Podcast appearances and mentions of kenneth slessor

A performance of a somber, gothic, ghost poem written by Australian poet Kenneth Slessor and performed with a haunting musical setting in our Parlando style.  For more about Slessor, and for more than 700 other examples of various words (mostly literary poetry) with original music we compose and perform, visit our blog and archive at frankhudson.org  

Louis Armand https://atelierlouisarmand.wordpress.com Gateways and influences. International poetry collections including Kenneth Slessor (title unknown) Authors LUKÁŠ TOMIN https://www.twistedspoon.com/tomin.html Currently reading/recently enjoyed The Dawn of Everything Book by David Graeber and David Wengrow The Logos - Mark De Silva Top Shelf Richard Makin - Dwelling https://equuspress.wordpress.com/richard-makin/ Publishers to check out http://www.insidethecastle.org https://amphetaminesulphate.bigcartel.com

A HSC Enrichment Session with Professor Louise d'Arcens on the poetry of Kenneth Slessor (Common English Module: Texts and Human Experiences)

Welcome to Poetry Lounge. Every Thursday I'm sharing with you 3 masterpieces of poetry. Because the world needs beauty, and poetry is balm for the soul, made by the lips of the divine.  Poems in Order: “untiled“ by Christopher Poindexter “untiled“ by Tyler Knott Gregson  Here's To The End Of This Chapter by Danielle Doby Related Episodes:  087: Poetry Lounge No. 9 - Kenneth Slessor; Christopher Poindexter; Geoffrey Chaucer 085: Poetry lounge No. 8 - Rupi Kaur, Lauren Bowman, Najwa Zebian 082: Poetry Lounge No. 7 - Audrey Hepburn, Rumi, Olivia Bella 079: Poetry Lounge No. 6 - Bill Turner & Nikita Gill 076: Poetry Lounge #5 - Gerina Dunwich, Najwa Zebian, Abby Yael 074: Poetry Lounge #4 - Maya Angelou, Ella Wheeler Wilcox, E. E. Cummings 072: Poetry Lounge #3 - Words of Venus, Rupi Kaur, Hermann Hesse 069: Poetry Lounge #2 - India Arie, Butterflies Rising, Rumi 067: Poetry Lounge #1 - John Mark Green, Rainer Maria Rilke, Olivia Bella Connect with me: Instagram: @naturalwomanalchemy Facebook: @naturalwomanalchemy Pinterest: @naturalwomanalchemy 

Welcome to Poetry Lounge. Every Thursday I'm sharing with you 3 masterpieces of poetry. Because the world needs beauty, and poetry is balm for the soul, made by the lips of the divine.  Poems in Order: Polarities by Kenneth Slessor  “untiled“ by Christopher Poindexter The Rondell Of Merciless Beauty by Geoffrey Chaucer  Related Episodes:  085: Poetry lounge No. 8 - Rupi Kaur, Lauren Bowman, Najwa Zebian 082: Poetry Lounge No. 7 - Audrey Hepburn, Rumi, Olivia Bella 079: Poetry Lounge No. 6 - Bill Turner & Nikita Gill 076: Poetry Lounge #5 - Gerina Dunwich, Najwa Zebian, Abby Yael 074: Poetry Lounge #4 - Maya Angelou, Ella Wheeler Wilcox, E. E. Cummings 072: Poetry Lounge #3 - Words of Venus, Rupi Kaur, Hermann Hesse 069: Poetry Lounge #2 - India Arie, Butterflies Rising, Rumi 067: Poetry Lounge #1 - John Mark Green, Rainer Maria Rilke, Olivia Bella Connect with me: Instagram: @naturalwomanalchemy Facebook: @naturalwomanalchemy Pinterest: @naturalwomanalchemy 

This poem of Kenneth Slessor is one of the most remarkable poems I think I've come upon in this project. For more about this and other combinations of various words and original music visit frankhudson.org

Kenneth Slessor's Five Bells has frustrated and eluded me for years. In this episode I wrestle with its strange legacy, entertaining the idea that this poem isn't so much an elegy for a specific person as it is a lament for lost potential among artists in Australia more generally. Show notes Radio National's Poetry Special … Continue reading "Ep 109. The frustration of Five Bells"

Richard Carroll is joined by Helpmann-winning director Lee Lewis (artistic director of Griffin Theatre Company) and legendary Australian composer and musical director Max Lambert (The Boy From Oz, Miracle City) to discuss their new production of Darlinghurst Nights at the Hayes. Darlinghurst Nights is a classic Australian musical by Katherine Thomson and Max Lambert (based on the poems of Kenneth Slessor), which debuted at Sydney Theatre Company in 1988. The show depicts working class people in Kings Cross and Darlinghurst in the early 1930s. The 30th anniversary production at the Hayes brings the show to the very area it depicts. www.hayestheatre.com.au

S01E02 Kenneth Slessor by Dr Robert Jones & Ilana Pender-Rose

Five bells was my first commission to paint in situ to cover a wall … I didn’t hesitate. I brushed a line around the core theme, the seed-burst, the life-burst, the sea-harbour, the source of life. Inside and around this core, I painted images drawn from metaphors and similes in [Kenneth] Slessor’s poem of our harbour city, and from my own emotional and physical involvement with the harbour, and with my young family in Watsons Bay … I wanted to show the Harbour as a movement, a sea suck, and the sound of the water as though I am part of the sea ... The painting says directly what I wanted to say: ‘I am in the sea-harbour, and the sea-harbour is in me’. John Olsen, 1999

Five bells was my first commission to paint in situ to cover a wall … I didn’t hesitate. I brushed a line around the core theme, the seed-burst, the life-burst, the sea-harbour, the source of life. Inside and around this core, I painted images drawn from metaphors and similes in [Kenneth] Slessor’s poem of our harbour city, and from my own emotional and physical involvement with the harbour, and with my young family in Watsons Bay … I wanted to show the Harbour as a movement, a sea suck, and the sound of the water as though I am part of the sea ... The painting says directly what I wanted to say: ‘I am in the sea-harbour, and the sea-harbour is in me’. John Olsen, 1999

Five bells was my first commission to paint in situ to cover a wall … I didn’t hesitate. I brushed a line around the core theme, the seed-burst, the life-burst, the sea-harbour, the source of life. Inside and around this core, I painted images drawn from metaphors and similes in [Kenneth] Slessor’s poem of our harbour city, and from my own emotional and physical involvement with the harbour, and with my young family in Watsons Bay … I wanted to show the Harbour as a movement, a sea suck, and the sound of the water as though I am part of the sea ... The painting says directly what I wanted to say: ‘I am in the sea-harbour, and the sea-harbour is in me’. John Olsen, 1999

Five bells was my first commission to paint in situ to cover a wall … I didn’t hesitate. I brushed a line around the core theme, the seed-burst, the life-burst, the sea-harbour, the source of life. Inside and around this core, I painted images drawn from metaphors and similes in [Kenneth] Slessor’s poem of our harbour city, and from my own emotional and physical involvement with the harbour, and with my young family in Watsons Bay … I wanted to show the Harbour as a movement, a sea suck, and the sound of the water as though I am part of the sea ... The painting says directly what I wanted to say: ‘I am in the sea-harbour, and the sea-harbour is in me’. John Olsen, 1999