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Misha Glenny delves in to the In Our Time archive to select ten episodes for listeners to revisit. His eighth choice is The War of 1812, which was first released in January 2013. Melvyn Bragg and his guests discussed the conflict between America and the British Empire sometimes referred to as the second American War of Independence. In June 1812, President James Madison declared war on Britain, angered by the restrictions Britain had imposed on American trade, the Royal Navy's capture of American sailors and British support for Native Americans. After three years of largely inconclusive fighting, the conflict finally came to an end with the Treaty of Ghent which, among other things, helped to hasten the abolition of the global slave trade. Although the War of 1812 is often overlooked, historians say it had a profound effect on the USA and Canada's sense of national identity, confirming the USA as an independent country. America's national anthem, The Star-Spangled Banner began life as a poem written after its author, Francis Scott Key, witnessed the British bombardment of Fort McHenry during the Battle of Baltimore. The war also led to Native Americans losing hundreds of thousands of acres of land in a programme of forced removal. With: Kathleen Burk Professor of Modern and Contemporary History at University College London Lawrence Goldman Fellow in Modern History at St Peter's College, University of Oxford Frank Cogliano Professor of American History at the University of Edinburgh Producer: Victoria BrignellReading list:Carl Benn, The War of 1812 (Osprey, 2002)George Robert Gleig, A Narrative of the Campaigns of the British Army: at Washington, Baltimore, and New Orleans by an officer (John Murray, 1821)Donald R. Hickey, The War of 1812: A Forgotten Conflict (University of Illinois Press, 1989)Reginald Horsman, The Causes of the War of 1812 (Various publishers, 1962)Reginald Horsman, The Diplomacy of the New Republic, 1776-1815 (Harlan Davidson, 1985)Lawrence Kaplan, Entangling Alliances with None: American Foreign Policy in the Age of Jefferson (Kent State University Press, 1987)Andrew Lambert, The Challenge: Britain Against America in the Naval War of 1812 (Faber and Faber, 2012)Jon Latimer, 1812: War with America (Harvard University Press, 2007)Bradford Perkins, The Creation of a Republican Empire, 1776-1865 (Cambridge University Press, 1993)Leonard Sadosky, Revolutionary Negotiations: Indians, Empires, and Diplomats in the Founding of America (University of Virginia Press, 2009)J. C. A. Stagg, The War of 1812: Conflict for a Continent (Cambridge University Press, 2012)Alan Taylor, The Civil War of 1812: American Citizens, British Subjects, Irish Rebels and Indian Allies (Knopf, 2010)In Our Time is a BBC Studios productionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Wir springen in dieser Folge ins 19. und frühe 20. Jahrhundert und sprechen über eine Sache, die vor allem, aber nicht nur, in Kohlebergwerken Verwendung fand: Scrip, also Geldersatz, der Dinge vereinfachen sollte, Menschen aber auch in Abhängigkeiten führte. Wir schauen uns dafür vor allem die Gruben in den Appalachen, dem Gebirge im Osten der USA an, wo der Firmenladen, der Company Store, und die Firmenstadt, die Company Town, eine ganz eigene Lebenswelt hervorbrachten. "Another day older and deeper in debt" aus dem berühmten Lied "Sixteen Tons" dient uns dabei als Orientierungshilfe: wie sah das Leben in so einer Stadt tatsächlich aus, und wie wurden die Bergleute und ihre Familien daran gebunden? //Erwähnte Folgen - GAG456: Bierkriege – Tatort Geschichte Crossover – https://gadg.fm/456 - GAG87: Die Einführung von Freigeld und das Wunder von Wörgl – https://gadg.fm/87 - GAG56: Piggly Wiggly und die Geschichte des Supermarkts – https://gadg.fm/56 - GAG376: Nagelmackers und der Orient-Express – https://gadg.fm/376 // Literatur - Fishback, Price V.: Soft Coal, Hard Choices: The Economic Welfare of Bituminous Coal Miners, 1890–1930. 1992. - Hilton, George W.: The Truck System, including a History of the British Truck Acts, 1465–1960. 1960. - Hirsch, Susan Eleanor: After the Strike: A Century of Labor Struggle at Pullman. University of Illinois Press, 2003. - Shifflett, Crandall A.: Coal Towns: Life, Work, and Culture in Company Towns of Southern Appalachia, 1880–1960. 1991. - Stendhal: Le Rouge et le Noir. 1830, Deutsche Ausgabe: Rot und Schwarz. Chronik aus dem 19. Jahrhundert. Aus dem Französischen übersetzt und herausgegeben von Elisabeth Edl. Carl Hanser, 2004. - Tan, Elaine S.: „Scrip as Private Money, Monetary Monopoly, and the Rent-Seeking State in Britain“. In: The Economic History Review 64/1 (2011), S. 238–257. Das Episodenbild zeigt Papierscrip im Wert von 3 Dollar. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBIBLIOGRAPHYEpisode One: Before the Brain ScanModern Sexual Response and Neuroscientific FramingBasson, Rosemary. “Human Sex-Response Cycles.” Journal of Sex & Marital Therapy 27, no. 1 (2001): 33–43.Georgiadis, Janniko R. “Doing It… Wild? On the Role of the Cerebral Cortex in Human Sexual Activity.” Socioaffective Neuroscience & Psychology 2 (2012): 17337.Georgiadis, Janniko R., and A. A. T. Simone Reinders. “Men versus Women on Sexual Brain Function: Prominent Differences during Tactile Genital Stimulation, but Not during Orgasm.” Human Brain Mapping 30, no. 10 (2009): 3089–3101.Kaplan, Helen Singer. The New Sex Therapy: Active Treatment of Sexual Dysfunctions. New York: Brunner/Mazel, 1974.Masters, William H., and Virginia E. Johnson. Human Sexual Response. Boston: Little, Brown and Company, 1966.Stoléru, Serge, Virginie Fonteille, Christelle Cornélis, Christian Joyal, and Virginie Moulier. “Functional Neuroimaging Studies of Sexual Arousal and Orgasm in Healthy Men and Women: A Review and Meta-Analysis.” Neuroscience & Biobehavioral Reviews 36, no. 6 (2012): 1481–1509.Wise, Nan J., Eleni Frangos, and Barry R. Komisaruk. “Brain Activity Unique to Orgasm in Women: An fMRI Analysis.” Journal of Sexual Medicine 14, no. 11 (2017): 1380–1391.Ancient Egyptian Primary Sources and Textual CollectionsAllen, James P., trans. The Ancient Egyptian Pyramid Texts. Atlanta: Society of Biblical Literature, 2005.Faulkner, Raymond O., trans. The Ancient Egyptian Coffin Texts. 3 vols. Warminster, UK: Aris & Phillips, 1973–1978.Lichtheim, Miriam. Ancient Egyptian Literature. Vol. 1, The Old and Middle Kingdoms. Berkeley: University of California Press, 1973.Lichtheim, Miriam. Ancient Egyptian Literature. Vol. 2, The New Kingdom. Berkeley: University of California Press, 1976.University College London. “Kahun Medical Papyrus.” Digital Egypt for Universities. Petrie Museum of Egyptian and Sudanese Archaeology. Accessed July 21, 2026.University College London. “Healing Papyri from Lahun.” Digital Egypt for Universities. Petrie Museum of Egyptian and Sudanese Archaeology. Accessed July 21, 2026.Ancient Egyptian Religion, Sexuality, and MedicineAllen, James P. Genesis in Egypt: The Philosophy of Ancient Egyptian Creation Accounts. Yale Egyptological Studies 2. New Haven, CT: Yale Egyptological Seminar, 1988.Assmann, Jan. The Search for God in Ancient Egypt. Translated by David Lorton. Ithaca, NY: Cornell University Press, 2001.Graves-Brown, Carolyn. Dancing for Hathor: Women in Ancient Egypt. London: Continuum, 2010.Hornung, Erik. Conceptions of God in Ancient Egypt: The One and the Many. Translated by John Baines. Ithaca, NY: Cornell University Press, 1982.Manniche, Lise. Sexual Life in Ancient Egypt. London: KPI, 1987.Matić, Uroš. “Sexuality in Ancient Egypt: Pleasures, Desires, Norms, and Representations.” In The Cambridge World History of Sexualities, vol. 2, edited by Merry E. Wiesner-Hanks and Mathew Kuefler, 22–42. Cambridge: Cambridge University Press, 2024.Nunn, John F. Ancient Egyptian Medicine. London: British Museum Press, 1996.Pinch, Geraldine. Egyptian Mythology: A Guide to the Gods, Goddesses, and Traditions of Ancient Egypt. Oxford: Oxford University Press, 2004.Ritner, Robert Kriech. The Mechanics of Ancient Egyptian Magical Practice. Studies in Ancient Oriental Civilization 54. Chicago: Oriental Institute of the University of Chicago, 1993.Robins, Gay. Women in Ancient Egypt. Cambridge, MA: Harvard University Press, 1993.Smith, Mark. Following Osiris: Perspectives on the Osirian Afterlife from Four Millennia. Oxford: Oxford University Press, 2017.Stevens, Anna. “The Material Evidence for Domestic Religion at Amarna and Preliminary Remarks on Its Interpretation.” Journal of Egyptian Archaeology 89 (2003): 143–168.Mesopotamian Primary Sources and Translated LiteratureBlack, Jeremy, Graham Cunningham, Eleanor Robson, and Gábor Zólyomi. The Literature of Ancient Sumer. Oxford: Oxford University Press, 2004.Foster, Benjamin R. Before the Muses: An Anthology of Akkadian Literature. 3rd ed. Bethesda, MD: CDL Press, 2005.Jacobsen, Thorkild. The Harps That Once…: Sumerian Poetry in Translation. New Haven, CT: Yale University Press, 1987.Kramer, Samuel Noah. The Sacred Marriage Rite: Aspects of Faith, Myth, and Ritual in Ancient Sumer. Bloomington: Indiana University Press, 1969.Wolkstein, Diane, and Samuel Noah Kramer. Inanna: Queen of Heaven and Earth—Her Stories and Hymns from Sumer. New York: Harper & Row, 1983.Mesopotamian Sexuality, Sacred Marriage, and GenderAssante, Julia. “The Kar.kid/Ḫarimtu: Prostitute or Single Woman? A Reconsideration of the Evidence.” Ugarit-Forschungen 30 (1998): 5–96.Biggs, Robert D. ŠÀ.ZI.GA: Ancient Mesopotamian Potency Incantations. Texts from Cuneiform Sources 2. Locust Valley, NY: J. J. Augustin, 1967.Budin, Stephanie Lynn. Fertility and Gender in the Ancient Near East. London: Routledge, 2014.Budin, Stephanie Lynn. The Myth of Sacred Prostitution in Antiquity. Cambridge: Cambridge University Press, 2008.Leick, Gwendolyn. Sex and Eroticism in Mesopotamian Literature. London: Routledge, 1994.Lapinkivi, Pirjo. The Sumerian Sacred Marriage in the Light of Comparative Evidence. State Archives of Assyria Studies 15. Helsinki: Neo-Assyrian Text Corpus Project, 2004.Peled, Ilan. “Sexuality in the Systems of Thought and Belief of the Ancient Near East.” In The Cambridge World History of Sexualities, vol. 2, edited by Merry E. Wiesner-Hanks and Mathew Kuefler, 43–62. Cambridge: Cambridge University Press, 2024.Peled, Ilan. Masculinities and Third Gender: The Origins and Nature of an Institutionalized Gender Otherness in the Ancient Near East. Münster: Ugarit-Verlag, 2016.Parpola, Simo, and Robert M. Whiting, eds. Sex and Gender in the Ancient Near East. Helsinki: Neo-Assyrian Text Corpus Project, 2002.Stol, Marten. Women in the Ancient Near East. Translated by Helen Richardson and Mervyn Richardson. Berlin: De Gruyter, 2016.Westenholz, Joan Goodnick. “Tamar, Qĕdēšā, Qadištu, and Sacred Prostitution in Mesopotamia.” Harvard Theological Review 82, no. 3 (1989): 245–266.Wiggermann, Frans A. M. “Sexualität: In Mesopotamien.” In Reallexikon der Assyriologie und Vorderasiatischen Archäologie, vol. 12, edited by Michael P. Streck and others, 410–426. Berlin: De Gruyter, 2010.Mesopotamian Medicine, Reproduction, and the BodyBöck, Barbara. The Healing Goddess Gula: Towards an Understanding of Ancient Babylonian Medicine. Culture and History of the Ancient Near East 67. Leiden: Brill, 2014.Geller, Markham J. Ancient Babylonian Medicine: Theory and Practice. Chichester, UK: Wiley-Blackwell, 2010.Horstmanshoff, H. F. J., Marten Stol, and Cornelis Tilburg, eds. Magic and Rationality in Ancient Near Eastern and Graeco-Roman Medicine. Studies in Ancient Medicine 27. Leiden: Brill, 2004.Scurlock, JoAnn, and Burton R. Andersen. Diagnoses in Assyrian and Babylonian Medicine: Ancient Sources, Translations, and Modern Medical Analyses. Urbana: University of Illinois Press, 2005.Steinert, Ulrike. “Fluids, Rivers, and Vessels: Metaphors and Body Concepts in Mesopotamian Gynaecological Texts.” Le Journal des Médecines Cunéiformes 22 (2013): 1–23.Steinert, Ulrike. “Concepts of the Female Body in Mesopotamian Gynecological Texts.” In The Comparable Body: Analogy and Metaphor in Ancient Mesopotamian, Egyptian, and Greco-Roman Medicine, edited by John Z. Wee, 275–357. Leiden: Brill, 2018.Stol, Marten. Birth in Babylonia and the Bible: Its Mediterranean Setting. Cuneiform Monographs 14. Groningen: Styx Publications, 2000.Broader Comparative and Methodological StudiesBudin, Stephanie Lynn. “Phallic Fertility in the Ancient Near East and Egypt.” In Reproduction: Antiquity to the Present Day, edited by Nick Hopwood, Rebecca Flemming, and Lauren Kassell, 31–48. Cambridge: Cambridge University Press, 2018.Faraone, Christopher A., and Laura K. McClure, eds. Prostitutes and Courtesans in the Ancient World. Madison: University of Wisconsin Press, 2006.King, Helen. Hippocrates' Woman: Reading the Female Body in Ancient Greece. London: Routledge, 1998.Stol, Marten. “Women in Mesopotamia.” Journal of the Economic and Social History of the Orient 38, no. 2 (1995): 123–144.Wiesner-Hanks, Merry E., and Mathew Kuefler, eds. The Cambridge World History of Sexualities. Vol. 2, Systems of Thought and Belief. Cambridge: Cambridge University Press, 2024.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

In this updated and remastered Southern Mysteries Classic, we revisit the strange disappearance of Connie Franklin and the mystery of the man who returned from the dead. In 1929, five men in Stone County, Arkansas, were charged with the murder of Franklin, a drifter who had vanished from the Ozarks. A teenage girl said he had been brutally attacked and his body burned in the woods, and investigators believed they had found his charred remains. Then, just days before the murder trial began, a man appeared claiming to be Connie Franklin. The bizarre case drew reporters from across the country and became known as the Arkansas Ghost Trial. Join the Community on Patreon: Want more Southern Mysteries? You can hear the Southern Mysteries show archive of 60+ episodes along with Patron exclusive podcast, Audacious: Tales of American Crime and more when you become a patron of the show. You can immediately access exclusive content now at patreon.com/southernmysteries

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Please enjoy this Summer Salon Series episode of Breaking Form Selects: Rigoberto González Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Rigoberto González was born in Bakersfield, California and raised in Michoacán, Mexico. He earned a BA from the University of California, Riverside and graduate degrees from University of California, Davis and Arizona State University. He is the author of To the Boy Who Was Night: Poems Selected and New (2023), The Book of Ruin (2019), Unpeopled Eden (2013), winner of a Lambda Literary Award, and Black Blossoms (2011), all published by Four Way Books. His other poetry collections include Other Fugitives and Other Strangers (Tupelo Press, 2006) and So Often the Pitcher Goes to Water Until It Breaks (University of Illinois Press, 1999), a National Poetry Series selection. González has also written multiple books in other genres including the novel Crossing Vines (University of Oklahoma Press, 2003), the memoir Butterfly Boy: Memories of a Chicano Mariposa (University of Wisconsin Press, 2006), the critical essay collection Pivotal Voices, Era of Transition: Toward a 21st Century Poetics (University of Michigan Press, 2017), and the book of stories Men without Bliss (University of Oklahoma Press, 2008).Read more about González (and more poems by him) here. Read this essay on González by Darrel Alejandro Holness here. Read this essay penned by González on writing memoir.Watch this short, fabulous interview with Rigoberto González here (~20 min). And watch González read his poem "A Note on Resentment" (~2 min).Poems we read include:"What Smells Dead""Casa""Thinking Stones""Carnivore"

Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities? In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change. There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul. Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities? In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change. There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul. Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities? In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change. There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul. Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities? In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change. There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul. Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities? In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change. There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul. Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities? In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change. There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul. Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

El tractor agrícola transformó la producción de alimentos en todo el mundo, desde los primeros prototipos de vapor del siglo diecinueve hasta las máquinas autónomas guiadas por GPS de hoy. John Froelich construyó en 1892 el primer vehículo capaz de moverse por su propia fuerza con motor de gasolina, sentando las bases de una industria que cambiaría para siempre el trabajo en el campo.Henry Ford revolucionó el mercado con el Fordson en 1917, aplicando producción en serie y precios bajos hasta dominar más de la mitad de las ventas en Estados Unidos hacia 1923. Del otro lado del Atlántico, el ingeniero irlandés Harry Ferguson desarrolló el sistema de tres puntos, un estándar técnico que sigue vigente en prácticamente todos los tractores fabricados en el planeta.La historia del tractor también atraviesa episodios geopolíticos poco conocidos. Las plantas soviéticas de Stalingrado y Járkov mecanizaron la colectivización forzada bajo Stalin, mientras que el programa estadounidense de Préstamo y Arriendo envió miles de unidades a la URSS durante la Segunda Guerra Mundial.El litigio entre Harry Ferguson y Ford Motor Company por el uso no autorizado de una patente terminó en una de las indemnizaciones más altas de su época, marcando un precedente legal en la industria de la maquinaria agrícola.Hoy, la disputa por el derecho a reparación y la llegada de tractores autónomos redefinen el futuro de la mecanización agrícola, cerrando un ciclo que comenzó hace más de cien años en un campo de Dakota del Sur.Escucha Agricultura Profesional:https://open.spotify.com/show/2ZuOW2DhD7PK4SM33gtFWy?si=e33021063a114550--Créditos musicales:INTROMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/kevin-graham/53License code: 62TIV9S8Q1XCM65WOUTROMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/ra/let-good-times-rollLicense code: KUSUTAITXDLYUTHQ--Fuentes consultadas:Historia de John Deere y la adquisición de Waterloo Gasoline Engine Company, archivo corporativo de John Deere.Robert C. Williams, Fordson, Farmall, and Poppin' Johnny: A History of the Farm Tractor and Its Impact on America, University of Illinois Press.Science Museum Group, Reino Unido, documentación sobre Harry Ferguson y el sistema de tres puntos.R. W. Davies, The Soviet Collective Farm, 1929-1930, sobre las plantas de tractores de Stalingrado y Járkov y la colectivización soviética.Smithsonian National Museum of American History, colección sobre mecanización agrícola en Estados Unidos, incluyendo el desarrollo de las llantas neumáticas de Allis-Chalmers.

Religious imagery—from Greco-Roman sculptures to The Chosen—has influenced the spiritual self-conception of generations of religious practitioners. But what innovations and contributions have Mormon artists made in this field, and how has it cultivated a distinct religious identity?Art historian Jennifer Champoux asserts that it was Danish-American artist C. C. A. Christensen who exerted the most influence over the visual trajectory of Mormonism. On this episode of Scholars & Saints, Champoux discusses her new book, C. C. A. Christensen: A Mormon Visionary (University of Illinois Press, 2026) with host Nicholas Shrum. Together, they explore Christensen's artistic style, his scriptural depictions in the 1890 Book of Mormon series, and his representation of Mormon experience and trauma in his Mormon panorama. More than just art history, Champoux dives deeply into how communal memory of trauma and shared religious identity are formed and communicated to Mormons by artistic visionaries like Christensen.Jennifer Champoux is the director of the Book of Mormon Art Catalog and scholar of Latter-day Saint art. In addition to her recent publication on Christensen, she is also the author of Approaching the Tree: Interpreting 1 Nehi 8 (Maxwell Institute, 2023) and co-author of Picturing Christ: Understanding Depictions of Jesus in History and Art (Deseret Books, 2026).

Ocho por ciento de interés POR MES. ¿Estamos frente a la invención de los esquemas Ponzi, ANTES que llegara Ponzi? ¿Qué puede salir mal? Esta es la historia de Sarah Howe, alguien que hizo un esquema Ponzi antes que el propio Ponzi, pero nadie recuerda quién es. Temporada 01, Episodio 01. Fuentes / Textos CLAPP, Henry A. (1881) Sympathetic Banking. The Atlantic. July 1881 Issue. LATFEM (2019) Hola, chispita poderosa: ¿querés saber algo sobre el telar de la abundancia? Latfem.org MUJERES CONFIAR (2019) Tres atractivas mentiras de los Telares de los Sueños. Mujeresconfiar.com PIN, Serrana (2024) El regreso de la estafa del mandala de la abundancia. La Mañana. ROBB, George (2017) Ladies of the Ticker: Women and Wall Street from the Gilded Age to the Great Depression. University of Illinois Press. ISBN: 978-0252099748 Fuentes / Sitios Web Wikipedia Recursos Sonoros: Epidemic Sounds, Wikimedia Commons.

This was a live one, recorded on the eve of the 250th at Wake Forest Divinity School with the Double Deans in the room. Corey Walker's Theology Summit lecture — which spent six hours at the top of Substack the week we recorded — uses two moments in American history to name where we are: James Duane's October 1775 letter hoping this winter would bring revolution, and Gil Scott-Heron's 1973 album Winter in America, a lament for the arrested development of democracy after Nixon. Corey's argument is that 2026 is another winter. Bill Leonard, the founding dean who trained a generation to think about dissent, added the second layer: a perfect imperfect storm in which Christian nationalism has fused with authoritarian government and the church is the least helpful it has been in his lifetime. Three questions run through the conversation — Is God dead? (Sojourner Truth to Frederick Douglass in 1850), Is America possible? (Vincent Harding), and What does our religion say to those with their backs against the wall? (Howard Thurman) — and none of them get answered. What they get instead is Corey's proposal that the 250th is calling us to a counter memory — not the memory of those who prevailed, but of Miss Audrey, Mister Pugh, and Mister Linwood, the neighbors whose first names were their titles. Plus the Snake Handler Fund is officially open. Join our Online Summit - ⁠⁠⁠Unsettled Ground: Faith & the American Story at 250⁠⁠⁠ This summer, Diana Butler Bass and I are launching Faith at 250 — ⁠⁠⁠an online summit⁠⁠⁠ featuring scholars like Randall Balmer, Juan Floyd-Thomas, Elesha Coffman, and more, each offering their own take on religion and America at 250 years. We built it so faith communities have something honest and substantive to turn to when the nationalist narratives start flying. Sign up at ⁠⁠⁠www.TheologySummit.com⁠⁠⁠ to get access to every lecture, livestream, and discussion guide. The summit is donation-based, including 0. Dr. Corey D. B. Walker is Dean of Wake Forest University School of Divinity, Wake Forest Professor of the Humanities, and inaugural Director of the Program in African American Studies. A native of Norfolk, Virginia and an ordained American Baptist clergyperson, he previously served as Vice President and Dean at Virginia Union University's Samuel DeWitt Proctor School of Theology, founding dean of the College of Arts, Sciences, Business and Education at Winston-Salem State University, and chair of Africana Studies at Brown University. He is a former student of Cornel West at Harvard, and sits on the board of Lincoln University (the country's first HBCU). Books: A Noble Fight: African American Freemasonry and the Struggle for Democracy in America (University of Illinois Press); Community Wealth Building and the Reconstruction of American Democracy (co-edited with Melody Barnes and Thad Williamson, Edward Elgar, 2020); and Beyond a Politics of Nostalgia: Religious Freedom and the Ends of Democracy (co-edited with Sabrina E. Dent). Forthcoming: Disciple of Nonviolence: Wyatt Tee Walker and the Struggle for the Soul of Democracy(University of Virginia Press). His Theology Summit lecture — Winter in America — is at theologysummit.com. Dr. Bill J. Leonard is the founding Dean of Wake Forest University School of Divinity and Professor of Divinity Emeritus. He writes a regular column for Baptist News Global. His most recent book is Appalachian Mountain Christianity: The Spirituality of Otherness (University of Georgia Press, 2024). Earlier books include A Sense of the Heart: Christian Religious Experience in the United States (Abingdon), Baptist Ways: A History (Judson), and The Challenge of Being Baptist (Baylor). He is, to the best of anyone's knowledge, the only person in Wake Forest history to have brought a serpent-handling preacher to campus with actual serpents (Reverend Carl Porter, 1997, five snakes minimum). The Snake Handler Fund at Wake Div is now, officially, open. This podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homebrewed Christianity ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠production. 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In this inaugural episode of our "Industrial Strength Bluegrass" season of Walls of Time, we sit down with Fred Bartenstein at his home in Yellow Springs, OH. Fred is one of the editors of the book Industrial Strength Bluegrass: Southwestern Ohio's Musical Legacy for University of Illinois Press, so he had to be our first guest this season. We start off our conversation, by learning what exactly is "industrial strength bluegrass", where did the title originate, and why does it refer to bluegrass music connected to the Dayton/Cincinnati region. Fred truly is a "bluegrass guru." His multi-faceted career in this music began as a teenager. For six decades, he has worn many hats, including guitar player, radio broadcaster, newspaper editor, scholar, festival emcee, author, educator, and more. His work in bluegrass began in a big way as a young man, becoming the right hand man for Carlton Haney, known as the "P.T. Barnum of Bluegrass Music", and he tells us all about it! (Yes -- I ask about Pythagoras.) Enjoy Part 1 of our conversation with Fred Bartenstein. This episode is brought to you by the following sponsors: -- Greene County Public Library: greenelibrary.info -- Samson's Haircare: samsonshaircare.com (Use code BLUEGRASS to save 10%.) 

On this episode of the Natasha Helfer Podcast, Natasha is joined by Nancy Ross and Larissa Kanno Kindred to discuss the impact that LDS garments have on sexuality. Nancy Ross is an associate professor and the department chair of the Interdisciplinary Arts and Sciences Department at Utah Tech University, where she has taught for 20 years. She researches LDS and Community of Christ women, women's ordination movements, and issues related to Mormon feminism. Her book, co-authored with Jessica Finnigan and Larissa Kanno Kindred, is titled  "Mormon Garments: Sacred and Secret" and was published by the University of Illinois Press in February 2026. The book examines the meaning and lived experiences of those who wear garments through the lenses of gender and belief.  Larissa Kanno Kindred holds a master's degree in Mental Health Counseling from the University of Massachusetts Boston and is currently a doctoral student in Counseling Psychology at Tennessee State University. Her clinical and research interests center on identity development, racial socialization, and the intersection of race, gender, sexuality, and religion. She works as a mental health therapist and has published research on neurodiverse-affirming approaches to couples counseling and the online tradwife movement. Larissa also writes at the intersection of religion, embodiment, and lived experience; she is a co-author, with Nancy Ross and Jessica Finnigan, of Mormon Garments: Sacred and Secret, published by the University of Illinois Press, which examines the meaning of garments through the lenses of gender and belief.   To help keep this podcast going, please consider donating at natashahelfer.com and share this episode. To watch the video of this podcast, you can subscribe to Natasha's channel on Youtube and follow her professional Facebook page at natashahelfer LCMFT, CST-S. You can find all her cool resources at natashahelfer.com.  The information shared on this program is informational and should not be considered therapy. This podcast addresses many topics around mental health and sexuality and may not be suitable for minors. Some topics may elicit a trigger or emotional response so please care for yourself accordingly. The views, thoughts and opinions expressed by our guests are their own and do not necessarily reflect the views or feelings of Natasha Helfer or the Natasha Helfer Podcast. We provide a platform for open and diverse discussions, and it is important to recognize that different perspectives may be shared. We encourage our listeners to engage in critical thinking and form their own opinions. The intro and outro music for these episodes is by Otter Creek. Thank you for listening. And remember: Symmetry is now offering Ketamine services. To find out more, go to symcounseling.com/ketamine-services. There are also several upcoming workshops. Visit natashahelfer.com or symcounseling.com to find out more.

“That kind of put soccer on my radar as a sport. I saw how deeply it meant to people, in a way I didn't appreciate prior to that. And then I was in London when the World Cup began, and I saw the opening match — Argentina and Cameroon, with Cameroon winning in an upset. Just the whole spectacle of it gave me an appreciation for the game.” — Brian Bunk, on Ireland, Italia '90, and the moment everything changed Not long now. Only seven days until the World Cup begins. Just enough time to read Brian D. Bunk's new The Shortest History of Soccer: From Ancient Kicking Games to the World's Most Popular Sport. History isn't Bunk with Brian. He looks a bit like Elton John, which is appropriate given that old Rocket Man was chairman of Watford and bankrolled the tiny English club to almost winning the league. Pop stars like Ed Sheeran (Ipswich) and Robert Plant (Wolves) love football, Bunk notes. Probably because it reminds them of where they came from. Bunk's thesis is that soccer's global dominance is not accidental. Born in the industrial communities of nineteenth-century England, the game gave workers a new identity, new evidence of their collective power, proof they'll never walk alone. That same logic explains why middle-aged men all over America religiously gather at their local bars to watch English teams with strange names like Ipswich Town and Wolverhampton Wanderers. Such is religion in our globalised post-industrial age. “Some people think football is a matter of life and death. I don't like that attitude. I can assure them it is much more serious than that,” the great Liverpool manager Bill Shankly quipped. That's the shortest of short histories of football. What the working-class Shankly meant was that it gives us social meaning — which is, indeed, more historically significant than the life or death of a single individual. Or even God. Football saves our souls, Brian Bunk concurs with Bill Shankly. Enjoy the World Cup. Five Takeaways •       Soccer Was Born in Industrial Communities for a Reason: The game emerged in industrial Britain in the second half of the nineteenth century not by accident but because industrialisation had shattered traditional community life. Mass migration to cities, technological disruption, the loss of familiar rhythms — all created a need for new kinds of identity and belonging. Soccer filled that need. It gave factory workers a team to follow, a ground to gather at, a shared identity that transcended ethnic and class lines. Bunk's argument: this community function is baked into the game itself, which is why it has replicated across every culture it has touched. •       Why Americans Love the Premier League: Bunk identifies the 1990s as the pivotal decade for American soccer. The 1994 World Cup on home soil. The women's World Cup. The formation of MLS. The arrival of the FIFA video game. The Premier League broadcasting deals with ESPN and Fox. All of these combined and snowballed. Add to that the NFL owners investing in English clubs, the celebrity ownership wave (Ryan Reynolds, Elton John), and the cultural footprint of shows like Ted Lasso and Welcome to Wrexham. The result: a generation of Americans for whom following the Premier League is a primary source of community. •       Maradona: All the Contradictions of Football in One Man: Asked which historical match he would most want to attend, Bunk chooses Mexico City, June 1986: Argentina vs England. Not for the Hand of God goal — which was cheating — but for the second goal, the one where Maradona picked up the ball in his own half, went past five English players, and scored what is generally considered the greatest goal in the history of the game. Bryon Butler's BBC radio commentary: “turning like a little eel.” Andrew's verdict: if any single figure captures all the genius, joy, turbulence, and tragedy of football, it is Maradona. •       The World Cup Returns to North America: In seven days, the 2026 FIFA World Cup begins in the United States, Canada, and Mexico — the first time the tournament has returned to North America since the USA hosted in 1994. The timing of Bunk's book is deliberate. Soccer is more popular in America than at any point in history, and the home World Cup is the event that could push it into the first tier of American sports culture. The Premier League, MLS, women's soccer, and now the World Cup: the game's US footprint is larger than it has ever been. •       Andrew's Game: Tottenham vs Benfica, April 1962: Andrew's own fantasy match, offered unprompted at the end: the first leg of the 1962 European Cup semi-final between Tottenham Hotspur and Benfica at the Est00e1dio da Luz in Lisbon on March 20, 1962, with Eusebio and Jimmy Greaves on the same pitch. Spurs lost 320131 on the night, went out 420132 on aggregate. Two clear penalties not given. Andrew's conclusion: had Spurs won that match, the history of European football — and possibly his own life — would have been different. He notes that he has a son, and that he should have called him Jimmy. About the Guest Brian D. Bunk is a Senior Lecturer in History at the University of Massachusetts Amherst, where he teaches courses on world history, modern Europe, and the global history of soccer. He is the author of The Shortest History of Soccer: From Ancient Kicking Games to the World's Most Popular Sport (The Experiment, June 2026), Beyond the Field: How Soccer Built Community in the United States (University of Illinois Press, 2025), and From Football to Soccer: The Early History of the Beautiful Game in the United States (University of Illinois Press, 2021). He lives in Northampton, Massachusetts. References: •       The Shortest History of Soccer by Brian D. Bunk (The Experiment, June 2026). •       Beyond the Field: How Soccer Built Community in the United States by Brian D. Bunk (University of Illinois Press, 2025). •       Argentina vs England, FIFA World Cup quarter-final, Azteca Stadium, Mexico City, June 22, 1986 — the Hand of God game, referenced as Bunk's fantasy match. •       Tottenham Hotspur vs Benfica, European Cup semi-final, Estádio da Luz, Lisbon, April 1962 — Andrew's fantasy match. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On A...

The Latter-day Saint tradition features a prodigious number of eloquent speakers and famous speeches — from Brigham Young's sermons to Mitt Romney's "Faith in America" address. But how does this tradition, especially with its lack of formal homiletical training, boast such a rich, deeply ingrained, and democratic culture of public address?On today's episode of Scholars & Saints, host Nicholas Shrum probes these questions with Professor Richard Benjamin Crosby and PhD Student Isaac James Richards, editors of Latter-Day Eloquence: Two Centuries of Mormon Oratory (University of Illinois Press, 2026). Crosby and Richards discuss the oratorical culture in which Latter-day Saints are raised, as well as the different rhetorical topics commonly employed in public addresses, such as rhetorics of exaltation, Zion, and peculiarity. They also examine the adaptation of Mormon rhetoric and public image in response to cultural assimilation, as well as the impacts of the digital age on Latter-day Saint oratory and communication.Richard Benjamin Crosby is Associate Professor of English at Brigham Young University, where he studies and teaches rhetorical theory and practice, with an interest in political and religious communication.Isaac James Richards is a PhD Student in Communication Arts and Sciences at the Pennsylvania State University. He studies the history and theory of writing, rhetoric, media, and communication, with particular attention to the intersection of memory, religion, and democracy.

Dr. Courtney M. Cox is the author of “Double Crossover: Gender, Media and Politics in Global Basketball” (Univ. of Illinois Press, 2025) and Associate Professor of Indigenous, Race, and Ethnic Studies at the University of Oregon. She talks about her book, the rapid growth and change – particularly in the experiences of the players – in the WNBA, and the intersections of race, gender, and nation with Dr. M. Aziz, Assistant Professor of Race and Ethnic Studies at the University of Washington and Dr. Ron Krabill, Director of UW's Global Sport Lab. The Global Sport Lab, based in the UW's Henry M. Jackson School, is supported by over a dozen UW departments and schools and was founded in 2024. The Lab uses the lens of sport to explore the big challenges of our global world, such as inequity, politics, injustice, human rights, popular culture, democracy and the economy. Music credit: “Merci Kylian” by Laurent Dubois. Full song "Merci Kylian": music.apple.com/us/album/merci-ky…0482?i=1734841106 Music label: www.wotiproduction.com/music-1

Today our guest is Dr. Brian Ingrassia Associate Professor of History at West Texas A&M University. He specializes in modern American history with a focus on the Gilded Age and Progressive Era, as well as sport history, cultural/intellectual history, and Texas history. He is also the current editor of The Journal of the Gilded Age and Progressive Era. If you listened to our OAH sampler episode last week you heard a little bit about the excellent work he does with the journal. This week we are here to talk about his most recent book, Speed Capital: Indianapolis Auto Racing and the Making of Modern America, which was published by the University of Illinois Press in 2024. We're particularly grateful to Brian for talking with us because as many of you may know, the Indy 500 always takes place on Memorial Day Weekend, so this is a very timely episode. Hosted on Acast. See acast.com/privacy for more information.

Members of the Church of Jesus Christ of Latter-day Saints have received special undergarments as part of their temple endowment ceremonies since the days of Jospeh Smith. But what are these garments? How do they fit and feel? How have they changed with fashion trends over the years? And how do Latter-day Saints perceive and experience these garments as an embodied practice of their religion?Researchers Nancy Ross and Jessica Finnigan sit down with host Nicholas Shrum to discuss these and many other questions from their brand-new book (co-authored with Larissa Kanno Kindred) Mormon Garments: Sacred and Secret (University of Illinois Press). Having surveyed thousands of Latter-day Saints, Ross and Finnigan discuss their findings on the gendered difference in garment wearing, the ways in which garments make Mormonism feel embodied, the social costs of wearing — or not wearing — garments, the complexities of researching such a taboo topic, and the impact of these garments on the individual Latter-day Saints' relationship to the Church and God.Nancy Ross is an associate professor and the department chair of the Interdisciplinary Arts and Sciences Department at Utah Tech University. She was also a 2024 Clyde Research Fellow in Mormonism and Gender in the UVA Mormon Studies Prince Collection.Jessica Finnigan is the founder of Fractional Project Manager and a seasoned researcher and data analyst. She has been researching and writing about Mormonism — particularly the experience of Mormon women — for over a decade.

Seth S. Tannenbaum, Ph.D. is assistant professor of sports studies at Manhattanville University and author of Bleacher Seats and Luxury Suites: Democracy and Division at the Twentieth-Century Ballpark (University of Illinois Press 2026). The book speaks to the fan experience at Major League Baseball games in the twentieth century and examines changing understandings of urban space, inclusion, and democracy in the U.S.Seth Tannenbaum's webpage (with discount code for Bleacher Seats). https://sethtannenbaum.com/research-description/Consider supporting Hooks & Runs by purchasing books, including those featured in this episode (if any were), through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandruns.Hooks & Runs - https://hooksandruns.buzzsprout.comEmail: hooksandruns@protonmail.comCraig on Bluesky (@craigest.bsky.social)Rex (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/Hosts Emeriti:Andrew Eckhoff on TikTokhttps://www.tiktok.com/@hofffestEric on Facebookhttps://www.facebook.com/ichaboderic/Music: "Warrior of Light" by ikolics (via Premium Beat)   www.premiumbeat.com/artist/ikoliksThis podcast and this episode are copyright Craig Estlinbaum, 2026.

This week, an interview with Tom Goyens, professor of history at Salisbury University and author of Johann Most: Life of a Radical, out last year from University of Illinois Press speaking about the life and times of the atheist and propagandist and his development from social democrat parliamentarian to socialist revolutionary to anarchist. For the chat we talk about Mosts's life, development and legacy, from the mid-1800's in Bavaria up to his death in 1906. Other links: Tom's prior book on radical German immigrants in the US, Beer and Revolution: The German Anarchist Movement in New York City, 1880-1914 Tom's compilation of the memoir of Helene Minkin, Storm in My Heart: Memories from the Widow of Johann Most Tom's wixsite: https://txgoyens.wixsite.com/tomgoyens Tom on facebook, instagram and bluesky

Nurhaizatul Jamil's Faithful Transformations: Islamic Self-Help in Contemporary Singapore (U Illinois Press, 2025) is a complex and meticulous ethnography of recent trends in Islamic self-help circles based in Singapore. Drawing on research conducted with primarily young, college-educated and working professional Malay Muslim women, Jamil details how they negotiate aspirational pursuits related to faith, love, work, and beyond through participation in self-help seminars and classes. The role of the state in racializing minority Malay Muslim identities as backward and culturally deficient looms large in Jamil's discussion, as self-help teachers instruct their students operating within these structures to cultivate gratitude, remain optimistic, and redirect their efforts towards patience and piety. Themes of the book include gender and religious authority, Islamic discursive traditions, Malay minority history, state neoliberal projects and religious self-help discourse, projects of piety and self-improvement under conditions of racialized capitalism, and the intersections of belonging, class, gender, and state initiatives in twenty-first century Singapore. Jamil's work offers important new perspectives on global Islamic traditions by putting research and theory from Black, ethnic, feminist, and critical Muslim studies into conversation with the anthropology of Islam and of Southeast Asia. Dr. Nurhaizatul Jamil is an Associate Professor of Global South Studies at the Pratt Institute (USA). Dr. Jaclyn Michael is an Associate Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nurhaizatul Jamil's Faithful Transformations: Islamic Self-Help in Contemporary Singapore (U Illinois Press, 2025) is a complex and meticulous ethnography of recent trends in Islamic self-help circles based in Singapore. Drawing on research conducted with primarily young, college-educated and working professional Malay Muslim women, Jamil details how they negotiate aspirational pursuits related to faith, love, work, and beyond through participation in self-help seminars and classes. The role of the state in racializing minority Malay Muslim identities as backward and culturally deficient looms large in Jamil's discussion, as self-help teachers instruct their students operating within these structures to cultivate gratitude, remain optimistic, and redirect their efforts towards patience and piety. Themes of the book include gender and religious authority, Islamic discursive traditions, Malay minority history, state neoliberal projects and religious self-help discourse, projects of piety and self-improvement under conditions of racialized capitalism, and the intersections of belonging, class, gender, and state initiatives in twenty-first century Singapore. Jamil's work offers important new perspectives on global Islamic traditions by putting research and theory from Black, ethnic, feminist, and critical Muslim studies into conversation with the anthropology of Islam and of Southeast Asia. Dr. Nurhaizatul Jamil is an Associate Professor of Global South Studies at the Pratt Institute (USA). Dr. Jaclyn Michael is an Associate Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Nurhaizatul Jamil's Faithful Transformations: Islamic Self-Help in Contemporary Singapore (U Illinois Press, 2025) is a complex and meticulous ethnography of recent trends in Islamic self-help circles based in Singapore. Drawing on research conducted with primarily young, college-educated and working professional Malay Muslim women, Jamil details how they negotiate aspirational pursuits related to faith, love, work, and beyond through participation in self-help seminars and classes. The role of the state in racializing minority Malay Muslim identities as backward and culturally deficient looms large in Jamil's discussion, as self-help teachers instruct their students operating within these structures to cultivate gratitude, remain optimistic, and redirect their efforts towards patience and piety. Themes of the book include gender and religious authority, Islamic discursive traditions, Malay minority history, state neoliberal projects and religious self-help discourse, projects of piety and self-improvement under conditions of racialized capitalism, and the intersections of belonging, class, gender, and state initiatives in twenty-first century Singapore. Jamil's work offers important new perspectives on global Islamic traditions by putting research and theory from Black, ethnic, feminist, and critical Muslim studies into conversation with the anthropology of Islam and of Southeast Asia. Dr. Nurhaizatul Jamil is an Associate Professor of Global South Studies at the Pratt Institute (USA). Dr. Jaclyn Michael is an Associate Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Nurhaizatul Jamil's Faithful Transformations: Islamic Self-Help in Contemporary Singapore (U Illinois Press, 2025) is a complex and meticulous ethnography of recent trends in Islamic self-help circles based in Singapore. Drawing on research conducted with primarily young, college-educated and working professional Malay Muslim women, Jamil details how they negotiate aspirational pursuits related to faith, love, work, and beyond through participation in self-help seminars and classes. The role of the state in racializing minority Malay Muslim identities as backward and culturally deficient looms large in Jamil's discussion, as self-help teachers instruct their students operating within these structures to cultivate gratitude, remain optimistic, and redirect their efforts towards patience and piety. Themes of the book include gender and religious authority, Islamic discursive traditions, Malay minority history, state neoliberal projects and religious self-help discourse, projects of piety and self-improvement under conditions of racialized capitalism, and the intersections of belonging, class, gender, and state initiatives in twenty-first century Singapore. Jamil's work offers important new perspectives on global Islamic traditions by putting research and theory from Black, ethnic, feminist, and critical Muslim studies into conversation with the anthropology of Islam and of Southeast Asia. Dr. Nurhaizatul Jamil is an Associate Professor of Global South Studies at the Pratt Institute (USA). Dr. Jaclyn Michael is an Associate Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

The Gastronomica podcast returns to the air, bringing listeners new interviews with authors from the latest issues of Gastronomica: The Journal for Food Studies. In this episode, Alyssa James of Gastronomica's Editorial Collective hosts award-winning writer and historian Camille Bégin for a discussion of “Chiang Mai 2015,” a creative nonfiction account of a family trip and a search for sustenance that becomes entangled with questions of illness, climate, and care. In her memoir of failed culinary tourism, a story set against the smoky skies of northern Thailand, Camille asks what it means to travel, to look for meaning, and to eat ethically. In conversation with Alyssa, Camille talks about how the haze shapes her story, reflects on the politics of culinary tourism, and shows how food can become a small anchor in times of crisis. “Chiang Mai 2015” was published in the Spring 2025 issue of Gastronomica (25.1) and is available online here. Camille Bégin is the author of Taste of the Nation: The New Deal Search for America's Food (University of Illinois Press, 2016). Her personal essays have appeared in Gastronomica, Adelaide Magazine, and the scientific journal, Brain. She is currently writing a food memoir called Crumbs: A Trail of Taste and Illness. Website here Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, Revival Grounds, examines coffee, heritage, and temporality in Martinique. Learn more here Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica's podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Gastronomica podcast returns to the air, bringing listeners new interviews with authors from the latest issues of Gastronomica: The Journal for Food Studies. In this episode, Alyssa James of Gastronomica's Editorial Collective hosts award-winning writer and historian Camille Bégin for a discussion of “Chiang Mai 2015,” a creative nonfiction account of a family trip and a search for sustenance that becomes entangled with questions of illness, climate, and care. In her memoir of failed culinary tourism, a story set against the smoky skies of northern Thailand, Camille asks what it means to travel, to look for meaning, and to eat ethically. In conversation with Alyssa, Camille talks about how the haze shapes her story, reflects on the politics of culinary tourism, and shows how food can become a small anchor in times of crisis. “Chiang Mai 2015” was published in the Spring 2025 issue of Gastronomica (25.1) and is available online here. Camille Bégin is the author of Taste of the Nation: The New Deal Search for America's Food (University of Illinois Press, 2016). Her personal essays have appeared in Gastronomica, Adelaide Magazine, and the scientific journal, Brain. She is currently writing a food memoir called Crumbs: A Trail of Taste and Illness. Website here Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, Revival Grounds, examines coffee, heritage, and temporality in Martinique. Learn more here Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica's podcast feed to stay updated on the newest episodes. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

The Gastronomica podcast returns to the air, bringing listeners new interviews with authors from the latest issues of Gastronomica: The Journal for Food Studies. In this episode, Alyssa James of Gastronomica's Editorial Collective hosts award-winning writer and historian Camille Bégin for a discussion of “Chiang Mai 2015,” a creative nonfiction account of a family trip and a search for sustenance that becomes entangled with questions of illness, climate, and care. In her memoir of failed culinary tourism, a story set against the smoky skies of northern Thailand, Camille asks what it means to travel, to look for meaning, and to eat ethically. In conversation with Alyssa, Camille talks about how the haze shapes her story, reflects on the politics of culinary tourism, and shows how food can become a small anchor in times of crisis. “Chiang Mai 2015” was published in the Spring 2025 issue of Gastronomica (25.1) and is available online here. Camille Bégin is the author of Taste of the Nation: The New Deal Search for America's Food (University of Illinois Press, 2016). Her personal essays have appeared in Gastronomica, Adelaide Magazine, and the scientific journal, Brain. She is currently writing a food memoir called Crumbs: A Trail of Taste and Illness. Website here Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, Revival Grounds, examines coffee, heritage, and temporality in Martinique. Learn more here Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica's podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Today, we're speaking with Nicholas Juravich, author of Para Power: How Paraprofessional Labor Changed Education (U Illinois Press, 2024). In this book, Juravich explores the emergence of paraprofessional educators in U.S. schools during the social and political upheavals of the late 1960s. He shows how these workers—often underpaid and undervalued—played a crucial role in addressing what he calls a "crisis of care" in public education. The book situates paraprofessionals within broader Black and Latino struggles for economic opportunity and social justice, particularly in New York City. Juravich traces how these workers reshaped classrooms, strengthened ties between schools and communities, and helped create pathways for Black and Latino teachers in the 1970s and early 1980s. He also highlights how their organizing contributed to the growth and diversification of public-sector unions. Para Power ultimately offers a compelling look at an often overlooked workforce and its impact on education, labor, and community life. Nicholas Juravich is an assistant professor of history and labor studies at UMass Boston, where he also serves as Associate Director of the Labor Resource Center. Previously, he was the Andrew W. Mellon Postdoctoral Fellow in Women's History at the New-York Historical Society, where he curated the exhibition Ladies' Garments, Women's Work, Women's Activism and helped develop educational workshops on school segregation and movements for educational equality in New York City. His research focuses on public education, community organizing, and public-sector unions in 20th-century U.S. cities, and has been supported by numerous foundations and institutions. My co-host today is Jillian Felton, a graduate student in the MA program in Communication at Oakland University. Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, we're speaking with Nicholas Juravich, author of Para Power: How Paraprofessional Labor Changed Education (U Illinois Press, 2024). In this book, Juravich explores the emergence of paraprofessional educators in U.S. schools during the social and political upheavals of the late 1960s. He shows how these workers—often underpaid and undervalued—played a crucial role in addressing what he calls a "crisis of care" in public education. The book situates paraprofessionals within broader Black and Latino struggles for economic opportunity and social justice, particularly in New York City. Juravich traces how these workers reshaped classrooms, strengthened ties between schools and communities, and helped create pathways for Black and Latino teachers in the 1970s and early 1980s. He also highlights how their organizing contributed to the growth and diversification of public-sector unions. Para Power ultimately offers a compelling look at an often overlooked workforce and its impact on education, labor, and community life. Nicholas Juravich is an assistant professor of history and labor studies at UMass Boston, where he also serves as Associate Director of the Labor Resource Center. Previously, he was the Andrew W. Mellon Postdoctoral Fellow in Women's History at the New-York Historical Society, where he curated the exhibition Ladies' Garments, Women's Work, Women's Activism and helped develop educational workshops on school segregation and movements for educational equality in New York City. His research focuses on public education, community organizing, and public-sector unions in 20th-century U.S. cities, and has been supported by numerous foundations and institutions. My co-host today is Jillian Felton, a graduate student in the MA program in Communication at Oakland University. Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

My guest today is Cathryn J. Prince the author of For the Love of Labor: The Life of Pauline Newman (U Illinois Press, 2026). From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers' Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince follows Newman's life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. Newman's long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, ran for New York Secretary of State as a socialist, and became the first woman to serve as the ILGWU general organizer. Her interest in the health of workers led to service on the Joint Board of Sanitary Control and a decades-long term as education director of the ILGWU health center. Membership in Eleanor Roosevelt's circle opened doors to government positions and advisory roles that continued into the postwar era. Prince also weaves in the details of Newman's fifty-year relationship with a woman, her struggles with her sexual identity, and her final years. Cathryn J. Prince is an adjunct professor of journalism at Fordham University. Her books include Queen of the Mountaineers: The Trailblazing Life of Fanny Bullock Workman and American Daredevil: The Extraordinary Life of Richard Halliburton, the World's First Celebrity Travel Writer Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

My guest today is Cathryn J. Prince the author of For the Love of Labor: The Life of Pauline Newman (U Illinois Press, 2026). From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers' Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince follows Newman's life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. Newman's long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, ran for New York Secretary of State as a socialist, and became the first woman to serve as the ILGWU general organizer. Her interest in the health of workers led to service on the Joint Board of Sanitary Control and a decades-long term as education director of the ILGWU health center. Membership in Eleanor Roosevelt's circle opened doors to government positions and advisory roles that continued into the postwar era. Prince also weaves in the details of Newman's fifty-year relationship with a woman, her struggles with her sexual identity, and her final years. Cathryn J. Prince is an adjunct professor of journalism at Fordham University. Her books include Queen of the Mountaineers: The Trailblazing Life of Fanny Bullock Workman and American Daredevil: The Extraordinary Life of Richard Halliburton, the World's First Celebrity Travel Writer Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood. Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Options for Success: A PhD's Guide to Navigating Career Transitions and Thriving in Your Next Professional Chapter (Oxford UP, 2025) is a transformative, step-by-step guide designed for early to mid-career academics exploring career paths beyond faculty roles and into careers in industry. This book speaks directly to PhDs asking "What's next?" as they consider their career options beyond the faculty. Blending narrative, practical workbook exercises and real-life examples, Options for Success empowers readers to reimagine their career expectations, navigate the complexities of career transition, and align their professional paths with their personal values and goals.At the heart of this guide is the Options for Success framework, a seven-step process that takes readers through the phases of career change-from Detox, making mental and emotional space for new opportunities, to Onboarding, integrating into new roles with insight into workplace dynamics. With tools like the Ecosystems and Economies framework and Professional Profile Pillars, readers can inventory their skills, evaluate their core strengths, and identify careers that align with their values. The Translational Power of Action Verbs exercise encourages academics to shift from a "knowing lens" to a "doing lens," while the Power Story Method helps them translate their achievements into impactful stories that resonate with potential employers.The book also addresses the "messy middle" of job searching, equipping readers with strategies to maintain momentum and resilience through self-care practices and targeted skills building. Unlike traditional career guides, Options for Success is rich with templates, scripts, and sample materials, from hybrid CV-résumés to informational interview guides and bios, offering readers the practical support they need to articulate their unique value effectively.Career transition stories from PhDs across disciplines illustrate the real-world application of these principles across a range of fields and roles, showing diverse pathways into impactful, fulfilling careers. Written in a coach's voice-approachable, empathetic, and filled with generative questions-Options for Success feels like having a personalized career coach, guiding readers to explore, evaluate, and act with confidence. Options for Success is an essential companion for any PhD ready to transition beyond the faculty and into new professional possibilities. Fatimah Williams, Ph.D., is an executive coach, speaker, and founder of Professional Pathways. A cultural anthropologist with over 15 years of consulting experience, she has advised organizations like the National Institutes of Health, the Urban League, and more than 30 colleges and universities on leadership development, organizational strategy, and career growth. Her thought leadership appears in both academic and popular outlets, including The Chronicle of Higher Education and Essence. A former career services leader at the University of Pennsylvania, she also has served on the board of the University of Virginia Alumni Association and the advisory council of the Zimmerli Art Museum. She is the author of three books, Be Bold, Professional Pathways Planner, and her newest book, Options for Success, published by Oxford University Press, which guides PhDs through career transitions and the messy middle of reinvention. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jennifer Champoux is a teacher, scholar of Latter-day Saint visual art, and the director of the Book of Mormon Art Catalog. She authored C. C. A. Christensen: A Mormon Visionary, coauthored Picturing Christ: Understanding Depictions of Jesus in History and Art, and coedited Approaching the Tree: Interpreting 1 Nephi 8. She hosted the limited-series podcasts Latter-day Saint Art and Behold: Conversations on Book of Mormon Art. Jenny earned a BA in international politics from Brigham Young University (2004) and an MA in art history from Boston University (2006). She lives in Colorado with her husband and three children. C. C. A. Christensen: A Mormon Visionary (University of Illinois Press; Amazon) Related work I've published: “‘In Their Promised Canaan Stand:' Outlawry, Landscape, and Memory in C. C. A. Christensen's Mormon Panorama,” BYU Studies Quarterly 60, no. 2 (2021). Highlights about C. C. A. Christensen: 1. C. C. A. Christensen was born to a poor family in Copenhagen, Denmark, in 1831. As a youth, he lived and studied at a poor house boarding school, before taking classes at the Royal Danish Academy of Fine Arts. 2. While he was an art student, the first Latter-day Saint missionaries arrived in Copenhagen. C. C. A. joined the Church in 1850. He threw himself into the work of learning the Gospel, reading the Book of Mormon, helping with Danish translations of hymns, helping his mother and brothers immigrate to Utah, and then serving a mission in Scandinavia before immigrating himself. His art training and career took a back seat to his religious commitments. 3. C. C. A. served three missions in Scandinavia. The first, in Norway, was from 1853 to 1857. He faced religious persecution and was jailed. Christensen returned from Utah to serve a second mission in Scandinavia from 1865 to 1868. He returned again to serve in Denmark from 1887 to 1889. 4. C. C. A. married Elise Haarby on the ship as they set off for Utah in 1857. They traveled across the plains as handcart pioneers. He later took a second wife, Maren Pettersen, in 1868. He had a total of 14 children, 12 of which lived to adulthood. 5. C. C. A. was the most prolific 19 th -century artist of Latter-day Saint history and scripture. He combined his European art training with Latter-day Saint beliefs and subjects. He also wrote extensively. He published poetry, essays, and letters to the editor. He helped write a history of the Scandinavian Mission. And yet, his work is not well known today. 6. The Mormon Panorama was a massive painted scroll detailing 23 scenes of early Mormon history. In the last quarter of the 19 th century, CCA and some of his family traveled around Utah cities in the winters giving presentations of the Mormon Panorama. It helped solidify the Saints' understanding of their history. 7. In 1886, Church leaders hired CCA to paint the creation room mural in the Manti Temple. It was recently restored and is still there today. 8. In 1890, C. C. A. won a contest to illustrate a Church flipchart on the life of Nephi. These 10 images were distributed by the Deseret Sunday School Union. 9. Christensen was fully dedicated to living his beliefs, often at great personal cost. The post C. C. A. Christensen with Jenny Champoux appeared first on The Cultural Hall Podcast.

What happened to freedom singing after Martin Luther King, Jr.'s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks's analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement's great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies