So, and what happened in all this is that we lost the building through the exact example of gentrification, touristification. The owners took it because obviously it's next to the square where it's actually the metro and the think, they say future thinking, that they will sell it with very good money, to the millions, basically.So Nosotros and us as AARG! were basically now currently homeless. We don't have a real location because the building was basically taken back by the owners, and we were evicted right from the building. [00:32:14] Chris: Well, this context that you just provided for me, it kind of deeply roots together, these two notions of tourists and refugees of tourism and exile.In southern Europe, it's fairly common to see graffiti that says "migrants welcome, tourism go home." And in this context of that building, in that relative homelessness, it seems that, in a place that would house refugees, in a place that would house locals even, that this gentrification can produce this kind of exile that turns local people as well as, you know, the people who would be given refuge, given sanctuary also into refugees in their own places.And I'm wondering if there's anything else you'd like to unpack around this notion of the border crises in Greece and Southern Europe. I know that it's still very much in the news around this fishing vessel that collapsed with some seven to 800 people on it, off the coast of Greece.And certainly this is nothing new in that region. And I'm just wondering if there's anything more you'd like to unpack or to offer our listeners in regards to what's happening in Greece in regards to the border crises there. Mm. [00:33:36] Penny: Okay. I mean, the border crisis, is Greece and it's Europe. So when you speak about national policies or border policy, you need also to think of what we call fortress Europe, because this is it. So Greece is in the borders and it's actually policing the borders. And, there's lots of reports even recently that quite a lot of illegal pushbacks are happening from Greece back to Turkey or in the case of this current situation with a boat with more than 500 people.I think it's almost like to the 700. That's the case. So this current government it was for four years, we've seen that it has definitely an anti-immigration policy agenda, definitely backed up by European policies as well.But now being reelected is going to be harder and this is a big worry for, because still we have conflicts nearby. We need to consider environmental crisis that it creates in various parts for sure, like refugees, and we have conflicts.We have Ukraine, et cetera. Although also there is discussion of thinking of refugees in two ways: those that they come from, let's say, Ukraine, which they look like us and those who do not look like us. And this obviously brings questions of racism and discrimination as well.So borders and tourism also. It is really interesting because these two are interlinked. We cannot see them, but they're interlinked. And even we can think in the widest, let's say, metaphor of this, that at the same week, let's say 10 days that we had this major loss of lives in the Greek Sea.At the same time we have the submarine with the millionaires or billionaires, which almost is a kind of a more like upmarket tourism because also we need to think what the submarine represents symbolically to the life we are creating, worldwide.And I'm saying worldwide because I was currently, and I think I talked with you, Chris, about it, in Latin America and specifically in Medellin, which is a city known mostly abroad for not good reasons, basically for the drug trafficking. But one of the things, definitely post pandemic that the city's experiencing is massive gentrification and massive touristification due to economic policies that allow specific type of tourism to flourish through digital nomads having real opportunities there for very cheap lifestyles. Very good technology infrastructure, but other issues that bring mass tourism that in this case is also sex tourism and underage sex tourism, which is really, really problematic. But going back to Athens and Exarcheia in particular, the issue, it's very obvious. We are even now discussing that this thing is a bubble and sooner or later we will see that bursting because tourism is a product. Tourist locations are products and they have a lifespan.And it's particularly when there's no sustainable planning strategy. And an example in Greece, which is recently been heard a lot, is Mykonos Island. The Mykonos Island was known as this like hedonistic economy, up market, et cetera.But right now it is the first year that they've seen losses, economic losses, that it doesn't do well on the number of tourists coming. So, there are these things that we will see. Still, Athens is in its peak and they're expecting big numbers still because we are not even in July. I live now what most of us would say, we don't want to be in Exarcheia for going out because it doesn't anymore looks as a space we knew, for various reasons. But still there is movement. As I said the metro now is the center of the resistance. And also the other thing that I forgot to say that it's actually from the municipality coming in is that they are closing down and closed down basically green areas in the area, like Strefi Hill, and the nearby park for supposedly to regenerate it and to ensure that it's up in the level that it needs to be. But at the same time, they are leasing it into corporate private businesses to run. [00:38:43] Chris: Yeah. Yeah. And just for our listeners, whether this is the intention of local governments or not the closure or at least suspension of these places such as parks or local squares is the refusal to allow people to use public lands or to operate on what are traditionally understood as the commons, right? Mm-hmm. And these are traditionally places that people would use to organize. And so whether this is a part of the government's plans or not this is the consequence, right?And this tends to happen more and more and more as tourism and development reaches its apex in a place. Mm-hmm. Mm-hmm. And Penny, I have a question that was actually written in by a friend of mine who lives there in Athens and his name is Alex who I had the pleasure of meeting last year there.And Alex talks about how everyone in Greece seems to be involved in tourism in some manner or another, that it's according to him "the country's biggest industry and how all of us are bound and tied to it," he said. Mm-hmm. And Alex wonders what alternatives and perhaps worthy alternatives do you think there might be to tourist economies?[00:39:59] Penny: Well, I mean, the issue is not, I mean, tourism is a type of model of tourism as well. I mean and it is also kind of percentages. So if we have more tourists than locals, then there is a question here, what exactly is happening when particular neighborhoods are turned to theme parks?Then again, it's an issue of what exactly offered locals, because okay, it could be good for businesses, but as I said, where is the sustainability in these projects and these models? Because if it's five year plan, then after the five year plan, all these people who are involved in tourism, what are they going to do?The other thing is what kinda tourism we're talking about and what kind services, because if we're all tangled or related with a tourist product, but what we do is servicing, meaning that even very few people will make money because most of us, we will be employees. And saying that is also about labor rights.So this is actually not regulated. There is no real regulation to various levels. Housing, for example, that you touched upon, earlier on in the conversation... In Greece doesn't have a dedicated law. So housing comes in various different parts of law, but it doesn't have a dedicated one.That's another reason why things are very unruly, unregulated. And the other thing is that in Greece, one thing that is unique, in comparison to all the countries, is that after the second World War, there was this idea of small ownership; that the dream is to own a small place, and to give it to your kids, et cetera.So it is very, very complex in that sense. And also as a tenant, it's very difficult to basically to have rights as well. Likewise, when we talk about labor, there's lots of things which are not regulated. So people who work in the tourist industry... it's almost like slavery.Quite a lot of people do not want to work right now in the tourism industry because they know that it's really unregulated and where that ends. So go back to what your friend asked, I'm not an economist and it's not an easy, and it's not, I'm not using it as an easy way to escape from giving a reply, but it's not about how to replace tourism, but it's actually what kind of a tourist model we bringing in because it's the same thing that I brought.So in Greece what exactly are we actually looking as a model to bring things that we saw in other places, didn't work?And they've seen the aftermaths of it. So this is something we need to be very, very serious about. Because at the moment, I think it's a five year plan with no future-thinking further because imagine a scenario that if tourism collapse, and we have all these businesses dedicated to tourism in one single neighborhood. We have urban Airbnb everywhere. What all these privately owned premises going to do? What kind of alternative you they're gonna have? [00:43:27] Chris: Yeah. Yeah. You used the word " replace," to replace tourism and I'm a big fan of etymology of the study of the roots of words and in English, the word replace in its deepest meaning could mean "to place, again." Right. And if we understood the word place as a verb, and not just as a noun, not just as a thing, but as something we do, what would it look like to place again, to consider our place not just as a thing, but as a process, as a process through time.And what would that mean to re-place ourselves. To re-place the time we're in. And it brings me to my next question, which is around solidarity and mm-hmm. I'm wondering in this regard, what kind of advice might you have both for tourists, for individuals, and also for people looking to organize their own communities in solidarity with, for example, the movements, the collectives, the residents of places like Exarcheia. What advice would you have for those people who wish to act and live in solidarity with the collectives that are undertaking these battles in places like Exarcheia?[00:44:51] Penny: Okay. If I remember well, the initiative against the Metro has created an open letter which will be for also address to tourists. So to make them aware, you know, you are here, you are welcome, but be aware that this is happening in this neighborhood, that the neighborhood is not just a product for consumption, but they are us, that we live here and we have been hugely affected by policies against us.It's not a blame to the tourists because we've been tourists and we are tourists ourselves. We go somewhere else. It's a matter to how you are respectful and understanding of what happens in local level and that there are people leaving not only the people who make money out of offering you services, but basically every people who have an everydayness in these areas and they need to be respected as well. And even understand where and what may happen to them. I mean, obviously we hear, and there are people who think, okay, we rather prefer to stay in hotels instead of AIrbnbs because this will basically support further this economy, which is platform capitalism because again, at the end, who makes more money, are the people who own those platforms.So it's about to be conscious and to be open and to see around you. And I'm saying that, and I can give you an example because for me, it definitely summarizes what I want to say. Okay, last summer, I was out with friends in Exarcheia, near Exarcheia Square to have a drink with friends who were visiting. No, no one visiting. One is from here. And in another table comes a seller, a migrant from East Asia to sell something and stop in my table. We discuss something with him and behind him, a couple of tourists with a dog passed by. The dog stops, probably afraid of something and kind of barks and bites the seller, the guy who was actually the vendor.So, the vendor gets really panicked and we say what happened to him? The two people with the dog, say, don't actually listen to him. He's lying. He's trying to get money out of us. And this is a story I mean, of understanding, of two people, you know, coming here not understanding at all and having completely this idea, but at the same time trying to consume what Exarcheia is offering. Is a story that to me can say a lot, actually. Mm, [00:47:23] Chris: yeah. Deep imposition. [00:47:25] Penny: Exactly. Exactly. I mean, as tourists, we need to be more conscious of the places we go. We need to understand and to listen and to hear.It is difficult to do otherwise because I mean, when you go back to solidarity, I mean, this is another thing because we don't expect people who come for couple of days to go to different, let's say, collectives, initiatives and take part.But at the same time, people who come and they want to spend time, in the sense of being part, again, one thing you do is not only you consume experiences, you take the experience and you look something abroad. You share the experience and we need that as well. Hmm. [00:48:16] Chris: Wow. And what would you say to people, for example, in places like Oaxaca, where there's been a tourist economy for the last 10, 20 years, steadily growing, and then after the lockdowns has become a destination like cities in Southern Europe, for digital nomads, for quote unquote expatriates, where now the consequences of the tourist economy are reaching a boiling point a kind of crisis moment, and where people are experiencing a great deal of resentment and backlash against the tourist, but who want to find some kind of way of organizing together in order to lessen or undermine or subvert the tourist economies.What advice would you have for those people maybe looking to places like Exarcheia, places like Southern Europe, where people have begun to organize for many years? What advice would you have for those people, for those collectives? [00:49:21] Penny: Well, the prosperity out of what you can get from this type of economy, it's going to be short term. So those who will make money or those who anyway will make money for those who have small businesses, it's going to be for few years. And particularly with digital nomads, is exactly what the word the term means: nomads. So this year or this couple of years, they will be in Oaxaca, they will be in Medellin.Previously they were in Lisbon. They were in Berlin. There is a product that is movable because their business, the work they do is movable. So for them, is what you offer like a package. And if it is cheap package, they will go there. If it has good weather, they will go there. And easier legislation.So it's a matter of recognizing because at the same time you cannot start pushing and throwing and beating up tourists. You're not gonna change anything. It's basically awareness.I'm not fond local authorities, but I've seen that in cases like Barcelona, the local authorities were more conscious and more aware, and obviously more on the left side. They were trying as well to create policies that has some limitation that at least this thing, it doesn't become beyond what you're able to sustain, basically, to create an equilibrium.But still, even in Barcelona, there are situations as in the neighborhood, which has became totally gentrified and people were pushed out. So they need some kind of legislation to limit the numbers of visitors for Airbnbs or things like that. But in the level of action, it's actually awareness and resistance and to continue.It's not easy because the political situation doesn't help. It has created a fruitful land for this to become even more and more and more. But the idea is not to give up and stop. I know that it's very like maybe generic and very abstract what I'm offering a solutions, because obviously here we're also trying to see what solutions we can have. Maybe you create a critical mass in an international level. Also, you make aware outside of what happens. So, so the tourists before even coming, they're aware of what's exactly happening and also with regards to solidarity between similar causes. Hmm. [00:52:00] Chris: Hmm. Thank you Penny. So we've spoken quite a bit about what's come to pass in Athens, in Greece, in Exarcheia in regards to tourism, gentrification, and the border crisis there in fortress Europe. And my final question for you is do you think there's anything about these movements of people and the way that we've come to understand them about the flight and plight of other people's, not just refugees, but also tourists as well, that can teach us about what it means to be at home in our places?[00:52:40] Penny: Oh, that's a big discussion. Cause it depends. I mean, when you talk about mobile population, like those, for instance, digital nomads, then we talk about something else, which is basically a more cosmopolitan understanding of the world, but also that the world is a product for consumption. So, it is two different layers of understanding also home.And basically when you see advertisements of houses specifically short-lets dedicated to let's say, digital nomads, the advertisements will say something like "home," that what we offer you like home. But when you go to those places and you stay in, what they mean like home, is that you have all the amenities to make your life easy as a digital normal.That you have a fast internet to make your work easy, et cetera, et cetera. So it is a very complex thing and definitely the way we live in, it's between the nomadic that has nothing to do with how we understood the nomadic in previous centuries or histories and to their, place as home, like you have a stable place.So, there are many questions and many questions about borders, that borders are easy to pass if you have the right profile, but then it is a block, and it's actually a "no" for those who leave home because they're forced to. So, it's a very unequal way of thinking of borders, home and place, worldwide.It's not just about Greece or Athens or Exarcheia, but maybe Exarcheia is a good example of giving us both sides who are welcome and who are not welcome. So yes, we say "welcome to refugees" and we see this kind of tagging and stencils and graffiti around because yes, this is what we want. We want them here to welcome them, but at the same time, we say " no to tourism," not because we have individual issues with specific people, but because of what has been the impact of this mobility into local lives.[00:54:59] Chris: Yeah. Yeah. Well, may we come to understand these complexities on a deeper level and in a way that that honors a way of being at home in which, in which all people can be rooted.Mm-hmm. So, I'd like to thank you, Penny, for joining me today, for your time, for your consideration, for your willingness to be able to speak in a language that is not your mother tongue is deeply, deeply appreciated. And finally, how might our listeners be able to read more about your work, about the social movements and collectives in Greece?How might they be able to get in touch? [00:55:41] Penny: Okay. We have on Facebook, on social media, we have AARG!. So if they, look at AARG! Action Against Regeneration & G entrification, but it's AARG! on Facebook and also Kropotkin-19, they will find their information. Now about my work specifically, they will look at my profile like Penny Travlou at the University of Edinburgh. So they will see what I do in Athens and in Latin America. So there is material, some things are in the form of academic text and other things are in videos, et cetera, which are more accessible to a wider audience.[00:56:22] Chris: Well, I'll make sure all those links and social media websites are available to our listeners when the episode launches. And once again, on behalf of our listeners, thank you so much for joining us today. [00:56:34] Penny: Thank you. Thank you very much. Have a good morning. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

Harvey Brownstone conducts an in-depth interview with Randal Kleiser, Internationally Renowned Director  About Harvey's guest: Today's special guest, Randal Kleiser, is an internationally renowned and highly acclaimed director who became a global sensation with the release of his very first feature film, “Grease”, which still remains one of the highest grossing and most beloved movie musicals of all time.    He also directed “The Boy in the Plastic Bubble”, “The Blue Lagoon”, “Summer Lovers”, “Honey I Blew up the Kid”, “Getting It Right”, “White Fang”, “Shadow of Doubt”, and one of my all-time favourite movies, “It's My Party”, and the critically acclaimed play, “The Penis Chronicles”.     For almost 40 years, our guest has been at the forefront of experimenting with technology, digital cinematography and virtual reality, which can be seen not only in some of his feature films, like “Flight of the Navigator” and “Red Riding Hood”, but also at the Disney theme parks, where, for 10 years, his amazing 3-D movie entitled, “Honey, I Shrunk the Audience”, was one of the most popular attractions.  He also wrote and directed the Virtual Reality series “Defrost” which was featured at Sundance AND the Cannes Film Festival.  And for many years he's been a member of the Science and Technology Committee of the Academy of Motion Picture Arts and Sciences.   Our guest is also a much sought-after educator, and he regularly teaches and lectures at film schools and film festivals.  He created an online and DVD course of his former teacher Nina Foch's class, entitled, “The Nina Foch Course for Filmmakers and Actors”.  He received an honourary doctorate from the Academy of Art University in San Francisco.   And if all of that weren't enough, our guest is also an author.   In 2019, he released his first book entitled, "Grease: The Director's Notebook", which is a retrospective look at the making of this classic film.  And now, he's released his fascinating new book, entitled “Drawing Directors”, in which he reveals his unique talent for sketching, using a technique called “blind contour drawing”.  The book contains candidly drawn sketches, personal anecdotes and comments about the work of some of his favourite directors, including Billy Wilder, Robert Wise, George Lucas, Steven Spielberg, Martin Scorcese, Spike Lee, Quentin Tarantino, Clint Eastwood, and many more, including my dear friend Henry Jaglom, who recently appeared on our show. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Randal Kleiser, go to:https://www.randalkleiser.com/https://www.facebook.com/randalkleiserofficialhttp://www.imdb.com/name/nm0459170/ #RandalKleiser  #harveybrownstoneinterviews

In this episode, Jamie and Jerri sit down with visionary leader Elisa Stephens, President of the prestigious Academy of Art University to discuss the intersection of creativity and artificial intelligence. Tune in to join Elisa as she takes listeners on a journey to the heart of the Academy of Art University's approach to education, revolutionizing the way students experience art, design, and technology. Together, we'll explore how Elisa has embraced AI as an interdisciplinary tool to foster creativity across all departments—mirroring the unique, cross-disciplinary nature of the modern creative industry. --- ABOUT OUR GUEST Dr. Elisa Stephens currently serves as the President of the Academy of Art University where she's worked since 1992. Dr. Stephens has been committed to expanding the Academy's curriculum to stay current with new technologies and industry trends, as well as developing state-of-the-art facilities and resources. Explore the Academy of Art University: ⁠https://www.academyart.edu/⁠ See AI in action: ⁠https://bit.ly/4812Rjt⁠ --- SUBSCRIBE TO THE SERIES: YouTube | Spotify | Apple Podcasts | Google Podcasts | Overcast | RadioPublic FOLLOW US: Website | Facebook | Twitter | LinkedIn POWERED BY CLASSLINK: ClassLink provides one-click single sign-on into web and Windows applications, and instant access to files at school and in the cloud. Accessible from any computer, tablet, or smartphone, ClassLink is ideal for 1to1 and Bring Your Own Device (BYOD) initiatives. Learn more at classlink.com.

INSTAGRAM:  https://www.instagram.com/oliversin/   Oliver Sin graduated from Academy of Art University in Illustration dept in 1996 and he has been teaching at Academy of Art University since year 2001. Sin was born in Hong Kong and has been living in San Francisco since 1990, he began working as a computer games concept artist upon graduating and has more than four years of experience at world-renowned computer games companies, such as Lucas Arts and 3DO. Sin has valuable knowledge and experience in many aspects as 2D animator, concept designer, background and layout artist and he has an excellent breadth of drawing and traditional animation skills and conception art skills. Sin is deeply inspired by fine artists Nicolai Fechin, John Sargent and Jose Roko, among others. Sin employs the influences of renowned artists and mentors Zhao Ming Wu and Henry Yan. The results are works of precise composition and evocative color harmonies in figurative portraits. For more information, please visit : OliverSin (@oliversin) • Instagram photos and videos         _________________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     HEIN ATELIER  https://heinatelier.com/   _________________________________________________________________________   PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrapedartist  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/ 

INSTAGRAM:  https://www.instagram.com/oliversin/   Oliver Sin graduated from Academy of Art University in Illustration dept in 1996 and he has been teaching at Academy of Art University since year 2001. Sin was born in Hong Kong and has been living in San Francisco since 1990, he began working as a computer games concept artist upon graduating and has more than four years of experience at world-renowned computer games companies, such as Lucas Arts and 3DO. Sin has valuable knowledge and experience in many aspects as 2D animator, concept designer, background and layout artist and he has an excellent breadth of drawing and traditional animation skills and conception art skills. Sin is deeply inspired by fine artists Nicolai Fechin, John Sargent and Jose Roko, among others. Sin employs the influences of renowned artists and mentors Zhao Ming Wu and Henry Yan. The results are works of precise composition and evocative color harmonies in figurative portraits. For more information, please visit : OliverSin (@oliversin) • Instagram photos and videos         _________________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     HEIN ATELIER  https://heinatelier.com/   _________________________________________________________________________   PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrapedartist  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/ 

Sewn Adaptive is a unique tailor shop specializing in adaptive alterations for people with disabilities. Founded in Pasadena, California in 2022 by Lynn Brannelly and Alexander Andronescu, Sewn Adaptive has quickly grown to be the first fully accessible tailoring and alteration service. Here, we believe everyone should feel confident and independent in their clothes.IG: @SewnadaptiveWebsite: https://sewnadaptive.com/I'm Lynn and I have been a professional Union costume designer and wardrobe stylist for film and television Local 892, since 1996. One of my costume designs for Intel is a permanent archive, in the Smithsonian institution museum of natural history. I live in Los Angeles, California. I am the Co-founder of Sewn Adaptive a custom tailoring and alterations shop in Pasadena, CA. We specialize in adaptive alterations for people with disabilities.I have been sewing since I was seven years old, self-taught until I went back to college the Academy of Art University in San Francisco for fashion design and interior design at 35 years old ,after being diagnosed severely dyslexic,.This is lengthy, but I'm 56 years old so I've done some living. In Spring of 2024 my first design as a Know Me licensee will be launched. One of the first licenses to be over 50.I am the mother of three grown children who live in Utah and have four granddaughters, and a grandson on the way.  My husband, David, and I have been together for almost 10 years and he's simply the best. IG: @Lws_lynnwardrobesews Portfolio & Film reel website: https://www.lynnbrannelly.comIG:lws_trims: https://lwstrims.comI am Alex, a Los Angeles based fashion designer with a background in tailoring and garment manufacturing. I studied fashion design at the Fashion Institute of Technology in New York and tailoring in Italy. I took the expertise I gained in both these places back to Los Angeles where I opened a small but very productive garment factory. I continued to create custom suits while expanding my experience in manufacturing as I took opportunities to manage factories in El Paso and Las Vegas. In 2022, I came together with Lynn Brannelly to create costumes for Cirque Du Soleil and later joined forces to tailor for Runway of Dreams, a runway show for people with disabilities to showcase adaptive fashion. We loved the idea of adaptive fashion and decided to fill a need opening the first Adaptive tailoring and alteration shop ever in Pasadena, California. We make custom clothing, adaptive accessories and alter clothes to specific disabilities every day and can't wait to see what the future brings to Sewn Adaptive!Instagram: @alexander_the_tailorWebsite: alexandertailored.comCheck out our NEW website and signup for our newsletter to be the first to know who we are interviewing next, submit questions for the podcast, and so much more!https://thesewcialhourpodcast.com/Join us next Tuesday as the hosts chat about our first year of The Sewcial Hour Podcast and take a moment to review all the amazing moments we've shared!Follow The Hosts:Ashley: https://linktr.ee/charmedbyashleyBethany: https://linktr.ee/CraftwithbethanySupport the show -  https://www.patreon.com/thesewcialhourpodcast Support the show

News for tonight President Joe Biden Blows Up While Boasting About the Inflation Reduction Act During Speech: Watch Only one thing will bring Putin to ceasefire: Crimea Neptune's Clouds Just Disappeared — and Astronomers Think They Know Why Biden Appears Confused, Again Refuses Comment On Hawaii in Pennsylvania (Video) Ukraine reports destruction of five Russian warships Guest BRIAN C. HAILES Artist, Illustrators of the Future Winner & Judge – Biography Brian C Hailes, creator of Draw It With Me, is also the award-winning writer/illustrator of the illustrated novels, Blink, Defender of Llyans and Avila, two graphic novels, Dragon's Gait and Devil's Triangle, and the children's picture books Skeleton Play and Don't Go Near the Crocodile Ponds et al. Other titles he has illustrated include Heroic: Tales of the Extraordinary, Passion & Spirit: The Dance Quote Book, Continuum (Arcana Studios), as well as McKenna, McKenna, Ready to Fly, and Grace & Sylvie: A Recipe for Family (American Girl). In addition to his many publishing credits, Hailes has also illustrated an extensive collection of fantasy, science fiction, and children's book covers as well as interior magazine illustrations. Hailes has received numerous awards for his art from across the country, including Winner of the L. Ron Hubbard Illustrators of the Future contest out of Hollywood. His artwork has also been featured in the 2017-2021 editions of Infected By Art. Hailes studied illustration and graphic design at Utah State University where he received his Bachelor of Fine Arts degree, as well as the Academy of Art University in San Francisco. He has been a regular panelist and presenter at Salt lake Comic Con, FanX, LTUE, and was the Artist Guest of Honor at Conduit 2013. He has also appeared as a special guest at San Diego Comic Con. Hailes currently lives in Salt Lake City with his wife and four boys, where he continues to write, paint and draw regularly. “Being invited as an L. Ron Hubbard Illustrators of the Future judge is an exciting honor. Having won the competition back in 2002 and occasionally working with the teams at Galaxy Press and Author Services, Inc., ever since, I've grown an appreciation for their commitment, work ethic, and marketing prowess, and I look forward to continuing that relationship. I hope to pay forward some of the benefits of my experience as a working artist in the field and genres that I've come to adore, namely illustration, fantasy, and science fiction. To forge an art-related career path in publishing, editorial, or entertainment nowadays requires a certain amount of grit, knowledge, discipline, and love for the craft, and the up-and-comers ought to know it.” —Brian C. Hailes Find out more at: www.HailesArt.com

Adeline Gheorghita Callanan is an Executive Creative Recruiter with boutique executive search firm Landline. With a specialty in product + brand, she recruits for brands in the fashion, retail, lifestyle and consumer goods space and has worked for Banana Republic, Athleta, Old Navy, SKIMS, Native Shoes, Wilson Sporting Goods & BRADY Brand. During her time at Gap Inc. she ran their internship & entry level design pipeline programs, partnering closely with top Fashion & Design schools across the UK & US, as well as served as a panelist for Fashion Senior Thesis Reviews for the Academy of Art University & California College of the Arts. Most recently she became a Career Mentor and Coach with Career Contessa where she works one-on-one with individuals as they navigate the various stages of their career. In this episode, she connects with Katelyn Nugent on how she found her way into the world of recruiting and how listening to your inner voice and taking risks have been key ingredients to her career.

It's YOUR time to #EdUp In this episode, President Series #229 YOUR guest is Dr. Elisa Stephens, President of Academy of Art University in San Francisco YOUR guest cohost is Dr. Art Keiser, Chancellor of Keiser University YOUR host is Dr. Bill Pepicello, Former University of Phoenix President & host of EdUp Insights, & YOUR sponsor is Commencement: The Beginning of a New Era In Higher Education!⁠ What's it like to run an institution of higher education that is family owned?  How is art, athletics, STEM, & politics intertwined at the Academy of Art? What does Elisa see as the future of Higher Education? Listen in to #EdUp! Thank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp! Connect with YOUR EdUp Team - Elvin Freytes & Dr. Joe Sallustio ● Join YOUR EdUp community at The EdUp Experience! We make education YOUR business! --- Send in a voice message: https://podcasters.spotify.com/pod/show/edup/message

This week Slappin' Glass sits down for a second time with Scott Waterman, Head Coach of NCAA Division II Academy of Art University! The trio dive into Coach Waterman unique approach to advantage disadvantage drills, "rotation" steals on defense, and discuss managing potential "red flags" and keeping things simple during the always insightful "Start, Sub, or Sit?!"To join coaches and staff from the NBA to High School from over 40 different countries taking advantage of an SG Plus membership, visit HERE!

Jason Sperling is an executive creative marketing lead with a proven ability to lead multiple teams and agencies, and create smart, strategic, breakthrough work. Continually earning the trust and appreciation from global brands, which have included Facebook, Honda, Apple, TikTok, Amazon, Disney Pixar, FOX, UNICEF and the LGBT Center Los Angeles. Accolades include: Grand Effie for ad effectiveness, Cannes Gold Lions in Film, Social Good, Design, Cyber and Health categories, multiple One Show Gold Pencils, and an Emmy nom. Apple ‘Mac vs PC' campaign declared “Best of the Century” by AdWeek. 2020 Tedx Speaker @ Carnegie Mellon University. Top 30 US Creative Directors, Adweek Top 40 over 40 Digital Creatives, Campaign US Author of Creative Directions: Mastering the Move from Talent to Leader (publisher: Harper Collins Leadership). Author of Look At Me When I'm Talking to You: Building Brand Attraction in an Age of Brand Aversion (on Instagram at @lookatmebook). Board member at UCLA School of Sociology and Depressed Cake Shop. Distinguished Alumni Award winner, Academy of Art University. Guest: Jason Sperling Title: Global Executive Creative Director Company: Facebook Reality Labs Website: https://about.facebook.com/

Finding Original Voices Peter Heller, Heller Highwater   – The Sharkpreneur Podcast with Seth Greene Episode 887 Peter Heller Through his company, Heller Highwater, Peter Heller manages writers and directors and produces projects for film and television. Current clients include, Jim LeBrecht (CRIP CAMP), Randall Jahnson (Oliver Stone's THE DOORS), Danny Rubin (GROUNDHOG DAY), Carroll Cartwright (MRS. HARRIS GOES TO PARIS), and Jon Crawford (THE INVISIBLE PILOT.)    Projects in development as a producer include THE HOT FLASH by Beth Dement with Amy Baer's Landline/MRC and LIVE FROM THE VATICAN with producer Matt Jackson at Paramount.    Peter produced DREAMLAND, which premiered at Sundance and was distributed by Sony. The film stars John Corbett, Kelli Garner, Justin Long and Agnes Bruckner. He also produced LIKE MIKE, starring Little Bow Wow, Morris Chestnut and a number of NBA superstars; BROWN SUGAR, starring Taye Diggs, Sanaa Lathan and Queen Latifah; BONES, starring Snoop Dogg and Pam Grier; as well as FULL RIDE, CAUGHT UP, BARB WIRE and HOTEL DE LOVE.   Before creating Heller Highwater, Peter was the Assistant Dean of Development and Industry Relations at the UCLA School of Theater, Film, and Television, had a similar position at LMU's film school, ran the film division at Propaganda; was the Executive Vice President of Production for Spring Creek; the President of John Hughes' production company, Hughes Entertainment and was the Executive Assistant to the Chairman of Universal Pictures, Tom Pollock. More recently, he has also been a visiting professor of screenwriting and producing at Academy of Art University in San Francisco and at University of North Carolina School of the Arts in Winston-Salem.    After receiving his BA in English from Wesleyan University, Peter worked in the theater in New York City first in production and then as a creative executive for Warner Theater Productions. He then attended Columbia University for his MBA before moving to Los Angeles.    Peter is a member of the Producers Branch of the Academy of Motion Picture Arts and Sciences.   Listen to this informative Sharkpreneur episode with Peter Heller about finding original voices. Here are some of the beneficial topics covered on this week's show: - How many layers are involved while writing and producing a movie. - Why writing and making movies is all about who your connections are in the industry. - How streaming services have made it difficult for original pilots to work at all. - Why the big pay days come from your producing fees, not your commissions. - How writers must know a little bit about the marketplace to develop and sell a script.   Learn more about your ad choices. Visit megaphone.fm/adchoices

On this special episode of Studio Noize brought to you by Print Austin, we go complete print nerd on you! Myles Calvert is a multi-faceted printmaker working as an assistant professor at Winthrop University and making fantastic prints. Myles is one of the artists included in the 2023 Print Austin 5x5. He talks about his love of objects and how that drives his experimentation in multiple print mediums. We talk about his travels from Toronto to South Carolina, finding the hidden histories of patterns, digital art vs printmaking and how he's working to push himself to do more with printmaking. Listen, subscribe, and share!Episode topics include:a love for objectsusing multiple print mediumsusing the multiple handling paperdigital art vs printmakingSurface Appeal exhibitionworking at the McColl Center in Charlotte, NCtechnology adding to printmakingtraveling across the SouthMyles Calvert was born in Collingwood, Ontario. He attended the University of Guelph with a focus in printmaking, before travelling to London, UK where he completed his MA in Printmaking, at Camberwell College of Art (University for the Arts, London). Major bodies of work included installations of screen printed toast and the idolization of popular British celebrity culture. During this time, he worked for the National Portrait Gallery before moving to Hastings in East Sussex, to teach printmaking at Sussex Coast College and become Duty Manager of the newly built Jerwood Gallery (Hastings Contemporary). Myles' toast-based work continued with a 43000 slice installation during the Queen's ‘Diamond Jubilee' with college students, drawing BBC media attention, and culminated in two solo exhibitions before making a return to the University of Guelph to teach. 2019 residencies included Art Print Residence (Barcelona, Spain) and Proyecto'ace (Buenos Aires, Argentina), as well as a lecture/workshop at PUCP (Pontificia Universidad Catòlica del Perú) in Lima. Myles is currently an Assistant Professor in Fine Arts at Winthrop University, South Carolina.See More: www.squirrelpigeonfish.com + Myles Calvert IG @squirrelpigeonfish Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

In this episode of The Thoughtful Entrepreneur, your host Josh Elledge speaks with the CEO and Founder of Great Mondays, Author of Great Mondays: How to Design a Company Culture Employees Love, Josh Levine.Josh shares his passion for helping leaders create the kind of company culture they want for their employees. He says defining corporate culture and creatively designing it, as they see fit, is something leaders can do proactively. He guides them through his 6 components of corporate culture that will enable employees to work better. He says the secret to making employees more invested and engaged is to make them feel loved and understood. He advises companies to create a culture where employees can feel their impact, understand that they are part of something important, and work with a team they can trust.Josh also addresses the issue of deteriorating employee relationships, especially when the pandemic hits, and offers practical ways to rebuild and strengthen them again for future investment and productivity. He says relationships are the synapses of culture - if you want people to connect around a shared set of values, beliefs, and commitments, you have to make sure those synapses continue to be built and strengthened.Key Points from the Episode:How Important is Corporate Culture today? Practical Tips to Improving Employee Engagement6 Components of Corporate CultureThe Biggest Challenge Most Leaders Face Right NowEngagement, Recruiting & Retaining TalentsAbout Josh Levine: Josh is a best-selling educator, designer, and author. He's on a mission to help organizations design a cultural advantage. His new book Great Mondays: How to Design a Company Culture Employees Love, provides the framework and tools business leaders need to understand, design and manage their own culture.For over 15 years, Josh has helped build culture-driven brands, and as Director of Great Monday, he continues his work with technology and social enterprises. He is best known for co-founding the nonprofit Culture LabX in 2013 and, as executive director, overseeing its growth into an international community. Each year, tens of thousands of culture professionals attend Culture LabX events and engage in in-depth conversations about promoting and defending culture as a strategic advantage for business.Josh is sought after for his entertaining, inspirational and educational speeches that not only reveal new ideas, but inspire new action. He spoke to SXSW, Disrupt HR, and Wellness Council of America. And because he just can't get enough, you will also find him sharing his ideas as an instructor in the groundbreaking MBA program in Design at the California College of the Arts and in articles across the web. His highly entertaining and accessible writing has been featured in Huffington Post, Fast Company, and the Design Management Journal. Josh holds a BS in Engineering Psychology from Tufts University, and BFA in design from the Academy of Art University.About the book Great Mondays: How to Design a Company Culture Employees Love The book is about creating a vibrant work culture that inspires employees and promotes organizational growth. Evidence shows that culture drives budget performance. It's no secret that a toxic work culture can scare away employees and drive down profits. Creating a dynamic work culture that promotes both employee and business growth is essential to an organization's success. However, culture is a moving and difficult target.In Great

Hey guys! Peter Shankman the host of Faster Than Normal here. I wanna invite you to something! I am hosting a Mastermind with 12 amazing speakers who are gonna be talking about everything from ADHD to mental health, from entrepreneurship, to just living your life better. It's gonna be on November 10th, It's gonna be virtual from anywhere in the world. Incredible, incredible speakers. The leading fitness trainer in Canada for all things. Me! A whole bunch of speakers- Scott Carney, who wrote the book which is to all about how he goes and takes ice showers every day. It's gonna be 12 amazing speakers, the CBS Early Shows' Jennifer Hartstein, really, really great people. And I'd like you to join us. Check out the link below in the show notes at ShankMinds 2022 and we will see you there. And a matter of fact, look for the discount code in the show notes as well, that'll take a hundred bucks off the cost. We'll see you soon! https://shankman.lpages.co/shankminds-virtual-2022/  DISCOUNT CODE:  SMFriends22 — Marc believes that finding your Vision and Purpose are the key to finding success, happiness, and fulfillment. Harvard-educated, he left a lucrative tech career for art school, founded the long-running online gallery Every Day Original, and has been mentoring and coaching creatives for over a decade. He now Coaches a wide variety of clients and helps them access their own creativity to fuel their next steps. He is now getting his Coaching certification and working one-on-one, in groups, and in his free online workshops to help people create a bigger vision for their life and career through Purpose-driven breakthroughs. He shares many of the how's and why's with us here today, enjoy!  ——  In this episode Peter and Marc discuss:   01:20 - Thank you so much for listening and for subscribing! 01:39 - Intro and welcome Marc Scheff! 02:40 - Why did you give up a lucrative career in Technology to pursue a career in Art? 03:51 - So where did you study; how did it go? 05:10 - Why do you want to help people and how did you land on “vision and purpose”? 08:06 - Is it really as easy as “find what you love doing and the money will come eventually?” 09:37 - Freedom in work, can feel completely overwhelming 10:20 - How can people find more about you? Web: www.MarcScheffCoaching.com (or via www.CreativeAccelerationCoaching.com) and https://www.marcscheff.com Socials:  @MarcScheff on Twitter INSTA and LinkedIN  12:02 - Guys, as always thanks so much for subscribing! Faster Than Normal is for YOU! We want to know what you'd like to hear! Do you have a cool friend with a great story? We'd love to learn about, and from them. I'm www.petershankman.com and you can reach out anytime via email at peter@shankman.com or @petershankman on all of the socials. You can also find us at @FasterNormal on all of the socials. It really helps when you drop us a review on iTunes and of course, subscribe to the podcast if you haven't already! As you know, the more reviews we get, the more people we can reach. Help us to show the world that ADHD is a gift, not a curse!  12:16 - Faster Than Normal Podcast info & credits — TRANSCRIPT via Descript and then corrected.. somewhat:  Hey guys. Peter Shankman the host of Faster Than Normal here. I wanna invite you to something! I am hosting a Mastermind with 12 amazing speakers who are gonna be talking about everything from ADHD to mental health, from entrepreneurship, to just living your life better. It's gonna be on November 10th, It's gonna be virtual from anywhere in the world. Incredible, incredible speakers. The leading fitness trainer in Canada for all things. Me! A whole bunch of speakers- Scott Carney, who wrote the book which is to all about how he goes and takes ice showers every day. It's gonna be 12 amazing speakers, the CBS Early Shows' Jennifer Hartstein, really, really great people. And I'd like you to join us. Check out the link below in the show notes at ShankMinds 2022 and we will see you there. And a matter of fact, look for the discount code in the show notes as well, that'll take a hundred bucks off the cost. We'll see you soon! https://shankman.lpages.co/shankminds-virtual-2022/ — [00:01:26] Peter: Hey everyone. My name is Peter Shankman. This is Faster Than Normal. You knew that though, cuz you're probably subscribed to this podcast and it doesn't really make sense for me to keep saying that, but I do it on every episode cuz maybe there'll be someone new today. Anyway, good to have you back for another week. Uh, we are going to start today's podcast with an interesting guest who believes that vision, finding your vision and finding your purpose are the key to finding success, happiness, and fulfillment. I wouldn't argue with that per se. He was Harvard educated and he left a lucrative tech for art school, unlike other famous people who have gone to art school, though he did not commit to, uh, doing bad things, he found the long running online gallery every day, original, and has been mentoring and coaching creatives for over a decade. I love that he focuses on creatives. He uses creativity to fuel their next steps. He's now getting his coaching certificate and working one-on-one groups and his free online workshops to help people create bigger vision for their lives and career through purpose driven bake, uh, purpose driven ba. Well, my God, what is going on?  [00:02:24] Marc: You're going faster than normal Peter!  [00:02:26] Peter: breakthroughs!! Geezus! Okay, that being said, say hi to Mark Scheff! Hi, Marc. Welcome!  [00:02:31] Marc: Thanks, Peter. Great to be here.  [00:02:33] Peter: Never interview someone. Friday at 5:00 PM this is what happened ! Nice to talk to you, so. What made you leave for, for Art school of all things. You just had this, this love and this passion for art, and you're like, Screw it. I'm leaving Tech.  [00:02:49] Marc: Well, I mean, I always loved art. Like, like probably every artist says, but, you know, um, you know, I had a, I I grew up in a sort of, I don't know what you wanna call, is sort of traditional, uh, productive, focused household and, uh, certainly not one that understood to things like ADHD and a, um, you know, so when I went to Harvard, you have to pick your major in your first year. And I thought, well, I'll pick something that'll make me money. Cuz you certainly can't have a career as an artist. That's crazy, right? Um, so I, I studied computer science and I went and I got a job and I, and I said, Okay, I'm gonna take the art classes that I said I was gonna take and I realized, Oh, I, I really like this. This is really great. Um, so I started taking more art classes and more art classes. And my manager at one point, this woman Amy, who I, I sent a thank you note recently, um, took me aside one day and kind of offered me a chance to be, it's funny, offered me a chance to be a part of some secret upcoming layoffs. And I took it and I took a little severance and I put a down payment on my art, uh, my Art degree.  [00:03:44] Peter: Wow. Wow. That's a, it's, it's always fascinating how those things happen because that's exactly how it always happens, right? It's always something out of the blue and random. Yeah. So where did you study? Where'd you study art? [00:03:54] Marc: I studied art at the Academy of Art University in San Francisco. That's where I was listening and working in tech. Yep. Um, I had a, I studied illustration there. Um, I got my degree in the early 2000. Um, and you know, from there, and, and, and this is probably not unusual for your guests, I went on to do all kinds of things. I was a staff artist, I was a creative director, uh, you know, almost a founder of a startup. I, you know, I ran teams. I, I was on teams. I did a little bit of everything before moving to New York where I did a lot more, where I sort of discovered freelance and started doing more freelance stuff. And that's when I started really getting into kind of coaching and mentoring Artists. Cuz I was learning so much and I think, I think I read your book, um, which by the way, everyone should absolutely go read this book. It's, it, it, and you didn't pay me to say that. It's, it really was wonderful . I, uh, I got it and I, I actually listened to it and then I bought a copy and gave it to my wife and said, You have to read chapter six if you read nothing else. Um, you know, and, and so I, you know, when I go and I learn things, I, I get very excited about what I've learned and I wanna kind of pass it on. And that's essentially how I got into all this.  [00:05:00] Peter: Very cool. Tell us about, So a lot of our guests come to me, you know, they say, I can't find my passion. I have no idea what my vision is. I have no idea what my purpose is. What am I supposed to be doing? You know, they're, they're 30, they're 40, and they're like, you know, I've just been cruising along and I don't know if it's the right thing. So you seem to have it down where, you know, if, if you say believe, finding your vision and purpose like you to find success, you must have a way to help people do that. [00:05:19] Marc: I have a few ways, uh, . That's true.  [00:05:22] Peter: Well, let's chat about that. Why, why, why vision and success versus anything else?  [00:05:26] Marc: Um, well, vision and purpose. I, you know, vision and purpose, right? . I've been working, I've been working with this concept of purpose from way back in San Francisco when I started going to a, a weekly men's circle. And the purpose of the men's circle was to support men in living their purpose. Now, this wasn't some sort. You know, secret cabal. This was, this was really us all pushing each other to sort of bring our gifts to the world. And the way that we did that was we, we really worked hard to discover purpose, which we often boiled down to one or two words. What I've found, and in fact, I met with a client today who said, you know, who told me the, the work that we did, the work that we did, on discovering vision and purpose made all those other decisions that she was struggling with easier. Um, and as someone, you know, has someone who also manages, you know, ADHD or works with ADHD, you know, we have all these ideas. We have. We are like you say, faster than normal. Um, and sometimes it's like, it's like too much and it can feel overwhelming. So what vision and purpose does is it gets you down to really like the core of what you're doing on this earth in this lifetime. And when you're looking at, you know, literally what you should have for dinner, it can make that decision easier. Cuz you say, well, I'm the person. So, for example, my purpose currently is to unleash creativity. It's what I do in my coaching, whether they're an artist or a non-artist. I, I work with people to get creative around their, the solutions to, to their life. And so, uh, the, the way that. The way that I, the way that I work with people on that is I use various tools. I use various tools that, that probably a lot of different coaches know, but I focus in on that level of thinking because then when you come to these other decisions, you say, Well, what if my vision is this and my purpose is this? Am I really like a pizza guy or, or a fried chicken guy? I mean, it's not always that easy, but, but it can be [00:07:11] Peter: Very, very cool. You know, it's interesting, the, the concept of purpose is something I don't think people are taught right there. There's, there's, and I, I've talked to teachers about this because, you know, there's this premise of you go to school and you learn what you're supposed to learn, which is never the right thing. You don't learn how to bounce a checkbook or, you know, how to do taxes, you know, But, but, and they always, they always, there's that one joke where the, the guidance counselor says to you, you know, figure out you'd wanna do for free. And that's what you should do for a. Like what you'd love to do. That's what you should do for, you know, what you, what you wanna do, what you love. And it never seems to work out. I,  [00:07:41] Marc: I was, I have some, I have some issues with that.  [00:07:43] Peter: can't tell you how many things I was supposed to be doing. Uh, you know, but I think that, that, that for kids coming outta school, they don't necessarily know. They've seen, especially kids today, they've, they've, they've watched, you know, uh, kids that of nowhere make millions on TikTok and, and, and create, you know, and they're confused. Cause they know, in reality it's, it's very, very difficult to do that, but, Right. You know, they also haven't been told anything else. Right. Right. And they don't know what their purpose is. And I don't necessarily know, you're supposed to know what your purpose is in your twenties, but it, it does become that question of at what point should you say, Here's what I love to do, here's what I wanna do, here's how I wanna change the world. [00:08:16] Marc: Yeah. I mean, I think it is different for everybody. Um, you know, I have worked with people who have discovered that they actually wanna be doing something else for their work or something else with their free time or, or, or whatever. Um, I do think. And I'm in my mid forties. Um, and I do see a lot of people around this age starting to struggle with this question cuz we're, you know, if, if it's midlife, we're supposedly sort of halfway there and you start to think about, okay, well at some point I'm leaving. What do I want my legacy to be? And that's when I think a lot of people start thinking about purpose. I mean, some people come to it much, much earlier, but I have two, I have two kids, one's seven, one's 12. And you know, they don't , they don't grapple with that, you know, at all. So it's, it's quite. Thing to be dealing with at, I think at that, at that particular age. But at some point, like I said, you know, you, you know, you, you, you go so far and we don't live in a wor like, you know, my dad's generation and my dad included, you know, he, he, he's a doctor. He got a job. Somewhere, and he stayed in that job. You know, he maybe had a couple of jobs over the course of his career and did different things, but he was always focused on that, that sort of purpose, which, whether or not that was his core purpose, that's what he chose and that's what he stuck to. We now live in a world with the internet, with, you know, you can do, you know, you can do anything and be doing TikTok and Instagram and, you know, skydiving, uh, for example, um, as, as a, as a random example. Um, you know, and so we, we have all this freedom, which can be completely overwhelming. And that's where I think a lot of folks, at least in the communities where I work, we were start thinking about, okay, well if we can boil this down to something that is core to ourselves, and this is what I do in my workshops, it's what I do in my one-on-one coaching. It's what I'll be doing in my group coaching because I really, I, I've seen it over and it's not just a belief I've seen. The proof is is there, I've seen people and the people who do the work and, you know, do the writing and, and come and, and come up with something that is their purpose, that is their vision. They come back, you know, just really lit up and they say, I, I, I found focus, I found happiness. I'm like, you know, I'm like, I'm like dancing when I get up in the morning and I'm, you know, I didn't do that for them. They did it, but I, but I provide these, you know, these various frameworks for them to think through these. [00:10:20] Peter: No, I mean, it makes sense. Tell us, tell people how we can find you. You know how, if they want to, if they, if they like what they're hearing, they say, Hey, this is something I'd like! [Web: www.MarcScheffCoaching.com (or via www.CreativeAccelerationCoaching.com) and https://www.marcscheff.com  Socials:  @MarcScheff on Twitter INSTA and LinkedIN ] [00:10:28] Marc: Um, well, you can find me. Uh, I'm, I'm on the internet in most places as my name Marc Scheff . Um, I, I am also an artist, so if you can find, you know, you can find my portfolio at Marc Scheff , but my Marc Scheff coaching is my coaching website. If you can't remember. Spell my name. You can just go to Creative Acceleration Coaching. And that just goes to my website. And there's, um, there's an opportunity there for a free coaching session. I, I like to do these free coaching sessions, um, because it's actually a filter for them and for me, Uh, if someone, first of all doesn't take the step to book the, the, the appointment, then you know, that's probably a good sign that, that they're not gonna, they're not gonna do the work. Uh, but also when we meet, I actually, what I do is I just coach people for. 30 or 45 minutes and give them kind of an overview of some of the different tools that I use. So I've had people walk out of that and say things like, you know, there's, you know, I, I got, I got great value out of that 30 or 40 minutes, and now I wanna know more. If, you know, if they walk away and it sort of fizzles out for them, then, then that's, you know, that's okay too. But it's a great way for people to, you know, I don't, I don't push sales. I don't, you know, at the end of the call I'm not like, Okay, you can commit now and there's a special deal and all this stuff. [00:11:31] Peter: Right, right, right.  [00:11:31] Marc: Yeah, I don't do any of that stuff cuz I really, in fact, I've had people say, Send me a PayPal. I say, actually I want you to, if you, if you want, if you write me an email in a week and still want it, then I'll do it. Exactly. Cause I want you to really like see if this lasts for you. If you're really still making progress on the work that you did in that 30 minutes, then we should totally, we should totally keep going. Cause there, cuz you're, I love that. Yeah. There's a connection.  [00:11:53] Peter: I love that. Yeah. Very cool. Marc, thank you so much for taking the time. I really appreciate it, that it's really kind of you.  [00:11:58] Marc: Thanks for having me. Big fan of your work and just really glad to be here. Thank you.  [00:12:02] Peter: Awesome. We'll definitely have you back. Guys as always Faster Than Normal is for YOU! We wanna know what you wanna hear. Shoot us an email. If you have any guests you think would work for us, peter@shankman.com, let me know. We'd love to get 'em on the podcasts. We'll see you next week. ADHD is a gift, not a curse. Stay safe. Credits: You've been listening to the Faster Than Normal podcast. We're available on iTunes, Stitcher and Google play and of course at www.FasterThanNormal.com I'm your host, Peter Shankman and you can find me at shankman.com and @petershankman on all of the socials. If you like what you've heard, why not head over to your favorite podcast platform of choice and leave us a review, come more people who leave positive reviews, the more the podcast has shown, and the more people we can help understand that ADHD is a gift, not a curse. Opening and closing themes were composed and produced by Steven Byrom who also produces this podcast, and the opening introduction was recorded by Bernie Wagenblast. Thank you so much for listening. We'll see you next week!