Podcasts about Painting

Ok.. If you have been listening to the show for a while you know how much Paul loves Blood Bowl.  The first part of the show is a bit of … Read More

Sex, blood, and perfectly lit fruit. Welcome to art in the age of Instagram.Lori Wilson reads Painting in Pixels  About AMIAMI is a not-for-profit media company that entertains, informs and empowers Canadians who are blind or partially sighted. Operating three broadcast services, AMI-tv and AMI-audio in English and AMI-télé in French, AMI's vision is to establish and support a voice for Canadians with disabilities, representing their interests, concerns and values through inclusion, representation, accessible media, reflection, representation and portrayal.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaIncEmail feedback@ami.ca Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

You look around your studio and see them everywhere — canvases turned to the wall, paintings shoved under the bed, works-in-progress stacked in corners. Each one started with complete conviction that this time would be different. But somewhere around the messy middle, you bailed. Again.And now you're wondering: What's wrong with me?Nothing. You're not lazy, you're not lacking discipline, and you're not broken. You're doing something that makes complete sense when you understand what's actually happening underneath the behavior.In this episode:The moment when every painting goes sideways — and why your brain mistakes that moment for failureWhat you're actually avoiding when you start a new canvas (hint: it's not the painting)Why "finished" doesn't mean what you think it means — and how that misunderstanding keeps you stuckThe real cost of a studio full of unfinished work (it's more than just clutter)Six concrete strategies to break the pattern and actually complete somethingWhat to expect:A clear-eyed look at why you abandon paintings, what finishing actually requires, and how to build the muscle to stay with your work when it gets uncomfortable. No pep talks. Just the truth about what's happening — and what to do about it.This episode's for you if:Your studio is filled with more unfinished work than completed piecesYou keep telling yourself "this one will be different" — and it never isYou're tired of starting over every time a painting hits the hard partYou want to finish something for once, even if it's not perfectSupport the showAnd hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcastI'd love to hear this episode resonated you. ❤️

The Valley Girls chat with Mark Gerlach, a Certified Hypnotherapist (CHt), about what hypnotherapy can and cannot do, (spoiler alert: it won't make you quack like a duck); whether we can hypnotize ourselves; and the possibilities of astral travel and past-life regression. A huge thank you to our Season 4 sponsor, ⁠⁠⁠Bryant Home Improvement⁠⁠⁠! With over 20 years of experience in luxury home building, Bryant Home Improvement is dedicated to ensuring quality and efficiency in every project and bringing value to your home - right here in the Hudson Valley.Thanks for listening! To help support the Valley Girls, please follow our podcast from our show page, leave a rating and review, and please spread the word and share our podcast with others. We really appreciate your support!To stay up to date and for more content you can find us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠valleygirlspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/ValleyGirlsPodNY⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/@ValleyGirlsPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and also check out the Newsletter and Pod Squad tab on our website to sign up for our e-mail newsletter and join ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our Facebook Group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠so you never miss a thing! All links can also be found in our Instagram bio.Episode music by Robert Burke Warren entitled Painting a Vast Blue Sky can be found at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠robertburkewarren.bandcamp.com/track/painting-a-vast-blue-sky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Track limits, leaving the track and gaining an advantage, causing a collision, not leaving space at apexes, marshals on track with cars at full speed, contentious VSC on the penultimate lap, maybe at some point we'll get some racing in? The Mexican Grand Prix this year wasn't the best day for F1 race direction and the ever rotating cast of stewards. Amongst all the controversy we still got one of the best races of the season with battles going on all the way down the grid, even Lance Stroll managed to get a clean overtake in (if that doesn't say it's the end of days, I don't know what does.) And through all that, the 3 way battle for the championship is still going on and going down to the wire.This week on the podcast we look back at the Mexican Grand Prix where Lando Norris managed to re-take the lead in the Word Driver's Championship for the first time since before the Suadi Arabian GP, after a very off the boil start to the weekend for team-mate and rival Oscar Piastri. But you can't forget the looming shadow of Max Vertappen, who is still up there too.As always there's some attempts at predictions for how the rest of the season is going to pan out as we've still got 4 races and 2 sprints to go and it's really anyone's guess as to who is going to walk away with the 2025 crown. Doesn't stop us having a go though!Also, sorry for missing last week after the US GP, but we were victims of the Amazon outage last Monday and it took until Wednesday to get things recovered properlyAnd if you want to join in with the chat during the races (along with practice and qualifying) head over to our Discord where there's always a great crowd of people to watch along with. And on the socials we've got our Facebook, Instagram, BlueSky & Twitter (or is it X) and Paul's attempts at Sim Racing on our Twitch channel. And if you want to support us you can donate to our Patreon as well from as little as £/$/€ 1 per monthEnjoy(PS, sorry for the delay, but I got caught up playing Power Washer Simulator 2!0

Genesis Rodriguez joins The Truth in This Art for her first public deep-dive into her work and process.A Philadelphia-area Latina mixed media artist known for blending bold color with striking realism, Genesis explores themes of femininity, natural beauty, and identity while bringing a thoughtful “emotional IQ” to both her visual art and emerging music practice.In this episode, Genesis discusses her current “building era” of laying a strong creative foundation, what it means to engage with art beyond surface-level reposting, and how honesty and integrity shape the work. She also reflects on sharing her story for the first time, navigating visibility as an emerging artist, and the value of choosing depth over aesthetics.This conversation explores the connection between art and community, focusing on authenticity, meaningful engagement, and the discipline it takes to build a sustainable creative practice.Topics Covered:Genesis's first public conversation about her work and processBlending bold color and realism to explore femininity, natural beauty, and identityThe “building era”: structure, foundation, and sustaining a practiceEngaging with art beyond the surface—thinking and sharing with intentionBalancing visual art with an emerging music practice and creative growthThank you for listening to this conversation with Genesis Rodriguez. Explore more episodes of The Truth in This Art for discussions that spotlight creativity, culture, and the voices shaping our communities. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

For the Paris-born, New York–based artist Camille Henrot, time practically never stands still. Across her work in film, drawing, painting, sculpture, installation—and soon, live performance—Henrot has developed ways of stretching and distorting time, seamlessly shifting from moments of potent, rapid-fire intensity to quiet reflection. While her work carries a theory-driven ferocity and intelligence, it's also incredibly playful. Hers is serious art that manages—often with a knowing, subtle wink—to not take itself too seriously.On this episode of Time Sensitive, Henrot considers the subjectivity of speed and slowness; previews her upcoming first-ever performance-art piece, slated to premiere in 2026 and a collaboration with the nonprofit Performa; and reflects on why, for her, a work is technically never finished. She also shares her fraught fascination with animals, childhood, and the climate crisis—the intersection of which she examines in-depth in her soon-to-debut film “In the Veins.”Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Camille Henrot[4:30] RoseLee Goldberg[4:30] Performa Biennial[6:37] Buster Keaton[6:37] Tex Avery[7:03] Estelle Hoy[7:19] Adam Charlap Hyman of Charlap Hyman & Herrero[16:10] “In the Veins” (2026)[17:45] "Grosse Fatigue"[17:45] Massimiliano Gioni[38:51] Roland Barthes[45:36] Pierre Huyghe[47:51] Ikebana Sogetsu[51:46] Okwui Enwezor[55:03] Hypernormalisation by Adam Curtis (2016)[59:51] Jacob Bromberg[59:51] Akwetey Orraca-Tetteh[1:08:50] Adrienne Rich[1:08:50] Ursula K. Le Guin[1:08:50] Annie Ernaux[1:08:50] Mother Reader by Moyra Davey (2001)[1:08:50] Jenny Schlenzka[1:10:14] Maggie Nelson[1:11:02] Mothers: An Essay on Love and Cruelty by Jacqueline Rose (2019)[1:11:02] Representation of Motherhood by Donna Bassin (1994)[1:13:00] Louise Bourgeois

Pete Schnepp, Real Estate Investor and  Founder of both Envision Service Group and Asset Stream Properties, shares his journey from running a successful painting business to building and maintaining an expanding commercial real estate portfolio. In this episode, Pete discusses why he chose commercial real estate over short-term rentals, how he evaluates deals, and the importance of having both an income engine and a wealth-building engine. He offers practical advice for trades business owners looking to diversify into real estate investing, including the value of taking action and the role of leverage in building long-term wealth.To learn more, visit https://assetstreamproperties.com/ and check out the Upcoming Deal Room Event on December 4thThis podcast is sponsored by Busybusy

The following preview episode has been approved for drunken audiences. Yes, we're back, Witcher fans, and just in time for the debut of The Witcher's fourth season! But before we get into the episodes, we're filling our glasses and offering up some thoughts, opinions and sassy speculation on just what may await us. With Liam Hemsworth as our new Geralt and Laurence Fishburne vamping it up as Regis, there's much to be excited about…and perhaps a few reasons for concern. We discuss both as we break down the season four trailer, zoom in on some recent key art (fix your hair, Ciri!) and discuss why sometimes a typo is just a typo. Plus, we explain our plan—or what passes for one around here—for our new podcast season. We're hoping it's our best one yet, so make sure you're subscribed and that your bar's fully stocked because you won't want to miss a second of it!

In this episode I share how closing loops on unfinished business in your art career and studio can propel you powerfully into your next chapter as an artist.Enter my podcast contest! Winner gets a podcast interview. To enter, listen to three episodes, write a 5 star review on Apple Podcasts, screenshot it and send it to me on IG at @thecreativeheroines or email jlibor@jessicalibor.com . Until December 1.Read & subscribe to my substack, Painting the Realm of Forms: ⁠⁠⁠⁠⁠https://jessicalibor.substack.com/⁠⁠⁠⁠⁠And join our Discord here: ⁠⁠⁠⁠⁠https://discord.gg/SB2YY5NrnF⁠⁠⁠⁠⁠Sign up for my free upcoming masterclass here: ⁠⁠⁠⁠⁠https://mailchi.mp/b95c65c94acc/manifesting-for-artists⁠⁠⁠⁠⁠Check out all of our courses and coaching: ⁠⁠⁠⁠⁠www.thecreativeheroines.com⁠⁠⁠⁠⁠You can explore my art here! ⁠⁠⁠⁠⁠www.jessicalibor.com⁠⁠⁠⁠⁠Thanks for listening!!

When Rachel realized her first painting company made zero profit after a full year of work, it crushed her.She was exhausted, in debt, and ready to give up.But instead of quitting, she started over, with a plan.Today, Rachel runs XPaint in Cleveland, Ohio, a six-figure business on track for $1M next year.She's built systems, a team she trusts, and a level of financial security she never thought possible.In this episode, she opens up about:

When painting outdoors, controlling lighting conditions is critical to achieving accurate color perception and rendering paintings that translate well when viewed indoors. Understanding how natural and artificial light interacts with your workspace and painting surface can greatly influence the final outcome. Below are comprehensive insights and techniques based on years of experience in plein air painting. 1. Qualities of an Effective Umbrella for Outdoor Painting The ideal umbrella used for outdoor painting must be opaque, preventing any light from bleeding through. The top half should be white to reflect sunlight and keep the artist cool during long outdoor sessions. The underside must be black and completely non-reflective to eliminate reflective and key light that can interfere with accurate color observation. Using an umbrella that allows light to pass or reflect will distort the lighting environment and complicate color matching. 2. The Problem with Transparent Umbrellas Transparent umbrellas permit excessive light penetration, creating an inconsistent and overly bright environment around the painting area. This excessive light causes glare and reflections on the palette and canvas, making it difficult to judge true colors and values. The uncontrolled light increases the brightness and washes out subtle color transitions, resulting in less accurate color representation during the painting process. 3. Impacts of Excessive Light Exposure on Paintings Viewed Indoors When painted under very bright light outdoors, the colors and luminosity in a painting can become misleading. Paintings created in these over-illuminated conditions often appear darker or poorly balanced when viewed under typical indoor lighting. This happens because the artist may adjust colors to compensate for the intense outdoor light, leading to undervalued color chroma and less vibrancy indoors. 4. Ideal Studio Lighting for Accurate Color Perception The best studio lighting environment features a relatively low light level, such as a 60-watt bulb controlled with an in-line dimmer switch. Less light in the studio environment encourages the artist to "push" the light and luminosity into the painting consciously. This controlled and dimmed lighting environment helps reveal true color relationships and avoids the deceptive brightness that causes color distortions. 5. Advantages of Painting Under Lower Light Conditions Paintings created under lower light conditions often appear more vibrant and luminous when viewed indoors because the artist uses higher chroma and contrast to compensate for reduced light levels. This practice results in richer, more glowing colors that maintain their intensity under a range of lighting conditions. Lower light training also enhances the artist's sensitivity to subtle tonal variations. 6. Misconceptions About Bright Studio Lighting Contrary to popular belief, bright lighting in a studio is detrimental to color accuracy. Excessive brightness leads artists to lower chroma values in their palette to counterbalance the intense illumination, which unintentionally causes the paintings to appear darker and more muted when seen under normal or dimmer lighting conditions. 7. How a 60-Watt or Lower Light Source Improves Color Perception Using a lower wattage light source improves color and luminosity perception by limiting excessive brightness that can blind the eye to subtle hues. It enables an artist to focus on tonal relationships carefully, producing paintings with a balanced color range and lively surface quality. Dimmer lighting conditions enhance the perception of glow and depth in a painting. 8. Challenges of Painting in DiffSupport the showFor more information go to www.StefanBaumann.com https://www.stefanbaumann.com/Free Book For painting, coaching call me on my phone at 415-606-9074

The Sassy and Classy Trivia Podcast.Turn the drive into quality time with your family.Trivia with Dad is a family friendly trivia show with 4 different topics each episode.Support the show by rating and reviewing!Email Triviawithdad@gmail.com to submit topics, ask questions or interact with us in any way.Sponsor: Golf Ponghttps://www.amazon.com/stores/GolfPongGames/page/4613C3F8-8EFD-4E8C-8346-333956EDD543?ref_=ast_bln

A dying man pays $15,000 to steal a priceless painting from a museum, believing that possessing "The Woman in Red" will somehow grant him immortality beyond the grave. | CBS Radio Mystery Theater | #RetroRadio EP0543Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPECHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Woman In Red” (January 19, 1977)00:50:30.665 = MindWebs, “Imposter” (June 24, 1979)01:20:27.320 = Out of the Night, “Dead End” (November 25, 1947) ***WD (LQ)01:51:09.008 = Mystery In The Air, “Queen of Spades” (September 11, 1947)02:18:08.331 = Molle Mystery Theater, “Close Shave” (May 14, 1948)02:45:45.492 = Rocky Fortune, “The Museum Murder” (January 19, 1954)03:08:37.290 = Murder at Midnight, “Till Death Do Us Part” (December 09, 1946)03:34:53.414 = The Black Museum, “The Khaki Handkerchief” (May 20, 1952)03:59:10.647 = Mysterious Traveler, “S.O.S.” (May 02, 1950)04:28:53.848 = Mystery House, “Operation Murder” (August 02, 1946)04:54:20.964 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#ParanormalRadio #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #WeirdDarknessCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0543

For the final episode of Season 7 of Xian Archive, Matt sits down with his good friend Peyson Jones. Peyson creates incredibly detailed visionary art under the alias The Art of Waking Up. During the conversation Peyson shares how he learned about spirituality, his journey with artwork, and his recent trip to Egypt with his wife where he was blown away by the various temples and structures.   This episode features photos of his recent to Egypt that we discuss at some length. To see those - find the YouTube version of this podcast, linked below. Also, this is the Season Finale, so it will be some time until a new episode is uploaded and a new season is aired. Please enjoy the back catalog in the meantime.     Watch this episode on YouTube: https://www.youtube.com/watch?v=LiRbV4zF2pY     Find Peyson: https://www.instagram.com/theartofwakingup           Find Matt: https://www.instagram.com/xianarchive   https://www.MattXian.com         Sponsored by SHEATH: https://sheathunderwear.com         Use code 'TIMEWHEEL' at checkout to save 20%

In the launch of our 5th season, Jess and Marie talk with the 2025 Grand Prize Winner Martin Geiger. Martin, an introspective and serious painter, reflects on his family of artists, how he approaches competition, and how painting for him is almost an addiction. Martin Geiger studied in Philadelphia, Pennsylvania for four years at the Pennsylvania Academy of Fine Arts and now lives in Staunton, Virginia. He is head assistant at Bronzecraft Foundry as well as an instructor at the Beverly Street Studio School and a trustee on the board of the Staunton Augusta Art Center, He recieved two Elizabeth Greenshields Foundation Grants, one in 2018 and one in 2022. Follow Martin Geiger: Official Site Follow Plein Air Easton: Official Site Facebook Instagram YouTube To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com. Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.

Doug loves pumpkin seeds. Gator hates pumpkin seeds.

The Daily Quiz - Art and Literature Today's Questions: Question 1: The painting "The Bathers" by Paul Cézanne is a part of which art movement? Question 2: Which author wrote 'The Old Curiosity Shop'? Question 3: Which author wrote 'The Lost World'? Question 4: Which author wrote 'The Hunting of the Snark'? Question 5: Which author wrote 'Vanity Fair'? Question 6: Which decorative art movement emerged in the late nineteenth century and was characterized by dense assymmetrical ornamentation in sinuous forms? Question 7: Which of the following is a style of Islamic architecture? Question 8: Which author wrote 'Hainish Cycle'? Question 9: Which author wrote 'Twilight'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Linda Daniels creates vibrant abstract paintings.Linda Daniels (b. 1954) spent her formative years in California. She earned her B.F.A. in General Fine Arts from the California College of the Arts.   In 1984, she moved to New York City, where her first solo show debuted at fiction/nonfiction gallery in 1988. Over the following decades, her art was featured in numerous solo and group exhibitions across New York, Los Angeles, San Francisco, and Palm Beach. Linda's artwork has been reviewed in major publications including The New York Times, The Los Angeles Times, Artforum International, Art in America, and The Brooklyn Rail. In 1991, she was awarded a National Endowment for the Arts Fellowship in Painting. Linda returned to California's Central Coast in 2014, where she currently lives and creates her artwork. Linda Daniels, Orange-Red with White, 16"x16", AcrylicCanvas, 2018 Linda Daniels, Orange-Yellow with White, 16"x16", AcrylicCanvas, 2020 Linda Daniels, Turquoise-BlueYellow-Green with White, 40"x80", Acrylic on Canvas, 2021  

On this week's episode of Trapped Under Plastic, Scott and Jon discuss how watching movies can improve your painting!Support the Show on Patreon: https://www.patreon.com/trappedunderplasticSupport the Show with Merch: https://teespring.com/stores/trapped-under-plasticFollow Jon: https://www.youtube.com/ninjonFollow Scott: https://www.youtube.com/miniacJoin the FB group: https://www.facebook.com/groups/395664561386239/Listen to the audio versons: http://www.trappedunderplastic.com/On patreon, we offer our patron's the ability to submit topics for us to discuss during a podcast, you get an extended version of the podcast, and you can submit miniatures for us to critique during an episode!Relevant LinksDeck of Many Colors:https://www.ninjon.net/specialtyproducts/p/deckofmanycolorsMini Colour Kickstarter:https://www.kickstarter.com/projects/artis-opus/mini-colour-the-complete-miniature-painting-solutionNinjon Videos:https://www.youtube.com/watch?v=YbNa51ZKkB4https://www.youtube.com/watch?v=PS8Ij9aiRaw00:00 Start01:53 Preamble Ramble38:40 TUP Partners (Part One)41:15 Hobby Update57:13 Patreon Mini Critique01:05:47 TUP Partners (Part Two)01:08:45 Topic DiscussionSupport the showSupport the Show on Patreon: https://www.patreon.com/trappedunderplasticSupport the Show with Merch: https://teespring.com/stores/trapped-under-plasticFollow Jon: https://www.youtube.com/ninjonFollow Scott: https://www.youtube.com/miniacJoin the FB group: https://www.facebook.com/groups/395664561386239/Listen to the audio versions: http://www.trappedunderplastic.com/

It's Monday, October 27th, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus U.S. Christian missionary pilot kidnapped in Niger at gunpoint Prayers are now going up to Heaven around the world for American missionary pilot Kevin Rideout after he was reportedly kidnapped from his home in the highly secure Château 1 neighborhood of Niamey, the capital of Niger in West Africa, reports The Christian Post. Rideout, a 48-year-old married father, works with Serving In Mission.  Radio France Internationale reported last Wednesday that Rideout was kidnapped by three men at gunpoint near the grand Bravia Hotel, in the city center, just a few hundred meters from the presidential palace. A U.S. State Department spokesman told CBS News, "It is a top priority for the Trump administration to look after the safety of every American, and we are seeing efforts from across the U.S. government to support the recovery and safe return of this U.S. citizen.” The U.S. Embassy in Niamey also issued a security alert on Wednesday, warning Americans that they face a "heightened risk of kidnapping" throughout the country, which has been in political turmoil since a coup d'etat on July 26, 2023. There has been no known demand from any kidnappers nor any official response from the Nigerien government. Security officials said the kidnapped American's phone was tracked less than an hour after the abduction late Tuesday night to a location about 56 miles north of Niamey — in an area "considered a sanctuary for groups affiliated with the Islamic State in the Greater Sahara" between the Nigerian capital and the Malian border.  Please pray Psalm 121:7 for missionary pilot Kevin Rideout. “The Lord will keep you from all harm. He will watch over your life.” Mike Johnson: Democrats want waste and abuse back in Medicaid The U.S. government has been shut down now for 27 days. Appearing on ABC, House Speaker Mike Johnson, a Republican from Louisiana, explained what the Democrats in the U.S. Senate are trying to do instead of voting for the clean Continuing Resolution to re-open the government. JOHNSON: “What it does is it unwinds the changes that Republicans put into the Big, Beautiful Bill, the big signature legislation that we passed and signed into law on July 4 that has been very successful in shoring up Medicaid for the people who are actually eligible to receive it. “What we did in the bill, and the CBO just verified this three weeks ago, the Congressional Budget Office, the nonpartisan arbiters of everything up here, they said that those provisions have helped to reduce premiums. “Why? Because we got ineligible recipients off of Medicaid, illegal aliens and able bodied young men who are riding the wagon, who are not eligible to be there. Medicaid is intended for specific populations of U.S. citizens -- that is young, pregnant women who are down on their luck, the disabled and the elderly. “Those resources are being drained from those folks, and so we fixed that. We reduced fraud, waste, and abuse in the program. Chuck Schumer's counter proposal on the [Continuing Resolution] would reverse that. That is a simple fact.” Dwayne “The Rock” Johnson polling higher than Kamala for president Former Democratic Vice President Kamala Harris, who lost in a landslide against President Donald Trump last November, chatted with BBC interviewer Laura Kuenssberg about her book 107 Days. Kamala said she might possibly run for president in 2028 despite the fact that she is a certifiable long shot. KUENSSBERG: “In terms then, of what is next for you, you write very powerfully about the differences that many women have made to your life, the experience of growing up with your extraordinary mother, or the stories of your baby nieces, Amara and Leela. When are they going to see a woman in charge in the White House?" HARRIS: “In their lifetime, for sure.” KUENSSBERG: “Could it be you?" HARRIS: "Possibly." KUENSSBERG: "Have you made a decision yet?” HARRIS:  “No, I have not.” KUENSSBERG: “But you say in your book, ‘I'm not done.'” HARRIS:  “That is correct. I am not done. I have lived my entire career a life of service, and it's in my bones. There are many ways to serve. I've not decided yet what I will do in the future, beyond what I'm doing right now.” KUENSSBERG: “But you've been very clear that it is a possibility you might run again to become president. And, in my experience, interviewing politicians, when someone says, ‘I'm not done,' it means they are thinking seriously about running. But when you look at the bookies odds, they put you as an outsider, even behind Dwayne “The Rock” Johnson. Is that underestimating you?” HARRIS: “I think there are all kinds of polls that will tell you a variety of things. I've never listened to polls. If I listened to polls, I would have not run for my first office or my second office. And I certainly wouldn't be sitting here in this interview.” Dwayne “The Rock” Johnson, the WWE wrestler turned actor, has starred in 30 films which have earned $6.2 billion. He also has 391 million followers on Instagram. According to Polymarket, an online betting website where users can place "yes" or "no" bets on the likelihood of world events, “The Rock” has a 5.6% chance of becoming the Democratic presidential nominee compared to Kamala Harris who has a 5% chance, reports Newsweek.   California Governor Gavin Newsom and Congresswoman Alexendria Ocasio-Cortez are the top two at 32% and 11% respectively. Dallas church paints steps homosexual pride colors And finally, after Republican Texas Governor Greg Abbott threatened to withhold funding from cities and counties with pro-homosexual, pro-transgender rainbow crosswalks, one God-hating Texas church has responded by defiantly painting its own steps with the sodomite colors, reports the San Antonio Express-News. Lesbian Pastor Rachel Allison, of Oak Lawn United Methodist Church in Dallas, explained why she disagreed with Abbott. She said, "Silence in the face of harm always sides with the oppressor. Painting our steps in the colors of the rainbow is a visible witness to the gospel we preach: that every person is created in the image of God and worthy of safety, dignity and belonging." They certainly were not affirming the original Biblical meaning of the rainbow. In Genesis 9:13-15, God said, “I set My rainbow in the cloud, and it shall be for the sign of the covenant between Me and the Earth. It shall be, when I bring a cloud over the Earth, that the rainbow shall be seen in the cloud; and I will remember My covenant which is between Me and you and every living creature of all flesh; the waters shall never again become a flood to destroy all flesh.” Not surprisingly, Pastor Rachel Allison is faux married to a woman named Cheryl. Governor Abbott's threat includes San Antonio's sexual perversion district on North Main Avenue and East Evergreen Street. Now, more than six years after its installation, local perverts are urging San Antonio city officials to fight to keep the public art installations despite Abbott's directive. The Lone Star State Governor said, “Texans expect their taxpayer dollars to be used wisely, not advance political agendas on Texas roadways. To keep Texans moving safely and free from distraction, we must maintain a safe and consistent transportation network across Texas.” The directive comes after Trump-appointed U.S. Transportation Secretary Sean Duffy issued a statement urging state governors to join a national roadway safety initiative to nix artwork and political messaging from the streets. In a post to X, Duffy wrote, "Taxpayers expect their dollars to fund safe streets, not rainbow crosswalks." Write a polite, Biblically-based 2-3 sentence letter of objection to Pastor Rachel Allison, Oak Lawn United Methodist Church, 3014 Oak Lawn Avenue, Dallas, Texas 75219. Close And that's The Worldview on this Monday, October 27th, in the year of our Lord 2025. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

In this episode I share how just like blank space within a composition can make a art piece more powerful, so can adding more blank space to your life. I share how by weeding out the things no longer needed you can make room for the next level artist within you.Enter my podcast contest! Winner gets a podcast interview. To enter, listen to three episodes, write a 5 star review on Apple Podcasts, screenshot it and send it to me on IG at @thecreativeheroines or email jlibor@jessicalibor.com . Until December 1.Read & subscribe to my substack, Painting the Realm of Forms: ⁠⁠⁠⁠⁠https://jessicalibor.substack.com/⁠⁠⁠⁠⁠And join our Discord here: ⁠⁠⁠⁠⁠https://discord.gg/SB2YY5NrnF⁠⁠⁠⁠⁠Sign up for my free upcoming masterclass here: ⁠⁠⁠⁠⁠https://mailchi.mp/b95c65c94acc/manifesting-for-artists⁠⁠⁠⁠⁠Check out all of our courses and coaching: ⁠⁠⁠⁠⁠www.thecreativeheroines.com⁠⁠⁠⁠⁠You can explore my art here! ⁠⁠⁠⁠⁠www.jessicalibor.com⁠⁠⁠⁠⁠Thanks for listening!!

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Inspired by the true story of the friendship between Rembrandt and Rabbi Menashe Ben Israel. Painting scenes from Bible stories is Rembrandt's passion. Many of his Amsterdam neighbors are Sephardic Jews, and the children often come to play with the costumes at the renowned painter's house. Rabbi Menashe Ben Israel encourages his neighbors to pose for Rembrandt's biblical scenes. He helps the painter understand the descriptive words in the Hebrew bible. At the rabbi's home for Sabbath dinner, Rembrandt watches his friend cup his hands over his children's heads and say a blessing, which gives him an idea for a very special painting. Tami Lehman-Wilzig is the award-winning author of sixteen Jewish content picture books, including On the Wings of Eagles, SOOSIE, The Horse That Saved Shabbat; Keeping The Promise; Nathan Blows Out the Hanukkah Candles; Passover Around the World; and Hanukkah Around the World. Here, we we talk about her brand new picture book, Rembrandt's Blessing, (illustrated by Anita Barghigiani, Kar-Ben Publishing, Sept. 2025), and her writing journey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Inspired by the true story of the friendship between Rembrandt and Rabbi Menashe Ben Israel. Painting scenes from Bible stories is Rembrandt's passion. Many of his Amsterdam neighbors are Sephardic Jews, and the children often come to play with the costumes at the renowned painter's house. Rabbi Menashe Ben Israel encourages his neighbors to pose for Rembrandt's biblical scenes. He helps the painter understand the descriptive words in the Hebrew bible. At the rabbi's home for Sabbath dinner, Rembrandt watches his friend cup his hands over his children's heads and say a blessing, which gives him an idea for a very special painting. Tami Lehman-Wilzig is the award-winning author of sixteen Jewish content picture books, including On the Wings of Eagles, SOOSIE, The Horse That Saved Shabbat; Keeping The Promise; Nathan Blows Out the Hanukkah Candles; Passover Around the World; and Hanukkah Around the World. Here, we we talk about her brand new picture book, Rembrandt's Blessing, (illustrated by Anita Barghigiani, Kar-Ben Publishing, Sept. 2025), and her writing journey. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

You will either want these new models or you’ll likely be playing against them soon.  The Space Marines are getting some pretty cool reinforcements.  If you play Ultramarines you are … Read More

In this episode, I bring to light the myth of the tortured artist and how it does more harm than good, and share my tools that help me stay grounded, happy, productive and excited about my art career and life in general in a sustainable way.Enter my podcast contest! Winner gets a podcast interview. To enter, listen to three episodes, write a 5 star review on Apple Podcasts, screenshot it and send it to me on IG at @thecreativeheroines or email jlibor@jessicalibor.com . Until December 1.Read & subscribe to my substack, Painting the Realm of Forms: ⁠⁠⁠⁠https://jessicalibor.substack.com/⁠⁠⁠⁠And join our Discord here: ⁠⁠⁠⁠https://discord.gg/SB2YY5NrnF⁠⁠⁠⁠Sign up for my free upcoming masterclass here: ⁠⁠⁠⁠https://mailchi.mp/b95c65c94acc/manifesting-for-artists⁠⁠⁠⁠Check out all of our courses and coaching: ⁠⁠⁠⁠www.thecreativeheroines.com⁠⁠⁠⁠You can explore my art here! ⁠⁠⁠⁠www.jessicalibor.com⁠⁠⁠⁠Thanks for listening!!

Hosts Fran Chismar and Tom Knezick connect with artist Philip Juras to discuss painting the natural world. Topics include allowing yourself to be moved by our natural environments, inviting the audience into your perspective, historical significance of the landscapes that Philip paints, and favorite places to get inspired. Music by Egocentric Plastic Men, Outro music by Dave Bennett. Follow Philip Juras Here. Have a question or a comment?  Call (215) 346-6189. Follow Native Plants Healthy Planet – Website / Instagram / Facebook / YouTube Follow Fran Chismar Here. Buy a T-shirt, spread the message, and do some good. Visit Old store Here. Visit New store Here! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

While I was working on this painting of US oligarch Jeff Bezos I kept thinking about a speech he gave in 2019 where he laid out his nightmarish vision for the future of the human species. Bezos described a future where the overwhelming majority of humans are shipped off to space to live their lives inside “O'Neill colonies” — giant cylinders which rotate to simulate Earth's gravity. Only a privileged few would get to remain on humanity's home world, where the ecosystem would be able to repair and thrive now that it's not being overburdened by more humans than it can handle. One doesn't have to stretch the imagination to guess which side of the equation Bezos envisions himself and his family winding up on in this scenario. Press enter or click to view image in full size As I was painting I kept thinking about how horrific it would be if Bezos' plan for humanity was ever put into place, because you know hardly anyone would leave this planet voluntarily. Billions of people would be forced onto space ships bound for these giant spinning space stations, their hearts breaking at the unimaginable loss of their indigenous home world. It would be like a planet-wide Nakba. A Trail of Tears for our entire species. Press enter or click to view image in full size The freaks who rule our world do not have a healthy vision for humanity's future. Their best ideas are a normal person's worst nightmare. Jeff Bezos envisions ecocidal capitalism being allowed to tick along completely unrestricted and unhindered, with humanity rescuing itself from disaster at the last minute by shipping most of itself off planet to live inside giant Amazon space dildos. That's his best and brightest plan. Press enter or click to view image in full size Our rulers are not good people. They are not wise. They are not compassionate. They aren't even particularly intelligent. They just happen to be good at winning the capitalism game by moving the circumstances of our society around in such a way that the numbers in their bank accounts grow very large. This is not a healthy way for us to live. We cannot keep doing this. Reading by Tim Foley.

Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet's paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting (Yale UP, 2022) explores these astonishing paintings, staking a claim for their importance to Courbet's work and later developments in French modernism. Ranging from the grottoes of Courbet's native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. In this interview, Allison Leigh talks to Dr. Galvez about why he felt we needed another book on Courbet, how he tackled the voluminous scholarship on this artist, and how to make claims about an artist's intentions from a historical standpoint. Their conversation ranges from how to best use comparisons in art historical argumentation to the difficulties of reproducing some art works—even with high resolution digital photography. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When was the last time a piece of art changed how you thought or felt about the natural world? Today's guest is Rory McCann — a conservation artist and muralist who uses large-scale, community-driven art to inspire awareness, connection, and action for nature.In this conversation, Rory shares what it's like to create wildlife-inspired murals, and how involving schools and communities in the creative process can help people fall in love with wildlife.We explore the power of art in conservation, education and behaviour change — and how Rory's own journey, shaped by childhood arthritis and a deep love of nature, led him to forge a creative career outside the traditional path.Whether you're a career switcher, student, artist or conservationist, this is a beautiful reminder that there's no one way to make a difference.It's a bold, personal, and inspiring episode.Enjoy.Linkshttps://www.linkedin.com/in/rory-mccann-artist/https://www.instagram.com/rorymccannart/https://www.facebook.com/RoryMcCannMuralshttps://rorymccannmurals.com/about/

Kimchi One from Brightcore – Health Starts in the Gut Get 25% off – Use Code: AWK at https://mybrightcore.com/AndWeKnow Or call 888-317-9941 for up to 50% OFF your order and Free Shipping!  ——— Perplexity AI-web browser COMET: http://pplx.ai/LT  ———— Protect your investments with And We Know http://andweknow.com/gold Or call 720-605-3900, Tell them “LT” sent you. ——————————— AT sea with LT. 2026. Caribbean: https://www.inspirationtravel.com/event/lt-caribbean-cruise-2026 ————————— ➜ 50% off Rumble Premium annual: https://rumble.com/premium/LT ➜ Our AWK Website: https://www.andweknow.com/ ➜ AWK Shirts and gifts: https://shop.andweknow.com/ ------- *DONATIONS SITE: https://bit.ly/2Lgdrh5 *Mail your gift to: And We Know 30650 Rancho California Rd STE D406-123 (or D406-126) Temecula, CA 92591 ➜ AWK Shirts and gifts: https://shop.andweknow.com/ ➜ Audio Bible https://www.biblegateway.com/audio/mclean/kjv/1John.3.16 Connect with us in the following ways: + DISCORD Fellows: https://discord.gg/kMt8R2FC4z

In this show dedicated to the 10th edition of Also Known As Africa (AKAA), Dheepthika Laurent talks to Zimbabwean mixed-media artist Victor Nyakauru, known for being a “found-object” sculptor. He tells us why he is passionate about breathing new life into old objects and what messages he hopes to convey about environmental sustainability. Also on set: South African photographer and visual artist Gavin Goodman. He talks about his “Vela series” at AKAA, in which he blends African heritage with a minimalist perspective. Finally, we look ahead to Asia Now — the Parisian contemporary-art fair celebrating Asian art and artists at La Monnaie de Paris.

Happy 80th birthday to Maggi Hambling, our guest this week! We meet Maggi in her studio to discuss her 6 decades of making painting and sculpture.Maggi Hambling CBE was born in Suffolk in 1945. She studied at the East Anglian School of Painting and Drawing from 1960 under Cedric Morris and Lett Haines, then at Ipswich School of Art, Camberwell, and finally the Slade School of Art, graduating in 1969.In 1980 she was the First Artist in Residence at the National Gallery, London, and in 1995 she won the Jerwood Painting Prize (with Patrick Caulfield). Public sculpture includes A conversation with Oscar Wilde (1998) at Adelaide Street, London, facing Charing Cross Station and Scallop (2003), a sculpture to celebrate Benjamin Britten, at Aldeburgh beach, Suffolk and for which the artist was awarded the Marsh Award for Excellence in Public Sculpture. A Sculpture for Mary Wollstonecraft was unveiled in Newington Green, London in 2020.Hambling's work is held in public collections including at Tate, British Museum, CAFA, Beijing and the Metropolitan Museum of Art, New York.Visit: http://maggihambling.com/ Hosted on Acast. See acast.com/privacy for more information.

In this episode I share with you how I was recently invited into a really great gallery show at Warnes Contemporary in Brooklyn, NY and the path that led there. I give tips on how to maximize your chances for being invited into opportunities that your art would be perfect for.Enter my podcast contest! Winner gets a podcast interview. To enter, listen to three episodes, write a 5 star review on Apple Podcasts, screenshot it and send it to me on IG at @thecreativeheroines or email jlibor@jessicalibor.com . Until December 1.Read & subscribe to my substack, Painting the Realm of Forms: ⁠⁠⁠https://jessicalibor.substack.com/⁠⁠⁠And join our Discord here: ⁠⁠⁠https://discord.gg/SB2YY5NrnF⁠⁠⁠Sign up for my free upcoming masterclass here: ⁠⁠⁠https://mailchi.mp/b95c65c94acc/manifesting-for-artists⁠⁠⁠Check out all of our courses and coaching: ⁠⁠⁠www.thecreativeheroines.com⁠⁠⁠You can explore my art here! ⁠⁠⁠www.jessicalibor.com⁠⁠⁠Thanks for listening!!

Hosts Regan Brown and Bill Mann, President of GB Group Construction & Painting, sit down with Matt Ober, Partner at Richardson | Ober, to discuss a unique experience he encountered while managing a high-rise property — and the challenges property managers face when navigating delicate and complex situations. 

Mark Barrow (b. 1982) and Sarah Parke (b. 1981) met while studying at the Rhode Island School of Design. They began collaborating in 2008, when Parke first started weaving fabric on which Barrow would paint. As weaving became the primary conceptual structure through which they approached all subjects, they adopted a joint artistic moniker to more accurately reflect how ideas are generated and spread. Their work focuses on the intersection of weaving (as a spatial and mathematical system) with other visual systems. It also focuses on its intersection with textiles more generally, a tradition that has had an outsized imprint on the history and development of culture and civilization. Barrow Parke live and work in New York City. Barrow holds a B.F.A. in Painting from the Rhode Island School of Design and an M.F.A. in Painting from the Yale School of Art. Parke holds a B.F.A. in Textiles from the Rhode Island School of Design. They have exhibited widely in institutions including the University Art Museum, University at Albany, the Shirley Fiterman Art Center, City University of New York, New York; The Fabric Workshop and Museum, Philadelphia, Pennsylvania; The Rose Art Museum, Brandeis University, Waltham, Massachusetts; the Power Station of Art, Shanghai, China; Kunsthalle Bielefeld, Germany; and Musée d'art Moderne de la Ville de Paris, France. Their work is represented in public collections including Birmingham Museum of Art, Alabama; the Hammer Museum, University of California, Los Angeles, California; Yale Museum, New Haven, Connecticut; the Walker Art Center, Minneapolis, Minnesota; the University of Chicago, Illinois; and Columbus Museum of Art, Ohio. c: Acrylic on Hand-Loomed Linen, 29 5/8 x 23 3/4 inches, 2022 Woman IV, Acrylic and Embroidery on Hand-Loomed Linen, 15 3/4 x 19 3/4 inches, 2020 0N10N, Acrylic on Hand-Loomed Linen, 19 5/8 x 15 3/4 inches, 2019

Kevin Muñoz and Kathryn Freeman dive into Dan Heath's Reset, exploring why small, intentional resets often outperform massive overhauls. They discuss how to identify “bright spots” worth replicating, the power of giving your team ownership over change, and why the best time to reset isn't January 1st—it's right now. From Chick-fil-A's drive-thru innovations to archery coaches who let athletes steer their own improvement, this conversation is packed with practical strategies for business owners ready to break the cycle of patching problems and start designing sustainable growth.

In 2019, artist Rigoberto Gonzalez painted a large-scale painting depicting immigrants crossing the border in south Texas. That painting grew popular. Won an award, traveled the world, even got to hang in the Smithsonian. Now, he couldn't show his work there if he tried.Homegoings is a production of Vermont Public. Follow the show here.This episode was hosted and reported by executive producer, Myra Flynn. Our video director is Mike Dunn and Aaron Edwards edited this episode with help from Angela Evancie. Myra composed the theme music with other music by Blue Dot Sessions. Kyle Ambusk is the graphic artist behind this episode's Homegoings portrait.Thank you for listening. You can see this episode on our YouTube channel.To continue to be part of the Homegoings family: Subscribe to our YouTube channel Sign up for the Homegoings newsletter Write to us at: hey@homegoings.co Follow us on Instagram @wearehomegoings Make a gift to continue elevating BIPOC storytelling Tell your friends, your family or a stranger about the show! And of course, subscribe!

I lost hundreds of followers when I posted this painting. Here's why I'd do it again … and why controversy can be powerful. In this raw episode of the Honest Art® Podcast, I share the story of my most controversial painting: what inspired it, why it pissed people off, and how it ultimately deepened my commitment to creating honest, authentic work.  Yes, I got hateful comments. Yes, I felt nervous. And yes, I lost followers. But I also gained something much bigger: freedom, connection, and collectors who actually value what I stand for.  In this episode, you'll learn:  Why “safe” art isn't always really safe How controversy can reveal your truest audience What happens when you stop editing yourself down to be “palatable” Because at the end of the day, art isn't about keeping everyone comfortable. It's about telling the truth. Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_. Interested in being a guest on a future episode of Honest Art®? Email me at amy@jodieking.com! Resources mentioned: The Controversial Painting Itself:  https://shop.jodieking.com/collections/the-rebel-series/products/abe-the-rebel Let's sling some paint together in person!!: https://jodieking.com/workshop  Join The Honest Art® Society Community: https://www.jodiekingart.com/has See the Full Rebel Series: https://shop.jodieking.com/collections/the-rebel-series Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  How are you liking the Honest Art® Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/playlist?list=PLMquJfuMsSg0fr46BRdia1cWd-81GThzF For a full list of show notes and links, check out my blog: www.jodieking.com/podcast  

3rd Annual History of the Bay Day, 11.9.25 at Public Works, SF - ticket link: https://www.tixr.com/groups/publicsf/events/3rd-annual-history-of-the-bay-day-159082Dug One is one of the most influential graffiti writers from the Bay Area. Growing up adjacent to San Francisco in Daly City, his love of art took him from cartoons, cholo styles, to New York-inspired letters. Dug witnessed the birth of graffiti in the Bay and was a founding member of TMF crew. His crew made history by painting epic productions at legendary yards and also battling Crayone's TWS crew over a clash of styles. As San Francisco became a graffiti destination for writers around the world, Dug advanced his skills and studied in art school. Eventually he made a career doing design work and moved to New York City to cofound Morning Breath, Inc. Morning Breath has produced Grammy-winning design work for bands like Queens of the Stone Age and Nirvana while still staying true to Dug's love of graffiti and characters.--For promo opportunities on the podcast, e-mail: historyofthebaypodcast@gmail.com---History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 History of the Bay Day03:05 Growing up Daly City 07:53 Cholo styles10:55 Hip-hop15:59 Early graffiti 21:23 Funk style29:06 RW to TMF34:54 Painting productions40:57 Psycho City45:13 Golden Age of SF Graff 53:28 Wreck Shop1:00:10 Mike Dream1:02:42 TMF vs TWS1:11:39 90's styles1:14:38 Morning Breath Inc1:21:17 Qbert & Wave Twisters1:25:09 Music art & Grammys 1:31:54 Retiring from graffiti#graffiti #streetart #podcast #interview #documentary

Hour 3 of A&G October 21, 2025See omnystudio.com/listener for privacy information.

In this episode of What's My Thesis?, Los Angeles–based painter Elmer Guevara returns to the podcast ahead of his upcoming exhibition at Charlie James Gallery. Known for his densely layered figurative paintings, Guevara reflects on how memory, history, and inherited trauma shape his visual language. The conversation traces his evolution from graffiti to oil painting, his deep engagement with South Central Los Angeles, and the ways he reconstructs the 1992 Los Angeles uprisings through scenes of everyday life. Blending autobiography with collective history, Guevara explores how painting can act as both a historical record and emotional archive, layering his family's Salvadoran experience with the city's shifting social landscape. Host Javier Proenza and Guevara discuss the aesthetics of the working-class home, the ethics of representing trauma, and the enduring influence of Caravaggio, Bay Area Figuration, and documentary photography on his approach to storytelling. What emerges is a portrait of an artist using realism and symbolism to reimagine how communities remember themselves. Listen for insights on painting, social history, and the emotional terrain of Los Angeles—then see Guevara's new work on view at Charlie James Gallery, opening October 25.

What does it take to grow a painting business to $500,000 a year?In this episode, Mike Gore-Hickman sits down with Fred Hamilton, owner of Hamilton Painting in Austin, Texas, and a leader on the PCA Residential Repaint Committee. Fred shares his journey of building a thriving residential repaint business, the mindset shifts that made growth possible, and why investing in community and industry events is one of the smartest moves a painting contractor can make.If you're a painting business owner looking for real-world strategies to scale, this conversation is packed with insights you can put into practice right away.

A night out with Jay Duncan and Harley and Brett from Only in OK Show, the Beverly's Mishap, Jared agrees with Markwayne Mullin, too many celebrity deaths. We out here.

We are back!  Several of us had some crazy times over the last few weeks and we talk about it a little bit at the end of the show.  The … Read More

Ever spend half your studio time staring at a painting, mentally ripping it apart, but never actually picking up the brush? Or maybe you're scrolling Instagram right now instead of being in your studio. (I see you.) You're not broken. You're just stuck in a pattern. And once you can name it, it loses its power.In this episode, I'm walking through nine specific, observable behaviors that show up when artists are working through self-doubt. Not vague struggles. Actual patterns you can recognize in yourself.Because here's the thing: when you go from "What's wrong with me?" to "Oh, I'm doing that serial abandoner thing again," everything shifts. It's not a personality flaw. It's just a pattern. And patterns can change.In This Episode:[3:09] The Serial Abandoner — Starting painting after painting, always convinced the next one will be different[5:00] The Mental Critic — Spending half your studio time cataloging what's wrong instead of actually painting[7:53] The Comparison Scroller — More time on Instagram than at the easel, using other artists' work as proof you're not good enough[10:00] The Permission Seeker — Asking everyone's opinion before trusting your own eye[14:09] The Hiding Perfectionist — Making work, then stacking it facing the wall, waiting until it's "good enough"[15:34] The Apologizer — Can't show work without immediately explaining everything that's wrong with it first[17:03] The Workshop Collector — Taking class after class, convinced you need one more technique before you're ready[23:54] The Overthinking Planner — Hours planning the perfect painting in your mind, but never committing to canvas[25:34] The Corner Repainter — Repainting the same spot seventeen times while ignoring the rest of the paintingIf you recognize yourself in one or more of these? You're in good company. This is what shows up for skilled artists working through doubt. The episode walks through what's actually happening underneath each pattern and what to practice instead.Want to work with me?  Join Growth StudioPrivate Coaching for artists Support the showAnd hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcastI'd love to hear this episode resonated you. ❤️