Podcasts about akasegawa genpei

Learn about a planet orbiting three stars at once; useless architectural relics; and deep conversations with strangers.  We found a planet orbiting three stars at once by Briana Brownell This May Be the First Planet Found Orbiting 3 Stars at Once. (2021). The New York Times. https://www.nytimes.com/2021/09/28/science/triple-sun-planet.html  ‌Siegel, E. (2021, September 30). Planet found orbiting three stars all at once. Big Think; Big Think. https://bigthink.com/starts-with-a-bang/planet-orbiting-3-stars/  ‌Scientists may have found the first known planet to orbit three stars. (2021). Science.org. https://www.science.org/content/article/scientists-may-have-found-first-known-planet-orbit-three-stars ‌ Smallwood, J. L., Nealon, R., Chen, C., Martin, R. G., Bi, J., Dong, R., & Pinte, C. (2021). GW Ori: circumtriple rings and planets. Monthly Notices of the Royal Astronomical Society, 508(1), 392–407. https://doi.org/10.1093/mnras/stab2624  Thomassons Are Functionally Useless Architectural Relics by Anna Todd Trufelman, A. (2014, August 26). Thomassons - 99% Invisible. 99% Invisible. https://99percentinvisible.org/episode/thomassons/ Thomassons: Those Peculiar Architectural Relics That Serve No Purpose | 6sqft. (2014, August 28). 6sqft. https://www.6sqft.com/thomassons-those-peculiar-architectural-relics-that-serve-no-purpose/ Everything we assume about deep conversations with strangers is wrong by Cameron Duke Getting beyond small talk: Study finds people enjoy deep conversations with strangers. (2021, September 30). EurekAlert! https://www.eurekalert.org/news-releases/929731  Kardas, M., Kumar, A., & Epley, N. (2021). Overly shallow?: Miscalibrated expectations create a barrier to deeper conversation. Journal of Personality and Social Psychology. https://doi.org/10.1037/pspa0000281  Follow Curiosity Daily on your favorite podcast app to learn something new every day withCody Gough andAshley Hamer. Still curious? Get exclusive science shows, nature documentaries, and more real-life entertainment on discovery+! Go to https://discoveryplus.com/curiosity to start your 7-day free trial. discovery+ is currently only available for US subscribers. See omnystudio.com/listener for privacy information.

Bill rambles about human behavior, Akasegawa Genpei, and controlling hormones.

Japanese artist Akasegawa Genpei was prosecuted in the 1960s for producing work that imitated money. His single-sided, monochrome prints of the 1,000 yen note generated a wide-ranging set of debates over the nature of obscenity, the definition of counterfeiting, and the freedom of artists amid significant transformations in Japanese state, society, and politics. In Money, Trains, and Guillotines: Art and Revolution in 1960s Japan (Duke University Press, 2013), William Marotti situates Akasegawa’s work within an ecology of the everyday in a wonderfully transdisciplinary study of avant-garde artistic production in postwar Japan. Marotti’s narrative combines close readings of literary, visual, and performative works with a careful political history of Occupation Japan, opening up a conversation about the politics of art in the global 1960s. Readers will find fascinating examples of experimental artistic production in these pages, in media ranging from collages to exhibitions to train trips to musical improvisations to waste materials of various sorts, and including the guillotines of the book’s title. Also included are explorations of the changing figure of the emperor in 1960s Japan and conversations about quarantine and scientific observation of the everyday world. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Japanese artist Akasegawa Genpei was prosecuted in the 1960s for producing work that imitated money. His single-sided, monochrome prints of the 1,000 yen note generated a wide-ranging set of debates over the nature of obscenity, the definition of counterfeiting, and the freedom of artists amid significant transformations in Japanese state,... Learn more about your ad choices. Visit megaphone.fm/adchoices

Japanese artist Akasegawa Genpei was prosecuted in the 1960s for producing work that imitated money. His single-sided, monochrome prints of the 1,000 yen note generated a wide-ranging set of debates over the nature of obscenity, the definition of counterfeiting, and the freedom of artists amid significant transformations in Japanese state, society, and politics. In Money, Trains, and Guillotines: Art and Revolution in 1960s Japan (Duke University Press, 2013), William Marotti situates Akasegawa’s work within an ecology of the everyday in a wonderfully transdisciplinary study of avant-garde artistic production in postwar Japan. Marotti’s narrative combines close readings of literary, visual, and performative works with a careful political history of Occupation Japan, opening up a conversation about the politics of art in the global 1960s. Readers will find fascinating examples of experimental artistic production in these pages, in media ranging from collages to exhibitions to train trips to musical improvisations to waste materials of various sorts, and including the guillotines of the book’s title. Also included are explorations of the changing figure of the emperor in 1960s Japan and conversations about quarantine and scientific observation of the everyday world. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Japanese artist Akasegawa Genpei was prosecuted in the 1960s for producing work that imitated money. His single-sided, monochrome prints of the 1,000 yen note generated a wide-ranging set of debates over the nature of obscenity, the definition of counterfeiting, and the freedom of artists amid significant transformations in Japanese state, society, and politics. In Money, Trains, and Guillotines: Art and Revolution in 1960s Japan (Duke University Press, 2013), William Marotti situates Akasegawa’s work within an ecology of the everyday in a wonderfully transdisciplinary study of avant-garde artistic production in postwar Japan. Marotti’s narrative combines close readings of literary, visual, and performative works with a careful political history of Occupation Japan, opening up a conversation about the politics of art in the global 1960s. Readers will find fascinating examples of experimental artistic production in these pages, in media ranging from collages to exhibitions to train trips to musical improvisations to waste materials of various sorts, and including the guillotines of the book’s title. Also included are explorations of the changing figure of the emperor in 1960s Japan and conversations about quarantine and scientific observation of the everyday world. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Japanese artist Akasegawa Genpei was prosecuted in the 1960s for producing work that imitated money. His single-sided, monochrome prints of the 1,000 yen note generated a wide-ranging set of debates over the nature of obscenity, the definition of counterfeiting, and the freedom of artists amid significant transformations in Japanese state,... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies