Podcasts about Marfa

Throughout 2026, as part of Glasstire's 25th anniversary, the publication is organizing panel discussions in Dallas-Fort Worth, The Panhandle, West Texas, East Texas, Houston, San Antonio, Austin, and The Valley. Each panel features artists, art critics, and arts professionals from the region discussing the area's art and art writing over the past two-and-a-half decades. Glasstire presented the third Talking Texas Art event at the El Paso Museum of Art on Thursday, June 18. Panelists included Buck Johnston, co-owner of Wrong Marfa and Do Right Hall in Marfa; Rebecca Muñoz, Director of the El Paso Mexican American Cultural Center; and Gaspar Enríquez, an El Paso-born artist and educator. The panel was moderated by Jessica Fuentes, Glasstire's Editor-in-Chief. If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

Hello friends! Singer-songwriter Ali Holder returns to the show for episode 1583! Her latest single, "Persephone" is out today! "Persephone" is the latest single from her up coming EP, "Garden of the Underworld" out September 11. Ali is doing a Waterloo Records instore next Friday, July 17th. Go to aliholder.com for show dates, music, tarot readings and more. We have a great conversation about writing and making "Garden of the Underworld", trying to make an event instead of just playing a show, working with the local art community, the negative effects of AI on society and the environment, the simplicity of MySpace, the magic of Marfa, her marketing company, social media, and much more. I had a great time catching up with Ali. I'm sure you will too. Let's get down! Find Ali Holder Marketing HERE Find Ali on Spotify, Instagram, Facebook Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Go to johnny-goudie.com for all things Johnny.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Chris and Heather explore the schedule of events around the Smithsonian "Spark! Places of Innovation" on display at the Museum of the Big Bend through August 8.Companion events during the exhibit's run covering the arts, history, technology and cultural heritage can be found in Alpine, Fort Davis, Marfa, Big Bend National Park, Presidio, San Elizario and El Paso!See the full schedule at www.museumofthebigbend.com/spark-schedule/

A whiskey episode, the non-format format where we catch up, work the live chat, and let it fly. Ted spots a pair of Canadair Super Scoopers fighting fires over Utah and IDs them on ADS-B in about ten seconds. Brian preps a 4:30 a.m. departure for West Texas to end-around a brutal heat dome, Tango 82 for a couple nights, then Marfa. Ted lays out the fatigue math of flying high for smoother air and better fuel burn, and when the oxygen comes out.We read an invite to Ed-Air, a Part 137 ag operation in Southern Indiana with a pilot house, six beds, and an 80-year-old founder. Ben recounts his annual five-mile hike up to the Len Foote Hike Inn near Springer Mountain and the southern terminus of the Appalachian Trail, 19 miles over a weekend that doubles as Oshkosh training. Version two of the website is live at midlifepilotpodcast.com, with the Midlife Pilot Tape Machine and a VU meter that actually works, so go yell into it. Plus the long road to turning Nashville's Super Charlie into a Bachelorette Bravo, a Challenger pilot caught on the wrong frequency, the grace controllers extend to student pilots, bush wheels on a Cessna 140, and a shout-out to everyone with a checkride coming up. Don't scud run, people.Mentioned on the show:Canadair CL-415 Super Scooper: https://en.wikipedia.org/wiki/Canadair_CL-415T82 airport: https://www.airnav.com/airport/t82I20 Ed-Air Inc. airport: https://edairinc.com/location.htmlI20 info: https://www.airnav.com/airport/I20Len Foote Hike Inn: https://hike-inn.com/Springer Mountain: https://en.wikipedia.org/wiki/Springer_MountainGita's Calm Cockpit Podcast: https://calmcockpit.com/Capt'n Todd's "portapilot" video: https://www.youtube.com/watch?v=IR2HrQGf454www.midlifepilotpodcast.com

Chris talks with Stewart Ramser about the 15th annual Viva Big Bend music festival, bringing more than 65 live music performances to more than 20 stages in 6 communities: Alpine, Marfa, Fort Davis, Marathon, Terlingua and Presidio!Full event info, wristbands and hotel packages available at vivabigbend.com.

Explore the enigmatic art oasis of Marfa, Texas in this mesmerizing episode of Travel Is Back. Tucked into the vast West Texas desert, Marfa is a tiny town with an outsized reputation as America's most unexpected art destination. Johnny Mac guides you through the legendary Chinati Foundation, where Donald Judd's minimalist sculptures stretch across the desert floor. Marvel at the iconic Prada Marfa installation on the lonely highway, and experience the bizarre Marfa Lights phenomenon that has baffled visitors for over a century. Wander the sun-baked streets, browse the Marfa Book Company, and glamp under the darkest starlit skies in the country at El Cosmico. This episode reveals why artists, filmmakers, and curious travelers make the long pilgrimage to this remote desert outpost. Whether you're drawn to contemporary art, unexplained mysteries, or simply the profound silence of the desert, Marfa delivers an unforgettable journey. Follow Travel Is Back for more hidden gems across America and beyond, and discover over 200 destinations in our complete back catalog.Some episodes use AI for research, writing assistance, and occasional voiceover when Johnny Mac is unavailable. His point of view, and his insistence on finding the best local taco remains entirely human.

Indie-Vibes und ehrliche Einblicke: Wir haben den Sänger der Band Marfa zu Gast. Wir sprechen über das Leben als Indieband, über Landflucht und natürlich über ihre Musik. Marfa bei insta: https://www.instagram.com/marfatheband Marfa auf spotify Marfa auf YouTube Alles von uns: https://linktr.ee/vorgluehenmitmarenundfancy

Noah Guthrie first made a name for himself and his music when his YouTube cover songs were noticed by producers for the Ellen DeGeneres Show. He “won” a contract with Degeneres's fledgling record label which never manifested an actual album for the South Carolina singer-songwriter. But an appearance on America's Got Talent started the ball rolling for Guthrie. In that 2018 season of AGT he finished as a semifinalist. That soon placed him on the circuit of Today shows and Tonight shows, let to albums of originals and cover tunes and even landed him in the role of Roderick Meeks on the last season of the hit TV show Glee.  Today, Guthrie is promoting his new album Oddly Flexible, an astonishing record of deep, emotional journeys through life and love. It features the single, “Heavy,” which documents Noah's battle with his weight and self-image. The song has struck a nerve with fans who also deal with body image issues.  Noah joined Frank and Falls on Roots Music Rambler this week to talk about the song, the album, Noah's colorful journey and background. And yes, we talked about his beginnings on YouTube, including his amazing cover of LMFAO's “Sexy and I Know It.” Frank and Falls also clarify a recent controversy around the Manchester Music Fest, reassuring everyone the 2026 event is on as planned and Falls will see you there! This week's Pickin' the Grinnin' choices are two good ones! Frank likes Marfa and Falls brags on West Virginia singer-songwriter Austin Glaspell.  Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Manchester Music Fest Manchester Enterprise piece on Parks buyout Noah Guthrie Online Noah Guthrie on Spotify Noah Guthrie on Instagram Noah Guthrie on YouTube Noah's audition on AGT The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Jason Falls on Instagram Jason Falls on TikTok Francesca Folinazzo on Instagram Pickin' the Grinnin' Choices Marfa on Spotify Austin Glaspell on Spotify Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Circuit-Riding Priesthood in West Texas: Five Episcopal Communities in the Big Bend Traveling toward Marfa, Texas, Bishop Michael Hunn follows Episcopal priest Mike Wallens as he describes serving a wide Big Bend circuit that grew from a part-time call at St. Paul's in Marfa to weekly ministry across Marfa, Alpine, Fort Stockton, Terlingua, and Lajitas, with long drives between each. He explains adapting worship to local needs, including Roman Catholic devotions and culturally rooted celebrations in Terlingua, community outreach through Otra Vez, and a Saturday congregation at Lajitas where baptisms and a border festival begin with Eucharist in the Rio Grande. Wallens says the rhythm of travel is life-giving, offering time for prayer and renewal, and he outlines how each town's distinct culture—art and racial history in Marfa, a college and tourist hub in Alpine, ranching and arts in Fort Stockton, and border communities near Big Bend—shapes his priesthood. 00:00 Life Giving Ministry 00:43 Meet The Circuit Priest 01:37 Three Town Sunday Route 04:15 Terlingua Traditions 07:51 Lajitas River Baptisms 08:30 Why This Works 13:08 Marfa Culture And History 17:03 Alpine College Town 19:59 Fort Stockton Community Arts 23:37 Terlingua Guadalupe Revival 27:05 Border Eucharist Fiesta 31:46 Adventure Ministry Wrap Up

This week we revisit a show featuring musical guests, Afie Jurvanen (also known as Bahamas)–a great singer-songwriter from Nova Scotia, along with Jess Williamson, a wonderful country-flavored singer-songwriter from Los Angeles by way of Marfa, Texas. Also, Nick sits down with Rod Moraga to discuss the complexities of wildfires and home protection in an evolving environment affected by climate change.    That's all this week on eTown!   Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more! Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/ Your support helps us bring concerts, tapings and conversations to audiences while fostering connection through music, ideas and community. If you'd like to support eTown's mission to educate, entertain and inspire a diverse audience through music and conversation, please consider a donation: https://www.etown.org/get-involved/donate-orig/.

Jon Herold and Zak Paine open Episode 188 with a breakdown of Hunter Biden's social media return, arguing the whole thing is a calculated PR rehabilitation op. He's calling himself the MAGA whisperer, doing right-leaning podcast tours, and claiming there was no Ukraine corruption, while ghosting anyone who posts a documented timeline proving otherwise. Jon makes the case that without his father's power, Hunter has no income, no platform legitimacy, and no actual skills, making every one of his moves a hustle rather than a genuine conversion. Then the show pivots to one of the more genuinely mysterious conspiracies in recent memory: the Brown Mountain Lights. These are unexplained glowing orbs seen in the Linville Gorge area of North Carolina's Blue Ridge Mountains, documented as far back as Cherokee oral history in the 1200s and in a Charlotte newspaper in 1913. A USGS survey in 1922 blamed train lights and car headlights, which is impressive given there are no train tracks. Badlands cofounder CG Riley joins to share her own firsthand video footage of the lights responding to her voice, changing colors, and moving without her camera moving. Jon also covers the comparable Marfa Lights phenomenon in Texas and the leading scientific theory that quartz and magnetite geology may be generating plasma fields that nobody has managed to define yet.

Big Bend Borderlands Ministry: Water Conservation, Rancher Collaboration & Creation Care in Marfa Traveling between Alpine and Marfa, Texas, Bishop Michael Hunn of the Diocese of the Rio Grande rides with the Reverend Mike Wallens, who serves Borderlands Ministry and five Big Bend congregations, as they head to Mexico to meet the mayor of Ojinaga and visit two shelters the ministry has supported for years. They discuss environmental work in the Big Bend focused on drought and grasslands, including collaboration with Sul Ross State University's Borderlands Research Institute and interim head Billy Tarrant, who convenes water conservation efforts, encourages measuring ranch water levels to assess aquifers, and promotes land practices that slow runoff, reduce flooding, and recharge groundwater to sustain streams and bird migration habitat. Wallens also describes a Creation Care grant-funded tree-planting project in Marfa's low-income housing, with trees provided and planted with help from an Apache group and maintained by church members and residents. 00:00 Road to Marfa 00:31 Bishop on the Borderlands 01:18 Water and Grasslands 02:28 Ranchers and Aquifers 03:14 Wildlife and Migration 04:13 Restoring Water Flow 05:19 Tree Planting in Marfa 06:25 Closing Reflections

Mysterious ghost lights haunt the darkest roads in America and Australia. In this Thursday Thrills episode, explore cryptid encounters and spooky legends tied to the Marfa Lights, Min Min Light horror, and the Devil's Promenade—unexplained phenomena that draw paranormal tourists into real darkness. From eerie folklore to modern sightings, we investigate why these haunted locations refuse to stay dead.Inside this episode:The Hornet / Joplin Spook Light and the haunted road known as the Devil's PromenadeWhy the Marfa Lights became a paranormal tourism destination in West TexasThe Min Min Light legends of the Australian outback and why they feel so sinisterPossible explanations, from headlights and mirages to temperature inversionsA fictional ghost-light encounter built from the fears these legends tap intoNew here? Thursday Thrills is a quick weekly ride into creepy stories, haunted places, weird obsessions, and eerie little corners of the world worth talking about.Would you follow a mysterious light down a dark road?

Michael Serva brings a rare combination of fine dining training, journeyman experience, and small-town insight into his work at Bordo in Marfa, Texas. His background spans San Francisco kitchens, mentorship under demanding chefs, and years of hands-on leadership in other operators' restaurants. That journey shapes the perspective he brings to running a compact, high-pressure operation in a remote location where consistency, resilience, and people skills matter as much as technical ability. In this episode, Michael talks about operational seasonality, staff development, quality standards, and guest experience systems as he explains how Bardo grew from a converted Airbnb into a destination with lines out the door. He describes learning by doing, making mistakes under someone else's roof, and the long process of developing judgment before opening his own place. He also explains how limited supply options, high-volume surges, and a tiny production space reinforced his commitment to craft, patience, and steady improvement. Michael also shares why he built a community-grounded service model in Marfa, how he aligned his concept with local expectations, and why overdelivering on hospitality is a daily practice rather than a marketing tactic. From hiring locally to expanding only when operations demanded it, he illustrates how intentional choices, humility, and genuine care can fuel strong word-of-mouth‑ growth even without traditional advertising.

About the Guest(s): Ruth Nolan: Ruth Nolan is a distinguished poet, educator, and an ardent desert advocate residing in the Joshua Tree area. With extensive experience living in Coachella Valley and the Mojave Desert, she has become a central figure in desert literature and education. Ruth serves as a Professor of English and Creative Writing at College of the Desert and was honored as the first Mojave Desert Literary Laureate in 2021. She is the editor of "No Place for a Puritan: The Literature of California's Deserts" and the author of "After the Dome Fire". Her work emphasizes the cultural and environmental significance of the desert. Episode Summary: In this compelling episode of "90 Miles from Needles: The Desert Protection Podcast," host Chris Clarke engages in a thought-provoking discussion with Ruth Nolan, examining the impacts of art festivals on the desert community, specifically focusing on the High Desert Art Fair near Joshua Tree. Clarke and Nolan critically analyze the language and intentions behind a recent LA Times article that portrayed Pioneertown's art fair as a cultural mecca, akin to the Hamptons or Marfa. This raised significant concerns among locals about the gentrification and ecological footprint on their cherished desert. Through an insightful conversation, Nolan shares her discontent with the article's portrayal of the desert as an exploitable blank slate, intended as a playground for affluent city-dwellers. Nolan, rooted in a deep appreciation for the desert's unique charm, critiques the growing trend of large-scale cultural incursions that disregard the needs and voices of local residents. The episode further explores the concept of desert protection by urging new inhabitants and visitors to approach the desert with respect and stewardship rather than seeking to transform it into an urban extension. Key Takeaways: Gentrification Concerns: Ruth Nolan expresses concern over the influx of affluent outsiders transforming the Joshua Tree area, highlighting community displacement and environmental implications. Media Influence: The interview critiques media portrayals which often serve as promotional content rather than objective journalism, significantly impacting local perceptions and realities. Local Voices Matter: The need for community involvement and acknowledgment of local voices in discussions about development and conservation is emphasized. Desert's Unique Identity: Nolan advocates for the protection and appreciation of the desert's intrinsic beauty and fragility, pushing back against external visions imposing changes. Environmental and Social Stewardship: Encouraging newcomers to embrace sustainable practices and support local conservation efforts is vital for the desert's future. Notable Quotes: "Ask what you can do for the desert, not what the desert can do for you." – Ruth Nolan "Are we not learning that there's nowhere else to go after this?" – Ruth Nolan "The magic's already here. Just get out of your own head and go listen." – Ruth Nolan "There's a difference between moving here and connecting and respecting, and importing yourself because you have a vision." – Ruth Nolan "Eventually, what had looked like a monotonous expanse of boring, scraggly shrubs reveals itself as a magnificent expanse of boring, scraggly shrubs." — Chris Clarke Resources: The Border Chronicle: What Do Argentina's Disappeared Have to Do With Unidentified Migrants on the U.S.-Mexico Border? "Just outside Joshua Tree, this art fair set in a desert motel is building something you can’t get in L.A.": Los Angeles Times Ruth Nolan's Latest Work: "After the Dome Fire" Mojave Desert Land Trust: Mojave Desert Land Trust Morongo Basin Conservation Association: Morongo Basin Conservation Association Native American Land Conservancy: NALC This episode of "90 Miles from Needles" invites listeners to reconsider how art, development, and culture intersect with conservation in sensitive desert ecosystems. Tune in to the full episode for a deeper exploration into these pressing topics and subscribe for more insights on desert protection and community advocacy.Become a desert defender!: https://90milesfromneedles.com/donateSee omnystudio.com/listener for privacy information.

The name Donald Judd needs no introduction. On this episode, Dan speaks with the artist's children, Rainer and Flavin Judd, to discuss the important work of the Judd Foundation. The trio discuss the siblings's early life growing up in SoHo, how their understanding of their father's art has shifted and deepened over time, how Judd's moves in Marfa came into focus, and much more. Look for this cover feature in the upcoming spring 2026 print issue of The Grand Tourist, available this May. Hosted on Acast. See acast.com/privacy for more information.

Episode 516 / Hilary HarnischfegerHilary Harnischfeger (b. 1972, Melbourne, Australia) earned her MFA from Columbia University, New York (2003) and her BFA from the University of Houston, Houston, TX (2001). The artist has had work included in institutional exhibitions at the Fairfield University Art Museum, Fairfield, CT (2023); Nerman Museum of Contemporary Art, Overland Park, KS (2016); State University of New York at Purchase, Purchase, NY (2016); the FLAG Art Foundation, New York, NY (2014); MOCA Cleveland, Cleveland, OH (2013); American University Museum at the Katzen Arts Center, Washington, DC (2013); the American Academy of Arts and Letters, New York, NY (2013); Dallas Contemporary, Dallas, TX (2010); Ballroom Marfa, Marfa, TX (2005); Artists Space, New York, NY (2005); and the Contemporary Arts Museum Houston, Houston, TX (2002); among others. Harnischfeger has had recent solo exhibitions at Clear Sky Gallery, Brooklyn, NY (2021); Rachel Uffner Gallery, new York, NY (2021, 2015); Halsey McKay Gallery, East Hampton, NY (2014); and Front Gallery, Houston, TX (2012). In 2007, Harnischfeger was the recipient of the Maria Walsh Sharpe Foundation Space Program Award. Her work is in the permanent collection of the Cleveland Museum of Art, Cleveland, OH; the Nerman Museum, Overland Park, KS; the Everson Museum of Art, Syracuse, NY; and the Fairfield University Art Museum, Fairfield, CT. Harnischfeger lives and works in Brooklyn, NY. 

In this classic DESIGN:ED episode architect Bjarke Ingels and Texas hotelier Liz Lambert join Architectural Record's podcast to discuss the redevelopment of El Cosmico in Marfa, how their partnership with ICON is redefining construction and design through 3D printing, and Ingels's hopes for designing on the moon.

Chris talks with Sul Ross State University classical guitar instructor Nick Hurt about Guitar in the Big Bend, an annual free concert series bringing world-class performers to Alpine and Marfa. https://www.guitarinthebigbend.com/

From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames & Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured. Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play. The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright's Fallingwater, Olafur Eliasson's The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto's NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us. The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames & Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured. Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play. The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright's Fallingwater, Olafur Eliasson's The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto's NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us. The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames & Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured. Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play. The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright's Fallingwater, Olafur Eliasson's The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto's NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us. The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This post contains affiliate links, which means I may earn a small commission at no extra cost to you.What happens when a former newspaper crime reporter turns her real-life investigative instincts into pulse-pounding fiction? In this episode, I sit down with Laura Griffin to talk about crime fiction, small-town mysteries, and the real-world research that makes her thrillers feel terrifyingly real.We dig into Laura's journey from journalism to romantic suspense and thrillers, how she researches police work and cold cases, and why setting Innocence Road in a remote West Texas town inspired by Marfa added an entirely new layer of tension. If you love smart thrillers, layered investigations, and books that reward close readers, this episode is for you.

The fellas reconvene after a week off. Highlights from the conversation include: Frankie and Stella accept Christ! Chisum gets a critique off his chest Marfa, TX never disappoints Screwtape Chapter 4 Psalm 139 God is Love... so what does that really mean? Charlie's warning Australia and Brown shootings House passes MTG's Children's Innocence Act 216-211 [...]

I kick this week's episode off with a recap of my West Texas mule deer hunt. I'd long been looking forward to heading towards Marfa and trying to turn up a good Trans Pecos up on the 100,000 acre Boershing Ranch. The hunting proved tough as the rut really didn't seem to kick off until [...]

What happens when an octogenarian, a tech titan, and two young singer-songwriters walk into a bar... or onto a stage? Well, that's what's happening this week on eTown! Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more! Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/ Your support helps us bring concerts, tapings and conversations to audiences while fostering connection through music, ideas and community. If you'd like to support eTown's mission to educate, entertain and inspire a diverse audience through music and conversation, please consider a donation: https://www.etown.org/get-involved/donate-orig/.

 This week on the KPL Podcast, we speak with bestselling author Laura Griffin about her latest novel, Innocence Road. Set in the small town of Marfa, Texas, this suspenseful murder mystery opens with Deputy Leanne being called to a fresh crime scene at the edge of the desert, where a nameless woman has been found with no clues to her identity. As Leanne investigates, she must also confront the release of a man wrongfully arrested by her father years ago. Innocence Road is a fast-paced thriller perfect for fans of police procedurals. 

Lightbreakers by Aja Gabel is a genre-defying story about how far one would go to save the person they love. Aja joins us to talk about time travel, faith vs fear, screenwriting, contemporary art, Marfa and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Lightbreakers by Aja Gabel The Ensemble by Aja Gabel Exhalation by Ted Chiang Stories of Your Life and Others by Ted Chiang  

Patrick debuts exclusive UFO video sent in by a viewer of the channel. Filmed by German tourists in Marfa, TX 2021. CALL FREE ‪(469) 324-9929‬ and leave Vetted a message. (Questions, Comments, Sightings, Etc.)

00:00 High Five.14:20 How the Broncos can get off to faster starts.32:20 Marfa joins the show.

Jessica Fuentes and Nicholas Frank discuss art on view in Marfa during Chinati Weekend and some of the people and places that make up the region's art scene. “Marfa is a small town, and the people who make that space home end up being a close-knit group of people... when you make a choice to live in a small town, you are also embracing a different lifestyle, something that is truly rooted in community... That's one of the reasons I enjoy going to Chinati Weekend… every time I go, it's like coming back to an extended family.” See related readings here: https://glasstire.com/2025/10/18/art-dirt-chinati-weekend-2025 If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

Christopher Wool talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped their lives and work. Wool, who was born in Chicago in 1955, and lives between New York and Marfa, Texas, today, is a sophisticated and dextrous explorer of the act of making paintings and other forms of art. He emerged in a period in which painting's validity was being questioned amid the supremacy of conceptual and photographic practices in the avant-garde scene of New York in the late 1970s. And he has made light of that doubt in a cerebral practice in which he probes paint's capacity to reflect diverse material properties, processes and effects, its openness to chance events and slippages, and its ability to contain or convey meaning through words and image. Working in often overlapping series embodied by particular methods or tools, propositions and actions, his practice has been one of relentless curiosity, where his own output is consistently reevaluated and recast through the literal repurposing of existing imagery as the foundation of new works. Though best known for his paintings, Christopher has made photographs from the start of his career, and since the mid-2010s has developed a fertile seam of sculpture. His work across all these media is similarly agile, with the different strands in a seemingly endless evolving conversation on pictorial, material and spatial concerns. He discusses the seismic effect of experiencing the Art Ensemble of Chicago and an installation by Dan Flavin as a young person, seeing Jean-Michel Basquiat's first New York solo show with Dieter Roth, how Toni Morrison's The Bluest Eye influenced one of his untitled text paintings, and eventually the title of his recent acclaimed New York and Marfa show, See Stop Run, and how jazz has been a consistent source of inspiration. He gives insight into his life in the studio and answers our usual questions, including the ultimate, “What is art for?”Christopher Wool, Gagosian, Grosvenor Hill, London, until 19 December; See Stop Run West Texas, Brite Building, Marfa, Texas, until at least May 2027. Hosted on Acast. See acast.com/privacy for more information.

Enjoyed our podcast? Shoot us a text and let us know—because great conversations never end at the last word!We trace Paper Buddha's path from collage and Buddhist iconography to securing Tezos as a baker, exploring how remix culture, meditation, and code fuse into a global counterculture practice. Along the way, we unpack permanence on-chain, sustainable patronage, and multi-chain strategy that rewards collectors without hype.• collage as a language for remix culture and East–West fusion• Detroit grit, Zen practice, and authenticity shaping process• three-stage workflow: wild sourcing, meditative cutting, intentional sharing• impermanence versus permanence and why censorship resistance matters• generative mandalas in P5 and encoding style into algorithms• Tezos as punk rock: accessibility, global culture, and Turkish freedom mints• baking as sustainable patronage and income smoothing for artists• bridging validator and art communities with practical tooling• multi-chain vaults, pricing equilibrium, and collector rewards• upcoming drops for Marfa, Halloween, and Miami, feeding back into the baker

Seriah is joined by Edson Freeman, to discuss his excellent book, Strange Light. It tells diverse stories of people with lifetimes of paranormal experiences, and how it has affected them.From Amazon: What happens when ordinary people meet the extraordinary? In Strange Light, author Edson Freeman gathers riveting firsthand accounts of lives upended by events that defy explanation-UFO encounters, near‑death experiences, psychic awakenings, startling synchronicities, and mysterious lights dancing over the Marfa desert. Spanning North America, Australia, the UK, India, and Japan, these personal narratives include prophetic dreams that came true, conversations with departed loved ones, and face‑to‑face meetings with non‑human intelligences. Freeman lets each witness speak in their own voice: no sensationalism, no dismissal-just the raw, unfiltered moment when the boundaries of consensus reality give way. fReaders curious about consciousness studies, paranormal phenomena, and fringe science will find an empathetic yet pragmatic exploration of the questions mainstream culture struggles to ask. If you appreciate the investigative rigor of Leslie Kean, the human warmth of John Mack, or the sense of wonder in Chris Bledsoe, Strange Light invites you to rethink what you thought was impossible.

“I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted there. I came here as a graduate student and joined the PhD program, and then the events continued to unfold there, making life more and more of a risk, building a life in a place like Lebanon. The most important counterpoint in my life was meeting my partner, Ahmad Almallah, who is Palestinian. So immediately, my life became the life of a Palestinian by association.Of course, the past two years—almost two years—have been surreal. I sometimes don't believe that we're going through what we're going through because, as security concerns have become something we think about at home, when we walk from home to campus or my office, I'm constantly anxious to open my mail because often there are things that will require a lot of energy, time, emotion, and are emotionally taxing. There's a lot of rage now in many aspects of my life, but all that aside, my personal experience—both professional and personal, and at home, familial—are not exceptional. Many other people are experiencing intimidation, silencing, and feeling cornered, censored, and oppressed just because they took a stand—a very decent, normal, basic human stand against genocide.”In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Huda Fakhreddine, writer, translator, and scholar of Arabic literature. Among the many topics they touch upon are the challenges of teaching Arabic literature, especially Palestinian literature, in a time of genocide, when universities, professional organizations, and political groups militate against any honest discussion of these topics, and punish those who do. They talk about the notion of belonging and the importance of being able to choose what to belong to, and what not to. Huda speaks of the freedom found in living in Arabic, and explains what that means to her. She also reads in Arabic and English Nima Hasan's stunning and wrenchingly beautiful poem, “Old Song.”Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), and the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Among her translations are The Sky That Denied Me: Selections from Jawdat Fakhreddine (University of Texas Press, 2020), The Universe, All at Once: Selections from Salim Barakat (Seagull Books, 2024), and Palestinian: Four Poems by Ibrahim Nasrallah (World Poetry Books, 2024). Her creative work includes a book of creative non-fiction titled Zaman saghīr taḥt shams thāniya (A Brief Time under a Different Sun), Dar al-Nahda, Beirut, 2019 and the forthcoming Wa min thamma al-ālam (And then the World), Manshūrāt Marfa', Beirut, 2025. Her translations of Arabic poems have appeared in Protean, Lithub, Words Without Borders, Nimrod, ArabLit Quarterly, Asymptote, and Middle Eastern Literatures, among many others. She is co-editor of Middle Eastern Literatures and section editor of the Encyclopedia of Islam.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Episode 145 brings you "information whiskey" - the crew's loose, conversational format where they step back from their "really tightly wound formatted structure" to catch up on life, flying, and everything in between.Ben confesses to being a "plane jinx" after his multi-engine training gets derailed by yet another 100-hour inspection, while Brian plans an epic desert trip from Nashville to New Orleans to Marfa because "if I don't have something on the horizon to look forward to, I'm just a shell of a human being." Ted shares his Palouse flying video and recalls his motorcycling adventures from "above the Arctic circle" to "below the equator."The highlight of the episode is Brian's glowing review of Wendell Geek's masterful Fisk arrival video, calling it "the first thing I've seen where it actually made me want to fly Fisk" and praising its non-linear storytelling approach. Mark reveals he accidentally rendered over his original footage and had to rebuild the entire video from scratch.The conversation meanders through STOL competitions ("if I had your plane, I would be doing that"), insurance implications of MOSAIC rules, and the crew's ongoing battle with aging aircraft and cars. Ben gets his thrills with a massive forward slip through Atlanta's Delta airspace, while Brian contemplates whether anyone wants to rebuild a 4AGE motor in a 1985 Toyota MR2.As Ted notes about midlife priorities: "We chose this not because it was easy, but because we thought it was easy" - the same mindset that drives both flying and life decisions at this stage.Ben's wisdom: "Cleared for the approach means it's time to make math panic look graceful."Mentioned on the show:Music City STOL: https://nationalstol.com/musiccity/XNX - Music City Executive Airport: https://www.airnav.com/airport/KXNXPiperzilla: https://www.facebook.com/reel/1418719012179295Ted's "Palouse Is My Happy Place" vid: https://www.youtube.com/watch?v=XhD9hx-XvIITailwheel CFI Ben: https://www.instagram.com/flyyywithben/RYY - Cobb County: https://www.airnav.com/airport/KRYYMGE - Dobbins ARB: https://www.airnav.com/airport/kmgeMark/1dullgeek's Oshkosh arrival vid: https://www.youtube.com/watch?v=kIWmgdiTDj8Ted's Oshkosh arrival vid: https://www.youtube.com/watch?v=91smAolmRpICheckride debriefs and Killing Zone Konversationz: https://www.patreon.com/collection/1238009Midlife Pilot Podcast: https://midlifepilotpodcast.com/YouTube channel: https://youtube.com/@MidlifePilotPodcastPatreon Community: https://www.patreon.com/MidlifePilotPodcastFreedom Aviation Network: https://freedomaviation.network/

Today I talk with Huda Fakhreddine, writer, translator, and scholar of Arabic literature. Among the many topics we touch upon are the challenges of teaching Arabic literature, especially Palestinian literature, in a time of genocide, when universities, professional organizations, and political groups militate against any honest discussion of these topics, and punish those who do.  We talk about the notion of belonging, and the importance of being able to choose what to belong to, and what not to. Huda speaks of the freedom found in living in Arabic, and explains what that means to her.  She also reads in Arabic and English Nima Hasan's stunning and wrenchingly beautiful poem, “Old Song.”Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), and the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Among her translations are The Sky That Denied Me: Selections from Jawdat Fakhreddine (University of Texas Press, 2020), The Universe, All at Once: Selections from Salim Barakat (Seagull Books, 2024), and Palestinian: Four Poems by Ibrahim Nasrallah (World Poetry Books, 2024). Her creative work includes a book of creative non-fiction titled Zaman saghīr taḥt shams thāniya (A Brief Time under a Different Sun), Dar al-Nahda, Beirut, 2019 and the forthcoming Wa min thamma al-ālam (And then the World), Manshūrāt Marfa', Beirut, 2025. Her translations of Arabic poems have appeared in Protean, Lithub, Words Without Borders, Nimrod, ArabLit Quarterly, Asymptote, and Middle Eastern Literatures among many others.  She is co-editor of Middle Eastern Literatures and section editor of the Encyclopedia of Islam.

“I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted there. I came here as a graduate student and joined the PhD program, and then the events continued to unfold there, making life more and more of a risk, building a life in a place like Lebanon. The most important counterpoint in my life was meeting my partner, Ahmad Almallah, who is Palestinian. So immediately, my life became the life of a Palestinian by association.Of course, the past two years—almost two years—have been surreal. I sometimes don't believe that we're going through what we're going through because, as security concerns have become something we think about at home, when we walk from home to campus or my office, I'm constantly anxious to open my mail because often there are things that will require a lot of energy, time, emotion, and are emotionally taxing. There's a lot of rage now in many aspects of my life, but all that aside, my personal experience—both professional and personal, and at home, familial—are not exceptional. Many other people are experiencing intimidation, silencing, and feeling cornered, censored, and oppressed just because they took a stand—a very decent, normal, basic human stand against genocide.”In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Huda Fakhreddine, writer, translator, and scholar of Arabic literature. Among the many topics they touch upon are the challenges of teaching Arabic literature, especially Palestinian literature, in a time of genocide, when universities, professional organizations, and political groups militate against any honest discussion of these topics, and punish those who do. They talk about the notion of belonging and the importance of being able to choose what to belong to, and what not to. Huda speaks of the freedom found in living in Arabic, and explains what that means to her. She also reads in Arabic and English Nima Hasan's stunning and wrenchingly beautiful poem, “Old Song.”Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), and the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Among her translations are The Sky That Denied Me: Selections from Jawdat Fakhreddine (University of Texas Press, 2020), The Universe, All at Once: Selections from Salim Barakat (Seagull Books, 2024), and Palestinian: Four Poems by Ibrahim Nasrallah (World Poetry Books, 2024). Her creative work includes a book of creative non-fiction titled Zaman saghīr taḥt shams thāniya (A Brief Time under a Different Sun), Dar al-Nahda, Beirut, 2019 and the forthcoming Wa min thamma al-ālam (And then the World), Manshūrāt Marfa', Beirut, 2025. Her translations of Arabic poems have appeared in Protean, Lithub, Words Without Borders, Nimrod, ArabLit Quarterly, Asymptote, and Middle Eastern Literatures, among many others. She is co-editor of Middle Eastern Literatures and section editor of the Encyclopedia of Islam.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted there. I came here as a graduate student and joined the PhD program, and then the events continued to unfold there, making life more and more of a risk, building a life in a place like Lebanon. The most important counterpoint in my life was meeting my partner, Ahmad Almallah, who is Palestinian. So immediately, my life became the life of a Palestinian by association.Of course, the past two years—almost two years—have been surreal. I sometimes don't believe that we're going through what we're going through because, as security concerns have become something we think about at home, when we walk from home to campus or my office, I'm constantly anxious to open my mail because often there are things that will require a lot of energy, time, emotion, and are emotionally taxing. There's a lot of rage now in many aspects of my life, but all that aside, my personal experience—both professional and personal, and at home, familial—are not exceptional. Many other people are experiencing intimidation, silencing, and feeling cornered, censored, and oppressed just because they took a stand—a very decent, normal, basic human stand against genocide.”In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Huda Fakhreddine, writer, translator, and scholar of Arabic literature. Among the many topics they touch upon are the challenges of teaching Arabic literature, especially Palestinian literature, in a time of genocide, when universities, professional organizations, and political groups militate against any honest discussion of these topics, and punish those who do. They talk about the notion of belonging and the importance of being able to choose what to belong to, and what not to. Huda speaks of the freedom found in living in Arabic, and explains what that means to her. She also reads in Arabic and English Nima Hasan's stunning and wrenchingly beautiful poem, “Old Song.”Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), and the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Among her translations are The Sky That Denied Me: Selections from Jawdat Fakhreddine (University of Texas Press, 2020), The Universe, All at Once: Selections from Salim Barakat (Seagull Books, 2024), and Palestinian: Four Poems by Ibrahim Nasrallah (World Poetry Books, 2024). Her creative work includes a book of creative non-fiction titled Zaman saghīr taḥt shams thāniya (A Brief Time under a Different Sun), Dar al-Nahda, Beirut, 2019 and the forthcoming Wa min thamma al-ālam (And then the World), Manshūrāt Marfa', Beirut, 2025. Her translations of Arabic poems have appeared in Protean, Lithub, Words Without Borders, Nimrod, ArabLit Quarterly, Asymptote, and Middle Eastern Literatures, among many others. She is co-editor of Middle Eastern Literatures and section editor of the Encyclopedia of Islam.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted there. I came here as a graduate student and joined the PhD program, and then the events continued to unfold there, making life more and more of a risk, building a life in a place like Lebanon. The most important counterpoint in my life was meeting my partner, Ahmad Almallah, who is Palestinian. So immediately, my life became the life of a Palestinian by association.Of course, the past two years—almost two years—have been surreal. I sometimes don't believe that we're going through what we're going through because, as security concerns have become something we think about at home, when we walk from home to campus or my office, I'm constantly anxious to open my mail because often there are things that will require a lot of energy, time, emotion, and are emotionally taxing. There's a lot of rage now in many aspects of my life, but all that aside, my personal experience—both professional and personal, and at home, familial—are not exceptional. Many other people are experiencing intimidation, silencing, and feeling cornered, censored, and oppressed just because they took a stand—a very decent, normal, basic human stand against genocide.”In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Huda Fakhreddine, writer, translator, and scholar of Arabic literature. Among the many topics they touch upon are the challenges of teaching Arabic literature, especially Palestinian literature, in a time of genocide, when universities, professional organizations, and political groups militate against any honest discussion of these topics, and punish those who do. They talk about the notion of belonging and the importance of being able to choose what to belong to, and what not to. Huda speaks of the freedom found in living in Arabic, and explains what that means to her. She also reads in Arabic and English Nima Hasan's stunning and wrenchingly beautiful poem, “Old Song.”Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), and the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Among her translations are The Sky That Denied Me: Selections from Jawdat Fakhreddine (University of Texas Press, 2020), The Universe, All at Once: Selections from Salim Barakat (Seagull Books, 2024), and Palestinian: Four Poems by Ibrahim Nasrallah (World Poetry Books, 2024). Her creative work includes a book of creative non-fiction titled Zaman saghīr taḥt shams thāniya (A Brief Time under a Different Sun), Dar al-Nahda, Beirut, 2019 and the forthcoming Wa min thamma al-ālam (And then the World), Manshūrāt Marfa', Beirut, 2025. Her translations of Arabic poems have appeared in Protean, Lithub, Words Without Borders, Nimrod, ArabLit Quarterly, Asymptote, and Middle Eastern Literatures, among many others. She is co-editor of Middle Eastern Literatures and section editor of the Encyclopedia of Islam.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted there. I came here as a graduate student and joined the PhD program, and then the events continued to unfold there, making life more and more of a risk, building a life in a place like Lebanon. The most important counterpoint in my life was meeting my partner, Ahmad Almallah, who is Palestinian. So immediately, my life became the life of a Palestinian by association.Of course, the past two years—almost two years—have been surreal. I sometimes don't believe that we're going through what we're going through because, as security concerns have become something we think about at home, when we walk from home to campus or my office, I'm constantly anxious to open my mail because often there are things that will require a lot of energy, time, emotion, and are emotionally taxing. There's a lot of rage now in many aspects of my life, but all that aside, my personal experience—both professional and personal, and at home, familial—are not exceptional. Many other people are experiencing intimidation, silencing, and feeling cornered, censored, and oppressed just because they took a stand—a very decent, normal, basic human stand against genocide.”In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Huda Fakhreddine, writer, translator, and scholar of Arabic literature. Among the many topics they touch upon are the challenges of teaching Arabic literature, especially Palestinian literature, in a time of genocide, when universities, professional organizations, and political groups militate against any honest discussion of these topics, and punish those who do. They talk about the notion of belonging and the importance of being able to choose what to belong to, and what not to. Huda speaks of the freedom found in living in Arabic, and explains what that means to her. She also reads in Arabic and English Nima Hasan's stunning and wrenchingly beautiful poem, “Old Song.”Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), and the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Among her translations are The Sky That Denied Me: Selections from Jawdat Fakhreddine (University of Texas Press, 2020), The Universe, All at Once: Selections from Salim Barakat (Seagull Books, 2024), and Palestinian: Four Poems by Ibrahim Nasrallah (World Poetry Books, 2024). Her creative work includes a book of creative non-fiction titled Zaman saghīr taḥt shams thāniya (A Brief Time under a Different Sun), Dar al-Nahda, Beirut, 2019 and the forthcoming Wa min thamma al-ālam (And then the World), Manshūrāt Marfa', Beirut, 2025. Her translations of Arabic poems have appeared in Protean, Lithub, Words Without Borders, Nimrod, ArabLit Quarterly, Asymptote, and Middle Eastern Literatures, among many others. She is co-editor of Middle Eastern Literatures and section editor of the Encyclopedia of Islam.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Seriah is joined by Edson Freeman, to discuss his excellent book, Strange Light. It tells diverse stories of people with lifetimes of paranormal experiences, and how it has affected them.* Outro Music by Grey's Anathema with MudfishFrom Amazon: What happens when ordinary people meet the extraordinary? In Strange Light, author Edson Freeman gathers riveting firsthand accounts of lives upended by events that defy explanation-UFO encounters, near‑death experiences, psychic awakenings, startling synchronicities, and mysterious lights dancing over the Marfa desert.Spanning North America, Australia, the UK, India, and Japan, these personal narratives include prophetic dreams that came true, conversations with departed loved ones, and face‑to‑face meetings with non‑human intelligences. Freeman lets each witness speak in their own voice: no sensationalism, no dismissal-just the raw, unfiltered moment when the boundaries of consensus reality give way.Readers curious about consciousness studies, paranormal phenomena, and fringe science will find an empathetic yet pragmatic exploration of the questions mainstream culture struggles to ask. If you appreciate the investigative rigor of Leslie Kean, the human warmth of John Mack, or the sense of wonder in Chris Bledsoe, Strange Light invites you to rethink what you thought was impossible. Hosted on Acast. See acast.com/privacy for more information.

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah interview journalist Paul Kix, author of the award-winning book on the Civil Rights movement, You Have to Be Prepared to Die Before You Can Begin to Live. Paul writes about the Southern Christian Leadership Conference's ten weeks in Birmingham through fully realized characters and complicated detail, and he tells us how the experience changed him.We also talk about Paul's 2023 personal essay, “Liberals Once Embraced Interracial Marriages Like Mine. What Changed?” The conversation skip-hops around race, spirituality, faith, discipline, journalism — and Paul makes Nancy cry (twice!).Also discussed:* Marfa, too many metal chairs and cement surfaces* The Disappearance of Hotel Bathtubs: A lamentation* How Sarah changed Paul's life* Summer 2020: Oh, how it transformed us* “There's a liberalism that abandoned me”* Can a white man tell a black story?* “Mis·ceg·e·na·tion” “Man·i·chae·an” “Hag·i·og·ra·phy”* George Floyd, quite the football player* How the Eagles' Glenn Frey knew Jackson Browne was the real deal* “Bombingham”* Humanizing Bull Conner* Would you allow your children to get fire-hosed for a righteous cause?* Harry Belafonte, the George Soros of the civil rights movement* New Yorkers love to say “No”* “In the wake of war is the big beating heart of love”* How to bet on yourself* “What cause would you die for?”Plus, Sarah falls into a Weather Underground rabbit hole, an argument for more art told from the perspective of a resentful loser, why Paul kept a photo on his fridge that looked like Billie Dee Williams, and much more.This is one of our favorite episodes xx

What happens when ordinary people meet the extraordinary? In Strange Light, author Edson Freeman gathers riveting firsthand accounts of lives upended by events that defy explanation — UFO encounters, near‑death experiences, psychic awakenings, startling synchronicities, and mysterious lights dancing over the Marfa desert.Spanning North America, Australia, the UK, India, and Japan, these personal narratives include prophetic dreams that came true, conversations with departed loved ones, and face‑to‑face meetings with non‑human intelligences. Freeman lets each witness speak in their own voice: no sensationalism, no dismissal-just the raw, unfiltered moment when the boundaries of consensus reality give way.Readers curious about consciousness studies, paranormal phenomena, and fringe science will find an empathetic yet pragmatic exploration of the questions mainstream culture struggles to ask. If you appreciate the investigative rigor of Leslie Kean, the human warmth of John Mack, or the sense of wonder in Chris Bledsoe, Strange Light invites you to rethink what you thought was impossible.BioEDSON FREEMAN is an IT veteran whose day job revolves around pinning down how-did-that-happen questions inside missioncritical systems. Raised in suburban Ohio on a steady diet of Douglas Adams and mediocre sci-fi, he grew into a firm empiricist, regarding UFOs, near-death visions, and prophetic dreams as curiosities, not convictions. That stance began to wobble in recent years. A series of highprofile leaks and discoveries triggered his curiosity, and after collecting raw, sincere testimonies, Freeman became convinced that “extraordinary claims” sometimes come from unusually grounded witnesses. Strange Light is his first book—a field report from that newly opened terrain. He currently resides in North Carolina, where he balances database tuning with woodworking, vegetable gardening, and the occasional impromptu skywatch. He comes from a long line of Edsons and believes that healthy skepticism and radical wonder can, and should, coexist in the same sentence.https://www.amazon.com/dp/B0FF65MJ2Xhttps://strangelightbook.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlifeMy book 'Verified Near Death Experiences' https://www.amazon.com/dp/B0DXKRGDFP

Americana duo Marfa makes music that ties Laurel Canyon to West Texas. Their vibrant sound is a proverbial hay bale of beautiful harmonies and foot-stomping good times. No matter how bad their hearts might be breaking, as you’ll hear on “Little Miss Two Time,” Marfa makes being left high and dry (almost) sound fun.  

Still aiming at the upcoming ICORE Rocky Mountain Regional revolver competition, Michael is frantically practicing. He may even start taking his own advice! MichaelBane.TV - On the Radio episode # 283. Scroll down for reference links on topics discussed in this episode. Disclaimer: The statements and opinions expressed here are our own and may not represent those of the companies we represent or any entities affiliated to it. Host: Michael Bane Producer: Flying Dragon Ltd. More information and reference links: It Probably Doesn't Matter Any More if the SIG P320 is Safe or Not/Dan Zimmerman, Shooting News Weekly Hunters HD Gold Episode 238 with Phil Strader, SIG's VP Consumer Affairs/Brian Conley, RUMBLE After Surge During Pandemic, Homicides Fall Significantly/Ashley Wu & Tim Arango, NYT OVER THE EDGE and 6 Steps to Accomplish the Impossible/Michael Bane, MB Blog Marfa, Marfa, Marfa/Alexandra Kennon Shahin, Country Roads Magazine Ranger Point Precision MTM Case-Gard Divided Ammo Box The Music of Hannah Marie Kelley The Music of Unknown River

In episode 077 of the It's Just A Hill Cycling Podcast, Jon is joined by returning guest and IJAH collective member Norlan Olivo for a conversation about what it means to train when time is tight. They dig into how Norlan is preparing for another run at the Marfa ride, what realistic training looks like forContinue reading "Marfa, Macros, and Making It Work with Norlan Olivo | IJAH Pod 077"

President Trump says he's "very disappointed" in Elon Musk over his criticism of the GOP budget bill. China has restricted exports of rare Earth elements, which are used for some of the most advanced technologies including semiconductors, electric cars and guided missiles used by the military. Eye on America - In a time when local newspapers are struggling to stay afloat, the Big Bend Sentinel, which covers the small community of Marfa, Texas, is thriving, thanks to some outside-the-box thinking and a little caffeine. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

One-on-one pod today, Chris is in Marfa, TX, and Jason is home in Glendale. We chat about R.I.P. Young Scooter, Time Zone etiquette, a new celebrity dating rumor, Chris rented a Ford Expedition for his Texan commute, Jason DJ'd a party next door to Wil.I.Am's studio, we rank the celebrity doctors, Severance and the Seth Rogan Apple shows, creative jobs are earned not given, when we learned that we're not talented, Eartheater pissing on stage, TJ predicts the next MAGA trend, and Elon found a chef for his 50's diner. twitter.com/donetodeath twitter.com/themjeans howlonggone.com   Learn more about your ad choices. Visit megaphone.fm/adchoices

NPR and PBS stations are bracing for war with the incoming Trump administration. On this week's On the Media, the long history of efforts to save—and snuff out—public broadcasting. Plus, the role of public radio across the country, from keeping local governments in check to providing life-saving information during times of crisis.[01:00]  Hosts Brooke Gladstone and Micah Loewinger explore the history of the Corporation for Public Broadcasting and break down the funding with Karen Everhart, managing editor of Current.[06:59]  Host Micah Loewinger speaks with Senator Ed Markey of Massachusetts, a member of the Subcommittee on Communications, Media, and Broadband, which oversees the Corporation For Public Broadcasting, on his decades-long fight with Republican lawmakers to keep NPR and PBS alive.[13:44]  Host Brooke Gladstone sits down with Mike Gonzalez, a senior fellow at The Heritage Foundation, who authored a part of the foundation's Project 2025 chapter on ending CPB funding. [34:26] Hosts Brooke Gladstone and Micah Loewinger on how public radio stations across the country work to hold local governments accountable, ft: Scott Franz of KUNC in Colorado, Matt Katz formerly of WNYC, and Lindsey Smith of Michigan Public.[00:00] Host Micah Loewinger takes a deep dive into the role of public radio during crises, ft: Tom Michael, founder of Marfa Public Radio and Laura Lee, news director for Blue Ridge Public Radio.[00:00] Host Brooke Gladstone sits down with Sage Smiley, news director at KYUK in Bethel, Alaska, to talk about the station's life-saving coverage of the Kuskokwim Ice Road in southwestern Alaska, and what the region would lose without public radio.Further reading:“End of CPB funding would affect stations of all sizes,” by Adam Ragusea“Is there any justification for continuing to ask taxpayers to fund NPR and PBS?” by Mike Gonzalez“Should New Jersey Democratic Officials Keep Jailing Immigrants for ICE?” by Matt Katz“A secret ballot system at Colorado's statehouse is quietly killing bills and raising transparency concerns,” by Scott Franz“Not Safe to Drink," a special radio series by Michigan Public“The Rock House Fire: 5 Years Later,” by Tom Michael On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.