Podcasts about french mediterraneans transnational

Episode 156: Comment disséminer les leçons algériennes ? Nils Anderson et la naissance du "Tiers-mondisme" 1957-1969 Dans ce podcast, Pr. Todd Shepard, historien à l'Université Johns Hopkins présente une conférence intitulée : Comment disséminer les leçons algériennes ? Nils Anderson et la naissance du ‘ Tiers-mondisme' 1957-1969. À l'époque de la décolonisation, un nouveau type de maison d'édition a vu le jour dans plusieurs pays d'Europe occidentale, qui a introduit dans le débat public des vérités coloniales autrement réduites au silence. Une lutte anticoloniale en particulier a catalysé la tendance générale : la révolution algérienne. Le plus intrigant des nouveaux éditeurs européens nés de la lutte algérienne est La Cité, qui est le fruit des efforts de Nils Andersson. L'opération d'Andersson a vite adopté une position qui était politique plutôt que seulement morale : pas simplement « contre la torture » mais un alignement clair sur la lutte de libération du FLN. Cette conférence explore comment ces efforts ont donné lieu à de nouveaux moyens de distribuer la pensée critique. Todd Shepard est professeur d'histoire à Arthur O. Lovejoy et co-directeur du programme d'étude des femmes, du genre et de la sexualité à Johns Hopkins Université. Sa recherche explore la France et l'Empire français du XXe siècle, en mettant l'accent sur la façon dont l'impérialisme se croise avec les histoires de l'identité nationale, des institutions d'état, de la race et de la sexualité. Son premier livre, The Invention of Decolonization: The Algerian War and the Remaking of France (2006) a remporté plusieurs prix ; une traduction française révisée et mise à jour est parue sous le titre : 1962, Comment l'indépendance algérienne a transformé la France (2008). Sa deuxième monographie, Mâle décolonisation. L'«homme arabe» et la France, de l'indépendance algérienne à la révolution iranienne  (2017) est paru en anglais sous le titre de Sex, France, and Arab Men, 1962-1979. Il est l'auteur de Voices of Decolonization: A Brief History with Documents (2014) et de nombreux articles ainsi qu'en tant que co-éditeur de Guerre d'Algérie. Le sexe outrage(2016, avec Catherine Brun) et French Mediterraneans: Transnational and Imperial Histories (2016, avec Patricia M.E. Lorcin) Cet épisode, enregistré le 31 janvier 2023 a été co-organisé par le Centre d'Études Maghrébines en Algérie (CEMA) et le Centre de Recherche en Anthropologie Sociale et Culturelle (CRASC). Dr  Amar Mohand Amar, Historien et chercheur au CRASC a modéré le débat. Pour consulter les diaporamas associés à ce podcast veuillez visiter notre site web www.themaghribpodcast.com, * Découvrez également le premier podcast de Todd Shepard: épisode 71: Sex, France, and Arab Men, 1962-1979   Nous remercions notre ami Mohammed Boukhoudmi pour son interpretation de l'extrait de nouba, "Dziriya," par Dr. Noureddine Saoudi pour l'introduction et la conclusion de ce podcast. Réalisation et montage: Hayet Yebbous Bensaid, Bibliothécaire / Chargée de la diffusion des activités scientifiques (CEMA). 

Following a 2011 meeting of the annual Mediterranean Workshop at the University of Minnesota, Patricia Lorcin (a co-convener) approached Todd Shepard (one of the workshop participants that year) about editing a volume focused on the Mediterranean in the modern period. From the beginning, these two editors of French Mediterraneans: Transnational and Imperial Histories (University of Nebraska Press, 2016) envisioned a collection that would bring together authors whose work pushes against the boundaries of French and European history (from outside of and within these regional fields). Analyzing the history of the Mediterranean as geographic, social, cultural, political, intellectual, and discursive space from the nineteenth century to the era of decolonization, the book offers a critical history of the region understood in its transnational and imperial complexity. The volume is organized in three parts. Focused on maps and mapping, the first includes essays by Ali Yaycioglu, Ian Coller, Andrew Arsan, and Spencer Segalla. Examining frameworks of migration, the next section features essays by Edhem Eldem, Marc Aymes, Julia Clancy-Smith, and Mary Dewhurst Lewis. In the third part of the collection, authors Sarah Stein, Susan Miller, Ellen Amster, and Emma Kuby interrogate the margins of Mediterranean religious identity, medicine, and the legacies of the Holocaust. Through the analysis of a range of historical actors, events, and the mobilization of different methods and sources, the essays all think carefully through how forms of difference have shaped and divided the region over centuries: nations and borders, language, ethnicity, race, religion, class, and gender. Diverse in their objects of study and approaches, the essays in the volume share a preoccupation with the study of French Mediterraneans plural in their imaginations, populations, and politics throughout the era of modern imperialism. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Following a 2011 meeting of the annual Mediterranean Workshop at the University of Minnesota, Patricia Lorcin (a co-convener) approached Todd Shepard (one of the workshop participants that year) about editing a volume focused on the Mediterranean in the modern period. From the beginning, these two editors of French Mediterraneans: Transnational and Imperial Histories (University of Nebraska Press, 2016) envisioned a collection that would bring together authors whose work pushes against the boundaries of French and European history (from outside of and within these regional fields). Analyzing the history of the Mediterranean as geographic, social, cultural, political, intellectual, and discursive space from the nineteenth century to the era of decolonization, the book offers a critical history of the region understood in its transnational and imperial complexity. The volume is organized in three parts. Focused on maps and mapping, the first includes essays by Ali Yaycioglu, Ian Coller, Andrew Arsan, and Spencer Segalla. Examining frameworks of migration, the next section features essays by Edhem Eldem, Marc Aymes, Julia Clancy-Smith, and Mary Dewhurst Lewis. In the third part of the collection, authors Sarah Stein, Susan Miller, Ellen Amster, and Emma Kuby interrogate the margins of Mediterranean religious identity, medicine, and the legacies of the Holocaust. Through the analysis of a range of historical actors, events, and the mobilization of different methods and sources, the essays all think carefully through how forms of difference have shaped and divided the region over centuries: nations and borders, language, ethnicity, race, religion, class, and gender. Diverse in their objects of study and approaches, the essays in the volume share a preoccupation with the study of French Mediterraneans plural in their imaginations, populations, and politics throughout the era of modern imperialism. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Following a 2011 meeting of the annual Mediterranean Workshop at the University of Minnesota, Patricia Lorcin (a co-convener) approached Todd Shepard (one of the workshop participants that year) about editing a volume focused on the Mediterranean in the modern period. From the beginning, these two editors of French Mediterraneans: Transnational and Imperial Histories (University of Nebraska Press, 2016) envisioned a collection that would bring together authors whose work pushes against the boundaries of French and European history (from outside of and within these regional fields). Analyzing the history of the Mediterranean as geographic, social, cultural, political, intellectual, and discursive space from the nineteenth century to the era of decolonization, the book offers a critical history of the region understood in its transnational and imperial complexity. The volume is organized in three parts. Focused on maps and mapping, the first includes essays by Ali Yaycioglu, Ian Coller, Andrew Arsan, and Spencer Segalla. Examining frameworks of migration, the next section features essays by Edhem Eldem, Marc Aymes, Julia Clancy-Smith, and Mary Dewhurst Lewis. In the third part of the collection, authors Sarah Stein, Susan Miller, Ellen Amster, and Emma Kuby interrogate the margins of Mediterranean religious identity, medicine, and the legacies of the Holocaust. Through the analysis of a range of historical actors, events, and the mobilization of different methods and sources, the essays all think carefully through how forms of difference have shaped and divided the region over centuries: nations and borders, language, ethnicity, race, religion, class, and gender. Diverse in their objects of study and approaches, the essays in the volume share a preoccupation with the study of French Mediterraneans plural in their imaginations, populations, and politics throughout the era of modern imperialism. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Following a 2011 meeting of the annual Mediterranean Workshop at the University of Minnesota, Patricia Lorcin (a co-convener) approached Todd Shepard (one of the workshop participants that year) about editing a volume focused on the Mediterranean in the modern period. From the beginning, these two editors of French Mediterraneans: Transnational and Imperial Histories (University of Nebraska Press, 2016) envisioned a collection that would bring together authors whose work pushes against the boundaries of French and European history (from outside of and within these regional fields). Analyzing the history of the Mediterranean as geographic, social, cultural, political, intellectual, and discursive space from the nineteenth century to the era of decolonization, the book offers a critical history of the region understood in its transnational and imperial complexity. The volume is organized in three parts. Focused on maps and mapping, the first includes essays by Ali Yaycioglu, Ian Coller, Andrew Arsan, and Spencer Segalla. Examining frameworks of migration, the next section features essays by Edhem Eldem, Marc Aymes, Julia Clancy-Smith, and Mary Dewhurst Lewis. In the third part of the collection, authors Sarah Stein, Susan Miller, Ellen Amster, and Emma Kuby interrogate the margins of Mediterranean religious identity, medicine, and the legacies of the Holocaust. Through the analysis of a range of historical actors, events, and the mobilization of different methods and sources, the essays all think carefully through how forms of difference have shaped and divided the region over centuries: nations and borders, language, ethnicity, race, religion, class, and gender. Diverse in their objects of study and approaches, the essays in the volume share a preoccupation with the study of French Mediterraneans plural in their imaginations, populations, and politics throughout the era of modern imperialism. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Following a 2011 meeting of the annual Mediterranean Workshop at the University of Minnesota, Patricia Lorcin (a co-convener) approached Todd Shepard (one of the workshop participants that year) about editing a volume focused on the Mediterranean in the modern period. From the beginning, these two editors of French Mediterraneans: Transnational and Imperial Histories (University of Nebraska Press, 2016) envisioned a collection that would bring together authors whose work pushes against the boundaries of French and European history (from outside of and within these regional fields). Analyzing the history of the Mediterranean as geographic, social, cultural, political, intellectual, and discursive space from the nineteenth century to the era of decolonization, the book offers a critical history of the region understood in its transnational and imperial complexity. The volume is organized in three parts. Focused on maps and mapping, the first includes essays by Ali Yaycioglu, Ian Coller, Andrew Arsan, and Spencer Segalla. Examining frameworks of migration, the next section features essays by Edhem Eldem, Marc Aymes, Julia Clancy-Smith, and Mary Dewhurst Lewis. In the third part of the collection, authors Sarah Stein, Susan Miller, Ellen Amster, and Emma Kuby interrogate the margins of Mediterranean religious identity, medicine, and the legacies of the Holocaust. Through the analysis of a range of historical actors, events, and the mobilization of different methods and sources, the essays all think carefully through how forms of difference have shaped and divided the region over centuries: nations and borders, language, ethnicity, race, religion, class, and gender. Diverse in their objects of study and approaches, the essays in the volume share a preoccupation with the study of French Mediterraneans plural in their imaginations, populations, and politics throughout the era of modern imperialism. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Following a 2011 meeting of the annual Mediterranean Workshop at the University of Minnesota, Patricia Lorcin (a co-convener) approached Todd Shepard (one of the workshop participants that year) about editing a volume focused on the Mediterranean in the modern period. From the beginning, these two editors of French Mediterraneans: Transnational and Imperial Histories (University of Nebraska Press, 2016) envisioned a collection that would bring together authors whose work pushes against the boundaries of French and European history (from outside of and within these regional fields). Analyzing the history of the Mediterranean as geographic, social, cultural, political, intellectual, and discursive space from the nineteenth century to the era of decolonization, the book offers a critical history of the region understood in its transnational and imperial complexity. The volume is organized in three parts. Focused on maps and mapping, the first includes essays by Ali Yaycioglu, Ian Coller, Andrew Arsan, and Spencer Segalla. Examining frameworks of migration, the next section features essays by Edhem Eldem, Marc Aymes, Julia Clancy-Smith, and Mary Dewhurst Lewis. In the third part of the collection, authors Sarah Stein, Susan Miller, Ellen Amster, and Emma Kuby interrogate the margins of Mediterranean religious identity, medicine, and the legacies of the Holocaust. Through the analysis of a range of historical actors, events, and the mobilization of different methods and sources, the essays all think carefully through how forms of difference have shaped and divided the region over centuries: nations and borders, language, ethnicity, race, religion, class, and gender. Diverse in their objects of study and approaches, the essays in the volume share a preoccupation with the study of French Mediterraneans plural in their imaginations, populations, and politics throughout the era of modern imperialism. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices