Podcasts about Gravity

On September 26, 2025, last year’s Best Picture Oscar winner, One Battle After Another, a loose adaptation of Thomas Pynchon’s novel Vineland, hit wide release in theaters. And then 11 days later, on October 7, Pynchon published what might be his final novel, Shadow Ticket. Not a bad year for an 89-year-old writer. This hour, a look at the (maybe) reclusive Pynchon and the novels and stories he’s published, from Gravity’s Rainbow to Mason & Dixon and more. Plus: a look at the two Paul Thomas Anderson movies that Pynchon’s work has inspired, Inherent Vice and One Battle After Another. GUESTS: David Cowart: Distinguished professor emeritus of English language and literature at the University of South Carolina and the author of a number of books, including Thomas Pynchon: The Art of Allusion and Thomas Pynchon and the Dark Passages of History Ana Gavrilovska: A writer; you can find her work in Current Affairs, Uncut Magazine, Maggot Brain, and her Substack, Sick Sad Motherslug Leonardo Goi: A journalist and film critic Brian Slattery: A writer and musician Music featured (in order): Don Giovanni, K. 527: Overture – W.A. Mozart as performed by Claudio Abbado and the Chamber Orchestra of Europe The most referenced piece of music in Pynchon’s catalogue. Gravity’s Angel – Laurie Anderson The Royal Scam – Steely Dan Mentioned in Bleeding Edge. Run Straight Down – Warren Zevon Zevon attributed this song to overdosing on Pynchon — the opening words are just carcinogenic chemicals. Bang Bang (My Baby Shot Me Down) – Bonzo Dog Band Pynchon put out his own playlist for Inherent Vice. This was on it. The Revolution Will Not Be Televised – Gil Scott-Heron The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show, which originally aired on April 15th, 2026.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The most expensive training may be the training your team forgets six months later.This week I spoke with Alex Mozes, CEO of Gravity Learning, about why so much corporate training looks successful on paper but fails to create lasting behavior change. We explored the difference between completing a course and actually learning a skill, why engagement scores and five-star ratings can miss the bigger picture, and how science-backed, interactive learning can create measurable outcomes. Alex also shared lessons from his years in the online learning industry, including his experience helping grow Udemy, and explained why human connection, practice, accountability, and discomfort still play such an important role in developing people. Here are the highlights:● Completion doesn't equal learning. A course can generate strong engagement and positive feedback without actually transferring the skills people need to use on the job.● Behavior change is the real measure of success. Effective learning should be evaluated by whether people actually apply new skills weeks and months after the training ends.● Human connection still matters. Communication, collaboration, feedback, leadership, and other interpersonal skills require practice, accountability, and interaction that technology alone may not replicate.● AI can enhance learning without replacing people. AI can provide additional opportunities for practice and simulation while human facilitators create accountability, challenge assumptions, and push learners beyond their comfort zones.● Training should create measurable outcomes. Organizations can get more value from their learning investments by focusing on science-backed methods, measurable skills, practice, and sustained behavior change. About the guest: Alex has spent over 20 years in the learning space, including scaling Udemy from employee #15 to a global team serving 100 million learners. Today, he leads Gravity Learning, a workforce development company applying cognitive science to manager training; confidently tracking learning transfer for six months after programs end to ensure behavior change actually sticks.Alex brings a unique perspective on why corporate training often fails and how science‑backed methods can deliver measurable outcomes. His experience spans startups, IPO readiness, and ed‑tech innovation, leadership, L&D strategy, startups, and business. Connect with Alex:Website: https://gravitylearning.com/ LinkedIn: www.linkedin.com/in/alexmozes Connect with Allison:Feedspot has named Disruptive CEO Nation as one of the Top 25 CEO Podcasts on the web.LinkedIn: https://www.linkedin.com/in/allisonsummerschicago/ Website: https://www.disruptiveceonation.com/ #CEO #leadership #startup #founder #business #businesspodcast

Did Earth almost lose gravity for 7 seconds? Are aliens hiding in the deep ocean? And what exactly is NASA looking for in the deep deep sea?In this episode of Eavesdroppin', Geordie & Michelle dive into the viral TikTok theory that Earth would lose gravity for seven terrifying seconds — spoiler: it didn't happen! We separate the science from the social-media sensationalism before heading deep, deep underwater to explore why scientists are searching Earth's most extreme environments for clues about life beyond our planet. Plus, we're looking beyond our own solar system at distant worlds, strange planets and the ever-growing question: are we really alone in the universe?So grab a brown lemonade and settle in as the duo chat Dan The Postie's body hair, tan lines, French food and more on Eavesdroppin'. And remember, wherever you are, whatever you do, just keep Eavesdroppin'!*Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us!Please rate, review, tell your friends and subscribe in all the usual places – it really helps :) Support us on Patreon: https://www.patreon.com/eavesdroppinDo write in with your stories at hello@eavesdroppinpodcast.com or send us a Voice Note!Listen: http://www.eavesdroppinpodcast.comorhttps://podfollow.com/eavesdroppinYouTube: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9PgfwFacebook: https://www.facebook.com/eavesdroppinpodcast Hosted on Acast. See acast.com/privacy for more information.

Stay informed on current events, visit www.NaturalNews.com  - Introduction to the Show and Upcoming Segments (0:02) - Special Report on Data Centers (13:47) - Introduction to Dr. Wei Ping Yu and His Theory (74:43) - Discussion on the Yuan Theory and Its Implications (80:39) - Challenges and Criticisms of the Yuan Theory (80:54) - Conclusion and Call to Action (81:22) - Dark Energy and Magnetic Repulsion (81:42) - Challenges in Electrical Engineering and Atomic Models (84:54) - Periodic Table and Elemental Structure (87:51) - Yuan Theory and Fundamental Particle (99:47) - Magnetic Sensing and Consciousness (100:08) - Ferrofluid Experiments and Magnetic Fields (105:27) - Gravity and Magnetic Forces (112:58) - Biological and Genetic Implications (126:48) - Historical Misconceptions in Physics (134:40) - Future of Propulsion and Technology (141:24) - Astaxanthin and Its Benefits (157:57) - Form and Consumption of Astaxanthin (162:15) - Health Benefits of Watermelon and Celery (163:32) - Introduction of Mike's 575 E Website (164:56) - Humorous Segment and Closing Remarks (168:19) Watch more independent videos at http://www.brighteon.com/channel/hrreport  ▶️ Support our mission by shopping at the Health Ranger Store - https://www.healthrangerstore.com ▶️ Check out exclusive deals and special offers at https://rangerdeals.com ▶️ Sign up for our newsletter to stay informed: https://www.naturalnews.com/Readerregistration.html Watch more exclusive videos here:

Multi-award-winning British Production Designer and Set Decorator Alison Harvey joins Chris to share the story of her life and an extraordinary career spent creating some of the most memorable worlds in British film and television.Over more than two decades, Alison has built a remarkable career across the art departments of television series and major motion pictures, progressing through a profession in which experience, instinct, imagination and an extraordinary eye for detail all play their part. Her credits span everything from British television to some of the biggest international film productions, but her journey is also the story of how a creative career develops — one job, one opportunity and one relationship at a time.In this wide-ranging conversation, Alison takes Chris back to the beginning, reflecting on her early life, the influences that shaped her creative instincts and how she first found her way into film and television. From those formative experiences came a career that would see her work her way through the art department, learning the craft from the inside and collaborating with some of the industry's leading designers and filmmakers.Her early credits included work as a design assistant on EastEnders, followed by roles as an art director, production buyer, set decorator and eventually production designer. Along the way came an extraordinary collection of films and television productions including Atonement, Sherlock Holmes, Hanna, Anna Karenina, Gravity, Edge of Tomorrow, Cinderella, Beauty and the Beast, Hellboy, Benediction and Tetris.But it is Alison's work on the acclaimed Netflix series The Crown that has brought some of the greatest recognition of her career. As Set Decorator across all six seasons, Alison helped create the extraordinarily detailed visual world surrounding the British Royal Family, spanning decades of changing history, personalities, homes, fashions and political landscapes. The work brought Alison international recognition and multiple major industry honors. She won Primetime Emmy Awards for The Crown in 2020 for the episode Aberfan and again in 2024 for the series finale Sleep, Dearie Sleep, alongside further Emmy nominations in 2018 and 2021. Her work has also received recognition from BAFTA, the Art Directors Guild, the Royal Television Society and the British Film Designers Guild.Alison talks about recreating a world that audiences already feel they know. Her career has also brought opportunities to work alongside some of the most respected names in production design and set decoration, including Martin Childs, Celia Bobak, Sarah Greenwood, Katie Spencer, Dante Ferretti, Francesca Lo Schiavo, Paul Kirby and Valentina Mladenova.Now Alison has reached another significant chapter in that journey, stepping into the role of Production Designer on Goodbye June, the feature film directed by Kate Winslet. The project marks an important point in a career that has evolved continuously — from assisting and buying to art direction, set decoration and production design.Throughout this episode of AART, Chris and Alison explore much more than a list of film credits. They talk about the experiences behind them: the choices and opportunities that shaped Alison's path, the people she learned from, the pressures and pleasures of working in film and television, collaboration, leadership, creativity and what she has discovered about herself during a career spent largely behind the camera.It's the story of a woman who has spent much of her professional life creating the worlds in which other people's stories unfold — and the life and career behind those worlds. Alison Harvey: A Life Designing for Film & Television is a conversation about creativity, perseverance, collaboration and the unpredictable journey of building a life in the film industry.Join Chris Stafford for this episode of AART, where the conversation goes beyond the work to discover the life, experiences and stories of the woman behind it.Alison's website: https://alisonharvey.co.ukInstagram: https://www.instagram.com/harvey_alison/Some of Alison's favorite female artists:Cornelia ParkerEileen AgarBarbara HepworthLucie RieSusan Halls Alison's Dinner Party Guests:Barbara KrugerBarbara KingsolverBarbara Hepworth Barbara CastleBarbara HulanickiBarbara Streisand Keywords: Alison Harvey, Alison Harvey Production Designer, Alison Harvey The Crown, Alison Harvey interview, Alison Harvey podcast, British Production Designer, British Set Decorator, The Crown Set Decorator, The Crown Production Design, The Crown Behind the Scenes, Emmy Winning Production Design, Emmy Winning Set Decorator, Women in Film, Women in Television, Female Production Designer, Production Designer Interview, Set Decorator Interview, Film Art Department, British Film Industry, British Television, Film Careers, Production Design Career, Set Decoration, Atonement, Sherlock Holmes, Anna Karenina, Gravity, Edge of Tomorrow, Cinderella, Beauty and the Beast, Hellboy, Tetris, Benediction, Goodbye June, Kate Winslet, Netflix The Crown, Martin Childs, Film and Television Podcast, Behind the Scenes Film, Art Department, Creative Careers, Chris Stafford, AART Podcast, Women Unscripted, Hollowell StudiosBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.Host: Chris StaffordProduced by Hollowell StudiosWebsite: https://hollowellstudios.com/podcastsInstagram: @twomenunscriptedpodcastsEmail: hollowellstudios@gmail.com

Multi-award-winning British Production Designer and Set Decorator Alison Harvey joins Chris to share the story of her life and an extraordinary career spent creating some of the most memorable worlds in British film and television.Over more than two decades, Alison has built a remarkable career across the art departments of television series and major motion pictures, progressing through a profession in which experience, instinct, imagination and an extraordinary eye for detail all play their part. Her credits span everything from British television to some of the biggest international film productions, but her journey is also the story of how a creative career develops — one job, one opportunity and one relationship at a time.In this wide-ranging conversation, Alison takes Chris back to the beginning, reflecting on her early life, the influences that shaped her creative instincts and how she first found her way into film and television. From those formative experiences came a career that would see her work her way through the art department, learning the craft from the inside and collaborating with some of the industry's leading designers and filmmakers.Her early credits included work as a design assistant on EastEnders, followed by roles as an art director, production buyer, set decorator and eventually production designer. Along the way came an extraordinary collection of films and television productions including Atonement, Sherlock Holmes, Hanna, Anna Karenina, Gravity, Edge of Tomorrow, Cinderella, Beauty and the Beast, Hellboy, Benediction and Tetris.But it is Alison's work on the acclaimed Netflix series The Crown that has brought some of the greatest recognition of her career. As Set Decorator across all six seasons, Alison helped create the extraordinarily detailed visual world surrounding the British Royal Family, spanning decades of changing history, personalities, homes, fashions and political landscapes. The work brought Alison international recognition and multiple major industry honors. She won Primetime Emmy Awards for The Crown in 2020 for the episode Aberfan and again in 2024 for the series finale Sleep, Dearie Sleep, alongside further Emmy nominations in 2018 and 2021. Her work has also received recognition from BAFTA, the Art Directors Guild, the Royal Television Society and the British Film Designers Guild.Alison talks about recreating a world that audiences already feel they know. Her career has also brought opportunities to work alongside some of the most respected names in production design and set decoration, including Martin Childs, Celia Bobak, Sarah Greenwood, Katie Spencer, Dante Ferretti, Francesca Lo Schiavo, Paul Kirby and Valentina Mladenova.Now Alison has reached another significant chapter in that journey, stepping into the role of Production Designer on Goodbye June, the feature film directed by Kate Winslet. The project marks an important point in a career that has evolved continuously — from assisting and buying to art direction, set decoration and production design.Throughout this episode of AART, Chris and Alison explore much more than a list of film credits. They talk about the experiences behind them: the choices and opportunities that shaped Alison's path, the people she learned from, the pressures and pleasures of working in film and television, collaboration, leadership, creativity and what she has discovered about herself during a career spent largely behind the camera.It's the story of a woman who has spent much of her professional life creating the worlds in which other people's stories unfold — and the life and career behind those worlds. Alison Harvey: A Life Designing for Film & Television is a conversation about creativity, perseverance, collaboration and the unpredictable journey of building a life in the film industry.Join Chris Stafford for this episode of AART, where the conversation goes beyond the work to discover the life, experiences and stories of the woman behind it.Alison's website: https://alisonharvey.co.ukInstagram: https://www.instagram.com/harvey_alison/Some of Alison's favorite female artists:Cornelia ParkerEileen AgarBarbara HepworthLucie RieSusan Halls Alison's Dinner Party Guests:Barbara KrugerBarbara KingsolverBarbara Hepworth Barbara CastleBarbara HulanickiBarbara Streisand Keywords: Alison Harvey, Alison Harvey Production Designer, Alison Harvey The Crown, Alison Harvey interview, Alison Harvey podcast, British Production Designer, British Set Decorator, The Crown Set Decorator, The Crown Production Design, The Crown Behind the Scenes, Emmy Winning Production Design, Emmy Winning Set Decorator, Women in Film, Women in Television, Female Production Designer, Production Designer Interview, Set Decorator Interview, Film Art Department, British Film Industry, British Television, Film Careers, Production Design Career, Set Decoration, Atonement, Sherlock Holmes, Anna Karenina, Gravity, Edge of Tomorrow, Cinderella, Beauty and the Beast, Hellboy, Tetris, Benediction, Goodbye June, Kate Winslet, Netflix The Crown, Martin Childs, Film and Television Podcast, Behind the Scenes Film, Art Department, Creative Careers, Chris Stafford, AART Podcast, Women Unscripted, Hollowell StudiosBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.Hollowell Studios ProductionWebsite: https://hollowellstudios.com/podcastsInstagram: @theaartpodcast Email: theaartpodcast@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

3:49:30 – Frank in New Jersey, plus the Other Side. Topics include: Brooklyn, Pulaski Bridge, Scrappleland, savory, pinball, Winchester Mystery House, bar trivia, traffic, Carl synchronicity, Eyes Wide Shut (1999), Nutley in Gravity’s Rainbow, cornhole tournament, next day, rain, Weird Little Highway, Ramp Fiction, Push The Onsug Random Radio Button, memory, HUMANITY.TXT, Joe Schmo 2 (2004), The […]

Mary Keating joins Timothy Green on The Rattlecast for a conversation about poetry, disability, humor, resilience, and her memoir in verse, Recalibrating Gravity. A poet, lawyer, and disability-rights advocate, Keating became paraplegic following a car accident at age fifteen and went on to graduate from Yale Law School, build a legal career, and advocate for accessibility and disability rights. A longtime member of the Rattle community and three-time Pushcart Prize nominee, her poetry has appeared in Rattle, The Fiddlehead, ONE ART, Wordgathering, and elsewhere. In this episode, we discuss Recalibrating Gravity, writing honestly about disability without being defined by it, using humor in poems about difficult experiences, and turning a lifetime of memories into a memoir in verse. We'll also talk about poetry as a way of finding balance after life changes, Mary's journey into the Rattle community, and her Rattle poem “Full of It,” a ghazal featured as Poem of the Day. As always, we'll open the lines for this week's prompt-based poetry reading. Find more about Mary Keating here: https://www.marykeatingpoet.com/ This Week's Prompt: Write a poem that's a page or longer, and then edit it down to a maximum of 14 lines. Include both versions of your poem in the submission, with the shorter poem first. Next Week's Prompt: Write an ode to an antiquated piece of technology. Submit your poem through Submittable by midnight Sunday for a chance to be invited on the show: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online The Rattlecast livestreams every Monday on YouTube, Facebook, and X, then becomes available as an audio podcast on Apple Podcasts, Spotify, and wherever you listen.

3:49:30 – Frank in New Jersey, plus the Other Side. Topics include: Brooklyn, Pulaski Bridge, Scrappleland, savory, pinball, Winchester Mystery House, bar trivia, traffic, Carl synchronicity, Eyes Wide Shut (1999), Nutley in Gravity’s Rainbow, cornhole tournament, next day, rain, Weird Little Highway, Ramp Fiction, Push The Onsug Random Radio Button, memory, HUMANITY.TXT, Joe Schmo 2 (2004), The […]

In this intriguing Q&A episode of Space Nuts, hosts Andrew Dunkley and Professor Jonti Horner tackle a variety of cosmic queries from listeners. Join them as they explore the fascinating world of radio telescopes and how they produce images from radio waves, delve into the complexities of gravitational waves, and ponder the sounds and smells of space.Key topics include:- How photographic images are generated from radio telescopes, despite only receiving radio waves, and the fundamental principles behind this technology.- A deep dive into gravitational waves, their impact on space, and how LIGO detects these minute disturbances in the fabric of spacetime.- An imaginative discussion on what sounds might exist in space and the potential smells one could encounter beyond Earth's atmosphere, including the curious idea of cosmic fragrances.Join Andrew and Jonty as they demystify these concepts, providing clarity and insights into the wonders of astronomy and space science.00:00 - Space Nuts aims to answer questions from the audience about astronomy and space science01:37 - Were the pyramids built by aliens or were they built by humans04:26 - How is a photographic image produced from a radio telescope and not an optical telescope12:36 - Dean: I often hear about gravity waves and I have a hard time visualising20:15 - Andrew Dunkley: I think ideas become easier to explain over time22:45 - Our next question comes from David from Port Washington, New York30:37 - Several volcanoes have blown up since we've been to them32:08 - The metropolitan area of Auckland contains 53 volcanoes35:02 - If you could take a big inhale, what would space smell like36:22 - If you would like to send us some questions, please do through our websiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/space-nuts-astronomy-insights-cosmic-discoveries--2631155/support.

In this episode of The Marketing Rapport, host Tim Finnigan sits down with Lucas Thelosen, Founder & CEO of Orion by Gravity, and former Head of Product for Data & AI at Google Cloud to unpack what actually separates data-driven companies from the ones that only claim to be. Drawing on his experience working alongside Uber, Walmart, Amazon, Warby Parker, and On Running, Lucas explains why the most competitive markets consistently produce the most sophisticated data practices, and how a compounding 2% edge translates into billion-dollar valuation gaps over time.The views, thoughts, and opinions expressed are those of the speaker and do not necessarily represent the views, thoughts, and opinions of ActiveProspect. The material and information presented here is for general information purposes only.This podcast is not intended to replace legal or other professional advice. The Lead Intelligence, Inc. (dba InfutorData) and ActiveProspect LLC names and all forms and abbreviations are the property of its owner and its use does not imply endorsement of or opposition to any specific organization, product, or service.ACTIVEPROSPECT DISCLAIMS ALL LIABILITY ARISING OUT OF ANY INDIVIDUAL'S USE OF, REFERENCE TO, RELIANCE ON, OR INABILITY TO USE THIS PODCAST OR THE INFORMATION PRESENTED IN THIS PODCAST.

This week we continue to read from our book, Paradox Lost, exploring the hidden meaning of the word "mass" in the Newtonian sense, and see how this maps onto modern usage of the word. We apply the material principles of natural philosophy to understand mass as a product of atomic architecture in networks of physically chained atoms, experiencing basic mechanical adhesion and, ultimately, cohesion.#Physics #Gravity #Inertia #Mass #Newton #Cosmology #ParadoxLostPre-order our upcoming book, Paradox Lost: https://demystifysci.com/paradoxlostPATREON https://www.patreon.com/c/demystifysciHOMEBREW MUSIC - Check out our new album!Hard Copies (Vinyl): FREE SHIPPING https://demystifysci-shop.fourthwall.com/products/vinyl-lp-secretary-of-nature-everything-is-so-good-hereStreaming:https://secretaryofnature.bandcamp.com/album/everything-is-so-good-herePARADIGM DRIFThttps://demystifysci.com/paradigm-drift-showMERCH: Rock some DemystifySci gear : https://demystifysci-shop.fourthwall.com/AMAZON: Do your shopping through this link: https://amzn.to/3YyoT98DONATE: https://bit.ly/3wkPqaDSUBSTACK: https://substack.com/@UCqV4_7i9h1_V7hY48eZZSLw@demystifysci RSS: https://anchor.fm/s/2be66934/podcast/rssMAILING LIST: https://bit.ly/3v3kz2S SOCIAL: - Discord: https://discord.gg/MJzKT8CQub- Facebook: https://www.facebook.com/groups/DemystifySci- Instagram: https://www.instagram.com/DemystifySci/- Twitter: https://twitter.com/DemystifySciMUSIC: -Shilo Delay: https://g.co/kgs/oty671

Welcome to Mysteries to Die For.I am TG Wolff and am here with Jack, my piano player and producer. This is a podcast where we combine storytelling with original music to put you in the heart of a mystery. All stories are structured to challenge you to beat the detective to the solution. Jack and I perform these live, front to back, no breaks, no fakes, no retakes.In the world's most dangerous working environments it can seem like everything is out to kill you. The equipment you use. The materials you work with. The very air you breathe. Stored energy is a coiled viper waiting for the right moment to lash out. Owners, manufacturers, contractors, and beyond have developed safety protocols to combat STCKY, that is, Stuff That Can Kill You. Gravity, Motion, Mechanical, Electrical, Pressure, Sound, Radiation, Biological, Chemical, Temperature. This season is all about the means of murder as authors put our STCKY detective skills to the test. This is Season 9, Stuff That Can Kill You.This is Episode 17, where Gravity is our STCKY means of death. This is Fatal Crush by Jason LittleDeliberationDetective Eric Stockton is going in circles on this one. Everyone claims to have loved Carolyn “Cari” Walters Vanderkamp, but someone did arrange for her to be in the building when it fall. Here are his suspects in the order we've met them:• Miguel Contreras, co-owner of business, on his way to citizenship• Caramon Andovar, Cari's current love. Or is he?• Alexandra “Sandra” Vanderkamp, wife of the company's founder• Grady Thompson, long-time employeeMEMBERSHIPS!Mysteries to Die For now has memberships! We are starting memberships to help pay for our real live human authors, to keep the software working and the power flowing, and avoid the dreaded use of ads. We have three tiers including free. If you want to show you love but aren't ready for a commitment, you can now tip us and leave a witting, punny note for us. Links are in the show notes and on our website M2D4podcast.com.ABOUT Jason LittleJason Little lives in North Texas, where he sells insurance by day and writes horror by night. He is the creator of Flash Frights, weekly micro-horror stories published every Friday, and Monthly Frights, longer tales released each month on Patreon at FromTheFrightVault. Visit JasonLittleWriting.com to learn more about Jason, explore his blog, and follow his journey as he works toward becoming a full-time horror author.WRAP UPThat wraps this episode of Mysteries to Die For. Support our show by subscribing, telling a mystery lover about us, or signing up for a membership. Check out our website m2d4podcast.com for links to this season's authors.Mysteries to Die For is hosted by TG Wolff and Jack Wolff. Fatal Crush was written by Jason Little. Music and production are by Jack Wolff. Episode art is by TG Wolff. Join us next week for a Toe Tag, which is the first chapter from a fresh release in the mystery, crime, or thriller genre. Then come back in two weeks for our next original story where an different kind of crush is our STCKY means of murder. It's A Serious Crush by Ed Teja

Curious to explore the wonders of quantum physics?Dive into this fascinating world and explore what makes up subatomic particles, how exactly entanglement works, and learn about the new theories going around the science community gossip mill; like parallel universes, the holographic principle, and the multiverse.“Quantum Design” starts with a quick and lively tour through the history of quantum physics and how we got to where we are today, and continues to unravel the mysteries of Spacetime, Schrödinger's Equation and Wave Mechanics, the famous Double-Slit experiments, and the interesting nature of quantum spin. “Quantum Design” also delves into the future of quantum mechanics, shedding light on the groundbreaking applications emerging from new technologies such as quantum computers and cryptography.In this book, you'll find:- A Quick Tour through Quantum History- Understanding Subatomic Particles- Schrödinger and Wave Mechanics- The Double-Slit Experiment- Photons and Entanglement- Spacetime and Spin- Proton Stability and New Explorations- New Theories on Gravity and Spacetime- Theories on the Holographic Principle, the Multiverse, Parallel Universes, and more- Quantum Applications in Technology- And MORE…Written in an engaging and accessible style, "Quantum Design" is the perfect companion for anyone eager to grasp the core principles of quantum physics.Whether you're a novice or a curious enthusiast, this book offers a fun and informative exploration of the mysterious and wonderful world of quantum physics!Katie Norris was is originally from the suburbs of Maryland where her pastimes included climbing trees, singing and dancing, and asking a lot of questions. In school she enjoyed attending her classes, but she also had an insatiable passion for learning new skills beyond what was required. At an early age, she began creating a habit of self-study on different topics of interest. At eight years old, Katie taught herself to play the piano and began writing songs. She continued in music and theater all through high school and college, all while maintaining honors in her other academic subjects. When she wasn't playing music or acting on stage, Katie was reading a book or visiting her friends in the science department, always curious about their new projects. She graduated with a Bachelor's in Theater and Music from Frostburg State University, Maryland, and then moved to New York City to start her career in the theater world. Katie continued with her self-study practices between auditions and performance gigs, and learned a handful of random other skills, one of which was teaching herself Japanese, initially on a dare.After a few years in the NYC, Katie moved to Los Angeles where she continues her career in the entertainment industry. And her pursuits of science and self-study on all the topics that interest her have not slowed down. After locating to L.A., Katie dove more deeply into the world of physics and quantum physics. And for a time, she even held a position teaching after-school programs on physics and robotics for elementary and middle school kids. Her passion for knowledge on quantum physics has been ever-growing and evolving.https://katienorris.org/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Episode 032 of Fonk Monthly Mix - August 2026 Episode 032 of the Fonk Monthly Mix delivers a relentless journey through big room and progressive house, anchored by Dannic originals, ID's and collabs including "New Day," "Round & Round," "Gravity," and the classic "Unstoppable" with Dyro. The mix is packed with standout moments like Hardwell's 2026 bootleg of Prospa & Cloonee's "Free Your Mind," a massive Eric Prydz "Opus" bootleg, and a clever three-way mashup blending David Guetta, Axwell & Ingrosso, and BlackCode & Gaz Meeko. From melodic builds to dancefloor-destroying drops, this episode is pure Fonk energy from start to finish. TRACKLIST: 1. Swedish House Mafia & Lykke Li - Happiness Is So Sad (Extended Mix) 2. Kolter - Hey Everybody (Back In The Dance) (Extended Mix) 3. AVE - Meet Me In The Dark (Club Mix) 4. Oliver Heldens & Will Clarke - Lost In Music (Extended Mix) 5. Prospa & Cloonee - Free Your Mind (Hardwell 2026 Bootleg) 6. Gryffin, BUNT. & Inéz - World Away (Extended Mix) 7. Kryder - Oh My! (Extended Mix) 8. Lucas & Steve x Mike Bond - Be Like Bob (Extended Mix) 9. ID - New Day (Extended Mix) 10. Dannic - Round & Round (Extended Mix) 11. David Guetta & Third Party vs. Sophie Ellis-Baxtor - Hero vs. Murder On The Dancefloor (Fuerte & Josue Rodriguez Mashup) 12. BlackCode & Gaz Meeko vs. David Guetta vs. Axwell & Ingrosso - Take Me vs. I'm Good vs. More Than You Know (Dimitro Mashup) 13. Dannic - Gravity (Extended Mix) 14. Sir Ivan - Love Is The Piece (Dannic Extended Remix) 15. Eric Prydz - Opus (Trashock Bootleg) 16. Luvstruck x Leena Punks x Ethan - In My Heart (Extended Mix) 17. Dyro & Dannic - Unstoppable (Extended Mix) Follow Dannic:

What did Hackaday editors Elliot Williams and Al Williams read in Hackaday last week? Probably everything, but you can tune in and hear about their favorites on this week's podcast. They heard from lots of listeners this week, and also saw DIY projects running from a 3D-printed Stirling engine, to clogs, to LEDs. There are some over-the-top hacks like a refit for a decades-old watch to do tap-to-pay and a -- for lack of a better word -- a record player that optically reads MOD files. Want to emulate an iPod? Talk to Eliza? Print a hand-operated rail car? Hackaday is the place to read about it all. The can't miss articles included a talk from Hackaday Europe about making magical PCBs and a not-so-brief history of space stations starting in the 1800s. Check out the links if you want to follow along, and as always, tell us what you think about this episode in the comments!

We begin Episode 24 with one of those hypothetical questions that immediately exposes exactly how much faith you have in the people around you:Someone offers you $50 million cash, tax-free. All you have to do is call someone. If they don't answer, you get the money.Who are you calling?For the Rizz Show crew, the answer becomes obvious very quickly: King Scott.The man apparently treats incoming phone calls like suggestions.Rizz is already mentally spending his $50 million because King Scott never answers. Moon is apparently another safe bet, and the conversation quickly turns into an intervention about why Scott's phone is always on Do Not Disturb—especially with a very pregnant wife at home.Probably time to turn the ringer on, buddy.If not, apparently the rest of The Rizzuto Show is prepared to raise the child. It takes a village, and unfortunately this is the village available.Then it's time for the Rizz Quiz, where contestants get 45 seconds to answer as many supposedly simple questions as possible. One wrong answer immediately stops the clock. We're talking third-to-fifth-grade territory: basic math, colors, geography, animals, planets and other information most adults confidently assume is still stored somewhere inside their brains.That confidence does not survive this comedy show.Janelle starts strong with pink, 30, LEGO and 366 days in a leap year before the phrase “natural satellite” completely derails the operation. The answer was the moon. Instead, we get a curse word and an early exit.Chris comes in ready to work—and apparently ready to work with the loudest calculator ever manufactured. He gets through Harry Potter, pentagons, Florida, multiplication, McDonald's and subtraction while everybody tries to figure out whether he's playing the Rizz Quiz or doing taxes on a Texas Instruments from 1987.Then Craig absolutely cooks.Milk. Spider legs. Mars. Division. Elephants. Inches. Gravity. Multiplication. Hawaii. Addition. Helium.The man puts up 11 correct answers, which in this game basically makes him Ken Jennings.Bill gets one chance to dethrone him.First question: What animal is known as man's best friend?Dog.Second question: What is 60 divided by 6?Zero.And that's it.Craig wins Blues home-opener tickets while Bill presumably begins a long and painful reconciliation with the number 10.Round two begins with Brittany taking on a piano, decades, Antarctica and basic multiplication. Eight times four?36.Nope.The crew also realizes some questions have returned from the previous day, giving Rizz a chance to see whether anybody actually learned anything from Simpleton Trivia. Spoiler: education remains a work in progress.Then Columbia Jeff steps up and cruises through colors, subtraction, human anatomy, triangles, Mario, multiplication and geography.How many nickels make one dollar?50.Suddenly Rizz feels much better about his own previous nickel-related failure. This isn't just trivia anymore. This is Rizz redemption.Another Jeff enters the arena and successfully handles penguins, division and Canada before 18 plus 22 becomes…50?Math claims another victim.Finally Ethan gets the last shot. He works through stop signs, Washington, D.C., division, dolphins and rainbow colors before getting tangled up in a question about the force behind ocean tides.And that's the Rizz Quiz experience in a nutshell: everything seems insultingly easy until the music starts, a timer is running and suddenly you're staring into the abyss wondering whether 18 plus 22 has always been 50.This comedy show proves once again that basic math becomes advanced calculus when someone puts you on the radio.The Rizz Quiz isn't difficult.Your brain is just a coward.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alex Mozes is the CEO of Gravity Learning, a workforce development company using cognitive science to help managers actually change how they lead. Before Gravity, Alex founded Sheprd.io, a fractional operations consultancy helping companies solve scaling challenges from early‑stage through IPO. Nowadays he brings that same obsession with real‑world impact to Gravity Learning—building programs HR and L&D leaders can finally measure.Alex and I talk about his journey from tech to the world of education and his mission to democratize it. We also talk about the importance of interactive learning and issues created by corporate environments.For all links and resources mentioned in this episode, head to the show notes: https://www.educatorforever.com/episode198.

Black holes, as Stephen Hawking discovered, do grow old: they emit radiation, lose mass, and eventually evaporate away. But our fascination with black holes never grows old. This is especially true today, as we are seeing a flood of new data and intriguing theoretical ideas, which both tests the limits of Einstein's general relativity and teach us new things about the astrophysical universe. At the Center of Gravity at the University of Copenhagen, they are currently celebrating Black Hole Week, which provides an excellent opportunity to talk with Center director Vitor Cardoso about what we've been learning about these singular cosmic objects. Use code MINDSCAPE at https://monarch.com/ to get your first year of Monarch Core half off at just $50. #ad Upgrade your everyday and get free shipping and 365-day returns at https://quince.com/MINDSCAPE. #ad See what ElevenAgents can do for your specific workflows at https://elevenlabs.io/MINDSCAPE. #ad Blog post with transcript: https://preposterousuniverse.com/podcast/2026/08/24/365-vitor-cardoso-on-why-black-holes-are-special/ Support Mindscape on Patreon. Vitor Cardoso received his Ph.D. in physics from the Instituto Superior Técnico in Portugal. He is currently a Villum Investigator and Director of the Center of Gravity at the Niels Bohr Institute in Copenhagen, and a Distinguished Professor at Técnico. Web site University of Copenhagen web page Simons Collaboration page Google Scholar publications

We're often told that the scientific revolution banished souls from nature, leaving a universe of dead matter pushed around by blind forces. I don't think that's what happened. The soul of the world didn't disappear in the seventeenth century; it changed its name. It's now called a field.Gravity turns out to be an attraction, a pull toward a final unity, which is to say a purpose. The electromagnetic field turns out to be what William Gilbert in 1600 called the soul of the earth, and I'll show you what it does with a handful of magnets, something I've never done in front of an audience before. Matter turns out to be frozen light, with the energy trapped within quantum matter fields. And the fields that shape a growing leaf turn out to be very close to what Aristotle meant by the vegetative soul. Formal and final causes were never really expelled from science. They've been hiding in plain sight, in the one part of physics almost nobody thinks to examine. I'll also make the case that the laws of nature are better understood as habits, and that nature has a memory, an idea that got my first book condemned in the pages of Nature as a candidate for burning, and which my colleagues in India found entirely unremarkable.Delivered at The World Soul Symposium, a conference of the Cambridge Centre for the Study of Platonism, on the 19th of June 2026, Thirkill Room, Clare College, Cambridge University.Chapters00:00 Introduction: Why the World Soul Matters to Science Now03:06 Gravity as the Unifying Principle of Modern Cosmology11:36 The Electromagnetic Field, Polarity, and the Soul of the Earth18:00 Magnet Demonstration: Formal and Final Causes in Plain Sight21:16 Quantum Matter Fields: Matter as Frozen Light23:23 Morphogenetic Fields and the Vegetative Soul29:38 Morphic Resonance: Memory and Habit in Nature33:46 Questions and Discussion

Schendy Kernizan worked as a professor and researcher before co-founding RLP (Rapid Liquid Print), a company that extrudes silicone into a hydrogel. RLP allows for pure silicone to be made quite quickly with a lot of design freedom. From medical devices to industrial components, the company is exploring what its technology can do. We talk with Schendy about working with customers, go-to-market, investors, entrepreneurship, and more. What do you do if the possibilities are so vast? That’s part of what we try to answer through looking at this inspiring company. This episode of the 3DPOD is brought to you by Lincoln Electric Additive Solutions, the industry leader in large-scale 3D metal printing and operator of the world’s largest wire arc additive manufacturing facility. Backed by Lincoln Electric’s 130-plus years of deep expertise in welding, metallurgy, automation, and process control, Lincoln Electric Additive Solutions helps manufacturers push beyond the limits of traditional part production, enabling greater design flexibility, more agile sourcing strategies, and new possibilities for producing large, complex metal components.   

Avatar stuntman, actor, and UFO disclosure researcher Reuben Langdon returns to explore extraterrestrial contact, telepathy, and the hidden potential of human DNA, from The Telepathy Tapes to theories of Anunnaki intervention and dormant abilities, in episode 260 of the Far Out with Faust podcast.Langdon served as Sam Worthington's main stunt double on James Cameron's Avatar and is known to video game fans for portraying Dante in the Devil May Cry series and Ken Masters in Street Fighter. He went on to produce the five-day Citizen Hearing on Disclosure in Washington, D.C., where more than 40 military witnesses, researchers, and pilots testified before six former members of Congress. Langdon later created Interview with E.D., a successful Gaia series exploring channeling, extraterrestrial and multidimensional beings, and consciousness.In Part 2 of our interview, Faust and Reuben explore the intersection of channeling, artificial intelligence, consciousness, and extraterrestrial contact. Their conversation ranges from light language, sacred geometry, and altered states to theories of genetic intervention and dormant DNA, raising questions about whether human beings possess abilities that have yet to fully emerge. They also examine personal sovereignty, subconscious programming, and discernment, and why each may become increasingly important as the push for UFO disclosure moves forward.In this episode:• AI Before Aliens: Why a 2014 message suggested humanity would navigate AI before open ET contact.• Can Geometry Change Reality?: Light language, ancient symbols, and sacred geometry may affect more than consciousness.• Contact Without Government Permission: How meditation and consciousness offer another path to extraterrestrial contact.• Telepathy Before The Telepathy Tapes: Reuben was investigating apparent telepathy in nonverbal autistic people as far back as 2010.• Who Altered Human DNA?: Anunnaki, dormant DNA, and theories of multiple extraterrestrial influences on the human genome.• What Was Inside the Crates?: Why Jake Barber reportedly told Michael Herrera the cargo near a massive triangle craft was not drugs.• Can Movies Unlock Buried Memories?: How Avatar, Arrival, and Spielberg films may act as keys to hidden contact experiences.• Are We Creating the Past?: Bashar's teachings raise a strange possibility about consciousness, timelines, and the history we experience.• Nobody Is Coming to Save Us: Why Reuben says sovereignty and responsibility matter more than waiting for ETs, Jesus, or AI.If telepathy, extraterrestrial contact, and dormant human abilities are all signs of the same shift, what happens when humanity stops waiting for disclosure and starts becoming capable of it?Watch Part 1 of this interview:James Cameron's ET Secrets, UFO Disclosure & The Antarctica Enigmahttps://youtu.be/Lo8YTeNTRxo00:00 Intro: Black Ops Encounters & Sacred Geometry01:20 CE5 Contact Protocols, Consciousness & Benevolent ETs03:29 Politics, the ET vs. Demon Narrative & Decentralization05:20 10+ Years in ET Channeling & AI as the Training Wheels for Disclosure07:14 Past Life Recall, Clearing Timelines & Strange Encounters09:20 Light Language, Scribe Art & Biological Frequency12:35 Quantum Effects of Geometry, Gravity & Ancient Science14:23 Disclosure Day, Childhood Screen Memories & Collective Cinema17:50 Michael Herrera's Black Ops Triangle Encounter & Secret Programs20:40 Precognition, Manifestation & Breaking Free from Doomsday Dogma23:08 The Telepathy Tapes, Nonverbal Autistics & Conscious Evolution29:15 The Neuroscience of Flow States & Stealing Fire31:59 Human DNA Upgrades, Chromosome Fusion & The Anunnaki Question37:20 Lost Ancient Civilizations vs. The Recent Tech Explosion41:10 Shifting Timelines & The Illusion of Past and Future44:05 True Disclosure: Taking Responsibility for Human Liberation47:40 Personal Sovereignty & Rewiring Subconscious Programming52:10 Developing Discernment & Heart-Centered Awareness55:35 Ruben Langdon's Projects, Interview with E.D. AI & OutroCheck out Reuben's first appearance on the show:Avatar " On Set" Epic Stories, ETs, UFOs, DMT Elveshttps://youtu.be/zZraiW74NLcConnect with Reuben Langdonhttps://www.instagram.com/reubenlangdon/https://x.com/ReubenLangdonhttps://www.youtube.com/@interviewwithedJoin us on PatreonFor uncensored episodes, behind-the-scenes content, and exclusive community access:https://patreon.com/FarOutWithFaustListen on Spotify + Apple PodcastsSpotify: https://open.spotify.com/show/6StPwgq2di3f8uxnc6SmIfApple: https://podcasts.apple.com/us/podcast/far-out-with-faust-fowf/id1533017218FOWF & Faust Checho on socialhttps://www.instagram.com/faroutwithfaust/https://www.instagram.com/theonefaustchecho/https://www.facebook.com/Faroutwithfausthttps://x.com/faustchechohttps://patreon.com/FarOutWithFaustQUESTION THE ANSWERS™#Extraterrestrial #Annunakiwe'd love to hear from you

In this episode, we cover Lucid Group's second quarter 2026 earnings call and the company's new direction under CEO Silvio Napoli. Napoli lays out three priorities for Lucid—cash and cost, customer and quality, and culture and team—as the company works to reduce cash burn, improve liquidity, and better align production with demand. We look at the workforce reductions and changes at Lucid's Arizona factory, along with efforts to improve the ownership experience through expanded service support, mobile service capacity, and tighter software and quality controls. The call also provides updates on Gravity and several of Lucid's major projects, including the Uber and Nuro robotaxi program, the AMP-2 factory in Saudi Arabia, and the midsize platform and Cosmos prototype. Lucid isn't providing formal guidance yet, but the company expects second-half production to be below Q2 levels while deliveries should exceed production as it works through existing inventory. We also hear Napoli's broader assessment of where Lucid has fallen short and what needs to change if the company is going to turn its technology and products into more consistent execution. Support the Show Other Podcasts: Beyond the Post YouTube Beyond the Post Podcast Shuffle Playlist 918Digital Website Publications: Lucid Group Investor Relations News Links: Lucid Q2 2026 Earnings Call *Show Art Created By Dall-e Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Why does the Christian life feel like a constant pull downward, back into old habits, arguments, and compromise? Pastor Dorrell answers with the image of gravity: left alone, the human heart falls toward pride, greed, and strife, just as a plane falls without the thrust of its engines. Working through 1 Timothy 6:11-16, he shows how Paul calls Timothy, and every believer, to flee destructive patterns while actively pursuing righteousness, godliness, faith, love, patience, and meekness. Fighting the good fight is not passive; it requires deliberate, daily effort empowered by the Holy Spirit. Listeners are challenged to examine where they've stopped applying spiritual thrust and to recommit to relentless pursuit of Christlike character until Jesus returns.Eastland is a Place to BelongEastland Baptist Church is located in Tulsa, Oklahoma. We are a welcoming and close-knit family community that loves to care for each other through the Church. We strongly believe in loving and supporting each other and our neighbors. Our members don't just attend our Church; they feel a strong sense of belonging.Join UsFind service times and our location at https://www.eastlandbaptist.org/join.Connect with UsWebsite: https://www.eastlandbaptist.orgFacebook: https://www.facebook.com/eastlandbaptisttulsaInstagram: https://www.instagram.com/eastlandbaptistTo support the ministry of Eastland Baptist Church, tap here: https://www.eastlandbaptist.org/give

In episode 2112, Jack and guest co-host Andrew Ti are joined by comedian and co-host of Lady To Lady, Brandie Posey to discuss… The Crumbles Are Here--And It’s Not As Delicious As That Sounds, Google VIP Spam Filter, Vaccine Exemptions For Kindergartners Hits “Record High”, The GOP – Not Abdul El-Sayed – Are Hurting Puppies, NASA Addresses Conspiracy Theory and more! Cyclosporiasis cases now total 15,716: CDC Navy destroyer went days without power in the South China Sea, leaving sailors without toilets Google Just Made It Easier for Campaigns to Send You Fund-Raising Emails Vaccine exemption rate for kindergarteners reaches record high: CDC Kindergarten Vaccine Exemptions Hit Record High as US Suffers Worst Measles Outbreak in Decades Measles Used to Be in Our Rearview Mirror. Now Cases Are Reaching Record Highs. Michigan Senate candidate Abdul El-Sayed didn't run 'dog slaughterhouse' in Detroit, despite claims Debunking MAGA’s Puppy-Killer Smear Against Abdul El-Sayed ‘Over 4,000 dogs and cats killed’: Abdul El-Sayed’s ‘pet massacre’ record goes viral El-Sayed in the hot seat after 'sickening' animal control record goes viral on social media Abdul El-Sayed oversaw animal 'slaughterhouse' as over 4,000 puppies and kittens killed under his watch NRSC Unveils New “Dogs Against Abdul” Merchandise American voters support animal welfare — and MAGA is seizing on it Farm Bill Moves Forward with Mixed Results for Animals Animal abusers are getting let off the hook. Trump and his Supreme Court are partly to blame. Aspiring Fraudsters Had a Great Day at the Supreme Court The Supreme Court just lit a match and tossed it into dozens of federal agencies ASPCA: Repeat-offender puppy mills face no consequences for violations Mass. animal shelters overwhelmed as immigration enforcement leaves pets behind The Pets Left Behind When Their Owners Are Deported NASA forced to debunk viral claim Earth will lose gravity for seven seconds today LISTEN: Mala feat. ren & Tiara by TokyoSee omnystudio.com/listener for privacy information.

Musician and singer-songwriter Jon Mads Blue joins Coach Dini on Vigilantes Radio Live for a conversation about rediscovering creativity, returning to music after decades away, and why sometimes the things we're meant to do have a strange way of finding us again.Jon's latest single, “New Car,” comes from his upcoming album GRAVITY (no situation) and mixes pop-rock energy with humor through the story of a man who may love his automobile just a little more than his relationship.But Jon's story reaches far beyond one song.After picking up the guitar at 12, playing in a band by 16 and developing an early love for songwriting, life eventually moved music to the background. He spent three decades in real estate and several years painting before unexpectedly returning to the guitar. Soon the songs began flowing again, old musical relationships resurfaced, and a handful of ideas quickly became a full collection of material.Jon and Coach Dini explore the influence of The Beatles, the role of humor in songwriting, why positivity matters in his music, the freedom of creating without chasing trends, and what it means to rediscover a dream later in life.Sometimes you don't have to find your passion again.Sometimes you simply have to become quiet enough to notice that it never really left.Website: https://jonmadsblue.bandzoogle.com/Facebook:  https://www.facebook.com/profile.php?id=61564688535115.Instagram: https://www.instagram.com/jonmadsblue/TikTok:  https://www.tiktok.com/@jonmadsblue?lang=enSpotify: https://open.spotify.com/artist/21vQQ5rAfJdmifthp9YrxlYouTube: https://www.youtube.com/channel/UC-OQ7tZBq9Q5pfnsMtOSylgBecome a supporter of this podcast: https://www.spreaker.com/podcast/vigilantes-radio-live--2166168/support.Vigilantes Radio Live! by The Only One Media Group ℗©2025Episode Credits:Produced, edited, mixed, and written by Demetrius "Whodini Blak" Reynolds, Sr.Artwork designed by Demetrius "Whodini Blak" Reynolds, Sr.Show Introduction by KateSegment jingles composed & produced by Demetrius "Whodini Blak" Reynolds, Sr.Additional music licensed through 7th Sign RecordingsLinks:onlyonemediagroup.comhttps://www.instagram.com/vigilantesradio/https://www.iheart.com/podcast/966-vigilantes-radio-live-29999229/https://www.instagram.com/whodiniblakin3d/https://www.imdb.com/title/tt26009230/To support our show, please leave reviews, ratings, or you can help fuel the passion over at buymeacoffee.com/vigilantesradioEmail us at onlyonemgt@gmail.com or vradio@onlyonemediagroup.com

Join Nick, Andrew, and Brendan as they gather to discuss 2002's Godzilla Against MechaGodzilla! Plus why Nick wouldn't want the concept of Kiryu to be explored more in this film, why some of the Millennium series films feel similar to the late Heisei series films, why this Godzilla feels more like a robot than Kiryu does, and much more!Introductions - (0:33)Synopsis - (2:00)Our History w/ Godzilla Against MechaGodzilla - (6:14)Story & Human Characters - (9:04)Monsters, Mechs, Special Effects - (48:58)Score - (1:46:22)MVP - (1:54:36)Ike's Thoughts - (1:56:28)Final Thoughts - (2:08:21)Where to Find Us - (2:10:51)Sign Off - (2:11:23)Mister Tiger Drop Films (Ike's YouTube Channel): https://www.youtube.com/@mrtigerdropfilmsContact Us:Email: gforcekaijupod@gmail.com Instagram: https://www.instagram.com/gforcekaijupod/profilecard/?igsh=aWNoYzFtZHIwdHRqBluesky: https://bsky.app/profile/gforcekaijupod.bsky.socialFacebook: https://www.facebook.com/share/15UT3JSkpH/?mibextid=wwXIfr

Can you help me make more podcasts? Consider supporting me on Patreon as the service is 100% funded by you: https://EVne.ws/patreon You can read all the latest news on the blog here: https://EVne.ws/blog Subscribe for free and listen to the podcast on audio platforms:➤ Apple: https://EVne.ws/apple➤ YouTube Music: https://EVne.ws/youtubemusic➤ Spotify: https://EVne.ws/spotify➤ TuneIn: https://EVne.ws/tunein➤ iHeart: https://EVne.ws/iheart HYUNDAI STARTS IONIQ 3 PRODUCTION IN TURKEY https://evne.ws/ecxr1 HYUNDAI OPENS IONIQ 3 ORDER BOOKS https://evne.ws/nmnlb LUCID UNVEILS GRAVITY GT-S https://evne.ws/9rmyj FRANCE TO BACK USED ELECTRIC VEHICLES https://evne.ws/y7y0y PORSCHE REPORTS POINT TO TAYCAN PHASE-OUT https://evne.ws/aj913 TESLA ADDS V2L TO MODEL Y PREMIUM https://evne.ws/xbilb TESLA LEASES POWERWALL BACKUP IN TEXAS https://evne.ws/pvqgl CORVUS TO SUPPLY BATTERIES FOR BC FERRIES SUMMIT CLASS https://evne.ws/x809n FERRARI LUCE SELLS FOR $40 MILLION https://evne.ws/4xbek

It's ev.news Briefly for Monday 17 August 2026, only todays headlines and nothing else, in just 4 minutes if you haven't got time for the full show.Patreon supporters fund this show, get the episodes ad free, as soon as they're ready and are part of the ev.news Community. You can be like them by clicking here: https://www.patreon.com/evnewsHYUNDAI STARTS IONIQ 3 PRODUCTION IN TURKEYHyundai has begun building the IONIQ 3 at its Izmit plant in Turkey, the site's first EV, following a €250 million ($290 million) investment that modernised around half the facility. Initial output is 30,000 units a year, with Dutch prices from €27,995 ($32,000) and the next-generation BAYON and i20 to follow next year.HYUNDAI OPENS IONIQ 3 ORDER BOOKSHyundai Motor UK has opened orders for the IONIQ 3 compact hatchback from £22,245 on-the-road, positioning it against the Kia EV2, Renault 5 and VW ID Polo. Buyers choose a 42.2kWh battery with up to 213 miles or a 61kWh version with up to 308 miles, both charging 10-80% in about 30 minutes, and the car debuts Hyundai's Android Automotive-based PleOS Connect system. Grant eligibility is still pending.LUCID UNVEILS GRAVITY GT-SLucid's 2027 Gravity GT-S produces 1,070hp from a dual-motor powertrain and hits 0-60mph in 3.1 seconds, priced from $127,750 — about $14,000 below the outgoing Dream Edition. It comes with rear-wheel steering and adaptive air suspension as standard, while a 926V architecture supports 400kW charging that Lucid says adds 200 miles in under 12 minutes.FRANCE TO BACK USED ELECTRIC VEHICLESFrom September, France will subsidise used EV purchases and leases through the Energy Savings Certificates scheme, funded by energy suppliers including EDF, Engie and TotalEnergies under the polluter-pays principle. Cars must have been first registered in France between 2017 and 2023 and retain at least 80% battery capacity, with buyers required to keep the vehicle three years and to purchase through a dealer rather than privately.PORSCHE REPORTS POINT TO TAYCAN PHASE-OUTPorsche is reported to have agreed in principle with employee representatives to end Taycan production by 2029 or 2030, closing a roughly decade-long run, though nothing has been formalised or confirmed. Output has collapsed from 39,397 cars in 2023 to 11,510 in 2025, with first-half 2026 deliveries down 25% and no successor named as Porsche appears set to prioritise the electric Macan and Cayenne.TESLA ADDS V2L TO MODEL Y PREMIUMTesla has enabled vehicle-to-load for the Model Y Premium in the US and Puerto Rico, delivering 2.4kW at 120V via an $80 adapter that requires the Gen 3 Mobile Connector. Eligibility is narrower than the badge suggests, with reports indicating only newer Juniper-built cars from around May 2026 carry the necessary hardware, and Tesla still trails rivals offering up to 10.2kW.TESLA LEASES POWERWALL BACKUP IN TEXASTesla Electric is offering a whole-home Powerwall lease in selected Texas retail-choice areas for roughly $35 a month plus tax in year one, achieved by applying an $87 monthly credit to a two-unit lease costing about $122. The deal carries a 3% annual escalator, a $100 order fee, a 20% minimum backup reserve for virtual power plant dispatch, and credits that may not start until two billing cycles after installation and utility approval.CORVUS TO SUPPLY BATTERIES FOR BC FERRIES SUMMIT CLASSCorvus Energy will supply 40MWh of battery storage across four hybrid-electric Summit Class ferries for BC Ferries, each carrying 360 vehicles and 2,100 people and fitted with a 10MWh Dolphin NxtGen system. The hardware is scalable to 70MWh per vessel for near-zero-emission running once shore charging exists, with China Merchants' Weihai Shipyard delivering the first ship in 2029 and all four in service by 2031.FERRARI LUCE SELLS FOR $40 MILLIONChassis 0 of the Ferrari Luce, the marque's first EV and a one-off Tailor Made build designed by Sir Jony Ive's LoveFrom, sold for $40 million at RM Sotheby's Monterey auction, over 36 times its estimate and a record for a new car. The sale was offered without reserve and with no buyer's premium, sending the full amount to The Ferrari Foundation, with winning bidder Dr Herbert Wertheim taking delivery early next year.

Welcome to Mysteries to Die For.I am TG Wolff and am here with Jack, my piano player and producer. This is a podcast where we combine storytelling with original music to put you in the heart of a mystery. All stories are structured to challenge you to beat the detective to the solution. Jack and I perform these live, front to back, no breaks, no fakes, no retakes.In the world's most dangerous working environments it can seem like everything is out to kill you. The equipment you use. The materials you work with. The very air you breathe. Stored energy is a coiled viper waiting for the right moment to lash out. Owners, manufacturers, contractors, and beyond have developed safety protocols to combat STCKY, that is, Stuff That Can Kill You. Gravity, Motion, Mechanical, Electrical, Pressure, Sound, Radiation, Biological, Chemical, Temperature. This season is all about the means of murder as authors put our STCKY detective skills to the test. This is Season 9, Stuff That Can Kill You.This is Episode 16, where sound is our STCKY means of death. This is The Curse of the Siren's Shriek by Kyra JacobsDELIBERATIONDr. Amelia Blanzinski is on the verge of a breakthrough that will rock the weight loss industry but the deaths of Meghan Melody and Fiona Washington could set her back. She needs our help to unravel the mystery of the Curse of the Siren's Shriek to keep her work sailing full speed ahead. Here are the people we've met connected to the study:Savannah (Vannah) Caspin, the decade-long assistantHarrison Connolly, useless grad studentSven Skarrs, big social media influencerHeather Hamlets, mega fanABOUT Kyra Jacobshttp://www.kyrajacobsbooks.com/Kyra Jacobs is an extroverted introvert who's always called Indiana home. Growing up in the Midwest means she's well-versed in fickle weather, pork tenderloins that don't fit on a bun, and sarcasm. Fueled by caffeine and funny memes, she weaves humor and chaos into her stories, which range from sweet romance to mysteries and even fantasy. Be sure to stop by kyrajacobsbooks.com to learn more about her novels and ways to connect with Kyra on social media.MEMBERSHIPS!Mysteries to Die For now has memberships! Three tiers – The Grave Digger's Union (free), The Cadaver Collective ($4 / month) and The Preservationist Society ($8 / month). We are starting memberships to help pay for our real live human authors, to keep the software working and the power flowing, and avoid the dreaded use of ads. If you want to show you love but aren't ready for a commitment, you can now tip us and leave a witting, punny note for us. Links are in the show notes and on our website M2D4podcast.com.WRAP UPThat wraps this episode of Mysteries to Die For. Support our show by subscribing, telling a mystery lover about us, or joining a membership. Check out our website m2d4podcast.com for links to this season's authors.Mysteries to Die For is hosted by TG Wolff and Jack Wolff. The Curse of the Siren's Shriek was written by Kyra Jacobs. Music and production are by Jack Wolff. Episode art is by TG Wolff. Join us next week for a Toe Tag, which is the first chapter from a fresh release in the mystery, crime, or thriller genre. Then come back in two weeks for our next original story where mechanical is our STCKY means of murder. It's Fatal Crush by Jason Little

This week on our Vino Lingo segment we feature Maximilian Schweisfurth, Export Manager, Castello di Bolgheri, Italy, defining the term “Bottle Gravity”.  Learn more by visiting castellodibolgheri.com

Decisions in darkness. FE rejects gravity? Teacher cries: kids can’t read. Pronouns. Globe? Divorce the world. Tasia Fortune "hanging." GA gas station case. Surrogate mothers?

Welcome to The Blathering LIVE on The Napzok Network. Part ramble, part rant, part joy, part anger -- but all done in the fashion of an old-school radio show with segments and live listener calls. The on-air sign goes on, and the show goes from there. The live episodes are recorded on Ken's YouTube, Twitch, and Facebook channels.Get Ken's Comedy Album⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IN MY DAY⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Purchase Ken's book ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Why We Love Stars: The Great Moments That Built A Galaxy Far, Far Away.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Moonagers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠kennapzok.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Peter Huessy: Peter Huessy examines the fragile state of nuclear deterrence as Russia conducts drills for tactical nuclear weapons. He warns that the US is behind the eight ball regarding theater nuclear options, possessing only gravity bombs while Russia maintains thousands of short-range weapons. Huessy fears Putin may use these weapons for blackmail if he perceives a conventional loss in Ukraine. He advocates for the rapid modernization of the US nuclear triad, specifically calling for sea-launched cruise missiles to restore a credible deterrent against reckless adversaries. (6)

00:00:00 – Mysterious Joe joins the show 00:04:50 – Alex Jones clip roundup 00:09:05 – Disappearing bugs and rising wasps 00:13:52 – Aliens appear in near-death experiences 00:36:34 – Reincarnation evidence challenges skeptics 00:41:31 – Time traveler warns from the year 4413 01:02:45 – Tungsten mine signals another global war 01:07:34 – Energy Department builds open scientific AI 01:12:07 – New Orleans puts AI on 911 calls 01:25:42 – Uncanny White House guest fuels robot theories 01:30:38 – Skywatcher vanishes into a covert UFO program 01:48:42 – Gravity scare fizzles during the wrap-up   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2    

NASA forced to debunk a conspiracy theory about the Earth's gravity disappearing for 7 seconds yesterday at 10:33 am. Bird flu driven feather shortage is affecting shuttlecocks and the badminton world. Suspicious package turns out to be an adult toy that shut down traffic in Washington DC during rush hour. Weird AF News is the only daily weird news podcast in the world. Weird news 5 days/week and on Friday it's only Floridaman. SUPPORT by joining the Weird AF News Patreon http://patreon.com/weirdafnews - OR buy Jonesy a coffee at http://buymeacoffee.com/funnyjones Buy MERCH: https://weirdafnews.merchmake.com/ - Check out the official website https://WeirdAFnews.com and FOLLOW host Jonesy at http://instagram.com/funnyjones - wants Jonesy to come perform standup comedy in your city? Fill out the form: https://docs.google.com/forms/d/e/1FAIpQLSfvYbm8Wgz3Oc2KSDg0-C6EtSlx369bvi7xdUpx_7UNGA_fIw/viewform Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Stupid News 8-13-2026 8am … The Suspicious Package that Shut the Place Down was a What? …French Power Plant Produces a Great Idea for a Horror Movie …The Earth did not lose Gravity for 7 Seconds

"How high do you fly in seven seconds?" Chris is out because his daughter is sick, but Tony is out for a much more plugged-in reason, no thanks to the fools at NASA. Plus, Zaslow and Mike are confused about why the Heat are waiting on Klay Thompson, Jeremy is all-in on the duo of Sandy Alcantara and Eury Perez, and even Greg doesn't believe in Malik Willis and the Miami Dolphins. Today's cast: Zaslow, Greg, Roy, Jeremy, and Mike. Learn more about your ad choices. Visit podcastchoices.com/adchoices

St. Louis woke up to a hazardous-material fire, a mysterious chemical cloud drifting through the Metro East, and instructions to shelter in place during weather hot enough to turn your house into a Crock-Pot. Naturally, The Rizzuto Show responds exactly like any responsible funny podcast would: by immediately wondering what happens when the chemical cloud meets rain, debating whether air conditioning is trying to kill us, and preparing to attend an afternoon Cardinals game in a heat index hovering somewhere around “surface of the sun.”Great planning, everybody.The crew is headed to the baseball game, which means it's time to discuss shorts, questionable Cardinals outfits, polyester in extreme humidity, and several anatomical consequences of excessive heat that probably weren't included in the National Weather Service advisory. Moon offers “cool moss” as a survival mantra, Rafe considers wearing an outfit that could become a public-decency incident in the right breeze, and Rizzuto realizes that choosing an August day game may have been a tactical error.But who cares about heat when GRAVITY ITSELF IS ABOUT TO DISAPPEAR?Yes, the calendar reminder has finally arrived. According to an internet prophecy the show has been lovingly babysitting for months, gravity is supposed to vanish at 8:33 a.m. for several seconds. So the gang does what this funny podcast does best: takes something completely ridiculous and gives it significantly more analysis than it deserves. Do we float? Should everyone jump? What happens when gravity comes back? Should Lern abandon the show to protect her cats? And most importantly, why did Rizzuto bring rope?Throw in an eclipse, a meteor shower, Lionsgate manifestation talk and a massive Powerball jackpot, and this is shaping up to be a perfectly normal Wednesday.Then we arrive at the Great Hole-in-One Heist.The crew dives into the viral St. Louis-area golf scandal involving a player who admitted to fabricating a hole-in-one during a tournament with thousands of dollars at stake. There's security footage, a suspicious trip ahead of the group, a ball mysteriously sitting in the cup and an apology that helped turn a local golf disaster into national entertainment. But while everyone else is debating golf ethics, The Rizzuto Show focuses on the question nobody else apparently had the courage to ask:IS GRANDMA OKAY?!From there, the crew debates cheating, hole-in-one etiquette, whether you'd expose your spouse for pulling the same stunt, and whether $9,000 is enough money to permanently become “the golf liar” at every family gathering.And because apparently we're conducting an ethics seminar now, the conversation moves from golf cheating to cashier mistakes. If a store forgets to charge you for something, do you go back? Is keeping it stealing? Is karma waiting around the corner with a bus? Suddenly our funny podcast has become a philosophy class taught by people preparing to sit outside at a baseball stadium during a heat advisory.Chemical clouds. Gravity conspiracies. Lottery dreams. Golf fraud. Accidental shoplifting. Cardinals baseball.Another completely reasonable morning with The Rizzuto Show.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Rizzuto Show has been waiting since January for the moment humanity would supposedly lose gravity for eight glorious seconds, and now the big day has arrived. Do we float? Do we fly? Do we immediately jump out a window based on something we heard on the internet? Thankfully, only one of those ideas gets discussed with any enthusiasm.Episode 26 kicks off with the crew preparing for the alleged gravity event and quickly asking the much more important question: where is the gravity cult? Because if the internet promises a supernatural event, somebody somewhere has probably already purchased matching tracksuits and appointed himself Supreme Gravity Commander. Thus, the Gravitonians are born, Idaho and Arkansas get dragged into the investigation, and a completely reasonable conversation becomes exactly the kind of funny podcast chaos you'd expect from The Rizzuto Show.From there, somehow, things get even stranger.The conversation tumbles into Heaven's Gate, Jonestown, Marshall Applewhite, Nike Decades, purple shrouds, Flavor Aid getting absolutely robbed of its historical brand recognition, and the crew trying to remember which unsettling cult detail belongs to which unsettling cult. This is less of a history lesson and more four people opening the same mental junk drawer at once. Eventually the crew becomes especially fascinated by Heaven's Gate's sneaker selection, because apparently even impending extraterrestrial departure requires a respectable shoe game.Then somebody wisely decides it's time to stop talking about cults and play trivia.This turns out to be only marginally safer.The Rizz Quiz returns with contestants getting 45 seconds to answer as many questions as possible—but one wrong answer immediately ends the run. No passing. No mercy. No blaming the educational system afterward. Questions cover everything from Roman numerals and the Grand Canyon to Nutella, Winnie the Pooh, human anatomy, Peter Pan, baseball, Garfield and the horrifying mathematics of nickels.Chris starts things off before the Colorado River causes problems. Diego gets ambushed by the number of years in a century. Brad suddenly turns into the final boss with a seven-answer run featuring hazelnuts, Rhode Island, Africa, Piglet, club sandwiches and Canada. Jared tries to chase him down until the “white part of an egg” becomes an intellectual brick wall.Then Round Two arrives.Brando tears through Jefferson City, football fields, Cookie Monster and Dr Pepper before the human skeleton ruins his streak. Cameron learns that lions have a pride, not a pack. Aaron encounters a fairy named “Tinder Bell,” which frankly deserves its own dating app. Finally, Brian gets Garfield's least-favorite day correct before informing all of St. Louis that there are 50 nickels in a dollar.There are 20.We checked.Probably twice after this episode.It's another funny podcast packed with daily humor, sarcastic commentary, weird stories, St. Louis radio chaos and the beautiful sound of confident people discovering they are confidently incorrect. If you enjoy comedy podcasts where celebrity gossip and weird news can suddenly give way to a serious debate over cult sneakers and elementary-school trivia, welcome home. Expectations were already low, and somehow we found a basement.Come for the eight seconds without gravity. Stay for the contestants losing their grip on arithmetic.This funny podcast episode proves once again that The Rizzuto Show can turn a ridiculous internet claim, an uncomfortable history detour and a handful of trivia questions into a complete collapse of civilized morning radio.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There was a rumor spinning around that the Earth would lose gravity for seven seconds today… and NASA had to come in and debunk it. Then, an Instagram creator makes a great point: where should mom and dad be able to get in for free? We're building that list. Plus, Walmart is giving its Great Value brand a massive makeover across nearly 10,000 products — do you feel embarrassed buying a store brand? And a new interactive map reveals just how many Flock surveillance cameras are in your neighborhood. Nearly 100,000 license plate readers are out there — is that keeping you safe or creeping you out?   KSL Brightside streams live weekdays 12–3 PM. Watch the YouTube-exclusive live stream from 12–1 PM, then catch us on radio and YouTube from 1–3 PM.   Follow KSL Brightside on social media! YouTube: https://www.youtube.com/@KSLBrightside Facebook: https://www.facebook.com/KSLBrightside Instagram: https://www.instagram.com/KSL_Brightside TikTok: https://www.tiktok.com/@ksl.brightside

I interviewed Jonathan Astruc about La Magie Opera on Friday, August 29, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for La Magie Opera: "The viewer is part of a group of extras at the Palais Garnier. At the foot of the grand staircase, he crosses paths with Céleste, a young opera singer about to flee the stage. Nervous and unsure, she confides her doubts and dreams to him — torn between the weight of tradition and the desire to find her own voice. Freshly arrived from the provinces, this rising star is about to make her debut in a leading role, but her confidence is shaken. Drawn into her story, the user follows Céleste through the hidden corridors and majestic halls of the Opéra Garnier. As the building comes alive around her, she is transported into iconic scenes from legendary operas — each one echoing a part of her inner journey." Here are the contextual domains that are explored: Opera singing [5], but in the context of a long distance journey / adventure [9] as you explore lots of different spatial contexts from the surreal ocean bottom [9] to the mundane virtual castles [4]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Earth Element / Environmental and Embodied Presence: Like a One-Shot Spatial Journey where there's no cuts, no edits, no fade-to-black, but rather a continuous experience where you seamlessly go from one scene to the next. Starting in the opera house, then going under underwater, and then walking through various castle-like scenes and environments.2nd Center of Gravity of Water Element / Emotional Presence: Music plays throughout, and there's a rhythm of the piece where each spatial context has a cut scene that plays out, and then it's all about moving bodies through space to get to the next song, piece of theatrically state acting + musical number, and by the end it feels like quite an awe-inspiring type of journey3rd Center of Gravity of Air Element / Mental and Social Presence: Multiplayer and social experience. There are other people in the experience, and sometimes they can deliberately clip into walls to test the bounds of the systsem, which impacts the plausibility of the virtually-mediated experience for others. Also it's very much a musical operal experience, but with actors playing out scenes. Can't remember if there's any dialogue or if it was all contained in the songs.4th Center of Gravity of Fire Element / Active Presence: There's some degree of freedom for moving through this experience, but very constrained and limited. It's a group experience, and so you're bound by other people, but very musch in the real of constrained agency for how you move through the space, but no narrative agency. They may have also had a few interactable moments with objects in the scene. But nothing that would dramatically shift the experience for different people. Archetypal Themes and Character Explored: Themes: "exploration of the ties between doubt, memory and the stage" -- Doubt, Illusion, and Memories Artist Statement: "This project is a sensory exploration of the ties between doubt, memory and the stage. More than a tribute to opera, it offers a vivid, inner reimagining where users become Céleste's silent partners. They journey through shifting worlds where music, design and storytelling blend into an intimate yet spectacular experience. Each scene is a visual metaphor for Céleste's emotions. The Palais Garnier transforms — from real stage to dreamlike realm — with mirrors and doubles revealing her turmoil and awakening. The viewer quietly follows her through reflections of passion, fear and longing. It's a poetic immersion into the artist's soul, merging opera's lyricism with immersive technology for an introspective, sensory voyage." https://www.youtube.com/watch?v=D_dnnx1ysHg This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Sarah Silverblatt-Buser about Collective Body on Friday, August 29, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Collective Body: "Collective Body is an interactive, virtual reality experience that invites us to meet ourselves and each other through movement. Set in the middle of a New Mexican storm, participants are guided to rediscover their first ways of engaging with the world, symbolising formative life events that culminate in a shared exploration of our embodied selves. These key moments — beginning alone, discovering the unfamiliar, first encounters, and joyfully moving together — represent how our personal and collective stories are written through movement." Here are the contextual domains that are explored: Gain deeper insight into self and Identity [1] and others [7] through embodied movement [1] and dance [5], but also these various archetypal [9] identities [1] within the context of a cultural context [11] - lots of self [1] and other [7] dialectics. "Meet ourselves and each other through movement." Here is the Elemental Center of Gravity: 1st Center of Gravity of Earth Element / Environmental and Embodied Presence: Embodied Dance experiences, with avatars that are attuned to how your move your body. Set in a New Mexican storm. Avatars have an abstract and symbolic quality to them. Designed to "open us to different sensations of our physical world while creating a new perception of ourselves as individuals within a collective."2nd Center of Gravity of Fire Element / Active Presence: Emphasis on MOVEMENT and IMPROV -- The specific way in which you move your is analyzed and classified3rd Center of Gravity of Air Element / Mental and Social Presence: Multiplayer and social experience. There's a way to connect to others through movement. The archeteypal classification of the movement is split up into a 4x4 set of categories of 4 different elements (earth, air, water, fire), and then 4 different musical themes that also mirror an increasing amount of energy of the phases of matter. (Solid, Liquid, Gas, Plasma)4th Center of Gravity of Water Element / Emotional Presence: Strong Emphasis on MUSIC. The Piece itself is a bit more driven by embodied actions and emergenct social dynamics than narrative or story per se. The piece is more about the relational dynamics to yourself and others that unfolds over the course of five different stages 1. BEGINNING ALONE: Discover our world through our hands 2. DISCOVER OUR FIRST MOVEMENTS: Learn how to take our first steps 3. FIRST ENCOUNTERS: How we learn how to move with other people. 4. FIND YOUR AUTHENTIC MOVEMENT: How we learn to reflect and find our own kind of movement. 5. JOYFULLY MOVE TOGETHER: How we dance and join together with other people Archetypal Themes and Character Explored: Movement and Social Dynamics - Invidivual versus Collective Journey: "Collective Body asks what it means to experience ourselves in relation to others — without words and beneath the surface. How does a body hold histories over time? How do those histories get expressed and interpreted? How do many bodies create their own ecology?" Artist Statement: "The experience uses virtual reality to open us to different sensations of our physical world while creating a new perception of ourselves as individuals within a collective. We are first guided to reappropriate movement and dancing in our own body, to rediscover our first ways of engaging with the world, before we meet the silent part of ourselves that we express through movement. This otherwise ephemeral self is generated using an algorithmic system that analyses our movement throughout the first two scenes. This self takes the form of an avatar, assigned out of sixteen possible avatars, and is represented as a natural element accompanied by a musical theme. Once we meet this version of ourselves, we are invited to meet another person, then join the rest of the participants, encountering different ways that others exist through movement, mixing together to create a final moment of joyful, collective discovery in dance. Collective Body asks what it means to experience ourselves in relation to others — without words and beneath the surface. How does a body hold histories over time? How do those histories get expressed and interpreted? How do many bodies create their own ecology?" https://www.youtube.com/watch?v=c1uOAEL7Do8 This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Daniel Ernst about The Great Orator on Sunday, August 31, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for The Great Orator: "Once a famous TV preacher, the Great Orator died at the height of her fame. Now, her consciousness lives on as an AI, allowing her influence to grow ceaselessly. Her followers can join her again in a shared consciousness, feeding her presence and creating a spiritual singularity. Always changing, shaped by the shared memories of her followers, and therefore unsure of who she truly is. The Great Orator is a nonlinear story world, where the visitor can freely explore and interact with his environment by pointing his hands at objects in the world, no matter how small or ordinary they may seem. Remember: interaction is a choice. The journey will take the visitor to several story spaces in her world: a Preserved House she left behind; a Mainframe storing her followers in a shared consciousness; and an infinite Parking Lot stretching out below, filled with the cars of her followers. Without the visitor, the Great Orator is everything — an infinite number of possible memories and identities — and therefore nothing at all. He chooses which of her stories are true, shaping his own perception of who or what the Great Orator is or was, or if she existed at all. He is family to her, perhaps even more. Each time he visits, her stories are different; the Great Orator is never the same." Here are the contextual domains that are explored: Point and Click adventure [9] and cult [9] within a speculative future [9] where a powerful psychic [9] dies [8] and becomes immortal by uploading their consciousness into a computer [9]. Cult followers, also do this. So there are themes of the loss of individual identity [1] to join the collective [11] within this very specific set of belief systems [9] Here is the Elemental Center of Gravity: 1st Center of Gravity of Earth Element / Environmental and Embodied Presence: Environmental Storytelling and genre of VR Dioramas to create "perpetual environments around a specific emotional moment." Set in the distant future. Director calls audience: "Visitors who Visit" his work emphasizing the focus and emphasis on thesee virtual places. Uses post-modern architecture & liminality. A world to be explored in a sort of point and click adventure sort of way. You embodied as a ghostly aspirant ready to join the immortal spiritual cult.2nd Center of Gravity of Fire Element / Active Presence: Exploration, point and click adventure. Also learn about the objects3rd Center of Gravity of Air Element / Mental and Social Presence: Metadata around objects - AI Generated, collaborated with a poet -- Variations on poet's work - an "infinite" number of stories. There's also a bit of puzzling together of what this world is, and what exactly it is about. It's also a speculative, sci-fi world where conscisouness can be uploaded into computers. So what are the rules of this world? Big focus on liminal spaces and intermediate spaces that don't have explicit meaning absent a transitory context going from one place to another.4th Center of Gravity of Water Element / Emotional Presence: Not really narrative-driven. "I don't like to tell you a story. I like for you to visit the world, and the environments will tell a story." There are stories to be discovered, but much more ambient environmental storytelling. There is an AI that is scraping current news stories and injecting them into world, which gives it a bit of a surreal mirror on the current moment as it's set as more of a speculative world. There is also an ever changing quality that is amplified by the AI integrations adding a certain amount of variance. Archetypal Themes and Character Explored: Power is expanded until a "spiritual singularity". Dissolves identity into a bit of a collective identity by uploading consciousness into a computer (likely not even possible and so more of a delusion). Also alludes to delusionary aspects of psychics, who are taken to the logical extreme of Institutionalization. What if nothing can stop the guru believes in themselves? Artist Statement: "The Great Orator feeds on your interaction, mixed with random Internet input and live news feeds. She mixes truths and fabulations in her storytelling, thus reflecting the misinformation and normalisation of falsehoods used to fit our narratives in today's world. It feels as though reality is what you make of it, and feelings outweigh facts. Emotional and superstitious rhetoric — once the domain of mediums — now drives public discourse. Those once brought down by scandals now seem immune. The Great Orator imagines a world where such influence has grown without limit. Turn on the news to see where we are. Experience the Great Orator to see where we're headed." https://www.youtube.com/watch?v=wuknO0VzmmE This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Menghui Huang about The Big Cube on Monday, September 1, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for The Big Cube: "A world is made of cubes. The creatures there always follow instructions and push cubes numbly. Yet, when one of them chooses not to follow the instructions, after discovering another path, something unexpected happens." Here are the contextual domains that are explored: Tensions between the Sense of Self [1] in the context of the Other [7], and specifically the Cultural pressures to conform [11] with the desire to express personal creativity [5]. Takes inspiration from the repetitions of straight lines and rectanges of Chinese Architecture [4], and then creates more of an organic and flowing perspective as shown by a professional artist [5H in the context of 10]. A lot of dialectical oppositions contextually and thematically. Here is the Elemental Center of Gravity: 1st Center of Gravity of Air Element / Mental and Social Presence: Abstracting shapes to build the world. The Big Cube is an artistic VR experience that explores the abstraction of reality through minimal forms and immersive space. -- The use of abstract shapes to communicate a lot. No words used at all, and so the contrasts between the embodied and spatial metaphors as used in a highly symbolic dream logic to tell this story. It has to be pieced together a bit, but the contrasts between controlled structure and unconstrained freedom and chaos come through loud and clear. "That's the true beauty of abstraction, it leaves space for everyone"2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Animated immersive film, and a paradigmatic example of pur spatial storytelling analagous to visual storytelling, but using the modulation of spatial architecture rather than the justaposition of 2D images in film. There was no script to follow, but mainly evolved out of the iterative and juxtapositions of spatial forms relative to each other3rd Center of Gravity of Water Element / Emotional Presence: Very much driven by the music to amplify the thematic contrasts from constriction to expansion, and serves the timekeeper of the piece giving it an overall rhythm and pacing.4th Center of Gravity of Fire Element / Active Presence: No narrative agency or any embodied Interactions Archetypal Themes and Character Explored: The tension between Order / Structure / Control and Chaos / Unboundedness / Freedom. Definitely inspired by the collective pressures to conform within China versus the creative freedom and expression that comes from travelling to other cultures to find an authentic artistic voice. This is a very dialectical piece that is a case study in spatial contrasts to communicate oppositions within contextual domains, themes, and expressions of archetypal character. Artist Statement: "Simple, yet powerful. Abstracting shapes to build the world. The Big Cube is an artistic VR experience that explores the abstraction of reality through minimal forms and immersive space. Anchored in the idea that simplicity can carry profound meaning, the project reduces the complexity of the world into fundamental shapes. These visual elements, stripped of detail yet rich in implication, invite viewers into a contemplative space. Through virtual reality, the experience deepens, allowing for a layered reflection that extends beyond the visual. The project encourages audiences to feel and interpret the experience in their own way." https://www.youtube.com/watch?v=QdVmImU9G3A This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Vincenzo Cavallo about Re-Launching-Luigi-Broglio on Monday, September 1, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Re-Launching-Luigi-Broglio: "This project gives the chance to dive into the legend of Luigi Broglio [11 November 1911 – 14 January 2001]— who audaciously catapulted Italy into the cosmos from the first space base built on an equatorial sea platform in the 1960s. Within a 360° theatre, audiences become voyeurs to a duel between Broglio and journalist Tristano Malaugurio, two prisoners of fading memory trapped in the ghostly command centre of Kenya's San Marco space station. Through interviews and flashbacks, we plunge into the African expedition, the explosive encounter with oil giant Enrico Mattei, a near-diplomatic crisis with President Nasser, and a jaw-dropping climax to rewrite history. A group of Italian mavericks daring to compete with the space superpowers. This saga proves that the most impossible dreams ignite into reality when courage meets creativity and determination. Luigi Broglio inspires minds and warms hearts, which is why he deserves to be re-launched!" Here are the contextual domains that are explored: Space exploration [9] and foreign African countries relative to main character's home of Italy [4], the various conflicts with various institutional entities [7] including the impact of capitalism and colonialism [2], his careeer and profession [10], His home of Italy [4] juxtaposing between these two worlds in the piece [9]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: Cinematic 360 video, and story of Luigi Broglio (1911-2001) Imaginal time with journalist while Broglio was still alive with flashbacks. Half of the world is present day, and turning around to the stage is the past.2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Theatrical staging, uses two 180-degree shots stitched together to travel between spaces. The environments are imagined as if it waa a play. One side is the present moment of the story, with the other side being the past. Spatial representation of time3rd Center of Gravity of Fire Element / Active Presence: As a viewer of 360 video, you do end up having to physically move your body to watch the video as the main fccus of action will split between these two sides, but these interactions are not impacting the story in any sense, and end up being more of an artifact of the 360 medium itself4th Center of Gravity of Air Element / Mental and Social Presence: Most of the experience is dialogues and monologues. Characters speaking to each other. A confrontational journalist who is asking the questions and prompting the story to progress Archetypal Themes and Character Explored: Power dynamics of the structures of captialism & colonialism- "the explosive encounter with oil giant Enrico Mattei, a near-diplomatic crisis with President Nasser" + "time to rediscover Italian colonial and postcolonial history through fresh eyes." "This saga proves that the most impossible dreams ignite into reality when courage meets creativity and determination." Memory, the past, history, colonialism: "two prisoners of fading memory trapped in the ghostly command centre of Kenya's San Marco space station" Artist Statement: "As Italians who are living in Kenya we relentlessly hunt for untold stories woven between Africa and Europe. Italians who ended up in Africa during and after colonialism, Africans and Afro-Italians who helped forge Italy, before, during and after World War II — a vast cultural heritage overlooked for various reasons. It's time to rediscover Italian colonial and postcolonial history through fresh eyes. We believe this immersive experience — designed for science museums and educational venues — will unlock new perspectives on both science and international cooperation." https://www.youtube.com/watch?v=jo-L88oT7Y0 This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Pei-ying Lin about Happy Shadow on Sunday, August 31, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Happy Shadow: "Joey believed that happiness was lost to her forever as she grew up. Her shadow, a constant companion, yearned to bring joy back into her life but felt helpless. Nothing changed until the player stumbled into Joey's inner world through her diary while chasing butterflies. With Dusty, a whimsical dust elf, the player collaborates with Joey's shadow, using their own shadow to solve puzzles. Together, the player helps Joey confront her deepest fears and defeat the monster lurking within. In Happy Shadow, the player joins Joey's shadow on an interactive journey, experiencing her confusion and struggles firsthand, and ultimately rediscovering the pure happiness she once knew." Here are the contextual domains that are explored: Body and Identity [1] as a vehicle to connect to the Life and Vitality [1] within the experience of a home environment [4]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Air Element / Mental and Social Presence: Multi-player game where you solve puzzles with other people, but within the context of a story.2nd Center of Gravity of Fire Element / Active Presence: Embodied interactions where you have to make different shapes to progress the story, so very much having interaction-gated story experience.3rd Center of Gravity of Earth Element / Environmental and Embodied Presence: Embodied Actions, and the piece is a VR CGI and animation piece, that's primarily in the vein of shadow puppets that you see the characters play out the drama on a bedroom wall4th Center of Gravity of Water Element / Emotional Presence: Music, and a very metaphorical story. Sometimes a player would have difficulty solving a spatial puzzle, which would delay the unfolding of the experience for everyone Archetypal Themes and Character Explored: Self, identity, aliveness, vitality Artist Statement: "This immersive VR interactive project was inspired by Rene Liu's song To My 15-Year-Old Self during its second year of development. I have always believed that the body grants freedom to the soul — allowing us to express emotions purely through physical experience. Yet as we grow older, consumed by endless to-do lists and distant ideals, we tend to forget the simple happiness that once came so naturally. We dance, we paint, we create — simply because it makes us feel alive. This project is dedicated to myself, and to all the hardworking souls around me, as a gentle reminder that what we have, right now, is already enough." https://www.youtube.com/watch?v=4-I_cHTsVEc This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Sister Sylvester about Constantinopoliad on Friday, September 12, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Constantinopoliad: "Constantinopoliad is a collective reading and audio work. A response to the archive of the poet Constantine Cavafy, the story is inspired by the blank and torn-out pages in Constantinopoliad, an Epic, the journal the teenage Cavafy began when he and his family fled Alexandria; by lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems." Here are the contextual domains that are explored: The exploration of identity [1] as a person has moved from his home [4], and into a distant land [9] with some feelingsof being exiled [12], but also the implication of homosexuality [5] within the context of having to remain hidden or taboo [12]. It's dipping into the vast archive [9] of Cavafy's expressions of identity [1] and poetry and art [5], and recontextualizing as these universal experiences that are still very much relevant today [9]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Air Element / Mental and Social Presence: collaboratively reading together - narrative distillation of an archive. You listening to the audio narration, but you have to negotiate how to co-read this "book" object together. The form of this "book" also deviates from normal book where it is part pop-up book, but also a flat stage to be explored with the other person. This externalized book becomes a bit of an abstracted theatrical stage for the story as it unfolds, but there are also more explicitly architectural elements to this "book" object as well. The piece also creates an implicit invitation to connect and talk with your audience partner afterwards about the piece2nd Center of Gravity of Water Element / Emotional Presence: AMAZING MUSIC + time-based narration + lighting. There's some amazing synchrony between the music, the timing of the reading, as well as the lighting. It really gives a strong sense of time. The reading of the story almost feels like a narrative podcast of sorts, but is mostly a matter of convenience of recording of the live performance so that it could be toured at immersive festivals without the burden of paying for all of the performers and musicians.3rd Center of Gravity of Earth Element / Environmental and Embodied Presence: Book like object as an architectural artifact, and has a whole spatial journey. The installation also had tables with lighting effects, but also there were projctions that were happening within the space as well. Most of the focus of spatial experience happens within the context of the architectural nature of the "book" object, but the other theatrical elements of the environment definitely help to cultivate an overall mood.4th Center of Gravity of Fire Element / Active Presence: Explore the story through various interactions. There's no narrative agency per se, although one could deviate from directly reading along with the text. There's an implicit contract to stay on course with your actions since you're negotiating the experience with another person. Archetypal Themes and Character Explored: Exploration of the "lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems" Artist Statement: "My favorite response to this work was an audience member who described it as 'making love to a stranger through a book'. The work invites audiences into a sensual and concrete encounter with Cavafy's life and poems: fingers making contact with history; illumination revealing images from between the pages; sounds conjuring the ghosts of 19th century Alexandrian cabarets. With words by sister sylvester, score by Nadah El Shazly, and illustrations by Efrîn Özyetis, Constantinopoliad is a multi-sensory encounter with the past, and with forgotten stories that can haunt us into new imaginings for the present." You can see the projects I covered at Venice Immersive 2025 categorized in this image: Below, you will find links to my 30+ hours of my coverage from Venice Immersive 2025 across 39 episodes. I've categorized the experiences according to these "elemental genres," which is looking at the top two elemental centers of gravity. You can listen to this episode or watch the video version of "The Blending the Elements on Experiential Design" YouTube on for more details. #1650: Sneak Peak of Venice Immersive 2025 Selection with Curators Liz Rosenthal and Michel Reilhac #1750: Doug Liman's "Asteroid" Short Immersive Film with Google Gemini Story Extension + Kickoff of Venice Immersive 2025 Coverage #1751: "Ghost Town" Narrative Integration in Puzzle Adventure with Exquisite Worldbuilding #1752: Blending Embodied Game & Narrative Genres with "One True Path, Part 1" #1753: Mixed Reality Town-Building and Sim Game "Wall Town Wonders" #1754: Screen Life Thriller "LILI" about Surveillance Fuses Game Design, Film, and MacBeth Adaptation #1755: Hand-Tracked Sign Language as Story Beat Triggers in "Eddie and I" #1756: Exploring Narrative Potential of Generative AI in "8pm and the Cat" #1757: Embody a Geranium in Immersive Comedy about Boredom in "The Great Escape" #1758: Reckoning with Mental Health Taboos in Japan with "If You See a Cat" Immersive Animation #1759: Mother-Daughter Team Explore Personal Challenges with Depression and Anxiety in "Mirage" Immersive Animation #1760: Immersive Fairy Tale about Automation with "The Sad Story of the Little Mouse Who Wanted to Become Somebody" #1761: Unpacking the Immersive Orchestral Mix of "1968" with Massimiliano Borghesi #1762: Fusing Experimental Immersive Animation with Cutting-Edge Orchestral Spatial Audio Mix in "1968" #1763: Blending Theater and 360 Video in "Re-Launching-Luigi-Broglio" #1764: Mixing Hand-Drawn Animation with 360 Video in "The Time Before" #1765: Immersive Action Thriller "Mulan 2125" Pushes the Edge of Graphical Fidelity #1766: Formula 1 LBE Experience "Black Cats & Chequered Flags" is an Immersive Biopic of Alberto Anscari #1767: Immersive Journey through Special Effects Pioneer Carlo Rambaldi's Paintings in "Alien Perspective" #1768: Symbolic Journey through Lithuania's Artist Mikalojus Konstantinas Čiurlionis' Paintings in "Creation of the World" #1769: Mixed Reality Musical on Avatars and Identity in "First Virtual Suit" #1770: Eastern Philosophy-Inspired Fusion of Theater and XR with "Mnemosyne" #1771: Environmental Storytelling in "The Great Orator" VR Diorama with Generative AI Experiments #1772: Climate Change Spatial Montage "Out of Nowhere" Aspires to Move Towards Rewilding Prevention #1773: "Collective Body" Assigns Elemental Avatars Based Upon Archetypal Dance Movements #1774: Combining Live Dance and Music in Immersive LBE Performance "L'ombre (The Shadow)" #1775: The Continuous Spatial One-Shot of Backlight's "La Magie Opera" LBE #1776: The Spatial Grammar Innovations of Dialectical Contrasts and Abstraction within "The Big Cube" #1777: Active Imagination, Associative Dream Logic, & Embodied Interactions in "Sense of Nowhere" #1778: Collaborative Social Game and Story of "Happy Shadow" #1779: "Heartbeat" Immersive, 1-on-1 Biometric Synchronization and Involuntary Collective Agency #1780: Recap of VRChat Worlds Gallery at Venice Immersive 2025 with Mike Salmon #1781: Winner of Venice Immersive 2025 "The Clouds Are Two Thousand Meters Up" Innovates on Gaussian Splats & Spatial Storytelling #1782: "A Long Goodbye" Wins 3rd Place Prize at Venice Immersive with Emotionally-Moving Story on Dementia and Spatial Grammar Innovations #1783: "Less Than 5gr of Saffron" Wins 2nd Place Prize at Venice Immersive with Spatial Poem Quill Animation #1784: The Incredible Spatial Transitions of "Dark Rooms" with Radical Consent Innovations #1785: The Landmark Achievements of "Blur" in Fusing Theater, Montage, Mixed Reality, and LBE VR #1786: Collective Reading Experience of "Constantinopoliad" Provokes Discussion on Defining "Immersive" #1787: Blending the Elements of Experiential Design & Process-Relational Foundations of the Elements This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Joren Vandenbroucke about The Great Escape on Monday, September 1, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for The Great Escape: "In The Great Escape, the viewer arrives as the third of three geranium flowers stuck on the windowsill in the bare living room of Patrick, a lonely 38-year-old man. The geraniums are bored to death and constantly frustrated – with themselves, the windowsill, and Patrick. They long to see the world, but are literally rooted in place. Patrick, meanwhile, walks freely but never leaves the house, trapped in his own lonely routine. Every day starts the same: watering the plants, making coffee, feeding his goldfish, activating his roomba, collecting junk mail, then daydreaming by the window. The monotony gets shaken up when Patrick buys a smartphone to connect with the outside world. The geraniums secretly steal it and post a selfie in a plant swap group, where a woman named Sonja spots it. She convinces Patrick to swap the geraniums for her snake plant. The geraniums are thrilled as they venture outside with Patrick, until a chat with a dying bouquet of roses reveals the outside world isn't so kind to plants. The ensuing existential crisis leads the plants to their near demise and ultimately to a new home with a rather familiar setting." Here are the contextual domains that are explored: Home [4], then using communications technologies with a cell phone and social media [3] to connect to someone else in the neighborhood [3]. Then going on a massive adventure. [9] For a human, it's a short-distance travel [3], but for this geranium, it may feel like a completely exotic long-distance journey [9] relative to how often plants move around. "They long to see the world, but are literally rooted in place." Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: Very FUNNY! Narrative-driven, immersive animation. Surreal comedy genre.2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: You embody a geranium who uses a phone to put themselves on an Online Marketplace and escape into another human owner. From one home to another via public tranportation. The rest of the world is mundane living rooms, a subway trip, and then getting to be outside facing the busy city street3rd Center of Gravity of Air Element / Mental and Social Presence: Dialogue. Single-player experience. But you have some virtual co-presence with other geraniums, as you are embodied as a geranium4th Center of Gravity of Earth Element / Environmental and Embodied Presence: I can't recall if there were any explicit interactions other than being embodied as a geranium. If there were, then they just gated the narrative. May have been some phone interactions. Hard to remember Archetypal Themes and Character Explored: Tension between Boredom of Reality and the same daily routine and Grand Adventure and Excitement. "The geraniums are bored to death and constantly frustrated." Some pretty brave and courageous acts to go on this adventure. Also fears around potential death associated with this adventure. "The geraniums are thrilled as they venture outside with Patrick, until a chat with a dying bouquet of roses reveals the outside world isn't so kind to plants." After the brush with death, then they enter their new home and a new but similar daily routine begins. "The ensuing existential crisis leads the plants to their near demise and ultimately to a new home with a rather familiar setting." Artist Statement: "At the core The Great Escape is about the boredom that comes with comfort. In this story a pair of houseplants are longing for a “great escape” from their daily dull routine, even though nothing is particularly wrong with this daily flow. On one hand the contradicting wishes and desires of the geraniums might seem amusing, but on the other hand they are relatable as well to people who harbour similar escapist dreams or experience certain inexplicable feelings of ennui. Fleeing a golden cage takes courage and learning to let go sometimes, as Patrick experiences in this story. Even then a safe return is not always guaranteed, like the geraniums find out. Still, there is beauty to be found in the ordinary aspects of life and the flow of daily existence." https://www.youtube.com/watch?v=jH5bGRsqn4k This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

In Episode 457, Jeff Belanger and Ray Auger head to New Boston, New Hampshire, to explore ground zero where wealthy eccentric Roger Babson formed the Gravity Research Foundation. Their goal: to build a shield or a device to win the war against gravity. There may be more science here than science fiction! See more here: https://ournewenglandlegends.com/podcast-457-roger-babsons-war-on-gravity/  Listen ad-free plus get early access and bonus episodes at: https://www.patreon.com/NewEnglandLegends  Buy Jeff Belanger's new book Wicked Strange New England on Amazon: https://amzn.to/4lMkM3G  Check out Jeff's new underground publication Shadow Zine! https://shadowzine.com  Listen to Ray's Local Raydio! https://localraydio.com/