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https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Con Berna González Harbour, Cristina de la Hoz y Lourdes Pérez. Israel retirará las licencias para que 37 oenegés dejen de trabajar en Gaza y Cisjordania. El Gobierno de Netanyahu justifica la decisión hablando de supuestos vínculos entre los empleados de las organizaciones y Hamás y la Yihad Islámica. El embargo de armas a Israel ha abierto la última discrepancia con la que va a terminar el año el gobierno del PSOE y Sumar. En cuanto empiece el nuevo año, en enero, la OTAN va a examinar si España cumple con el mínimo que exige la Alianza: el Ejecutivo ha acelerado el gasto estas últimas semanas para cumplir con el 2% al cierre del año. El PSOE descarga en Ábalos y Cerdán toda la responsabilidad por la corrupción después de la auditoría que encargaron y que descarta financiación irregular. El PP resta credibilidad a un informe que, dice, es de parte. 

Con Berna González Harbour, Cristina de la Hoz y Lourdes Pérez. Israel retirará las licencias para que 37 oenegés dejen de trabajar en Gaza y Cisjordania. El Gobierno de Netanyahu justifica la decisión hablando de supuestos vínculos entre los empleados de las organizaciones y Hamás y la Yihad Islámica. El embargo de armas a Israel ha abierto la última discrepancia con la que va a terminar el año el gobierno del PSOE y Sumar. En cuanto empiece el nuevo año, en enero, la OTAN va a examinar si España cumple con el mínimo que exige la Alianza: el Ejecutivo ha acelerado el gasto estas últimas semanas para cumplir con el 2% al cierre del año. El PSOE descarga en Ábalos y Cerdán toda la responsabilidad por la corrupción después de la auditoría que encargaron y que descarta financiación irregular. El PP resta credibilidad a un informe que, dice, es de parte. 

takeawaysReflect on your achievements and setbacks regularly.Setbacks can be valuable lessons for growth.Prepare for the new year with a repertoire refresh.Engage with opera by understanding its history and context.Opera etiquette enhances the experience for everyone.Support local artists and productions in your community.Be open to new experiences in the arts.Social media can be a tool for supporting artists.Financial support isn't the only way to help the arts.Community and connection are vital in the arts ecosystem. Host Bri Cooper Shop Harbour for the Arts™ Thanks to our partners at THRIVE MARKET! Join today and get 30% off your first order as well as a gift up to $60. Visit www.thrivemarket.com/bricoopermezzo What's up! https://linktr.ee/harbourforthearts Email: Harbourforthearts@gmail.com Instagram Harbour for the Arts Instagram Bri Cooper, Mezzo Soprano, MBA, BM (@bricooper.mezzosoprano) • Instagram photos and videos Spotify Playlists Harbour for the Arts Tik Tok Bri Cooper Mezzo Soprano SHOPPING Shop my merch!Harbour for the Arts™ Need a part-time job! Try Reflex app for retail assignments; use my referral code bcooper621 https://workreflex.com/?code=BCOOPER621 Use my Rakuten Code

The Mayor of Victor Harbour, Dr Moria Jenkins, joined Jonathan and Casey. See omnystudio.com/listener for privacy information.

Send us a textThis week on Hey You Guys, we dive down the chimney into Violent Night (2022) — the gloriously unhinged Christmas action flick where David Harbour proves he was born to play a battle‑weary, Viking‑blooded Santa Claus. We talk booby traps that would make Home Alone's Kevin McCallister proud (and slightly terrified), a sleigh-load of festive carnage, and why Harbour's grumpy, hammer‑swinging Saint Nick is the gift that keeps on giving.We also get into the film's weaker links: John Leguizamo and his band of baddies, who never quite match the energy of their mythic opponent, and the terminally irritating wealthy family Santa is forced to save — a group so unlikeable you almost start rooting for the villains.It's messy, it's merry, it's miraculously fun. Grab your milk, cookies, and improvised weapons; this is one Christmas episode you won't forget.

Chapter 670 - "The Genre I Listen To The Least" ...as read by Xavier and Vincent Morency of Second Harbour Today we welcome Xavier and Vincent Morency from Second Harbour to the podcast. Second Harbour released their SharpTone Records debut, Coalesce, last week. The guys talk about the music scene in Montreal, being a band where every member plays multiple instruments, what did and did not influence the band's sound, signing with SharpTone, and a lot more.https://sharptonerecords.co/collections/second-harbourDiscordPatreonSubstackEmail: asthestorygrows@gmail.comChapter 670 Music:Second Harbour - "Relative"Second Harbour - "Mourning Dove" 

Classic Christmas Stories: Christmas by the Singing River by Jefferson Lee HarbourCozy up with Classic Christmas Stories! Today's episode brings you “Christmas by the Singing River” by Jefferson Lee Harbour — a gentle, heartfelt tale of love, memory, and the quiet magic of Christmas Eve. Perfect for the whole family. New episodes drop daily from Nov 27 through Dec 25, 2025.Subscribe now, visit our merch store for holiday gifts, or support the show on Buy Me a Coffee — all links in the show notes!Keywords: Christmas by the Singing River audiobook, Jefferson Lee Harbour, classic Christmas story, family holiday tale, cozy Christmas podcast, L.M. Montgomery style, free holiday audiobookSend us a textSupport the showHelp keep the stories interruption free! https://buymeacoffee.com/jasonreadsclassics Merch Store Chamber of Classics Amazon Links Cozy Blankets: https://amzn.to/42EuiP2 Christmas Mugs: https://amzn.to/3WENatG All stories in this podcast are public domain works, read by Jason Hovde. No copyrighted material is used. Media & Interview Inquiries: truthtrekking@gmail.com...

Analizamos el balance de Pedro Sánchez de fin de año: está determinado a agotar la legislatura pese a los casos de corrupción y los escándalos de acoso sexual en el partido. Los socios empiezan a estar inquietos, y PP y Vox lo celebran a las puertas de varias citas electorales autonómicas. Los sindicatos y Trabajo negocian la baja laboral de 10 días por el fallecimiento de un familiar. Con Berna González Harbour, Pablo A.Iglesias e Ignasi Guardans. 

TakeawaysArtists deserve support both on and off the stage.Reflecting on achievements fosters growth and new opportunities.Navigating family conversations can be challenging for artists.It's okay to choose solitude during the holidays for peace.Working during the holidays can be isolating but fulfilling.Setting boundaries is essential for personal energy management.Humorous misconceptions about opera singers are common.Responding to questions about your career can be done gracefully.You don't owe anyone a detailed explanation of your career.Reclaiming December as a time for self-care is important.   Host Bri Cooper Shop Harbour for the Arts™ Thanks to our partners at THRIVE MARKET! Join today and get 30% off your first order as well as a gift up to $60. Visit www.thrivemarket.com/bricoopermezzo What's up! https://linktr.ee/harbourforthearts Email: Harbourforthearts@gmail.com Instagram Harbour for the Arts Instagram Bri Cooper, Mezzo Soprano, MBA, BM (@bricooper.mezzosoprano) • Instagram photos and videos Spotify Playlists Harbour for the Arts Tik Tok Bri Cooper Mezzo Soprano SHOPPING Shop my merch!Harbour for the Arts™ Need a part-time job! Try Reflex app for retail assignments; use my referral code bcooper621 https://workreflex.com/?code=BCOOPER621 Use my Rakuten Code

Analizamos el balance de Pedro Sánchez de fin de año: está determinado a agotar la legislatura pese a los casos de corrupción y los escándalos de acoso sexual en el partido. Los socios empiezan a estar inquietos, y PP y Vox lo celebran a las puertas de varias citas electorales autonómicas. Los sindicatos y Trabajo negocian la baja laboral de 10 días por el fallecimiento de un familiar. Con Berna González Harbour, Pablo A.Iglesias e Ignasi Guardans. 

The BNZ - BusinessNZ Performance of Services Index has slowed down, according to new data. Reports show it fell by 1.5 points to 46.9, sparking concerns about the future of the economy. Harbour Asset Management expert Shane Solly explained further. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Harbour Bazaar with Asbestos Salesman      Dec 2025  Step right up, we got a year end clearance on smoke damaged furniture, no muss, no fuss no spills, everything must go as the Harbour Bazaar receive a cold call Asbestos Salesman! Once their foot was in the door the sharing their tracks, news on their latest music, tales of their acclaimed recent Glyn's Chins performance with OKNOTOK and inspirations behind what actually is in the briefcase. So skip the middleman and stream it now!  Playlist Crawdaddy Simone – The Syndicates Sweet & Tender Hooligan – The Smiths Mother Of Earth – The Gun Club Ballad of The Sulphate Strangler – Ian Dury & The Blockheads Asbestos Bastard – Asbestos Salesman Bagalamb – Asbestos Salesman A Culturally Appropriate Meaning – Asbestos Salesman Is This The Life? – Cardiacs Woodenage – Cardiacs It's Pure – Asbestos Salesman Store Policy – Viagra Boys Tilldipper – Sleaford Mods The Looming - Empire State Bastard – Some Things Sound Better – Bug Club Links Asbestos Salesman For music, dates and details of Asbetsos Salesman please follow: Instagram: @asbestossalesman Bandcamp: https://asbestossalesman.bandcamp.com   SHIP FULL OF BOMBS THAMES DELTA INDEPENDENT RADIO If you would like to support the station and are able to do so then please pledge only what you can genuinely afford at www.patreon.com/sfob   Please like and subscribe from wherever you stream your music and get your podcasts.

John Maytham chats to organiser of the Hout Bay Harbour Market Fiona Lunt – on what the market has on this summer! Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Send us a textGary brings you a bumper episode this week, with all of the music recorded live at the Gordon Duncan Tribute Concert held in Mount Vernon, Washington State, USA and hosted by the Celtic Arts Foundation.PlaylistCraig Sutherland with Sir James of the Port, Live at the  Celtic Arts Foundation December 2025.Craig Sutherland with Andy Renwick's Ferret and the Fourth Floor, Live at the  Celtic Arts Foundation December 2025.Craig Sutherland with Zeeto the Bubbleman, Blow My Chanter, Jig o Beer, The 98 Jig and Alex's Haircut Live at the  Celtic Arts Foundation December 2025.The CAF Folk Band (Zephan Knickel, Vienna Shire, Cayley Schmid, David Lofgren, Zach Bauman and Gary West) with Wee Mary and Ian Green of Greentrax Live at the  Celtic Arts Foundation December 2025.The CAF Folk Band with Pitlochry High School Centenary, the Soup Dragon, Rory Gallagher and the Famous Barravan Live at the  Celtic Arts Foundation December 2025.The CAF Folk Band with Lorient Mornings, Davy Webster's 40th, Clueless, Break Yer Bass Drone and the High Drive Live at the  Celtic Arts Foundation December 2025.Tori Killoran with the Cullen Bay Live at the  Celtic Arts Foundation December 2025.Tori Killoran with the Breton Set Live at the  Celtic Arts Foundation December 2025.Tori Killoran with the Ass in the Graveyard, Going to the Well for Water, Calliope House,Abdoul's, Michael's Air, Silver Spear, In and Out the Harbour, The Thin Man, Yer a Kent  Live at the  Celtic Arts Foundation December 2025.Cameron Bonar with The Famous Barravan, The Edradour Stagger and The Last Tango in Harris Live at the  Celtic Arts Foundation December 2025.Cameron Bonar with A Maighdean Mhara, Tain in the Rain, Upside Down at Eden Court and Wing Commander Donald MacKenzie Live at the  Celtic Arts Foundation December 2025.Cameron Bonar with Thunderstruck Live at the  Celtic Arts Foundation December 2025.With thanks to the event sponsorsBagpipemusic.comDojo UniversityEnjoy Your Piping!Eucatastrophe Coffee and Used BooksGordon Duncan Memorial TrustModern PipingLee and Sons BagpipesMicah Babinski / Green Monster CollectionPiping ClubPiping Hot Summer DrummerTartantownSupport the show

Harbour authority president Reg Best says buoys will be returning to Petty Harbour as fishing activity is still ongoing + DFO resource management director Julie Diamond says there could be changes coming to NL's recreational eel fishery + Jennifer Yetman, owner of Old Salty Dog Excursions, says they're offering boat tours to see the lights of Port de Grave this Christmas season.

SHOW NOTESIt's essential to acknowledge your achievements, no matter how small.December can be a time of fatigue for performing artists.Setbacks are learning opportunities, not failures.Protect your mental space during emotionally charged times.Momentum in December is about direction, not speed.Let go of the pressure to complete everything before January.Self-care is crucial for maintaining creativity and energy.Reflecting on the year can help set intentions for the next.Balancing a nine-to-five job with performing arts is challenging but possible.Careers are built over time, not in short bursts. Host Bri Cooper Shop Harbour for the Arts™ Thanks to our partners at THRIVE MARKET! Join today and get 30% off your first order as well as a gift up to $60. Visit www.thrivemarket.com/bricoopermezzo What's up! https://linktr.ee/harbourforthearts Email: Harbourforthearts@gmail.com Instagram Harbour for the Arts Instagram Bri Cooper, Mezzo Soprano, MBA, BM (@bricooper.mezzosoprano) • Instagram photos and videos Spotify Playlists Harbour for the Arts Tik Tok Bri Cooper Mezzo Soprano SHOPPING Shop my merch!Harbour for the Arts™ Need a part-time job! Try Reflex app for retail assignments; use my referral code bcooper621 https://workreflex.com/?code=BCOOPER621 Use my Rakuten Code

Robert Harcourt collects oceanographic information using microcomputers strapped to turtles and seals. 

La semana arranca con preguntas acuciantes sobre la mesa: ¿Podrá Sánchez sobrevivir al Sanchismo? ¿Hasta cuándo podrá mantenerse cuando su núcleo duro está en la cárcel? La olla a presión que está en el fuego suma cada día más ingredientes. Como en el juego de las sillas, la música está sonando y todos quieren estar listos para encontrar la suya cuando la melodía pare y se convoquen las urnas. La semana arranca, por tanto, con todos los protagonistas midiendo sus fuerzas. La gran batalla se acerca y será feroz porque nadie la da por perdida.

Con Berna González Harbour, Antón Losada e Ignasi Guardans. Feijóo sugiere que Sánchez acabará en prisión y pide a los socios que hagan caer al Gobierno durante la concentración convocada a 500 metros de Ferraz. El PP exige elecciones pero evita hablar de moción de censura. El Ejecutivo les equipara a Vox y les acusa de no tener proyecto político y alimentar el odio contra Pedro Sánchez. Diciembre da el pistoletazo de salida a un carrusel electoral autonómico que comenzará con Extremadura y continuará con Castilla y León y, posiblemente, Andalucía y cuyos resultados podrían afectar a un Gobierno sin Presupuestos. Además, Salomé Pradas asegura que Mazón tendría que haber estado en el CECOPI el día de la DANA y le acusa de mentir. La exconsellera valenciana de emergencias contó en la Sexta que intentó contactar con él, pero no le cogió el teléfono.

Who'd have believed it!? A Laurie Gilmore, Dream Harbour special. Millie joins Jenny to discuss the Dream Harbour series as well as the rise in spicy romance.Books mentioned:Book Lovers by Emily HenryThe Very Secret Society of Irregular Witches by Sangu MandanaYou Made a Fool of Death With Your Beauty by Akwaeke EmeziThe Winternight Trilogy by Katherine ArdenOnce Upon a Broken Heart Series by Stephanie GarberTipping the Velvet by Sarah WatersFlawless by Elsie SilverPlaying the Witch Card by KJ Dell'AntoniaPodcast mentioned:The Conversation with Laurie GilmoreGet in touchInstagram | TikTok | Substack | Patreon | Ko-fi | Email | YouTubeSupport The Bookcast ClubYou can support the podcast on Patreon. Our tiers start at £2 a month. Rewards include early access to the podcast, 'close friends' feed on Instagram, monthly bonus episodes, tailored book recommendations and books in the post. You can now try our Patreon FREE for 7 days. If you would like to make a one-off donation you can do so on Ko-fi. A free way to show your support is to mention us on social media, rate us on Spotify or review us on Apple Podcasts.NewsletterSign up to our newsletter on Substack for more book recommendations, reviews, new releases, podcast recommendations and the latest podcast news. Hosted on Acast. See acast.com/privacy for more information.

Stacy and Daynah dive deep into Lily Allen's surprise divorce album, the internet-meltdown question of “Do I Have to Hate David Harbour Now?” and why pop culture feels so personal when the celebrity in question is someone we've all invited into our living rooms via Stranger Things. They discuss the album's storytelling, the public fascination with Harbour's alleged behavior, and the broader cultural work of women telling the truth about betrayal. And because they contain multitudes, you'll also find Beyoncé references, dental anxiety, and all the good-bad TV they're watching. 0:00 | Popcorn upgrades, dental chaos & anxiety 5:00 | Buccaneers, anachronisms & period-piece comfort 10:00 | Lily Allen's album, David Harbour & the pop-culture spiral 15:00 | Betrayal, storytelling & why this record hits differently 20:00 | Music style, comparisons & where it lands culturally 25:00 | Red flags, negging & the Harbour discourse 30:00 | Gaslighting, boundaries & self-centering 35:00 | Open marriage rules, cheating & accountability 38:00 | Healing arcs, final track reflections 41:00 | What we're watching next Find Stacy: ⁠⁠⁠⁠⁠⁠⁠realeverything.com⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠instagram.com/realstacytoth⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠missionmakersart.com⁠⁠⁠ ⁠⁠⁠missionalchemists.com⁠⁠ Thanks to our sponsor: ⁠CozyEarth.com⁠ | Use code WHOLELIFE to get up to 40% off Learn more about your ad choices. Visit megaphone.fm/adchoices

Are light frequency therapy and vibrational sound healing real tools for physical and emotional healing, or are we just beginning to understand the language of the body? In this episode, I sit down with Alvin Harbour, founder of the IVOLV wellness center, and Linda Locurto to explore their work using sound therapy, light therapy, ozone, and resonance-based healing to support the nervous system, shift biochemistry, and restore the body's ability to repair itself. Alvin shares how his vision emerged from personal loss and his drive to recreate healing through vibration, oxygen, and light, using equipment he has personally built and modified, while Linda offers insight into her role in creating a safe, womb-like healing environment and helping clients shift from fight-or-flight into parasympathetic regulation through resonance therapy. Together, we discuss how sound frequencies, vibrational tables, and emotional safety work together to support deep healing and performance optimization. Let me know your thoughts in the comments, subscribe for more conversations like this, and share this episode with anyone exploring alternative health and nervous system healing. Find more from Alvin & Linda: IVOLV Superhuman Wellness Website: https://ivolvsuperhuman.com/ Connect with me: Instagram: https://www.instagram.com/tammy.m.peterson Facebook: https://www.facebook.com/TammyPetersonPodcast TikTok: https://www.tiktok.com/@tammypetersonpodcast Twitter: https://twitter.com/Tammy1Peterson Rumble: https://rumble.com/c/TammyPetersonPodcast

The fourth season of the American science fiction horror drama television series Stranger Things, marketed as Stranger Things 4, was released worldwide on the streaming service Netflix in two volumes. The first set of seven episodes was released on May 27, 2022, while the second set of two episodes was released on July 1, 2022. The season was produced by the show's creators, the Duffer Brothers, along with Shawn Levy, Dan Cohen, Iain Paterson and Curtis Gwinn.Returning as series regulars are Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Cara Buono, Maya Hawke, Priah Ferguson, Matthew Modine and Paul Reiser, while Brett Gelman was promoted to series regular after recurring in the previous two seasons. Jamie Campbell Bower, Joseph Quinn, and Eduardo Franco joined the main cast. Mason Dye, Tom Wlaschiha, Sherman Augustus, Nikola Đuričko, and Joe Chrest appear in recurring roles.The season was met with critical acclaim. Critics praised the performances (particularly those of Harbour, Brown, McLaughlin, Sink, Dyer, Keery, Bower, and Quinn), the visuals, action sequences, soundtrack, emotional weight, and the darker, more mature tone, though some criticized the season for feeling bloated and overstuffed due to its expanded cast and significantly longer episode runtimes.[1][2][3] The first volume of the season received 13 nominations for the 74th Primetime Emmy Awards, including Primetime Emmy Award for Outstanding Drama Series, winning five.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

This week on #SoundsfromScotland, we shine the spotlight on composer and singer John Saich. John was a former member of Capercaille, Gaelic folk band formed in 1984, who has now released a solo EP, "Everything Unsaid". In this episode, John gives us an inside look into his time wih Capercaille and his inspirations for his solo work. He shares 3 tracks, including Coisich a Ruin from his Capercaille days, and If People and Horses Could Fly and Everything Unsaid from his new EP.To learn more about John, visit www.johnsaich.comTo listen to his new EP, vist https://open.spotify.com/artist/1JIM0TVCn0xXitWBzuHaPi?si=1M5IjKyuTp-h6id5k0URsgTo learn more about ASF, visit www.americanscottishfoundation.com

This week on #ScotsinUs, we explore the City of Glasgow with John Harbour of Exclusive Scottish Visits. He takes us around the historical sites of the city and shares the rich history of the city!This episode is in celebration of the upcoming 850th anniversary of Glasgow, which we will be celebrating at our Tartan Week Events such as Lord Byron, a Talk in conjunction with the National Library of Scotland, and our Fifth Annual Scottish Supper Club!Tp Learn more about these events, visit www.americanscottishfoundation.com/eventsTo learn more about John Harbour, and ESV, visit https://exclusivescottishvisits.co.uk/

Con Antón Losada, Berna González Harbour y Carlos Navarro-Antolín. El fiscal general del Estado presenta su renuncia al Gobierno antes de que el Supremo ejecute la inhabilitación. En una carta, a la que ha tenido acceso la Cadena SER, Álvaro García Ortiz reclama al ministro de Justicia su cese a petición propia sin esperar a que el Supremo notifique la sentencia que lo condena a dos años de inhabilitación. A pesar de las derrotas parlamentarias y de cada revés judicial el Gobierno mantiene su intención de seguir adelante. En el PP quieren centrar el discurso público en atacar al Gobierno para, mientras tanto, alejar los focos de las negociaciones con Vox para la investidura de Pérez Llorca como nuevo president de la Comunitat Valenciana. En la Audiencia Nacional comienza el juicio a la familia Pujol con la decisión de si eximir o no a Jordi Pujol del proceso debido a su deterioro cognitivo.

The Reserve Bank is set to make an announcement this week, and experts are expecting at least one more cut to the OCR. Markets are projecting the OCR will be cut down to 2.25, and they've priced it in accordingly. Harbour Asset Management's Shane Solly explained further. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Welcome to a surprise tasting event. Today I'll be joined by Greg King of Proof, who is going to introduce us to the 2025 lineup of Diageo Special Releases. In this episode we'll dive into the history of this series and Greg and I will taste the new Oban and Lagavulin releases and I'll toss in a couple wildcards as well. We'll talk a little about the distilleries and flavor characteristics. There are some nice surprises in this pack that includes: ● Lagavulin 12 Year Old 'Grain & Embers' ● Oban 12 Year Old 'Heart of the Harbour' ● The Singleton of Glen Ord 17 Year Old 'Into the Blue'  ● Talisker 14 Year Old 'Molten Seas'  ● Dailuaine 21 Year Old 'Marbled Treasures' ● Roseisle 14 Year Old 'Harmonic Grace'  ● Clynelish 18 Year Old 'Waxen Sun'  ● Teaninich 8 Year Old 'Daring Rye'  ‼️ DISCLOSURE ‼️ Whiskies supplied by Proof for this tasting. Opinions are my own. for this tasting. Opinions are my own.

This is the first episode in a new mini series on the rich and fascinating maritime history of Malta. The episode is recorded on a yacht in the centre of Valletta's historic Grand Harbour, at the opening of the Rolex Middle Sea Race, one of the world's most famous yacht races. Dr Sam Willis uncovers the history of the race and its magnificent historic surroundings with Liam Gauci from Heritage Malta, which safeguards Malta's many museums, historic sites and landmarks. They discuss the economic and strategic importance of the Grand Harbour, the fortified cities of Valletta and Birgu, and the mighty Fort St Elmo and Fort St Angelo. They explore the role of the Knights of St. John in shaping Malta's history. As the race gets underway with cannon fire from the historic battlements and the magnificent yachts sail past, they discuss the Rolex Middle Sea Race, which began in the 1960s in a fierce rivalry between British and Maltese sailors. It was designed as a major test of seamanship, the race starting and finishing in Valletta after a circumnavigation of Sicily, and all in the unstable weather of the Mediterranean Autumn. Hosted on Acast. See acast.com/privacy for more information.

En el plano nacional, cuando se cumplen 50 años de la muerte de Franco y el estado de nuestras instituciones debería ser más que sólido, hemos visto un juicio inédito a un fiscal general del Estado que nunca debió tener lugar. En el plano internacional y después de haber contemplado la destrucción de Gaza y de buena parte de Ucrania, podemos encontrarnos ante un ataque de Estados Unidos a Venezuela que nadie puede comprender. El autoritarismo crece en el mundo libre y el espejo de la democracia y la paz pierden brillo. Por todo ello, el asombro es, sin duda, el protagonista.  

Con Berna González Harbour, Carlos Sánchez y Antón Losada. El Papa León XIV recibe esta mañana a la cúpula de la Conferencia Episcopal Española, en medio del escándalo de pederastia que afecta al obispo de Cádiz, Rafael Zornoza, que sigue en el cargo a pesar de que el Vaticano recibió la denuncia en verano. El president de la Generalitat Valenciana en funciones, Carlos Mazón, comparece en la comisión de investigación por la Dana en el Congreso, seis días después de hacerlo en les Corts, donde evitó responder a las preguntas de los grupos. El juez Peinado da marcha atrás y retira la imputación a la secretaria general de Presidencia, Judit Alexandra González, a la que investigaba por la contratación de de la asesora de Begoña Gómez. Lo hace solo 12 días después de haberla imputado. En Chile, la candidata comunista Yanet Jara y el ultraderechista José Antonio Kast se enfrentarán en la segunda vuelta de las elecciones presidenciales del próximo 14 de noviembre tras quedar primera y segundo en los comicios de este domingo.

The Warehouse is being his hard by the tough economic conditions. New reports show profits are down and the retail giant is looking to slash jobs. Harbour Asset Management's Shane Solly explained further. LISTEN ABOVESee omnystudio.com/listener for privacy information.

John Maytham speaks to Richard Hardiman, CEO of RanMarine Technology, about this full-circle moment, Wasteshark returning home, and what it means for the future of clean harbours in South Africa. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Rocket Lab is set to unveil their results for Q3, and it's prompted speculation from experts. The company's seen some growth and shares have gone up, but concerns have still been raised. Harbour Asset Management expert Shane Solly explained further. LISTEN ABOVESee omnystudio.com/listener for privacy information.

It has been an early start for more than 20 volunteers and 18,000 oysters at Dún Laoghaire harbour this morning. For more on this we speak with with David Lawlor of Green Ocean Foundation.

A revenge record from the pop star Lily Allen has led to a storm of negative headlines for its alleged inspiration – her estranged husband, David Harbour. It's unfortunate timing for the Stranger Things star – with the final season of the Netflix hit dropping at the end of November. As if that wasn't enough, there have also been allegations of workplace bullying on the set of the show that made him a superstar. What does all this mean for Harbour? And will it affect the finale of one of Netflix's biggest blockbusters? Niall is joined by Sky's entertainment editor Claire Gregory and Emily Bootle, Culture Commissioning Editor at The i Paper. Producer: Natalie Ktena Editor: Mike Bovill

David Harbour and Millie Bobby Brown turned heads at the “Stranger Things” final season premiere in Los Angeles, appearing together despite reports that Millie had filed a bullying complaint against Harbour — but the two smiled through the tension, leaving fans guessing about the truth behind the drama. In a follow-up, Millie brushed off feud rumors, calling her bond with Harbour “special,” while the show's director Shawn Levy dismissed reports of on-set conflict as “wildly inaccurate.” Meanwhile, former NFL star Antonio Brown was extradited to the U.S. and charged with attempted second-degree murder after allegedly trying to shoot an influencer at a Florida boxing event, the latest in a string of headline-grabbing controversies. Katy Perry seemingly opened up about her split from Orlando Bloom in her new song “Bandaids,” revealing raw lyrics about emotional exhaustion, regret, and a tender nod to their daughter, Daisy. And finally, Blake Lively is suing Justin Baldoni for $161 million, accusing him of launching a smear campaign after she reported sexual harassment on their film set — a high-stakes Hollywood legal battle set to play out in 2026. Hosts: Charlie Cotton, Deven Rall Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lily Allen's viral new album, West End Girl, digs deep. It catalogs the unraveling of her marriage and the deeper pain that lives between the lines of her lyrical prose. This isn't tabloid fodder—it's what Pitchfork called her most “brutally candid” work, a rare space where a woman can hold an abuser, a system, and her own art in the same frame.While Allen insists the record is “fictionalized,” it's unmistakably laced with real life—even with the unavoidable layer of my own parasocial projection. The title track name-drops the couple's designer—“Found ourselves a good mortgage / Billy Cotton got sorted”—a pointed nod to their now-infamous Architectural Digest home tour, which, in hindsight, aged about as gracefully as Harbour's opening “bit,” greeting the camera crew like a mistress at the door. (Iconic, for all the wrong reasons…and very worth the watch. Psst. All relevant links are down at the bottom!)With almost no pre-launch marketing, the album shot up the charts, hailed by Variety, The New Yorker, and countless fans as her best work yet. (Personally, I've been devoted since her early-2000s protest anthem “Fuck You,” written about George W. Bush.) Still, West End Girl took over my social feed overnight. Yours too, maybe? This is because it touches something deeper than celebrity gossip or divorce voyeurism.Those of us who have spent years minimizing our needs, over-explaining our emotions in an attempt to have them recognized, or trying to contort ourselves into palatable versions of dominant cultural scripts feel a shock of recognition in every song. Allen articulates the quiet grief of being gas-lit into gratitude for crumbs.West End Girl isn't just about Lily Allen and David Harbour—it's about the way patriarchy teaches women to negotiate with our own erasure to serve the agenda of systems of oppression. She's writing from the same ache that so many of us have been metabolizing privately for generations: the manipulation, the gaslighting, the subtle minimizations that we stomach under the guise of love in an attempt to find it/have it/keep it.And that's exactly what the cultural moment is naming out loud. As Vogue recently asked in its viral essay, “Is It Embarrassing to Have Boyfriends Now?”, there's a growing recognition that heterosexual love has long demanded women trade dignity for proximity. Asa Serasin even coined a word for this in 2019—heterofatalism, or the idea that heterosexual relationships are doomed to fail, because women are too often expected to shrink our brilliance, temper our boundaries, and laugh off harm to keep men comfortable.Enter Left Standing: The PodcastI actually recorded the first episode of my new podcast, Left Standing, before West End Girl dropped—but they're part of the same conversation, and I knew I had to discuss them as such.The show is about the reclamation of our narratives: the language, myths, and cultural scripts that have been rewritten and manipulated to serve the false ideals of systems of oppression. In episode one we will trace the etymology of words like gossip (originally meaning “god-sib,” a woman who stands by you in difficult times), and hysteria (from hystera, the womb). We will also discuss the way in which patriarchy rewrites myth, starting with my favorite goddess, the true, often-erased story of Medusa—a survivor punished for being violated.The first episode unpacks these histories and the lineage of tone-policing that still shapes how we hear women like Lily Allen: as “dramatic,” “unladylike,” or “sharing too much.” In it, I quote Melissa' Febos' book Body Work: The Radical Power of Personal Narrative. She writes:Listen to me: It is not gauche to write about trauma. It is subversive. The stigma of victimhood is a timeworn tool of oppressive powers to gaslight the people they subjugate into believing that by naming their disempowerment they are being dramatic, whining, attention-grabbing, or else beating a dead horse. By convincing us to police our own and one another's stories, they have enlisted us in the project of our own continued disempowerment.Because when survivors tell the truth, someone will call it embarrassing, dramatic, attention-grabbing, unnecessary, not lady-like, or a lie.And every time we tell it anyway, we reclaims our power—and gives others permission to do the same.As this is our first episode, your shares, comments, likes and subscribes mean OH SO much to me!Details and resources below!Thank you Jacquline Burtney for designing this! If you want to know why we went in this direction—listen to the episode for the feminist story of the iconic Medusa!Housekeeping Notes:* What happened to Business Witch? Well…a random woman who said she owned the trademark for “The Business Witch” demanded I rebrand. In lieu of litigating over the matter, I did. And I like this title way better…what about you? That being said, our old episodes have been archived and are available on this platform for paid subscribers only. Additionally, I'll be releasing a mini business lesson in the form of a podcast once per month. To access this content, you also must be a paid subscriber. As a thank you for subscribing, if you join at the annual level you'll get access to my upcoming nervous system regulation class, Regulate To Rise happening on November 18. If you subscribe as “A Real Witch” you'll be entered to win free birth chart readings with me 2x a year PLUS all other paid subscriber benefits. This community space is subscriber-supported. To get access to archived content and exclusive business lessons, upgrade your subscription.* What does this mean for Business Witch: The Course? It will henceforth be known as The Feminist Business Framework. It relaunches in early 2026 and will be getting a make over! I'll be updating all course material, adding a module on Launching, and generally making the entire thing even better. When you Subscribe to this space, not only will you get access to old and archived episodes, you'll get first access to the re-launch and the ability to apply the cost of your Substack subscription to your course enrollment fee. Join the waitlist here.Resources mentioned in this episode:Melissa Febos' Body Work: The Radical Power of Personal NarrativeThe Feminist Origins of Gossip by Ashley D'ArcyThe History of Hysteria by Ada McVeanDemetra George's Mysteries of the Dark MoonVogue Is Having A Boyfriend Embarrassing NowLily Allen's AD Home TourLily Allen's West End GirlNew York Magazine: The Trouble With Wanting MenGo deeper with me…I have a few spots left for birth chart readings for the year. If you want to see where Medusa, or other such goddesses live in your chart, grab a spot before they sell out!I'll be running a special on intensives for coaching for Black Friday—there are limited spots…if you want to grab one before they go live, message me.I am so curious if you have a personal goddess of resonance…let me know if a story has spoken to/through you!What is your favorite track on West End Girl? Comment and let me know! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit carakovacs.substack.com/subscribe

From today, Wellington City Council will start to remove the temporary fencing around the waterfront. The fencing was put up in 2023, after a death in the harbour.. that was the seventh drowning since 2006. A coroner's report in March called for urgent action in high risk areas of the waterfront .. but in August, Wellington council voted against a proposal to put up permanent fences. For more on this Wellington Mayor Andrew Little speaks to Jesse.

(Intro) Leftover Candy (5TYNTK) Dick Cheney Dies, Principal Costume Backlash, Maine Election Day, Portland Wage Vote, Coca-Cola Holiday Flavor (Dirty) Millie vs. Harbour, Jake Paul Fight Canceled, Macy's Parade Lineup, Jonathan Bailey Named Sexiest, Britney Deactivates Instagram, Jeezy Sets Orchestra Record (Topic) What is a hobby people act superior for having? (Outro) Secret Santa

Whitney dissects the importance of the Lily Allen / David Harbour drama because everyone has been in this relationship before. This is a Masterclass in Red Flags of Charismatic Men, Professional Victims and how to not lose yourself with someone who uses fun as a way to bully you. Whitney also makes a very big announcement.... Tickets for The Big Baby Tour https://www.whitneycummings.com SHOP: https://whitneycummings.com/index.html#store Thank you to our sponsors! GOODWIPES: Goodwipes is giving away FREE wipes! Want to try a FREE pack of Goodwipes? Just buy a pack at Target, Walmart, Kroger—or your local store—then head to https://www.goodwipes.com/WHITNEY text them your receipt and get reimbursed! JONES ROAD BEAUTY: Use code [WHITNEY] at https://www.jonesroadbeauty.com to get a Free Cool Gloss with your first purchase! These sell out fast so get them while they last! #JonesRoadBeauty #ad REVOLVE Shop at https://www.revolve.com/whitney and use code WHITNEY for 15% off your first order. #REVOLVEpartner

Lights! Camera! Action! The Harbour Bazaar heads for the cinema with our Music From A Film theme for November. Davey is the subject of a new film and shares all the details, plus we are joined in the studio by the fabulous Dr Mike Devine to give us the low down on all things on the maestro Ennio Morricone and dips into his favourites from the five hundred plus film scores and soundtracks he composed. Hope you enjoy…. and roll sound! PLAYLIST Do the Clam - The Cramps Bachelorette - Björk with Brodsky Quartet Hayling - FC Kahuna Bellbottoms - The Jon Spencer Blues Explosion Everybody Needs Somebody to Love - Solomon Burke Poor People - Alan Price Burnin' And Lootin' - Bob Marley & The Wailers Misterioso e ostinato - Ennio Morricone Indagine Su Un Cittadino Al Di Sopra Di Ogni Sospetto - Ennio Morricone Le Foto Proibite Di Una Signora Per Bene - Ennio Morricone Guerra e Pace, Pollo e Brace  - Ennio Morricone The Strength Of The Righteous (Main Title) - Ennio Morricone ‘Helden' - David Bowie Lust For Life - Iggy Pop Prelude (from Psycho) - Bernard Herrmann The Time Is Out Of Joint! - Scott Walker L'autre Valse d'Amélie - Yann Tiersen Spring - Mia Doi Todd L'Estasi Dell'oro - Ennio Morricone SHIP FULL OF BOMBS THAMES DELTA INDEPENDENT RADIO If you would like to support the station and are able to do so then please pledge only what you can genuinely afford at www.patreon.com/sfob Please like and subscribe from wherever you stream your music and podcasts.

The third season of the American science fiction horror television series Stranger Things, marketed as Stranger Things 3, was released worldwide on the streaming service Netflix on July 4, 2019. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy, Dan Cohen and Iain Paterson.The season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Dacre Montgomery, Maya Hawke, Priah Ferguson, and Cara Buono. Brett Gelman, Francesca Reale, Cary Elwes, Alec Utgoff, and Andrey Ivchenko appear in recurring roles. The season received positive reviews from critics, who praised the visuals, humor, performances (particularly those of Harbour, Brown, Matarazzo, Keery, Montgomery, and Hawke), and emotional weight, though some criticized its excessive pop culture references and narrative structure.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Analizamos a fondo el interrogatorio a Pedro Sánchez en la comisión del 'caso Koldo'. Tratamos de averiguar los planes de Carlos Mazón tras ser increpado en el homenaje a las víctimas de la Dana. Y el Gobierno abre la vía para fulminar la Fundación Francisco Franco a un mes del 50º aniversario de la muerte del dictador. Opinión y análisis: Ignacio escolar, Berna González Harbour y Eduardo Madina.

Sabin Cernea este un antreprenor care a construit câteva branduri cunoscute din zona HoReCa în România: Wu Xing, The Harbour și Fooda. A pornit la drum în anii '90, într-o perioadă în care a fi antreprenor însemna mai degrabă curaj decât planuri. De-a lungul timpului, a trecut prin extinderi rapide, momente de criză și decizii grele, învățând din experiență ce înseamnă să crești o afacere într-o piață aflată în continuă schimbare.Astăzi, Sabin vorbește deschis despre cum s-a transformat el însuși în tot acest proces - de la un tânăr concentrat pe performanță și cifre, la un om care caută echilibru, sens și relații autentice.Cartea lui, „Viața, cea mai tare combinație”, e o poveste sinceră despre antreprenoriat, pierderi, redescoperire și reconstrucție. În acest episod, vom explora ce a făcut Sabin Cernea, dar și cum a ajuns să vadă viața dintr-o perspectivă mai amplă, în care munca, familia și sinele fac parte din același parcurs.

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