Podcasts about 1960s

Okay... the title EXAGGERATES, but for real...in the 1960s, scientists on St. Thomas try to teach dolphins how to speak English. And one of the dolphins...well, he was too horned up to learn. LSD gets involved, too. Watch the documentary The Girl Who Talked To Dolphins to get the whole scoop. See omnystudio.com/listener for privacy information.

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode, we'll introduce you to someone whose gratitude toward Vietnam veterans is a matter of regular, intentional practice. She has turned “thank you for your service” into a lifestyle. Because if it hadn't been for Vietnam veterans, she says, she might never have known freedom.

Send us a textThe battle between Hair Metal and Grunge. The effect of Garfield on my childhood. Some passing fads of the 1960s.Episode 190 is filled with fun old school nostalgia to help you feel young again, briefly.It starts with a look at the rise and pop culture relevance of Garfield the cat. From his humble beginnings as a fat, lazy orange cat in a comic strip to television, movies, and gobs of merch, Garfield has been making childhoods, including mine, better since 1978.We go way back in the day to look at a clash of styles. The battle for supremacy between hair metal and grunge music. One dominated the late 80s with screeching arena rock and unique looks. The other burst onto the scene in the early 90s, unpolished and raw. Which one won?A brand new Top 5 will showcase some 1960s passing fads. These things were briefly popular and ultimately flamed out. Clothing, hair styles, toys, odd inventions, they're all here, and a few were directly impacted by The Beatles.There is new This Week In History and Time Capsule looking back at the last time Halley's Comet passed by the Earth.For more great content become a subscriber on Patreon!Helpful Links from this EpisodePurchase My New Book Cape Cod Beyond the Beach!In My Footsteps: A Cape Cod Travel Guide(2nd Edition)Hooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogWebcam Weekly Wrapup PodcastCJSetterlundPhotos on EtsyListen to Episode 189 hereSupport the show

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.

Put on that harmonica holder and strum that acoustic guitar--this week, we're going all the way back to 1969 and talking to the legendary folk musicians behind supergroup "Two Sons, Two Daughters". What was it like to be in Greenwich Village in the middle of it all? How hard is it to keep a folk group together? What's Bob Dylan's deal? All is answered this week, my children! This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com . Also our livestreamed LIVE SHOW from 2/2 is now available, and if you buy it, you can get a discount to our Patreon! Go to dynasty.tv for more info!To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. patreon.com/aoaoaoapodArtists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Music by Gabriel Ponton. Edited by Conner McCabe. Thumbnail art by Grant Moore. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

Peggy looks at the history of distracted driving in the United States—and shares her thoughts on the most dangerous form of distracted driving and what needs to happen next. She says distracted driving is dangerous and far too many lives have been lost. She also: Explores research that was done in the 1960s. Discusses some hard numbers related to distracted driving. Identifies what we can all do to lead by example. peggysmedleyshow.com  Watch on YouTube (4/1/25 - 914) IoT, Internet of Things, Peggy Smedley, artificial intelligence, machine learning, big data, digital transformation, cybersecurity, blockchain, 5G, cloud, sustainability, future of work, podcast, driver distraction This episode is available on all major streaming platforms. If you enjoyed this segment, please consider leaving a review on Apple Podcasts.

Peggy looks at the history of distracted driving in the United States—and shares her thoughts on the most dangerous form of distracted driving and what needs to happen next. She says distracted driving is dangerous and far too many lives have been lost. She also: Explores research that was done in the 1960s. Discusses some hard numbers related to distracted driving. Identifies what we can all do to lead by example. peggysmedleyshow.com  Watch on YouTube (4/1/25 - 914) IoT, Internet of Things, Peggy Smedley, artificial intelligence, machine learning, big data, digital transformation, cybersecurity, blockchain, 5G, cloud, sustainability, future of work, podcast, driver distraction This episode is available on all major streaming platforms. If you enjoyed this segment, please consider leaving a review on Apple Podcasts.

In 1962, a group of college students met at a union retreat in Port Huron, Michigan—and wrote a document that changed political activism in America. Known as the Port Huron Statement, it became the foundation of the Students for a Democratic Society (SDS) and launched the New Left movement of the 1960s.In this episode of End of the Road in Michigan, we tell the story of how one summer retreat on Lake Huron gave rise to a nationwide call for participatory democracy, student protest, and generational change.To read more about this story, check out, Students for a Democratic Society (SDS) – How A Retreat in Port Huron Sparked the Student Protest Era of the 1960's

Kimberly Mitchell grew up in northern Wisconsin and became a highly accomplished military officer, but that hardly scratches the surface who she is — not to mention why. For those of you who reflect on the Vietnam War and ask yourselves what it was all for, Kim's story just might provide a pinpoint of light to shine on the answer.

Today on the Rarified Heir Podcast, we are talking to Michael Rivers, son of rock n' roll icon Johnny “Secret Agent Man” Rivers. Retired and in great health at age 82, Johnny Rivers has lived many lives as one of the groundbreaking musicians in the LA music scene since the early sixties. From session man to Sunset Strip headliner to #1 recording artist to the Monterey Pop Festival, record label owner and publishing mogul and beyond, Johnny Rivers has met and worked with everybody. From Alan Freed to Elvis Presley, from Roger Miller to PF Sloan, from Rickey Nelson to John Phillips, Johnny Rivers knew everyone. Michael was kind enough to join us as a guest today to give us a first-hand look into his father as both a dad and a celebrity. From having a charge account at the flagship Sunset Strip Tower Records to falling asleep in a booth at the ultra-exclusive On The Rox club above the famed Roxy nightclub on the Strip, Michael went with his dad everywhere. From recording sessions on Hollywood Blvd. to dinners at the Strip's most iconic vegetarian restaurant The Source, Michael was taken everywhere with his divorced dad, even places kids couldn't usually go. Not many of us remember the smell of the AMPEX tape machine at United Western Recorders in Hollywood like it was yesterday, but Michael can. We discuss how Johnny Rivers biggest hit, the theme song to the aforementioned “Secret Agent Man” came about to what it was like touring with his dad as first a tour manager and then a drummer in the 80s on Summer break. We also hear about how Johnny was a prudent businessman who bought property in Beverly Hills and Big Sur in the 1960s which he still owns to this day. If Gazzari's on the Sunset Strip, The Whisky A Go-Go and an unmade sequel to Easy Rider are up your alley, hang on, this episode is just around the corner. This is the Rarified Heir Podcast and everyone has a story.  

This week: Miyazaki Manabu's dramatic departure from the Communist Party, as his faith in the revolution wanes. What does a wannabe college revolutionary with no prospects turn to when the revolution fails to materialize? Show notes here. 

This Saturday, March 22nd, the Wing Luke Museum will hold a gala that honors its namesake. Wing Luke was born in 1925 in China. He moved to Seattle at age 6, and grew up helping his family run their laundromat and store. In 1962, he became the first person of color on Seattle’s City Council. Wing Luke would have turned 100 last month, but he died tragically at an early age. In his short time, he made lasting impacts to Seattle – many of which are still felt today. Guests: Ruby Luke, Wing Luke's sister Cynthia del Rosario, Wing Luke’s niece Faith Ireland, former Justice on the Washington State Supreme Court Ron Chew, journalist and former director of the Wing Luke Museum Related Links: The archival audio in that story came from the Seattle Municipal Archives Wing Luke Legacies: Celebrating Community Thank you to the supporters of KUOW. You help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes. Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

In this stirring epilogue to Episode 77, a former Navy SEAL finds a surprising and powerful way to pay tribute to his fallen friend. It's a heartwarming story full of tenacity and tenderness, reverence and providence… and most of all, teamwork.

  My favourite Saturday night viewing!  www.cocktailnation.net   Monica Mancini-Moon River Beegie Adair-Days of Wine and Roses Julie London-Charade Roland Shaw-The Spy Who Came In From the Cold Roger Williams-Lara's Theme  Jack Jones-Alfie Neil Hefti-Barefoot in the Park Dionne Warwick-Valley of the Dolls John Barry-The Knack Sergio Mendes-The Look of Love Singers Unlimited-Where is Love Ferrante and Teicher-Barbarella Ferrante And Teicher-Theme From The Apartment Swing Out Sister-Windmills Of Your Mind Andre Kostelanetz -Raindrops Keep Falling on My Head Andre Kostelanetz -Midnight Cowboy Mancini Theme From Hatari George Mann Orchestra- A Man and A Woman Lounge Crew-Pink Panther James Bond Sextet-You Only Live Twice

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On today's Quick Start podcast: NEWS: The phrase "Christ is King" sparks controversy as Rev. Johnnie Moore calls on Christians to reclaim it from extremists. FOCUS STORY: Oklahoma's education department faces pushback after proposing a Bible initiative in public schools. MAIN THING: How did the upheaval of the 1960s lay the groundwork for today's cultural and political chaos? Timothy S. Goeglein joins Billy Hallowell to discuss. LAST THING: Philippians 1:6 – "And I am sure of this, that he who began a good work in you will bring it to completion at the day of Jesus Christ." SHOW LINKS JESUS AND THE PROPHECIES OF CHRISTMAS : https://podcasts.apple.com/us/podcast/jesus-and-the-prophecies-of-christmas/id1783607035 NEWSMAKERS POD: https://podcasts.apple.com/us/podcast/newsmakers/id1724061454 DC DEBRIEF POD: https://podcasts.apple.com/au/podcast/d-c-debrief/id1691121630 CBN News YouTube: https://www.youtube.com/@CBNnewsonline CBN News https://www2.cbn.com/news Faithwire https://www.faithwire.com

Once again, we're diving deep into the Esalen archives to share a fascinating historical recording - this one featuring electronic music pioneer Doug McKechnie. In the late 1960s and early '70s, Doug McKechnie was at the cutting edge of musical innovation, harnessing the revolutionary Moog synthesizer to create mesmerizing sounds. McKechnie was a contemporary of iconic figures like Wendy Carlos, known for the 1968 record "Switched-on Bach," a collection of pieces by Bach that were performed by Carlos on the Moog synthesizer. This album, which won a Grammy for Classical Album of the Year, played a key role in bringing synthesizers to popular music. McKechnie was also tied to the Grateful Dead, contributing to the band's most experimental album, "Aoxomoxoa.” He also played at Altamont, not really a feather in anyone's cap, but it shows the breadth of his growing popularity, and that of the Moog synthesizer. Moogs are characterized by distinctive electronic timbres and pulsating rhythms, as well as hypnotic sequences. They are very much a part of the psychedelia of the late 1960s, fitting right in with the oil light shows, pop art, face paint and neon day glo colors of the time. The Moog's ability to generate evocative psycho-acoustic atmospheres allowed musicians like McKechnie to tap into the exploration of internal landscapes that seemed to naturally occur during psychedelic adventures. The performance you're about to hear was recorded live at Esalen in the late 1960s, preserved for decades on half inch to reel, then dusted off, digitized, and transported to you via the magic of podcasting. So sit back, relax, and let the Moog take you on a trippy auditory journey to a pivotal moment in musical and technological history.

On our 7th anniversary, in this episode of Talking Architecture & Design, we explore the evolving landscape of our cities and the ideas shaping how we live. Today, we're tackling urban density and taking a fresh look at an often-overlooked housing model—the humble 1960s walk-up unit block.Architect, author, lecturer and urban thinker Tone Wheeler joins us to discuss why these mid-century apartments still hold so much potential in today's housing crisis. From their efficient design and human-scale living to their adaptability for modern sustainability, we'll explore how these buildings can offer a viable alternative to high-rise developments.Are these walk-ups a relic of the past or a blueprint for the future? Let's find out.

Two countrymen explore Ireland's reverence for their national poet, W. B. Yeats. Then a Dublin journalist shares what it was like to grow up amid the turbulent societal changes in his city during the 1960s and '70s. And a guide from Belfast tells us why an Emerald Isle itinerary should include a visit to Northern Ireland. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.

This week: Miyazaki Manabu goes from the Sodai struggle at Waseda to an active participant in the violent clashes of the late 1960s student movement, as a part of the "action corps" of the Communist Party. We'll take an up close and personal look to see: what was it like to be a radical student in the 1960s? Show notes here. 

Bex Scott introduces us to an article from ClickAmericana.com all about gadgets and kitchen appliances from the 60s. She opens with a story about her finds from a recent Value Village thrifting trip that got her thinking about the sorts of small appliances she often finds there. What kind of futuristic ideas in kitchen gadgetry did the 1960s produce? And how did they advertise these new products? Join Bex to find out. From wall and under counter mounted can openers to bun warmers and toaster ovens, it's all here. The article features stunning images of the retro ads complete with color photos. Follow along with Bex as she learns which meat grinder can also grind hard almonds, the five good reasons for owning a General Electric rotisserie oven, and how 60s visionaries combined a portable mixer with a knife sharpener for the sake of convenience. Do you remember Presto coffee makers in white? Did you have a Redi-Oven? This episode will either make you scratch your head over the idea of owning an avocado colored blender or take you down memory lane with a Salton bun warmer.Resources discussed in this episode:Mid Century Show and Sale in Calgary, AB - April 12, 2025“1960s gadgets & small kitchen appliances made life a little easier” on ClickAmericana.com—Contact Rebecca Scott | Pyrex With Bex: Website: PyrexWithBex.comInstagram: @pyrexwithbex— TranscriptBex Scott: [00:00:02] Hey everybody, it's Bex Scott and welcome to the Pyrex with Bex podcast, where you guessed it, I talk about vintage Pyrex, but also all things vintage housewares. I'll take you on my latest thrifting adventures, talk about reselling, chat with other enthusiasts about their collections, and learn about a bunch of really awesome items from the past. Subscribe now on Apple, Spotify, or wherever you love listening to podcasts so you don't miss a beat. Everybody, this is Bex Scott and you are listening to the Pyrex with Bex podcast. I wanted to start off this episode with a little Value Village thrift store adventure. So I went into town with my husband and our daughter. Of course, she fell asleep on the way in. We were running some errands and we had some time to kill, so I asked Rob, my husband, if we could stop at Value Village and he said sure. So I let him stay in the car with our daughter, and I ran in to do a quick little ten minute run around the store, see if anything good was there. And lately Value Village hasn't been that great. There's been a lot of just broken things or missing pieces to things that I found. Today was a decent day, so there were some pretty beat up Pyrex. There was a Woodland Cinderella set, only three of the dishes, and it was priced at $35. It had some damage on the largest bowl, and I did consider it for a second, but I just couldn't justify paying $35 for that and the condition that it was in. Bex Scott: [00:01:47] I also found a Homestead 403 mixing bowl that had been through years of dishwasher use, and they wanted $15 for it. And another primary set, blue 401. They wanted $6 for it and it was missing a lot of its color. So that was a bit of what I found today. That was a disappointment. I did, however, find six mugs from the Spring Blossom Tabletopware coordinates set. These are the nine ounce mugs that were sold in sets of four, and I found six in this pattern. So I picked them up and they were a great price. I was a bit sad though because I found them, I grabbed them and then I walked down to the other aisle and this little girl looked at me and I gave her a smile. I thought she was just being friendly, but then I heard her say, hey mom, I just saw somebody take those green flower mugs. And the mom said, don't worry, we left them there for a reason. And I felt so bad because this little girl obviously wanted to take these mugs home, but the mom was set on her not having them for some reason, probably because they didn't need six vintage mugs in their house for their kids to use. But I hope she knows that they're going to a good home. Bex Scott: [00:03:13] I also found this amazing enamel fondue set in like a mustardy color with little flowers all over it, and it came with, I think it was six melamine divided plates and four forks with different colored plastic handles. That whole set is going to be in an upcoming mid-century modern show that I have a booth at in Calgary. It is my very first show that I'm ever doing. I have a ten by ten booth, three tables, so I'm excited to be thrifting to find some pieces that I can put in that show. If any of you are in Calgary and you hear this episode before I go to the show, it's April 12th, 2025, so you can catch me there and come and see some of the awesome pieces of Pyrex that I'm going to have there, and just other, other things that I have found over the last year or so. Going to Value Village today kind of brings me to my episode, where I always go down the appliance section, and I never expect to find anything in this section. It's usually a bunch of really beat up, lately it's been donut makers, those little instant donut makers or cake pop makers, so nothing really great in vintage, but it got me thinking about kind of the small kitchen appliances that people used in their home in the 1960s. Bex Scott: [00:04:47] So I was doing some research and I came across this really great article in, the websites called Click Americana.Com. So go to my show notes and navigate to this article. It's called 1960s Gadgets and Small Kitchen Appliances Made Life a Little Easier, and this episode is going to be a bit of a read through the article and take you through it, but I want you to make sure that you see these photos, because a lot of them are clips taken from old catalogs and magazines, and it'll give you a really great idea of the pieces and the appliances that they had in their kitchens. And a lot of these I have seen at Value Village before, and other thrift stores, and some of them I even have in my basement right now waiting to be sold. So it's kind of a bit of an educational episode and a fun little show and tell as well. Bex Scott: [00:05:40] So the first one we have is the retro wall-mounted manual can opener by Can-O-Mat. And this is from the 1960s, and the ad shows a little lady in the reflection of the can opener opening her can and it says most beautiful can opener made. Its clean, uncluttered beauty tells you Can-O-Mat is a masterpiece of mechanical simplicity. No levers, gadgets, wires or motors, just the easy turn of a single handle opens any can, any size, any shape. Leaves a smooth, safe drinking cup edge. That's why you'll find Can-O-Mat in most kitchens, where quiet, good taste and smooth efficiency are happily wedded. Any wonder its first choice of millions of style conscious homemakers? I struggle with can openers, all of the modern ones. I think they're terrible. I have trouble figuring out how to use them, and half the time they don't even cut properly. So it kind of has me thinking that I should be looking for one of these in the stores when I'm out and about. Bex Scott: [00:06:42] Next up we have the Oster electric meat grinder. It's called the Electric Power Unit. It sits on your countertop and it says versatile and powerful, Oster electric meat grinder slices through foods without tearing, bruising, or mashing. That sounds kind of gross. Speedily and effortlessly grinds all foods from toughest meats to the most delicate vegetables. Even grinds hard almonds. New economies, better meals, and far more pleasure in food preparation are yours every day from the very first day you own the Oster electric meat grinder. I don't know about you guys, but I find a lot of meat grinder parts when I'm shopping or when I've bought a lot at an estate sale or in an auction. They are never complete. I would love to be able to test out one of these meat grinders, but so far I haven't come across one that's a full unit. Bex Scott: [00:07:39] Next up we have the vintage General Electric rotisserie oven. This is really cute, it's a little countertop rotisserie oven and it says five good reasons for owning a General Electric rotisserie oven, in brackets, even if you have a good range oven. Number one is the rotisserie infrared broiler precision oven does so much more than an ordinary rotisserie. Does as many things, in fact, as an expensive range oven, and has range oven accuracy. Number two infrared broiling seals in the natural juices for best ever steaks and seafood. Brown and crusty outside. Delectable inside. Number three bake without heating up the kitchen. Separate baking element on bottom. Thermostatic heat control assure perfect cakes, breads, fancy desserts. Tilt top lid closes completely for baking. Glass window lets you peek in. This is like a fancy Easy-Bake oven. And then there's a picture. It kind of looks like a cat litter box with a lid on the top. Number four it has automatic push button controls. And number five, it's portable. You can cook anywhere with the General Electric rotisserie oven. That's pretty handy. You can take it to your friends houses. You could even cook in the parking lot if you have an outlet. Imagine taking this to a tailgate party. You just pull up your vintage rotisserie oven and put it on your tailgate. I would do that. Bex Scott: [00:09:07] Next up we have a waffle maker and it says makes four big waffles at a time. General Electric Sandwich Grill and Waffle Iron has reversible grids that make delicious pancakes too. Grills sandwiches, bacon, and eggs. This is one that we have a ton of modern equivalents of this, so it looks pretty similar to what we have now. I have a waffle maker, but it's a tiny one, but I can see how this would be awesome. It is massive. Next up is something that I see a lot of in the thrift stores. We have the vintage GE Stainless Steel automatic coffee maker, and this one is from 1961 and it has a cute little Christmas background. But I find that these vintage coffee makers make amazing coffee, and I've had many of them over the years where we've brewed our coffee in them, and it just tastes so much better than drinking from a Keurig or a Nespresso pod. Next, we have the front loading Toast-R-Oven toaster oven. So it's spelled toast with an R in the middle, and it has a pretty funny description. It says, hands the toast to you, no digging. Toasts all breads, any shape, top browns muffins, grilled cheese sandwiches. Bakes too, frozen desserts, meat pies, even meatloaf. And it is essentially just a countertop toaster oven. That's what it is. I always wanted a toaster oven as a kid because I remember my grandparents having one, and the toast comes out so nice in these toaster ovens. This might be a bad episode for me, because now I'm thinking of all the different things that I should be buying and my family will love me for having no kitchen counter space after I go out and hunt for all these pieces. Bex Scott: [00:11:05] Okay, next we have beats, whips, mixes, drinks, sharpens knives too. This is from 1961 and this is the General Electric portable mixer. Though it's only two and three quarter pounds, it's extra thorough with batters, extra gentle with sauces, extra marvelous with meringues. A free drink mixer fixes drinks in a whirl. This is a tongue twister. Remove beaters and plug in an optional accessory that sharpens knives. I've never seen one of these. Easily and safely. See the portable mixer in white, yellow, pink, and turquoise. Oh, those are some good colors. I would pick pink. At your General Electric dealers. It's very interesting actually. So you take off the beaters and then you can use it as the knife sharpener, or you can whip things up if you put the beaters back in. Okay, next we have the Salton Hotray appliance. I have sold so many of these hotrays. I've gifted them to my mother in law. And I have a few still in my basement. These ones are from 1962, and I find them almost every time I go to Value Village. And it's always fun to see which kind, because the top of them is always a different pattern. There's some pretty ones with flowers, there's some with just funky abstract designs. But it says here that it protects your dinner after you've cooked it. It can do this because the temperature of its radiant heat glass panel is thermostatically controlled to a point right under the cooking point. Thus, the food on it neither continues to cook nor to stand around growing cold. This means that those late coming husbands and extra drink guests will no longer pay the price of an overcooked and dried out dinner. And when dinner is finally served, hotray will put an end to your jumping up and down from the table. You just put the entire dinner on hotray, put hotray on the dining table, and serve from there. First will taste like firsts and seconds will taste as good as first. Of course, there's much more to Salton Hotray. Find me on Instagram and let me know, Did you guys use hotrays growing up? Do you still use hotrays? Do you like them? What are your thoughts? Bex Scott: [00:13:19] Next up we have the automatic can opener kitchen gadget from 1961, and I'm pretty sure this is one that my grandparents had, and they mounted it to the underside of their kitchen cabinet. I remember this growing up vividly. It says it removes or hinges the lid quickly, cleanly, with no jagged edges. Magnet holds lid away from food, mounts on wall or optional counter stand. Next, we have a whole variety of vintage toasters from 1963. So we've got the GE Toast-R-Oven. We have the Two Slice that gives you nine shades of toast. We have the Dominion Four Slicer, ideal for big families, toasts 1 to 4 slices at a time, pops them up high, gives perfect results automatically. And it's chrome. We have the GE High Lift. Pops bread extra high, has easy to read control for light, dark or nine shades between. We have your Flip-Door toaster. It has a tray attached. Just flip doors, toast turns automatically, in a walnut trim. And then last we have the Toastmaster Sovereign. Has new controls up front. New concave design. Silent timer assures perfect shade of toast every single time. Bex Scott: [00:14:36] Next up we have kitchen cooking and heating small appliances from 1963. We've got the Hand Mixer. Hangs on wall, has giant beaters and three speeds. The Toastmaster Portable Mixer has three speeds removable, cord. The Salton Gourmet Hotray. We have the Rotisserie Broiler, the 2-Burner Hotplate, the 1-Burner Hotplate, the Sunbeam Electric Frypan. It's completely immersible. Jumbo 12" Electric Skillet is automatic and washable. The Electric Buffet Server gives low heat, holds two quarts, and the Corning 10" Electric Skillet goes under broiler, yet on matching base, it bakes, stews and fries. And they have a little Corning blue cornflower on top of that guy. Bex Scott: [00:15:28] The low silhouette blender. This one my grandparents also had, and it has the super dangerous looking like machete knife little blade in the bottom of it that I always got scared of when I was washing it. It doesn't have anything to say about it. It's pretty self-explanatory. Low, off, or high, that's about it. Vintage Presto coffee pots in white and black. These are really cool looking, they're actually, they look kind of atomic, kind of space age. And it says, does anyone on your street have the white one yet? Pardon us, but we do make a perfectly wonderful coffee maker. It's the one on the left in stainless steel with rich, glossy black trim, fully automatic. It brews a cup a minute of marvelous coffee and keeps it hot. The open spout means easy pouring, easy cleaning too, because it won't trap bitter oils in residues, and you can dunk the entire coffee maker without a worry. Families who live with it every day just love it. Still, we've had a mild but steady clamor, it wasn't a complaint, but a question. People kept asking why not make it white? Most people like the black one, we said. We might not have the volume and weight for mass production, we said. We might have to price it higher and then nobody would buy it. This is all in a magazine ad, just so you guys know. So we made the white one anyway, it's the one on the right. It makes wonderful coffee the same as the black one. It does cost a few pennies more, but now you have a choice. This is a crazy ad. We don't think you'll have trouble finding a black Presto on your street, but if you hurry, you still might be first with the white one. And that might be quite a kick. Wowzas. Bex Scott: [00:17:13] Okay, Salton Bun Warmer, I have this, I've used it, it's amazing. It's so hard to find with the original cloth cover that closes and shuts, but I actually found one and it's great. So if you come across a Salton Bun Warmer, you'd better get it. It says it actually makes ordinary buns taste good, good ones taste great, and great ones taste like heaven on earth. The Salton Electric Bun Warmer won't perform miracles. It won't make our American mass produced buns and rolls taste like the kind grandma supposedly made 50 years ago. But what the Salton Bun Warmer will do is make rolls and buns taste a good deal better. It does this by keeping buns and rolls warm and fresh and crisp. And this ad, this is the exact one that I have. You can get the bun warmer for 9.95 or the French bread warmer for 11.95. Next up we have our Redi-Oven appliance tableside cooker from 1965. New, fast, easy, versatile, large capacity, compact electric oven that holds even a 3 pound roast or an 8 inch pie. Gleaming chrome finish with porcelain enamel interior. Automatic timer and controlled heat up to 500 degrees, perfect for preparing frozen foods, biscuits, baked potatoes right at the table. I want one of these. I've never seen this, but I want it. Double bonus $7.50 value international Silver Party Tray, plus free coupons for these famous frozen foods. Oh, so they were giving away this leaf shaped serving tray with a spoon as well. Bex Scott: [00:18:55] Vintage 1960s Ronson Foodmatic in-counter appliance. Ronson Foodmatic slices, shreds, grinds meat and coffee, juices oranges, crushes ice, it even cooks. That is a versatile piece of equipment. It's very interesting looking as well. It sits on top of your counter. You can put beaters in there for baking. What else does it say? Automatic timer, solid state speed, beater clutch and arm release, speed selector guide. It's quite the 1969 invention. Okay, next up we have vintage small kitchen appliances and decorator colors from 1969. General Electric gives you a festival of color, flame, avocado, and harvest. Appliances include a can opener slash knife sharpener, portable mixers and stand mixers, Dutch skillet, buffet skillet, and a blender. I love these colors. These are awesome. Not so much the avocado, but I could see myself with the harvest yellow one or the flame. The flame is a really nice red. And that is it for our 1960s gadgets and small kitchen appliances. I hope you guys go to the show notes to get a great visual of the items that I talked about, and find me on Instagram at Pyrex with Bex, and let me know if you remember growing up with any of these appliances, what you loved, what you didn't, and if you have any in your kitchen now. Thanks everybody. 

Today, Frizz and Bob FINALLY dive into one of the best written and sold records of all time, Carole King's Tapestry. Frizz poured Knob Creek Bourbon and Bob enjoyed a single barrel of Yellowstone Bourbon as we learned about some gross idiot royals, how Carole's LA friends pushed her to be the star she became, and her never-ending legend as a writer- all while trying not to go tumblin' down, tumblin' down.

This is an Encore Presentation of my 2021 interview with Felix Cavaliere, a co-founder, lead singer, songwriter and keyboardist for The Rascals, one of the greatest rock bands of the 1960s. His voice can be heard on so many #1 hits including “Good Lovin'” and “Groovin”. He's been inducted into the Rock And Roll Hall Of Fame and the Songwriters Hall Of Fame.My featured song is “Yeah Yeah” from the album PGS 7 by my band Project Grand Slam. Spotify link.---------------------------------------------   The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------ROBERT'S RECENT SINGLES:“LOVELY GIRLIE” is Robert's latest single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Tupac Shakur was many things. He was a supremely talented MC and was wildly charismatic in front of the camera. He was also violent, angry and completely unable to keep himself out of trouble. Part one of his story traces his rise through the radical influence of his Black Panther lineage, the deadly violence that seemed to follow him wherever he went, and the inevitability of both prison and superstardom. To see the full list of contributors, see the show notes at www.disgracelandpod.com. This episode was originally published on January 26, 2021. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Doyle Glass is not a Vietnam veteran. In fact, he never served in the military. But he has dedicated a significant chunk of his professional life to collecting and preserving the first-hand accounts of people who did. “You get inspired to do good things,” he says, “and to toughen up.”

New adventures await Walt and his teams in the 1960s. Disney looks to expand its themed entertainment across the country with creations for the New York World's Fair. Walt also plans to build a city on swampland in Florida. At the box office, he produces more live action films than ever before. One of those movies is considered his greatest onscreen masterpiece. Thanks for joining us at The Hub as we take another look at Disney Through The Decades.Hosts John Alois, Shawn Degenhart and John Redlingshafer would love to hear from you! Email or send a recorded audio message at podcast@thehyperionhub.com. Find us on social media. The Hyperion Hub is not affiliated with the Walt Disney Company or its subsidiaries.  https://www.facebook.com/profile.php/?id=100063622463796 https://www.instagram.com/hyperion_hub/ https://twitter.com/i/flow/login?redirect_after_login=%2FHubHyperion

Guest:Guest: Joanne Higgins 

James Bond movie posters are very popular with collectors.  And of course, it all started in the 1960s.  Join Dan and Tom as they welcome the founder and editor of 007 Magazine, Graham Rye to help decode the 1960s James Bond posters.    We are very happy that Graham was able to join us.  His knowledge of 40 years of James Bond that he has acquired by creating 007 Magazine is amazing.  How much about these posters do you REALLY know? This is one of our episodes where we can predict you will hear something you didn't know before.   DR. NO, FROM RUSSIA WITH LOVE, GOLDFINGER, THUNDERBALL, YOU ONLY LIVE TWICE, and ON HER MAJESTY'S SECRET SERVICE all had very distinctive posters, lobby cards, door panels and more created to market each movie.   But, what's behind those posters?   Some of the things we look at include:  The difference between British and American posters  The action portrayed  The composition of the figure of Sean Connery's James Bond on the cover of DR. NO  Who the talented artists were behind these posters    You can find 007 Magazine here: JAMES BOND 007 MAGAZINE - FOR THE JAMES BOND CONNOISSEUR!  The amount of information they have is staggering.  Tell us what you think about our discussion of the 1960s James Bond posters  So, did you learn anything new about the 1960s James Bond movie posters?  Let us know what was new to you.  Also, please let us know your thoughts, ideas for future episodes, and what you thought of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!    You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.    Episode Webpage: https://bit.ly/4brh8YQ

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In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett present a conservative critique of the lasting social, cultural, and economic changes that emerged from the 1960s, with particular focus on how these changes continue to shape modern American society. --

The legendary and patriotic Pat Boone joins me ahead of his Omaha events in late May with Ann-Margret and PatrioticProductions.org.

Chelsea Rose digs into the recent past in this episode of Underground History.

Attacks on civil rights, economic anxiety, war abroad — the same things that worry Chicagoans today were also on people's minds in the 1960s. That's what emerges from Studs Terkel's seminal oral history “Division Street: America.” The podcast “Division Street: Revisited” takes us back through those interviews and checks in with the subjects and their families 60 years later. Two of the show's team members, Mary Schmich and Bill Healy, talk with host Jacoby Cochran about who Studs Terkel was and why these interviews still resonate. Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this February 20th episode: TimeLine Theatre Company Griffin Museum of Science and Industry Babbel — Get up to 60% off at Babbel.com/CITYCAST Steppenwolf Theatre Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

With Lew SmoleySupport the show

Barney and Betty's story goes public, and the US media decides they made up this alien story because of how hard it was to be an interracial couple in 1960s America. It's infuriating. Enjoy!theparanoidstrain.comfacebook.com/groups/theparanoidstrainpatreon.com/theparanoidstrain Hosted on Acast. See acast.com/privacy for more information.

The men who did dangerous work had a special kind of insurance policy. But when somebody wanted to collect on that policy, the claims investigator suddenly became a member of… The Risk Profession by Donald E. Westlake. That's next on The Lost Sci-Fi Podcast.If you enjoy today's story by Donald E. Westlake, you might also like The Spy in the Elevator, another Westlake tale we narrated about 10 months ago. Originally published in Amazing Stories in March 1961, today's treat can be found on page 96. The Risk Profession by Donald E. Westlake…Next on The Lost Sci-Fi Podcast, The aliens wouldn't accept help, though their world was about to explode. They were adolescents. Adolescence is the time when you aren't smart enough to ask for help… The Untouchable Adolescents by Harlan Ellison☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsV===========================

In the final installment of this series, we take a closer look at the legacy of MACV-SOG, including the immediate aftermath of the U.S. withdrawal from Southeast Asia, coming home, controversy, vindication, and SOG's lasting impact.

We recently held a virtual podcast recording where we invited participants to come up with a topic of their choice. Jim set the timer for 10 minutes and off we went. Today, Mark Neese tells us the story of his discovery of a trio of records by a garage rock band from Lansing, Michigan called The Plagues.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Hi, All - I'm Sam Stern. For the past several years, I've been lucky enough to work closely with the famed disorganized Esalen archives, diving deep into the history of this extraordinary place. I've fashioned several multimedia talks out of the material that I've uncovered, one on the history of altered states at Esalen, another on the 1970s and 80s. And recently, I had one of those rare, thrilling moments that every archive enthusiast—every crate digger, like me—dreams of. A while back, I made a trip out to a storage facility near the Monterey Airport, with the producer of this podcast, Shira Levine, and we found boxes upon boxes of historical materials—photographs, slides, notes, VHS tapes, catalogs. As I sifted through them, I stumbled upon something incredible: a box filled with 5” reel-to-reel tapes, very likely recorded in the 1960s and '70s by a man named Paul Herbert. This was the kind of find that makes you stop in your tracks. Material that had been thought lost—or at the very least, forgotten—suddenly resurfaced in my hands. As I carefully unraveled the reels, I realized I was holding audio time capsules, voices and ideas from Esalen's past waiting to be rediscovered. Today, I'm sharing one of those recordings. This reel was titled Music from the Big Sur Mountains, and to be completely honest, even after having listened to it, I'm not sure exactly what year it comes from. Based on what I know, I'd place it somewhere between the mid-1960s and mid-1970s. And it is exactly what it sounds like: music from the mountains of Big Sur. You'll hear musicians local to the area playing hand drums, outside, in the mystic air. But it's more than just drumming. This recording is alive with the sounds of Esalen itself—the rhythm of hands on drums, the voices of vocalists, the barks of dogs, the laughter and shouts of children, who are more than likely in their 50s and 60s now. It's a time capsule, a window into a world that no longer exists in quite the same way. - podcast description by Sam Stern and ChatGPT Sam's recent talk at the Berkeley Alembic on The History of Esalen in the 1970s and 80s: https://www.youtube.com/live/4AhzcvwsVT8

  Peter Golden is an award-winning journalist, novelist, and historian. His novels include Comeback Love, Wherever There Is Light, Nothing Is Forgotten , and Their Shadows Deep, just published, in which John F. Kennedy is a major character. During the course of his career, Mr. Golden has interviewed Presidents Richard Nixon, Gerald Ford, Ronald Reagan, and George H.W. Bush; Secretaries of State Henry Kissinger, Alexander Haig, George Shultz, and Lawrence Eagleburger; Israeli Prime Ministers Yitzhak Rabin, Shimon Peres, and Yitzhak Shamir; and Soviet President Mikhail Gorbachev. He lives with his wife near Albany, New York.   The KunstlerCast theme music is the beautiful Two Rivers Waltz written and performed by Larry Unger

Send us a textThis bonus episode covers the Cold War in the 1960sSupport the show

"PREVIEW: PACIFIC PALISADES: Colleague Jeff Bliss confirms widespread California media coverage of the LA Times report on Santa Ynez Reservoir, built in the 1960s to fight fires, now sitting empty. More later." 1920 Pacific Palisades