Podcasts about jacques louis david

En 1816, Jacques-Louis David quitte la France, banni pour avoir trop peint l'Histoire. Un retrait volontaire… mais pas sans éclats.Franck Ferrand vous emmène dans les pas de Jacques-Louis David, le célèbre peintre français qui a traversé les plus grands bouleversements de son époque.

durée : 00:52:50 - Répliques - par : Alain Finkielkraut - L'exposition "Jacques‑Louis David", qui marque le bicentenaire de la mort de l'artiste en 1825, se tient au Musée du Louvre depuis le 15 octobre. Alain Finkielkraut reçoit Stéphane Guégan et Patrice Gueniffey pour explorer l'œuvre et le parcours du peintre, de la Révolution française à l'Empire. - équipe : Roxanne Natta, François Caunac Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In this episode, we explore Jacques-Louis David's The Death of Marat and the historical events behind one of the most famous paintings of the French Revolution. We discuss how David used art to shape the way people remembered Marat and whether the painting is a tribute, propaganda, or both. We also examine the symbolism, artistic choices, and ethical questions that make this work so significant today. Join us as we explore the powerful relationship between art, history, and politics.

In this episode, we talk about “The Death of Marat” and the true story behind one of the most famous paintings of the French Revolution. We discuss Marat, Charlotte Corday, and the artist Jacques Louis David to understand why this painting became such a powerful political symbol. We also explore how beauty, violence, and propaganda come together in the artwork. Join us as we ask whether “The Death of Marat” is a beautiful tribute, a political message, or maybe both.“Comfortable Mystery 4” and “Comfortable Mystery 3” By Kevin MacLeod (incompetech.com)

In this episode, our group breaks down the real story behind Jacques‑Louis David's The Death of Marat and why this painting mattered so much during the French Revolution. We talk about who Marat and Corday were, what sides they were on, and how people at the time reacted to both of them. We also look at how David turned a violent moment into a calm, emotional image that pushed a political message. The conversation touches on symbolism, propaganda, and the way art can shape how history is remembered. This episode invites listeners to think about how a beautiful painting can completely change the way a story feels.

Jean-Paul Marat was a revolutionary journalist, feared by some and revered by others, until his assassination in 1793 changed everything. In this episode, we dig into who Marat really was, the woman who killed him, and the now iconic painting Jacques-Louis David created to memorialize his death. We break down exactly how David built that image — the lighting, the composition, the eerie calm of it all — and what those choices are actually doing to the viewer. From there, we tackle the bigger question: is this painting a sincere tribute, or a beautiful lie dressed up as history? Join us as we debate whether beauty and propaganda can coexist, and what it costs us when violence gets turned into art.

In this episode, we dive into the turbulent history of the French Revolution to examine Jacques-Louis David's iconic painting, The Death of Marat. We explore how the artist intentionally manipulated a brutal assassination scene to craft a highly effective piece of political propaganda. By contrasting the ugly reality of Marat's murder with the serene beauty of the final artwork, our discussion unpacks the complex relationship between violence and aesthetic experience. We debate whether sanitizing history through art creates a meaningful symbol or dangerously misleads the public. Join us for a compelling conversation about the hidden motives behind this masterpiece and the enduring power of visual manipulation.

Today's episode will explore one of the most powerful political paintings in history: The Death of Marat by Jacques-Louis David. Painted during the French Revolution in 1793, it captures the assassination of Jean-Paul Marat, one of the leaders of the Revolution. We will explore the transformation of Marat into a political martyr, the historical events behind this work, its symbolism, and all the elements that contributed to the creation of The Death of Marat, one of the most influential examples of political propaganda that changed art history, and the way people remembered events and historical figures.

Participants: John Steppling, Brecht Jonkers, Hiroyuki Hamada, and Dennis Riches. Topics covered: the 2026 World Cup: the fix is in, NATO summit in Ankara, the wars are back on again, the MoU was a farce, Jacques-Louis David's “The Death of Marat”. Music track “Motherless Children Have a Hard Time” by Blind Willie Johnson (public domain).

rWotD Episode 3315: Belisarius Begging for Alms Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Monday, 1 June 2026, is Belisarius Begging for Alms.Belisarius Begging for Alms (French: Bélisaire demandant l'aumône, lit. 'Belisarius asking for alms') is a large-format (288 × 312 cm) history painting in oil on canvas by the French artist Jacques-Louis David. It depicts the Byzantine general Belisarius, who heroically defeated the Vandals in North Africa in AD 533–534 on behalf of Justinian I, and (according to an apocryphal account probably added to his biography in the Middle Ages) was later blinded by the emperor and reduced to begging for alms on the street. David exhibited the work at the Salon of 1781 at the Louvre after returning from Italy and it proved a great success.It is now in the Palais des Beaux-Arts in Lille. A second, reduced version was displayed at the Salon of 1785 and is now in the collection of the Louvre.This recording reflects the Wikipedia text as of 00:22 UTC on Monday, 1 June 2026.For the full current version of the article, see Belisarius Begging for Alms on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Justin.

En este programa de El Café de la Lluvia conversamos con Pedro Cifuentes, autor de Historia del Arte en Cómic. Revoluciones, el quinto volumen de una ambiciosa serie que acerca la historia del arte a todos los públicos desde un enfoque didáctico y visual. A lo largo de la entrevista, exploramos los siglos XVIII y XIX, una época de transformaciones vertiginosas donde el arte refleja revoluciones políticas, sociales y culturales. Cifuentes nos habla del reto de sintetizar este periodo en formato cómic, tras un intenso proceso de documentación de dos años, y de su enfoque pedagógico como docente. El programa también se detiene en figuras clave como Francisco de Goya, abordado desde una perspectiva casi narrativa y oscura en torno a sus pinturas negras; Jacques-Louis David, testigo de la Revolución Francesa; y J. M. W. Turner, cuya evolución anticipa el arte abstracto. Además, reflexionamos sobre la irrupción de la fotografía como punto de inflexión en la historia del arte, el papel de la enseñanza en su obra, el impacto de la inteligencia artificial en la ilustración y su salida de redes sociales como X. Por último, conocemos sus próximos proyectos: el cierre de la serie con un sexto volumen dedicado al arte contemporáneo y una nueva novela gráfica de enfoque más adulto sobre la historia de España. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

In this episode, our group explores Jacques Louis David's The Death of Marat and the complex relationship between beauty, violence, and political power. We discuss how Marat's assassination during the French Revolution was transformed into a serene and almost sacred image, raising questions about whether the painting is a tribute or a form of propaganda. By examining the roles of Marat, Charlotte Corday, and David himself, we uncover how art can reshape public memory and influence political narratives. Our conversation also connects to ideas of beauty and ugliness from the course readings, especially how aesthetics can soften or distort historical truth. Join us as we analyze how a single painting can turn a moment of brutality into a symbol of revolutionary martyrdom.

Né dans une famille bourgeoise en 1748, Jacques-Louis David entre très jeune dans l'atelier de Joseph Marie Vien, peintre peu connu, mais grand pédagogue. Il est ensuite admis à l'Académie Royale en 1766, mais c'est son séjour de cinq ans à Rome, qui ouvre son esprit vers le monde classique et le guidera dans sa peinture jusqu'à sa mort en 1825. Il s'engage avec passion dans la Révolution française et devient le premier artiste engagé. Article de la revue Acropolis du mois d'avril par Fernand SCHWARZ, philosophe, anthropologue, fondateur de Nouvelle Acropole en France. Article lu par Marie-France de MonneronAbonnez-vous gratuitement à notre newsletter philosophique :www.revue-acropolis.comSaviez-vous que Nouvelle Acropole est réalisée à 100% par des bénévoles ? Nous dépendons donc beaucoup de nos étudiants et amis pour la divulgation !  N'oubliez pas de vous abonner à la chaîne et si possible de la partager sur vos réseaux sociaux.  Ce sera d'une grande aide !

One of the things that our group will be looking at in more detail in episode 2176 is the assassination of Jean-Paul Marat and the painting that made him into an icon of the revolutionaries. We look at how Jacques Louis David made a violent act look serene and beautiful and what that might say about the nature of truth. Another thing that is looked at is who exactly Jean-Paul Marat and Charlotte Corday are and what their conflict is all about and how it could have affected French history. The last thing that is looked at is what David's artistic decisions say about the way in which we understand what we are seeing. Also, the fact that the conflict between beauty and brutality, especially in an art piece meant to influence politics is touched on.

In this episode we talked about Jacques-Louis David's The Death of Marat and the crazy story behind one of the most famous and controversial paintings from the French Revolution. We talk about who he was, why Charlotte Corday killed him, and how David turned such a violent moment into something that looks weirdly calm, beautiful, and almost saint like. As we broke down the painting, we also questioned whether it's showing the truth or in a way manipulating the viewer to be on the side of Marat. Our discussion focussed on the connection between beauty, violence, and propaganda, as well as why this painting is still so powerful today.

In this episode of Exploring Art Podcast, we discuss Jacques-Louis David's famous painting The Death of Marat and the powerful connection between art, politics, and beauty. We explore the historical context of the French Revolution and examine how David transformed a violent assassination into a calm and almost sacred image. Our conversation considers whether the painting is an honest tribute to a revolutionary figure or a form of political propaganda designed to influence public opinion.We also analyze how artistic choices like lighting, composition, and symbolism shape the way viewers interpret violence and martyrdom.

Po wybuchu rewolucji francuskiej Jacques Louis David stał się jej entuzjastycznym wyznawcą - był jakobinem, zasiadał w Konwencie Narodowym i był blisko z Robespierrem, a także przyjaźnił się z Jean Paulem Maratem.Kiedy 13 lipca 1793 roku Marat został zasztyletowany przez Charlotte Corday, to David uczynił z jego śmierci wydarzenie historyczne, opowiadając ją w swojej kompozycji malarskiej.Obraz jest w kolekcji KMSK w Brukseli.* Partnerem odcinka jest Wydawnictwo Filia, wydawca książki Maxa Czornyja "Śmierciologia" *Dziękuję Patronkom i Patronom za to, że umożliwiacie mi tworzenie „Otuliny o sztuce”.Możesz dołączyć do tego grona https://patronite.pl/otulina_o_sztuce Znajdź mnie na Facebooku: ⁠https://www.facebook.com/otulinablogpl⁠ lub na Instagramie: ⁠https://www.instagram.com/otulina_o_sztuce

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"We all love Thomas Paine. We just wish we liked him." — Jonathan TurleyJonathan Turley's new book asks a deceptively simple question: why did the American Revolution become the longest-running successful democracy while the French Revolution devoured itself? The answer, he argues, lies in Madison's "auxiliary precautions" — constitutional safeguards designed not to eliminate rage but to channel it. Turley draws a direct line from Robespierre to today's calls to pack the Supreme Court and abolish the Senate, warning that removing those precautions invites the same mobocracy that sent the Jacobins to the guillotine. But the real provocation comes in the book's second half: with AI and robotics threatening mass unemployment, America may soon face a "kept population" — citizens subsidized by the state who lose their vital relationship to productivity and self-governance. We discuss Thomas Paine (brilliant about humanity, clueless about humans), why rage itself isn't the enemy, and whether the republic built to handle the 18th century can survive the 21st.About the GuestJonathan Turley is the Shapiro Professor of Public Interest Law at George Washington University Law School. A legal analyst for CBS, NBC, BBC, and Fox News over three decades, he is the author of The Indispensable Right (a bestseller) and the new Rage and the Republic: The Unfinished Story of the American Revolution.Chapters:00:01:14 The uniqueness of the American RevolutionTwo revolutions, two outcomes; Thomas Paine and James Madison as the twin geniuses00:03:53 Paine vs. Madison on democracyPaine wanted direct democracy; it nearly got him guillotined in France00:05:54 Robespierre's transformationThe ACLU lawyer who came to believe "terror is virtue"00:09:01 Thomas Paine: the penman of the revolutionFrom complete failure to revolutionary genius in two years00:11:46 Slavery and the revolution's contradictionsWhy people preferred Jefferson to Paine00:15:43 Franklin's greatest achievementSeeing something in "that heap of human wreckage"00:18:07 What was unique about American rageNot the rage itself, but the system designed to handle it00:25:08 The "New Jacobins"Calls to pack the Supreme Court and abolish the Senate00:26:40 Rage on both sides"Your rage is righteous, their rage is dangerous"00:30:47 AI and the "kept population"Mass unemployment and the citizen's relationship to the state00:39:26 "Gynan" jobsHomocentric industries like psychiatry and education that AI can't replace00:45:00 Why the American Republic is still the best modelDecentralization over EU-style centralizationReferencesFigures discussed:Thomas Paine — arrived in America "barely alive," became the penman of the revolution in two yearsJames Madison — designed the "auxiliary precautions" that prevented American democracy from devouring itselfBenjamin Franklin — paid for Paine's passage to America, saw genius in "that heap of human wreckage"Maximilien Robespierre — began as an advocate for due process, ended declaring "terror is virtue"Jean-Paul Marat — radical journalist, killed by Corday in his bathtub (he bathed constantly due to a skin disease)Charlotte Corday — Republican who assassinated Marat; Robespierre and Danton watched her executionGeorges Danton — joined the moderate Girondin wing; executed by the revolution he helped createArt:The Death of Marat (1793) — Jacques-Louis David's painting of Marat's assassination; David was himself a JacobinHistorical events:The Battle of Fort Wilson (1779) — Philadelphia mob attacked founder James Wilson's home; several killedThe Reign of Terror (1793–94) — nearly all Jacobin leaders guillotined, including Danton and RobespierreBooks mentioned:The Wealth of Nations (1776) — Adam Smith; embraced by the founders as "the perfect companion to their political theory"The Federalist Papers (1787–88) — Hamilton, Madison, and JayAbout Keen On America Nobody asks more impertinent questions than the Anglo-American writer, filmmaker and Silicon Valley entrepreneur Andrew Keen. In Keen On America , Andrew brings his sharp Transatlantic wit to the forces reshaping the United States — hosting daily interviews with leading thinkers and writers about American history, politics, technology, culture, and business. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify

In this episode we go over the famous painting: The Death of Marat, painted by French Revolutionary artist Jacques-Louis David. Was the art a form of propaganda, or was David simply mourning his friend? We answer many questions as well as give our own thought on the painting during the episode. Tune in to find out the history and background of this beautiful historic painting.

In this episode, we explore the historical and artistic story behind the death of Jean-Paul Marat, examining the roles of Charlotte Corday and artist Jacques-Louis David. Our discussion considers how David's famous painting presents Marat as a near-angelic figure and questions whether this portrayal reflects reality or political intention. We also debate whether Charlotte Corday should be understood solely as a murderer or viewed within a broader revolutionary context. Through close visual analysis, we examine the use of color, composition, and symbolism within the painting. This conversation invites listeners to reconsider how art shapes historical memory and influences moral judgment.

HEADLINE: Cotton, Contraband, and the Invention of the Handbag GUEST AUTHOR: Anne HigonnetSUMMARY: Higonnet details the material revolution where aristocratic silk was replaced by Indian cotton, a "revolutionary fabric" that allowed painters like Jacques-Louis David to visualize the natural female body. This silhouette necessitated the invention of the modern handbag, as the new slim dresses lacked the space for pockets hidden in traditional voluminous skirts. Josephine further defined the era by popularizing the cashmere shawl and inventing the tiara using Italian cameos. Meanwhile, Juliette Récamier adopted a rigorous all-white aesthetic to symbolize revolutionary purity, sparking a British frenzy to both mock and copy French fashions.11807 JOSEPHINE

durée : 00:59:12 - Allons-y voir ! - par : Patrick Boucheron - « C'est le dernier tableau que je veux faire, mais je veux m'y surpasser », écrivait David à propos de Mars désarmé par Vénus (1824), alors qu'en son exil à Bruxelles il assistait au retour de tout ce contre quoi il s'était élevé. Après la fin de l'héroïsme, comment achever son œuvre en beauté ? - réalisation : Sam Baquiast - invités : Sébastien Allard Conservateur général du Patrimoine, Directeur du département des Peintures du musée du Louvre; François-René Martin; Mathieu Potte-Bonneville Philosophe et directeur du département Culture et création du Centre Pompidou

durée : 01:30:50 - Les Nuits de France Culture - par : Albane Penaranda - En interrogeant quelques-unes des toiles emblématiques des différentes époques de sa longue carrière, ce voyage dans la vie et l'œuvre de David dessine le portrait d'un artiste/acteur d'un moment de l'histoire où le monde basculait. (1ère diffusion : 29/04/2001) - réalisation : Rafik Zénine - invités : Gérard Fromanger Peintre; Alain Jouffroy Poète, écrivain et critique d'art français; Jean-Paul Bertaud; Régis Michel; Marie-Paule Vial Directrice du Musée de l'Orangerie, co-commissaire de l'exposition Gino Severini

durée : 00:58:43 - Toute une vie - par : Romain Weber - On l'a appelé le Raphaël des temps modernes puis le tyran des arts. Metteur en scène de la Révolution, rouage de la Terreur, Premier peintre de l'Empereur : David, abîmes et sommets d'une âme trouble dans une époque tourmentée. - réalisation : Julie Beressi

Maître incontesté du néoclassicisme, Jacques-Louis David (1748-1825) continue deux siècles après sa mort d'impressionner les visiteurs du Louvre par ses toiles magistrales, en particulier l'Enlèvement des Sabines et Léonidas aux Thermopyles. D'abord disciple du peintre de cour François Boucher, il refuse très tôt de servir une académie qu'il juge empesée, pour s'engager dans des compositions radicales. Républicain intransigeant, il esquisse le Serment du Jeu de Paume et prononce des discours enflammés à la tribune. Après avoir été élu président à la Convention au début de l'année 1794, il parvient à échapper à l'échafaud en Thermidor et se voit enfermé à deux reprises. Sa rencontre avec Bonaparte au cours de la campagne d'Italie l'engage à servir le nouvel homme fort, pour lequel il réalise ses plus grands chefs-d'oeuvre - Passage du Grand Saint-Bernard, Sacre de Napoléon, Distribution des Aigles -, accompagnés d'une importante série de portraits officiels. Contemporain d'Olympe de Gouges ou du chimiste Berthollet, aîné de vingt et un ans de Napoléon, David aura marqué le tournant du siècle. La fin de sa vie, en exil à Bruxelles, n'aura pas altéré son prestige auprès d'une génération de disciples qui prolongeront son enseignement avec conviction.David Chanteranne est notre invité en studio pour les Interviews HistoireHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Cuore l'innamorato della scrittrice statunitense Lily King è una storia d'amore che trascende il genere romance per parlare di letteratura, di ambizioni e del passare del tempo. Il Louvre di Parigi dedica una grande retrospettiva al pittore neoclassico Jacques-Louis David in occasione del bicentenario della sua morte. The teacher della regista anglo-palestinese Farah Nabulsi è un ambizioso film drammatico che racconta la situazione della Cisgiordania attraverso diverse storie che s'intrecciano tra loro. Il musicista brasiliano Chico Buarque, negli anni cinquanta, visse per un periodo a Roma con la sua famiglia. In una sua nuova autobiografia romanzata, Bambino a Roma, ricostruisce quegli anni di meraviglia e di scoperta. CONValentina Pigmei, giornalista che collabora con InternazionaleGiuliano Milani, storico che cura la rubrica Non fiction su InternazionaleCatherine Cornet, giornalista e arabista che collabora con InternazionaleAlberto Riva, giornalista e scrittore che collabora con InternazionaleCuore l'innamorato: https://www.youtube.com/watch?v=FqNuOYAZUv0Jacques-Louis David: https://www.youtube.com/watch?v=FQB9zbsaWo8The teacher: https://theteacher.film/Chico Buarque: https://www.youtube.com/watch?v=-coyF73NBjgCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

L'émission 28 minutes du 03/12/2025 Expo David au Louvre : l'ami de Marat devenu peintre de NapoléonJusqu'au 26 janvier prochain, il est possible de contempler l'immensité de l'œuvre de Jacques-Louis David, célèbre peintre néoclassique français, au musée du Louvre. Peintre officiel de Napoléon Bonaparte, il est également connu pour son engagement politique, notamment pendant la Révolution française. "La Mort de Marat", "Le serment des Horaces" ou encore les premières ébauches du "Serment du Jeu de paume" sont exhibés dans cette exposition dont Sébastien Allard, directeur du département des peintures du musée du Louvre, est le co-commissaire. Il est notre invité ce soir. De la méritocratie à “l'héritocratie” : un point de bascule inéluctable en France ?Le Conseil des prélèvements obligatoires, institution indépendante associée à la Cour des comptes, préconise de réformer en profondeur la fiscalité du patrimoine, dans son dernier rapport publié lundi 1er décembre. En 2024, les impôts sur le patrimoine ont représenté 113 milliards d'euros. Cette imposition est jugée peu efficace par l'institution au regard des objectifs de politique publique auxquels elle est censée contribuer. Aujourd'hui en France, la fortune héritée représente 60 % du patrimoine des Français. D'ici à 2040, 9 000 milliards d'euros de patrimoine seront transmis, presque trois fois le montant de la dette publique actuelle. On en débat avec Marie Gariazzo, directrice de l'Observatoire Société et Consommation (ObSoCo), Olivier Babeau, économiste, président-fondateur de l'Institut Sapiens et Arthur Jatteau, professeur des universités en sociologie et économie à l'Université Paris Nanterre.Enfin, Xavier Mauduit revient sur les relations diplomatiques entre la Chine et l'Europe alors qu'Emmanuel Macron est attendu à Pékin aujourd'hui. Marie Bonnisseau glisse sur la polémique de Pesaro, petit village italien, qui vient d'installer une patinoire emprisonnant la statue de Pavarotti, célèbre ténor à la renommée internationale.   28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 3 décembre 2025 Présentation Élisabeth Quin Production KM, ARTE Radio

El emblemático cuadro de Jacques-Louis David muestra al revolucionario francés Jean-Paul Marat sin vida, tras ser apuñalado en su bañera el 13 de julio de 1793. La obra esconde numerosos simbolismos.

durée : 00:52:50 - Répliques - par : Alain Finkielkraut - L'exposition "Jacques‑Louis David", qui marque le bicentenaire de la mort de l'artiste en 1825, se tient au Musée du Louvre depuis le 15 octobre. Alain Finkielkraut reçoit Stéphane Guégan et Patrice Gueniffey pour explorer l'œuvre et le parcours du peintre, de la Révolution française à l'Empire. - réalisation : Alexandra Malka - invités : Patrice Gueniffey Historien, directeur d'études à l'EHESS; Stéphane Guégan Historien, critique d'art, Conseiller scientifique auprès de la Présidence du musée d'Orsay et du musée de l'Orangerie.

Our discussion dives into why Marat's assassination became more than a political event — it became a visual myth. We examine how Jacques-Louis David used light, composition, and symbolism to turn a moment of brutality into a scene of almost spiritual calm. Jeanette and Javier unpack the motivations of both Marat and Corday, along with the ethical challenges of beautifying violence. This episode asks whether art can change how we judge historical figures, and what is gained or lost when truth is softened. Listeners will gain a deeper understanding of how art and politics shape each other.

In this episode, we explored the murder of Jean-Paul Marat, and unraveled the painting made by Jacques-Louis David, who detailed the scene in an aesthetically dramatic light. Our group discussed the origin behind the painting, the scheming behind the murder and the aftermath of it. We hope you enjoy listening to our discussion, just as much as we enjoyed unraveling it.

En 1816, Jacques-Louis David quitte la France, banni pour avoir trop peint l'Histoire. Un retrait volontaire… mais pas sans éclats.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this episode, we go into a deep dive on Jacques‑Louis David's The Death of Marat. Our group discusses how Jean‑Paul Marat's ideals and Charlotte Corday's defiance turned into one of the French Revolution's most dramatic moments. It explains how David turned an assassination into an image of a vulnerability. Join us for a conversation of exploring beauty, propaganda, and ethics in art!

This episode explores the political chaos of the French Revolution and howit shaped the assassination of Jean-Pual Marat. We break down Marat's rolein radical politics, Charlotte Corday's motives, and the shocking way shecarried out the murder. We also analyze Jacques-Louis David's iconicpainting and how it turned Marat into a marty-like symbol, The team and Iwill discuss how art can manipulate politics, emotions and public memory

This episode explores the hidden politics behind The Death of Marat. We examine how Jacques-Louis David turned a violent murder into a beautiful symbol of revolutionary sacrifice — and what that means for truth, propaganda, and the power of art.

En 1816, Jacques-Louis David quitte la France, banni pour avoir trop peint l'Histoire. Un retrait volontaire… mais pas sans éclats. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:14:33 - Les Midis de Culture - par : Marie Labory - De la Révolution à l'Empire, Jacques-Louis David a peint les héros, les ruptures et les passions d'un siècle en fièvre. Entre rigueur et ferveur, il a fait du tableau une scène d'histoire. Le musée du Louvre rend hommage à celui dont les images continuent de hanter notre imaginaire collectif. - réalisation : Laurence Malonda - invités : Stéphane Corréard Editorialiste au Journal des Arts; Sally Bonn Maître de conférence en esthétique à l'Université Picardie Jules Verne, auteure, critique d'art et commissaire d'exposition.

durée : 00:27:39 - Les Midis de Culture - par : Marie Labory - Aujourd'hui, au menu de notre débat critique, des expositions avec "Jacques-Louis David" au Musée du Louvre & "Berthe Weill. Galeriste d'avant-garde" à l'Orangerie - réalisation : Laurence Malonda - invités : Sally Bonn Maître de conférence en esthétique à l'Université Picardie Jules Verne, auteure, critique d'art et commissaire d'exposition.; Stéphane Corréard Editorialiste au Journal des Arts

durée : 00:05:51 - Classic & Co - par : Anna Sigalevitch - "La lame et le pinceau" par Benjamin Lazar et Arnaud Marzorati avec l'ensemble Les Lunaisiens, un spectacle qui se jouera du 7 au 9 novembre à l'Auditorium du Louvre et qui s'inscrit dans le cycle musical en lien avec la grande exposition consacrée à Jacques-Louis David. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Napoleon Crossing the Alps https://en.wikipedia.org/wiki/Napoleon_Crossing_the_Alps Physicist Discover Hidden Rules of Life https://youtu.be/Lj8NZLj3cWE?si=4I2mZFvF9LZUPk7v Life expectancy gains have slowed sharply, study finds https://www.sciencedaily.com/releases/2025/10/251026021749.htm Elon Musk launches a Wikipedia rival that extols his own ‘vision' https://www.washingtonpost.com/technology/2025/10/27/grokipedia-wikipedia-musk-/ Art as Propaganda: Great Art Explained: Napoleon Crossing the Alps by Jacques-Louis David https://youtu.be/Bgo6H0tzszA?si=QjmUtCKVvPYOb1wx How Do Bacteria Talk To Each Other? https://pca.st/qt9tsg24 ... Read more The post arte como propaganda, qual geração vai viver mais? bactérias raciocinam! appeared first on radinho de pilha.

En déplacement au Moyen-Orient, Donald Trump met en scène sa victoire diplomatique Après des débuts timides, l'Expo universelle d'Osaka remporte un grand succès populaire Sébastien Lecornu suspend la réforme des retraites La France rurale confrontée à la disparition progressive de ses pharmacies Le Louvre célèbre l'œuvre de Jacques-Louis David

Invité : - David Chanteranne, historien, pour "Jacques-Louis David, l'empereur des peintres" chez Passés/composés, à l'occasion de l'exposition David au Louvre Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Laurent Alexandre pour  "Ne faites plus d'études", co-écrit avec Olivier Babeau, chez Buchet-Chastel  - Jean-Louis Beaucarnot pour son "Dictionnaire amoureux de la généalogie" chez Plon  - David Chanteranne, historien, pour "Jacques-Louis David, l'empereur des peintres" chez Passés/composés, à l'occasion de l'exposition David au Louvre Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Art historian T.J. Clark began his academic career with two groundbreaking works on the art of mid-nineteenth century France, expounding materialist theory of art that has remained his watchword for five decades, with books on Poussin, Cézanne, Picasso and modernism.  Those Passions: On Art and Politics (Thames and Hudson) distils a lifetime's work through a series of case studies, from Hieronymus Bosch to Jacques-Louis David and the French Revolution, from Walter Benjamin to Pier Paolo Pasolini, exploring how art has always responded to the often chaotic and dangerous circumstances of its creation. Clark was joined in conversation about his life and work by Caroline Arscott, Emeritus Professor of the History of Art at the Courtauld Institute. More from the Bookshop: Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠ From the LRB: Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbkshppod Bags, binders and more at the LRB Store: ⁠⁠https://lrb.me/storebkshppod Get in touch: podcasts@lrb.co.uk

 Chef de file des néo-classiques sous l'Ancien Régime, peintre emblématique de l'Empire,  Jacques-Louis David fut aussi – on le sait moins – un révolutionnaire enragé.    Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

ادامه میدیم داستان ناپلئون رو، این بار همراه با تابلوهای ژاک لویی داوید از اوج و مراسم تاج گذاری او میرسیم به سقوط و مرگ امپراتور.لینک صفحه‌ی حامی باش:https://hamibash.com/Gessopodcastتابلوی مراسم تاج گذاری ناپلئون:https://upload.wikimedia.org/wikipedia/commons/1/1e/Jacques-Louis_David_-_The_Coronation_of_Napoleon_%281805-1807%29.jpgتابلوی ناپلئون در دفتر کارش در کاخ توئیلری:https://upload.wikimedia.org/wikipedia/commons/4/4f/The_Emperor_Napoleon_in_His_Study_at_the_Tuileries%2C_by_Jacques-Louis_David_%281812%29_-_National_Gallery_of_Art_%28Samuel_H._Kress_Foundation%29_-_2.jpgقطعات موسیقی:Johann Strauss ll - Persischer MarschCoronation Mass - Wolfgang Amadeus MozartAdagio for Strings - Barber Hosted on Acast. See acast.com/privacy for more information.

If you weren't sleeping through your chemistry classes in high school, you probably heard the phrase "Nothing is lost, nothing is created, everything is transformed." This is basically what we know as the law of conservation of mass. It was coined by Antoine Lavoisier, the man considered the father of modern chemistry and one of history's most influential scientists.However, he will end his days under the blade of the guillotine in 1794. How can this be? Join us as we delve into the remarkable but tragic life of Lavoisier, a savant at the scaffold!TimecodesIntroduction06:36 - Young, Rich and Brillant13:25 - Understanding Nature20:39 - The French Revolution25:37 - The Blade Falls31:17 - ConclusionRelevant Episode:The French Revolution, a Worldwide TremorMusic: Marche pour la cérémonie des Turcs, composed by Jean-Baptiste Lully, arranged and performed by Jérôme Arfouche.Artwork: Portrait d'Antoine Lavoisier et de sa femme, Jacques-Louis David, 1788. Metropolitan Museum of Art, New YorkSupport the showReach out, support the show and give me feedback! Contact me or follow the podcast on social media Leave a 5-star review on Apple Podcasts or on Spotify Become a patron on Patreon to support the show Buy me a Coffee

Let's visit the Louvre with author Elaine Sciolino. Today, we chat about her upcoming book Adventures in the Louvre: How to Fall in Love with the World's Greatest Museum. The book pulls back the curtain on a building many think they know, but which still contains endless secrets and untold stories. And if you think you recognise Elaine's name and voice, perhaps you heard her on the pod before! Elaine, the former Paris bureau chief for The New York Times, has featured The Earful Tower in the past discussing her books about the Seine River and the Rue des Martyrs. In fact, she was the second-ever guest on the show, back in 2017. Elaine used her extensive experience as a reporter to influence how she wrote this book. She decided the best approach was to explain the Louvre museum “through the prism of someone who's not an art historian and who's not a tour guide. I decided to just report the Louvre and talk to everybody that I possibly could.” And, my goodness, the surprises Elaine uncovered will knock your socks off: spending the day with the museum's permanent on-site fire fighters, a secret World War Two bunker and long-forgotten graffiti inscribed by the builders of the Philippe Auguste wall. For Louvre novices who are in danger of having an exhausting and frustrating experience trying to see and do everything, Elaine offers this advice “Find your Louvre identity, find what kind of a visitor you are… And once you decide that it makes it a lot easier, because you forgive yourself for not being perfect…You go each time with a different identity, like you go each time and discover a different work of art.” Elaine confesses that she wasn't always the biggest fan of the museum, “the Louvre is a challenge, it's too big…it's too crowded, it's an impossible museum. You have to find your way in. So that's what I tried to do.” Having visited the building hundreds of times in the course of writing the book, I wondered if Elaine was all Louvre-d out or did she intend to go back? “Oh no, I have to go back. I have to keep going back.” Adventures in the Louvre: How to Fall in Love with the World's Greatest Museum is released on 1 April 2025. You can pre-order it here. A fun extra the end of the episode, Bertrand d'Aleman from My Private Paris tells us about a current exhibition at the museum: The Louvre Couture. This is an exploration of how the vast breadth of decorative art contained within the walls of the museum has informed the world of high fashion. The Louvre Couture exhibition runs from 24 January - 21 July. Book your tickets here. Artwork mentioned in this episode: Mona Lisa (also known as La Joconde) by Leonardo da Vinci; Man with a glove by Titian, Portrait of a Man (also known as La Condottiere) by Antonello da Messina; The death of Marat by Jacques-Louis David. Thanks to Hannah Coyle for additional reporting. Enjoying what we're doing here at The Earful Tower and keen to see more? Become a Patreon member here to support it and to discover our exciting extras. This season of The Earful Tower is brought to you by My Private Paris, an award-winning travel company creating deluxe itineraries for Paris and beyond. See what they offer here and be sure to let them know that you came from The Earful Tower.