Podcasts about contemporary

Guests - Drew Burgess and Lisa Curatolo TurpinHosted By - Courtney Ortiz and Lesley MealorToday's throwback episode brings us back to 2024 with a conversation about pirouettes! Like we always say on the pod, good technique never goes out of style, and that goes for pirouette technique too! Enjoy this chat with two experts on pirouettes! This episode originally aired on February 22, 2024.Topics Include: How to set yourself (and your students) up for success when teaching pirouettesOpinions on the best prep position for certain turnsThe importance of knowing your audience when choreographing turns Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDrew Burgess - @drewdancesLisa Curatolo Turpin - @lisacuratoloturpinExpressenz Dance Center - @expressenzThis episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Thomas Fazi talks with Class Unity about the politics and economics as well as the problems of the European Union and issues with the contemporary left. He is the author of: “The Covid Consensus: The Global Assault on Democracy and the Poor: A Critique from the Left”, with Toby Green. Hurst. (2023)“Reclaiming the State: A […]

Gemara Chabura - Rabbi Karlinsky - Contemporary Topic 05 by Shapell's Rabbeim

Haunted by the past, ordinary Okinawans struggle to live with the unbearable legacies of war, Japanese nationalism, and American imperialism. They are caught up in a web of people and practices--living and dead, visible and immaterial--that exert powerful forces often beyond their control. In When the Bones Speak, Christopher T. Nelson examines the myriad ways contemporary Okinawans experience, remember, and contest sacrifice. He attends to the voices of those who find their vocation in service to others, from shamans, fortune tellers, laborers, and artists to dead soldiers, war survivors, antiwar activists, and Christian missionaries. Nelson shows how the memories of past sacrifices, atrocities, and exploitation as well as residual trauma shape modern life in Okinawa and the possibility and hope for creative action grounded in the everyday. Offering new understandings of colonial transformation, wartime violence, and military occupation, Nelson writes from the intersection of temporalities and possibilities, where the hard finality of the past may be broken open to reveal a "not yet" that has always remained just beyond reach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Haunted by the past, ordinary Okinawans struggle to live with the unbearable legacies of war, Japanese nationalism, and American imperialism. They are caught up in a web of people and practices--living and dead, visible and immaterial--that exert powerful forces often beyond their control. In When the Bones Speak, Christopher T. Nelson examines the myriad ways contemporary Okinawans experience, remember, and contest sacrifice. He attends to the voices of those who find their vocation in service to others, from shamans, fortune tellers, laborers, and artists to dead soldiers, war survivors, antiwar activists, and Christian missionaries. Nelson shows how the memories of past sacrifices, atrocities, and exploitation as well as residual trauma shape modern life in Okinawa and the possibility and hope for creative action grounded in the everyday. Offering new understandings of colonial transformation, wartime violence, and military occupation, Nelson writes from the intersection of temporalities and possibilities, where the hard finality of the past may be broken open to reveal a "not yet" that has always remained just beyond reach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Haunted by the past, ordinary Okinawans struggle to live with the unbearable legacies of war, Japanese nationalism, and American imperialism. They are caught up in a web of people and practices--living and dead, visible and immaterial--that exert powerful forces often beyond their control. In When the Bones Speak, Christopher T. Nelson examines the myriad ways contemporary Okinawans experience, remember, and contest sacrifice. He attends to the voices of those who find their vocation in service to others, from shamans, fortune tellers, laborers, and artists to dead soldiers, war survivors, antiwar activists, and Christian missionaries. Nelson shows how the memories of past sacrifices, atrocities, and exploitation as well as residual trauma shape modern life in Okinawa and the possibility and hope for creative action grounded in the everyday. Offering new understandings of colonial transformation, wartime violence, and military occupation, Nelson writes from the intersection of temporalities and possibilities, where the hard finality of the past may be broken open to reveal a "not yet" that has always remained just beyond reach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Haunted by the past, ordinary Okinawans struggle to live with the unbearable legacies of war, Japanese nationalism, and American imperialism. They are caught up in a web of people and practices--living and dead, visible and immaterial--that exert powerful forces often beyond their control. In When the Bones Speak, Christopher T. Nelson examines the myriad ways contemporary Okinawans experience, remember, and contest sacrifice. He attends to the voices of those who find their vocation in service to others, from shamans, fortune tellers, laborers, and artists to dead soldiers, war survivors, antiwar activists, and Christian missionaries. Nelson shows how the memories of past sacrifices, atrocities, and exploitation as well as residual trauma shape modern life in Okinawa and the possibility and hope for creative action grounded in the everyday. Offering new understandings of colonial transformation, wartime violence, and military occupation, Nelson writes from the intersection of temporalities and possibilities, where the hard finality of the past may be broken open to reveal a "not yet" that has always remained just beyond reach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Haunted by the past, ordinary Okinawans struggle to live with the unbearable legacies of war, Japanese nationalism, and American imperialism. They are caught up in a web of people and practices--living and dead, visible and immaterial--that exert powerful forces often beyond their control. In When the Bones Speak, Christopher T. Nelson examines the myriad ways contemporary Okinawans experience, remember, and contest sacrifice. He attends to the voices of those who find their vocation in service to others, from shamans, fortune tellers, laborers, and artists to dead soldiers, war survivors, antiwar activists, and Christian missionaries. Nelson shows how the memories of past sacrifices, atrocities, and exploitation as well as residual trauma shape modern life in Okinawa and the possibility and hope for creative action grounded in the everyday. Offering new understandings of colonial transformation, wartime violence, and military occupation, Nelson writes from the intersection of temporalities and possibilities, where the hard finality of the past may be broken open to reveal a "not yet" that has always remained just beyond reach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Haunted by the past, ordinary Okinawans struggle to live with the unbearable legacies of war, Japanese nationalism, and American imperialism. They are caught up in a web of people and practices--living and dead, visible and immaterial--that exert powerful forces often beyond their control. In When the Bones Speak, Christopher T. Nelson examines the myriad ways contemporary Okinawans experience, remember, and contest sacrifice. He attends to the voices of those who find their vocation in service to others, from shamans, fortune tellers, laborers, and artists to dead soldiers, war survivors, antiwar activists, and Christian missionaries. Nelson shows how the memories of past sacrifices, atrocities, and exploitation as well as residual trauma shape modern life in Okinawa and the possibility and hope for creative action grounded in the everyday. Offering new understandings of colonial transformation, wartime violence, and military occupation, Nelson writes from the intersection of temporalities and possibilities, where the hard finality of the past may be broken open to reveal a "not yet" that has always remained just beyond reach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In 1946, Elizabeth Short – the young woman the world would later know as The Black Dahlia – returned to California chasing love, glamour, and a new beginning. Instead, she found herself drifting through a postwar Los Angeles filled with promise, danger, and people who would soon become key figures in one of the most infamous unsolved murders in American history.In this episode, we follow Beth — now calling herself Betty — from Long Beach to Hollywood and finally to San Diego in the final weeks before her disappearance. Along the way, she crosses paths with men who offer affection and opportunity, but whose motives aren't always as pure as they seem.From the glitzy Florentine Gardens nightclub to the humble home of the French family, this chapter reveals the pattern that defined Elizabeth's life: charm and tragedy, hope and heartbreak, played out against the glittering — and unforgiving — backdrop of midcentury Los Angeles.About This SeriesBROKEN: The Black Dahlia Murder is a six-part Once Upon a Crime original series. Through extensive research, historical records, and firsthand accounts, Esther Ludlow uncovers the truth behind America's most infamous unsolved murder, separating fact from fiction to rediscover the real woman behind the myth.

Contemporary Q&A (04:11:25) - Mufti Yusuf Moosagie by Radio Islam

Barry Bonds among 8 Names Up for Baseball Hall of Fame Contemporary Era Ballot

At this year's WSJ. Magazine Innovator Awards, Billie Eilish asked, “If you're a billionaire, why are you a billionaire? Give your money away” — a line that instantly reverberated far beyond the room. It was a reminder of the event's magnetic pull and its place as a mirror for culture's contradictions. Under Editor in Chief Sarah Ball, WSJ. Magazine has become precisely that kind of reflection: glamorous, self-aware, and culturally indispensable. In this episode, Ball reflects on her path from a D.C. household stacked with newspapers to leading a magazine that continues to grow in both influence and revenue. She speaks about the art of editing in an age of speed, the new language of luxury journalism, and the enduring power of a story told with precision and care. ““I loved beautiful glossy fashion and style media, but I also loved very tart writing about style and fashionable people — that eyebrow-raised, gimlet-eyed, social scorecard kind of writing that mixed elegance and critique.” - Sarah Ball  Episode Highlights: On Growing Up Surrounded by Media — Raised in a Washington, D.C. household that received five newspapers a day, Sarah describes an early life shaped by constant conversation, curiosity, and the sound of pages turning. On the Early Spark — Between Capitol Hill's newsroom corridors and stacks of Vogue and Vanity Fair, she found herself drawn to storytelling that combined politics, aesthetics, and human behavior. On Robin Givhan's Influence — She credits Givhan's fashion criticism for teaching her that clothing could be language — a way to read power, politics, and cultural change. On the London Years — A summer at the Associated Press covering the highs and lows of early-aughts London — from Kate Moss's tabloid saga to art auctions and nightlife — cemented her love for culture writing. On the Golden Age of Vanity Fair — She recalls the thrill of that newsroom under Graydon Carter: “You don't know you're in a golden age until the golden age is over.” On Quality Over Quantity — Ball resists the speed-at-all-costs mentality of digital publishing: “If what you're serving is reheated garbage, are you really going to keep that reader?” On The WSJ. Audience — She describes WSJ. Magazine as a luxury product with a discerning readership: “They pay a lot to access our content, therefore they expect a lot.” On Visual Storytelling — A cover, she says, must surprise: “It has to show you someone in a new light — a story and an image that feel like an experience you can't get anywhere else.” On Video and the Future of Formats — Ball sees video — particularly conversational formats like podcasts on camera — as one of the most powerful frontiers in media: “The informality of the video podcast is replacing entire swaths of traditional television. These conversations now shape culture in real time.” On What's Contemporary Now — For Ball, it's humor. “A playful and unself-serious sense of humor feels most contemporary — people laughing together again, not at each other.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Destiny Christian Center November 2, 2025 Good Grief, Pastor Lawrence Neisent destinyokc.com

The Christian life is not a picnic, it's a battlefield. But in Christ, wedon't fight for victory; we fight from victory. God has given us His armor, His Spirit,and His power to stand firm against the enemy.

The Christian life is not a playground, it's a battlefield.But in Christ, we don't fight for victory; we fight from victory.God has given us His armor, His Spirit, and His power to standfirm against the enemy.

Gemara Chabura - Rabbi Karlinsky - Contemporary Topic 04 by Shapell's Rabbeim

Algerian and Christian are two words that many people do not put together. Dr. Patrick Brittenden does. In this episode, we talk with Patrick about his new book Algerian and Christian: Christian Theological Formation, Identity and Mission in Contemporary Algeria (Regnum Books International, 2025). He invites readers into the complex, often painful, yet deeply hopeful journey of following Jesus in a land where faith in Christ is seen as foreign. In a country founded on a vision of being irreducibly Muslim and Arab, what does it mean to be both fully Algerian and fully Christian? Through the lenses of Berber identity, Algerian Islam, and the influence of state education, Brittenden offers a compassionate and contextual approach to theological formation. At the heart of this book is the idea of liminality—the experience of living between worlds. While often marked by pain and marginalization, this in-between space can also become a place of freedom, transformation, and fruitful mission. This is a book about pain and possibility. About being “in but not of” the world. And about how embracing this in-between space can shape a liberated identity - for the Church, and for the world it seeks to serve. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Algerian and Christian are two words that many people do not put together. Dr. Patrick Brittenden does. In this episode, we talk with Patrick about his new book Algerian and Christian: Christian Theological Formation, Identity and Mission in Contemporary Algeria (Regnum Books International, 2025). He invites readers into the complex, often painful, yet deeply hopeful journey of following Jesus in a land where faith in Christ is seen as foreign. In a country founded on a vision of being irreducibly Muslim and Arab, what does it mean to be both fully Algerian and fully Christian? Through the lenses of Berber identity, Algerian Islam, and the influence of state education, Brittenden offers a compassionate and contextual approach to theological formation. At the heart of this book is the idea of liminality—the experience of living between worlds. While often marked by pain and marginalization, this in-between space can also become a place of freedom, transformation, and fruitful mission. This is a book about pain and possibility. About being “in but not of” the world. And about how embracing this in-between space can shape a liberated identity - for the Church, and for the world it seeks to serve. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Algerian and Christian are two words that many people do not put together. Dr. Patrick Brittenden does. In this episode, we talk with Patrick about his new book Algerian and Christian: Christian Theological Formation, Identity and Mission in Contemporary Algeria (Regnum Books International, 2025). He invites readers into the complex, often painful, yet deeply hopeful journey of following Jesus in a land where faith in Christ is seen as foreign. In a country founded on a vision of being irreducibly Muslim and Arab, what does it mean to be both fully Algerian and fully Christian? Through the lenses of Berber identity, Algerian Islam, and the influence of state education, Brittenden offers a compassionate and contextual approach to theological formation. At the heart of this book is the idea of liminality—the experience of living between worlds. While often marked by pain and marginalization, this in-between space can also become a place of freedom, transformation, and fruitful mission. This is a book about pain and possibility. About being “in but not of” the world. And about how embracing this in-between space can shape a liberated identity - for the Church, and for the world it seeks to serve. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Vicar Raebel delivers the message in the Auditorium.

Algerian and Christian are two words that many people do not put together. Dr. Patrick Brittenden does. In this episode, we talk with Patrick about his new book Algerian and Christian: Christian Theological Formation, Identity and Mission in Contemporary Algeria (Regnum Books International, 2025). He invites readers into the complex, often painful, yet deeply hopeful journey of following Jesus in a land where faith in Christ is seen as foreign. In a country founded on a vision of being irreducibly Muslim and Arab, what does it mean to be both fully Algerian and fully Christian? Through the lenses of Berber identity, Algerian Islam, and the influence of state education, Brittenden offers a compassionate and contextual approach to theological formation. At the heart of this book is the idea of liminality—the experience of living between worlds. While often marked by pain and marginalization, this in-between space can also become a place of freedom, transformation, and fruitful mission. This is a book about pain and possibility. About being “in but not of” the world. And about how embracing this in-between space can shape a liberated identity - for the Church, and for the world it seeks to serve. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Everyone who knows about the Van Meter Visitor knows about the five nights of terror in October 1903 when a winged creature with a light-emitting horn terrorized the small Iowa town. Credible witnesses. Contemporary documentation. Physical evidence. The whole town saw it, shot at it, and eventually sealed it in an abandoned coal mine. The story became legend.But what almost nobody knows is that the Van Meter Visitor came back.Eighty years later, in October 1983, a fifteen year old boy and his father went coon hunting in the woods near Van Meter and had an encounter that would haunt them for the rest of their lives. An encounter they never reported. An encounter they swore to keep secret. An encounter that proved the creature was never really trapped at all. This is the story of that night, told in the words of the man who lived through it. Now fifty-five years old and finally breaking his silence after his father's death, he recounts in terrifying detail what happened when they encountered something in those dark Iowa woods that shouldn't exist. Something that matched every description from 1903. Something that took their dog Buck and nearly killed their other dog Belle.Something that couldn't be stopped with bullets or courage or anything else they had. This isn't a vague sighting or a distant glimpse. This is a close encounter with one of America's most documented cryptids, told by someone who was there, who saw it clearly, who watched it fly away with his dog clutched in its talons. It's a story about the things that hunt in the darkness. About the creatures that exist outside our understanding of the natural world.About the price of seeing something impossible and having to carry that knowledge for forty years.The Van Meter Visitor is real. It never left. And this is the encounter that proves it.

Algerian and Christian are two words that many people do not put together. Dr. Patrick Brittenden does. In this episode, we talk with Patrick about his new book Algerian and Christian: Christian Theological Formation, Identity and Mission in Contemporary Algeria (Regnum Books International, 2025). He invites readers into the complex, often painful, yet deeply hopeful journey of following Jesus in a land where faith in Christ is seen as foreign. In a country founded on a vision of being irreducibly Muslim and Arab, what does it mean to be both fully Algerian and fully Christian? Through the lenses of Berber identity, Algerian Islam, and the influence of state education, Brittenden offers a compassionate and contextual approach to theological formation. At the heart of this book is the idea of liminality—the experience of living between worlds. While often marked by pain and marginalization, this in-between space can also become a place of freedom, transformation, and fruitful mission. This is a book about pain and possibility. About being “in but not of” the world. And about how embracing this in-between space can shape a liberated identity - for the Church, and for the world it seeks to serve. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Algerian and Christian are two words that many people do not put together. Dr. Patrick Brittenden does. In this episode, we talk with Patrick about his new book Algerian and Christian: Christian Theological Formation, Identity and Mission in Contemporary Algeria (Regnum Books International, 2025). He invites readers into the complex, often painful, yet deeply hopeful journey of following Jesus in a land where faith in Christ is seen as foreign. In a country founded on a vision of being irreducibly Muslim and Arab, what does it mean to be both fully Algerian and fully Christian? Through the lenses of Berber identity, Algerian Islam, and the influence of state education, Brittenden offers a compassionate and contextual approach to theological formation. At the heart of this book is the idea of liminality—the experience of living between worlds. While often marked by pain and marginalization, this in-between space can also become a place of freedom, transformation, and fruitful mission. This is a book about pain and possibility. About being “in but not of” the world. And about how embracing this in-between space can shape a liberated identity - for the Church, and for the world it seeks to serve. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Mahmoud Morvarid brings philosophical precision to a core principle of Shīʿī jurisprudence: the authority (ḥujjiyyah) of certainty. Questioning traditional formulations, he argues for a more nuanced approach informed by contemporary epistemology. Listeners will encounter a rigorous exploration of how knowledge, belief, and rational justification shape accountability in Islamic legal thought.

Dr Mariam al-Attar examines how modern Muslim scholars balance revelation, reason, and science in forming ethical and legal judgments. By contrasting theological voluntarism with rational moral inquiry, she highlights how approaches to emerging issues—like AI and genetics—reflect enduring debates about divine authority and human intellect in Islamic ethics.

Guests - Michelle Leagans and Jessica OlinikHosted By - Courtney OrtizIn Episode 239 of Making The Impact - A Dance Competition Podcast, we hear from two dance educators about the technique and power behind every great jumper! From tour jetés to switch leaps to flying discs, this episode covers your favorite jumps and leaps with helpful hints to take you to new heights!Topics Include: How to achieve maximum suspension in jumps and leaps The proper preparation for a variety of jumps and leaps Our favorite jumps and leaps to perform and to see on stageHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizMichelle Leagans - @michelleleagansJessica Olinik - @jwodanceThis episode is sponsored by:Michelle Leagans's "Hey Dancers...Let's Talk About It!" Journal.A journaling companion for dancers to thrive as students and team members.Available for purchase on Amazon! www.letstalkaboutdance.comCheck out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24-hour rush delivery available! Submit your video now! Check out our IDA Affiliated Competition and Sponsor: Axis Dance Competition! Visit their website to view their 2026 Tour Dates! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

What happens when a work of fiction becomes a real grimoire? In this episode, we explore The Demons of the Necronomicon, H. P. Lovecraft's imagined pantheon of cosmic entities and their extraordinary transformation into living figures within modern occultism. Drawing on peer-reviewed research, we trace how Cthulhu, Yog-Sothoth, and Nyarlathotep escaped the pages of pulp horror to become objects of ritual, devotion, and philosophical speculation. From Kenneth Grant's Typhonian Thelema to chaos magic's postmodern experiments, this video unveils how fiction, faith, and imagination converge in the making of contemporary demonology.CONNECT & SUPPORT

Each generation must understand the principles found in the Noble Eightfold Path in the context of the culture of that time.  During this talk, April Koester continues to review the Virtue component of the path, specifically how current developments such as artificial intelligence (AI) and the pressures of contemporary life can be associated with Right […]

Triada, Camila Nebbia, Ramiro Zayas, Eduardo Elia, Leo Genovese, Michael Sarian, Valley Voice, arid landscapes, Noah Franche-Nolan, Mary Ancheta, Charles Chen, Eliot Krimsky, Shinya Lin, Linyuan Yang, Aaron Shorr and ES:MO (Elizabeth Shepherd & Michael Occhipinti)Playlist: Triada - Sale la lunaCamila Nebbia, Kit Downes, Andrew Lisle - Differential SpiderRamiro Zayas - Another kind of gravityEduardo Elia - IILeo Genovese - Turbulent BusinessMichael Sarian - Straight Trash (edit)Valley Voice - Sun PatchArid Landscapes - SummerhillNoah Franche-Nolan - Sublimation IIMary Ancheta - Racing HeartsCharles Chen - Zhang Fei, Fierce WarriorEliot Krimsky - My Heart Sings Out To YouShinya Lin - Improvisation IILingyuan Yang - The Sound of the MountainAaron Shorr - Designated HunterElizabeth Shepherd, Michael Occhipinti - If We Were Vampires

Gemara Chabura - Rabbi Karlinsky - Contemporary Topic 03 by Shapell's Rabbeim

YouTube: https://www.youtube.com/jedgar101 Twitch: https://www.twitch.tv/jedgar101 Subscribestar: https://www.subscribestar.com/edsblogtwitter Look back at my past articles: https://autoworkerslim.blogspot.com/ Follow me on twitter: https://twitter.com/jedgar102 Check out my Facebook Page: https://www.facebook.com/edsworld101 Join my Discord and Join the conversation: https://discord.gg/RKyJ3k5 Email Me: edsblogtwitter@gmail.com Outro Music By Stephen Ignoramus https://twitter.com/jrnormus Podcast Art by Elaine Joan Contemporary is a Turn Some Pages Production https://turnsomepagesproductions.com/

Playwright Laurie Flanigan-Hegge, two directors, and a puppet artist discuss staging "Prick," a play about Scottish witch trials, now opening in Chicago November 6-16. In August 2023, we spoke with playwright Laurie Flanigan-Hegge about Prick, her play about the Scottish witch trials. It had just premiered at the Edinburgh Fringe Festival.Two years later, the play has traveled to New Orleans, Wellington (New Zealand), and opens November 6-16, 2025 at the Den Theater in Chicago.We reunite with Laurie and puppet artist Madeline Helling, and meet two directors: Jeff Mills of Chicago's Proboscis Theater Company and Amy Chaffee from Tulane University.The conversation covers what it's like staging historical violence, why the single puppet design works so powerfully, and how a play about 17th-century Scotland keeps finding new relevance.About the PlayPrick examines the Scottish witch trials through three women: an Unknown Woman lost to history, Marioun Twedy of Peebles, and Isobel Gowdie. The title refers to "pricking"—searching accused women's bodies for the "devil's mark" with sharp instruments.The play moves between past and present, uses dark humor and Scottish folk music, and centers on a single haunting puppet created by Madeline Helling.What They DiscussThe rehearsal process: Both directors talk about the challenge of staging the pricking scenes, even with a puppet. Jeff's Chicago cast continues working through how to show violence respectfully. Amy's New Orleans students couldn't bring the instrument near the puppet—they performed the gesture from twelve feet away.The puppet's power: Madeline designed one puppet to represent all the accused women. It's specific enough to feel real, neutral enough that audiences project onto it. The puppet travels between productions and comes back to her for repairs.Contemporary connections: The play addresses ongoing witch hunts in countries where witchcraft remains a state crime. Amy teaches in Louisiana and discusses working in a politically charged environment. Jeff talks about theater as "rehumanization" in response to current dehumanization.The music: Both productions use songs by Heal and Harrow, a folk duo who created an album for the Witches of Scotland Campaign. Jeff adds Scottish guitar with electronics. Amy's students performed acapella arrangements.Cultural complications: Amy reflects on taking the play to Wellington, New Zealand—a colonial capital—at a conference focused on integrating Māori culture with acting and voice techniques. The play deals with Scotland as both colonized and colonizer, which created complex responses from audiences of different backgrounds."Remembrance Is Resistance"This Witches of Scotland Campaign motto runs through the conversation. The campaign seeks pardons and memorials for nearly 5,000 documented accused. They created a tartan anyone can wear to show support.At Tulane, one student built a monument inscribed with every name from the database and installed it in the lobby.Chicago ProductionNovember 6-16, 2025 The Den Theater, Milwaukee Avenue Tickets: thedentheatre.com (search "Prick")Two weekends only. Proboscis Theater Company's production features new jackdaw puppets and is reaching out to both theater audiences and Chicago's pagan communities.LinksGet Tickets to the Chicago Production at the Den Theatrewww.healandharrow.comNational Archives, Scotland, Early Modern Witch TrialsPrick: A Play of the Scottish Witch Trials Podcast EpisodeSign the Petition: MA Witch Hunt Justice Project Join One of Our ProjectsThe Thing About Salem Podcast

This week the American contemporary mixed-media artist Anna Carll who began her painting career with very colorful figurative work, which slowly evolved into non-representational abstract work that's based on the concept of urban expansion and erosion. Anna was born in Charleston, WV in 1960. Her mother Maggie Schettler, a career nurse and teacher, and father James Carll, who worked in the auto industry, divorced when Anna was just 12 years of age. She is the youngest of six children.  Anna reflects on a troubled childhood and how she became a truant, eventually dropping out of high school and becoming a juvenile delinquent. She describes herself as a having been a sickly child who suffered from dyslexia while becoming introspective and private.  At the age of 17, she ran away from home. When she returned home six months later to her mother she went back to school and achieved her General Equivalency Diploma (GED) at 18. It was then she decided to focus on a vocation in graphic art and design by attending the Sarasota County Vocational Technical Center for 12 months. This was followed by six months at the Venice Sun Newspaper where Anna realized she still needed further training so she attended the University of Florida, graduating with a BA in Art & Graphic Design in 1984. Her career began as an illustrator and graphic artist and for 16 years she worked in Atlanta. Anna subsequently spent 12 years honing her craft as an painter in the North Georgia Mountains under the shadow of the Appalachian Mountains in the Blue Ridge area. From 1992-4 she studied with the artist Ouida Canaday before leaving her career as a graphic artist to become a full-time fine artist in 1999. Anna's first gallery representation came in 1997 with Bender Fine Art Gallery in Atlanta and she is now represented by a number of galleries in the US. Anna's work is collected by a diverse group of both private individuals and corporations in the US, South America, Europe and Asia. Anna now lives in Chattanooga, TN with her cat Sadie Mei. Anna's links:https://www.annacarll.com/https://www.instagram.com/annacarllart Anna's favorite female artists in visual arts:Current artists: Marjorie Thompson, Galen Chaney, Karen Stamper, Lynn Alker, Nicola Bennett, Cat Tesla, Bethany Kohrt, Helen Ward, Julia Bland, Jackie Mulder, Jackie Leishman, Rebecca Crowell, Patricia Kelly, Jill Stoll, Nina TichavaLate artists: Lee Krasner, Joan Mitchell, Helen Frankenthaler, Louise Nevelson Eva Hesse, Ruth Asawa, Georgia O'Kieffe, Frida Kahlo Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on Facebook Email: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the American contemporary mixed-media artist Anna Carll who began her painting career with very colorful figurative work, which slowly evolved into non-representational abstract work that's based on the concept of urban expansion and erosion. Anna was born in Charleston, WV in 1960. Her mother Maggie Schettler, a career nurse and teacher, and father James Carll, who worked in the auto industry, divorced when Anna was just 12 years of age. She is the youngest of six children.  Anna reflects on a troubled childhood and how she became a truant, eventually dropping out of high school and becoming a juvenile delinquent. She describes herself as a having been a sickly child who suffered from dyslexia while becoming introspective and private.  At the age of 17, she ran away from home. When she returned home six months later to her mother she went back to school and achieved her General Equivalency Diploma (GED) at 18. It was then she decided to focus on a vocation in graphic art and design by attending the Sarasota County Vocational Technical Center for 12 months. This was followed by six months at the Venice Sun Newspaper where Anna realized she still needed further training so she attended the University of Florida, graduating with a BA in Art & Graphic Design in 1984. Her career began as an illustrator and graphic artist and for 16 years she worked in Atlanta. Anna subsequently spent 12 years honing her craft as an painter in the North Georgia Mountains under the shadow of the Appalachian Mountains in the Blue Ridge area. From 1992-4 she studied with the artist Ouida Canaday before leaving her career as a graphic artist to become a full-time fine artist in 1999. Anna's first gallery representation came in 1997 with Bender Fine Art Gallery in Atlanta and she is now represented by a number of galleries in the US. Anna's work is collected by a diverse group of both private individuals and corporations in the US, South America, Europe and Asia. Anna now lives in Chattanooga, TN with her cat Sadie Mei. Anna's links:https://www.annacarll.com/https://www.instagram.com/annacarllart Anna's favorite female artists in visual arts:Current artists: Marjorie Thompson, Galen Chaney, Karen Stamper, Lynn Alker, Nicola Bennett, Cat Tesla, Bethany Kohrt, Helen Ward, Julia Bland, Jackie Mulder, Jackie Leishman, Rebecca Crowell, Patricia Kelly, Jill Stoll, Nina TichavaLate artists: Lee Krasner, Joan Mitchell, Helen Frankenthaler, Louise Nevelson Eva Hesse, Ruth Asawa, Georgia O'Kieffe, Frida Kahlo Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on Facebook Email: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Brandon Prendes, MD joins this episode of Head & Neck Innovations to discuss the upcoming 2025 Contemporary Multidisciplinary Care of the Head and Neck Cancer Patient course. The course provides a contemporary update of management strategies for head and neck cancer, using a multidisciplinary approach.

Because God has adopted us as His beloved children through Christ, we are called toreflect His character in the world. To imitate God means living out of our new identity, lovingwith Christlike sacrifice, and pursuing unity as one family, so that the world sees the crossthrough us and is drawn home to Him.

This week on the Geekin' on Walt Disney World Podcast, I welcome back long-time Super Geek and dear friend Jen Batchelder! Jen just returned from a magical September trip celebrating family birthdays at Bay Lake Tower, and she's here to share her heartwarming family adventure — filled with fireworks, fairytales, and unforgettable princess moments.

Talking to Tish Weinstock offers the kind of unfiltered honesty — or, as she calls it, radical honesty — that every interviewer hopes to find in a guest. She has a unique ability to move between the frivolous and the deeply meaningful with equal parts wit and whimsy, leaving you to wonder whether she's someone who refuses to take herself too seriously or simply someone who won't struggle against whatever feels truthful in the moment. Whether you know her from her work as a writer, her time in front of the camera or on the runway, or simply as a familiar face at all the right parties, she's one to watch for anyone curious about culture and the people shaping it. In a conversation that spans her early experiences with loss and grief, the chaos of her intern years, and a recent visit to a trauma retreat in America, this episode has a little something for everyone. “When I wrote that piece called I'm an intern, not an idiot and someone from upstairs came running in to tell me to take it down, that's when I realized your words actually matter, that they can shake something even if the system doesn't want them to.” - Tish Weinstock  Episode Highlights: On early influences Tish grew up in London in a traditional home marked by early loss, gravitating to darker, sardonic heroines and art that felt surreal, spooky, and sincere. On first contact with fashion She obsessed over ad campaigns on her bedroom wall and later realized that what drew her in was storytelling through images as much as clothes. On finding the door in A chance encounter at a friend's house led to internships at Tank and Garage where she learned the grind and took her first steps into writing. On writing as power At i-D she published I'm an intern, not an idiot and learned that words move systems even when the system pushes back. On becoming a beauty writer by accident She did not care about products at first and then noticed beauty as identity and language in a new wave of body positivity, drag, and Instagram natives. On Isamaya French and Dazed Beauty Collaborating there showed her how beauty can merge subculture, technology, and art long before the wider culture caught up. On creativity and authenticity The work sings when the obsession is real and it falls flat when the topic is traffic bait that she does not care about. On writing today Substack rekindled her love of writing as a living diary where immediacy and imperfection feel more honest than highly polished feeds. On wellness and the mind A week without a phone at a trauma program helped her reframe negative thoughts and confirmed that presence is a practice not an arrival. On what is contemporary now Radical honesty feels most alive today since culture is saturated with performance and curation and audiences are hungry for what is real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Destiny Christian Center October 26, 2025 Trusted Relationships, Pastor Chris Neisent destinyokc.com

Guests - Caleb Dicke and Glenn KelichHosted By - Courtney Ortiz and Lesley MealorThis throwback episode of Making the Impact takes us back to 2023 with a conversation about stage fright. Courtney and Lesley discuss their experiences with stage fright with two wonderful guests. Caleb Dicke, professional dancer and IDA judge, and Glenn Kelich, former professional dancer turned mental health professional, remind listeners that they're not alone in struggling with stage fright. This episode originally aired on January 12, 2023. Topics Include: Strategies for handling stage fright Personal experiences with stage fright How teachers and parents can help dancers combat performance anxietyHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceCaleb Dicke - @CalebDickeGlenn Kelich - @glennkelich, @thementalgameThis episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show

The Oligarchic Motives Behind the "No Kings" Protest. Gaius and Germanicus, speaking from Londinium, discuss the contemporary "No Kings" protest occurring across the American Empire, noting the young people involved are protesting the outcome and subsequent actions taken following the 2024 democratic vote. While Gaius sees the protest as amateurish, Germanicus finds it rooted in deep ignorance. Germanicus emphasizes that kingship is profoundly alien to both the Roman experience (which was founded on the overthrow of kings) and the American experience, pointing out that even a Roman emperor would never call himself a king. The true American Revolution was a rebellion against Parliament, not King George III. The element that is truly sinister, however, is not the youthful protestors but the oligarchy that created the enterprise. This elite class, which feels entitled to rule and controls the ruling institutions, is threatened by the rise of "big men" (like Crassus or Pompey) supported by populism. The "No Kings" metaphor is an absurd and ahistorical tactic used by the threatened oligarchy to quash this popular movement. The hosts then turn to debating the necessity of moving the American Empire's capital, as DC's usefulness is outworn. 1582 OTHO