Podcasts about illinois press

The New Preachers of Egypt—so named because of their novel preaching styles, which incorporate everything from melodrama to music to self-help—came to prominence on the world's first Islamic television channel on the cusp of the Arab Spring uprisings. They promoted an innovative and inclusive Islamic piety that millions of young middle-class viewers found radical and compelling—but were scorned as neoliberal by leftists, as stealth Islamists by secularists, and as too Westernized by other Muslim preachers. Drawing on long-term fieldwork with the New Preachers, their producers, and followers in Cairo, Yasmin Moll shows how Islamic media and the social life of theology mattered to contestations over the shape of a New Egypt. These mass-mediated fractures within Islamic Revivalism were happening at a time of both revolutionary possibility and authoritarian entrenchment. The New Preachers' Islamic media inspired a "revolution within" that transcended the country's divisions and anticipated the ethos of creativity, solidarity, and coexistence that soon would mark Tahrir Square, the ethical epicenter of the 2011 uprising. Vividly written and boldly theorized, The Revolution Within: Islamic Media and the Struggle for a New Egypt (Stanford University Press, 2025) challenges conventional accounts of the 2011 revolution and its aftermath as a struggle between secular and religious forces, reconsidering what makes a practice virtuous, a public Islamic, a way of life Godly. Yasmin Moll is Assistant Professor of Anthropology at the University of Michigan. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Sound Pedagogy: Radical Care in Music (University of Illinois Press, 2024) is a collected edition about Pedagogies of Care edited by Colleen Renihan, John Spilker-Beed, and Trudi Wright are experienced music history educators working in the United States and Canada. They have curated a collection of essays that explore what it means to prioritize care when teaching, interacting with students, developing course syllabi, and curricula. Far more than simply treating students with dignity and compassion, pedagogies of care can infiltrate every aspect of teaching and higher education by centering the interests of students, instructors, and the larger communities to which they belong. As the essays in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness. The contributors draw from personal experience to address issues including radical kindness through universal design; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. The premise of the book is that care-based approaches to pedagogy can facilitate the systemic transformation that remains both possible and necessary for musicology, other disciplines, and institutions of higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sound Pedagogy: Radical Care in Music (University of Illinois Press, 2024) is a collected edition about Pedagogies of Care edited by Colleen Renihan, John Spilker-Beed, and Trudi Wright are experienced music history educators working in the United States and Canada. They have curated a collection of essays that explore what it means to prioritize care when teaching, interacting with students, developing course syllabi, and curricula. Far more than simply treating students with dignity and compassion, pedagogies of care can infiltrate every aspect of teaching and higher education by centering the interests of students, instructors, and the larger communities to which they belong. As the essays in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness. The contributors draw from personal experience to address issues including radical kindness through universal design; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. The premise of the book is that care-based approaches to pedagogy can facilitate the systemic transformation that remains both possible and necessary for musicology, other disciplines, and institutions of higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Sound Pedagogy: Radical Care in Music (University of Illinois Press, 2024) is a collected edition about Pedagogies of Care edited by Colleen Renihan, John Spilker-Beed, and Trudi Wright are experienced music history educators working in the United States and Canada. They have curated a collection of essays that explore what it means to prioritize care when teaching, interacting with students, developing course syllabi, and curricula. Far more than simply treating students with dignity and compassion, pedagogies of care can infiltrate every aspect of teaching and higher education by centering the interests of students, instructors, and the larger communities to which they belong. As the essays in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness. The contributors draw from personal experience to address issues including radical kindness through universal design; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. The premise of the book is that care-based approaches to pedagogy can facilitate the systemic transformation that remains both possible and necessary for musicology, other disciplines, and institutions of higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Dans cette première partie des Montagnes Se Souviennent, nous explorons la tempête politique qui a englouti l'Écosse suite à la Glorieuse Révolution. Alors que William d'Orange s'emparait du trône d'Angleterre en 1688, les clans des Highlands se retrouvent pions dans un dangereux jeu d'échecs européen.Voyagez à travers le réseau complexe de loyautés qui liait les chefs de clan au roi James en exil, alors qu'un nouvel ordre politique exige leur allégeance. Découvrez comment l'Écosse devient un échiquier où ambitions françaises, craintes anglaises et traditions des Highlands entrent en collision avec des conséquences mortelles.Cet épisode pose le décor de l'une des trahisons les plus notoires de l'histoire et explore les décisions fatidiques qui mèneront à la tragédie dans une vallée enneigée des Highlands.Pour approfondir vos connaissances, voici la bibliographie complète :- Dalrymple, John (Master of Stair). "Letters Concerning Highland Affairs, 1691-1692." Scottish Record Office, Edinburgh.- "Depositions of the Glencoe Investigation." Proceedings of the Scottish Parliament, 1695. Edinburgh: National Records of Scotland.- Hamilton, Lt. Colonel James. "Orders to Captain Robert Campbell of Glenlyon, February 12, 1692." National Archives of Scotland, GD112/1/144.- Hill, Colonel John. "Correspondence with the Privy Council, 1691-1692." Highland Papers, Volume I. Edinburgh: Scottish History Society.- "Report of the Commission of Inquiry into the Massacre of Glencoe, 1695." Acts of the Parliament of Scotland, Vol. IX.- Campsie, Alison. The Massacre of Glencoe: History, Context, and Representation. Edinburgh University Press, 2018.- Cheape, Hugh. Tartan: The Highland Habit. National Museums of Scotland, 2006.- Devine, T.M. The Scottish Nation: A Modern History. Penguin, 2012.- Hopkins, Paul. Glencoe and the End of the Highland War. John Donald Publishers, 1998.- Buchan, John. The Massacre of Glencoe. Spellmount, 1999. (Fiction historique)- Lee, Maurice. The Road to Revolution: Scotland Under Charles I, 1625-37. University of Illinois Press, 1985.- MacDonald, Donald J. Slaughter Under Trust: Glencoe 1692. Birlinn Ltd, 2005.- MacKenzie, W.C. The Highlands and Isles of Scotland: A Historical Survey. The Moray Press, 1949.- Prebble, John. Glencoe: The Story of the Massacre. Penguin Books, 1968.- Roberts, John L. Clan, King and Covenant: History of the Highland Clans from the Civil War to the Glencoe Massacre. Edinburgh University Press, 2000.- Szechi, Daniel. The Jacobites: Britain and Europe, 1688-1788. Manchester University Press, 2019.- Thomson, Oliver. The Great Feud: Campbells and MacDonalds. Sutton Publishing, 2000.- Kennedy, Allan. "Managing the Early-Modern Periphery: Highland Policy and the Highland Judicial Commissions, c. 1692-c. 1705." Scottish Historical Review, Vol. 96, No. 1, 2017, pp. 32-60.- Macinnes, Allan I. "Slaughter Under Trust: Clan Massacre and British State Formation." The Massacre in History, edited by Mark Levene and Penny Roberts, Berghahn Books, 1999, pp. 127-148.- Glencoe Archaeology Project. "Archaeological Survey of Settlement Patterns in Glencoe, 1500-1750." Historic Environment Scotland, 2013.- National Trust for Scotland. "Glencoe: Archaeological Findings 2008-2018." Conservation Report Series, Edinburgh.- BBC Scotland. "Blood of the Clans: The Massacre of Glencoe." Directed by John Bridcut, 2010.- National Trust for Scotland. "Glencoe: The Story." Visitor Center Documentary, Glencoe, 2015.- Scotland History Tours. “What They Don't Say About the Massacre of Glencoe.” - Scotland History Tours. “What Happened to Campbell After the Massacre of Glencoe”.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Février 1692. Sous les toits des MacDonald, des soldats du gouvernement partagent repas, chaleur et histoires avec leurs hôtes. Pendant deux semaines, les familles de Glencoe pratiquent l'hospitalité sacrée des Highlands, sans se douter qu'elles hébergent leurs futurs bourreaux. Cette deuxième partie du documentaire explore la période la plus troublante du massacre de Glencoe : ces quatorze jours où les soldats ont vécu en proximité avec leurs victimes, partageant leur quotidien, jouant avec leurs enfants, buvant leur whisky. Comment ces hommes ont-ils pu dissimuler leurs intentions ? Quels liens se sont tissés pendant cette cohabitation ? Et comment ont-ils réagi lorsque l'ordre d'exécuter leurs hôtes est finalement arrivé ?Pour approfondir vos connaissances, voici la bibliographie complète :- Dalrymple, John (Master of Stair). "Letters Concerning Highland Affairs, 1691-1692." Scottish Record Office, Edinburgh.- "Depositions of the Glencoe Investigation." Proceedings of the Scottish Parliament, 1695. Edinburgh: National Records of Scotland.- Hamilton, Lt. Colonel James. "Orders to Captain Robert Campbell of Glenlyon, February 12, 1692." National Archives of Scotland, GD112/1/144.- Hill, Colonel John. "Correspondence with the Privy Council, 1691-1692." Highland Papers, Volume I. Edinburgh: Scottish History Society.- "Report of the Commission of Inquiry into the Massacre of Glencoe, 1695." Acts of the Parliament of Scotland, Vol. IX.- Campsie, Alison. The Massacre of Glencoe: History, Context, and Representation. Edinburgh University Press, 2018.- Cheape, Hugh. Tartan: The Highland Habit. National Museums of Scotland, 2006.- Devine, T.M. The Scottish Nation: A Modern History. Penguin, 2012.- Hopkins, Paul. Glencoe and the End of the Highland War. John Donald Publishers, 1998.- Buchan, John. The Massacre of Glencoe. Spellmount, 1999. (Fiction historique)- Lee, Maurice. The Road to Revolution: Scotland Under Charles I, 1625-37. University of Illinois Press, 1985.- MacDonald, Donald J. Slaughter Under Trust: Glencoe 1692. Birlinn Ltd, 2005.- MacKenzie, W.C. The Highlands and Isles of Scotland: A Historical Survey. The Moray Press, 1949.- Prebble, John. Glencoe: The Story of the Massacre. Penguin Books, 1968.- Roberts, John L. Clan, King and Covenant: History of the Highland Clans from the Civil War to the Glencoe Massacre. Edinburgh University Press, 2000.- Szechi, Daniel. The Jacobites: Britain and Europe, 1688-1788. Manchester University Press, 2019.- Thomson, Oliver. The Great Feud: Campbells and MacDonalds. Sutton Publishing, 2000.- Kennedy, Allan. "Managing the Early-Modern Periphery: Highland Policy and the Highland Judicial Commissions, c. 1692-c. 1705." Scottish Historical Review, Vol. 96, No. 1, 2017, pp. 32-60.- Macinnes, Allan I. "Slaughter Under Trust: Clan Massacre and British State Formation." The Massacre in History, edited by Mark Levene and Penny Roberts, Berghahn Books, 1999, pp. 127-148.- Glencoe Archaeology Project. "Archaeological Survey of Settlement Patterns in Glencoe, 1500-1750." Historic Environment Scotland, 2013.- National Trust for Scotland. "Glencoe: Archaeological Findings 2008-2018." Conservation Report Series, Edinburgh.- BBC Scotland. "Blood of the Clans: The Massacre of Glencoe." Directed by John Bridcut, 2010.- National Trust for Scotland. "Glencoe: The Story." Visitor Center Documentary, Glencoe, 2015.- Scotland History Tours. “What They Don't Say About the Massacre of Glencoe.”- Scotland History Tours. “What Happened to Campbell After the Massacre of Glencoe”.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dans ce troisième épisode bouleversant des "Montagnes Se Souviennent", nous assistons à l'ultime trahison lorsque des soldats violent le code sacré de l'hospitalité des Highlands. Pendant deux semaines, les soldats du gouvernement ont vécu sous les toits des MacDonald, partageant leur pain, leur whisky et leurs histoires. Puis vinrent les ordres d'Édimbourg qui transformèrent les hôtes en bourreaux. Revivez la terrible nuit du 12 février 1692, lorsque le capitaine Robert Campbell de Glenlyon reçut ses ordres, et l'aube fatidique du 13 février, quand les coups de mousquet brisèrent le silence hivernal. Cet épisode nous confronte à des questions intemporelles sur les choix moraux face à des ordres immoraux, alors que certains soldats prévinrent leurs hôtes tandis que d'autres accomplissaient leur sanglant devoir avec une précision mécanique.Pour approfondir vos connaissances, voici la bibliographie complète :- Dalrymple, John (Master of Stair). "Letters Concerning Highland Affairs, 1691-1692." Scottish Record Office, Edinburgh.- "Depositions of the Glencoe Investigation." Proceedings of the Scottish Parliament, 1695. Edinburgh: National Records of Scotland.- Hamilton, Lt. Colonel James. "Orders to Captain Robert Campbell of Glenlyon, February 12, 1692." National Archives of Scotland, GD112/1/144.- Hill, Colonel John. "Correspondence with the Privy Council, 1691-1692." Highland Papers, Volume I. Edinburgh: Scottish History Society.- "Report of the Commission of Inquiry into the Massacre of Glencoe, 1695." Acts of the Parliament of Scotland, Vol. IX.- Campsie, Alison. The Massacre of Glencoe: History, Context, and Representation. Edinburgh University Press, 2018.- Cheape, Hugh. Tartan: The Highland Habit. National Museums of Scotland, 2006.- Devine, T.M. The Scottish Nation: A Modern History. Penguin, 2012.- Hopkins, Paul. Glencoe and the End of the Highland War. John Donald Publishers, 1998.- Buchan, John. The Massacre of Glencoe. Spellmount, 1999. (Fiction historique)- Lee, Maurice. The Road to Revolution: Scotland Under Charles I, 1625-37. University of Illinois Press, 1985.- MacDonald, Donald J. Slaughter Under Trust: Glencoe 1692. Birlinn Ltd, 2005.- MacKenzie, W.C. The Highlands and Isles of Scotland: A Historical Survey. The Moray Press, 1949.- Prebble, John. Glencoe: The Story of the Massacre. Penguin Books, 1968.- Roberts, John L. Clan, King and Covenant: History of the Highland Clans from the Civil War to the Glencoe Massacre. Edinburgh University Press, 2000.- Szechi, Daniel. The Jacobites: Britain and Europe, 1688-1788. Manchester University Press, 2019.- Thomson, Oliver. The Great Feud: Campbells and MacDonalds. Sutton Publishing, 2000.- Kennedy, Allan. "Managing the Early-Modern Periphery: Highland Policy and the Highland Judicial Commissions, c. 1692-c. 1705." Scottish Historical Review, Vol. 96, No. 1, 2017, pp. 32-60.- Macinnes, Allan I. "Slaughter Under Trust: Clan Massacre and British State Formation." The Massacre in History, edited by Mark Levene and Penny Roberts, Berghahn Books, 1999, pp. 127-148.- Glencoe Archaeology Project. "Archaeological Survey of Settlement Patterns in Glencoe, 1500-1750." Historic Environment Scotland, 2013.- National Trust for Scotland. "Glencoe: Archaeological Findings 2008-2018." Conservation Report Series, Edinburgh.- BBC Scotland. "Blood of the Clans: The Massacre of Glencoe." Directed by John Bridcut, 2010.- National Trust for Scotland. "Glencoe: The Story." Visitor Center Documentary, Glencoe, 2015.- Scotland History Tours. “What They Don't Say About the Massacre of Glencoe.”- Scotland History Tours. “What Happened to Campbell After the Massacre of Glencoe”.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

As they compete in leagues around the world, elite women's basketball players continually adjust to new cultures, rules, and contracts. Courtney M. Cox follows athletes, coaches, journalists, and advocates of women's basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women's basketball illuminate new forms of navigating the global sports-media complex. Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women's basketball to shed light on the struggles, triumphs, and contributions of today's players and those around them. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

As they compete in leagues around the world, elite women's basketball players continually adjust to new cultures, rules, and contracts. Courtney M. Cox follows athletes, coaches, journalists, and advocates of women's basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women's basketball illuminate new forms of navigating the global sports-media complex. Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women's basketball to shed light on the struggles, triumphs, and contributions of today's players and those around them. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As they compete in leagues around the world, elite women's basketball players continually adjust to new cultures, rules, and contracts. Courtney M. Cox follows athletes, coaches, journalists, and advocates of women's basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women's basketball illuminate new forms of navigating the global sports-media complex. Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women's basketball to shed light on the struggles, triumphs, and contributions of today's players and those around them. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

As they compete in leagues around the world, elite women's basketball players continually adjust to new cultures, rules, and contracts. Courtney M. Cox follows athletes, coaches, journalists, and advocates of women's basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women's basketball illuminate new forms of navigating the global sports-media complex. Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women's basketball to shed light on the struggles, triumphs, and contributions of today's players and those around them. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

As they compete in leagues around the world, elite women's basketball players continually adjust to new cultures, rules, and contracts. Courtney M. Cox follows athletes, coaches, journalists, and advocates of women's basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women's basketball illuminate new forms of navigating the global sports-media complex. Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women's basketball to shed light on the struggles, triumphs, and contributions of today's players and those around them. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

CWCIT's director Bill Cavanaugh sits down with historian Sergio González to unpack the connections between faith, the ethic of hospitality, and social justice movements in Latino communities in the 20th-century Midwest, especially Sergio's home state of Wisconsin. A historian of 20th-century U.S. migration, labor, and religion, Sergio is assistant professor of history at Marquette University. His most recent book is "Strangers No Longer: Latino Belonging and Faith in Twentieth-Century Wisconsin" (University of Illinois Press, 2024).

This episode explores the role of protection magic as a historically grounded response to war, oppression, and systemic violence across diverse cultural and temporal contexts.Drawing on peer-reviewed academic sources, it examines how magical practices—rituals, talismans, verbal formulae, and spirit invocations—have been used as forms of spiritual defence and political resistance. From Mesopotamian anti-witchcraft rites and Greco-Roman defensive curses to medieval Christian amulets, Renaissance grimoires, and the Magical Battle of Britain, the lecture situates protection magic within broader religious, social, and cosmological frameworks.Special attention is given to non-Western and postcolonial contexts, including the ritual technologies of Haitian Vodou during the revolution, Obeah in the British Caribbean, Yoruba warrior rites, and Andean protective ceremonies. The discussion also considers contemporary expressions of magical protection, including digital activist magic, Chaos Magic, and the esoteric disciplines of Damien Echols under carceral conditions.CONNECT & SUPPORT

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

 Cult survivors often have the instinct to want to save as many people as possible from the cult they survived. However, healing from the things they encountered while in the cult is often a first step before a survivor can help others escape. Cult survivors usually seek to heal with some form of therapy and move on. Nori was a member of ISKCON from 1978 to 1988. As a member of the PR office, Nori lived in a bubble with some of the cult's abuses hidden from her so she could maintain her positive opinion of the cult as part of her work. After leaving the cult, Nori learned about the abuse of women and children in the cult. The University of Illinois Press published Nori's memoir, Betrayal of the Spirit, in 1997. After that she wrote and self-published Child of the Cult and Cult Survivor's Handbook For a more detailed look at the atrocities the Hare Krishnas committed, check out the documentary Monkey on a Stick: Murder, Madness, and the Hare Krishnas. Nori Muster and Steve Gelberg are two former members interviewed in this well-done film. Join us for a fascinating discussion that includes art therapy and other expressive therapy approaches to healing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What did the Communist Party accomplish in California, or try to? SFSU emeritus professor Robert W. Cherny considers the party's agendas and activities in relation to longshore workers, labor unions, political figures, and others. He also examines the stances the party took toward the Roosevelt administration, the New Deal, the Comintern, and U.S. involvement in World War II. (Encore presentation.) Robert W. Cherny, San Francisco Reds: Communists in the Bay Area, 1919-1958 University of Illinois Press, 2024 The post California's Communists appeared first on KPFA.

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Driven by his determination to place workers at the center of U.S. history, David Montgomery emerged as a key architect of what's called the New Labor History. James R. Barrett describes Montgomery's investigations into working-class life, his political commitments, and his legacy. Shelton Stromquist and James R. Barrett, eds., A David Montgomery Reader: Essays on Capitalism and Worker Resistance University of Illinois Press, 2024 The post Labor History Pioneer appeared first on KPFA.

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Successful cult films like The Host and Snowpiercer proved to be harbingers for Bong Joon Ho's enormous breakthrough success with Parasite. In Bong Joon Ho (U Illinois Press, 2024), Joseph Jonghyun Jeon provides a consideration of the director's entire career and the themes, ambitions, techniques, and preoccupations that infuse his works. As Jeon shows, Bong's sense of spatial and temporal dislocations creates a hall of mirrors that challenges us to answer the parallel questions Where are we? and When are we?. Jeon also traces Bong's oeuvre from its early focus on Korea's US-fueled modernization to examining the entanglements of globalization in Mother and his subsequent films. A complete filmography and in-depth interview with the director round out the book. Insightful and engaging, Bong Joon Ho offers an up-to-date analysis of the genre-bending international director. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Successful cult films like The Host and Snowpiercer proved to be harbingers for Bong Joon Ho's enormous breakthrough success with Parasite. In Bong Joon Ho (U Illinois Press, 2024), Joseph Jonghyun Jeon provides a consideration of the director's entire career and the themes, ambitions, techniques, and preoccupations that infuse his works. As Jeon shows, Bong's sense of spatial and temporal dislocations creates a hall of mirrors that challenges us to answer the parallel questions Where are we? and When are we?. Jeon also traces Bong's oeuvre from its early focus on Korea's US-fueled modernization to examining the entanglements of globalization in Mother and his subsequent films. A complete filmography and in-depth interview with the director round out the book. Insightful and engaging, Bong Joon Ho offers an up-to-date analysis of the genre-bending international director. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Successful cult films like The Host and Snowpiercer proved to be harbingers for Bong Joon Ho's enormous breakthrough success with Parasite. In Bong Joon Ho (U Illinois Press, 2024), Joseph Jonghyun Jeon provides a consideration of the director's entire career and the themes, ambitions, techniques, and preoccupations that infuse his works. As Jeon shows, Bong's sense of spatial and temporal dislocations creates a hall of mirrors that challenges us to answer the parallel questions Where are we? and When are we?. Jeon also traces Bong's oeuvre from its early focus on Korea's US-fueled modernization to examining the entanglements of globalization in Mother and his subsequent films. A complete filmography and in-depth interview with the director round out the book. Insightful and engaging, Bong Joon Ho offers an up-to-date analysis of the genre-bending international director. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Can we write women's authorial roles into the history of industrial cinema in South Asia? How can we understand women's creative authority and access to the film business infrastructure in this postcolonial region?  In Women's Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011). The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Can we write women's authorial roles into the history of industrial cinema in South Asia? How can we understand women's creative authority and access to the film business infrastructure in this postcolonial region?  In Women's Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011). The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Can we write women's authorial roles into the history of industrial cinema in South Asia? How can we understand women's creative authority and access to the film business infrastructure in this postcolonial region?  In Women's Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011). The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode of 'The Biggest Table,' I welcome Reverend Dr. Christopher Carter to discuss the intricate connections between food, identity, and justice. Dr. Carter, an expert in black, womanist, and environmental ethics, shares insights from his upbringing in Michigan, where food insecurity during his childhood shaped his understanding of food's importance. We delve into Dr. Carter's book, 'The Spirit of Soul Food,' which explores ancestral food traditions and the concept of black veganism. Highlighting the intersectionality of race, food, and non-human animals, Dr. Carter argues for ethical eating practices that honor sacred worth and oppose oppressive systems like factory farming. He emphasizes the importance of context-specific and agent-specific actions in aligning one's diet with ethical and spiritual values. Dr. Carter also calls for systemic changes and personal compassion in the pursuit of justice for both human and non-human communities.Rev. Dr. Christopher Carter's research, teaching, and activist interests are in Black, Womanist, and Environmental ethics, with a particular focus on race, food, and nonhuman animals. His publications include “Race, Animals, as a New Vision of the Beloved Community” in Animals and Religion (Routledge, 2024), The Spirit of Soul Food (University of Illinois Press, December 2021), and “Blood in the Soil: The Racial, Racist, and Religious Dimensions of Environmentalism” in The Bloomsbury Handbook on Religion and Nature (Bloomsbury, 2018). In them, he explores the intersectional oppressions experienced by people of color, non-human nature, and animals. Currently, he is an Associate Professor of Theology, Ecology, and Race at Methodist Theological School in Ohio, Lead Pastor of The Loft at Westwood United Methodist Church, and he is also on the board of directors of Farm Forward, an anti-factory farming non-profit. He is married to Dr. Gabrielle Carter, a small animal veterinary oncologist, and while their son Isaiah is not a doctor of any sort, he definitely believes he is more intelligent than his parents.Christopher Carter's websiteProgressive Christian Podcast on Apple PodcastsThis episode of the Biggest Table is brought to you in part by Wild Goose Coffee. Since 2008, Wild Goose has sought to build better communities through coffee. For our listeners, Wild Goose is offering a special promotion of 20% off a one time order using the code TABLE at checkout. To learn more and to order coffee, please visit wildgoosecoffee.com.