Podcast appearances and mentions of John Cage

Sie ist Sängerin, Choreografin, Komponistin und Regisseurin, und sie hat sechs Jahrzehnte Zeitgeschichte aktiv mitgestaltet. Die US-Amerikanerin Meredith Monk hat mit John Cage und mit Phil Glass zusammengearbeitet, die Coen-Brüder haben ihre Musik als Soundtrack für ihre Filme benutzt. Mittlerweile ist die Künstlerin 83 Jahre alt und sie hat ein neues Album herausgebracht, das SWR Kultur-Kritikerin Susanne Benda in eine andere Welt aus feinen und leisen Tönen beamt.

Playlist: Grandbrothers - ShorelinesChristian Löffler - Dir JehovaKosuke Anamizu, Moshimoss - MinasokoJonas Gewald - FlowingPeter Gregson - VisionMikael Lind, Johanna Sjunnesson - Wave Cycle - Ambient VersionJane Antonia Cornish - Wave CyclesJeff Roy, Austin Ray - OceanSlow Meadow - Tethered to the EarthGabriel Olafs - Loa - Bing and Ruth ReworkJelena Ciric, Snorri Hallgrimsson - Green GrassSarah Pagé - RELUCESCO IOlafur Arnalds, VOCES8 - nyepi - choir versionBlurstem - Memories of AutumnLandon Caldwell - Flower Heads in the AfternoonWillow Skye-Biggs - The SpellFischersund - SolVincent Isler - As Good A Place as AnyPeter Broderick - Earnest LeslyeSaltbreaker - DormancyRameses III - I Could Not Love You MoreKhotin - Sound Gathering TripLow Chord - TouchSuperposition - A01/Submerge

No Summary

Contemporary music: bold, baffling, and often accused of scaring audiences away. But is it really as unlovable as its reputation suggests? In this episode, we explore why new music can feel alienating, and whether it's actually unpopular - or just misunderstood. Whether you're a die-hard fan of extended techniques, a curious newcomer to the contemporary world, or you've always wondered why a piece of music might sound like a typewriter falling down the stairs, this conversation will give you a fresh perspective on why contemporary music matters. Plus, Helen and Stewart do their best to come up with a sequel for John Cage's legendary 4'33”...#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Today's episode is based on Mason Currey's piece, John Cage on the true meaning of discipline. You should subscribe to Mason's essential newsletter, Subtle Maneuvers. And here's his piece about totally insane, unhinged, helpful strategies. Mason's book, Making Art and Making a Living is available for pre-order here. The John Cage interview excerpts come from The Internet Archive. Hear the whole thing @John Cage interviewed by Jack Hirschman in Los Angeles, 1963. Mason was last on TBAS talking about procrastinating properly. Learn more about your ad choices. Visit megaphone.fm/adchoices

Playlist: Ludivico Einaudi - Santiago - Reworked by Leo EinaudiJon Hopkins, Vylana - RITUAL (palace)Rhian Sheehan, Arli Liberman - DriftPeter Gregson - ConstellationPatrik Berg Almkvisth - Like Silver (Nangkartshang)Erland Cooper - Berriedale WoodEydis Evensen - Helena's SunriseChristopher Willits - EmbraceOwsey - The Trace of a Name - Lost Tape EditionVince Pope, London Contemporary Orchestra - On a Calm Sea pt 1Federico Albanese - Ballad for the Lost KingHior Chronik, Natalia Tsupryk, Asia Dojnikowska - Yellowed Leaves Drift DownBulgarian Radio Choir - Hymn of the CherubimKyiv Chamber Choir - To Thee We Sing - S. Rachmaninov VersionSchola Cantorum Reykjavicensis - Hyer himna smidurPaul Smith, VOCES8 - KyrieMax Richter - Path 3 / Whose Name is Written on WaterKyle Preston - Submersion SymmetryHemisphere West - Over Yonder Breaks the DawnSix Missing, Patrik Berg Almkvisth - Developments 1: FormsEmily A Sprague - Each StoryAbstract Aprils - EnclosureKara-Lis Coverdale - Curve Traces of Held SpaceDavid Cordero - Espacios ImperfectosHammock - Requiem for JohanNeighborhood Libraries - Tunnels Under our Feet

Alec and Nick complete a series of discussions on foundational music discourses — classical music, sound systems, and in this episode: musical temperment. Defining temperement as the organization of the acoustic harmonic series, applied in performance, engineering and musical epistemology, the conversation expands on historical nuances in the aesthetic, technological and cultural implications of this evolving theoretical construction over time. Anchored with a comparison of J.S. Bach's equal tempered proof-of-concept — “Well-Tempered Clavier” (1722) — and LaMonte Young's 1964 rebuttal in just intonation, “The Well-Tuned Piano” (1964), the discussion extends the broad history of temperement into the realm contemporary music and inquires into the affect of digital sound production on this discourse. Topics include: Pythagoras, autotune, Vincenzo Galelei, Harry Partch, John Cage's works for prepared piano, the evolution of the western orchestra, Indian classical music, Noise, and more.

(Kevin)Playlist: Bailey Miller - Still Water IPatrick Shiroishi - To become another being there has to be some kind of deathPatrick Shiroishi, featuring Mathieu Ball - guitar - Trying to get to heaven before they close the doorDaniel Bachman - Stretching SpiritJefre Cantu-Ledesma - SEPTEMBERJakob Bro & Midori Takada - あなたに出会うまで / Until I Met YouJoanne Robertson, featuring Oliver Coates - Always WereAlmost An Island - Wide Open (In Two Parts)Hammock - NeverthelessHarbors (Hollie Kenniff & Goldmund) - Warmth Within the WindHyldýpi - HvíldLárus Sigurðsson - Con motoMalibu, featuring Oliver Coates - Spicy CityEstroe - Into the StillnessKelly Moran - ChrysalisArid Landscapes - Blink IIFlaer - Our HandsM. Sage - Wading the PlainGwenifer Raymond - Dreams of Rhiannon's BirdsToby Hay - Driving With The Person You LoveMason Lindahl - Violence in repetition - Same Day WalkingThrowing Shapes - SonnohŠirom - For You, This Eve, the Wolves Will Be Enchantingly Forsaken

The music of composer, pianist, and cultural explorer "Blue" Gene Tyranny (1945-2020) in solos and collaborations recorded by Roulette from 2004-10 including archival commentary by the artist and a 2025 introduction by friend and colleague, the writer/producer Mary Griffin. We'll hear excerpts from pieces including A Letter From Home (2004 version) and Flipside (2008) with vocalists The Smithereens. "Blue" Gene Tyranny contributed to projects from Robert Ashley, Laurie Andersen, John Cage, and Leroy Jenkins to Carla Bley and Iggy Pop. Pianists Sarah Cahill and Joseph Kubera present a two-piano celebration of his work at Roulette on Nov. 20, 2025.https://roulette.org/

The music of composer, pianist, and cultural explorer “Blue” Gene Tyranny (1945-2020) in solos and collaborations recorded by Roulette from 2004-10 including archival commentary by the artist and a 2025 introduction by friend and colleague, the writer/producer Mary Griffin. We'll hear excerpts from pieces including A Letter From Home (2004 version) and Flipside (2008) with vocalists The Smithereens. “Blue” Gene Tyranny contributed to projects from Robert Ashley, Laurie Andersen, John Cage, and Leroy Jenkins to Carla Bley and Iggy Pop. Pianists Sarah Cahill and Joseph Kubera present a two-piano celebration of his work at Roulette on Nov. 20, 2025.

Playlist: David Handler - Sunbled Sky (Kid Koala Remix)Francesca Marongiu - SpiralThe OO-Ray - MarginalsDimming, Alto Aria - poolKaitlyn Aurelia Smith - I Miss the Way You SwimJulianna Barwick, Mary Lattimore - Perpetual AdorationRosie Turton, Miryam Solomon - into the maarK. Leimer - LittoralF.S. Blumm & Nils Frahm - Leuchter 1Arve Henriksen - Nautical PulseLaura Cannell - In Visible LightJessica Moss - until all are freeM. Sage - Fracking StarlightWillow Skye-Biggs - The SpellOla Budzynska - 5:45Emily A Sprague - HokkaidoChris Williams - Visage (feat. Kalia Vandever)Almost An Island - Promise to FadeIda Urd, Ingri Hoyland - Duvet

Robert Marx is president of The Fan Fox & Leslie R. Samuels Foundation, one ofNew York City's leading arts philanthropies.  Since 1995, Rob has appeared on the Metropolitan Opera's live Saturday afternoon radio broadcasts as an intermission host, commentator and Opera Quiz panelist.  His many broadcast interview subjects have included the late Supreme Court Justice Ruth Bader Ginsburg, stage director Robert Wilson, and former Met general manager Joseph Volpe.  From 1989-99 he was executive director of Lincoln Center's New York Public Library for the Performing Arts.   Among many new initiatives there, he created the Library's first touring program, sending exhibitions about choreographers Alvin Ailey and George Balanchine, director Harold Prince, and stage designer Ming Cho Lee across America and to Asia.  Major collection acquisitions included the personal archives of choreographer Jerome Robbins, impresario Lincoln Kirstein, composer John Cage, stage designer Boris Aronson, and producer Joseph Papp.   From 1987-1989 Rob was director of the National Endowment for the Arts Theatre Program, and was director of the New York State Council on the Arts Theatre Program from 1976-1983.

On this episode of The Bandwich Tapes, I sit down with Todd Meehan, Professor of Percussion and Associate Dean of Graduate Studies at Baylor University. Todd is a dynamic performer, educator, and advocate for contemporary percussion, whose career blends artistry, scholarship, and leadership.We talk about his journey as a percussionist, including what first drew him to the instrument, his time as a student and performer, and the ways he continues to push the boundaries of what percussion can be. Todd also shares insights into his role as an educator, mentoring the next generation of percussionists at Baylor, and how he balances the dual roles of professor and associate dean.Along the way, we dig into topics such as innovation in percussion repertoire, the importance of cultivating curiosity in students, and how higher education is evolving for young musicians. Todd's perspective offers a unique look at how percussion performance, teaching, and leadership intersect.This conversation is both inspiring and practical, perfect for musicians, educators, and anyone fascinated by the craft of percussion and the pathways it can open.To learn more about Todd and the Baylor University percussion studio, visit Todd's website or the Baylor percussion studio website. Music from the Episode:Gardens (Excerpt) (Ivan Trevino - Baylor University Percussion Ensemble) Gardens (2024) was commissioned by the Baylor Percussion Group in celebration of Todd Meehan's 20th year of teaching at Baylor University. The piece is scored for six percussionists who perform on piano, two vibraphones, one 5.0 octave marimba, and glockenspiel.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

(Kevin)Playlist: Brock Geiger - EvidenceMoat Bells - Forest PopsCeleigh Cardinal - Boundless PossibilitiesThanya Iyer - Wash it all awayJulianna Barwick & Mary Lattimore - Perpetual AdorationHermitess - A Harp & A HornPeace Flag Ensemble - Lover's SpatBuildings & Food - Clear SkiesHarbors (Hollie Kenniff & Goldmund) - Forest Rain LoopKieran Hebden + William Tyler - TimberTim Hecker - IcesynthRebecca Foon & Aliayta Foon-Dancoes - ReverieJeremy Young - Whirld, Pt. IIPedro Monkeyfinger - five waysT. Gowdy - Richmond RdShabason, Krgovich, Tenniscoats - Our DetourMasayoshi Fujita - New Family Love – End CreditNick Storring - Parque TinguiJakob Bro & Midori Takada - SparklesArid Landscapes - Blink ISteve Gunn - Pedvale SunriseMichael Scott Dawson - Changing ColoursLuke Schneider - For Dancing in Quiet Light (coda)Loscil - SparkGreg Block, featuring Astralis Quartet - Beach SongAbigail Lapell - Serpent a sonnetteKara-Lis Coverdale - Suspension of Swallowed EarthStefan Christoff - VIILaurie Torres - Golden t-shirtsMyriam Gendron - Dorothy's BluesGrotta Veterano - For the BirdsSarah Houston - Dancing Shadows

This week on Bad at Sports, Duncan MacKenzie and Ryan Peter Miller find themselves in Chicago with curator Bianca Bova and the indefatigable Kenny Schachter — artist, writer, teacher, collector, and provocateur. What begins as a conversation about Schachter's exhibition at Old Friends Gallery — featuring chicken-assisted artworks and bronze casts forged in Slovenia — quickly expands into a meditation on the art world itself. Schachter reflects on his collaborations, his obsession with foundries, and his refusal to keep resources secret. The group debates the zero-sum mentality of the art market, why artists sabotage themselves, and how absurd projects (sometimes with actual chickens) can be the most serious acts of art-making. Equal parts candid and comedic, the conversation cuts across auctions, art fairs, and the everyday realities of teaching. Expect reflections on generosity vs. gatekeeping, the fragility of the art system, and what it means to make art that is more conceptual than commercial. Highlights • Chickens as collaborators and muses. • The foundry in Slovenia that casts Rudolf Stingel's panels. • Why keeping fabricators secret is a sign of weakness. • Auctions as democratizing, even anarchic, art spaces. • The necessity of art in a divided and compassion-starved world. Names Dropped Kenny Scharf, https://kennyscharf.com/ Kenny Schachter, https://www.kennyschachter.art/ Bianca Bova, https://www.biancabovagallery.com/ Billy Connolly, https://en.wikipedia.org/wiki/Billy_Connolly Rudolf Stingel, https://gagosian.com/artists/rudolf-stingel/ Tobias Rehberger, https://pedrocera.com/artists/tobias-rehberger Paul Thek, https://whitney.org/exhibitions/paul-thek Giacometti, https://www.moma.org/artists/2141-alberto-giacometti Jerry Saltz, https://nymag.com/author/jerry-saltz/ Cy Twombly, https://cytwombly.org/ Jasper Johns, https://whitney.org/artists/653 Robert Rauschenberg, https://www.rauschenbergfoundation.org/ Joan Mitchell, https://www.joanmitchellfoundation.org/joan-mitchell Helen Frankenthaler, https://gagosian.com/artists/helen-frankenthaler/ Georgia O'Keeffe, https://www.okeeffemuseum.org/ Andy Warhol, https://www.warhol.org/ Joseph Beuys, https://walkerart.org/collections/artists/joseph-beuys Sigmar Polke, https://www.tate.org.uk/art/artists/sigmar-polke-2213 John Cage, https://www.johncage.org/ Devendra Banhart, https://devendrabanhart.com/ Brad Pitt, https://www.theartnewspaper.com/2022/09/19/brad-pitt-debuts-his-sculptures-in-finland Cindy Sherman, https://www.hauserwirth.com/hauser-wirth-exhibitions/cindy-sherman/ Robert Longo, https://www.robertlongo.com/ Julian Schnabel, https://www.julianschnabel.com/ Old Friends Gallery, https://www.oldfriendsgallery.com/

rWotD Episode 3057: Apartment House 1776 Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Tuesday, 16 September 2025, is Apartment House 1776.Apartment House 1776 is a 1976 composition by the American composer John Cage, composed for the United States Bicentennial and premiered by six orchestras across the country in 1976. The work was commissioned jointly by the orchestras of Boston, Chicago, Cleveland, Los Angeles, New York, and Philadelphia. In these performances, the work was performed together with Cage's 1975–76 orchestral work Renga.This recording reflects the Wikipedia text as of 01:06 UTC on Tuesday, 16 September 2025.For the full current version of the article, see Apartment House 1776 on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Salli.

Playlist: Cubicolor - Got This FeelingCephas Azariah - Faber SanctumHollie Kenniff - Soft Slowed - Helios RemixJohn Hayes - Human OneAdrian Walther, Chelsea McGough - RedemptionAina Myrstener Cello - Ater aterVincent Isler - As Good A Place as AnyFelix Rosch, mondena quartet - On an Evening, At the LakeHoward Shore - Lament for GandalfAntonio Ministeri - MuseSnorri Hallgrimsson - Row Softer HomePoppy Ackroyd - Unravel - Reimagined by Christina VantzouAkira Kosemura - StellarTim Hecker - Morning (Piano Version)Erland Cooper, Freya Goldmark - Asleep on the Wing - EditStars of the Lid - Piano AquieuJoshua Van Tassel - We See the Same MoonsArooj Aftab - Island No 1Grouper - Moon is SharpThe Album Leaf - Dance of SeasonsCity of Dawn - Sapphire HourKilometre Club, Tewksbury - Under Heavy Blankets

Alec and Nick return to podcasting to discuss their special respective connections to classical music. The conversation employs a back-to-basics overview of the form: what is classical music? What is NOT classical music? What was and is it? Taking a zoomed-out approach, the episode spans the culture, mechanics, operations, and evolution of classical music: arriving at an assessment of the “audacity of its form” in relationship to the dysfunction and cosmopolitanism of contemporary society. Johann Sebastian Bach, Igor Stravinsky, Richard Strauss, Maurice Ravel, Erik Satie, John Cage, Morton Feldman, Wolfgang Amadeus Mozart, and even … Béla Fleck & the Flecktones are all mentioned. 

For the latest edition of Reading Is Funktamental, we speak with Brooke Wentz, author of Transfigured New York, a fantastic book of interviews with leading figures in the experimental music scene in NYC from 1980-1990 including composers like Arthur Russell, Glenn Branca, John Cage, La Monte Young and leading jazz musicians like John Zorn, Vernon Reid and Jean-Paul Bourelly. Brooke also discusses her work as a music supervisor for film and TV and her emergence as a leading force in world music with her company, Seven Seas Music. For more, read my earlier piece on Brooke here https://nysmusic.com/2023/10/27/golde.... Spaghetti Eastern Music "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books, and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

(Kevin)Playlist: Scree - TV SometimesSQUANDERERS - Theme for SkantagioAiko Takahashi - Foam, glue and pencil on paperIdaho - ZaboSteve Gunn - Mossy StumpGrand River - Tuning the WindHyldýpi - OpnunToby Hay - To Look A Whale In The EyeS.G. Goodman - SolitaireKyle Church - To Live You Gotta DieRunnner - When Your Love Has GonePurelink, featuring Loraine James - RookieShabason, Krgovich, Tenniscoats - Lose My BreathLuke Schneider - A Map of Invisible TrailsOren Ambarchi / Johan Berthling / Andreas Werliin - SheshHeather Stebbins - CardinalTim Didymus & Foster Neville - LatentHainbach & Ensemble Recherche - So We Found SerenitySarah Houston - Whispers of Sunlight

Playlist: Swimming Paul - VHSGorgon City - Lovelessjigitz - tell you straightLost Kings - Insomniabbno$ - 1-8001tbsp - The City Never Felt So GoodTom Odell, BUNT - Best Day of my Lifenimino - Beside of MeWorakls - SalzburgSum Wave - Smoke N' StuffKenji Niinuma - Disco PrinceMajor Tweaks - The HillsJones Meadow - AlikeBen Jonovski - Piano ParkKiasmos - Sistersonil:lo - ListLycoriscoris - EchoAK - BittersweetTor - SunyataJon Hopkins - Ritual (palace)Lucid Keys - In MotionOsaki - EvergardenElle Limebear - here / presentNiklas Paschburg - HoltnevelJess Gillam Ensemble - NocturneOlafur Arnalds - OldurotJim Perkins - TributeCephas Azariah - Mellowness of the HeartNourey - Outer Reach

(Kevin)Playlist: Eva Lunny - CycleCharbel Haber, Nicolás Jaar and Sary Moussa - Part 2Michael Grigoni * Pan•American - Baritone BoderlandsSteve Gunn - SundayBrian Eno & Beatie Wolfe - Big Empty Country IIMountains - Map TableDrones Over Dufferin - Driving to Cap RockN Kramer & Magnus Bang Olsen - HarvestTides - But Not WeakToby Hay - In The Long GrassJoseph Decosimo - Puncheon CampsBenedicte Maurseth, featuring Håkon Stene – melodic percussion, 12-string guitar, and percussion; Mats Eilertsen – double bass, electric bass, and electronics; Morten Qvenild – keyboards and electronic processing - Simleflokk under månenArid Landscapes - SummerhillGlåsbird - 1975Aiko Takahashi - Vases À IrisAlmost An Island, featuring David Cuetter - pedal steel - What Got Us To Our FeetOwsey - I Let Go Of EverythingRindert Lammers - Summer in ShibuyaMemotone - Time Is Away ThemeCassandra Jenkins - Only Relaxationleon todd johnson - sei (instrumental)

Playlist: Kieran Hebden & William Tyler - If I Had a BoardTourist - BlinkCephas Azariah - Mellowness of the Heart - Julia Gjertsen RemixFelix Laband - Getting OldGrandbrothers - ShorelinesFederico Albanese - First PoemSnorri Hallgrimsson - Row Softer HomeMax Richter - Patterns / Solo - Pt. 2 / FadedKoss - Endless FlightRemy Van Kesteren - Close in on DreamsNonkeen - Re:turn!Trio Ramberget - OrihimeKajsa Lindgren - How it Sounded in My HeadLoscil - SparkSky H1 - LabyrinthAnita Tatlow - Evening TidesTokyo Ambient Collective - ocean wavesJoy Moughanni - For a Moment, We Stopped to ListenGollden - there will be birds in september

durée : 02:22:53 - Les Nuits de France Culture - par : Christine Goémé - Par Michel Bernard - Avec Pierre Lartigue - Lectures de textes de John Cage, Eric Satie et Georges Perec - réalisation : Virginie Mourthé

The 683rd of a series of weekly radio programmes created by :zoviet*france: First broadcast 9 August 2025 by CJMP 90.1 FM Thanks to the artists included here for their fine work. track list … :zoviet*france: - A Duck in a Tree Link 683a 00 :zoviet*france: - Intro 01 John Cage - Interview with John Cage [extract] 02 Ivan Black - At Peace 03 Carya Amara - Aged Europe 04 Benn DeMole - A Tunnel in Outback Japan 05 Sevenism - A Crablike 06 RNL - Anxiety Engine 07 Michael Begg - Tangier Market July '25 08 Jez Riley French - Hydrophone Tests – Lake from Jetty 09 400 Lonely Things - Prolonged Deep Immersion / [untitled hidden track] ['Subdivisions' tracks 13 and 14 merged] 10 Sun Yizhou / Tom Soloveitzik - A1. P+S+S 11 Yann Novak - Zones of Privacy ++:zoviet*france: - Outro … :zoviet*france: - A Duck in a Tree Link 683b

(Kevin)Playlist: Andy Moor & Yannis Kyriakides - HaremiHouse on the Strand - Fata MorganaCharbel Haber, Nicolás Jaar and Sary Moussa - Part 4Adam Wiltzie - Dim HopesLÜÜP - Spiraling (remix by Field Rotation)Almost An Island - An Ode To NothingDavid Sylvian - A Fire in the Forestk.burwash - Holding AirYui Onodera - 木霊 弐 / Kodama 2Erlend Apneseth, featuring Mats Eilertsen, Hans Hulbækmo, Veslemøy Narvesen, Selma French Bolstad, Helga Myhr, Rasmus Kjorstad, Henriette Eilertsen, Anja Lauvdal, Rolf-Erik Nystrøm, and Frode Haltli - TrøJonny Nash & Suzanne Kraft - A Heart So WhiteSIMONEL - Synthesis of Warm MemoriesHarbors (Hollie Kenniff & Goldmund) - IndigoLogic Moon - Night DriftersMadeleine Cocolas - Theory of DivinationMemotone, featuring Eva May - In DreamsRindert Lammers, featuring Martronimous (trumpet), Stijn Gruisen (guitar) - Sleep Well Hiroshi YoshimuraSally Anne Morgan - Dog's DreamCameron Knowler - FelicityIsasa - ZoeDylan Golden Aycock - No Spring ChickenToby Hay - TimbuktuHayden Pedigo - All the Way AcrossMichael Grigoni * Pan•American - Sun Morning Sun

Playlist: Ethan Levy and Alex Stevens - Great Wavearthur russell - This is How We Walk on the MoonGeorge Crotty Trio - Cigarettes at SunriseAnnahstasia - VillainRebecca Foon & Aliayta Foon-Dancoes - IncandescenceElsa Hewitt - CitrinitasSmall Fools - Crying in My SubaruBrian Eno & Beatie Wolfe - Big Empty Country - IJeremy Dutcher - SkicinuqihkukSkullcap - Pine Trees of TenneesseePostnamers - The Womb of AbrahamPeppermoth - My Lasting BreathLMNL - Rainbow (excerpt)Cuneiform Tabs - So LightDavid Zucchi - MandiMoat Bells - Days in SeaLaurie Anderson - Fly Into the SunDálava - Phase TransitionRabbitology, Sparkbird - Preybirds - The Watched VersionMatt McBane - BuoyNew Chance - Oh MercuryYlang Ylang - My WeaknessesM83 - Artificial Infinity

This episode dives into John Cage's revolutionary composition4'33", exploring the meaning of silence in art, the role ofaudience interaction, and the boundaries of what we considermusic. Through discussion, analysis, and reflection, weconnect Cage's ideas to broader themes in conceptual art.Music Credit (Title & Artist — or write “Original by [YourName]”) Coffe break – Filmora sounds Fun time – Filmora sounds

What happens when silence becomes the most powerful sound in music? In this episode, we explore the life and legacy of visionary composer John Cage. Through his groundbreaking ideas, we'll discover how he reshaped what is considered today's art and music. From his infamous piece 4'33” to his thought‑provoking views on ethical values in music, Cage challenged perceptions and expanded the boundaries of creativity. Join us as we uncover the depth of his influence and understand why his work continues to inspire and provoke discussion today.

We dive into John Cage and his most popular work including 4'33" and we explore music as an art form.Music Credit - Lofi Girl – Dimitri

n this episode, we will explore John Cage and unique yetsomewhat controversial methods revolving art and music. Tune in as we delve into his life and infamous work, 4'33.

In this episode we're going to discuss John Cage and his silent song. Can 4'33” really be considered music or is it an experiment? Find out more as we discuss thisintriguing case.

What if the most radical piece of music ever written... had no sound at all? In this episode, wedive into John Cage's groundbreaking composition 4'33'', a piece defined not by notes, but byintentional silence. We unpack its radical challenge to traditional music, its philosophical roots inZen and chance operations, and its enduring impact on contemporary art and sound culture.Whether you're a seasoned artist or a curious listener, this episode invites you to rethink what it means to truly listen.Media Consent and Release Form Music Creditwash my sins away by berliozPodcast Script:[Soft, contemplative intro music fades in and under]JO (Host):

In this podcast, we'll explore the life of John Cage and how he revolutionized and challenged modern ideas about what it means to be an artist or a musician. With the debut of his groundbreaking piece 4'33”, Cage sparked a new way of thinking—where musicians and their presence could be seen not just as creators of sound, but as works of art themselves. This raises a provocative question: is a performance defined by its composition, or can it be considered art even in silence?

In this episode of "Exploring Art," we will take a deep dive into the creative mind of John Cage and dissect his work "4'33", it's importance, and it's impact.

This episode will be focused on John Cage and his most influential piece 4'33. We willdiscuss what caused him to create 4'33, how it was received and what impact it had on society.

This podcast episode consists on John Cage's life, the process on the creation of the 4'33” composition, and how it has affected the music and art industry through generations.Music credit : 1 Hour of trap beats for work and focus | Enhance Concentration and Productivity by IceDavid Beats on youtube

This podcast is present by Florida International students on the John Cage 4'33" a silent piece where surrounding sounds become the music, making listeners rethink whatmusic is.Music Credit (if used): Kiss of life by Sade

In this episode, we discuss the infamous 4'33" by John Cage, what it set out to accomplish as a piece and what it meant for music as a whole.

This episode goes into detail talking about John Cage and his piece "4'33", we talk about his contributions and his legacy after this piece of art.

This episode delves into the unconventionalorigins of John Cage's 4'33", examining the historical,cultural, and personal forces that shaped this silent yet profound composition.We dissect how Cage's immersion in Zen Buddhism, exposure to modern art and experimental sound, and rejectionof conventional Western musical norms gave rise to a work that redefines music.Through this lens, 4'33" stands not as absence, but as abold form of presence.

In this brand new episode of Art's V.I.P'swe will be exploring John Cage's impact on the music world. Cage changed the perception of the definition of music, embracing chance, silence and sounds of everyday life! Stay tuned to find out more on today's episode.Music Credits:Intro/ Outro song: Unstoppable Evening by FinetuneBackground song: Take it Easy by Yummy

n this episode of Nothing to Hear, Everything toSay, we dive into the life and legacy of avant-garde composer John Cage and his most provocative work: 4′33′′. Is it silence? Is it music? Is it art? Join us as we explore Cage's radical redefinition of sound, his deep ties to Zen Buddhism, and his profound influence on multimedia art, experimental music, and performance. With perspectives on environmental sound, chanceoperations, and the cultural context of the Cold War, this conversation tunes into the invisible—what we hear when we're told to listen to “nothing.”Featuring researched discussion, thoughtful debate, and moments of intentional quiet.

What if the quiet isn't really quiet? Rania,Carolina, and Saanvi, hosts of theExploring Art Podcast, delve into theunconventional ideas of composer JohnCage, whose work questioned the verymeaning of music, in thisthought-provoking episode. This episodeexplores Cage's transformation ofcommon sounds (and even silence) intoart, from the startling premiere of 4'33" tohis Zen-inspired theories andground-breaking inventions like theprepared piano.Listen to learn how a bit of silence had aprofound impact on music, how beautymay be created by chance, and howCage's legacy encourages us to listenwith all of our ears.Media Consent and Release Form Status(Yes or list pending names)Yes

 In this episode, we dig into what John Cage might have intended with his silent composition 4'33". How does he challenge what it means for something to be music? What were his influences? Lend your ear to a thought provoking Study in Silence.

In today's thought-provoking episode, we delve into one of John Cage's most iconic compositions, 4'33”. Is it art? Is it music? Join our panel as we explore the historical, philosophical, and ethical perspectives of this groundbreaking 'silent' piece and unravel the questions surrounding its performance and meaning. Tune in as we dissect the very definition of art and sound.

What if there was music in silence? In this episode,we look at John Cage's divisive piece 4'33" and thebold idea that music exists everywhere, even insilence. When there is no sound to play, is theperformer still necessary? Listen as we examineCage's beliefs, the impact of Zen, and the enduringsignificance of one of the most contentious pieces ofcontemporary music. Come along as we explore thelimits of art, performance, and philosophy.

What can you hear in silence? In this exploration of sound, host of the podcast "Twenty Thousand Hertz" Dallas Taylor tells the story of arguably the most debated musical composition in recent history -- composer John Cage's iconic piece 4'33" -- and invites you to take notice of the soundscape around you. Watch to the end to experience a performance of 4'33".This episode originally aired on August 12, 2020.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch.Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDSports: ted.com/sportsTEDAI Vienna: ted.com/ai-vienna Hosted on Acast. See acast.com/privacy for more information.

durée : 01:01:08 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Aurélie Charon - Avec Ben, nom d'artiste de Benjamin Vautier (artiste, membre du mouvement Fluxus), Zabou Breitman (comédienne), Lyn Thibault et deux membres du collectif de théâtre IRMAR (Institut de Recherche Menant à Rien) : Olivier Veillon et Victor Lenoble - Lectures de textes de Ben par Zabou Breitman - Avec en archives, la voix de John Cage, Marcel Duchamp et du philosophe Alain - Réalisation Delphine Lemer - réalisation : Massimo Bellini, Vincent Abouchar

Ed Colver discusses his iconic punk rock photography career, including shooting legendary album covers like Black Flag's "Damaged" and Circle Jerks' "Group Sex," as well as his passion for collecting strange "crackpot records".  Topics Include: Ed Colver known for punk photography, also collects strange records Calls his collection "crackpot records" - religious, political, spoken word Started buying records at 14 in 1964, Pretty Things album Always liked heavy underground psychedelic music growing up Collected antiques, spent time at flea markets and thrift stores Would hide good records behind Sean Cassidy albums Put Herb Alpert records in front to fool other collectors Music and art were everything to him growing up Exposed to avant-garde classical in 1967 by art teacher Learned Stockhausen, John Cage, Edgar Varèse, Toru Takamitsu Called electronic music "your grandfather's punk rock" George Antheil's Ballet Mechanique caused riots in 1923 Hated high school, dropped out at 18 for junior college Studied all kinds of applied art classes and woodworking Made skateboard in 1963, year Kennedy was shot Beatles on Ed Sullivan made no impact on him Preferred Pretty Things over Beatles and Rolling Stones Never tried playing instruments, glad didn't buy drum kit Started photography in late 1978 at punk shows Took friend Robert Hill to shows, now works national security Couldn't afford much film, had to be selective Used manual focus with small flash, paid attention constantly Shot rhythm-timed photos, watched for dramatic moments Lost lens in right eye 30 years ago Famous Chuck Berk stage dive photo taken July 1981 Met Chuck next night, never saw him again since Chuck gets paid when photo is licensed commercially Levi's and Vans perfect product placement in photo Circle Jerks "Group Sex" cover shot at Marina skate park Was there specifically to shoot album cover, not spontaneous Used color film, took more than one roll High contrast printing saved the mediocre color photo Black Flag "Damaged" cover concept was Ed's idea Shot near La Bianca murder house location coincidentally Made fake blood from ink, coffee, and dish soap Red-eyed Henry photos were rejected as "too demented" Original red-eye photos lost for 35 years Channel 3 Pure Life photo originally for Damaged insert Typeset layout ruined the backward gun photograph's power How to Overcome Discouragement record from early 1970s Played it as soundtrack at art walk event Has broken glass on cover, similar to Damaged Wild in Streets cover shot during San Francisco parade Circle Jerks crashed parade, Ed ran ahead shooting Parade doesn't show in final photo, just street Shot Darby Crash mohawk photo backstage at Starwood Darby died about two months after that photo Ice Cube portrait shot in one minute, ten frames Used medium format camera with professional lighting setup Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8