Podcast appearances and mentions of John Cage

Playlist: Ethan Levy and Alex Stevens - Great Wavearthur russell - This is How We Walk on the MoonGeorge Crotty Trio - Cigarettes at SunriseAnnahstasia - VillainRebecca Foon & Aliayta Foon-Dancoes - IncandescenceElsa Hewitt - CitrinitasSmall Fools - Crying in My SubaruBrian Eno & Beatie Wolfe - Big Empty Country - IJeremy Dutcher - SkicinuqihkukSkullcap - Pine Trees of TenneesseePostnamers - The Womb of AbrahamPeppermoth - My Lasting BreathLMNL - Rainbow (excerpt)Cuneiform Tabs - So LightDavid Zucchi - MandiMoat Bells - Days in SeaLaurie Anderson - Fly Into the SunDálava - Phase TransitionRabbitology, Sparkbird - Preybirds - The Watched VersionMatt McBane - BuoyNew Chance - Oh MercuryYlang Ylang - My WeaknessesM83 - Artificial Infinity

This episode dives into John Cage's revolutionary composition4'33", exploring the meaning of silence in art, the role ofaudience interaction, and the boundaries of what we considermusic. Through discussion, analysis, and reflection, weconnect Cage's ideas to broader themes in conceptual art.Music Credit (Title & Artist — or write “Original by [YourName]”) Coffe break – Filmora sounds Fun time – Filmora sounds

What happens when silence becomes the most powerful sound in music? In this episode, we explore the life and legacy of visionary composer John Cage. Through his groundbreaking ideas, we'll discover how he reshaped what is considered today's art and music. From his infamous piece 4'33” to his thought‑provoking views on ethical values in music, Cage challenged perceptions and expanded the boundaries of creativity. Join us as we uncover the depth of his influence and understand why his work continues to inspire and provoke discussion today.

We dive into John Cage and his most popular work including 4'33" and we explore music as an art form.Music Credit - Lofi Girl – Dimitri

Er starb vereinsamt und verarmt in einem Krankenhaus in Buffalo und hinterliess ein vielgestaltiges Werk. Die Black Lives Matter-Bewegung entdeckte Eastman für sich. Inzwischen ist seine ungezähmte Musik im Konzertsaal angekommen. Julius Eastman wollte nicht mehr als sich selbst sein. «In vollen Zügen schwarz, in vollen Zügen Musiker, in vollen Zügen Homosexueller». Damit platzte er in die Blase der weissen Avantgarde New Yorks und brach mit seinen sexuell aufgeladenen Performances als Sänger, Tänzer und Komponist Tabus. Exemplarisch dafür ist der Bruch mit John Cage auf dem Campus in Buffalo. Zwischen den Stücken aus Cages «Song Book» improvisierte Eastman 1975 eine Satire über ein «neues System der Liebe», während er das «Beste aus beiden Welten» (die schwarze «Miss Suzyanna» aus Haiti und den «blonden Charles» aus Buffalo) hiess, sich auf der Bühne zu entkleiden. Am Ende war nur Charles nackt und Eastman liess die Hose herunter. Die Performance über umgekehrten Rassismus und homosexuelle Hemmungslosigkeit provozierte. Cage, der Homosexualität als Privatsache betrachtete, soll auf die Bühne gestürmt sein und Eastman zur Rede gestellt haben. Anderntags beschwerte er sich beim Institutsleiter. Eastmans Musik trägt Titel wie «Gay Guerilla» und «Evil Nigger» und repräsentiert ein Selbstverständnis, das schon zu Lebzeiten Widerstand innerhalb der Community provozierte. Die afroamerikanische Studentenorganisation der Northwestern University in Evanston (Illinois) etwa setzte 1980 die Streichung des N. Worts auf dem Programmzettel durch, worauf Eastman vor dem Konzert eine Gegenrede hielt. «Die USA hätte ohne die Feld-Niggers niemals die ökonomische Kraft aufbauen können, über die sie heute verfügt.» Das beleidigende Wort verwende er, um die Rolle der Afroamerikaner in der amerikanischen Geschichte zu ehren. Die Pianistin Simone Keller gehört zu den ersten, die sich im Bund mit dem Kukuruz Quartet Eastmans Klaviermusik gewidmet hat. 2018 hat das Quartett eine Referenzaufnahme vorgelegt. Ihr folgt 2024 eine Solo-CD, die Simone Keller vergessener Musik etwa von Olga Diener, Julia Amanda Perry und Julius Eastman widmet. Er schrieb nicht nur wütende Minimalmusic, er rang sich auch intellektuell fundierte Stücke wie etwa «Piano 2» ab. Simone Keller blickt im Gespräch mit Corinne Holtz auf den Werdegang des Aussenseiters, an dem die Sakralisierung zum Klassiker zu beobachten ist. Ausserdem spricht die Pianistin über die Herausforderung, als weisse Frau Eastmans Musik und der kontrovers diskutierten Intersektionalität gerecht zu werden.

n this episode, we will explore John Cage and unique yetsomewhat controversial methods revolving art and music. Tune in as we delve into his life and infamous work, 4'33.

(Kevin)Playlist: Brueder Selke & Midori Hirano - Scale FFuubutsushi - Shepherd's Stroll (live)Hayden Pedigo - HermesTakuro Okada - The Near End, The Dark Night, The County LineJonny Nash - Walk The Eighth PathLárus Sigurðsson - GraziosoEli Winter, featuring Sam Wagster: pedal steel guitar, Tyler Damon: drums, Andrew Scott Young: upright bass, Gerrit Hatcher: tenor saxophone, Eli Schmitt: harmonium - For a Fallen RocketJames Elkington - Nonpareils in a BottleDaniel Herskedal, featuring Eyolf Dale: Piano/Keys, Helge Norbakken: Drums - Who Are You?Julia Gjertsen & Gustav Davidsson - Into The NightØystein Skar - StokLaurie Torres, featuring Charles St-Amour: Electric Bass/Field recordings/Synthesizer/Effects/Loops/Vocals, Tim Crabtree: Clarinet/Synthesizer/Percussion/Vocals, Émilie Proulx: Bass - CorrespondancesMichele Andreotti - Luoghi DruidiciOzbolt - Humility PointRaúl Cantizano & David Cordero - Resonancia angularDaigo Hanada & Yoko Komatsu - Where Clouds Are BornSofie Birch & Antonina Nowacka - Collecting eyesKid Smpl - Forever Lightmarine eyes - cloud collectingAlaskan Tapes, featuring Moshimoss - When The Earth Yelled Back At MeNate Mercereau, Josh Johnson, Carlos Niño - Hawk DreamsCole Pulice - In a Hidden Nook Between Worlds IIRebecca Foon & Aliayta Foon-Dancoes - Drifters And DreamersJuha Mäki-Patola - HideYasmin Williams, featuring Kaki King: Acoustic Guitar, Darian Donovan Thomas: Violin - HarvestKris Ellestad - Will the Night

What if the most radical piece of music ever written... had no sound at all? In this episode, wedive into John Cage's groundbreaking composition 4'33'', a piece defined not by notes, but byintentional silence. We unpack its radical challenge to traditional music, its philosophical roots inZen and chance operations, and its enduring impact on contemporary art and sound culture.Whether you're a seasoned artist or a curious listener, this episode invites you to rethink what it means to truly listen.Media Consent and Release Form Music Creditwash my sins away by berliozPodcast Script:[Soft, contemplative intro music fades in and under]JO (Host):

In this podcast, we'll explore the life of John Cage and how he revolutionized and challenged modern ideas about what it means to be an artist or a musician. With the debut of his groundbreaking piece 4'33”, Cage sparked a new way of thinking—where musicians and their presence could be seen not just as creators of sound, but as works of art themselves. This raises a provocative question: is a performance defined by its composition, or can it be considered art even in silence?

In this episode of "Exploring Art," we will take a deep dive into the creative mind of John Cage and dissect his work "4'33", it's importance, and it's impact.

In this episode we're going to discuss John Cage and his silent song. Can 4'33” really be considered music or is it an experiment? Find out more as we discuss thisintriguing case.

In this brand new episode of Art's V.I.P'swe will be exploring John Cage's impact on the music world. Cage changed the perception of the definition of music, embracing chance, silence and sounds of everyday life! Stay tuned to find out more on today's episode.Music Credits:Intro/ Outro song: Unstoppable Evening by FinetuneBackground song: Take it Easy by Yummy

In this episode, we discuss the infamous 4'33" by John Cage, what it set out to accomplish as a piece and what it meant for music as a whole.

This episode delves into the unconventionalorigins of John Cage's 4'33", examining the historical,cultural, and personal forces that shaped this silent yet profound composition.We dissect how Cage's immersion in Zen Buddhism, exposure to modern art and experimental sound, and rejectionof conventional Western musical norms gave rise to a work that redefines music.Through this lens, 4'33" stands not as absence, but as abold form of presence.

This episode goes into detail talking about John Cage and his piece "4'33", we talk about his contributions and his legacy after this piece of art.

This episode will be focused on John Cage and his most influential piece 4'33. We willdiscuss what caused him to create 4'33, how it was received and what impact it had on society.

This podcast is present by Florida International students on the John Cage 4'33" a silent piece where surrounding sounds become the music, making listeners rethink whatmusic is.Music Credit (if used): Kiss of life by Sade

This podcast episode consists on John Cage's life, the process on the creation of the 4'33” composition, and how it has affected the music and art industry through generations.Music credit : 1 Hour of trap beats for work and focus | Enhance Concentration and Productivity by IceDavid Beats on youtube

What if the quiet isn't really quiet? Rania,Carolina, and Saanvi, hosts of theExploring Art Podcast, delve into theunconventional ideas of composer JohnCage, whose work questioned the verymeaning of music, in thisthought-provoking episode. This episodeexplores Cage's transformation ofcommon sounds (and even silence) intoart, from the startling premiere of 4'33" tohis Zen-inspired theories andground-breaking inventions like theprepared piano.Listen to learn how a bit of silence had aprofound impact on music, how beautymay be created by chance, and howCage's legacy encourages us to listenwith all of our ears.Media Consent and Release Form Status(Yes or list pending names)Yes

 In this episode, we dig into what John Cage might have intended with his silent composition 4'33". How does he challenge what it means for something to be music? What were his influences? Lend your ear to a thought provoking Study in Silence.

In today's thought-provoking episode, we delve into one of John Cage's most iconic compositions, 4'33”. Is it art? Is it music? Join our panel as we explore the historical, philosophical, and ethical perspectives of this groundbreaking 'silent' piece and unravel the questions surrounding its performance and meaning. Tune in as we dissect the very definition of art and sound.

What if there was music in silence? In this episode,we look at John Cage's divisive piece 4'33" and thebold idea that music exists everywhere, even insilence. When there is no sound to play, is theperformer still necessary? Listen as we examineCage's beliefs, the impact of Zen, and the enduringsignificance of one of the most contentious pieces ofcontemporary music. Come along as we explore thelimits of art, performance, and philosophy.

n this episode of Nothing to Hear, Everything toSay, we dive into the life and legacy of avant-garde composer John Cage and his most provocative work: 4′33′′. Is it silence? Is it music? Is it art? Join us as we explore Cage's radical redefinition of sound, his deep ties to Zen Buddhism, and his profound influence on multimedia art, experimental music, and performance. With perspectives on environmental sound, chanceoperations, and the cultural context of the Cold War, this conversation tunes into the invisible—what we hear when we're told to listen to “nothing.”Featuring researched discussion, thoughtful debate, and moments of intentional quiet.

What can you hear in silence? In this exploration of sound, host of the podcast "Twenty Thousand Hertz" Dallas Taylor tells the story of arguably the most debated musical composition in recent history -- composer John Cage's iconic piece 4'33" -- and invites you to take notice of the soundscape around you. Watch to the end to experience a performance of 4'33".This episode originally aired on August 12, 2020.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch.Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDSports: ted.com/sportsTEDAI Vienna: ted.com/ai-vienna Hosted on Acast. See acast.com/privacy for more information.

Playlist: Jameson Nathan Jones - GroundedIDRA - Ritual IIArnold Kasar - A Million Miles from SilenceGlowworm - Sacred TreeJohann Johannsson - Flight from the City - Vikingur Olafsson ReworkDaigo Hanada - Sakura SakuraGabriel Olafs - Loa - Bing & Ruth ReworkClem Leek - MistOlivia Belli, John Metcalfe - Alma VenusOrchid Mantis - flower blooms foreverPieter de Graaf - Deep BlueLavinia Meijer, Nadia Sirota - The OrchardTom Ashbrook - Only We KnowLaura Escude - ChrysalisCaroline Shaw, Tenebrae - And the SwallowHollie Kenniff, Goldmund - IndigoLandon Waldwell - Flower Heads in the AfternoonGood Weather for an Airstrike - Midnight TrainLucette Bourdin - Russian SnowMoby - Chord SoundsGeotic - Into Some Spirit WorldLycoriscoris - SaiSeiKrystal V - Limitless Light

durée : 01:01:08 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Aurélie Charon - Avec Ben, nom d'artiste de Benjamin Vautier (artiste, membre du mouvement Fluxus), Zabou Breitman (comédienne), Lyn Thibault et deux membres du collectif de théâtre IRMAR (Institut de Recherche Menant à Rien) : Olivier Veillon et Victor Lenoble - Lectures de textes de Ben par Zabou Breitman - Avec en archives, la voix de John Cage, Marcel Duchamp et du philosophe Alain - Réalisation Delphine Lemer - réalisation : Massimo Bellini, Vincent Abouchar

(Kevin)Playlist: Hermitess - A Fools ErrantQuinie - Craigie HillMilkweed - The Milk-Fed CalfBrìghde Chaimbeul - A' ChailleachUltan O'Brien, featuring Nic Gareiss - Secret House in Fintra BegKara-Lis Coverdale - The Placid IllusionAries Mond - Edge AnglesÓlafur Arnalds & Talos, featuring Sandrayati - BedrockRival Consoles - Soft Gradient BeckonsThe Bird's Companion - The Memory MachineHammock, featuring Violin - Ellen Story, Cello - Aimee Norris - Requiem for JohanBenoît Pioulard - Ersatz Immortality (Clarice Jensen version)Jonny Nash, featuring Cello - Tomo Katsurada - Holy MomentN Kramer & Magnus Bang Olsen - Agrarian DawnLaurel Premo - Torbjørn Bjellands BruremarsjMichael Scott Dawson - The Nine of Cups ReversedFuubutsushi - Bolted Orange (live)Gregory Uhlmann, Josh Johnson, Sam Wilkes - UnsureJeremiah Chiu & Marta Sofia Honer, featuring Jeff Parker - Side by SideNathan Salsburg - Part ISally Anne Morgan - I Saw a HeronKing Creosote - Homeboy

durée : 00:54:17 - Blockbusters - par : Frédérick Sigrist - C'est en 1998 que le grand public de la chaîne M6 découvre Ally Mac Beal, une jeune avocate à l'imagination débridée interprétée par Calista Flockhart. À ses cotés, une galerie de personnages tous plus décalés les uns que les autres, Elaine Vassal, John Cage ou encore la charismatique Ling Woo. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Playlist: Lyra Pramuk - EndingSnorri Hallgrimsson - And There Was NowhereSimon Leoza - L'absurdeRhian Sheehan, Arli Liberman - ImmaruGlowworm - AgapeAlice Coltrane, Ashley Jackson, The Harlem Chamber Orchestra - Radhe-ShyamSarah Pagé - Relucesco ITobias Svensson - We Are Nothing Next to the SeaJohn Hayes - UntitledFreya Lily - Convultionsyanaco, Josefina Tai - NagiNorvik - NepenthePan-American, Kramer - The Double Life of a SeahorseAkira Kosemura, Hollie Kenniff - Under the Starry SkyMark Barrott - In The Stillness of Time and SpaceKris Bowers - AfterlightBlurstem - Memories of AutumnTatsuro Murakami - Music for ShuroMarshall Usinger - Recalling a MemoryLuncat Visi - Mending BorneKyle Preston - A Slow Collapse in BluePaul Smith, VOCES8 - KyrieTenebrae - Gentian BloomTenebrae - Galactic LullabyKilometre Club - Sketch #5

durée : 00:54:17 - Blockbusters - par : Frédérick Sigrist - C'est en 1998 que le grand public de la chaîne M6 découvre Ally Mac Beal, une jeune avocate à l'imagination débridée interprétée par Calista Flockhart. À ses cotés, une galerie de personnages tous plus décalés les uns que les autres, Elaine Vassal, John Cage ou encore la charismatique Ling Woo. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 02:19:34 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Le train, un moyen de transport incontournable mais aussi un espace de création musicale étonnant... En 1978, le compositeur John Cage nous invite à monter à bord de sa création "Il Treno". Une expérience musicale insolite et spontanée sur les chemins de fer italiens. Bon voyage ! - réalisation : Massimo Bellini - invités : John Cage Compositeur américain (Los Angeles 1912 - New-York 1992)

Eine männliche Sphinx? Ein Schnorrer und Alkoholiker? Erik Satie (1866–1925) hat viele Gesichter. Oliver Vogel vermisst den Avantgardisten neu. Gymnopédie Nr.1 (1888) ist zur Tapetenmusik verkommen. Das berühmteste Stück Saties wurde dutzendfach gecovert, findet sich auf Volume 3 von «KuschelKlassik» und spielt auch im Autorenkino des 21. Jahrhunderts noch immer eine Rolle. Allerdings blieb Satie nicht im Wohlklang stecken. Er schreckte mit einem Stücktitel wie «Embryons Desséchés» und schrieb «Véritables Préludes Flasques (pour un chien)». Dabei habe er sich einzig den sanften Freuden der Phantasie hingegeben, heisst es in seinem Werkkommentar. «Wer mich nicht versteht, wird inständig gebeten, vollkommenes Stillschweigen zu bewahren und eine Haltung gänzlicher Unterwürfigkeit und Unterlegenheit einzunehmen.» Satie fährt kompositorisch Achterbahn und entzieht sich der Einordnung in den Kanon der so genannt klassischen Musik. In «Vexations» (1892–1895), gründend auf einer Bassmelodie aus 11 Tönen, kratzt er an der Grenze der Tonalität. Mit «La Diva de L'Empire» (1906) bedient der das Publikum in der Music Hall, «Parade»(1917) im Schlepptau von Jean Cocteau und Pablo Picasso macht ihn international bekannt, in «Socrate» (1918) bekennt er sich zur ernsten Musik. John Cage betrieb ab 1945 die Wiederentdeckung von Saties Musik. Ornella Volta prägte über Jahrzehnte die Satie-Forschung in Frankreich, während Grete Wehmeyer 1974 das erste deutschsprachige Standardwerk veröffentlichte. Jetzt zieht Oliver Vogel nach, Musikwissenschaftler in Berlin. Seine Monografie «Erik Satie. Der skeptische Klassiker» ist bei Bärenreiter/Metzler erschienen und setzt neue Akzente. Oliver Vogel stellt sich im Gespräch mit Corinne Holtz dem Bollwerk von Witz. Er ergründet das Mysterium Satie, ohne ihm zu verfallen.

Ed Colver discusses his iconic punk rock photography career, including shooting legendary album covers like Black Flag's "Damaged" and Circle Jerks' "Group Sex," as well as his passion for collecting strange "crackpot records".  Topics Include: Ed Colver known for punk photography, also collects strange records Calls his collection "crackpot records" - religious, political, spoken word Started buying records at 14 in 1964, Pretty Things album Always liked heavy underground psychedelic music growing up Collected antiques, spent time at flea markets and thrift stores Would hide good records behind Sean Cassidy albums Put Herb Alpert records in front to fool other collectors Music and art were everything to him growing up Exposed to avant-garde classical in 1967 by art teacher Learned Stockhausen, John Cage, Edgar Varèse, Toru Takamitsu Called electronic music "your grandfather's punk rock" George Antheil's Ballet Mechanique caused riots in 1923 Hated high school, dropped out at 18 for junior college Studied all kinds of applied art classes and woodworking Made skateboard in 1963, year Kennedy was shot Beatles on Ed Sullivan made no impact on him Preferred Pretty Things over Beatles and Rolling Stones Never tried playing instruments, glad didn't buy drum kit Started photography in late 1978 at punk shows Took friend Robert Hill to shows, now works national security Couldn't afford much film, had to be selective Used manual focus with small flash, paid attention constantly Shot rhythm-timed photos, watched for dramatic moments Lost lens in right eye 30 years ago Famous Chuck Berk stage dive photo taken July 1981 Met Chuck next night, never saw him again since Chuck gets paid when photo is licensed commercially Levi's and Vans perfect product placement in photo Circle Jerks "Group Sex" cover shot at Marina skate park Was there specifically to shoot album cover, not spontaneous Used color film, took more than one roll High contrast printing saved the mediocre color photo Black Flag "Damaged" cover concept was Ed's idea Shot near La Bianca murder house location coincidentally Made fake blood from ink, coffee, and dish soap Red-eyed Henry photos were rejected as "too demented" Original red-eye photos lost for 35 years Channel 3 Pure Life photo originally for Damaged insert Typeset layout ruined the backward gun photograph's power How to Overcome Discouragement record from early 1970s Played it as soundtrack at art walk event Has broken glass on cover, similar to Damaged Wild in Streets cover shot during San Francisco parade Circle Jerks crashed parade, Ed ran ahead shooting Parade doesn't show in final photo, just street Shot Darby Crash mohawk photo backstage at Starwood Darby died about two months after that photo Ice Cube portrait shot in one minute, ten frames Used medium format camera with professional lighting setup Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

(Kevin)Playlist: Bing & Ruth - RailsNils Frahm - CantonØystein Skar - BlugDag Rosenqvist - LinnebråtenVega Trails - ClarifantasiaMarconi Union - Silence Is GlidingMasayoshi Fujita - Bathroom – Night DriveWill Samson - LoshultZimoun - Harmonium IIanthéne - untitled 6Lhasa de Sela - My NameHerbert & Momoko - AnimalsMariam The Believer - A HeartAroof Aftab - Aey NehinMiguel Atwood-Ferguson - Wave ReflectionHollie Kenniff, featuring Christopher Willits - Linger in Moments [Rework]Kid Smpl - A Chart of Every StarJolanda Moletta and Karen Vogt - Time and tideLucy Gooch - Desert WindowJuha Mäki-Patola - The WindDOVS - Ancient RiversNico Georis - Relation Ships

(Kevin)Playlist: Brigid Mae Power - Is It My Low Or Yours?Ultan O'Brien, featuring Edwina Guckian - Death Doula MeetBIG|BRAVE - innominate Nº viiiT. Gowdy - Blest Age!SANAM - Mouathibatti (My Torturer) معذبتيMayssa Jallad - KharitaGanavya - LandLoscil - SilosHeinali & Andriana-Yaroslava Saienko - O Ignis SpiritusLucy Gooch - Jack HareSally Anne Morgan, featuring Sean Dunlap - Night MintHxH - Erta AleIan MacPhee - ZonesBlack Decelerant - FourKara-Lis Coverdale, featuring Kalia Vandever - The Ceremonial Entrance of ColourCarlos Niño & Miguel Atwood-Ferguson - Part IIRebecca Foon & Aliayta Foon-Dancoes - Midnight ShadowAiko Takahashi - La Ligne VerteCole Pulice - In This & Every LifeTim Didymus & Foster Neville - HooksSontag Shogun x Lau Nau - A pale view of dem hills (Jeremy Young Rework)Hior Chronik, featuring Andy Aquarius - I Need More Timecaroline - Beautiful ending

Playlist: Cephas Azariah - Faber Sanctum - Hollie Kenniff Remixamiina - SeoulJohn Hayes - Just You RememberMary Lattimore - The Poppies, the Wild Mustard, the Blue-Eyed GrassesMary Lattimore - We Waited for the Boards to LeaveSven Laux - SkoningenMoshimoss - The DayMax Richter - Dream 11/ Moth-Like StarsJames Murray - The Land BridgeVOCES8 - Nuserere neum DeusKara-Lis Cloverdale - Moments in LoveTogether LA - The Start of Something NewCrystal Quartez - ReproductionGood Weather for an Airstrike - mochaMidori Hirano - Vanished GardenPoemme - TadpolesAyami Suzuki - Denkmal

Episode 177 Chapter 36, Modern Turntablism. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 36, Modern Turntablism from my book Electronic and Experimental music.   Playlist: TURNTABLISM   Time Track Time Start Introduction –Thom Holmes 01:28 00:00 1.     Ottorino Respighi, “The Pines of Rome” (1924) recorded by The Milan Symphony Orchestra conducted by Cav. Lorenzo Molajoli in November 1928. Recorded bird sounds is heard at about 36 seconds into this section. This is a 78 RPM recording from 1928 that used a turntable to play the sounds during the performance. 01:44 01:36 2.     Paul Hindemith, “Trickaufnahmen” (1930). Recording made available by Mark Katz, author of Capturing Sound: How Technology has Changed Music (2004). 00:58 03:16 3.     John Cage, “Imaginary Landscape No. 1” (1939) from The 25-Year Retrospective Concert Of The Music Of John Cage (private, 1959). 08:37 04:12 4.     Milan Knížák, “Composition No. 1' (1979) from Broken Music. Selection and assemblage of materials made by Walter Marchetti at Harpo's Bazaar, Via San Felice 22, Bologna. 03:26 12:46 5.     Grandmaster Flash And The Furious Five, “The Wheels Of Steel” (1981) from The Wheels of Steel. Medley Compiled by Sylvia Robinson; Produced by, Joey Robinson, Jr., Sylvia Robinson. 07:04 16:10 6.     Christian Marclay, “Smoker,” (1981) from the album Records. Christian Marclay, turntables and processing. Recorded on a cassette deck at home. 03:40 23:12 7.     DJ Shadow ... And The Groove Robbers, “Hindsight,” (1993) from In/Flux/ Hindsight. 06:55 26:56 8.     Afrika Bambaataa, “Looking For The Perfect Beat” (1985) from Looking For The Perfect Beat 1980-1985. 03:51 33:56 9.     Gen Ken Montgomery, “Droneskipclickloop” (excerpt, 1998) from Pondfloorsample. Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. 07:19 37:48 10.   Crawling with Tarts, “Trecher Track”(1999) from Turntable Solos. By Michael Gendreau and Suzanne Dycus-Gendreau. 04:11 45:08 11.   Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. 04:31 49:18 12.   Yasunao Tone, “Part 1” (excerpt 1999) from Solo for Wounded CD. All sounds used were from scratched CD's. 03:54 53:50 13.   Philip Jeck, “Untitled 2,” (2002) from Soaked. Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. 04:30 57:42 14.   Maria Chavez, “Jebus” (2004) from Tour Sampler, recorded in Houston, Texas. Turntables and electronics by Maria Chavez. 04:59 01:02:12 15.   Marina Rosenfeld, “Three” (2005) from Joy of Fear. Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” 05:47 01:07:12 16.   Luc Ferrari and Otomo Yoshihide, Slow Landing” (2008) from ‎Les Archives Sauvées Des Eaux. Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. 10:40 01:12:58   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Playlist: Phoria - New BeginningVivian Roost - Invisible - Tom Ashbrook ReworkEydis Evensen - ResolutionThom Robson - RememberingBPMoore - A Lifetime Rolls By - annasara ReworkChelsea McGough - Deep Sea DiveHugar - mistGabriel Olafs, Steiny Sigurdardottir - VisaABBOTT, Canea Quartett - FamiliarAutonomy - Feel What you NeedBelle Chen - Passages of TimeFederico Albanese - Gentle FlowIlluminine - Dear, DoloresAngus MacRae - FlameAnna De Bruin, Daniel Hewson, Curve Ensemble - New SpringFyfe, Iskra Strings - Two One, FourSophie Hutchings - The Gathering DuskBLOMMA - NeonMadeleine Cocolas - Return HomeJohn Hayes - almost AmenLara Somogyi, Jean-Michel Blais - ascensionSlow Meadow - Tethered to the Earthalva noto - RitualFischersund - SolJoshua Stoddard, The Album Leaf - Magnetic MorningMichael Price, Malibu - The Anatomy of Clouds

It has been a MONTH! But we're back! In this episode, I talk about a bunch of music I saw on Everybody's Live with John Mulaney, then I talk about the Karate Kid/Cobra Kai and Doctor Who. (I GO OFF when I'm talking about Doctor Who!) I had fun making it. Now it's your turn to have fun listening to it. Enjoy! Blog: http://emptychecking.blogspot.com Bandcamp: http://derekbrink.bandcamp.com email: db@derekbrink.com Time Index: 0:00 - Intro 6:23 - Music Break - "S*** About Shakespeare" 6:54 - Music from Everybody's Live 9:14 - Kim Deal (and Kim Gordon) 11:51 - Daniel Hope/Spring 1/Max Richter 15:34 - John Cage and Maggie Rogers 19:21 - Alanis Morissette 21:41 - Sleater-Kinney (and the Muffs) 23:50 - Music Break - "Napalm" 24:20 - Stuff I Watched 24:20 - Karate Kid/Cobra Kai 31:42 - Doctor Who 54:05 - Music Break - "What Matters Most (South of Savannah)" 54:35 - Outro

Episode 175 Chapter 34, Live Electronic Music— Foundations. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 34, Live Electronic Music— Foundations from my book Electronic and Experimental music.   Playlist: LIVE ELECTRONIC MUSIC FOUNDATIONS   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     John Cage, “Radio Music” (1956) from John Cage. Performed on radios by Gianni-Emilio Simonetti, Juan Hidalgo, Walter Marchetti. Each of these performers used a Panasonic multi-band portable Radio Model RF-1600 B receiver. 04:33 01:40 2.     John Cage, “Cartridge Music” (1960) from Music For Merce Cunningham. Phonograph Cartridges, Amplified Small Objects, David Tudor, Michael Pugliese, Takehisa Kosugi. Recorded at Paris, France in September 1988. 18:53 06:12 3.     Alvin Lucier, “Music for Solo Performer” (excerpt) (1965). Live recording from 1975. Brainwave amplification performed by Alvin Lucier; electronics, Nicolas Collins. 11:46 25:04 4.     Gordon Mumma, “Horn” (1965) from Live-Electronic Music. Electronic modification of horn sounds. Horn, Gordon Mumma; Cybersonic console, designed by Mumma, operated by William Ribbens; Recorded by George Cacioppo; Voice, George Cacioppo, Robert Ashley. For a hornist, two voices, and a cybersonic console operator. 09:36 36:48 5.     John Cage, “Variations V” (1965). Performance on November 11, 1966, Théâtre de Champs Élysées, Paris. Performers, John Cage, David Tudor, Gordon Mumma. 39:57 46:10 6.     David Tudor, “Bandoneon ! (A Combine)” (1966) from The Art Of David Tudor 1963–1992. Composed and performed by David Tudor. 14:15 01:26:43 7.     David Behrman, “Runthrough” (1967–68) from Wave Train. For homemade synthesizers and photocell mixers. Homemade Synthesizer, Photocell Mixer, Alvin Lucier, David Behrman, Gordon Mumma, Robert Ashley. 12:11 01:40:26 8.     Gordon Mumma, “Telepos” (1972) from Music For Merce 1952-2009.  Recorded live on February 2, 1972, La Fenice, Venice. Controlled Sounds Activated By Dancers With Telemetry-accelerometer Belts, Gordon Mumma. 18:38 01:52:34 9.     Pauline Oliveros, Rehearsals for “In Memoriam, Nikola Tesla” (excerpt) (1972). Recorded live September 1972, Köln, Germany.  No performers listed. 11:56 02:11:06 10.   Robert Ashley, “Automatic Writing” (1974–79) from Automatic Writing.  Electronics, Polymoog, Voice, Words, Produce, Recorded, Mixed by Robert Ashley; Mixing Assistance, Rich LePage; Switching Circuit Designed and Built by Paul DeMarinis; Translated by Monsa Norberg; Voice, Mimi Johnson. 46:00 02:23:04   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

(Kevin)Playlist: Quinie - Sallow BuckthornThe Appleseed Cast - The Waking of PertelotteThe Appleseed Cast - Signalcaroline - Total EuphoriaUltan O'Brien, featuring Nic Gareiss & Martin Green - Packie's PandemoniumLullaby for the Working Class - Inherent SongSam Amidon - Three FiveAlan Sparhawk - HeavenCole Pulice - In a Hidden Nook Between Worlds IWatchhouse - Sway/Endless Highway (pt. 2)Dave Harrington - Accept The FilmGeir Sundstøl - PysjJolie Laide - Small ThingsT. Gowdy - Novus LumenKara-Lis Coverdale - Flickers in the Air of NightXu + Oberlin - Velvet MeadowMoat Bells - BlurriesRhins - The BurnoutHouse on the Strand - Faithless LandPurelink - Looked Me Right In The EyeRomance - In The NightMike Lazarev - The Final Resonance of LightSarah Pagé & Patrick Graham - Crossing OverGanavya - Sees FireThe Vernon Spring - In the MiddleRauelsson - Temporary AlchemyPruski - CyclesJuha Mäki-Patola - TrailsVega Trails - Murmurations

Playlist: John Hayes - PalmsGrandbrothers - We CollideElskavon - AmpleFeliz Rosch, mondena quartet - AllesTom Ashbrook - OaktreesFrancesco Santalucia - MiralitzNils Frahm - Fundamental ValuesFreya Lily - Loop HandsRumpistol - AurolacGrace Scheele - 12 LayersMikael Lind - Fur and FeatherAron van Selm, Ardie Son - Whispers - StringsOscar Kowalski, Emma Jackson - A Note from TimeSofie Birch - Mygslowave - BasinMoshimoss, Levi Patel - ElsewhereJessie Marcella - Untitled 05Norvik - AbsumJay Cliffen - HeliographAVAWAVES - Healing as a FamilyMarshall Usinger - PlanetsPoemme - Hidden SanctuaryHirotaka Shiotsubaki - halo

(Kevin)Playlist: Ultan O'Brien, featuring Nic Gareiss - percussive dance - MachaBrigid Mae Power - May Morning DewOlga Anna Markowska - BorderlandLaurel Premo - Ma's MawImmersion & SUSS - KhamsinEli Winter, featuring Luke Sutherland, David Grubbs, Mike Watt - A Trick of the LightHermitess - Band of Foolsmore eaze & claire rousay - HopfieldsGunn - Truscinski Duo - FinMichael Scott Dawson - Changing ColoursThe Green Kingdom - PlanetariumYui Onodera - 木霊 参 / Kodama 3Grails - Earthly LifeTyresta & Simon McCorry - Sea ChangeJules Reidy - Interlude IKara-Lis Coverdale - FreedomMarine Eyes - Long HorizonHammock - She Likes the Stormy WeatherThe Choir - Plastic SwordsArborra - CatharsisCole Pulice, featuring Maria BC - After the RainFelbm - fall iiiJoy Guidry, featuring Diego Gaeta, Elizabeth Steiner - You've Done What You CanTunng - Snails

Some people might call Jonathon Keats an artist, but he calls himself an experimental philosopher. His body of work explores the way that human life intersects with political and economic systems. His first major work, in the year 2000, involved sitting in a chair thinking for hours, and then selling his thoughts to patrons at prices calculated on the basis of their income. He once copyrighted his own mind as a sculpture. He created a ringtone based on John Cage's famous piece, 4'33”, which is four minutes and thirty-three seconds of complete silence. He built a pinhole camera that takes photographic exposures lasting 100 years. In Berkeley, California, he built a temple for the worship of science. Recently, he has been involved in efforts to formalize rights of nature. Jonathon challenges us to look carefully at the assumptions built into our markets, our democracies and our technologies, and constantly seems to do it in ways that seem abstract at the time, but end up prefiguring political or cultural issues years or decades before they erupt. He's a wonderful guide to this territory, and to the big questions it involves. In this conversation Matt and Jonathon discuss the philosophy of timekeeping. They consider the connectedness and the alienation of being on universal atomic time, the promise of alternative systems such as the river clock, and how different notions of timekeeping influence our understanding of democracy and nature.Jonathon Keats is an experimental philosopher, artist and writer. He is currently a fellow at the Berggruen Institute, a research fellow at the Long Now Foundation, a research associate at the University of Arizona, principal philosopher at Earth Law Center and an artist-in-residence at Hyundai, the SETI Institute and Flux Projects. His most recent book is “You Belong to the Universe: Buckminster Fuller and the Future” (Oxford University Press).Mentioned:Alaska RiverTimeIf you have feedback or ideas for future episodes, email us at info@radicalxchange.org.Host: Matt PrewittGuest: Jonathan KeatsProducer: Jack Henderson Connect with RadicalxChange Foundation:WebsiteXBlueSkyYouTubeLinkedInDiscord

durée : 00:10:58 - Disques de légende du vendredi 16 mai 2025 - En 1996 paraissait chez Col Legno les "Sonates et Interludes" de John Cage par le pianiste Markus Hinterhäuser : une oeuvre énigmatique et sans équivalent par un interprète aux multiples facettes.

AI is everywhere. It hasn't really affected music yet, or has it? Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: Perplexity (https://www.perplexity.ai) Microsoft made an ad with generative AI and nobody noticed (https://www.theverge.com/news/656104/microsoft-surface-ad-generative-ai-copilot-intel) How Daydreaming Can Enhance Creativity for Fiction Writers (https://www.literatureandlatte.com/blog/how-daydreaming-can-enhance-creativity-for-fiction-writers) The Next Track: Episode #305: Timo Andres on Steve Reich's Collected Works (https://www.thenexttrack.com/310) Sonatas and Interludes - Wikipedia (https://en.wikipedia.org/wiki/Sonatas_and_Interludes) Our next tracks: John Cage, Sonatas and Interludes, James Tenney (https://amzn.to/4jK2uPm) Corey Harris: Greens From the Garden (https://amzn.to/44XhYeA) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

Choreographer Sir Wayne McGregor is one of the most acclaimed, innovative and influential figures in contemporary dance. His works are often the result of creative collaborations with artists, musicians, filmmakers, or with scientists to explore technological issues. In 2006 he was appointed as Resident Choreographer at the Royal Ballet. He has created more than 20 new works at Covent Garden in that time, including Chroma, set to music by Joby Talbot and The White Stripes, and Woolf Works, a full-length ballet based on the life and writings of Virginia Woolf. More recently, McGregor brought the post-apocalyptic vision of Margaret Atwood to the stage in his ballet MaddAddam, based on the writer's acclaimed trilogy of novels. He has worked as a movement director on films including Harry Potter Goblet Of Fire and Mary Queen Of Scots, collaborated with bands including Radiohead and Chemical Brothers, and choreographed the virtual concert, ABBA Voyage. In October 2025, Somerset House in London will mount a landmark exhibition dedicated to McGregor's trailblazing collaborations that have radically defined how we think about performance, movement, and the body. Having won numerous awards, including two Oliviers, Sir Wayne McGregor was knighted in 2024.Wayne McGregor talks to John Wilson about his childhood in Stockport, where he took dance classes and was inspired by John Travolta's moves in Saturday Night Fever. He recalls the house and techno music of the late 80s when he was a student, and how the freedom of expression he felt on nightclub dance-floors informed his style of choreography. Whilst living in New York after leaving university, Wayne came across an open-air performance by the legendary American choreographer Merce Cunningham, whose company was dancing to live music conducted by the avant-garde composer John Cage. It was a chance encounter that had a profound impact on McGregor. He also discusses how science and technology has been a major thematic influence on much of his work in recent years, and how AI has been used to create new works through analysis of physical movement and artistic expression.Producer Edwina Pitman

We are so excited to have the one and only Bob Bralove as our guest on No Simple Road this week! Reminiscing about the magnetic pull of legendary live performances, we reflect on the timeless impact of icons like Stevie Wonder, the Grateful Dead, and The Beatles. The past's vibrant music scene, where creative titans like John Cage and Salvador Dali mingled, serves as a backdrop for our discussion on the evolution of musical exploration. From the analog magic of pre-digital discoveries to the digital era's effortless access, this episode offers a nostalgic yet forward-looking perspective on how the journey of discovering music has transformed but continues to shape personal and collective experiences. Music, an eternal uniter, transcends the imaginary divisions of the world—this truth resonates throughout our conversation. As we navigate the delicate dance of personal expression and collaborative creation, the evocative power of music emerges as a comforting force. Taking all of Bob's influences and creating the new album 'Acoustic Conversations' has been a journey. We get to hear all about the creation of improvised sounds with violinist Patti Weiss and how this new album was born. Head over to www.bobbralove.com to check out the album and find out all the info! -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -20% OFF & FREE SHIPPING IN THE US from The Grateful Mountain with the PROMO CODE: NSR20 INTRO MUSIC PROVIDED BY - Young & Sick MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music

April 1, 1978. Avant-garde musician John Cage gives an impromptu performance of his most famous work.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Margaret talks even further with Jolie Holland about a multigenerational punk band from the 70s that introduced punk ethics to punk rock. https://expmag.com/2019/01/when-your-real-life-friend-is-your-facebook-troll/ Rebel Clothes, Rebel Songs, Rebel Pose: Anarchists on Punk Rock 1977-2010, anonymous https://www.ubu.com/papers/cage_montague_interview.html John Cage, Anarchy The Story of Crass, George Berger https://crosseyedpianist.com/2017/07/15/silence-presence-and-challenging-conventions-thoughts-on-john-cages-433/ https://www.soundoflife.com/blogs/mixtape/history-punk-music https://fastnbulbous.com/punk/ https://www.udiscovermusic.com/stories/punk-politics-music-rebellion/ https://beltmag.com/mc5-detroits-godfathers-of-punk/ https://dangerousminds.net/comments/our_wedding_crasss_magnificent_romance_mag_prank https://www.fifthestate.org/archive/301-february-26-1980/british-anarchists-found-not-guilty/ https://thehippiesnowwearblack.org.uk/2016/03/12/vi-subversa-and-poison-girls-an-appreciation/ https://www.ukrockfestivals.com/henge-history-80.html https://jprobinson.medium.com/the-rotten-etymology-of-punk-86db2fcc16f8 https://www.cbc.ca/strombo/news/crass-thatchergate-prank https://libcom.org/article/stop-city-demonstrations-1983-1984See omnystudio.com/listener for privacy information.