Podcasts about remaking

On Monday night, in front of a live audience, I talked to Fareed Zakaria about the different political age he believes we've entered. Zakaria is the host of “Fareed Zakaria GPS” on CNN and the author of the 2024 book “Age of Revolutions: Progress and Backlash From 1600 to the Present.” To mark the release of the book in paperback, Zakaria invited me to have this conversation at Symphony Space in New York City. We discuss the “revolution” we may be living through, the forces driving it,  and how the Democratic Party can adapt.Mentioned:The Tea Party and the Remaking of Republican Conservatism by Theda Skocpol and Vanessa Williamson"The Time Tax" by Annie Lowrey"Behind Trump and Vance Is This Man's Movement" by Ezra Klein"The end of progress against extreme poverty?" by Max Roser"What Does the ‘Post-Liberal Right' Actually Want?" by The Ezra Klein ShowEscape from Freedom by Erich FrommBook Recommendations:A Preface to Morals by Walter LippmannThe Coming Of Post-Industrial Society by Daniel BellThe Lost City by Alan EhrenhaltThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker.  Our senior engineer is Jeff Geld. Mixing by Isaac Jones. Our executive producer is Claire Gordon.  The show's production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Marina King and Jan Kobal. Original music by Dan Powell and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Episode 4940: Dems Call For Rebellion In Military; Remaking America The Industrial Superpower

For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States. This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States. This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States. This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States. This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

We would like to thank our advertisers for our podcast: This episode is brought to you by Gold Co! Get up to $10,000 in FREE silver when you go to https://DineshGold.com. Don’t wait - The time to invest in gold and silver is now! In this episode, Dinesh reveals the strange politics behind the Jeffrey Epstein saga. Dinesh explains why he doesn’t believe Tucker’s account of being attacked by a demon. Professor Ge Bai, of Johns Hopkins University, joins Dinesh in-studio to explore how Obamacare can be tossed for something better.See omnystudio.com/listener for privacy information.

Two articles caught our attention. The first was in The Hollywood Reporter about a new movie theater concepts with private rooms and high end food in New York. The second was a story about the power of IMAX in the movie industry, per the Wall Street Journal.  In this episode, Joe Pine, Aransas Savas, and Dave Norton discuss the evolving landscape of the movie theater experience, particularly in light of the pandemic's impact. They explore new concepts in Hollywood, such as premium movie theaters and IMAX, and how these innovations cater to changing consumer preferences. The conversation emphasizes the importance of customization, personalization, and the need for theaters to create engaging experiences that resonate with audiences. The hosts also provide valuable insights for experience strategists on how to adapt to these trends and enhance the overall consumer experience. Takeaways The pandemic significantly impacted the movie theater industry, leading to a decline in attendance. Premiumization is a key trend in the film industry, focusing on enhancing the overall experience. Customization and personalization are crucial for attracting audiences back to theaters. Consumers decide the 'when' or the situation, then watch the movie Theaters need to innovate and create engaging environments to compete with home viewing. Experience strategists should measure the money value of time (MVT) in their offerings. The integration of social components can enhance the movie-going experience. Chapters 01:23 Hollywood's New Movie Theater Concepts 02:38 The Impact of the Pandemic on Movie Theaters 04:47 Premiumization in the Film Industry 06:40 Customization and Personalization of Movie Experiences 08:57 Consumer Preferences Post-COVID 11:38 The Role of IMAX and Alternative Experiences 16:41 Innovations in the Theater Space 20:15 Key Takeaways for Experience Strategists   Read More: https://www.hollywoodreporter.com/business/business-news/inside-metro-private-cinema-tim-league-movie-theater-1236311204/ https://www.wsj.com/business/media/imax-movie-release-trend-6f4587a2?st=PKpj1G&reflink=desktopwebshare_permalink Podcast Sponsors: Learn more about Stone Mantel https://www.stonemantel.co Sign up for the Experience Strategist Substack here: https://theexperiencestrategist.substack.com  

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For Pete's Sake 11.08.25 - Three of the Most Important Stories of the Week!

Andrew Yang traces his path from failed entrepreneur to 2020 presidential candidate driven by a single realization: automation has already destroyed millions of American jobs, and the next wave will be exponentially worse. Through his work with Venture for America, he witnessed firsthand the economic devastation in Detroit, Ohio, and the Midwest—where automated manufacturing jobs created the conditions that elected Donald Trump. Yang argues that artificial intelligence will soon eliminate truck driving, retail, call centers, and even white-collar professions like law and accounting. His solution is Universal Basic Income—a $1,000 monthly Freedom Dividend for every American adult, funded by a Value Added Tax on tech companies. He dismantles objections about affordability and work ethic, revealing how the policy would grow GDP by $2.5 trillion, create 4.5 million jobs, and transform America into a human-centered economy before technological displacement pushes society off a cliff. Hosted on Acast. See acast.com/privacy for more information.

Subscribe on Patreon and hear this week's full patron-exclusive episode here: https://www.patreon.com/posts/142681697 Beatrice and Tracy speak with Bench Ansfield about their new book charting the rise of the FIRE economy (finance, insurance, real estate) in the 1970s and how this new evolution of racial capitalism led landlords to set fire to their own buildings in the Bronx and throughout the US, placing the blame on—and pathologizing—the very tenants they were dispossessing. Find Bench's book, Born in Flames: The Business of Arson and the Remaking of the American City, here: https://bookshop.org/a/118130/9781324093510 Runtime 1:22:49 After many, many requests we're testing out a new Bookshop.org page (still under construction), where you can find books by past guests and book recommendations from the hosts. Find it here: https://bookshop.org/shop/deathpanel Show links: Get Health Communism here: https://bookshop.org/a/118130/9781839765179 Find Tracy's book Abolish Rent here: https://bookshop.org/a/118130/9798888902523

The crash of the NFT market led OpenSea to fire more than half of its staff. But the startup has reinvented itself into a place for buying and selling all tokens, including memecoins, and trading volume is surging once again. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Round Table's APEC Youth Series, where we spotlight a new generation reshaping the Asia-Pacific. In this special series, we'll meet the young changemakers who are redefining "development" across the region. For our first conversation, Round Table's Niu Honglin is joined by Lv Xiaoning, co-founder of the Asia Pacific Entrepreneurs Annual Forum. On the show: Niu Honglin, Steve & Yushan

Quentin Hart is the mayor of Waterloo, Iowa and has made significant changes. Including a new bridge, which made a real difference. He was recently inducted into the Iowa League of Cities Hall of Fame. Things are happening in Waterloo, just listen. GoodGovernmentShow.com Thanks to our sponsors: The Royal Cousins: How Three Cousins Could Have Stopped A World War by Jim Ludlow Ourco Good News For Lefties (and America!) - Daily News for Democracy (Apple Podcasts | Spotify) How to Really Run a City Leading Iowa: Good Government in Iowa's Cities (Apple Podcasts | Spotify) Executive Producers: David Martin, David Snyder, Jim Ludlow Host/Reporter: David Martin Producers: David Martin, Jason Stershic Editor: Jason Stershic

We are thrilled that this podcast is airing right after the 2025 American Society for Bioethics and Humanities meeting. It is based on a 2024 ASBH workshop “Remaking Bioethics Together.” Our guests are Stephen Molldrem, PhD, assistant professor and the research program director in Bioethics and Health Humanities at the University of Texas Medical Branch School of Public and Population Health, Krishna Chokshi, MD, associate professor of medicine in the division of hospital medicine at the Mount Sinai Hospital in NYC, Jonathan Shaffer, PhD, assistant professor in the department of sociology at the University of Vermont and Zackary Berger, MD, PhD, associate professor at the Johns Hopkins Bloomberg School of Public Health and in the division of general internal medicine at the Johns Hopkins School of Medicine. Our guests discuss what led them to organize that workshop, beginning with an appreciation of how the principlist, individualist approach of bioethics falls short in addressing systemic challenges to equitable healthcare. Dr. Shaffer shared how his interest in remaking bioethics stems from observations of the focus on “fringe science” in ASBH meetings and the relative absence of more politically oriented moral theorizing. He discusses how sociological frames can help think about the production of shared norms and moral values. Drs. Berger and Chokshi discuss clinical systems ethics failures and what it would mean for Bioethics to think of Capitalism as an object of moral inquiry and to consider organizational ethics in relationships between Academic Medical Centers and communities. We discuss how the “imagined neutrality” of the field of Bioethics has evaporated in the recent overlapping crises of academic medicine. Dr. Molldrem discussed political organizing and the need to take power and its functioning seriously. At the 2025 ASBH meeting last week, this group took the next steps to begin organizing the field by recognizing threats and opportunities and considering resources at our disposal to effect change. Next steps include fostering scholarship around these ideas, considering methods of institutional change within bioethics institutions and collaborating within and across disciplines to foster change. Please reach out to us or our guests if you are inspired to join this crucial work.

In Beyond Shareholder Primacy: Remaking Capitalism for a Sustainable Future (Stanford Business Books, 2024) Hart argues that the current Milton Friedman–style "shareholder primacy capitalism," as taught in business schools and embraced around the world, has become dangerous for society, the climate, and the planet. Moreover, he maintains, it's economically unnecessary. Yet there are many reasons for hope―from the history of capitalism itself. Hart holds that capitalism has reformed itself twice before and is poised for a third major reformation. Retelling the origin story of capitalism from the fifteenth century to the present, he argues that a radically sustainable, just capitalism is possible, and even likely. Hart goes on to describe what it will take to move beyond capitalism's present worship of "shareholder primacy," including corporate transformations to re-embed purpose and reforms to major economic institutions. A key requirement is eliminating the "externalities" (or collateral damage) of the current version of shareholder capitalism. Sustainable capitalism has to explicitly incorporate the needs of society and the planet, include a financial system that allows leaders to prioritize the planet, reorganize business schools around sustainable management thinking, and enable corporations not just to stop ignoring the damage they cause, but actually begin to create positive impact. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Beyond Shareholder Primacy: Remaking Capitalism for a Sustainable Future (Stanford Business Books, 2024) Hart argues that the current Milton Friedman–style "shareholder primacy capitalism," as taught in business schools and embraced around the world, has become dangerous for society, the climate, and the planet. Moreover, he maintains, it's economically unnecessary. Yet there are many reasons for hope―from the history of capitalism itself. Hart holds that capitalism has reformed itself twice before and is poised for a third major reformation. Retelling the origin story of capitalism from the fifteenth century to the present, he argues that a radically sustainable, just capitalism is possible, and even likely. Hart goes on to describe what it will take to move beyond capitalism's present worship of "shareholder primacy," including corporate transformations to re-embed purpose and reforms to major economic institutions. A key requirement is eliminating the "externalities" (or collateral damage) of the current version of shareholder capitalism. Sustainable capitalism has to explicitly incorporate the needs of society and the planet, include a financial system that allows leaders to prioritize the planet, reorganize business schools around sustainable management thinking, and enable corporations not just to stop ignoring the damage they cause, but actually begin to create positive impact. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Beyond Shareholder Primacy: Remaking Capitalism for a Sustainable Future (Stanford Business Books, 2024) Hart argues that the current Milton Friedman–style "shareholder primacy capitalism," as taught in business schools and embraced around the world, has become dangerous for society, the climate, and the planet. Moreover, he maintains, it's economically unnecessary. Yet there are many reasons for hope―from the history of capitalism itself. Hart holds that capitalism has reformed itself twice before and is poised for a third major reformation. Retelling the origin story of capitalism from the fifteenth century to the present, he argues that a radically sustainable, just capitalism is possible, and even likely. Hart goes on to describe what it will take to move beyond capitalism's present worship of "shareholder primacy," including corporate transformations to re-embed purpose and reforms to major economic institutions. A key requirement is eliminating the "externalities" (or collateral damage) of the current version of shareholder capitalism. Sustainable capitalism has to explicitly incorporate the needs of society and the planet, include a financial system that allows leaders to prioritize the planet, reorganize business schools around sustainable management thinking, and enable corporations not just to stop ignoring the damage they cause, but actually begin to create positive impact. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

In Beyond Shareholder Primacy: Remaking Capitalism for a Sustainable Future (Stanford Business Books, 2024) Hart argues that the current Milton Friedman–style "shareholder primacy capitalism," as taught in business schools and embraced around the world, has become dangerous for society, the climate, and the planet. Moreover, he maintains, it's economically unnecessary. Yet there are many reasons for hope―from the history of capitalism itself. Hart holds that capitalism has reformed itself twice before and is poised for a third major reformation. Retelling the origin story of capitalism from the fifteenth century to the present, he argues that a radically sustainable, just capitalism is possible, and even likely. Hart goes on to describe what it will take to move beyond capitalism's present worship of "shareholder primacy," including corporate transformations to re-embed purpose and reforms to major economic institutions. A key requirement is eliminating the "externalities" (or collateral damage) of the current version of shareholder capitalism. Sustainable capitalism has to explicitly incorporate the needs of society and the planet, include a financial system that allows leaders to prioritize the planet, reorganize business schools around sustainable management thinking, and enable corporations not just to stop ignoring the damage they cause, but actually begin to create positive impact. Learn more about your ad choices. Visit megaphone.fm/adchoices

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

October 14th, 2025 Follow us on Facebook, Instagram and X Listen to past episodes on The Ticket’s Website And follow The Ticket Top 10 on Apple, Spotify or Amazon MusicSee omnystudio.com/listener for privacy information.

Lisa Graves discusses her new book, "Without Precedent: How Chief Justice Roberts and His Accomplices Rewrote the Constitution and Dismantled Our Rights."

Bench Ansfield is a professor in the History department at Temple University. Their book "Born in Flames: The Business of Arson and the Remaking of the American City" covers how racial capitalism, political corruption, and the insurance industry created a world where landlords can profit more by burning their own buildings down than maintaining them. They were also part of the research team on the 2019 documentary "Decade of Fire". Bench Ansfield https://www.benchansfield.com Born in Flames: The Business of Arson and the Remaking of the American City https://citylights.com/new-nonfiction-in-hardcover/born-in-flames-bronx-arson-1970s Decade of Fire https://decadeoffire.com Born in Flames (the film the book was named after) https://www.criterion.com/films/30707-born-in-flames Let the Fire Burn: documentary about MOVE's infamous eviction in Philadelphia  https://www.kanopy.com/en/product/let-fire-burn Recent episode on the fire at 22nd and Mission with Angelica  https://www.patreon.com/posts/aftermath-of-at-135107521

The night crew of a grocery store are informed of the closing of the store and a killer makes sure that this is their last ever in Intruder (1989). Join Invasion of the Remake down the aisles of this cult, slasher by the creators behind Evil Dead, as we discuss this low budget horror, how we might remake it, and our own unique fantasy casting. Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Podcasts, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes / Apple Podcasts. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. https://invasionoftheremake.wixsite.com/podcast Follow us on BlueSky: @invasionremake.bsky.social Follow us on X/Twitter: @InvasionRemake Like and share us on Facebook, Instagram & Tik-Tok: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, hoodies, hats, and other Invasion of the Remake swag at our merchandise store!

Our guest today is Maddy Ballard, sewist, journalist, author. Born in Syracuse, NY, to a Texan father and a Chinese-New Zealander mother, she grew up in Auckland, New Zealand where she lived until she was 22. She then moved to England to pursue a postgraduate degree in English literature at the University of Oxford. Working in England as a journalist after her degree ended, she returned home during Covid, which is when she learned to sew.  After a couple of years working in Auckland, Maddy moved to Wellington to pursue a master's in creative writing, which is when she wrote her book "Patchwork".  She now lives in Melbourne Australia and still works as a journalist -splitting most of her spare timebetween writing and sewing but also loving to sing and cook. (2:00) Born in the US, Maddy's family moved back to New Zealand when she was 4 years old. Why did they make this move?(3:00) who in her family sewed and how did that influence her love for the craft? It started with her grandmother…and a great friend!(3:40) While Maddy was exposed to sewing quite young, she didn't take it up in earnest until she was in her 20's. What was the impetus for this?(5:23) What was her very first sewing project and what are her memories of its creation?(6:20) Maddy is self-taught…how did this work out?(6:40) Maddy calls sewing “magical”. How did sewing provide comfort and stability during the major transitions in her life?(7:52) Maddy talks about her mixed heritage and how it influences her creation choices.(9:37) Maddy talks about her book. How it came together and what started it all.(12:15) Maddy talks about sewing be a way to accept your body. She explains…(14:00) Why does Maddy say that Sewing is an act that helps you believe in the future?(14:47) While researching for her book she found out that sewing was really important to her family. She tells us what she learned and how it touched her.(16:45) Remaking is important to Maddy…she tells a specific story of how this worked for her.(18:52) An advocate for zero waste she talks about sustainability and its challenges.(21:25) Maddy tells us about her work as a journalist. She's focused on food, restaurants and hospitality. Now she's in the bicycle industry!(22:20) Maddy writes, sings, cooks and sews. Is it hard to balance it all?(23:13) Maddy talks about sewing as a form of self-expression and how it's influenced her own projects.(24:23) What's she working on now?(25:14) What's next and what are her dreams? There could be a novel…and a quilt in her future!(27:36) Is there a question we didn't ask?(27:55) Where can you find her book Patchwork - A Sewist's Diary?(28:20) How can you reach Maddy? Instagram @MaddyBallard 27 Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

As the last of my short Honeymoon Reprise series I'm sharing what originally aired in June 2018 with medical doctors Allie and Joyce Taur. It's truly one of the most remarkable stories that I've ever shared on my platform in the entire eleven-plus years that I've been recording weekly stories. You'll soon learn that while Allie was identified as a cis-het male at birth and named Steven, after he and Joyce got married and where raising their three boys, the former came out as a trans-female. Their commitment to and love for each other enabled them to remake their marriage and family.

The post-WWII rules-based order has been good to Canada. International trade agreements and cooperation have brought peace and prosperity. But with Trump now tearing up the playbook, will we have to follow suit? Or can we find new partners who still want to play the old game the old way? Also, why more North Americans are willing to splurge on business class flights and why long waitlists are pushing Canadians to shop for new hips abroad.

We talk through some of the Toyota FJ leaks that came out as well as discussing what Ronny's done to the Quartermaster which includes some of the best suspension he's ever had...Music by The Southern River Band.Tyrepower powering the podcast!Tough Dog Making Tracks Across the World!Autoline is a trusted supplier of 4WD and light vehicle parts to the mining, mechanical maintenance, civil, and hire industries. Hosted on Acast. See acast.com/privacy for more information.

Remaking humanitarianism: Dispatches from the future How can we reimagine the international humanitarian system so that it builds on – rather than undermines – the response communities are already creating? What would it take to align funding and infrastructure? And what is standing in the way? The New Humanitarian and Refugees International have taken these questions around the globe, producing a series of dispatches from the future that highlight the strategies, values, and visions guiding community-driven responses to crisis – and show what's possible. We brought these dispatches to the heart of UNGA to grapple with what it will take to remake humanitarianism – and what must change for the system to have any future at all.

Chaos ensues at a golf course as caddies vie for a chance at a scholarship, an attempt to eliminate gophers from the course escalates quickly, and a laid back land developer makes a bet in the cult, comedy, classic, Caddyshack (1980). Invasion of the Remake steps up to the tee to rethink, remake, and recast Caddyshack. Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Podcasts, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes / Apple Podcasts. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. https://invasionoftheremake.wixsite.com/podcast Follow us on BlueSky: @invasionremake.bsky.social Follow us on X/Twitter: @InvasionRemake Like and share us on Facebook, Instagram & Tik-Tok: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, hoodies, hats, and other Invasion of the Remake swag at our merchandise store!

Memes and videos mocking AI and robots as "clankers" are having a moment. It's funny, but also reveals our anxiety about tech made to seem increasingly human, not to serve us, but to make a profit, says journalist Clive Thompson, author of Coders: The Making of a New Tribe and the Remaking of the World.

From 1968 through the early 1980s, thousands of fires raged through the Bronx. The precise number is unknown and it's uncertain who was responsible for setting them. But at the time, most fingers pointed to the working-class Black and Puerto Rican tenants who lived in the borough. The newspapers said as much, as did the Blaxploitation movies of the late 1970s. Politicians, too: in the words of Senator Daniel Patrick Moynihan, “People don't want housing in the South Bronx, or they wouldn't burn it down.” The Bronxites who lived that history, however, have long identified a different culprit, and over the past decade, historians have arrived at a new explanation for the arsons. Bench Ansfield's new book, Born in Flames: The Business of Arson and the Remaking of the American City, is unequivocal: “The hand that torched the Bronx and scores of other cities was that of a landlord impelled by the market and guided by the state.” The story that unfolds is one of fire and a new FIRE economy, insurance and disinvestment, profit and privatization.Go beyond the episode:Bench Ansfield's Born in Flames: The Business of Arson and the Remaking of the American CityWatch Decade of Fire, Vivian Vázquez Irizarry's 2018 documentary, and Born in Flames (1993) from which Ansfield's book takes its titleFor a film on the pathologization of public housing, there's no better place to start than Candyman (1992)Across the Hudson, Hoboken was burning, tooTune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

In an extended version of the programme that was broadcast, Melvyn Bragg and guests discuss the influential book John Maynard Keynes wrote in 1919 after he resigned in protest from his role at the Paris Peace Conference. There the victors of World War One were deciding the fate of the defeated, especially Germany and Austria-Hungary, and Keynes wanted the world to know his view that the economic consequences would be disastrous for all. Soon Germany used his book to support their claim that the Treaty was grossly unfair, a sentiment that fed into British appeasement in the 1930s and has since prompted debate over whether Keynes had only warned of disaster or somehow contributed to it. With Margaret MacMillan Emeritus Professor of International History at the University of Oxford Michael Cox Emeritus Professor of International Relations at the London School of Economics and Founding Director of LSE IDEAS And Patricia Clavin Professor of Modern History at the University of Oxford Producer: Simon Tillotson Reading list: Manfred F. Boemeke, Gerald D. Feldman and Elisabeth Glaser (eds.), The Treaty of Versailles: A Reassessment after 75 Years (Cambridge University Press, 1998) Zachary D. Carter, The Price of Peace: Money, Democracy and the Life of John Maynard Keynes (Random House, 2020) Peter Clarke, Keynes: The Twentieth Century's Most Influential Economist (Bloomsbury, 2009) Patricia Clavin et al (eds.), Keynes's Economic Consequences of the Peace after 100 Years: Polemics and Policy (Cambridge University Press, 2023) Patricia Clavin, ‘Britain and the Making of Global Order after 1919: The Ben Pimlott Memorial Lecture' (Twentieth Century British History, Vol. 31:3, 2020) Richard Davenport-Hines, Universal Man; The Seven Lives of John Maynard Keynes (William Collins, 2015) R. F. Harrod, John Maynard Keynes (first published 1951; Pelican, 1972) Jens Holscher and Matthias Klaes (eds), Keynes's Economic Consequences of the Peace: A Reappraisal (Pickering & Chatto, 2014) John Maynard Keynes (with an introduction by Michael Cox), The Economic Consequences of the Peace (Palgrave Macmillan, 2019) Margaret MacMillan, Peacemakers: Six Months that Changed the World (John Murray Publishers, 2001) Etienne Mantoux, The Carthaginian Peace or the Economic Consequences of Mr. Keynes (Oxford University Press, 1946) D. E. Moggridge, Maynard Keynes: An Economist's Biography (Routledge, 1992) Alan Sharp, Versailles 1919: A Centennial Perspective (Haus Publishing Ltd, 2018) Robert Skidelsky, John Maynard Keynes, 1883-1946 (Pan Macmillan, 2004) Jürgen Tampke, A Perfidious Distortion of History: The Versailles Peace Treaty and the Success of the Nazis (Scribe UK, 2017) Adam Tooze, The Deluge: The Great War, America and the Remaking of the Global Order, 1916-1931 (Penguin Books, 2015) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Bobby shares the Top things we show up early for like a wedding and the movies. AARP has released their "Hottest Actors Over 50" list and we go through it. Is it okay to give your dog beer? Bobby and Eddie redo what Presidents they think should be on Mount Rushmore. They then craft their Mount Rushmore of Country artists, 90s tv shows and snacks. Bobby also shares his list of the Top Annoying things that people do. Bobby also talks about things we were brainwashed to believe are corny but are actually awesome. Bobby also talks about Mainstream artists who made country albums.See omnystudio.com/listener for privacy information.

Subscribe now to skip the ads. Danny and Derek welcome back to the program historian Udi Greenberg to discuss his reinterpretation of modern Christianity in The End of the Schism: Catholics, Protestants, and the Remaking of Christian Life in Europe, 1880s–1970s. They explore the alliances Catholics and Protestants forged under the pressures of fascism, the Cold War, and decolonization, and how both Christian Democracy and radical left-Christian movements were shaped as much by expedience as reconciliation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny and Derek welcome back to the program historian Udi Greenberg to discuss his reinterpretation of modern Christianity in The End of the Schism: Catholics, Protestants, and the Remaking of Christian Life in Europe, 1880s–1970s. They explore the alliances Catholics and Protestants forged under the pressures of fascism, the Cold War, and decolonization, and how both Christian Democracy and radical left-Christian movements were shaped as much by expedience as reconciliation.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

President Trump has made unprecedented moves to influence American culture, from taking broadcast corporations to court to his efforts to control the Kennedy Center for the Performing Arts and the Smithsonian Institution. We discuss what could be motivating these efforts and what impact they're having on arts and culture.This episode: White House correspondent Deepa Shivaram, critic-at-large Eric Deggans, and senior political editor and correspondent Domenico Montanaro.This podcast was produced by Casey Morell & Bria Suggs, and edited by Rachel Baye. Our executive producer is Muthoni Muturi.Listen to every episode of the NPR Politics Podcast sponsor-free, unlock access to bonus episodes with more from the NPR Politics team, and support public media when you sign up for The NPR Politics Podcast+ at plus.npr.org/politics.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode, Kelly shares her recent paper Unfurling the Myth, presented at the University of Exeter during a workshop on Process Philosophy, Plasma Cosmology, and Transpersonal Psychology. This gathering brought together scientists, philosophers, and researchers—including Robert Temple, Jeffrey Kripal, Bernard Carr, Massimo Teodorani, and Nick Cook—to explore the possibility that plasma, the fourth state of matter, could serve as a substrate for non-biological intelligence. Kelly's paper argues that the UFO phenomenon is not just an anomaly in the sky but a relational event—an encounter that engages the psyche through the deep structures of narrative. Rather than delivering answers, the phenomenon generates mystery, catalyzing transformation on both personal and cultural levels. Drawing on thinkers like Robert Temple, Jacques Vallée, and Eric Davis, as well as research in narrative cognition and the psychology of curiosity, Kelly explores how UFOs may function as mythic initiators: destabilizing our categories of knowledge, activating curiosity, and compelling us to tell new stories. These stories are not just interpretations but mechanisms of reality-making—reshaping our understanding of self, world, and cosmos. Plasma cosmology and the possibility of plasma-based intelligence The UFO as relational event, not just object or craft Narrative as a generative interface between psyche and field How curiosity and myth catalyze transformation The “Call to Adventure” in experiencer narratives Cultural and personal shifts documented in experiencer research The UFO as evolutionary function, seeding new myths and meanings Whether you're new to these ideas or steeped in the mysteries of UFOs, this episode invites you to consider the phenomenon not as something to solve, but as something to participate in—a story in which we are all co-creators. Resources Robert Temple, A New Science of Heaven Jacques Vallée & Eric Davis, Incommensurability, Orthodoxy, and the Physics of High Strangeness George Loewenstein, The Psychology of Curiosity Will Storr, The Science of Storytelling Stanislav & Christina Grof, Spiritual Emergency Hernandez et al., Beyond UFOs Watch Cosmosis: UFOs & A New Reality: https://www.cosmosis.media/ Join the Patreon: https://www.patreon.com/cosmosismedia Subscribe to Cosmosis: YouTube: https://www.youtube.com/@Cosmosis.Podcast Spotify: https://open.spotify.com/show/7KnyktIs059pbVdccD020D?si=f3835f36a8cb479d Apple Podcasts: https://podcasts.apple.com/us/podcast/cosmosis-formerly-the-ufo-rabbit-hole/id1595590107 Follow Cosmosis X: https://x.com/cosmosis_media Facebook: https://www.facebook.com/share/12EEyNVPucu/?mibextid=wwXIfr Instagram: https://www.instagram.com/cosmosis.media Listen to the Cosmosis Soundtrack by Michael Rubino: Spotify: https://open.spotify.com/album/5Xvs2NAHNbKjfW7hWkjqey?si=pJPPgIPsRZGkZjJh19UULQ Apple Music: https://music.apple.com/us/album/cosmosis-ufos-a-new-reality-season-one-original-soundtrack/1788465117 Amazon: https://amazon.com/music/player/albums/B0DS5WY5CB?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_zY05XPzhLhuow5dAgK3g2W9yC TIMESTAMPS 00:38 Exploring Plasma Cosmology 01:22 The Significance of Plasma-Based Intelligence 02:20 Introduction to the Paper: Unfurling the Myth 03:25 Understanding the UFO Phenomenon 04:51 The Role of Narrative in UFO Encounters 06:45 Rethinking the UFO 11:25 Curiosity and the Mythic Initiation 15:30 Awakening the Hero Within 19:57 Remaking the World Through UFO Encounters Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Liberty and Emily discuss Hemlock & Silver, The Unseen, What Hunger, and more great books! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Book Riot is hiring a digital content specialist! If you love books and know the ins and outs of social media strategy, and especially social video, consider joining the team. Find details and apply by August 22, 2025, at riotnewmedia.com/careers. Use code BOOKRIOT to get an exclusive 60% off an annual Incogni plan at https://incogni.com/bookriot This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Books Discussed On the Show: Hemlock & Silver by T. Kingfisher  What Hunger by Catherine Dang  The Possession of Alba Díaz by Isabel Cañas The Unseen by Ania Ahlborn Lessons in Magic and Disaster by Charlie Jane Anders The Once and Future Me by Melissa Pace  Born in Flames: The Business of Arson and the Remaking of the American City by Bench Ansfield Five Found Dead by Sulari Gentill For a complete list of books discussed in this episode, visit our website. Learn more about your ad choices. Visit megaphone.fm/adchoices