Podcast appearances and mentions of alison gerber

HOW TO MAKE A PEACE PALACE Philippians 4:8-9 | Alison Gerber

AI and Preaching AuthenticallyYour support sends the gospel to every corner of Australia through broadcast, online and print media: https://vision.org.au/donateSee omnystudio.com/listener for privacy information.

Ways to Get Lost Luke 15 | Alison Gerber

Who Sang This Song? Psalm 39 | Alison Gerber

Jim Place, Jayme O'Donnell and guests cover all the bases, providing a financial advice show that's actually informative and entertaining. Subscribe and listen to make this podcast one of the most profitable parts of your day.

How can you preach with a Biblical imagination? Alison Gerber, pastor at Second Congregational Church in Massachusetts explores that question with our co-host, Kevin Miller. She uses the imagination, to help the Biblical narrative come alive for her listeners. Gerber said “If we do have this purpose to see lives change. Some imagination is going to be required.”  Her first phase in sermon prep is nailing down the big idea. Gerber still employs Haddon Robinson's method of preaching: “exegeting the text, reading the text, word studies, and coming down to the core central idea.”  After that, she starts writing and developing the sermon. If it's a narrative sermon, she asks herself the question “how am I going to tell this story, or enter into it?” “Really my goal with all of this is to bring the senses into the sermon,” said Gerber. Putting your congregation into that space, of the Biblical text. Describing tactile elements help paint a picture, so that listeners can listen and see what's happening in Biblical story – that may feel foreign to them, otherwise.  Learn more about Alison on her website. Check out what was referenced on the podcast: Edwin M. Yamauchi, and Marvin R. Wilson's book A Dictionary of Daily Life in Biblical and Post-Biblical Antiquity, Hendrickson Publishers. 2014  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alison Gerber joins David and Jill to talk about the reality of post-natal psychosis. Wild stuff! facebook.com/rhrpodcast | soapandropetheatre.com | inthecarmedia.com

Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wingham Rowan, Director of "Beyond Jobs" and Alison Gerber, Senior Associate from the Annie E. Casey Foundation join the program to discuss the report "Beyond Gig Work: Public Markets For Irregular Employment" and the takeaways from the study. Discover the implications of the gig economy and the opportunities that irregular employment create for the workforce system as a whole.

Gerber manages