Podcast appearances and mentions of John Cage

Fully & Completely: redux – Music @ Work Guest: Rob Johannes

(Kevin) - Some spacey blues, musical meanderings, and degraded hymns...Playlist: Andy Aquarius, Kimi Recor - Back To The FireRev. LV - Light 2 (Guided Narration)KMRU - With Trees Where We Can SeeThose Who Walk Away - Third Degraded Hymn [Ian William Craig Rework]Asher Levitas and Margaret Fiedler McGinnis - RW6Pullman - OctoberRat Heart, featuring Cansu Kandemir - SENLApparat - WilliamsburgChantal Michelle - Breath Observation (for clarinet)C Joynes & Mike Gangloff - An OpeningWinged Wheel - Canvas 11Barry Walker Jr. - Peridot, Call MeBill MacKay & Ryley Walker - Promise MeD. West - The Transpacific International CausewayShane Parish - ClipperUltrafog - ThrownIsabel Pine - Never Been Here BeforeSam Wenc - Threshold ArisesHasfeldt, featuring Croatian Amor - Play Me Like One Of The OthersMidori Hirano - Illuminanceaus + the humble bee - i follow a barren path across the old mountainAlabaster DePlume - Why Buzzardman WhyBill Callahan - The World is Still

Silenced Soil begins with a fragile artefact: a recording of Claude Debussy's Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt's, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers little clarity. Sometimes it keeps its silence.Listening to this recording in 2025, I was confronted not only by sound, but by history. Why was Western art music recorded here, under whose authority, and for what purpose, during a period still shaped by colonial power? Before reshaping the music, I had to confront my own position as a descendant of European colonisers. This inherited legacy uncomfortable but necessary became central to the work, sharpening my awareness of cultural imposition, culture colonialism and ongoing calls for restitution.From this reckoning, Silenced Soil emerged. I treated Debussy's melody as a fractured map: splintered, dispersed, and reassembled through chance. This approach draws on John Cage's embrace of indeterminacy and my long-standing admiration for atonality in music. The soundscape is composed at 120 BPM (2 Hz), chosen to evoke both calm and alertness. A reflection of historical time moving slowly, yet demanding urgent re-examination. Within this framework, I wove voices and instruments from Zulu culture, women's singing sound fragments, mouth harps, clapping sticks, and rattles — alongside electronics, loops, found sounds, urban noise, and synthesised textures and the original recording of Sarabande. I actively intervened in this source material, editing the refrain of Sarabande into fragmentary notes and embedding them within the soundscape composition. These elements meet not as opposites but as interlocutors, forming a threshold where suppressed traditions and contemporary sound worlds converge.Unanswered questions remain: Who was the pianist? Who authorised the recording? What ethical framework governed it? These absences are integral to Silenced Soil. What is unheard can be as powerful as what is recorded. And the soil? It stands for the restless cosmos, for the sand forever in motion across our planet. What drifts, what scatters, what is buried will, in time, be made visible. My compositional process is guided by intuition and curiosity; notation and atonality serve as a compass rather than a rule, supported here by research into the subject itself. My aural journey began at six at the piano, expanded through Germany's 1990s DJ culture, deepened during my years as a contracted composer with BMG, and refined through studies in Sound & Visual Art at Middlesex University's Lansdowne Centre for Electronic Arts. Together, these experiences shape a practice that moves fluidly between structure and instinct, inquiry and an enduring love for soundscape creation.Piano being played reimagined by Linda Himbert.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

durée : 01:00:23 - Laurent Mauvignier, écrivain - par : Priscille Lafitte - "La Maison vide" de Laurent Mauvignier est peuplée d'un piano et de souvenirs musicaux liés au fantôme d'une arrière-grand-mère pianiste, Marie-Ernestine. Ce roman, qui a valu à l'auteur le prix Goncourt, est-il né en musique ? Portrait de Laurent Mauvignier entre Franz Schubert et John Cage. - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

'I have nothing to say and I am saying it' - John Cage. An electronic sequence created in real time using Pure Data with elements of indeterminacy, a touch of reverb added. More on the 738th weekly Disquiet Junto project, Speak Not — The Assignment: Saying something without saying it — at https://disquiet.com/0738/

Why do the most profound learning experiences often feel like getting lost in a good game?In this episode, Brian sits down with Christopher Icks, a philosopher, applied linguist, and experiential learning designer, to explore why "play" isn't just for kids—it's a vital engine for deep, transformative learning. From his work at the University of Oregon's CASTLES to his stewardship of Eugene's eclectic Resonance Building, Christopher reveals how we can design spaces and experiences that foster genuine connection, wayfinding, and what he calls "vital surplus."They dive into the tension between rigid institutional metrics and the messy, beautiful reality of how we actually learn. Get ready to question the classroom circle, embrace a little vertigo, and discover why a "Bring Your Own Puppet Party" might just be the future of professional development.

DISCLAIMER:The musical composition is called 4'33”, by John Cage. (Forgot to say the name). It can be found here: https://youtu.be/TrlKxV5KWJo?list=RDTrlKxV5KWJo Welcome to the fifth Creative Contraband episode! After some minor technical inconveniences, we explore the delicate art of empty spaces guided by the usual host Danny Barrett.Drawing from neuroscience, music, and other arts, you'll learn about building suspense, tension release, cognitive processing limits, and more. Thanks for listening to today's show. If you like our stuff and want to support us, here are some sponsor links and links to our other stuff:Worldsmith: http://session0studios.com/worldsmithRoll and Play Press: http://session0studios.com/rollandplayPhantasm Studios: https://session0studios.com/fantasmsMonument Studios: session0studios.com/monumentstudiosDiscord: http://session0studios.com/discordPatreon: https://session0studios.com/patreonDungeon Master Level Up Guide: https://session0studios.com/newsletter

Playlist: Cabin Fever Orchestra - Canopy of StarsPeter Gregson - Primary ColoursPeter Gregson - Birds of a FeatherCatrin Finch - GobaithZubin Kanga - Single Form - Nailah Hunter's ReflectionMax Richter, Claudio Ferraini - Max Richter: LuminousFlore Laurentienne - Fleuve VIIAlex Somers - Death NoticesTewksbury - Banda Mountain - IKSRE RemixLe Motel - I Cried Like a Child of ThreeOlma - Stories on the FloeBelle Chen - Kingdom Animalia - Brendan Cox MeditationErland Cooper - Salve ReginaErland Cooper - ManificatHiroshi Yoshimura - AdelaideChihei Hatakeyama - Wind from the MountainsAlaskan Tapes - CanopyMore Eaze, claire rousay - hopfieldsAngel Salazar - FireAdam Wiltzie - How to Disappear Inside a Thiry Piece OrchestraPatrik Berg Almkvisth - Like SilverMavrik - xLutes Jennings - Lights (slows)Kilometre Club, The Golden Age of Wrestling - Knowingly

durée : 00:08:14 - Lou Harrison : Labrynth - Maelström Percussion Ensemble, Jan Williams - Actif depuis 1982, le Maelström Percussion Ensemble a enregistré en 2000 le répertoire de Lou Harrison, parmi lesquel "Labrynth n°3,"une œuvre composée en 1941 inspirée par le gamelan, sorte d'orchestre de percussions traditionnelles de Java, qui fit forte impression à John Cage. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:14 - Lou Harrison : Labrynth - Maelström Percussion Ensemble, Jan Williams - Actif depuis 1982, le Maelström Percussion Ensemble a enregistré en 2000 le répertoire de Lou Harrison, parmi lesquel "Labrynth n°3,"une œuvre composée en 1941 inspirée par le gamelan, sorte d'orchestre de percussions traditionnelles de Java, qui fit forte impression à John Cage. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:14 - Lou Harrison : Labrynth - Maelström Percussion Ensemble, Jan Williams - Actif depuis 1982, le Maelström Percussion Ensemble a enregistré en 2000 le répertoire de Lou Harrison, parmi lesquel "Labrynth n°3,"une œuvre composée en 1941 inspirée par le gamelan, sorte d'orchestre de percussions traditionnelles de Java, qui fit forte impression à John Cage. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

As influências de John Cage!01 – Beth Anderson - Kurt Schwitters02 – Beth Anderson – Pamela Z03 – Beth Anderson – Jaap Blonk04 – Beth Anderson – Enzo Minarelli05 – Marcos Balter - Death of Pan com Claire Chase06 – Douglas Boyce - Ars Poetica - III. Returning07 – Douglas Boyce – Ars Poetica – IV. Intermezzo 208 – Douglas Boyce – Ars Poetica - V. Out There09 – Joe Rainey - phil's offering 10 – Walter Franco – Revolver

 Breath and Clay as a “house of refuge” from cultural noiseCommunity as collaboration, not organizationWhy the event works: clarity plus mysteryMakers show up with projects, not just opinionsReal-world outcomes: collaborations that keep growing after the weekendLetting fruit scatter without controlling the pipelineThe 2026 theme: Making Space https://www.thebreathandtheclay.comThe icon: the chairStephen's new book: How to See Invisible ThingsInner life and outer life of the artist“Border-walker” artists and the liminal, unresolved middleArt as a way of seeing, not a utilitarian productScarcity vs abundance as a spiritual and creative postureMary “treasuring” as a model for creation and formationBook excerpt: John Cage 4'33, Quaker silence, sacramental visionCall to action: make the investment, ditch something else, come to Winston-Salemhttps://www.thebreathandtheclay.com Links For Justin:Read Justin's SubstackOrder In The Low - NEW Book with Scott EricksonCoaching with JustinOrder In Rest - New Book of PoemsOrder Sacred StridesJustinMcRoberts.comSupport this podcastNEW Single - Let GoNEW Music - Sliver of HopeNEW Music - The Dood and The BirdThe Book - It Is What You Make itHearts and Minds Amazon Barnes and Noble

(Kevin)Playlist: Hermitess - In That CountryWayne Patrick Garrett - Marine LifeJoe Harvey-Whyte & Geir Sundstøl - Lea DubT. Gowdy, featuring spoken word by Laura Buckley - Richmond RdMitchell Akiyama - Through Fall And FlickerNatasha Pirard - La fin le débutLoscil - DouxJessica Moss - Washing MachineEfrim Manuel Menuck - The Beauty Of The Sun As It Leavesclaire rousay, featuring M. Sage - JustRafael Anton Irisarri, featuring Karen Vogt - Signals from a Distant AfterglowPedro Monkeyfinger - five waysScott McCloud - Down Through The StarsJohn Swanke - TarragonRunnner - Untitled October SongUltan O'Brien, featuring Nic Gareiss - percussive dance - MachaThe Soft Pink Truth, featuring Bill Orcutt - OrchardWil Bolton & David Cordero - RefractedAlabaster DePlume - Kuzushianthéne - Wishing WellSarah Pagé - Spring Is HereKara-Lis Coverdale - OririSarah Houston - Dancing ShadowsHania Rani - RiksarkivetJohanna Summer - TeardropMichael Scott Dawson - Little NapJolie Laide - Saw the Wave

durée : 00:12:39 - Objets trouvés / Objets sonores - Marc-André Hamelin - Le pianiste canadien Marc-André Hamelin enregistre un programme de pièces atonales, de John Cage à Frank Zappa, de Salvatore Martirano à John Oswald. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Playlist: Christian Löffler - Until We Meet AgainBear McCreary - Durin's BaneNorthwestern University Symphonic Wind Ensemble - O Magnum MysteriumJohann Johannsson, Air Lyndhurst String Orchestra - A Pile of DustAlexandra Hamilton-Ayers, Her Ensemble - Sept DouleursAtli Orvarsson, Kjartan Holm, Sin Fang - Dad Traffic ControlVicente Alamo - ElevenSlow Meadow - PalemoteNatalia Tsupryk - Trees Were Burnt to the GroundBPMoore, Glowworm - The World Is as You Are - Glowworm ReworkLeah Kardos - A Memory HoleBenjamin Gustafsson - Close to HerShelley Burgon - The In BetweenEric Kinny - Daydream in D for CelloSoloi Sounds - TwelveMarielle V Jakobsons - Everything Lost RemainsAlex Baranowski - ConstellationsBrambles, Nest - In the Androgynous Dark - Nest VersionFrancesca Guccione - Movement IVJim Perkins, Jules Dickens - Eb 144 11:50 PMKaitlyn Aurelia Smith - Dying is a Normal Part of LifeLudvig Cimbrelius - my star waits for you to come homeLowercase Noises - The Windows of You (I sang a quiet song_Applefish - Moonrise

durée : 00:05:56 - Georges Aperghis : Récitations - Martine Viard - En 1983, la chanteuse Martine Viard, dédicataire d'œuvres d'Aperghis, John Cage ou encore Karlheinz Stockhausen, enregistre les Récitations pour voix seule de Georges Aperghis pour le label Harmonia Mundi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

SAN ONOFRE-Chris Alexander interviú Corman/Poe: Roger al cine con Edgar https://www.ivoox.com/podcast-san-onofre_sq_f1146007_1.html Domingo 1 febrero 2026 Enlace a las 33 1ªs angloentrevistas  Siguientes 33 Angloentrevistas Traducidas, Vol.2 https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre-vol-2 Henry SAN ONOFRE escucha las angloentrevistas traducidas antes, durante o después de la lectura de las mismas; Arnold de Campesino diu que el sentido de la vida no se halla en Monty Python, sino en escuchar a John Cage a la par que lees a Marshall McLuhan. ¡Bah, zarandajas! Los bellos del SAN ONOFRE recomendamos dieta más nutritiva: Lean los escritos de Edgar Allan Poe, hagan varios atentos visionados de las adaptaciones de los mismos de Roger Corman, lean Corman/Poe de nuestro invitado Chris Alexander y escuchen la entrevista que le perpetramos hoy con inusitada fruición onofrita. Ansí, se ganarán el infierno, ¡qué bien!

În acest dialog, părintele Teologos și pianistul Ionel Streba explică legătura dintre Dumnezeu și muzica clasică: de la trăire în adâncul existenței noastre până la ascultarea care subțiază inima. Pornind de la Franz Liszt și ajungând la Bach, Mozart, Beethoven, John Cage și Arvo Pärt, interviul arată cum tăcerea, respectul și rugăciunea pot transforma interpretarea într-o mărturie. Vei găsi repere despre perioadele muzicii clasice, terapii prin muzică, limitele inteligenței artificiale și responsabilitatea talantului, în lumina acestei teme.Vizionare plăcută!Pentru Pomelnice și Donații accesați: https://www.chilieathonita.ro/pomelnice-si-donatii/Pentru mai multe articole (texte, traduceri, podcasturi) vedeți https://www.chilieathonita.ro/

durée : 00:05:56 - Georges Aperghis : Récitations - Martine Viard - En 1983, la chanteuse Martine Viard, dédicataire d'œuvres d'Aperghis, John Cage ou encore Karlheinz Stockhausen, enregistre les Récitations pour voix seule de Georges Aperghis pour le label Harmonia Mundi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:56 - Georges Aperghis : Récitations - Martine Viard - En 1983, la chanteuse Martine Viard, dédicataire d'œuvres d'Aperghis, John Cage ou encore Karlheinz Stockhausen, enregistre les Récitations pour voix seule de Georges Aperghis pour le label Harmonia Mundi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Join Jesse and Michelle for an incredible conversation as they sit down with Cephas Azariah and Joshua Luke Smith to explore the intersection of faith and creativity—why we create, how God is involved in our creative process, and what it means to live as a Christian creative in today's world. This episode has been repurposed from a seminar at Wildfires Festival last summer. It is packed with honest insights, practical wisdom, and a powerful challenge to step into the creative calling God has placed on your life. This episode tackles the fear of adding to the noise, the pressure of perfection, why you don't have to be joyful to create, and the power of silence before God. Experience a guided moment of stillness inspired by John Cage's 4'33"—a practice of listening to the sound of your heart, your thoughts, and the Holy Spirit. Whether you're a musician, actor, photographer, dancer, or someone who just loves to make things, this conversation will challenge you to see creativity not as a side hustle but as your birthright, and to create with honesty, freedom, and the presence of God. FOLLOW US ON INSTAGRAM: https://www.instagram.com/thewayuk/ FOLLOW US ON TIK TOK: https://www.tiktok.com/@thewayuk/ Want to know more? Find a church that has things happening for young people. Visit https://achurchnearyou.com/youth/ [In partnership with CofE Digital Projects]

Aquest divendres 30 de gener, l'Auditori de Girona acollirà l'estrena de "Cage Reload. I've got a secret", una proposta innovadora dedicada al compositor John Cage.

(Kevin) - forever forward in search of the beautifulPlaylist: Pullman - WeightlessTomo Katsurada, featuring Jonny Nash - Dream of the eggLaurel Premo - The Minstrel Boy Has Gone To WarJohn Swanke - Lake Samish SongK. Leimer - Deepening SeaGillian Welch - I Dream A HighwayToby Hay - O'Carolan's Dream (trad)Masayoshi Fujita - Perfect Family – Sadness RougeLeilehua Lanzilotti, featuring Roomful of Teeth - on stochastic wave behavior: iv. nalukaiMadeleine Cocolas - Where We GoHeinali - Music to Sleep Under SnowJohn Thayer - Submarine CanyonIda Urd & Ingri Høyland - NestØystein Skar - LevvaErik Hall - A Folk Study (Laurie Spiegel)Kazuma Okabayashi - Unheld MaterialTokyo Ambient Collective - a dark long winterKronos Quartet - Folk fær andlit (Hildur Guðnadóttir)Yann Tiersen - TórshavnJakob Bro & Midori Takada - Sparklesleon todd johnson - kei (instrumental)

Plus the RESET Festival at Neimënster Luxembourg vibraphonist and composer Pascal Schumacher has spent a career sculpting sound, as a composer and performer. A deep admirer of Philip Glass, Pascal has become more interested in the concept of time and how our perception of time can be shifted with music. A metronome is a minimal music instrument We open the show with Schumacher's shimmering “Re: Amarcord”, which is a reworked piece from his Sol album. This album was created from a residency at Op der Schmelz in Dudelange. We then discuss the metronome experiment: when people listen to a perfectly repeating click their perception of time slows or even seems to stop. Schumacher explains that our first reaction to repetition is that it can be boring. However, minimalist composers play with this concept. “If you're bored after four repeats, listen to eight; if you're bored after eight, stay for sixteen. At some point, it becomes something else.” A study of Philip Glass Schumacher's admiration for Philip Glass starts with structure as sound. Philip Glass stars with the form, the shape, the arc; before disappearing into detail. Pascal tries to pass on this lesson to students: musicians can become obsessed with tiny technical questions before they've even agreed what the piece is. Glass's comfort with exceptionally long forms, he notes, was shaped by theatre thinking: the patient building of scenes for example, and that patience shows up in works like Einstein on the Beach, designed from the start as a multi-hour world the audience can enter and exit. Clock time versus Musical Time One of Schumacher's most striking ideas is that clock time only moves forward, but musical time has more freedom. He describes music as a place like a city you visit. If you love it, you go back. That's why a song can instantly return you to an old memory: a first kiss, a summer drive, a chapter of life you thought was gone. Music is emotional time travel. Silence We also talk about the concert moments audiences feel in their bones: the stillness before the first note, and the suspended beat after the last note when nobody dares clap first. Schumacher calls this a breath and reminds us that what we call silence is never empty; it's a change in listening. The room is part of the piece, the lighting, the people around you at that moment in time, the season you play in. Notably American composer John Cage played with this concept with his 4'33 piece where every orchestral instrument has 4'33 bars of rest RESET Festival 2026: a ‘musical jazz hackathon' at Neimënster Abbey Schumacher is also the musical curator behind RESET, now in its 9th edition, and it's built around one core idea: residency changes everything. 8 musicians from 8 different countries and different ages come together to build music. RESET runs 25–31 January 2026, with eight artists in a creative residency at Neimënster. The three-night public programme Day 1 (Thu): #jazzcrawl — three short sets across the city: Neimënster (Salle Nic Klecker) → Cercle Cité → Bazaar. Day 2 (Fri): #solos — each musician takes an eight-minute solo: eight distinct “time worlds” in one evening. Day 3 (Sat): #concert — the full group comes together, with each artist contributing to the final shape of the night. RESET is the live jazz laboratory of music where Luxembourg can experience it. Pascal and the team are offering three sets of two tickets for the final performance on Saturday night at Neimënster Abbey. https://www.neimenster.lu/collection/reset/ MUSIC / TRACK REFERENCES “Amarcord (Fejká's Daydream Version)” (SoundCloud stream): https://m.soundcloud.com/fejka/pascal-schuhmacher-amarcord-fejkas-daydream-version “Glass Two” (YouTube album playlist – includes “Mishima Closing”): https://www.youtube.com/playlist?list=OLAK5uy_kWNfNju6rtKIVotOfOXWJC7s-HR-R4Oys “Mishima Closing” on Spotify (Pascal Schumacher & Danae Dörken / Philip Glass): https://open.spotify.com/track/5Bq9jwy1UdmIpYOmFFr8hi

Playlist: Kanako Yamamoto - Reason - Bonobo Rework InstrumentalWillaris.K - Past LightLambert - PorcelainRaphaelle Thibaut - 5.00amStrings from Paris, KurtTheViolinist - White FerrariPetr Aleksander, Ian Burdge, Bruce White - New MoonPeter Gregson - Discovering ShadowsIMGL - The WaveClarice Jensen - 2,1Jonas Gewald - when I fademinor image - Shi2 A.M Talk - When Time Stood StillHenrik Meirkord, Logic Moon - SkogsfolkSven Laux, Julia Gjertsen - Before Clocks Start TickingJulianna Barwick & Mary Lattimore - The Four Sleeping PrincessesAnn Annie - SamaraNatalia Tsupryk - Late June NightKeo - Memories in the Rice FieldNadia Summer - If Only (Yonatan Ayal remix)Helene Vogelsinger, Francesca Guccione - Rebirth (Remix)Dimming - so far from reachanthene, Simon McCorry - the groveGeorge Ian Hewitt - Morning DewOlma - Tendencies for LongingMikael Lind - Winter Ambient #1Madeleine Cocolas - A PromiseLiom - Warm TonesDermott Reilly - We Could Be Here

(Kevin) - some January bluesPlaylist: Siobhan Wilson - There Are No SaintsÓlöf Arnalds - Úfinn sjórKirin McElwain - Softer, StillM83 - Spinning FuryOld Saw - Ribbons of MarbleChris Eckman - Borrowed TuneJoan Shelley & Nathan Salsburg - Little WingAlio Die - The Ascension of Endless EnchantmentThe Horse - Broken DoorRosanna, Princess of Kerry - Not In My Carverity den - push down hard / tess IIStephen Vitiello & Taylor Deupree - iiRafael Anton Irisarri - Empire Systems (Kevin Richard Martin Rework - Frozen MixJohn Swanke, featuring Sam Baribault on harmonium - CloudburstPaperbark - Frailest BeginningsMats Erlandsson & Yair Elazar Glotman - On the Folding of LeavesDavid Shea - A SutraNC Lawlor - Laurie RoseAlan Sparhawk, featuring Hollis Sparhawk - Not BrokenDenison Witmer - ConfessionsGrant-Lee Phillips - SomeoneMichael Scott Dawson - WinteringJane Siberry, featuring K.D. Lang - Calling All Angels

durée : 00:25:07 - Gavin Bryars, compositeur et contrebassiste (3/5) - par : Thomas Vergracht - À 82 ans, Gavin Bryars continue de réinventer la musique. Invité du festival Musica à Strasbourg, le compositeur revient, en cinq épisodes, sur un parcours éclectique croisant jazz, minimalisme et expérimentations avant-gardistes. - réalisé par : Béatrice Trichet Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

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You provided the Qs - here are the As! In the twinkle of the tree at Tonkinson Towers, Rob and Paul dig deep into your brilliant questions.Part Two features talk of London, Manchester and Taskmaster, runs when it all came together, and the long-hoped-for, John Cage-style silent episode. SUBSCRIBE at ⁠https://runcompod.supercast.com/⁠ for early access, bonus episodes, ad-free listening and more... BUY OUR BOOKS; you can get Rob's book Running Tracks here - ⁠https://www.waterstones.com/book/running-tracks/rob-deering/9781800180444⁠ - and you can get Paul's book 26.2 Miles to Happiness here: ⁠https://www.waterstones.com/book/26-2-miles-to-happiness/paul-tonkinson/9781472975270⁠ Thanks for listening, supporting, and sharing your adventures with us. Happy running. Learn more about your ad choices. Visit podcastchoices.com/adchoices

(Kevin)Playlist: The Lonesome Ace Stringband - The Moon is DownŠirom - No One's Footsteps Deep in the Beat of a Butterfly's WingsSteve Gunn - Morning on K RoadJake Xerxes Fussell and James Elkington - RebuildingChat Pile & Hayden Pedigo - The Magic of the WorldSeabuckthorn - Black BoarM83 - SpectresStephen Vitiello & Taylor Deupree - iiiThe Horse - Poisson Fishh. pruz, featuring Emily Sprague, James Chrisman - Sailor's warningverity den - highway fifty fourFaith Coloccia + Daniel Menche - Main FieldEmily A. Sprague - Tokyo 1claire rousay - doubtJonah Parzen-Johnson & Lau Nau - Calming InfluencerRafael Toral, featuring Rodrigo Amado - Body and Soulaus（アウス） - Variation II（ヴァリエーション II）JJJJJerome Ellis - Savannah Sparrow (for and after Kenita Miller)Tristan Perich & James McVinnie - Infinity Gradient: Section 2L'Antidote - The Wind Through the Cedar Tree

Playlist: Sufjan Stevens - The Winter SolsticeHior Chronik - Warm CornerThoma - IkiruMax Richter, Lavinia Meijer - The DepartureLavinia Meijer - Open Window: Part IFloraleda Sacchi - We Arrive from far AwayLara Somogyi, Jean-Michel Blais - ascensionLinda Rum - Irrsinnig schonGabriel Olafs - Whale OvertureChelsea McGough - Lucid DreamingGlåsbird - StratificationsRichard Skelton - WeightlessFinland & Aaskoven - The Beach Houses in AeroJeremy Soule - A Winter's TaleGustaf Ljunggren - Leading SomewhereHoward Shore - Bag EndBenjamin Mork - Mellom TidenSigurdur Saevarsson - MagnificatHans Zimmer - AuroraDaniel Herskedal - Time of WaterWilson Trouve - Last WinterBlurstem - Amber MorningsLexxie Mathis - on the edge of foreverFrances Shelley - Water MusicTom Leclerc - l'horizon au-dessus des nuagesJorgen Kjellgren - Forest and Field

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1====================================================DEVOCIÓN   MATUTINA PARA ADULTOS 2025“CON JESÚS HOY”Narrado por: Exyomara AvilaDesde: Bogotá, ColombiaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church ===================|| www.drministries.org ||===================20 de DiciembreCaro Silencio«Y será predicado este evangelio del reino en todo el mundo, para testimonio a todas las naciones, entonces vendrá el fin» (Mat. 24: 14).Y si estos callan, las piedras gritarán» (Luc. 19: 40, RVA-2015).En 1952 el compositor John Cage escribió una obra musical a la que dio por título 4'33". Este título insólito corresponde, simplemente, a la duración de la pieza, es decir, 4 minutos y 33 segundos. Lo especial de esta composición es que sus tres movimientos no contienen ninguna nota, aparte de la anotación «Tácet»: silencio.El estreno de 4'33" tuvo lugar el 29 de agosto del año 1952 en Wood stock (Nueva York), y constituyó un sonado escándalo. En efecto: el joven pianista David Tudor entró en escena, saludó al público, se instaló ante el piano de cola, lo abrió, esperó los 4 minutos y 33 segundos y lo volvió a cerrar, marcando así el fin de la actuación. Entretanto, nada. Silencio. Un silencio solo interrumpido por las toses nerviosas de los espectadores... hasta que se dieron cuenta de que no había nada más que esperar y abandonaron la sala protestando, frustrados y enfurecidos.Lo más chocante es que, gracias a esa «creación», John Cage se hizo mundialmente famoso, fue solicitado para interpretarla en numerosas ocasiones y hasta para grabarla en discos y CD ¡con diferentes instrumentos!!¿Locura? ¿Extravagancia? ¿Genialidad? ¿Burla? Ha habido reacciones para todos los gustos. No es mi intención aquí ni juzgar al artista ni a sus fans, ni discutir sobre las numerosas virtudes del silencio. Mis reflexiones van en otra dirección: hay silencios que pueden ser bienhechores, muy valiosos y hasta caros, pero hay otros muy poco recomendables, porque no aportan nada bueno.Jesús instó a sus discípulos a compartir el mensaje que él había proclamado a costa de su propia vida: el evangelio no debe ser callado bajo ningún pretexto. Tiene que ser proclamado a todo mundo para que llegue a toda la humanidad y cumpla su misión, antes de que sea demasiado tarde.El apóstol Pablo siente tan a pecho esa responsabilidad, que exclama: «¡Ay de mí, si no anuncio el evangelio!» (1 Cor. 9: 16). Y exhorta al joven Timoteo en estos términos: «Te suplico encarecidamente [...] que prediques la palabra y que instes a tiempo y fuera de tiempo. Redarguye, reprende, exhorta con toda paciencia y doctrina [...]. Cumple tu ministerio» (2 Tim. 4: 1-5).Cuando la historia parece avanzar a ciegas por derroteros inciertos, no es tiempo de silenciar que Jesús ha prometido volver. Sería un silencio demasiado caro. El mundo necesita más que nunca un mensaje de cordura, de solidaridad y de esperanza.Inspírame, Señor, para que sepa romper el silencio cuando convenga. 

This episode is a follow-up to The Sound Barrier series, which explores our brain's relationship to sound. In our third episode of the series, we asked listeners to try to experience silence and record what they heard. Today, we share the sounds of quiet from across the world in a tribute to John Cage's 4'33”. Plus, Tinnitus researcher and Unexplainable guest Dan Polley answers your questions from the series. Guest: Dan Polley, tinnitus researcher at Mass Eye and Ear. Thank you to everyone who wrote in and shared their silences. If you still have thoughts or questions about the series,  write us! We also heard from a few teachers who plan to use the series as a part of their curriculum. Is this you? Let us know! For show transcripts, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/unxtranscripts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/unexplainable⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ And please email us! ⁠⁠⁠⁠unexplainable@vox.com⁠⁠⁠⁠. We read every email. Support Unexplainable (and get ad-free episodes) by becoming a Vox Member today: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/members⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Merry Christmas! (Kevin)Playlist: Sam Prekop - ParaJogging House - RuinTokyo Ambient Collective - Polar Bearaus（アウス） - SokoElizabeth Mitchell and Friends - Sing HalleluFrom Overseas - BreatheMark Van Hoen - XmasSteve Gunn - SafetyJakob Bro & Midori Takada - InfinityCian Nugent - I Am Asleep and Don't Waken MeJulianna Barwick - Merry Christmas Baby!Dark Mark (Mark Lanegan) - O Holy NightMason Lindahl - Vignette no. 1 - JoshuaWil Bolton - Coventry CarolLaura Cannell - Bleak MidwinterDylan Golden Aycock - Light Peeking ThroughWilliam Tyler - HeldElyot - SnowmanDenison Witmer - Slow Motion SnowOld Saw - Salt TarOld Saw - Salt TarGlenn Jones - A Different Kind Of Christmas CarolJim White and Marisa Anderson - The Other Christmas SongBill Orcutt - SanctuaryThe Mermen - Arabian Dance (From The Nutcracker Suite)Zachary Cale - Love's WorkFelbm - winter viCass McCombs - Peace

Video games forever!Playlist: Trevor Morris - Dragon Age Inquisition ThemeHans Zimmer - You Have Everything That you NeedChristopher Tin - Live Gloriously (Main Theme)T's MUSIC - Ezofuji, Wawku ShrineLondon Philharmonic Orchestra - Skyrim: Far HorizonsLondon Philharmonic Orchestra - Legend of Zelda - The Windwaker: Dragon Roost IslandLeague of Legends - 2025 World Championship ThemeTina Guo - HaloAndreas Waldetoft - Stellaris Suite: Creation and BeyondViktor Ingi Gudmundsson - Heirs of AemaTai Tomisawa - Gnoster, Wisdom of NightBlack Salt Games - The Collapsed townAustin Wintory - The Perfect WaveLeo Kaliski - KyovashadMiwako Chinone - Base Camp (Night)Darren Korb - Lament of Orpheus (Underworld Mix)Darren Korb - Doomed CityChristopher Larkin - Bone BottomKatamari Damacy Series Sound Team - JOY: Syrtos by Gardeners who love Katamarisubversiveasset - WinterJerry Martin - Under ConstructionAkira Yamaoka - Promise of the ForgottenLudvig Forssell - Over the DunesSIE Sound team - Moonlit MelodyLorien Tesard - Spring Meadows - Cello MotifsRobyn Miller - The Last MessageConcernedApe - Dance of the Moonlight JelliesTrigg & Gusset - Westwardly Winds

Évszázadokon átívelő zenetörténeti elemzések, kortárs popzenei leágazások és személyes kapcsolódások érnek össze Fazekas Gergely zenetörténész írásaiban, melyek közül az elmúlt években számos a 444-en jelent meg, és melyeket idén egy kötetben fogott össze. Így adta magát, hogy a Nem rossz könyvek podcastban a komfortzónánkból kissé kimozogva, zenetörténeti és zenehallgatási kérdésekről beszélgessünk Fazekas Gergellyel, aki nemcsak a Zeneakadémia tanára, de mellette a popdalokat szétszedő Dalszerelőműhelyt is vezeti. A tartalomból: 00:00 Készülve már az évzáró részre, most csak egyetlen könyvet említünk röviden: Veronica Pacini - A nő teste. 02:30 Vendégünk Fazekas Gergely, akit elsőnek a zenéhez vezető útjáról és az első emlékezetes lemezről kérdezünk. (Otto Klemperer - Bach H-moll mise) 07:40 Mit csinál egy zenetörténész? És mit ad ehhez a filozófia? 14:00 Mennyit számít, hogy gyerekként mit hallgatunk? A klasszikus zene közönsége nem öregszik, hanem alapvetően nem fiatal. 16:45 Hogyan lehet egyáltalán zenéről írni? Az élményt magát írásban visszaadni nem feltétlen lehet, de az élménynek megágyazni meg lehet a szöveggel. És a zenekultúra, amiben benne élünk, akkor is, ha nem tudunk róla: John Williams, mint zseniális 19. századi szerző. 26.30 Mitől hat ránk a zene? Pogány Induló, aura és bongortól az Apa. 30:00 A zenei kánon, amit ismerünk, és ki az, aki megérdemelné, de még sincs igazán benne? Például Henry Purcell. És mi lenne velünk, ha többé nem hallgatnánk 1985 előtti zenét? Még egy zeneszerző, akit érdemes ismerni: Jan Dismas Zelenka. 34:50 A 20. század egyik legfontosabb zeneműve: John Cage 4'33-ja, és Paul McCartney új néma dala az AI ellen. És a feltételezés, hogy a klasszikus zene még mindig inkább védett övezet az AI-jal szemben, legalábbis a popzenéhez képest biztosan. 42:30 A megszelídülő popzene és a gyerekek által mutatott zenék jelentette kihívások. Az emlegetett Carson Coma-cikk, és a szintén emlegetett Jean-Baptiste Lully. A szintén szóba hozott Rosalía albumról pedig írtunk is. 49:30 Hogyan hallgassunk zenét? Zenehallgatási típusok 53:30 Három lemez és három könyv Fazekas Gergely ajánlásában: Víkingur Ólafsson - Opus 109, Concerto Copenhagen - Bach H-moll mise, és Beyoncé - Cowboy Carter, valamint David Szalay - Flesh, Biró Zsombor Aurél - Visszatérő álmom, hogy apám vállán ébredek (podcastunk a szerzővel itt), és Jón Kalman Stefánsson életműve. See omnystudio.com/listener for privacy information.

(Kevin)Playlist: 3ofmillions - Her Subtlety In My SubconsciousKelly Moran, featuring Bibio - Don't Trust MirrorsDania - Write My NameMALIBU - Watching People Diecitrine - foreverJoanne Robertson - Last HayGray Acres - Soft ErasureDaou - Summer ArpHeather Stebbins - On SeparationClaire M Singer - Rionnag a TuathGwenifer Raymond - Bonfire of the BillionairesOld Saw - LacustrinaThe Notwist - Das VerschwindenQuiet Winter - BirdJim Jarmusch & Anika - JetlagJon Porras - FieldsGamardah Fungus - LindenSusumu Yokota - SakuJJJJJerome Ellis, featuring Haruna Lee, James Harrison Monaco, Ronald Peet, and S T A R R (busby) - Vesper SparrowTortoise - Works and DaysJohn Thayer - Moon RidgeJonah Parzen-Johnson and Lau Nau - Bus Driver

Playlist: John Hayes, il:lo - All the MemoriesJesse Kendal - FeltTWO LANES - MovementTWO LANES - HealingMikael Lind - Arbitrary LimitsJosh Semans - In Shafts of Dust & LightChristian Löffler - When Everything was NewChristian Löffler - MoldauJakob Ahlbom - The Sun Might Rise in the WestARKAI - The Sound of SilenceAustin Wintory - The Lost GrottoToumani Diabaté And The London Symphony Orchestra - Hainamady TownTigran Hamasyan - Sonata for Percussion I: Memories from ChildhoodCarla Patullo, Martha Wainwright - Fly UnderMax Richter - Of the Undiscovered CountryEriks Estenvalds, Ensemble Altera - O salutaris hostiaSigur Rós - Ara BaturHollie Kenniff - Sharing Kindness - Solo Piano reworkVanbur - In the AbsenceFirst Snow of the Year - Polka DotsGood Weather for an Airstrike - Cast AsideSachi Kobayashi - BlurSteven Kemner - Even Now

En este episodio especial grabado en Valencia, fuimos testigos de algo verdaderamente mágico. Aurora, una voluntaria del público que jamás había tocado el piano en su vida, subió al escenario sin saber lo que le esperaba. Lo que ocurrió después desafía toda lógica: guiada solo por una partitura creada en el momento, Aurora tocó como si siempre hubiera sabido hacerlo. Fue uno de esos instantes inexplicables que solo pueden suceder en directo y que jamás se repetirán exactamente igual. Luis Antonio Muñoz utiliza este experimento para adentrarnos en el revolucionario trabajo de John Cage y su legendaria pieza 4'33", una composición formada únicamente por silencios. Entre reflexiones sobre el silencio de los pájaros tras la tragedia valenciana y la filosofía del compositor que se atrevió a escribir música sin notas, exploramos una pregunta inquietante: ¿dónde está realmente la magia, en la música o en nuestra forma de percibirla? Un episodio sobre señales invisibles, eventos irrepetibles y cómo a veces lo imposible simplemente... ocurre. Porque al final, como decía John Cage, el verdadero silencio no existe: solo tenemos que aprender a escuchar. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

(Kevin)Playlist: The American Analog Set - The Golden BandThe Notwist - One of These DaysThrowing Shapes - Chosen TalkTristan de Liège & Gregory Allison - Samatha IVWil Bolton - Early Morning RainChat Pile & Hayden Pedigo - OutsideClouds Echo In Blue - The Sound At The End of The WorldChristopher Willits - Recurrenceclaire rousay - somewhat burdensomecaroline - if you let them i'll let themDavid Cordero & Anthéne - VermilionGray Acres - VestigeRaúl Cantizano & David Cordero - FugazTiny Vipers - AronJessica Moss - Washing MachineSeabuckthorn, featuring Dean McPhee - Shadow Of The LandWeirs - EdwardOld Saw - Tilt of the LampElyot - Wheat and BreadMason Lindahl - Anticipation of the passed BatonGolden Brown - Dirt and StoneJoan Shelley - Wooden BoatSteve Gunn - A WalkJoe Harvey-Whyte & Paul Cousins - RecurEnsemble 0 - Revoir ColineJonah Parzen-Johnson & Lau Nau - First Time ViewerRafael Toral, featuring Yaw Tembe - You Don't Know What Love IsNala Sinephro - Dawn

We discuss Chase Hughes' concept of frames and scripts, using personas in design, and beauty in art and the concept of Deathworks developed by Philip Rieff. Chase Hughes - https://www.instagram.com/chasehughesofficial/?hl=en Frames, scripts, and personas Intent is required for beauty to exist Philip glass, Tacit (Matt got it wrong, it's John Cage and the piece is called 4'33”) - https://en.wikipedia.org/wiki/4′33″ Can art be malicious? Deathworks - art as mockery Seeing the ugly is is sometimes necessary Lord of the rings - “Some that die deserve life. Can you give it to them?” Find us here: x.com/mattmccloskey x.com/michaelvaclav All Matt's Links - https://solo.to/mattmccloskey All Michael's Links - https://solo.to/michaelvaclav Sovereign Goods - www.etsy.com/shop/SovereignThreadGoods Cafe Medici - mediciroasting.com/?srsltid=AfmBOo…9eDe2OliQmjTc2A

Today's episode is based on Mason Currey's piece, John Cage on the true meaning of discipline. You should subscribe to Mason's essential newsletter, Subtle Maneuvers. And here's his piece about totally insane, unhinged, helpful strategies. Mason's book, Making Art and Making a Living is available for pre-order here. The John Cage interview excerpts come from The Internet Archive. Hear the whole thing @John Cage interviewed by Jack Hirschman in Los Angeles, 1963. Mason was last on TBAS talking about procrastinating properly. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alec and Nick complete a series of discussions on foundational music discourses — classical music, sound systems, and in this episode: musical temperment. Defining temperement as the organization of the acoustic harmonic series, applied in performance, engineering and musical epistemology, the conversation expands on historical nuances in the aesthetic, technological and cultural implications of this evolving theoretical construction over time. Anchored with a comparison of J.S. Bach's equal tempered proof-of-concept — “Well-Tempered Clavier” (1722) — and LaMonte Young's 1964 rebuttal in just intonation, “The Well-Tuned Piano” (1964), the discussion extends the broad history of temperement into the realm contemporary music and inquires into the affect of digital sound production on this discourse. Topics include: Pythagoras, autotune, Vincenzo Galelei, Harry Partch, John Cage's works for prepared piano, the evolution of the western orchestra, Indian classical music, Noise, and more.

The music of composer, pianist, and cultural explorer "Blue" Gene Tyranny (1945-2020) in solos and collaborations recorded by Roulette from 2004-10 including archival commentary by the artist and a 2025 introduction by friend and colleague, the writer/producer Mary Griffin. We'll hear excerpts from pieces including A Letter From Home (2004 version) and Flipside (2008) with vocalists The Smithereens. "Blue" Gene Tyranny contributed to projects from Robert Ashley, Laurie Andersen, John Cage, and Leroy Jenkins to Carla Bley and Iggy Pop. Pianists Sarah Cahill and Joseph Kubera present a two-piano celebration of his work at Roulette on Nov. 20, 2025.https://roulette.org/

The music of composer, pianist, and cultural explorer “Blue” Gene Tyranny (1945-2020) in solos and collaborations recorded by Roulette from 2004-10 including archival commentary by the artist and a 2025 introduction by friend and colleague, the writer/producer Mary Griffin. We'll hear excerpts from pieces including A Letter From Home (2004 version) and Flipside (2008) with vocalists The Smithereens. “Blue” Gene Tyranny contributed to projects from Robert Ashley, Laurie Andersen, John Cage, and Leroy Jenkins to Carla Bley and Iggy Pop. Pianists Sarah Cahill and Joseph Kubera present a two-piano celebration of his work at Roulette on Nov. 20, 2025.

Robert Marx is president of The Fan Fox & Leslie R. Samuels Foundation, one ofNew York City's leading arts philanthropies.  Since 1995, Rob has appeared on the Metropolitan Opera's live Saturday afternoon radio broadcasts as an intermission host, commentator and Opera Quiz panelist.  His many broadcast interview subjects have included the late Supreme Court Justice Ruth Bader Ginsburg, stage director Robert Wilson, and former Met general manager Joseph Volpe.  From 1989-99 he was executive director of Lincoln Center's New York Public Library for the Performing Arts.   Among many new initiatives there, he created the Library's first touring program, sending exhibitions about choreographers Alvin Ailey and George Balanchine, director Harold Prince, and stage designer Ming Cho Lee across America and to Asia.  Major collection acquisitions included the personal archives of choreographer Jerome Robbins, impresario Lincoln Kirstein, composer John Cage, stage designer Boris Aronson, and producer Joseph Papp.   From 1987-1989 Rob was director of the National Endowment for the Arts Theatre Program, and was director of the New York State Council on the Arts Theatre Program from 1976-1983.

This week on Bad at Sports, Duncan MacKenzie and Ryan Peter Miller find themselves in Chicago with curator Bianca Bova and the indefatigable Kenny Schachter — artist, writer, teacher, collector, and provocateur. What begins as a conversation about Schachter's exhibition at Old Friends Gallery — featuring chicken-assisted artworks and bronze casts forged in Slovenia — quickly expands into a meditation on the art world itself. Schachter reflects on his collaborations, his obsession with foundries, and his refusal to keep resources secret. The group debates the zero-sum mentality of the art market, why artists sabotage themselves, and how absurd projects (sometimes with actual chickens) can be the most serious acts of art-making. Equal parts candid and comedic, the conversation cuts across auctions, art fairs, and the everyday realities of teaching. Expect reflections on generosity vs. gatekeeping, the fragility of the art system, and what it means to make art that is more conceptual than commercial. Highlights • Chickens as collaborators and muses. • The foundry in Slovenia that casts Rudolf Stingel's panels. • Why keeping fabricators secret is a sign of weakness. • Auctions as democratizing, even anarchic, art spaces. • The necessity of art in a divided and compassion-starved world. Names Dropped Kenny Scharf, https://kennyscharf.com/ Kenny Schachter, https://www.kennyschachter.art/ Bianca Bova, https://www.biancabovagallery.com/ Billy Connolly, https://en.wikipedia.org/wiki/Billy_Connolly Rudolf Stingel, https://gagosian.com/artists/rudolf-stingel/ Tobias Rehberger, https://pedrocera.com/artists/tobias-rehberger Paul Thek, https://whitney.org/exhibitions/paul-thek Giacometti, https://www.moma.org/artists/2141-alberto-giacometti Jerry Saltz, https://nymag.com/author/jerry-saltz/ Cy Twombly, https://cytwombly.org/ Jasper Johns, https://whitney.org/artists/653 Robert Rauschenberg, https://www.rauschenbergfoundation.org/ Joan Mitchell, https://www.joanmitchellfoundation.org/joan-mitchell Helen Frankenthaler, https://gagosian.com/artists/helen-frankenthaler/ Georgia O'Keeffe, https://www.okeeffemuseum.org/ Andy Warhol, https://www.warhol.org/ Joseph Beuys, https://walkerart.org/collections/artists/joseph-beuys Sigmar Polke, https://www.tate.org.uk/art/artists/sigmar-polke-2213 John Cage, https://www.johncage.org/ Devendra Banhart, https://devendrabanhart.com/ Brad Pitt, https://www.theartnewspaper.com/2022/09/19/brad-pitt-debuts-his-sculptures-in-finland Cindy Sherman, https://www.hauserwirth.com/hauser-wirth-exhibitions/cindy-sherman/ Robert Longo, https://www.robertlongo.com/ Julian Schnabel, https://www.julianschnabel.com/ Old Friends Gallery, https://www.oldfriendsgallery.com/

Alec and Nick return to podcasting to discuss their special respective connections to classical music. The conversation employs a back-to-basics overview of the form: what is classical music? What is NOT classical music? What was and is it? Taking a zoomed-out approach, the episode spans the culture, mechanics, operations, and evolution of classical music: arriving at an assessment of the “audacity of its form” in relationship to the dysfunction and cosmopolitanism of contemporary society. Johann Sebastian Bach, Igor Stravinsky, Richard Strauss, Maurice Ravel, Erik Satie, John Cage, Morton Feldman, Wolfgang Amadeus Mozart, and even … Béla Fleck & the Flecktones are all mentioned. 

What can you hear in silence? In this exploration of sound, host of the podcast "Twenty Thousand Hertz" Dallas Taylor tells the story of arguably the most debated musical composition in recent history -- composer John Cage's iconic piece 4'33" -- and invites you to take notice of the soundscape around you. Watch to the end to experience a performance of 4'33".This episode originally aired on August 12, 2020.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch.Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDSports: ted.com/sportsTEDAI Vienna: ted.com/ai-vienna Hosted on Acast. See acast.com/privacy for more information.