Podcasts about Kings Cross

Claude Robinson developed a heroin habit as a young man, and spent years in jail. In 2006 he began to turn his life around for good. (CW: descriptions of drug use, addiction, and crime) (R)Claude Robinson is the manager of Rainbow Lodge, a home in inner Sydney for men just out of prison. Claude knows the place well because nearly 20 years ago he was sent there himself.Claude was a heroin addict who had taken to crime to pay for his habit and wound up in a minimum security jail. But after he assaulted a prison guard, he ended up in one of Australia's toughest jails - Goulburn Correctional Centre. While Claude was inside, his father died, and he found out that he had inherited $60,000.It was a chance to start a new life when he got out of prison. But instead, he and a girlfriend checked into a hotel in Kings Cross and bought some backs of heroin. Within weeks, all of Claude's inheritance was gone.In 2006, Claude was back in prison when he decided to finally change his story. He got off drugs, went to TAFE, and started working his way back to Rainbow Lodge, where he helps men who have walked a similar path to his own.Help and support is always available: The National Alcohol & Other Drug Hotline is a free and confidential 24/7 phone service that provides counselling, advice, and information for those struggling with addiction. Call 1800 250 015.Learn more about Rainbow LodgeRead about Australia's Justice Reform Initiative's campaign Jailing is Failing This episode of Conversations discusses drug use, substance abuse, addiction, crime, mental health, toxic masculinity, manhood, fatherhood, parenting, turning your life around, getting clean, rehabilitation, rehab, intervention, AA, NA, sponsors, inheritance, heroin, methadone, ice, meth, illicit substances, incarceration, recidivism. 

Im letzten Kapitel der Buchreihe springen wir 19 Jahre in die Zukunft und an den Bahnhof dem die magische Welt vertraut. Hosted on Acast. See acast.com/privacy for more information.

Beau, Cat & Woodsy share their favourite memories from the glory days of Kings Cross, plus we ask our listeners to share what word they struggle to say after one caller could quite say binoculars! Triple M Breakfast with Beau, Woodsy & Cat is back April 28th from 6am or grab the podcast everyday on LiSTNR or where ever you get your podcasts! Watch the funniest bits of the show on Instagram via @triplembreakfast #TripleMBreakfastSee omnystudio.com/listener for privacy information.

There are certain incidents that stay in the collective conscience and the Kings Cross Fire is one of them. Today I am lucky enough to be joined by my friend and Fire Investigator and forensics badass Matt Oakley who is going to talk us through some of the more technical aspects of this incident which not only changed laws but also protocols and enabled deeper understanding of fire behaviour. Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes. Music: "The Mooche" by Duke Ellington (1928). Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.

On this epiosde of "How's That? - The Podcast" the boys talk to Roger Di Lernia....Roger grew up on the mean streets of Matraville in Sydney along with Mike "Big Roy" Whitney" & "Sugar" Ray Nosti.... The boys chat to Roger about their days growing up together in the saloubrious suburb of Matraville behind Maroubra beach in Sydney, playing in bands, autograph hunting at the Sebel Townhouse in Kings Cross, meeting everyone from Bob Dylan, Mick Jagger, David Bowie, George Harrison to Lou Reed, Keith Richards & Frank Sinatra, writing a book with Glen A Baker, acting with Nicole Kidman, being the first person to undergo open heart surgery in Australia, and much more....

This week, Damien and Andy recorded their 500th podcast in Spiritland studios in Kings Cross. In this celebration episode they take a look back at the history of the Money to the Masses podcast and how it has evolved from those early days of recording at Andy's house, late at night trying not to wake his children. They share some happy memories and funny stories before moving onto how they see the podcast evolving in the coming years. *Message from Damien:*We hope you enjoy this slightly different episode and I want to say a huge thank you for your support and feedback over the last 11 years. Here's to the next 500!Watch the whole show on YouTube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠:Check out this week's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast article ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on the MTTM website to see the full list of resources from this week's show.00:00 - Introduction00:15 - Celebrating our 500th podcast episodeFollow Money to the Masses on social media:YouTube - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/moneytothemasses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/moneytothemasses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/moneytothemasses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tik Tok - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@moneytothemasses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You may already compare products and services online and make purchases but by doing so via our dedicated page you might not only save money but could also earn cashback or take advantage of exclusive offers for MTTM listeners.Every time you use a link on the page we may earn a small amount of money for our podcast. We only use affiliate links that give you an identical (or better) deal than going direct. Thank you for being an incredible part of our community. Your support means the world to us.Support the show by visiting and bookmarking our dedicated podcast page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Money to the Masses Dedicated Podcast Page⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Click to support the showIf a link has an * beside it this means that it is an affiliated link. If you go via the link, Money to the Masses may receive a small fee which helps keep Money to the Masses free to use.

The chief investigative reporter on her work exposing criminals and corruption, including former politician, Eddie Obeid and financial fraudster, Melissa Caddick.Kate McClymont is chief investigative reporter for The Sydney Morning Herald.She grew up on a farm in NSW, and during university, funded her start in Sydney by setting up a busking booth in Kings Cross.Passers-by would pay her to answer a question, have an argument, or verbally abuse them. Kate's start in crime reporting came from an early job writing for a gossip column. She was instructed to cover a wedding of a family member of known criminal figure, George Freeman.Kate compared the sequins in the bridal party's outfit to a bullet-proof vest, and received the first of many death threats throughout her career. She has won 10 Walkley awards for her work on the biggest crime and corruption cases in NSW.She has exposed the crimes of politician, Eddie Obeid, former Health Services Union boss, Michael Williamson and financial fraudster, Melissa Caddick, among many more.This episode of Conversations covers crime, corruption, true crime, Melissa Caddick, Eddie Obeid, corrupt politicians, investigative reporting, Walkley awards, Kings Cross, George Freeman, Minder, SMH, The Sydney Morning Herald, The Age, Fairfax, Nine.

Beau takes us through his memory's of Kings Cross, we play a cryptic Sydney suburbs quiz & Guenther Steiner joins us ahead of the F1 in Melbourne. Join Triple M Breakfast weekday mornings from 6am, grab the podcast everyday on LiSTNR or where ever you get your podcasts or watch the funniest bits of the show on Instagram via @triplembreakfast #TripleMBreakfastSee omnystudio.com/listener for privacy information.

Wanna win a $100 Visa Gift card? Fill out this short survey and go in the draw Take the short survey Ashton, A former stripper on Kings Cross, shares what mischief happens where the cameras can't see in the notorious strip clubs of Sydney. Rewind back to season 2 to hear the full story See omnystudio.com/listener for privacy information.

In todays winter celebration of an episode we explore the glorious Welsh tradition of the Mari Lwyd.She is a skull covered in the ribbons of a bride, The Grey Mare, or Holy Mary. She is many things, she is neither dead nor alive, if you're cold then she's cold.Down the cold dark back streets of London's Kings Cross a warm welcome awaits. Every year to celebrate the end of winter the Mari Lwyd makes her rounds of the local pubs ready to sing and have a rap battle as only a horses skull in a shroud can do. Expect bad Welsh pronunciation, ale, singing, and hopefully the beginning of spring! Hosted on Acast. See acast.com/privacy for more information.

A new London singer-songwriter who plays emotive and melodic anthems with her explosive indie rock gang. Her debut album was released on 11 February 2025, with a special launch event at the iconic venue The Water Rats in Kings Cross. King's sound is inspired by PJ Harvey, Tame Impala, First Aid Kit, Patti Smith, Alanis Morrisette, and many more.Helen King is a new London singer-songwriter who joins me to discuss her debut album, “Look Back No More."

A new London singer-songwriter who plays emotive and melodic anthems with her explosive indie rock gang. Her debut album was released on 11 February 2025, with a special launch event at the iconic venue The Water Rats in Kings Cross. King's sound is inspired by PJ Harvey, Tame Impala, First Aid Kit, Patti Smith, Alanis Morrisette, and many more.Helen King, a new London singer-songwriter, joins me to discuss her debut album, “Look Back No More."Album Cover Photography - Stuart LloydHelen King - InstagramPodcast Cover Photography - Stuart LloydHost - Sanj Saigal

Will the Chinese invade Taiwan? Is nuclear war with Russia inevitable? While it sounds like these questions are ripped from today's headlines, these were actually the biggest issues in the world in the second week of 1950. Plus, closer to home: the RSL's purges Commies but embraces Pokies; a female playwright tackles white Australian attitudes to Aboriginal people, and a giant eagle attacks a woman and her daughter… right in the heart of Kings Cross!For a free trial that will give you access to ad-free, early and bonus episodes:Patreon: patreon.com/forgottenaustraliaApple: apple.co/forgottenaustraliaTo buy They'll Never Hold Me:https://www.booktopia.com.au/they-ll-never-hold-me-michael-adams/book/9781923046474.htmlThe Murder Squad:https://www.booktopia.com.au/the-murder-squad-michael-adams/book/9781923046504.htmlHanging Ned Kelly:https://www.booktopia.com.au/hanging-ned-kelly-michael-adams/book/9781922992185.htmlAustralia's Sweetheart:https://www.booktopia.com.au/australia-s-sweetheart-michael-adams/book/9780733640292.htmlEmail: forgottenaustraliapodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

La asociación de taxistas de Londres ha advertido que los taxis negros desaparecerán en 2040, cuando los actuales conductores se jubilen porque no hay conductores jóvenes. Una situación crítica que se debe entre otras cosas a una reglamentación estricta. En la salida de la estación de trenes de London Bridge, a la izquierda, hay una cola con taxis tradicionales negros de Londres, los “black cabs”, aquellos en los que te sientas del revés. Pero la mayoría de viajeros llega o se va en Uber.Una de ellas es Fiona, una australiana de 32 años, que acaba de llegar a la estación cargada de maletas para regresar a Australia. Dice que la carrera desde el hotel de Kings Cross donde estaba hasta aquí le costaba 50 libras en taxi y 15 en Uber, y por eso se ha decantado por el Uber.Un auto caro de comprarLa asociación de taxistas de Londres ha advertido que los taxis negros desaparecerán en 2040, dentro de 16 años, cuando los actuales conductores se jubilen porque no hay conductores jóvenes. Hay una escasez de 14.000 conductores.En la cola de los taxis, dos taxistas conversan en medio del frío mientras esperan clientes. Se llaman Eddie y Malcolm y ambos pasan de los cincuenta. Les preguntamos por qué nadie quiere ser taxista en Londres hoy en día.“El problema es que cada 12 años nos obligan a finiquitar el taxi por temas medioambientales”, dice Eddie. “Y uno nuevo cuesta 100.000 libras, es mucho dinero, por esto muchos lo dejan, y porque no es fácil encontrar uno nuevo”, recalca. Según Malcolm, hay que trabajar “un montón de horas para poder pagarlo”. “Tienes que financiarlo a cinco años y con 60 años te puedes encontrar con una hipoteca de 100.000 libras en la espalda, por esto muchos se buscan otra cosa”, añade Eddie. Y esto aunque el taxi esté en buenas condiciones.Y un servicio caro para los usuariosAdemás, los taxistas tienen que pasar dos ITV y los Uber sólo una. Los permisos, las revisiones, el precio del coche, todo esto incrementa el coste de los “black cabs”.Dos jóvenes salen de la estación arrastrando maletas con ruedecillas. Explican que los taxis cuestan al menos un 25% más, y no los puedes coger en cualquier lugar. Se suben a un Uber y se van. Al otro lado se los queda mirando Eddie, tras el cristal, aún con el coche vacío, preguntándose hasta cuándo podrá seguir conduciendo un taxi.

The Kings Cross offers us the best news we can ever hear. In Matthew 27, Jesus' death on the cross gifts us a forgiven and redeemed life, where we have the chance to be fruitful and offer that same life to those around us.Life without the cross of Jesus is like the artificial trees we use for decorations and gifts, which often look better on the outside than real ones, but on the inside, they're fake and won't last.Are you an artificial tree unable to bear fruit and is easily thrown away? Or are you a real tree flowing with the life of Jesus?

Today on the podcast we are joined by one of the world's leading designers: Thomas Heatherwick. Thomas has created many of the world's most striking new public spaces and buildings. Heatherwick Studio is behind culture-defining projects like the Vessel in New York's Hudson Yard, and London's Coal Drops Yard in Kings Cross, where we are recording this podcast.They've also designed iconic cultural moments like the London 2012 Olympics cauldron, and cultural landmarks like the reimagined double decker bus in London. From Cape Town's coolest building to Google's new office, Thomas is building daring urban landscapes that will outlive all of us. Our cities and our buildings have such a profound impact on our lives, but often we don't have time to really think about why that is, and how things could be so much better. Today Thomas joins the podcast to talk about why we need to humanise cities - he's even written a book called Humanise which talks about exactly this. We also cover the surprising health and climate consequences of not taking this ambition seriously. We'll talk about why design matters for you, how to put the soul back into buildings and why we've got cities so badly wrong for a century.

Today we are going deep with a real creator. No, not one of the avatars of AI influencers in the creator economy, but someone who builds things that take 20 years to complete, Roger Madelin, CBE, the name behind the scenes in making London's Kings Cross a reality.For more on Bubble Trouble, including transcripts of the show, visit us online at http://bubbletroublepodcast.comYou can learn more about Richard at https://www.linkedin.com/in/richard-kramer-16306b2/More on Will Page at: https://pivotaleconomics.com(Times below correspond to the episode without considering any inserted advertisements.)Transformation and Challenges with King's Cross Visionary Roger MadelineIn this episode of Bubble Trouble, co-hosts Richard Kramer and Will Page delve into urban development with Roger Madelin, CBE. Known for his transformative work at London's King's Cross, Roger shares insights on large-scale urban projects, navigating economic cycles, and the intricacies of aligning diverse stakeholders' interests. The discussion also covers the controversial HS2 rail project, the importance of integrating cultural elements in city planning, and the current political landscape influencing housing policies. Roger emphasizes the need for a strong vision, the significance of public spaces, and the necessity of balancing private and public sector efforts to create vibrant, inclusive urban environments.00:00 Introduction00:48 Part One02:16 Transforming King's Cross03:56 Reflecting on Urban Development05:48 The Impact of Smartening Up Train Stations08:45 Navigating Economic Cycles in Urban Projects15:20 The Future of Workspaces Post-COVID20:09 Balancing Luxury and Community in Property Development24:48 Preview of Part Two: HS2 and Urban Planning Challenges25:34 Part Two26:50 Challenges of High-Speed Rail in the UK29:43 The Flaws in High-Speed Two's Business Case32:08 Comparing High-Speed One and High-Speed Two34:00 The Importance of Comfort Over Speed36:03 The Role of Arts and Culture in City Development42:09 Political and Economic Challenges in Urban Development52:24 Closing Remarks and Reflections53:17 Credits Hosted on Acast. See acast.com/privacy for more information.

Morse code transcription: vvv vvv Gregg Wallace fascinated by my sex life and made lesbian jokes Kneecap Belfast rap group wins case against UK government Sycamore Gap saplings to spread hope across UK Louise Haighs swift resignation prompts numerous questions Girl charged with murder of homeless man near Kings Cross Sweden asks China to co operate with severed cable investigation Louise Haigh quits as transport secretary over phone offence Ladbroke Grove Man charged over shooting of girl, 8, and father Top selling mobile games breaking rules on loot boxes Blunder led to TUI 737 flight being aborted in mid air

Morse code transcription: vvv vvv Gregg Wallace fascinated by my sex life and made lesbian jokes Kneecap Belfast rap group wins case against UK government Sweden asks China to co operate with severed cable investigation Girl charged with murder of homeless man near Kings Cross Louise Haigh quits as transport secretary over phone offence Blunder led to TUI 737 flight being aborted in mid air Louise Haighs swift resignation prompts numerous questions Ladbroke Grove Man charged over shooting of girl, 8, and father Sycamore Gap saplings to spread hope across UK Top selling mobile games breaking rules on loot boxes

Morse code transcription: vvv vvv Gregg Wallace fascinated by my sex life and made lesbian jokes Sycamore Gap saplings to spread hope across UK Blunder led to TUI 737 flight being aborted in mid air Top selling mobile games breaking rules on loot boxes Sweden asks China to co operate with severed cable investigation Louise Haighs swift resignation prompts numerous questions Louise Haigh quits as transport secretary over phone offence Girl charged with murder of homeless man near Kings Cross Kneecap Belfast rap group wins case against UK government Ladbroke Grove Man charged over shooting of girl, 8, and father

Morse code transcription: vvv vvv Sweden asks China to co operate with severed cable investigation Gregg Wallace fascinated by my sex life and made lesbian jokes Blunder led to TUI 737 flight being aborted in mid air Kneecap Belfast rap group wins case against UK government Louise Haigh quits as transport secretary over phone offence Top selling mobile games breaking rules on loot boxes Louise Haighs swift resignation prompts numerous questions Ladbroke Grove Man charged over shooting of girl, 8, and father Girl charged with murder of homeless man near Kings Cross Sycamore Gap saplings to spread hope across UK

Chapter 33 - The Prince's TaleAs Ginny and Hermione moved closer to the rest of the family, Harry had a clear view of the bodies lying next to Fred: Remus and Tonks, pale and still and peaceful-looking, apparently asleep beneath the dark, enchanted ceiling.Q1 - What do you think about Tonks and Lupin?Q2 - In the beginning of the memory what do you think of Snape, Lily, and Tuneys connection?Q3 - Petunia wrote a letter to Dumbledore asking to be let into the school…do you understand her character more from this?Q4 - According to Snape's memory, what do you think of James and Sirius?Harry watched again as Snape left the Great Hall after sitting his O.W.L. in Defense Against the Dark Arts, watched as he wandered away from the castle and strayed inadvertently close to the place beneath the beech tree where James, Sirius, Lupin, and Pettigrew sat together. But Harry kept his distance this time, because he knew what happened after James had hoisted Severus into the air and taunted him; he knew what had been done and said, and it gave him no pleasure to hear it again. . . . He watched as Lily joined the group and went to Snape's defense. Distantly he heard Snape shout at her in his humiliation and his fury, the unforgivable word: “Mudblood.” Q5 - Why is this Snape's worst memory?“Her boy survives,” said Dumbledore. With a tiny jerk of the head, Snape seemed to flick off an irksome fly. “Her son lives. He has her eyes, precisely her eyes. You remember the shape and color of Lily Evans's eyes, I am sure?” “DON'T!” bellowed Snape. “Gone . . . dead . . .” “Is this remorse, Severus?” “I wish . . . I wish I were dead. . . .” “And what use would that be to anyone?” said Dumbledore coldly. “If you loved Lily Evans, if you truly loved her, then your way forward is clear.” Snape seemed to peer through a haze of pain, and Dumbledore's words appeared to take a long time to reach him. “What — what do you mean?” “You know how and why she died. Make sure it was not in vain. Help me protect Lily's son.” “He does not need protection. The Dark Lord has gone —” “The Dark Lord will return, and Harry Potter will be in terrible danger when he does.” There was a long pause, and slowly Snape regained control of himself, mastered his own breathing. At last he said, “Very well. Very well. But never — never tell, Dumbledore! This must be between us! Swear it! I cannot bear . . . especially Potter's son . . . I want your word!” “My word, Severus, that I shall never reveal the best of you?” Dumbledore sighed, looking down into Snape's ferocious, anguished face. “If you insist . . .” Q6 - Do you understand why Snape hated and yet protected Harry?“No,” said Snape, his black eyes on Fleur's and Roger's retreating figures. “I am not such a coward.” “No,” agreed Dumbledore. “You are a braver man by far than Igor Karkaroff. You know, I sometimes think we Sort too soon. . . .” Q7 - Do they sort too soon?Snape raised his eyebrows and his tone was sardonic as he asked, “Are you intending to let him kill you?” “Certainly not. You must kill me.” There was a long silence, broken only by an odd clicking noise. Fawkes the phoenix was gnawing a bit of cuttlebone. “Would you like me to do it now?” asked Snape, his voice heavy with irony. “Or would you like a few moments to compose an epitaph?” “Oh, not quite yet,” said Dumbledore, smiling. “I daresay the moment will present itself in due course. Given what has happened tonight,” he indicated his withered hand, “we can be sure that it will happen within a year.” “If you don't mind dying,” said Snape roughly, “why not let Draco do it?” “That boy's soul is not yet so damaged,” said Dumbledore. “I would not have it ripped apart on my account.” “And my soul, Dumbledore? Mine?” “You alone know whether it will harm your soul to help an old man avoid pain and humiliation,” said Dumbledore.Q8 - Do you understand why Snape killed Dumbledore now?“Harry must not know, not until the last moment, not until it is necessary, otherwise how could he have the strength to do what must be done?” “Tell him what?” Dumbledore took a deep breath and closed his eyes. “Tell him that on the night Lord Voldemort tried to kill him, when Lily cast her own life between them as a shield, the Killing Curse rebounded upon Lord Voldemort, and a fragment of Voldemort's soul was blasted apart from the whole, and latched itself onto the only living soul left in that collapsing building. Part of Lord Voldemort lives inside Harry, and it is that which gives him the power of speech with snakes, and a connection with Lord Voldemort's mind that he has never understood. And while that fragment of soul, unmissed by Voldemort, remains attached to and protected by Harry, Lord Voldemort cannot die.” Q9 - Harry is a Horcrux…“So the boy . . . the boy must die?” asked Snape quite calmly. “And Voldemort himself must do it, Severus. That is essential.” Another long silence. Then Snape said, “I thought . . . all these years . . . that we were protecting him for her. For Lily.” “We have protected him because it has been essential to teach him, to raise him, to let him try his strength,” said Dumbledore, his eyes still tight shut. “Meanwhile, the connection between them grows ever stronger, a parasitic growth: Sometimes I have thought he suspects it himself. If I know him, he will have arranged matters so that when he does set out to meet his death, it will truly mean the end of Voldemort.” Dumbledore opened his eyes. Snape looked horrified. “You have kept him alive so that he can die at the right moment?” “Don't be shocked, Severus. How many men and women have you watched die?” “Lately, only those whom I could not save,” said Snape. He stood up. “You have used me.” “Meaning?” “I have spied for you and lied for you, put myself in mortal danger for you. Everything was supposed to be to keep Lily Potter's son safe. Now you tell me you have been raising him like a pig for slaughter —” “But this is touching, Severus,” said Dumbledore seriously. “Have you grown to care for the boy, after all?” “For him?” shouted Snape. “Expecto Patronum!” From the tip of his wand burst the silver doe: She landed on the office floor, bounded once across the office, and soared out of the window. Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears. “After all this time?” “Always,” said Snape. Q10 - Does Snape love Harry?Q11 - What does always mean?Q12 - Do you get why Snape kept the letter?Chapter 34 - The Forest AgainHarry understood at last that he was not supposed to survive. His job was to walk calmly into Death's welcoming arms. Along the way, he was to dispose of Voldemort's remaining links to life, so that when at last he flung himself across Voldemort's path, and did not raise a wand to defend himself, the end would be clean, and the job that ought to have been done in Godric's Hollow would be finished: Neither would live, neither could survive. Q1 - Was this really the whole purpose of Harry's life?Dumbledore's betrayal was almost nothing. Of course there had been a bigger plan; Harry had simply been too foolish to see it, he realized that now. Q2 - Was Dumbledore really just raising him like a pig for slaughter?Harry pulled the Invisibility Cloak over himself and descended through the floors, at last walking down the marble staircase into the entrance hall. Perhaps some tiny part of him hoped to be sensed, to be seen, to be stopped, but the Cloak was, as ever, impenetrable, perfect, and he reached the front doors easily. Q3 - If you were in this situation, would you have said goodbye?Harry glanced down and felt another dull blow to his stomach: Colin Creevey, though underage, must have sneaked back just as Malfoy, Crabbe, and Goyle had done. He was tiny in death. He felt he would have given all the time remaining to him for just one last look at them; but then, would he ever have the strength to stop looking? It was better like this. The long game was ended, the Snitch had been caught, it was time to leave the air. . . . The Snitch. His nerveless fingers fumbled for a moment with the pouch at his neck and he pulled it out. I open at the close. Breathing fast and hard, he stared down at it. Now that he wanted time to move as slowly as possible, it seemed to have sped up, and understanding was coming so fast it seemed to have bypassed thought. This was the close. This was the moment. He pressed the golden metal to his lips and whispered, “I am about to die.” The metal shell broke open. He lowered his shaking hand, raised Draco's wand beneath the Cloak, and murmured, “Lumos.” The black stone with its jagged crack running down the center sat in the two halves of the Snitch. The Resurrection Stone had cracked down the vertical line representing the Elder Wand. The triangle and circle representing the Cloak and the stone were still discernible. Q4 - Was this a surprise to you?And again Harry understood without having to think. It did not matter about bringing them back, for he was about to join them. He was not really fetching them: They were fetching him. Lily's smile was widest of all. She pushed her long hair back as she drew close to him, and her green eyes, so like his, searched his face hungrily, as though she would never be able to look at him enough. “You've been so brave.” He could not speak. His eyes feasted on her, and he thought that he would like to stand and look at her forever, and that would be enough. Q5 - What did you think of Harry bringing everyone back?“I thought he would come,” said Voldemort in his high, clear voice, his eyes on the leaping flames. “I expected him to come.” Nobody spoke. They seemed as scared as Harry, whose heart was now throwing itself against his ribs as though determined to escape the body he was about to cast aside. His hands were sweating as he pulled off the Invisibility Cloak and stuffed it beneath his robes, with his wand. He did not want to be tempted to fight. “I was, it seems . . . mistaken,” said Voldemort. “You weren't.” Harry said it as loudly as he could, with all the force he could muster: He did not want to sound afraid. The Resurrection Stone slipped from between his numb fingers, and out of the corner of his eyes he saw his parents, Sirius, and Lupin vanish as he stepped forward into the firelight. At that moment he felt that nobody mattered but Voldemort. It was just the two of them. Q6 - What do you think of Harry here?Voldemort had raised his wand. His head was still tilted to one side, like a curious child, wondering what would happen if he proceeded. Harry looked back into the red eyes, and wanted it to happen now, quickly, while he could still stand, before he lost control, before he betrayed fear — He saw the mouth move and a flash of green light, and everything was gone. Q7 - Is Harry dead?Chapter 35 - Kings CrossHe recoiled. He had spotted the thing that was making the noises. It had the form of a small, naked child, curled on the ground, its skin raw and rough, flayed-looking, and it lay shuddering under a seat where it had been left, unwanted, stuffed out of sight, struggling for breath. He was afraid of it. Small and fragile and wounded though it was, he did not want to approach it. Nevertheless he drew slowly nearer, ready to jump back at any moment. Soon he stood near enough to touch it, yet he could not bring himself to do it. He felt like a coward. He ought to comfort it, but it repulsed him. “You cannot help.” He spun around. Albus Dumbledore was walking toward him, sprightly and upright, wearing sweeping robes of midnight blue. “Harry.” He spread his arms wide, and his hands were both whole and white and undamaged. “You wonderful boy. You brave, brave man. Let us walk.”Q1 - Were you shocked it was Dumbledore?“But . . .” Harry raised his hand instinctively toward the lightning scar. It did not seem to be there. “But I should have died — I didn't defend myself! I meant to let him kill me!” “And that,” said Dumbledore, “will, I think, have made all the difference.”Q2 - Why is this going to make all the difference?“But . . .” Harry raised his hand instinctively toward the lightning scar. It did not seem to be there. “But I should have died — I didn't defend myself! I meant to let him kill me!” “And that,” said Dumbledore, “will, I think, have made all the difference.” “He took my blood,” said Harry. “Precisely!” said Dumbledore. “He took your blood and rebuilt his living body with it! Your blood in his veins, Harry, Lily's protection inside both of you! He tethered you to life while he lives!” Q3 - Do you get why Harry is not dead really?“I believe that your wand imbibed some of the power and qualities of Voldemort's wand that night, which is to say that it contained a little of Voldemort himself. So your wand recognized him when he pursued you, recognized a man who was both kin and mortal enemy, and it regurgitated some of his own magic against him, magic much more powerful than anything Lucius's wand had ever performed. Your wand now contained the power of your enormous courage and of Voldemort's own deadly skill: What chance did that poor stick of Lucius Malfoy's stand?” Q4 - Did Harry's wand temporarily become a Horcrux?“Can you forgive me?” he said. “Can you forgive me for not trusting you? For not telling you? Harry, I only feared that you would fail as I had failed. I only dreaded that you would make my mistakes. I crave your pardon, Harry. I have known, for some time now, that you are the better man.” Q5 - Is Harry a better man than Dumbledore?“The argument became a fight. Grindelwald lost control. That which I had always sensed in him, though I pretended not to, now sprang into terrible being. And Ariana . . . after all my mother's care and caution . . . lay dead upon the floor.” Q6 - What are your thoughts on the whole Dumbledore and Grindelwald situation?“Would I?” asked Dumbledore heavily. “I am not so sure. I had proven, as a very young man, that power was my weakness and my temptation. It is a curious thing, Harry, but perhaps those who are best suited to power are those who have never sought it. Those who, like you, have leadership thrust upon them, and take up the mantle because they must, and find to their own surprise that they wear it well.Q7 - Had Dumbledore had power thrust upon him, would he have been a good leader?“Maybe a man in a million could unite the Hallows, Harry. I was fit only to possess the meanest of them, the least extraordinary. I was fit to own the Elder Wand, and not to boast of it, and not to kill with it. I was permitted to tame and to use it, because I took it, not for gain, but to save others from it. “But the Cloak, I took out of vain curiosity, and so it could never have worked for me as it works for you, its true owner. The stone I would have used in an attempt to drag back those who are at peace, rather than to enable my self-sacrifice, as you did. You are the worthy possessor of the Hallows.” “If you planned your death with Snape, you meant him to end up with the Elder Wand, didn't you?” “I admit that was my intention,” said Dumbledore, “but it did not work as I intended, did it?” “No,” said Harry. “That bit didn't work out.”Q8 - What are they talking about that it didn't work out?“I've got to go back, haven't I?” “That is up to you.” “I've got a choice?” “Oh yes.” Dumbledore smiled at him. “We are in King's Cross, you say? I think that if you decided not to go back, you would be able to . . . let's say . . . board a train.” “And where would it take me?” “On,” said Dumbledore simply.“Do not pity the dead, Harry. Pity the living, and, above all, those who live without love. By returning, you may ensure that fewer souls are maimed, fewer families are torn apart. If that seems to you a worthy goal, then we say good-bye for the present.”Q9 - Harry is going back?“Tell me one last thing,” said Harry. “Is this real? Or has this been happening inside my head?” Dumbledore beamed at him, and his voice sounded loud and strong in Harry's ears even though the bright mist was descending again, obscuring his figure. “Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?”Q10 - Is this real or is it happening inside Harry's head?Chapter 36 - The Flaw in the PlanHands, softer than he had been expecting, touched Harry's face, pulled back an eyelid, crept beneath his shirt, down to his chest, and felt his heart. He could hear the woman's fast breathing, her long hair tickled his face. He knew that she could feel the steady pounding of life against his ribs. “Is Draco alive? Is he in the castle?” Q1 - Were you surprised at Narcissa lying?And now a chill settled over them where they stood, and Harry heard the rasping breath of the dementors that patrolled the outer trees. They would not affect him now. The fact of his own survival burned inside him, a talisman against them, as though his father's stag kept guardian in his heart. Q2 - Why is Harry not affected by crucio and the dementors and stuff?“Harry Potter is dead! Do you understand now, deluded ones? He was nothing, ever, but a boy who relied on others to sacrifice themselves for him!” “He beat you!” yelled Ron, and the charm broke, and the defenders of Hogwarts were shouting and screaming again until a second, more powerful bang extinguished their voices once more. Q3 - What do you think of Ron's progression as a character?In one swift, fluid motion, Neville broke free of the Body-Bind Curse upon him; the flaming hat fell off him and he drew from its depths something silver, with a glittering, rubied handle — The slash of the silver blade could not be heard over the roar of the oncoming crowd or the sounds of the clashing giants or of the stampeding centaurs, and yet it seemed to draw every eye. With a single stroke Neville sliced off the great snake's head, which spun high into the air, gleaming in the light flooding from the entrance hall, and Voldemort's mouth was open in a scream of fury that nobody could hear, and the snake's body thudded to the ground at his feet —Q4 - Do you get why we all love Neville so much now?The house-elves of Hogwarts swarmed into the entrance hall, screaming and waving carving knives and cleavers, and at their head, the locket of Regulus Black bouncing on his chest, was Kreacher, his bullfrog's voice audible even above this din: “Fight! Fight! Fight for my Master, defender of house-elves! Fight the Dark Lord, in the name of brave Regulus! Fight!” Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. “What will happen to your children when I've killed you?” taunted Bellatrix, as mad as her master, capering as Molly's curses danced around her. “When Mummy's gone the same way as Freddie?” “You — will — never — touch — our — children — again!” screamed Mrs. Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backward through the veil, and suddenly Harry knew what was going to happen before it did. Molly's curse soared beneath Bellatrix's outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix's gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.Q5 - What was the most emotional moment in the whole series for you?“You won't be killing anyone else tonight,” said Harry as they circled, and stared into each other's eyes, green into red. “You won't be able to kill any of them ever again. Don't you get it? I was ready to die to stop you from hurting these people —” “But you did not!” “— I meant to, and that's what did it. I've done what my mother did. They're protected from you. Haven't you noticed how none of the spells you put on them are binding? You can't torture them. You can't touch them. You don't learn from your mistakes, Riddle, do you?”Q6 - What do you think of this?“Yeah, it did,” said Harry. “You're right. But before you try to kill me, I'd advise you to think about what you've done. . . . Think, and try for some remorse, Riddle. . . .” “What is this?” Of all the things that Harry had said to him, beyond any revelation or taunt, nothing had shocked Voldemort like this. Harry saw his pupils contract to thin slits, saw the skin around his eyes whiten. “It's your one last chance,” said Harry, “it's all you've got left. . . . I've seen what you'll be otherwise. . . . Be a man . . . try . . . Try for some remorse. . . .” Q7 - Thoughts on Harry telling Tom to try for some remorse?“The true master of the Elder Wand was Draco Malfoy.” Blank shock showed in Voldemort's face for a moment, but then it was gone. “But what does it matter?” he said softly. “Even if you are right, Potter, it makes no difference to you and me. You no longer have the phoenix wand: We duel on skill alone . . . and after I have killed you, I can attend to Draco Malfoy. . . .” “But you're too late,” said Harry. “You've missed your chance. I got there first. I overpowered Draco weeks ago. I took this wand from him.” Harry twitched the hawthorn wand, and he felt the eyes of everyone in the Hall upon it. “So it all comes down to this, doesn't it?” whispered Harry. “Does the wand in your hand know its last master was Disarmed? Because if it does . . . I am the true master of the Elder Wand.” Q8 - What do you think about the Elder Wand issues?Q9 - How did you like the death of Voldemort?After a while, exhausted and drained, Harry found himself sitting on a bench beside Luna. “I'd want some peace and quiet, if it were me,” she said. “I'd love some,” he replied. “I'll distract them all,” she said. “Use your Cloak.” “And then there's this.” Harry held up the Elder Wand, and Ron and Hermione looked at it with a reverence that, even in his befuddled and sleep-deprived state, Harry did not like to see. “I don't want it,” said Harry. “What?” said Ron loudly. “Are you mental?” “I know it's powerful,” said Harry wearily. “But I was happier with mine. So . . .” He rummaged in the pouch hung around his neck, and pulled out the two halves of holly still just connected by the finest thread of phoenix feather. Hermione had said that they could not be repaired, that the damage was too severe. All he knew was that if this did not work, nothing would. He laid the broken wand upon the headmaster's desk, touched it with the very tip of the Elder Wand, and said, “Reparo.” Q10 - What are your thoughts on the Hallows now?EpilogueQ1 - What do you think about the epilogue?Q2 - What do you think of Harry and Ginny and their kids names?“Teddy's back there,” he said breathlessly, pointing back over his shoulder into the billowing clouds of steam. “Just seen him! And guess what he's doing? Snogging Victoire!”“Don't forget to give Neville our love!” Ginny told James as she hugged him. “Mum! I can't give a professor love!” “But you know Neville —” James rolled his eyes. “Outside, yeah, but at school he's Professor Longbottom, isn't he? I can't walk into Herbology and give him love. . . .” Q3 - What do you think about Prof Longbottom?

For years Claude Robinson was doing crime to fund his heroin addiction. He was eventually locked up with murderers in Goulburn Prison, where he shared a dentist with Ivan Milat. But in 2006 he made a big change, to turn his life around. (CW: descriptions of drug use, addiction, and crime)Claude Robinson is the manager of Rainbow Lodge, a home in inner Sydney for men just out of prison. Claude knows the place well because nearly 20 years ago he was sent there himself.Claude was a heroin addict who had taken to crime to pay for his habit and wound up in a minimum security jail. But after he assaulted a prison guard, he ended up in one of Australia's toughest jails - Goulburn Correctional Centre. While Claude was inside, his father died, and he found out that he had inherited $60,000.It was a chance to start a new life when he got out of prison. But instead, he and a girlfriend checked into a hotel in Kings Cross and bought some backs of heroin. Within weeks, all of Claude's inheritance was gone.In 2006, Claude was back in prison when he decided to finally change his story. He got off drugs, went to TAFE, and started working his way back to Rainbow Lodge, where he helps men who have walked a similar path to his own.Help and support is always available: The National Alcohol & Other Drug Hotline is a free and confidential 24/7 phone service that provides counselling, advice, and information for those struggling with addiction. Call 1800 250 015.This episode of Conversations discusses drug use, substance abuse, addiction, crime, mental health, toxic masculinity, manhood, fatherhood, parenting, turning your life around, getting clean, rehabilitation, rehab, intervention, AA, NA, sponsors, inheritance, heroin, methadone, ice, meth, illicit substances, incarceration, recidivism. 

Vogue has given unparalleled access to the Lightroom at Kings Cross for a brand-new exhibition examining the history of the runway and invited Today for an exclusive preview. Emma Barnett sits down with the exhibition curator David Sable, and British Vogue's Chioma Nnadi, the first black woman to take up the mantle of Head of Editorial Content. Chioma discusses her concerns around weight loss drugs, women of colour breaking the glass ceiling, and whether the fashion industry is doing enough for sustainability. Listen to the Today programme on Radio 4 and BBC Sounds: 6-9am Monday-Friday, and 7-9am on Saturdays.

This episode is brought to you by LIFESAFE Technologies Stay safe "All In 1" Fire extinguisher. Click on the link and your discount will be applied Kevin's inspiration to join the Police was prompted by a robbery where at the age of 14 he was held at knifepoint and his pedal cycle was stolen. He went on to see the suspect in a local park on the stolen bike. The police were contacted and when they arrived, they arrested the suspect and seized the bike. The rest as they say is history.Kevin was 20 when he joined the Metropolitan Police, and the year was 1983. His service commenced in Edmonton and after 6 years transferred to King Cross. This area was not the affluent location that it is now!The Harrods Bombing, The murder of Yvonne Fletcher and the Broadwater farm riots took place in his early years in the job. Kevin describes the significant events and the Tottenham riots in particular; he was patrolling Southgate when he was told to return to base pick up his public order kit and travel to the infamous Broadwater Farm.Kevin's love for cars help directed him to the stolen vehicle squad. It was during this time that he honed his skills as an investigator. He went on to lead a team at Kings Cross and headed missing persons enquires. One such was Paula Field, Her body was found minus its identifying features in a holdall in the canal at Camden. He was invited to apply for the role in SO10 which specialised in undercover deployments and stayed in the role for 8 years. He found the role particularly political, and we discuss the issues in managing undercovers and the associated issues. During his time he became a hostage negotiator and recalls vividly the kidnap of a 10 year old boy.He concluded his services a s Chief Superintendent and was an operational lead during the 2021 Olympics .A memorable day during his service was the nail bombing in Old Compton Street at the Admiral Duncan Pub. He talks about a member of the public Named David Morley who had been injured in the explosion. This mans nickname was Cinders. He survived the bombing and was a very kind individual. A few years later Mr Morley was murdered on the South Bank by a group of youths.Since leaving the Police Kevin has been behind the television shows “The Hunted” and “The Heist” He is now a published author and his book “Where The Evidence Takes Us” Is available from all good book sellers. John Sutherland and Adam Kay were inspirations and John has written has written a recommendation. Hosted on Acast. See acast.com/privacy for more information.

Wendell Hussey, Errol Parker and Clancy Overell wrap up all the biggest stories from the week - live from the Desert Rock FM studio in downtown Betoota. Subscribe to the Betoota Newsletter HERE  Betoota on Instagram Betoota on TikTok Produced by DM PodcastsSee omnystudio.com/listener for privacy information.

Michael Visontay with the story of how 'noble fragments' of a rare Gutenberg Bible were sold off, leaf by leaf, in New York in the 1920s, and how the sale of these books, chapters and verses changed the course of his own family.

Quick recap of Kings Cross, Jackson Park, Rob being completely out of line re: Clara's retirement and coverage of the fango release Cast: Tim Strelecki, Leah Sanda, Robert Curtis The Road Is Dead Podcast is based on what happens when people visit a bicycle business and get to talking. Topics can range widely from riding, road cycling enthusiasts, cyclocross racing, gravel racing, road racing, professional and amateur racing, grassroots cycling and events, industry discussions and trends. While based in the greater Chicagoland area regular guests are from all over. Main focus is on US domestic cycling. Guests range from Pro cyclists, industry veterans, race promoters and announcers, to just cool people that walked in. Passionate discussion you won't hear in the cycling media - we don't tow company lines and we're not afraid to discuss rumors, tell you when something is bad, or otherwise do something the others would avoid.

WARNING - EXTREME CONTENTIf you are effected by this podcast and need help please reach out to one of the brilliant organisations such as Samaritans or PTSD999Mick Baker was born in Kent and from an early age he wanted to join the Army. He went on to become a soldier and joined the Royal Army Medical Corp and went to training in Lichfield. He inadvertently became top recruit due to a negligent discharge by a colleague.He was based in Aldershot and his experience was full on. His medical training set him up for life. He transferred from the RAMC to the Royal Military Police and was immediately posted to Northern Ireland with 176 Provost Comp. At the conclusion of his tour to Northern Ireland he was posted to Colchester to serve 156 Provost Company and the larger-than-life Staff Sgt Sam Appleyard. Having arrived in Colchester he served with Staff Sgt Sam Appleyard and remembers L/Cpl Paul Lon who was killed in action.At the conclusion of his service Mick joined Hertfordshire Police and served in Hitchin and the regime was very structured and standards were very important to him and the rest of the team. During a fit of peak Mick walked away from the job and went travelling !Having run out of money he returned to the UK and whilst driving through Hertfordshire he decided to call into the headquarters and ask for his old job back. Unbelievably they took him back into the fold. Mick thrived on proactive operations and formed a relationship with members of the British Transport Police whilst conducting operations at the local train stations. He transferred to the BTP and started at Kings Cross. As an officer Mick was one of many who dealt people who died by suicide.He recounts a tragic time in Cyprus when he was called to a head on RTC where the occupants of the vehicles were seriously injured and resulted in fatalities. He felt that he had failed at the scene( which he hadn't). and was advised that he was too emotionally attached to the incident. This advice assisted through his career until the emotional baggage became too overwhelming.Mick was having issues in the workplace that meant he went off sick. He found the senior management of BTP and Occupational Health as being underwhelming. He was accused of working outside of the job and the bullying tactics got the better of him. Mick has now retired and undertakes medical training including FREC 3 training and would welcome a meeting with the senior management from BTP Hosted on Acast. See acast.com/privacy for more information.

Episode Overview:This week I was lucky enough to grab some time with for an entertaining and insightful conversation with the eminently engaging Imran Hussain, the innovative Chief Marketing Officer of Chateau Denmark (https://www.chateaudenmark.com). This episode of “Hospitality Meets” sheds light on the quirky, unpredictable, and exciting world of hospitality, capped with laughter and memorable anecdotes.Episode Highlights:Behind-the-Scenes Comedy: Imran shares a hilarious story of his early career mishap, where he printed "canopies" instead of "canapés" on 3,000 invitations, teaching him a lifelong lesson on attention to detail.Energetic Conversation: The banter between Phil and Imran is infectious, from joking about creating a superhero squad named “Superheroes of Stupidity” to witty remarks about Shoreditch's dynamic past and transformation.Charisma and Passion: Passionate about architecture and community, Imran shares his heartfelt reflections on the evolution of Kings Cross and his latest ventures at Chateau Denmark, turning historic spaces into modern, culturally rich hospitality experiences.Key Takeaways:The Art of Learning from Mistakes:Imran's story about the "canapés" mishap remains a stellar example of humility and owning one's mistakes. It's a reminder that errors, no matter how embarrassing, are invaluable learning moments in one's career.Innovative and Ageless Hospitality:The shared philosophy that hospitality is not just a job but a calling shines through. Imran and Phil both echo the importance of embracing the unpredictability, ongoing learning, and excitement that come with creating exceptional guest experiences.Community and Cultural Integration:Imran's vivid storytelling about projects like Chateau Denmark and The Pilgrim reveals his dedication to creating hospitality spaces that respect and enhance their neighbourhood's essence, emphasising the deep interconnection between a hotel and its surrounding community.Don't Miss:Phil's visit to Chateau Denmark: Get first-hand insights into what makes this place uniquely captivating.Imran's Career Influences: Discover how a coffee table book and a general manager named Michael changed the trajectory of Imran's career.Humorous Reflections: Enjoy the contagious laughter and light-hearted exchanges that make this episode a treat to listen to.Stay tuned for more enlightening conversations every Wednesday at 08:00 p.m. on your favorite podcast platform!Listen and Subscribe:Make sure to subscribe to “Hospitality Meets” and share this episode with fellow hospitality enthusiasts. Follow us for more episodes filled with industry insights, humour, and inspiring stories.Get ready to laugh, learn, and be inspired by the incredible journey of Imran Hussain in this week's episode of “Hospitality Meets”!The GuestImran Hussain is the Chief Marketing Officer at Chateau Denmark Instagram - @imran_hussainChateau Denmark - @chateaudenmarkThe SponsorToday's episode comes to you in partnership with RotaCloud, the people management platform for shift-based...

It's the London Podcast Festival 2024 and this episode was recorded infront of a live, sold out audience in Kings Cross! We're talking birthdays, air tags and belly buttons!  It's jam packed with laughter, celebrations and a super crowd! Big up to everyone who came and sorry to those that couldn't get tickets this time!  Hit play and a joy this special live edition now!

Julie Hill was a nurse working in the endoscopy unit of the Royal Hallamshire Hospital in Sheffield. Also working there at this time was Doctor Colin Shawcross and the obvious attraction between the couple led to a sexual relationship developing. There was a slight issue as both were married and living with their partners. However, the relationship continued to deepen and by the summer both realised that they wanted to be with each other. This meant they both had the dreadful task of telling their partners that they were leaving them. In this case these conversations resulted in the most shocking of outcomes...See me live in Kings Cross, London on Saturday 14 Septemberhttps://www.kingsplace.co.uk/whats-on/words/murder-aint-easySupport me at Patreonhttps://www.patreon.com/UKTrueCrimeSourceshttps://www.uktruecrime.com/2024/09/10/the-murder-of-dr-colin-shawcross/ Hosted on Acast. See acast.com/privacy for more information.

Potterheads have been left furious at Kings Cross station in London after the station has decided to end their yearly tradition. Usually HP fans are invited to the station to celebrate the arrival of the ‘Hogwarts Express' but the station has shut it down due to overcrowding. Fitz instead has a really good idea what our yearly tradition can be on the new Sydney Metro to do with munted party goers. See omnystudio.com/listener for privacy information.

A researcher says most Australians support the use of supervised drug injecting rooms with more than 50 per cent of people in every jurisdiction backing the public health measure. A drug injecting room has operated at Kings Cross in Sydney for the past 23 years and a similar facility at North Richmond in Melbourne has been operating since 2018. But efforts to set up additional centres have been problematic. - ایک نئی تحقیق بتاتی ہے کہ آسٹریلیا میں لوگوں کی بہت بڑی تعداد اس بات کی حمایت کرتی ہے کہ ماہرین کی زیر نگرانی منشیات انجیکٹنگ مراکز کی تعداد بڑھنی چاہیے تاکہ صحت عامہ کو لاحق خطرات کا راستہ روکا جاسکے۔

A researcher says most Australians support the use of supervised drug injecting rooms with more than 50 per cent of people in every jurisdiction backing the public health measure. A drug injecting room has operated at Kings Cross in Sydney for the past 23 years and a similar facility at North Richmond in Melbourne has been operating since 2018. But efforts to set up additional centres have been problematic.

Suzie Miller's frugal and free range St Kilda childhood taught her to question almost everything. She grew up to become a trailblazing writer and lawyer (R)Suzie Miller grew up in St Kilda, and from early in life she had a number of part-time jobs. She became a trailblazing paper girl in her local area, when the role was usually only offered to boys.As a young woman Suzie trained as a lawyer and began working with homeless teenagers in Sydney's Kings Cross. She then began to write stories and plays out of the lives she was encountering in court.She thought these were stories the world needed to hear. And the world sat up and listened.Suzie's award winning play Prima Facie, a one woman show about how the legal system treats victims of sexual assault, has received standing ovations from its Sydney premiere to the West End in London and on Broadway in New York.  The play has since inspired a TV show, a movie and a novel.Suzie's story covers themes of grief, family, motherhood, memoir, an exploration of the legal system, grief, and reflections on the changing role of women the modern world.

In her poem 'God's Garden', Dorothy Frances Gurney writes:'One is nearer God's heart in a garden Than anywhere else on earth.'Join Giles Fraser and a panel of green-fingered guests as they gather together at the Aga Khan Centre in Kings Cross to reflect on the theological significance of gardens and gardening.From Eden and Gethsemane, to the ancient Islamic gardens of Andalusia, to the Japanese Gardens of Zen Buddhism; temples to churchyards, these sacred zones have been places of solace and reflection for millennia; places of life and death, of peace and tranquillity. Here, even non-religious gardeners find common ground with their religious counterparts: on their knees, often in silence, hands in the earth. For many, gardening is the answer. We hear from Jill Smith - lay minister and trustee of 'The Quiet Garden Movement', who tells us how her garden is a place of healing.Our panellists are Dr Omar Ali de Unzaga - Head of Ismaili Studies at the Aga Khan Centre, Revd Lucy Winkett - Rector at St James' Church in Piccadilly, and Ai Hishii - Director of Japanese garden architects, Momiji Design.*You can visit the Islamic Gardens at the Aga Khan Centre for free - book online.Presenter: Giles Fraser Producers: James Leesley and Bara'atu Ibrahim Editor: Tim Pemberton

Rosaleen Norton was a bohemian artist and occultist who horrified Australian society in the 1950s. There were wild tales of devil worship, satanic rituals, blood sacrifices and sex orgies. But were they true? Author Peter Coleman is here to sort the fact from the fiction for us. Get Peter's book at: https://affirmpress.com.au/browse/book/Peter-Coleman-Australia's-Most-Bizarre-Crimes-9781923046269Like the show? Go to heraldsun.com.au/ibaw for more.See omnystudio.com/listener for privacy information.

Born in Islington where he was brought up. He went to school with members of band Spandau Ballet and was very friendly with Tony Hadley.Aged 15 he decided to join the cadets but after a lot of medicals the Met Police decided that his eyesight was not up to standard and was unable to join. At 18 the Metropolitan Police wrote to Mark and offered him a job.He accepted the role, and he joined on a Monday and by the Wednesday he left Hendon! He went on to become a telecom engineer he then opened a dance wear shop which subsequently closed.During a shopping trip to Letchworth he saw the recruitment team for Hertfordshire and decided to apply and was accepted. He was sent to Bruche for training which he found particularly difficult. His initial posting was Hatfield, and this is described as not being very nice and is the subject of the books written by Charlie Owen. Mark took on the beat at Codicote where he got to meet Kim Wilde. Upon the closure of the rural beats Mark was posted to Hitchin.Having been posted to Boreham wood Mark decided to apply for the Metropolitan Police and was accepted. He was posted to Islington and his dreams were shattered. It wasn't the force that he had hoped it would be.He returned to Hertfordshire for until 2005 when he applied for and was accepted to British Transport Police and was posted to Kings Cross. During his time he experienced the delights of traveling football fans and people who had jumped in front of a speeding train.Following the Borough Market/London Bridge attack Mark became the spoc for PC Wayne Marques and was disappointed at the reaction of the senior BTP management. Hosted on Acast. See acast.com/privacy for more information.

#authorsontheair #authorsontheairglobalradionetwork #authorinterview #authorsontheair #authorsontheairglobalradionetwork #authorinterview #LianneDillsworth #HouseofShades #instagramauthors #HaperCollins #HouseOfShades #FlorenzaDeniseLee #OntheairwithFlorenza In this episode of On the Air with Florenza, Author Lianna Dillsworth joins Florenza to discuss her newest release, House of Shades, and uncover little-known facts about the author, her books, and her processes. Lianne Dillsworth has MAs in Creative Writing and Victorian Studies and won a place on the London Library Emerging Writers Programme. She was first runner-up in the 2020 SI Leeds Literary Prize for Black and Asian Women Writers in the UK. Lianne lives and works in London. Lianne's debut novel, Theatre of Marvels, was published to high acclaim. House of Shades is her dazzling second novel. House of Shades London, 1833 Doctress Hester Reeves has been offered a life-changing commission. But it comes at a price. She must leave behind her husband and their canal-side home in Kings Cross and move to Tall Trees—a dark and foreboding house in Fitzrovia. If Hester can cure the ailing health of its owner, Gervaise Cherville, she will receive payment that will bring her everything she could dream of. But on arriving at Tall Trees, Hester quickly discovers that an even bigger task awaits her. Now she must unearth secrets that have lain hidden for decades—including one that will leave Hester's own life forever changed… You can follow Lianne by visiting https://www.penguin.co.uk/authors/284687/lianne-dillsworth. Florenza can be reached via her website, www.florenza.org, or on all social media platforms under Florenza Lee. Cheers!

Analisamos as críticas à seleção inglesa que classificou sem empolgar.  Damos uma geral nas outras principais seleções e trazemos uma matéria especial direto de Berlin.  2 mins Correspondentes em Kings Cross    5 mins Inglaterra: Críticas são exageradas?    31 mins Direto de Berlin: Ulisses Neto com a Holanda   58 mins Bastidores do tour do Tottenham Stadium    60 mins Apostas para o título. 

I did it! I took time out from my holiday with the lads to chat to the Brownload lads instead! I've got my tales of Portugal while Sach is filling me in on what I've missed back in the UK! Kej has been surrounded my people who don't care about how bad they smell and with Fathers Day round the corner, I've been working on my Desi Dad jokes! Plus there's news of our podcast now being on YouTube and don't forget about our LIVE Podcast on Friday 14th September at Kings Place in Kings Cross!  You can get your tickets here:  https://www.kingsplace.co.uk/whats-on/comedy/tommys-brownload-3/ 

Chapter 35 - Kings CrossHe recoiled. He had spotted the thing that was making the noises. It had the form of a small, naked child, curled on the ground, its skin raw and rough, flayed-looking, and it lay shuddering under a seat where it had been left, unwanted, stuffed out of sight, struggling for breath. He was afraid of it. Small and fragile and wounded though it was, he did not want to approach it. Nevertheless he drew slowly nearer, ready to jump back at any moment. Soon he stood near enough to touch it, yet he could not bring himself to do it. He felt like a coward. He ought to comfort it, but it repulsed him. “You cannot help.” He spun around. Albus Dumbledore was walking toward him, sprightly and upright, wearing sweeping robes of midnight blue. “Harry.” He spread his arms wide, and his hands were both whole and white and undamaged. “You wonderful boy. You brave, brave man. Let us walk.”Q1 - Were you shocked it was Dumbledore?“But . . .” Harry raised his hand instinctively toward the lightning scar. It did not seem to be there. “But I should have died — I didn't defend myself! I meant to let him kill me!” “And that,” said Dumbledore, “will, I think, have made all the difference.”Q2 - Why is this going to make all the difference?“But . . .” Harry raised his hand instinctively toward the lightning scar. It did not seem to be there. “But I should have died — I didn't defend myself! I meant to let him kill me!” “And that,” said Dumbledore, “will, I think, have made all the difference.” “He took my blood,” said Harry. “Precisely!” said Dumbledore. “He took your blood and rebuilt his living body with it! Your blood in his veins, Harry, Lily's protection inside both of you! He tethered you to life while he lives!” Q3 - Do you get why Harry is not dead really?“I believe that your wand imbibed some of the power and qualities of Voldemort's wand that night, which is to say that it contained a little of Voldemort himself. So your wand recognized him when he pursued you, recognized a man who was both kin and mortal enemy, and it regurgitated some of his own magic against him, magic much more powerful than anything Lucius's wand had ever performed. Your wand now contained the power of your enormous courage and of Voldemort's own deadly skill: What chance did that poor stick of Lucius Malfoy's stand?” Q4 - Did Harry's wand temporarily become a Horcrux?“Can you forgive me?” he said. “Can you forgive me for not trusting you? For not telling you? Harry, I only feared that you would fail as I had failed. I only dreaded that you would make my mistakes. I crave your pardon, Harry. I have known, for some time now, that you are the better man.” Q5 - Is Harry a better man than Dumbledore?“The argument became a fight. Grindelwald lost control. That which I had always sensed in him, though I pretended not to, now sprang into terrible being. And Ariana . . . after all my mother's care and caution . . . lay dead upon the floor.” Q6 - What are your thoughts on the whole Dumbledore and Grindelwald situation?“Would I?” asked Dumbledore heavily. “I am not so sure. I had proven, as a very young man, that power was my weakness and my temptation. It is a curious thing, Harry, but perhaps those who are best suited to power are those who have never sought it. Those who, like you, have leadership thrust upon them, and take up the mantle because they must, and find to their own surprise that they wear it well.Q7 - Had Dumbledore had power thrust upon him, would he have been a good leader?“Maybe a man in a million could unite the Hallows, Harry. I was fit only to possess the meanest of them, the least extraordinary. I was fit to own the Elder Wand, and not to boast of it, and not to kill with it. I was permitted to tame and to use it, because I took it, not for gain, but to save others from it. “But the Cloak, I took out of vain curiosity, and so it could never have worked for me as it works for you, its true owner. The stone I would have used in an attempt to drag back those who are at peace, rather than to enable my self-sacrifice, as you did. You are the worthy possessor of the Hallows.” “If you planned your death with Snape, you meant him to end up with the Elder Wand, didn't you?” “I admit that was my intention,” said Dumbledore, “but it did not work as I intended, did it?” “No,” said Harry. “That bit didn't work out.”Q8 - What are they talking about that it didn't work out?“I've got to go back, haven't I?” “That is up to you.” “I've got a choice?” “Oh yes.” Dumbledore smiled at him. “We are in King's Cross, you say? I think that if you decided not to go back, you would be able to . . . let's say . . . board a train.” “And where would it take me?” “On,” said Dumbledore simply.“Do not pity the dead, Harry. Pity the living, and, above all, those who live without love. By returning, you may ensure that fewer souls are maimed, fewer families are torn apart. If that seems to you a worthy goal, then we say good-bye for the present.”Q9 - Harry is going back?“Tell me one last thing,” said Harry. “Is this real? Or has this been happening inside my head?” Dumbledore beamed at him, and his voice sounded loud and strong in Harry's ears even though the bright mist was descending again, obscuring his figure. “Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?”Q10 - Is this real or is it happening inside Harry's head?

New @TalkArt! We meet the PET SHOP BOYS to explore their new album NONETHELESS!!!Recorded in London's Kings Cross, we chat to Neil Tennant and Chris Lowe about their history as the UK's most successful pop duo, their mutual love of art, collaborations with artists throughout their 40 year career including Derek Jarman, Eric Watson, Wolfgang Tillmans, and most recently Tim Walker, plus we explore Neil's interest for collecting & living with art. This feature-length exclusive episode celebrates today's release (April 26th 2024) of their incredible new album Nonetheless, via Parlophone Records. This is their 15th studio album, and since releasing their debut single back in 1984 they've gone on to sell more than 50 million records worldwide.‘Nonetheless' features 10 brand new tracks and is available now digitally and in various physical formats, including CD, black vinyl, clear vinyl, grey vinyl and cassette. Recorded and mixed in London last year, the album is the duo's first with producer James Ford at his studio in East London. The orchestra and backing vocals were recorded at The Church studio in North London. This is one of our favourite PSB albums they've made! Be sure to download or buy it now. The album also sees the duo return to Parlophone, the label which released their iconic and massively successful material spanning 1985 – 2012.

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

This is a "Shortcut" episode. It's a shortened version of this week's more detailed full episode, which is also available on our feed. In episode #342 of Australian True Crime, we met a man named Glen Fisher, who told us about the abuse he suffered in a so-called youth refuge in 1980s Kings Cross.The place in question was called the "Homeless Children's Association Refuge", and it was run by one Simon Davies.In 2022, Simon Davies was convicted of historical child sex offences against two boys in 1980s. One of those boys was Glen Fisher.After that episode was published, we were contacted by a woman named Marie, who said she had more information about that story which she would like to share. Marie's life has been an odyssey, to say the least. As you'll hear though, she comes from a very different background to the boys who ended up at the Homeless Children's Association Refuge.We contacted the Australian Privacy Foundation (founded by Simon Davies) for comment, and you can see our correspondence with them on our Facebook page.Click here to purchase Glen Fisher's book "Predators Paradise".You can also find him on social media here.For Support: The Blue Knot FoundationLifeline  on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732CREDITS:Host: Meshel Laurie. You can find her on Instagram Guest: MarieExecutive Producer/Editor: Matthew TankardGET IN TOUCH:https://www.australiantruecrimethepodcast.com/Follow the show on Instagram @australiantruecrimepodcast and Facebook Email the show at AusTrueCrimePodcast@gmail.comBuild your pro podcast with The Audio CollegeSupport this show http://supporter.acast.com/australiantruecrime. Become a subscriber to Australian True Crime Plus here: https://plus.acast.com/s/australiantruecrime. Hosted on Acast. See acast.com/privacy for more information.

In episode #342 of Australian True Crime, we met a man named Glen Fisher, who told us about the abuse he suffered in a so-called youth refuge in 1980s Kings Cross.The place in question was called the "Homeless Children's Association Refuge", and it was run by one Simon Davies.In 2022, Simon Davies was convicted of historical child sex offences against two boys in 1980s. One of those boys was Glen Fisher.After that episode was published, we were contacted by a woman named Marie, who said she had more information about that story which she would like to share. Marie's life has been an odyssey, to say the least. As you'll hear though, she comes from a very different background to the boys who ended up at the Homeless Children's Association Refuge.We contacted the Australian Privacy Foundation (founded by Simon Davies) for comment, and you can see our correspondence with them on our Facebook page.Click here to purchase Glen Fisher's book "Predators Paradise".You can also find him on social media here.For Support: The Blue Knot FoundationLifeline  on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732CREDITS:Host: Meshel Laurie. You can find her on Instagram Guest: MarieExecutive Producer/Editor: Matthew TankardGET IN TOUCH:https://www.australiantruecrimethepodcast.com/Follow the show on Instagram @australiantruecrimepodcast and Facebook Email the show at AusTrueCrimePodcast@gmail.comBuild your pro podcast with The Audio CollegeSupport this show http://supporter.acast.com/australiantruecrime. Become a subscriber to Australian True Crime Plus here: https://plus.acast.com/s/australiantruecrime. Hosted on Acast. See acast.com/privacy for more information.

Kings Cross, foil, Harry's barbecue, sleep, party foods, zombies, and more. (Released via Club Parsnips in April 2023) Become a member at https://plus.acast.com/s/athleticomince. Hosted on Acast. See acast.com/privacy for more information.