Dallas Museum of Art > Artistic Voices

Contemporary art collector Deedie Rose describes her interpretation of German artist A.R. Penck's sculpture made from duct tape.

Bill Viola in an archival interview for The Crossing, 1996, with DMA staff. Viola speaks on the conservation of media art.

Bill Viola in an archival interview for The Crossing, 1996, with DMA staff. Viola speaks on the shooting of film in an airplane hanger.

Bill Viola in an archival interview for The Crossing, 1996, with DMA staff. Viola speaks on visceral experience and darkness.

Curator Anne Bromberg on the Coffin of Horankh.

Donald Judd speaks about his work for Fort Russell located at the edge of Marfa, Texas.

Donald Judd speaks about the Marfa Wool and Mohair Company Building with work by artist Richard Chamberlain.

Dorothy Kosinski, Senior Curator of Painting and Sculpture and the Barbara Lemmon Thomas Curator of European Art, explains Tanning's shift from painting to her work on a large construction made by a small sewing machine.

Contemporary art collector Howard Rachofsky describes a piece by German artist Isa Genzken.

Dorothy Kosinski, Senior Curator of Painting and Sculpture and the Barbara Lemmon Thomas Curator of European Art, comments on French 18th century artist Jacques Louis David's painting of the mythological story of Apollo, Diana, and Niobe.

Jesus Moroles on creating the Houston Police Memorial, 1990

Jesus Moroles on personally interpreting art rather than reading the artist's intention or description of it.

Contemporary art collector Deedie Rose describes John Cage's piece in which he used sound as his medium. The work conveys the idea of order behind chaos.

American artist Linda Ridgway demonstrates the bronze casting process used to create her sculptures.

Linda Ridgway explains her method of catching soft forms in metal so the forms are "caught in action."

Contemporary art collector Howard Rachofsky on object making in the 21st century.

Jacqueline Gilliam continues discussing the conservation of Still Life with Apples on a Sideboard, 1900-1906, by Paul Cézanne.

Jacqueline Gilliam on the conservation of Still Life with Apples on a Sideboard, 1900-1906, by Paul Cézanne.

Robert Rauschenberg describes how he would like his art to affect people.

American artist Robert Rauschenberg on inspiration and continuing to push one's abilities.

American artist Robert Rauschenberg on inspiration and continuing to push one's abilities.

Contemporary art collector Howard Rachofsky describes the primitive imagery attracting him to a work by British artist Roger Hiorns.

Contemporary art collector Howard Rachofsky describes a sculpture by Sterling Ruby.

Contemporary art collector Deedie Rose describes Víctor Grippo's use of black beans in his artwork.

Dorothy Kosinski, Senior Curator of Painting and Sculpture and the Barbara Lemmon Thomas Curator of European Art, comments on the surreal landscape in Yves Tanguy's Apparitions, 1927.

Jacqueline Gilliam describes Still Life with Apples on a Sideboard, 1900-1906, by French Post-Impressionist Paul Cézanne.