Podcast appearances and mentions of Audrey Hepburn

La firma de Macaco (Daniel Carbonell, 53 años) estará vinculada siempre a la felicidad, al canto por la libertad, por lo colectivo, por la diversidad. Desde que comenzó cantando en las calles del Raval hasta el éxito de 'Moving' que le situó en el panorama musical internacional, se ha mantenido siempre fiel a esos principios durante casi tres décadas que ha dedicado a la música. El barcelonés mantiene la diversidad de géneros y estilos que siempre ha marcado su música, de los que se ha nutrido a lo largo de su carrera peor también en sus orígenes artísticos en Escudellers, en el barrio Gótico barcelonés, donde vivió con músicos procedentes de todo el mundo en una casa okupa. "He tenido la suerte de crecer con músicos de todos lados, y al final somos semillas de donde hemos nacido repartidas por el mundo".Hemos rastreado con él esos inicios hasta su primera canción, 'El galope del caballito de papel'. Una canción que nunca llegó a materializarse y que nosotros hemos tenido el privilegio de escuchar, porque a pesar de los años que han pasado, sigue recordando su letra. Unos versos que nacieron frente al piano que tenían sus padres cuando era pequeño, que había pertenecido al pianista Tete Montoliu, y con el que exploró e improvisó cuando su "rígida" profesora de piano no miraba.La música corre por sus venas, y esa genética la heredó sobre todo de su madre, María Teresa Heras, a quien escuchamos todos mucho antes de que su hijo triunfara con 'Moving', y es que Heras fue una reconocida actriz de doblaje en los años 60 que puso voz a películas como 'Mary Poppins' y 'Sonrisas y Lágrimas', doblando las canciones de Julie Andrews y Audrey Hepburn. Gracias a ella, él también se animó desde bien pequeño con el doblaje y puso voz a Mikey Walsh en la película Los Goonies.Su madre falleció el pasado mes de agosto, pero está muy presente en su música, y nos adelanta que en su próximo disco va a tener una huella especial, una "canción fantasma" que sorprenderá a los oyentes al final del disco, con unas palabras que su madre le dijo durante un sueño. "De repente me giro y me dice, "está guay el disco, pero tienes que decir esto". Y de repente me dijo unas palabras y me desperté, cogí el móvil y lo grabé. Al día siguiente me fui al estudio, justo íbamos a enviar el mastering, y lo metí en el disco".El próximo 14 de noviembre Macaco publica su álbum "Futuro Ancestral", un oxímoron que nos llama a reflexionar sobre el futuro poniendo la vista en el pasado. Se define como un álbum afilado, consciente e irónico, que bebe de las músicas de raíz del sur del mundo para reflexionar sobre el presente. A través de sus versos Macaco denuncia un mundo donde “decir la barbaridad más inhumana está de moda” y donde “la empatía ya no se lleva, se ahoga”. 

La firma de Macaco (Daniel Carbonell, 53 años) estará vinculada siempre a la felicidad, al canto por la libertad, por lo colectivo, por la diversidad. Desde que comenzó cantando en las calles del Raval hasta el éxito de 'Moving' que le situó en el panorama musical internacional, se ha mantenido siempre fiel a esos principios durante casi tres décadas que ha dedicado a la música. El barcelonés mantiene la diversidad de géneros y estilos que siempre ha marcado su música, de los que se ha nutrido a lo largo de su carrera peor también en sus orígenes artísticos en Escudellers, en el barrio Gótico barcelonés, donde vivió con músicos procedentes de todo el mundo en una casa okupa. "He tenido la suerte de crecer con músicos de todos lados, y al final somos semillas de donde hemos nacido repartidas por el mundo".Hemos rastreado con él esos inicios hasta su primera canción, 'El galope del caballito de papel'. Una canción que nunca llegó a materializarse y que nosotros hemos tenido el privilegio de escuchar, porque a pesar de los años que han pasado, sigue recordando su letra. Unos versos que nacieron frente al piano que tenían sus padres cuando era pequeño, que había pertenecido al pianista Tete Montoliu, y con el que exploró e improvisó cuando su "rígida" profesora de piano no miraba.La música corre por sus venas, y esa genética la heredó sobre todo de su madre, María Teresa Heras, a quien escuchamos todos mucho antes de que su hijo triunfara con 'Moving', y es que Heras fue una reconocida actriz de doblaje en los años 60 que puso voz a películas como 'Mary Poppins' y 'Sonrisas y Lágrimas', doblando las canciones de Julie Andrews y Audrey Hepburn. Gracias a ella, él también se animó desde bien pequeño con el doblaje y puso voz a Mikey Walsh en la película Los Goonies.Su madre falleció el pasado mes de agosto, pero está muy presente en su música, y nos adelanta que en su próximo disco va a tener una huella especial, una "canción fantasma" que sorprenderá a los oyentes al final del disco, con unas palabras que su madre le dijo durante un sueño. "De repente me giro y me dice, "está guay el disco, pero tienes que decir esto". Y de repente me dijo unas palabras y me desperté, cogí el móvil y lo grabé. Al día siguiente me fui al estudio, justo íbamos a enviar el mastering, y lo metí en el disco".El próximo 14 de noviembre Macaco publica su álbum "Futuro Ancestral", un oxímoron que nos llama a reflexionar sobre el futuro poniendo la vista en el pasado. Se define como un álbum afilado, consciente e irónico, que bebe de las músicas de raíz del sur del mundo para reflexionar sobre el presente. A través de sus versos Macaco denuncia un mundo donde “decir la barbaridad más inhumana está de moda” y donde “la empatía ya no se lleva, se ahoga”. 

In this first of a multi-part exploration of William Friedkin's ground-breaking and massively successful adaptation of William Peter Blatty's best-selling novel 'The Exorcist': Friedkin & DP Owen Roizman coming off 'The French Connection' and into 'The Exorcist' Casting travails involving Jack Nicholson, Paul Newman, Jane Fonda, Anne Bancroft, and Audrey Hepburn. Jason Miller and Ellen Burstyn willing themselves into their roles. Studio pushback on the film's prequel, set in Iraq, and Friedkin's demand that they film there despite political upheaval and a lack of an Iraqi film industry. The search for a girl to pay Regan; over 1,000 seen, hundreds screen-tested, before Linda Blair walked into the film production's offices. Special Effects approaches courtesy of Dick Smith and Rick Baker. Soundtrack troubles with Bernard Hermann and Lalo Schiffrin and the saving grace of Mike Oldfield's 'Tubular Bells'. This episode features Friedkin, Blatty, Roizman, and Ellen Bursytn in their own words. Other Friedkin Full Cast & Crew Episodes: The French Connection To Live And Die In LA    

In the beginning, God said, “Let there be light.” But then, apparently, He got bored and switched it off just to see what would happen. Welcome to Sitting in the Dark, where this month Kynan, Chelsea, Tommy, and Pete explore what happens when filmmakers yank away humanity's favorite nightlight. Their lineup: Wait Until Dark (1967), Don't Breathe (2016), and Pitch Black (2000)—three films that remind us that darkness isn't just the absence of light, it's the presence of bad decisions.We start with Wait Until Dark, in which Audrey Hepburn, recently blinded, gets harassed by Alan Arkin and a few other men who apparently missed the memo about “don't terrorize vulnerable women.” Then we stumble into Don't Breathe, where three young idiots break into the wrong house and discover that Stephen Lang's blind war vet has taken “home security” to a level that can only be described as “OSHA violation.” Finally, the crew rockets to Pitch Black, where Vin Diesel proves once again that he can growl through any lighting condition. It's a film so early-2000s it practically comes with a Nu Metal soundtrack and a free AOL disc.So grab your flashlights, blow out your candles, and maybe keep one bulb unbroken… you know, just in case.Featured FilmsTonight's Triple Feature:Wait Until Dark - Apple TV | Amazon | LetterboxdPitch Black - Apple TV | Amazon | LetterboxdDon't Breathe - Apple TV | Amazon | LetterboxdView Our List on Letterboxd (00:00) - Welcome to Sitting in the Dark (02:05) - Between Light and Dark (04:33) - Wait Until Dark (25:44) - Don't Breathe (47:20) - Pitch Black Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Kyle | Kynan | Pete | TommyShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

#166: In this episode, Frauke sits down with aromatherapist, herbalist, and botanical perfumer Sharon Falsetto Chapman to explore how plants and scent can be powerful partners in healing and self-discovery. Sharon shares her deeply personal journey, from leaving an abusive marriage and facing chronic illness, to rebuilding her life through gardening, aromatherapy, and natural perfumery. She reflects on how tending to plants and creating with scent helped her reconnect to nature, emotions and creativity after years of suppression. Together, Frauke and Sharon discuss how connecting with plants can ground and heal us through difficult transitions, the importance of building a healing relationship with plants instead of simply using them, what perfumery can teach us, and how scent can express who we are and help us grow into who we want to be. Sharon also introduces her new line of botanical perfumes inspired by classic Hollywood women like Audrey Hepburn and Louise Brooks. This episode is a gentle reminder that healing can begin with something as simple as a single potted plant, a walk through a garden, or the scent that brings you back to yourself.Check out Sharon's new line of botanical perfumes Visit Sharon's Substack Stories of Scent Connect with Sharon on Instagram Connect with Sharon on FacebookConnect with Sharon on LinkedInWatch the Sedona Aromatics on YouTube Listen to the Aroma Paths Podcast Follow Frauke on Instagram: ⁠⁠⁠⁠@an_aromatic_life ⁠⁠⁠⁠Visit Frauke's website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.anaromaticlife.com⁠⁠⁠⁠⁠⁠⁠⁠Get No Place for Plants children's book on Amazon⁠Learn about Frauke's ⁠⁠⁠⁠⁠⁠⁠Scent*Tattoo Project

We are back! After 2 months off, we are online again and ready to review 1967's WAIT UNTIL DARK, written and directed by Terence Young. Plus, a real life brawl between a blind man and an intruder, all the movies we've been watching, and Alan Arkin subjecting himself to the worst job in the world: being mean to Audrey Hepburn.You can follow the podcast and hosts on Twitter at @dykemadden and @ellemdesigns, and the podcast itself HorrorTimePod on Twitter/Bluesky! If you like what we do, you can rate, review, and subscribe to us on Spotify, Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover in the future!

DEFENDANT: Pazuzu EVIDENCE: Manos Special Edition "The Exorcist" Cabernet Sauvignon SCENE OF THE CRIME: Hell, or a staircase near you...  -- Hey friend — welcome to our spooky season send-off. We cracked a bottle of Manos Cabernet, sunk into the couch, and dove headfirst into The Exorcist: the movie, the poster, the Pazuzu lore and all the deliciously grim behind-the-scenes gossip. Expect laughter, wine-fueled tangents, and the kind of true-crime sidetracks that only two slightly lubricated hosts can provide. We unpack why that iconic image of Father Merrin under the lamplight still freaks us out (Magritte vibes included), how the film shaped the possession subgenre, and why Linda Blair and Ellen Burstyn left their mark on horror history. We talk casting choices that almost were (Marlon Brando, Audrey Hepburn?), the haunting performance choices, and how Pazuzu went from ancient Mesopotamia to Hollywood's demon of choice. Of course we get into the messy, human side: on-set injuries, practical effects (the real vomit/peanut-soup moment), Mercedes McCambridge's voicework, and William Friedkin's famously brutal directing methods. Plus the awkward modern problems — streaming paywalls, holiday theater lines, and whether you should ever feed Necco wafers to road-trip company. Sprinkled between film history are the personal stories: first-time screenings, dating decisions made at horror films, and the ridiculous pop-culture riffs that happen when you mix wine with movie analysis. If you love spooky, culty cinema, or just want a cozy chat about why The Exorcist still matters (and why Pazuzu might actually be misunderstood), this episode is for you. Give it a listen, tell us your favorite spooky bottle art, and rank our mini-series with us — we want to know which movie haunted you the most. Cheers (and maybe don't say Pazuzu in a mirror)!

Hoy rememoramos la vida de una de las musas de Woody Allen, una de las actrices que más películas tiene en la lista de las 100 mejores películas de la historia del cine, hoy recordamos a Diane Hall Keaton. La pequeña Diane nació en Los Ángeles el 5 de enero de 1946, que menos mal que allí se celebra Papá Noel, que si no iba a tener por su cumpleaños menos regalos que Doña Sofía en su aniversario de Boda. Diane fue la mayor de 4 hermanos, la que conseguiría uno de los derechos adquiridos menos reconocido en el ámbito familiar: que los hermanos chicos se puedan recoger más tarde. Su padre, John Newton Ignatius Hall, era agente inmobiliario e ingeniero civil y su madre, Dorothy Keaton, ama de casa y fotógrafa aficionada, porque ahí todavía se podía criar a 4 niños, pagar el alquiler, tener un coche y tele por cable con un sueldo. Cuando era niña, a la madre le dieron el premio “Sra. de los Ángeles” para amas de casa en un evento tan teatral que parecía el descanso de la Superbowl, decidiendo desde ese día dedicarse a la actuación. Y porque le gustaba Audrey Hepburn, pero ese motivo no podía darlo porque ella ya tenía gafas y espejos en su casa. Ya desde chica eran tan resabía que en las comidas de Acción de Gracias en su casa eran los cuñaos los que ponían excusas para no ir. Y así fue como Diane tuvo la niñez, adolescencia y juventud más aburridas que las cartas de Pablo a los Corintios. Eso sí, su gran talento junto al estudio de múltiples técnicas, su preparación en tantas universidades y academias güenas y un gorro bastó para triunfar en Hollywood con esa cara que tenía. Inició su carrera en el teatro en Nueva York a finales de los 60 y luego le gustó a Woody Allen que eso es como que te toque el sueldazo de Nescafé. Aunque hay que decir que con su 1.69 Allen casi la descarta por ser 4 cm más alto que él y por tener menos autoestima que Natalie Portman en el Cisne Negro. Diane se cambió el apellido al de soltera de su madre pq cuando se inscribió en el sindicato de actores ya había una Diane Hall inscrita, que triunfó menos que el Nesquik de fresa. En los años 70 inició su carrera en el cine: hizo de la novia de Corleone en las películas de El Padrino y se lió con Al-Pacino. Fue la co-protagonista de Annie Hall y se emparejó con Woody Allen. Menos mal que no la llamaron pa Torrente. Ya en esta época, como había ganao el Óscar le daba tó iguá, así que se plantó las gafas de pasta y un gorro grande que le tapaba la frente, que eso era como el mostrador de cristal de la charcutería del Supersol. Nunca se casó y como a los 50 quería vivir emociones fuertes adoptó dos niños, que también te digo Diane, que si lo que tu quería era una emoción fuerte haberte montao en la noria de cualquier feria nivelá con dos tacos de madera. Desgraciadamente, el pasado 11 de octubre, Diane Keaton se quedó en los 79 años y se perdió el paseo de la cabra de la legión aunque ustedes siempre podrán recordarla cada vez que vean el descanso de la Superbowl o lean una carta de Pablo a los Corintios.

Miguel Ángel González Suárez te presenta el Informativo de Primera Hora en 'El Remate', el programa matinal de La Diez Capital Radio que arranca tu día con: Las noticias más relevantes de Canarias, España y el mundo, analizadas con rigor y claridad. Miguel Ángel González Suárez te presenta el Informativo de Primera Hora en 'El Remate', el programa matinal de La Diez Capital Radio que arranca tu día con: Las noticias más relevantes de Canarias, España y el mundo, analizadas con rigor y claridad. Hoy hace un año: Miles de personas piden en Madrid la convocatoria de elecciones con el respaldo de PP y Vox. Y hoy hace 365 días: Multitudinaria manifestación en Canarias contra el turismo masivo: "Es un exceso". Hoy se cumplen 1.347 días del cruel ataque e invasión de Rusia a Ucrania. 3 años y 237 días. Hoy es martes 21 de octubre de 2025. Día Mundial del Ahorro de Energía. El 21 de octubre se celebra el Día Mundial del Ahorro de Energía con el objetivo de invitar a la sociedad a reflexionar sobre el consumo energético que realizamos en el día a día. Con pequeñas acciones, podemos hacer un uso más eficiente de la energía. 1805.- Tiene lugar la batalla de Trafalgar, ganada por la escuadra inglesa a la formada por españoles y franceses. Mueren Nelson, Churruca y Alcalá Galiano. 1879.- Thomas Alva Edison inventa la bombilla de luz eléctrica. Tal día como hoy, 21 de octubre de 1945, las mujeres en Francia obtienen el derecho a votar en las elecciones parlamentarias como parte del movimiento del sufragio femenino. Muchos atribuyen el inicio del movimiento del sufragio femenino moderno a las mujeres en Francia en el siglo XVIII. 1967.- Multitudinaria manifestación pacífica junto al Memorial Lincoln de Washington DC en contra de la guerra de Vietnam. 1971: En Suecia, Pablo Neruda recibe el premio Nobel de literatura. 1977: Regresa a España Josep Tarradellas, presidente de la Generalitat catalana en el exilio. 2017.- El Gobierno aprueba la aplicación del artículo 155 de la Constitución en Cataluña. Miles de personas se manifiestan en Barcelona en contra. Santos Hilarión, Asterio, Zótico y Dasio. Trump llama al presidente de Colombia "líder del narcotráfico" y anuncia el fin de la ayuda financiera. Colombia llama a consultas a su embajador en Estados Unidos en plena crisis diplomática. El cambio de hora: el Gobierno reabre el debate pero decidirá la Unión Europea. Feijóo ve "inmoral" que el Gobierno "castigue" a los autónomos "mientras tolera abusos en sus propias filas" El Gobierno rectifica y plantea congelar las cuotas de los autónomos que ganen menos para 2026. Montero presentará "muy pronto" el techo de gasto y reconoce "aproximaciones" con los grupos para aprobar los PGE. Hacienda ‘premia’ con 1.150 euros a quienes convivan con mayores de 65 años. Este beneficio no es una ayuda directa ni un pago, sino una reducción en la base imponible del impuesto, lo que implica pagar menos en la declaración de la renta. Piden mantener “una hora menos en Canarias” aunque se quite el cambio horario. Cristina Valido ha señalado que "aunque parezca una tontería" es "muy importante. El presupuesto de Canarias aumentará un 7% en 2026, hasta los 12.491 millones de euros. Por tercer año consecutivo se incumple la promesa electoral de PP y CC de efectuar una rebaja general en el IGIG. La población canaria, la que más litiga del país pese a la bajada en el número de pleitos. En el segundo trimestre del años se contabilizaron un total de 121.059 asuntos en los órganos judiciales isleños. La llegada de turistas internacionales sigue imparable en Canarias: 11,6 millones hasta septiembre, un 4,6% más. De nuevo, son los viajeros procedentes de Reino Unido y Alemania los más numerosos. Los estudiantes de Formación Profesional son los que más se fugan de clase en Canarias. El Archipiélago deja atrás el papeleo tradicional y estrena una app que permite a los centros educativos coordinarse con los ayuntamientos para registrar cada mes los datos de absentismo escolar. 1964.- Estrenó en el Criterion Theatre de Nueva York del filme de George Cukor "My fair lady" protagonizada por Audrey Hepburn

In this Garage Edition, Jeremy Cordeaux fires up The Court of Public Opinion with a classic mix of politics, wit, and reflection. From the government’s quiet attempt to restrict Freedom of Information, to King Charles meeting with representatives from Uluru, lithium battery dangers, and Barnaby Joyce’s rumoured alliance with Pauline Hanson — Jeremy calls it as he sees it. He also praises SA Premier Peter Malinauskas for his leadership, criticises “race-based politics”, and pays tribute to icons from Brigitte Bardot to Audrey Hepburn. A blend of political punch, nostalgia, and straight talk — the Garage Edition at its finest.See omnystudio.com/listener for privacy information.

Die derbe Blumenverkäuferin Eliza Doolittle, die nur Cockney spricht und aus der der Phonetiker Professor Higgins eine Dame machen will: Der Hollywoodfilm nach dem gleichnamigen Bühnenmusical von Alan Jay Lerner und Frederick Loewe wurde 1964 mit Oscars überhäuft und spielte an den Kinokassen 72 Millionen Dollar ein.

Welcome to Dev Game Club, where this week we continue our series on 2010's Deadly Premonition. We revisit the Twin Peaks of it all, and then discuss some of the more mechanical aspects of the game, particularly the profiling and the combat. And then there's that open world. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Past/to the Sawmill (Tim/Brett) Issues covered: schedule of the next couple weeks, rewatching the Twin Peaks pilot, homage or theft?, leaning into the uncanny valley, things in video games we don't want to show people, technical limitations, localization issues, copying the diner, pricing items, music choices and tones and creepiness, adaptation and filters, conversations about rain, an artifact, survival horror elements, profiling, going through the clues, York putting together the profile, putting the player in the crime scenario, who is Zach?, hot take from Tim: "serial killers are bad news," having confidence in the story, dipping into the combat, aiming and lock-on, failing QTEs, random QTEs vs not, picture-in-picture, talking to Zach in the car, walking around the town after dark, the horrible map and how it interacts with driving conversations, a mechanic to help you understand the game that you don't understand, learning the space, car/character relativity, peeking into buliding windows, zombies after midnight and the blood moon, similarities to Silent Hill 2, the difficulty of making this at AAA scale, unorthodox mechanics, good moment-to-moment gameplay, publisher cachet, hearing about the games.  Games, people, and influences mentioned or discussed: Welcome Back Kotter, Portal 2, Defeating Games for Charity, Phil Salvador, Video Game History Foundation, KyleAndError, Twin Peaks, Nintendo Switch, Swery, Yakuza: Like A Dragon, Waitress, Mark Frost, David Lynch, Naomi Watts, Batman (series), Golden Idol (series), Return of the Obra Dinn, Heavy Rain, Mindhunter, David Fincher, Zodiac, Se7en, Jaws, Miguel Ferrer, Fire Walk With Me, Chris Isaak, Kiefer Sutherland, God of War (2004), Shenmue, Alien: Isolation, Beyond Good and Evil, PhysX, Don't Look Now, Nicolas Roeg, Julie Christie, Donald Sutherland, Ferris Bueller's Day Off, Fred Ward, Remo Williams: The Adventure Begins, Joel Gray, Jennifer Gray, Olivia Newton-John, Xanadu, Audrey Hepburn, GTA 3, Silent Hill 2, Hideo Kojima, Metal Gear Solid (series), Death Stranding, Suda51, No More Heroes, Lollipop Chainsaw, Shadows of the Damned, Remedy Entertainment, Sam Lake, Far Cry, Sony, Spelunky, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: More Deadly Premonition! Twitch: timlongojr and twinsunscorp YouTube  Discord  DevGameClub@gmail.com 

Aujourdʹhui dans Travelling, un classique des classiques. Si je vous dis : une longue robe noire, un chignon relevé, un long porte-cigarette, une taille de brindille et le regard pétillant, vous aurez tout de suite en tête la silhouette longiligne dʹAudrey Hepburn qui incarne Holly Golightly dans Diamants sur canapé, Breakfast at Tiffanyʹs, une des silhouettes les plus célèbres du cinéma créé par le couturier français Hubert de Givenchy. Le film de Blake Edwards sort en 1961, adapté dʹune nouvelle de Truman Capote. Dans Diamants sur Canapé, Audrey Hepburn est splendide et mutine aux côtés de George Peppard, Mickey Rooney, Patricia Neal, et dʹun chat, cabotin comme pas deux. Lʹhistoire est celle dʹune coureuse de millionnaires et dʹun écrivain gigolo qui vont, après bien des péripéties, tomber amoureux. Mais le film est plus profond que cela. Sous le vernis et la comédie se cache une vraie désespérance, une quête du bonheur et de la sécurité matérielle et affective. Cʹest normal, cʹest du Blake Edwards et rien nʹest rose pour lui, à part peut-être sa panthère quʹil tournera juste après. Porté par sa musique composée par Henri Mancini, et pour laquelle il reçoit un Oscar en 1962, par sa comédienne, par son iconographie, Breakfast at Tiffanyʹs rencontre tout de suite un succès jamais démenti et entre dans la légende du cinéma en lançant lʹère des femmes libérées. Mais nous allons vous raconter tout ça. REFERENCES Audrey Hepburn du côté de chez Fred https://www.youtube.com/watch?v=RslrD6jc2fk Moon River chanté par Audrey Hepburn https://www.youtube.com/watch?v=BOByH_iOn88 WASSON Sam, 5e Avenue, % heures du matin, Sonatine, 2012

WELCOME BACK, SISTERS! After what felt like an interminable break between seasons 2 & 3, we are officially BACK with the very first installment of our Love Triangle Era! We hope you had an incredible summer (where you turned, somehow, even prettier) and that you're ready to meet us at the Larrabee estate under a full moon as we discuss Sabrina (1954), starring three legends - Audrey Hepburn (!!!), Humphrey Bogart (!!), and William Holden. We come in HOT with too much analysis and too many opinions - if you've been here before, you know the drill.As always, please find us on Instagram @sisflickspodcast, on Letterboxd as Sis Flicks Podcast and on Patreon - and shoot us an email any time at sisflickspodcast@gmail.com. We would love to chat with you and hear your thoughts on our Fall 2025 lineup, available on our Instagram!

Check out 17 historical shots that represent different eras and manage to perfectly capture life at that time. We've found some rare pictures of stunning Audrey Hepburn, young Winston Churchill, Ernest Hemingway boxing and the creators of The Simpsons themselves. Believe it or not, someone even managed to capture a woman born in the first half of the 18th century on a real photograph. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamie Kennedy's return to Undressed is like a double shot of espresso—smooth, bold, and a little wild. In this second part of our 100th episode, Jamie opens up about love, money, and the kind of bag that can make a grown man tear up. He paints a cinematic picture of gifting his “Audrey Hepburn” of a girlfriend a $4,000 Louis Vuitton from the Beverly Center—the shriek, the joy, the protective hook for the bag in her car—and then confesses he's eyeing a Birkin next (“thirty grand, chumps!”). It's the kind of moment that makes you laugh while tugging at your heart, especially as he reveals she didn't grow up with nice things and now cherishes every detail. From there, the convo swings from the surreal (Jamie's jaw dropping at a military parade featuring Kim Jong-un, Xi Jinping, and Putin) to the hilarious (banter about whether “the gays” would make jail “pretty” and Martha Stewart's jail doilies) to pure Hollywood gossip—like the shocker that Sabrina Carpenter's aunt is actually Bart Simpson (Nancy Cartwright!) and the low-key fortune Jennifer Tilly made off The Simpsons. But the real pulse of this episode beats in Jamie's vulnerability. He opens up about losing both parents, downsizing his life pre-COVID, Alyssa moving in, their pandemic ping-pong and naked sunbathing, and his current crossroads: rebuying his old Los Feliz home or starting fresh in Beverly Hills, Vegas, or even New Orleans. It's a midlife-meets-career confession that feels both raw and refreshingly unfiltered. Then comes the mystical twist. During his live coffee reading, a heart literally forms at the bottom of his cup—Pol' and Patrik see it too—and the energy in the studio shifts. The reading nudges Jamie toward love, partnership, and maybe even fatherhood (“Alyssa would be such a good mom”), as he wrestles with whether to finally “put a ring on it.” It's intimate, disarming, and strangely prophetic. Of course, the episode isn't all tears. Jamie dives headfirst into Runway Rundown, roasting and raving over Sophie Turner's sultry “I'm single” lace look, Chloe Sevigny's “Halloween Horror Nights” couture disaster, Austin Butler's 1975 porn-leather misstep, and even his own past fashion crimes (a black mesh headbanded ensemble he swears was for Kicking It Old School, but the hosts say screams “Motherlode at 3 a.m.”). The mix of self-deprecation and bold honesty is pure Jamie. By the end, you've laughed at Missy Elliott booting him out of a Phantom, gasped at the Seminole Hard Rock “death suite” he unknowingly slept in, and leaned forward as he weighs buying Raven-Symoné's Porsche. It's the ultimate Jamie Kennedy blend—Hollywood chaos, heartfelt confessions, and a coffee reading that feels like a cosmic mic drop. This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel!

Wait Until Dark and maybe things will get better? We aren't original song composers on this podcast, but one thing is for sure, we are about to be the best students at blind school. Our Anime Was (Not) A Mistake Spooktacular 2025 celebration continues with Wait Until Dark (1967). When a doll full of drugs winds up in the hands of the world's greatest recent blind lady Susy Hendrix aka Audrey Hepburn, a group of criminals is about to cause some trouble and settle in for some high-tension scares. Can Susy use her wits to defeat these criminals and out play a villainous Alan Arkin? You will have to sit in the darkness and listen to find out.  Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: “HALLOWEEN THEME (TRAP REMIX) (Michael Myers Theme)” – TRAP MUSIC NOW “Virtual Mima” – Perfect Blue Original Soundtrack [Masahiro Ikumi] “Sweet Halloween - [葉月ゆら/Hatsuki Yura]

Icons represent ideas that are bigger than themselves.Myths are stories that represent ideas that are bigger than themselves.Archetypes are symbols of recognizable patterns of behavior.Letters of the alphabet are symbols (graphemes) that represents sounds (phonemes,) just as notes on a sheet of music are symbols that represent sounds.A role model is a personal icon, an archetype that you have chosen to emulate.The human brain loves symbols and patterns. This is why we embrace icons, myths, and archetypes.When we recognize a pattern that has been stored in our subconscious, we call it intuition. When we hear a pattern that has been repeated too many times, we call it a predictable cliché.Icons, myths, and archetypes evolve with each new generation.I was born in the 12th year of the 18-year Baby Boom generation that began exactly 9 months and 10 minutes after the end of World War II.Marilyn Monroe was the iconic sex symbol. The Statue of Liberty, Yankee Stadium, Yellowstone, and Woodstock were America's iconic places. Rolls Royce, Cadillac, Corvette, Camaro and Mustang were iconic cars. Tetris, Pong, and Pac-Man were iconic video games.The mythic stories of Baby Boomers were mostly about combat. Sometimes we fought the Indians of the Old West. Sometimes we fought the Germans, or the Japanese. We fought the Establishment. We fought for justice. Or we fought just to stay alive.And we always won.Our definitive male archetype in these mythic stories was rugged, brave, independent, and honorable. John Wayne, Paul Newman, Clint Eastwood, Sean Connery.Baby Boomer female archetypes were smart, pretty, and strong; Elizabeth Taylor, Audrey Hepburn, Julie Andrews, Sophia Loren.Lots of movies ended with a wedding.These societal forces shaped the birth cohort known as the Baby Boomers.Gen-X was shaped by an entirely different set of icons, myths, and archetypes.Millennials had icons, myths, and archetypes that were all their own, as well.The Gen-Z cohort believes it is their responsibility to straighten out everything that the Boomers and X-ers screwed up.Gen-Alpha is determined to make their own decisions and decide for themselves what they want to do. They will be the vanguard of the next “Me” generation.Fortunately, there are elemental beliefs that bind us all together.It is upon those beliefs that successful customer-bonding ad campaigns are built. Openly name these beliefs and they lose their magic.If you claim to possess them, no one will believe you.EXAMPLES: Never claim to be honest. Just say something that only an honest person would say. Never claim to be a perfectionist. Just do something that only a perfectionist would do. Don't tell people that you are an author or a podcaster. Just give them a copy of your book. Invite them to be on your podcast.If you would win the hearts and minds of tomorrow's customers, this is what you must do:Imagine that you are standing face-to-face with three perfect customers and they are each looking into your eyes.The first one says, “Talk is cheap. Don't tell me what you believe. Show me.”The second customer says, “Tell me a true story that lets me know who you really are, including the price that you pay for being you.”Customer three says, “If you betray me after I have given you my trust, I will burn you down so hot that grass won't grow for 100 years.”Now you understand cancel culture. Frustration created it, and social media fuels it.People are looking for someone who really is...

Michelle is back, which means it's time to talk Billy Wilder again. This time the pair discuss the films Wilder made with the luminous Audrey Hepburn, Sabrina and Love in the Afternoon. As it turns out, these films have more in common than just their lead actress and they're a perfect contrast thematically and emotionally for each other.As always, Michelle and Jason dig deep and have some wonderful insights.

La storia di un film indimenticabile. La recitazione incantevole di Audrey Hepburn e George Peppard. La musica da Oscar di Henry Mancini e l'eleganza e il lusso di Tiffany a New York.

Send us a textFall has officially arrived, and we're celebrating with our signature blend of random observations and seasonal musings! Fresh off our annual Chardy Party (complete with a giant bottle of Rombauer and an unexpected second wave of late-night revelry), we're diving into autumn with renewed energy and plenty to discuss.Have you ever wondered what Chardonnay-flavored lip oil tastes like? Spoiler alert: not like Chardonnay at all! We sample this peculiar product and discover it's more cake batter than wine, which leads us down a rabbit hole of fall trends including the famous Pumpkin Spice Latte that was almost called something entirely different. Did you know Princess Kate is going blonder? Should brown pants really be this season's wardrobe staple? We have thoughts.The conversation takes some unexpected turns as we explore Europe's recent ban on gel nail polish due to concerning chemicals, Iceland's conservation efforts that literally involve throwing baby puffins off cliffs (for their own good!), and the extravagant transformation of college dorm rooms that has us questioning whether students should still experience the character-building joys of "roughing it." But the heart of our episode is a spirited debate about turtlenecks - from their practical origins protecting medieval knights' necks to their evolution as fashion statements worn by everyone from Audrey Hepburn to Steve Jobs. One of us champions their elegance while the other questions their comfort, all while reminiscing about our 1980s childhood fashion experiences that included unfortunate haircuts, coordinated outfits, and accessories with plastic fruit.Join us for this cozy fall conversation filled with laughs, nostalgia, and maybe even some fashion inspiration. Whether you're Team Turtleneck or not, we promise you'll be entertained by our journey through seasonal trends, bizarre global phenomena, and memories of matching pinafores!Mike Haggerty Buick GMCRight on the corner, right on the price! Head down to 93rd & Cicero & tell them the Noras sent you!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

We conclude this Hitchcockian August with the 1967 film, Wait Until Dark. Audrey Hepburn was nominated for an Academy Award for her role as Suzy, a woman blinded in an accident who finds herself the accidental target of dangerous drug traffickers, one of whom is a particularly deadly menace. Directed by Terrence Young and based on Frederick Knott's 1966 play, the film also stars Samantha Jones, Alan Arkin, Richard Crenna, Jack Weston, and Efrem Zimbalist Jr.

Fashion illustrations, caricatures, and fashion plates formed the backbone of fashion advertising before photography dominated the industry. These artistic expressions showcase the evolution of how fashion was communicated and marketed to audiences throughout history.Email us at magnifiquepod@gmail.com with suggestions for future episodes. Follow our links and social media to see examples of historical fashion illustrations from artists like Paul Iribe and George Barbier.Support the show

Our exit today has us discovering our royal roots. This week, we are talking about The Princess Diaries, written by Gina Wendkos and directed by Garry Marshall.Along the way, we of course talk about the debut performance of Anne Hathaway and a career return to Disney for Julie Andrews. But we also discuss Andrews' contemporaries Angela Lansbury and Audrey Hepburn, animated films turned stage musicals, Mandy Moore, the teen stars of this time period, San Francisco movies, trolley cars, and debate how good a friend Lily actually is!Plus, Tripp still can't let go of Hector Elizondo's product placement in Runaway Bride!Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Thieves! Romance! And France!Jason and Ryan purloin two films that are equal parts fun, silly, and suspenseful. Cary Grant and Audrey Hepburn each lead a chase to evade capture, live the high life, and win hearts.The Deep Question: If your life were a movie, what would be the title of that film?This Week's Features:How to Steal a Million (1966)To Catch a Thief (1955)Message Jason and Ryan

En este episodio de Hablemos de Moda hacemos un recorrido por los vestidos más icónicos del cine. Desde el rosa de Marilyn Monroe en Gentlemen Prefer Blondes y el little black dress de Audrey Hepburn en Breakfast at Tiffany's, hasta el rojo de Julia Roberts en Pretty Woman o el verde inolvidable de Keira Knightley en Atonement.

Once upon a time, Audrey Hepburn was having a very bad day... To hear more true stories just like this one, and gain access to the Classic Movie Library, movie commentaries, and much more, simply sign up now at ⁠https://www.patreon.com/c/attaboysecret Learn more about your ad choices. Visit megaphone.fm/adchoices

For the first of our Hitchcockian films, we discuss the best "Hitchcock film not directed by Hitchcock": Stanley Donen's Charade (1963), a somewhat satirical, fantastically entertaining globe-trotting thriller with a stellar cast featuring Cary Grant, Audrey Hepburn, and Walter Matthau. Next week we'll be chatting about Gaslight (1944), which somehow Hitchcock also did not direct.

This episode, we welcome writer, director Michael Farley, as well as actresses Sadie Katz, Johanna Rae and Emily Anna Bell to talk about the new movie THE SLAB https://igg.me/at/THESLAB/x#/ https://www.instagram.com/af9_films https://www.facebook.com/share/1CGxCByQkb/?mibextid=wwXIfr Michael Farley is known for The Slab and Project X. Emily Anna Bell is known for True Love (2021), Home Is Where the Killer Is (2019) and Memoir (2018). Sadie is an actress, writer, producer and documentarian with an award named in her honor (AMDOC'S Sadie Katz Award for Hustle.) She spent the last two decades balancing being a single mom and a scream queen genre actress and recently opened own production company "See You Next Tuesday Films" with the goal of telling female focused stories that don't involve sexed-up super villains or girls running through the woods. Sadie is mother to Gen Z artist/model Griffin Katz. She is engaged to documentarian Myles Reiff with whom she is expecting a child this September. They live in Atwater Village with their two cats Audrey Hepburn & Deliliah and a precocious chihuahua named Buffy. Johanna Rae Born in Winslow, Arkansas population 229, Johanna pursued her athletic dreams, becoming a high school track star earning her a full scholarship to the University or Arkansas at Little Rock a competitive D1 school. It was in college that Johanna discovered the arts, having never seen theater before in her small town. Her passion for sports turned into a passion for acting on both the stage and the screen. Her drive to become an actress led her to Los Angeles to continue her studies. Currently, Johanna is starring in several award winning Indie films. If you want to support the show, head over to http://tee.pub/lic/HIbVFqhaUyA and grab a shirt! We are proud to be part of The Dorkening Podcast Network https://www.thedorkeningpodcastnetwork.com/ and now DEAD OF WINTER ENTERTAINMENT https://www.deadofwinterentertainment.com Find out more at https://wicked-horror-show.pinecast.co Send us your feedback online: https://pinecast.com/feedback/wicked-horror-show/5e017e97-978a-48e2-ba64-4ca3db65cb56 This podcast is powered by Pinecast.

The summer series has crested the movie hill and is on the downslope with only a few years remaining in our top tens... but tonight is a pivotal one to Mikey & Dave - 1989 is on the docket and we have lots to talk about!    And helping us out is Friend of the Show and Almost Pulitzer Prize winning Radio Guru DJ Scotty "Father of Garrison 'Pride of Albany' Ryfun" Ryfun!  In this episode, the trio chat about Michael Douglas and the Yakuza... Patrick Swayze doing tai chi while smoking a cig... Steve Martin and all the kids... Michelle Pfeiffer on a piano... Tom Hanks in the suburbs... Dave's William Hickey voice... M'Lynn's brown football helmet... Rick Moranis in several films... why 20 minutes in crucial to The Abyss... Audrey Hepburn's last role... and of course DIPLOMATIC IMMUNITY Movies discussed and where to find them at time of recording The Abyss (Hulu; Disney+) Always (for rental) Back to the Future II (Hulu: Starz in Time Travel) Batman (HBO Max) Black Rain (Paramount+) The Burbs (for rental) Cinema Paradiso (for rental) The Fabulous Baker Boys (not available) Field of Dreams (Peacock Premium+) Ghostbusters II (for rental) Glory (for rental) Honey I Shrunk the Kids (Disney+) Indiana Jones & the Last Crusade (Paramount+; Disney+) Lethal Weapon 2 (TubiTV) Major League (Paramount+; MGM+) Parenthood (for rental) Road House (for rental) Say Anything (Hulu) Sea of Love (for rental) Steel Magnolias (TubiTV) The War of the Roses (for rental) When Harry Met Sally (for rental)

In this episode of Style Chat, stylists Sarah Liller and Tami Daylami unpack one of their favorite topics in fashion: style icons—what they are, how to choose one, and how they can help you define your personal style.They explore why it's not just about copying your favorite celebrity, but about finding someone whose vibe, body type, or coloring reflects aspects of your own essence. From Kate Moss to Sienna Miller, Audrey Hepburn to Serena van der Woodsen, Sarah and Tami break down the common threads of iconic style and how to borrow what works (and leave the rest).You'll learn: How to identify your style icon(s) and why it's okay to have more than one. Why body type, facial features, and even hair texture can influence what style inspiration works best for you. The real secret to a capsule wardrobe—and why those Pinterest-perfect beige collections aren't cutting it. How to take inspiration and turn it into a wearable, personal, and stylish wardrobe that feels like you. Plus: the blazer breakdown (Kate Middleton vs. Kate Moss), the “cocktail attire” myth, and why thrifting with your style icon in mind can be the most fun way to build your closet.Tune in, laugh along, and walk away with practical tools for discovering your style essence—and how to dress for it with confidence.Rate, review, and subscribe to Style Chat for more real-talk on fashion, style, and what it means to show up as your most stylish self.Sarah's IG: https://www.instagram.com/sarahlillerstyling/Tami's IG: https://www.instagram.com/tami_sofia/

348 - Truman Capote loved Audrey Hepburn, but NOT for Breakfast at Tiffany's! He wanted Marilyn Monroe!! Now tuck in for his compelling story of how we all value things AND each other in "The Bargain."

348 - Truman Capote loved Audrey Hepburn, but NOT for Breakfast at Tiffany's! He wanted Marilyn Monroe!! Now tuck in for his compelling story of how we all value things AND each other in "The Bargain."

El escritor Juan Tejero acaba de publicar “Audrey Hepburn, un toque de distinción' donde nos descubre que se esconde tras el mito de la actriz. Con Sole Mallol y Elsa González hablamos con los oyentes de esa trastada veraniega. Paufeel nos prepara un plato fresquito: ceviche de gambones con mango y aguacate.

Hi everybody, Scott here once again to welcome you to the podcast dedicated to the nation's favourite archive TV and movie channel, Talking Pictures TV. This is the podcast that brings you behind-the-scenes stories, special features, and the latest highlights from the wonderful world of classic cinema and beloved television shows. Whether you're a longtime fan or discovering these gems for the first time, settle in as we explore the unforgettable stars, hidden treasures, and fascinating history that make Talking Pictures TV such a unique part of our viewing lives.  It won't just be my voice you'll be hearing over the next 60 minutes—thank goodness, I can almost hear you say. Instead, I'll be handing over the reins to you, the viewers, who will share your thoughts, memories, and recommendations for the upcoming schedule. This proves once again that it's your voices, stories, and passion that truly bring the Talking Pictures TV community to life.  On this episode, we have wartime drama, classic film noir, Cary Grant, Audrey Hepburn, and even naked space vampires! We also have a very special interview from the archive with the much-loved and much-missed actor John Challis, probably best known to most of us as Boycie from Only Fools and Horses.  So, stay tuned as we embark on another journey through television's golden archive, celebrating the unforgettable moments that continue to inspire and enchant us all. 

In this episode of the show, probably one of the shortest on record, we continue our Richard Lester conversations by talking about one of his period epics, Robin and Marian. Over the course of our chat you will hear us talk about how on paper this movie works as an intellectual subversion of the swashbuckling genre and how in reality it only gets to buckle a few swashes. We also talk about Richard Lester's interest in period filmmaking and whether his dual interest in absurdity adds to the tonal dissonance permeating the movie, Sean Connery and Audrey Hepburn attempting to generate some chemistry and more. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsIntro: Infraction - CassetteOutro: Infraction - DaydreamHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Download Welcome to episode 435 of LOTC and the crew is looking at the theme, Disability Horror with Ian Irza. Ian came up with the theme this week and it is a very interesting topic that you don't hear as much about. Disability comes in many forms and when you look back in the history of cinema you can find many films with the likes of Tod Browning's Freaks, David Lynch's Elephant Man and the list grows. During this week's show the crew will discuss their thoughts on the theme as well as full reviews of 2016 Mike Flanagan's break out hit HUSH as well as 1967 Terence Young's Wait Until Dark starring Audrey Hepburn. We hope you will enjoy all the insight on this week's show.Grab those favorite snacks and beverages as you take a journey with us through the Land Of The Creeps.HELP KEEP HORROR ALIVE!!LOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdMusic,Movies,Sports & Stuff PodcastFacebook Music Movies Sports & StuffTwisted Temptress LinkLetterboxdIAN IRZA LINKSBLOG SITEFACEBOOKTWITTERINSTAGRAMLETTERBOXDLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebookLespecial FacebookLespecial Website

Comment on this episode by going to KDramaChat.comToday, we'll be discussing the movie Miss Granny, the hit Korean film starring Shim Eun-kyung as Oh Doo-ri, Na Moon-hee as the older Oh Mal-soon, Park In-hwan as Mr. Park, Sung Dong-il as Ban Hyun-chul, and Lee Jin-wook as Han Seung-woo. We discuss:The songs featured during the recap, including One More Time and Raindrop, both performed by Shim Eun-kyung, as well as If You Go to Los Angeles by Rose Motel and Shim Eun-kyung, and nostalgic covers like White Butterfly and Crying in the Night.How the movie blends humor and poignancy, diving into themes of aging, regret, family sacrifice, and how older women become invisible in society.The magical photo studio where Oh Mal-soon transforms back into her 20-year-old self, adopting the name Oh Doo-ri after her favorite star, Audrey Hepburn.The generational conflicts and multigenerational living arrangements, especially the tension between Oh Mal-soon and her long-suffering daughter-in-law Ae-ja.The cultural commentary on Korean society's reverence for elders, contrasted with the modern obsession with youth and beauty.The hilarious and touching portrayal by Shim Eun-kyung, whose physical comedy, mannerisms, and singing won her multiple Best Actress awards, including a Baeksang.How Oh Doo-ri's youthful appearance sparks new attention—from young men on the bus to a budding flirtation with the charming music producer Han Seung-woo.The layered dynamics between Oh Mal-soon, her son Ban Hyun-chul, her grandson Ban Ji-ha, and Grandpa Park, who has loved her since childhood.The memorable musical performances, especially Raindrop, filled with longing and life experience, and how Shim Eun-kyung did her own singing in the film.How the movie reflects on women's worth across the decades, through metaphors comparing women to different types of balls—and the critique of society's gaze.The heartfelt scene when Oh Mal-soon sacrifices her youth to save her grandson by donating blood, embracing her true self and familial love.How Miss Granny touches on themes of parental sacrifice, fulfillment of dreams, and the bittersweet opportunity to "start over"—even if only temporarily.ReferencesShim Eun-kyung - Wikipediahttps://koreancuisinerecipes.com/sengseon-jorim-생선조림/Bingsu - Wikipediahttps://www.koreanbapsang.com/la-galbi-gui-grilled-la-style-short-ribs/Roman Holiday - WikipediaCheongsimhwan - WikipediaKorean Media Age at First Marriage

Welcome to the Paint The Medical Picture Podcast, created and hosted by Sonal Patel, CPMA, CPC, CMC, ICD-10-CM.Thanks to all of you for making this a Top 15 Podcast for 4 Years: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blog.feedspot.com/medical_billing_and_coding_podcasts/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sonal's 15th Season starts up and Episode 9 features a Newsworthy spotlight on July as National Minority Mental Health Month.Sonal's Trusty Tip and compliance recommendations focus on new updates for Medicare and Mental Health.Spark inspires us all to reflect on hopes and aspirations based on the inspirational words of Audrey Hepburn.National Minority Mental Health Month for July 2025:Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://mhanational.org/bipoc-mental-health/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paint The Medical Picture Podcast now on:Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6hcJAHHrqNLo9UmKtqRP3X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/paint-the-medical-picture-podcast/id153044217⁠7⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://music.amazon.com/podcasts/bc6146d7-3d30-4b73-ae7f-d77d6046fe6a/paint-the-medical-picture-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Paint The Medical Picture Podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCzNUxmYdIU_U8I5hP91Kk7A⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Sonal on LinkedIn:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/sonapate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And checkout the website:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paintthemedicalpicturepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you'd like to be a sponsor of the Paint The Medical Picture Podcast series, please contact Sonal directly for pricing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PaintTheMedicalPicturePodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠

"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 -  6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES:  Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey;  Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, ⁠www.oscars.com⁠; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938);  Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939);  The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949);  Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954);  Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954);  The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965);  Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960);  Blue Hawaii (1961);  Girls! Girls! Girls! (1962);  Fun In Acapulco (1963);  Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961);  Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);,  The Man Who Would Be King (1976);  Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- ⁠http://www.airwavemedia.com⁠ Please contact ⁠sales@advertisecast.com⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul and Erin pack their bags and discuss two films about married couples going on multiple vacations: Alan Alda's 1981 comedy-drama THE FOUR SEASONS and Stanley Donen's 1967 drama TWO FOR THE ROAD.

In our continuation of love today for Audrey Hepburn, we discover the brilliant writing of Dunne from May of 1991 in Vanity Fair, and so much more about this remarkable lady. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the first of a double drop this week, Alicia takes you through the life and loves of Audrey Hepburn. Much is included within this initial episode to make Dunne's profile of Hepburn, coming next, even more extraordinary. Included are details about Audrey's childhood through the war, her breakthrough to success, her love affair with William Holden, and her divorces from Mel Ferrer and Andrea Dotti as well. We end with Audrey finding true happiness in her third act with lasting love and changing the world with her dear heart for UNICEF as its ambassador. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In our continuation of love today for Audrey Hepburn, we discover the brilliant writing of Dunne from May of 1991 in Vanity Fair, and so much more about this remarkable lady. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first of a double drop this week, Alicia takes you through the life and loves of Audrey Hepburn. Much is included within this initial episode to make Dunne's profile of Hepburn, coming next, even more extraordinary. Included are details about Audrey's childhood through the war, her breakthrough to success, her love affair with William Holden, and her divorces from Mel Ferrer and Andrea Dotti as well. We end with Audrey finding true happiness in her third act with lasting love and changing the world with her dear heart for UNICEF as its ambassador. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of You Are What You Read we are doing a deep dive into the life of Audrey Hepburn with Hollywood historian Tom Santopietro. In his work, Tom has studied the greats. His titles include The Sound of Music Story, The Importance of Being Barbra, Sinatra in Hollywood, The Godfather Effect, Why To Kill A Mockingbird Matters, the New York Times Editor's Choice Considering Doris Day, The Way We Were: The Making of a Romantic Classic, and now he is bringing us a definitive tribute to the glamor and character of a beloved icon, Audrey Hepburn. In Audrey Hepburn: A Life of Uncertainty, Tom shares rarely published details, photographs and stories about that will amaze you. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe