Podcast appearances and mentions of Toni Morrison

Christopher Wool talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped their lives and work. Wool, who was born in Chicago in 1955, and lives between New York and Marfa, Texas, today, is a sophisticated and dextrous explorer of the act of making paintings and other forms of art. He emerged in a period in which painting's validity was being questioned amid the supremacy of conceptual and photographic practices in the avant-garde scene of New York in the late 1970s. And he has made light of that doubt in a cerebral practice in which he probes paint's capacity to reflect diverse material properties, processes and effects, its openness to chance events and slippages, and its ability to contain or convey meaning through words and image. Working in often overlapping series embodied by particular methods or tools, propositions and actions, his practice has been one of relentless curiosity, where his own output is consistently reevaluated and recast through the literal repurposing of existing imagery as the foundation of new works. Though best known for his paintings, Christopher has made photographs from the start of his career, and since the mid-2010s has developed a fertile seam of sculpture. His work across all these media is similarly agile, with the different strands in a seemingly endless evolving conversation on pictorial, material and spatial concerns. He discusses the seismic effect of experiencing the Art Ensemble of Chicago and an installation by Dan Flavin as a young person, seeing Jean-Michel Basquiat's first New York solo show with Dieter Roth, how Toni Morrison's The Bluest Eye influenced one of his untitled text paintings, and eventually the title of his recent acclaimed New York and Marfa show, See Stop Run, and how jazz has been a consistent source of inspiration. He gives insight into his life in the studio and answers our usual questions, including the ultimate, “What is art for?”Christopher Wool, Gagosian, Grosvenor Hill, London, until 19 December; See Stop Run West Texas, Brite Building, Marfa, Texas, until at least May 2027. Hosted on Acast. See acast.com/privacy for more information.

Merriam-Webster's Word of the Day for October 9, 2025 is: duress • dur-RESS • noun Duress, which is typically used with under, refers to force or threats meant to make someone do something. It is used especially of unlawful coercion. // The defense asserts that the defendant's confession was made under duress. See the entry > Examples: “Did you know that Toni [Morrison] also edited poetry? (What couldn't she do!) Despite inexperience with the medium, Morrison was an early champion of the poet June Jordan. She published one of her earliest collections, Things I Do in the Dark, in 1977. In a 1975 letter, Morrison told Jordan that Random House would publish her work, but only under duress. ‘The answer they gave was “we would prefer her prose—will do poetry if we must,”' she wrote. ‘Now I would tell them to shove it if that were me…'” — Brittany Allen, LitHub.com, 24 Apr. 2025 Did you know? Duress is most often paired with the word under to refer to force or threats meant to make someone do something. For example, someone forced to sign a document signs it “under duress,” and a person held “under duress” is not free to leave but is being constrained, usually unlawfully. (Do not confuse being “under duress” with being “under stress,” which is a much more common occurrence.) Duress comes ultimately from the Latin adjective durus, meaning “hard,” source too of durable and endure.

Acclaimed fiction writer and essayist Edwidge Danticat joins co-hosts Whitney Terrell and V.V. Ganeshananthan to discuss her new essay collection We're Alone. Danticat reflects on misinformation and xenophobic rhetoric, such as Trump's false 2024 debate claim about Haitian immigrants eating pets in Springfield, Ohio, and how that type of language and propaganda has broadened during Trump's second term to include even more immigrant communities. She recounts what she has learned about conditions in prisons and detention centers during her visits there and also considers today's immigration policies, including the Trump administration's attempts to end Temporary Protected Status for Haitian immigrants and how deliberately humiliating immigrants not only hurts them, but also deters others considering crossing borders. Danticat describes her connection to Haiti and the ways natural disasters can unexpectedly bring people together as well as how these disasters are tied to migration. She reflects on political instability in Haiti, the meaning behind the title of her new book, and how writers like Toni Morrison, Audre Lorde, Jean Rhys and Paule Marshall shaped her thinking and writing process. Danticat reads from We're Alone.  To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/ This podcast is produced by V.V. Ganeshananthan, Whitney Terrell, Amelia Fisher, Victoria Freisner, Wil Lasater, and S E Walker. Edwidge Danticat We're Alone Create Dangerously Breath, Eyes, Memory Brother, I'm Dying Others: Jamaica kincaid (@virtuouspomona) • Instagram photos and videos Rootedness: The Ancestor as Foundation | Black Women Writers (1950-1980) The Collected Poems of Audre Lorde Dany Laferrière Wide Sargasso Sea by Jean Rhys Immigrants can have ponies | Seinfeld (1989) Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Marla Taviano, writer and poet, who has a very fun project she's attempting to complete before her 50th birthday talks about her love for annotating books, why she loves to read writers on writing, and her bookstagram project that greatly influenced her reading life.    Please Cut Up My Poems Liberation is Lit   Books mentioned in this episode:    What Betsy's reading:  The Secret History by Donna Tartt  Make Your Way Home by Carrie R. Moore    Books Highlighted by Marla: You Could Make This Place Beautiful by Maggie Smith  A Handful of Earth, A Handful of Sky: The World of Octavia Butler by Lynell George The Autobiography of Malcolm X as told to Alex Haley  The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander  The Book of Alchemy: A Creative Practice for an Inspired Life by Suleika Jaouad Undrowned: Black Feminist Lessons from Marine Mammals by Alexis Pauline Gumbs  Traveling with Pomegranates: A Mother Daughter Journey to the Sacred Places of Greece, Turkey, and France by Sue Monk Kidd and Ann Kidd Taylor  Books & Islands in Ojibwe Country: Traveling Through the Lands of My Ancestors by Louise Erdrich  Old in Art School: A Memoir of Starting Over by Nell Painter Faith Unraveled: How a Girl Who Knew All the Answers Learned to Ask Questions by Rachel Held Evans  Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived by Rob Bell    All books available on my Bookshop.org episode page.   Other books mentioned in this episode: The Backyard Bird Chronicles by Amy Tan  Novelist as Vocation by Haruki Murakami  Conversations with Toni Morrison by Toni Morrison & Danille K Taylor-Guthrie  Absolutely on Music by Haruki Murakami & Seji Ozawa  What I Talk About When I Talk About Running by Haruki Murakami  Toni at Random by Dana A. Williams  Brown Girl Dreaming by Jacqueline Woodson  Back in Blues by Imani Perry  South to America by Imani Perry  Looking for Lorraine by Imani Perry  Full of Myself by Austin Channing Brown  Frog and Toad are Friends by Arnold Lobel  unbelieve by Marla Taviano  jaded by Marla Taviano  whole by Marla Taviano  What makes you Fart? by Marla Taviano  Between Two Kingdoms by Suleika Jaouad  The Dance of the Dissident Daughter by Sue Monk Kidd 

Send us a text!Recently, a clip from our show about Iryna Zarutska went viral on X. Lots of people chimed in, many in disagreement, many with claims that we are racists, bigots, and yes, antisemites (somehow). Lecrae jumped in to tell us how great black culture is, citing works from the Civil Rights legislation to Toni Morrison. Yes, the same Lecrae who launched the shirt, “I Can Quote Cardi and Corinthians” and who has gone full woke.  We'll talk through common objections and hopefully clarify what we meant—and what we didn't mean by all the things we didn't say. Did you know supporters of the show get ad-free video and audio episodes delivered early and access to our patron exclusive show the After Hours and interactive live streams with Eric and Brian?    https://www.patreon.com/thekingshallThis episode is sponsored by: Armored Haven - full-scale security for any size business.   visit http://Armoredhaven.com/kingshall to receive three months of free monitoring with any new service agreement.Armored Republic: Making Tools of Liberty for the defense of every free man's God-given rights - Text JOIN to 88027 or visit: https://www.ar500armor.com/ Talk to Joe Garrisi about managing your wealth with Backwards Planning Financial.    https://backwardsplanningfinancial.com/Visit KeepwisePartners.com or call Derrick Taylor at 781-680-8000 to schedule a free consultation.    https://keepwise.partners/Small batch, hand-poured candles. Welcome to the resistance. https://resistancecandles.com/Build generational wealth with Stonecrop Wealth Advisors! Go to this link to check out their special offers to King's Hall listeners today.    https://stonecropadvisors.com/kingshallVisit Muzzle-Loaders.com and get 10% off your first order when you use the coupon code KINGSHALL at checkout.    https://muzzle-loaders.com/Support the show:https://www.patreon.com/thekingshall

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience.

Deep Reading lists for each episode can be found at phoebe.substack.com - Today I'm joined by New York-based novelist Angela Flournoy, whose highly anticipated second book The Wilderness explores the evolving friendships of four Black women over the span of two decades. In our conversation, Angela and I discuss what it means to come of age in uncertain times, how friendship can serve as a strategy for survival, and why Los Angeles and New York — the twin backdrops of her novel — carry such symbolic weight. We also talk about writing through motherhood, the shifting markers of adulthood, and the influence of writers like Toni Morrison and Mike Davis on Angela's work.

Arguably, no high school reading list is complete without one of Toni Morrison's books. In today's episode, we look back at a 2004 conversation between the author and NPR's Renee Montagne, who visited Morrison to talk about a new paperback re-release of five of her novels. The interview focuses on Morrison's perspective on hauntings, apparitions and ghosts, including the way Morrison's late father helped her complete Song of Solomon.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Minna Dubin is the author of 'MUM RAGE: The Everyday Crisis of Modern Motherhood'. Her work has been featured or reviewed in the New York Times, The New Yorker, The Times Sunday Magazine, inews, Oprah Daily, the Los Angeles Review of Books, Electric Literature, and elsewhere. Minna is currently working on her first novel, and lives in the San Francisco Bay Area with her husband, two kids, and no pets because enough is enough.Minna is on Instagram at @minnadubin. You contact her and find links to her published writing on her website minnadubin.com. Minna Dubin has such an important voice in the Motherhood space and I am pretty honoured to talk with her. Learning of Minna's work validated my feelings so much, which really means the world in all my postnatal/motherhood struggles.In this episode we speak about:a bit about Minna, the work she does and who she is as well as a Mum and Author and Essayisttaking time for herselfrelationship/parenting dynamicsbeing stripped of our power while being told that we have itpoetry, burlesque and the arts"making people uncomfortable is great!" and speaking upthe 'needless' caveat of "of course I love my child..." that we so often usethe isolation of matrescence compared to adolescencewhat our rage can tell us!a bit about Minna's experience of motherhoodhow much we Mums really matter and deserve to feel good and moresynaptic pruning; what it is and why it helps to know (to defend against dumb and denigrating comments)Themes: motherhood, rage, identity, birth, matrescenceWe mention Toni Morrison, Amy Taylor-Kabbaz, Dr Sophie Brock, Dr Aurélie Athan, Dr Alexandra SacksAt the end, I read a poem written by Nikita Gill.Did you enjoy this episode? If so, I would really appreciate it if you could please leave a review on the platform that you listen. For more insights and to contact me you can find me on Instagram, and/or on my website: www.lucywyldecoaching.com.

Toni at Random by Dana A. Williams takes readers into the inner world of Toni Morrison as a literary editor. Dana joins us to chat about language, the editorial process, Toni Morrison's lasting legacy and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Toni at Random by Dana A. Williams The Black Book by Middleton A. Harris Sula by Toni Morrison Beloved by Toni Morrison Divine Days by Leon Forrest Sally Hemings by Barbara Chase-Riboud Gorilla, My Love by Toni Cade Bambara They Came Before Columbus by Ivan Van Sertima

Clear Channels, our newsletter course and creativity challenge begins on September 7th! Sign up here.What if your day job wasn't the thing that defined your creativity—but the fuel for it?In this solo episode, Sarah Faith Gottesdiener explores what it means to live as a creative when your 9–5, side hustle, or paycheck doesn't match your artistry. From reframing the shame of “non-creative” work to building daily practices that keep your imagination alive, Sarah shares hard-earned wisdom from her own path before her creative and spiritual life became her livelihood.You'll hear:Why all work is inherently creative, and how to start seeing your life through an artistic lensThe three most common mindset traps that keep people stuck and how to move past themWhy consistency and micro-movements matter more than waiting for the “perfect” momentHow nervous system safety and capacity play a crucial role in showing up creativelyStories of artists like Octavia Butler, William Carlos Williams, and Toni Morrison, who balanced day jobs with world-changing creative workThis is a motivating episode about reclaiming your identity as an artist or creative, no matter where your paycheck comes from, and finding joy in the small daily commitments that keep your creative life alive.Upcoming Events:September 6, 2025 + September 7, 2025: Clear Channels Online Workshop – https://moon-studio.co/products/clear-channels-fall-2025?variant=50100396327207Join Our Community:Join the Moon Studio Patreon: https://www.patreon.com/themoonstudioBuy the 2025 Many Moons Lunar Planner: https://moon-studio.co/collections/all-products-excluding-route/products/many-moons-2025Subscribe to our newsletter: https://moon-studio.co/pages/newsletterFind Sarah on Instagram: https://www.instagram.com/gottesss/

Join novelist Paula Saunders as she discusses her moving autobiographical novel Starting from Here, just out from Penguin Random House. A stand-alone sequel to The Distance Home, the novel follows 15-year old René through the challenges of adolescence within the pressure cooker of cultural and socioeconomic stressors. Saunders draws from her own experiences as a ballet dancer. A long-time practitioner of Tibetan Buddhism, she shares how a Catholic nun introduced her to the work of Thich Nhat Hanh. Paula describes how writing has helped her integrate the past, and instilled in her a more compassionate relationship to her younger self and her family of origin.Paula grew up in Rapid City, South Dakota. She is a graduate of the Syracuse University creative writing program and was awarded a postgraduate Albert Schweitzer Fellowship at SUNY Albany, under Schweitzer chair Toni Morrison. Her first book, The Distance Home, was longlisted for The Center for Fiction First Novel Prize and named one of the best books of the year by Real Simple. She lives in California with her husband. They have two grown daughters.Learn more about her work at paulasaundersbooks.com. Support the showHost: Tess CallahanSubstack: Writers at the WellInterview Podcast: Writers at the WellMeditations on Insight TimerMeditations on YouTubeTess's novels: https://tesscallahan.com/Music (unless otherwise noted above): Christopher Lloyd ClarkAudio Editing: Eric Fischer By tapping "like" and "follow" you help others find the show. Thank you for listening!DISCLAIMER: Meditation is not a substitute for professional psychological or medical healthcare or therapy. We do not accept any liability for any loss or damage incurred by you acting or not acting as a result of listening to this recording. Use the material provided at your own risk. Do not drive or operate dangerous equipment while listening. The views expressed in this podcast may not be those of the host or the management.

This week Dalanie and Katie discuss parts 7 and 8 of Jazz by Toni Morrison. IN THIS EPISODE: Video episodes are now available on YouTube! Subscribe here: https://www.youtube.com/@classicallyblackpodcast PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON!: https://patreon.com/ClassicallyBlackPodcast FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack University of Manitoba Violin Professor Charged with Sexual Assault https://theviolinchannel.com/university-of-manitoba-violin-professor-charged-with-sexual-assault/ Startup Raises $730,000 for Mozart AI https://theviolinchannel.com/startup-raises-e625000-for-mozart-ai/ Emanuel Hill's First Violin for Sale! https://esharpminor.com/inventory/anansi Black Excellence: Derrick Skye https://www.derrickskye.com/about/ Piece of the Week: String No. 2 - Alexander Borodin https://www.youtube.com/watch?v=2YAzUC6LzNk

Hi Loyal Readers. Thank you for opening this week's issue of Article Club.Today's issue is dedicated to a beautiful conversation with Saint Trey W, author of this month's featured article, “They Burn Books to Burn Us Too.” He shares space with Sarai Bordeaux, Article Club contributor and Poet Laureate of Eureka, California.If you haven't yet, I hope you read the article. Then if you appreciate it, which I predict you will, I invite you to listen to the conversation, then join our discussion next Sunday, August 24. Kind, thoughtful people (like you!) will engage deeply with Saint Trey's piece on Zoom, beginning at 2:00 pm PT and ending at 3:30 pm PT.If you're interested, you can learn more and sign up by clicking the button below.When I first read “They Burn Books to Burn Us Too,” I was deeply moved. I was moved by the power of Saint Trey W's message. But I was equally moved by the beauty of his writing. Saint Trey is a poet. This essay is lyrical.“When a government begins to fear its own history,” Saint Trey writes, “it has already declared war on the people who survived it.”Yes, this is an essay about book banning. It is about erasure, the war on memory, and our government's attempt to dominate and destroy Black people. But the piece is also about dreaming. No matter the government's violence, Black people will not be silenced. They will not be unwritten. Saint Trey writes:What they do not know is that we were never written in the first place. We were sung. We were carved into tree trunks and kitchen counters and braided into our mother's hair. We are older than their archives. And our stories do not end with silence.When I finished the piece, I had three immediate thoughts:* I must share this essay with Sarai right now* Hopefully they appreciate it as much as I do* Wouldn't it be perfect if Sarai and Saint Trey got to talk to each other?If you're newish to Article Club, you may not have met Sarai yet, so here are a few words of (re)introduction: Sarai is one of the most astute readers I have ever met. Whenever we talk, they make me smarter. More importantly, Sarai helps me connect the dots and act with more compassion.So it was an obvious next step — given my three thoughts above — that I should reach out to Sarai and gather their perspective. The rest is history. Sarai loved the essay, I contacted Saint Trey, he generously said yes to doing the interview, and they met up on Zoom to talk about his beautiful piece.The result is this wholehearted conversation. Sarai and Saint Trey cover a wide range of topics. I won't try to list them all here. It was clear to me, as I listened to Sarai and Saint Trey — two poets thinking together and sharing their perspectives about a powerful essay — that I was struck by the mutual care they shared with one another. In their discussion of Saint Trey's piece, they centered on imagination and possibility, as well as the power of language and lineage.Here's an excerpt from the conversation that I especially appreciated. About ancestors, language, Blackness, libraries, and God, Saint Trey says:Our ancestors are not just bloodlines, right? They're also our bookshelves. People like Toni Morrison, you know — she taught me that language can be a spell. It can be a sword, but it also can be a sanctuary. Reading Beloved and The Bluest Eye — it was the first time I understood the sacredness of Blackness in a way, especially in its unspoken parts — her reminding us that, if you are free, then you must free somebody else.I think libraries are a portal to that. James Baldwin, giving permission to tell the truth, especially when it burns. This sort of clarity — this heat, this refusal to perform respectability — and his teaching that moral authority doesn't require approval. Audre Lorde, reminding us that silence is not going to protect us. She made queerness feel like gospel. So the reason I mentioned libraries is because they're all-encompassing of these stories. They're in a sense, I would say, akin to church, right, to those who are believers, right? For me, the way I have reimagined faith in God is in language, it is in words that, you know, are passed through vessels — the artists, the writers, the griots. All have showed me that craft and conviction can dance, right? — that words don't have to be soft to be sacred. And I think libraries, they feed us when the world try has tried to starve us.Seriously: I could listen to that passage over and over again. The clarity of Saint Trey's words — both spoken here in this conversation, as well as in “They Burn Books to Burn Us Too” — is a gift.I hope you take a listen to the conversation. A little disclaimer: The quality of the audio is a bit patchy at times, particularly at the beginning. The Internet was not behaving. It tried to be a nuisance. But it was unsuccessful, for two reasons: First, the audio smooths out after the first few minutes. Second, the quality of Sarai and Saint Trey's words will make you listen more closely and tune out the distractions.One more time, I'd like to thank Saint Trey for bringing us this piece. It's an essay I believe that everyone should read and reflect on. I appreciate your words and your generosity of spirit. And Sarai, I am grateful to you as well, not only for this conversation but also for your contribution to our reading community. An invitation to our discussion on August 24I warmly invite you to participate in our discussion on Sunday, August 24, 2:00 - 3:30 pm PT. We'll meet on Zoom. You can sign up below, it's free.Thank you for reading and listening to this week's issue. Hope you liked it.

Why wouldn't we want all stories together? We miss out when we're segregated.Marcie's stories open the door to her home and her heart - and, somehow, to your own. She once wrote that newsletters are like the Off-Broadway productions of what's happening in Midtown. Her recent Love Letters on Substack feel like the main show: intimate, arresting, and something you carry with you long after it's over. She doesn't turn away from sorrow or injustice, but she shows us another way to live in this world: magically, generously, full of care.In this conversation, we talk about home - the one you carry inside you - and the different forms it can take. We talk about her memoir Everybody Come Alive, we talk about hobbits and banned books, paper dolls and Toni Morrison, childhood beauty and the moments that made it feel fragile. We talk about bookstores and “staying in your lane,” and why joy and romance matter just as much to the work of change as outrage or protest.Marcie Alvis-Walker is a writer, theologian, and cultural critic. Her work explores the sacred beyond the walls of institutional religion, and invites deep reckonings with history, belonging, and how we care for each other.I don't know if we can overcome the loneliness of this internet era while within online spaces, like this one. I don't know if it's possible to truly be together in fragmented, digital places. But I do know that Marcie is applying romance, beauty, and enchantment to that question.Imagination InvitationMarcie invites you to choose a sacred text... Not necessarily scripture, but any story, book, or world where the hero wins in the end. Let it be your place of return, a source of beauty, magic, and resilience. Marcie shares that the sacred text can be any story that you connect to: The Lord of the Rings, an Emily Henry romance, or a favorite video game. Lean into the stories that remind you of wonder and carry you through difficult times.Mentioned in this episode:Marcie's book Everybody Come AliveBeloved by Toni MorrisonThe role of "small joys" - let Meghan Markle make her platters!Ideas? Visions? Imaginaries? Email rebekaryvola@gmail.com.This episode was edited by Angela Ohlfest, typographer from Simon Walker, music from Cosmo Sheldrake.

This week Dalanie and Katie discuss parts 3-6 of Jazz by Toni Morrison. IN THIS EPISODE: Video episodes are now available on YouTube! Subscribe here: https://www.youtube.com/@classicallyblackpodcast PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON!: https://patreon.com/ClassicallyBlackPodcast FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack Former long-standing Cincinnati Symphony cellist has died https://www.thestrad.com/news/former-long-standing-cincinnati-symphony-cellist-has-died/20045.article London's Royal Opera House Allegedly Bans Performer and Activist https://theviolinchannel.com/londons-royal-opera-house-bans-performer-and-activist/ "Melania: The Opera" Set to Premiere in London in September 2025 https://theviolinchannel.com/melania-the-opera-set-to-premiere-in-london-in-september-2025/ Black Excellence: Norman E. Johns Piece of the Week: Elegy No. 1 in D - Giovanni Bottesini https://www.youtube.com/watch?v=sJLN43M-RGE

Una historia con dos niñas, una blanca y una negra… pero Morrison nunca dice cuál es cuál. Recitatif es un experimento literario que revela más de quien lee que de quien escribe. En este episodio analizo cómo Toni Morrison desarma nuestros prejuicios con una sola historia.linktr.ee/bibliotequeando

This week Dalanie and Katie discuss parts 1-3 of Jazz by Toni Morrison. IN THIS EPISODE: Video episodes are now available on YouTube! Subscribe here: https://www.youtube.com/@classicallyblackpodcast PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON!: https://patreon.com/ClassicallyBlackPodcast FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack Double Bass Virtuoso Gary Karr has Passed Away https://www.nytimes.com/2025/07/29/arts/music/gary-karr-dead.html?unlocked_article_code=1.bk8.yAQr.PhNfaeF5S0N9&smid=url-share 1740 Violin Stolen from a Pub in London https://theviolinchannel.com/1740-violin-stolen-in-from-a-pub-in-london/ House Republicans Support Bill to Name Kennedy Center Theater After Melania Trump https://theviolinchannel.com/house-republicans-support-bill-to-name-kennedy-center-theater-after-melania-trump/ Bill Introduced to U.S. Congress to Rename Kennedy Center after Donald Trump https://theviolinchannel.com/bill-introduced-to-u-s-congress-to-rename-kennedy-center-after-donald-trump/ Black Excellence: Reginald Smith, Jr. https://www.reginaldsmithjr.com/ Piece of the Week: The Masquerade is Over - Benny Golson https://www.youtube.com/watch?v=QbtYE_2Z7r8

In this episode, I'm sharing what it really looks like to build a creative business that supports your whole life and not just your bottom line. After a reset in the mountains and a break from the constant pressure to perform, I'm sharing some honest reflections on what's shifting in my business, why I've restructured Build It Remarkable as a full-year experience, and what comes next.We'll talk about the emotional weight of the world right now and how artists and educators can show up with intention, creativity, and impact even when things feel heavy. I share the Toni Morrison quote that keeps me grounded, and a beautiful voice message from artist @ardithgoodwin that reminds us exactly why we do this work.I also give you a fly-on-the-wall look at conversations from inside my programs this month, including a brilliant marketing breakthrough to a member who hit her beta launch goal and found her voice again. You'll hear my best advice for both beginners and seasoned creators, and I'll walk you through exactly what to focus on right now to build momentum without burning out or abandoning your values.New FREE mini masterclass: The Profitable Course Creator is an instant access workshop to help Creatives, Artists and Makers discover how to achieve financial success as a course creator without sacrificing their passion. Learn More HEREFor transcripts, more links mentioned in the episode, and for the full episode show notes

Lonely Crowds by Stephanie Wambugu is a heartfelt and empathetic coming-of-age story centered on the volatile relationship between two artists. Stephanie joins us to chat about campus novels, outlining, Toni Morrison and more with cohost Isabelle McConville. This episode of Poured Over was hosted by Isabelle McConville and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Lonely Crowds by Stephanie Wambugu The Diaries of Franz Kafka by Franz Kafka Sula by Toni Morrison Corregidora by Gayl Jones Horse Crazy by Gary Indiana

It's The Stacks Book Club Day, and we're discussing Toni Morrison's God Help the Child with Dana A. Williams, author of Toni at Random. Together, we talk about the themes that show up in God Help the Child that have echoes from Morrison's earlier work—generational trauma and racialized beauty. We also discuss why Toni Morrison wanted to write a contemporary novel, the great names in the book, and who we would cast in the film.There are spoilers on this episode.Be sure to listen to the end of today's episode to find out what our August book club pick will be.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/2025/7/30/ep-382-god-help-the-childConnect with Dana: Instagram | Bluesky | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | SubstackSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this heartfelt episode, Deborah talks with Diandra Ford-Wing about healing through grief by writing. Diandra shares how creating her book helped her process deep sorrow and became a source of comfort for others. What began as personal healing turned into a message of hope. Tune in to discover the power of storytelling in finding peace after loss!  Here are the things to expect in the episode:Diandra's personal journey through loss and her path to becoming an author.Diandra's unique writing process.How writing became a healing tool during grief.The transformative feeling of becoming an author.How Diandra's book resonates with readers and offers comfort.And much more! About Diandra:Diandra Ford-Wing is a passionate storyteller and dynamic Sales Director who discovered the healing power of writing during a period of profound grief. Growing up as an Army brat, Diandra's formative years were spent in culturally diverse settings, including Germany, which shaped her unique narrative style.After the loss of her mother, Sandra, Diandra embarked on a transformative journey that inspired her debut memoir, Red Bird. Through this work, she shares her personal reflections on love, loss, and resilience, hoping to inspire others facing life's trials.Diandra lives with her husband, Ben, and their two cherished doodles, CoCo and XuXa (ShoeSha). When not writing, she enjoys the simple joys of life and continues to explore storytelling as a path to connection and healing. Connect with Diandra Ford-Wing!Website: https://www.booksbydiandra.com/LinkedIn: https://www.linkedin.com/in/diandrafordwing/Instagram: https://www.instagram.com/diandrafordwing/Book: Red Bird by Diandra Ford-Wing Book Recommendations:The Color Purple by Alice WalkerThe Bluest Eye by Toni MorrisonBeloved by Toni Morrison   Connect with Deborah Kevin:Website: www.deborahkevin.comSubstack: https://debbykevin.substack.com/Instagram: www.instagram.com/debbykevinwriterLinkedIn: https://www.linkedin.com/in/deborah-kevin/Book Recommendations: https://bookshop.org/shop/storytellher Check out Highlander Press:Website: www.highlanderpressbooks.comTikTok: https://www.tiktok.com/@highlanderpressInstagram: https://www.instagram.com/highlanderpressFacebook: https://www.facebook.com/highlanderpress

✦ 61 years ago, racial minorities had no legally protected right to vote. A new documentary film “Harmony of Freedom” reminds us of this unsettling fact while celebrating the 60th anniversary of the Voting Rights Act, through the power of music. WABE has partnered with Georgia State student conductor and filmmaker Jackson Allred to air “Harmony of Freedom” on August 4th. The film showcases orchestras from all over the state of Georgia performing composer Margaret Bonds’ “Montgomery Variations.” City Lights Collective co-host Kim Drobes recently sat down with Jackson Allred to learn more. ✦ Atlanta Pride, Georgia's oldest nonprofit organization serving our city’s local LGBTQ+ community, turns 55 this year. To celebrate, they’ve partnered with Out on Film and are showcasing queer resistance in the South - through a film screening and community summit. WABE arts reporter Summer Evans shares more. ✦ For nearly three decades, Dad's Garage has been become synonymous with improv comedy in Atlanta. And as their fans have put down roots and grown families here in Atlanta, so to has Dad's expanded their offerings to appeal to the next generation of comedy lovers. Performing Saturday matinee shows, Wowie Zowie is a playful and engaging experience for audiences of all ages. Kids get to let loose and see their creative ideas come to life on stage, while parents can enjoy an afternoon out of the house without suffering the oppressive summer heat. City Lights Engineer Matt McWilliams recently caught up with Dad's Garage ensemble player Avery Sharpe-Steele after a sold-out Wowie Zowie show. ✦ . You may be familiar with Toni Morrison, the Pulitzer and Nobel Prize-winning author of novels “Beloved,” “The Bluest Eye,” and more. But did you know that Morrison was also one of the first Black editors for a major publishing company? A new book, “Toni at Random,” examines Morrison’s years as an editor at Random House and the book’s author, Dana Williams, will celebrate her new release tomorrow, with a discussion at Atlanta’s Auburn Avenue Research Library. City Lights Collective member Alison Law recently caught up with Willams to talk about “Toni at Random” ahead of tomorrow’s event. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta’s visual art print magazine, “GULCH”, want you to get out and engage with the city’s art scene. Each week they spotlight five standout happenings, and today their mix includes: prints galore at the Black Art in America Print Fair, love and care in a group show at the historical Haugabrooks Gallery on Auburn Avenue, and thoughtful textile explorations at Gallery Chimera.See omnystudio.com/listener for privacy information.

 In this compelling episode, we sit down with literary scholar and author Dana A. Williams to explore her new book, Toni at Random. Best known as a Nobel Prize-winning novelist, Toni Morrison also spent over a decade as a formidable editor at Random House—amplifying Black voices, shaping cultural memory, and changing the face of American publishing. Williams reveals how Morrison championed iconic figures like Angela Davis, Muhammad Ali, and Toni Cade Bambara, and how her behind-the-scenes work helped lay the foundation for a more inclusive literary canon.  Tweet us at @podcastcolors. Check out our partner program on international affairs, Global with JJ Green on Substack. Please subscribe. Email us at colors@the colorspodcast.com.

Ayesha Roscoe and Dr. Dana Williams engage in a thought-provoking dialogue that traverses the landscape of African American literature, delving into the editorial legacy of Toni Morrison and its ramifications for contemporary publishing. The conversation highlights Morrison's astute understanding of the market and the need to balance artistic integrity with commercial viability. Dr. Williams articulates the challenges faced by Black authors in a predominantly white publishing milieu, while also celebrating the resurgence of interest in works that reflect the complexities of Black identity. The episode serves as a clarion call for listeners to support Black literature and to advocate for diverse narratives that challenge the status quo. By emphasizing the importance of community engagement and the cultivation of literary spaces that prioritize Black voices, the podcast not only honors Morrison's legacy but also inspires a commitment to the ongoing evolution of African American storytelling.Takeaways:The episode features notable figures Ayesha Roscoe and Dr. Dana Williams, who share their insights into the impact of African American literature. Dr. Dana Williams discusses her experiences with notable authors and editors, highlighting the importance of literary representation in the publishing industry. The podcast emphasizes the importance of supporting Black authors and literature by promoting the purchase of their works to ensure their continued presence in the publishing industry. The discussion addresses the evolving landscape of publishing and the need for Black voices to demand quality literature that reflects their experiences.Save 10% on your 1st purchase on MahoganyBooks, use the code: FRONT ROWFeatured Book: Toni at Random: The Iconic Writer's Legendary Editorship

Haley Cohen Gillian, the director of the Yale Journalism Initiative, joins us this week to discuss her new book, A Flower Traveled in My Blood: The Incredible True Story of the Grandmothers Who Fought to Find a Stolen Generation of Children, which chronicles the grandmothers who searched for their children and grandchildren who were disappeared by Argentina's brutal dictatorship. In this episode, Haley gives us insight into how she came across this history and how she grappled with the moral complexities throughout. She also talks about the subjectivity of truth and details her research process and organization.The Stacks Book Club pick for July is God Help the Child by Toni Morrison. We will discuss next Wednesday, July 30th with Dana A. Williams.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/2025/7/23/ep-381-haley-cohen-gillilandConnect with Haley: Instagram | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | SubstackSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on the Stacks, journalist Megan Greenwell joins to discuss her debut book, Bad Company: Private Equity and the Death of the American Dream. She breaks down the ins and outs of private equity, how it works, why it harms communities, and if there is an ethical path for the industry.The Stacks Book Club pick for July is God Help the Child by Toni Morrison. We will discuss next Wednesday, June 30th with Dana A. Williams.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/2025/7/16/ep-378-megan-greenwellConnect with Megan: Instagram | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | SubstackSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The library is open--to prose the queens find indispensable for poets!Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.You can find John Hollander's Rhyme's Reason here.Check out an excerpt in the NYT from Michael Schmidt Lives of the Poets. Here's an NPR review of Olivia Laing's Funny Weather: Art in an Emergency. For more about Agnes Martin by Olivia Laing, check out this interview. Maggie Nelson engaged in this conversation with Laing about Laing's book Everybody. Check out this reading and conversation between Adam Moss, the author of The Work of Art: How Something Comes from Nothing, and two of his subjects: Marie Howe and Michael Cunningham. Purchase Rebecca Brown's The Gifts of the Body, which Publisher's Weekly called "beautifully controlled, immensely affecting." It is 176 pages.You can get Brown's What Keeps Me Here (stories) here.Read this review of Annie Ernaux's The Use of Photography, which includes some excerpts from the book.Read James Baldwin's "Notes of a Native Son."For more about Kevin Killian's Selected Amazon Reviews, click here.Here's an NPR "Fresh Air" interview with Toni Morrison about writing Beloved. Watch Wayne Koestenbaum's "Why I Make Mini-Movies"

NB: Oops, I meant 18th century. Also, Michael Haneke is Austrian after all.SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:– Toni Morrison's 1993 Nobel Prize lecure– Leopards in the Temple" by Franz Kafka (couldn't find any good links, so here's the text Mark copy-pasted to me: “Leopards break into the temple and drink to the dregs what is in the sacrificial pitchers; this is repeated over and over again; finally it can be calculated in advance, and it becomes a part of the ceremony.“)– Returning the Sword to the Stone by Mark Leidner– Mark's Substack: Opaque Hourglass– Recitatif by Tony Morrison– Funny Games (1997 & 2007)– Hamlet– Julius Caesar– Jack Handey– Andy Kaufman– Plato– The Gettysburg Address– Amleth– The Tower of Babel– The Tree of the Knowledge of Good and Evil– Harold Pinter's 2005 Nobel Prize lecture– Chelsey Minnis– Juvenilia by Hera Lindsay Bird– A Field of Telephones by Zach Savich– Dogs of War by Mark LeidnerFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: In Future PostsBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

MacKenzie Scott is best known as the ex-wife of Jeff Bezos—but that's only a fraction of her story. In this episode, we explore the life of a woman who helped build Amazon, pursued her passion as a novelist, and is now transforming philanthropy through one of the most radical giving sprees in modern history. From working with Toni Morrison to anonymously donating billions to overlooked organizations, MacKenzie Scott is quietly rewriting the rules of power, wealth, and generosity. Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com

Mandii B and WeezyWTF, the co-hosts of the Decisions, Decisions podcast, join us today to discuss their New York Times Best-selling book, No Holes Barred: A Dual Manifesto of Sexual Exploration and Power. They talk about the challenges of staying sex positive while writing about their own shame and which parts of the book they were most nervous about having published. We also talk about how the changing political landscape has impacted the kinds of conversations they have around sex.The Stacks Book Club pick for July is God Help the Child by Toni Morrison. We will discuss on Wednesday, June 30th with Dana A. Williams.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/2025/7/9/ep-379-mandii-b-weezywtfConnect with WeezyWTF: InstagramConnect with Mandii B: InstagramConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | SubstackSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Diverse Voices Book Review host Hopeton Hay interviewed Dana A. Williams, author of TONI AT RANDOM: The Iconic Writer's Legendary Editorship. In the interview, Dr. Williams discussed Toni Morrison's path to becoming a book editor, some of the Black writers she edited at Random House including Angela Davis and Toni Cade Bambara, and what inspired her to write the book.Dana A. Williams is Professor of African American Literature in the Department of English and Dean of the Graduate School at Howard University. She is former president of the College Language Association and the Modern Languages Association and is the author of In the Light of Likeness—Transformed: The Literary Art of Leon Forrest. Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review     

This week on the Stacks, we are joined by author and African-American literature professor, Dana A. Williams. She has written a brand new book called Toni at Random: The Iconic Writer's Legendary Editorship, which chronicles Morrison's time as an editor at Random House. Dana shares with us the behind the scenes story of how her book title came to be, her favorite Morrison book, and why she chose God Help the Child for our July Book Club Pick.The Stacks Book Club pick for July is God Help the Child by Toni Morrison. We will discuss on Wednesday, June 30th with Dana A. Williams returning as our guest.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/2025/7/2/ep-378-dana-williamsConnect with Dana: Instagram | Bluesky | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Too much of our history is looked at through either a colonial lens or a patriarchal one. Ira Mukhoty joins Amit Varma in episode 421 of The Seen and the Unseen to share her gaze on India's history, and all that it has taught her. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.)   Also check out: 1. Ira Mukhoty on Instagram, Twitter, Goodreads and Amazon. 2. Women in Indian History -- Episode 155 of The Seen and the Unseen (w Ira Mukhoty). 3. The Lion and The Lily: The Rise and Fall of Awadh -- Ira Mukhoty. 4. Akbar: The Great Mughal -- Ira Mukhoty. 5. Song of Draupadi -- Ira Mukhoty. 6. Daughters of the Sun: Empresses, Queens and Begums of the Mughal Empire -- Ira Mukhoty. 7. Heroines: Powerful Indian Women of Myth and History -- Ira Mukhoty. 8. Jahangir the Curious — Episode 147 of The Seen and the Unseen (w Parvati Sharma). 9. The Many Cities of Delhi — Episode 172 of The Seen and the Unseen (w Rana Safvi). 10. Episodes of The Seen and the Unseen with Manu Pillai: 1, 2, 3, 4, 5. 11. Wifedom: Mrs Orwell's Invisible Life -- Anna Funder. 12. Invisible Women -- Caroline Criado Perez. 13. An Immense World -- Ed Yong. 14. What Is It Like to Be a Bat? — Thomas Nagel. 15. History of European Morals — WEH Lecky. 16. The Expanding Circle — Peter Singer. 17. Yuganta -- Irawati Karve. 18. The Great Indian Kitchen -- Jeo Baby. 19. Heart Lamp -- Banu Mushtaq. 20. Misogyny is the Oldest Indian Tradition -- Amit Varma. 21. One Bad Law Goes, but Women Remain Second-Class Citizens -- Amit Varma. 22. The Incredible Curiosities of Mukulika Banerjee — Episode 276 of The Seen and the Unseen. 23. Mughal History as a window to Modern India -- Ira Mukhoty on The India Briefing. 24. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 25. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 26. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 27. In defence of suit, boot — Chandra Bhan Prasad. 28. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 29. Pushpesh Pant Feasts on the Buffet of Life — Episode 326 of The Seen and the Unseen. 30. Real Birds in Imagined Gardens -- Kavita Singh. 31. The Light in Winter -- Episode 97 of Everything is Everything, on Spanish art. 32. Tawaif — Episode 174 of The Seen and the Unseen (w Saba Dewan). 33. Swapna Liddle and the Many Shades of Delhi — Episode 367 of The Seen and the Unseen. 34. The Broken Script — Swapna Liddle. 35. Culture of Encounters: Sanskrit at the Mughal Court -- Audrey Truschke. 36. The Tibetan Book of the Dead. 37. The Year of Magical Thinking -- Joan Didion. 38. Blue Nights -- Joan Didion. 39. H is for Hawk -- Helen Macdonald. 40. The Procrastination Matrix -- Tim Urban. 41. The Age of the Partial Outsider -- Janan Ganesh. 42. Wolf Hall, Bring Up the Bodies and The Mirror and the Light -- Hilary Mantel. 43. The Silence of the Girls -- Pat Barker. 44. The Hindus: An Alternative History -- Wendy Doniger. 45. Daily Rituals -- Mason Currey. 46. Daily Rituals: Women at Work -- Mason Currey. 47. The Surface Area of Serendipity -- Episode 39 of Everything is Everything. 48. Tawaifnama — Saba Dewan. 49. The Other Song -- Saba Dewan. 50. Sex and the Family in Colonial India -- Durba Ghosh. 51. Blueprint for Armageddon — Episode 50-55 of Dan Carlin's Hardcore History. 52. Roam Research. 53. Zettelkasten on Wikipedia. 54. The History Thieves: Secrets, Lies and the Shaping of a Modern Nation -- Ian Cobain. 55. Vagabond Princess: The Great Adventures of Gulbadan -- Ruby Lal. 56. Empress: The Astonishing Reign of Nur Jehan -- Ruby Lal. 57. Coming of Age in Nineteenth-Century India: The Girl-Child and the Art of Playfulness -- Ruby Lal. 58. What is Islam? -- Shahab Ahmad. 59. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity -- Manu Pillai. 60. The House Divided: Sunni, Shia and the Making of the Middle East -- Barnaby Rogerson. 61. Muntakhab-ut-Tawarikh -- ʽAbd al-Qadir Badayuni. 62. Sarkai Lo Khatiya Jada Lage -- Song from Raja Babu. 63. Edge of Empire -- Maya Jasonoff. 64. Shatranj Ke Khiladi -- Satyajit Ray. 65. That Obscure Object of Desire -- Luis Buñuel. 66. This House of Grief -- Helen Garner. 67. Joe Cinque's Consolation -- Helen Garner. 68. Grief Is the Thing with Feathers -- Max Porter. 69. Burial Rites -- Hannah Kent. 70. Maya Angelou and Toni Morrison. 71. The Wonder -- Emma Donahue. 72. When Montezuma Met Cortés -- Matthew Restall. 73. Stolen -- Karan Tejpal. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Unseen Histories' by Simahina.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!My guest this week is Chicago-via-Maryland-via-Virgnia rapper, producer, and animator McKinley Dixon. We spoke about the Scream and Final Destination franchises, our definitions of what makes a scream queen, Snow Dogs, Tekkonkinkreet, being inspired by Toni Morrison and the late Japanese director Satoshi Kon, the pros and cons of live-band hip-hop, and the creative process behind his latest album Magic, Alive! Come fuck with us. Magic, Alive!  is available wherever music is sold, streamed, or stolen. Consider copping directly from from Bandcamp page. Follow McKinley on Instagram (@freemckinley), Twitter (@mckinleydixon), and TikTok (@mckinleydixonn)Read my review of Magic, Alive! over at Bandcamp Daily. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti.  For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green.  Support the show

The queens talk literary confidantes; then we discuss the pros and pitfalls of poetic friendships.Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.NOTES:Check out Toni Morrison's  1987 eulogy for James Baldwin in the New York Times.We read from Fran Lebowitz's remembrance of her friend Toni Morrison, printed in the Paris Review.If you haven't already, read Brenda Hillman's "Male Nipples" Read "The Curious Friendship of Elizabeth Bishop and Robert Lowell" from The Atlantic.Check out this exploration of the dynamics in literary friendships published in Esquire. 

You know Toni Morrison the writer, but what about Toni the editor? As she rose in literary fame, Morrison also worked in publishing as a senior editor for Random House, the first black woman to hold such a title in the company. Dana A. Williams, professor of African American literature and dean of the Graduate School at Howard University, discusses her new book about Toni Morrison's career as an editor, Toni at Random: The Iconic Writer's Legendary Editorship, which includes stories about the authors she shaped, and her efforts to change publishing for the better.

We're pulling another banger episode out of the Patreon vault this week with our episode on the 1999 classic Deep Blue Sea starring Samuel L. Jackson, LL Cool J and Thomas Jane. But first did Cody get a new tattoo? How did it remind Cody of Terry Moore's art in Rachel Rising? Do we have a Toni Morrison horn? Did Cody love The Private Eye by Brian K. Vaughan? Was Janice Soprano in this movie? Do they rip-off Jurassic Park in this movie? Was this Anthony's first time watching Deep Blue Sea? Is this Cody's favorite shark movie? Were sick end credit songs necessary in 90s movies with rappers turned actors? Do we love the LL Cool J song Deepest Blue? Was Susan the true villain of the movie? Is there a little bit of Alien and Free Willy in this movie? Does Anthony have solidarity with orcas? Does everyone get eaten in this movie? Are they trying to cure Alzheimer's in this movie? Can shark swim backward? Was Preach our favorite character? Would we consider this a horror movie? Did we think Samuel L. Jackson's character would end up being the villain? Was this the best movie of 1999? Was '99 banana bonkers stacked? Do we make our first sports reference in this episode? Will Comics and Chronic be the voice of the summer Olympics in LA in 2028? Was Deep Blue Sea ahead of its time? Is Jaws the best shark movie? What is Cody's dark secret this episode? Does Sam Tallent have a great impersonation of Cody's laugh? Could the sharks in this movie take down the Titanic? Why does Cody want Anthony dead? Does Anthony have Michael Rapaport vibes? Is the Thomas Jane Punisher movie the best one? Is The Bronx Zoo Anthony's North Star? Are the guys working on a trilogy of Bronx Zoo horror movies? Can you dab shark brain juice? Is Jake still giving away House of Slaughter Vol. 1?New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

How do brains slip so easily from the real world into made up worlds? What do authors of great literature have in common with stage magicians and comedians? What does any of this have to do with cognitive shortcuts, prediction machines, Marcel Proust, Toni Morrison, Jane Austen, or why jokes are always structured in threes? Join Eagleman this week for a conversation with his Stanford colleague Joshua Landy as they discuss brains on story.

Merriam-Webster's Word of the Day for May 29, 2025 is: nascent • NASS-unt • adjective Nascent is a formal word used to describe something that is just beginning to exist, or in other words, is recently formed or developed. // The actress is now focused on her nascent singing career. See the entry > Examples: “I asked my father, recently, if I might borrow one of his old journals as research for a nascent writing project. It felt like there might be something there—in the poetry of varietal names (Beedy's Camden Kale, Ruby Perfection Cabbage), or the steady plotless attention to the natural world.” — Fiona Warnick, LitHub.com, 9 May 2024 Did you know? Nascent descends from the Latin verb nasci, meaning “to be born,” as does many an English word, from nation and nature to innate and renaissance. But rather than describing the birth of literal babies—as in pups, kits, hoglets, et al.—nascent is applied to things (such as careers or technologies) that have recently formed or come into existence, as when scholar Danille K. Taylor-Guthrie wrote of Toni Morrison being “an integral part of a nascent group of black women writers who would alter the course of African American, American, and world literature.”

Merriam-Webster's Word of the Day for May 29, 2025 is: nascent • NASS-unt • adjective Nascent is a formal word used to describe something that is just beginning to exist, or in other words, is recently formed or developed. // The actress is now focused on her nascent singing career. See the entry > Examples: “I asked my father, recently, if I might borrow one of his old journals as research for a nascent writing project. It felt like there might be something there—in the poetry of varietal names (Beedy's Camden Kale, Ruby Perfection Cabbage), or the steady plotless attention to the natural world.” — Fiona Warnick, LitHub.com, 9 May 2024 Did you know? Nascent descends from the Latin verb nasci, meaning “to be born,” as does many an English word, from nation and nature to innate and renaissance. But rather than describing the birth of literal babies—as in pups, kits, hoglets, et al.—nascent is applied to things (such as careers or technologies) that have recently formed or come into existence, as when scholar Danille K. Taylor-Guthrie wrote of Toni Morrison being “an integral part of a nascent group of black women writers who would alter the course of African American, American, and world literature.”

Nonfiction writer Paul Elie joins co-hosts Whitney Terrell and V.V. Ganeshananthan to discuss his new book The Last Supper: Art, Faith, Sex, and Controversy in the 1980s and Pope Leo XIV. Elie compares the new pope to John Paul II, whose conservative views shaped the 1980s. He explains how and why '80s artists like Andy Warhol, U2, and Bob Dylan produced art he considers “crypto-religious,” a term coined by poet Czesław Miłosz. He analyzes limbo and purgatory in the work of writers of the period, including Louise Erdrich and Toni Morrison, and recalls the culture wars, including iconic incidents like Sinéad O'Connor tearing up the pope's picture on Saturday Night Live, as well as the controversy over Andres Serrano's Piss Christ. He reads from The Last Supper. Selected Readings: Paul Elie The Last Supper: Art, Faith, Sex, and Controversy in the 1980s Reinventing Bach: The Search for Transcendence in Sound The Life You Save May Be Your Own: An American Pilgrimage The Down-to-Earth Pope: Pope Francis Has Died at Eighty-eight | The New Yorker  Others Madame Bovary Mystery and Manners: Occasional Prose  Love Medicine The Handmaid's Tale Striving Towards Being: The Letters of Thomas Merton and Czeslaw Milosz U2 - Gloria  “The Controversial Saturday Night Live Performance That Made Sinéad O'Connor an Icon,” Time Magazine, July 26, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Toni Morrison (1931-2019) was a groundbreaking writer and the first African-American woman to win the Nobel Prize in Literature in 1993. Her works, including the Pulitzer Prize-winning novel Beloved—where she coined the word "rememory"—explore race, identity, and the legacies of slavery. Morrison’s profound storytelling has made her one of the most influential voices in American literature. For Further Reading: National Women’s History Museum: Toni Morrison Toni Morrison, Towering Novelist of the Black Experience, Dies at 88 Manifestations and Memory: A Look At Trauma, Hauntings, and “Rememory” 'I wanted to carve out a world both culture specific and race-free': an essay by Toni Morrison Toni Morrison, a Writer of Many Gifts Who Bent Language to Her Will This month, we’re talking about Word Weavers — people who coined terms, popularized words, and even created entirely new languages. These activists, writers, artists, and scholars used language to shape ideas and give voice to experiences that once had no name. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

As a longtime staff writer at The New Yorker, Hilton Als's essays and profiles of figures like Toni Morrison, Joan Didion, and Richard Pryor have redefined cultural criticism, blending autobiography with literary and social commentary. Als is also a curator. His latest gallery exhibition is The Writing's on the Wall: Language and Silence in the Visual Arts, at the Hill Art Foundation in New York. The exhibit brings together the works of 32 artists across a range of media to examine how artists embrace silence. The show asked a powerful question: What do words — and their absence — look like? The Pulitzer Prize-winning writer spoke with Tonya Mosley. Also, Ken Tucker reviews new music from Lucy Dacus and Jeffrey Lewis.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy