Podcasts about illinois press

In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood. Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood. Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Options for Success: A PhD's Guide to Navigating Career Transitions and Thriving in Your Next Professional Chapter (Oxford UP, 2025) is a transformative, step-by-step guide designed for early to mid-career academics exploring career paths beyond faculty roles and into careers in industry. This book speaks directly to PhDs asking "What's next?" as they consider their career options beyond the faculty. Blending narrative, practical workbook exercises and real-life examples, Options for Success empowers readers to reimagine their career expectations, navigate the complexities of career transition, and align their professional paths with their personal values and goals.At the heart of this guide is the Options for Success framework, a seven-step process that takes readers through the phases of career change-from Detox, making mental and emotional space for new opportunities, to Onboarding, integrating into new roles with insight into workplace dynamics. With tools like the Ecosystems and Economies framework and Professional Profile Pillars, readers can inventory their skills, evaluate their core strengths, and identify careers that align with their values. The Translational Power of Action Verbs exercise encourages academics to shift from a "knowing lens" to a "doing lens," while the Power Story Method helps them translate their achievements into impactful stories that resonate with potential employers.The book also addresses the "messy middle" of job searching, equipping readers with strategies to maintain momentum and resilience through self-care practices and targeted skills building. Unlike traditional career guides, Options for Success is rich with templates, scripts, and sample materials, from hybrid CV-résumés to informational interview guides and bios, offering readers the practical support they need to articulate their unique value effectively.Career transition stories from PhDs across disciplines illustrate the real-world application of these principles across a range of fields and roles, showing diverse pathways into impactful, fulfilling careers. Written in a coach's voice-approachable, empathetic, and filled with generative questions-Options for Success feels like having a personalized career coach, guiding readers to explore, evaluate, and act with confidence. Options for Success is an essential companion for any PhD ready to transition beyond the faculty and into new professional possibilities. Fatimah Williams, Ph.D., is an executive coach, speaker, and founder of Professional Pathways. A cultural anthropologist with over 15 years of consulting experience, she has advised organizations like the National Institutes of Health, the Urban League, and more than 30 colleges and universities on leadership development, organizational strategy, and career growth. Her thought leadership appears in both academic and popular outlets, including The Chronicle of Higher Education and Essence. A former career services leader at the University of Pennsylvania, she also has served on the board of the University of Virginia Alumni Association and the advisory council of the Zimmerli Art Museum. She is the author of three books, Be Bold, Professional Pathways Planner, and her newest book, Options for Success, published by Oxford University Press, which guides PhDs through career transitions and the messy middle of reinvention. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Options for Success: A PhD's Guide to Navigating Career Transitions and Thriving in Your Next Professional Chapter (Oxford UP, 2025) is a transformative, step-by-step guide designed for early to mid-career academics exploring career paths beyond faculty roles and into careers in industry. This book speaks directly to PhDs asking "What's next?" as they consider their career options beyond the faculty. Blending narrative, practical workbook exercises and real-life examples, Options for Success empowers readers to reimagine their career expectations, navigate the complexities of career transition, and align their professional paths with their personal values and goals.At the heart of this guide is the Options for Success framework, a seven-step process that takes readers through the phases of career change-from Detox, making mental and emotional space for new opportunities, to Onboarding, integrating into new roles with insight into workplace dynamics. With tools like the Ecosystems and Economies framework and Professional Profile Pillars, readers can inventory their skills, evaluate their core strengths, and identify careers that align with their values. The Translational Power of Action Verbs exercise encourages academics to shift from a "knowing lens" to a "doing lens," while the Power Story Method helps them translate their achievements into impactful stories that resonate with potential employers.The book also addresses the "messy middle" of job searching, equipping readers with strategies to maintain momentum and resilience through self-care practices and targeted skills building. Unlike traditional career guides, Options for Success is rich with templates, scripts, and sample materials, from hybrid CV-résumés to informational interview guides and bios, offering readers the practical support they need to articulate their unique value effectively.Career transition stories from PhDs across disciplines illustrate the real-world application of these principles across a range of fields and roles, showing diverse pathways into impactful, fulfilling careers. Written in a coach's voice-approachable, empathetic, and filled with generative questions-Options for Success feels like having a personalized career coach, guiding readers to explore, evaluate, and act with confidence. Options for Success is an essential companion for any PhD ready to transition beyond the faculty and into new professional possibilities. Fatimah Williams, Ph.D., is an executive coach, speaker, and founder of Professional Pathways. A cultural anthropologist with over 15 years of consulting experience, she has advised organizations like the National Institutes of Health, the Urban League, and more than 30 colleges and universities on leadership development, organizational strategy, and career growth. Her thought leadership appears in both academic and popular outlets, including The Chronicle of Higher Education and Essence. A former career services leader at the University of Pennsylvania, she also has served on the board of the University of Virginia Alumni Association and the advisory council of the Zimmerli Art Museum. She is the author of three books, Be Bold, Professional Pathways Planner, and her newest book, Options for Success, published by Oxford University Press, which guides PhDs through career transitions and the messy middle of reinvention. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Jennifer Champoux is a teacher, scholar of Latter-day Saint visual art, and the director of the Book of Mormon Art Catalog. She authored C. C. A. Christensen: A Mormon Visionary, coauthored Picturing Christ: Understanding Depictions of Jesus in History and Art, and coedited Approaching the Tree: Interpreting 1 Nephi 8. She hosted the limited-series podcasts Latter-day Saint Art and Behold: Conversations on Book of Mormon Art. Jenny earned a BA in international politics from Brigham Young University (2004) and an MA in art history from Boston University (2006). She lives in Colorado with her husband and three children. C. C. A. Christensen: A Mormon Visionary (University of Illinois Press; Amazon) Related work I've published: “‘In Their Promised Canaan Stand:' Outlawry, Landscape, and Memory in C. C. A. Christensen's Mormon Panorama,” BYU Studies Quarterly 60, no. 2 (2021). Highlights about C. C. A. Christensen: 1. C. C. A. Christensen was born to a poor family in Copenhagen, Denmark, in 1831. As a youth, he lived and studied at a poor house boarding school, before taking classes at the Royal Danish Academy of Fine Arts. 2. While he was an art student, the first Latter-day Saint missionaries arrived in Copenhagen. C. C. A. joined the Church in 1850. He threw himself into the work of learning the Gospel, reading the Book of Mormon, helping with Danish translations of hymns, helping his mother and brothers immigrate to Utah, and then serving a mission in Scandinavia before immigrating himself. His art training and career took a back seat to his religious commitments. 3. C. C. A. served three missions in Scandinavia. The first, in Norway, was from 1853 to 1857. He faced religious persecution and was jailed. Christensen returned from Utah to serve a second mission in Scandinavia from 1865 to 1868. He returned again to serve in Denmark from 1887 to 1889. 4. C. C. A. married Elise Haarby on the ship as they set off for Utah in 1857. They traveled across the plains as handcart pioneers. He later took a second wife, Maren Pettersen, in 1868. He had a total of 14 children, 12 of which lived to adulthood. 5. C. C. A. was the most prolific 19 th -century artist of Latter-day Saint history and scripture. He combined his European art training with Latter-day Saint beliefs and subjects. He also wrote extensively. He published poetry, essays, and letters to the editor. He helped write a history of the Scandinavian Mission. And yet, his work is not well known today. 6. The Mormon Panorama was a massive painted scroll detailing 23 scenes of early Mormon history. In the last quarter of the 19 th century, CCA and some of his family traveled around Utah cities in the winters giving presentations of the Mormon Panorama. It helped solidify the Saints' understanding of their history. 7. In 1886, Church leaders hired CCA to paint the creation room mural in the Manti Temple. It was recently restored and is still there today. 8. In 1890, C. C. A. won a contest to illustrate a Church flipchart on the life of Nephi. These 10 images were distributed by the Deseret Sunday School Union. 9. Christensen was fully dedicated to living his beliefs, often at great personal cost. The post C. C. A. Christensen with Jenny Champoux appeared first on The Cultural Hall Podcast.

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Anna-Verena Nosthoff zu Kybernetik und Kritik, digitaler Regierungskunst und der Rolle der Plattformen. Future Histories LIVE Das Gespräch mit Anna-Verena Nosthoff ist Teil des Formats ‚Future Histories LIVE‘. In unregelmäßigen Abständen werden hierbei einzelne Episoden live – soll heißen vor Publikum – aufgezeichnet. Diese Folge Future Histories ist am 26. Januar 2026 in Zusammenarbeit des Future Histories Lab mit dem Critical Data Lab entstanden und wurde im Medientheater an der Humboldt-Universität zu Berlin aufgenommen.  Shownotes Anna-Verena Nosthoff an der Carl von Ossietzky Universität Oldenburg (inkl. Publikationsliste): https://uol.de/philosophie/mitarbeiterinnen/prof-dr-anna-verena-nosthoff das Critical Data Lab:  https://www.criticaldatalab.org/anna-verena-nosthoff Nosthoff, A-V. (2026). Kybernetik und Kritik: Eine Theorie digitaler Regierungkunst. Suhrkamp.  https://www.suhrkamp.de/buch/anna-verena-nosthoff-kybernetik-und-kritik-t-9783518300794 Nosthoff, Anna-Verena und Felix Maschewski. 2019. Die Gesellschaft der Wearables. Berlin: Nicolai Publishung: https://nicolai-publishing.com/products/die-gesellschaft-der-wearables zu Shintaro Myazaki: https://medienwissenschaft-berlin.org/prof-dr-shintaro-miyazaki/ Foucault, M. (1977-1979 [2006]). Geschichte der Gouvernementalität - Band I und II. Suhrkamp. https://www.suhrkamp.de/buch/michel-foucault-geschichte-der-gouvernementalitaet-t-9783518068441 zu Erich Hörl:  https://www.leuphana.de/institute/icam/personen/erich-hoerl.html zu Claus Pias:  https://www.diaphanes.net/titel/zeit-der-kybernetik-eine-einstimmung-385 zu Benjamin Seibel:  https://citylab-berlin.org/de/benjamin-seibel/ Seibel, B. (2016). Cybernetic Government: Informationstechnologie und Regierungsrationalität von 1943-1970. Springer-Verlag. https://link.springer.com/book/10.1007/978-3-658-12490-8 zu Norbert Wiener: https://monoskop.org/Norbert_Wiener Wiener, N. (1948 [1985]). Cybernetics or control and communication in the animal and the machine. The M.I.T. Press. https://ia801003.us.archive.org/9/items/cybernetics-or-communication-and-control-in-the-animal-and-the-machine-norbert-wiene-ocr/Cybernetics%20or%20Communication%20and%20Control%20in%20the%20Animal%20and%20the%20Machine%20-%20Norbert%20Wiene_OCR.pdf Zuboff, S. (2018). Das Zeitalter des Überwachungskapitalismus. campus.  https://www.campus.de/buecher-campus-verlag/wirtschaft-gesellschaft/wirtschaft/das_zeitalter_des_ueberwachungskapitalismus-15097.html?srsltid=AfmBOoqyy_ijK9Oex1CtRyQZwmE3BdQ30H2b_yc3-PlNDSxqwbXecaDb Lyotard, J-F. (1974 [1984]). Libidinöse Ökonomie. Diaphenes.   https://www.diaphanes.de/titel/libidinoese-oekonomie-109 zu Claude Shannon:  https://de.wikipedia.org/wiki/Claude_Shannon Shannon, C. E. & Weaver, W. (1964). The mathematical theory of communication. University of Illinois Press.  https://monoskop.org/images/b/be/Shannon_Claude_E_Weaver_Warren_The_Mathematical_Theory_of_Communication_1963.pdf Deutsch, K. W. (1969). Politische Kybernetik: Modelle und Perspektiven. Rombach Verlag. https://d-nb.info/456333991/04 zum Homeostat von William Ross Ashby: https://en.wikipedia.org/wiki/Homeostat zum Zitat von Steve Bannon ‘flood the zone with shit': https://www.deutschlandfunk.de/flood-the-zone-warum-trumps-flut-an-dekreten-und-provokationen-methode-hat-100.html zu Palantir: https://de.wikipedia.org/wiki/Palantir_Technologies zu Jürgen Habermas: https://de.wikipedia.org/wiki/J%C3%BCrgen_Habermas  zu Mastodon: https://mastodon.world/explore zu Eric Schmidt: https://en.wikipedia.org/wiki/Eric_Schmidt Robins, K., & Webster, F. (1988). Cybernetic capitalism: Information, technology, everyday life. In V. Mosco & J. Wasko (eds.). The political economy of information. University of Wisconsin Press. https://www.researchgate.net/profile/Kevin-Robins-2/publication/282816878_cybernetic_capitalism_Information_technology_everyday_life/links/561d36c708aecade1acb365e/cybernetic-capitalism-Information-technology-everyday-life.pdf Baudrillard, J. (1983). Der symbolische Tausch und der Tod. Matthes & Seitz Berlin. https://www.matthes-seitz-berlin.de/buch/der-symbolische-tausch-und-der-tod.html zu Gilles Deleuze:  https://brill.com/display/title/39900?language=de&srsltid=AfmBOoonpAe9aAERETg25wTxqOH2oWqf-8nHgpMSxX_iLoArUS_V3l8u zu Jaques Derrida:  https://monoskop.org/Jacques_Derrida zu Stafford Beer: https://monoskop.org/Stafford_Beer zum erwähnten Projekt ‘Cybersyn' in Chile: https://thereader.mitpress.mit.edu/project-cybersyn-chiles-radical-experiment-in-cybernetic-socialism/  zum erwähnten ‘Laboria Cuboniks'-Kollektiv:  https://monoskop.org/Laboria_Cuboniks Gebru, T., & Torres, Émile P. (2024). The TESCREAL bundle: Eugenics and the promise of utopia through artificial general intelligence. First Monday, 29(4).  https://firstmonday.org/ojs/index.php/fm/article/view/13636 zu Stewart Brand: https://de.wikipedia.org/wiki/Stewart_Brand zu Slava Gerovitch: https://web.mit.edu/slava/homepage/gerovitch-cv.html Klaus, G. (1973). Kybernetik – eine neue Universalwissenschaft der Gesellschaft? Akademie-Verlag Berlin. http://www.max-stirner-archiv-leipzig.de/dokumente/KlausKybernetik.pdf  zum Gesetz über digitale Dienste (DSA): https://de.wikipedia.org/wiki/Gesetz_%C3%BCber_digitale_Dienste  zu Salome Viljoen: https://www.salomeviljoen.com/  Virilio, P. (2009). Der integrale Unfall. transcript.  https://www.degruyterbrill.com/document/doi/10.1515/9783839407219-001/pdf?licenseType=restricted&srsltid=AfmBOopKQ_tu9OPZ4VAcVzfGybsk3gwqub83XcQ-QYyJxxNWAmnlWU-c  Pentland, A. (2014). Social physics: how good ideas spread-the lessons from a new science. Penguin. https://books.google.at/books/about/Social_Physics.html?id=KAL5AgAAQBAJ&redir_esc=y  Pentland, A. (2014a). Social physics: How social networks can make us smarter. Penguin. https://archive.org/details/socialphysicshow0000pent zu Felix Maschewski: https://www.criticaldatalab.org/felix-maschewski Thematisch angrenzende Folgen S03E40 | Jan Overwijk on Cybernetic Capitalism and Critical Systems Theory  https://futurehistories-international.com/episodes/s03/e40-jan-overwijk-on-cybernetic-capitalism-and-critical-systems-theory/ S03E28 | Silke van Dyk zu alternativer Gouvernementalität https://www.futurehistories.today/episoden-blog/s03/e28-silke-van-dyk-zu-alternativer-gouvernementalitaet/ S02E31 | Thomas Swann on Anarchist Cybernetics  https://www.futurehistories.today/episoden-blog/s02/e31-thomas-swann-on-anarchist-cybernetics/ S01E22 | Anna-Verena Nosthoff und Felix Maschewski zu digitaler Verführung, sozialer Kontrolle und der Gesellschaft der Wearables https://www.futurehistories.today/episoden-blog/s01/e22-anna-verena-nosthoff-und-felix-maschewski-zu-digitaler-verfuehrung-sozialer-kontrolle-und-der-gesellschaft-der-wearables/ S01E18 | Simon Schaupp zu Kybernetik und radikaler Demokratie  https://www.futurehistories.today/episoden-blog/s01/e18-simon-schaupp-zu-kybernetik-und-radikaler-demokratie/ S01E01 | Benjamin Seibel zu Kybernetik  https://www.futurehistories.today/episoden-blog/s01/e01-benjamin-seibel-zu-kybernetik/ — Future Histories Kontakt & Unterstützung  Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories Schreibt mir unter: office@futurehistories.today Diskutiert mit mir auf Bluesky: https://bsky.app/profile/futurehistories.bsky.social Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories Webseite mit allen Folgen: www.futurehistories.today English webpage: https://futurehistories-international.com Episode Keywords  #Anna-Verena Nosthoff, #JanGroos, #FutureHistories, #Podcast, #Zukunft, #Kybernetik, #Gouvernementalität, #PolitischeKybernetik, #CyberneticGovernment, #CriticalDataLab, #Digitalisierung, #Informationstechnologie, #Plattformen, #SocialMedia, #Kapitalismus, #Imaginaries, #AlternativeRegierungskunst, #Regierbarkeit

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies