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Latest episodes from Andalusia Wise Pod

Journalist & Moonshiner

Play Episode Listen Later Mar 3, 2017 48:13


Candice Dyer (Cleveland, GA) North Georgia industry professional will share information about the history of moonshine making and distribution and connect it to the novel in which moonshine figures prominently.

February 19 Scholar

Play Episode Listen Later Feb 23, 2017 40:29


Rhonda Armstrong (Augusta, GA) will speak on “Violent Asceticism” in the novel drawing from her scholarship on corpses and other “lesser bodies.”

February 12 Creative Writer

Play Episode Listen Later Feb 15, 2017 64:27


Scott Daniel (Warner Robin, GA) will explore the Anxiety of Influence in O’Connor’s second novel.

February Four 2017 Session 1- Visual Artist & Graphic Designer

Play Episode Listen Later Feb 7, 2017 48:28


Visual Artist & Graphic Designer “Covering Flannery” Opening June Glasson (Laramie, WY) and Charlotte Strick (NYC) will focus on the design process as they sought to bring O’Connor’s work to visual life.

February Four 2016 Session 3- "A Painting Is Not A Picture"

Play Episode Listen Later Feb 22, 2016 65:39


Tim Youd is a Los Angeles-based artist who has undertaken the project of retyping 100 classic novels. He stages each performance in a place charged with literary significance specific to each novel. He will be retyping Wise Blood at Andalusia before moving on to a residency at Savannah College of Art and Design (SCAD) where he will retype The Violent Bear it Away at SCAD and Flannery’s Childhood Home.

February Four 2016 Session 2- "The Friendliest Bed in Town"

Play Episode Listen Later Feb 18, 2016 113:17


Monica Miller is Assistant Director, Writing and Communication Program, Marion L. Brittain Postdoctoral Fellow, School of Literature, Media, and Communication Georgia Institute of Technology. Monica will present on the topic of Milledgeville, Prostitution, and Leora Watts.

February Four 2016 Session 1- "Unwise Blood"

Play Episode Listen Later Feb 18, 2016 65:22


Judson Mitcham’s work has been widely published in literary journals, including Poetry, Harper’s, Georgia Review, Hudson Review, and Southern Review. He has been the recipient of an NEA Fellowship in Creative Writing, as well as a Pushcart Prize. He is the only writer to win the Townsend Prize for Fiction twice–for his novels The Sweet Everlasting and Sabbath Creek. His most recent book is A Little Salvation: Poems Old and New, published by the University of Georgia Press. Mitcham is the current poet laureate of Georgia. In 2013 he was inducted into the Georgia Writers’ Hall of Fame. He will respond to a (re)reading of Wise Blood and will read from his own fiction.

February Four Session 4 - "'Mourning Flannery' and 'Hazel Motes is not Black'"

Play Episode Listen Later Feb 28, 2015 65:52


Katheryn Krotzer Laborde, Associate Professor of English at Xavier University of Louisiana, speaks on her experience teaching O'Connor's works to a traditionally black college in Louisiana as well as race relations in O'Connor's works.

February Four Session 3 - "Collards and Consumption in 'A Stroke of Good Fortune'"

Play Episode Listen Later Feb 15, 2015 54:50


David A. Davis, Associate Professor of English at Mercer University, speaks to the cultural ties between southern cuisine and Flannery O'Connor's narrative, "A Stroke of Good Fortune."

February Four Session 2 - "Sin or Insanity: Flannery O’Connor’s “The Partridge Festival” and the film version of Pete Dexter’s Paris Trout"

Play Episode Listen Later Feb 9, 2015 49:40


Bruce Gentry (Professor of English and Editor of the Flannery O’Connor Review, Georgia College) and Mab Segrest (Martha Daniel Newell Scholar in Residence Spring Semester 2015, Georgia College) speak on the different interpretations of one of the most notorious homicide cases in Georgia.

February Four Session 1- "Toni Morrison and Flannery O’Connor"

Play Episode Listen Later Feb 1, 2015 55:06


Carolyn Denard, Associate Provost for student success and strategic initiatives and director for the Center for Student Success, speaks on O'Connor and Morrison's use of fiction to shed light on social issues of their day.

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