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Jennifer Champoux is a teacher, scholar of Latter-day Saint visual art, and the director of the Book of Mormon Art Catalog. She authored C. C. A. Christensen: A Mormon Visionary, coauthored Picturing Christ: Understanding Depictions of Jesus in History and Art, and coedited Approaching the Tree: Interpreting 1 Nephi 8. She hosted the limited-series podcasts Latter-day Saint Art and Behold: Conversations on Book of Mormon Art. Jenny earned a BA in international politics from Brigham Young University (2004) and an MA in art history from Boston University (2006). She lives in Colorado with her husband and three children. C. C. A. Christensen: A Mormon Visionary (University of Illinois Press; Amazon) Related work I've published: “‘In Their Promised Canaan Stand:' Outlawry, Landscape, and Memory in C. C. A. Christensen's Mormon Panorama,” BYU Studies Quarterly 60, no. 2 (2021). Highlights about C. C. A. Christensen: 1. C. C. A. Christensen was born to a poor family in Copenhagen, Denmark, in 1831. As a youth, he lived and studied at a poor house boarding school, before taking classes at the Royal Danish Academy of Fine Arts. 2. While he was an art student, the first Latter-day Saint missionaries arrived in Copenhagen. C. C. A. joined the Church in 1850. He threw himself into the work of learning the Gospel, reading the Book of Mormon, helping with Danish translations of hymns, helping his mother and brothers immigrate to Utah, and then serving a mission in Scandinavia before immigrating himself. His art training and career took a back seat to his religious commitments. 3. C. C. A. served three missions in Scandinavia. The first, in Norway, was from 1853 to 1857. He faced religious persecution and was jailed. Christensen returned from Utah to serve a second mission in Scandinavia from 1865 to 1868. He returned again to serve in Denmark from 1887 to 1889. 4. C. C. A. married Elise Haarby on the ship as they set off for Utah in 1857. They traveled across the plains as handcart pioneers. He later took a second wife, Maren Pettersen, in 1868. He had a total of 14 children, 12 of which lived to adulthood. 5. C. C. A. was the most prolific 19 th -century artist of Latter-day Saint history and scripture. He combined his European art training with Latter-day Saint beliefs and subjects. He also wrote extensively. He published poetry, essays, and letters to the editor. He helped write a history of the Scandinavian Mission. And yet, his work is not well known today. 6. The Mormon Panorama was a massive painted scroll detailing 23 scenes of early Mormon history. In the last quarter of the 19 th century, CCA and some of his family traveled around Utah cities in the winters giving presentations of the Mormon Panorama. It helped solidify the Saints' understanding of their history. 7. In 1886, Church leaders hired CCA to paint the creation room mural in the Manti Temple. It was recently restored and is still there today. 8. In 1890, C. C. A. won a contest to illustrate a Church flipchart on the life of Nephi. These 10 images were distributed by the Deseret Sunday School Union. 9. Christensen was fully dedicated to living his beliefs, often at great personal cost. The post C. C. A. Christensen with Jenny Champoux appeared first on The Cultural Hall Podcast.

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices

Celebrated as a democratic space for all Americans, the major league ballpark in fact privileged the middle- and upper-class white male fan while tacitly marginalizing poor urban residents and people of color. Seth S. Tannenbaum examines how the game's economically and socially stratified system reflected changing understandings of urban space, inclusion, and the body politic. Major League Baseball owners and executives masked exclusion and division by touting the game's accessibility and instituting few overtly discriminatory policies. Affluent white males enjoyed a comfortable, safe space that reinforced their status as the prototypical American citizen. At the same time, ballparks relocated in response to how these favored fans felt about cities. Tannenbaum traces this journey from the urban locales of the Polo Grounds and Yankee Stadium through the suburban-oriented Dodger Stadium and Houston Astrodome to the cloistered fantasy of city life offered by Camden Yards. As he shows, owners' pursuit of greater profits incorporated existing barriers that helped shape the structure of modern parks. A revealing social history, Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (U Illinois Press, 2026) revises the persistent myth of the ballpark as an egalitarian melting pot. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete's canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler's sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler's use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Anna-Verena Nosthoff zu Kybernetik und Kritik, digitaler Regierungskunst und der Rolle der Plattformen. Future Histories LIVE Das Gespräch mit Anna-Verena Nosthoff ist Teil des Formats ‚Future Histories LIVE‘. In unregelmäßigen Abständen werden hierbei einzelne Episoden live – soll heißen vor Publikum – aufgezeichnet. Diese Folge Future Histories ist am 26. Januar 2026 in Zusammenarbeit des Future Histories Lab mit dem Critical Data Lab entstanden und wurde im Medientheater an der Humboldt-Universität zu Berlin aufgenommen.  Shownotes Anna-Verena Nosthoff an der Carl von Ossietzky Universität Oldenburg (inkl. Publikationsliste): https://uol.de/philosophie/mitarbeiterinnen/prof-dr-anna-verena-nosthoff das Critical Data Lab:  https://www.criticaldatalab.org/anna-verena-nosthoff Nosthoff, A-V. (2026). Kybernetik und Kritik: Eine Theorie digitaler Regierungkunst. Suhrkamp.  https://www.suhrkamp.de/buch/anna-verena-nosthoff-kybernetik-und-kritik-t-9783518300794 Nosthoff, Anna-Verena und Felix Maschewski. 2019. Die Gesellschaft der Wearables. Berlin: Nicolai Publishung: https://nicolai-publishing.com/products/die-gesellschaft-der-wearables zu Shintaro Myazaki: https://medienwissenschaft-berlin.org/prof-dr-shintaro-miyazaki/ Foucault, M. (1977-1979 [2006]). Geschichte der Gouvernementalität - Band I und II. Suhrkamp. https://www.suhrkamp.de/buch/michel-foucault-geschichte-der-gouvernementalitaet-t-9783518068441 zu Erich Hörl:  https://www.leuphana.de/institute/icam/personen/erich-hoerl.html zu Claus Pias:  https://www.diaphanes.net/titel/zeit-der-kybernetik-eine-einstimmung-385 zu Benjamin Seibel:  https://citylab-berlin.org/de/benjamin-seibel/ Seibel, B. (2016). Cybernetic Government: Informationstechnologie und Regierungsrationalität von 1943-1970. Springer-Verlag. https://link.springer.com/book/10.1007/978-3-658-12490-8 zu Norbert Wiener: https://monoskop.org/Norbert_Wiener Wiener, N. (1948 [1985]). Cybernetics or control and communication in the animal and the machine. The M.I.T. Press. https://ia801003.us.archive.org/9/items/cybernetics-or-communication-and-control-in-the-animal-and-the-machine-norbert-wiene-ocr/Cybernetics%20or%20Communication%20and%20Control%20in%20the%20Animal%20and%20the%20Machine%20-%20Norbert%20Wiene_OCR.pdf Zuboff, S. (2018). Das Zeitalter des Überwachungskapitalismus. campus.  https://www.campus.de/buecher-campus-verlag/wirtschaft-gesellschaft/wirtschaft/das_zeitalter_des_ueberwachungskapitalismus-15097.html?srsltid=AfmBOoqyy_ijK9Oex1CtRyQZwmE3BdQ30H2b_yc3-PlNDSxqwbXecaDb Lyotard, J-F. (1974 [1984]). Libidinöse Ökonomie. Diaphenes.   https://www.diaphanes.de/titel/libidinoese-oekonomie-109 zu Claude Shannon:  https://de.wikipedia.org/wiki/Claude_Shannon Shannon, C. E. & Weaver, W. (1964). The mathematical theory of communication. University of Illinois Press.  https://monoskop.org/images/b/be/Shannon_Claude_E_Weaver_Warren_The_Mathematical_Theory_of_Communication_1963.pdf Deutsch, K. W. (1969). Politische Kybernetik: Modelle und Perspektiven. Rombach Verlag. https://d-nb.info/456333991/04 zum Homeostat von William Ross Ashby: https://en.wikipedia.org/wiki/Homeostat zum Zitat von Steve Bannon ‘flood the zone with shit': https://www.deutschlandfunk.de/flood-the-zone-warum-trumps-flut-an-dekreten-und-provokationen-methode-hat-100.html zu Palantir: https://de.wikipedia.org/wiki/Palantir_Technologies zu Jürgen Habermas: https://de.wikipedia.org/wiki/J%C3%BCrgen_Habermas  zu Mastodon: https://mastodon.world/explore zu Eric Schmidt: https://en.wikipedia.org/wiki/Eric_Schmidt Robins, K., & Webster, F. (1988). Cybernetic capitalism: Information, technology, everyday life. In V. Mosco & J. Wasko (eds.). The political economy of information. University of Wisconsin Press. https://www.researchgate.net/profile/Kevin-Robins-2/publication/282816878_cybernetic_capitalism_Information_technology_everyday_life/links/561d36c708aecade1acb365e/cybernetic-capitalism-Information-technology-everyday-life.pdf Baudrillard, J. (1983). Der symbolische Tausch und der Tod. Matthes & Seitz Berlin. https://www.matthes-seitz-berlin.de/buch/der-symbolische-tausch-und-der-tod.html zu Gilles Deleuze:  https://brill.com/display/title/39900?language=de&srsltid=AfmBOoonpAe9aAERETg25wTxqOH2oWqf-8nHgpMSxX_iLoArUS_V3l8u zu Jaques Derrida:  https://monoskop.org/Jacques_Derrida zu Stafford Beer: https://monoskop.org/Stafford_Beer zum erwähnten Projekt ‘Cybersyn' in Chile: https://thereader.mitpress.mit.edu/project-cybersyn-chiles-radical-experiment-in-cybernetic-socialism/  zum erwähnten ‘Laboria Cuboniks'-Kollektiv:  https://monoskop.org/Laboria_Cuboniks Gebru, T., & Torres, Émile P. (2024). The TESCREAL bundle: Eugenics and the promise of utopia through artificial general intelligence. First Monday, 29(4).  https://firstmonday.org/ojs/index.php/fm/article/view/13636 zu Stewart Brand: https://de.wikipedia.org/wiki/Stewart_Brand zu Slava Gerovitch: https://web.mit.edu/slava/homepage/gerovitch-cv.html Klaus, G. (1973). Kybernetik – eine neue Universalwissenschaft der Gesellschaft? Akademie-Verlag Berlin. http://www.max-stirner-archiv-leipzig.de/dokumente/KlausKybernetik.pdf  zum Gesetz über digitale Dienste (DSA): https://de.wikipedia.org/wiki/Gesetz_%C3%BCber_digitale_Dienste  zu Salome Viljoen: https://www.salomeviljoen.com/  Virilio, P. (2009). Der integrale Unfall. transcript.  https://www.degruyterbrill.com/document/doi/10.1515/9783839407219-001/pdf?licenseType=restricted&srsltid=AfmBOopKQ_tu9OPZ4VAcVzfGybsk3gwqub83XcQ-QYyJxxNWAmnlWU-c  Pentland, A. (2014). Social physics: how good ideas spread-the lessons from a new science. Penguin. https://books.google.at/books/about/Social_Physics.html?id=KAL5AgAAQBAJ&redir_esc=y  Pentland, A. (2014a). Social physics: How social networks can make us smarter. Penguin. https://archive.org/details/socialphysicshow0000pent zu Felix Maschewski: https://www.criticaldatalab.org/felix-maschewski Thematisch angrenzende Folgen S03E40 | Jan Overwijk on Cybernetic Capitalism and Critical Systems Theory  https://futurehistories-international.com/episodes/s03/e40-jan-overwijk-on-cybernetic-capitalism-and-critical-systems-theory/ S03E28 | Silke van Dyk zu alternativer Gouvernementalität https://www.futurehistories.today/episoden-blog/s03/e28-silke-van-dyk-zu-alternativer-gouvernementalitaet/ S02E31 | Thomas Swann on Anarchist Cybernetics  https://www.futurehistories.today/episoden-blog/s02/e31-thomas-swann-on-anarchist-cybernetics/ S01E22 | Anna-Verena Nosthoff und Felix Maschewski zu digitaler Verführung, sozialer Kontrolle und der Gesellschaft der Wearables https://www.futurehistories.today/episoden-blog/s01/e22-anna-verena-nosthoff-und-felix-maschewski-zu-digitaler-verfuehrung-sozialer-kontrolle-und-der-gesellschaft-der-wearables/ S01E18 | Simon Schaupp zu Kybernetik und radikaler Demokratie  https://www.futurehistories.today/episoden-blog/s01/e18-simon-schaupp-zu-kybernetik-und-radikaler-demokratie/ S01E01 | Benjamin Seibel zu Kybernetik  https://www.futurehistories.today/episoden-blog/s01/e01-benjamin-seibel-zu-kybernetik/ — Future Histories Kontakt & Unterstützung  Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories Schreibt mir unter: office@futurehistories.today Diskutiert mit mir auf Bluesky: https://bsky.app/profile/futurehistories.bsky.social Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories Webseite mit allen Folgen: www.futurehistories.today English webpage: https://futurehistories-international.com Episode Keywords  #Anna-Verena Nosthoff, #JanGroos, #FutureHistories, #Podcast, #Zukunft, #Kybernetik, #Gouvernementalität, #PolitischeKybernetik, #CyberneticGovernment, #CriticalDataLab, #Digitalisierung, #Informationstechnologie, #Plattformen, #SocialMedia, #Kapitalismus, #Imaginaries, #AlternativeRegierungskunst, #Regierbarkeit

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment. Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard's book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia. Cassandra Shepard's new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice' reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism. Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Food justice activists have worked to increase access to healthy food in low-income communities of color across the United States. Yet despite their best intentions, they often perpetuate food access inequalities and racial stereotypes. Hanna Garth shows how the movement has been affected by misconceptions and assumptions about residents, as well as by unclear definitions of justice and what it means to be healthy. Focusing on broad structures and microlevel processes, Garth reveals how power dynamics shape social justice movements in particular ways.Drawing on twelve years of ethnographic research, Garth examines what motivates people from more affluent, majority-white areas of the city to intervene in South Central Los Angeles. She argues that the concepts of "food justice" and "healthy food" operate as racially coded language, reinforcing the idea that health problems in low-income Black and Brown communities can be solved through individual behavior rather than structural change. Food Justice Undone: Lessons for Building a Better Movement (U California Press, 2026) explores the stakes of social justice and the possibility of multiracial coalitions working toward a better future. Hanna Garth is Assistant Professor of Anthropology at Princeton University, author of Food in Cuba: The Pursuit of a Decent Meal, and coeditor of Black Food Matters: Racial Justice in the Wake of Food Justice. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

The racist roots of modern policing in Baltimore By the early twentieth century, postbellum assaults on civil rights and the advent of Jim Crow expanded Baltimore's law enforcement into a vast network designed to oppress Black people. Michael Casiano's history charts the institutional consolidation of the city's post–Civil War police state. Authorities in Baltimore organized and established municipal power in distinct but connected sites that included jails, areas of political and social activism, public schools, street corners, courtrooms, and homes. Casiano analyzes policing in light of two parallel and inextricable realities of the city's governance. First, policing evolved from an inefficient and vigilante-driven system into a modern and paramilitary endeavor focused on suppressing citizens and maximizing the power, wealth, and reach of capitalists. Second, decades of racial antagonism shaped Baltimore policing into an apparatus primarily oriented around subduing Black freedom. A compelling urban history, Let Us Alone: The Origins of Baltimore's Police State (U Illinois Press, 2025) uses voices from all levels of society to examine police power, incarceration, and the perils of being Black in post–Civil War Baltimore. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yesterday marked the one-year anniversary of Donald Trump's inauguration as the 47th president of the United States. In the past year, we've watched as Trump delivered on his campaign promises of “mass deportation now” with violent assaults on immigrant communities, most recently in our neighboring state of Minnesota. On today's show, host Ali Muldrow is joined by scholar Sara McKinnon to talk about what has been predictable and surprising about the Trump administration's immigration enforcement.  McKinnon says that the scale and speed of what has been put in place is unprecedented, from deportation flights, detention, to ICE raids. We've seen that ICE activity in city centers has become more visible, public, and long lasting, with sometimes months-long occupations and tactics that challenge what is lawful. The rhetoric that justifies mass deportation relies on a message of crime and criminality that has been popular with Christian nationalists. On Trump's first day in office, he limited the Refugee Resettlement Program from 125,000 recipients to 7,500, which will be available to white South Africans. They also discuss the power and authority of ICE to kill at will, as with the killing of Renee Good earlier this month, the exponential growth of ICE forces and detention centers, and the racially motivated fear of immigrants that the Right cultivates. Sara McKinnon is Professor of Rhetoric, Politics & Culture in the Department of Communication Arts, and Faculty Director of Latin American, Caribbean & Iberian Studies at the University of Wisconsin-Madison. McKinnon has published three books, including Gendered Asylum: Race and Violence in U.S. Law and Politics (University of Illinois Press, 2016), which examines the gender discourse that emerged in U.S. immigration and refugee law between the 1980 Refugee Act and 2014. Her current research explores the dynamics of human migration in Latin America and analyzes foreign policy relations and rhetoric in a transnational context. Additionally, she leads a collaborative project aimed at expanding legal information about US immigration and refugee programs, as well as legal counsel available to migrants across the Americas, helping them to explore options for safe migration and residence. Featured image via Wikimedia Commons (CC BY-SA 4.0). Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post One Year of Immigration Enforcement on Steroids appeared first on WORT-FM 89.9.

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Who's in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt Publishing, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media. Joell Myescha is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Who's in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt Publishing, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media. Joell Myescha is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network