Podcast appearances and mentions of Toni Morrison

The Pitt Season 2 has come to a close and Sepideh Moafi has delivered a downright brilliant first-season arc as Dr. Baran Al-Hashimi. She kicked off her run in the series by swooping into the Pittsburgh Trauma Medical Center Emergency Department to cover for Dr. Robby (Noah Wyle) during his upcoming sabbatical. Rather than wait for Robby to give her the lay of the land, Dr. Al-Hashimi jumps in feet first, immediately inserting herself into the goings-on at the hospital. As Moafi herself put it, “It was set up for her to disrupt the rhythm of this established hospital. Dr. Robby is America's golden boy, or the world's, really, golden boy, so anyone who comes in his path is going to be scrutinized to a certain degree.”In the early episodes of Season 2, she was indeed scrutinized — by Dr. Robby and the colleagues that would eventually have to work under her on the show, and also by The Pitt fans concerned about Dr. Al-Hashimi upending the ED foundation and group dynamic established during the events of Season 1. Over the course of the day, strengths and weaknesses are unearthed, but perhaps more important than anything, so is her purpose: “Delivering and finding ways within this broken system to find creative solutions to deliver the best quality care for patients.” Moafi added another concept inspired by Toni Morrison that she held especially tight to; “If you are free, your job is to free somebody else. If you have some power, then you need to empower somebody else.” Dr. Al-Hashimi abides by those principles every step of the way in The Pitt Season 2, and at the end of the season, it's revealed that while working toward those goals, she's also trying to figure out how to live her life and do her work with a seizure disorder.With all of The Pitt Season 2 now available to watch on HBO Max, Moafi carved out the time for a Collider Ladies Night conversation to revisit her journey to the hit medical drama and also her experience making Dr. Al-Hashimi's Season 2 arc feel especially full. On top of that, Moafi also took a moment to look to the future. While we still don't know if Moafi will continue on with the show, she certainly has some powerful ideas for where the writers could take her character in Season 3. Hosted on Acast. See acast.com/privacy for more information.

A cello career can begin in the most unlikely place and still end up on the world's biggest stages. We sit down with acclaimed cellist Seth Parker Woods, a fearless advocate for contemporary classical music and a leading voice for commissioning new works, to trace the real steps behind a life in music: the early spark, the teachers who mattered, and the moment the path starts to click.We talk about what draws him to living composers, why electronics and electroacoustic experimentation can expand the cello's voice, and how you build “performance practice” when a piece is brand new. Seth also gets candid about the parts musicians rarely say out loud, including what to do when you are committed to a piece that does not fully resonate, and why professionalism still means putting your best foot forward for first hearings and recordings.From there, we dig into his albums and the storytelling choices inside them. Seth shares the meaning behind From Ordinary Things, inspired by Toni Morrison's poem “Shelter,” and how works by André Previn, George Walker, and Tania León connect to lyricism, identity, and community. We also explore Difficult Grace, his genre-bending, autobiographical project that puts him on stage as cellist, narrator, and movement artist, and what that kind of production teaches you about freedom, pressure, and pivoting fast.We close with an honest conversation about representation, being a Black cellist in classical music, and why access to instruments, teachers, and school programs shapes the entire pipeline. If you care about the future of music education, new music, and sustainable musician careers, this one will stay with you. Subscribe, share this episode with a musician friend, and leave a review so more listeners can find the show.For more information on Seth: https://sethparkerwoods.com/You can also find Seth on Instagram: @sethparkerwoodsIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution. Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison's ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism. Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh. Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution. Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison's ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism. Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh. Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Two men from Mississippi's Gulf Coast wonder if America is finally willing to grow up. Watch this conversation on YouTube As we approach America's 250th anniversary, Russell is joined by fellow southern Mississippi native and public intellectual Dr. Eddie S. Glaude Jr. to talk about race, memory, patriotism, and the stories nations tell themselves in order to avoid repentance.  Drawing from his new book America, USA: How Race Shadows the Nation's Anniversaries, Glaude argues that the danger facing the country is not simply historical ignorance, but a “storybook” version of America that shields us from confronting what is broken underneath.  While talking about Baldwin, Bellah, Bonhoeffer, Toni Morrison, and the civil rights movement, the two explore the tension between love of country and idolatry of nation, the persistence of racial inequality, and why prophetic truth-telling requires both courage and hope.  Ultimately, Glaude's message asks more questions than it answers, but gently ushers us toward love, reconciliation, and redemption at a time when we really need it. Keep up with Russell: Subscribe to Russell on Substack Sign up for the weekly Moore to the Point newsletter  Submit a question for the show at questions@russellmoore.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us Fan MailFirst published in 1983 after being championed by Toni Morrison, Nettie Jones's Fish Tales recounts one woman's trauma-filled, hedonistic quest for personal freedom amidst a “Disco-Era,” drug-fuelled backdrop — one inspired by Jones's own lived experiences in 1970s Detroit and New York City. Nigerian-American author and Lit Club founder Hannah Eko joins us to discuss the ways power, pleasure and pain converge in Jones's transgressive work, which was reissued by Farrar Straus and Giroux in 2025Mentioned in this episode:Fish Tales by Nettie JonesHoney is the Knife by Hannah EkoThe Lit Club's 2026 event calendarToni MorrisonVillage Well bookstoreLucumiOshunCharles AbramsonJean ToomerLongreads article on Nettie Jones by Michael GonzalezNuma PerrierZola filmLess Than Zero by Bret Easton EllisBright Lights, Big City by Jay McInernyHunter S. ThompsonAnais NinGayl JonesThe Hitachi Magic WandYoruba ArtLost Ladies of Lit Patreon pageSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter.Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast

Today we're excited to share a bonus episode: the first episode of "PASSAGES: On Morrison," produced by our friends at Random House Publishing Group. This new podcast takes reading on the road, as Namwali Serpell — novelist, critic, and Harvard professor — joins fellow writers and skilled readers in conversation to pore over excerpts of Toni Morrison's prose. The show is the record of a traveling salon, a celebration of Morrison's extraordinary work, and a love letter to reading closely in community. You'll hear Serpell in conversation with poet and former host of The Slowdown, Tracy K. Smith. Together, they read the opening of THE BLUEST EYE, Toni Morrison's debut novel, and discuss all that the passage emits and erases. The second episode, featuring acclaimed poet and critic Hanif Abdurraqib, is also available to listen now wherever you get your podcasts.

Una Gjerde og Gjertrud Louise Laurell har invitert forfatter og selvproklamert Toni Morrison-fan Maria Kjos Fonn for å snakke om romanen Jazz. Selve musikksjangeren figurerer ikke i boka, men Morrison selv har sagt at hun vil skrive bøker som jazzmusikk. Lytt for å finne ut hva det betyr! Una Gjerde og Gjetrud Louise Laurell har tidligere skrevet om Toni Morrisons mest berømte roman, Beloved, i deres faste nobelprisspalte i BLA 3/26. Medvirkende: Una Gjerde, Gjertrud Louise Laurell og Maria Kjos Fonn. Produsent: Jakob Meijers Kippersund Nesdal Samtalen er et opptak fra et arrangement på Becco i Oslo, støttet av Kulturrådet.

In this conversation, Amy sits down with mindfulness teacher and writer Oneika Mays to talk about her new book, Sit with Me: A No-BS Journey to Mindfulness and Meditation—part memoir, part meditation guide, and an unflinching look at what it means to practice loving-kindness in real-world conditions, including inside Rikers Island. Oneika shares what it felt like to work inside a system built on hierarchy and dehumanization, the tension of receiving a salary inside a harmful structure, and the moment she realized that “the system isn't broken—it's working as designed.” From there, the conversation widens into the heart of metta: not as softness or spiritual bypassing, but as grounded, actionable love that can hold anger, boundaries, and truth-telling without losing our humanity. About Oneika and the BookBook: Sit with Me: A No-BS Journey to Mindfulness and Meditation (HarperOne / HarperCollins; on sale March 3, 2026). How Oneika describes it: “Meditation is for messy people… This book is part memoir, part meditation guide—and it's about showing up exactly as you are.” What You'll Hear in This EpisodeThe embodied “ick” of being treated as “one of us” by staff—how hierarchy shows up in small moments, tone shifts, and access.Why reform can get absorbed by a machine—and how “helping” can unintentionally make a harmful system look more palatable.The pivot from “fixing” to “serving,” and why that matters in any therapeutic or helping profession.Metta as a practice that includes righteous anger, loving accountability, and clear boundaries (not performative positivity).The inner work of not needing to be liked—and why unconditional love is not the same as being “nice.”A grounded call to action: personal responsibility, collective responsibility, and small acts that add up. Core Themes to Highlight (for your episode description)1) Metta is not performative softness. It's a disciplined practice of staying human—especially when it's inconvenient, when you're angry, and when you need boundaries.2) The “system” is not abstract—it's embodied. Hierarchy is felt through tone, access, positioning, and whose body is treated as more worthy.3) Serving is different than fixing. When we see people as broken, we become controlling or paternalistic. When we serve, we stay in relationship with wholeness.4) Choosing yourself can be an ethical act. Not as individualism, but as harm reduction—because depleted care can become harmful care.5) Collective change is built from small refusals. Not pre-agreeing to dehumanization. Practicing “no” with steadiness, clarity, and community. Resources Mentioned in the ConversationThe New Jim Crow — Michelle Alexander (recommended by Oneika in the episode)“Helping, Fixing, and Serving” — Rachel Naomi Remen (named in the episode)Sharon Salzberg's teaching stories on loving-kindness (referenced in the episode)Audre Lorde on self-care as self-preservation (referenced in the episode)Toni Morrison quote on freedom and responsibility (referenced in the episode)Timothy Snyder's guidance on resisting authoritarianism (Amy referenced at the end) Connect with OneikaWebsite: Oneika Mays www.OneikaMays.com Book Details and Where to Find ItSit with Me: A No-BS Journey to Mindfulness and Meditation is published by HarperOne and is listed as on sale March 3, 2026.

In this video, hailo discusses the publication history of Sula By Toni Morrison, then goes through her own annotations and thoughts on the book. Join Hot Literati at hotliterati.com Check out our online courses https://www.hotliterati.com/coursesShop Hot Literati Merch https://www.hotliterati.com/category/all-productsFollow hailo https://linktr.ee/haileycolborn#literature #tonimorrison #sula #books #bookclub #literaryanalysis

Otoo, Sharon www.deutschlandfunkkultur.de, Lesart

Otoo, Sharon www.deutschlandfunkkultur.de, Lesart

Attention (Jonathan Cape) collects for the first time Booker prize-winning novelist Anne Enright's non-fiction. These essays, collated from across Enright's career, taking us from Dublin to Galway, Canada to Honduras, delving into Enright's own family history and offering new perspectives on writers including Alice Munro, Toni Morrison, James Joyce, Helen Garner and Angela Carter. Enright was in conversation with Clair Wills, author of Missing Persons, Or My Grandmother's Secrets.

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah discuss “Should I Marry a Murderer?,” the grabby new Netflix docuseries about a fiancee turned key witness. Caroline Muirhead is a smart, beautiful doctor in Glasgow swept up in a romance where things gets … dark. Sarah wanted to talk about this show, because it illustrates troubling habits of female accommodation she's seen in MeToo cases, a tendency to get caught in a trap of people-pleasing. Nancy isn't sure she agrees with that interpretation — she's most disturbed by the Olympic record-level of videos this woman filmed of herself — but they have a free-ranging discussion about refusing to let go of the dream, whether the cops failed Muirhead, drama-seeking mixed with substance abuse, the challenge of confronting someone you're dating, and the grand opera of the show's climax, which deserves to be turned into a novel (we're looking at you, Kat Rosenfield.) Also discussed: * Nancy bonds with childhood friends from pre-Lena Dunham Brooklyn* When the Pulitzer happens to a colleague* “I welcome the insufferability”* FBI opens investigation against Atlantic journalist?* White racial grievance at the New York Times* Anthony Scaramucci = not just good for f-bombs* “Murder as snack”* The high-wire conversations demanded by intimacy* What violence is my partner capable of? * Fiction writing is “the spooky art”* Toni Morrison is whoa, channeling from another dimension* Yes, Nancy is STILL reading Anna KareninaPlus: The prison documentary that made Sarah want to quilt, Nancy on an NBA great, the ick of “Mind of a Serial Killer: The Experience!” exhibition — and more! April showers bring … May paid subscribers?

In this episode, I talk about William Wyler's 1949 film, "The Heiress." Olivia de Havilland plays Catherine Sloper, a shy and sheltered woman living with her cold father in Washington Square, New York in the mid-1800s. When she meets an attractive and alluring man played by Montgomery Clift, she falls passionately in love for the first time, but their relationship will force her to confront painful truths about love and desire. I talk about how the film explores heartbreak and transformation, and how it charts a woman's devastating but powerful journey from innocence to experience, from illusion to reality, and toward a deeper understanding of herself.  If you'd like to support my work and get access to bonus episodes and exclusive posts, you can join me on Patreon: patreon.com/herheadinfilmspodcast. You can follow me on Letterboxd. My email is herheadinfilms@gmail.com. My Sources: Article about the film, written by Frank Miller for Turner Classic Movies "The Heiress:" A Cruel Inheritance by Pamela Hutchinson for Criterion Collection Toni Morrison quote is from a 2015 documentary, "The Life of Toni Morrison"  

Contributor Kendra Winchester joins host Jo Reed to discuss three audiobooks that each spotlight a different side of Toni Morrison. In Language as Liberation, narrator Bahni Turpin guides listeners through Morrison's own lectures, bringing an immediacy to her literary analysis of the American canon. Toni at Random, read with clarity and momentum by Deanna Anthony, highlights Morrison's role in championing major Black writers as an editor at Random House. And January LaVoy's reading of On Morrison carries Namwali Serpell's close readings of the novels, making Morrison's work feel newly alive. Three books, three authors, three narrations—each one sharpening a different view of Morrison's lasting impact. Audiobooks Discussed: Language as Liberation: Reflections on the American Canon by Toni Morrison, read by Bahni Turpin (Random House Audio)   Toni at Random: An Iconic Writer's Legendary Editorship by Dana A. Williams, read by Deanna Anthony (Harper Audio)   On Morrison by Namwali Serpell, read by January LaVoy (Random House Audio) Learn more about your ad choices. Visit megaphone.fm/adchoices

John 10:1-10Very truly, I tell you, anyone who does not enter the sheepfold by the gate but climbs in by another way is a thief and a bandit. The one who enters by the gate is the shepherd of the sheep. The gatekeeper opens the gate for him, and the sheep hear his voice. He calls his own sheep by name and leads them out. When he has brought out all his own, he goes ahead of them, and the sheep follow him because they know his voice. They will not follow a stranger, but they will run from him because they do not know the voice of strangers.”Jesus used this figure of speech with them, but they did not understand what he was saying to them. So again Jesus said to them, “Very truly, I tell you, I am the gate for the sheep. All who came before me are thieves and bandits; but the sheep did not listen to them. I am the gate. Whoever enters by me will be saved, and will come in and go out and find pasture. The thief comes only to steal and kill and destroy. I came that they may have life, and have it abundantly.” I am a little late to the party, but this past week, I have been intrigued by the Artemis 2 space mission that launched at the beginning of the month. Because the trip coincided with Holy Week, I didn't have much time to take it in as it was happening. Now with Jesus thoroughly out of the grave, I have been mesmerized by the mission and the moments captured by the crew aboard Integrity, their aptly named spacecraft, which carried some of the kindest, well qualified, yet humble overachievers we could find.Of the many remarkable moments, a few struck me most. The first was just the tightness of the crew, in more ways than one. In all of the photos and videos the crew seems to genuinely care not only about the mission they are on, but for each other too. When asked what it means to be a crew back on earth Christina Koch, one of the mission specialists said, a crew is “a group that is in it all the time, no matter what. That sacrifices silently for each other, gives grace, has the same cares and the same needs, and is inescapably, beautifully, dutifully linked. Planet Earth: You are a crew,” What a hopeful, aspirational description for a place that acts the opposite most of the time. But it's a good thing the crew on Integrity got along so well, because look at how tight those quarters are! For nearly two weeks, those four grown adults were in 316 cubic feet of shared space, which is like being confined to the interior of two mini vans. I mean look at the size of the bathroom! Speaking of the bathroom…there was a small problem with the toilet, which is really no small problem at all. As I understand it, which isn't well, the vent that pushes all their fluid out into space had frozen. That meant they'd have to use bags for all their toileting needs, which sounds difficult in space. So to fix this they rotated their craft so that the vents faced toward instead of away from the sun. And it worked! What a wonderfully human problem and need to see people work together and overcome. These kind of moments led to the contagious moonjoy many talked about, this awe at the moon and those who approached it. The second is this photo. It's a picture of earth setting behind the moon's crated filled surface. This was the first public photo of Artemis II crew's trip to the dark side of the moon. We've seen sunsets, sunrises, and in 1968 we saw earthrise for the first time with pictures from Apollo 8. But never before had we seen all the earth setting, as if we, the whole world, were off to bed at the end of a collective day. Describing that moment the best he could, Reid Weisman said: “No matter how long we look at this, our brains are not processing this image in front of us. It is absolutely spectacular, surreal. I know there's no adjectives. I'm going to need to invent some new ones to describe what we are looking at out this window.”And finally, minutes later from that photo, the crew lost all signal with earth for forty minutes, becoming the first crew to ever travel that far around the moon and that far away from the earth. Once they came back in contact, Christina Koch had this to say to all of us: Click here to watch.We will always choose earth. We will always choose each other. What a beautiful, much needed message to everyone. Such a statement might be the result of the overview effect. It's the profound mental shift that many astronauts report having experienced after seeing Earth from a distance. It is an awe experienced from space. Awe is that moment when something is so vast, so beautiful, so beyond you, that it rearranges how you see everything else. And whether in space or on earth, all experiences of awe encourage attitudes of compassion, generosity, and selflessness. That's according to leading researcher Dacher Keltner, whose book we've read here. Those four astronauts had an overwhelming experience of awe and it shows in statements like: “We will all always choose each other.”It was awe that led the early church to live the way described in our story from Acts. After the resurrection, they experienced awe from the signs and wonders being done by the apostles who were filled with the Holy Spirit. They heard the good news proclaimed by Peter about Jesus who was crucified and killed, but whom God raised up, freeing him from death, and giving everyone forgiveness of sins in his name. All of this drove them toward not just an attitude of generosity, compassion, and selflessness, but action that encompassed all of that. As Luke tells it, these early disciples lived together and shared all they had. If anyone was in need, they would sell what they had to meet that need. They were committed to doing life together: learning, eating, praying, and playing together. In the words of Christina Koch, they were a crew, “a group that was in it all the time, that gave grace, and had the same cares and the same needs, which was the people beside them. They were inescapably, beautifully, dutifully linked, choosing each other, in the most Christ- like way.Now it would be easy to say that this is the goal of the church and of this church, to live like the picture given to us of the first disciples. But if that's the goal, we've already missed it. If all I did this morning was tell all of us to live together, eat all our meals together, come to church everyday, sell our possessions: One, no one would do it. And two, it would just set us up for failure. All of our striving would only show how short we fall, and become a form of works righteousness, believing that what we do will make Jesus love us more or bring about our own forgiveness and salvation. Instead, the exhortation or hope is that you experience awe – not only from artemis 2 and all the moonjoy they brought, but awe at our God who became human, lived, walked, and suffered among us. Awe at a savior who as Peter says in his letter, bore our sins in his body on the cross, so that, free from sins, we are free to live the right way. When we are in awe of our savior, something shifts. We start to see each other differently. We start to live differently.My prayer for us as individuals and as a church, is that we do not seek to live as the early disciples. If that's our aim, we will only disappoint ourselves and each other. Instead, I hope, I pray you experience awe. And if you are wondering how or where to experience that: Go to a concert, take a walk with a three year old (I'll loan you mine), visit with a centenarian, stare at a rainbow, listen to mozart, look at great art, read the words of Tolstoy or Toni Morrison. Watch the light cascade over a lake at sunset, feel the warmth of the sun at its rising. Be in awe at a crew of four humans who traveled the furthest distance of any human ever before, only to reemerge and say we must choose each other. Most of all be in awe of a savior who chose to go to a cross and rise out of a tomb for you and still chooses each and every day to forgive your sins and give you grace. When we are in awe of that, we too will be more generous, more compassionate, more selfless to our neighbors. We too will choose each other. Amen.

Back in 2012, Diverse Voices Book Review host Hopeton Hay conducted a short interview with Bernice L. McFadden on KAZI Book Review (the name of this show before it changed in 2021) shortly after Akashic Books published her novel GATHERING OF WATERS. It is a tale narrated by the town of Money, Mississippi—the site of the brutal murder of Emmett Till in 1955. This haunting story, according to Akashic Books, "mines the truth about Money, Mississippi, as well as the town's families and threads their history over decades. The bare-bones realism—both disturbing and riveting—combined with a magical realm in which ghosts have the final say, is reminiscent of Toni Morrison's BELOVED." I hope you enjoy it.Follow Diverse Voices Book Review on Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks.bsky.social

Amanda Peet is in the new film ‘Fantasy Life' and the series ‘Your Friends & Neighbors.' In a recent piece in ‘The New Yorker,' she wrote about being diagnosed with breast cancer while both of her parents were in hospice. “I didn't really have that ‘why me?' thing. Maybe because I am Jewish and am always waiting for that other shoe to drop. In this case it was three shoes,” she told Terry Gross. Also, we'll talk about Toni Morrison with Harvard professor Namwali Serpell. She says no matter how many times she returns to Morrison's work, she finds something new.  She's still haunted by the last sentence of the novel ‘Sula.' “When that sentence comes into my life, whether I'm reading it to teach, whether I'm rereading it to write, whether I'm reading it out loud, even just now, tears always spring to my eyes," Serpell says. She spoke with Tonya Mosley.   David Bianculli reviews the new Apple TV series ‘Margo's Got Money Troubles.'See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Today we're sharing an excerpt from a new soccer podcast, The Away End with John Green and Daniel Alarcón. In a recent episode they covered the 1994 Caribbean Cup, which felt very Very Special Episodes-y. If you like soccer or enjoy listening to smart friends chat, check out their show! Dana, Zaron + Jason will be back with a new episode next Wednesday. About The Away End Two novelists, Daniel Alarcón and John Green, friends since they were teenagers, tackle questions big and small around the World Cup and international football more generally. The only soccer podcast that regularly name checks Toni Morrison, The Away End is about much more than sport: it's about politics, literature and culture, with an eye toward those moments and spaces where our collective love of soccer reveals something unexpected about who we are.See omnystudio.com/listener for privacy information.

Amanda Peet is in the new film ‘Fantasy Life' and the series ‘Your Friends & Neighbors.' In a recent piece in ‘The New Yorker,' she wrote about being diagnosed with breast cancer while both of her parents were in hospice. “I didn't really have that ‘why me?' thing. Maybe because I am Jewish and am always waiting for that other shoe to drop. In this case it was three shoes,” she told Terry Gross. Also, we'll talk about Toni Morrison with Harvard professor Namwali Serpell. She says no matter how many times she returns to Morrison's work, she finds something new.  She's still haunted by the last sentence of the novel ‘Sula.' “When that sentence comes into my life, whether I'm reading it to teach, whether I'm rereading it to write, whether I'm reading it out loud, even just now, tears always spring to my eyes," Serpell says. She spoke with Tonya Mosley.   David Bianculli reviews the new Apple TV series ‘Margo's Got Money Troubles.'See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Today we're sharing an excerpt from a new soccer podcast, The Away End with John Green and Daniel Alarcón. In a recent episode they covered the 1994 Caribbean Cup, which felt very Very Special Episodes-y. If you like soccer or enjoy listening to smart friends chat, check out their show! Dana, Zaron + Jason will be back with a new episode next Wednesday. About The Away End Two novelists, Daniel Alarcón and John Green, friends since they were teenagers, tackle questions big and small around the World Cup and international football more generally. The only soccer podcast that regularly name checks Toni Morrison, The Away End is about much more than sport: it's about politics, literature and culture, with an eye toward those moments and spaces where our collective love of soccer reveals something unexpected about who we are.See omnystudio.com/listener for privacy information.

Today we're sharing an excerpt from a new soccer podcast, The Away End with John Green and Daniel Alarcón. In a recent episode they covered the 1994 Caribbean Cup, which felt very Very Special Episodes-y. If you like soccer or enjoy listening to smart friends chat, check out their show! Dana, Zaron + Jason will be back with a new episode next Wednesday. About The Away End Two novelists, Daniel Alarcón and John Green, friends since they were teenagers, tackle questions big and small around the World Cup and international football more generally. The only soccer podcast that regularly name checks Toni Morrison, The Away End is about much more than sport: it's about politics, literature and culture, with an eye toward those moments and spaces where our collective love of soccer reveals something unexpected about who we are.See omnystudio.com/listener for privacy information.

Today we're sharing an excerpt from a new soccer podcast, The Away End with John Green and Daniel Alarcón. In a recent episode they covered the 1994 Caribbean Cup, which felt very Very Special Episodes-y. If you like soccer or enjoy listening to smart friends chat, check out their show! Dana, Zaron + Jason will be back with a new episode next Wednesday. About The Away End Two novelists, Daniel Alarcón and John Green, friends since they were teenagers, tackle questions big and small around the World Cup and international football more generally. The only soccer podcast that regularly name checks Toni Morrison, The Away End is about much more than sport: it's about politics, literature and culture, with an eye toward those moments and spaces where our collective love of soccer reveals something unexpected about who we are.See omnystudio.com/listener for privacy information.

In a new book, Harvard professor Namwali Serpell makes the case that we have been reading one of the most celebrated writers in American history all wrong. ‘On Morrison' is a deep dive into the Nobel Laureate's complete body of work — her 11 novels, plays, and criticism. Serpell has been teaching Morrison for nearly two decades, and she says no matter how many times she returns to the work, she still finds something new. Jazz historian Kevin Whitehead reviews two new biographies of composers and pianists born 40 years apart.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Hosts: Jill Winkowski and Prue SalaskyDate: April 10, 2026Length: 37 minutesPublication Frequency: Fourth Friday (approx) of each monthIn this episode we explore African American English, its history, features, and variations, including in Hampton Roads, aka the 757. We interview three black academics in the region to learn about AAE and what defines it. We talk to Dr. Iyabo Osiapem, teaching professor of Africana Studies and Linguistics at the College of William and Mary in Williamsburg. Founded in 1693, It's the only university in the state to offer an undergraduate major in linguistics. At Hampton University in Hampton, the city where the first African indentured servants and slaves arrived in North America in 1619, we speak to Dr. Darylyn Dance, a specialist in rhetoric and composition. We also talk to Dr. Travis Harris, a hip hop scholar who teaches at Norfolk State University in Norfolk. From them we learned about the distinctive syntactical and pronunciation features of the AAE dialect; various theories of its development, including from West African languages; some distinctive local vocabulary; the influence of hip hop in its evolution; and its controversial history related to education, including the 1979 Ann Arbor case and the 1997 Oakland decision.We learn about its labels over the years, including “non-standard Negro English” used by white linguist William Labov, “the father of sociolinguistics,” who pioneered research into AAE in the 1960s, We learn about the work of African American linguist John Baugh in exposing linguistic profiling and the development of the ebonics label by educational psychologist Robert Williams,     inventor of the BITCH test which highlighted cultural bias in standardized testing. Finally, we discuss attitudes to language variation. Here are some of the books and authors the three professors recommended for AAE: Olaudah Equiano (18th century)(enslaved, freed, went to UK) slave narratives, letters, poems;essayist and journalist Charles Chesnutt (turn of the 20th century) The Goophered Grapevine;Poetry by Frances Ellen Watkins (19th century); by Paul Laurence Dunbar (19th century); by Countee Cullen (early 20th century); by Langston Hughes (20th century); George Schuyler journalist, columnist, critic (20th century); Phyllis Wheatley, born in Africa, writing in second language; Imami All Mine by Connie Porter (This American Girl series); Zora Neale Hurston,  Their Eyes are Watching God; Alice Childress, Rainbow Jordan;  The Color Purple by Alice Walker;  Dutchman (1964 play) by Amiri Baraka; Sonia Sanchez (20th century) poet, playwright, professor; Maya Angelou; Toni Morrison;Gil Scott-Heron, “The Revolution will not be Televised” (“godfather of rap”); academic articles by Vershawn Ashanti Young (contemporary); Bernice McFadden, “Sugar” (2000)For those interested in hip-hop, the W&M Hip Hop Collection, started in the 1980s,  is part of Swem Library's Special Collections and includes recordings, publications, and ephemera from Virginia based hip hop artists. Local stars include Pharell and Clipse (the brothers Pusha T and No Malice).Send your questions and feedback to languagingHR@gmail.com; and for more information and to listen to previous episodes, check out our website, www.languaginghr.wordpress.com.

On Friday, February 13th, an exhibit was unveiled in honor of the Pulitzer and Nobel Prize-winning African American writer, editor, and professor, Toni Morrison. Paul Grondahl, the Opalka Endowed Director at the NYS Writers Institute at UAlbany, joins us to discuss Morrison's time at UAlbany and her legacy. Lennox Apudo reports.

Sarah Dōjin Emerson's talk, entitled “Renewal and Reverence,” recorded on March 21, 2026, during the three-day sesshin in preparation for the Jukai ceremony, at Boundless Mind Temple, Brooklyn. In this second and final dharma talk of the sesshin, Sarah-sensei explores engaging Zen practice tenderly, for the sake of love, as a training in reverence. Sarah shares a quotation from an interview with Toni Morrison, which includes the words, “Sometimes you don't survive whole, you just survive in part. But the grandeur of life is that attempt. It's not about that solution. It is about being as fearless as one can, and behaving as beautifully as one can, under completely impossible circumstances. It's that, that makes it elegant. Good is just more interesting, more complex, more demanding.” Morrison's complete response can be found here: https://youtu.be/5xvJYrSsXPA?si=ITUp9BRYhtpkOiXS The BZC Podcast is offered free of charge and made possible by the donations we receive. If these teachings have benefited your life, please consider supporting the program with a donation (suggested $2-7/episode, or whatever feels right for you!). You can donate to Brooklyn Zen Center at brooklynzen.org under ‘Giving.' Thank you for your generosity!

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her. Recommended Books: Maya Binyam, Hangmen Akwaeke Emezi, Freshwater Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her. Recommended Books: Maya Binyam, Hangmen Akwaeke Emezi, Freshwater Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her. Recommended Books: Maya Binyam, Hangmen Akwaeke Emezi, Freshwater Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her. Recommended Books: Maya Binyam, Hangmen Akwaeke Emezi, Freshwater Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Anne Enright has written eight novels, most recently The Wren, The Wren, for which she was on the show in 2023. She won the Man Booker Prize for The Gathering and the Andrew Carnegie Medal for Excellence in Fiction, and was the inaugural Laureate for Irish Fiction. In 2022, she was awarded a Lifetime Achievement Award from the Irish Book Awards. Her latest collection of essays is Attention: Writing on Life, Art, and the World. These 24 essays cover a lot of ground, but one big theme is how Anne reads other writers, and specifically how she reads them today in contrast to how she's read them before. There are familiar names like Toni Morrison, James Joyce, Edna O' Brien, Samuel Beckett, and Alice Munroe. But some obscure writers, as well. Anne joins Marrie Stone to talk about reading, both for the joy of it and for the study of it, writing, attention, our waning attention spans, and how being a woman has played a role in every one of these topics. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded March 31, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

A brief take on Toni Morrison's rise in graduate research, showing how dissertation data tracks her shift from minimal attention in the 1970s to central prominence in African American literary studies. Script by Howard Rambsy II Narration by Kassandra Timm 

durée : 01:00:07 - Le Book Club - par : Marie Richeux - Alors que paraît "Assaut contre la frontière", l'écrivaine Leïla Slimani a accepté de dévoiler ses rayonnages. S'y trouvent des livres sur le corps dominé, la violence coloniale et la question de la langue, de Steinbeck à Toni Morrison, de Camus à Kundera, en passant par Tolstoï. - réalisation : Vivien Demeyère - invités : Leïla Slimani Écrivaine

It's The Stacks Book Club day and Morrison Month here on The Stacks, and today, we're diving into Paradise by Toni Morrison with award-winning writer, professor, and On Morrison author, Namwali Serpell. This book tells the story of Ruby, a small, all-black town in rural Oklahoma founded by the descendants of freed slaves, and its violent conflict with a nearby convent of women. We chat about the novel's complexity, how it tackles faith and gender, and its connection to Beloved and Jazz.There are spoilers in this episode.Listen to the end of the episode to hear what our April book club pick will be!You can find everything we discuss on today's show on The Stacks website: https://www.thestackspodcast.com/2026/3/25/ep-417-paradiseConnect with Namwali: Website | X/TwitterConnect with The Stacks: Instagram | Threads | Shop | Patreon | Goodreads | Substack | Youtube | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we sit down with Dr. Janice Gassam Asare, founder of BWG Business Solutions and author of the new book, Rise and Resist: How to Reclaim Workplace Equity and Justice .  Following a period of intense personal and professional backlash—including being targeted by high-profile political figures—Janice discusses why looking to historical legacies of resistance is the key to enduring today's challenging DEI landscape. We explore how "everything is cyclical" and how we can draw strength from the stories of lesser-known figures who challenged the status quo long before us. Whether you are feeling powerless or looking for strategic ways to advocate for change, this conversation provides a roadmap for using your unique gifts to push for equity. Resistance as a Historical Blueprint: Current opposition to DEI and civil rights is not new; by studying the legacies of figures like Ida B. Wells and Toni Morrison, we can find proven strategies to navigate and endure modern-day backlash. The Strategy of "Exiting": Resistance doesn't always mean staying and fighting in a toxic environment. Taking a leave of absence or exiting a harmful workplace can serve as a powerful catalyst for institutional change, as seen in the career of legal scholar Derrick Bell. Micro-Resistance and Personal Gifts: You don't need to lead a country to create impact. Meaningful resistance can be as simple as using your specific skills—such as graphic design, baking, or providing a safe space—to support larger movements and build community coalitions. Follow Dr. Janice's work at https://www.drjanicegassam.com/

President Trump is running out of political solutions to his political problems, so he's turning to voter suppression; how Americans are dealing with rising gas prices caused by the War with Iran, and what history tells us about oil price spikes; Rep. Madeleine Dean (D-PA) discusses the War with Iran; ‘Song of Solomon' by Toni Morrison is the subject of this week's Velshi Banned Book Club To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Stacks, we're joined by award-winning author T Kira Madden to discuss her newest book, Whidbey. This novel follows three women whose lives intersect in the wake of a man's murder. We chat about the questions that are left in the wake of trauma, her unique writing process, and how she tricks herself to keep writing fun.The Stacks Book Club pick for March is Paradise by Toni Morrison. We'll be discussing the book with Namwali Serpell on March 25th.You can find everything we discuss on today's show on The Stacks website: https://www.thestackspodcast.com/2026/3/18/ep-416-t-kira-maddenConnect with T Kira: Instagram | Website | Threads Connect with The Stacks: Instagram | Threads | Shop | Patreon | Goodreads | Substack | Youtube | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nobel Prize-winning novelist Toni Morrison helped Americans of all races see themselves with radical clarity in modern classics like Sula and Beloved. Her lectures on American literature and racial imagination, now available for the first time, have never been more necessary. Join The New Yorker's poetry editor Kevin Young, novelist Honorée Fanonne Jeffers, writer Sasha Bonét, and poet Reginald Dwayne Betts for a conversation that breaks open the taboos about race in American literature — and a celebration of her new collection, Language as Liberation: Reflections on the American Canon. Drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country's canonical white writers imagined in their work, Morrison's lectures are an antidote to fear and intellectual repression at a time when discussion about race in American literature has become fraught and muted — revealing that liberation is possible through language. In a celebration of the book's launch — and the reissue of her classic oeuvre — don't miss this group of distinguished novelists, poets, and scholars as they step inside the classroom with Morrison to revel in her singular brilliance — cracking the code of America's deepest fears, longings, and hopes for collective liberation.

Today on The Stacks, we're joined by bestselling author Tayari Jones to talk about her newest book, Kin. This novel follows the lifelong friendship between Vernice and Annie, two motherless girls whose paths diverge in adulthood. In our conversation, Tayari shares how Kin was the book she had to write, even though it was not the one she was contracted to write, why she avoided writing a historical novel until now, and how coming home to Atlanta has impacted her as a person and a novelist. The Stacks Book Club pick for March is Paradise by Toni Morrison. We'll be discussing the book with Namwali Serpell on March 25th.You can find everything we discuss on today's show on The Stacks website: https://www.thestackspodcast.com/2026/3/11/ep-415-tayari-jonesConnect with Tayari: Instagram | Threads | Website | FacebookConnect with The Stacks: Instagram | Threads | Shop | Patreon | Goodreads | Substack | Youtube | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Reading a Toni Morrison novel is an experience. Her words challenge readers intellectually and emotionally. Morrison died in 2019. Today her body of work is a national treasure and she is a writer students encounter and critically examine as part of their journey in understanding American identity.Harvard English Professor Namwali Serpell breaks down much of the late author's work in her book, “On Morrison.” It also explores Morrison's politics, thoughts on race, her experiences with the media. She spoke to Jenee Darden, host of KALW's sights and Sounds Show, about her book and why she avoided meeting Toni Morrison in person. Here's an excerpt from their conversation

Today, we explore Toni Morrison's work, politics, and experiences. Then, how to navigate the tricky but necessary conversations about money. And, a behind-the-scenes look inside a San Francisco food bank.

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random: The Iconic Writer's Legendary Editorship (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison's contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon's profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation's most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself requested that Dana Williams be the one to tell this story, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random: The Iconic Writer's Legendary Editorship (Amistad, 2025) demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison's contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

I am so excited to share this week's podcast episode with you. I had the absolute joy of interviewing my daughter, Ella, for her seventeenth birthday, and it turned into one of the most honest and moving conversations we have ever had on the podcast. We went deep into what it is really like to be a teenager today, how she has built her own confidence, and what she has taught me about being a mother.This was one of those conversations that I know I will carry with me for a long time. Ella's wisdom and grace at seventeen is something to behold, and I am so proud to be her mom. We talked about her dreams of going to Brown University and living in New York City, her current obsession with reading Toni Morrison, and the lessons she has learned about friendship, failure, and trusting the journey.We also got very real with each other. She called me out on needing to stay calm, and she was completely right. It was a beautiful reminder that one of the best things we can do as parents is to grow right alongside our children. And then she said something that completely undid me: that my parenting has shaped her into a good person. I am not sure there is a greater gift a mother can receive.Here are some of the key things you will hear us talk about in this episode:→ How Ella built her confidence this year by proving to herself that she can do hard things, and why that is a gift we need to let our children earn for themselves.→ What she wishes adults understood about the pressure and information overload that teenagers are navigating in the age of social media.→ Her powerful strategy for managing overwhelm: focus on what you can control and make a plan for the future.→ The lesson her dad and I have always tried to teach her that she says has truly helped her face her fear of failure: it is the effort, not the outcome.→ The advice she would give her thirteen year old self, and what she wants me to remember as her mom as she continues to grow up.This is a conversation for every parent who wants to understand their teenager a little better, and for every young person who needs to hear that they are so much more than they realize. I hope you will come listen. It is a special one.You can find the full episode on whinypaluza.com or wherever you get your podcasts. And if this conversation moves you, it would mean the world to us if you would share it with a friend.

Today on The Stacks, we're joined by writer, literary critic, and Harvard University professor Namwali Serpell to discuss her latest book, On Morrison. In this book, Namwali offers a deep dive into Toni Morrison's career, guiding readers through close readings of everything from her well-known fiction and literary criticism to her lesser-known dramatic works and poetry. We talk all about why Namwali wanted to write about one of the most beloved—and misunderstood—authors of all time, exploring Morrison's place in the literary canon, why she and her work have been considered "difficult," and how her novels can teach us how to read them.The Stacks Book Club pick for March is Paradise by Toni Morrison. We'll be discussing the book with Namwali Serpell on March 25th.You can find everything we discuss on today's show on The Stacks website: https://www.thestackspodcast.com/2026/3/4/ep-414-namwali-serpellConnect with Namwali: Website | X/TwitterConnect with The Stacks: Instagram | Threads | Shop | Patreon | Goodreads | Substack | Youtube | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's guest, Denise Woods, has been the 'voice behind the voice' for Hollywood's most celebrated performers for over twenty years. As a dialect and vocal coach, she has contributed to Oscar- and Tony-winning performances.   Beyond Hollywood, Denise has been the secret weapon for Fortune 500 executives, broadcast journalists, and elite athletes transitioning to broadcasting careers. Her client list reads like a who's who of entertainment—from Jessica Chastain to Queen Latifah, from Anthony Mackie to Maggie Gyllenhaal.   Denise is also committed to giving disenfranchised voices the courage and tools to tell their stories by dismantling fear, shame, and trauma. As a graduate and the first African-American female faculty member of Juilliard's Drama Division, she's breaking barriers while helping others find their power. Her book, The Power of Voice, captures this transformative approach to finding and using your authentic voice.   In this episode, we'll explore: Why embracing your authentic light is essential to mastery The reason true expertise means embracing "I don't know" How non-conformity fuels artistic excellence, and why Denise thrives as a co-creator and collaborator The spiritual and intentional approach to preparation that allows authentic voices to emerge Her current favorites: Book: Song of Solomon by Toni Morrison, Speaker: Michelle Obama, Podcast: Trevor Noah's What Now? More from Denise Woods Website: https://www.speakitclearly.com/  Her book, The Power of Voice Instagram: https://www.instagram.com/speakitclearly  LinkedIn: https://www.linkedin.com/in/denise-woods-b1239518  More from Tricia  Publish your book with The Big Talk Press Join my complimentary monthly workshop  Explore my content and follow me on YouTube Follow me on Instagram  Connect with me on Facebook  Connect with me on LinkedIn  Visit my website at TriciaBrouk.com 

Seven years after Toni Morrison's death, we're experiencing what the critic Parul Sehgal describes as a “wave of Morrisonia.” Eleven of her novels are being reissued by her publisher. There's a new book of criticism about her novels. You can feel the effort to shore up her legacy. It's an understandable impulse. This is the woman who wrote “Beloved,” the Pulitzer Prize-winning novel that, as Parul writes, “invented a language for unassimilable pain, for the horrors of the Middle Passage, of bondage and its systematized torture and sexual brutality.” The book can feel like a kind of miracle. And Morrison, therefore, like a kind of saint. But sanctification — both Parul and Wesley fear — has its own risks. It puts Morrison up in the sky, where we can't quite reach her. Too far away to touch. So in this episode of Cannonball, that's what Parul, Wesley and their editor, Sasha Weiss, set out to do. Touch Morrison's work — as she wanted us to. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In her new book, award-winning novelist Namwali Serpell takes on Toni Morrison, one of the towering figures in American literature. Serpell guides readers through Morrison's extraordinary body of work, offering close readings that illuminate the depth of Morrison's imagination, innovation and craft. Geoff Bennett sat down with Serpell to discuss "On Morrison." PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy