Podcasts about Sydney Theatre Company

Beyond the Gun – Creative Partnerships There's a distinct difference between being cast as an actor in a theatre production and working as a creative collaborator and developing your own work. This session examines how actors can step into producing and move into the developmental life of a project—contributing ideas, shaping the script, and influencing the work as it develops. Actors such as Ngoc Phan, Nicholas Brown, Julia Robertson, Amy Ingram, and Cameron Hurry have expanded their work into producing, writing and directing. This conversation explores how actors can evolve their practice, build a reputation for meaningful creative input, and become initiators and collaborators whose contributions extend beyond performance into the heart of the work itself. Amy is a multi-award-winning actor and theatre-maker based in Brisbane, later this year she will appear in the return season of Pride And Prejudice at QTC and the World Premiere of Suzie Miller's Strong Is The New Pretty touring Nationally. Ngọc is an award-winning actor, director and playwright. Her diverse theatre work includes Vietgone, Boy Swallows Universe and Good Grief (Queensland Theatre), Laurinda (MT), Love Stories (Brisbane Festival/QPAC), Horizon (Playlab Theatre), Medea (Shock Therapy Productions), We're All Gonna Die, Away, A Streetcar Named Desire and Stunt Double (The Farm). Julia Robertson is a multidisciplinary theatre maker, director and actor living and working on Gadigal land. She is the Artistic Director of the award-winning devising group Little Eggs Collective, a recipient of the Ensemble Theatre's Sandra Bates Award for Directing, and a Young Artists Program finalist with Opera Australia. Julia was recently nominated for Best Direction of a Musical at the Sydney Theatre Awards for The Producers (Hayes Theatre Co. / Riverside Parramatta). In 2026, Julia will direct the premiere production of STELLA, The Musical in Melbourne, as well as The Addams Family for Hayes Theatre Co. She will also work as Movement Director on 84 Charing Cross Road for the Ensemble Theatre, and as Assistant Director on Suzie Miller's new work Strong Is the New Pretty for Sydney Theatre Company, Queensland Theatre and Brisbane Festival. Nicholas Brown is a NIDA graduate who has forged an impressive international career across film, television and theatre as an actor, writer, singer, songwriter and leading man with major roles in Bollywood films, Australian drama and as a much-loved ABC Play School presenter. He plays a lead role in upcoming Alex Proyas science fiction musical film R.U.R. As a playwright, Nicholas won the prestigious Nick Enright Prize for Playwriting in the 2024 NSW Premier's Literary Awards for his play Sex Magick which was performed in the 2023 Griffin Theatre season. It was also nominated for a 2025 AWGIE and a 2024 Sydney Theatre Award. Cameron Hurry is a Brisbane based actor and writer. He completed his actor training at the University of Southern Queensland. Cameron's theatre credits include: Pride and Prejudice (Queensland Theatre Company), Unconditional (Playlab Theatre), Three Little Words (Ad Astra), Twelfth Night (4MBS Brisbane Shakespeare Festival), Dance Nation (THAT Production Company), Grand Horizons (PIP Theatre), Frankenstein (Fractal Theatre), Macbeth (JUTE Theatre), Picnic at Hanging Rock (Brisbane Arts Theatre), and Aladdin and the Mysterious Magical Lamp, Jane Eyre, Little Women, Shadowlands (Harvest Rain Theatre Company). His film and television credits include: Spit, Boy Swallows Universe, The Bureau of Magical Things, Young Rock, and Wanted. Cameron has received the Matilda Award for Best Performance in a Supporting Role – Independent Production (Grand Horizons) and has a proud member of MEAA for 20 years.

Welcome to the first episode of The Cultural Competence Collective podcast! For our first episode, we are joined by the multi-talented actress, musician and director, Zindzi Okenyo! You may recognise her from your TV screen on shows like Fisk, Wakefield and Play School, on stage from her multiple shows with Sydney Theatre Company or maybe you've heard her hits like ‘A Woman's World' as a solo artist Okenyo, or ‘Love + Kindness' from her fun, family-friendly kids project Zindzi & the Zillionaires. Tune into our first episode as we chat with Zindzi about the importance of cultural competence, diversity and representation across the arts. Show notes This episode is hosted by Dr. Matthew Tyne, an Academic Facilitator at the National Centre Centre for Cultural Competence. He comes to cultural competence following 20 years of working in international community development, especially in Southeast Asia and the Pacific, and sexual health promotion with diverse communities in Australia. Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman Podcast Artwork: Zein Arif Featured Music: - A Woman's World by OKENYO - Anthropology by OKENYO You can find more of Zindzi's music on her webpage OKENYO: http://www.okenyo.com/ You can find music by Zindzi & the Zillionaires on their webpage: https://www.zindziandthezillionaires.com/about. Resources You can read more about DESTINY, Zindzi's most recent piece of directorial work through the Melbourne Theatre Company: https://www.mtc.com.au/discover-more/backstage/destiny-programme/. The Sydney Morning Herald article mentioned can be found here: https://www.smh.com.au/entertainment/theatre/actor-musician-and-presenter-zindzi-okenyo-on-taking-risks-and-self-care-20180216-h0w7zu.html If you are interested in developing your knowledge about race and racism, and deepen your understanding of the diversity of the world's cultural histories and identities, you can enrol in the NCCC's free online course Confident conversations about race and racism: https://www.coursera.org/learn/confident-conversations-about-race-and-racism Participants will learn about the dynamics of cultural difference, and how to increase their knowledge and ability to address inequity, bias and privilege, and to create space for effective dialogue about racism. Mental Health Support Services: For University of Sydney staff: CONVERGE Converge offers multiple dedicated helplines for specialist services: All staff: 1300 687 327 First Nations helpline: 1300 287 432 LGBTQIA+ Helpline: 1300 542 874 Domestic and Family Violence Helpline: 1300 338 465 Aged Care Helpline: 1300 035 337 Disability and Carers Helpline: 1300 243 543 Youth and Student Helpline: 1300 687 399 Spiritual and Pastoral Care Helpline: 1300 772 435 www.convergeinternational.com.au Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people https://wellmob.org.au/ 24-hour crisis hotlines 13 Yarn Beyond Blue LifeLine: NSW Mental Health Line Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to the first episode of The Cultural Competence Collective podcast! For our first episode, we are joined by the multi-talented actress, musician and director, Zindzi Okenyo! You may recognise her from your TV screen on shows like Fisk, Wakefield and Play School, on stage from her multiple shows with Sydney Theatre Company or maybe you've heard her hits like ‘A Woman's World' as a solo artist Okenyo, or ‘Love + Kindness' from her fun, family-friendly kids project Zindzi & the Zillionaires. Tune into our first episode as we chat with Zindzi about the importance of cultural competence, diversity and representation across the arts. Show notes This episode is hosted by Dr. Matthew Tyne, an Academic Facilitator at the National Centre Centre for Cultural Competence. He comes to cultural competence following 20 years of working in international community development, especially in Southeast Asia and the Pacific, and sexual health promotion with diverse communities in Australia. Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman Podcast Artwork: Zein Arif Featured Music: - A Woman's World by OKENYO - Anthropology by OKENYO You can find more of Zindzi's music on her webpage OKENYO: http://www.okenyo.com/ You can find music by Zindzi & the Zillionaires on their webpage: https://www.zindziandthezillionaires.com/about. Resources You can read more about DESTINY, Zindzi's most recent piece of directorial work through the Melbourne Theatre Company: https://www.mtc.com.au/discover-more/backstage/destiny-programme/. The Sydney Morning Herald article mentioned can be found here: https://www.smh.com.au/entertainment/theatre/actor-musician-and-presenter-zindzi-okenyo-on-taking-risks-and-self-care-20180216-h0w7zu.html If you are interested in developing your knowledge about race and racism, and deepen your understanding of the diversity of the world's cultural histories and identities, you can enrol in the NCCC's free online course Confident conversations about race and racism: https://www.coursera.org/learn/confident-conversations-about-race-and-racism Participants will learn about the dynamics of cultural difference, and how to increase their knowledge and ability to address inequity, bias and privilege, and to create space for effective dialogue about racism. Mental Health Support Services: For University of Sydney staff: CONVERGE Converge offers multiple dedicated helplines for specialist services: All staff: 1300 687 327 First Nations helpline: 1300 287 432 LGBTQIA+ Helpline: 1300 542 874 Domestic and Family Violence Helpline: 1300 338 465 Aged Care Helpline: 1300 035 337 Disability and Carers Helpline: 1300 243 543 Youth and Student Helpline: 1300 687 399 Spiritual and Pastoral Care Helpline: 1300 772 435 www.convergeinternational.com.au Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people https://wellmob.org.au/ 24-hour crisis hotlines 13 Yarn Beyond Blue LifeLine: NSW Mental Health Line Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Welcome to the first episode of The Cultural Competence Collective podcast! For our first episode, we are joined by the multi-talented actress, musician and director, Zindzi Okenyo! You may recognise her from your TV screen on shows like Fisk, Wakefield and Play School, on stage from her multiple shows with Sydney Theatre Company or maybe you've heard her hits like ‘A Woman's World' as a solo artist Okenyo, or ‘Love + Kindness' from her fun, family-friendly kids project Zindzi & the Zillionaires. Tune into our first episode as we chat with Zindzi about the importance of cultural competence, diversity and representation across the arts. Show notes This episode is hosted by Dr. Matthew Tyne, an Academic Facilitator at the National Centre Centre for Cultural Competence. He comes to cultural competence following 20 years of working in international community development, especially in Southeast Asia and the Pacific, and sexual health promotion with diverse communities in Australia. Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman Podcast Artwork: Zein Arif Featured Music: - A Woman's World by OKENYO - Anthropology by OKENYO You can find more of Zindzi's music on her webpage OKENYO: http://www.okenyo.com/ You can find music by Zindzi & the Zillionaires on their webpage: https://www.zindziandthezillionaires.com/about. Resources You can read more about DESTINY, Zindzi's most recent piece of directorial work through the Melbourne Theatre Company: https://www.mtc.com.au/discover-more/backstage/destiny-programme/. The Sydney Morning Herald article mentioned can be found here: https://www.smh.com.au/entertainment/theatre/actor-musician-and-presenter-zindzi-okenyo-on-taking-risks-and-self-care-20180216-h0w7zu.html If you are interested in developing your knowledge about race and racism, and deepen your understanding of the diversity of the world's cultural histories and identities, you can enrol in the NCCC's free online course Confident conversations about race and racism: https://www.coursera.org/learn/confident-conversations-about-race-and-racism Participants will learn about the dynamics of cultural difference, and how to increase their knowledge and ability to address inequity, bias and privilege, and to create space for effective dialogue about racism. Mental Health Support Services: For University of Sydney staff: CONVERGE Converge offers multiple dedicated helplines for specialist services: All staff: 1300 687 327 First Nations helpline: 1300 287 432 LGBTQIA+ Helpline: 1300 542 874 Domestic and Family Violence Helpline: 1300 338 465 Aged Care Helpline: 1300 035 337 Disability and Carers Helpline: 1300 243 543 Youth and Student Helpline: 1300 687 399 Spiritual and Pastoral Care Helpline: 1300 772 435 www.convergeinternational.com.au Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people https://wellmob.org.au/ 24-hour crisis hotlines 13 Yarn Beyond Blue LifeLine: NSW Mental Health Line Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Welcome to the first episode of The Cultural Competence Collective podcast! For our first episode, we are joined by the multi-talented actress, musician and director, Zindzi Okenyo! You may recognise her from your TV screen on shows like Fisk, Wakefield and Play School, on stage from her multiple shows with Sydney Theatre Company or maybe you've heard her hits like ‘A Woman's World' as a solo artist Okenyo, or ‘Love + Kindness' from her fun, family-friendly kids project Zindzi & the Zillionaires. Tune into our first episode as we chat with Zindzi about the importance of cultural competence, diversity and representation across the arts. Show notes This episode is hosted by Dr. Matthew Tyne, an Academic Facilitator at the National Centre Centre for Cultural Competence. He comes to cultural competence following 20 years of working in international community development, especially in Southeast Asia and the Pacific, and sexual health promotion with diverse communities in Australia. Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman Podcast Artwork: Zein Arif Featured Music: - A Woman's World by OKENYO - Anthropology by OKENYO You can find more of Zindzi's music on her webpage OKENYO: http://www.okenyo.com/ You can find music by Zindzi & the Zillionaires on their webpage: https://www.zindziandthezillionaires.com/about. Resources You can read more about DESTINY, Zindzi's most recent piece of directorial work through the Melbourne Theatre Company: https://www.mtc.com.au/discover-more/backstage/destiny-programme/. The Sydney Morning Herald article mentioned can be found here: https://www.smh.com.au/entertainment/theatre/actor-musician-and-presenter-zindzi-okenyo-on-taking-risks-and-self-care-20180216-h0w7zu.html If you are interested in developing your knowledge about race and racism, and deepen your understanding of the diversity of the world's cultural histories and identities, you can enrol in the NCCC's free online course Confident conversations about race and racism: https://www.coursera.org/learn/confident-conversations-about-race-and-racism Participants will learn about the dynamics of cultural difference, and how to increase their knowledge and ability to address inequity, bias and privilege, and to create space for effective dialogue about racism. Mental Health Support Services: For University of Sydney staff: CONVERGE Converge offers multiple dedicated helplines for specialist services: All staff: 1300 687 327 First Nations helpline: 1300 287 432 LGBTQIA+ Helpline: 1300 542 874 Domestic and Family Violence Helpline: 1300 338 465 Aged Care Helpline: 1300 035 337 Disability and Carers Helpline: 1300 243 543 Youth and Student Helpline: 1300 687 399 Spiritual and Pastoral Care Helpline: 1300 772 435 www.convergeinternational.com.au Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people https://wellmob.org.au/ 24-hour crisis hotlines 13 Yarn Beyond Blue LifeLine: NSW Mental Health Line Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Award-winning actress and director Blazey Best has spent more than three decades working across theatre, television and film. Her theatre credits include Arcadia and Travesties for the Sydney Theatre Company, The Wild Duck for Belvoir, and The Glass Menagerie for the Ensemble, winning Sydney Theatre Awards for her roles in Ivanov, Medea and Miracle City. She's appeared in a slew of television favourites, from Water Rats to Heartbreak High and numerous feature films including Ruben Guthrie and Stealth. She's also turned her hand to directing, including Tell Me on a Sunday for Hayes, and Well Behaved Women for Belvoir.Blazey speaks about her current role in the heartwarming 84 Charing Cross Road currently playing at the Ensemble, and the fascinating challenge of creating intimacy and a developing relationship expressed only through letters. She looks back on her childhood in regional Victoria, roller skating to disco Beethoven and discovering a love of performance through school musicals and youth choirs. She speaks candidly about the realities of life as a “jobbing actor”, from early television guest roles to the emotional rollercoaster of auditions and reviews, and the importance of building a sense of self beyond the profession. Blazey Best stars in 84 Charing Cross Road at the Ensemble Theatre until June 13.

Thanks to our producer Kenny Hill, we have a very special treat for ANZAC Day. Renouned Australian stage and international cinema actor Richard Roxburgh reads the poem; ‘The Fallen”. Richard Roxburgh is one of Australia's most accomplished and versatile actors, celebrated for his work across acclaimed international film, television and stage productions. His standout film credits include Baz Luhrmann's Moulin Rouge! and Elvis, Mel Gibson's Oscar-winning Hacksaw Ridge, James Cameron's Sanctum, and Force of Nature: The Dry 2, which earned him a Best Supporting Actor nomination at the 2025 AACTA Awards. Most recently, Richard portrayed journalist Robert Greste in The Correspondent, controversial political figure Joh Bjelke-Petersen in Joh: Last King of Queensland and is featured in the animated film Lesbian Space Princess, which won the Teddy Award for Best Feature Film at the 2025 Berlinale. On television, Richard is best known for his iconic portrayal of Cleaver Greene in the multi-award-winning ABC series Rake, a role that earned him a Silver Logie and AACTA Award for Best Actor. Other significant screen work includes Hawke, Blue Murder, Bali 2002 opposite Rachel Griffiths, Stan's drama series Prosper, and international series such as Netflix's The Crown and HBO's Catherine the Great alongside Helen Mirren. A highly respected stage performer, Richard headlined productions for the Sydney Theatre Company and Company B, including Uncle Vanya, The Present, Waiting for Godot, Hamlet, and The Seagull. *** We have included a brief biography of the English poet, Laurence Binyon, who wrote the famed poem, ‘The Fallen'. Because of the cultural importance Binyon has on ANZAC Day, and Armistice (Remembrance) Day and how War Memorials are commemorated in the West. Binyon was a prolific English poet and scholar of the late 19th and early 20th centuries, whose career spanned 50 years. During this time, he authored numerous poetry collections and plays, two historical biographies, and several art history volumes, including books on the works of Asian artists, English watercolourists, and William Blake's drawings and engravings. He is perhaps best remembered for his World War I poem, “For the Fallen”, and his translation of Dante Alighieri's Divine Comedy, which he translated in its original terza rima, Dante's original rhyming scheme, which was much lauded by Ezra Pound, T.S. Eliot and other poets of the time. Poetry and visual arts shaped his career, the majority of which was spent with the British Museum, where he began in the department of printed books in 1895 before moving to department of prints and drawings, from which he retired in 1933. His first book of poetry, Lyric Poems (1894), was quickly followed by two books on painting, Dutch Etchers of the Seventeenth Century (1895) and John Crone and John Sell Cotman (1897). Later books such as Painting in the Far East (1908) and The Flight of the Dragon (1911) reflect this interest in Chinese, Japanese, and Indian arts and cultures. Ezra Pound praised The Flight of the Dragon and thought of Binyon as a pioneer in the Western appreciation of Asian art. Binyon served as an orderly in the Red Cross during World War I, and his experiences would become an important part of his poetry. From 1915 to 1916 he worked in a military hospital in France, an experience reflected in his war poem “Fetching the Wounded.” His collections The Winnowing Fan (1914), The Anvil (1916), The Cause (1917), and The New World (1918) deal with the war as a noble cause. One reviewer from Literature Digest contended that WWI as a subject brought a new vitality to the poet's work: “Laurence Binyon's poetry once was somewhat coldly ‘literary'—aloof from common human experience, but the war has given him new vigor and new humanity.” His best-known war poem, “For the Fallen,” has been frequently anthologized was widely embraced by the British public. “As the casualty lists grew,” notes John Hatcher in the Oxford Dictionary of National Biography, “the poem became the focal expression of national grief, both alone and in Sir Edward Elgar’s choral work The Spirit of England (1916–17). Its central quatrain was carved on cenotaphs and tombstones worldwide and is still recited at annual Remembrance Day commemorations: “They shall grow not old, as we that are left grow old / Age shall not weary them, nor the years condemn / At the going down of the sun and in the morning / We will remember them.” Some of Binyon's greatest poetry was produced during the final decade of his life, “greater perhaps than that of any of his generation except [W.B.] Yeats,” according to John Hatcher. Among this exceptional later work are such volumes as The North Star and other Poems (1941), The Burning of the Leaves (1944), and the unfinished “The Madness of Merlin” (1947). During this time, Binyon was also at work on his much-admired and well-received terza rima translation of Dante's Inferno (1933), Purgatorio (1938), and Paradiso (1943). Mere days after completing final revisions on his Paradiso translation, Laurence Binyon died of bronchopneumonia on March 10, 1943. Upon Binyon's death, English author and literary critic Cyril Connolly honoured the poet in New Statesman and Nation as someone who understood “how to be both warm and detached, in fact, a sage.” Binyon biography and photo courtesy of: Poetryfoundation.org ‘The Last Post’ performed by the RAAF Band (Royal Australian Air Force) The post ANZAC Day 2026: Richard Roxburgh, Famed Australian Actor, Reads: ‘For The Fallen’. appeared first on Saturday Magazine.

One of Australia's pre-eminent actresses, Pamela Rabe has graced our stages and screens for over four decades. Her list of credits is vast, having appeared in seminal plays, from Private Lives and The Glass Menagerie, to God of Carnage and August: Osage County. She's also no stranger to the screen, most notably for her portrayal of Joan Fergusson in Wentworth. She's received countless nominations for Green Room, Helpmann, and AACTA awards, scoring wins for many including her roles in The Well, The Wizard of Oz, and the aforementioned Wentworth. Pamela traces her remarkable journey from a childhood in Canada to a distinguished career in Australia across stage and screen. She reflects on her early love of radio and storytelling, the formative experiences that led her into acting, and the unexpected path that brought her to Australia, where appearing different became an asset rather than a limitation. She gives thoughtful reflections on the nature of performance, as well as her experience stepping into the iconic role of Joan Ferguson in Wentworth. In the 2023 Queen's Birthday Honours, she was made a Member of the Order of Australia for significant service to the performing arts as a performer and director. Pamela Rabe stars in a gripping new theatrical adaptation of Olga Tokarczuk's cult novel Drive Your Plow Over the Bones of the Dead for Belvoir Street Theatre until May 10, followed by the leading role of Sister Aloysius in John Patrick Shanley's Doubt for the Sydney Theatre Company from June 30.

Regina Botros goes Backstage with award‑winning writer, actor and adaptor Sheridan Harbridge, diving into her acclaimed adaptation of My Brilliant Career, now on at Sydney Theatre Company. Sheridan talks about re‑imagining Miles Franklin's iconic novel for the stage — the choices, challenges and freedoms of adaptation, and why the story still resonates so strongly today. We also touch on Amplified: The Rock & Rage of Chrissy Amphlett, Sheridan's powerful tribute to the Divinyls frontwoman, which is returning soon to teh Seymour Centre. Later this year she's back with the acclaimed Prima Facie for Sydney Theatre Company. What a powerhouse!!  

Regina Botros is joined backstage by Mark Leonard Winter, whose Mark Antony has emerged as the standout performance in Bell Shakespeare's bold 2026 production of Julius Caesar. Making his Bell Shakespeare debut, Mark brings a volatile, magnetic energy to Antony in a contemporary staging set in 1990s Eastern Europe and directed by Peter Evans. A Helpmann Award winner and founding member of independent theatre company Black Lung, Mark is known for his fearless, risk‑taking performances across Australia's major stages, including Sydney Theatre Company and Melbourne Theatre Company. His acclaimed turn as Antony has drawn glowing reviews, with critics praising its wild charisma, mercurial shifts, and unsettling modernity — a performance that commands attention and divides opinion in all the right ways. We talk about Antony as both Caesar's confidant and political operator, the choices behind finding the character's duplicity, and how Mark approached a role often overshadowed by Brutus. He also reflects on breaking the fourth wall, including the production's much‑discussed funeral speech moment, and what it means to play Shakespeare with such direct audience connection. Bell Shakespeare's Julius Caesar runs at • Sydney Opera House: 7 March – 5 April 2026 • Canberra Theatre Centre: 10 – 18 April 2026 • Arts Centre Melbourne: 23 April – 10 May 2026    

Equity's Live Stream Program continues with esteemed casting director Lauren Wiley talking with Equity member Helen Dallimore about all things auditions, musicals, casting, current and past projects, the actor/casting director relationship and answering all your questions. Lauren Wiley is one of Australia's most accomplished Casting Directors, bringing more than two decades of experience. She is currently the Casting Director for the forthcoming Australian premiere of A Beautiful Noise – The Neil Diamond Musical (TEG Dainty/Ken Davenport). Her extensive credits include MJ The Musical (Michael Cassel Group), Gaslight (Newtheatricals/Queensland Theatre), Hamilton (International Tour) and Hamilton (Australia) (Michael Cassel Group), Come From Away (Junkyard Dog/Newtheatricals), Beautiful: The Carole King Musical (Michael Cassel Group), and Kinky Boots (Michael Cassel Group). Lauren also served as Consulting Casting Director for Tina – The Tina Turner Musical (TEG Dainty/Stage Entertainment) and was Casting Administrator for Cameron Mackintosh's Les Misérables (Michael Cassel Group). Lauren began her theatrical casting career at Sydney Theatre Company in 2009, appointed Casting Coordinator to Co-Artistic Directors Cate Blanchett and Andrew Upton. She later returned to Sydney Theatre Company as in-house Casting Director under Artistic Director Kip Williams, a role she held until 2019. A graduate of Charles Sturt University with a Bachelor of Arts in Communications (Theatre/Media), Lauren spent two years based in London, where she worked as Casting Assistant to Jina Jay on major feature films including The Lovely Bones (Dir. Peter Jackson), Body of Lies (Dir. Ridley Scott), Agora (Dir. Alejandro Amenábar), and The Adventures of Tintin (Dir. Steven Spielberg) as well as time working for London's most established talent agencies.

If you've ever wondered what a movie production designer actually does, our guest today describes it in the simplest terms: it is everything you see in the frame that isn't a costume. It turns out, production design has a lot in common with product design. Our guest is the visionary production designer Fiona Crombie. You've seen her work in incredible films like The Favourite, and most recently, in the hauntingly beautiful Hamnet. This film is currently taking the industry by storm with eight Academy Award nominations, including a nod for Fiona herself for Best Production Design. Trailer for Hamnet, nominated for 8 Academy Awards in including Fiona Crombie for production design From the sprawling architecture of a Tudor estate down to the specific curve of a spoon or the texture of a tablecloth, Fiona's job is to build a physical reality that reflects the interior lives of the characters on screen. In our conversation, we explore how production design shapes performance, how historical accuracy balances with storytelling, how a visual “mission statement” guides an entire crew, and what it means to create environments that carry grief, love, and memory. Bio Fiona Crombie is an Australian production designer, twice nominated for the Academy Award for Best Production Design — for The Favourite and Hamnet. Born in Adelaide and raised in Sydney, she trained at the National Institute of Dramatic Art (NIDA) before becoming the resident designer at the Sydney Theatre Company, where she developed the deep relationship with text and storytelling that still shapes her work today. *** Premium Episodes on Design Better This is a premium episode on Design Better. We release two premium episodes per month, along with two free episodes for everyone. New premium benefit: get a behind-the-scenes pass to every episode with The Roundup, where each week we bring you insights and actionable tactics from recent episodes. Premium subscribers get access to the documentary Design Disruptors and our growing library of books. You'll also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. And subscribers at the annual level now get access to the Design Better Toolkit, which gets you major discounts and free access to tools and courses that will help you unlock new skills, make your workflow more efficient, and take your creativity further. Upgrade to paid

MEET THE CREATIVE TEAM BEHIND THE WAY, MY WAY This week on the podcast I am delighted to be sharing a conversation I had with two very talented and Camino-spirit filled people, Bill Bennet and Jennifer Cluff. [See their bios below.] You may know Bill as the director and lead character of the film The Way, My Way, and the author of the book of the same name, which tell the story of his pilgrimage on the Camino Francés. You may know Jennifer as the actress who played Bill's wife in the movie, but what you may not know is that Jennifer is also Bill's real-life wife and they are solid partners in their creative endeavors. And what a delightful and insightful pair they are.  Let's see where this conversation goes . . .  In this episode I am trying a new format: a "live" audience asking questions of our guests. Let me know what you think!  HAVING TROUBLE BRINGING YOUR CAMINO HOME? Join us in La Terraza, where pilgrims gather to share in the spirit of the Camino. MEET BILL BENNETT Bill Bennett studied Journalism at the University of Queensland before joining the ABC as a journalist. He moved into documentaries and stayed with the ABC for twelve years before going freelance as a documentary filmmaker. During this time he won two Logies, (Australia's equivalent of the Emmy)for Television Reporter of the Year, and Most Outstanding Television Documentary of the Year. He then moved into feature films. He's made 17 feature films as writer, producer and director. He's won Australian Film Institute Awards (Australia's equivalent of the Oscar) for Best Film and Best Director and been nominated a further twelve times. He's had two films in Official Selection at the Cannes Film Festival and four films selected for the Toronto Film Festival. In 2024 his movie The Way, My Way became the third highest grossing Australian film of the year. It was based on his best-selling Camino memoir of the same name. In 2025 the Spanish Government awarded Bill the 8th annual Malaspina Award for his outstanding contribution to furthering cultural ties between Australia and Spain through his book and film, The Way, My Way. As an author, Penguin Random House has published his YA supernatural thriller trilogy, Palace of Fires. MEET JENNIFER CLUFF Jennifer Cluff is a producer of feature films and a dramaturge who has taken her skills from theatre into literature and film. She began her career as an actress, at the tender age of 17, starring in the classic ABC TV series, SEVEN LITTLE AUSTRALIANS. Then followed more TV, some movies, and theatre – at the Sydney Theatre Company and the Queensland Theatre Company. During this time she worked with playwrights on the development of their material. She later script edited Bill Bennett's first feature screenplay for the film A STREET TO DIE, which was nominated for five AFI Awards, including Best Film, Best Director, and Best Screenplay. As Bill's partner, she subsequently script edited all his screenplays, including the multiple AFI Award winner KISS OR KILL – a film which she also produced with Bill. Jennifer has since produced, along with Bill, 10 feature films, all of which were released theatrically.   #youonthecamino #caminodesantiago #firsttimepilgrim #thecaminoexperience #caminopodcast

Mitchell Butel joins Regina Botros Backstage. He's an acclaimed actor, four‑time Helpmann Award‑winner, and Artistic Director of Sydney Theatre Company — and he's here to talk about STC's powerful new production of The Normal Heart, on stage at the Drama Theatre in the Sydney Opera House. Timed for Sydney Mardi Gras, this landmark play by Larry Kramer is set in early 1980s New York, during the terrifying, grief‑stricken and politically charged rise of the AIDS epidemic. The story follows a group of activists, lovers, friends, and fighters demanding to be seen, heard, and protected in a world that refused to acknowledge the crisis.  

Director Zindzi Okenyo joins Regina Botros to talk about Purpose — the most awarded new American play of 2025, now on at Sydney Theatre Company in its first production since Broadway. Branden Jacobs‑Jenkins' drama centres on a powerful African American family whose public legacy begins to crack when the estranged youngest son returns home with an unexpected guest. Stepping into this sharp, funny, emotionally volatile play: what drew Zindzi to it, how did  she navigated the tension between public image and private truth, and how did she shaped the dynamic between a civil‑rights patriarch and the matriarch trying to hold everything together, while it falls apart. Featuring Grace Bentley‑Tsibuah, Deni Gordon, Markus Hamilton, Tinashe Mangwana, Maurice Marvel Meredith, and Sisi Stringer.  

It's one of those roles which great actors have on their to-do list: Winnie in the play Happy Days by Samuel Beckett.  Winnie starts the play buried up to her waist in dirt. In Act 2 she's buried up to her neck! Acclaimed actor Pamela Rabe tell us what makes this such an iconic play and how she approached it as both co-director and star of Happy Days for the Sydney Theatre Company in 2025.In the play POV (Point of View), 11-year-old Bub directs a pair of adult actors on stage, to re-enact scenes from her life. There's a catch: it's the first time the actors have seen the script, and Bub is filming them for a documentary. This innovative work by collective re:group is all about how a kid experiences the mental illness of a parent. We chat to young actors Mabelle Rose and Edie Whitehead, who play Bub, and director Solomon Thomas.What if Celine Dion wasn't just the torch-bearing soundtrack to Titanic — but the main character? That's the premise of a hilarious musical parody called Titanique, which originated off Broadway and in 2025 proved very popular here in Australia. A cast of 11 joins The Stage Show, led by powerhouse Marney McQueen. First broadcast May 27, 2025.

Really Interesting Women The podcast Ep. 162 Alison Whyte Alison Whyte is one of Australia's most accomplished and versatile actors, celebrated for her commanding presence across stage and screen.  Born in Tasmania she began her artistic journey as a ballet dancer before training at the Victorian College of the Arts, where she honed the craft that would define her career.  She rose to national prominence with her breakout role in the satirical television series Frontline, earning a Silver Logie Award for Most Outstanding Actress.  Her screen career spans acclaimed performances in Satisfaction, The Dressmaker, and The Jammed and, I reckon even more impressively, in theatre, she has starred in productions with the Melbourne Theatre Company, Sydney Theatre Company, and Belvoir, including standout roles in Death of a Salesman, The Testament of Mary, and Summer of the Seventeenth Doll.  She is the recipient of multiple industry awards including Green Room, Helpmann and Sydney Theatre Awards for her work on stage, as well as Logie and ASTRA Awards for her work onscreen.  She is currently at the Belvoir Theatre's ‘the true history of the life and death of King Lear & his three daughters'.Visit instagram @reallyinterestingwomen for further interviews and posts of interesting women in history. Follow the link to leave a review....and tell your friendshttps://podcasts.apple.com/au/podcast/really-interesting-women/id1526764849

The Shiralee is a 1955 novel by D'Arcy Niland, telling the story of a wandering swagman on a journey through the Australian outback, accompanied by his 10-year-old daughter. It was made into a 1957 film by Ealing Studios, starring Peter Finch, and now it is being brought to the stage of the Sydney Opera House by the Sydney Theatre Company. Mark Burman talks to the show's cast and crew, including playwright Kate Mulvany, about this Australian classic's journey to the stage. This episode contains a reference to suicide. If you are suffering distress or despair and need support, you could speak to a health professional, or an organisation that offers support. Details of help available in many countries can be found at Befrienders Worldwide: befrienders.org.

How do you not just succeed once, but keep delivering for a lifetime? In this 90-minute session, Damien Strouthos - actor, coach and founder of The Resilient Actor shares the 5 essentials to perform at your best, stay resilient, and thrive in one of the toughest industries in the world. Drawing on high-performance principles and years of professional experience, Damien offers practical tools and strategies that help actors align craft, career and well-being for long-term success. Damien Strouthos is an award-winning actor, best known for his work in the Foxtel series The Twelve and HBO Max/BBC's The Tourist, with a career spanning film, television, and theatre. On screen, he's appeared in Heartbreak High(Netflix), One Night (Paramount+), Last King of the Cross (Paramount+), Home and Away, and Pieces of Her (Netflix). His feature film credits include Transfusion, directed by Matt Nable, I Am Woman, and Peter Rabbit 1 and; 2. Damien is also an accomplished theatre performer, having worked with Sydney Theatre Company, Bell Shakespeare, Belvoir, and Sport for Jove, most recently appearing in Death of a Salesman opposite Anthony LaPaglia.

Jack and Eden are joined by Casey Donovan - one of Australia's most powerful voices. From winning Australian Idol at just 16 to starring in major stage productions like Chicago, 9 to 5, & Juliet, Sister Act, and most recently Kimberly Akimbo, she's done it all.Now, Casey is gearing up for her This Is Me tour which begins right here in Melbourne this February, with more than 50 dates scheduled across the country.They also chat about Melbourne Theatre Company's Dying; A Memoir, Sydney Theatre Company's The Talented Mr Ripley, Australian Shakespeare Company's Hair, and Theatricals' School of Rock. THE LINKS⁠Our website⁠⁠Our Instagram⁠⁠Our TikTok⁠Casey Donovan's InstagramGo see Casey's tour!Go see Eden in Stars and the Moon's showcase!

Why would two actors,  who are married in real life, pretend to eviscerate each other night after night in the emotionally brutal play Who's Afraid of Virginia Wolf? Kat Stewart and David Whitely first performed this Edward Albee classic on the small, indy stage of Melbourne's Red Stitch Theatre and it was a hit. Now it's being remounted by Sydney Theatre Company.Composer, musician and director Lamine  Sonko is a guewel, a traditional custodian of cultural knowledge in West Africa. Over seven years, Lamine has travelled to remote and sacred places in Senegal to better understand how ancient cosmology and metaphysical knowledge influence guewel traditions. The result is a show called Guewel, at Melbourne's Arts House and made in collaboration with the National Theatre of Senegal.Smallpox was eradicated from the planet in 1980 -- the only human disease which has been totally wiped out! But for centuries before this, an inoculation against smallpox was already in existence in different parts of the world and it was practised mostly by women. Playwright Melanie Tait has used this medical history for the basis of her latest play The Royal Experiment, performed on stage by third year NIDA students.

Bernadette Peters is the Tony award winning actress who has reigned on Broadway for decades. She is famous for originating roles in Stephen Sondheim musicals -- like the witch in Into The Woods and she's coming to Brisbane for the Melt Festival of Queer arts and culture.The Shiralee is the story of the tough, itinerant labourer Macauley and his equally tough young daughter Buster, who loves him fiercely.  Together they endure drought and flood and often sleep on the ground.  Kate Mulvany  has adapted this Australian classic for the stage with Sydney Theatre Company — is it still an inspiring tale of love and survival, or a story which has passed its use-by date? Two Blood is a new dance work about the meeting of a Tagalaka woman from North Queensland and a Cantonese man headed for the goldfields, and inspired by the family history of choreographer Jasmin Sheppard. Australian Dance Theatre's Daniel Riley explains why this overlooked history is told through a combination dance and the spoken word. It's part of Adelaide's OzAsia festival.

In this episode of Backstage, Regina Botros sits down with Joseph Althouse, the Pertame and Tiwi actor captivating audiences in the Sydney Theatre Company's production of Whitefella Yella Tree by Dylan Van Den Berg. Set in the early 19th century, Whitefella Yella Tree is a tender and devastating love story between two young Aboriginal men, Ty and Neddy, from neighbouring mobs. Meeting under the branches of a lemon tree, their romance blooms just as the colonial world begins to encroach on their lives. Joseph plays Ty, a young man learning to be his mob's storyteller, navigating the tension between tradition, love, and the looming threat of colonisation.   Sydney Theatre Company: Wharf 1 Theatre, until 18 October 2025

An opportunity to hear from the Sydney Theatre Company's Artistic Director Mitchell Butel who will talk to actor Danielle Cormack about the actor-director relationship, the steps that artistic directors take to choose productions, the casting process and STC's plans for the future. Mitchell Butel is a multi-awarded director, performer, writer and producer and Sydney Theatre Company's Artistic Director and Co-CEO. Mitchell holds four Helpmann Awards, four Sydney Theatre Awards and two Victorian Green Room Awards for his work as a director and actor in Australia. He has worked extensively for State Theatre Company South Australia, Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, Belvoir, Bell Shakespeare, Griffin, Malthouse, Opera Australia, Sydney Chamber Opera, Pinchgut Opera, The Production Company, The Hayes Theatre and for the Sydney, Adelaide and Perth Festivals on over 200 professional productions.

Learn how to deliver under pressure with actor, WAAPA grad and founder of The Resilient Actor, Damien Strouthos. This practical session gives you the tools to stay grounded in high pressure auditions, emotionally connect to character and give your best work even when the stakes are high. And maybe even a cheeky crying hack or two. Damien Strouthos is an award-winning actor, best known for his work in the Foxtel series The Twelve and HBO Max/BBC's The Tourist, with a career spanning film, television, and theatre. On screen, he's appeared in Heartbreak High(Netflix), One Night (Paramount+), Last King of the Cross (Paramount+), Home and Away, and Pieces of Her (Netflix). His feature film credits include Transfusion, directed by Matt Nable, I Am Woman, and Peter Rabbit 1 and; 2. Damien is also an accomplished theatre performer, having worked with Sydney Theatre Company, Bell Shakespeare, Belvoir, and Sport for Jove, most recently appearing in Death of a Salesman opposite Anthony LaPaglia.

Anthony Brandon Wong is an award winning actor, who has worked for 40 years in movies, TV and theatre all over the world, a singer-songwriter and one of Australia's most sought- after acting teachers and coaches. His numerous film and TV credits include: the role of Ghost in “The Matrix Reloaded”, “The Matrix Revolutions” and the “Enter the Matrix” video game, opposite Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Jada Pinkett Smith and Hugo Weaving, Steven Soderbergh's “Haywire” opposite Channing Tatum and Antonio Banderas, “Guns, Girls and Gambling” opposite Gary Oldman and Christian Slater, “Hemingway and Gellhorn” opposite Nicole Kidman and Clive Owen, “Queen of Oz” opposite Catherine Tate, “Godzilla x Kong: The New Empire”, “Glee”, “NCIS”, “Hawaii Five-0”, “Flight of the Phoenix”, “Harrow”, “Upright” and “The Twelve” Season 2 as series regular Winston Hang.  Anthony played the role of Danny Law in “The Family Law” and he and his fellow cast won 3 consecutive Equity Ensemble Awards for Outstanding Performance by an Ensemble in a Comedy Series. On stage, Anthony has played lead and major roles for Sydney Theatre Company, Melbourne Theatre Company, The Malthouse and State Theatre Company of South Australia and he won The Victorian Green Room Award for Best Actor in “Sex Diary of an Infidel”. Anthony played the role of the outrageous maid/butler Jacob in the stage musical "La Cage Aux Folles".  As an acting teacher, Anthony has taught at the National Institute of Dramatic Art (NIDA), Actors Centre Australia, Screenwise and the Q Theatre in Sydney, Western Australian Academy of Performing Arts (WAAPA), Melbourne's 16th Street Studios, Queensland University of Technology (QUT), Australian Theatre for Young People (ATYP), as well as in Los Angeles at TVI Studios, in Brisbane at the Australian Acting Academy, on the Gold Coast at The Warehouse Workshop Screen Acting Studio and in Byron Bay at the Actors Room.  Anthony's thousands of acting students over his 30 year teaching and coaching career include Magda Szubanski, Delta Goodrem, Angus McLaren (Packed to the Rafters), Aaron Glenane (Snowpiercer), Shareena Clanton (Wentworth), Natalie Mendoza (Moulin Rouge) and Stef Dawson (The Hunger Games). Anthony is the most senior Certified Teacher of the Ivana Chubbuck Technique in Australia. Ivana Chubbuck is the world renowned coach of Oscar winners Halle Berry, Charlize Theron and Jared Leto, and Oscar nominated actors Brad Pitt, Jake Gyllenhaal, Catherine Keener, Djimon Hounsou, Kate Hudson, America Ferrera, Elisabeth Shue, Terrence Howard and Sylvester Stallone. Ivana personally trained Anthony over a period of 14 years in Los Angeles and in Australia. Anthony has also worked extensively with master teacher Larry Moss, who is the coach of Leonardo di Caprio, Hilary Swank, Tobey Maguire, Helen Hunt and Austin Butler. In addition, Anthony has studied with Eric Morris (Jack Nicholson's coach), Elisabeth Kemp (Bradley Cooper, Hugh Jackman and Lady Gaga's coach), Margie Haber (coach of Vince Vaughan and Tea Leoni), Rowena Balos (voice trainer to Judy Davis), the Steppenwolf Company and in the Meisner and Strasberg Techniques.  As a singer-songwriter, Anthony released a dance pop single "Emancipate", which can be played on all music platforms. The music video can be seen on YouTube and Vevo. We chat about the Matrix, not working for periods, handling rejection, his amazing acting classes, food, mindset, his win spreadsheet, being who you are, learning new things, gratitude plus plenty more!   Check Anthony out on: Instagram: https://www.instagram.com/anthony_brandon_wong/ Facebook: https://www.facebook.com/p/Anthony-Brandon-Wong-100063593643833/ Actors Room Byron Bay (Masterclass workshop): https://www.actorsroombyronbay.com/august-23rd-24th-chubbuck-with-anthony-brandon-wong?fbclid=IwY2xjawMJULdleHRuA2FlbQIxMABicmlkETE4TGVRTVNCTWtvaGJYdGRPAR71_DVmVHvzhlfXPlx0j1JXiY8X1iq8r_RfnXTwUtqk33bc0b__lK5KtZcKJg_aem_xD0UJ0YlVdDoP6P_N5gFuQ Anthony Brandon Wong's Acting Troupe: https://www.facebook.com/groups/55344248581 Food Blog: https://www.instagram.com/universe_of_taste/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Today on the show we’re joined with freelance artist, theatre maker, director, and self appointed jester - Nicole Pingon! The Chinese-Australian creative has a full resumé, directing Moon Rabbit Rising, co-directed the new-Australian opera Chop Chef and assistant directing at Sydney Theatre Company and Belvoir just to name a few. ‘werkaholics’ - their newest work is a 21st century absurdist take on capitalist cancel culture and the digital age. Presented by Purple Tape Productions and Empty Seat Productions, it is currently showing at Belvoir's Downstairs Theatre until the 17th of August. PRODUCER NOTE: Nicole would also like to pick the amazing Clarice Lispector in her dream artist workshop hehe

On today’s episode, Matt Tamanini is in conversation with the adapter and Tony-nominated director of one of the most innovative and engaging productions on Broadway in years, “The Picture of Dorian Gray.” Kip Williams began experimenting with what he now calls Cine-Theatre at the Sydney Theatre Company in Australia when read more The post Special Episode: Kip Williams explains ‘Dorian Gray’s Cine-Theatre appeared first on BroadwayRadio.

Kat StewartActor Kat Stewart has built a reputation as one of Australia's most outstanding actors. Renowned for her exceptional performances across a diverse range of unforgettable characters on both stage and screen, Kat has played leading roles on productions including Five Bedrooms Offspring and Underbelly One Night, Black Snow (series 2), Mr and Mrs Murder, Tangle (Series 1-3), Newstopia (Series 1-3), Supernova (Series 1-2)and the original Underbelly. Her many guest credits include Get Krack'n, Orange is the New Brown, No Activity, True Story with Hamish and Andy and Jack Irish. Film credits include Little Monsters, West of Sunshine, Sucker and My Melbourne. Her work on stage includes Melbourne Theatre Company's Admissions, Heisenberg, Disgraced, The Speechmaker, Frost Nixon and Festen. She was an active member at Red Stitch Actors Theatre for ten years with credits including Creditors, The Little Dog Laughed, The Shape of Things, Bug, Dirty Butterfly and Loyal Women.  Kat's historic return to the company in 2023 to play Martha in the highly acclaimed sell-out season of Who's Afraid of Virginia Woolf? led to a further successful commercial season at Melbourne's Comedy Theatre in 2024 and an upcoming remount for the Sydney Theatre Company for their 2025 season at the Roslyn Packer Theatre. Among many nominations, Kat received an AACTA Award for Offspring and both an AFI and Logie for Most Outstanding Actress in Underbelly.She is a proud Ambassador for The Magical Getaway Foundation (MGF) and Australian Literacy and Numeracy Foundation (ALNF).Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

Join "Dance Talk” ® with Joanne Carey  and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process ⁠https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/...⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Listen: Lauren Class Schneider talks to Marg Horwell, the award winning set and costume designer of “The Picture of Dorian Gray” at the Music Box Theater. “Class Notes” actively covers New York's current theater season on, off, and off-offBroadway. Sarah Snook in the Sydney Theatre Company production of The Picture read more The post Class Notes: Marg Horwell “The Picture of Dorian Gray” appeared first on BroadwayRadio.

After seeing some negative comments online about Felicia Foxx's cultural Mardi Gras outfit over the weekend, Matty is firing back at the haters in support of the Queer, First Nations community. Plus the director and star of the latest stage adaptation of Picnic At Hanging Rock (Ian Michael & Lorinda May Merrypor) stop by to tell us all about how they're helping re-tell the story for a modern and multi-cultural world. Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present. LINKS Follow @itsmattymills on Instagram Follow @brooke.blurton on Instagram Follow @lorinda_may on Instagram Follow @ianmichaelianmichael on Instagram Follow @novapodcastsofficial on Instagram Purchase tickets to see Picnic At Hanging Rock in Sydney here: https://www.sydneytheatre.com.au/whats-on/productions/2025/picnic-at-hanging-rock CREDITSHosts: Brooke Blurton and Matty MillsGuests: Ian Michael & Lorinda May MerryporExecutive Producer: Rachael HartManaging Producer: Ricardo Bardon Listen to more great podcasts at novapodcasts.com.auSee omnystudio.com/listener for privacy information.

50 years ago, a 20-something Peter Weir decided to hypnotise us away from the possibility of solutions when he adapted Joan Lindsay's novel into the Australian gothic horror classic, Picnic at Hanging Rock. On Valentine's day in 1900, the students from Miss Appleyard's depart their fortress-like school in rural Victoria for a lazy afternoon at the base of Hanging Rock. The hot wind blows in, the clocks stop, the girls peel off their stockings and, as the ants descend on the remains of the picnic, four girls ascend the rock, along with one of their teachers. Only one of them returns. As people hear of the mysterious disappearances, search parties break out, but only one girl is recovered, missing her corset and her memory of what happened at Hanging Rock. As are we all. Because if you need an ending you're a bit weak in the head.See AlsoThe Secret of Hanging Rock available on eBay or via this PDFJoan Linsday's memoir 'Time Without Clocks' published in 1962Mulberry Hill, Joan's house which is now owned by the National TrustInterview with producer Pat Lovell in Cinema Papers from 1976Scan of the scriptDeleted scene of Mrs Appleyard at the rock NFSA page that includes info about the costumes and deleted scenes and stills, interviews with cast and crewJudith Dorsman's dollsMartin Sharp's Tiny Tim concert film is on Plex and his unfinished doc Street of Dreams is on YouTubeThe BeguiledThe FitsUmbrella's Making of Picnic at Hanging Rock – part 1 and part 2Magic Dirt's She-Riff videoThe Fast Forward sketch Anne Lambert on ABC's just Between UsNew adaptation from Sydney Theatre Company playing 17 February – 5 April 2025 Hosted on Acast. See acast.com/privacy for more information.

Do you have to have a dream? Or is incrementalism the answer to leading a flourishing life? This week, creative polymath Tim Minchin, joins host Lloyd Vogelman on the couch for an unfiltered conversation that digs into the personal side of the Principle of Charity.Tim MinchinIn addition to two decades of award-winning live performance and multiple recorded specials, Tim is the composer and lyricist of smash-hit stage musicals, Matilda and Groundhog Day.He is also a screenwriter (of the award-winning Upright, in which he stars alongside House of The Dragon's Milly Alcock), and a screen actor, (Atticus Fetch in Californication, Friar Tuck in Robin Hood 2014, Darius Cracksworth in Disney's The Artful Dodger).He is a public speaker, and a book of his commencement speeches, You Don't Have to Have a Dream, was recently published by Penguin Random House. Stage roles include his acclaimed Judas in the 2014 UK / Australian Arena Tour of Jesus Christ Superstar, and Rosencrantz in the Sydney Theatre Company's Rosencrantz and Guildenstern Are Dead. He is a voice actor, has published two children's books and a graphic novel, and sometimes get into trouble for criticising fundamentalists of all stripes. His 2020 studio album, Apart Together, peaked at #2 on the ARIA charts.Among many accolades, he has won two Olivier Awards for Best Musical, a British Composers Award for Best Score, a Logie for Best Supporting Actor, an ACTAA for best TV comedy performance, an Edinburgh Comedy Award for best Newcomer, a Whats On Stage Award for Best Actor in a Musical, The Richard Dawkins Award for Science Communication, and an Order of Australia for Services to the Arts and the Community. He has been nominated for some Tonys and a Grammy. CREDITSYour hosts are Lloyd Vogelman and Emile Sherman This podcast is proud to partner with The Ethics CentreFind Lloyd @LloydVogelman on Linked inFind Emile @EmileSherman on Linked In and XThis podcast is produced by Jonah Primo and Sabrina OrganoFind Jonah at jonahprimo.com or @JonahPrimo on Instagram Hosted on Acast. See acast.com/privacy for more information Hosted on Acast. See acast.com/privacy for more information.

Three years after his first appearance on Principle of Charity, the effervescent Tim Minchin returns for this first, and very special spotlight episode for 2025. Emile, Lloyd and Tim reflect on the principle of charity itself, and how themes explored in Tim's latest book You Don't Have To Have a Dream (Penguin Random House) relate to its application in our lives. What role can the scientific method, kindness and authenticity play in helping us consider the viewpoints of those with whom we most disagree, and lead flourishing lives? Tim MinchinIn addition to two decades of award-winning live performance and multiple recorded specials, Tim is the composer and lyricist of smash-hit stage musicals, Matilda and Groundhog Day.He is also a screenwriter (of the award-winning Upright, in which he stars alongside House of The Dragon's Milly Alcock), and a screen actor, (Atticus Fetch in Californication, Friar Tuck in Robin Hood 2014, Darius Cracksworth in Disney's The Artful Dodger).He is a public speaker, and a book of his commencement speeches, You Don't Have to Have a Dream, was recently published by Penguin Random House. Stage roles include his acclaimed Judas in the 2014 UK / Australian Arena Tour of Jesus Christ Superstar, and Rosencrantz in the Sydney Theatre Company's Rosencrantz and Guildenstern Are Dead. He is a voice actor, has published two children's books and a graphic novel, and sometimes get into trouble for criticising fundamentalists of all stripes. His 2020 studio album, Apart Together, peaked at #2 on the ARIA charts.Among many accolades, he has won two Olivier Awards for Best Musical, a British Composers Award for Best Score, a Logie for Best Supporting Actor, an ACTAA for best TV comedy performance, an Edinburgh Comedy Award for best Newcomer, a Whats On Stage Award for Best Actor in a Musical, The Richard Dawkins Award for Science Communication, and an Order of Australia for Services to the Arts and the Community. He has been nominated for some Tonys and a Grammy. CREDITSYour hosts are Lloyd Vogelman and Emile Sherman This podcast is proud to partner with The Ethics CentreFind Lloyd @LloydVogelman on Linked inFind Emile @EmileSherman on Linked In and XThis podcast is produced by Jonah Primo and Sabrina OrganoFind Jonah at jonahprimo.com or @JonahPrimo on Instagram Hosted on Acast. See acast.com/privacy for more information Hosted on Acast. See acast.com/privacy for more information.

"Dance Talk” ® with Joanne Carey and special guest Duke DangIn this episode of "Dance Talk” ® , host Joanne Carey speaks with Duke Dang, the executive director of Works & Process. They explore Duke's journey from a refugee camp to becoming a prominent figure in arts administration, emphasizing the importance of the creative process in the performing arts. Duke shares insights on how arts can impact personal growth, the significance of internships, and the mission of Works and Process in supporting artists. The conversation highlights the need for community engagement and the transformative power of dance. In this conversation, Joanne Carey and Duke explore the profound emotional impact of dance, the importance of feeling and embodying movement, and the celebration of street dance traditions. They discuss the significance of intergenerational connections in dance, innovative collaborations, and the upcoming festivals and events that highlight these themes. The conversation emphasizes the iterative nature of live performance and the communal aspect of dance, inviting audiences to engage and participate. Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Under Duke's leadership, Works & Process pioneered the bubble residency model in summer 2020, which was captured in the NY-Emmy nominated docuseries Isolation to Creation, and broadcast on PBS and ALL ARTS. Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Multiple Works & Process commissions including LaTasha Barnes' The Jazz Continuum, Les Ballet Afrik – New York Is Burning by Omari Wiles, and More Forever by Caleb Teicher and Conrad Tao have been honored with Bessie Awards. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, where he started as a paid college intern, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. In 2012, with his husband, he helped founded the Hudson Valley Dance Festival with Dancers Responding to AIDS which has raised over $1.3 million. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University. To Find out about Works & Process https://www.worksandprocess.org/ Upcoming Festival Jan 9-13 “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Faustina Agolley is a writer, producer, DJ, presenter, actor, and all-round legend.She hosted Video Hits, Channel Ten's flagship music program in Australia, from 2006-2011; she's toured with Oprah Winfrey as her resident DJ, and she made her stage debut in the 2017 Sydney Theatre Company award-winning production, The Father.We discuss music by Kylie Minogue, Janelle Monaé, and Tyler, The Creator.You can follow Faustina online here.Send us a textSupport the showTo celebrate our fiftieth episode, I want to hear your queer tracks. Send me a voice note of a song, album, or artist that has resonated with your life, and I'll include it in Episode 50. Email me your voicenote at tracksofourqueers@gmail.com. Help keep Tracks of Our Queers ad-free by shouting me a coffee right here. Thank you for your support.

David Gonski has been called 'The Chairman Of Everything' - Coca-Cola, Hoyts, Film Australia, NIDA, The Australian Stock Exchange, The Sydney Theatre Company, Sydney Grammar, Investec, Morgan Stanley, the Future Fund, University of New South Wales, ANZ bank, and the Art Gallery of New South Wales are just some of the organisations to have benefitted from his stewardship. Freehills youngest ever partner, executor of Kerry Packer's Will, author of the government eponymous education Gonski Report and committed philanthropist he has made a remarkable contribution to Australia over the course of his storied career. Hear each song chosen by every Five of My Life guest at: https://open.spotify.com/playlist/60PqJQ1rg6fverFMyKvdkG Follow The Five of My Life on Instagram: The Five of My Life (@thefiveofmylife) Contact Nigel at https://nigelmarsh.com/

The culture wars are seeping out of the real world and infiltrating our pages and stages.  Art has always traversed unfamiliar and even dangerous territory. But with recent calls to boycott cultural institutions, donors pulling funding, and the cancellation of works and talent, are some discussions too fraught to engage with? Louise Adler is the Director of Adelaide Writers' Week. She has spent over 30 years in the culture business and continues to be committed to the dissemination of dangerous ideas. Brook Garru Andrew is an artist, curator and writer who is driven by the collisions of intertwined narratives emerging from the mess of the “Colonial Wuba (hole)”. His practice is grounded in his perspective as a Wiradjuri and Celtic person from Australia. Violette Ayad was born on Whadjuk Noongar Boodja to Palestinian and Lebanese parents. She is now based on Gadigal land where she works as an actor, writer, director, and voice artist.  Gil Beckwith has a significant career in the Arts and Not For Profit industry in senior finance and administration management roles. Her working career spans over 40 years and includes working for Sydney Theatre Company, Melbourne Festival, the Victorian AIDS Council, and most recently CEO of Sydney Gay and Lesbian Mardi Gras. Declan Greene is a playwright, director, and dramaturg. As a director he has worked for many of Australia's major theatre companies, including Sydney Theatre Company, Melbourne Theatre Company, Malthouse, Belvoir, and Griffin Theatre Company.  Emile Sherman is an Academy Award and Emmy Award-winning film and television producer who co-founded See-Saw Films in 2008. Based in Sydney and London, See-Saw Films has worked with many of the world's leading filmmakers and actors.  Chaired by philosopher and Executive Director of The Ethics Centre, Simon Longstaff.

This episode discusses themes surrounding the stolen generationBrooke and Matty are joined by some mates in studio today! Ian Michael and Steph Sommerville from the play STOLEN drop by to chat about the importance of the play and also why being involved means so much to them. They share their personal connections to the Stolen Generation and open up about some family history. Plus why it's so important that First Nations stories are still being told on stage.  LINKS Follow @itsmattymills on Instagram Follow @brooke.blurton on Instagram  Follow @ianmichaleianmichael on Instagram Follow @cruella.de.sommerville on Instagram Follow @novapodcastsofficial on Instagram   Grab your tickets to see STOLEN in Sydney here: https://www.sydneytheatre.com.au/whats-on/productions/2024/stolen  CREDITSHosts: Brooke Blurton and Matty MillsGuests: Ian Michael & Steph SommervilleExecutive Producer: Rachael HartEditor: Adrian WaltonManaging Producer: Ricardo Bardon Listen to more great podcasts at novapodcasts.com.au   See omnystudio.com/listener for privacy information.

CELEBRATING DANE CRAWFORDIn these special episodes, we celebrate the life of a person who has died via someone who loved them deeply - keeping the memory of them alive through shared recollections, joy and grief.These conversations can be intensely raw, and many tears are shed. Please move gently as you listen.TW: Grief, suicidal ideation.Dane Crawford was a sparkly-eyed, sweet natured man who loved his work in construction. He died suddenly in 2018 at 37 years of age. Celebrating Dane is his former partner Tommy Murphy - a celebrated playwright and screenwriter based in Sydney, where his recent stage adaptation of Nevil Shute's On The Beach premiered at Sydney Theatre Company. His earlier adaptation of Tim Conigrave's memoir Holding The Man plays regularly around the world, including a recent revival at Belvoir. Tommy won the National Theatre Award from the Australia Council in 2020 following his play Packer & Sons. Other theatre credits include Mark Colvin's Kidney, and Gwen in Purgatory (Belvoir St Theatre), Troy's House (SUDS, ATYP), Strangers in Between (Griffin Theatre Company, Trafalgar Studios West End), Blood Wedding (Royal and Derngate Northampton Theatre, UK), and Saturn's Return (Sydney Theatre Company). He created and was the Head Writer and Script Producer for the ABC original television series Significant Others (Fremantle, nominated for the 2023 Logie for Outstanding Drama). Tommy has also written episodes on The Twelve, Bloom, Fighting Season, The Devil's Playground and Offspring. Tommy wrote and was Associate Producer on the feature film Holding The Man (Goalpost Pictures) directed by Neil Armfield. He won the AWGIE Award for Best Writing in a Feature Film and Critics Circle Award for Best Screenplay. Tommy was the recipient of the Patrick White Playwrights Fellowship (2016), and The Writers' Guild and Screen Australia Creators Program in Hollywood (2023). His other notable awards include winner of the 2022 AWGIE Award for Audio Fiction for his radio play Call You Back and winner of the N.S.W. Premier's Literary Awards for Best Play for both Holding The Man and Strangers In Between and the W.A. Premier's Prize for Gwen in Purgatory. He is currently developing a feature film. Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Support the show via www.patreon.com/mariekehardy and drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some  wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ ★ Support this podcast on Patreon ★

This is a rare chance to hear from leading theatrical producer Michael Cassel, who has brought many of Australia's most successful theatre productions to life including Hamilton, Harry Potter and the Cursed Child, Beautiful: The Carole King Musical, as well as the West End premiere of Sydney Theatre Company's The Picture of Dorian Gray starring Sarah Snook. With Erin James interviewing, this is a chance to get a behind the scenes look at how top stage productions are cast, how to have the best chance of successful stage career locally and internationally, what you need to know about the industry and how it works to get ahead, the steps that theatre producers take to get a production up and running and Michael's plans for the future.

As one of our finest actors, Keith Robinson carved a career on stages around the country. As a  wit and treasured talisman, he kept us informed and in stitches with his regular postings on social media.Keith's repertoire of characters included the great clowns of Shakespeare. He was admired for his tremendous physicality in realising these endearing fools and jesters …. and for his dependability in affecting an audience.As a member of the ensemble at Belvoir Theatre, he contributed to the success of milestone productions such as Hamlet, The Tempest, The Alchemist, Night On Bald Mountain and Picasso at the Lapin Agile. Keith's extensive theatre credits also included the Dickensian epic Nicholas Nickleby with the Sydney Theatre Company ……  and ventures into musical theatre with the premiere Australian production of Les Miserables. As performer and playwright -  Keith co-authored (with Tony Taylor) the silly, comic romp The Popular Mechanicals - a fond valentine to the determined amateur acting troupe of Shakespeare's A Midsummer Night's Dream. In 2006 his life upon the boards looked like being snatched away when he was diagnosed with a neurological condition, called Guillain-Barre syndrome. His personal expression as an actor became compromised with limited mobility and the necessity of a wheelchair. But Keith was a determined thespian …. and in 2016 he returned to the Belvoir stage as a wise and moving Feste …. in a production of Twelfth Night. As well as a phenomenal talent, Keith was immensely entertaining and terrific company. Passionate, funny and tremendously informed, Keith traversed an eventful life on and off the stage. His legacy of compelling screen performances are fortunately preserved in television productions such as the anthology series Summer Love, season 2 of The Twelve and in a much discussed TVC for Australia post, where we may still be able to find him at various point of sale.This conversation, recorded for the STAGES podcast, took place in May 2021 when Keith was preparing to play Leonid Gayev in The Cherry Orchard at the Belvoir street theatre. It was to be the final time we would see Keith light up a stage. I hope this return episode brings you some comfort - and joy - relishing in Keith's wonderful anecdote, insightful wisdom - and that enormous laugh that instantly embraced it's listener.Vale Keith Robinson - you will be greatly missed. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Iain Sinclair is one of Australia's finest, award winning theatre directors specialising in new writing and contemporary international work. Iain established the critically acclaimed theatre company Elbow Theatre in Canberra, where he received four Critics Circle Awards. He received a Sydney Theatre Award for his production of The Seed by Kate Mulvaney and is also an AWGIE Award nominated director. He has directed a number of highly praised main stage productions in Sydney including Our Town  by Thornton Wilder for The Sydney Theatre Company, which was described as “a triumph”. His production of Arthur Miller's, All my Sons was described as “A rock solid production of a play that makes you shake your head in wonderment”.  Iain has also directed for The Melbourne Theatre Company, The Ensemble, The Queensland Theatre Company, Belvoir and Sport for Jove with celebrated productions of Who's Afraid of Virginia Woolf? By Edward Albee, The Caretaker by Harold Pinter, A View From The Bridge by Arthur Miller, Mojo by Jez Butterworth, Blood Wedding by Federico Garcia Lorca (translation by Sinclair), The Beast by Eddie Perfect, A Midsummer Night's Dream by William Shakespeare and Berlin by Joanna Murray Smith. Iain graduated with distinction from the RADA Masters Program and Kings College, London. He is the associate artist and resident dramaturge for Playwriting Australia and has been assistant director to Cate Blanchett and Max Stafford Clark. Iain was invited by Max Stafford Clark to tour the UK as a member of his company “Out of Joint” teaching principles of new play making and Max Stafford Clark's legendary process based on actioning. Iain continues his work as a dramaturge and has worked with the following companies; ASK Los Angeles, New Dramatists New York, The Traverse Scotland, The Royal Shakespeare Company, The Royal Court and The National Theatre England.Iain Sinclair is presently the Head of Acting at 16th Street Actors Studio in Melbourne, where he nurtures a new generation of actors and continues to practice and refine his magnificent craft.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Robyn Arthur is one of Australia's leading theatre performers who soon celebrates 50 years working in the Industry. Robyn toured with Jonathan Church's Singin' in the Rain and Jonathan Biggins' Australia Day for Hit Productions and Mother & Son with Noeline Brown for McLaren House. In 2013, she toured Australia in Elizabeth Coleman's play It's My Party (And I'll Die If I Want To!) with Henri Szeps for Hit Productions and appeared in the Production Company's Singin' in the Rain directed by Gary Young at the State Theatre. In 2011, she starred again alongside Todd McKenney in the hit revival of The Boy From Oz having also appeared in the original cast. Robyn played Mrs Potts in the Aria Award winning Australian premiere season of Beauty and the Beast with Hugh Jackman and will be long remembered for her performance as Madame Thenardier (Victorian Green Room Award) in the original cast of Les Miserables directed in Australia by Trevor Nunn. Robyn clocked up almost 1,300 performances in the role. In 2007, she was nominated for a Helpmann Award for her performance in the Australian premiere of Sideshow Alley (Keelan/Young) for QPAC. Robyn's other theatre highlights include Stuart Maunder's production of My Fair Lady (Opera Australia); Minefield's and Miniskirts by Terence O'Connell (Malthouse), Gale Edwards' production of Sweeney Todd (Opera Queensland); Stephen Sondheim's Company directed by the late Richard Wherrett and Michael Gow's classic Away for the Sydney Theatre Company. Television credits include The Newsreader, Rosehaven, Five Bedrooms, Sisters, Woodley, Twentysomething, Laid 2, The Librarians, City Homicide, Very Small Business, Kath and Kim, Blue Heelers, MDA, Neighbours, and the US production, Nightmares and Dreamscapes. Robyn also appeared in Charlotte's Web with Dakota Fanning for Paramount Pictures and the Tropfest short film Hoarder Control directed by Nichola Colla. Robyn's been a proud member of Actors Equity since 1975 and serves on the Victorian Actors Benevolent Trust (VABT).The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Colin Lane is a comedian, actor & host. He is best known as Lano from Lano and Woodley, Australia's most beloved comedy duo. In almost 20 years together Lano & Woodley won the coveted Perrier Award for best show at the Edinburgh Fringe Festival, starred in their own television series and toured sold-out shows across the country. They said ‘Goodbye' in 2006 with a national tour that took in 34 markets and sold more than 150,000 tickets. In 2018, the duo reprised their roles as Lano & Woodley for FLY, with a sold-out national tour of 85,000 ticket sales and winning the prestigious Melbourne Comedy Festival ‘People's Choice Award'. Colin has appeared in Don's Party for the Melbourne Theatre Company and the Sydney Theatre Company, made many TV appearances including guest panellist on the UK favourite QI, alongside Stephen Fry and Alan Davies – most recently on the new-look, Sandi Toksvig version of the hugely popular show. 2016 has seen Colin working with Red Stitch under director Nadia Tass in a new Hannie Rayson play Extinction, and the musical comedy whodunit, Curtains, under Roger Hodgman for The Production Company.  He has made numerous TV appearances on Good News Week, Spicks and Specks, Welcher & Welcher, Thank God You're Here, Neighbours, All Star Family Feud, Show Me the Movie!, The Circle and hosted Ready Steady Cook (2011-2013).   His new show 'In Tails' is on sale now. In Tails with David Hobson - where a comedian and an opera singers worlds collide. We chat about his many hobbies, feeling comfortable in your own skin, collaboration, splitting up with a long-term collaborator (Frank Woodley), imposter syndrome, cancelled shows, change of view of success, his new shows, plus plenty more!   The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Colin out on: Instagram: https://www.instagram.com/officialcolinlane/ Website / tickets: https://www.davidhobsonandcolinlane.com/ Facebook: https://www.facebook.com/officialcolinlane https://www.facebook.com/davidhobsonandcolinlane X/ Twitter: https://twitter.com/TheColinLane ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan   The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Felicity out on: Instagram: https://www.instagram.com/felicityward/ Website: https://www.felicityward.com/ Facebook: https://www.facebook.com/felicityward X/ Twitter: https://twitter.com/felicityward Tiktok: https://www.tiktok.com/@felicityjward ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Tommy Murphy is an award-winning screenwriter and playwright based in Sydney. Tommy adapted the Australian queer classic memoir Holding the Man for both stage and screen, while his limited series Significant Others was broadcast on the ABC last year. Most recently, he adapted Nevil Shute's On the Beach for the Sydney Theatre Company.Holding the Man is currently back on stage in Sydney at the Belvoir Theatre. We discuss music by Whitney Houston, Olivier Messiaen, and Rufus Wainwright.This conversation was recorded at Forbes Street Studios in Sydney. A huge thank you to Anthony Garvin for his support.Listen to all previous guest choices in one handy Spotify playlist, Selections from Tracks of Our Queers and follow the pod on Instagram.Support the showHelp keep Tracks of Our Queers ad-free by shouting me a coffee right here. Thank you for your support.

Today I'm speaking with Beau Dean Riley Smith. Beau was born on Wiradjuri Country in Dubbo, Western NSW. But as a little kid the family moved to Culburra on the NSW South Coast where Beau spent his childhood surrounded by siblings, love and chaos while growing up at the beach. Beau didn't learn to dance as a kid, instead he studied drama in high school, before being accepted into the performance program at WAPPA—the Western Australian Academy of Performing Arts in Perth. It was a transformative year in which Beau's world exploded, and led to Beau auditioning for drama programs across the country, including NIDA—but Beau didn't get in, and so, in a surprise move, and with no dance experience, Beau auditioned for NAISDA—and was accepted. In this extraordinary conversation, Beau reveals his journey to joining Bangarra, his struggles with body image and weight, and his difficulties accepting the Helpmann Award for Best Male Dancer which coincided with the death of his sister. We also talk about the gravity of performing on Country, the pride and pressure that comes with that, and, in an unexpected announcement, Beau reveals that after nearly a decade with Bangarra he plans to leave the Company and reveals who he's signed with next.Beau continues to perform with Bangarra, but after more than a decade will leave the Company at the end of this year to join the Sydney Theatre Company. For Bangarra tour dates and to see Beau's final performances head to bangarra.com.au, and for Sydney Theatre Company tickets it's sydneytheatre.com.au. And to continue to follow all of Beau's adventures, you'll find him on Insta at @beaudrsmith.Beau and I met and recorded in Sydney on the land of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.

It's been a mere 900 years since last week's episode, and it's time to check in with Ashildr to see if she's still the naive and loving young girl she was back in her Viking village days. Or — like the rest of us — has she simply turned into Peter Capaldi's Doctor? It's The Woman Who Lived. Notes and links Nathan refers to the Blackadder the Third episode Amy and Amiability in which a young woman played by Miranda Richardson disguises herself as a highwayman called the Shadow, who has a serious problem with squirrels. The first scene of this story is very much written by someone who remembers that episode. In his massive best seller Outliers: The Story of Success, Malcolm Gladwell proposes the theory that it takes 10,000 hours to become really proficient at something. If you want to hear two of our favourite podcasters rip Gladwell's book apart, they do that in an episode of their podcast If Books Could Kill. Richard mentions the Sydney Theatre Company's 2020 production of The Picture of Dorian Gray, directed by Kip Williams and starring Eryn Jean Norvill as the only cast member, playing no less than 26 characters. Williams is bringing that production to London's West End in 2024, starring Succession's Sarah Snook. The Doctor Who production crew gave Maisie Williams and Rufus Hound video cameras so that they could record things that took place during the production. One of Rufus's videos made it onto the Series 9 blu-ray release; three of them can be found on the BBC's YouTube channel — here, here, and here. Watch them: they're adorable. Picks of the week Todd Todd recommends the Torchwood episodes also written by Catherine Tregenna, particularly the sad and beautiful Captain Jack Harkness, as well as Meat and Adam (and Out of Time, a brilliant episode that we didn't mention). Simon Simon wants you watch The Beast (2023) starring Léa Seydoux, who played James Bond's love interest in the two most recent films. It's a romance set in three different time periods, 1910, 2014 and 2044. It's due for release some time early next year. Richard Richard has headed into Big Finish territory, particularly those stories starring Rufus Hound as the Monk, particularly The Missy Adventures, whose first three box sets also feature Rufus Hound. He also appears with Tim Treloar and Katy Manning in Volume 4 of The Third Doctor Adventures. Nathan Nathan's back on his Star Trek thing again, and this time it's Star Trek: Lower Decks Series 4, which is nearing its end as we release this episode. You can also catch our coverage of Lower Decks on Untitled Star Trek Project. Follow us Nathan is on X as @nathanbottomley, Richard is @RichardLStone, Todd is @toddbeilby,and Simon is @simonmoore72. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on X at @FTEpodcast. We're also on Facebook, Mastodon, and Bluesky, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we'll forget we ever met you and get cross with you when you turn up on our doorstep with flowers and champagne. And more We are launching a new commentary podcast on Space:1999 next weekend, so keep an eye out for more details during the week. (The title is, for now, still a closely-guarded secret.) A couple of our podcasts are finished or on hiatus right now. Jodie into Terror was our flashcast on every episode of the Whittaker era, recorded just a couple of days after the broadcast of the episode. Bondfinger is our James Bond commentary podcast, which also covers some of our favourite spy-fi TV shows of the sixties and seventies. Maximum Power is back! Our podcast about Blakes 7, co-produced with the Trap One podcast, returns today with a pre-Series C episode based on the Big Finish Blakes 7 story Warship, set between Star One and Aftermath. We'll be back each week to cover each episode of Series C. And finally, there's our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week we watched a surprisingly enjoyable episode of Star Trek: Voyager, which gave Janeway and Chatokay some time to pursue a mostly non-cringeworthy romantic relationship.

Steven Soderbergh (Producer) is a writer, director, producer, cinematographer, and editor. He most recently directed this year's Magic Mike's Last Dance, as well as the forthcoming HBO Max limited series “Full Circle.” He earned the Academy Award in 2000 for directing Traffic, the same year he was nominated for Erin Brockovich; and an Emmy Award for Outstanding Directing for his 2013 HBO film “Behind the Candelabra.” Soderbergh earlier received an Academy Award nomination for Best Original Screenplay for sex, lies, and videotape, his feature film directorial debut. That film also won the Palme d'Or at the 1989 Cannes Film Festival. Soderbergh has also worked as a theatrical director, creating and directing the play Tot Mom at the Sydney Theatre Company in December 2009; as well as directing the world premiere of Scott Z. Burns' play The Library at New York's Public Theater in April 2014. Emma Sheanshang (Playwright) is a playwright and screenwriter from New York City. Her first play, Every Girl Gets Her Man, was performed at the Soho Playhouse.Greetings from Tim Buckley, a film she co-wrote with director Dan Algrant, starring Penn Badgley and Imogen Poots, premiered at the Toronto Film Festival.  Dan Algrant (Director) is a film director and writer. His films include Greetings from Tim Buckley (Focus World/Tribeca), which premiered at the Toronto International Film Festival, Naked in New York (Fine Line Features) and People I Know starring Al Pacino (Miramax Films). Dan has also directed HBO's Emmy winning “Sex and the City” and award-winning short films including Some Film Chopping Wood. He directed the documentary Anything for Jazz about piano legend Jaki Byard, executive produced How to Grow a Band about prodigy mandolinist Chris Thile and the Punch Brothers and acted in Steven Soderbergh's The Girlfriend Experience and Let Them All Talk with Meryl Streep, Candace Bergen and Lucas Hedges. Current directing projects include the film Little Rootie Tootie, executive produced by Whoopi Goldberg; and Cathedrals, a documentary spanning nearly fifty years of the lives of two young men living in the Cathedral Housing projects in Boston, MA.   Learn more about your ad choices. Visit podcastchoices.com/adchoices