Podcasts about contemporary

Warding-off the dangers from literally all directions. In both the personal life, and in the life of the Jewish People

Guest: Samantha O'NeilHosted by: Courtney Ortiz DECAdance Competition provides a totally unique competition and “un”convention experience, with genre-specific adjudicators, live music at their “un”convention, and complimentary meals for studio owners! On this week's episode of Making the Impact, Courtney sits down with DECAdance Competition owner Samantha Tirone O'Neil to learn more about this incredible company in our first IDA-affiliated Competition Spotlight! Products and services mentioned in this episode include:Omara Floors - sprung floors for dancersRelative Motion - structured, measurable training designed for both dancers and teachersLearn more about the Andrea Michaels Scholarship Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 - 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:DECAdance Competition - IDA Affiliated CompetitionView their 2026 tour dates and register now!http://www.decdancecompetition.comFollow your Hosts & Guests!Courtney Ortiz - @courtney.ortizSamantha O'Neil - @decadancecompJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Destiny Christian Center October 5, 2025 The Art of Remembering, Pastor AT Hargrave destinyokc.com

Contemporary reports state that the French crew fired a long burst on a machine, hitting the German Aviatik and fatally wounding its crew before the plane crashed behind enemy ...

The Rev. Robin H. Hinkle - “Spiritual Beings” (Contemporary)

Pastor Van Blarcom delivers the message in the Auditorium.

Guests - Kiyah Rush, Megan Friedman, Brandi GeorgeHosted By - Courtney Ortiz and Lesley MealorIn Episode 235 of Making The Impact - A Dance Competition Podcast, we are excited to learn more about the world of dance convention assistants. Studio owners Megan Friedman and Brandi Rush join us, along with professional assistant Kiyah Rush to give us the inside scoop on what it takes to land this type of opportunity!Topics Include: The benefits of being a student-level assistant What other opportunities exist for assistants besides being on stage What skill sets dancers should have before becoming an assistantHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceKiyah Rush - @KiyahrushBrandi George - @bgeorge811Megan Friedman - @megfriedmanThe PAC Dance Studio - @thepacdancecoThis episode is sponsored by:YoungArtsApplications are open for the 2026 National YoungArts Competition, available for artists ages 15-18 or in grades 10-12. Deadline to apply is October 8th, 2025. Learn more at www.YoungArts.orgIDA Affiliated Competition - Elevation On Tour!View their upcoming 2026 Tour Dates on their website!Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Contemporary artist Emilija Škarnulytė snakes from the decaying control rooms of the Ignalina Nuclear Power Plant in Lithuania, to Dungeness on the English Channel, exploring time and geology through the concept of future archaeology, via their film installation, Burial (2022).Folkestone Triennial 2025 continues until 19 October 2025.From Amber to the Stars. Together with M. K. Čiurlionis: Now and Then is at National M. K. Čiurlionis Art Museum in Kaunas until 12 October 2025.The MUNCH Triennale, Almost Unreal, opens at MUNCH in Oslo on 15 November 2025.A major solo exhibition of Emilija's work opens at Tate St Ives in Cornwall on 6 December 2025.PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelines

Want a curriculum that students can't wait to engage with? We sit down with authors Michael Fisher and Dr. Steven Weber to unpack a fresh, visual playbook for curriculum leadership that swaps compliance for curiosity and puts student agency, trust, and transfer at the center. Instead of dense theory, they created an illustrated, desk-ready handbook that leaders can use in five minutes to make better decisions on the same day.We delve into what “contemporary” really means: understanding learners deeply, designing for the whole child, and fostering cultures where conversations matter more than binders. Michael and Steven share practical self-assessment tools that help teams identify their current state across vision, collaboration, data-informed decisions, and adaptability, then choose the next right move. We explore leadership stances, ranging from the dreaded “snoopervisor” to the motivator who earns trust, provides purposeful feedback, and fosters capacity growth. Along the way, we tackle teaching current events without the landmines, scaffolding that lifts rather than limits, and the kind of personalized learning that actually prompts transfer.If you're a principal, coach, or teacher leader ready to move from static maps to living systems, this conversation offers clear language, actionable visuals, and guiding questions to bring your team along.EPISODE RESOURCES:Connect with Mike Fisher via his website, Instagram, and LinkedIn.Connect with Dr. Steven Weber via his website and LinkedIn.Check out their new book, Contemporary Curriculum Leadership, on the School Rubric site.

Vijay Prashad talks with Class Unity about the politics and economics of imperialism as well as issues with the contemporary left. He is the author of many books, including: (2011) Marx's Capital: An Introductory Reader. Contributed by Vijay Prashad, Venkatesh Athreya, Prasenjit Bose, Prabhat Patnaik, Jayati Ghosh, T. Jayaraman, R. Ramakumar. LeftWord.(2015) Letters to Palestine. […]

In Christ, the dividing walls between people come crashingdown. The Church is one new humanity, built together on Christ as thecornerstone.

This episode, part of the series When the Far Right and the FarLeft Converge, features Francesco Trupia and Marina Simakova discussing the ideological co-optation of Antonio Gramsci's ideas by the contemporary (far-)right. They examine when and how right-wing actors adopted his political language, and how political conjunctures in and beyond Europe have shaped this process. The conversation also considers differing interpretations of Gramsciamong the traditional left and liberal authors, both within global academia and beyond. Finally, Trupia and Simakova reflect on the roles of Gramsci's concepts of “hegemony” and “subaltern” in debates around some of today's most urgentconflicts, including Russia's war against Ukraine.

Destiny Christian Center September 28, 2025 Conventional Religious Wisdom, Pastor Lawrence Neisent destinyokc.com

Pastor Van Blarcom delivers the message in the Auditorium.

2006 yılında, dünyadaki 21. sanat fuarı olarak hayatına başlayan Contemporary İstanbul'un bu seneki 20. edisyonu için Aposto CEO'su Orhun Canca Contemporary İstanbul Yönetim Kurulu Başkanı Ali Güreli ile Tersane İstanbul'da biraraya geldi. Orhun ve Ali Güreli, İstanbul'un global kültür-sanat ekosistemindeki yerini, Contemporary İstanbul'un geçmişini, bu yılki edisyonunu ve fuarın vizyonunu konuştu. Contemporary İstanbul, 28 Eylül'e kadar Tersane İstanbul'da ziyaretçilerini bekliyor. Contemporary İstanbul ve Türkiye'nin sanat ekonomisi | Ali Güreli

YouTube: https://www.youtube.com/jedgar101 Twitch: https://www.twitch.tv/jedgar101 Subscribestar: https://www.subscribestar.com/edsblogtwitter Look back at my past articles: https://autoworkerslim.blogspot.com/ Follow me on twitter: https://twitter.com/jedgar102 Check out my Facebook Page: https://www.facebook.com/edsworld101 Join my Discord and Join the conversation: https://discord.gg/RKyJ3k5 Email Me: edsblogtwitter@gmail.com Outro Music By Stephen Ignoramus https://twitter.com/jrnormus Podcast Art by Elaine Joan Contemporary is a Turn Some Pages Production https://turnsomepagesproductions.com/

Guests - Tracey Boon and Rachel PerlmanHosted By - Courtney Ortiz and Lesley MealorThis season on Making The Impact - A Dance Competition Podcast, we're throwing it back to episodes we loved from previous seasons! Today on the podcast, we are headed back in time to 2021 with a topic that is still relevant now - how to develop a competitive mindset. This episode originally aired on May 6, 2021. Topics Include: Ideas to encourage the development of a competitive mindset How to keep your competitive mindset from hindering your success Goal setting and re-focusing so that your biggest competitor is yourselfHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceTracey Boon - @traboon1Rachel Perlman - @fuelmovesweatThis episode is sponsored by:YoungArtsApplications are open for the 2026 National YoungArts Competition, available for artists ages 15-18 or in grades 10-12. Deadline to apply is October 8th, 2025. Learn more at www.YoungArts.orgJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Namibia's colonial history casts a long shadow over the country's present. Contemporary authors and artists confront the legacies of German and South African colonial rule and engage creatively with the persistent remnants of the past. In their works, the archive remains both an invaluable and fraught resource for accessing obscured histories.  In Troubling Archives: History and Memory in Namibian Literature and Art (Transcript, 2025) Julia Rensing examines how writers and artists from Namibia and South Africa navigate archival silences, omissions, and power structures to renegotiate historical narratives and address intergenerational trauma. Their creative practices challenge conventional understandings of archives and forms of commemoration, highlighting the diverse experiences that shape Namibian society and memory cultures. This book is available open access. Download a free PDF from the publisher's website. Some of the artists and artworks discussed in this book and interview include: Ulla Dentlinger's Where are you from? ‘Playing White' under Apartheid Tshiwa Trudie Amulungu's Taming My Elephant Vitjitua Ndjiharine, including the installations Ikono Wall/Mirrored Reality and s We Shall Not Be Moved Nicola Brandt, including The Crushing Actuality of the Past and the video installation Indifference  André Brink's novel The Other Side of Silence Julia Rensing is a postdoctoral researcher at the Centre for African Studies at the University of Basel, Switzerland. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Namibia's colonial history casts a long shadow over the country's present. Contemporary authors and artists confront the legacies of German and South African colonial rule and engage creatively with the persistent remnants of the past. In their works, the archive remains both an invaluable and fraught resource for accessing obscured histories.  In Troubling Archives: History and Memory in Namibian Literature and Art (Transcript, 2025) Julia Rensing examines how writers and artists from Namibia and South Africa navigate archival silences, omissions, and power structures to renegotiate historical narratives and address intergenerational trauma. Their creative practices challenge conventional understandings of archives and forms of commemoration, highlighting the diverse experiences that shape Namibian society and memory cultures. This book is available open access. Download a free PDF from the publisher's website. Some of the artists and artworks discussed in this book and interview include: Ulla Dentlinger's Where are you from? ‘Playing White' under Apartheid Tshiwa Trudie Amulungu's Taming My Elephant Vitjitua Ndjiharine, including the installations Ikono Wall/Mirrored Reality and s We Shall Not Be Moved Nicola Brandt, including The Crushing Actuality of the Past and the video installation Indifference  André Brink's novel The Other Side of Silence Julia Rensing is a postdoctoral researcher at the Centre for African Studies at the University of Basel, Switzerland. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Namibia's colonial history casts a long shadow over the country's present. Contemporary authors and artists confront the legacies of German and South African colonial rule and engage creatively with the persistent remnants of the past. In their works, the archive remains both an invaluable and fraught resource for accessing obscured histories.  In Troubling Archives: History and Memory in Namibian Literature and Art (Transcript, 2025) Julia Rensing examines how writers and artists from Namibia and South Africa navigate archival silences, omissions, and power structures to renegotiate historical narratives and address intergenerational trauma. Their creative practices challenge conventional understandings of archives and forms of commemoration, highlighting the diverse experiences that shape Namibian society and memory cultures. This book is available open access. Download a free PDF from the publisher's website. Some of the artists and artworks discussed in this book and interview include: Ulla Dentlinger's Where are you from? ‘Playing White' under Apartheid Tshiwa Trudie Amulungu's Taming My Elephant Vitjitua Ndjiharine, including the installations Ikono Wall/Mirrored Reality and s We Shall Not Be Moved Nicola Brandt, including The Crushing Actuality of the Past and the video installation Indifference  André Brink's novel The Other Side of Silence Julia Rensing is a postdoctoral researcher at the Centre for African Studies at the University of Basel, Switzerland. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Namibia's colonial history casts a long shadow over the country's present. Contemporary authors and artists confront the legacies of German and South African colonial rule and engage creatively with the persistent remnants of the past. In their works, the archive remains both an invaluable and fraught resource for accessing obscured histories.  In Troubling Archives: History and Memory in Namibian Literature and Art (Transcript, 2025) Julia Rensing examines how writers and artists from Namibia and South Africa navigate archival silences, omissions, and power structures to renegotiate historical narratives and address intergenerational trauma. Their creative practices challenge conventional understandings of archives and forms of commemoration, highlighting the diverse experiences that shape Namibian society and memory cultures. This book is available open access. Download a free PDF from the publisher's website. Some of the artists and artworks discussed in this book and interview include: Ulla Dentlinger's Where are you from? ‘Playing White' under Apartheid Tshiwa Trudie Amulungu's Taming My Elephant Vitjitua Ndjiharine, including the installations Ikono Wall/Mirrored Reality and s We Shall Not Be Moved Nicola Brandt, including The Crushing Actuality of the Past and the video installation Indifference  André Brink's novel The Other Side of Silence Julia Rensing is a postdoctoral researcher at the Centre for African Studies at the University of Basel, Switzerland. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Patricia Brennan, Tomas Fujiwara, Dan Weiss, Mary Halvorson, Ches Smith, Jim Black & The Schrimps, Chris Smith, Sanah Kadoura, Lina Allemano Four, Eucalyptus, Dun-Dun Band, Karen Ng, David Occhipinti, George Crotty and SkullcapPlaylist: Patricia Brennan - AquariusTomas Fujiwara - Recollection of a DanceDan Weiss - Mansions of MadnessMary Halvorson - Full of NeonChes Smith - Ready BeatJim Black & The Schrimps - The SheilaChris Smith - On a PlainSanah Kadoura - Light of a Thousand SunsLina Allemano Four - NegativeEucalyptus - The CowbellDun-Dun Band - Styrofloam (Kaji)Karen Ng - Backwards BlueDavid Occhipinti - Ice DanceGeorge Crotty Trio - Twelfth HouseSkullcap - Journey to the SunsetSkullcap - Ambrosia Burger

Namibia's colonial history casts a long shadow over the country's present. Contemporary authors and artists confront the legacies of German and South African colonial rule and engage creatively with the persistent remnants of the past. In their works, the archive remains both an invaluable and fraught resource for accessing obscured histories.  In Troubling Archives: History and Memory in Namibian Literature and Art (Transcript, 2025) Julia Rensing examines how writers and artists from Namibia and South Africa navigate archival silences, omissions, and power structures to renegotiate historical narratives and address intergenerational trauma. Their creative practices challenge conventional understandings of archives and forms of commemoration, highlighting the diverse experiences that shape Namibian society and memory cultures. This book is available open access. Download a free PDF from the publisher's website. Some of the artists and artworks discussed in this book and interview include: Ulla Dentlinger's Where are you from? ‘Playing White' under Apartheid Tshiwa Trudie Amulungu's Taming My Elephant Vitjitua Ndjiharine, including the installations Ikono Wall/Mirrored Reality and s We Shall Not Be Moved Nicola Brandt, including The Crushing Actuality of the Past and the video installation Indifference  André Brink's novel The Other Side of Silence Julia Rensing is a postdoctoral researcher at the Centre for African Studies at the University of Basel, Switzerland. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

SPECIAL PODCAST: Brant and Sherri discuss AI-generated worship music after Brant demonstrates how quickly a tool can create a song that sounds identical to contemporary worship.

Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With A Movement's Promise: The Making of Contemporary Palestinian Theater (Stanford UP, 2025), Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation. The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below. Samer Al-Saber is Assistant Professor of Theatre at Williams College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With A Movement's Promise: The Making of Contemporary Palestinian Theater (Stanford UP, 2025), Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation. The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below. Samer Al-Saber is Assistant Professor of Theatre at Williams College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With A Movement's Promise: The Making of Contemporary Palestinian Theater (Stanford UP, 2025), Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation. The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below. Samer Al-Saber is Assistant Professor of Theatre at Williams College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Two more hours of NewSoul & Gospel from 2025

Our testimony is this: we were dead in sin, but God made us alive in Christ. Salvation is not something we earn or achieve; it is God’s gift of grace from beginning to end. In Christ, we are raised to new life, seated with Him in victory, and sent out as His workmanship to walk […]

What do you do when you find that your longtime gig is about to be slowed to a halt, albeit temporarily? If you are Matthew Stubbs, former full-time touring guitarist with the legendary Charlie Musselwhite, you think it over…and then you form a band to keep the bills paid. On this week's edition of Time Signatures, Erv and Matt talk about that period of time, and how it ultimately led to that band with an old time 50's, 60's and early 70's sound, GA-20. Matt and his new GA-20 bandmates, Cody Nilson and Josh Kiggins are here to talk about coming together as friends and neighbors to form the newest iteration of this iconic band, their chemistry, and the new music you are soon to enjoy. They are out there touring, so check them out!Website: https://ga20band.com/Facebook: https://www.facebook.com/GA20bluesSpotify: https://open.spotify.com/artist/5lg8xPLWMK8R3EfQlKA5bT?si=-d-mL26eSWO3Ck6LG6pjEwYouTube: https://www.youtube.com/channel/UCU6asn78UCHxIIoCtAkz55A _________________________Facebook: Time SignaturesYouTube: Time SignaturesFacebook: Capital Area Blues SocietyWebsite: Capital Area Blues SocietyFriends of Time Signatures _______Website: University of Mississippi Libraries Blues ArchiveWebsite: Killer Blues Headstone ProjectWebsite: Blues Society Radio NetworkWebsite: Keeping the Blues Alive Foundation

Is Disney's Contemporary Resort still the coolest hotel at Walt Disney World?

In October 1996, 24 year old Zoe Simpson disappeared from her home in Longsight, Manchester. She left behind her clothes, any money she had, along with her two young children. There have been no sightings of her since then and police are now looking at her case as a murder investigation.Important information provided by: Contemporary articles by: https://www.findmypast.co.uk/homehttps://www.manchestereveningnews.co.uk/news/greater-manchester-news/bone-found-in-car-shredder-1188544https://www.macclesfield-live.co.uk/news/local-news/believe-girl-zoe-still-alive-2545012https://www.theguardian.com/uk/2000/jul/22/oliverburkemanhttps://www.heraldscotland.com/news/12192009.womans-body-may-have-been-put-in-shredder/Music by: dl-sounds.comFollow the Unseen Podcast on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-unseen-podcast/id1318473466?uo=4Follow the Unseen Podcast on Spotify: https://open.spotify.com/show/0xWK7Mu3bTP6oziZvxrwSK?si=QxvyPkZ2TdCDscnfxyeRawJoin our Facebook group https://www.facebook.com/unseenpodFollow us on Twitter: https://twitter.com/theunseenpodFollow us on Instagram https://www.instagram.com/theunseenpod/Support us on Patreon: https://www.patreon.com/theunseenpod?fan_landing=trueSubscribe to 10 Minute True Crime: https://podcasts.apple.com/us/podcast/10-minute-true-crime/id1591474862

Michael Turner | Contemporary Service

Destiny Christian Center September 21, 2025 Honest Pain, Pastor Lawrence Neisent destinyokc.com

Pastor Elliott delivers the message in the Auditorium.

Dave brings a surprise out of the Gear Shed and possibly achieves a goal others, including Trevor, once thought impossible. Contemporary minimalist jazz musicians Wolfgang Muthspiel and Gia Margaret live the dream of a 4-song Song of the Week pairing.

Guests - Lex Dorohoy and Amy TullyHosted By - Courtney Ortiz and Lesley MealorIn Episode 233 of Making The Impact - A Dance Competition Podcast, we tackle a tricky topic - how many solos does a dancer really need? IDA judges and dance educators Lex Dorohoy and Amy Tully join us to break it down and reveal the ideal number of solos for a successful season.Topics Include: The benefits of doing multiple solos The challenges that come with doing multiple solos What the judges really think when the same dancer comes out on stage again and againHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceLex Dorohoy - @alexadorohoy_Amy Tully - @amyttullyThis episode is sponsored by:YoungArtsApplications are open for the 2026 National YoungArts Competition, available for artists ages 15-18 or in grades 10-12. Deadline to apply is October 8th, 2025. Learn more at www.YoungArts.orgJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode of Cast Conversations, hosts Jeremy and Phillip are joined by Hannah and Hallie for a magical deep dive into the world of Disney merchandise. From hilarious behind-the-scenes stories to the challenges and joys of working at the happiest place on earth, Hannah & Hallie share their unique cast member experiences and insights. Together, the group reminisces about their favorite Disney memories, costumes, and the camaraderie that makes working at Disney so special. Packed with laughter, nostalgia, and plenty of Disney magic, this episode is perfect for fans and anyone curious about life behind the scenes.

On this edition of Contemporary Cool: Charlie gets to the bottom of why he's not that into Freddie Gibbs by spinning his debut album and Ben invites torture by having us talk about supergroup Slaughterhouse's poorly aged sophomore effort.TIMESTAMPS:Weekly Music Roundup - (0:54)Ben:Ice Cube - Man UpJermaine Dupri - Magic CityCharlie:Yoni Mayraz - Dogs Bark Babies CrySteven Bamidele - THE CRASH!Venna - MALIKSteam Down, Ahnansé & Afronaut Zu - I Realised It Was MeChance The Rapper - STAR LINEMarquise Fair - Better WorldKinzoogianna - The Clique of '86Rapsody & Madlib - MadRapsSummer Banton - Symptoms of MeHeather Victoria - I Can't Make This UpK.A.A.N. & DJ Hoppa - Anger ManagementKassa Overall - CREAMJoviale - Mount Crystal Vanilla - Time Goes By, Pt. IIESGN - (17:35) Welcome To: OUR HOUSE - (39:55)Lighter Note (Every Noise at Once) - (1:00:33) Thanks for listening. Below are the Social accounts for all parties involved.Music - "Pizza And Video Games" by Bonus Points (Thanks to Chillhop Music for the right to use)HHBTN (Twitter & IG) - @HipHopNumbers5E (Twitter & IG) - @The5thElementUKChillHop (Twitter) - @ChillhopdotcomBonus Points (Twitter) - @BonusPoints92Other Podcasts Under The 5EPN:"What's Good?" W/ Charlie TaylorIn Search of SauceBlack Women Watch...5EPN RadioThe Beauty Of Independence

What happens when Italian folk traditions cross the Atlantic? This video explores how Italian witchcraft, especially the healing practice of Segnature, has been reimagined, reinvented, and often misrepresented in the United States. From Leland's Aradia to Wicca-inspired “Stregheria,” we'll look at how Italian-American communities blended folklore, Catholic devotion, and Pagan spirituality to create new forms of practice. But are these the same as the vernacular traditions in Italy, or something entirely different?This video is a recording of the paper I presented at the World Congress of the International Association for the History of Religions, held at Jagiellonian University in Kraków, Poland.Join me as we unpack the myths, the reinventions, and the cultural translations behind Italian witchcraft in America.CONNECT & SUPPORT

Hosted By - Courtney Ortiz and Lesley MealorIn Episode 232 of Making The Impact - A Dance Competition Podcast, Courtney and Lesley hosted a live Q&A in July 2025 at the Dance Teacher Web in Las Vegas! Topics Include: Competition choreography do's and don'ts Inappropriateness at competition How to retain students when the grass might look greener at another studioHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDance Teacher Web - @danceteacherwebThank you to Dance Teacher Web for hosting us at your teacher conference this summer! We loved connecting with so many fans! Visit their website to learn more and mark your calendar to attend their event next year in Las Vegas, NV - August 6-9, 2026. Use code: IMPACT50 for $50 off! www.danceteachersummerexpo.comThis episode is sponsored by:YoungArtsApplications are open for the 2026 National YoungArts Competition, available for artists ages 15-18 or in grades 10-12. Deadline to apply is October 8th, 2025. Learn more at www.YoungArts.orgJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show