Podcast appearances and mentions of Robert Rauschenberg

In celebration of artist Robert Rauschenberg, who would haveturned 100 this past October 22nd, we're sharing guest contributor Andy Coughlan's visit to the Rauschenberg Gallery at the Museum of the Gulf Coast from the most recent radio show. Thanks for listening!

"I fall in love with places" - Cy TwomblyWhile still reflecting on the life of Cy Twombly, I muse over a few artists that have been influenced by Italy (and my artistic process). There is just something about the visual beauty and the history of Italy that seems to impact many artists, writers and creatives. I go further into thoughts on the art of Cy Twombly and Robert Rauschenberg throwing his art into the Arno River in Florence after a disparaging critic's comment, and how artists move forward regardless of popularity or understanding. Generally the people catch up later. For some like Julian Schnabel they hit their stride early.  Schnabel said, Italy had a “massive impression” on him.  He lived in Milan earlier in his career creating work influenced by place and the landscape. A visit to the Scrovegni Chapel in Padua had such an impact on his psyche he changed the way he painted. You can see this shift in his documentary in Julian Schnabel: A Private Portrait. He later purchased land in New York City and turned it into a Venetian Palazzo. Palazzo Chupi is bright pink building and an ambitious manifestation of his own artistic temperament. The visual beauty of Venice influences many of us in varying ways.  I go on a personal journey on this episode contemplating the life of the artists and my own. Later in the share I muse over the life and inspirations of Cy Twombly, Julian Schnabel, Basquiat and Picasso. "blurring, blotching, writing and inscribing were purposely obscured by superimposing" - Thierry Greub on Twombly's painting processPentimento .... "Pentimento: a visible trace of earlier painting beneath a layer or layers of paint on a canvas". "The word pentimento is derived from the Italian 'pentirsi', which means to repent or change your mind. Pentimento is a change made by the artist during the process of painting. These changes are usually hidden beneath a subsequent paint layer".Musical Scores by Richard JohnstonShownotes at MichelleJohnston.lifeA Writer in Italy InstagramSubstack - At My TableMichelle's Books© 2025  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2025Support the show

Binaural production - listen with headphones for full immersion! I embarked on a dreamlike journey through Cologne when I visited the Museum Ludwig that presented collaborative works by John Cage, Merce Cunningham, Jasper Johns, Cy Twombly and Robert Rauschenberg. An interactive installation by the latter encouraged visitors to engage in unusual activities such as clapping, shouting, singing and whistling. Occasionally, you would also hear the gentle voice of John Cage. Afterwards, I immersed myself in the cathedral, which resonated with the sounds of its visitors. A generative soundscape based on a two-dimensional random walk between four binaural soundscapes, which were recorded in Cologne (Germany) on 2 Nov 2025. Released: 10 Nov 2025 1) The gallery rooms at the Museum Ludwig, which feature videos of John Cage and Merce Cunningham. 2) An interactive installation by Robert Rauschenberg that responds to visitors' sounds. 3) Inside Cologne Cathedral. 4) The cathedral's crypt.

"I am a Mediterranean painter" - Cy TwomblyWelcome to Episode #125:In 1952 Robert Rauschenberg photographed his friend and fellow artist Cy Twombly standing with a thin notebook next to Constantine's colossal hand while on holiday in Rome. They were together on a traveling arts scholarship. They traveled extensively for months in Italy and North Africa. Five years later Cy Twombly moved from America to live in Rome, Italy.Cy Twombly (1928-2011) made a life in Rome as an artist. He kept the art world at bay, painting vast canvases full of white space with a trademark style to his work, secluding himself in places like Gaeta, Bassano and Rome. Twombly would take many journeys over his lifetime. Moving between places and homes and making art. Twombly's fascination with ancient civilisations, the Mediterranean cultures, the Greco and the Roman would converge on his canvases. A love of literature and poetry underlines his art. This is a story about place, art and history, and how they intersect on the canvas of life. Musical Scores by Richard JohnstonShownotes at MichelleJohnston.lifeA Writer in Italy InstagramSubstack - At My TableMichelle's Books© 2025  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2025Support the show

Coloquio sobre la concepción y organización de la exposición con los comisarios de la muestra y otros invitados. La charla se divide en dos partes. En la primera, se habla sobre el proyecto expositivo, la museografía y la gráfica, haciendo hincapié en el catálogo que acompaña a la exposición. En la segunda, participan tres artistas españoles cuyo trabajo tiene conexiones con el de Robert Rauschenberg.Más información de este acto

durée : 01:28:09 - Les Nuits de France Culture - par : Albane Penaranda - En 1980, Berlin consacrait à Robert Rauschenberg une grande rétrospective qui rendait compte de son travail de plasticien sur une trentaine d'années et Jean Daive interrogeait sur place des spécialistes de cet artiste américain, précurseur du Pop Art. - réalisation : Emily Vallat - invités : Robert Rauschenberg Plasticien américain; Pontus Hulten Historien d'art, commissaire d'exposition, ancien directeur du centre Georges-Pompidou

durée : 01:28:04 - Les Nuits de France Culture - par : Albane Penaranda - Quand en 1980 se tenait à Berlin-Ouest une rétrospective Rauschenberg de grande ampleur, Jean Daive saluait l'événement en proposant dans les "Nuits magnétiques" une série de cinq émissions qui faisaient dialoguer l'œuvre de Robert Rauschenberg et la ville de Berlin. - réalisation : Emily Vallat - invités : Robert Rauschenberg Plasticien américain

The artist Robert Rauschenberg — born 100 years ago Tuesday — strove to incorporate the 'real world" into his work through found objects, magazine images, and his own photographic practice. Now, a new exhibit at the Museum of the City of New York shows his fascination with the city, and how he viewed it. Curator Sean Corcoran discusses the show "Robert Rauschenberg's New York: Pictures from the Real World."

durée : 01:30:11 - Les Nuits de France Culture - par : Albane Penaranda - En 1980 se tenait à Berlin une grande rétrospective Rauschenberg, et Jean Daive proposait aux auditeurs des « Nuits magnétiques » une rencontre entre Robert Rauschenberg, artiste américain pionnier du pop-art et Berlin-Ouest, ville emblématique des déchirures de l'Europe de l'Après-guerre. - réalisation : Emily Vallat - invités : Robert Rauschenberg Plasticien américain

durée : 01:25:04 - Les Nuits de France Culture - par : Albane Penaranda - En 1980, une grande rétrospective Robert Rauschenberg se tenait à Berlin-Ouest, et Jean Daive consacrait des "Nuits magnétiques" à cet artiste américain, pionnier du pop-art, et à la rencontre de son œuvre avec la ville marquée par les stigmates de la guerre froide. - réalisation : Emily Vallat - invités : Robert Rauschenberg Plasticien américain

Heute vor 100 Jahren wurde in Port Arthur, Texas, der Maler, Grafiker, Fotograf und Objektkünstler Robert Rauschenberg geboren. Er gilt als Wegbereiter der Pop Art.

In this episode of Art Ladders, Valerie and Armin engage in a rich conversation with Sarah Z. Short, a collage artist and printmaker. They explore Sarah's artistic journey, the impact of the pandemic on her creative practice, and the importance of building a community of artists online. The discussion delves into the role of social media in promoting art, the challenges of balancing artistic creation with business tasks, and the significance of typography and vintage materials in Sarah's work. Listeners gain insights into the teaching of art, the evolution of artistic practices, and the value of sharing knowledge within the creative community.Sarah Z. Short WebsiteSarah Z. Short Instagram  @sarah_Z_shortInfluential artists for Sarah are Robert Rauschenberg, Richard Diebenkorn, Robert Motherwell, Kurt Schwitters, Sophie Taeuber-Arp, Sonia Delaunay.

For the 39th episode of "Reading the Art World," host Megan Fox Kelly speaks with Susan Davidson, curator and art historian, about her landmark book "Tom Wesselmann: The Great American Nude," published by Gagosian and Almine Rech, in collaboration with the Estate of Tom Wesselmann. Distributed by Rizzoli International Publications, New York.This conversation reveals the unexpected story behind one of Pop Art's most iconic series. Wesselmann arrived in New York with no art training and couldn't paint like his heroes—a limitation that forced him to invent something entirely new. Davidson traces how he built his visual language from found materials: candy wrappers, magazine clippings, working radios, even a leaf from his soup at Trader Vic's. "The Great American Nude" series (1961-73) emerged from a dream of red, white, and blue and evolved across one hundred works that blur high and low culture, representation and real objects, art history and American consumerism. Davidson discusses Wesselmann's strategic placement of Matisse and Modigliani reproductions within his compositions—asserting his place in their lineage—while revealing the personal dimension often missed: these paintings were his sustained tribute to Claire, his wife and inspiration. Drawing on Wesselmann's pseudonymous memoir and extensive estate archives, she shows how an artist with limited natural facility built both a distinctive body of work and a lasting position in art history.Whether you're interested in Pop Art's origins, the 1960s cultural moment, or how limitation can drive innovation, this episode offers a fresh perspective on an artist who turned constraint into creative freedom.ABOUT THE AUTHOR Susan Davidson is an independent curator and scholar specializing in Surrealism, Abstract Expressionism, and Pop Art, with particular expertise in Robert Rauschenberg's work. She served as Senior Curator at the Solomon R. Guggenheim Museum (2002-2017), where she organized exhibitions including "Jackson Pollock: Exploring Alchemy" and "Robert Rauschenberg: A Retrospective." Previously, she was Collections Curator at The Menil Collection, Houston (1985-2002). Davidson holds advanced degrees in art history from the Courtauld Institute, London, and George Washington University.PURCHASE THE BOOK https://gagosianshop.com/products/tom-wesselmann-the-great-american-nude-monograph SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

A scam of epic proportions has been perpetrated by the governor upon the people of Florida. Land conservation used an excuse to pay off political bribes.Robert Rauschenberg is arguably the most influential American artist of the 20th century. He moved from New York to Captiva Island in 1970 and would spend the rest of his life there, more than 30 years. 2025 is the centennial of Rauschenberg's birth year with celebrations being held around the world.  Jade Dellinger is Director at the Bob Rauschenberg Gallery at Florida Southwestern State College in Fort Myers and joins us to discuss the artist's time in Florida.

A new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used. The Art Newspaper's digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier's work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year. Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode's Work of the Week is Robert Rauschenberg's Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne. We speak to Yilmaz Dziewior, the co-curator of the exhibition.Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna30 September-22 February 2026; Royal Academy of Arts, London27 March – 21 June 2026.Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany,3 October-11 January 2026Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

This week on Bad at Sports, Duncan MacKenzie and Ryan Peter Miller find themselves in Chicago with curator Bianca Bova and the indefatigable Kenny Schachter — artist, writer, teacher, collector, and provocateur. What begins as a conversation about Schachter's exhibition at Old Friends Gallery — featuring chicken-assisted artworks and bronze casts forged in Slovenia — quickly expands into a meditation on the art world itself. Schachter reflects on his collaborations, his obsession with foundries, and his refusal to keep resources secret. The group debates the zero-sum mentality of the art market, why artists sabotage themselves, and how absurd projects (sometimes with actual chickens) can be the most serious acts of art-making. Equal parts candid and comedic, the conversation cuts across auctions, art fairs, and the everyday realities of teaching. Expect reflections on generosity vs. gatekeeping, the fragility of the art system, and what it means to make art that is more conceptual than commercial. Highlights • Chickens as collaborators and muses. • The foundry in Slovenia that casts Rudolf Stingel's panels. • Why keeping fabricators secret is a sign of weakness. • Auctions as democratizing, even anarchic, art spaces. • The necessity of art in a divided and compassion-starved world. Names Dropped Kenny Scharf, https://kennyscharf.com/ Kenny Schachter, https://www.kennyschachter.art/ Bianca Bova, https://www.biancabovagallery.com/ Billy Connolly, https://en.wikipedia.org/wiki/Billy_Connolly Rudolf Stingel, https://gagosian.com/artists/rudolf-stingel/ Tobias Rehberger, https://pedrocera.com/artists/tobias-rehberger Paul Thek, https://whitney.org/exhibitions/paul-thek Giacometti, https://www.moma.org/artists/2141-alberto-giacometti Jerry Saltz, https://nymag.com/author/jerry-saltz/ Cy Twombly, https://cytwombly.org/ Jasper Johns, https://whitney.org/artists/653 Robert Rauschenberg, https://www.rauschenbergfoundation.org/ Joan Mitchell, https://www.joanmitchellfoundation.org/joan-mitchell Helen Frankenthaler, https://gagosian.com/artists/helen-frankenthaler/ Georgia O'Keeffe, https://www.okeeffemuseum.org/ Andy Warhol, https://www.warhol.org/ Joseph Beuys, https://walkerart.org/collections/artists/joseph-beuys Sigmar Polke, https://www.tate.org.uk/art/artists/sigmar-polke-2213 John Cage, https://www.johncage.org/ Devendra Banhart, https://devendrabanhart.com/ Brad Pitt, https://www.theartnewspaper.com/2022/09/19/brad-pitt-debuts-his-sculptures-in-finland Cindy Sherman, https://www.hauserwirth.com/hauser-wirth-exhibitions/cindy-sherman/ Robert Longo, https://www.robertlongo.com/ Julian Schnabel, https://www.julianschnabel.com/ Old Friends Gallery, https://www.oldfriendsgallery.com/

Learn more at TheCityLife.org

Learn more at TheCityLife.org

An exhibition opens this weekend at Conditions, the low-cost studio programme for artists in Croydon, on the outskirts of south London, featuring two of the great works of art of recent decades: Mark Leckey's Fiorucci Made Me Hardcore (1999) and Arthur Jafa's Love is the Message, the Message is Death (2016). Ben Luke talks to Mark and AJ about showing together and the affinities and contrasts in these two contemporary masterpieces. The 12th SITE SANTA FE International exhibition also opens on Friday, and Ben speaks to Cecilia Alemani, the artistic director of the biennial, about the show, which is called Once Within a Time. And this episode's Work of the Week is Glacial Decoy, the 1979 collaboration between the choreographer Trisha Brown and the artist Robert Rauschenberg. This landmark work is the subject of a new exhibition at the Walker Art Center in Minneapolis, and its curator, Brandon Eng, tells us more.ARTHUR JAFA / MARK LECKEY: HARDCORE / LOVE, Conditions, 28 June-10 August. You can find out more about Conditions at conditions.studio. Listen to A brush with... Arthur Jafa and A brush with... Mark Leckey wherever you get your podcasts. Those interviews feature alongside 23 others from the A brush with… series in the book by Ben Luke, What is Art For? Contemporary artists on their influences, inspirations and disciplines, published by HENI, released on 2 September (US) and 4 September (UK), $39.95/£29.95 (hb).12th SITE SANTA FE International: Once Within a Time, 27 June-12 January 2026.Trisha Brown and Robert Rauschenberg: Glacial Decoy, Walker Art Center, Minneapolis, US, until 24 May 2026.Summer season of art scubscription offer: get 50% off a digital subscription to The Art Newspaper and gain unrestricted access today. Hosted on Acast. See acast.com/privacy for more information.

Oggi a Cult: Lorenzo Ceva Valla firma con Mario Garofalo Geymonat il film "L'ultimo viaggio"; alle Gallerie d'Italia di Milano la mostra "Una collezione inattesa. La Nuova Arte degli Anni Sessanta e una Omaggio a Robert Rauschenberg"; lo scrittore britannico William Atkins ospite in studio per il libro "Tre isole" (Iperborea"; la rubrica di fumetti a cura di Antonio Serra...

For the 36th episode of "Reading the Art World," host Megan Fox Kelly speaks with Sarah Roberts, curator of the landmark exhibition "Amy Sherald: American Sublime," and editor of the accompanying catalog published by Yale University Press in association with the San Francisco Museum of Modern Art.Roberts discusses Sherald's revolutionary portraiture approach — from her distinctive gray-scale skin tones that shift focus to her subjects' interior lives, to her deliberate use of clothing and settings as narrative devices. She shares insights on the "American sublime" concept in Sherald's work and her curatorial decisions integrating the iconic Michelle Obama and Breonna Taylor portraits within the larger context of the artist's practice.This episode is essential listening for anyone interested in contemporary portraiture, the evolution of American figurative painting, and how art can challenge conventional narratives about representation and identity. Roberts' insights reveal why Sherald's quiet yet radical artistic vision offers a powerful reimagining of who deserves to be seen and celebrated in American art history.ABOUT THE AUTHOR Sarah Roberts is Senior Director of Curatorial Affairs at the Joan Mitchell Foundation where she oversees the Foundation's Artwork and Archival Collections and the Joan Mitchell Catalogue Raisonné project. Since 2004, she has served in progressive leadership roles in the Department of Painting and Sculpture at the SFMOMA, and since 2020 as Andrew W. Mellon Curator and Head of Painting and Sculpture. A specialist in post-war American art, Roberts has organized significant exhibitions including major presentations of Robert Rauschenberg, Louise Bourgeois, Frank Bowling, and co-curated the Joan Mitchell retrospective that traveled internationally. Roberts holds degrees from the University of Texas at Austin and Brown University, and has contributed to numerous publications on contemporary art.ABOUT THE EXHIBITION"Amy Sherald: American Sublime" is now on view at the Whitney Museum of American Art in New York through August 3, 2025, following its run at SFMOMA. The exhibition will travel to the National Portrait Gallery in Washington, D.C. (September 19, 2025 – February 22, 2026).PURCHASE THE BOOK https://yalebooks.yale.edu/book/9780300279382/amy-sherald/ SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Today's episode is a special conversation and recap of Elisabeth Condon and my experiences collaborating as visual artists in the ballet project CounterPointe (now in its 12th year) produced by Norte Maar and staged at the Mark O'Donnell Theater (Brooklyn) in March 2025. Jennifer Coates kindly came on to ask us questions about making props and what it was like for 2 newbies to enter the world of dance. Thanks, Jennifer!Special thanks also to Norte Maar and its co-directors, Julia K. Gleich and Jason Andrew for their support of artists and creative collaboration.More information about Elisabeth and Amy's work:Elisabeth: https://www.elisabethcondon.com/ | @elisabethcondonAmy: https://www.amytalluto.com/ | @tallutsMore information about Julia Gleich and Jason Andrew's NorteMaar & CounterPointe12: https://www.nortemaar.org/projects/counterpointe12Julia K. Gleich's website: https://www.gleichdances.org/Julia Gleich interview on this podcast: Episode 49The dances we discussed:"Vermillion | 10" by Ava Desiderio and Elisabeth CondonDancers: Minami Ando, Lucia BeteluSupport structures: Elise WunderlichMusic by Zero Eklipse and William Pilarte Lighting: Evan SpigelmanMark O'Donnell Theater, Brooklyn, March 2025"And So It Begins" by Margaret Wiss and Amy TallutoDancers: Maya Tsuruki Holden and Jaclyn KriewallMusic by Margaret WissLighting: Evan SpigelmanMark O'Donnell Theater, Brooklyn, March 2025"46 Gordon" by Julia K. Gleich and Nicole CherubiniDancers: Michelle Buckley, Kara Chan, Annie Freeman, Amber Neff, Ethan Schweitzer-GaslinLighting: Evan SpigelmanMark O'Donnell Theater, Brooklyn, March 2025Special thanks to Jennifer Coates for interviewing us! Jennifer's website: https://www.jenniferlcoates.com/Jennifer on IG: @jennifercoates666Artists mentioned: Henri Matisse, William Kentridge, Florine Stettheimer, Keisha Prioleau Martin, Meg Lipke, Elana Herzog, Nicole Cherubini, Alvin Ailey, Judith Jamison (Dancer), Julia K. Gleich (Choreographer), Jason AndrewDances mentioned: "Afternoon of a Faun" by the Ballet Russes, “Minutiae” (1954) Robert Rauschenberg and Merce Cunningham, "Cry" Alvin AileyVideo mentioned: "How to Make Theater Props" by Eric Bucklein (not actually old but young) https://youtu.be/JSl5Vc8mej0?si=KWGdOxnijBiEEGZcBook mentioned: Inigo Philbrick "All That Glitters: A Story of Friendship, Fraud, and Fine Art"Exhibition mentioned: "Edges of Ailey" at the WhitneyAll music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠https://www.peptalksforartists.com/⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

Die Ausstellung „Fünf Freunde“ im Museum Brandhorst und Museum Ludwig geht den vielfältigen Beziehungen zwischen John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg und Cy Twombly nach. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-fuenf-freunde

Die Ausstellung „Fünf Freunde“ im Museum Brandhorst und Museum Ludwig geht den vielfältigen Beziehungen zwischen John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg und Cy Twombly nach. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-fuenf-freunde

Die Ausstellung „Fünf Freunde“ im Museum Brandhorst und Museum Ludwig geht den vielfältigen Beziehungen zwischen John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg und Cy Twombly nach. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-fuenf-freunde

Oggi a Cult: Paolo Bignamini è direttore artistico del ciclo "I libri sulla scena" in varie località della Svizzera per proporre spettacoli italiani; inizia il MIART 2025 con un omaggio a Robert Rauschenberg; Mario Sala torna in scena con "Il sogno di un uomo ridicolo" da Dostojevskij al Teatro Out Off; Antonio Serra intervista i fondatori della casa editrice di fumetti indipendente MalEdizioni...

This episode is a replay from Dec 28th 2023. Just Make Art will be back with a brand new episode on March 20th.What happens when an artist truly understands their medium? For Robert Rauschenberg, that's precisely when it was time to stop and move on. His philosophy—"I usually work in a direction until I know how to do it. Then I stop. At the time I am bored, or understand, and I use those words interchangeably"—serves as the launching point for a deep dive into artistic evolution and the creative mindset.Ty Nathan Clark and Nathan Terborg unpack Rauschenberg's approach to creativity, exploring how his constant medium-shifting—from painting to sculpture, printmaking to performance—wasn't merely restlessness but a deliberate artistic strategy. They examine his famous "combines" that incorporated everyday objects and trash, born initially from economic necessity but evolving into a revolutionary artistic approach that bridged the gap between art and life.The conversation takes fascinating turns through the concept of the "beginner's mind," the documentation of creative processes, and the tension between commercial success and artistic growth. Particularly compelling is their discussion about creating opportunities in today's art landscape—from organizing house shows to leveraging digital platforms—that echoes Rauschenberg's resourceful spirit.Whether you're a working artist feeling stagnant in your current practice, or someone curious about the artistic mindset, this episode offers both philosophical insights and practical takeaways about embracing boredom as a creative signal, following your curiosity, and maintaining that crucial sense of wonder throughout your creative journey. Ready to transform your approach to making art? Listen now and discover why sometimes understanding something completely is your cue to move on to the next exciting possibility.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

For the 35th episode of "Reading the Art World," host Megan Fox Kelly speaks with influential art dealer Michael Findlay about his captivating memoir, "Portrait of the Art Dealer as a Young Man," published by Prestel.This vibrant conversation takes listeners back to New York's electric downtown art scene of the 1960s and 70s, where Findlay directed one of SoHo's first galleries and launched exhibitions for artists now considered icons. With charm and wit, Findlay shares candid stories of his rise in the art world, recounting encounters with Andy Warhol, David Hockney, Jasper Johns, Robert Rauschenberg, and other creative forces that defined an era when appreciation for art outweighed its investment potential.Moving beyond nostalgia, Findlay provides sharp insights into how the art world transformed from the experimental downtown scene to today's global market. Through vivid anecdotes about The Chelsea Hotel, Max's Kansas City, and Studio 54, he recreates a New York where creative experimentation flourished without today's commercial pressures.Whether you're fascinated by cultural history, the evolution of the art market, or simply love a good story, Findlay's irreverent, honest perspective offers a fresh look at a pivotal moment when art dealers, artists, and collectors converged to create lasting cultural change.ABOUT THE AUTHOR One of the earliest dealers in SoHo, Michael Findlay showcased artists including John Baldessari, Joseph Beuys, and Hannah Wilke. Named Head of Impressionist and Modern Paintings at Christie's in 1984, he later became its International Director of Fine Arts. Since 2000 he has been a director at Acquavella Galleries, New York, which in recent years has held major exhibitions of important Impressionist, modern, and contemporary masters. His other books include “The Value of Art" and “Seeing Slowly – Looking At Modern Art.”PURCHASE THE BOOKhttps://www.penguinrandomhouse.com/books/746815/portrait-of-the-art-dealer-as-a-young-man-by-michael-findlay/ SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Music by Bob Golden

The Art Bystander No27: Marcus Jansen. In this episode our host Roland-Philippe Kretzschmar, sit down with internationally acclaimed artist Marcus Jansen whose work has been exhibited at the Bronx Museum of the Arts, the Smithsonian Institution, and Documenta among others. From his early years between the Bronx and Germany to serving in the U.S. Army and later becoming one of the most important painters of his generation, Jansen's journey is as compelling as his art.His new exhibition Faceless at CFHILL, Stockholm, in collaboration with Almine Rech and the Marcus Jansen Foundation, dissects power structures, anonymity, and the systems that shape our lives. Jansen's raw, gestural abstraction meets a deeply political and emotional narrative, making his work a powerful lens through which to view contemporary society.We talk about: His transition from soldier to artist; the unseen forces of control in today's world; how his art challenges historical narratives; the intersection of street art in his practice and the socialist structure of the military.Jansen's work has been described as a 21st-century response to Jackson Pollock and Robert Rauschenberg, but his voice is distinctly his own—urgent, fearless, and unfiltered. Hosted on Acast. See acast.com/privacy for more information.

Join Tamara for an interview with photographer Bailey Davidson, a Milledgeville native who lived in NYC as an aspiring actor for a few years, before returning to Georgia in the late 90s to pursue his MFA in Photography at SCAD.  Since graduating, Bailey has built his freelance career in all aspects of professional commercial and editorial photography, working with a wide range of clients, including Savannah Music Festival, Wine Enthusiast Magazine, and The London Observer. This past spring he opened a studio in City Market - go visit him and his 20 years' worth of Savannah photos there!  Check out Bailey's work and follow him here:  https://www.facebook.com/BaileyDavidsonPhotography  https://baileydavidson.com/  Topics in their chat include: Bailey's indie movie he acted in, called "Bringing Down Dejonga" (this was the ending title after all! I found out online. --Tamara); how while in NYC he started taking headshots for his fellow actors and gradually took more and more photos, getting into art shows, and drifting from acting to photography; how he first heard of SCAD because his parents happened to meet the Poetters on a cruise; his Flannery O'Connor tie-ins of having grown up in Milledgeville and then living in the garden apartment of her childhood home as his first Savannah apartment; his practice immediately post-grad of shooting weddings and family portraits, to support himself as he built up his clients for commercial and editorial shoots; his show at the JEA last year that was a continuation of his MFP thesis show, "Bailey's Acres," all Holga pinhole camera work; the nostalgia of taking photos with an analog/film camera and then being surprised by the images once you pick up your developed photos; his Storyboards website where he displays his series of photos that combine to tell a story, influenced by David Hockney and Robert Rauschenberg; his photography books "Seasons of Savannah," "Savannah Past and Present," and "Milledgeville Then and Now;" recently getting published in the fine art mag "Black & White Magazine;" and his advice to students and young photographers to just shoot shoot shoot as there's no substitute for practicing your craft.   Tune in and get all the details!

Taking Venice (2023, EE.UU.), dirigido por Amei Wallach y producido por Vanessa Bergonzoli, Tal Mandil y Andrea Miller. V.O. en inglés con subtítulos en inglés En plena Guerra Fría, Estados Unidos puso en marcha su diplomacia cultural para conseguir que el artista norteamericano Robert Rauschenberg recibiera el Gran Premio de la Bienal de Venecia de 1964. Este documental desvela la historia detrás de este hito que se considera la consagración del cambio de escenario entre los artistas de la Escuela de Nueva York y el éxito del pop. Alice Denney, mujer del mundo del arte vinculada a Washington y amiga de los Kennedy, recomendó que fuera Alan Solomon, comisario que apoyaba el arte más contemporáneo, quien organizara la participación de Estados Unidos en la Bienal. Solomon tramó un plan audaz junto a Leo Castelli, galerista neoyorquino y marchante de Rauschenberg. Las maniobras realizadas para conseguir el premio dejaron a la prensa internacional boquiabierta y al artista cuestionando la política nacionalista que lo había llevado hasta allí. La Fundación Juan March inauguró en 1985 la primera exposición de Rauschenberg en España. En octubre de 2025, con el apoyo de la Robert Rauschenberg Foundation, presentará una segunda muestra centrada en la utilización de las imágenes que el artista hizo a lo largo de su trayectoria, práctica clave en su producción. La presentación de este documental, sesenta años después de la Bienal, y la mencionada exposición, Robert Rauschenberg: el uso de las imágenes, contribuirán a remarcar la relevancia de un artista cuyo centenario tendrá lugar en 2025.Más información de este acto

Check out the newest season of Recording Artists, hosted by actor, artist, and futurist Ahmed Best. Explore the Getty archives and learn about the innovative art-science group Experiments in Art and Technology (E.A.T.) in season three, out now. This first episode of the season features Robert Rauschenberg, weaving archival recordings of the artist with new interviews by MoMA chief curator at large and publisher Michelle Kuo and cognitive-studies scientist Xiaodong Lin-Siegler. Learn more about the episode and subscribe to the series. The Getty Patron Program is a proud sponsor of this podcast. Additional music from “Variations VII” written by John Cage courtesy of Henmar Press, Inc.

Check out the newest season of Recording Artists, hosted by actor, artist, and futurist Ahmed Best. Explore the Getty archives and learn about the innovative art-science group Experiments in Art and Technology (E.A.T.) in season three, out now. This first episode of the season features Robert Rauschenberg, weaving archival recordings of the artist with new interviews by MoMA chief curator at large and publisher Michelle Kuo and cognitive-studies scientist Xiaodong Lin-Siegler. Learn more about the episode and subscribe to the series. The Getty Patron Program is a proud sponsor of this podcast. Additional music from “Variations VII” written by John Cage courtesy of Henmar Press, Inc.

In this thought-provoking episode of Exploring Art Podcast, host Emily and panelists Bianca and Anthony delve into the complexities of collaboration and the nature of art through Robert Rauschenberg's iconic work, Erased de Kooning Drawing. They explore the cultural context of the late 1950s New York art scene, highlighting the tension between Abstract Expressionism and Rauschenberg's Neo-Dada approach. The discussion covers Rauschenberg's bold decision to erase a drawing by established artist Willem de Kooning, raising philosophical questions about authorship, value, and creation. 

In episode 904 of the “Exploring Art Podcast” we will delve into Robert Rauschenberg's groundbreaking work, Erased de Kooning Drawing, and its profound implications for the art world. Join us as we explore the intricate materials and techniques that define both de Kooning's original piece and Rauschenberg's act of erasure.

In this Le Random discussion we are so pleased to speak to a scholar of art history in Dr. Nancy Perloff from the Getty Research Institute. She joins Le Random's editor-in-chief Peter Bauman. Perloff recently curated Sensing the Future: Experiments in Art and Technology (E.A.T.), showing at the Getty Center as part of PST Art. The pair explores E.A.T.'s influential role in merging art, technology and engineering, a movement founded in 1966 by Bell Labs engineer Billy Klüver and artists like Robert Rauschenberg and John Cage. Dr. Perloff shares insights on E.A.T.'s success, including as an early digital art network, as well as its collaborations between artists and engineers (mostly from Bell Labs). This included performances like Nine Evenings: Theatre and Engineering and immersive experiences at the 1970 Osaka World Expo's Pepsi Pavilion. They touch on curatorial challenges, EAT's experimental nature, its role in building interdisciplinary networks, and its lasting, yet underappreciated, impact on art and technology.

Today I'm taking us on a space, art and space-art journey. Because, I've been thinking about how when William Shatner recently went up to space in Bezos' rocket, he saw in real life what he had always pretended to see on TV: space and the final frontier. But to his shock and horror, he...sort of hated it: At least he hated the outer space view. He quaked in the face of all that vast emptiness and ended up with a new appreciation for our warm "Mother" Earth. I.e. "Beam me down, Scotty." And in this way, I think an artist could adopt a William Shatner in Space ideology: and try to appreciate the gifts we each have right now (time, space, adequate health, and freedom to create), versus caving into the dark matter horrors of compare & despair, and worry over not achieving the right career benchmarks. Artists/Works mentioned: "The Creation of the World and the Expulsion from Paradise" by Giovanni di Paolo (1445), "Galaxy (Hydra)" Vija Celmins (1974), "The Moon Museum" Robert Rauschenberg, David Novros, John Chamberlain, Claes Oldenburg, Forrest Myers and Andy Warhol (Possibly sent on the Apollo 12 Moon Mission-1969), "The Wave" by Astronaut, Nicole Stott (2009) William Shatner's book: "Boldly Go: Reflections on a Life of Awe and Wonder" Frank White's book: "The Overview Effect" More about Astronaut, Nicole Stott's first-ever painting in space: http://www.collectspace.com/news/news-070816b-astronaut-artist-nicole-stott.html More about The Moon Museum: https://en.wikipedia.org/wiki/Moon_Museum Thank you for listening! All music by Soundstripe ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

When embarking on your mokuhanga journey, whether through making or collecting, one name stands out above the rest: (pause) Yoshida. The Yoshida family of artists have helped create some of the most important and exciting mokuhanga prints of the last 100 years. Their designs, techniques, and marketing transformed the perception of prints in Japan and around the world.   I speak with Dr. Monika Hinkel, Lecturer in the Arts of East Asia at SOAS (the School of Oriental and African Studies) at the University of London and an Academic Member of the Japan Research Centre. Dr. Hinkel is also the curator of the current exhibtion (at the time of recording)  about the Yoshida family of artists, titled Yoshida: Three Generations of Printmaking, being held at the Dulwich Picture Gallery in London, England.   Dr. Hinkel joins me to discuss the Yoshida family, from Hiroshi to Ayomi, the exhibition at the Dulwich Picture Gallery—the first of its kind in the United Kingdom—the Yoshida family's history, and their impact on the global art community.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Dulwich Picture Gallery - located in London, England the Dulwich Picture Gallery is the worlds first public "purpose-built" public art gallery founded in 1811.  Robert Rauschenberg (1925–2008) - was an American artist known for his innovative and boundary-defying work that blurred the lines between painting, sculpture, and everyday life. Emerging in the 1950s, Rauschenberg challenged the conventions of traditional art with his "Combines," a series of works that incorporated found objects, photographs, and non-traditional materials into paintings, creating dynamic, multi-dimensional pieces. Characterized by a spirit of experimentation and a desire to break down the distinctions between art and the real world, Rauschenberg played a crucial role in the transition from Abstract Expressionism to Pop Art. Charlene (1954) mixed media Pop Art - was an art movement from the 1950s and 1960s that incorporated imagery from popular culture, such as advertising, comic books, and consumer goods. It challenged traditional art by blurring the lines between high art and everyday life. Key figures like Andy Warhol and Roy Lichtenstein used bold colors and familiar icons to both celebrate and critique consumer culture, making Pop Art one of the most influential movements in modern art. Yoshida: Three Generations of Japanese Printmakers - is the current exhibition at the Dulwich Picture Gallery from June 19, 2024 -  November 3, 2024.  Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Kumoi Cherry Tree 23" x 29 1/8 " (1926) Yoshida Fujio (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Flower - B (1954) 15 3/4" x 10 5/8" Yoshida Tōshi (1911-1995) - was the second child of Hiroshi Yoshida and Fujio Yoshida, although the first to survive childhood. Beginning with oil paintings and then apprenticing under his father with woodblock cutting. By 1940 Tōshi started to make his mokuhanga. After his father's death in 1950, Tōshi began to experiment with abstract works and travel to the United States. Later travels to Africa evolved his prints, inspiring Tōshi with the world he experienced as his work focused on animals and nature.  American Girl A (1954) 15 7/8" x 11 1/8" Yoshida Chizuko (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Jazz (1953) 15 3/4" x 11" Yoshida Hodaka (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures. Abstract (1958) 11" x 15 7/8" Yoshida Ayomi - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. Ayomi's lecture referred to by Jeannie at PAM can be found here. She teaches printmaking and art. You can find more info here.  Spring Rain (2018) woodblock installation  Kawase Hasui (1883-1957), a designer of more than six hundred woodblock prints, is one of the most famous artists of the shin-hanga movement of the early twentieth century. Hasui began his career under the guidance of Kaburaki Kiyokata (1878-1971), joining several artistic societies early on. However, it wasn't until he joined the Watanabe atelier in 1918 that he began to gain significant recognition. Watanabe Shōzaburō (1885-1962) commissioned Hasui to design landscapes of the Japanese countryside, small towns, and scenes of everyday life. Hasui also worked closely with the carvers and printers to achieve the precise quality he envisioned for his prints. Spring Rain at Sakurada Gate (1952) 10 3/8" x 15 3/8" Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.    Impressionism - was an art movement that emerged in France in the late 19th century, characterized by a focus on capturing the fleeting effects of light and color in everyday scenes. Instead of detailed realism, Impressionist artists like Claude Monet, Pierre-Auguste Renoir, and Edgar Degas used loose brushwork and vibrant colors to convey the atmosphere and momentary impressions of their subjects. This movement broke from traditional art by often painting en plein air (outdoors) and prioritizing personal perception over exact representation, leading to a revolutionary shift in modern art. Wassily Kandinsky (1866–1944) - was a key figure in the development of abstract art, known for using color and form to express emotions and ideas without representational content. His influential writings and innovative approach helped shape modern art, making him a central figure in movements like Expressionism and the Bauhaus. Stars (1938) 13 7/8" x 10 1/4" colour lithograph  Charles Freer (1854–1919) - was an American industrialist and art collector, best known for his significant contributions to the field of art through the establishment of the Freer Gallery of Art. Freer was a wealthy entrepreneur who made his fortune in the railroad industry. In his later years, he became an avid collector of art, particularly Asian art, including Chinese and Japanese ceramics, paintings, and sculptures. Nakagawa Hachiro (1877-1922) - was a close friend of Yoshida Hiroshi and traveled to the United States together for the first time in 1899. He was a yōga painter and showed primarily in Japan. Landcape in The Inland Sea 13.94" x 20.87" colour on watercolour  The Great Kanto Earthquake - struck Japan on September 1, 1923, with a magnitude of approximately 7.9. It devastated the Kanto region, including Tokyo and Yokohama, causing widespread destruction and fires that led to the deaths of over 100,000 people. The earthquake also resulted in significant infrastructure damage, homelessness, and economic disruption. In the aftermath, the disaster prompted major rebuilding efforts and urban planning changes. Additionally, the earthquake led to social and political unrest, including widespread anti-Korean sentiment, as rumors falsely blamed Korean immigrants for the disaster. Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Thirty Six Views of Mount Fuji No. 21 Lake at Hakone 14" x 9 1/4" Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be.  Selection of Views of the Tokaido (1934) Bishu Seto Kilns 15 3/4"  x 10 3/8" Itō Shinsui (1898-1972) - Nihon-ga, and woodblock print artist and designer who worked for print publisher Watanabe Shōzaburō (1885-1962). Shinsui designed some of our most famous shin hanga, or “new” prints of the early 20th century. One of my favorites is “Fragrance of a Bath” 1930. Kasumi Teshigawara Arranging Chrysanthemums (1966) 21 7/8" x 16 1/2" Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.  Tama River in Musashi Province from 36 Views of Mount Fuji (1830-32) 9 7/8" x 14 7/8"  Boston Museum of Fine Arts - a museum with a rich history with Japanese artwork, especially woodblock prints. It holds the largest collection of Japanese art outside of Japan. Many of their woodblock prints are held online, here. A video on YouTube found, here, describing the MFA's history, and its collections.  Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most important sōsaku hanga artists and promotor of the medium. His works are highly sought after today. More info, here. Nijubashi Bridge to the Imperial Palace from Scenes of Lost Tokyo (1945) 7.8" x 11.1" published by Uemura Masuro Tarō Okamoto (1911–1996) was a prominent Japanese artist known for his avant-garde works and dynamic use of color and form. His art, which includes painting, sculpture, and public installations like the "Tower of the Sun," often explores themes of chaos and modernity. Okamoto was influential in Japanese contemporary art and also made significant contributions as a writer and cultural commentator. More info, here.  Seashore (1976) lithograph 5.55" × 22.05" Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” St. Olaf College - is a private liberal arts college located in Northfield, Minnesota. Founded in 1874 by Norwegian-American settlers, it has a strong emphasis on a comprehensive liberal arts education, integrating rigorous academics with a commitment to fostering critical thinking, leadership, and global citizenship. The college is known for its vibrant community, strong programs in the humanities, social sciences, and natural sciences, and its affiliation with the Evangelical Lutheran Church in America (ELCA). St. Olaf is also recognized for its strong music program, including its acclaimed choir and music ensembles. More info, here. The Detroit Institute of Arts (DIA) -  is an art museum in Detroit, Michigan, founded in 1885. It is known for its extensive collection of artworks from various cultures and periods, including significant American, European, and African art. The DIA is particularly famous for Diego Rivera's Detroit Industry Murals and serves as a major cultural center with diverse exhibitions and educational programs. More info, here.   baren - is a Japanese word to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although baren have many variations.    Jeannie Kenmotsu, PhD - is the Arlene and Harold Schnitzer Curator of Asian Art at the Portland Art Museum in Portland, Oregon. She specializes in early modern Japanese art, with a focus on painting, illustrated books, and prints. Her interview with The Unfinished Print about her work about the Joryū Hanga Kyōkai can be found, here.    © Popular Wheat Productions opening and closing credit - by Gordon Lightfoot - Affair on 8th Avenue from the album Back Here On Earth (1968) on United Artists. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                        

The grandfather of British Pop Art, Sir Peter Blake is one of most influential and popular artists of his generation. A Royal Academician with work in the national collection, including Tate and the National Portrait Gallery, he is renowned for paintings and collages that borrow imagery from advertising, cinema and music. Having created The Beatles' Sgt Peppers Lonely Hearts Club Band sleeve in 1967 he became the go-to album designer for other musical artists including The Who, Paul Weller, Madness and Oasis. He was knighted for services to art in 2002.Sir Peter tells John Wilson how, after a working class upbringing in Dartford, Kent, he won a place at the Royal College of Art alongside fellow students Bridget Riley and Frank Auerbach. He recalls being influenced by early American pop artists including Jasper Johns and Robert Rauschenberg, and how he began making art inspired by everyday popular imagery. He chooses Dylan Thomas's 1954 radio play Under Milk Wood as a work which captivated his imagination and later inspired a series of his artworks based on the characters, and also cites Max Miller, the music hall artist known as 'the Cheeky Chappie'; as a creative influence. Sir Peter remembers how he made the iconic Sgt Pepper sleeve using waxwork dummies and life size cut-out figures depicting well-known people chosen by Peter and The Beatles themselves. Producer: Edwina PitmanArchive used: Under Milk Wood by Dylan Thomas, performed by Richard Burton, BBC Third Programme, 25 Jan 1954 Max Miller, introduced by Wilfred Pickles at the Festival of Variety, BBC Light Programme, 6 May 1951 Max Miller archive from Celebration, The Cheeky Chappie, BBC Radio 4, 3 July 1974 Monitor: 89: Pop Goes The Easel, BBC1, 25 March 1962 Peter Blake: Work in Progress, BBC2, 21 February 1983 Newsnight, BBC2, 7 February 1983 Ian Dury, Peter the Painter

At the height of the Cold War, the U.S. government is determined to fight Communism with culture. The Venice Biennale, the world's most influential art exhibition, becomes a proving ground in 1964. Alice Denney, Washington insider and friend of the Kennedys, recommends Alan Solomon, an ambitious curator making waves with trailblazing art, to organize the U.S. entry. Together with Leo Castelli, a powerful New York art dealer, they embark on a daring plan to make Robert Rauschenberg the winner of the Grand Prize. The artist is yet to be taken seriously with his combinations of junk off the street and images from pop culture, but he has the potential to dazzle. Deftly pulling off maneuvers that could have come from a Hollywood thriller, the American team leaves the international press crying foul and Rauschenberg questioning the politics of nationalism that sent him there. Director Amei Wallach (Ilya and Emilia Kabakov: Enter Here) stops by for an in-depth conversation on a time and place where the long reach of the Cold War, the internal machination's of the Olympic's of the art world and the ascendency of modern art's bête noire and how they all crossed paths in this John le Carré-ish tale. For more go to: zeitgeistfilms.com/taking-venice

A conversation with Jordan Schnitzer, the world's foremost collector of prints and multiples. In the conversation, we discuss Jordan's undeniable passion for art, his thoughts on collecting, and his unwavering support for arts programming. In particular, we delve into his support of a current exhibition at The Getty titled "First Came a Friendship: Sidney B. Felsen and the Artists at Gemini G.E.L."For over five decades, Gemini G.E.L Co-Founder Sidney B. Felsen has documented the vibrant life and creative processes at Gemini through his love of photography. This has resulted in an unmatched historical record of some of the most influential artists of the last sixty years, including Robert Rauschenberg, Claes Oldenburg, Ellsworth Kelly, Jasper Johns, Roy Lichtenstein, Frank Gehry and Julie Mehretu. Felsen's intimate photographs which capture the collaborations and friendships that have shaped Gemini's legacy, are on view at The Getty through July 7.https://www.getty.edu/research/exhibitions_events/exhibitions/sidney_b_felsen/index.htmlhttps://www.jordanschnitzer.org/https://schnitzercare.org/https://www.geminigel.com/

So excited to welcome Artist, Frederick Hayes, to the podcast this week. Fred makes graphite drawings and paintings of faces, and he also creates found-material assemblage sculptures that portray the psychological interior of his subjects. Half made up and half based on the street photos that he takes, his portraits conjure up a community of people. These heads function as general archetypes but also as familiar faces that Fred might see in his community, remember from his past, or have seen in the media as victims of racial injustice. Fred Hayes is also an artist who studiously avoids being pigeonholed, and I loved hearing about how he prioritizes freedom in his varied studio practice. Find Frederick Hayes online: IG: https://www.instagram.com/fhay_00/ WEB: https://www.fredhayesstudio.com/ 2023 Lillian Orlowsky and William Freed Grant-Winners Exhibition at PAAM (thru 6/16/24, Provincetown): https://paam.org/the-2023-artist-grant-recipients/ This episode is kindly sponsored by the New York Studio School. Check out their June-July 2024 Summer Marathon courses here: ⁠nyss.org⁠ Artists mentioned: Henri Matisse, Emil Nolde, Cartier Bresson, Robert Rauschenberg, Margaret Kilgallen, Terry Hoff & Chris Johanson of the Mission School / Luggage Store Gallery, Max Beckmann Frederick Hayes has exhibited work at Triple Candie, the Studio Museum, Hallwalls Contemporary, New Museum, San Francisco Museum of Modern Art, San Jose Museum, San Diego Museum of Contemporary Art, Addison Gallery of American Art, DeSaisset Museum, Boston University, Number 35, and the Luggage Store and Patricia Sweetow Gallery in San Francisco, CA.  Hayes has held residencies at MacDowell, VCCA, LMCC and The Headlands Center for the Art.  He is the recipient of a 2020 NYFA-NYSCA Fellowship in Printmaking/Drawing/Book Arts, a 2012 & 2001 Pollack-Krasner Grant, a 2010 Robert Blackburn Workshop Studio Immersion Program Fellowship, a 2000 San Francisco Art Commission Individual Artist Grantand his work is in the collection of the San Francisco Museum of Modern Art, the New Museum of Contemporary Art, the Studio Museum in Harlem, the Addison Gallery of American Art, and UC Berkeley Art Museum Thank you, Fred! Thank you Patrons and Listeners! Appreciate everyone! Check the pod out on IG! And why not review Peps on Apple Podcasts? Yay! Find me, your beloved host, online at: ⁠amytalluto.com⁠ and ⁠@talluts⁠ All music by Soundstripe ---------------------------- Pep Talks Website: ⁠peptalksforartists.com⁠ Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy, your beloved host's website: ⁠amytalluto.com⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

I am so thrilled to say that my guest on the GWA Podcast is one of the most esteemed curators in the world, Naomi Beckwith. Currently the Deputy Director and Jennifer and David Stockman Chief Curator at the Solomon R. Guggenheim Museum, NY, where she plays an instrumental role in shaping the museum's vision, Beckwith's career has seen her curate some of the groundbreaking shows in recent years. At the MCA Chicago, she curated Howardena Pindell: What Remains to Be Seen – the first survey of the 20th and 21st century pioneer, as well as The Freedom Principle: Experiments in Art and Music that looked at the legacy of 1960s African American avant-garde and its impact on art and culture today. Among many others, she also staged the first ever US solo exhibition by Lynette Yiadom-Boakye at the Studio Museum in Harlem. Beckwith was part of the team that realised Grief and Grievance: Art and Mourning in America, conceived by Okwui Enwezor for the New Museum, as well as shows featuring Arthur Jafa and Laurie Simmons. She has dedicated her career to the impact of identity and multidisciplinary practices within contemporary art, and has just been granted the David Driskell Prize 2024. But the reason why we are speaking with Beckwith today is because she has just unveiled a new group exhibition at the Guggenheim – By Way of Working – that brings together artists across mediums, and generations – from Mona Hatoum, Joseph Beuys, Robert Rauschenberg, and Senga Nengudi: the artist we are very excitingly discussing today. Chicago-born Nengudi is hailed for her works across sculpture to performance, that explore the human form in all its many iterations through her early training in dance, and I can't wait to find out more. -- LINKS: Naomi's exhibition: https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection https://www.guggenheim.org/about-us/staff/naomi-beckwith https://www.sengasenga.com/ https://www.artnews.com/feature/senga-nengudi-who-is-she-why-is-she-important-1234591161/ https://www.youtube.com/watch?v=DutixbTscWM https://www.moma.org/calendar/exhibitions/5078 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Despite its short lifespan, Black Mountain College (BMC) left a lasting legacy as an influential pioneering arts institution that challenged traditional academic structures and fostered a unique community of creative thinkers. Founded in 1933 just 20 minutes outside of Asheville, NC, the college emphasized holistic learning and the study of art as central tenets of its educational philosophy. While BMC closed in 1957 due to funding issues, many of its faculty and students were or would become influential in the arts, including Josef and Anni Albers, Elaine and Willem de Kooning, John Cage, Ray Johnson, Robert Motherwell, Robert Rauschenberg, and Cy Twombly. In today's special crossover episode from our friends at ArtsvilleUSA, we welcome Kate Averett Anderson, a writer, curator, staff historian, project coordinator, and board member at the Black Mountain College Museum + Arts Center (BMCM+AC). The museum works to preserve the legacy of educational and artistic innovation of BMC through exhibitions, conservation, educational events, and public programs. “It's not about having a gallery space where you walk in and you go, ‘Here is the history of Black Mountain College from beginning to end,” says Kate. “You can come in and have hands-on experiences with different exhibitions that tell a lot of different stories.”In this episode, you'll discover the fascinating connections between BMC and the iconic Bauhaus movement, relive the vibrant atmosphere of the college's legendary parties, and uncover the pivotal role of the BMCM+AC in keeping BMC's spirit alive. From exploring historical parallels to celebrating the creative freedom that BMC championed, this episode offers valuable insight into the birthplace of the American avant-garde. “[Black Mountain College] was a haven for a lot of people,” says Kate. “It was a place where a lot of people had the freedom and ability to explore different elements of their identity.” Key Points From This Episode:An introduction to Kate, her career journey, and her role at BMCM+AC.The origin story of BMC (which starts with a scandal, like all good stories do).Insight into founder John A. Rice's educational philosophy on hands-on learning.Nazis, the final days of the Bauhaus, and how Josef and Anni Albers found BMC.Influential figures that attended BMC and the relationships that developed between them.The legendary parties that were thrown at BMC; such as Jean Verda's Greek party.An overview of the communal, democratic, non-hierarchical structure at BMC.How a young Robert Rauschenberg was profoundly influenced by his time at BMC.Some of the many famous student revolts at BMC; including one known as The Split.Cultural and political shifts that impacted the college in the late 1950s.The important role that BMCM+AC plays in keeping the BMC legacy alive.How the BMCM+AC differentiates itself from the typical stagnant museum institution.Different stories that BMCM+AC hopes to tell about BMC, not just its history.Looking to the future in the ReVIEWING Black Mountain College conference.Reflecting on the history of identity intersection and racial integration at BMC.A closing anecdote about Harriet Sohmers Zwerling and sexual liberation at BMC.For more information, please visit http://notrealart.com/black-mountain-college

In s3e51, Platemark host Ann Shafer talks with Chris Santa Maria, artist and gallery director at Gemini G.E.L. at Joni Moisant Weyl. As director of the New York gallery, Chris is responsible for showcasing and selling the print output of the storied LA workshop to enable it to keep working with amazing artists and producing incredible editions. Chris and Ann touch on Gemini's history, the structure of the workshop, how artists get to work there, and Julie Mehretu, Julie Mehretu, and Julie Mehretu. They also talk about Chris' side hustle as an artist and his intricate paper collages. Josef Albers. White Line Square IV, 1966. 53.3 x 53.3 cm (21 x 21 in.). 2011. The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York; ©Gemini G.E.L. and the Artist. Chris Santa Maria wrangling prints at Gemini G.E.L. at Joni Moisant Weyl, New York. Sidney Felsen, co-founder of Gemini G.E.L. Photo by Alex Berliner. Gemini G.E.L. at Joni Moisant Weyl, 535 West 24th Street, third floor, New York. ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria hanging Julie Mehretu's print at Art Basel Miami, 2019. Julie Mehretu's etching installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Analia Saban working at Gemini workshop. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Robert Rauschenberg working on the limestone for Waves from the Stoned Moon series with Stanley Grinstein in the background. Photograph by Sidney B. Felsen, 1969. From the collection of Getty Research Institute. Jasper Johns deleting imagery from a lithography plate for Cicada, November 1981. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Richard Serra at work on his etchings and Paintstik compositions, November 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Ellsworth Kelly (left) and NGA curator Mark Rosenthal at Gemini; Ellsworth canceling a print from the Portrait Series, February 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Works by Richard Serra and Julie Mehretu at the IFPDA Print Fair, October 2023. ©Gemini G.E.L., Los Angeles, California. Joni Weyl and Sidney Felsen at the 2019 IFPDA Print Fair, New York. Tacita Dean at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Roy Lichtenstein at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at Gemini G.E.L.'s booth at the IFPDA Print Fair, October 2023.         Tacita Dean. LA Magic Hour 1, 2021. Hand-drawn, multi-color blend lithograph. 29 7/8 x 29 7/8 in. (75.88 x 75.88 cm). ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria. Field 31, 2023. Paper college on 4-ply ragboard. 10 x 10 in. Chris Santa Maria's studio. Chris Santa Maria's studio. Chris Santa Maria. President Trump, 2020. Paper collage. 72 x 72 in. Chris Santa Maria. No. 5, 2014. Paper collage on MDF. 58 x 60 in. in the window of Jim Kempner Fine Art, New York. Ellsworth Kelly. The River (state), 2003 and River II, 2005. Lithographs. Installed during the exhibition Ellsworth Kelly: The Rivers, October 25–December 8, 2007 at Gemini G.E.L. at Joni Moisant Weyl, New York. Julie Mehretu's etchings installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Bruce Nauman in the curating room canceling a copperplate by drawing a sharp tool across it to destroy the image with assistance from William Padien, 1983. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Works by Ann Hamilton and Tacita Dean in the exhibition at the New York gallery, Selected Works by Gemini Artists. January 2–February 24, 2024. ©Gemini G.E.L., Los Angeles, California. Daniel Buren at Gemini workshop, August 1988. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001.   USEFUL LINKS Gemini G.E.L. at Joni Moisant Weyl. | (joniweyl.com) Gemini G.E.L. Graphic Editions Limited (geminigel.com) Chris Santa Maria Instagram accounts @chrisantamaria @geminigel @joniweyl    

Episode: 3112 Donald Barthelme: Creative Editor.  Today, a sheriff of an editor.

Embark with us on a journey through the innovative mind of Robert Rauschenberg, a beacon of artistic evolution. Our conversation weaves through the narrative of an artist who always moved towards new creative territories. We share personal reflections on how Rauschenberg's philosophy resonates with our artistic endeavors, embracing the beginner's mind and the allure of fresh experiences over the pursuit of mastery. Through his story and our own, we uncover the joy of constant change and the impact of collaborations, such as those Rauschenberg had with Jasper Johns, in shaping an artist's path.As artists, the canvas is merely a starting point; the true art lies in expanding beyond it. This episode delves into the shifting landscapes of art mediums, from sculpture to painting and beyond. We discuss the discipline required to flourish in artistic practice, the openness to new ideas, and the enriching power of diverse interests. Tapping into insights from David Epstein's "Range," we celebrate the generalist's advantage in today's art scene—a world where a wide-ranging palette of experiences can lead to groundbreaking work.Wrapping up, we reflect on how the pressures of the art market intersect with the creative process, comparing the strengths that Attention Deficit Disorder (ADD) can bring to an artist's work. We share the importance of continual growth and the exploration of new artistic territories to maintain the spark of joy in our creations. By documenting our artistic processes, we underscore the profound impact of revisiting past works, allowing for a narrative of growth and the embrace of irresistible possibilities that guide us to meaningful evolution in our work. Join us for this homage to the indomitable spirit of artists who, like Rauschenberg, never cease to evolve.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Today, it's a brand new installment of the "Interview the Interviewer" series and I'm excited to reveal that this episode's Interviewee is ... me! Thank you so much to artist, Catherine Haggarty, for generously suggesting this collaboration and for asking such wonderful questions about my work. More info about Amy (your beloved host's) work online: amytalluto.com and @talluts Works mentioned (AT unless noted): "The Princesse de Broglie" (Ingres), "Bending Figure & Ingres Eye" 2023, "Rain Cloud" 2022, "Cloud (After Ingres) 1-3" 2023 Catherine Haggarty online: catherinehaggarty.com and @catherine_haggarty Artists mentioned: Jennifer Coates, Phyllis Plattner, Louise Mouton Johnson, Frank Gross & Jean Pichotta Gross of NOCCA, Rita MacDonald, Ever Baldwin, Geoffrey Young, Dee Shapiro, Elisabeth Condon, Dona Nelson, Philip Guston, Judy Glantzman, Jean-Auguste-Dominique Ingres, Agnes Martin, Vija Celmins, Julia Gleich, Shari Mendelson, Courtney Puckett, Matisse, Betty Woodman, Charles Burchfield, Edvard Munch, Robert Rauschenberg, Kathe Bradford Amy's fave podcast: Las Culturistas Amy's fiery crucible of self help: Pep Talks for Writers, Wired to Create, Steal Like an Artist, On Art and Mindfulness, The War of Art, Art & Fear, The Artist's Journey: Bold Strokes to Spark Creativity, Make Art Not Content (Podcast), Big Magic Thank you, Catherine! Thank you, Listeners! And thank you so much, Patreon supporters! ---------------------------- Pep Talks on IG: ⁠⁠⁠@peptalksforartists⁠⁠⁠ Peps has a Patreon! If you are a Peps fan and would love more pep talks in your life, please consider supporting the podcast financially on Patreon at ⁠⁠⁠https://www.patreon.com/PepTalksforArtists⁠⁠⁠! For $5 a month, patrons receive exclusive mini Pep-isodes monthly or bimonthly, delivered directly to their email inbox with a clickable link. No tech savviness required! Also, patrons receive early access to not-yet-released full episodes, fresh out the oven. Join the Peps fam on Patreon and become a part of the Pep Talks Peerage today. Find out more here: ⁠⁠⁠⁠https://www.patreon.com/PepTalksforArtists⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠ ⁠⁠⁠BuyMeACoffee⁠⁠⁠ Donations appreciated! All music and effects are by Soundstripe --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

This season, I'm rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it's time for Modern Love. Today: we're homing in on the love affairs of Robert Rauschenberg, moving from Cy Twombly and on to Jasper Johns—a series of relationships that lasted only briefly, but whose effects on modern art are still felt to this day. Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Sponsor ArtCurious for as little as $4 on Patreon Instagram / Facebook / YouTube SPONSORS: Lume Deodorant: Control Body Odor ANYWHERE with @lumedeodorant and get over 40% off your starter pack with promo code ARTCURIOUS at lumedeodorant.com/ARTCURIOUS! #lumepod To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/ArtCuriousPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices