Podcast appearances and mentions of Toni Morrison

It's The Stacks Book Club Day, and Sequoia Holmes, host of the Black People Love Paramore and Freshly Pop'd podcasts, is back to chat about our August pick, Fish Tales by Nettie Jones. Set in the 1970s, this dark, satirical novel-in-vignettes follows Lewis Jones, a freewheeling young woman partying her way through NYC and Detroit until her independent lifestyle is upended by her relationship with the handsome yet cruel Brook. In this episode, Sequoia and I discuss the difference between the book's marketing and its actual content, the distinction between an unlikable character and an anti-hero, and the ways this book is in conversation with the work of its original editor, Toni Morrison.Listen to the end of the episode to find out what our September book club pick is!You can find everything we discuss on today's show on The Stacks website: https://www.thestackspodcast.com/2026/8/26/ep-439-fish-talesConnect with Sequoia: Instagram | Substack | TikTokConnect with The Stacks: Instagram | Threads | Shop | Patreon | Goodreads | Substack | YoutubeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dawoud Bey talks to Ben Luke about his influences—from writers to musicians, and, of course, other artists—and the cultural experiences that have shaped his life and work. Bey, who was born in 1953 in New York, makes photographs and film installations that address the experience of Black people in the US, from the horrors of slavery via racist violence and the Civil Rights era to intimate moments in contemporary life. He began his career as a photographer in the 1970s with the consistent aim to work as an artist rather than a photojournalist. While he was celebrated from the start for his depictions of people and communities, he has always had a particular sensitivity to place, and after several decades in which portraiture and street photography were dominant strains in his practice, his work over the past decade has focused mostly on landscape. But even when they are not physically present, those who have lived in and travelled through the places he depicts are as much part of the photographs' and films' subject as the environments captured by his camera. He has said of recent series, for instance, that he wants to capture the landscape as seen and felt by the enslaved people who moved through it, and a profound sense of empathy underpins all his output. “This notion of the radical Black imaginary,” he explains, “is the foundation or place that my work springs from.” He discusses how his background in jazz and how it has influenced his art-making, his term “subjective opticality” and what it tells us about the camera and the perspective of the photographer, and the importance of photographs as objects. He reflects on the early influence of Roy DeCarava and John Coltrane, who continue to impact his thinking today, his early fascination with Rembrandt, his work with David Hammons and friendship with Torkwase Dyson, how he has responded to Toni Morrison in his recent photographic series, and the ongoing influence of Michael Roemer, the film-maker with whom he studied. Plus, he gives insight into life in the studio and asks our usual questions, including the ultimate: what is art for?Dawoud Bey: Material Histories, Living Landscapes, Art Gallery of Ontario, Toronto, Canada, until 4 July 2027. The exhibition is co-presented by the Toronto Biennial of Art 2026. Hosted on Acast. See acast.com/privacy for more information.

Air Date: 8/16/2026 Today we look at what Toni Morrison called "sanctioned ignorance," the deliberate manufacture of a version of the past that keeps citizens from connecting the dots between what their government did then and what it's doing now. They're doing it by attacking museums, libraries, and everyone dedicated to ensuring that people have access to accurate information because that's what it takes to implement authoritarian control over a society. It's also the reason that countries under authoritarian rule suffer from the lack of benefits that comes with the free exchange of ideas. Full Show Notes Transcript Be part of the show! Leave a voice message, message us on Signal at the handle bestoftheleft.01, or email Jay@BestOfTheLeft.com BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! TOP TAKES KP 1: David Blight Makes Opening Statement in Hearing on How Smithsonian Presents History - PBS Newshour - Air Date 7-21-26 KP 2: Trying to Rewrite History - Letters From an American - Air Date 7-28-26 KP 3: Trump Orders Signs at Smithsonian Museum Warning of 'Inaccurate' History - Thom Hartmann Program - Air Date 7-30-26 KP 4: Rebecca Nagle on the Boomerang of Empire Part 1 - The Intercept Briefing - Air Date 7-11-26 KP 5: Right-Wing Attacks on Small-Town Libraries; Plus The Snow Leopard Part 1 - Start Making Sense - Air Date 8-17-23 KP 6: Free Speech for Me, but Not for Thee. Plus, Librarians Under Siege. - On the Media - Air Date 9-19-25 KP 7: Why Libraries Matter in a Fascist Moment Part 1 - Movement Memos - Air Date 3-19-26 (00:57:23) NOTE FROM THE EDITOR Why Authoritarians Always Create a Brain Drain That Leaves Their Country Intellectually Impoverished My commentaries on YouTube - Share them! DEEPER DIVES (01:08:29) SECTION A: THE CRACKDOWN A1: What Is the Smithsonian - Civics 101 - Air Date 6-25-24 A2: 'If You Can Keep It' The Smithsonian Part 1 - 1A - Air Date 8-18-25 A3: Trumps Assault on Museums and Libraries, the Art Markets 12% Fall, Evie Hone and Mainie Jellett Part 1 - The Week in Art - Air Date 4-10-25 A4: 'If You Can Keep It' The Smithsonian Part 2 - 1A - Air Date 8-18-25 A5: Trumps Assault on Museums and Libraries, the Art Markets 12% Fall, Evie Hone and Mainie Jellett Part 2 - The Week in Art - Air Date 4-10-25 (01:47:35) SECTION B: HISTORIANS PUSH BACK B1: Historian Douglas Brinkley on MAGA-fying the Smithsonian Part 1 - Brian Lehrer A Daily Podcast - Air Date 8-21-25 B2: Trumps Renewed War, More ICE Killings, and Teaching American History - Start Making Sense - Air Date 7-15-26 B3: Historian Douglas Brinkley on MAGA-fying the Smithsonian Part 2 - Brian Lehrer A Daily Podcast - Air Date 8-21-25 (02:13:02) SECTION C: LIBRARIES UNDER SIEGE C1: From Budget Cuts to Book Bans — The Decades-Long Assault on Public Libraries Part 1 - Citations Needed - Air Date 3-29-23 C2: Why Libraries Matter in a Fascist Moment Part 2 - Movement Memos - Air Date 3-19-26 C3: From Budget Cuts to Book Bans — The Decades-Long Assault on Public Libraries Part 2 - Citations Needed - Air Date 3-29-23 C4: Right-Wing Attacks on Small-Town Libraries; Plus The Snow Leopard Part 2 - Start Making Sense - Air Date 8-17-23 (02:44:58) SECTION D: THE LONGER ARC - EMPIRE, IDEOLOGY, AND THE WORLD'S VIEW D1: The US Struggles with History, Stephen Friedman Gallery Closes, Tudor Heart Pendant Acquired by the British Museum - The Week in Art - Air Date 2-12-26 D2: Museum Responses to Fascism (or Not) Part 1 - The Modern Art Notes Podcast - Air Date 8-6-26 D3: Museum Responses to Fascism (or Not) Part 2 - The Modern Art Notes Podcast - Air Date 8-6-26 D4: Rebecca Nagle on the Boomerang of Empire Part 2 - The Intercept Briefing - Air Date 7-11-26   Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Follow BotL: Bluesky | Mastodon | Threads | X Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com

TRIGGERWARNUNG & SPOILER ALERT: Es werden Inhalte des Romans gespoilert, besprochene Themen sind Vergewaltigung, sexuelle Übergriffe und sexuelle Gewalt.Die Werbekampagne zum heute vorgestellten Buch könnte irreführender nicht sein. Chapeau! Angepriesen als neuestes Werk der “unangefochtenen Königin des Strandbuches” Jennifer Weiner, die stattliche 15 No. 1 auf der Bestsellerliste der New York Times ihr Eigen nennen kann, und deren klassische Heldin in ihren eigenen Worten so charakterisiert wird: “ein glückliches Ende finden, während sie sich selbst treu bleibt.”Bei einem Werbeauftritt in Amerikas - meint hier The United States of - berühmtester Guten-Morgen-Fernsehshow “Good Morning America!” unterhält sich Autorin Jennifer Weiner einige kurze Minuten mit den 3 Hosts der Sendung über ihr gerade veröffentlichtes Werk “That Summer”, und wir erfahren:1. Jennifer Weiners Mutter ist vor kurzem gestorben, und eine der wichtigsten Lektionen, die sie von ihr gelernt hat, ist Body Positivity, also das Wohlsein im eigenen Körper, dessen Möglichkeiten kennend und wertschätzend, unabhängig davon, ob das heute zum Glück immer mehr schwindende Traummaß des 90-60-90 erreicht wird.2. Gefragt, warum ihre Heldinnen immer dem gleichen Muster zu folgen scheinen, antwortet sie mit einem Zitat von Toni Morrison, bei der sie auch mal einen Schreibkurs besucht hat: “Wenn es ein Buch gibt, dass du lesen musst, und es steht nicht in der Buchhandlung, musst du es selbst schreiben. (Ziemlich sicher gibt es eine bessere als diese sehr freie Übersetzung.)3. “That Summer” wurde während der Pandemie geschrieben, als sich Jennifer Weiner zu Hause mit ihrer Familie ununterbrochen konfrontiert sah und sich zu einem Platz schreiben wollte, den sie liebt. Voilá: Cape Cod.4. Zwei der Protagonistinnen sind 15 Jahre alt, so alt wie die Tochter der Autorin. Sie ansehend fragt sie sich: Hat sich die Welt geändert, seitdem ich in diesem Alter war? Habe ich mich geändert? Und wenn ja, ist es jetzt besser?5. Wenn es nicht besser ist, was muss getan werden, was muss ich tun, damit sie besser wird?Und weil die Show Good Morning America! heißt, lächeln alle in die Kamera, pandemiebedingt in 4 Kacheln und nicht im selben Raum. Jennifer Weiner hält noch kurz das Buch in die Kamera und winkt.Ähnlich war die Ankündigung des Buches auf einer der von mir frequentierten Empfehlungslisten. Could have fooled me! Hat es auch.Zurück zu 4. Ich nummeriere hier ja nicht umsonst: Hat sich die Welt geändert, und falls ja, ist es besser? Ja, vielleicht, hoffentlich, sonst könnte man den ganzen Bumms auch anzünden.Zurück zur eingangs erwähnten Marketingkampagne und einem radikalen Bruch mit Studio Bs nirgendwo niedergeschriebenem, mündlich aber öfter formulierten Anspruch, hier in denglish, DIE STORY NICHT ZU SPOILERN:Bei “That Summer” handelt es sich nicht um ein unbeschwertes Buch, das zur Sonnencremebeschmierten und zwischen den Seiten Sand ansammelnden Sommerlektüre empfohlen werden kann, weil der Plot den champagnerinduzierten Schwips verstärkt, auch wenn das in fast allen Empfehlungen und Besprechungen so erscheint.Und ein weiterer Beweis der These, dass Kritiker*innen nicht immer das rezensierte Werk tatsächlich auch - wenigstens ansatzweise und überfliegend - gelesen haben.“That Summer” ist die Geschichte zweier unterschiedlicher Frauen, beide heißen Diana, die eine wird Daisy genannt. Sie verfolgen geradezu konträre Lebensentwürfe. Während Diana als erfolgreiche Vertreterin durch die Staaten reist und ein luxuriöses Leben als Single führt, finden wir Diana, die sich als Kochlehrerin ein berufliches Standbein aufgebaut hat, als Organisatorin, Putzfrau, seelischer Mülleimer und mit dezenter Unaufmerksamkeit durch ihren ein paar Jahre älteren Ehemann Hal und mit offenerer Abneigung durch ihre 15jährige Tochter Beatrice bedachte, ein wenig einsame Frau, deren äußere Lebensumstände Zufriedenheit bringen sollten, sie aber zunehmend irritieren. Die beiden begegnen sich, weil Dianas Mails aufgrund eines Tippfehlers in der E-Mail-Adresse bei Daisy landen. Bei einem ersten Treffen der unterschiedlich situierten Frauen sind sich beide sympathisch, eine Freundschaft bahnt sich an.Der Plot von “That Summer” wird in 2 zeitlichen Linien entwickelt: rückblickend auf die Geschehnisse eines Sommers, eben “That Summer”, deren Protagonistin Diana ist, und in der Jetztzeit, mit reflektierenden Rückblicken auf Daisys Geschichte und immer weiteren Enthüllungen über Dianas Leben.Im Sommer 1987 hat Diana als 16jährige einen Sommer auf Cape Cod verbracht, als Aushilfe in einem befreundeten Haushalt. Erste Liebe zu einem Collegeboy, zum Abschluss des Aufenthalte eine Party, nach der sich Diana zunächst an nicht viel erinnern kann. Als die Erinnerungen an diese Nacht zurückkehren, wird ihr Leben ein anderes sein und werden: Sie wurde vergewaltigt, ein 2. Student hat sie festgehalten, ein Dritter zugesehen, aber nicht eingegriffen. Diana verlässt in der Folge die Schule ohne Abschluss und wird nie Kinder haben.Sprung in die Jetztzeit: Was Diana will, ist Rache. Der Beginn ihrer aufkeimenden Freundschaft mit Daisy ist zunächst vorgetäuscht. Durch einen Zufall hat sie ihren Vergewaltiger von damals wiedererkannt und möchte auch die Frau bestrafen, die in ihren Augen alles hat: eine Familie, eine Tochter. Zunehmend bekommt sie Skrupel, wird aber ihre Geschichte zu erkennen geben, mit weitreichenden Folgen.Das Buch stellt komplexe Fragen zur Verantwortung sexueller Übergriffe: nach der des Vergewaltigers, nach der der Eingeweihten. Es ist ein Werk über die Auswirkungen eines lange Jahre verheimlichten Angriffs auf das Leben der Beteiligten, die Macht und Auswirkungen von Rache. Wie hart sollen solche Verbrechen bestraft, oder sollten sie vergeben werden? Jennifer Weiner erwähnt explizit die me too Bewegung, die viele Frauen ermutigte und inspirierte, über ihre traumatischen, manchmal aber - und das ist fast unheimlicher - gewöhnlichen und als alltäglich wahrgenommenen Erfahrungen mit sexuellen Übergriffen und sexueller Gewalt zu sprechen und zu schreiben. Dabei finden sich in “That Summer” alle möglichen Formen, in denen diese gewaltvollen Erfahrungen in unserer Gesellschaft behandelt werden.Mannigfaltig sind die Entschuldigungsformeln: “Jungs müssen sich ihre Hörner abstoßen.” So formuliert es der alte Vater des Vergewaltigers oder auch kürzer “So sind junge Männer eben.”Dem Opfer wird eine Mitschuld gegeben: “Sie wusste doch, worauf sie sich einlässt, wenn sie auf die Abschlussparty des Sommers geht und dort auch noch Alkohol trinkt.”“Vielleicht hätte sie nicht so flirten sollen.”In den Diskussionen wird darauf hingewiesen, dass sich der damalige Täter von damals geändert hätte, und dass er vielleicht nicht so gehandelt hätte, wenn man ihm nicht die Möglichkeit gegeben hätte.Ein Grund, der letztendlich sowohl Diana als auch Daisy in ihrem Umgang mit den Folgen der Vergewaltigung zur Offenheit zwingt, ist Daisys 15jährige Tochter. Der drohende Schrecken sich immer wiederholender Ereignisse führt beide dazu, über die Ereignisse dieses Sommers zu sprechen.Nun ist natürlich die Frage, warum “That Summer” noch in diesem - mittlerweile doch abgekühlten - Sommer gelesen werden sollte: Jennifer Weiner hat einen Roman geschrieben, der sich mit überraschenden Wendungen einem schwierigen Teil unserer Gesellschaft nähert. “That Summer” ist leicht zu lesen, aber keine einfache Lektüre. Wie auch, wenn die Auswirkungen einer Vergewaltigung für die Betroffenen lang und traumatisch sind, die niemals vollkommen geheilt werden können und ein anderes Leben erzwingen? Jennifer Weiner nähert sich der komplexen Thematik nuanciert und präzise, aber nicht reißerisch oder polemisch.Ihr Verdienst ist es, die Möglichkeiten zu zeigen, die eine sich verändernde Gesellschaft bietet und die Kraft weiblicher Freundschaften zu feiern. Das mögen manche als kitschig empfinden, ist aber einer der Gründe, warum der Bums hier noch nicht brennt.Im Internet (wo sonst?) wurde “That Summer” kontrovers diskutiert. Es wurde auf einige Inkonsistenzen hingewiesen, im Wesentlichen hangelten sich gelegentliche Kritiken an den entschuldigenden Argumentationslinien der Vergewaltiger und ihrer Kompliz*innen entlang, eine politische Agenda der Verrisse war dabei oft unverkennbar.“That Summer” und die Diskussion könnte - wieder einmal - ein Anstoß sein, über unsere Gesellschaft zu sprechen und zwar miteinander. Als die me too Bewegung bzw. die Berichte und Auswirkungen - Stichwort Cancel Culture unsere Breitengrade erreichte, wurden in meinem Bekanntenkreis in den diversen Bars und Kneipen der Stadt viele erhitzte Diskussionen geführt, deren Schwerpunkt immer Fragen waren, ob es wirklich gerechtfertigt sei, dass z. B. ein begabter Schauspieler seine Jobs infolge von Anschuldigungen verliert, obwohl noch kein Gericht seine Schuld festgestellt hat. Nie, wirklich nie, wurde mir oder den anwesenden Freundinnen und Frauen die Frage gestellt, was denn unsere Erfahrungen sind. Versuche, über die Kultur sexueller Übergriffe und Vergewaltigungen und ihre Folgen und Auswirkungen zu sprechen, hat es immer wieder gegeben. In den vergangenen Jahrzehnten gab es immer wieder Berichte und Studien, immer schockierend, in welcher Vielzahl und Gewöhnlichkeit diese Übergriffe erfolgen.Ich bin es satt. Ich habe keine, wirklich gar keine Lust, über die Folgen für die Vergewaltiger und Arschgrapscher zu sprechen. Es ist mir egal, ob sie Freundinnen und Freunde und Jobs und eine Karriere und den Respekt der Gesellschaft verlieren und ob sie vor den Enthüllungen in ihrer Profession die Kunst auf eine neue Stufe gehoben haben. Immer und immer wieder kommen Männer mit ihrem übergriffigen Verhalten durch. Der letzte US-Präsident ist dabei nur ein besonders krasses Beispiel, gewählt wurde er trotzdem, auch von der Mehrheit der weißen Frauen. Es sind nicht nur Länder wie Indien oder der südamerikanische Kontinent, in dem diese Übergriffe stattfinden. Es sind eure Freundinnen, eure Nachbarinnen, die Barkeeperinnen, die Kolleginnen. Sie alle haben diese Geschichten auf Lager, der einzige Ausweg ist, den Mund aufzumachen und die Gesellschaft und ihre Institutionen zu zwingen, die Täter zu hindern und zu bestrafen. Bevor ihr das nächste Mal über einen “gecancelten” oder mit Vorwürfen konfrontieren Schauspieler sprechen möchtet, fragt sie lieber, wie es ihnen bisher so ergangen ist (und seid nicht enttäuscht, wenn sie nicht darüber sprechen wollen).Am Ende vom Tag können doch alle froh sein, dass die meisten keine Rache, sondern nur Respekt und Gleichberechtigung wollen.Warum diesmal dieser Rant? Dazu hat mich die Lektüre von Jennifer Weiners “That Summer” getrieben. Ein Roman, der Auswirkungen hat. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit lobundverriss.substack.com

Po raz pierwszy (lecz nie ostatni) przedstawiam prozę Toni Morrison.▶️ Słuchaj dalej

On The Books With John Skrtic August 2026 A side quest here on Zig At The Gig where we get a monthly update for John Skrtic about all the amazing free events happing at Cleveland Public Library ! Saturday, August 15, 2026 The Cleveland Hip Hop Exhibit: 20 Years Strong Time:2:00pm - 8:00pm Location:Main 00 - Eastman Reading Garden Branch: Main Library - Downtown Saturday, August 15, 2026 Speak In Tongues Where shit happened book release 3:00–5:00 PM Location: Visible Voice Books, 4601 Lorain Ave., Cleveland, OH 44102 Wednesday, August 12 2026 Sound Bites: Justin Tibb's Spark Trio Time:12:00pm - 1:00pm Location:Main 00 - Eastman Reading Garden Branch: Main Library - Downtown   Wednesday, August 19 2026 Sound Bites: Lex Moda Time:12:00pm - 1:00pm Location:Main 00 - Eastman Reading Garden Branch: Main Library - Downtown And She Was Loved: A Celebration of Toni Morrison with Andrea Pinkney September 17, 2026, from 11:00 AM–1:00 PM at the Cleveland Public Library, Martin Luther King, Jr. Campus (10601 Euclid Avenue, Cleveland) and is free and open to the public. https://ohiocelebratestonimorrison.org/event/and-she-was-loved-a-celebration-of-toni-morrison-with-andrea-pinkney/ Edward S. Curtis's Collection The Cleveland Public Library houses a rare, original 20-volume set of Edward S. Curtis's monumental work, The North American Indian (Set Number 331), published between 1907 and 1930. Located in the Fine Arts and Special Collections department at 325 Superior Avenue, the holding includes roughly 1,500 original photogravure prints documenting indigenous tribal life.

From a glitch to politics to literature as we discuss Toni Morrison, Eileen Chang and then move on to Joey Cape and Suicidal Tendencies... won't fall in love today.

Send us Fan MailEpisode 42 of the Great American Novel Podcast considers Toni Morrison's 1977 novel and National Book Critics' Circle award winner Song of Solomon. Song of Solomon tells of the coming age of Macon “Milkman” Dead between the Second World War and before the passage of the Civil Right Act. Other unique and complex characters such as Pilate, his aunt, Hagar, his lover (and cousin), and Guitar, his friend and nemesis help round out a complicated and intriguing story about how a young man has to learn who he is and where he came from before the can grow into the future.   Critics and fans have long debated which is her best novel.  Is it Song of Solomon?  Beloved?  Sula, Jazz?  Your intrepid hosts weigh in on the debate and also discuss the origins of this novel in a folk tale.  They ask whether Morrison was right or wrong in saying she didn't practice magical realism.  Please join us in this discussion of an incredible and electrifying novel.  All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

Toni Morrison. „Mylima“. Vertė Lilija Vanagienė, išleido leidykla „Vaga“.„Mylima“ vadinama vienu ryškiausių kūrinių amerikiečių literatūroje, išversta į daugiau nei 20 pasaulio kalbų, pagal ją sukurtas ir to paties pavadinimo filmas. Romane pasakojama sukrečianti istorija apie Ameriką po Pilietinio karo ir dramatišką moters kovą su vergovės fantomais. Romano ištraukas skaito aktorė Neringa Bulotaitė.

Toni Morrison. „Mylima“. Vertė Lilija Vanagienė, išleido leidykla „Vaga“.„Mylima“ vadinama vienu ryškiausių kūrinių amerikiečių literatūroje, išversta į daugiau nei 20 pasaulio kalbų, pagal ją sukurtas ir to paties pavadinimo filmas. Romane pasakojama sukrečianti istorija apie Ameriką po Pilietinio karo ir dramatišką moters kovą su vergovės fantomais. Romano ištraukas skaito aktorė Neringa Bulotaitė.

In one of her novels, Toni Morrison tells the story of Nel and Sula, girlfriends since childhood. But the friendship frays as Sula’s self-centeredness grows, culminating in her seducing Nel’s husband. “Why didn’t you think about me?” Nel asks Sula. “Didn’t I count?” Sadly, Sula doesn’t even care enough to answer. As anyone who’s experienced it knows, the pain of a friend’s betrayal is hard to rival. King David felt such “malice and abuse” when a political conspiracy of “threats and lies” engulfed him (Psalm 55:10-11). The worst part was who was behind it. “If an enemy were insulting me, I could endure it,” he says. “But it is you, a man like myself, my companion, my close friend” (vv. 12-13). How should we respond to such betrayal? While David takes his turmoil to God (vv. 16, 20), he prays retribution will fall on his betraying friend (v. 15). We see a different approach taken by Jesus. Faced with Judas’ betrayal, he says, “Do what you came for, friend,” refusing to retaliate in kind (Matthew 26:49-50). Can a friendship recover from betrayal? Only if the offended can stay open to reconciliation and the offender proves their repentance over time. Sula’s lack of remorse means Nel must walk away. May God empower us to treasure our friendships and swiftly make amends for any hurt we cause.

Toni Morrison. „Mylima“. Vertė Lilija Vanagienė, išleido leidykla „Vaga“.„Mylima“ vadinama vienu ryškiausių kūrinių amerikiečių literatūroje, išversta į daugiau nei 20 pasaulio kalbų, pagal ją sukurtas ir to paties pavadinimo filmas. Romane pasakojama sukrečianti istorija apie Ameriką po Pilietinio karo ir dramatišką moters kovą su vergovės fantomais. Romano ištraukas skaito aktorė Neringa Bulotaitė.

Philippa opens with a brief history lesson — the word "blurb" was invented in 1907 by a writer mocking self-congratulatory publishers, and his fictional creation Miss Belinda Blurb gave us the word we still use today. Then it's three book reviews and a wide-ranging, genuinely fascinating conversation with David Baldacci — over 200 million books sold — about his latest novel Hope Rises.

Toni Morrison. „Mylima“. Vertė Lilija Vanagienė, išleido leidykla „Vaga“.„Mylima“ vadinama vienu ryškiausių kūrinių amerikiečių literatūroje, išversta į daugiau nei 20 pasaulio kalbų, pagal ją sukurtas ir to paties pavadinimo filmas. Romane pasakojama sukrečianti istorija apie Ameriką po Pilietinio karo ir dramatišką moters kovą su vergovės fantomais. Romano ištraukas skaito aktorė Neringa Bulotaitė.

Lehmkuhl, Tobias www.deutschlandfunk.de, Büchermarkt

Toni Morrison. „Mylima“. Vertė Lilija Vanagienė, išleido leidykla „Vaga“.„Mylima“ vadinama vienu ryškiausių kūrinių amerikiečių literatūroje, išversta į daugiau nei 20 pasaulio kalbų, pagal ją sukurtas ir to paties pavadinimo filmas. Romane pasakojama sukrečianti istorija apie Ameriką po Pilietinio karo ir dramatišką moters kovą su vergovės fantomais. Romano ištraukas skaito aktorė Neringa Bulotaitė.

Toni Morrison. „Mylima“. Vertė Lilija Vanagienė, išleido leidykla „Vaga“.„Mylima“ vadinama vienu ryškiausių kūrinių amerikiečių literatūroje, išversta į daugiau nei 20 pasaulio kalbų, pagal ją sukurtas ir to paties pavadinimo filmas. Romane pasakojama sukrečianti istorija apie Ameriką po Pilietinio karo ir dramatišką moters kovą su vergovės fantomais. Romano ištraukas skaito aktorė Neringa Bulotaitė.

Toni Morrison. „Mylima“. Vertė Lilija Vanagienė, išleido leidykla „Vaga“.„Mylima“ vadinama vienu ryškiausių kūrinių amerikiečių literatūroje, išversta į daugiau nei 20 pasaulio kalbų, pagal ją sukurtas ir to paties pavadinimo filmas. Romane pasakojama sukrečianti istorija apie Ameriką po Pilietinio karo ir dramatišką moters kovą su vergovės fantomais. Romano ištraukas skaito aktorė Neringa Bulotaitė.

Francesco Baucia"William Faulkner. Il vortice dell'origine"Edizioni Areswww.edizioniares.it“Ascoltare, sentire, vedere. Questa la triade che si rinnova nella voce di Faulkner, nella sua capacità di generare voci… Non c'è sguardo che non sia anche un urlo.”Inarrestabile nella foga creativa così come nelle passioni autodistruttive, il premio Nobel William Faulkner (Mississippi, 1897-1962) raccoglie il soffio della storia della sua terra, un Sud orgoglioso e violento, e lo trasforma, attraverso la lezione del romanzo modernista, in un grande universo letterario. Cronista e visionario, Faulkner inquieta e commuove; in lui convivono nostalgia e gusto di vivere, disperazione e speranza. Lo spiega in questo vivacissimo profilo Francesco Baucia, che sonda anche il Faulkner sceneggiatore, “spalla” di Howard Hawks, uno dei grandi registi del suo tempo: la scrittura del romanziere statunitense è infatti eminentemente cinematografica, sempre magnetica, e percorsa da una tensione polarizzante che costringe il lettore a confrontarsi incessantemente con il segreto delle sue parole, le contraddizioni dell'America e del «teatro del Sud».William Faulkner nacque a New Albany, nel Mississippi, nel 1897, e crebbe a Oxford, la cittadina che sarebbe diventata il modello della sua immaginaria contea di Yoknapatawpha, ambientazione di gran parte della sua narrativa.Considerato uno dei massimi scrittori americani del Novecento, Faulkner rivoluzionò la tecnica narrativa attraverso l'uso del flusso di coscienza, la frammentazione temporale e la molteplicità dei punti di vista, elementi che caratterizzano capolavori come L'urlo e il furore (1929), Mentre morivo (1930), Luce d'agosto (1932) e Assalonne, Assalonne! (1936). La sua opera scava nella storia e nelle contraddizioni del Sud degli Stati Uniti, tra eredità della schiavitù, decadenza aristocratica e trasformazioni sociali.Nel 1949 gli fu conferito il Premio Nobel per la Letteratura, e nel corso della carriera vinse anche due Premi Pulitzer, per La città (1957) e I gonfaloni (1962). Lavorò inoltre come sceneggiatore a Hollywood, collaborando tra gli altri con Howard Hawks.Morì nel 1962 a Byhalia, nel Mississippi, lasciando un'eredità letteraria che ha profondamente influenzato la narrativa mondiale successiva, da Gabriel García Márquez a Toni Morrison.Francesco Baucia (Asti, 1984) è dottore di ricerca in Scienze linguistiche e letterarie all'Università Cattolica del Sacro Cuore di Milano. Ha pubblicato i romanzi L'ultima analisi (Sedizioni, 2013) e La notte negli occhi (Lindau, 2020), la raccolta di studi su Cormac McCarthy Luci dall'abisso (Vita e Pensiero, 2024, con F. Bellini) e il saggio narrativo Discipline occidentali (Castelvecchi, 2025). Collabora con il manifesto e doppiozero, ed è autore di sceneggiature televisive.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Toni Morrison's debut novel traces the tragedy of a young girl named Pecola Breedlove and the community that failed her. By splintering the book's perspective across the community of Lorain, she humanizes everyone and exonerates no one. Not an easy book, but a rewarding one.This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Otoo, Sharon www.deutschlandfunkkultur.de, Lesart

Otoo, Sharon www.deutschlandfunkkultur.de, Lesart

This week we're digging into the complicated way that Toni Morrison presents Sethe's tragic choice here in the middle of the book and especially the psychological implications and ramifications—both character-wise and aesthetically. Plus: Paul D's response and Beloved's haunting. There's a lot to dig into here so join the conversation! Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Notes and Links to Julie Buntin's Work     Julie Buntin's new novel, Famous Men, is out as of July 14. Her debut, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize and longlisted for the Center for Fiction's First Novel Prize. It was a Barnes & Noble Discover Great New Writers Pick and was released in ten territories worldwide and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. In September, Norton will publish her collaborative nonfiction project, Notes to New Mothers, co-edited with Rebecca Dinerstein Knight.    Previously, Buntin was an editor and director of writing programs at Catapult. She has taught creative writing at NYU, Columbia University, Marymount Manhattan College, the Yale Writers' Workshop, Lighthouse Writers Workshop's Lit Fest, and elsewhere. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan.   Buy Famous Men   Julie Buntin's Website   Elle Magazine: “An Exclusive First Look at Julie Buntin's Famous Men, One of the Most Anticipated Novels of 2026"   New York Times Review of Famous Men       At about 3:00, Julie shares feedback she has received about Famous Men  At about 4:20, Julie gives publishing and purchasing information for her novel At about 5:30, Julie highlights book tour events At about 6:10, Julie talks about her upbringing in Michigan At about 7:40, Julie traces her childhood connections to reading and literary culture At about 10:40, Julie shouts out Mr. Young, her “formative” 10th grade English teacher and talks about her early reading and burgeoning literary interests  At about 12:20, Pete fanboys over Tobias Wolff in asking Julie's thoughts on the “public intellectual” and connections to her novel, Famous Men At about 15:40, Julie highlights Lorrie Moore, Toni Morrison, Elizabeth Bishop, Elena Ferrante, and Stephen King, among others, as formational for her own writing  At about 19:10, Julie compliments current writers whose work she enjoys, including Raven Leilani, Emma Cline, and Claire Messoud At about 20:40, Julie responds to Pete's question about the texts that resonate with her students, including Tinkers by Paul Harding At about 23:25, Pete unloads his traumatic writing workshop experience, and Julie gives background on the evolution of the writing workshop  At about 27:30, Pete shares the novel's epigraphs and asks Julie about seeds for the book At about 32:30, The two discuss the book's opening and reflect on where to open a/the book At about 34:00, The two discuss an inciting incident and flashforward and the main male character's writing and many relationships with women At about 35:00, The two discuss sexism experienced by Will as a girl  At about 36:05, Julie reflects on the “secret summers” Will had as a teenager At about 38:55, The two discuss the “shame” Will feels and the connection to her writing and need to express herself At about 41:20, The two discuss the power of truth (or the lack of power), especially for young women, as seen in the way that young Will is often disbelieved   At about 42:25, Pete highlights a winning craft point, and Julie highlights how Nathaniel would have started the book-she muses on how to write this part  At about 43:30, The two discuss a huge breach of trust in Will's household, as Julie muses on Will's mindset before and after the gross behavior from a family member  At about 46:40, Pete and Julie discuss Will's leaving to New York City and her first experience with a reading and meeting Nathaniel  At about 50:05, Julie responds to Pete's questions about her treatment of a “ghost character”  At about 52:40, Pete highlights a “fraught” scene  At about 53:40, The two discuss the writing slump of Nathaniel and connections to impotence in the book and in the writing world and who gets to carry one's legacy despite a dr At about 55:00, Julie discusses Nathaniel as a composite character  At about 56:00, Julie talks about an important photo and how it affects the relationship between Will and Nathaniel At about 58:30, Julie expands on the idea of Nathaniel's fame, as seen by his inner world and the outer world At about 1:01:40, Famous men and “missing” fathers are discussed, as well   At about 1:02:45, Julie reflects on the heart condition that Will has and somatic/anxiety links At about 1:03:50, Julie responds to Pete's musings about Will being stunted or fed in her growth as a writer and person through being with Nathaniel At about 1:08:30, Julie ponders Pete's question regarding what to do with the creation of flawed creators        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode is the trailer episode for my limited podcast series, Rage is a Gift: Evil Empire at 30. I reflect on the Importance (and the power of this capital "I") of Rage Against the Machine and their seminal Evil Empire album, which is celebrating 30 years of resistance. The limited podcast series will do a deep exploration of, and reflection on, the lyrics and context of each of the 12 powerful songs on the album.     Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode is “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 347 with a guest to be announced.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Official commemorations of the 250th anniversary of the U.S. Declaration of Independence have now ended, with anticipated federally subsidized, countrywide conversations about the meaning of the U.S. never materializing. Instead, much of the commemorative and contemplative energy was consumed by a federal government temporarily captured by a White nationalist regime intent on narrowing rather than expanding both polity-wide memory and imagination.The country's ongoing inability to either manufacture or negotiate consensus, or forcefully reject its resurgent and desperate White nationalist virus, tells us something more important about the moment itself. We are living through the end stages of a roughly five-century period of Western global strength. As the order it birthed becomes increasingly brittle, narratives that sustain its power require ever more aggressive forms of maintenance.Donald Trump's Freedom 250 State Fair was a fitting illustration. Rather than presenting a negotiated national vision, it projected an anemic, market-driven EuroFuturism detached from the lived realities of the people being assaulted within and beyond it.Against that thin and fitfully curated spectacle stands far more vibrant and complicated social worlds produced through Governance formations of family, community, Cultural Meaning Making, Movement, and Memory.In Class With Carr has spent significant time displacing "250" as an anchoring historical marker, using an Africana Studies method and lens to break through narrowing Social Structure narratives in order to make space for self-determining forms of Governance, Ways of Knowing, and understanding time, belonging, and community.That work makes it increasingly possible to say, publicly and without apology, that Western-style polities need not define or contain our common humanity while remaining fully engaged with the institutions and social formations with and through which we must still struggle.Last week, in Session 330, we proposed moving "Beyond 250." Today, we use ongoing years of collective work informed by deep study and real-time responses to increasingly desperate acts of White political violence to engage in a thought exercise grounded in another way of organizing historical time.The question is not simply what happened in 1776 or even in 1865. The deeper question is why those dates organize our thinking in the first place.What are the odds that we can use this season of endings to harness a momentum of memory for a different and better collective purpose?Are you a member of Knarrative? If not, we invite you to join our community today by signing up at: https://www.knarrative.com. As a Knarrative subscriber, you'll gain immediate access to Knubia, our growing community of teachers, learners, thinkers, doers, artists, and creators. Together, we're making a generational commitment to our collective interests, work, and responsibilities. Join us at https://www.knarrative.com and download the Knubia app through your app store or by visiting https://community.knarrative.com.To shop Go to:TheGlobalMajorityMore from us:Follow on X: https://x.com/knarrative_https://x.com/inclasswithcarrFollow on Instagram IG / knarrative IG/ inclasswithcarr Follow Dr. Carr: https://www.drgregcarr.comhttps://x.com/AfricanaCarrFollow Karen Hunter: https://karenhuntershow.comhttps://x.com/karenhunter IG / karenhuntershowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Some of the leadership patterns that resist every intervention were never yours to begin with. In this episode of Wired to Win, Fernanda Lind explores the neuroscience of epigenetics and intergenerational trauma: how the brain inherits stress-response patterns across generations, why your deepest and most stubborn patterns can feel older than your own life, and how neuroplasticity makes even inherited wiring changeable. Have you ever noticed a pattern that keeps showing up no matter how much work you have done on yourself? You understand it. You have analysed it, talked it through, even changed it, until the next high-pressure moment brings it straight back, exactly as strong as before. This episode makes a surprising and more forgiving argument. Some of those patterns were not built by your own experience at all. They were inherited, through the same biological mechanisms that epigenetics research is now documenting, and they can be rewired. Drawing on Toni Morrison's novel Beloved and landmark epigenetics research from Rachel Yehuda at Mount Sinai, Michael Meaney at McGill, and the Dutch Hunger Winter studies, Fernanda unpacks why the neural patterns that most resist change often carry a history that precedes your own, and what shifts when you stop asking "what is wrong with me" and start asking "what history is running here, and what does it need in order to be updated." In this episode, you'll learn: What epigenetics reveals about how stress responses are inherited across generations Why your most persistent leadership patterns can feel ancient rather than personal How intergenerational trauma shapes cortisol and the brain's threat response, from Rachel Yehuda's research on Holocaust survivors and their children Why these inherited patterns are biological inheritances, not character flaws How epigenetic marks, though heritable, are not fixed, and what neuroplasticity makes possible The single shift in orientation, from self-judgment to historical recognition, that makes deep change more effective Why insight and understanding alone rarely move a deeply grooved pattern How to approach your most resistant patterns with the compassion that makes rewiring actually work The most profound neuroplastic work available is not only updating the patterns you built in your own career. It is updating the ones you inherited before it began. Your Next Steps:Watch the Free MasterclassIf success still feels heavier than it should… this masterclass will help you understand why.Watch The Rewired Method™ in action How we help women executives end burnout and build sustainable success in less than 90 days...I recorded a step-by-step training for you here: The Sustainable Success Plan for Executive Women LeadersExplore The Rewired Woman™https://therewiredwoman.com/Follow on InstagramConnect on LinkedInCorporate Partnerships & Leadership Programshttps://rewiredglobal.com/corporates/

Welcome back to our series on Toni Morrison's novel. In this episode we focus on Morrison's engrossing prose, including the way she uses threaded metaphors and symbols, and how it enhances the pathos of the story. Plus, the trauma narrative and whether or not the novel is experimental. As always, happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Oh culture. Ohhhh culture. Where are thou? Cometh here please. Have a seat. We're gathered here to speak on 'What's Fresh In The Culture' with no other than Crowned ReRe and Mr. Al Pete. Oh, they're here to bring you Black Joy, always (Aaliyah tribute at Essence Fest, Questlove's documentary on Earth, Wind, & Fire, a podcast in dedication to Toni Morrison, etc.). On the flip though, they're here to clear some things UP (the nonsense outburst of India.Arie's comments regarding Yung Miami, Big Tigger...or his estranged wife, etc.). Get your snacks and get comfortable. Per usual, ReRe and Pete will have you laughing, disturbed, and full of Black Joy. Enjoy and share! Stay connected and keep the flowers blooming. Follow the podcast and hosts: https://www.mpn-llc.com/fftcpodcast @fftcpodcast on all socials. Follow Crowned ReRe and Mr. Al Pete on their websites and platforms to see what's next in their journeys! https://www.mpn-llc.com/fftcpodcast Crowned ReRe: https://crownones.com | Instagram: @crowned_re_re_becca Mr. Al Pete: https://mralpete.com | Instagram: @mralpete Recorded and produced by The MPN Network/Mr. Al Pete. 

The John Adams Institute is Amsterdam's home for independent American thought. John Adams himself said, "Let us tenderly and kindly cherish... the means of knowledge. Let us dare to read, think, speak, and write." For four decades, we have amassed a unique archive of great thinkers, speakers and writers, from Toni Morrison to Timothy Snyder, and from Jane Fonda to Jill Lepore. It has been our pleasure to share this treasure trove of thought and word with you. In this exclusive miniseries, we're sitting down with a few prominent voices from both sides of the Atlantic to take stock of the United States, two hundred and fifty years into its experiment in self-governance. Across these conversations, you'll hear from Ada Limón, former U.S. Poet Laureate, on art, identity, and the burden of speaking for a country; Nancy Pelosi, Speaker Emerita of the House, on the founding promise of American democracy and the gap between promise and practice; and Edward Luce of the Financial Times, on America as a creedal nation—the fragile idea holding it together at home, and what its fracturing means for its place in the world. We believe John Adams would have wanted it that way—in fact, he explained as much in a letter to his wife, Abigail, on 3 July 1776: "I am apt to believe that it will be celebrated, by succeeding Generations, as the great anniversary Festival." And so, from Amsterdam, it's Bright Minds; Out of Many, One?—the podcast from the John Adams Institute. If you're a friend of free thinking and the communities that support it, please become a member. Our independence is something we cherish, and it comes with a cost. The John Adams Institute is an independent foundation without structural subsidy, and there's always room at our table for more. Click here to find out about sponsorship or becoming a member.Support the show

From Marian Anderson's 1939 concert at the Lincoln Memorial to Marvin Gaye singing the National Anthem at the NBA Finals, the theme of patriotism can be heard throughout African American music. Benjamin Ross offers selections from this rich musical heritage. Also: Ann Petry's The Street, published in 1946, was the first million-selling novel by an African American author. Keith Clark says Petry deserves to be in the pantheon of other great American writers like James Baldwin or Toni Morrison. Later in the show: Poet Walt Whitman in 1862 went searching for his brother George, who had been wounded in a Civil War battle. Mara Scanlon and Brady Earnhart say Whitman was so moved by the carnage he found that he worked as a nurse for the rest of the war. Also: While Edgar Allan Poe is the master of the macabre, Jerome McGann says Poe was more charming and humorous than his famous dark fiction suggests.

En este capítulo exploramos la disciplina desde un lugar distinto: no como castigo, sino como libertad. Basado en el libro Discipline Is Destiny de Ryan Holiday, escritor estadounidense que lleva más de diez años estudiando la filosofía estoica. Holiday propone 25 hábitos concretos — hoy te comparto los tres que más me movieron.Hablamos de:— Por qué la fuerza de voluntad sola no funciona (y qué sí)— Qué tienen en común Toni Morrison, Jimmy Carter y Séneca sobre sostener lo que importa— La diferencia entre disciplina como imposición y disciplina como práctica— Qué nos enseña la meditación y Thich Nhat Hanh sobre volver sin castigartePreguntas para reflexionar:¿Qué proyecto tienes pendiente que podrías empezar mañana en la mañana?¿Cuándo fue la última vez que hiciste algo para ti antes de hacer algo para los demás?¿Lo dejaste porque no funcionaba — o porque dejaste de priorizarte?Referencias: Holiday, R. (2022). Discipline Is Destiny: The Power of Self-Control. Portfolio/Penguin.Me encuentras en Instagram como @MARISALAZO.OFICIALKeywords: disciplina, hábitos, constancia, Ryan Holiday, estoicismo, Séneca, Toni Morrison, Thich Nhat Hanh, meditación, libertad, Marisa Lazo, Compartiendo con Marisa Lazo

Welcome to our new series on Toni Morrison's modern classic! In this first episode, we dig into the book's complicated narrative structure, Morrison's use of POV, the feminine nature of the story and writing, whether it's a novel of advocacy, and much more! Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

The Author Events Series presents Namwali Serpell | On Morrison In Conversation with Angela Flournoy  Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, ''she is our only truly canonical black, female writer-and her work is highly complex.'' In On Morrison, Serpell brings her unique experience as both an award-winning writer and professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre-her fiction and criticism, as well as her lesser-known dramatic works and poetry-with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time, but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for a National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Angela Flournoy is the author of The Turner House, which was a finalist for the National Book Award, a finalist for the Center for Fiction First Novel Prize, a Barnes & Noble Discover Great New Writers selection, an Indie Next pick, and a New York Times Notable Book of the Year. Her fiction has appeared in The Paris Review, and she has written for The New York Times, The New Yorker, Los Angeles Times, and elsewhere. A graduate of the Iowa Writers' Workshop, Flournoy has taught at the University of Iowa, Princeton University, and UCLA. She lives in New York. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 2/25/2026)

6/24/26 Co-Host Brian Adams Stephen Platt, UMass History Prof & 2026 Guggenheim Fellow: China rising, isolated, capitalist, run by CCP, WWII internment camps, & more –a fascinating conversation. Kevin Whitney, Pres & COO Cooley Dickinson Hospital: emergency & urgent care, how the relationship with MGB actually works, keeping money loca,l & a shout-out for the new coffee shop! Stephen Rich, UMass Microbiologist: everything you ever wanted and didn't want to know about ticks & protecting yourself. Sonya Clark, Amherst Coll Art & Art History Prof & 2026 Guggenheim Fellow: Toni Morrison's “The Bluest Eye, marigolds, hair, ancestors, creativity, genius.

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

The Pitt Season 2 has come to a close and Sepideh Moafi has delivered a downright brilliant first-season arc as Dr. Baran Al-Hashimi. She kicked off her run in the series by swooping into the Pittsburgh Trauma Medical Center Emergency Department to cover for Dr. Robby (Noah Wyle) during his upcoming sabbatical. Rather than wait for Robby to give her the lay of the land, Dr. Al-Hashimi jumps in feet first, immediately inserting herself into the goings-on at the hospital. As Moafi herself put it, “It was set up for her to disrupt the rhythm of this established hospital. Dr. Robby is America's golden boy, or the world's, really, golden boy, so anyone who comes in his path is going to be scrutinized to a certain degree.”In the early episodes of Season 2, she was indeed scrutinized — by Dr. Robby and the colleagues that would eventually have to work under her on the show, and also by The Pitt fans concerned about Dr. Al-Hashimi upending the ED foundation and group dynamic established during the events of Season 1. Over the course of the day, strengths and weaknesses are unearthed, but perhaps more important than anything, so is her purpose: “Delivering and finding ways within this broken system to find creative solutions to deliver the best quality care for patients.” Moafi added another concept inspired by Toni Morrison that she held especially tight to; “If you are free, your job is to free somebody else. If you have some power, then you need to empower somebody else.” Dr. Al-Hashimi abides by those principles every step of the way in The Pitt Season 2, and at the end of the season, it's revealed that while working toward those goals, she's also trying to figure out how to live her life and do her work with a seizure disorder.With all of The Pitt Season 2 now available to watch on HBO Max, Moafi carved out the time for a Collider Ladies Night conversation to revisit her journey to the hit medical drama and also her experience making Dr. Al-Hashimi's Season 2 arc feel especially full. On top of that, Moafi also took a moment to look to the future. While we still don't know if Moafi will continue on with the show, she certainly has some powerful ideas for where the writers could take her character in Season 3. Hosted on Acast. See acast.com/privacy for more information.

A cello career can begin in the most unlikely place and still end up on the world's biggest stages. We sit down with acclaimed cellist Seth Parker Woods, a fearless advocate for contemporary classical music and a leading voice for commissioning new works, to trace the real steps behind a life in music: the early spark, the teachers who mattered, and the moment the path starts to click.We talk about what draws him to living composers, why electronics and electroacoustic experimentation can expand the cello's voice, and how you build “performance practice” when a piece is brand new. Seth also gets candid about the parts musicians rarely say out loud, including what to do when you are committed to a piece that does not fully resonate, and why professionalism still means putting your best foot forward for first hearings and recordings.From there, we dig into his albums and the storytelling choices inside them. Seth shares the meaning behind From Ordinary Things, inspired by Toni Morrison's poem “Shelter,” and how works by André Previn, George Walker, and Tania León connect to lyricism, identity, and community. We also explore Difficult Grace, his genre-bending, autobiographical project that puts him on stage as cellist, narrator, and movement artist, and what that kind of production teaches you about freedom, pressure, and pivoting fast.We close with an honest conversation about representation, being a Black cellist in classical music, and why access to instruments, teachers, and school programs shapes the entire pipeline. If you care about the future of music education, new music, and sustainable musician careers, this one will stay with you. Subscribe, share this episode with a musician friend, and leave a review so more listeners can find the show.For more information on Seth: https://sethparkerwoods.com/You can also find Seth on Instagram: @sethparkerwoodsIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution. Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison's ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism. Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh. Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution. Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison's ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism. Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh. Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution. Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison's ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism. Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh. Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution. Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison's ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism. Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh. Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Two men from Mississippi's Gulf Coast wonder if America is finally willing to grow up. Watch this conversation on YouTube As we approach America's 250th anniversary, Russell is joined by fellow southern Mississippi native and public intellectual Dr. Eddie S. Glaude Jr. to talk about race, memory, patriotism, and the stories nations tell themselves in order to avoid repentance.  Drawing from his new book America, USA: How Race Shadows the Nation's Anniversaries, Glaude argues that the danger facing the country is not simply historical ignorance, but a “storybook” version of America that shields us from confronting what is broken underneath.  While talking about Baldwin, Bellah, Bonhoeffer, Toni Morrison, and the civil rights movement, the two explore the tension between love of country and idolatry of nation, the persistence of racial inequality, and why prophetic truth-telling requires both courage and hope.  Ultimately, Glaude's message asks more questions than it answers, but gently ushers us toward love, reconciliation, and redemption at a time when we really need it. Keep up with Russell: Subscribe to Russell on Substack Sign up for the weekly Moore to the Point newsletter  Submit a question for the show at questions@russellmoore.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us Fan MailFirst published in 1983 after being championed by Toni Morrison, Nettie Jones's Fish Tales recounts one woman's trauma-filled, hedonistic quest for personal freedom amidst a “Disco-Era,” drug-fuelled backdrop — one inspired by Jones's own lived experiences in 1970s Detroit and New York City. Nigerian-American author and Lit Club founder Hannah Eko joins us to discuss the ways power, pleasure and pain converge in Jones's transgressive work, which was reissued by Farrar Straus and Giroux in 2025Mentioned in this episode:Fish Tales by Nettie JonesHoney is the Knife by Hannah EkoThe Lit Club's 2026 event calendarToni MorrisonVillage Well bookstoreLucumiOshunCharles AbramsonJean ToomerLongreads article on Nettie Jones by Michael GonzalezNuma PerrierZola filmLess Than Zero by Bret Easton EllisBright Lights, Big City by Jay McInernyHunter S. ThompsonAnais NinGayl JonesThe Hitachi Magic WandYoruba ArtLost Ladies of Lit Patreon pageSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter.Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast

Brian Onishi and Jeff Stoyanoff discuss Toni Morrison's Pulitzer Prize–winning Beloved as a haunted house and ghost story that forces readers to reckon with the historical traumas of chattel slavery, racism, and the “smooth operation” of a world that treats people like property.They outline the novel's core cast—Sethe, Baby Suggs, Denver, Paul D, and the embodied apparition Beloved—alongside figures like Schoolteacher, noting the book's basis in the real story of Margaret Garner and its depiction of lynching, abuse, and infanticide.Drawing on scholarship and concepts such as rememory, spectrality, and Gothic tradition, they argue Morrison rejects easy “Scooby-Doo” reveals or exorcism in favor of communal acknowledgement and reintegration, supporting their broader claim that America itself is haunted while asking how, and whether, joy can be found in such horror.

Today we're excited to share a bonus episode: the first episode of "PASSAGES: On Morrison," produced by our friends at Random House Publishing Group. This new podcast takes reading on the road, as Namwali Serpell — novelist, critic, and Harvard professor — joins fellow writers and skilled readers in conversation to pore over excerpts of Toni Morrison's prose. The show is the record of a traveling salon, a celebration of Morrison's extraordinary work, and a love letter to reading closely in community. You'll hear Serpell in conversation with poet and former host of The Slowdown, Tracy K. Smith. Together, they read the opening of THE BLUEST EYE, Toni Morrison's debut novel, and discuss all that the passage emits and erases. The second episode, featuring acclaimed poet and critic Hanif Abdurraqib, is also available to listen now wherever you get your podcasts.

In this conversation, Amy sits down with mindfulness teacher and writer Oneika Mays to talk about her new book, Sit with Me: A No-BS Journey to Mindfulness and Meditation—part memoir, part meditation guide, and an unflinching look at what it means to practice loving-kindness in real-world conditions, including inside Rikers Island. Oneika shares what it felt like to work inside a system built on hierarchy and dehumanization, the tension of receiving a salary inside a harmful structure, and the moment she realized that “the system isn't broken—it's working as designed.” From there, the conversation widens into the heart of metta: not as softness or spiritual bypassing, but as grounded, actionable love that can hold anger, boundaries, and truth-telling without losing our humanity. About Oneika and the BookBook: Sit with Me: A No-BS Journey to Mindfulness and Meditation (HarperOne / HarperCollins; on sale March 3, 2026). How Oneika describes it: “Meditation is for messy people… This book is part memoir, part meditation guide—and it's about showing up exactly as you are.” What You'll Hear in This EpisodeThe embodied “ick” of being treated as “one of us” by staff—how hierarchy shows up in small moments, tone shifts, and access.Why reform can get absorbed by a machine—and how “helping” can unintentionally make a harmful system look more palatable.The pivot from “fixing” to “serving,” and why that matters in any therapeutic or helping profession.Metta as a practice that includes righteous anger, loving accountability, and clear boundaries (not performative positivity).The inner work of not needing to be liked—and why unconditional love is not the same as being “nice.”A grounded call to action: personal responsibility, collective responsibility, and small acts that add up. Core Themes to Highlight (for your episode description)1) Metta is not performative softness. It's a disciplined practice of staying human—especially when it's inconvenient, when you're angry, and when you need boundaries.2) The “system” is not abstract—it's embodied. Hierarchy is felt through tone, access, positioning, and whose body is treated as more worthy.3) Serving is different than fixing. When we see people as broken, we become controlling or paternalistic. When we serve, we stay in relationship with wholeness.4) Choosing yourself can be an ethical act. Not as individualism, but as harm reduction—because depleted care can become harmful care.5) Collective change is built from small refusals. Not pre-agreeing to dehumanization. Practicing “no” with steadiness, clarity, and community. Resources Mentioned in the ConversationThe New Jim Crow — Michelle Alexander (recommended by Oneika in the episode)“Helping, Fixing, and Serving” — Rachel Naomi Remen (named in the episode)Sharon Salzberg's teaching stories on loving-kindness (referenced in the episode)Audre Lorde on self-care as self-preservation (referenced in the episode)Toni Morrison quote on freedom and responsibility (referenced in the episode)Timothy Snyder's guidance on resisting authoritarianism (Amy referenced at the end) Connect with OneikaWebsite: Oneika Mays www.OneikaMays.com Book Details and Where to Find ItSit with Me: A No-BS Journey to Mindfulness and Meditation is published by HarperOne and is listed as on sale March 3, 2026.

Amanda Peet is in the new film ‘Fantasy Life' and the series ‘Your Friends & Neighbors.' In a recent piece in ‘The New Yorker,' she wrote about being diagnosed with breast cancer while both of her parents were in hospice. “I didn't really have that ‘why me?' thing. Maybe because I am Jewish and am always waiting for that other shoe to drop. In this case it was three shoes,” she told Terry Gross. Also, we'll talk about Toni Morrison with Harvard professor Namwali Serpell. She says no matter how many times she returns to Morrison's work, she finds something new.  She's still haunted by the last sentence of the novel ‘Sula.' “When that sentence comes into my life, whether I'm reading it to teach, whether I'm rereading it to write, whether I'm reading it out loud, even just now, tears always spring to my eyes," Serpell says. She spoke with Tonya Mosley.   David Bianculli reviews the new Apple TV series ‘Margo's Got Money Troubles.'See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

In a new book, Harvard professor Namwali Serpell makes the case that we have been reading one of the most celebrated writers in American history all wrong. ‘On Morrison' is a deep dive into the Nobel Laureate's complete body of work — her 11 novels, plays, and criticism. Serpell has been teaching Morrison for nearly two decades, and she says no matter how many times she returns to the work, she still finds something new. Jazz historian Kevin Whitehead reviews two new biographies of composers and pianists born 40 years apart.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy