Podcasts about jacques louis david

ادامه میدیم داستان ناپلئون رو، این بار همراه با تابلوهای ژاک لویی داوید از اوج و مراسم تاج گذاری او میرسیم به سقوط و مرگ امپراتور.لینک صفحه‌ی حامی باش:https://hamibash.com/Gessopodcastتابلوی مراسم تاج گذاری ناپلئون:https://upload.wikimedia.org/wikipedia/commons/1/1e/Jacques-Louis_David_-_The_Coronation_of_Napoleon_%281805-1807%29.jpgتابلوی ناپلئون در دفتر کارش در کاخ توئیلری:https://upload.wikimedia.org/wikipedia/commons/4/4f/The_Emperor_Napoleon_in_His_Study_at_the_Tuileries%2C_by_Jacques-Louis_David_%281812%29_-_National_Gallery_of_Art_%28Samuel_H._Kress_Foundation%29_-_2.jpgقطعات موسیقی:Johann Strauss ll - Persischer MarschCoronation Mass - Wolfgang Amadeus MozartAdagio for Strings - Barber Hosted on Acast. See acast.com/privacy for more information.

Vita e opere di Jacques-Louis David, uno dei pittori francesi più celebri nonché protagonista assoluto del Neoclassicismo, noto per il Giuramento degli Orazi. Stile, temi e significato della sua arte.

The late Christopher Coker, Professor of International Relations at the London School of Economics for almost 40 years, explains why, although the love of liberty is not unique to the West, the lust for liberty is. Read by Helen Lloyd. FURTHER READING: The West's lust for liberty | Christopher Coker Image: Leonidas at Thermopylae, by Jacques-Louis David, 1814. Credit: Peter Horree / Alamy Stock Photo

Lo habéis pedido y os hemos escuchado: por fin llegan los Madrazo a Arte compacto. A pesar de la resistencia de Juanra –que estos días solo quiere hablar del Papa Francisco, del Vaticano y de cardenales– dedicamos este episodio a José de Madrazo, pater familias de esta valiente, poderosa y artística saga familiar tan ligada al Museo del Prado.Y no podíamos hacerlo sin contar con la sabiduría y la preciosa voz del doctor Carlos G. Navarro, comisario de -entre otras cosas- la exposición “Cambio de forma. Mito y metamorfosis en los dibujos romanos de José de Madrazo”, en el Prado hasta el 22 de junio de 2025. Repasamos la vida y obra de este apolítico santanderino que estudió pintura en la Real Academia de Bellas Artes de San Fernando –la RABASF– y en París con el gran pintor neoclásico Jacques-Louis David antes de pasar muchos años en Roma donde pintaría, por ejemplo, el retrato en forma de alegoría mitológica de Godoy con su amante, Josefa Tudó, mientras su mujer -la condesa de Chinchón- y su hija estaban “vivas en Toledo”. Entre salseo y salseo del siglo XIX –por supuesto, aparece la gran Amalia de Llano y Dotres, la Vilches, con sus joyas de noble de nuevo cuño y su vestido azul pavo real– se nos cuelan conversaciones sobre comida rica, deporte y fueguitos de WhatsApp (¿qué pasaría si algún día publicasen nuestros DMs de Instagram como si fuésemos los Goncourt?), y queda claro que José de Madrazo fue –además de un gran pintor y estratega– un grandísimo padre que le escribió a su hijo Federico las despedidas epistolares más bonitas (ñoñas) que hemos leído.Expresiones a Ángela, Ramón y Alicia por los dulces que hemos saboreado, mientras quedan amándoos Juanra y Bernardo.

If you weren't sleeping through your chemistry classes in high school, you probably heard the phrase "Nothing is lost, nothing is created, everything is transformed." This is basically what we know as the law of conservation of mass. It was coined by Antoine Lavoisier, the man considered the father of modern chemistry and one of history's most influential scientists.However, he will end his days under the blade of the guillotine in 1794. How can this be? Join us as we delve into the remarkable but tragic life of Lavoisier, a savant at the scaffold!TimecodesIntroduction06:36 - Young, Rich and Brillant13:25 - Understanding Nature20:39 - The French Revolution25:37 - The Blade Falls31:17 - ConclusionRelevant Episode:The French Revolution, a Worldwide TremorMusic: Marche pour la cérémonie des Turcs, composed by Jean-Baptiste Lully, arranged and performed by Jérôme Arfouche.Artwork: Portrait d'Antoine Lavoisier et de sa femme, Jacques-Louis David, 1788. Metropolitan Museum of Art, New YorkSupport the showReach out, support the show and give me feedback! Contact me or follow the podcast on social media Leave a 5-star review on Apple Podcasts or on Spotify Become a patron on Patreon to support the show Buy me a Coffee

Let's visit the Louvre with author Elaine Sciolino. Today, we chat about her upcoming book Adventures in the Louvre: How to Fall in Love with the World's Greatest Museum. The book pulls back the curtain on a building many think they know, but which still contains endless secrets and untold stories. And if you think you recognise Elaine's name and voice, perhaps you heard her on the pod before! Elaine, the former Paris bureau chief for The New York Times, has featured The Earful Tower in the past discussing her books about the Seine River and the Rue des Martyrs. In fact, she was the second-ever guest on the show, back in 2017. Elaine used her extensive experience as a reporter to influence how she wrote this book. She decided the best approach was to explain the Louvre museum “through the prism of someone who's not an art historian and who's not a tour guide. I decided to just report the Louvre and talk to everybody that I possibly could.” And, my goodness, the surprises Elaine uncovered will knock your socks off: spending the day with the museum's permanent on-site fire fighters, a secret World War Two bunker and long-forgotten graffiti inscribed by the builders of the Philippe Auguste wall. For Louvre novices who are in danger of having an exhausting and frustrating experience trying to see and do everything, Elaine offers this advice “Find your Louvre identity, find what kind of a visitor you are… And once you decide that it makes it a lot easier, because you forgive yourself for not being perfect…You go each time with a different identity, like you go each time and discover a different work of art.” Elaine confesses that she wasn't always the biggest fan of the museum, “the Louvre is a challenge, it's too big…it's too crowded, it's an impossible museum. You have to find your way in. So that's what I tried to do.” Having visited the building hundreds of times in the course of writing the book, I wondered if Elaine was all Louvre-d out or did she intend to go back? “Oh no, I have to go back. I have to keep going back.” Adventures in the Louvre: How to Fall in Love with the World's Greatest Museum is released on 1 April 2025. You can pre-order it here. A fun extra the end of the episode, Bertrand d'Aleman from My Private Paris tells us about a current exhibition at the museum: The Louvre Couture. This is an exploration of how the vast breadth of decorative art contained within the walls of the museum has informed the world of high fashion. The Louvre Couture exhibition runs from 24 January - 21 July. Book your tickets here. Artwork mentioned in this episode: Mona Lisa (also known as La Joconde) by Leonardo da Vinci; Man with a glove by Titian, Portrait of a Man (also known as La Condottiere) by Antonello da Messina; The death of Marat by Jacques-Louis David. Thanks to Hannah Coyle for additional reporting. Enjoying what we're doing here at The Earful Tower and keen to see more? Become a Patreon member here to support it and to discover our exciting extras. This season of The Earful Tower is brought to you by My Private Paris, an award-winning travel company creating deluxe itineraries for Paris and beyond. See what they offer here and be sure to let them know that you came from The Earful Tower.          

Massimo Arcangeli"Quel braccio alzato"Storia del saluto romanoCastelvecchi Editorewww.castelvecchieditore.comLa storia del saluto romano è, in realtà, la storia di un saluto che romano non è. Le sue origini risalgono alla rinascita della tradizione greco-latina in epoca neoclassica, di cui il dipinto di Jacques-Louis David, dove tre Orazi romani giurano con determinazione mostrando il loro braccio destro teso, è l'esempio più celebre. Secoli dopo, in un impeto antiborghese, Mussolini ordina di abbandonare la tradizionale stretta di mano a favore del saluto a braccio teso. Un gesto che da quel momento attraversa le piazze e scuote le folle, non solo italiane. Massimo Arcangeli ricostruisce la storia del saluto fascista analizzando la simbologia e la politica linguistico-culturale del Ventennio, comparando le con quelle della dittatura nazista. Una storia che, tra aquile, parate e camicie nere, non è mai stata dimenticata dai militanti di estrema destra oggi al potere, tornati a rialzare prepotentemente la testa, e il braccio.Massimo ArcangeliLinguista, critico letterario, politico e sociologo della comunicazione, insegna all'U­niversità di Cagliari. È stato garante per l'Italianistica nella Repubblica Slovacca, dirige diversi festival culturali e collabora con la Società Dante Alighieri, l'Istituto della Enciclopedia Italiana e numerose testate giornalistiche nazionali. Fra le sue ultime pubblicazioni per Castelvecchi: Il Renziario (2018), Il Salvinario (2019), Sardine in piazza. Una rivoluzione in scatola? (2020), La lingua sc?ma. Contro lo schwa (e altri animali) (2022), Il Melonario (2023) e Ci consenta. Parola di cavaliere (2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Äntligen ska vi prata om 1700-talet igen, nämligen Jacques-Louis Davids ikoniska målning “Marats död” från 1793, som finns på Kungliga museet för sköna konster i Belgien och i en kopia från 1800 på Louvren. Davids tavla visar den döende tidningsmannen, revolutionären och politikern Jean Paul Marat och det är en vacker och stillsam död vi får se här. Inget får en att ana den rafflande och våldsamma historiska berättelsen som ligger bakom motivet. Målningen härstammar direkt från den franska revolutionens epicentrum. Målaren David och motivet Marat var inte bara vänner, utan båda politiskt aktiva i Nationalkonventet under den franska revolutionen. Medan Marat inte överlevde revolutionen, kunde David med nöd och näppe undgå giljotinen. Nuförtiden räknas konstverket till ett av de viktigaste i den franska konsthistorien, men då det begav sig fanns ingen plats för den i Frankrike. Konstnären själv fick rädda undan tavlan, gömma den i flera år och ta med sig den till sitt exil i Belgien, där den finns än idag. Jacques-Louis David är en av de viktigaste målarna i den franska konsthistorien, men när han gick bort, nekades han till och med att bli begravd i Paris. Bara hans hjärta ligger begravd på Père-Lachaise i Paris. Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.

This episode is the first of a two-part discussion of lifestyle dommes as sex workers. Episode Art: Portrait of a Young Woman In White (detail), Jacques Louis David, c. 1798Support the show

(A obra é a "A Morte de Marat", do artista Jacques-Louis David). Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga, no Instagram, o perfil oficial do Prof. Lenio Streck (⁠⁠⁠⁠⁠⁠⁠@lenio_streck⁠⁠⁠⁠⁠⁠⁠) e do Streck & Trindade Advogados (⁠⁠⁠⁠⁠⁠⁠@strecketrindade⁠⁠⁠⁠⁠⁠⁠), além do perfil do X (⁠⁠⁠⁠⁠⁠⁠@LenioStreck⁠⁠⁠⁠⁠⁠⁠), e acompanhe as colunas do Senso Incomum, no site do ⁠⁠⁠⁠⁠⁠⁠Conjur⁠⁠⁠⁠⁠⁠⁠.

Nous sommes 13 août 1809. Napoléon adresse un message au prince Borghèse. Il s'agit de choisir la résidence du pape Pie VII qu'il vient de faire enlever à Rome, quelques jours plus tôt. On peut lire : « Quant au pape, le ministre l'envoie à Savone par Aix et Nice. Si je l'ai fait envoyer de préférence à Savone, c'est à cause que la citadelle assure qu'il sera là à l'abri de tout événement. Vous le placerez dans la maison de l'évêque où il sera bien. Vous formerez une garde d'une cinquantaine de chevaux, commandée par un bon officier que vous tiendrez à Savone. Vous aurez soin que le fort soit bien approvisionné et qu'il y ait une bonne garnison d'un petit bataillon de 400 hommes. (…) On laissera le pape faire ce qu'il veut, en ayant soin toutefois d'empêcher toute communication extraordinaire soit avec Gênes, soit avec d'autres pays (…) Pourquoi l'Empereur retient-il captif le souverain pontife avant de l'envoyer pour un long exil à Fontainebleau ? Qui était Pie VII, immortalisé par Jacques-Louis David dans son tableau, exposé au musée du Louvre, intitulé « Sacre de l'empereur Napoléon Ier et couronnement de l'impératrice Joséphine dans la cathédrale Notre-Dame de Paris, le 2 décembre 1804 » ? Un long règne de vingt-trois ans fera de ce moine bénédictin, ouvert aux idées des Lumières, l'artisan de l'extension du rôle diplomatique du Saint-Siège et le meilleur ennemi, peut-être, de Napoléon. Avec nous : Jean-Marc Ticchi auteur de « Pie VII – Le pape vainqueur de Napoléon ? » ; éd. Perrin. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Sexual Abuse by Jacques Louis DavidJacques uses his work as a platform to demonstrate what happens when a child is raised in the ultimate dysfunctional family system. The details shared here are excruciatingly visceral. As the title suggests, the sexual abuse started early, while the author was a toddler, and was carried on into much of his childhood. Though the abuse was mostly at the hands of an alcohol and drug-fueled mother, it did not end there and got to the point where most authority figures, from babysitters to his uncle who were meant to protect him, were precisely the ones doing him harm. Jacques tells his story with unflinching candor. With a mother who was mostly under the influence, even during his pregnancy, it is unsurprising that the author dealt with infant blood pressure and hardened intestines. In the midst of this unending chaos, Jacque's knack for academic excellence is seemingly swept under the rug, yet he is unceasingly determined to study. At its core, this a story of unification, a narrative for all those in need of healing to know that help awaits them, and to never stop seeking it out.https://www.amazon.com/Sexual-Abuse-Jacques-Louis-David/dp/B0DFGTC4XC/ref=sr_1_2?crid=2SKLWZ9HS365S&dib=eyJ2IjoiMSJ9.UiAbw-FVbgQgjYxpy4ziPS8CWcQdSz_II8-h7_891Ns9paauyWzPVGpLnuO5eE1xo2vAPvnQzV7cFeFEG7tbSzJldkYhm3wG-l3jKNi7Q99i3RHuaHXTweM2bHLuERltEfXwpz11mIO-lm0A4_AWAx8OQj4QWLWy76hwf9EJbmlzKadwQ7fYmHDy2_xaXrhSBgxPpG4RRQD5lNYIlxVLCG6nw8Cq7o0vy94EC23RCl8.6bHVHwmb5xUGWx_i41oN6Sdv3wvrOaSgZwplOeY18zY&dib_tag=se&keywords=Jacques+David+Sexual+Abuse&qid=1724945103&s=books&sprefix=jacques+david+sexual+abuse%2Cstripbooks-intl-ship%2C278&sr=1-https://jldavid.gothambooksinc.com/   http://www.GothamBooksInc.com   http://www.bluefunkbroadcasting.com/root/twia/91224tba2.mp3  

Wir springen in dieser Folge ins Jahr 480 vdZw, und damit direkt in die Perserkriege, im Zuge derer sich eine Koalition griechischer Städte gegen das mächtige Achämenidenreich stemmt. Genauer sprechen wir über die Schlacht an den Thermopylen: eine Auseinandersetzung, die zwar strategisch betrachtet weit unbedeutender als die meisten Schlachten davor und danach war, die aber dennoch Folgen hatte, die weit über den Konflikt selbst hinausgingen. // Literatur - Anuschka Albertz. Exemplarisches Heldentum: Die Rezeptionsgeschichte der Schlacht an den Thermopylen von der Antike bis zur Gegenwart. Oldenbourg Verlag, 2006. - Chris Carey. Thermopylae: Great Battles. Oxford University Press, 2019. - John Ma. Polis: A New History of the Ancient Greek City-State From the Early Iron Age to the End of Antiquity. Princeton University Press, 2024. - Stephen P. Kershaw. The Harvest of War: Marathon, Thermopylae, and Salamis: The Epic Battles That Saved Democracy. Pegasus Books, 2022. - Waldemar Heckel, F.S. Naiden, E. Edward Garvin, und John Vanderspoel. A Companion to Greek Warfare, 2021. - Hans van Wees. Greek Warfare: Myths and Realities. Bloomsbury Academic, 2004. // Erwähnte Folgen - GAG439: Kyros II. und die Entstehung eines Mythos – https://gadg.fm/439 - GAG416: Wie das Münzgeld entstand – https://gadg.fm/416 - GAG435: Die Schlacht bei Carrhae – https://gadg.fm/435 Das Episodenbild zeigt einen Ausschnitt des erwähnten Gemäldes von Jacques-Louis David. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author wrote 'Pebble in the Sky'? Question 2: Which author wrote 'Lying Under the Apple Tree'? Question 3: Which author wrote 'A Song of Ice and Fire'? Question 4: What is the word given to a unique image printed from a polished plate which has been painted with a design in ink? Question 5: Which author wrote 'The Fault in Our Stars'? Question 6: What is the word for a method of watercolor painting prepared with a more gluey base, producing a less transparent effect? Question 7: Which book contains the character 'Holden Caulfield'? Question 8: In "Romeo and Juliet", who said "I have a faint cold, fear thrills through my veins"? Question 9: The painting "Portrait of Madame Recamier" by Jacques-Louis David is a part of which art movement? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Sassenach Files podcast, Chelsea is breaking down all the history and romance of the 18th century plot in The Pearl Brooch by Katherine Lowry Logan. Come along for the ride as she chats about historical figures like Thomas Jefferson, the Marquis de Lafayette, and Jacques Louis David. She also discusses the heroine of the story, Sophia Orsini, aspects of writing craft that connect the past and present story lines of this time travel romance, and how presentism can be a reader's own worst enemy when reading historical fiction.

In questa lezione affrontiamo il problema della vera identità di Napoleone e sull'ambiguità con cui conduce la prima importante campagna militare affidatagli dal Direttorio, ovvero la campagna d'Italia. La lezione ripercorre le tappe delle brucianti vittorie napoleoniche, domandandosi che cosa rendesse il corso un generale così geniale. Riflettiamo anche sugli elementi di novità introdotti nella concezione della politica da Napoleone. In copertina: Jacques Louis David, Napoleone valica il Gran San Bernardo --- Send in a voice message: https://podcasters.spotify.com/pod/show/stefano-dambrosio5/message

In copertina: Jacques Louis David, Morte di Marat --- Send in a voice message: https://podcasters.spotify.com/pod/show/stefano-dambrosio5/message

Aquesta setmana hem de destacar la hist

Aquesta setmana hem de destacar la hist

Programa 4x114. Primer vam portar-vos la culpable de l'assassinat; despr

Programa 4x114. Primer vam portar-vos la culpable de l'assassinat; despr

Napoleonic geopolitics didn't make much impression on Europe's maps, but its influence was wide-ranging. Read by Leighton Pugh. Napoleonic Europe: how the Emperor built a continent | Michael Broers Image: Napoleon crossing the Alps by Jacques-Louis David. Credit: GL Archive / Alamy Stock Photo 

Nous sommes le 25 décembre 1825 à Bruxelles, au numéro 7 de la rue Léopold, à l'arrière du Théâtre de La Monnaie. C'est là, en exil depuis près de dix ans, que meurt l'un des rares à avoir survécu à la disparition de la monarchie française, aux répressions de la Révolution et à la chute du Premier Empire. Epris de vertus républicaines, on lui a reproché son opportunisme, sa capacité à garder pieds quelques soient les tourmentes. Il voulait rendre l'art à la cité et a confondu sa peinture et ses idéaux. Son œuvre tragique, grandiose est le miroir des soubresauts de l'Histoire. Un artiste engagé, avant la lettre : Jacques-Louis David. Invité : Dimitri Joannidès, historien de l'art. Sujets traités : Jacques-Louis David, révolutionnaire, monarchie , premier Empire exil, peintre, oeuvre Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 15h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Napoleon, kejsare av Frankrike, ledde stora massarméer i fälttåg över den europeiska kontinenten i tjugo år. Trots häpnadsväckande framgångar blev han slutligen besegrad 1815 vid Waterloo. Mycket få historiska gestalter har påverkat historien så mycket och väckt så starka känslor som Napoleon Bonaparte.Den nya storfilmssatsningen om den korsikanske uppkomlingen och kejsaren är ännu ett försök att skildra Napoleons liv. Frågan är om det är ett lyckat försök. Militärhistoriepodden har naturligtvis sett filmen och har åsikter.I detta avsnitt av Militärhistoriepodden tycker Martin Hårdstedt och Peter Bennesved till om och analyserar den nya aktuella filmen om Napoleon. Ridley Scotts storfilm om en av världshistoriens mest berömda fältherrar med Joaquin Phoenix i huvudrollen kom lagom till jul. En påkostad så kallad kostymfilm som kommer att ses av miljoner människor. Men innehåller den egentligen någonting intressant ur ett militärhistoriskt perspektiv?Filmen skildrar egentligen mest Napoleon komplicerade relation till Josephine Beaharnais – sedermera den franske kejsarinnan. Många av de mer intressanta frågorna kring vem Napoleon egentligen var kommer i skymundan. Historikerna har inte minst lyft fram hans unika förmåga att kombinera fältherreskapet med statsmannambitioner. Han var en militär med sinne för politik. I filmen diskuteras inte heller den centrala frågan om Napoleon var revolutionsman eller rojalist. Han kom från Korsika och det var inte helt självklart att han ens såg positivt på det franska.Militärhistoriskt innehåller filmen många klavertramp både vad det gäller oförklarliga kronologiska hopp och skildringen av de tre slag som lyfts fram: Austerlitz, Borodino och Waterloo. Det finns mycket att ha åsikter om. För en militärhistoriskt intresserad ger filmen egentligen inte så mycket. Napoleon som fältherre eller krigföringens villkor och utveckling skildras egentligen inte särskilt väl. Militärhistoriepodden landar på ganska låga poäng när det kommer till filmens militärhistoriska värde.Bild: Napoleon I avporträtterad av Jacques-Louis David, iklädd en av sina favorituniformer, den för en officer för Chasseur à pied i det Kejserliga gardet. Han står i sitt arbetsrum i Tuilerierna. Wikipedia, Public DomainLyssna också på Napoleons uppgång och fall i det revolutionära Frankrike.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Pourquoi un conservateur ne doit pas être… conservateur. Au cours de son histoire, l'œuvre d'art matérielle connaît une série de transformations, aussi bien en raison de facteurs externes (modifications de format, vandalisme, accidents, contexte historique …), qu'internes, liés à l'évolution des matériaux utilisés. Pour les peintures anciennes, ce processus est souvent abordé sous le seul angle d'une dégradation inévitable, nous éloignant d'une origine fantasmée qui serait le moment de l'achèvement et qu'il conviendrait - autant que possible - de préserver. Les termes de « conservateur » et de « restaurateur » renvoient à cette conception fondée sur une temporalité figée, regardant principalement vers un passé irrémédiablement perdu. Sébastien Allard propose d'adopter un autre point de vue en considérant positivement les évolutions matérielles des œuvres, non pas comme une dégradation plus ou moins lente, mais comme la marque de leur vitalisme, comme des métamorphoses successives qu'il s'agit, pour le conservateur, d'accompagner, voire d'anticiper. Il y a là un point essentiel qui implique un changement radical de positionnement, la conservation devant intégrer mieux la sédimentation des temporalités, celle de l'œuvre et la nôtre, et assumer la dialectique entre notre propre historicité et l'état de l'œuvre à un moment donné. Il ne s'agit plus d'essayer – un peu vainement - de fixer une origine, de rétablir une achronie, mais de donner à voir la relation qu'une société donnée, à une époque donnée, entretient avec les œuvres du passé, la façon dont elles peuvent encore s'adresser à nous aujourd'hui. Normalien, diplômé de l'Institut d'Etudes politiques de Paris et conservateur général du Patrimoine, Sébastien Allard est le Directeur du département des Peintures du musée du Louvre. Dix-neuviémiste, il s'est tout particulièrement consacré au romantisme et à l'œuvre de Delacroix, d'Ingres et de Corot. Il a été le commissaire de nombreuses expositions internationales, dont, en 2018, la grande rétrospective consacrée à Eugène Delacroix au musée du Louvre et au Metropolitan Museum de New York et l'exposition « Corot. Le peintre et ses modèles » au musée Marmottan Monet. Il est actuellement le commissaire de « Naples à Paris. Le Louvre invite le musée de Capodimonte » et prépare une exposition consacrée à Jacques-Louis David. Son ouvrage, coécrit avec M.-Cl. Chaudonneret, Le Suicide de Gros. Les Peintres de l'Empire et la génération romantique avait obtenu, en 2011, le prix de l'essai de l'Académie française. Il travaille à un ouvrage sur l'enjeu du biographique dans l'œuvre des artistes. Encourageant la présence de l'art contemporain et du spectacle vivant au musée du Louvre, il a été, en 2010, le commissaire de l'invitation au Louvre de Patrice Chéreau et a, en 2022, conseillé scientifiquement le spectacle Forêt d'Anne-Teresa De Keersmaeker et Némo Flouret. Conférence organisée dans le cadre du partenariat entre le Musée du Louvre et les Beaux-Arts de Paris. Penser le Présent est réalisé avec le soutien de Société Générale. Amphithéâtre des Loges Jeudi 16 novembre 2023 Crédit photo : © c-2018musee-du-Louvre_AntoineMongodin

Socrates was a famous opponent of the Sophists, the teachers of rhetoric instead of truth - and yet, in his legal defense, he employs the techniques of rhetoric and displays a mastery of oratory. In a society that distrusted irony and regarded it as a form of dishonesty, Socrates uses the art of persuasion in a manner that is anti-persuasive: a brilliant irony that few of his judges would have understood, and resented if they had. While Nietzsche's later period is characterized by savage criticism of Socrates, Nietzsche describes Socrates as a heroic conqueror of death, in his lectures at Basel. Today we're going to dissect the rhetoric, the irony, and the deeper significance of Socrates' famous defense at his trial: the act of commitment to virtue in spite of the consequences, in defiance of the conventions of society and the sentiments of the majority. Episode art: Death of Socrates by Jacques-Louis David

 Chef de file des néo-classiques sous l'Ancien Régime, peintre emblématique de l'Empire,  Jacques-Louis David fut aussi – on le sait moins – un révolutionnaire enragé.    Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Extremely thrilled to have the inimitable and infinitely wise #real_one, artist Judy Glantzman, on the podcast this week. We cover her artistic beginnings in the East Village scene of the 80's (buckle up for some great stories), the vibrant multidisciplinary work coming out of her Upstate NY studio today, and everything in between. Also, don't miss her incredible philosophies about making art sprinkled throughout, and her essential tips for beating Artist's block. Judy is a painter, collage artist and sculptor and has been awarded grants from the Guggenhein Foundation, NYFA-NYSCA, Pollock Krasner Foundation and Anonymous Was a Woman. She is also an educator (RISD, Pratt, NYSS, etc.) and is open to artists who need some online feedback-just dm her at the IG below. Judy Glantzman is represented by Betty Cuningham Gallery in NYC. Also, find her on IG @judyglantzman Works Mentioned: The Pier (Abandoned Pier 34 in NYC) 1983-84 "The Missing Children Show" group mural installation with 5 other artists, incl David Wojnarowicz, in an abandoned factory building in Louisville, KY 1985 "Judy Glantzman Cuts Up Her Friends" 1985 exhibition of cut-out portraits at Steven Adams Gallery "A Valentine for Lila" 2006 "She Juggles" 2006 "After Donatello" 2015 "Dark Prayer" 2016 "Reach" 2017 "Dawn Clements" 2019 More reading/links: Essay "Judy Glantzman on Obituaries and Shadows | Art in Isolation" Painters on Painting blog 2020 Judy Glantzman interviewed on Beer with a Painter w/ Jennifer Samet for Hyperallergic blog Hyperallergic article by Allison Meier with photos of The Pier David Finn's photos of The Pier Press kit from The Missing Children Show 1985 Louisville Andreas Sterzing's photos of The Pier 1983-84 Artists mentioned: David Wojnarowicz, Mike Bidlo, John Fekner, Gordon Matta Clark, David Finn ("Masked Figures"), Kiki Smith, Huck Snyder, Peter Hujar Andreas Sterzing (photographer who documented the Pier), Charles Garabedian ("September Song," 2001 - 2003), Jacques Louis David, Francisco de Goya, Pablo Picasso ("Guernica"), Winslow Homer ("Dressing for the Carnival" 1877), Donatello, Charles Burchfield, Edgar Degas ("Little Dancer Aged 14" 1881), plus East Village galleries Civilian Warfare and Gracie Mansion Judy's Artist's Block Blockers (as summarized by Amy and her irrepressible need to be pithy): 1. Seed Theory (every part of a piece is a seed!) 2. Make a Doodle Painting *or* Make a Garbage Painting 3. Bravery Lives in the Living Room (and often in a basket!) 4. Nosy Nextdoor Neighbors 5. Be a Bad Art Student 6. Silly Geese Wear Paper Crowns 7. Your Work is Not Your Own 8. If You Think It, You Have to Make It 9. The Road to Freedom is Paved With Repetition (hot off the presses! in this ep!) Thank you, Judy! Thank you, Listeners! See you next time. ---------------------------- Pep Talks on IG: ⁠⁠@peptalksforartists⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠https://tinyurl.com/7k82vd8s⁠⁠ Amy's Interview on Two Coats of Paint: ⁠⁠https://tinyurl.com/2v2ywnb3⁠⁠ Amy's website: ⁠⁠https://www.amytalluto.com/⁠⁠ Amy on IG: ⁠⁠@talluts⁠⁠ ⁠⁠BuyMeACoffee⁠⁠ Donations appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

In this week's episode, Zofia flips the script and is interviewed by returning guest, Dr Briana King. This episode will be part one of an ongoing look at how the ancient world is used in different media today!I discuss with Dr King the history of “Classics” and what we mean when we discuss classical reception. Our first conversation is meant to lay down the foundational context for understanding what it means when classical images and stories are incorporated into modern media through books, music, film, and more. I will explore the history of the transmission of the ‘Classical Past' into the  Renaissance and Enlightenment periods, with a special focus on the art of Empire of Jacques-Louis David, and Neo-Classical Edinburgh and its architectural legacy of appropriating the past to project a colonial future of the British Empire.   To follow Dr King's academic work, check out her page on Academia.Edu.My chapter in the Palgrave Macmillan volume, Comics, and Archaeology: https://link.springer.com/chapter/10.1007/978-3-030-98919-4_5To get in touch and find out more about Two Friends Talk History:Find us on InstagramSupport us through Patreon Buy our merch on RedbubbleExplore more resources and topics about the ancient world on ArchaeoArtistMusic by the wonderfully talented Chris SharplesIllustration by Zofia GuertinIf you'd like to get in touch, email at twofriendstalkhistory@gmail.com. 

Episode #88 of the Last Call Trivia Podcast begins with a round of general knowledge questions. Then, we're making our mark with a round of Historical Figures Trivia!Round OneThe game kicks off with an Awards Trivia question about the two-word Latin term for a segment often seen at awards shows.Next, we have a Logos Trivia question about the object that appears in logos for Canada Dry, Rolex, and The Ritz-Carlton.The first round concludes with a Common Bonds Trivia question about the ballet move that shares its name with a cylindrical creme-filled wafer cookie by Pepperidge Farm.Bonus QuestionToday's Bonus Question is a follow-up to the Common Bonds Trivia question from the first round.Round TwoPull out your textbooks friends, because it's time for a round of Historical Figures Trivia!The second round begins with a People Trivia question that asks the Team to identify the person whose ashes were buried alongside Charles Darwin and Isaac Newton at Westminster Abbey.Next, we have an Art Trivia question about the subject of a famous painting of 1801 by Jacques-Louis David.Round Two concludes with a Politics Trivia question about one of the two individuals to be appointed to the office of vice president under the 25th Amendment.Final QuestionWe've reached the Final Question of the game, and today's category of choice is Characters. Cat got your tongue?The Trivia Team is given a list of four ​​feline characters and asked to place them in order of when they made their debut from earliest to most recent.Hey Trivia fans, we'd love to hear what you think about the Last Call Trivia Podcast! Share your thoughts with us in this short survey: https://forms.gle/9f5HqDV5CLPWkjoZ9To learn more about how Last Call Trivia can level up your events, visit lastcalltrivia.com/shop today!

The Sixth Element of Cardinalness: Romanitas, or "Roman-ness" The Elements so far: Creation Continuity Exile Service Relationship Romanitas   IMAGE: The Oath of the Horatii (1784), by Jacques-Louis David and Anne-Louis Girodet de Roussy-Trioson. Via Wikimedia Commons: https://en.wikipedia.org/wiki/Roman_salute#/media/File:Jacques-Louis_David_-_Oath_of_the_Horatii_-_Google_Art_Project.jpg  

One summer in the mid-2000s, Rabbi Moskowitz zt"l and I (and the other students who attended those shiurim during those weeks) worked out an approach to Eishes Chayil (a.k.a. Mishlei 31:10-31). This morning (5/21/23), in honor of his first yahrzeit, I presented his approach and our ideas on the entirety of Eishes Chayil.To listen to the original recordings, click here and locate N-135 and N-136.-----מקורות:משלי לא:י-לאמאירי, מצודת דוד/ציון, מיוחס לראב"ע, רלב"גמסכת תמיד דף לב עמוד ארמב"ם - מורה הנבוכים: הקדמה, ג:נגRabbi Jonathan Sacks, Covenant & Conversation - Tzedakah: the Untranslatable Virtue (Re'eh 5767)The Death of Socrates, by Jacques-Louis Davidמשלי א:א-ז; טו:לגרמב"ם - משנה תורה: ספר המדע, הלכות תשובה ה:ב-----This week's Torah content has been sponsored by the following individuals: - by Marci in loving memory of Rabbi Moskowitz zt"l with gratitude for enriching the lives of his many students.- by my mom, Terri Schneeweiss, in loving memory of Rabbi Moskowitz for showing us the light of Reality and giving us the courage and confidence to grow (and warmest aloha to Leya).- by Ann, Hadassah & Shmuel in memory of Rabbi Moskowitz zt"l with love and a sea of gratitude.-----If you've gained from what you've learned here, please consider contributing to my Patreon at www.patreon.com/rabbischneeweiss. Alternatively, if you would like to make a direct contribution to the "Rabbi Schneeweiss Torah Content Fund," my Venmo is @Matt-Schneeweiss, and my Zelle and PayPal are mattschneeweiss at gmail.com. Even a small contribution goes a long way to covering the costs of my podcasts, and will provide me with the financial freedom to produce even more Torah content for you.If you would like to sponsor a day's or a week's worth of content, or if you are interested in enlisting my services as a teacher or tutor, you can reach me at rabbischneeweiss at gmail.com. Thank you to my listeners for listening, thank you to my readers for reading, and thank you to my supporters for supporting my efforts to make Torah ideas available and accessible to everyone.-----Substack: rabbischneeweiss.substack.com/Patreon: patreon.com/rabbischneeweissYouTube: youtube.com/rabbischneeweissInstagram: instagram.com/rabbischneeweiss/"The Stoic Jew" Podcast: thestoicjew.buzzsprout.com"Machshavah Lab" Podcast: machshavahlab.buzzsprout.com"The Mishlei Podcast": mishlei.buzzsprout.com"Rambam Bekius" Podcast: rambambekius.buzzsprout.com"The Tefilah Podcast": tefilah.buzzsprout.comOld Blog: kolhaseridim.blogspot.com/WhatsApp Group: https://chat.whatsapp.com/GEB1EPIAarsELfHWuI2k0HAmazon Wishlist: amazon.com/hz/wishlist/ls/Y72CSP86S24W?ref_=wl_sharel

One summer in the mid-2000s, Rabbi Moskowitz zt"l and I (and the other students who attended those shiurim during those weeks) worked out an approach to Eishes Chayil (a.k.a. Mishlei 31:10-31). This morning (5/21/23), in honor of his first yahrzeit, I presented his approach and our ideas on the entirety of Eishes Chayil.To listen to the original recordings, click here and locate N-135 and N-136.-----מקורות:משלי לא:י-לאמאירי, מצודת דוד/ציון, מיוחס לראב"ע, רלב"גמסכת תמיד דף לב עמוד ארמב"ם - מורה הנבוכים: הקדמה, ג:נגRabbi Jonathan Sacks, Covenant & Conversation - Tzedakah: the Untranslatable Virtue (Re'eh 5767)The Death of Socrates, by Jacques-Louis Davidמשלי א:א-ז; טו:לגרמב"ם - משנה תורה: ספר המדע, הלכות תשובה ה:ב-----This week's Torah content has been sponsored by the following individuals: - by Marci in loving memory of Rabbi Moskowitz zt"l with gratitude for enriching the lives of his many students.- by my mom, Terri Schneeweiss, in loving memory of Rabbi Moskowitz for showing us the light of Reality and giving us the courage and confidence to grow (and warmest aloha to Leya).- by Ann, Hadassah & Shmuel in memory of Rabbi Moskowitz zt"l with love and a sea of gratitude.-----If you've gained from what you've learned here, please consider contributing to my Patreon at www.patreon.com/rabbischneeweiss. Alternatively, if you would like to make a direct contribution to the "Rabbi Schneeweiss Torah Content Fund," my Venmo is @Matt-Schneeweiss, and my Zelle and PayPal are mattschneeweiss at gmail.com. Even a small contribution goes a long way to covering the costs of my podcasts, and will provide me with the financial freedom to produce even more Torah content for you.If you would like to sponsor a day's or a week's worth of content, or if you are interested in enlisting my services as a teacher or tutor, you can reach me at rabbischneeweiss at gmail.com. Thank you to my listeners for listening, thank you to my readers for reading, and thank you to my supporters for supporting my efforts to make Torah ideas available and accessible to everyone.-----Substack: rabbischneeweiss.substack.com/Patreon: patreon.com/rabbischneeweissYouTube: youtube.com/rabbischneeweissInstagram: instagram.com/rabbischneeweiss/"The Stoic Jew" Podcast: thestoicjew.buzzsprout.com"Machshavah Lab" Podcast: machshavahlab.buzzsprout.com"The Mishlei Podcast": mishlei.buzzsprout.com"Rambam Bekius" Podcast: rambambekius.buzzsprout.com"The Tefilah Podcast": tefilah.buzzsprout.comOld Blog: kolhaseridim.blogspot.com/WhatsApp Group: https://chat.whatsapp.com/GEB1EPIAarsELfHWuI2k0HAmazon Wishlist: amazon.com/hz/wishlist/ls/Y72CSP86S24W?ref_=wl_sharel

What are the signifiers of an eternal image? Odd Nerdrum argues for the melancholic perspective on life and points to painters like Jacques-Louis David, Rembrandt and Titian.

The duel between the Horatii brothers and the Curiatii brothers seemed to settle the Roman-Alban dispute and give Rome authority over Alba. But wily Mettius Fufetius has a trick or two up his sleeve. Meanwhile, the one surviving Horatius brother strikes down his sister in cold blood, an incident Jacques-Louis David drew but never ended up painting. The civilized three-on-three duel now threatens to give way to an all-out war of extermination between Rome and Alba. This is the sixth episode of "No Republic Was Ever Greater," a podcast series examining the rise of the Roman Empire through the work of Livy and Machiavelli. Livy's Ab Urbe Condita: https://amzn.to/3gYwtbhMachiavelli's Discourses on Livy: https://amzn.to/3NtNBSjFustel de Coulanges's La Cité Antique (French): https://amzn.to/3yzATuZFustel de Coulanges's The Ancient City (English): https://bookshop.org/a/25626/9780648690542Jacques-Louis David's Oath of the Horatii: https://en.wikipedia.org/wiki/Oath_of_the_HoratiiNicolas Poussin's Rape of the Sabine Women: https://en.wikipedia.org/wiki/The_Rape_of_the_Sabine_Women#/media/File:L'Enl%C3%A8vement_des_Sabines_%E2%80%93_Nicolas_Poussin_%E2%80%93_Mus%C3%A9e_du_Louvre,_INV_7290_%E2%80%93_Q3110586.jpgArlette Clavet's Unpublished Studies for 'The Oath of the Horatii': https://www.jstor.org/stable/1552932Corneille's Horace: https://amzn.to/41zF1IyNew Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

Synopsis: If there's one thing I've learned so far from Elizabeth Kübler-Ross's On Grief and Grieving, it's that we all process grief differently, and there's no wrong way to grieve. As of the recording of this episode, Popo is still with us, but all indications point to the fact that she won't be with us for much longer. This has been on my mind, and when I woke up this morning, I knew I had to make this episode to process my impending grief. Related Rabbi Schneeweiss Content:- 1/11/23: Reflections on My 39th Birthday, New Years 2023, and 2nd Semester- 8/16/21: Tallis as a Vehicle of Gratitude and a Reminder of DeathSources:- Avos 5:21 with Rabbeinu Yonah, Rashi, Abravanel, Rashbatz- Seneca, Letters #23,26,101; On the Shortness of Life; Consolation of Marcia 10:4- Jacques Louis David, The Death of Socrates - Elizabeth Kübler-Ross and David Kessler, On Grief and Grieving p. 39- David Foster Wallace, This is Water-----The Torah content for the remainder of this week has been sponsored by my Patrons. If you gain from my Torah content and would like to help support it on a regular basis, please consider signing up for my Patreon at patreon.com/rabbischneeweiss - or, better yet, you can set up a recurring donation through Chase (so that Patreon doesn't take a cut). Even a small contribution goes a long way, and small recurring contributions go an even longer way! I'd also like to remind listeners of how to access my content. I have my five podcasts (The Stoic Jew, Mishlei, Machshavah Lab, Rambam, and Tefilah), my YouTube channel, my substack (which has replaced my blog), and my WhatsApp group (where I post ALL my content and shiur announcements). The links to all these resources can be found in the show notes at the bottom of my podcast episodes and my YouTube videos. Thank you for listening, watching, reading, and participating!-----If you have questions, comments, or feedback, I would love to hear from you! Please feel free to contact me at rabbischneeweiss at gmail.-----Substack: rabbischneeweiss.substack.com/Patreon: patreon.com/rabbischneeweissYouTube Channel: youtube.com/rabbischneeweissBlog: kolhaseridim.blogspot.com/"The Stoic Jew" Podcast: thestoicjew.buzzsprout.com"The Mishlei Podcast": mishlei.buzzsprout.com"Rambam Bekius" Podcast: rambambekius.buzzsprout.com"Machshavah Lab" Podcast: machshavahlab.buzzsprout.com"The Tefilah Podcast": tefilah.buzzsprout.comWhatsApp Group: https://chat.whatsapp.com/GEB1EPIAarsELfHWuI2k0HAmazon Wishlist: amazon.com/hz/wishlist/ls/Y72CSP86S24W?ref_=wl_sharelSupport the show

In this episode, I'll discuss my favorite paintings by the Neoclassicist painter Jacques-Louis David. The images featured in this episode are The Swing (1767) by Fragonard, The Oath of the Horatii (1784) by David, The Death of Socrates (1787) by David, The Intervention of the Sabine Women (1799) by David, Napoleon Crossing the Alps (1801) by David, Napoleon I on His Imperial Throne (1806) by Inges, and Emperor Napoleon in His Study at the Tuileries (1812) by David. 

As previously discussed, the Enlightenment envisioned a future where reason could be used to stamp out the imperfections of human society, creating lasting peace and prosperity. But can reason go too far? In this episode we examine some of the contradictions of the Enlightenment, noting how they led to an artistic and cultural revolution known as Romanticism. Among other topics, we'll discuss: Frankenstein, Jean-Jacques Rousseau, Notre Dame, French fashion during the Napoleonic period and the painters Jacques-Louis David and Caspar David Friedrich.

In this episode, we discuss intellectual domination in the kink world and in our relationship. Episode Art: Liberty Leading the People (detail), Jacques-Louis David, 1830Support the show

For the eleventh episode of "Reading the Art World," host Megan Fox Kelly speaks with Emily A. Beeny, curator at The Fine Arts Museum of San Francisco and co-author with Francesca Whitlum-Cooper of the book, “Poussin and the Dance,” published in 2021 by the J. Paul Getty Museum.In this episode, we take an in-depth look at Nicolas Poussin in 17th century Rome — a city rich with classical sculpture from antiquity and Renaissance paintings that led the artist to formulate an entirely new style of painting. This style would make Poussin the model for three centuries of artists in the French classical tradition, from Jacques-Louis David and Edgar Degas to Paul Cézanne and Pablo Picasso. Long considered one of the most influential French painters of the 17th century, the French Neoclassicist Poussin is seen in a wholly new light.Co-author Emily A. Beeny talks with me about how Poussin's paintings from the 1620s and 1630s of gods and goddesses, biblical and historical figures, are choreographed across his canvases like dancers on a stage. Tracing the motif of dance throughout this period, the book examines how Poussin devised new methods of composition and depicting motion. We explore Poussin's artistic process and influences, notably his use of wax figurines to choreograph the compositions he drew and painted.  “Poussin and the Dance” is the first exhibition and first published study devoted to Poussin's dancing pictures. The book, by Beeny and Whitlum-Cooper, was produced in tandem with the exhibition at the National Gallery in London (October 2021 - January 2022) and at the J. Paul Getty Museum in Los Angeles (February - May 2022)."Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications.Megan Fox Kelly is an art advisor and President of the Association of Professional Art Advisors who works with collectors, estates and foundations. For more information, visit: meganfoxkelly.com. Follow us on Instagram: @meganfoxkelly, and Twitter: @mfkartadvisory.Purchase “Poussin and the Dance,” by Emily A. Beeny and Francesca Witlum-Cooper, at shop.getty.edu or nationalllery.co.uk.To learn more about the book and exhibition, visit getty.edu.Music composed by Bob Golden.

What's the story behind the painting Oath of the Horatii by Jacques Louis David? – Roman soldiers and a concocted salute – Loyalty and love at war – Strident brothers and their despairing sister Read LadyKflo's collected works and learn about more masterpieces with a click through to LadyKflo's site. https://www.ladykflo.com/category/masterpieces/ Checkout her socials too: https://www.instagram.com/ladykflo/ https://twitter.com/ladykflo

¡Bienvenidos cultos! Hoy te platico de una obra que tiene una historia muy peculiar, y ¿qué crees? pues resulta que la madre de un gran emperador está involucrada. No es la típica historia de madres e hijos que probablemente te estas imaginando, no, esta pintura tiene un vuelco interesante. Hoy traigo para ti la imponente obra de medidas majestuosas titulada “La coronación de Napoleón” aunque, acá entre nos, también podríamos llamarle “Hasta en las mejores familias”, su creador es Jacques-Louis David, el maestro de la pintura neoclásica y el pintor oficial de la cámara del emperador Napoleón Bonaparte. Quédate porque Jacques-Louis David nos regala uno de los mejores y más grandes montajes de todos los tiempos. Te recuerdo que las imágenes de referencia y el material adicional que complementa el tema lo vas a encontrar en mi página de Instagram @todoscultos y recuerda que también tengo una cuenta de Tik Tok con el mismo nombre.

Le 20 juin 1789, la salle du Jeu de paume est le témoin d'un acte historique et fondateur d'une société nouvelle. Le peintre Jacques-Louis David, mandaté pour peindre l'événement, commence une toile qu'il ne finira jamais. En 1883, à l'approche du centenaire de la Révolution française, le peintre Luc-Olivier Merson est choisi par le gouvernement de Jules Ferry pour restituer la toile laissée inachevée de David. Merson, que rien ne prédestinait à marcher dans les pas du "Maître" David, entre dans l'histoire du Jeu de paume ... 

Kristine Onsrud and Jan-Ove Tuv sit down to talk about the 19th century Polish painter Olga Boznańska and her loose manner of painting. The topics covered in this episode include: • Who was Olga Boznańska? • Edvard Munch and the squinting test • Boznańska VS. Helene Schjerfbeck • Jack the Ripper (aka. Walter Sickert) • Self-portrait at Age Twenty-two by Munch • Portrait of the painter Anna Saryusz-Zaleska by Boznańska • "The Sick Child" (1986) by Munch • Boznańska VS. Bonard • Bonard VS. Matisse (comparing an old master to a psychopath) • Lack of philosophical training in traditional painting academies • Combining two opposite principles to achieve a masterpiece • Boznańska: achieving flatness and volume simultaneously • The concept of colors being friends • Getting an unfinished totality instead of a finished detail • The problem of hyper-realism and painting from photo • Jacques Louis David's portrait of Madame Récamier • Constable, Rembrandt and Titian: their loose manner of painting • Titian's Pietà and the concave shape of Mary Magdalene's head • Eugene Carriére and his "floating figures" ▶ Full video: https://www.patreon.com/caveofapelles

By 1793, radical revolutionaries had unleashed a wave of bloodshed that threatened to swallow France whole. Charlotte Corday travels to Paris to wrestle with the mastermind of this reign of terror, Jean-Paul Marat.Sources:For a complete list of sources, please visit https://www.oldbloodpodcast.com/post/episode-9-the-terror-julyMusic: Dellasera by Shane Ivers - https://www.silvermansound.comFor more information, visit www.oldbloodpodcast.com

This episode is also available as a blog post: https://thecitylife.org/2021/09/02/the-metropolitan-museum-of-art-announces-transformative-new-insights-into-18th-century-painting-by-jacques-louis-david-after-discovering-underlying-composition/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

 En este episodio analizamos dos pinturas de Jacques-Louis David, un pintor francés que nos enseña cómo una obra de arte puede revolucionar un país entero, y nos ayuda a responder la pregunta ¿La sociedad crea el arte o el arte crea la sociedad?

The fourteenth episode travels back to June 23rd, 2020, with the recreation of Circle of Jacques Louis David, Portrait of a Woman in White, 1798, National Gallery of Art Chester Dale Collection.See the Post - https://www.instagram.com/p/CDMFaI8BkMj/Follow her Instagram at - https://www.instagram.com/portraitpersonas/Follow the Podcast - https://portraitpersonas.transistor.fm/subscribeIntro & Outro by Dad.Read MoreAbout the Art - https://www.nga.gov/collection/art-object-page.46593.htmlJacques-Louis David - https://www.britannica.com/biography/Jacques-Louis-David-French-painterThe Chester Dale Collection - https://www.nga.gov/exhibitions/2010/chester-dale-collection.html

When faced with a terrible unknown, sometimes the best place to look for guidance is in ancient wisdom. Death is one of these unknowns. Many of us humans living and dead profess faith in an afterlife. Why does death still feel so alien, even with our self-proclaimed beliefs? Socrates discussed death philosophically as he awaited his own by way of execution. Perhaps Socrates can help alleviate some angst about this great mystery. Perhaps not. Alan Watts too may serve helpful to some. BECOME A PATRON: https://www.patreon.com/TonyTalksBack Or, make a one-time donation here: https://paypal.me/TonyTalksBack Follow on social media for updates on new content and releases: https://www.facebook.com/TonyTalksBack/ https://twitter.com/TonyTalksBack Learn more about the topics discussed: Plato's Phaedo, the last hours of Socrates: http://classics.mit.edu/Plato/phaedo.html Plato's Crito, the attempted jailbreak: http://classics.mit.edu/Plato/crito.html Death as philosophical inquiry: https://plato.stanford.edu/entries/death/ The painting, The Death of Socrates by Jacques Louis David: https://www.metmuseum.org/en/art/collection/search/436105 Background music thanks to Anchor. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

各位朋友大家好，歡迎收聽謙信的歷史廣場，我是主講人謙信，無論您是否是第一次收聽，請讓我表達感謝。很多人對於歷史都有一種刻板、先入為主的印象，就是死板、沈悶、一大堆史料的東西，但是讓我們想想，歷史不就是過去的人做過、經過的事情記錄嗎？我們今天作的事情也是未來的歷史，怎麼會無聊呢？其實最大的原因大概是我們成長教育過程給我們的印象吧！ 有句話謙信一直放在心中：「這個世界上沒有新鮮事。」意思是我們現在所發生的事情，其實過去早已經發生過，只是以不同形式呈現而已！現在我們常苦於憂慮、挫折、不安、頹圮的心情，甚至是面臨選擇的關頭，在多不勝數的心靈雞湯與勵志課程、甚至是正面能量都四處滿溢的現代，我想最佳的解答是在自己；正確的說是在自己眼前，那就是歷史，我們經歷的，過去一定有人也有過，只是形式與時代不同，謙信不是什麼心靈講師，只是一個愛說故事的人，誠心希望在某日某地的某人，會因為我的某段節目有所啟發、甚至是改變原來負面的想法，又或者是面臨猶疑不定的關頭，能夠下定決心決斷，這對我來說就是最大的榮耀！ 在節目開始之前，如果您喜歡提供的內容，不管您從什麼管道收聽，您的訂閱就是對我最大支持，喜歡的話，請記得訂閱我的頻道並留好評，喜歡的話也分享、推薦給您的好友圈，更歡迎您告訴謙信您有興趣的話題，會在後續的內容中加入您的意見。節目的文字稿與我自己讀過的延伸閱讀建議，請在瀏覽器輸入kshin.co ，來到『謙信的歷史廣場』，都會有您想要的資料，現在也在網站將我的著作《從杜甫的眼中看見真實三國》電子書第一卷，以pdf的方式提供給大家線上閱讀，只要回答幾各位問題，也會在每週一收到謙信的電子報，有上週的Podcast與推薦延伸閱讀的書籍，讓我提醒您補充有用的歷史知識。如果有想要討論節目內容或是抒發想法，FB也有開設『謙信自由討論廣場』社團，歡迎加入一起討論切磋歷史，期待與您相遇！這次是從科學來說歷史，主題是從《拉瓦節夫婦》一窺難得的科學與人生搭檔 今天想和大家一同思考的是：怎樣的人生對你來說是圓滿？是腰纏萬貫、美眷陪伴或是名聲遠颺？或是有其他的追求？ 上次說到拉普拉斯提到他在巴黎軍事學院的同事拉瓦節，他是個非常值得一提的人物，甚至他的夫人歷史上也留下了痕跡，這次我們就好好來說這對佳偶吧！《拉瓦節夫婦》這幅畫是1788年由賈克-路易·大衛（Jacques-Louis David）所繪製的油畫，關於這個人日後有機會再來談。畫中主人翁拉瓦節當時45歲，夫人瑪麗-安娜·皮埃爾萊特當時30歲，如果以現在標準看或許沒有什麼，如果謙信說他們結婚是在17年前，拉瓦節迎娶當時只有13歲的同事女兒呢？（等等，蘿莉控的朋友們請不要暴動！冷靜點！）夫人父親是議會律師和金融家，才28歲身兼國王的稅務官、火藥管理局局長、銀行董事、糧食委員會主委的拉瓦節堪稱是人生勝利組無誤（等等，請讓謙信去痛哭一下！）