Podcasts about Painting

On this week's episode of Trapped Under Plastic, Scott and Jon are humbled by the man, the myth, the legend... Vince Venturella! Also, the gang talk about Vince and Uncle Adam's new game, REPENT! YE FOOLISH GODS.Support the Show on Patreon: https://www.patreon.com/trappedunderplasticSupport the Show with Merch: https://teespring.com/stores/trapped-under-plasticFollow Jon: https://www.youtube.com/ninjonFollow Scott: https://www.youtube.com/miniacJoin the FB group: https://www.facebook.com/groups/395664561386239/Listen to the audio versons: http://www.trappedunderplastic.com/On patreon, we offer our patron's the ability to submit topics for us to discuss during a podcast, you get an extended version of the podcast, and you can submit miniatures for us to critique during an episode!TUP PartnersCorvus Belli:https://corvusbelli.com/en/https://us7.campaign-archive.com/?u=1a4ae545d6ea23b5aed9d4e06&id=19ca92c80dSteamforged Games:https://steamforged.com/The Army Painter:https://thearmypainter.com/Red Grass Games:redgrasscreative.comIwata:https://www.iwata-airbrush.com/Game Envy:https://gameenvy.net/Monument Hobbies:https://monhob.com/TUPRelevant LinksVince Venturella Links:https://www.youtube.com/vinceventurellahttps://www.instagram.com/vincentventurella/?hl=enFireball the Gazebo Podcast:https://www.youtube.com/@fireballthegazeboPatreon Mini Critique - Jackson Westland:https://imgur.com/gallery/void-dragon-custom-scheme-studio-level-NkqyfaSRepent! Ye Foolish Gods:https://www.snarlingbadger.com/repentBattle Report:https://www.youtube.com/watch?app=desktop&v=-GX4ZTj8oyk00:00 Start02:50 Preamble Ramble30:14 TUP Partners (Part One)31:25 Hobby Update49:01 Patreon Mini Critique57:04 TUP Partners (Part Two)58:19 Topic DiscussionSupport the showSupport the Show on Patreon: https://www.patreon.com/trappedunderplasticSupport the Show with Merch: https://teespring.com/stores/trapped-under-plasticFollow Jon: https://www.youtube.com/ninjonFollow Scott: https://www.youtube.com/miniacJoin the FB group: https://www.facebook.com/groups/395664561386239/Listen to the audio versions: http://www.trappedunderplastic.com/

Reconciliation isn't the same thing as forgiveness. We've probably been confusing the two for too long, and it's had real consequences for real people. In this episode, let's look honestly at what genuine repair actually requires, who's responsible for what, and why it's worth the hard work of getting it right.    LINKS: Book of Forgiving  |  Connect  |  YouTube  |  Coming Up TRANSCRIPT: Ian calls kids up and shares puppets (all the animal characters from Wally and Freya) Setup: We've been talking about Wally and Freya for a few weeks now. But there were other animals in this story— a whole community. And when something happens between two people, the whole community has to figure out how to respond. I need some helpers. Each of you gets a character. Facilitate a short, lively role play — you narrate, kids voice their characters: Wally did something that hurt Freya. Now everybody has to decide what to do.Name each option clearly as kids play them out: Get even — someone decides to do something mean back to Wally. Throw a tantrum — someone just explodes with feelings. Ask for help — someone goes to a trusted adult. Forgive — someone decides to let it go and move forward. Choose the relationship — someone decides whether they even want to keep being Wally's friend. Wally & Freya book Here's what I want you to notice: in any situation where someone gets hurt, everybody has choices. Not just one choice, but a whole menu of them. Some of those choices help. Some of them make things worse. And some of them are really, really hard. The hardest one (and the most interesting one) is what we're talking about today. The word you are going to hear me use is called “reconciliation,” and it means making a relationship better. It's not the same thing as forgiveness. They're related, but they're different. Here's the difference: Forgiveness is something YOU do, inside yourself. Reconciliation is something that happens BETWEEN PEOPLE. It takes both people showing up. Painting rocks… what are words we could use? The Distinction We Were Not Taught We have spent this whole series untangling forgiveness from the myths we inherited about it. Today we untangle one more, and it might be the most practically important one. Forgiveness and reconciliation are not the same thing. We use them interchangeably. We shouldn't. Collapsing them into one action creates real damage: It pressures the wounded person to restore a relationship before they feel safe. It lets the person who caused harm off the hook for the actual work of repair. It produces what we might call false reconciliation, a surface-level "we're fine" that buries the wound rather than healing it. The Tutus: "The preference is always to renew unless there is a question of safety." But — and this is important — reconciliation is the fourth step of the Fourfold Path, not the first. You cannot skip to it. And sometimes, honestly, you never get there. To be clear: not reaching reconciliation is not s sign of failure either. That's reality. Lessons from the TRC In 1995, Nelson Mandela appointed Archbishop Desmond Tutu to chair South Africa's Truth and Reconciliation Commission… a body tasked with the nearly impossible: helping a nation begin to heal from decades of apartheid-era atrocity. The TRC was empowered to grant amnesty to perpetrators who confessed their crimes truthfully and completely to the commission. Not automatically. Not cheaply. Truth first. Tutu's final remarks after submitting the report were: "We have looked the beast in the eye. Our past will no longer keep us hostage." Notice what the commission was called. Not the Reconciliation Commission. The Truth and Reconciliation Commission. Truth comes first. Always. What Archbishop Desmond Tutu and the TRC understood, and what we so often get backwards, is that healing actually does have an order. You cannot reconcile what you have not first actually named. You cannot repair what no one has acknowledged was broken. Skipping truth in the name of peace doesn't produce peace. It produces a ceasefire. Those are different things. The TRC also knew its limits. The commission's final report recommended prosecution in cases where amnesty was not sought or was denied. Reconciliation and accountability were held together, not traded against each other. That's the model. The Asymmetry of Reconciliation Here's something the Tutus make explicit that almost nobody else does: the person who was hurt and the person who caused harm have fundamentally different work to do in reconciliation. The path is not the same for both. For the person who was hurt: Your work is the Fourfold Path: telling the story, naming the hurt, granting forgiveness, and then deciding whether to renew or release the relationship. You do not owe anyone reconciliation. Forgiveness is yours to give on your own timeline. Reconciliation requires the other person to show up. The Tutus: "Ask for what you need from the perpetrator in order to renew or release the relationship." That's your right. An apology. An explanation. A changed behavior. To never see them again. All of these are legitimate. For the person who caused harm— the Tutus' framework from Chapter 8 is equally clear: ADMIT the wrong. Witness the ANGUISH Don't argue, don't cross-examine, don't justify. Just listen to what your actions cost the other person… APOLOGIZE genuinely… When you apologize, you are restoring the dignity that you have violated, and acknowledging that the offense has happened. ASK for forgiveness… and honor whatever answer you receive. Make AMENDS or restitution wherever possible. This asymmetry matters because we almost never name it. We treat reconciliation as if both parties are equally responsible for making it happen. But if someone caused harm and hasn't done their work— hasn't admitted it, hasn't witnessed the anguish, hasn't asked for forgiveness— placing the burden of reconciliation equally on the wounded person is just another form of harm. What Gets in teh Way Why is our culture so bad at this? A few honest reasons: Cheap accountability. "I said sorry, what more do you want?" An apology that doesn't include witnessing the other person's pain, or making any effort toward repair, isn't accountability. It's a bid to end the discomfort of being the one who caused harm. Forced and premature reconciliation. Especially in families, churches, and workplaces (read: systems with power dynamics!) pressure to reconcile before the wounded person is ready, or before the person who caused harm has done their work, is coercion masked as grace. No shared vocabulary or ritual. This is a distinctly American problem. We have almost no cultural practices around genuine repair. We have legal settlements. We have awkward apologies. We don't have a process. The Tutus give us one. Most of us were never taught it. The fear that accountability and restoration can't coexist. They can. The TRC proved it — imperfectly, controversially, but really. Truth and healing are not enemies. They need each other. Sometimes, Reconciliation isn't Possible or Appropriate. Some people may be carrying experiences of abuse, violence, or sustained harm Some relationships should not be restored. The Tutus themselves say the preference is always to renew… unless there is a question of safety. Safety is not a small caveat. It is the first question. Releasing a relationship— choosing not to restore it— is not a failure of forgiveness. It is sometimes the most brave thing a person can do. You can forgive someone and never speak to them again… it's totally not a contradiction. Reconciliation requires two willing, honest, accountable people. If only one person is doing the work, what you have is not reconciliation. It's one person carrying everything alone… again. The Reconciliation Map Here's a practice to take into this week... Think of a relationship in your life where there has been harm… either harm done to you, or harm you caused. Ask yourself honestly: Where are we actually in this process? Has the story been told — honestly, out loud, to someone? Has the hurt been named — the feelings underneath the facts? Has forgiveness been granted — or is it still in process? Has there been any movement toward renewing or releasing the relationship? You don't have to be further along than you are. This isn't a checklist for shame. It's just a snapshot, and an honest look at where you actually stand, so you can take the next step that's actually yours to take. Wrap-up Next week is our last week together in this series. We're going to flip the question one final time and ask: what does it mean to be forgivable? What's my role in the harm I've caused — and what does it look like to become someone who can be forgiven? This is hard, slow, important work. You're doing it!

Playing some games of 11th has us very excited but it hasn’t come without some learning.  The way we build lists is changing a little bit.  It’s not just about … Read More

Caitlin and Tim discuss Trump, trillionaires and other tribulations. Caitlin paints the US Secretary of War and then sets fire to the painting. Video: https://www.youtube.com/watch?v=ixOiTYdMCLM

Youtube video linked below!https://www.youtube.com/watch?v=wHOfJDARaRELinks & Socials here:https://linktr.ee/haleygutz

Fluent Fiction - Italian: Secrets Unveiled: The Renaissance Painting's Hidden Tale Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-06-13-07-38-19-it Story Transcript:It: Il sole di primavera illuminava le strade di Firenze, mentre Enzo camminava verso il Museo d'Arte.En: The spring sun illuminated the streets of Firenze, as Enzo walked towards the Art Museum.It: Era una giornata perfetta per scoprire nuovi segreti sul Rinascimento, la sua passione più grande.En: It was a perfect day to uncover new secrets about the Renaissance, his greatest passion.It: Enzo era un esperto storico dell'arte e non vedeva l'ora di esplorare le nuove esposizioni.En: Enzo was an expert art historian and couldn't wait to explore the new exhibits.It: Entrando nel museo, l'atmosfera era incantata.En: Entering the museum, the atmosphere was enchanting.It: I corridoi di marmo, con le loro ombre danzanti, erano pieni di visitatori affascinati.En: The marble corridors, with their dancing shadows, were filled with fascinated visitors.It: Ma tra le opere d'arte, una in particolare attirò la sua attenzione.En: But among the works of art, one in particular caught his attention.It: Un dipinto che pensava perso per sempre, improvvisamente riapparso.En: A painting he thought lost forever, suddenly reappeared.It: Enzo si avvicinò, il cuore che batteva forte.En: Enzo approached it, his heart beating fast.It: Giada, la curatrice del museo, osservava la scena con ansia.En: Giada, the museum curator, watched the scene anxiously.It: Conosceva bene quel quadro e sapeva che il suo ritorno era avvolto nel mistero.En: She knew that painting well and was aware that its return was shrouded in mystery.It: Aveva un passato segreto legato al furto d'arte e questo dipinto ne faceva parte.En: It had a secret past tied to art theft, and this painting was part of it.It: Ma ora, era in difficoltà.En: But now, she was in a difficult position.It: Sapeva che Enzo avrebbe presto iniziato a fare domande.En: She knew that Enzo would soon start asking questions.It: Poco dopo, Enzo si avvicinò a Giada.En: Shortly after, Enzo approached Giada.It: "Sa qualcosa di questo dipinto?"En: "Do you know anything about this painting?"It: chiese, con uno sguardo curioso ma determinato.En: he asked, with a curious but determined look.It: Giada esitò.En: Giada hesitated.It: La sua carriera era in gioco, ma doveva scegliere tra il silenzio e la verità.En: Her career was at stake, but she had to choose between silence and the truth.It: "Sì, c'è qualcosa che devo dirti," rispose infine, con un filo di voce.En: "Yes, there is something I need to tell you," she finally replied, with a whisper.It: La conversazione divenne intensa.En: The conversation became intense.It: Enzo scoprì che il mentore di Giada, un famoso esperto d'arte, aveva nascosto il dipinto per anni per proteggerlo da un pericoloso commercio illegale.En: Enzo discovered that Giada's mentor, a famous art expert, had hidden the painting for years to protect it from a dangerous illegal trade.It: Giada lo aveva aiutato, certa che le intenzioni fossero giuste.En: Giada had helped him, certain that the intentions were right.It: Tuttavia, aveva sempre temuto questo momento.En: However, she had always feared this moment.It: Alla fine, decise di confessare tutto, rischiando la sua posizione.En: In the end, she decided to confess everything, risking her position.It: Insieme, Enzo e Giada misero in mostra il dipinto con una nuova esposizione che narrava le storie di opere d'arte scomparse e ritrovate.En: Together, Enzo and Giada showcased the painting with a new exhibition that narrated the stories of lost and found artworks.It: Il pubblico ne fu incantato.En: The public was enchanted by it.It: Enzo imparò che lavorare insieme può portare a grandi scoperte, mentre Giada scoprì il potere della sincerità.En: Enzo learned that working together can lead to great discoveries, while Giada discovered the power of sincerity.It: Mentre i visitatori riempivano le sale, entrambi si sentirono liberi, pronti ad affrontare nuove avventure nei labirinti artistici della loro amata città.En: As visitors filled the halls, they both felt free, ready to face new adventures in the artistic labyrinths of their beloved city. Vocabulary Words:the spring: la primaverato illuminate: illuminarethe museum: il museoto uncover: scoprirethe passion: la passionea historian: uno storicothe atmosphere: l'atmosferato enchant: incantarethe marble: il marmoto dance: danzarethe shadow: l'ombrafascinated: affascinatothe visitor: il visitatorethe painting: il dipintoto reappear: riapparirethe curator: la curatriceto shroud: avvolgerethe mystery: il misterosecret: segretothe theft: il furtoto hesitate: esitarethe career: la carrieraintense: intensothe mentor: il mentorethe expert: l'espertoto conceal: nascondereto protect: proteggerethe trade: il commercioillegal: illegaleintention: l'intenzione

His career spanned London's swinging '60s, the counter-culture of 1970s Los Angeles and the bucolic calm of springtime in Normandy. David Hockney was a master painter of portraits and landscapes, injecting riotous colour into canvases that hang in collections from New York to Tokyo. We take a look back at the career of the British artist following his death at 88 years old. 

We're back this month for the second half of our conversation with Pattie Gallant, a bereaved mother who shares her story of losing her son Evan to cancer, and the journey she is now on 9 years later—leaning into his legacy—to find peace. We encourage you to revisit Episode #46: Anticipatory Grief, where Pattie shares her experience preparing for Evan's passing, and the lessons she learned from him about dying, and living. Referenced in this episode:Gosnell Memorial Hospice House is an inpatient facility for end of life care in Scarborough, Maine. David Kessler is a world-renowned expert on death and dying. He has published many books, including  Finding the Meaning of Grief Through the Five Stages of Grief  he  co-wrote  with psychiatrist Elisabeth Kübler-Ross.What did you think? Share your feedback in a text message.Holding the Light is an original, monthly podcast  created and hosted by Monica and Colby Charette, edited and produced by Monica Charette, with support from Julia Vigue and Sophia Speeckaert.  EMAIL US  (shineoncass@gmail.com) with questions, comments, or a request to join us as a guest. We also welcome you to visit us at ShineOnCass  (www.shineoncass.org) where our family continues to Shine the Light of Cassidy.Our podcast's theme music is  As Long As You Love (Scarlet Wings) written and sung by Cindy Bullens, from the album Somewhere Between Heaven and Earth produced by Blue Lobster Records (1999).  Available on CD or download at www.cidnybullens.com. Mention Holding the Light Podcast and receive a signed copy!Love what you heard? leave us a review on Apple Podcastsshare our podcast with others

In this special bonus episode, Phil talks to artist, author, broadcaster and frequent Exhibition on Screen contributor Lachlan Goudie about one of the world's most famous paintings, which features in his brilliant new book The Secrets of Painting.Published by Thames & HudsonSupport the show

Join this channel to get access to perks: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ/join Or Join the DAS Patreon: www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week I speak to another collector! Chris Koch is a huge supporter of the dark art scene and has a massive collection of smaller paintings. He's a super nice guy and great speaker and I loved this conversation! Chris's collection on Instagram: https://www.instagram.com/from_out_of_the_shadows/ The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar Our sponsors: The Skull Shoppe: www.SkullShoppe.com beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar The Dark Art Society Instagram: www.instagram.com/darkartsociety Official Dark Art Society Website: www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: apple.co/2gMNUfM Stitcher: www.stitcher.com/s?fid=134626&refid=stpr Podbay: podbay.fm/show/1215146981 YouTube: www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ DarkArtSociety.com Copyright Chet Zar LLC 2026

June is National Safety Month and this episode is our way of honoring it. We gathered five leaders from NCG's Safety Peer Group, each representing a different role and a different corner of the trades, and asked them what safety really looks like inside their businesses. What you'll hear isn't theory, it's hard-won experience, honest conversation, and a few stories that will stick with you. If you're a business owner thinking about where safety fits in your company, we think this one's for you. Thank you to the following contributors for sharing their voice on this episode: Rumel Perez, Safety Manager at Alpine Painting & Sandblasting Hernan Jimenez, Safety Manager at Nolan PaintingVicente Verduzco, Director of Operations at MB Jessee Raul Marino, Production Manager at MB Jessee Chris Barnett, Safety Coordinator at Apap Painting & RenovationsJazmin Gonzalez, Project Coordinator at All Covered Painting 

The Painting Class Sundays Were Really Secrets with HerBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

Cathy and Todd continue their summer blockbusters series with Raiders of the Lost Ark, the George Lucas and Steven Spielberg collaboration born from a beach conversation in Hawaii, diving into the film’s origins, iconic casting (Tom Selleck almost got the role), and the chaotic Tunisia shoot where nearly the entire cast and crew got food poisoning. They rank history’s oddest movie titles, wrestle with the film’s deeply uncomfortable Marion subplot, and close out with why Raiders still holds up as a masterclass in humble heroism and why Indy wins in the end by simply closing his eyes. Subscribe to Cathy's weekly Zen Moment and upgrade to hear a weekly Zen Moment podcast hosted by Cathy and Todd! Some Ways to Support Us Sign up for Cathy's Substack Order Restoring our Girls Links shared in this episode: For the full show notes, visit zenpopparenting.com. This week's sponsor(s): Avid Co DuPage County Area Decorating, Painting, Remodeling by Avid Co includes kitchens, basements, bathrooms, flooring, tiling, fire and flood restoration. MenLiving – A virtual and in-person community of guys connecting deeply and living fully. No requirements, no creeds, no gurus, no judgements Todd Adams Life & Leadership Coaching for Guys Other Ways to Support Us Follow us on social media Instagram YouTube Facebook Buy and leave a review for Cathy’s Book Zen Parenting: Caring for Ourselves and Our Children in an Unpredictable World

Most service businesses start the same way.More jobs.More trucks.More people.And then suddenly…More chaos.In this episode with Clyde Miller and Jacob, co owners of Level Up Painting, we talked about what most service businesses get wrong when they start growing.This was one of the most honest conversations we have had about scaling, culture, hiring, and profitability.In this episode you will learn:• Why revenue growth can actually hurt your business• The mistake they made growing too fast• Why they refuse to use subcontractors• How they built a culture focused company• What they learned leaving corporate AmericaWe also talked about systems, leadership, hiring, and the hard decisions that come with growth.If you own a service business…This episode will probably hit home.

Most painting contractors pour everything into the business and quietly let their health fall apart — until one day they wake up as a shadow of the man they wanted to be. In this episode, Mike sits down with Sean Crane, founder of Unstoppable 365, to break down why getting your body, energy, and discipline right is the foundation everything else is built on.Sean shares the story most people never hear: battling addiction through his teens and twenties, spending five and a half years in prison, and using that time to completely rebuild his identity and his health — eventually building a coaching business that's helped thousands of high performers. From there the two get practical: why nutrition and training come first, how your blood work is really the "P&L" of your health, the real talk on TRT, peptides, and GLP-1s, and why food and phones might be the most underestimated addictions of our time.If you're a business owner who keeps telling yourself you'll get to your health "later," this one's your wake-up call.If this episode hits home, comment PLAYBOOK below and let us know your biggest takeaway.FOLLOW PAINTER GROWTHSubscribe for more conversations on building a painting business — and the life it's supposed to buy.Disclaimer: This episode is for informational purposes only and is not medical advice. Always consult a licensed healthcare professional before making changes to your nutrition, training, hormones, or supplementation.

In this episode of Art Wank, we sit down with acclaimed Australian artist Joe Furlonger, @joefurlonger one of the country's most respected and enduring painters of landscape and place.For more than four decades, Furlonger has built a remarkable career through an unwavering commitment to drawing, observation and the lived experience of the Australian environment. Known for his expressive mark-making and dynamic compositions, his work moves between figuration and abstraction, capturing the vastness, volatility and poetry of the Australian landscape. From floodplains and drought-stricken country to coastal waters and working harbours, Furlonger's paintings reveal a deep engagement with the rhythms of the natural world. Born in Cairns and now based in Samford, Queensland, Furlonger has been a finalist in the Archibald, Wynne and Sulman Prizes on multiple occasions, and his work is held in major public collections including the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of New South Wales and QAGOMA. His celebrated survey exhibition Horizons continues to tour regional Queensland, introducing new audiences to the breadth of his practice.We discuss the central role drawing plays in his daily life, the challenges and rewards of maintaining a long artistic career, and the ways landscape painting can become a vehicle for contemplation, memory and human connection. Joe reflects on his relationship with the Australian sublime, his years spent travelling and working in remote regions, and the enduring importance of looking closely at the world around us.The conversation coincides with Furlonger's current exhibition, Into the Blue, showing at @defiancegallery from 6–27 June 2026. The exhibition presents powerful new works inspired by coastal Australia, continuing his exploration of landscape as both physical reality and emotional terrain.This episode offers a rare opportunity to hear from a painter whose work has shaped contemporary Australian landscape painting for generations.#joefurlonger #art #artpodcast #artist Hosted on Acast. See acast.com/privacy for more information.

Kara Ward found herself in a nightmare scenario on April 1st, 2020: her husband unexpectedly lost his job, they had zero severance, and a staggering $60,000 in medical debt hung over their heads. Desperate to pay the mortgage, Kara dragged an old dresser into her garage, painted it with leftover wall paint, and posted a photo on Facebook. That single post sparked a life-changing side hustle.Fast forward to today, Kara's brand, Lemons to Lemonade Home, generates $250,000 a year between her furniture sales and her massively successful YouTube channel. Not only did she pay off all her debt, but she achieved complete financial freedom—all while working from her garage and homeschooling her kids.In this episode, Kara sits down with Ryan Atkinson to explain exactly how anyone can replicate her business growth with just $50, an orbital sander, and an eye for hidden potential.

Victor Wembanyama spent his day off painting in a New York City park… and Craig Carton thinks that tells you everything you need to know about the NBA Finals. On WFAN's Carton Show, Craig Carton and Chris McMonigle debate whether Wemby's artistic side is helping him clear his mind or proving that the Spurs know the series is over. The guys also break down the controversial officiating in Game 2, Karl-Anthony Towns' dominance, Josh Hart's rebounding, and why history says the Knicks are on the verge of winning their first championship since 1973.

In this episode of the Edufuturists podcast, it's just Ben and Steve in the studio for The Big Review Part 15, looking back over seven recent conversations and pulling out the threads that connect them. From leadership and wellbeing to AI, integrity and creativity, this is a fast tour through the ideas that defined the last review period, with plenty of prompts to send you back to the full episodes.Ben Whitaker and Steve Hope co-host the Edufuturists podcast and are the authors of the new book Pick 'n' Mix Education (Crown House Publishing). In this review they revisit conversations with headteacher and Calm Leadership author Patrick Cozier, Manhattan University dean and engineering researcher Kathryn Jablokow, SchoolAI's Rob Wessman, teacher wellbeing coach Charlie Burley, Apps for Good's Natalie Moore, Turnitin Chief Product Officer Annie Chechitelli, and creativity explorer and Book of Ideas author Fredrik Haren.We cover:- Why leadership is a human act first, and how Patrick Cozier's calm framework has sustained his longevity in headship- How AI can become a genuine team member rather than a replacement, and what it means to help AI think more like a human- The case that AI upskills rather than de-skills learners, including research on a reported boost in higher order reasoning- Why staff wellbeing is about intention, not a pizza on a Friday, and the role of sleep, food and balance- How young people can be empowered to create with technology for good, not just consume it- The shift in academic integrity from AI detection towards clarity, and why a human has to stay in the loop- Whether schools really kill creativity, and what curiosity, culture and context have to do with itWhy you should listenIf you lead a school, work in edtech, teach, or care about where education is heading, this review gives you seven big conversations distilled into one. It is a chance to spot the patterns, decide which full episodes are worth your time, and rethink some of the assumptions about AI, wellbeing and creativity that get repeated without question.Chapters00:00 Welcome and why we do review episodes01:24 Ep 340: Patrick Cozier on calm, human leadership04:19 Ep 341: Kathryn Jablokow on helping AI think like a human08:35 Ep 342: Rob Wessman on AI upskilling, not de-skilling14:00 Ep 343: Charlie Burley on why wellbeing isn't pizza22:38 Ep 344: Natalie Moore on doing good with technology29:00 Ep 345: Annie Chechitelli on integrity beyond AI detection34:43 Ep 346: Fredrik Haren on creativity, curiosity and culture38:40 Uprising 2026, the new book and what's nextThanks so much for joining us again for another episode - we appreciate you.Ben & Steve xWant to sponsor future episodes or get involved with the Edufuturists work?Get in touchGet your tickets for Edufuturists Uprising 2026Grab a copy of the brand new Pick 'n' Mix Education book

I Exposed the Koenig Painting and Became the Next TargetBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

The Learning Leader Show with Ryan Hawk www.LearningLeader.com New Book - The Price of Becoming www.LearningLeader.com/Becoming Ron Friedman is a psychologist and researcher who has spent his career studying what separates great teams from average ones. His research, which has surveyed thousands of professionals across dozens of industries, became the second most-read article in Harvard Business Review history. He is the author of three books, including his latest, Superteams: The Science and Secrets of High-Performing Teams. This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. Key Learnings Ron's dad threw himself into impossible challenges and taught his family the dignity of hard work. A physician in Israel, he didn't want his son in the army, so he picked up the phone and started dialing hospitals in New York City until he landed a job at NYU. He pulled his family out of a country he knew, didn't speak the language fluently, and succeeded anyway. Ron dedicated Super Teams to him. He recently passed away. Only 8% of teams qualify as super teams. Ron's team polled thousands of workers and asked two questions: How effective is your team at meeting its goals? And how does it compare to others in your industry? Super teams hit the perfect score. The only office amenity that statistically drives performance: quiet space for focused work. Not the gym. Not the ping-pong table. Most offices are an attentional war zone. That's why people prefer working from home. How a team works matters more than where a team works. Remote, hybrid, in-office. The data shows none of those predict performance. Intention does. Don't make meetings the default. Make them the last resort. Super teams are 50% better at avoiding unnecessary meetings and 54% less likely to schedule recurring ones. Recurring meetings are insidious. Once they're on the calendar, removing one feels like breaking up with someone. So they just live there forever. Ron's rule: no decision, no meeting. Have a question? Pick up the phone. Have an update? Record a video or send an email. Don't pull people away from their work. The average worker loses 18 hours a week to meetings. And another 11 hours to messages. That's three-quarters of the week gone before they've achieved a single task. Meeting-free days cut stress in half and increase productivity by 71%. People go home feeling satisfied because they were able to actually do the work. Three pillars of super teams: They get more done by managing time, energy, and attention. They don't just collaborate. They actively make each other better. They're never satisfied. They're constantly building skills and improving. Recovery isn't passive. Scrolling Instagram or binging Netflix helps you wind down, but it doesn't restore your energy. Mastery experiences do. Learn a new song. Try pickleball. Cook a new recipe. When leaders recover, their teams perform better. A well-rested leader shows up in a positive mood. That mood lifts the team. Investing in your own recovery isn't selfish. It moves your team forward. The best leaders support their people's side hustles. Not because they assign them, but because their people feel they have permission to grow outside the job. That's a signal you care about the person, not just the output. Three factors predict trust in a leader: competence, caring, consistency. Any one of them breaks down and trust breaks down. "How was your weekend?" is lame. Be specific. Ask about the kid's soccer game by name. Specificity proves you actually thought about the person. People need to be appreciated for who they are, not just what they do. That's how they feel cared for. The top three characteristics of toxic teammates: unreliable, bad attitude, and arrogant. The top three characteristics of the best teammates: knowledgeable, dependable, and a good communicator. Notice what's not on the list. Funny. Good listener. Caring. Those are nice-to-haves. They don't move the team forward. The best teammates make excellence the norm. On super teams, 94% say their teammates motivate them to do their best work. On super teams, 82% say they feel worse about letting down their teammates than their manager. When people know their teammates are counting on them, they work harder. Constant togetherness is not collaboration. The Succession writers' room cycled between solo writing and group critique. Real collaboration protects focus time first. Brainwriting beats brainstorming. Have people generate ideas alone first, then bring them to the room. You get higher quantity and higher quality ideas. 97% of feedback fails to lift performance. Over a third actively makes it worse. What does the 3% do differently? Focus on one thing at a time. Future-oriented, not past-oriented. Top performers want to know what they did wrong. Confidence allows them to absorb criticism and correct it. Most people aren't there. Gauge the feedback to the person. Great football coaches give feedback differently to the quarterback than the lineman. Know your people. Adjust your approach. Comedians get better at the Comedy Cellar because of what happens next door. Seinfeld, Chappelle, and Schumer gather at the Lemon Tree Cafe after sets to critique each other. Ryan calls it the "see it, say it" mentality, an ethos his teammate Geron Stokes brings every day. Great compliment, say it. Falling short of the standard, say it. The best teammates care enough to tell you how you can improve. Ron's champagne moment a year from now: his 19-year-old daughter landing a finance internship she earned on her own. Reflection Questions What's your recurring meeting that should be a breakup conversation? When was the last time you asked a teammate something specific about their life, by name? Or are you defaulting to "how was your weekend?" What's your version of the Comedy Cellar's Lemon Tree Cafe? Who do you go to for the candid feedback that makes you better? More Learning #422: Ron Friedman - How to Reverse Engineer Excellence #535: Geron Stokes - Maximizing People #647: Tim Ferriss - Effectiveness Over Efficiency Podcast Chapters 00:00 The Price of Becoming - Pre-Order Now! 01:09 Meet Ron Friedman 02:41 Ron's Dad and the Dignity of Hard Work 03:47 Two Workplaces, Two Cultures, One Lesson 06:01 The Super Teams Methodology 07:13 The Only Office Amenity That Drives Performance 08:50 How a Team Works Matters More Than Where 13:06 The Three Pillars of Super Teams 16:11 Meeting Guidelines That Actually Work 18:42 The Power of Meeting-Free Days 22:23 Why Guidelines Beat Rules 23:40 Side Hustles, Recovery, and the Goldman Sachs CEO Who DJs 28:53 The Three Factors of Trust: Competence, Caring, Consistency 30:13 Why "How Was Your Weekend?" Is Lame 31:02 Get Specific or Don't Bother 31:22 The Manager Who Asked About Miranda by Name 32:08 The Spreadsheet for Remembering People 33:09 What Makes a Toxic Teammate 35:05 Chevy Chase and the Cost of Burning Bridges 35:52 The Best vs. Worst Teammate Traits 37:08 How Tom Brady Lifted an Entire Organization 38:06 Why Super Teams Hold Each Other Accountable 39:39 Inside the Succession Writers' Room 40:46 Brainwriting Beats Brainstorming 41:41 The Candid Feedback Culture That Drives Improvement 43:06 Painting in Red: The Power

We are back after some weeks of travel. So sorry for the long delay!  We bring you our thoughts on the best things about this edition.  What are your favorites? … Read More

Investing in the kingdom means pouring yourself into things that'll last for eternity. -------- Thank you for listening! Your support of Joni and Friends helps make this show possible.     Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

This episode is two things in one: an honest, personal check-in from Kat as we head into summer, Q&A from our community. followed by a conversation with San Diego-based Mexican painter Yahel Yan, a Create! community member whose 100-day challenge journey ended in a full solo exhibition. Kat opens by sharing what has been on her mind lately, from the turbulence in the art world and the economy to a growing sense that artists deserve more privacy, more mystery, and more protection of the creative and intellectual work they have built over years. She reflects on the pressure to share everything online, the times that oversharing has cost her, and why she is choosing to reclaim some intentional secrecy, not as gatekeeping, but as a form of boundaries and self-respect. She also answers questions submitted by listeners through the Create! broadcast channel on Instagram, covering practical topics like what to do when you do not have a mailing list at an exhibition, how to approach interior designers as potential clients, how to identify your ideal collector when you are just starting out, and where collectors are actually discovering new artists today. Then Kat sits down with Yahel Yan, a Create! Magazine featured artist and community member, for a conversation about her winding path to painting, the deeply personal chair series that became her signature work, and what it felt like to complete and exhibit 100 paintings in 100 days. Yahel grew up in Mexico City, surrounded by color and the energy of a sprawling metropolis. After pursuing graphic design and building a family, she arrived in San Diego in 2000, pregnant with her third child, navigating a new country, a new language, and a new life. Art became her anchor. When her youngest started preschool, she returned to the studio and has been painting ever since. Her "Chairs Are People" series began in 2012, almost by accident. Yahel had always collected small chairs, filling her home with so many she joked there was nowhere left to sit. When she began painting them, something shifted. She started seeing chairs as personalities, as stand-ins for human presence, romance, grief, and memory. Many come from the street, discovered and abandoned, each one a mystery she gets to invent. Others she takes on what she calls field trips, photographing her own chairs in new environments before bringing them back to canvas. Earlier this year, Yahel participated in the Create! 100 Day Challenge, painted all 100 pieces, and turned them into a solo exhibition, presented as grids of nine that let viewers spend hours discovering objects they had not noticed at first glance. She shares why she never planned to show the work publicly until she simply had to. In this episode, you will hear: Kat's solo Q&A segment: What is weighing on her in the art world right now, and how she is choosing to respond Why she is reclaiming privacy and mystery in her practice and her business What to do when you do not have a mailing list at a show (and how to start one) How to approach interior designers as potential clients for your work How to identify your ideal collector when you are just starting out Where collectors are actually finding emerging artists today Conversation with Yahel Yan: Growing up in Mexico City and how that shaped her palette, energy, and sense of movement Why she chose graphic design over fine art, and how that path served her Moving to the United States with two children and one on the way, and how creativity helped her build community in a new country The origin of "Chairs Are People" and how chairs became characters with stories and feelings Finding chairs on the street and taking her own chairs on "field trips" to photograph in new environments Joining the Create! 100 Day Challenge and discovering unexpected joy in painting food, hot sauce, and other overlooked objects Exhibiting all 100 paintings as a grid installation and the experience of seeing them as one complete body of work What is next: a ceramics workshop in Maine with her daughter   Links mentioned in this episode: Yahel Yan on Instagram: @yahel.yan.art Yahel's website: yahelyan.com Create! Substack (subscribe free or paid): createmagazine.substack.com  Create! broadcast channel: follow @createmagazine on Instagram Join the next 100 Day Challenge cohort waitlist: www.createmagazine.myflodesk.com/challenge

The pope takes a stand against AI enslaving us. Ben riffs. Ishmael Reed joins the conversation from Oakland. Yes, that Ishmael Reed. One of America's greatest writers—novelist, poet, essayist, playwright and song writer. And one of Ben's heroes since like forever. The conversation flows from Musk to Thiel to Altman to Vance to Vivek, to Django to Lin Manual Miranda. Hamilton was no hero, people. Finally, how did Trump defeat Harris? Painting her as a Promiscuous Jezebel is how. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fluent Fiction - Hungarian: Colors of Hope: Painting Paths to Recovery in a Psychiatric Ward Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-06-05-07-38-19-hu Story Transcript:Hu: A tavaszi szellő gyengéden fújt be a nyitott ablakon Eszter szobájába, ahol az ablakpárkányon most is egy frissen szedett virág állt.En: The spring breeze gently blew into Eszter's room through the open window, where a freshly picked flower stood on the windowsill.Hu: A kórterem falait fehérre festették, de a folyosók végénél színes, vidám képek lógtak.En: The walls of the hospital room were painted white, but at the ends of the corridors, colorful and cheerful pictures hung.Hu: Ez az egyszerű megoldás próbálta derűssé tenni az egyhangúságot a pszichiátriai osztályon.En: This simple solution was an attempt to bring cheerfulness to the monotony of the psychiatric department.Hu: Eszter egy fiatal, kreatív nő volt, akinek kedvenc időtöltése a festés volt, de most ideiglenesen a kórház falain belül kellett töltenie napjait.En: Eszter was a young, creative woman whose favorite pastime was painting, but now she had to spend her days temporarily within the hospital walls.Hu: Az elmeosztályról nézve a világ másnak tűnt.En: From the perspective of the psychiatric ward, the world seemed different.Hu: A zárt ajtókon túli szabadságot azonban Eszter nem érezte elveszettnek.En: However, Eszter did not feel that the freedom beyond the closed doors was lost.Hu: Tervbe vette, hogy tovább folytatja az alkotást, de a művészeti eszközök hiánya hamar kihívássá vált számára.En: She planned to continue creating, but the lack of art materials soon became a challenge for her.Hu: Rebeka, Eszter régi barátja, a művészeti iskolából ismerte őt. Rebeka egy vasárnap délután látogatta meg, hogy egy kis színt vigyen Eszter világába.En: Rebeka, an old friend of Eszter from art school, visited her on a Sunday afternoon to bring a little color into Eszter's world.Hu: Ahogy a folyosókon végigment, megérezte, hogy barátnője nehezen éli meg ezt a helyzetet.En: As she walked down the corridors, she sensed that her friend was finding it difficult to cope with this situation.Hu: Rebeka elhatározta, hogy segít.En: Rebeka decided to help.Hu: De vajon bevihet-e festékeket és vásznakat?En: But could she bring in paints and canvases?Hu: Vajon a látogatóknak megengedett ez?En: Was this allowed for visitors?Hu: Zoltán, a részleg egyik kedves ápolója, mindig különös figyelmet fordított Eszterre.En: Zoltán, one of the kind nurses on the ward, always paid special attention to Eszter.Hu: Nap mint nap látta, hogy a lány próbálkozott beilleszkedni, hogy megtalálja régi énjét egy új világban.En: Day after day, he saw the girl trying to fit in, trying to find her old self in a new world.Hu: Zoltán tudta, mennyit jelent neki a festészet, és elhatározta, hogy segít, ahol csak tud.En: Zoltán knew how much painting meant to her and decided to help wherever he could.Hu: Egy nap Rebeka látogatása során, amikor a nap sugarai beragyogták a szobát, és játékos árnyékokat vetettek a falakra, Eszter félénken megkérte Rebekát, hogy hozzon be pár festéket a következő alkalommal.En: One day during Rebeka's visit, when the sunlight streamed into the room, casting playful shadows on the walls, Eszter shyly asked Rebeka to bring some paints next time.Hu: Rebeka habozott, de belement a kérésbe, mert látta Eszter szemében az újraéledő reményt.En: Rebeka hesitated but agreed to the request because she saw the rekindled hope in Eszter's eyes.Hu: A következő látogatás során Rebeka hozott egy zacskónyi festéket és ecsetet.En: During the next visit, Rebeka brought a bag of paints and brushes.Hu: De az ilyen próbálkozások kockázatosak voltak.En: But such attempts were risky.Hu: Az osztályon egy szigorú nővér észrevette a csomagot és kérdőre vonta Rebeka szándékait.En: A strict nurse on the ward noticed the package and questioned Rebeka's intentions.Hu: A feszültség nőtt, ahogy a nővér a szabályokra hivatkozott, és az egész jelenet a folyosón játszódott le.En: Tensions rose as the nurse referred to the rules, and the entire scene unfolded in the corridor.Hu: Ekkor lépett közbe Zoltán.En: That's when Zoltán intervened.Hu: Megértő mosollyal győzködni kezdte a főnővért: "Ez fontos része Eszter gyógyulásának.En: With an understanding smile, he began to persuade the head nurse: "This is an important part of Eszter's recovery.Hu: Szüksége van rá, hogy kifejezze önmagát."En: She needs to express herself."Hu: A főnővér némileg megenyhült a következetes érvek hatására.En: The head nurse somewhat softened under the consistent arguments.Hu: "Rendben," mondta végül, "de figyelemmel kísérjük majd, hogyan használják."En: "Alright," she finally said, "but we will monitor how they are used."Hu: Eszter megkönnyebbülten sóhajtott.En: Eszter sighed with relief.Hu: A festékei visszajutottak hozzá, és vele együtt az alkotás lehetősége.En: Her paints were returned to her, along with the opportunity to create.Hu: Zoltán és Rebeka támogatása új reményt adott neki.En: The support of Zoltán and Rebeka gave her new hope.Hu: Talán e színek és formák segítségével sikerül szabadabbnak éreznie magát a világban.En: Perhaps with the help of these colors and forms, she could feel freer in the world.Hu: A nap végén Eszter a vászon fölé hajolt, újra érezve a kreativitás gyönyörét.En: At the end of the day, Eszter leaned over the canvas, once again feeling the joy of creativity.Hu: A helyzet nem volt tökéletes, de tudta, hogy nem egyedül kell szembenéznie a nehézségekkel.En: The situation wasn't perfect, but she knew she didn't have to face the difficulties alone.Hu: A barátság és a kedvesség mindig kísérői maradtak az útján.En: Friendship and kindness remained her companions on her journey.Hu: Ahogy az első ecsetvonások kialakultak a vásznon, Eszter már tudta: nem csak a színek, de Zoltán és Rebeka támogatása is erőt adott a gyógyuláshoz.En: As the first brushstrokes appeared on the canvas, Eszter already knew: it wasn't just the colors but the support of Zoltán and Rebeka that gave her the strength to heal. Vocabulary Words:breeze: szellőgently: gyengédenwindowsill: ablakpárkánymonotony: egyhangúságpsychic department: pszichiátriai osztályperspective: nézőpontward: osztálytemporarily: ideiglenesenart materials: művészeti eszközökchallenge: kihíváscope: megbirkózikstrict: szigorúintentions: szándékoktensions: feszültségunfolded: kibontakozottintervened: közbelépettrecovery: gyógyulásrekindled: újraéledőlight: sugarakplayful: játékosshyly: félénkenhesitated: habozottconsistent: következetesrelief: megkönnyebbüléscompanions: kísérőkjourney: útbrushstrokes: ecsetvonásokcanvas: vászonsupport: támogatásfreer: szabadabb

What if you could paint your deepest emotions — without anyone judging whether the painting is beautiful, and without needing to analyze what it means? In this episode, I talk with Bahar Amanzadeh, an intuitive painting guide whose trauma-informed workshops create a safe, somatic space for emotional healing through art.Bahar explains how intuitive painting differs from art therapy, why healing happens in the body before it happens in the mind, and how community and creativity can help us find rootedness even in the most turbulent times. As a member of the Iranian diaspora, she also shares how this practice helps her and her community process grief, displacement, and the ongoing trauma of war.Whether you're an artist or have never picked up a paintbrush, I think this episode will change the way you think about creativity, emotional expression, and healing.In this episode:What an intuitive painting guide does — and how it differs from art therapyHow somatic, body-based art practices support trauma healingWhy the inner critic shows up in creative work — and how to work with itThe role of community in emotional healingHow Persian poetry, music, and culture help Bahar stay rooted during crisisFinding belonging and identity as part of the Iranian diasporaTimestamped Highlights0:12 — I introduce the show and share a personal story about anger, shame, and the need for nonjudgmental emotional expression2:21 — Bahar's background: from dentist to intuitive painting guide, and her training with Kris Sydell3:55 — What is an intuitive painting guide? Bahar explains the role and the process5:28 — How intuitive painting differs from art therapy 8:32 — How Bahar found her way to intuitive painting as a single mom, immigrant, and sensitive soul13:05 — The inner critic: why it always shows up and how facilitators help participants work with it16:22 — A recent workshop in the Oakland Hills redwoods: painting, poetry, movement, and the theme of rootedness21:30 — The elephant in the room: being part of the Iranian diaspora during a time of war and violence24:12 — Finding rootedness through Persian and Sufi poetry, music, and ancestry28:52 — How transformation happens incrementally — and why healing is never all or nothing33:38 — Why Bahar named her practice "Painting the River" — and what that metaphor means for healing38:43 — How to find Bahar: paintingtheriver.com and Instagram @artforhealing7Resources & LinksBahar Amanzadeh's website: paintingtheriver.comInstagram: @artforhealing7Learn more about the show: arthealsallwoundspodcast.comFollow me on Substack for updatesMusic by Ketsa, Lobo Loco, and Barbara Higbie.Support the show

Being a Brush in Baba's HandsFour decades ago, inspired by Bhagawan Himself, Mr B K Prasad embarked on a remarkable artistic journey by painting portraits of Swami. His very first painting was blessed by Swami in 1987.  Since then, he has created more than 160 breathtaking portraits of both Shirdi Sai and Sathya Sai, each reflecting not merely artistic skill but profound devotion.Looking back, Mr Prasad feels that his journey has been far more than an exploration of art, it has indeed been a path to self-realisation and salvation. “Painting Swami is nothing but meditation for me,” he says. “In truth, I am not the one holding the brush; it is Swami who holds me. Otherwise, forget painting, I would not even be standing or breathing today.”Among the countless blessings he has received, one remains especially precious: Bhagawan's words, “Your paintings look like photographs.” In this Satsang, Mr Prasad takes us through his extraordinary journey of self-discovery through oil, paint, and brush, sharing how devotion transformed his art into a spiritual sadhana.Professionally, Mr Prasad is a certified Cost Accountant who has enjoyed a distinguished career in senior management roles across finance and information technology with several multinational corporations.

Today in 1991, a rare early print of the Declaration of Independence went up for auction, and the story of how it came up for sale is pretty weird. Plus: starting tomorrow in Pasadena, California, it's the 17th annual Classic Tetris World Championship.Did a Bargain Hunter Find Original Print of Declaration of Independence? (Snopes)Classic Tetris World Championship You can back our show on Patreon for even less each month than that painting cost!

He's been described as a prodigy of African-American art. Khalif Tahir Thompson combines vibrant colours and family photos in portraits painted for his new exhibition, "Beautiful Land" at Paris' Zidoun-Bossuyt gallery. He talks to us about the two movements which inspired his work, Fauvism and the Harlem Renaissance and why Beauford Delaney inspired him artistically. He also talks about his upbringing and self-identity through his work.

In this episode of d6 minutes, the companion podcast to Dice Over Everything, we talk about what we've been doing hobby-wise, painting stamps, and what Dream Space Marine model would convince us to paint one (outside of playing it painted).

The saga of Chris' yowling companion continues with a story of the broken foster cat! Then the gang gets into the game they've been playing including Dead of Winter, Star Wars The Deck Building Game, Dale of Merchants, Shackleton Base Expansion, Scales of Fate, and a feature review of Chaosmos from designers Matthew Austin, Dani Vigour, and Joey Vigour. Then after Tony T's wild and crazy news segment the Founders talk about the movies and TV shows they're excited about coming out this summer! Dead of Winter: 00:04:39, Star Wars The Deck Building Game: 00:15:13, Dale of Merchants: 00:20:51, Shackleton Base Expansion: 00:29:52, Scales of Fate: 00:35:53, Chaosmos Review: 00:43:35, News with Tony T: 01:22:26, Summer Movie Extravaganza: 02:14:30. Check out our sponsors Restoration Games at https://restorationgames.com/, Game Toppers at https://www.gametoppersllc.com/ and Prester's Painting at https://www.presterspainting.com/

Join the DAS Patreon: www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week I meet for the first time and speak to a major collector of the dark art scene, Kurt Bretthauer. We discuss his background in data analysis, his incredible collection, how he got started, why he loves dark art and tons more. Super great conversation! Kurt's links: / c4rpe.noctem The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar Our sponsors: The Skull Shoppe: www.SkullShoppe.com beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar The Dark Art Society Instagram: www.instagram.com/darkartsociety Official Dark Art Society Website: www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: apple.co/2gMNUfM Stitcher: www.stitcher.com/s?fid=134626&refid=stpr Podbay: podbay.fm/show/1215146981 YouTube: / @darkartsocietypodcast DarkArtSociety.com Copyright Chet Zar LLC 2026

Join our next FASO Show Live!https://artists.boldbrush.com/p/the-faso-showLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.com--On today's episode we sat down with Sarkis Antikajian. Born in 1933 in Amman, Jordan, Sarkis discovered French Impressionism and Van Gogh as a teenager — a spark that never left him. He immigrated to the United States at 25, spent 35 years as a pharmacist building the financial independence to paint full-time, and retired in 1994 at 62 to finally live his dream. He is now 93, and still paints every day. Deeply shaped by Van Gogh's persistence, Sarkis believes in loving the process over the outcome, staying curious at every stage of a career, and painting freely without chasing validation or market trends. He has worked across watercolor, acrylic, oil, figurative, landscape, and abstraction — always seeking new ways to see.His advice to artists: find another source of income so financial fear doesn't limit your creativity, paint often and on inexpensive materials, and stop waiting for anyone else's approval to make the work that's truly yours.Sarkis' FASO site:sarkisantikajianfineart.com/Sarkis' PBS Oregon Art Beat Video:https://www.pbs.org/video/oregon-art-beat-painter-sarkis-antikajian/

photo by Karla Del Orbe. Adelisa Selimbašić (b. 1996) is an Italian-Bosnian artist living and working in New York. In 2021, she graduated from the Venice Academy of Fine Arts with a Master's in Painting. Her pictorial research aims to imagine a world in which the sense of inadequacy does not exist, opening to a nonconventional perception of the body. Through scenes drawn from everyday life and an essential figurative approach, the artist reinterprets the idea of femininity, focusing on the complexities of human experience, desire, tension, and the need for physical contact. Her practice is based on a dense and almost tactile painterly presence, achieved through careful manipulation of color: working with a contained palette, Selimbašić mixes pigments directly on the canvas, allowing the tones to meet and transform, pushing toward a plasticity that challenges traditional representations of the female body. In recent years, she has presented numerous solo exhibitions in institutional and international gallery contexts. Among her most recent solo exhibitions: When we become each other, curated by Rebis Rebis (Delfina Pattacini and Gaddo Amunni), Lubov Gallery, New York (2026); The Dancefloor, curated by Michele Spinelli, z2o Sara Zanin, Rome (2026); For My Eyes Only, Manifesto Gallery of Contemporary Art, Sarajevo (2025); The Space in Between, curated by Delfina Pattacini, Tommaso Calabro Gallery, Milan (2025); Dust Bunny, curated by Michele Spinelli, z2o Project, Rome (2024); Why Is It So Hard to Declare Yourself?, Galleria Ipercubo, Milan (2023); In parallel, Selimbašić has participated in numerous group exhibitions in Italy and abroad. installation view Where we become each other, Lubov gallery, curated by Rebis Rebis (Delfina Pattacini and Gaddo Amunni), New York Tanisha, 2026, oil in canvas, 14x 16 inches Bay,2026, oil in canvas, 14×16 inches  

Cathy and Todd kick off their summer blockbuster series with Top Gun (1986), directed by Tony Scott and produced by Simpson and Bruckheimer, which turned a $15 million budget into $357 million worldwide and made Tom Cruise a superstar. The episode covers the Scott brothers’ contrasting Hollywood legacies, the Navy’s behind-the-scenes script approval that reshaped the story, plus fun trivia like Cruise’s height-correcting boots and Meg Ryan secretly dating Anthony Edwards on set all while debating whether Iceman was the better pilot and whether Quentin Tarantino's theory about the subtext is correct.   Some Ways to Support Us Sign up for Cathy's Substack Order Restoring our Girls Links shared in this episode: For the full show notes, visit zenpopparenting.com. This week's sponsor(s): Avid Co DuPage County Area Decorating, Painting, Remodeling by Avid Co includes kitchens, basements, bathrooms, flooring, tiling, fire and flood restoration. MenLiving – A virtual and in-person community of guys connecting deeply and living fully. No requirements, no creeds, no gurus, no judgements Todd Adams Life & Leadership Coaching for Guys Other Ways to Support Us Follow us on social media Instagram YouTube Facebook Buy and leave a review for Cathy’s Book Zen Parenting: Caring for Ourselves and Our Children in an Unpredictable World

Cathy and Todd kick off their summer blockbuster series with Top Gun (1986), directed by Tony Scott and produced by Simpson and Bruckheimer, which turned a $15 million budget into $357 million worldwide and made Tom Cruise a superstar. The episode covers the Scott brothers’ contrasting Hollywood legacies, the Navy’s behind-the-scenes script approval that reshaped the story, plus fun trivia like Cruise’s height-correcting boots and Meg Ryan secretly dating Anthony Edwards on set all while debating whether Iceman was the better pilot and whether Quentin Tarantino's theory about the subtext is correct.   Some Ways to Support Us Sign up for Cathy's Substack Order Restoring our Girls Links shared in this episode: For the full show notes, visit zenpopparenting.com. This week's sponsor(s): Avid Co DuPage County Area Decorating, Painting, Remodeling by Avid Co includes kitchens, basements, bathrooms, flooring, tiling, fire and flood restoration. MenLiving – A virtual and in-person community of guys connecting deeply and living fully. No requirements, no creeds, no gurus, no judgements Todd Adams Life & Leadership Coaching for Guys Other Ways to Support Us Follow us on social media Instagram YouTube Facebook Buy and leave a review for Cathy’s Book Zen Parenting: Caring for Ourselves and Our Children in an Unpredictable World

Your paintings might not be boring because you lack skill. They might be boring because you're overworking them.  In this episode, Jodie dives into a totally different way of thinking about composition. This isn't another lesson about the rule of thirds or focal points. This is about what happens when artists become so focused on balance, beauty, and "doing it right" that they accidentally suck the life out of their work.  You'll learn why: Over-resolving your paintings can make them less memorable Tension and imbalance often create stronger compositions The weird, risky decisions are usually the magic This episode is packed with practical questions you can ask yourself while painting so you can stop making safe art and start making Honest Art® that actually says something.  Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_. Interested in being a guest on a future episode of Honest Art®? Email me at amy@jodieking.com! Resources mentioned: I just released seats to my next few in-person workshops. Check them out and grab your spot: https://jodieking.com/workshop  Stop doing art alone! Join The Honest Art® Society and start making your best art yet: https://www.jodiekingart.com/has  Reach new heights in your art with Studio Elite, my 6-month mentorship program: https://www.jodiekingart.com/studioelite  Want more on composition? Listen to Episode 40 - https://jodieking.com/episode-40-how-great-composition-takes-our-art-from-meh-to-amazing/  Want more on composition? Listen to Episode 101 - The Need for Speed: How Speed Painting Can Enhance Your Art: https://jodieking.com/episode-101-the-need-for-speed-how-speed-painting-can-enhance-your-art/  Joan Mitchell, City Landscape, 1955 - I love how it's so unresolved! https://www.artchive.com/artwork/city-landscape-joan-mitchell-1955/  Degas, Place de la Concorde, 1875 - I love the cropping. It feels so weird and off-balance. https://www.artchive.com/artwork/place-de-la-concorde-edgar-degas-1875/  Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  How are you liking the Honest Art® Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/playlist?list=PLMquJfuMsSg0fr46BRdia1cWd-81GThzF For a full list of show notes and links, check out my blog: www.jodieking.com/podcast 

Baltimore's harbor is calm, but resident artist Joan Cox is gathering momentum. Since her last appearance with NOT REAL ART, she's been named a finalist for the Baker Artist Award, recognized among London's Top 100 International Artists, and seen her intimate portraits circulate through exhibitions and publications. A past NOT REAL ART grant winner (2022), Joan is known for capturing the “energy field” of love between women. Now, her work takes center stage in NOT REAL ART's Modern Love exhibition, running online at notrealart.com this spring.In conversation with host Scott “Sourdough” Power, Joan reflects on the work of recording contemporary queer intimacy. She describes her process, from asking strangers to sit for her, to searching for the subtle charge that passes between couples, all while managing the demands of a full-time career and raising a middle-schooler.Her canvases are lush and unscripted, dense with narrative detail—bedroom Buddhas, floral wallpaper in the corner of a bar. Beneath the surface, each painting offers an act of correction, adding a page to art history where overlooked couples are seen, valued, and, at last, collected.Where to Connect & ExperienceSee Joan Cox's latest work in Modern Love.Follow Joan on Instagram for in-progress shots and behind-the-scenes studio news.Learn more about the NOT REAL ART Grant. Episode CreditsHost: Scott ‘Sourdough' PowerGuest: Joan Cox, Baltimore-based painter focused on queer intimacy, identity, and representation; NOT REAL ART grant winner.Production: Crewest Studio, Los AngelesTheme Music: Ricky Peugeot & Desi DeLauro of Parlor SocialSubscribe to NOT REAL ART for future episodes, follow us on Instagram, and join the conversation.

On this episode of Trapped Under Plastic, Scott and Jon discuss if mindfulness is necessary to enjoy the hobby. Support the Show on Patreon: https://www.patreon.com/trappedunderplasticSupport the Show with Merch: https://teespring.com/stores/trapped-under-plasticFollow Jon: https://www.youtube.com/ninjonFollow Scott: https://www.youtube.com/miniacJoin the FB group: https://www.facebook.com/groups/395664561386239/Listen to the audio versons: http://www.trappedunderplastic.com/On patreon, we offer our patron's the ability to submit topics for us to discuss during a podcast, you get an extended version of the podcast, and you can submit miniatures for us to critique during an episode!TUP PartnersCorvus Belli:https://corvusbelli.com/en/Steamforged Games:https://steamforged.com/The Army Painter:https://thearmypainter.com/Red Grass Games:redgrasscreative.comIwata:https://www.iwata-airbrush.com/Game Envy:https://gameenvy.net/Monument Hobbies:https://monhob.com/TUPRelevant Linkslanstudio Instagram:https://www.instagram.com/lanstudio/p/CiIRVKXNQJ9/Patreon Mini Critique - DJ Thomayhttps://www.flickr.com/photos/199816375@N07/albums/72177720323920129/My Mechanics Channel:https://www.youtube.com/@mymechanics00:00 Start00:44 Preamble Ramble17:26 TUP Partners (Part One)19:37 Hobby Update34:37 Patreon Mini Critique40:54 TUP Partners (Part Two)43:02 Topic DiscussionSupport the showSupport the Show on Patreon: https://www.patreon.com/trappedunderplasticSupport the Show with Merch: https://teespring.com/stores/trapped-under-plasticFollow Jon: https://www.youtube.com/ninjonFollow Scott: https://www.youtube.com/miniacJoin the FB group: https://www.facebook.com/groups/395664561386239/Listen to the audio versions: http://www.trappedunderplastic.com/

In episode 134 of Paint Perspective, Paul and James discuss hobby burnout, something every painter experiences at some point in their hobby journey.They explore the common causes of burnout, how to spot the signs, and share their own experiences of overcoming it. From changing projects and trying new techniques to resetting expectations and finding enjoyment in the process again, the pair cover a range of practical ways to reignite your motivation.If you've been struggling to pick up a brush or feeling stuck in a hobby rut, this episode is packed with ideas to help you get back to doing what you love.Support the showPaint Perspective is a miniature painting podcast brought to you by Siege Studios, featuring James Otero (Siege founder & CEO) & Paul Kidd (Studio office team member). Each week, our co-hosts discuss a new topic from the point of view of people who work in the miniature painting industry.Follow us: @siegestudios / @paintperspectivepodcastWatch on YouTube: https://www.youtube.com/@SiegeStudios/podcasts

In 2016 the painter Chantal Joffe approached the writer Olivia Laing to ask if they would sit for a portrait. Out of that meeting emerged a close friendship and collaboration, and out of that collaboration has emerged Painting, Writing, Texting (Mack), an account in words and images of what can happen when two ways of looking at the world converge. Painter and writer were at the shop to talk about art, writing and collaboration, chaired by Emily Labarge (Dog Days). You can buy a copy of Painting, Writing, Texting from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

Njegos Ilic: The "Painting by Numbers" Scrum Master vs. The Quiet Leader Who Made the Team Self-Sufficient In this episode, we refer to the concepts of Scrum Master as facilitator and team empowerment. The Bad Scrum Master: The "Painting by Numbers" Approach That Leaves Product Owners Working Alone Read the full Show Notes and search through the world's largest audio library on Agile and Scrum directly on the Scrum Master Toolbox Podcast website: http://bit.ly/SMTP_ShowNotes.   "You basically feel totally alone because you are trying to deliver value as a team, but if nobody asks anything and nobody challenges anything, you end up defining everything yourself." - Njegos Ilic   Njegos describes the worst Scrum Master anti-pattern he's witnessed: the "painting by numbers" Scrum Master who runs every ceremony by the book — dailies, refinements, plannings, retros, reviews — but without understanding the purpose behind any of them. The meetings become a reporting cycle: "What did you do yesterday?" with no interaction, no challenging, no real engagement. From the product owner's perspective, this is devastating. Njegos describes feeling completely alone — trying to deliver value as a team while nobody engages, nobody asks questions, nobody pushes back on assumptions. The downstream effect is predictable: gaps that could have been caught early with a single conversation only surface during development or after deployment. Worse, the lack of engagement creates doubt and overthinking — the product owner starts over-defining requirements because there's no feedback loop, which reinforces the very passivity that caused the problem.   Self-reflection Question: Are the ceremonies on your team creating genuine engagement and learning — or have they become a reporting cycle that nobody actually needs? The Great Scrum Master: The Quiet, Impactful Leader Who Made the Team Self-Sufficient Read the full Show Notes and search through the world's largest audio library on Agile and Scrum directly on the Scrum Master Toolbox Podcast website: http://bit.ly/SMTP_ShowNotes.   "The best Scrum Masters I worked with were invisible — they knew always when to speak, they sensed the pulse of the team, and they weren't afraid to jump in when needed." - Njegos Ilic   The best Scrum Masters Njegos has worked with share a common trait: they were almost invisible. They didn't dominate meetings or insert themselves where they weren't needed. But they were always present — sensing the team's pulse, knowing when to step in, unafraid to say "we're out of time, let's take this offline." They were knowledgeable about the product, which earned them genuine respect from developers. And perhaps most powerfully, they delegated facilitation itself. Njegos shares an example where a Scrum Master introduced a round-robin system: when new developers joined the team, everyone took turns facilitating meetings — planning, retros, dailies. This wasn't just delegation for efficiency; it was empowerment by design. Team members who facilitated a retrospective suddenly understood how hard it is to lead one. That empathy changed how they participated when someone else was facilitating. The Scrum Master remained the guide, but the team grew its own capacity to self-organize.   Self-reflection Question: If your Scrum Master disappeared tomorrow, would your team know how to facilitate its own ceremonies — and if not, what does that say about how the role is being used?   [The Scrum Master Toolbox Podcast Recommends]

Paul Thompson is the Founder and CEO of Brightline Painting, a Greenville, South Carolina-based company specializing in residential and commercial painting and drywall services across the Carolinas. Since launching the company in 2023, Paul has rapidly scaled Brightline Painting into a multimillion-dollar business through a combination of military discipline, financial expertise, and a technology-driven approach to home services. A Navy veteran who served during the Iraq War, he is also a former finance and venture capital professional. In this episode… Building a business in a traditional industry often comes down to seeing what others overlook. In home services, reliability, professionalism, and customer trust can become real differentiators when the market is fragmented and inconsistent. What happens when someone brings military structure, corporate finance experience, and a founder's persistence into a traditionally fragmented market?  Paul Thompson, a Navy veteran and former finance and venture capital professional, stepped away from traditional corporate paths in pursuit of greater independence and purpose. He highlights how his military discipline melded with analytical, white-collar experience to help him pivot into entrepreneurship with a sharper understanding of numbers, operations, and customer relationships. Paul prioritized tech-enabled operations, intentional marketing, and strong B2B relationships with key decision makers to stand out in a crowded market. Through grit, resourcefulness, and a hands-on approach in the field, he steadily expanded his reputation and client base, demonstrating how structured thinking paired with modern tools can accelerate growth in traditional industries. Tune in to this episode of the Smart Business Revolution Podcast as John Corcoran interviews Paul Thompson, Founder of Brightline Painting, about scaling a painting business through technology and relationships. Paul shares how he overcame imposter syndrome, built B2B relationships with decision makers, and used data-driven marketing to outcompete local and franchise rivals.

The International Space Station was designed for science, research, and survival. But astronauts turned it into a music studio, an art studio, and a sewing room. Former ISS commander and musician, Chris Hadfield, astronaut-painter Nicole Stott, and astronaut-quilter Karen Nyberg take us inside the strange, beautiful reality of making music, paintings, and handmade objects while orbiting Earth at 17,500 miles an hour. Suggested episodes: Nicole Stott on being a NASA entertainment consultant What it's like at the bottom of the world with Dr. “Deepsea Dawn” Wright GUESTS: Chris Hadfield: Musician, fighter pilot, retired Canadian astronaut, and bestselling author, whose performance of Space Oddity became the first music video ever filmed in space Nicole Stott: Retired NASA astronaut, watercolor artist, and the first person to paint with watercolors in space. She co-founded the Space for Art Foundation to connect children around the world through art and space exploration Karen Nyberg: Engineer, retired NASA astronaut, and textile artist who hand-sewed a stuffed dinosaur, a Texas flag, and a quilt block aboard the International Space Station. It was later placed at the center of a massive community-made “astronomical quilt” Support the show: https://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Episode 528 / Marina AdamsMarina Adams is a painter based in New York, NY, Bridgehampton, New York, and Parma, Italy. She earned degrees from Tyler School of Art, Temple University, Philadelphia, PA and Columbia University, New York, NY. Her solo exhibitions include Cosmic Repair at Timothy Taylor, The Art of Living Slowly and Mother Tongue at Galerie Thomas Schulte, Berlin,  Devals x Salon 94, Paris, France, To a World Full of Others, von Bartha, Basel, Switzerland; Flower Power at Copenhagen and Deep Breathing at S-Chanf, Switzerland, Stephen Friedman Galleryin London,  FOCUS: Marina Adams at The Modern Art Museum, Fort Worth, Texas, Anemones and Soft Power at Salon 94 and many others.She is in the public collection of the Buffalo AKG Art Museum, the Longlati Foundation in Shanghai, the Metropolitan Museum of Art, the Modern Art Museum of Fort Worth and the Museum of Modern Art in New York, among others. She is a 2016 recipient of the John Simon Guggenheim Memorial Fellowship and received the 2018 Award of Merit Medal for Painting from the American Academy of Arts and Letters.Adams has collaborated with poets Norma Cole, Charles Bernstein, Vincent Katz, Leslie Scalapino and Christian Prigent and has published prints with TwoPalms NY, ULAE, Niels Borch Jensen Copenhagen and VanDeb Editions.

The Smithsonian Institution in Washington, D.C. has faced unprecedented scrutiny and government interference since President Trump came to power. Now, its long cherished plans for a Smithsonian American Women's History Museum on the National Mall in D.C. have been dealt a blow because the US House of Representatives has struck down a bill to build the museum. Ben Luke talks to Elena Goukassian, The Art Newspaper's senior editor of museums and heritage in New York, about the partisan rift that led to failure of the bill, as well as other developments relating to the Smithsonian. As part of London Gallery Weekend, which begins on 5 June, the British artist Oliver Beer will show new paintings and related sound and video works in an exhibition, The Sky in the Cave, at Thaddaeus Ropac. The show relates to Beer's opus Resonance Project: The Cave, in which he brought eight singers into a prehistoric painted cave in the Dordogne in France to respond to its particular acoustic frequencies. Among them was the singer songwriter Rufus Wainwright, and Ben speaks to Oliver and Rufus about their collaboration. And this episode's Work of the Week is Painting with Two Balls by Jasper Johns. It is part of a new retrospective of the American artist's work at the Guggenheim Bilbao, Night Driver. Ben talks to the exhibition's curator, Enrique Juncosa.Oliver Beer: The Sky in the Cave, Thaddaeus Ropac, London, 5 June—31 July. Oliver and Rufus will be in conversation at the gallery on Friday 5 June, 12.00;Visit rufuswainwright.comJasper Johns: Night Driver, Guggenheim Bilbao, 29 May-12 October. Hosted on Acast. See acast.com/privacy for more information.

Overrated- Pool Floats, Underrated- Nails? ---------- TalkSports is LIVE Weekdays from 8-11 a.m. on Fox Sports Knoxville/ Fanrun Radio. Check Out our Socials: "@FOXSportsKnox" on Twitter/X, "FanrunSports" on Instagram and Youtube Jon- @Jon__Reed on "X" Cody- @Cody__McClure on "X" Sam- @_beard11 on "X" Bubba- @BrandonShown on "X"

Cathy and Todd discuss Mel Brooks’ Spaceballs for Zen Pop's space month, a 1987 Star Wars parody following Lone Starr and his half-man half-dog sidekick Barf as they rescue Princess Vespa from Dark Helmet and the incompetent President Skroob (whose name is literally an anagram of Brooks). The cast includes Bill Pullman, John Candy, Rick Moranis, Daphne Zuniga, Joan Rivers, and Dom DeLuise as Pizza the Hutt. They discuss the WTF moments, the lines they quote at home, and the news that a sequel, Spaceballs: The New One, arrives April 23, 2027 with most of the original cast returning. Some Ways to Support Us Sign up for Cathy's Substack Order Restoring our Girls Join Team Zen Links shared in this episode: For the full show notes, visit zenpopparenting.com. This week's sponsor(s): Avid Co DuPage County Area Decorating, Painting, Remodeling by Avid Co includes kitchens, basements, bathrooms, flooring, tiling, fire and flood restoration. David Serrano- Certified Financial Planner- 815-370-3780 MenLiving – A virtual and in-person community of guys connecting deeply and living fully. No requirements, no creeds, no gurus, no judgements Todd Adams Life & Leadership Coaching for Guys Other Ways to Support Us Follow us on social media Instagram YouTube Facebook Buy and leave a review for Cathy’s Book Zen Parenting: Caring for Ourselves and Our Children in an Unpredictable World Find everything ZPR on our Resources Page Guys- Complete a MenLiving Connect profile

In 1993, the Uffizi Gallery in Florence, Italy was damaged by a car bomb. But this story starts in the 16th century with painter Bartolomeo Manfredi, and reaches all the way to the 2000s with an extraordinary restoration project. Research: “600 fragments and one photograph. The restoration of Bartolomeo Manfredi’s “Card Players.” Scala Archives. May 23, 2023. https://scalarchives.com/600-fragments-and-one-photograph-the-restoration-of-bartolomeo-manfredis-card-players/#:~:text=The%20Georgofili%20bombing%20also%20left,to%20have%20been%20destroyed%20forever. Clough, Patricia. “Blast Tears Apart 400 Years of Italy’s Heritage.” The Independent. May 28, 1993. https://www.newspapers.com/image/718976357/?match=1&terms=uffizi Cowell, Alan. “Italians Try to Place Blame For Bomb Damage at Uffizi.” New York Times. May 29, 1993. https://www.nytimes.com/1993/05/29/world/italians-try-to-place-blame-for-bomb-damage-at-uffizi.html “Cupid Chastised.” Art Institute of Chicago. https://www.artic.edu/artworks/59847/cupid-chastised “Documentation of the damage from the 1993 bombing in Via dei Georgofili.” Uffizi Galleries. https://www.uffizi.it/en/artworks/documentation-damage-1993-bombing-georgofili Folkestad, William B. and Mark Miller. “Bomb Damages the Uffizi Gallery.” EBSCO. 2023. https://www.ebsco.com/research-starters/law/bomb-damages-uffizi-gallery Follain, John. “Push Comes to Shove at Italy’s Uffizi.” Miami Herald. March 21, 1993. https://www.newspapers.com/image/637973344/?match=1&terms=uffizi Gage, Frances. “Caravaggio’s Rumore: Fact, Fiction and Authority in Giovanni Baglione’s Lives of the Painters, Sculptors and Architects.” Past & Present. Volume 257, Issue Supplement_16, November 2022, Pages 111–140. https://doi.org/10.1093/pastj/gtac031 “History of the Uffizi Gallery.” https://www.visituffizi.org/museum/history/ Kimmelman, Michael. “Bombed Uffizi Begins Recovery.” Berkshire Eagle. June 20, 1993. https://www.newspapers.com/image/533051992/?match=1&terms=uffizi Moir, Alfred. “An Examination of Bartolomeo Manfredi's ‘Cupid Chastised.’” Art Institute of Chicago Museum Studies , Spring, 1985, Vol. 11, No. 2 (Spring, 1985), pp. 156-167. https://www.jstor.org/stable/4108732 Morselli, Raffaella. “Bartolomeo Manfredi and Pomarancio: Some New Documents.” The Burlington Magazine, Vol. 129, No. 1015 (Oct., 1987), pp. 666-668. https://www.jstor.org/stable/883135 Nicolson, Benedict. “Caravaggesques in Florence.” The Burlington Magazine. Sep., 1970, Vol. 112, No. 810 (Sep., 1970), pp. 636+639- 641. https://www.jstor.org/stable/876434 Pianigiani, Gaia. “Florence’s Answer to Mafia Violence: A Painting’s Loving Restoration.” New York Times. May 25, 2018. https://www.nytimes.com/2018/05/25/world/europe/uffizi-florence-mafia-card-player.html Robb, Peter. “M: The Man Who Became Caravaggio.” Henry Holt and Co. 2015. “Uffizi: on display two masterpieces damaged by the 1993 Georgofili mafia attack.” Uffizi Galleries. https://www.uffizi.it/en/events/georgofili-commemoration-2024 Wakin, Daniel J. “Prosecutor Joins Italy Bomb Probe.” Florence Morning News. May 16, 1993. https://www.newspapers.com/image/985131856/?match=1&terms=%22Maurizio%20Costanzo%22 “World: Europe Mafia bosses jailed for life.” BBC. June 6, 1998. http://news.bbc.co.uk/2/hi/europe/108127.stm See omnystudio.com/listener for privacy information.