Podcasts about contemporary

The annual film series ANA Contemporary Arab Cinema is back in New York, with screenings at BAM and the Jacob Burns Film Center. Hear a preview of the event from programmer and curator Lina Matta discusses the events. Plus, Lebanese writer and director, Cyril Aris talks about his film “A Sad and Beautiful World,” and what the series means to filmmakers like him. "A Sad and Beautiful World," is showing at BAM on July 23rd.  Cinematography by Joe Saade, image courtesy of the production Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Destiny Christian Center July 19, 2026 Ark Builders, Pastor Lawrence Neisent destinyokc.com

Get your copy of our 2026 Annual Read: Tozer on the Son of God by A.W. Tozer.First Time?Start Here: https://bit.ly/MarinersconnectcardCan we pray for you? https://bit.ly/MarinersPrayerOnlineYou can find information for all our Mariners congregations, watch more videos, and learn more about us and our ministries on our website https://bit.ly/MarinersChurchSite.FIND US ON SOCIAL MEDIA• Facebook: https://www.facebook.com/marinerschurch• TikTok: https://www.tiktok.com/@marinerschurch• Twitter: https://twitter.com/marinerschurch• Instagram: https://www.instagram.com/marinerschurchSupport the ministry and help us reach people worldwide: https://bit.ly/MarinersGive

Vicar Raebel delivers the message in the Auditorium.

Generally speaking, I hate the expression “conspiracy theory.”It's an overused and unhelpful descriptor for what often amounts to a minority or controversial view. I've begged writers to stop calling everything they don't like a conspiracy theory, and I've written regularly about my open-mindedness to all manner of ideas that have at some point been called conspiracy theories.But it's also an expression with a definition. The Merriam-Webster dictionary offers two: “A theory that explains an event or set of circumstances as the result of a secret plot by usually powerful conspirators,” or “a theory asserting that a secret of great importance is being kept from the public.” These are both good, workable definitions. They both aptly describe a lot of the ideas I encounter on social media on a regular basis. And neither suggests judgment on whether the theory itself is true, which I think is important. Conspiracy theories, obviously, are not new. Examples go back centuries, not decades, to the Illuminati panic of the 1700s, or the Salem Witch trials, or blood libels targeting Jews in medieval Europe. I assume there were prehistoric conspiracy theories, too. Contemporary ideas, like “Covid came from a lab,” were once labeled conspiracy theories, but have become more mainstream and gained credibility with new evidence — though they're still unproven. What has changed recently, though, is that these theories spread more easily, society seems more gullible, and the theories themselves are just getting — well — a whole lot dumber. The end result is that a lot of people seem to believe easily disprovable things (or, conversely, they latch onto ideas for which there is almost zero evidence, and insist others subscribe to those ideas, too). Ad-free podcasts are here!To listen to this podcast ad-free, and to enjoy our subscriber only premium content, go to ReadTangle.com to sign up!The latest Suspension of the Rules.This week, Isaac, Kmele and Senior Editor Will Kaback (filling in for Ari) break down the arguments for and against appointing family members to fill the seats of deceased lawmakers, a viral video of Nevada's governor, and President Trump's latest election-administration moves. Plus, an interview with epidemiologist Katelyn Jetelina on the cyclosporiasis outbreak. Check it out here.You can subscribe to Tangle by clicking here or drop something in our tip jar by clicking here. Our Executive Editor and Founder is Isaac Saul. Our Executive Producer is Jon Lall.This podcast written by: Isaac Saul and audio engineered and edited by Dewey Thomas. Music for the podcast was produced by Diet 75 and Jon Lall.Our newsletter is edited by Managing Editor Ari Weitzman, Senior Editor Will Kaback, Bailey Saul, Audrey Moorehead, and Carina Pacheco. Hosted on Acast. See acast.com/privacy for more information.

Many thanks to SRAA contributor, Sarah Boucher, who shares the following recordings of two ABC Melbourne radio closedowns, captured via the ABC's domestic inland shortwave relays:Recording 1Broadcaster: 3AR Melbourne (ABC)Date of recording: Circa 1950sShortwave relay: VLH-9 on 9.68 MHz (30.99 metres)Notes: This is a 3AR Melbourne closedown announcement, relayed on shortwave via VLH-9 (9.68 MHz) as part of what the announcer describes as the ABC's "Northern Australian Service." During the sign-off, 3AR identifies itself as also transmitting through the regional stations 2CO Riverina, 3GI Gippsland, and 3WV Western Victoria, alongside the VLH-9 shortwave relay. The announcer then previews the following morning's shortwave frequencies: VLR-6 (6.15 MHz), VLH-11 (11.88 MHz), and VLG-15 (15.21 MHz).The real highlight is the use of the ABC's network chimes (or "gongs") immediately before the sign-off — a once-familiar feature of ABC presentation that is rarely preserved in surviving recordings. The recording concludes with the national anthem (God Save the Queen) and a formal station closedown. 3AR Melbourne (ABC) closedown with network gongs: circa 1950s Australian Broadcasting Commission Download Recording 2Broadcaster: 3LO Melbourne (ABC)Date of recording: 23 November 1978Shortwave relay: VLR-6 on 6.15 MHz (48.78 metres)Mode: AMNotes: This 3LO Melbourne closedown, relayed on shortwave via VLR-6 (6.15 MHz), is historically significant because it captures the night of Australia's nationwide AM frequency realignment to the new 9 kHz channel spacing plan, on 23 November 1978. The announcer — identified as Don Smire — advises listeners of the frequency changes taking effect that day:Station Old frequency New frequency3LO 770 kHz 774 kHz3AR 620 kHz 621 kHz3WV 590 kHz 594 kHz3GI 830 kHz 828 kHzThe announcement also notes that the shortwave relay VLR-6 on 6.15 MHz is closing down with the network. Unlike the earlier recording, this closedown ends with Advance Australia Fair rather than God Save the Queen — reflecting the gradual transition in Australian broadcasting practice through the 1970s. 3LO Melbourne (ABC) closedown: 23 November 1978 Download A little background: what were VLH-9 and VLR-6?These callsigns belonged to the ABC's domestic inland shortwave network. Before satellite distribution and widespread FM coverage, the ABC used shortwave transmitters to relay its state radio services to remote parts of Australia. Victoria's network used the VLR, VLH, and VLG callsign families to rebroadcast Melbourne programming for listeners in rural and remote areas. Contemporary shortwave enthusiasts often refer to these collectively as the ABC's "Inland Shortwave Services."A note to readersVery little context came with these recordings, so the details above have been pieced together from the announcements themselves and what we know of ABC history. If you can add any further detail — or spot something that needs correcting — please leave a comment below. Corrections and recollections are very welcome.

Dunedin born Sarah Foster Sproull is one of New Zealand's top choreographers. Her work 'Ultra Folly' is making its way around the country as part of the Royal New Zealand ballet's winter season.

Wondering if a Disney Deluxe Resort is really worth the price? In this episode, I'm breaking down everything you need to know about Disney's Monorail Resorts including the Polynesian, Grand Floridian, and Contemporary, as well as Wilderness Lodge. I'm sharing the honest pros and cons of each Disney Deluxe Resort, from rooms and dining to transportation, theming, and overall value, along with the insider details you won't find in most guidebooks. Whether you're trying to decide which Disney Deluxe Resort is the best fit for your family or if staying on the Monorail Loop is worth the splurge, this episode will help you choose the perfect Disney World resort for your next vacation. Get A QuoteStart listening to my resort series here!  Episode 143Want to try fetch rewards and get free gift cards by scanning receipts? Use my code 8G48W to get 2000 points at sign up. FETCH REWARDSWant the latest travel deals and all my tips for Disney, Universal and Cruising?Join my email newsletterI hope you enjoyed today's show. I'd love to connect with you over on Instagram @mountains_of_magic or Facebook at Fantastical Vacations by Daniele. If you would like help in planning an upcoming Disney or Universal vacation, email me at danielerobbins@fantasticalvacations.com or fill out a quote form to get started planning the magic Get A QuoteMy Website mountainsofmagic.square.siteMusic from Uppbeat (free for Creators!):https://uppbeat.io/t/andrey-rossi/bring-the-funLicense code: E9BZCTS1O3JRPERX This podcast is not sponsored or supported by Fetch Rewards. Views of the host are her own. 

A fake sick day, a borrowed Ferrari, a principal on the warpath, and one unforgettable parade through downtown Chicago. In this Backtrack, we're revisiting Ferris Bueller's Day Off, John Hughes' classic 1986 comedy about skipping school, seizing the moment, and somehow making it all look effortless. Forty years later, we'll talk about why Ferris, Cameron, Sloane, and the city of Chicago still connect with Gen X fans — and why life really does move pretty fast. Participate in our listener questionnaire & automatically get entered in a drawing for a $50 gift card! genxgrownup.com/podsurvey (May contain some explicit language.) Patreon » patreon.com/genxgrownupDiscord » GenXGrownUp.com/discordFacebook » fb.me/GenXGrownUpTwitter » GenXGrownUp.com/twitterWebsite » GenXGrownUp.comPodcast » GenXGrownUp.com/podMerchandise » GenXGrownUp.com/merchTheme: “Grown Up” by Beefy » beefyness.com Apple » itunes.apple.com/us/podcast/genxgrownup-podcast/id1268365641CastBox » castbox.fm/channel/GenXGrownUp-Podcast-id2943471?country=usPocket Casts » pca.st/8iuLAudible » amz.run/6yhRTuneIn » tunein.com/radio/GenXGrownUp-Podcast-p1020342/Spotify » spoti.fi/2TB4LR7iHeart » www.iheart.com/podcast…Amazon Music » amzn.to/33IKfEK Show Notes Comprehensive overview of the film's production, release, reception, and legacy. » en.wikipedia.org/wiki/Ferris_Bueller%27s_Day_Off Concise historical background and discussion of the movie's place in film history » www.britannica.com/topic/Ferris-Buellers-Day-Off Fun facts about casting, filming, Chicago locations, and famous scenes. » www.usmagazine.com/entertainment/news/ferris-buellers-day-off-turns-40-25-things-you-dont-know/ Excellent behind-the-scenes trivia, casting stories, and production details. » www.mentalfloss.com/entertainment/movies/15-fun-facts-about-ferris-buellers-day Large collection of movie facts, production notes, and trivia. » facts.net/movie/36-facts-about-the-movie-ferris-buellers-day-off/ Cast reflections and memories from the film's legacy » www.today.com/popculture/movies/ferris-buellers-day-40-year-anniversary-matthew-broderick-alan-ruck-rcna348084 Deep dive into the movie's development, themes, and lasting influence. » cinemascholars.com/ferris-buellers-day-off-a-40th-anniversary-retrospective/ Contemporary film review from one of America's most influential critics. » www.rogerebert.com/reviews/ferris-buellers-day-off-1986 A recent book built from 125 interviews about the making of the movie » www.amazon.com/dp/1948221985?tag=genxgrownup-20 (affiliate) She's Having a Baby End Credits » youtu.be/VLyPTEdtp6g?si=BBi7qIZKereX50rE Email the show » podcast@genxgrownup.com Visit us on YouTube » GenXGrownUp.com/yt Learn more about your ad choices. Visit megaphone.fm/adchoices

Jazz Pony, Cochemea, Thundercat, Carlos Dafe, Adrian Younge, Ami Taf Ra, Drama Drama, Josiah Soren, Alfa Mist, Joe Webb, Anthony Joseph, Emma Smith, Atlantic Jazz Collective, Jeff Johnston & Newfoundland Symphony Orchestra, Big Space, Atlantis Jazz Ensemble and James McGowan EnsemblePlaylist: Jazz Pony, featuring Kate Stevens - Wake Me Up When September EndsCochemea - Otros MundosThundercat - I Wish I Didn't Waste Your TimeCarlos Dafé, Adrian Younge - Jazz Esta MortoAdrian Younge - Human AbsenceAmi Taf Ra, featuring Ryan Porter - LoveDrama Drama - Al KhalilJosiah Soren - Sleep CycleAlfa Mist - RouletteJoe Webb - Mellow TonyAnthony Joseph - Blue SusanEmma Smith - I'm in the Middle of a MuddleAtlantic Jazz Collective - Widow in the WindowJeff Johnston, Newfoundland Symphony Orchestra - CoastlinesBig Space - Always Been ThereAtlantis Jazz Ensemble - DamoclesJames McGowan Ensemble - Temptation

Contemporary technology governance has shifted from rule-based regulation to a landscape defined by administrative leverage and directive-driven decisions. This dynamic is seen in both the cybersecurity and AI sectors, where agencies such as the U.S. Department of Defense and companies including OpenAI and Anthropic navigate obligations and approvals through administrative action rather than statutory change. As a result, MSPs and IT service providers must recognize that the durability of their offerings and client architectures increasingly hinges on how they respond to rapid, unpredictable shifts in the governing environment rather than on fixed compliance deadlines or product release dates. A notable example of this mechanism is the Department of Defense's suspension of the rollout of Phase Two of the Cybersecurity Maturity Model Certification (CMMC), as reported by Federal News Network. About 80,000 companies had been preparing for new third-party assessment requirements, but these assessments have been paused pending a 60-day review. Despite the pause, the underlying data protection requirements for defense contractors remain in force, demonstrating that while compliance deadlines can disappear overnight, fundamental security obligations persist. Additional cases amplify the trend toward directive-based governance. The U.S. Commerce Department lifted export restrictions on Anthropic's Fable 5 and Mythos 5 AI models after new safeguards were implemented, following the same pattern previously used to impose those restrictions. Similarly, OpenAI's GPT 5.6 model was released to the public only after a voluntary government review concluded, illustrating that administrative reviews, not boardroom decisions, can dictate technology availability. Concurrently, other governments such as China are employing similar tactics, with Reuters reporting that Chinese authorities have met with local AI firms to discuss restricting overseas access to advanced models. These parallel moves across geopolitical boundaries indicate a structural reliance on executive discretion rather than legislative clarity. The operational impact for MSPs, IT service providers, and technology leaders is a heightened exposure to contract risk and pricing volatility. Service commitments anchored to deadlines, default settings, or product availability are susceptible to abrupt policy reversals or administrative interventions, translating to sudden revenue shortfalls and reactive client management. The recommended response is to audit current commitments, identify those pegged to mutable triggers rather than enduring obligations, and systematically re-anchor contract language and client communication to core outcomes and standing requirements. This preparation mitigates the risk of unpaid work, scope renegotiation, and unplanned operational disruption when another directive-driven policy shift occurs. 00:00 Three Government Switches in Three Weeks  04:07 Why AI Is Governed by Leverage, Not Law 06:46 CMMC Paused — Your Obligations Didn't 09:27 Why Do We Care?  Supported by:  Pax8 Guardz   

Alley's family adapted to weather and itinerary changes during their June 25–July 3 Disney World split-stay trip. Highlights included the Contemporary fireworks, Magic Kingdom dessert party, and Stormalong Bay, along with lessons about Disney Dining Plan split stays.   Links: Summer Travel Tips All About Strollers at Disney World Grocery Delivery to Disney Resorts WDW Prep Toolkit Small World Vacations Walt Disney World Request J&A Transportation   Leave me a message (including trip report submissions) Please use the SpeakPipe link below to leave us a message with your first name, location, and trip info. Be sure to include your exact trip dates, who is in your party, where you will stay, and anything unique about the trip. You can do that using your computer or phone at https://www.speakpipe.com/WDWPrepToGo   Subscribe to get new episodes There are a few ways to get new episodes of WDW Prep to Go (if you're used to listening on the website, subscribe so you can take new episodes with you on your phone) Subscribe in iTunes  (and please leave a review!) Subscribe to the podcast   Follow on social media Instagram Facebook Pinterest YouTube   Ways to support us Become a Patron Get a quote request for a future trip from Small World Vacations Subscribe to the WDW Prep School weekly newsletter Podcast Episode Finder Visit the site Things we recommend   Affiliate Links: Amazon DVC Rentals Quicksilver Tours and Transportation Small World Vacations Designer Park Co - Use code "WDWPrep" to save 10%

 Abul Mogard & Rafael Anton Irisarri - Where Light Pauses in the Silence of the Sun - Over the DomesHalftribe - Disappear in Silent Ways - ListenHalftribe - Disappear in Silent Ways - Tyto AlbaKlara Lewis - Opening - Ta Min HandArd Bit - Juxtaposed - Always NowCaterina Barbieri & Bendik Giske - At Source - Persistence, BudsLusine - Melting Days - PendulumAmbrose Akinmusire & Mary Halvorson - Slo-Mo Neon Luminate Hoverings - Prelude in the AshDjRUM - Portrait with Firewood - Creature, Pt. 1 (feat. Zosia Jagodzinska)Kevin Richard Martin -  'Sub Zero - Refractions' (The Bug / Ghost Dubs Remixes) - Too Human (The Bug Remix)Gas - November 89 - Nah Und FernAcid Acid -  The Radio Under the Stars - Side A (excerto)(Last Show July 14)Fotografia de Alípio Padilha 

Destiny Christian Center July 12, 2026 Disciples of the Internet, Pastor AT Hargrave destinyokc.com

This content has been developed for healthcare professionals only. Patients who seek health information should consult with their physician or relevant patient advocacy groups.For the full presentation, downloadable Practice Aids, slides, and complete CME/MOC/NCPD/AAPA/IPCE information, and to apply for credit, please visit us at PeerView.com/KUG865. CME/MOC/NCPD/AAPA/IPCE credit will be available until July 16, 2027.Contemporary HIV Management: Therapeutic Advances and Real-World Approaches to Patient Care In support of improving patient care, PVI, PeerView Institute for Medical Education, is jointly accredited by the Accreditation Council for Continuing Medical Education (ACCME), the Accreditation Council for Pharmacy Education (ACPE), and the American Nurses Credentialing Center (ANCC), to provide continuing education for the healthcare team.SupportThis activity is supported through an independent educational grant from Merck & Co., Inc., Rahway, NJ, USA.Disclosure information is available at the beginning of the video presentation.

This content has been developed for healthcare professionals only. Patients who seek health information should consult with their physician or relevant patient advocacy groups.For the full presentation, downloadable Practice Aids, slides, and complete CME/MOC/NCPD/AAPA/IPCE information, and to apply for credit, please visit us at PeerView.com/KUG865. CME/MOC/NCPD/AAPA/IPCE credit will be available until July 16, 2027.Contemporary HIV Management: Therapeutic Advances and Real-World Approaches to Patient Care In support of improving patient care, PVI, PeerView Institute for Medical Education, is jointly accredited by the Accreditation Council for Continuing Medical Education (ACCME), the Accreditation Council for Pharmacy Education (ACPE), and the American Nurses Credentialing Center (ANCC), to provide continuing education for the healthcare team.SupportThis activity is supported through an independent educational grant from Merck & Co., Inc., Rahway, NJ, USA.Disclosure information is available at the beginning of the video presentation.

This content has been developed for healthcare professionals only. Patients who seek health information should consult with their physician or relevant patient advocacy groups.For the full presentation, downloadable Practice Aids, slides, and complete CME/MOC/NCPD/AAPA/IPCE information, and to apply for credit, please visit us at PeerView.com/KUG865. CME/MOC/NCPD/AAPA/IPCE credit will be available until July 16, 2027.Contemporary HIV Management: Therapeutic Advances and Real-World Approaches to Patient Care In support of improving patient care, PVI, PeerView Institute for Medical Education, is jointly accredited by the Accreditation Council for Continuing Medical Education (ACCME), the Accreditation Council for Pharmacy Education (ACPE), and the American Nurses Credentialing Center (ANCC), to provide continuing education for the healthcare team.SupportThis activity is supported through an independent educational grant from Merck & Co., Inc., Rahway, NJ, USA.Disclosure information is available at the beginning of the video presentation.

This content has been developed for healthcare professionals only. Patients who seek health information should consult with their physician or relevant patient advocacy groups.For the full presentation, downloadable Practice Aids, slides, and complete CME/MOC/NCPD/AAPA/IPCE information, and to apply for credit, please visit us at PeerView.com/KUG865. CME/MOC/NCPD/AAPA/IPCE credit will be available until July 16, 2027.Contemporary HIV Management: Therapeutic Advances and Real-World Approaches to Patient Care In support of improving patient care, PVI, PeerView Institute for Medical Education, is jointly accredited by the Accreditation Council for Continuing Medical Education (ACCME), the Accreditation Council for Pharmacy Education (ACPE), and the American Nurses Credentialing Center (ANCC), to provide continuing education for the healthcare team.SupportThis activity is supported through an independent educational grant from Merck & Co., Inc., Rahway, NJ, USA.Disclosure information is available at the beginning of the video presentation.

Pastor Van Blarcom delivers the message in the Auditorium.

A fascinating introductory volume, Existential Psychoanalysis: A Contemporary Introduction (Routledge, 2025) integrates existential philosophy with psychoanalysis, drawing on key theorists from both areas and expertly guiding the reader on how to incorporate these two disciplines, which may appear disparate on the surface, into their clinical and theoretical work. This unique and accessible book sees M. Guy Thompson explore key concepts, such as experience, authenticity, freedom, psychic change, agency, and the pervasive role of suffering in our lives. Throughout, he draws on a wide range of thinkers from both fields, including Sartre, Heidegger, Nietzsche, Freud, Winnicott, Bion, Laing, and Lacan. Exquisitely lucid and engaging, Thompson deftly brings the reader into thoughtful and enlightening territory typically inaccessible to the general reader. Although existential philosophy and psychoanalysis are often thought of as incompatible fields, Thompson shows how they share far more in common than is usually supposed. This volume will help clinicians, scholars, and students of all persuasions learn how integrating the two disciplines introduces a more personal and revolutionary understanding of what psychoanalysis can be in the twenty-first century. This compelling assimilation of continental philosophy and psychoanalysis will be of interest to psychoanalytic practitioners and psychotherapists, as well as philosophers, social scientists and any student of the human condition Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

A fascinating introductory volume, Existential Psychoanalysis: A Contemporary Introduction (Routledge, 2025) integrates existential philosophy with psychoanalysis, drawing on key theorists from both areas and expertly guiding the reader on how to incorporate these two disciplines, which may appear disparate on the surface, into their clinical and theoretical work. This unique and accessible book sees M. Guy Thompson explore key concepts, such as experience, authenticity, freedom, psychic change, agency, and the pervasive role of suffering in our lives. Throughout, he draws on a wide range of thinkers from both fields, including Sartre, Heidegger, Nietzsche, Freud, Winnicott, Bion, Laing, and Lacan. Exquisitely lucid and engaging, Thompson deftly brings the reader into thoughtful and enlightening territory typically inaccessible to the general reader. Although existential philosophy and psychoanalysis are often thought of as incompatible fields, Thompson shows how they share far more in common than is usually supposed. This volume will help clinicians, scholars, and students of all persuasions learn how integrating the two disciplines introduces a more personal and revolutionary understanding of what psychoanalysis can be in the twenty-first century. This compelling assimilation of continental philosophy and psychoanalysis will be of interest to psychoanalytic practitioners and psychotherapists, as well as philosophers, social scientists and any student of the human condition Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A fascinating introductory volume, Existential Psychoanalysis: A Contemporary Introduction (Routledge, 2025) integrates existential philosophy with psychoanalysis, drawing on key theorists from both areas and expertly guiding the reader on how to incorporate these two disciplines, which may appear disparate on the surface, into their clinical and theoretical work. This unique and accessible book sees M. Guy Thompson explore key concepts, such as experience, authenticity, freedom, psychic change, agency, and the pervasive role of suffering in our lives. Throughout, he draws on a wide range of thinkers from both fields, including Sartre, Heidegger, Nietzsche, Freud, Winnicott, Bion, Laing, and Lacan. Exquisitely lucid and engaging, Thompson deftly brings the reader into thoughtful and enlightening territory typically inaccessible to the general reader. Although existential philosophy and psychoanalysis are often thought of as incompatible fields, Thompson shows how they share far more in common than is usually supposed. This volume will help clinicians, scholars, and students of all persuasions learn how integrating the two disciplines introduces a more personal and revolutionary understanding of what psychoanalysis can be in the twenty-first century. This compelling assimilation of continental philosophy and psychoanalysis will be of interest to psychoanalytic practitioners and psychotherapists, as well as philosophers, social scientists and any student of the human condition Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Preview for Later Today: Veronique de Rugy reflects on a Siena fresco contrasting good and bad government. She explores how arbitrary justice leads to societal decay and family destruction, noting that contemporary governance often struggles with these same issues. (2)1660 MILAN

Talk with Bobby Wiens about his new album, Focus. Music from Inara George, Gretchen Parlato, Moonchild, Efajemue, Bobby Wiens, Open Thread, Sessa, Paul Motian Trio and Brad Turner QuartetPlaylist: Inara George - Tiny GirlGretchen Parlato, featuring Alan Hampton - CapricornMoonchild, featuring Lalah Hathaway and Christie Dashiell - AfterglowEfajemue, featuring Danae Greenfield - BalafonBobby Wiens - HermannBobby Wiens - FocusBobby Wiens - Headed EastBobby Wiens - Morning RunBobby Wiens - Go Back to the BeginningOpen Thread, featuring Peggy Lee, Julien Wilson, Dylan van der Schyff and Theo Carbo - From the DeckSessa - Gestos NaturaisPaul Motian Trio, featuring Bill Frisell and Joe Lovano - Good IdeaBrad Turner Quartet - Fishbowl (Live)

#497> To purchase the book: https://amzn.to/4y8bJkq> To listen to the episode with R' Simcha Lauer z"l: https://seforimchatter.com/episodes/6a4c14f8247e852cae5386c0> To join the SeforimChatter WhatsApp community: https://chat.whatsapp.com/DZ3C2CjUeD9AGJvXeEODtK> To join the SeforimChatter WhatsApp status: https://wa.me/message/TI343XQHHMHPN1>  To support the podcast or to sponsor an episode follow this link: https://seforimchatter.com/support-seforimchatter/or email seforimchatter@gmail.com (Zelle/QP this email address)Support the show

Named a “legendary Lakota horseman” by the Oglala Sioux Tribe, Fred Ecoffey (Oglala Lakota) has enjoyed a celebrated 68-year career as a jockey. After winning his debut race in 1957, Ecoffey went on to compete in more than 17,500 races, earning inductions into both the Nebraska Racing Hall of Fame and the South Dakota Sports Hall of Fame. Ecoffey, 88, has retired from professional racing, though he still helps one of his daughters with her barrel racing from time to time. Today, a new generation of young Native jockeys is taking up the mantle and finding success on the racetrack. Among them is Talliyah Timentwa (Colville Tribes), a two-time national Indian Relay champion who made her debut at Washington state’s Emerald Downs racecourse last year. We'll speak with Native horse riders about cultivating the art of horsemanship across disciplines, from relay races and jockeying to the sport of dressage. Fred Ecoffey (Oglala Lakota), retired jockey, elder, and “legendary Lakota horseman” Talliyah Timentwa (Confederated Tribes of the Colville Reservation), amateur jockey and two-time Indian Relay champion Kate Nelson (Tlingit), journalist and amateur dressage rider Break 1 Music: My Horse (song) Courtney Yellow Fat (artist) The Lost Songs of Sitting Bull (album) Break 2 Music: Medicine Wheel (song) Logan Staats (artist) Rainwater (album)

In BDSM Practices in Poland: Barbed Wire Floggings, Rope Orgasms, and the Problem with Desire (Palgrave Macmillan, 2025), cultural anthropologist and cultural studies scholar Jay Szpilka analyzes the way that BDSM is practiced in contemporary Poland. Based on extensive field research, she asks what social, cultural, and political conditions are necessary for BDSM to be possible to practice in the first place. Through a nuanced analysis of the way that practitioners navigate conflicting understandings and politics of kink, this book provides an alternative to Western-centric narratives of BDSM communities and challenges a number of long-standing notions about the status kink which circulate in sexuality and queer studies. Jay Szpilka is a visiting fellow at Edinburgh Napier University and an assistant professor at SWPS University in Poland. She is the author of BDSM Practices in Contemporary Poland, and her work has been published in the Feminist Review, TSQ: Transgender Studies Quarterly, Journal of Lesbian Studies, Teksty Drugie, and the Australian Feminist Studies. Atalia Israeli-Nevo is an anthropology PhD candidate at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In BDSM Practices in Poland: Barbed Wire Floggings, Rope Orgasms, and the Problem with Desire (Palgrave Macmillan, 2025), cultural anthropologist and cultural studies scholar Jay Szpilka analyzes the way that BDSM is practiced in contemporary Poland. Based on extensive field research, she asks what social, cultural, and political conditions are necessary for BDSM to be possible to practice in the first place. Through a nuanced analysis of the way that practitioners navigate conflicting understandings and politics of kink, this book provides an alternative to Western-centric narratives of BDSM communities and challenges a number of long-standing notions about the status kink which circulate in sexuality and queer studies. Jay Szpilka is a visiting fellow at Edinburgh Napier University and an assistant professor at SWPS University in Poland. She is the author of BDSM Practices in Contemporary Poland, and her work has been published in the Feminist Review, TSQ: Transgender Studies Quarterly, Journal of Lesbian Studies, Teksty Drugie, and the Australian Feminist Studies. Atalia Israeli-Nevo is an anthropology PhD candidate at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In BDSM Practices in Poland: Barbed Wire Floggings, Rope Orgasms, and the Problem with Desire (Palgrave Macmillan, 2025), cultural anthropologist and cultural studies scholar Jay Szpilka analyzes the way that BDSM is practiced in contemporary Poland. Based on extensive field research, she asks what social, cultural, and political conditions are necessary for BDSM to be possible to practice in the first place. Through a nuanced analysis of the way that practitioners navigate conflicting understandings and politics of kink, this book provides an alternative to Western-centric narratives of BDSM communities and challenges a number of long-standing notions about the status kink which circulate in sexuality and queer studies. Jay Szpilka is a visiting fellow at Edinburgh Napier University and an assistant professor at SWPS University in Poland. She is the author of BDSM Practices in Contemporary Poland, and her work has been published in the Feminist Review, TSQ: Transgender Studies Quarterly, Journal of Lesbian Studies, Teksty Drugie, and the Australian Feminist Studies. Atalia Israeli-Nevo is an anthropology PhD candidate at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In BDSM Practices in Poland: Barbed Wire Floggings, Rope Orgasms, and the Problem with Desire (Palgrave Macmillan, 2025), cultural anthropologist and cultural studies scholar Jay Szpilka analyzes the way that BDSM is practiced in contemporary Poland. Based on extensive field research, she asks what social, cultural, and political conditions are necessary for BDSM to be possible to practice in the first place. Through a nuanced analysis of the way that practitioners navigate conflicting understandings and politics of kink, this book provides an alternative to Western-centric narratives of BDSM communities and challenges a number of long-standing notions about the status kink which circulate in sexuality and queer studies. Jay Szpilka is a visiting fellow at Edinburgh Napier University and an assistant professor at SWPS University in Poland. She is the author of BDSM Practices in Contemporary Poland, and her work has been published in the Feminist Review, TSQ: Transgender Studies Quarterly, Journal of Lesbian Studies, Teksty Drugie, and the Australian Feminist Studies. Atalia Israeli-Nevo is an anthropology PhD candidate at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In BDSM Practices in Poland: Barbed Wire Floggings, Rope Orgasms, and the Problem with Desire (Palgrave Macmillan, 2025), cultural anthropologist and cultural studies scholar Jay Szpilka analyzes the way that BDSM is practiced in contemporary Poland. Based on extensive field research, she asks what social, cultural, and political conditions are necessary for BDSM to be possible to practice in the first place. Through a nuanced analysis of the way that practitioners navigate conflicting understandings and politics of kink, this book provides an alternative to Western-centric narratives of BDSM communities and challenges a number of long-standing notions about the status kink which circulate in sexuality and queer studies. Jay Szpilka is a visiting fellow at Edinburgh Napier University and an assistant professor at SWPS University in Poland. She is the author of BDSM Practices in Contemporary Poland, and her work has been published in the Feminist Review, TSQ: Transgender Studies Quarterly, Journal of Lesbian Studies, Teksty Drugie, and the Australian Feminist Studies. Atalia Israeli-Nevo is an anthropology PhD candidate at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailAll the Blues in the Sky by Renee WatsonSage was looking forward to spending her 13th birthday with her best friend, until tragedy struck. When her best friend is killed, Sage struggles to have the energy to move on with her own life. How can she, after she has suffered such a profound horrible loss? And even other students in her grief group at school don't understand what it is like to have a person in your life one moment and then gone the next - well, at least not all of them understand it. Sage wrestles with the question of which loss is greater and can she really find the courage to live the life she wants, without her friend. Recommended for grades 6th and up. Support the show

Pastor Van Blarcom delivers the message in the Auditorium.

Joy Harjo, aja monet, Mary Halvorson & Ambrose Akinmusire, Patricia Brennan & Sylvie Courvoisier, Alan Braufman, Sylvie Courvoisier Trio, Dida Pelled, Julian Lage, Bill Frisell, Kris Davis, James Brandon Lewis, Dave Douglas, David Smith Quintet and Bria SkonbergPlaylist: Joy Harjo - Insomnia and Seven Steps to Graceaja monet - elsewhereMary Halvorson, Ambrose Akinmusire - Blood and SandPatricia Brennan, Sylvie Courvoisier - The Time We SpentAlan Braufman, featuring Patricia Brennan, Luke Stewart and Chad Taylor - Anthem For PeaceSylvie Courvoisier Trio, featuring Drew Gress and Kenny Wollesen - Eclats - for OrnetteDida Pelled, featuring Sullivan Fortner, Tony Scherr and Kenny Wollesen - Hesitation BluesJulian Lage, featuring John Medeski, Jorge Roeder and Kenny Wollesen - Something MoreBill Frisell - Home on the Range (Live)Kris Davis, featuring Lutoslawski String Quartet - Life on VenusJames Brandon Lewis, Lutoslawski String Quartet - HumilityDave Douglas - Energy FieldsThe David Smith Quintet - BlackleyBria Skonberg - Watch What HappensBria Skonberg - Between the Devil and the Deep Blue Sea

Is pelvic lymph node dissection still necessary in the era of PSMA PET imaging? In this episode of BackTable Urology, Dr. Ruchi Talwar interviews Dr. Kirsten Greene about how advanced imaging is influencing decisions for radical prostatectomy. They examine the strengths and limits of PSMA PET, the risks and benefits of PLND, and why careful, evidence-based decision-making remains essential. --- Get the BackTable apphttps://www.backtable.com/app --- Timestamps 00:00 - Introduction03:12 - Risk Calculators and Consent04:39 - Nomograms vs. Complications09:57 - Endpoints That Matter11:38 - PSMA PET Strengths and Limits13:51 - Negative PET Decision-Making15:08 - Positive PET and Multimodal Care18:02 - Fluorescence Guided Surgery19:10 - Counseling on Complications22:27 - Preventing Lymphocele24:56 - How Lahey Wrap Works26:45 - Future Mapping and Therapy28:47 - Research Gaps and Dogma31:07 - Key Pearls and Wrap Up --- More about this episode Dr. Greene explains her approach using MSK and Briganti nomograms alongside PSMA PET, noting that PET scans may miss small nodal disease and quality varies between centers. She emphasizes PLND as a staging tool rather than a curative procedure, outlining potential complications like lymphocele, lymphedema, vascular and ureteral injury, and neuropraxia. The episode highlights her shared decision-making process, surgical techniques for limiting risk, and the importance of multimodal planning, especially for PET-positive nodal disease. Dr. Greene also shares practical tips for lymphocele prevention, including the use of metal clips and the Lahey wrap. --- Resources Different lymph node dissection ranges during radical prostatectomy for patients with prostate cancer: a systematic review and network meta-analysishttps://pubmed.ncbi.nlm.nih.gov/36872312/ Limited versus Extended Pelvic Lymph Node Dissection for Prostate Cancer: A Randomized Clinical Trial https://pubmed.ncbi.nlm.nih.gov/33865797/ --- BackTable Urology is the go-to podcast for urologists, urologic oncologists, and urogynecologists. Download the free BackTable app to get early access to new episodes, cases, and courses curated by physicians in your specialty. ► https://www.backtable.com/app

Destiny Christian Center June 28, 2026 Digital Disciples, Pastor AT Hargrave destinyokc.com

Vicar Raebel delivers the message in the Auditorium.

As promised, we welcome Jason, aka Kilgore Trout, to the podcast to spend far too long talking to Shane about one of the best games of 2024: Metaphor: ReFantazio. We get into the mechanics, the gameplay, the writing, the themes, and even spend some time talking about our favorite fast food meals. Contemporary? Kinda. Thorough? Definitely. Become a citizen of The Dive Down Nation!: http://www.patreon.com/thedivedown Show the world that you're a proud citizen of The Dive Down Nation with some merch from the store: https://www.thedivedown.com/store Upgrade your gameplay and your gameday with Heavy Play accessories. Use code THEDIVEDOWN for 10% off your first order at https://www.heavyplay.com Get 25% Cashback after 3 months of service with ManaTraders! https://www.manatraders.com/?medium=thedivedown and use coupon code THEDIVEDOWN And now receive 8% off your order of paper cards from Nerd Rage Gaming with code DIVE8 at https://www.nerdragegaming.com/ Timestamps: 0:01 - CamelStan 4:21 - Who is this guy? 6:10 - This week's episode 13:37 - So what is Metaphor: ReFantazio? 18:04 - How does this compare to Persona? 32:24 - How we played it 35:09 - Plot takes 38:50 - The Archetype system 44:50 - The combat 53:39 - Friendships 1:01:40 - Writing good 1:03:40 - Using guides and managing your calendar 1:11:30 - Politics & religion 1:25:28 - Grief 1:30:31 - What a twist! 1:34:00 - Quick topics 1:43:24 - Where this game ranks in our RPGs, and comparisons to other RPGs 1:50:08 - Public comments: Our favorite fast food meals 1:52:10 - SPOILER ZONE BEGINS 1:59:46 - What's next? 2:01:42 - Wrapping up Links from this week's episode: TenSquare3's amazing Metaphor guide: https://gamefaqs.gamespot.com/xbox-series-x/409958-metaphor-refantazio/faqs/81526/introduction Buy Metaphor for PS5: https://amzn.to/4g2nQZJ Buy Metaphor for XBOX: https://amzn.to/4gEacMv Our opening music is Nowhere - You Never Knew, and our closing music is Space Blood - Goro? Is That Your Christian Name? email us: thedivedown@gmail.com

Rev. Robin T. Jennings elucidates the profound intersection of Celtic Christianity and the contemporary spiritual journey in his latest literary contribution, "Expressions of the Soul: Celtic Christianity and Life with God." This episode serves as a platform for an engaging dialogue that explores how the ancient practices and beliefs of Celtic Christians can inform and enrich modern faith experiences. Jennings articulates the significance of the soul's expressions and the communal aspects inherent in Celtic spirituality, urging listeners to contemplate the transformative potential of these traditions. Furthermore, he emphasizes the importance of fostering relationships, such as the concept of Anam Cara, or soul friend, as a means of deepening one's connection to the divine and to one another. Through this discussion, we are invited to reflect on our own spiritual practices and the enduring relevance of Celtic Christianity in our lives today.The conversation with Rev. Robin T. Jennings delves into the profound essence of Celtic Christianity as articulated in his latest book, "Expressions of the Soul: Celtic Christianity and Life with God." Jennings, who possesses a wealth of experience as an Episcopal minister, elucidates the spiritual depth and historical richness of Celtic traditions. He recounts his own spiritual journey, revealing how early experiences in a boys' center in Chicago led him to seminary and ultimately to a ministry that spanned over three decades. This background sets the stage for his exploration of the themes of community, spirituality, and the unique practices of Celtic Christianity, which he argues offers vital insights for contemporary seekers of faith. Jennings emphasizes the importance of understanding the soul's connection to God and the significance of prayer, illustrating how these elements are woven into the fabric of Celtic spirituality. He articulates that Celtic Christianity is not a departure from traditional Christianity but rather an enriching perspective that emphasizes God's presence in nature and the sanctity of every individual.Throughout the discussion, Jennings also introduces the concept of "thin places"—locations where the divine and the mundane intersect, offering glimpses of the sacred in everyday life. He encourages listeners to seek these moments of divine encounter in their own lives, reaffirming that Celtic Christianity's legacy continues to resonate in today's diverse spiritual landscape. By the end of the episode, Jennings leaves the audience with a call to embrace the communal aspects of faith and to cultivate deeper relationships with God and one another through practices rooted in Celtic traditions.Takeaways:Rev. Robin T. Jennings discusses the significance of Celtic Christianity in modern spiritual practices, emphasizing its relevance today.The concept of 'Anam Kara' or 'soul friend' is presented as a transformative practice within Celtic spirituality.Celtic Christianity's connection to nature is articulated, highlighting the reverence for God's creation as integral to faith.Jennings elaborates on the idea of 'thin places,' mystical locations where the divine presence feels more accessible and tangible.The podcast explores the historical context of Celtic Christianity and its contributions to the broader Christian tradition.Listeners are encouraged to consider how the teachings of Celtic Christianity can foster community and inclusiveness in contemporary faith practices.

In this podcast, Mr. David Chen, Dr. Lindsey Amerine, and Dr. William Kernan discuss the AJHP Practice Research Report "Pharmacy executive and mid-level manager perceptions of leadership in contemporary health-system pharmacy” with host and AJHP Editor in Chief Dr. Daniel Cobaugh.  The information presented during the podcast reflects solely the opinions of the presenter. The information and materials are not, and are not intended as, a comprehensive source of drug information on this topic. The contents of the podcast have not been reviewed by ASHP, and should neither be interpreted as the official policies of ASHP, nor an endorsement of any product(s), nor should they be considered as a substitute for the professional judgment of the pharmacist or physician.

Lost and recovered voices. Contemporary composers and community opera. This episode of Behind the Curtain is a special one because it is the final episode in our miniseries with Maestro Conlon, as he rounds out his final season as Music Director with LA Opera. It's also one of the last episodes of our podcast season as the opera season sings to a close. We'll bring you some episodes from the vault this summer before starting up again with new episodes for our 26/27 season in the fall. But first, enjoy this fascinating exploration of 20th century music with the Maestro, and join us, with all of Los Angeles, in thanking him for an incredible 20 years as Richard Seaver Music Director of LA Opera. What a legacy. Thank you, Maestro, from all of us.

June Stratton is an American representational figurative painter known for her work capturing the human form with clarity, discipline, and emotional depth.  In this episode of the AART Podcast,  Chris speaks with June Stratton about her career in figurative painting, her studio practice, and how she approaches realism in contemporary art. This conversation covers:How June Stratton became a figurative artistHer approach to painting the human figure and working from observationThe role of light, composition, and gesture in representational artBalancing technical precision with intuition in paintingWhat it takes to sustain a career as a contemporary realist painterChris' signature unscripted, intimate interview style allows  Stratton to go beyond technique and talk about the mindset behind her work—how she sees, thinks, and builds a painting over time. If you're interested in figurative painting, representational art, portrait painting, or the creative process of contemporary artists, this episode offers a clear and practical insight into how one artist approaches her craft.June's links:Website: junestratton.comInstagram: instagram.com/june_stratton/Facebook: facebook.com/JuneStrattonStudio/June's Female artists: Nadine Robbins Marilyn Minter April Gornik Vija Celmins Julie Heffernan Mae Read Mia Bergeron Pamela Wilson Katherine Sandoz Annie Lebowitz Dorielle Caimi Rebecca Leveille Guay Megan LangeDinner Party Guests: Benjamin Franklin Dolly Parton Mary Munter Hedy Lamar Jack White Paitti Smith John MuirKeywordsJune Stratton, figurative painting, representational art, realism painting, contemporary realist artist, portrait painting, human figure drawing, painting process, studio practice artist, American painter interview, AART podcast, Chris Stafford, Women Unscripted podcast network, art podcast, how to paint people, observational painting, fine art interview, contemporary figurative art, artist career insightsBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.Host: Chris StaffordProduced by Hollowell StudiosFollow @twomenunscriptedpodcasts on InstagramOn Facebook at Women Unscripted PodcastsEmail: hollowellstudios@gmail.com

June Stratton is an American representational figurative painter known for her work capturing the human form with clarity, discipline, and emotional depth.  In this episode of the AART Podcast,  Chris speaks with June Stratton about her career in figurative painting, her studio practice, and how she approaches realism in contemporary art.This conversation covers:How June Stratton became a figurative artistHer approach to painting the human figure and working from observationThe role of light, composition, and gesture in representational artBalancing technical precision with intuition in paintingWhat it takes to sustain a career as a contemporary realist painterChris' signature unscripted, intimate interview style allows  Stratton to go beyond technique and talk about the mindset behind her work—how she sees, thinks, and builds a painting over time. If you're interested in figurative painting, representational art, portrait painting, or the creative process of contemporary artists, this episode offers a clear and practical insight into how one artist approaches her craft.June's links:Website: junestratton.comInstagram: instagram.com/june_stratton/Facebook: facebook.com/JuneStrattonStudio/June's Female artists: Nadine Robbins Marilyn Minter April Gornik Vija Celmins Julie Heffernan Mae Read Mia Bergeron Pamela Wilson Katherine Sandoz Annie Lebowitz Dorielle Caimi Rebecca Leveille Guay Megan LangeDinner Party Guests: Benjamin Franklin Dolly Parton Mary Munter Hedy Lamar Jack White Paitti Smith John MuirKeywordsJune Stratton, figurative painting, representational art, realism painting, contemporary realist artist, portrait painting, human figure drawing, painting process, studio practice artist, American painter interview, AART podcast, Chris Stafford, Women Unscripted podcast network, art podcast, how to paint people, observational painting, fine art interview, contemporary figurative art, artist career insightsBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: theaartpodcast@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

Journalist Kim Cross marks the 54th anniversary of Title IX; curator Jon Santos talks about the upcoming New York art exhibit “Niu Systems.”

Hi. For our third and final Background Information Episode, Ty and Aidan, the hosts of Fun Factor, join us for an hour to flip through magazine reviews of Skies of Arcadia! All four of us are capping out RPG visuals at 8/10, receiving Golden Man location information, misunderstanding Duke Nukem's wants and needs, running the triple negative olympics, borrowing ideas from Final Fantasy, gibbering like mad fools, doing british accents, lamenting 128 bits, harkening back to early days, forecasting typos signaling prestige, disenchanting sourpusses, teetering on magnificence, creating Scott Steiner, and wondering if Nintendo Power was on the take. The remainder of the episode features your normal hosts hacking out random battles, cameoing in other games, teasing a modern release, learning some optimization tricks, sharing memories, laying out expectations, counting stuff, and wondering if Nintendo Power was on the take. Skies of Arcadia was easily the best RPG in the year 2000 for Dreamcast. Please check out Ty and Aidan's podcast Fun Factor, either here (https://funfactorpod.com) or wherever fine podcasts can be downloaded to the telephone. 00:00:00 Meeting New People 00:02:52 Intro 00:04:30 Contemporary Reviews (Featuring Fun Factor) 01:04:48 Modern Takes 01:07:11 Fan Fiction 01:08:23 MODS 01:12:17 Sequels & Cameos 01:21:44 Memories 01:23:53 Expectations 01:26:32 How Are We Playing This In 2026? 01:30:32 What Are We Counting? 01:34:09 Acknowledgements 01:34:38 Real Net 01:43:38 Outro Patreon: patreon.com/retroam Bluesky: @retrogradeamnesia.bsky.social YouTube: www.youtube.com/@RetrogradeAmnesia E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com  

Carly Paoli is a spectacular British classically trained soprano singer and a Classical Brit nominee. She's known for her romantic, lyric driven performances across various musical genres including classical, contemporary, operetta and popular songs. She's headlined at Carnegie Hall, St Peter's Basilica, Windsor Castle, St James' Palace and the London Palladium among many others. Shes performed with Andrea Bocelli. She's been on British television and she's in huge demand in Italy. And she's glamorous too, often being featured in magazines such as Vogue, Glamour, and Vanity Fair. She is the whole package. My featured song is “Juliet Dances”, from the album East Side Sessions by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH CARLY:www.carlypaoli.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Today on the program, a trip into the archive and a return to Episode 780, my conversation with Chantal V. Johnson, author of the debut novel Post-Traumatic (Little, Brown). Air date: July 6, 2022. Chantal V. Johnson is an attorney and writer whose fiction explores gender, personality, friendship, and all forms of art, but particularly music. Her debut novel, Post-Traumatic, was long-listed for the Center for Fiction First Novel Prize and selected as a New York Public Library book club pick. She has received fellowships and support from The Center for Fiction, the Djerassi Resident Artists Program, the Kimmel Harding Nelson Center for the Arts, and the Arizona Commission on the Arts. Chantal graduated from Stanford Law School and worked as a tenant lawyer for several years. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit ⁠⁠⁠⁠www.rula.com/otherppl⁠⁠⁠⁠ to get started. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Last time we spoke about the Hubei-Henan Campaign of 1940-1941. In November 1940, a Central Hubei operation using multiple task forces aimed to exploit Chinese dispersal, achieving only local successes and no lasting territorial gains. The Japanese then tried again in late January 1941 with a major offensive into southern Henan. Despite concentrating a large force, the campaign failed strategically. After the Henan failure, Japan attempted to regain momentum in spring 1941 by attacking western Hubei around Yichang on the Yangtze. Despite an initial barrage and rapid early gains, Japanese forces became exposed in a narrow salient. The Chinese reorganized their river defenses and launched a converging counteroffensive, driving the invaders back and ending the engagement where it began, with the Japanese suffering heavy casualties and their westward push thwarted.   #206 The Battle of Shanggao Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. The year 1940 had brought a particular humiliation. In August of that year, Communist General Peng Dehuai had launched the Hundred Regiments Offensive — a massive, coordinated assault across North China that shattered Japanese rail and supply lines, embarrassed Imperial General Headquarters, and demonstrated that the Chinese were far from finished. Japan's response had been brutal, the infamous "Three Alls" campaign of reprisals across the countryside. But the damage had been done, and the attention of Imperial General Headquarters shifted northward. The autumn of 1940 had also seen the First Battle of Changsha, where the Japanese 11th Army under General Sonobe Yahachirō pushed south into Hunan Province expecting to overwhelm the Chinese defenders and finally deal a decisive blow to Chiang Kai-shek's armies. Instead, General Xue Yue — the "Tiger of Changsha" — had allowed the Japanese to advance deep into his prepared killing ground before counterattacking from multiple directions. The Japanese had been forced to retreat in disorder, and the front in Hunan and Jiangxi settled once again into sullen stalemate. It was in this atmosphere of frustrated ambition and strategic inertia that the seeds of Shanggao were sown. By February 1941, Imperial General Headquarters had decided to redeploy the 33rd Division — then garrisoned in the town of Anyi, in northwestern Jiangxi — to North China. The transfer was scheduled to begin in early April, and it made strategic sense: the north required reinforcement, and the front in Jiangxi had been quiet enough that one division could be spared. The problem was that the 33rd Division's departure would leave a gap in Japanese dispositions, and no significant offensive operation had yet been conducted to weaken the Chinese forces that would be left facing a thinned-out Japanese line. Lieutenant General Ōga Shigeru, the energetic commander of the Japanese 34th Division, saw opportunity in the window that existed before the 33rd departed. His division was concentrated around Xishan and Wanshou Palace, astride the Xiang–Gan Highway — the main road running westward through Jiangxi — and across that highway lay the town of Shanggao and the Chinese forces defending it. Ōga proposed exploiting the presence of both divisions for a coordinated strike: a sharp, limited offensive to crush Chinese field forces around Nanchang and the Jiangxi interior before the 33rd Division's train north. The 11th Army headquarters, now commanded by General Marube, endorsed a cautious concept — a "quick strike" with limited objectives. But the 34th Division's staff, energized by Ōga's ambition, had already run well ahead of this guidance. Large-scale requisitioning of coolies for logistics was underway; training exercises aimed at the specific terrain around Shanggao had been conducted; planning had progressed in far more detail than a "limited" operation warranted. This eagerness would prove to be the Japanese undoing before the first shot was fired. Chinese intelligence networks, always attentive to the movement of porters and the telltale preparations that preceded a Japanese offensive, quickly detected the scale of these preparations and reported them to General Luo Zhuoying, commander of the Chinese 19th Army Group. By the time the Japanese columns were forming up to march, Luo had already hardened his defenses and laid the groundwork for a trap. General Luo Zhuoying was not a passive commander. He served simultaneously as commander of the 19th Army Group and as Deputy Commander of the 9th War Zone — the latter post placing him directly under General Xue Yue, the victor of Changsha. Luo had spent the lull after Changsha doing what Chinese commanders across the theater had learned was essential: reorganizing, retraining, and above all improving the defensive architecture of his sector. The plan Luo devised for meeting the anticipated Japanese offensive was elegant in its simplicity and demanding in its execution. Rather than contesting the Japanese advance at the frontier, he would allow the enemy to push westward, yielding ground through three successive defensive lines while bleeding the attackers at every step. The first and second lines would slow the Japanese, exact casualties, and stretch their logistics. The third line — anchored at Shanggao itself — would be the killing ground. There, the Chinese forces would hold fast while other formations swung around the Japanese flanks and rear to close the encirclement. The Japanese, having marched deep into Chinese-held territory with their supply lines thinning and their flanks exposed, would find themselves surrounded rather than victorious. For this plan to work, each Chinese formation had to perform its role with discipline. The 70th Corps, deployed in the north along the arc from Shitou Street through Fengxin to Jing'an, would have to conduct a controlled fighting retreat — yielding ground but making the Japanese pay for it, never breaking and running. The 49th Corps would hold the southern flank and create conditions for flanking action. And the 74th Corps — General Wang Yaowu's elite formation, comprising the 51st, 57th, and 58th Divisions — would hold the final line at Shanggao and serve as the anvil upon which the Japanese advance would shatter. The 74th Corps was by 1941 one of the most battle-hardened formations in the Nationalist Army. It had fought at Shanghai in 1937, at Wuhan in 1938, and in the hills and valleys of Jiangxi through the years since. Its men knew the terrain around Shanggao. They had prepared positions in depth, studied the approaches, and rehearsed the defensive plan Luo had designed. When the Japanese came, they would be ready. Against the Chinese 70,000 — distributed across eleven divisions in four corps, with additional provincial security forces for local coverage — the Japanese would throw roughly 20,000 men: three major formations advancing in coordinated columns. The disparity in numbers was stark, but the Japanese had the advantages of offensive initiative, air superiority, and the formidable fighting quality that the Imperial Army had demonstrated throughout the war in China. The question was whether those advantages would be enough to overcome a prepared defense wielded by a commander who had invited the attack. The operational plan devised by the Japanese 11th Army called for three columns to converge simultaneously on Shanggao from north, center, and south — a classic encirclement concept that, if executed with precision, would catch the Chinese defenders in a tightening vice. In the north, the main force of the 33rd Division under Lieutenant General Sakurai Shōzō would drive westward from its bases around Anyi and Ganzhoujie, descending the Liao River valley to threaten the Chinese right flank and prevent the 70th Corps from interfering with operations in the center.In the center, Ōga's 34th Division would advance along the Xiang–Gan Highway — the direct route from Nanchang toward Shanggao — capturing the town of Gao'an along the way and pressing relentlessly westward until it reached the main defensive positions. This was the principal striking force, the column designed to crack open the Chinese defenses and seize the objective.In the south, the Independent Mixed 20th Brigade under Major General Ikeda would cross the Jin River and advance along its south bank, eventually swinging north to link up with the 34th Division and complete the encirclement of whatever Chinese forces remained in the Shanggao area. The plan was coherent on paper. But it contained a structural flaw so serious that, in retrospect, it is difficult to understand how the 11th Army's staff allowed it to proceed uncorrected. The success of any converging operation depends on synchronization — on each column hitting its objectives on schedule and maintaining communication with the others so that each can react to developments on the other prongs. Yet the 11th Army headquarters made no recorded effort to coordinate the 33rd and 34th Divisions before the battle began. There was no forward command post established to oversee the operation. General Marube remained at Hankou, hundreds of miles to the north, throughout the battle — as remote from the fighting as a Tokyo bureaucrat. Operational decisions were left entirely to the individual divisions, with no mechanism to coordinate their actions if something went wrong. Something was going to go wrong. Luo Zhuoying had seen to that. On the morning of March 15, 1941, all three Japanese columns stepped off simultaneously, advancing into the misty hills and rice paddies of northwestern Jiangxi. In the north, Sakurai's 33rd Division moved briskly from Anyi toward Fengxin. The town fell by noon, and the division pressed westward in good order. The Japanese infantry moved confidently along the Liao River valley, experienced soldiers who had fought across China and had no particular reason to expect what was coming. The Chinese 70th Corps gave ground — as it had been ordered to — but did so on its own terms, occupying and then abandoning successive pieces of high ground along both banks of the river, making the Japanese advance uncomfortable and costly. Gradually, almost imperceptibly, the 33rd Division was being drawn forward into terrain that favored the defender. By March 18 and 19, the 33rd Division had pushed all the way to Guzhu'ao and Huamenlo — a considerable advance, but one that had taken the division far from its base at Anyi. And it was here, far from support and with flanks increasingly exposed, that the Chinese blocking forces closed in. Chinese infantry, who had been waiting in prepared positions in the high ground overlooking the river valley, launched coordinated counter-attacks that struck the 33rd Division from multiple directions. The fighting was fierce and costly. In two days of close combat, the division suffered more than 2,500 casualties — a grievous toll that represented a significant fraction of its effective strength. The northern column had been stopped dead. On March 19, Sakurai ordered the 33rd Division to reverse course. By March 23, after four days of painful withdrawal under pressure, it had pulled back to Anyi — the same place it had started. The northern prong of the Japanese offensive had accomplished nothing except the loss of thousands of men. In the south, the Independent Mixed 20th Brigade had a rougher start. Its initial attempt to cross the Gan-Jin river junction at noon on March 15 was repulsed by Chinese defenders, and it was only under cover of darkness that the brigade managed to force a crossing. Once across, it moved westward along the south bank of the Jin River, but progress was slow and contested. A detachment — the Gan River Detachment — ran into fierce resistance from the 26th Division of the Chinese 49th Corps on March 19. The brigade's main body meanwhile fought its way through the 51st Division of the 74th Corps, but the 107th Division and elements of the 51st managed to contain the advance at the Laichunling–Zhutoushan line. On the night of March 20, the main body of the 20th Brigade crossed the Jin River at Huifu to link up with the 34th Division — but a portion of its troops, cut off on the south bank, was destroyed by Chinese forces. The southern column was across the Jin River, but it had taken losses and was already engaged in ways its planners had not anticipated. In the center, the 34th Division fared best in the early going. Ōga's division moved westward from Xishan along the Xiang–Gan Highway on March 16, and by the 17th had captured Gao'an — a meaningful early success. The Chinese 74th Corps, executing Luo's plan faithfully, dispatched only screening forces east of the Tangpu River to slow the Japanese advance rather than contesting it decisively. The main body of the 74th Corps fell back to the third-line positions at Sixi, Guanqiao, and Tangpu, preparing the killing ground that Luo had designated. Simultaneously, the 26th Division and most of the 105th Division from the 49th Corps were shifted across the Gan River to operate south of the Jin River on the Japanese left flank, and the 72nd Corps was ordered to maneuver on a wide envelopment around Daxia and south of Ganfang. By March 20–21, the 34th Division had pressed forward to attack the Chinese positions at Sixi and Guanqiao. Ōga's men were confident — they had taken Gao'an, they were moving, and the objective of Shanggao lay within reach. But as the division pushed toward Shangjijia, it ran squarely into the 57th and 58th Divisions of the 74th Corps, fighting with a tenacity that told the Japanese plainly enough: this was where the Chinese intended to stand. The week of March 21–24 brought the battle to its crisis. The 34th Division hammered at the Chinese positions defending Shanggao itself, while on the flanks, the fighting took on a character that neither side had entirely anticipated. On March 21, General Wang Yaowu — commanding the 74th Corps from his headquarters in Shanggao — decided it was time to do more than absorb Japanese blows. He ordered General Li Tianxia to clear Japanese forces from the south bank of the Jin River and advance on Gao'an, with the aim of cutting the 34th Division's supply line and threatening its rear. It was an aggressive move, and if it had worked, it might have produced a decisive result earlier than history would record. It did not work — at least not immediately. That very evening, the Independent Mixed 20th Brigade, which had been reorganizing after the chaos of the river crossing, launched a powerful offensive at dawn on the 22nd. Li Tianxia's lead elements had barely set out from Shitou Street when they collided head-on with the main force of the 20th Brigade, which had crossed back from the north bank of the Jin River. The Japanese thrust was coordinated and aggressive: one column circled wide to attack Lazhu Mountain; another swung south of Hu Family west of Shitou Street to strike Li's division in the flank and rear; and nine aircraft with four artillery pieces bombarded the Chinese positions from north to south. Li's division could not hold against this convergent assault and fell back to the high ground southwest of Shitou Street. Wang Yaowu reacted quickly. He ordered Li's main body to wheel left to face the new threat and simultaneously dispatched the Army's Field Supplementary Regiment — held in reserve near Yintang — on a forced march to Huayang to block the Japanese westward drive. This regiment, racing down roads strafed by nine enemy aircraft, covered 15 li per hour and seized Huayang and the high ground to its northeast by around seven in the morning. By nine, the 20th Brigade arrived in strength and — supported by more than ten aircraft — launched a fierce assault on the regiment's positions. The regiment's officers and men held firm, taking heavy casualties but refusing to break. Frustrated at Huayang, the 20th Brigade shifted its effort to the Kuang Family area, linking up with over a thousand men who had crossed from Baichetou to the south bank and pushing along the river toward Xiongfang in an attempt to outflank the Chinese left wing. The Supplementary Regiment sent its 1st Battalion with a mortar company to meet this threat, and the two forces met in a fierce engagement. When the Japanese reinforced their assault and deployed incendiary bombs and poison gas, Xiongfang fell by early afternoon — but Li Tianxia immediately sent two regiments from his right flank to take it back, and by midnight the position was in Chinese hands again. Shitou Street and Jigong Ridge were simultaneously recaptured. The Independent Mixed 20th Brigade now found itself in an increasingly uncomfortable position, fighting with the Jin River at its back and the initiative slipping away. Meanwhile, the main event was being fought in the rubble and ridgelines around Shanggao itself. From March 22 to 25, the 34th Division and whatever remnants of the 20th Brigade could contribute threw themselves repeatedly at the defensive line anchored on Stone Arch Bridge, Xia Po Bridge, Xu Lou, Pan Family Bridge, Cloud Head Mountain, and Lei Family Mountain. This was not the fluid, mobile warfare that the Japanese had envisioned but brutal, grinding attritional combat for individual strongpoints and ridgelines, with positions changing hands multiple times in a single day. The Japanese air arm was deeply involved. Ōga's division had close air support that could operate even in poor weather, and Group 3 of the Japanese Air Force hammered the Chinese positions with sustained effort. On the morning of March 24, after the 34th Division fed in more than 3,000 additional troops transferred across the Jin River, the Air Force dispatched over seventy aircraft that dropped more than 1,700 bombs, largely destroying the defensive positions of Liao Lingqi's division. The Japanese exploited the resulting chaos and twice broke through gaps in the line — but were driven out each time by Chinese counterattacks. At noon, enemy aircraft bombarded in relays and Japanese infantry broke through at Xia Po Bridge. It was at this moment that Li Hanqing, commanding the Chinese infantry defense in that sector, did what officers throughout history have done when systems fail and only personal example can stem the tide: he personally led his officer cadre in repeated counter-attacks, hand-to-hand fighting in the rubble until the Japanese were finally expelled. By this point, the 34th Division's offensive capacity was nearly spent. At the same time — and this was the critical shift that would determine the battle's outcome — General Luo Zhuoying recognized that the moment to spring the trap had arrived. The northern column had already been broken and sent reeling back toward Anyi. The southern column was pinned against the Jin River with its back to the water. The central column was bled white against the defenses of Shanggao. Luo now ordered all his armies to close in from multiple directions. On the morning of March 22, he had already begun revising his orders; by noon on the 23rd, the forces of Liu Duoquan and Li Jue had occupied Shitou Street, Guanqiao Street, and Yanggong Market, pressing on Huifu and Gaoyao. The encirclement of the 34th Division was not yet complete, but its shape was unmistakably forming. By March 25, the 34th Division knew it was in mortal danger. Surrounded on three sides, its ammunition running low and its casualty lists growing by the hour, the division urgently appealed to the 11th Army for rescue. The message that arrived in Hankou was a shock. General Marube and his staff, who had remained at their distant headquarters throughout the battle without establishing a forward command post, had not properly grasped the scale of the disaster unfolding in Jiangxi. The lack of coordination between the 33rd and 34th Divisions — the structural flaw that had been built into the operation from its conception — had allowed Luo Zhuoying to defeat each column separately, and now the central column faced annihilation. The 11th Army responded in a scramble. Chief of Staff Kinoshita was dispatched by aircraft to Nanchang with Operations Staff Officer Lieutenant Colonel Yamaguchi and Captain Ōne to organize a relief operation. The 33rd Division — barely recovered from its own battering in the north — was ordered to sortie immediately and fight its way to the 34th Division's relief. Sakurai organized his battered 33rd Division into three rescue columns. Infantry Brigade Commander Araki Shōji took the right column, leading Infantry Regiment 215 with one mountain artillery battalion. Infantry Regiment 214 formed the left column. The divisional commander himself led the central column with the main divisional force. On March 24 and 25, all three columns sortied from strongpoints at Niuxing, Fengxin, and other positions, attacking across the Wuqiao River and through Cunqian Street toward Tangpu and Guanqiao. The relief operation brought the battle to its most complicated moment. On the morning of March 25, the 33rd Division launched a fierce assault on the forces that Luo Zhuoying had positioned to tighten the encirclement from the north — striking Zhang Yanchuan's division at Kengkou Leng, Jiezipo, and Nancha Luo. Zhang's division, struck simultaneously from the front and rear, withdrew at dusk to near Tu Di Wang Temple, where it linked up with Tang Boyin's division. What happened next became one of the most controversial decisions of the entire battle. Zhang Yanchuan was serving as deputy army commander in the absence of Li Jue from the front. Surveying the situation — his own division under heavy pressure, the 33rd Division's relief columns pushing aggressively — Zhang concluded that the position was untenable. On his own authority, without authorization from Luo Zhuoying or any superior commander, he withdrew both his own and Tang Boyin's divisions to Fenghuang Market and Zhuangfang. The consequence was immediate and severe. The withdrawal opened a corridor through which the 33rd Division entered Guanqiao and linked up with the encircled 34th Division. An encirclement that had taken days of blood and sacrifice to construct was torn open by a single unauthorized decision. Luo Zhuoying, when he received word of Zhang's withdrawal the following morning, was furious — but he could not change what had already happened. He could only adapt. The breakout itself was an ordeal. A portion of the 34th Division that attempted to escape to the east was intercepted near Huifu by a division of the 49th Corps and lost roughly half its strength before being compelled to turn back. The main body ultimately broke out on March 27, withdrawing in march order that told its own story of disaster: headquarters, baggage, artillery, casualties, field hospital, rear guard — all moving in what the records describe as "a wretched state." On the night of March 27, Japanese troops escorting the 34th Division's field hospital — a field artillery company of the 8th Battery — were completely annihilated in a Chinese night attack. When the division reached Longtuan Xu on March 28, the stretcher-bearer column carrying the wounded stretched some seven to eight kilometers along the road. That same day, the 33rd Division's Infantry Regiment 214 finally made contact with the 34th Division's headquarters, completing what amounted to a rescue of men who had already endured their defeat. The 33rd Division's mountain artillery batteries exhausted their entire ammunition supply covering the retreat and required emergency aerial resupply drops to continue. The 34th Division limped back to its original garrison on April 2. Despite the setback caused by Zhang Yanchuan's unauthorized withdrawal, Luo Zhuoying did not abandon his design. Assessing his situation on the morning of March 26, he found reason for cautious optimism: Wang Yaowu's army was still making progress at Shanggao; the Japanese south of the Jin River had largely been cleared; and Sichuan Army and Northeastern Army units that had been moving to reinforce the battle had now reached the field, meaning Chinese forces retained significant numerical superiority. He resolved to execute a second encirclement. At nine in the morning of March 26, Luo issued strict orders: Zhang Yanchuan's and Tang Boyin's divisions were to immediately comply with their original orders and block the enemy near Guanqiao; Yu Chengwan's division was to attack northward via Pan Family Bridge; Liao Lingqi's and Song Yingzhong's divisions were to press toward Guanqiao with full force; Wang Kejun's division was to strike the enemy's flank and rear east of Guanqiao; Fu Yi's division was to advance south of Jiang Family Isle; and Chen Liangji's division was to swing southeast via Changpu to complete the enemy's destruction. The second ring was being drawn. On March 28, as the 34th Division's battered column trudged eastward toward survival, Wang Kejun's division advancing from Yanggong Market moved to intercept it. The Chinese occupied high ground north and south of Yanggong Market and along Mozi Ridge, and what followed was a grinding all-day battle that fixed the Japanese column at the Xiama Bei–Huxing Ridge line. Part of the 20th Brigade, moving up from Gao'an to assist the withdrawing 34th Division, was blocked near Long Tu Market. Liao Lingqi's division pursued the enemy rear guard to the Changling–Manmei high ground, where the fighting erupted with renewed intensity. At noon, part of Li Tianxia's division arrived and deployed along the Shangluoxiang–Shanyuan–Fangtounao line to harass the Japanese right flank; part of Yu Chengwan's division reached Longxing Mountain and outflanked Guanqiao Street from the south. The surviving Japanese defenders in Guanqiao withdrew into the town for a last stand, and after Liao's division pressed the assault, street fighting raged until five in the afternoon, when over 600 defenders were annihilated. Over 2,000 troops of the Independent Mixed 20th Brigade conducted a fighting withdrawal from Long Tu Market and Yanggong Market, covered by Japanese aircraft bombing to shield the 34th Division's retreat. By noon on March 30, the Japanese had abandoned both strongpoints and scattered northeastward. One group of over 600 men fled directly into the main positions of Zhang Yanchuan's division — an ironic fate, given Zhang's earlier withdrawal — and were largely annihilated. The encircling forces had been essentially dispersed, and the two pursuit columns now pressed forward under the overall direction of General Xue Yue, who had assumed personal coordination of the chase. On March 27, Luo Zhuoying — confident that victory was secured — issued a general order for a final offensive and announced substantial cash rewards to his troops: prizes offered for the capture of Japanese officers, artillery pieces, regimental colors, and other materiel. The rewards were both a practical incentive and a mark of how far the battle had tipped. By midnight on March 31, Chen Hongshi's advance column had recovered Gao'an; Wang Tiehan's division had recovered Xiangfu Guan. On April 2, the divisions of Zhang Yanchuan and Song Yingzhong recovered Fengxin; that afternoon Wang Tiehan's division took back Xishan and Wanshou Palace — the very base from which the 34th Division had launched its offensive. By April 3, the pursuing armies had reached the vicinity of Dacheng and Ganzhoujie. On April 8 and 9, the 70th Corps recovered the outpost strongpoints around Anyi before halting operations. The Japanese had retreated into their original positions and were defending from prepared terrain. The pursuit was over. The Battle of Shanggao had lasted nineteen days and nights. No battle of the Second Sino-Japanese War was ever free of the fog of competing claims, and Shanggao was no exception. On March 29, before the pursuit had even concluded, Luo Zhuoying telegraphed Chiang Kai-shek with his accounting of the victory. His numbers were dramatic: Major General Iwanaga, the Japanese infantry commander, killed; regimental commander Colonel Hamada, killed; over 15,000 Japanese killed or wounded in total. Chinese losses, Luo reported, exceeded 20,000. Ten guns, over a thousand rifles, and numerous machine guns had been captured. His superior, General Xue Yue, was skeptical. In a telegram to Chiang Kai-shek on April 5, Xue reduced Luo's numbers by twenty percent, reporting 12,520 Japanese killed or wounded and 14 prisoners captured. The discrepancy between two Chinese commanders reporting on the same battle speaks to the difficulty of battlefield accounting in any era, and suggests something of the competitive pressures that shaped how Chinese commanders reported their victories to Chongqing. The official Chinese histories, compiled after the war in the History of the War of Resistance, reported approximately 15,000 Japanese killed or wounded, 17 prisoners taken, and significant quantities of captured materiel: 6 mountain guns, 1 mortar, 24 light machine guns, 408 rifles, 24 grenade launchers, and over 111,717 rounds of various ammunition. Chinese casualties, by the same records, were 17,119 killed or wounded and 2,814 missing. Japanese records for the battle do not survive — a consequence of the wholesale destruction of Imperial Army documentation at the war's end. Contemporary scholars, working from other sources, estimate actual Japanese combat losses at approximately 5,500 killed and wounded. This is substantially lower than the Chinese claims, as was nearly always the case in the war, but represents a significant defeat by any measure: roughly a quarter of the force committed, many of them veterans impossible to replace. Chiang Kai-shek subsequently awarded the victorious Chinese units a commendation prize of 150,000 yuan — a substantial sum that marked the battle's significance in Nationalist eyes. The outcome at Shanggao was not accidental. Several interlocking factors combined to produce a Chinese victory, and each deserves consideration. The most fundamental was Luo Zhuoying's defensive plan. The decision to trade space for time — to absorb the Japanese advance through three successive defensive lines rather than contest the frontier — required both tactical confidence and a willingness to accept initial setbacks that could easily be misread as defeat. Chinese forces had to give ground, and they did. They had to suffer through the early days of Japanese advance without breaking and running, drawing the enemy forward and allowing the encirclement to take shape. That they largely succeeded in executing this plan reflects the improving quality of the Nationalist Army by 1941: better trained, better led at the operational level, and — critically — equipped with a strategic design that matched the actual balance of forces. The defeat in detail of the Japanese columns was equally important. By neutralizing the 33rd Division in the north before it could contribute to the central effort, and by pinning the 20th Brigade against the Jin River with its back to the water, Luo's forces ensured that the 34th Division faced the third-line defenses essentially alone — outnumbered, overextended, and unsupported. The Japanese operational concept had been a three-pronged convergence; what actually materialized was a single exhausted division hammering at a prepared defense while two other columns were rendered ineffective. The absence of coordination within the Japanese 11th Army was a gift that kept giving throughout the battle. No forward command post. No mechanism for the divisions to adjust their operations in response to each other's situations. No ability to recognize, in real time, that the northern column was being destroyed and redirect resources accordingly. General Marube's decision to remain at Hankou while his men died in Jiangxi was not merely an administrative failure; it was an operational catastrophe. Japanese commanders acknowledged this failing explicitly after the battle, but the acknowledgment changed nothing for the dead. Zhang Yanchuan's unauthorized withdrawal — the single most consequential individual decision of the battle — ultimately prevented a complete annihilation of the 34th Division rather than affecting the battle's outcome. The 34th Division escaped; but it did so in a "wretched state," having lost enormous numbers of men and equipment. It broke out, not triumphed. The encirclement Luo had constructed was torn open, but the Japanese paid dearly for the breach. The consequences of Shanggao rippled outward in ways that shaped the subsequent course of the war in central China. The transfer of the 33rd Division to North China — the original logistical rationale for the entire operation — was delayed by the division's involvement and subsequent losses at Shanggao. When it finally arrived at the Battle of Central Plains  the following month, it did so on the eve of battle with no time for preparation or orientation, entering combat under severely disadvantaged conditions. The operation that was supposed to facilitate a smooth redeployment had instead damaged one of the two units involved and delayed the other. For the Chinese 74th Corps, Shanggao had an ironic consequence. The Japanese 11th Army, following the battle, formally designated the 74th Corps as a priority target — a "standing enemy" and directed its forces to seek out and destroy it in future operations. At the First Battle of Changsha that September, the 11th Army specifically oriented its forces against the 74th Corps, a testament to the lasting impression that corps's fierce resistance at Shanggao had made on its adversaries. The compliment of being specifically targeted by the enemy was one the 74th Corps had earned in blood at Shanggao's ridgelines and shattered bridges. More broadly, the battle was widely regarded at the time, and has been regarded since, as one of the most significant Chinese tactical victories of the first four years of the War of Resistance. Its significance lay not only in the casualties inflicted — those were contested and probably inflated in the Chinese records — but in what it demonstrated. The improving tactical and operational competence of the Nationalist Army was on display. The deliberate defense, the layered withdrawal, the coordinated encirclement — these were not the operations of an army that had been fighting desperately for survival since 1937 and had learned nothing. They were the operations of an army that had studied its defeats and adapted. Shanggao did not change the strategic situation in China. The front in Jiangxi remained where it had been; the Japanese still occupied Nanchang and the major cities; Chiang Kai-shek was still in Chongqing and the war was still far from over. But it demonstrated something important: that the Chinese Army, given capable commanders, a sound plan, and the discipline to execute it, could do more than survive Japanese offensives. It could reverse them, encircle them, and pursue them back to where they came from. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. In March–April 1940, Japanese forces attacked Shanggao with a limited, multi-pronged plan. Chinese troops used elastic defense and coordinated counter-moves, turning initial advantages into a trap. After intense fighting and air strikes, a coordinated encirclement and timely breakout routed the Japanese, forcing retreat despite their numbers in a costly battle.